classes ::: vision,
children :::
branches ::: eye
see also :::

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object:eye
class:vision


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--- OBJECT INSTANCES [0]

TOPICS


AUTH


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--- PRIMARY CLASS


vision

--- SEE ALSO


--- SIMILAR TITLES [1]


1.57 - Beings I have Seen with my Physical Eye
1958-04-09 - The eyes of the soul - Perceiving the soul
1.hs - Slaves Of Thy Shining Eyes
1.iai - The light of the inner eye lets you see His nearness to you
1.ia - When The Suns Eye Rules My Sight
1.ia - While the suns eye rules my sight
1.jr - I Closed My Eyes To Creation
1.kbr - Plucking Your Eyebrows
1.lla - When Siddhanath applied lotion to my eyes
1.pbs - Eyes - A Fragment
1.rmr - Extinguish Thou My Eyes
1.rmr - Put Out My Eyes
1.rt - The Gardener XVI - Hands Cling To Eyes
1.rt - The Gardener XXVIII - Your Questioning Eyes
1.ww - Even As A Dragons Eye That Feels The Stress
1.ww - Hail- Zaragoza! If With Unwet eye
1.ww - Her Eyes Are Wild
eye
Eye of the Beholder
Rice Eyes Enlightenment in Dogens Kitchen
The Eye Of Spirit
to the eyes that see
Treasury of the True Dharma Eye Zen Master Dogens Shobo Genzo
You Are the Eyes of the World
select ::: Being, God, injunctions, media, place, powers, subjects,
favorite ::: cwsa, everyday, grade, mcw, memcards (table), project, project 0001, Savitri, the Temple of Sages, three js, whiteboard,
temp ::: consecration, experiments, knowledge, meditation, psychometrics, remember, responsibility, temp, the Bad, the God object, the Good, the most important, the Ring, the source of inspirations, the Stack, the Tarot, the Word, top priority, whiteboard,

--- DICTIONARIES (in Dictionaries, in Quotes, in Chapters)


eye, third mysterious :::

eyeless ::: without eyes; blind, sightless. :::

eyeball ::: n. --> The ball or globe of the eye.

eyebar ::: n. --> A bar with an eye at one or both ends.

eyebeam ::: n. --> A glance of the eye.

eyebolt ::: n. --> A bolt which a looped head, or an opening in the head.

eyebright ::: n. --> A small annual plant (Euphrasia officinalis), formerly much used as a remedy for diseases of the eye.

eyebrow ::: n. --> The brow or hairy arch above the eye.

eyecup ::: n. --> A small oval porcelain or glass cup, having a rim curved to fit the orbit of the eye. it is used in the application of liquid remedies to eyes; -- called also eyeglass.

eyed ::: imp. & p. p. --> of Eye ::: a. --> Heaving (such or so many) eyes; -- used in composition; as sharp-eyed; dull-eyed; sad-eyed; ox-eyed Juno; myriad-eyed.

eyedrop ::: n. --> A tear.

eye ::: n. --> A brood; as, an eye of pheasants.
The organ of sight or vision. In man, and the vertebrates generally, it is properly the movable ball or globe in the orbit, but the term often includes the adjacent parts. In most invertebrates the years are immovable ocelli, or compound eyes made up of numerous ocelli. See Ocellus.
The faculty of seeing; power or range of vision; hence, judgment or taste in the use of the eye, and in judging of objects; as,

eyeflap ::: n. --> A blinder on a horse&

eyeful ::: a. --> Filling or satisfying the eye; visible; remarkable.

eyeglance ::: n. --> A glance of eye.

eyeglass ::: n. --> A lens of glass to assist the sight. Eyeglasses are used singly or in pairs.
Eyepiece of a telescope, microscope, etc.
The retina.
A glass eyecup. See Eyecup.

eyehole ::: n. --> A circular opening to recive a hook, cord, ring, or rope; an eyelet.

eyelash ::: n. --> The fringe of hair that edges the eyelid; -- usually in the pl.
A hair of the fringe on the edge of the eyelid.

eyeless ::: a. --> Without eyes; blind.

eyeleteer ::: n. --> A small, sharp-pointed instrument used in piercing eyelet holes; a stiletto.

eyelet ::: n. --> A small hole or perforation to receive a cord or fastener, as in garments, sails, etc.
A metal ring or grommet, or short metallic tube, the ends of which can be bent outward and over to fasten it in place; -- used to line an eyelet hole.

eyelid ::: n. --> The cover of the eye; that portion of movable skin with which an animal covers or uncovers the eyeball at pleasure.

eyen ::: n. pl. --> Eyes. ::: n. --> Plural of eye; -- now obsolete, or used only in poetry.

eyepiece ::: n. --> The lens, or combination of lenses, at the eye end of a telescope or other optical instrument, through which the image formed by the mirror or object glass is viewed.

eyereach ::: n. --> The range or reach of the eye; eyeshot.

eyer ::: n. --> One who eyes another.

eye-saint ::: n. --> An object of interest to the eye; one worshiped with the eyes.

eyesalve ::: n. --> Ointment for the eye.

eyeservant ::: n. --> A servant who attends faithfully to his duty only when watched.

eyeservice ::: n. --> Service performed only under inspection, or the eye of an employer.

eyeshot ::: n. --> Range, reach, or glance of the eye; view; sight; as, to be out of eyeshot.

eyesight ::: n. --> Sight of the eye; the sense of seeing; view; observation.

eyesore ::: n. --> Something offensive to the eye or sight; a blemish.

eye-splice ::: n. --> A splice formed by bending a rope&

eye-spot ::: n. --> A simple visual organ found in many invertebrates, consisting of pigment cells covering a sensory nerve termination.
An eyelike spot of color.

eye-spotted ::: a. --> Marked with spots like eyes.

eyestalk ::: n. --> One of the movable peduncles which, in the decapod Crustacea, bear the eyes at the tip.

eyestone ::: n. --> A small, lenticular, calcareous body, esp. an operculum of a small marine shell of the family Turbinidae, used to remove a foreign substance from the eye. It is put into the inner corner of the eye under the lid, and allowed to work its way out at the outer corner, bringing with it the substance.
Eye agate. See under Eye.

eyestring ::: n. --> The tendon by which the eye is moved.

eyeteeth ::: pl. --> of Eyetooth

eyet ::: n. --> An island. See Eyot.

eyetooth ::: n. --> A canine tooth of the upper jaw.

eyewash ::: n. --> See Eyewater.

eyewater ::: n. --> A wash or lotion for application to the eyes.

eyewinker ::: n. --> An eyelash.

eyewink ::: n. --> A wink; a token.

eyewitness ::: n. --> One who sees a thing done; one who has ocular view of anything.

eyeball search
(Or vgrep) To look for something in a mass of code or
data with one's own native optical sensors, as opposed to
using some sort of pattern matching software like {grep} or
any other automated search tool.
Compare {vdiff}, {desk check}.
[{Jargon File}]
(1997-12-17)

eyeball ::: n. --> The ball or globe of the eye.

eyebar ::: n. --> A bar with an eye at one or both ends.

eyebeam ::: n. --> A glance of the eye.

eyebolt ::: n. --> A bolt which a looped head, or an opening in the head.

eyebright ::: n. --> A small annual plant (Euphrasia officinalis), formerly much used as a remedy for diseases of the eye.

eyebrow ::: n. --> The brow or hairy arch above the eye.

eyecup ::: n. --> A small oval porcelain or glass cup, having a rim curved to fit the orbit of the eye. it is used in the application of liquid remedies to eyes; -- called also eyeglass.

eyed ::: imp. & p. p. --> of Eye ::: a. --> Heaving (such or so many) eyes; -- used in composition; as sharp-eyed; dull-eyed; sad-eyed; ox-eyed Juno; myriad-eyed.

eyedrop ::: n. --> A tear.

eye ::: n. --> A brood; as, an eye of pheasants.
The organ of sight or vision. In man, and the vertebrates generally, it is properly the movable ball or globe in the orbit, but the term often includes the adjacent parts. In most invertebrates the years are immovable ocelli, or compound eyes made up of numerous ocelli. See Ocellus.
The faculty of seeing; power or range of vision; hence, judgment or taste in the use of the eye, and in judging of objects; as,

eyeflap ::: n. --> A blinder on a horse&

eyeful ::: a. --> Filling or satisfying the eye; visible; remarkable.

eyeglance ::: n. --> A glance of eye.

eyeglass ::: n. --> A lens of glass to assist the sight. Eyeglasses are used singly or in pairs.
Eyepiece of a telescope, microscope, etc.
The retina.
A glass eyecup. See Eyecup.

eyehole ::: n. --> A circular opening to recive a hook, cord, ring, or rope; an eyelet.

eyelash ::: n. --> The fringe of hair that edges the eyelid; -- usually in the pl.
A hair of the fringe on the edge of the eyelid.

eyeless ::: a. --> Without eyes; blind.

eyeleteer ::: n. --> A small, sharp-pointed instrument used in piercing eyelet holes; a stiletto.

eyelet ::: n. --> A small hole or perforation to receive a cord or fastener, as in garments, sails, etc.
A metal ring or grommet, or short metallic tube, the ends of which can be bent outward and over to fasten it in place; -- used to line an eyelet hole.

eyelid ::: n. --> The cover of the eye; that portion of movable skin with which an animal covers or uncovers the eyeball at pleasure.

eyen ::: n. pl. --> Eyes. ::: n. --> Plural of eye; -- now obsolete, or used only in poetry.

eyepiece ::: n. --> The lens, or combination of lenses, at the eye end of a telescope or other optical instrument, through which the image formed by the mirror or object glass is viewed.

eyereach ::: n. --> The range or reach of the eye; eyeshot.

eyer ::: n. --> One who eyes another.

eye-saint ::: n. --> An object of interest to the eye; one worshiped with the eyes.

eyesalve ::: n. --> Ointment for the eye.

eyeservant ::: n. --> A servant who attends faithfully to his duty only when watched.

eyeservice ::: n. --> Service performed only under inspection, or the eye of an employer.

eyeshot ::: n. --> Range, reach, or glance of the eye; view; sight; as, to be out of eyeshot.

eyesight ::: n. --> Sight of the eye; the sense of seeing; view; observation.

eyesore ::: n. --> Something offensive to the eye or sight; a blemish.

eye-splice ::: n. --> A splice formed by bending a rope&

eye-spot ::: n. --> A simple visual organ found in many invertebrates, consisting of pigment cells covering a sensory nerve termination.
An eyelike spot of color.

eye-spotted ::: a. --> Marked with spots like eyes.

eyestalk ::: n. --> One of the movable peduncles which, in the decapod Crustacea, bear the eyes at the tip.

eyestone ::: n. --> A small, lenticular, calcareous body, esp. an operculum of a small marine shell of the family Turbinidae, used to remove a foreign substance from the eye. It is put into the inner corner of the eye under the lid, and allowed to work its way out at the outer corner, bringing with it the substance.
Eye agate. See under Eye.

eyestring ::: n. --> The tendon by which the eye is moved.

eyeteeth ::: pl. --> of Eyetooth

eyet ::: n. --> An island. See Eyot.

eyetooth ::: n. --> A canine tooth of the upper jaw.

eyewash ::: n. --> See Eyewater.

eyewater ::: n. --> A wash or lotion for application to the eyes.

eyewinker ::: n. --> An eyelash.

eyewink ::: n. --> A wink; a token.

eyewitness ::: n. --> One who sees a thing done; one who has ocular view of anything.

Eyeless sight: See: Extra-retinal vision.

Eye of Horus or Osiris One of the names by which the Egyptian symbol of the eye is known, especially its hieroglyphic representation, designated Utchat in Egyptian. There were, in fact, two eyes: one the symbol of Thoth (Tehuti), representing the full moon; the other, the utchat of Ra (or Osiris), representing the midday sun. When referred to as the eyes of Horus they were designated as the white and the black: the white eye standing for the sun, the black for the moon. Or again they were called the right and the left, referring respectively to the sun and the moon.

Eye of Siva The third eye; physically the pineal gland, which when awakened into activity becomes the organ of the inner spiritual vision of a seer. The pineal gland was in former ages an active physical exterior organ before the present-day two eyes were developed, and was then the faculty both of physical vision and of interior illumination. As the ages passed, this third eye or pineal gland receded within the skull, finally being covered by hardened bone and the scalp. This eye may be described as the organ on this plane of spiritual intuition, through which direct and certain knowledge is obtainable at any time at the will of the seer. “The ‘eye of Siva’ did not become entirely atrophied before the close of the Fourth Race. When spirituality and all the divine powers and attributes of the deva-man of the Third had been made the hand-maidens of the newly-awakened physiological and psychic passions of the physical man, instead of the reverse, the eye lost its powers” (SD 2:302).

eye. He is said to be a guard stationed at one of

eyes, some full of ears.”

eyes.” Among Aryans, he is a god of light. In

eyed ones”)—in Merkabah lore, the ofanim (later

eyed ones” or “wheels.”

eyeball search ::: (jargon) (Or vgrep) To look for something in a mass of code or data with one's own native optical sensors, as opposed to using some sort of pattern matching software like grep or any other automated search tool.Compare vdiff, desk check.[Jargon File] (1997-12-17)

eyewitness testimony: the study of the accuracy of memory following an accident or crime, and an exploration of the types of errors commonly made.

eyeofhorus ::: Eye of Horus See Udjat.

eyeofprovidence ::: Eye of Providence See All-seeing Eye.

eye, third mysterious :::

eyeless ::: without eyes; blind, sightless. :::

eye-opening ceremony. See DIANYAN; KAIYAN; NETRAPRATIṢṬHĀPANA.

eye-opening ceremony


--- QUOTES [265 / 265 - 500 / 90006] (in Dictionaries, in Quotes, in Chapters)



KEYS (10k)

  103 Sri Aurobindo
   21 The Mother
   6 Peter J Carroll
   6 Ken Wilber
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   3 Mansur al-Hallaj
   3 Jalaluddin Rumi
   3 Bill Hicks
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   2 Sri Ramana Maharshi
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   2 Rudolf Steiner
   2 Nichiren
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   2
   1 _Ibn_Arabi.html">and there is nothing in the existent realm that is not a lover
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NEW FULL DB (2.4M)

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1:To the eye that can see. ~ ,
2:A fool is wise in his eyes. ~ King Solomon,
3:Time is three eyes and eight elbows. ~ Dogen Zenji,
4:True love gives rise to the eyes of clarity. ~ Tenzin Deva,
5:Poets are damned... but see with the eyes of angels. ~ Allen Ginsberg,
6:Never take your eyes off your opponent, even when you bow. ~ Bruce Lee,
7:When I close my eyes my vision is even more powerful. ~ Giorgio de Chirico,
8:The eye could never see the sun,If it had not a sun-like nature ~ Goethe,
9:You do not pass through imagination or else we'll know where You are.You are He who is everywhereYet You are nowhere.Where are You?In my annihilationis my annihilation's .... annihilation And You are found.... in my annihilation. ~ Mansoor al- Hallaj,
10:If your eyes are opened, you'll see the things worth seeing. ~ Jalaluddin Rumi,
11:Never did eye see the sun unless it had first become sunlike ~ Plotinus, Enneads ,
12:And God said, Love your Enemy so I Obeyed Him and Loved Myself. ~ Khalil Gibran,
13:Smooth and smiling faces everywhere, but ruin in their eyes. ~ Jean-Paul Sartre,
14:Watching television is like taking black spray paint to your third eye. ~ Bill Hicks,
15:The naked woman's body is a portion of eternity too great for the eye of man. ~ William Blake,
16:Never bend your head. Always hold it high. Look the world straight in the eye. ~ Helen Keller,
17:A monk asked Master Haryo, What is the way? Haryo said, An open-eyed man falling into the well. ~ ,
18:The eye of man outside matters nothing; the eye within is all. ~ Sri Aurobindo, The Synthesis Of Yoga ,
19:Necessity fashionsAll that the unseen eye has beheld. ~ Sri Aurobindo, Collected Poems 5.1.01 - Ilion,
20:The eye of Faith is not one with the eye of Knowledge. ~ Sri Aurobindo, Karmayogin In Either Case,
21:Why does the eye see a thing more clearly in dreams than the imagination when awake? ~ Leonardo da Vinci,
22:Alone the wise Can walk through fire with unblinking eyes. ~ Sri Aurobindo, Collected Poems Epigram,
23:I saw my Lord with the eye of the heartI asked, 'Who are You?'He replied, 'You'. ~ Mansur al-Hallaj,
24:The real voyage of discovery consists not in seeking new landscapes but in having new eyes. ~ Marcel Proust,
25:There is no darkness, we only close our eyes and shut out the Light. ~ Nolini Kanta Gupta, To The Heights ,
26:Art’s brilliant gleam is a pastime for his eyes. ~ Sri Aurobindo, Savitri 02.05 - The Godheads of the Little Life,
27:We ordinary people can see neither our own eyelashes, which are so close, nor the heavens in the distance. ~ Nichiren,
28:Wicked thoughts and worthless efforts gradually set their mark on the face, especially the eyes. ~ Arthur Schopenhauer,
29:As long as you still experience the stars as something 'above you', you lack the eye of knowledge. ~ Friedrich Nietzsche,
30:Within the Supreme Brahma, the worlds are being told like beads:Look upon that rosary with the eyes of wisdom. ~ Kabir,
31:What a blessing it would be if we could open and shut our ears...as easily as we open and shut our eyes. ~ Georg C Lichtenberg,
32:Whether it seem good or evil to men's eyes, Only for good the secret Will can work. ~ Sri Aurobindo, Savitri 06.01 - The Word of Fate,
33:Faith is like pure eyes that enable us to see a pure and perfect world beyond the suffering world of samsara. ~ Geshe Kelsang Gyatso,
34:Love not sleep, lest you come to poverty; open your eyes, and you will have plenty of bread. ~ Anonymous, The Bible Proverbs 20:13,
35:They, who have no eyes in their face, are not called blind. They alone are blind, O Nanak, who stray away from their Lord. ~ Guru Angad,
36:Men in general judge more from appearances than from reality. All men have eyes, but few have the gift of penetration. ~ Niccolo Machiavelli,
37:Behind all eyes I meet Thy secret gazeAnd in each voice I hear Thy magic tune: ~ Sri Aurobindo, Collected Poems 7.5.61 - Because Thou Art,
38:All light is but a flash from his closed eyes: ~ Sri Aurobindo, Savitri The Eternal Day,
39:If a man has his eyes bound, you can encourage him as much as you like to stare through the bandage, but he'll never see anything. ~ Franz Kafka,
40:In the night a million stars ariseTo watch us with their ancient friendly eyes. ~ Sri Aurobindo, Collected Poems Perigone Prologuises,
41:Our whole being ought to demand God and not only our illumined eye of knowledge. ~ Sri Aurobindo, The Synthesis Of Yoga 2.02 - The Status of Knowledge,
42:You veil your eyes and complain that you cannot see the Eternal. If you wish to see Him, tear from your eyes the veil of the illusion. ~ Sri Ramakrishna,
43:Our mortal vision peers with ignorant eyes;It has no gaze on the deep heart of things. ~ Sri Aurobindo, Savitri 10.03 - The Debate of Love and Death,
44:The eye of the Divine Consciousness shines like an eternal diamond in the depths of the Inconscient. ~ The Mother, White Roses Jan 22nd 1958,
45:Earth’s eyes half-see, her forces half-create;Her rarest works are copies of heaven’s art. ~ Sri Aurobindo, Savitri 02.02 - The Kingdom of Subtle Matter,
46:I give order to those who are perfectly and totally surrendered, as these orders cannot be discussed or disobeyed. ~ The Mother, More Answers From The Mother ,
47:There is the mystic realm whence leaps the powerWhose fire burns in the eyes of seer and sage. ~ Sri Aurobindo, Savitri 10.03 - The Debate of Love and Death,
48:They shut our eyes and drive us, but at lastOur souls remember when the act is done. ~ Sri Aurobindo, Collected Plays and Short Stories - I Act Five,
49:A cultivated eye without a cultivated spirit makes by no means the highest type of man. ~ Sri Aurobindo, Early Cultural Writings The National Value of Art,
50:A light of liberating knowledge shoneAcross the gulfs of silence in their eyes; ~ Sri Aurobindo, Savitri 02.11 - The Kingdoms and Godheads of the Greater Mind,
51:Purify thyself and thou shalt see God. Transform thy body into a temple, cast from thee evil thoughts and contemplate God with the eye of thy conscious soul. ~ Vemana,
52:There is a guardian power, there are Hands that save,Calm eyes divine regard the human scene. ~ Sri Aurobindo, Savitri 07.02 - The Parable of the Search for the Soul,
53:There often beams in our eye that we know not of. Let us therefore ask that our eye may become single, for then we ourselves shall become wholly single. ~ Vincent van Gogh,
54:But there is a guardian power, there are Hands that save, Calm eyes divine regard the human scene. ~ Sri Aurobindo, Savitri 07.02 - The Parable of the Search for the Soul,
55:I have heard of thee by the hearing of the ear: but now mine eye seeth thee. Wherefore I abhor myself, and repent in dust and ashes. ~ Anonymous, The Bible Job,
56:A gaol is this immense material world:Across each road stands armed a stone-eyed Law,At every gate the huge dim sentinels pace. ~ Sri Aurobindo, Savitri 01.02 - The Issue,
57:Death, the dire god, inflicted on her eyesThe immortal calm of his tremendous gaze: ~ Sri Aurobindo, Savitri 09.02 - The Journey in Eternal Night and the Voice of the Darkness,
58:Not as the ways of other mortals are theirs who are guided,They whose eyes are the gods and they walk by a light that is secret. ~ Sri Aurobindo, Collected Poems 5.1.01 - Ilion,
59:Veiled by the ray no mortal eye can bear,The Spirit's bare and absolute potenciesBurn in the solitude of the thoughts of God. ~ Sri Aurobindo, Savitri 01.04 - The Secret Knowledge,
60:We must see only through the Divine's eyes and act only through the Divine's will. ~ The Mother, Words Of The Mother II Elements of Yoga,
61:He wanted to close his eyes and shut out the pearly nothingness that surrounded him, but that was an act of a coward and he would not yield to it. ~ Arthur C Clarke, Sri Aurobindo, Savitri 01.04 - The Secret Knowledge,
63:Turn not thy head from this path till thou art led to its end; keep ever near to this door till it is opened. Let not thy eyes be shut; seek well and thou shalt find. ~ Farid-ud-diu-attar,
64:The eye through which I see God is the same eye through which God sees me; my eye and God's eye are one eye, one seeing, one knowing, one love. ~ Meister Eckhart, Sermons of Meister Eckhart ,
65:And symbol of some native cosmic strength,A sacred beast lay prone below her feet,A silent flame-eyed mass of living force. ~ Sri Aurobindo, Savitri 07.05 - The Finding of the Soul,
66:When My Beloved Appears ::: When my Beloved appears,With what eye do I see Him?With His eye, not with mine,For none sees Him except Himself. ~ Ibn Arabi,
67:The history of the living world can be summarised as the elaboration of ever more perfect eyes within a cosmos in which there is always something more to be seen. ~ Pierre Teilhard de Chardin,
68:With some people solitariness is an escape not from others but from themselves. For they see in the eyes of others only a reflection of themselves. ~ Eric Hoffer, The Passionate State of Mind ,
69:He that sees the Lord in the temple, the living body, by seeking Him within, can alone see Him, the Infinite, in the temple of the universe, having become the Endless Eye. ~ Sri Ramana Maharshi,
70:If we shed tears for God, does He ever shed a tear for us? Surely He has deep compassion for you, but His eyes are not of the kind that shed tears. ~ The Mother, Words Of The Mother II ,
71:None but God is loved in the existent things. It is He who is manifest within every beloved to the eye of every lover ~ and there is nothing in the existent realm that is not a lover ~ Ibn Arabi,
72:The eyes of love gaze starlike through death’s night,The feet of love tread naked hardest worlds. ~ Sri Aurobindo, Savitri 09.02 - The Journey in Eternal Night and the Voice of the Darkness,
73:In order to understand how the new holographic paradigm fits into the overall scheme of things, it is necessary to have an overall scheme of things to begin with. ~ Ken Wilber, Eye to Eye p. 126,
74:The universe is there as a truth in God even though the individual soul may have shut its eyes to it. ~ Sri Aurobindo, The Synthesis Of Yoga 2.06 - The Synthesis of the Disciplines of Knowledge,
75:Soul's soarIt seemed the yearning of a lonely fluteThat roamed along the shores of memoryAnd filled the eyes with tears of longing joy. ~ Sri Aurobindo, Savitri 02.14 - The World-Soul,
76:Heaven-fire laughed in the corners of her eyes;Her body a mass of courage and heavenly strength,She menaced the triumph of the nether gods. ~ Sri Aurobindo, Savitri 07.04 - The Triple Soul-Forces,
77:What earth is thisso in want of youthey rise up on highto seek you in heaven?Look at them staringat youright before their eyes,unseeing, unseeing, blind. ~ Mansur al-Hallaj,
78:At last to open thy eyes consent and see The stuff of which thou and the world are made. Inconscient in the dumb inconscient Void ~ Sri Aurobindo, Savitri 10.02 - The Gospel of Death and Vanity of the Ideal,
79:If you treat your children at home in the same way you treat your animals in the lab, your wife will scratch your eyes out. My wife ferociously warned me against experimenting on her babies. ~ Abraham Maslow,
80:It needs the eye of genius to dispense with the necessity of experience and see truth with a single intuitive glance. ~ Sri Aurobindo, Bande Mataram - I The Man of the Past and the Man of the Future,
81:Two golden serpents round the lintel curled,Enveloping it with their pure and dreadful strength,Looked out with wisdom’s deep and luminous eyes. ~ Sri Aurobindo, Savitri 07.05 - The Finding of the Soul,
82:21. God had opened my eyes; for I saw the nobility of the vulgar, the attractiveness of the repellent, the perfection of the maimed and the beauty of the hideous. ~ Sri Aurobindo, Essays Divine And Human 4.1 - Jnana,
83:Although defeated, life must struggle on;Always she sees a crown she cannot grasp;Her eyes are fixed beyond her fallen state. ~ Sri Aurobindo, Savitri 02.06 - The Kingdoms and Godheads of the Greater Life,
84:Here in Life’s nether realms all contraries meet;Truth stares and does her works with bandaged eyesAnd Ignorance is Wisdom’s patron here: ~ Sri Aurobindo, Savitri 07.03 - The Entry into the Inner Countries,
85:There are Two who are One and play in many worlds;In Knowledge and Ignorance they have spoken and metAnd light and darkness are their eyes’ interchange. ~ Sri Aurobindo, Savitri 01.04 - The Secret Knowledge,
86:Mystic, ineffable is the spirit’s truth,Unspoken, caught only by the spirit’s eye.When naked of ego and mind it hears the Voice; ~ Sri Aurobindo, Savitri 02.11 - The Kingdoms and Godheads of the Greater Mind,
87:Appealing to the soul and not the eyeBeauty lived there at home in her own house,There all was beautiful by its own rightAnd needed not the splendour of a robe. ~ Sri Aurobindo, Savitri 02.14 - The World-Soul,
88:Not to borrow the strength of another, nor to rely on one's own strength; to cut off past and future thoughts, and not to live within the everyday mind... then the Great Way is right before your eyes. ~ Yamamoto Tsunetomo,
89:One has to seek Beauty and Truth... As I always say to my pupils, you have to work to the finish. There's only one kind of painting. It is the painting that presents the eye with perfection... ~ William-Adolphe Bouguereau,
90:We prefer and put on almost unconsciously the garb which will look best in the eye that regards us from outside and we allow a veil to drop over the eye within. ~ Sri Aurobindo, The Synthesis Of Yoga 2.05 - Renunciation,
91:Thinking-mindThere throned on concentration’s native seatHe opens that third mysterious eye in man,The Unseen’s eye that looks at the unseen, ~ Sri Aurobindo, Savitri 10.04 - The Dream Twilight of the Earthly Real,
92:[A] competent magician should have the ability to stand still at a bus stop with closed eyes and have the entire universe disappear apart from a single blazing visualised sigil or muttered spell. ~ Peter J Carroll, The Octavo ,
93:Perform all thy actions with mind concentrated on the Divine, renouncing attachment and looking upon success and failure with an equal eye. Spirituality implies equanimity. [Trans. Purohit Swami] ~ Anonymous, The Bhagavad Gita ,
94:Live always as if you were under the very eye of the supreme and the Divine Mother. Do nothing, try to think and feel nothing that would be unworthy of the Divine Presence. ~ Sri Aurobindo, Letters On Himself And The Ashram 852,
95:All is not here a blinded Nature’s task:A Word, a Wisdom watches us from on high,A Witness sanctioning her will and works,An Eye unseen in the unseeing vast; ~ Sri Aurobindo, Savitri 02.05 - The Godheads of the Little Life,
96:How should you practice these instructions? Be like a hungry yak, browsing on one tuft of grass with its eyes already fixed on the next. Practice with joy and enthusiasm, and never fall into laziness or apathy. ~ Dilgo Khyentse Rinpoche,
97:Study me as much as you like, you will not know me, for I differ in a hundred ways from what you see me to be. Put yourself behind my eyes and see me as I see myself, for I have chosen to dwell in a place you cannot see. ~ Jalaluddin Rumi,
98:What is reprehensible is that while leading good lives themselves and abhorring those of wicked men, some, fearing to offend, shut their eyes to evil deeds instead of condemning them and pointing out their malice. ~ Saint Augustine of Hippo,
99:Courage their armour, faith their sword, they must walk,The hand ready to smite, the eye to scout,Casting a javelin regard in front,Heroes and soldiers of the army of Light. ~ Sri Aurobindo, Savitri 02.07 - The Descent into Night,
100:He who now stares at the world with ignorant eyesHardly from the Inconscient’s night aroused,That look at images and not at Truth,Can fill those orbs with an immortal’s sight. ~ Sri Aurobindo, Savitri 04.03 - The Call to the Quest,
101:Now from his cycle sleepless and vast round the dance of the earth-globeGold Hyperion rose in the wake of the dawn like the eyeballFlaming of God revealed by his uplifted luminous eyelid. ~ Sri Aurobindo, Collected Poems 5.1.01 - Ilion,
102:8. Here proclaim which is he, O Fire, what demon-sorcerer, who is the doer of this deed? To him do violence with thy blaze, O youthful god, subject him to the eye of thy divine vision. ~ Sri Aurobindo, Hymns To The Mystic Fire 2 - Other Hymns,
103:A pure Thought-Mind surveyed the cosmic act.Archangel of a white transcending realm,It saw the world from solitary heightsLuminous in a remote and empty air. ~ Sri Aurobindo, Savitri 02.10 - The Kingdoms and Godheads of the Little Mind,
104:There are two allied powers in man; knowledge & wisdom. Knowledge is so much of the truth seen in a distorted medium as the mind arrives at by groping, wisdom what the eye of divine vision sees in the spirit. ~ Sri Aurobindo, Essays Divine And Human ,
105:Heaven had unveiled its lustre in her eyes,Her feet were moonbeams, her face was a bright sun,Her smile could persuade a dead lacerated heartTo live again and feel the hands of calm. ~ Sri Aurobindo, Savitri 07.04 - The Triple Soul-Forces,
106:All eyes that look on me are my sole eyes;The one heart that beats within all breasts is mine.The world’s happiness flows through me like wine,Its million sorrows are my agonies. ~ Sri Aurobindo, Collected Poems The Indwelling Universal,
107:There's a community of the spirit, join it and feel the delight of walking in the noisy street and being the noise. Drink all your passion and be disgraced. Close both eyes to see with the other one. Open your hands if you want to be held. ~ Jalaluddin Rumi,
108:When the water of the fetid pool and the glorious Ganges shall appear to thy eyes as one, when the Sound of the flute and the clamour of this crowd shall have no longer any difference to thy ear, then shalt thou attain to the divine Wisdom, ~ Sri Ramakrishna,
109:A smile came rippling out in her wide eyes,Its confident felicity’s messengerAs if the first beam of the morning sunRippled along two wakened lotus-pools. ~ Sri Aurobindo, Savitri The Eternal Day,
110:Flint has the potential to produce fire, and gems have intrinsic value.We ordinary people can see neither our own eyelashes, which are so close, nor the heavens in the distance.Likewise, we do not see that the Buddha exists in our own hearts. ~ Nichiren,
111:One among many thousands never touched,Engrossed in the external world’s design,Is chosen by a secret witness EyeAnd driven by a pointing hand of Light ~ Sri Aurobindo, Savitri The Yoga of the King,
112:As climbs a storeyed temple-tower to heavenBuilt by the aspiring soul of man to liveNear to his dream of the Invisible.Infinity calls to it as it dreams and climbs;Its spire touches the apex of the world; ~ Sri Aurobindo, Savitri 02.01 - The World-Stair,
113:Even if you have mountains of jewels and as many servants as there are grains of sand along the Ganges, you see them when your eyes are open. But what about when your eyes are shut?You should realize then that everything you see is like a dream or illusion. ~ Bodhidharma,
114:Has put the stars out ere the light,And from their dewy cushions riseSweet flowers half-opening their eyes.O pleasant then to feel as if new-bornThe sweet, unripe and virgin air, the air of morn. ~ Sri Aurobindo, Collected Poems Songs to Myrtilla,
115:There are Two who are One and play in many worlds;In Knowledge and Ignorance they have spoken and metAnd light and darkness are their eyes’ interchange;Our pleasure and pain are their wrestle and embrace, ~ Sri Aurobindo, Savitri 01.04 - The Secret Knowledge,
116:Lion-ForcesIn a mist of secrecy wrapping the world-sceneThe little deities of Time’s nether actWho work remote from Heaven’s controlling eye,Plotted, unknown to the creatures whom they move. ~ Sri Aurobindo, Savitri 02.05 - The Godheads of the Little Life,
117:It is He who is revealed in every face, sought in every sign, gazed upon by every eye, worshipped in every object of worship, and pursued in the unseen and the visible. Not a single one of His creatures can fail to find Him in its primordial and original nature. ~ Ibn Arabi,
118:While seeing or hearing, touching or smelling; eating, moving about, or sleeping; breathing or speaking, letting go or holding on, even opening or closing the eyes, they understand that these are only the movements of the senses among sense objects. ~ Krishna-Dwaipayana Vyasa,
119:Sometimes I would like to cry. I close my eyes. Why weren't we designed so that we can close our ears as well? (Perhaps because we would never open them.) Is there some way that I could accelerate my evolution and develop earlids?" ~ Kate Atkinson, Behind the Scenes at the Museum ,
120:The immobile lips, the great surreal wings,The visage masked by superconscient Sleep,The eyes with their closed lids that see all things,Appeared of the Architect who builds in trance. ~ Sri Aurobindo, Savitri The Yoga of the King,
121:the centre in her browWhere the mind’s Lord in his control-room sits;There throned on concentration’s native seatHe opens that third mysterious eye in man,The Unseen’s eye that looks at the unseen. ~ Sri Aurobindo, Savitri 10.04 - The Dream Twilight of the Earthly Real,
122:Only were safe who kept God in their hearts: Courage their armour, faith their sword, they must walk, The hand ready to smite, the eye to scout, Casting a javelin regard in front, Heroes and soldiers of the army of Light. ~ Sri Aurobindo, Savitri 02.07 - The Descent into Night,
123:Then as now men walked in the round which the gods have decreed themEagerly turning their eyes to the lure and the tool and the labour.Chained is their gaze to the span in front, to the gulfs they are blindedMeant for their steps. ~ Sri Aurobindo, Collected Poems 5.1.01 - Ilion,
124:All-vision gathered into a single ray, As when the eyes stare at an invisible point Till through the intensity of one luminous spot An apocalypse of a world of images Enters into the kingdom of the seer. ~ Sri Aurobindo, Savitri The Yoga of the King The Yoga of the Souls Release,
125:Almighty God, give me wisdom to perceive You, intelligence to understand You, diligence to seek You, patience to wait for You, eyes to behold You, a heart to meditate upon You and life to proclaim You, through the power of the Spirit of our Lord Jesus Christ. Amen. ~ Saint Benedict of Nursia,
126:All-vision gathered into a single ray,As when the eyes stare at an invisible pointTill through the intensity of one luminous spotAn apocalypse of a world of imagesEnters into the kingdom of the seer. ~ Sri Aurobindo, Savitri The Yoga of the King,
127:All whose eyes can pierce that curtain, gaze into dimness;This they have glimpsed and that they imagine deceived by their naturesSeeing the forms in their hearts of dreadful things and of joyous;As in the darkness our eyes are deceived by shadows ~ Sri Aurobindo, Collected Poems 5.1.01 - Ilion,
128:This is the greatness of gods that they know and can put back the knowledge;Doing the work they have chosen they turn not for fruit nor for failure,Griefless they walk to their goal and strain not their eyes towards the ending.Light that they hav ~ Sri Aurobindo, Collected Poems 5.1.01 - Ilion,
129:328. There is nothing small in God's eyes; let there be nothing small in thine. He bestows as much labour of divine energy on the formation of a shell as on the building of an empire. For thyself it is greater to be a good shoemaker than a luxurious and incompetent king. ~ Sri Aurobindo, Essays Divine And Human ,
130:To evoke a Person in the impersonal Void,With the Truth-Light strike earth’s massive roots of trance,Wake a dumb self in the inconscient depthsAnd raise a lost Power from its python sleepThat the eyes of the Timeless might look out from Time ~ Sri Aurobindo, Savitri 01.04 - The Secret Knowledge,
131:The voices that an inner listening hearsConveyed to him their prophet utterances,And flame-wrapped outbursts of the immortal WordAnd flashes of an occult revealing LightApproached him from the unreachable Secrecy. ~ Sri Aurobindo, Savitri The Yoga of the King,
132:Overpassing lines that please the outward eyesBut hide the sight of that which lives withinSculpture and painting concentrated senseUpon an inner vision’s motionless verge,Revealed a figure of the invisible,Unveiled all Nature’s meaning in ~ Sri Aurobindo, Savitri 04.02 - The Growth of the Flame,
133:Overpassing lines that please the outward eyesBut hide the sight of that which lives withinSculpture and painting concentrated senseUpon an inner vision’s motionless verge,Revealed a figure of the invisible,Unveiled all Nature’s meaning in ~ Sri Aurobindo, Savitri 04.02 - The Growth of the Flame,
134:Accepting the universe as her body of woe,The Mother of the seven sorrows boreThe seven stabs that pierced her bleeding heart:The beauty of sadness lingered on her face,Her eyes were dim with the ancient stain of tears.Her heart was riven wi ~ Sri Aurobindo, Savitri 07.04 - The Triple Soul-Forces,
135:Napoleon’s mind was swift and bold and vast,His heart was calm and stormy like the sea,His will dynamic in its grip and clasp.His eye could hold a world within its graspAnd see the great and small things sovereignly.A movement of gigantic d ~ Sri Aurobindo, Collected Poems The Dwarf Napoleon,
136:Mind looked on Nature with unknowing eyes,Adored her boons and feared her monstrous strokes.It pondered not on the magic of her laws,It thirsted not for the secret wells of Truth,But made a register of crowding factsAnd strung sensations on ~ Sri Aurobindo, Savitri 02.04 - The Kingdoms of the Little Life,
137:The gods who watch the earth with sleepless eyesAnd guide its giant stumblings through the void,Have given to man the burden of his mind;In his unwilling heart they have lit their firesAnd sown in it incurable unrest. ~ Sri Aurobindo, Savitri 09.02 - The Journey in Eternal Night and the Voice of the Darkness,
138:A force demoniac lurking in man’s depthsThat heaves suppressed by the heart’s human law,Awed by the calm and sovereign eyes of Thought,Can in a fire and earthquake of the soulArise and, calling to its native night,Overthrow the reason, occupy the lif ~ Sri Aurobindo, Savitri 02.07 - The Descent into Night,
139:I must not fear. Fear is the mind-killer. Fear is the little-death that brings total obliteration. I will face my fear. I will permit it to pass over me and through me. And when it has gone past I will turn the inner eye to see its path. Where the fear has gone there will be nothing. Only I will remain. ~ Frank Herbert, Dune ,
140:If I were to wish for anything, I should not wish for wealth and power, but for the passionate sense of the potential, for the eye which, ever young and ardent, sees the possible. Pleasure disappoints, possibility never. And what wine is so sparkling, what so fragrant, what so intoxicating, as possibility! ~ Soren Kierkegaard,
141:In the prone obscure beginnings of the raceThe human grew in the bowed apelike man.He stood erect, a godlike form and force,And a soul’s thoughts looked out from earth-born eyes;Man stood erect, he wore the thinker’s brow:He looked at heaven ~ Sri Aurobindo, Savitri 07.02 - The Parable of the Search for the Soul,
142:Her lips endlessly clung to his,Unwilling ever to separate againOr lose that honeyed drain of lingering joy,Unwilling to loose his body from her breast,The warm inadequate signs that love must use. ~ Sri Aurobindo, Savitri The Joy of Union; the Ordeal of the Foreknowledge of Death and the Heart’s Grief and Pain,
143:One need only open the eyes to see that the conquests of industry which have enriched so many practical men would never have seen the light, if these practical men alone had existed and if they had not been preceded by unselfish devotees who died poor, who never thought of utility, and yet had a guide far other than caprice. (417) ~ Henri Poincare,
144:The great and secret message of the experiential mystics the world over is that, with the eye of contemplation, Spirit can be seen. With the eye of contemplation, the great Within radiantly unfolds. And in all cases, the eye with which you see God is the same eye with which God sees you: the eye of contemplation. ~ Ken Wilber, Marriage of Sense and Soul p. 174,
145:It is time to put up a love-swing!Tie the body and then tie the mind so that they swing between the arms of the Secret One you love,Bring the water that falls from the clouds to your eyes,and cover yourself inside entirely with the shadow of night.Bring your face up close to his ear,and then talk only about what you want deeply to happen. ~ Kabir,
146:Such is the influence which the condition of our own thoughts, exercises, even over the appearance of external objects. Men who look on nature, and their fellow-men, and cry that all is dark and gloomy, are in the right; but the sombre colours are reflections from their own jaundiced eyes and hearts. The real hues are delicate, and need a clearer vision. ~ Charles Dickens,
147:Wilber discusses five of these tenets in his book The Eye of Spirit. These are: the dialectic of progress, the distinction between differentiation and dissociation, the difference between transcendence and repression, the difference between natural hierarchy and pathological hierarchy, and the fact that higher structures can be hijacked by lower impulses." ~ Ken Wilber, One Taste ,
148:All opposition seems and strife and chance,An aimless labour with but scanty sense,To eyes that see a part and miss the whole; ~ Sri Aurobindo, Collected Poems Songs to Myrtilla,
149:Everything good is costly, and the development of personality is one of the most costly of all things. I t is a matter of saying yea to oneself, of taking oneself as the most serious of tasks, of being conscious of everything one does, and keeping it constantly before one's eyes in all its dubious aspects-truly a task that taxes us to the utmost. ~ Carl Jung, Psychological Reflections ,
150:Christ with me, Christ before me,Christ behind me, Christ in me,Christ beneath me, Christ above me,Christ on my right, Christ on my left,Christ when I lie down... Christ when I arise,Christ in the heart of every man who thinks of me, Christ in the mouth of everyone who speaks of me, Christ in every eye that sees me,Christ in every ear that hears me. ~ Saint Patrick,
151:In ergodic literature, nontrivial effort is required to allow the reader to traverse the text. If ergodic literature is to make sense as a concept, there must also be nonergodic literature, where the effort to traverse the text is trivial, with no extranoematic responsibilities placed on the reader except (for example) eye movement and the periodic or arbitrary turning of pages ~ Espen J Aarseth,
152:In men, says the Upanishad, the Self-Existent has cut the doors of consciousness outward, but a few turn the eye inward and it is these who see and know the Spirit and develop the spiritual being. Thus to look into ourselves and see and enter into ourselves and live within is the first necessity for transformation of nature and for the divine life. ~ Sri Aurobindo, The Life Divine 2.28 - The Divine Life,
153:There is no harm in concentrating sometimes in the heart and sometimes above the head. But concentration in either place does not mean keeping the attention fixed on a particular spot; you have to take your station of consciousness in either place and concentrate there not on the place, but on the Divine. This can be done with eyes shut or with eyes open, according as it best suits you. [how to concentrate?] ~ SATM?,
154:It is when the contact with the psychic being is established that the heart feels this strange heaviness, the heaviness of all that is still in the Nature preventing the complete union with the soul - and this heaviness brings always tears in the eyes - but the tears are sweet and the heaviness itself is sweet if one keeps quiet and concentrated, turning inwards with surrender and confidence. ~ The Mother, White Roses ,
155:The book, the college, the school of art, the institution of any kind, stop with some past utterance of genius. . . . They look backward and not forward. But genius looks forward: the eyes of man are set in his forehead, not in his hindhead: man hopes: genius creates. Whatever talents may be, if the man create not, the pure efflux of the Deity is not his; - cinders and smoke there may be, but not yet flame. ~ Ralph Waldo Emerson,
156:When the human race learns to read the language of symbolism, a great veil will fall from the eyes of men. They shall then know truth and, more than that, they shall realize that from the beginning truth has been in the world unrecognized, save by a small but gradually increasing number appointed by the Lords of the Dawn as ministers to the needs of human creatures struggling co regain their consciousness of divinity. ~ Manly P Hall,
157:The research for physical immortality proceeds from a misunderstanding of the traditional teaching. On the contrary, the basic problem is: to enlarge the pupil of the eye, so that the body with its attendant personality will no longer obstruct the view. Immortality is then experienced as a present fact: "It is here! It is here!" [165] [165] A Tantric aphorism. ~ Joseph Campbell, The Hero with a Thousand Faces The Ultimate Boon,
158:If thou shalt perfectly observe these rules, all the following Symbols and an infinitude of others will be granted unto thee by thy Holy Guardian Angel; thou thus living for the Honour and Glory of the True and only God, for thine own good, and that of thy neighbour. Let the Fear of God be ever before the eyes and the heart of him who shall possess this Divine Wisdom and Sacred Magic. ~ MacGregor Mathers, The Book of the Sacred Magic of Abramelin the Mage ,
159:Meditation means thinking on one subject in a concentrated way. In concentration proper there is not a series of thoughts, but the mind is silently fixed on one object, name, idea, place etc. There are other kinds of concentration, e.g. concentrating the whole consciousness in one place, as between the eyebrows, in the heart, etc. One can also concentrate to get rid of thought altogether and remain in a complete silence. ~ Sri Aurobindo, Letters On Yoga - II ,
160:Creatures perishin the darkenedblind of quest,knowing intimations.Guessing and dreamingthey pursue the real,faces turned toward the skywhispering secrets to the heavens.While the lord remains among themin every turn of timeabiding in their every conditionevery instant.Never without him, they,not for the blink of an eye --if only they knew!nor he for a moment without them." ~ Mansur al-Hallaj,
161:Creatures perish in the darkenedblind of quest, knowing intimations. Guessing and dreaming they pursue the real, faces turned toward the sky whispering secrets to the heavens. While the lord remains among them in every turn of timeabiding in their every condition every instant. Never without him, they, not for the blink of an eye -- if only they knew! nor he for a moment without them. ~ Mansur al Hallaj,
162:Just as in the body, eye and ear develop as organs of perception, as senses for bodily processes, so does a man develop in himself soul and spiritual organs of perception through which the soul and spiritual worlds are opened to him. For those who do not have such higher senses, these worlds are dark and silent, just as the bodily world is dark and silent for a being without eyes and ears. ~ Rudolf Steiner, Theosophy: An Introduction to the Spiritual Processes in Human Life and in the Cosmos ,
163:There comes a time in the growth of every living individual thing when it realizes with dawning consciousness that it is a prisoner. While apparently free to move and have its being, the struggling life cognizes through ever greater vehicles its own limitations. It is at this point that man cries out with greater insistence to be liberated from the binding ties which, though invisible to mortal eyes, still chain him with bonds far more terrible than those of any physical prison. ~ Manly P Hall,
164:47. A jnani who is a perfectly Self-realized yogi, sees by the eye of wisdom all objective phenomena to be in and of the Self and thus the Self to be the sole being.1The allusion is to the story of a lady wearing a precious necklace, who suddenly forgot where it was, grew anxious, looked for it everywhere and even asked others to help, until a kind friend pointed out that it was round the seeker's own neck. ~ Adi Sankara, Atma Bodha trans. Sri Ramana Maharshi,
165:After the doctors and nurses had left, I whispered an awestruck question: "Good God, Manton, but what was it? Those scars - was it like that?" And I was too dazed to exult when he whispered back a thing I had half expected "No - it wasn't that way at all. It was everywhere - a gelatin - a slime yet it had shapes, a thousand shapes of horror beyond all memory. There were eyes - and a blemish. It was the pit - the maelstrom - the ultimate abomination. Carter, it was the unnamable! ~ H P Lovecraft, The Unnamable ,
166:Devotee: "That is all right, Swami. But, however much we try, this mind does not get under control and envelopes the Swarupa so that it is not perceptible to us. What is to be done?"Bhagavan with a smile placed his little finger over his eye and said, "Look. This little finger covers the eye and prevents the whole world from being seen. In the same way this small mind covers the whole universe and prevents the Brahman from being seen. See how powerful it is!" ~ Sri Ramana Maharshi, Letters from Sri Ramanasramam ,
167:Each time he took a walk, he felt as though he were leaving himself behind, and by giving himself up to the movement of the streets, by reducing himself to a seeing eye, he was able to escape the obligation to think, and this, more than anything else, brought him a measure of peace, a salutary emptiness within... By wandering aimlessly, all places became equal and it no longer mattered where he was. On his best walks he was able to feel that he was nowhere. And this, finally was all he ever asked of things: to be nowhere. ~ Paul Auster, The New York Trilogy ,
168:Just a simple choice, right now, between fear and love. The eyes of fear want you to put bigger locks on your doors, buy guns, close yourself off. The eyes of love instead see all of us as one. Here's what we can do to change the world, right now, to a better ride. Take all that money we spend on weapons and defenses each year and instead spend it feeding and clothing and educating the poor of the world, which it would pay for many times over, not one human being excluded, and we could explore space, together, both inner and outer, forever, in peace. ~ Bill Hicks,
169:31. For your exercise this week, visualize your friend, see him exactly as you last saw him, see the room, the furniture, recall the conversation, now see his face, see it distinctly, now talk to him about some subject of mutual interest; see his expression change, watch him smile. Can you do this? All right, you can; then arouse his interest, tell him a story of adventure, see his eyes light up with the spirit of fun or excitement. Can you do all of this? If so, your imagination is good, you are making excellent progress. ~ Charles F Haanel, The Master Key System ,
170:... Krishna, the great Lord of Yoga,revealed to Arjuna his majestic,transcendent, limitless form.With innumerable mouths and eyes,faces too marvelous to stare at,dazzling ornaments, innumerableweapons uplifted, flaming-crowned with fire, wrappedin pure light, with celestial fragrance,he stood forth as the infiniteGod, composed of all wonders.If a thousand suns were to riseand stand in the noon sky, blazing,such brilliance would be like the fiercebrilliance of that mighty Self. ~ Krishna-Dwaipayana Vyasa,
171:To take symbolism seriously is to accept the 'analogy of being' between different levels of reality... More than the sum of its parts, the figure is the appearing-to-us of an infinite depth that cannot be fully revealed in time. Every symbol is a kind of gestalt, in which a universal meaning can be glimpsed. Eventually, every created thing can be seen as a manifestation of its own interior essence, and the world is transformed into a radiant book to be read with eyes sensitive to spiritual light. ~ Stratford Caldecott, Beauty for Truth's Sake: On the Re-enchantment of Education ,
172:That all-pervading Beauty is not an exercise in creative imagination. It is the actual structure of the universe. That all-pervading Beauty is in truth the very nature of the Kosmos right now. It is not something you have to imagine, because it is the actual structure of perception in all domains. If you remain in the eye of Spirit, every object is an object of radiant Beauty. If the doors of perception are cleansed, the entire Kosmos is your lost and found Beloved, the Original Face of primordial Beauty, forever,and forever, and endlessly forever. ~ Ken Wilber, The Eye Of Spirit p. 138,
173:Your love renders you impatient and disturbed.With such sincerity you have placed your head at her feet that you are oblivious to the world.When in the eyes of your beloved riches don't count, gold and dust are as one to you.You say that she dwells in your eyes - if they be closed, she is in your mind.If she demands your life, you place it in her hand; if she places a sword upon your head, you hold it forward.When earthly love produces such confusion and demands such obedience, don't you wonder if travelers of the road of God remain engulfed in the Ocean of Reality? ~ Saadi,
174:8. Now let us turn at last to our castle with its many mansions. You must not think of a suite of rooms placed in succession, but fix your eyes on the keep, the court inhabited by the King.23' Like the kernel of the palmito,24' from which several rinds must be removed before coming to the eatable part, this principal chamber is surrounded by many others. However large, magnificent, and spacious you imagine this castle to be, you cannot exaggerate it; the capacity of the soul is beyond all our understanding, and the Sun within this palace enlightens every part of it. ~ Saint Teresa of Avila, The Interior Castle ,
175:His most obvious obstacle, one of which he has not in the least got rid of up to now, is a strongly Rajasic vital ego for which his mind finds justifications and covers. There is nothing more congenial to the vital ego than to put on the cloak of Yoga and imagine itself free, divinised, spiritualised, siddha, and all the rest of it, or advancing towards that end, when it is really doing nothing of the kind, but [is] just its old self in new forms. If one does not look at oneself with a constant sincerity and an eye of severe self-criticism, it is impossible to get out of this circle. ~ Sri Aurobindo, Autobiographical Notes and Other Writings ,
176:Krishna:::At last I find a meaning of soul's birthInto this universe terrible and sweet,I who have felt the hungry heart of earthAspiring beyond heaven to Krishna's feet.I have seen the beauty of immortal eyes,And heard the passion of the Lover's flute,And known a deathless ecstasy's surpriseAnd sorrow in my heart for ever mute.Nearer and nearer now the music draws,Life shudders with a strange felicity;All Nature is a wide enamoured pauseHoping her lord to touch, to clasp, to be.For this one moment lived the ages past;The world now throbs fulfilled in me at last. ~ Sri Aurobindo, Collected Poems ,
177:Everyone is searching for something. Some people pursue security, others pleasure or power. Yet others look for dreams, or they know not what. There are, however, those who know what they seek but cannot find it in the natural world. For these searchers many clues have been laid out by those who have gone before. The traces are everywhere, although only those with eyes to see or ears to hear perceive them. When the significance of these signs is seriously acted upon, Providence opens a door out of the natural into the supernatural to reveal a ladder from the transient to the Eternal. He who dares the ascent enters the Way of Kabbalah. ~ Z'ev Ben Shimon Halevi, The Way Of Kabbalah ,
178:To do this is to enter the magical world view in its totality. He takes complete responsibility for his present incarnation and must consider every experience, thing, or piece of information which assails him from any source, as a reflection of the way he is conducting his existence. The idea that things happen to one that may or may not be related to the way one acts is an illusion created by our shallow awareness. Keeping a close eye on the walls of the labyrinth, the conditions of his existence, the magician may then begin his invocation. The genius is not something added to oneself. Rather it is a stripping away of excess to reveal the god within. ~ Peter J Carroll, Liber Null ,
179:Now as always-humility and terror. Fear that the working of my pen cannot capture the grinding of my brain. It is so easy to understand why the ancients prayed for the help of a Muse. And the Muse came and stood beside them, and we, heaven help us, do not believe in Muses. We have nothing to fall back on but our craftsmanship and it, as modern literature attests, is inadequate. May I be honest; may I be decent; may I be unaffected by the technique of hucksters. If invocation is required, let this be my invocation-may I be strong and yet gentle, tender and yet wise, wise and yet tolerant. May I for a little while, only for a little while, see with the inflamed eyes of a God. ~ John Steinbeck,
180:The Silver Call There is a godhead of unrealised things To which Time's splendid gains are hoarded dross; A cry seems near, a rustle of silver wings Calling to heavenly joy by earthly loss. All eye has seen and all the ear has heard Is a pale illusion by some greater voice And mightier vision; no sweet sound or word, No passion of hues that make the heart rejoice Can equal those diviner ecstasies. A Mind beyond our mind has sole the ken Of those yet unimagined harmonies, The fate and privilege of unborn men. As rain-thrashed mire the marvel of the rose, Earth waits that distant marvel to disclose. ~ Sri Aurobindo, Collected Poems 594,
181:There is no method in this Yoga except to concentrate, preferably in the heart, and call the presence and power of the Mother to take up the being and by the workings of her force transform the consciousness; one can concentrate also in the head or between the eyebrows, but for many this is a too difficult opening. When the mind falls quiet and the concentration becomes strong and the aspiration intense, then there is a beginning of experience. The more the faith, the more rapid the result is likely to be. For the rest one must not depend on one's own efforts only, but succeed in establishing a contact with the Divine and a receptivity to the Mother's Power and Presence. ~ Sri Aurobindo, Letters On Yoga - II ,
182:As if from Matter's plinth and viewless base To a top as viewless, a carved sea of worlds Climbing with foam-maned waves to the Supreme Ascended towards breadths immeasurable; It hoped to soar into the Ineffable's reign: A hundred levels raised it to the Unknown. So it towered up to heights intangible And disappeared in the hushed conscious Vast As climbs a storeyed temple-tower to heaven Built by the aspiring soul of man to live Near to his dream of the Invisible. Infinity calls to it as it dreams and climbs; Its spire touches the apex of the world; Mounting into great voiceless stillnesses It marries the earth to screened eternities. ~ Sri Aurobindo, Savitri 02.01 - The World-Stair,
183:Because Thou Art ::: Because Thou art All-beauty and All-bliss, My soul blind and enamoured yearns for Thee; It bears thy mystic touch in all that is And thrills with the burden of that ecstasy. Behind all eyes I meet Thy secret gaze And in each voice I hear Thy magic tune: Thy sweetness haunts my heart through Nature's ways Nowhere it beats now from Thy snare immune. It loves Thy body in all living things; Thy joy is there in every leaf and stone: The moments bring thee on their fiery wings; Sight's endless artistry is Thou alone. Time voyages with Thee upon its prow And all the futures passionate hope is Thou. ~ Sri Aurobindo, Collected Poems ,
184:The other day I told you the meaning of bhakti. It is to adore God with body, mind, and words. 'With body' means to serve and worship God with one's hands, go to holy places with one's feet, hear the chanting of the name and glories of God with one's ears, and behold the divine image with one's eyes. 'With mind' means to contemplate and meditate on God constantly and to remember and think of His lila. 'With words' means to sing hymns to Him and chant His name and glories.Devotion as described by Narada is suited to the Kaliyuga. It means to chant constantly the name and glories of God. Let those who have no leisure worship God at least morning and evening by whole-heartedly chanting His name and clapping their hands. ~ Sri Ramakrishna,
185:Consider laughter: it is the highest emotion, for it can contain any of the others from ecstacy to grief. It has no opposite. Crying is merely an underdeveloped form of it which cleanses the eyes and summons assistance to infants. Laughter is the only tenable attitude in a universe which is a joke played upon itself. The trick is to see that joke played out even in the neutral and ghastly events which surround one. It is not for us to question the universes apparent lack of taste. Seek the emotion of laughter at what delights and amuses, seek it in whatever is neutral or meaningless, seek it even in what is horrific and revolting. Though it may be forced at first, one can learn to smile inwardly at all things. ~ Peter J Carroll, Liber Null ,
186:Hearing has consequences. When I truly hear a person and the meanings that are important to him at that moment, hearing not simply his words, but him, and when I let him know that I have heard his own private personal meanings, many things happen. There is first of all a grateful look. He feels released. He wants to tell me more about his world. He surges forth in a new sense of freedom. He becomes more open to the process of change. I have often noticed that the more deeply I hear the meanings of the person, the more there is that happens. Almost always, when a person realize he has been deeply heard, his eyes moisten. I think in some real sense he is weeping for joy. It is as though he were saying, "Thank God, somebody heard me. Someone knows what it's like to be me. ~ Carl Rogers,
187:It is only when after long and persistent concentration or by other means the veil of the mind is rent or swept aside, only when a flood of light breaks over the awakened mentality, jyotirmaya brahman, and conception gives place to a knowledge-vision in which the Self is as present, real, concrete as a physical object to the physical eye, that we possess in knowledge; for we have seen. After that revelation, whatever fadings of the light, whatever periods of darkness may afflict the soul, it can never irretrievably lose what it has once held. The experience is inevitably renewed and must become more frequent till it is constant; when and how soon depends on the devotion and persistence with which we insist on the path and besiege by our will or our love the hidden Deity. ~ Sri Aurobindo, The Synthesis Of Yoga game test3,
188:The student is told to set apart moments in his daily life in which to withdraw into himself, quietly and alone. He is not to occupy himself at such moments with the affairs of his own ego. This would result in the contrary of what is intended. He should rather let his experiences and the messages from the outer world re-echo within his own completely silent self. At such silent moments every flower, every animal, every action will unveil to him secrets undreamt of. And thus he will prepare himself to receive quite new impressions of the outer world through quite different eyes. The desire to enjoy impression after impression merely blunts the faculty of cognition; the latter, however, is nurtured and cultivated if the enjoyment once experienced is allowed to reveal its message. Thus the student must accustom himself not merely to let the enjoyment. ~ Rudolf Steiner,
189:The ship creaked and gravity shifted a degree to Miller's right. Course correction. Nothing interesting. Miller closed his eyes and tried to will himself to sleep. His mind was full of dead men and Julie and love and sex. There was something Holden had said about the war that was important, but he couldn't make the pieces fit. They kept changing. Miller sighed, shifted his weight so that he blocked one of his drainage tubes and had to shift back to stop the alarm. When the blood pressure cuff fired off again, it was Julie holding him, pulling herself so close her lips brushed his ear. His eyes opened, his mind seeing both the imaginary girl and the monitors that she would have blocked if she'd really been there. I love you too, she said, and I will take care of you. He smiled at seeing the numbers change as his heart raced. ~ James S A Corey, Leviathan Wakes ,
190:January 7, 1914GIVE them all, O Lord, Thy peace and light, open their blinded eyes and their darkened understanding; calm their futile worries and their vain anxieties. Turn their gaze away from themselves and give them the joy of being consecrated to Thy work without calculation or mental reservation. Let Thy beauty flower in all things, awaken Thy love in all hearts, so that Thy eternally progressive order may be realised upon earth and Thy harmony be spread until the day all becomes Thyself in perfect purity and peace.Oh! let all tears be wiped away, all suffering relieved, all anguish dispelled, and let calm serenity dwell in every heart and powerful certitude strengthen every mind. Let Thy life flow through all like a regenerating stream that all may turn to Thee and draw from that contemplation the energy for all victories. ~ The Mother, Prayers And Meditations ,
191:Far away in the heavenly abode of the great god Indra, there is a wonderful net which has been hung by some cunning artificer in such a manner that it stretches out infinitely in all directions. In accordance with the extravagant tastes of deities, the artificer has hung a single glittering jewel in each eye of the net, and since the net itself is infinite in dimension, the jewels are infinite in number. There hang the jewels, glittering like stars in the first magnitude, a wonderful sight to behold. If we now arbitrarily select one of these jewels for inspection and look closely at it, we will discover that in its polished surface there are reflected all the other jewels in the net, infinite in number. Not only that, but each of the jewels reflected in this one jewel is also reflecting all the other jewels, so that there is an infinite reflecting process occurring. ~ Francis H Cook,
192:It is no good asking for a simple religion. After all, real things are not simple. They look simple, but they are not. The table I am sitting at looks simple: but ask a scientist to tell you what it is really made of-all about the atoms and how the light waves rebound from them and hit my eye and what they do to the optic nerve and what it does to my brain-and, of course, you find that what we call "seeing a table" lands you in mysteries and complications which you can hardly get to the end of. A child saying a child's prayer looks simple. And if you are content to stop there, well and good. But if you are not--and the modern world usually is not--if you want to go on and ask what is really happening, then you must be prepared for something difficult. If we ask for something more than simplicity, it is silly then to complain that the something more is not simple. ~ C S Lewis, Mere Christianity ,
193:And the first of the adepts covered His shame with a cloth, walking backwards, and was white. And the second of the adepts covered his shame with a cloth, walking sideways, and was yellow. And the third of the adepts made a mock of His nakedness, walking forwards, and was black. And these are the three great schools of the Magi, who are also the three Magi that journeyed unto Bethlehem; and because thou hast not wisdom, thou shalt not know which school prevaileth, or if the three schools be not one.* 1wordlist AUTHORS BOOKS-INFO cats CHEATSHEETS COMMANDS d20 dc-empty define-1355 DICTIONARIES DICTIONARIES-2020-03-23 DOCS.RACKET DOCS.RACKET_W_LINKS goodreads_books_data goodreads_books_data-raw GRAMMER input.su keys keys_2020-03-29 keys_2020-06-04 keys_2020-06-05 keys_2020-06-27 keys-2020-08-14 keys-2020-10-13 keys.bak-2020-02-11 keys-bak-2020-09-14 LISTS MEDIA_LISTS MEM_AUDIO_199 most new_keys_subject_tagged new_keys_subject_tagged_html_tagged new_keys_subject_tagged_r NEWLIB PARTIAL_FORMATTED plants PROGRAMS QUOTES RESUMES sedrnS19w sss_7418_2019-12-18 style.css subjects subjects_wo_periods syn syn1 synonyms temp temp1 temp_11 test5 thedbs.zip todo twitter_full_s TWITTER-RIPS VG WEB_ADDRESSES WIKI wikit_list.su wordincarnate_SA_4500 wordincarnate_SA_clean wordincarnate_SA_clean2 WORDLIST wordlist wordlist (3rd copy) wordlist (another copy) wordlist-broken maybe wordlist-config wordlist (copy) wordlist-ru wordlist-temp wordlist-u ZZ This doctrine of the Three Schools is of extreme interest. Roughly, it may be said that the White is the Pure Mystic, whose attitude to God is one of reverence. The Yellow School conceals the Mysteries indeed, but examines them as it goes along. The Black School is that of pure Scepticism. We are now ready to study the philosophical bases of these three Schools. ~ Aleister Crowley, Magick Without Tears? 43?,
194:There is no darkness, we only close our eyesand shut out the Light;There is no pain, it is only our shrinkingfrom an intense and unwelcome Delight;There is no death, it is only our dread of the Life Eternalthat comes back upon us and smites us.Our senses are tremulous and fearsomeand cling to the empty littlenesses of the surface moment,they heed not the vast surges of Infinitudethat sweep and pass by.Calm, calm, my soul! Sink down and deep:Fashion the crystal bowl of thy heartwith all the serene profundity of the unknown spaces -And drop by drop will gather therea bliss immortals only can taste,And ray by ray will dawn the Light supernal....Or - be prepared for this too, soul, my soul -the down-rush of a myriad undyked cataracts,the sudden bursting of a whole stellar conflagrationMarch 17, 1935 ~ Nolini Kanta Gupta, , To the Heights,
195:Please initiate me into a tangible form of Yoga. I make this assurance that I shall follow your instructions to the very letter and refer to you my doubts and difficulties on the way.There is no method in this Yoga except to concentrate, preferably in the heart, and call the presence and power of the Mother to take up the being and by the workings of her force transform the consciousness; one can concentrate also in the head or between the eyebrows, but for many this is a too difficult opening. When the mind falls quiet and the concentration becomes strong and the aspiration intense, then there is a beginning of experience. The more the faith, the more rapid the result is likely to be. For the rest one must not depend on one's own efforts only, but succeed in establishing a contact with the Divine and a receptivity to the Mother's Power and Presence. 30 November 1934 ~ Sri Aurobindo, The Mother With Letters On The Mother ,
196:Forgetful of her spirit and her fate.The impassive skies were neutral, empty, still.Then something in the inscrutable darkness stirred;A nameless movement, an unthought IdeaInsistent, dissatisfied, without an aim,Something that wished but knew not how to be,Teased the Inconscient to wake Ignorance.A throe that came and left a quivering trace,Gave room for an old tired want unfilled,At peace in its subconscient moonless caveTo raise its head and look for absent light,Straining closed eyes of vanished memory,Like one who searches for a bygone selfAnd only meets the corpse of his desire.It was as though even in this Nought's profound,Even in this ultimate dissolution's core,There lurked an unremembering entity,Survivor of a slain and buried pastCondemned to resume the effort and the pang,Reviving in another frustrate world. ~ Sri Aurobindo, Savitri 01.01 - The Symbol Dawn,
197:To The Works Of: Aristotle, Cassius J. Keyser, Eric T. Bell, G. W. Leibnitz, Eugen Bleuler, J. Locke, Niels Bohr, Jacques Loeb, George Boole, H. A. Lorentz, Max Born, Ernst Mach, Louis De Brogue, J. C. Maxwell, Georg Cantor, Adolf Meyer, Ernst Cassirer, Hermann Minkowsja, Charles M. Child, Isaac Newton, C. Darwin, Ivan Pavlov, Rene Descartes, Giuseppe Peano, P. A. M. Dirac, Max Planck, A. S. Eddington, Plato, Albert Einstein, H. Poincare, Euclid, M. Faraday, Sigmund Freud, Josiah Royce, Karl F. Gauss, G. Y. Rainich, G. B. Riemann, Bertrand Russell, Thomas Graham, Ernest Rutherford, Arthur Haas, E. Schrodinger, Wm. R. Hamilton, C. S. Sherrington, Henry Head, Socrates, Werner Heisenberg, Arnold Sommerfeld, C. Judson Herrick, Oswald Veblen, E. V. Huntington, Wm. Alanson White, Smith Ely Jeluffe, Alfred N. Whitehead, Ludwig Wittgenstein Which Have Creatly Influenced My Enquiry This System Is Dedicated ~ Alfred Korzybski, Science and Sanity ,
198:[E]very man hath liberty to write, but few ability. Heretofore learning was graced by judicious scholars, but now noble sciences are vilified by base and illiterate scribblers, that either write for vain-glory, need, to get money, or as Parasites to flatter and collogue with some great men, they put out trifles, rubbish and trash. Among so many thousand Authors you shall scarce find one by reading of whom you shall be any whit better, but rather much worse; by which he is rather infected than any way perfected... What a catalogue of new books this year, all his age (I say) have our Frankfurt Marts, our domestic Marts, brought out. Twice a year we stretch out wits out and set them to sale; after great toil we attain nothing...What a glut of books! Who can read them? As already, we shall have a vast Chaos and confusion of Books, we are oppressed with them, our eyes ache with reading, our fingers with turning. For my part I am one of the number-one of the many-I do not deny it... ~ Robert Burton, The Anatomy of Melancholy ,
199:A person doing his true will is assisted by the momentum of the universe and seems possessed of amazing good luck. In beginning the great work of obtaining the knowledge and conversation, the magician vows 'to interpret every manifestation of existence as a direct message from the infinite Chaos to himself personally' To do this is to enter the magical world view in its totality. He takes complete responsibility for his present incarnation and must consider every experience, thing, or piece of information which assails him from any source, as a reflection of the way he is conducting his existence. The idea that things happen to one that may or may not be related to the way one acts is an illusion created by our shallow awareness. Keeping a close eye on the walls of the labyrinth, the conditions of his existence, the magician may then begin his invocation. The genius is not something added to oneself. Rather it is a stripping away of excess to reveal the god within. ~ Peter J Carroll, Liber Null Liber LUX,
200:7. The Meeting with the Goddess:The ultimate adventure, when all the barriers and ogres have been overcome, is commonly represented as a mystical marriage of the triumphant hero-soul with the Queen Goddess of the World. This is the crisis at the nadir, the zenith, or at the uttermost edge of the earth, at the central point of the cosmos, in the tabernacle of the temple, or within the darkness of the deepest chamber of the heart. The meeting with the goddess (who is incarnate in every woman) is the final test of the talent of the hero to win the boon of love (charity: amor fati), which is life itself enjoyed as the encasement of eternity. And when the adventurer, in this context, is not a youth but a maid, she is the one who, by her qualities, her beauty, or her yearning, is fit to become the consort of an immortal. Then the heavenly husband descends to her and conducts her to his bed-whether she will or not. And if she has shunned him, the scales fall from her eyes; if she has sought him, her desire finds its peace. ~ Joseph Campbell,
201:This last figure, the White Magician, symbolizes the self-transcending element in the scientist's motivational drive and emotional make-up; his humble immersion into the mysteries of nature, his quest for the harmony of the spheres, the origin of life, the equations of a unified field theory. The conquistadorial urge is derived from a sense of power, the participatory urge from a sense of oceanic wonder. 'Men were first led to the study of natural philosophy', wrote Aristotle, 'as indeed they are today, by wonder.' Maxwell's earliest memory was 'lying on the grass, looking at the sun, and wondering'. Einstein struck the same chord when he wrote that whoever is devoid of the capacity to wonder, 'whoever remains unmoved, whoever cannot contemplate or know the deep shudder of the soul in enchantment, might just as well be dead for he has already closed his eyes upon life'.This oceanic feeling of wonder is the common source of religious mysticism, of pure science and art for art's sake; it is their common denominator and emotional bond. ~ Arthur Koestler,
202:Nature may reach the same result in many ways. Like a wave in the physical world, in the infinite ocean of the medium which pervades all, so in the world of organisms, in life, an impulse started proceeds onward, at times, may be, with the speed of light, at times, again, so slowly that for ages and ages it seems to stay, passing through processes of a complexity inconceivable to men, but in all its forms, in all its stages, its energy ever and ever integrally present. A single ray of light from a distant star falling upon the eye of a tyrant in bygone times may have altered the course of his life, may have changed the destiny of nations, may have transformed the surface of the globe, so intricate, so inconceivably complex are the processes in Nature. In no way can we get such an overwhelming idea of the grandeur of Nature than when we consider, that in accordance with the law of the conservation of energy, throughout the Infinite, the forces are in a perfect balance, and hence the energy of a single thought may determine the motion of a universe. ~ Nikola Tesla,
203:Sails across the sea of life in the twinkling of an eye.' One attains the vision of God if Mahamaya steps aside from the door. Mahamaya's grace is necessary: hence the worship of Sakti. You see, God is near us, but it is not possible to know Him because Mahamaya stands between. Rama, Lakshmana, and Sita were walking along. Rama walked ahead, Sita in the middle, and Lakshmana last. Lakshmana was only two and a half cubits away from Rama, but he couldn't see Rama because Sita - Mahamaya - was in the way."While worshipping God, one should assume a definite attitude. I have three attitudes: the attitude of a child, the attitude or a maidservant, and the attitude of a friend. For a long time I regarded myself as a maidservant and a woman companion of God; at that time I used to wear skirts and ornaments, like a woman. The attitude of a child is very good."The attitude of a 'hero' is not good. Some people cherish it. They regard themselves as Purusha and woman as Prakriti; they want to propitiate woman through intercourse with her. But this method often causes disaster. ~ Sri Ramakrishna,
204:On the back part of the step, toward the right, I saw a small iridescent sphere of almost unbearable brilliance. At first I thought it was revolving; then I realised that this movement was an illusion created by the dizzying world it bounded. The Aleph's diameter was probably little more than an inch, but all space was there, actual and undiminished. Each thing (a mirror's face, let us say) was infinite things, since I distinctly saw it from every angle of the universe. I saw the teeming sea; I saw daybreak and nightfall; I saw the multitudes of America; I saw a silvery cobweb in the center of a black pyramid; I saw a splintered labyrinth (it was London); I saw, close up, unending eyes watching themselves in me as in a mirror; I saw all the mirrors on earth and none of them reflected me; I saw in a backyard of Soler Street the same tiles that thirty years before I'd seen in the entrance of a house in Fray Bentos; I saw bunches of grapes, snow, tobacco, lodes of metal, steam; I saw convex equatorial deserts and each one of their grains of sand... ~ Jorge Luis Borges, The Aleph ,
205:It is necessary to observe and know the wrong movements in you; for they are the source of your trouble and have to be persistently rejected if you are to be free.But do not be always thinking of your defects and wrong movements. Concentrate more upon what you are to be, on the ideal, with the faith that, since it is the goal before you, it must and will come.To be always observing faults and wrong movements brings depression and discourages the faith. Turn your eyes more to the coming Light and less to any immediate darkness. Faith, cheerfulness, confidence in the ultimate victory are the things that help, - they make the progress easier and swifter. Make more of the good experiences that come to you; one experience of the kind is more important than the lapses and failures. When it ceases, do not repine or allow yourself to be discouraged, but be quiet within and aspire for its renewal in a stronger form leading to still deeper and fuller experience. Aspire always, but with more quietude, opening yourself to the Divine simply and wholly. ~ Sri Aurobindo, Letters On Yoga - IV ,
206:The earth too, one with the surrounding mass of darkness and inconscience is asleep and insentient. She has to wake up and start on her journey moving forward, unveiling her secret mysteries towards the supreme revelation, the Divine incarnation in matter. The Gods are awake, in order to awaken the earth. A first ray is sent down and it touches as it were the sleeping Mother. The Divine Ray is just like a finger of a child touching her mother trying, as it were, to persuade her to open her eyes and look at her child. The first ray, however, comes not as a caress to the inert being of darkness, it is a sharp prick, even a hard blow. Such is the first impact of light upon dead matter; and the light is thrown back, as an unwelcome intruder, into what it came from; and the darkness grovels in its old groove. The second stage comes when the impact is not felt as a pain or something totally foreign and strange; its touch is felt as something soothing, something that heals an eternal sore. But this too was not suffered long and the light has to go back again. ~ Nolini Kanta Gupta, On Savitri ,
207:"Oi, Pampaw," Diogo said as the door to the public hall slid open. "You hear that Eros started talking?"Miller lifted himself to one elbow."Sí," Diogo said. "Whatever that shit is, it started broadcasting. There's even words and shit. I've got a feed. You want a listen?"No, Miller thought. No, I have seen those corridors. What's happened to those people almost happened to me. I don't want anything to do with that abomination."Sure," he said.Diogo scooped up his own hand terminal and keyed in something. Miller's terminal chimed that it had received the new feed route. "Chica perdída in ops been mixing a bunch of it to bhangra," Diogo said, making a shifting dance move with his hips. "Hard-core, eh?"Diogo and the other OPA irregulars had breached a high-value research station, faced down one of the most powerful and evil corporations in a history of power and evil. And now they were making music from the screams of the dying. Of the dead. They were dancing to it in the low-rent clubs. What it must be like, Miller thought, to be young and soulless. ~ James S A Corey, Leviathan Wakes ,
208:15. The Crossing of the Return Threshold:The returning hero, to complete his adventure, must survive the impact of the world. Many failures attest to the difficulties of this life-affirmative threshold. The first problem of the returning hero is to accept as real, after an experience of the soul-satisfying vision of fulfillment, the passing joys and sorrows, banalities and noisy obscenities of life. Why re-enter such a world? Why attempt to make plausible, or even interesting, to men and women consumed with passion, the experience of transcendental bliss? As dreams that were momentous by night may seem simply silly in the light of day, so the poet and the prophet can discover themselves playing the idiot before a jury of sober eyes. The easy thing is to commit the whole community to the devil and retire again into the heavenly rock dwelling, close the door, and make it fast. But if some spiritual obstetrician has drawn the shimenawa across the retreat, then the work of representing eternity in time, and perceiving in time eternity, cannot be avoided" The hero returns to the world of common day and must accept it as real. ~ Joseph Campbell,
209:DEFEATDefeat, my Defeat, my solitude and my aloofness;You are dearer to me than a thousand triumphs,And sweeter to my heart than all world-glory.Defeat, my Defeat, my self-knowledge and my defiance,Through you I know that I am yet young and swift of footAnd not to be trapped by withering laurels.And in you I have found alonenessAnd the joy of being shunned and scorned.Defeat, my Defeat, my shining sword and shield,In your eyes I have readThat to be enthroned is to be enslaved,And to be understood is to be leveled down,And to be grasped is but to reach one's fullnessAnd like a ripe fruit to fall and be consumed.Defeat, my Defeat, my bold companion,You shall hear my songs and my cries and my silences,And none but you shall speak to me of the beating of wings,And urging of seas,And of mountains that burn in the night,And you alone shall climb my steep and rocky soul.Defeat, my Defeat, my deathless courage,You and I shall laugh together with the storm,And together we shall dig graves for all that die in us,And we shall stand in the sun with a will,And we shall be dangerous. ~ Kahlil Gibran,
210:I have got three letters from you, but as I was busy with many things I couldn't answer them-today I am answering all the three together. It was known that it wouldn't be possible for you to come for darshan this time, it can't be easy to come twice within this short time. Don't be sorry, remain calm and remember the Mother, gather faith and strength within. You are a child of the Divine Mother, be tranquil, calm and full of force. There is no special procedure. To take the name of the Mother, to remember her within, to pray to her, all this may be described as calling the Mother. As it comes from within you, you have to call her accordingly. You can do also this - shutting your eyes you can imagine that the Mother is in front of you or you can sketch a picture of her in your mind and offer her your pranam, that obeissance will reach her. When you've time, you can meditate on her with the thinking attitude that she is with you, she's sitting in front of you. Doing these things people at last get to see her. Accept my blessings, I send the Mother's blessings also at the same time. From time to time Jyotirmoyee will take blessing flowers during pranam and send them to you. ~ The Mother, Nirodbaran Memorable contacts with the Mother ,
211:all is the method of God's workings; all life is Yoga ::: Thirdly, the divine Power in us uses all life as the means of this integral Yoga. Every experience and outer contact with our world-environment, however trifling or however disastrous, is used for the work, and every inner experience, even to the most repellent suffering or the most humiliating fall, becomes a step on the path to perfection. And we recognize in ourselves with opened eyes the method of God in the world, His purpose of light in the obscure, of the might in the weak and fallen, of delight in what is grievous and miserable. We see the divine method to be the same in the lower and in the higher working; only in the one it is pursued tardily and obscurely through the subconscious in Nature, in the other it becomes swift and self-conscious and the instrument confesses the hand of the Master. All life is a Yoga of Nature seeking to manifest God within itself. Yoga marks the stage at which this effort becomes capable of self-awareness and there for right completion in the individual. It is a gathering up and concentration of the movements dispersed and loosely combined in the lower evolution. ~ Sri Aurobindo, The Synthesis Of Yoga Conditions of the Synthesis [47],
212:Directly on awakening, preferably at dawn, the initiate goes to the place of invocation. Figuring to himself as he goes that being born anew each day brings with it the chance of greater rebirth, first he banishes the temple of his mind by ritual or by some magical trance. Then he unveils some token or symbol or sigil which represents to him the Holy Guardian Angel. This symbol he will likely have to change during the great work as the inspiration begins to move him. Next he invokes an image of the Angel into his minds eye. It may be considered as a luminous duplicate of ones own form standing in front of or behind one, or simply as a ball of brilliant light above ones head. Then he formulates his aspirations in what manner he will, humbling himself in prayer or exalting himself in loud proclamation as his need be. The best form of this invocation is spoken spontaneously from the heart, and if halting at first, will prove itself in time. He is aiming to establish a set of ideas and images which correspond to the nature of his genius, and at the same time receive inspiration from that source. As the magician begins to manifest more of his true will, the Augoeides will reveal images, names, and spiritual principles by which it can be drawn into greater manifestation. ~ Peter J Carroll, Liber Null ,
213:Part 1 - Departure1. The Call to Adventure ::: This first stage of the mythological journey-which we have designated the "call to adventure"-signifies that destiny has summoned the hero and transferred his spiritual center of grav­ ity from within the pale of his society to a zone unknown. This fateful region of both treasure and danger may be variously represented: as a distant land, a forest, a kingdom underground, beneath the waves, or above the sky, a secret island, lofty mountaintop, or profound dream state; but it is always a place of strangely fluid and polymorphous beings, unimaginable torments, superhuman deeds, and impossible delight. The hero can go forth of his own volition to accomplish the adventure, as did Theseus when he arrived in his father's city, Athens, and heard the horrible history of the Minotaur; or he may be carried or sent abroad by some benign or malignant agent, as was Odysseus, driven about the Mediterranean by the winds of the angered god, Poseidon. The adventure may begin as a mere blunder, as did that of the princess of the fairy tale; or still again, one may be only casually strolling, when some passing phenomenon catches the wandering eye and lures one away from the frequented paths of man. Examples might be multiplied, ad infinitum, from every corner of the world. ~ Joseph Campbell, The Hero with a Thousand Faces ,
214:`No. Stay, doesn't matter.' He settled the black terry sweatband across his forehead, careful not to disturb the flat Sendai dermatrodes [1]. He stared at the deck on his lap, not really seeing it, seeing instead the shop window on Ninsei, the chromed shuriken burning with reflected neon. He glanced up; on the wall, just above the Sony, he'd hung her gift, tacking it there with a yellow-headed drawing pin through the hole at its center.He closed his eyes.Found the ridged face of the power stud.And in the bloodlit dark behind his eyes, silver phosphenes boiling in from the edge of space, hypnagogic images jerking past like film compiled from random frames.Symbols, figures, faces, a blurred, fragmented mandala of visual information.Please, he prayed, now --A gray disk, the color of Chiba sky.Now --Disk beginning to rotate, faster, becoming a sphere of paler gray. Expanding --And flowed, flowered for him, fluid neon origami trick, the unfolding of his distanceless home, his country, transparent 3D chessboard extending to infinity. Inner eye opening to the stepped scarlet pyramid of the Eastern Seaboard Fission Authority burning beyond the green cubes of Mitsubishi Bank of America, and high and very far away he saw the spiral arms of military systems, forever beyond his reach. ~ William Gibson, Neuromancer ,
215:Recommended ReadingDavid Foster Wallace - Infinite JestDH Lawrence - The RainbowGabriel Garcia Marquez - Love in the Time of CholeraKarl Ove Knausgaard - My StruggleVirginia Woolf - To The LighthouseBen Lerner - The Topeka SchoolSally Rooney - Conversations With FriendsNell Zink - The WallcreeperElena Ferrante - The Days of AbandonmentJack Kerouac - Dharma BumsWalt Whitman - Leaves of GrassMichael Murphy - Golf in the KingdomBarbara Kingsolver - Prodigal SummerAlbertine Sarrazin - AstragalRebecca Solnit - The Faraway NearbyMichael Paterniti - Love and Other Ways of DyingRainer Maria Rilke - Book of HoursJames Baldwin - Another CountryRoberto Calasso - KaTranslation by S. Radhakrishan - Principle UpanisadsChogyam Trungpa - Cutting Through Spiritual MaterialismTranslation by Georg Feuerstein - Yoga SutraRichard Freeman - The Mirror of YogaTranslation by S. Radhakrishan - The Bhagavad GitaShrunyu Suzuki - Zen Mind Beginner's MindHeinrich Zimmer - Myths and Symbols in Indian Art and CivilizationSogyal Rinpoche - The Tibetan Book of Living and DyingJoseph Campbell - Myths of LightJoseph Campbell - The Hero With A Thousand FacesSri Aurobindo - SavitriThomas Meyers - Anatomy TrainsWendy Doniger - The Hindus ~ Jason Bowman, http://www.jasonbowmanyoga.com/recommended-reading ,
216:A book like this, a problem like this, is in no hurry; we both, I just as much as my book, are friends of lento. It is not for nothing that I have been a philologist, perhaps I am a philologist still, that is to say, A TEACHER OF SLOW READING:- in the end I also write slowly. Nowadays it is not only my habit, it is also to my taste - a malicious taste, perhaps? - no longer to write anything which does not reduce to despair every sort of man who is 'in a hurry'. For philology is that venerable art which demands of its votaries one thing above all: to go aside, to take time, to become still, to become slow - it is a goldsmith's art and connoisseurship of the WORD which has nothing but delicate, cautious work to do and achieves nothing if it does not achieve it lento. But precisely for this reason it is more necessary than ever today, by precisely this means does it entice and enchant us the most, in the midst of an age of 'work', that is to say, of hurry, of indecent and perspiring haste, which wants to 'get everything done' at once, including every old or new book:- this art does not so easily get anything done, it teaches to read WELL, that is to say, to read slowly, deeply, looking cautiously before and aft, with reservations, with doors left open, with delicate eyes and fingers...My patient friends, this book desires for itself only perfect readers and philologists: LEARN to read me well! ~ Friedrich Nietzsche,
217:I examined the poets, and I look on them as people whose talent overawes both themselves and others, people who present themselves as wise men and are taken as such, when they are nothing of the sort.From poets, I moved to artists. No one was more ignorant about the arts than I; no one was more convinced that artists possessed really beautiful secrets. However, I noticed that their condition was no better than that of the poets and that both of them have the same misconceptions. Because the most skillful among them excel in their specialty, they look upon themselves as the wisest of men. In my eyes, this presumption completely tarnished their knowledge. As a result, putting myself in the place of the oracle and asking myself what I would prefer to be - what I was or what they were, to know what they have learned or to know that I know nothing - I replied to myself and to the god: I wish to remain who I am.We do not know - neither the sophists, nor the orators, nor the artists, nor I- what the True, the Good, and the Beautiful are. But there is this difference between us: although these people know nothing, they all believe they know something; whereas, I, if I know nothing, at least have no doubts about it. As a result, all this superiority in wisdom which the oracle has attributed to me reduces itself to the single point that I am strongly convinced that I am ignorant of what I do not know. ~ Socrates,
218:Sometimes fate is like a small sandstorm that keeps changing directions. You change direction but the sandstorm chases you. You turn again, but the storm adjusts. Over and over you play this out, like some ominous dance with death just before dawn. Why? Because this storm isn't something that blew in from far away, something that has nothing to do with you. This storm is you. Something inside of you. So all you can do is give in to it, step right inside the storm, closing your eyes and plugging up your ears so the sand doesn't get in, and walk through it, step by step. There's no sun there, no moon, no direction, no sense of time. Just fine white sand swirling up into the sky like pulverized bones. That's the kind of sandstorm you need to imagine.An you really will have to make it through that violent, metaphysical, symbolic storm. No matter how metaphysical or symbolic it might be, make no mistake about it: it will cut through flesh like a thousand razor blades. People will bleed there, and you will bleed too. Hot, red blood. You'll catch that blood in your hands, your own blood and the blood of others.And once the storm is over you won't remember how you made it through, how you managed to survive. You won't even be sure, in fact, whether the storm is really oveR But one thing is certain. When you come out of the storm you won't be the same person who walked in. That's what this storm's all about. ~ Haruki Murakami,
219:To see life steadily and see it whole is only permitted to a Perfect and Infinite Consciousness standing outside Time, Space and Conditions. To such a divine Vision the working out of preordainment may present itself as a perfect, immediate and unhindered consummation. God said, 'Let there be Light' and, straightway,there was Light; and when the Light came into being, God saw that it was good. But to the imperfect finite consciousness, Light seems in its inception to have come into being by a slow material evolution completed by a fortuitous shock of forces; in its operation to be lavished with a prodigal wastefulness since only a small part is used for the purposes of life; in its presentation to be conveyed to a blinking and limited vision, hampered by obstacles and chequered with darkness. Limitation, imperfection, progression and retrogression are inseparable from phenomenal work, phenomenal intelligence, phenomenal pleasure and satisfaction. To Brahman the Will who measures all Time in a moment, covers all Space with one stride, embraces the whole chain of causation in one glance, there is no limitation, imperfection, progression or retrogression. He looks upon his work as a whole and sees that it is good. But the Gods cannot reach to His completeness, even though they toil after it; for ever He outruns their pursuit, moving far in front. Brahman, standing still, overtakes and passes the others as they run. ~ Sri Aurobindo, Isha Upanishad ,
220:If one is too serious in yoga, doesn't one become obsessed by the difficulty of the task?There is a limit to be kept!... But if one chooses one's obsession well, it may be very useful because it is no longer quite an obsession. For example, one has decided to find the Divine within oneself, and constantly, in every circumstance, whatever happens or whatever one may do, one concentrates in order to enter into contact with the inner Divine. Naturally, first one must have that little thing Sri Aurobindo speaks about, that "lesser truth" which consists in knowing that there is a Divine within one (this is a very good example of the "lesser truth") and once one is sure of it and has the aspiration to find it, if that aspiration becomes constant and the effort to realise it becomes constant, in the eyes of others it looks like an obsession, but this kind of obsession is not bad. It becomes bad only if one loses one's balance. But it must be made quite clear that those who lose their balance with that obsession are only those who were quite ready to lose their balance; any circumstance whatever would have produced the same result and made them lose their balance - it is a defect in the mental structure, it is not the fault of the obsession. And naturally, he who changes a desire into an obsession would be sure to go straight towards imbalance. That is why I say it is important to know the object of the obsession. ~ The Mother, Questions And Answers 1950-1951 ,
221:Here the formula of the supreme knowledge comes to our help; we have nothing to do in our essential standpoint with these distinctions, for there is no I nor thou, but only one divine Self equal in all embodiments, equal in the individual and the group, and to realise that, to express that, to serve that, to fulfil that is all that matters. Self-satisfaction and altruism, enjoyment and indifference are not the essential thing. If the realisation, fulfilment, service of the one Self demands from us an action that seems to others self-service or self-assertion in the egoistic sense or seems egoistic enjoyment and self-indulgence, that action we must do; we must be governed by the guide within rather than by the opinions of men. The influence of the environment works often with great subtlety; we prefer and put on almost unconsciously the garb which will look best in the eye that regards us from outside and we allow a veil to drop over the eye within; we are impelled to drape ourselves in the vow of poverty, or in the garb of service, or in outward proofs of indifference and renunciation and a spotless sainthood because that is what tradition and opinion demand of us and so we can make best an impression on our environment. But all this is vanity and delusion. We may be called upon to assume these things, for that may be the uniform of our service; but equally it may not. The eye of man outside matters nothing; the eye within is all. ~ Sri Aurobindo, The Synthesis Of Yoga ,
222:In a letter the question raised was: "Is not all action incompatible with Sri Aurobindo's yoga"? Sri Aurobindo: His idea that all action is incompatible with this yoga is not correct. Generally, it is found that all Rajasic activity does not go well with this yoga: for instance, political work. The reasons for abstaining from political activity are: 1. Being Rajasic in its nature, it does not allow that quiet and knowledge on the basis of which the work should really proceed. All action requires a certain inner formation, an inner detached being. The formation of this inner being requires one to dive into the depth of the being, get the true Being and then prepare the true Being to come to the surface. It is then that one acquires a poise - an inner poise - and can act from there. Political work by Rajasic activity which draws the being outwards prevents this inner formation. 2. The political field, together with certain other fields, is the stronghold of the Asuric forces. They have their eye on this yoga, and they would try to hamper the Sadhana by every means. By taking to the political field you get into a plane where these forces hold the field. The possibility of attack in that field is much greater than in others. These Asuric forces try to lead away the Sadhaka from the path by increasing Kama and Krodha - desire and anger, and such other Rajasic impulses. They may throw him permanently into the sea of Rajasic activity. ~ Sri Aurobindo, EVENING TALKS WITH SRI AUROBINDO ,
223:On a thousand bridges and paths they shall throng to the future, and ever more war and inequality shall divide them: thus does my great love make me speak.In their hostilities they shall become inventors of images and ghosts, and with their images and ghosts they shall yet fight the highest fight against one another. Good and evil, and rich and poor, and high and low, and all the names of values-arms shall they be and clattering signs that life must overcome itself again and again.Life wants to build itself up into the heights with pillars and steps; it wants to look into vast distances and out toward stirring beauties: therefore it requires height. And because it requires height, it requires steps and contradiction among the steps and the climbers.Life wants to climb and to overcome itself climbing.And behold, my friends: here where the tarantula has its hole, the ruins of an ancient temple rise; behold it with enlightened eyes Verily, the man who once piled his thoughts to the sky in these stones-he, like the wisest, knew the secret of all life. That struggle and inequality are present even in beauty, and also war for power and more power: that is what he teaches us here in the plainest parable. How divinely vault and arches break through each other in a wrestling match; how they strive against each other with light and shade, the godlike strivers-with such assurance and beauty let us be enemies too, my friends Let us strive against one another like gods. ~ Friedrich Nietzsche, Thus Spoke Zarathustra trans. Fred Kaufmann,
224:The world is like a ride in an amusement park, and when you choose to go on it you think it's real because that's how powerful our minds are. The ride goes up and down, around and around, it has thrills and chills, and it's very brightly colored, and it's very loud, and it's fun for a while. Many people have been on the ride a long time, and they begin to wonder, "Hey, is this real, or is this just a ride?" And other people have remembered, and they come back to us and say, "Hey, don't worry; don't be afraid, ever, because this is just a ride." And we ... kill those people. "Shut him up! I've got a lot invested in this ride, shut him up! Look at my furrows of worry, look at my big bank account, and my family. This has to be real." It's just a ride. But we always kill the good guys who try and tell us that, you ever notice that? And let the demons run amok ... But it doesn't matter, because it's just a ride. And we can change it any time we want. It's only a choice. No effort, no work, no job, no savings of money. Just a simple choice, right now, between fear and love. The eyes of fear want you to put bigger locks on your doors, buy guns, close yourself off. The eyes of love instead see all of us as one. Here's what we can do to change the world, right now, to a better ride. Take all that money we spend on weapons and defenses each year and instead spend it feeding and clothing and educating the poor of the world, which it would pay for many times over, not one human being excluded, and we could explore space, together, both inner and outer, forever, in peace. ~ Bill Hicks,
225:In the name of Him Who created and sustains the world, the Sage Who endowed tongue with speech.He attains no honor who turns the face from the doer of His mercy.The kings of the earth prostate themselves before Him in supplication.He seizes not in haste the disobedient, nor drives away the penitent with violence. The two worlds are as a drop of water in the ocean of His knowledge.He withholds not His bounty though His servants sin; upon the surface of the earth has He spread a feast, in which both friend and foe may share.Peerless He is, and His kingdom is eternal. Upon the head of one He placed a crown another he hurled from the throne to the ground.The fire of His friend He turned into a flower garden; through the water of the Nile He sended His foes to perdition.Behind the veil He sees all, and concealed our faults with His own goodness.He is near to them that are downcast, and accepts the prayers of them that lament.He knows of the things that exist not, of secrets that are untold.He causes the moon and the sun to revolve, and spreads water upon the earth.In the heart of a stone hath He placed a jewel; from nothing had He created all that is.Who can reveal the secret of His qualities; what eye can see the limits of His beauty?The bird of thought cannot soar to the height of His presence, nor the hand of understanding reach to the skirt of His praise.Think not, O Saadi, that one can walk in the road of purity except in the footsteps of Mohammed (Peace and Blessings be Upon Him) ~ Saadi, The Bustan of Sa'di ,
226:This ego or "I" is not a lasting truth, much less our essential part; it is only a formation of Nature, a mental form of thought centralisation in the perceiving and discriminating mind, a vital form of the centralisation of feeling and sensation in our parts of life, a form of physical conscious reception centralising substance and function of substance in our bodies. All that we internally are is not ego, but consciousness, soul or spirit. All that we externally and superficiallyare and do is not ego but Nature. An executive cosmic force shapes us and dictates through our temperament and environment and mentality so shaped, through our individualised formulation of the cosmic energies, our actions and their results. Truly, we do not think, will or act but thought occurs in us, will occurs in us, impulse and act occur in us; our ego-sense gathers around itself, refers to itself all this flow of natural activities. It is cosmic Force, it is Nature that forms the thought, imposes the will, imparts the impulse. our body, mind and ego are a wave of that sea of force in action and do not govern it, but by it are governed and directed. The Sadhaka in his progress towards truth and self-knowledge must come to a point where the soul opens its eyes of vision and recognises this truth of ego and this truth of works. He gives up the idea of a mental, vital, physical, "I" that acts or governs action; he recognises that Prakriti, Force of cosmic nature following her fixed modes, is the one and only worker in him and in all things and creatures. ~ Sri Aurobindo, The Synthesis Of Yoga 1.08 - The Supreme Will,
227:Yet this was only a foretaste of the intense experiences to come. The first glimpse of the Divine Mother made him the more eager for Her uninterrupted vision. He wanted to see Her both in meditation and with eyes open. But the Mother began to play a teasing game of hide-and-seek with him, intensifying both his joy and his suffering. Weeping bitterly during the moments of separation from Her, he would pass into a trance and then find Her standing before him, smiling, talking, consoling, bidding him be of good cheer, and instructing him. During this period of spiritual practice he had many uncommon experiences. When he sat to meditate, he would hear strange clicking sounds in the joints of his legs, as if someone were locking them up, one after the other, to keep him motionless; and at the conclusion of his meditation he would again hear the same sounds, this time unlocking them and leaving him free to move about. He would see flashes like a swarm of fire-flies floating before his eyes, or a sea of deep mist around him, with luminous waves of molten silver. Again, from a sea of translucent mist he would behold the Mother rising, first Her feet, then Her waist, body, face, and head, finally Her whole person; he would feel Her breath and hear Her voice. Worshipping in the temple, sometimes he would become exalted, sometimes he would remain motionless as stone, sometimes he would almost collapse from excessive emotion. Many of his actions, contrary to all tradition, seemed sacrilegious to the people. He would take a flower and touch it to his own head, body, and feet, and then offer it to the Goddess. ~ Sri Ramakrishna, Gospel ,
228:37 - Some say Krishna never lived, he is a myth. They mean on earth; for if Brindavan existed nowhere, the Bhagavat (6) could not have been written. - Sri AurobindoDoes Brindavan exist anywhere else than on earth?The whole earth and everything it contains is a kind of concentration, a condensation of something which exists in other worlds invisible to the material eye. Each thing manifested here has its principle, idea or essence somewhere in the subtler regions. This is an indispensable condition for the manifestation. And the importance of the manifestation will always depend on the origin of the thing manifested.In the world of the gods there is an ideal and harmonious Brindavan of which the earthly Brindavan is but a deformation and a caricature.Those who are developed inwardly, either in their senses or in their minds, perceive these realities which are invisible (to the ordinary man) and receive their inspiration from them.So the writer or writers of the Bhagavat were certainly in contact with a whole inner world that is well and truly real and existent, where they saw and experienced everything they have described or revealed.Whether Krishna existed or not in a human form, living on earth, is only of very secondary importance (except perhaps from an exclusively historical point of view), for Krishna is a real, living and active being; and his influence has been one of the great factors in the progress and transformation of the earth.8 June 1960(6 The story of Krishna, as related in the Bhagavat Purana.) ~ The Mother, On Thoughts And Aphorisms volume-10,
229:Musa Spiritus ::: O Word concealed in the upper fire, Thou who hast lingered through centuries, Descend from thy rapt white desire, Plunging through gold eternities. Into the gulfs of our nature leap, Voice of the spaces, call of the Light! Break the seals of Matter's sleep, Break the trance of the unseen height. In the uncertain glow of human mind, Its waste of unharmonied thronging thoughts, Carve thy epic mountain-lined Crowded with deep prophetic grots. Let thy hue-winged lyrics hover like birds Over the swirl of the heart's sea. Touch into sight with thy fire-words The blind indwelling deity. O Muse of the Silence, the wideness make In the unplumbed stillness that hears thy voice, In the vast mute heavens of the spirit awake Where thy eagles of Power flame and rejoice. Out, out with the mind and its candles flares, Light, light the suns that never die. For my ear the cry of the seraph stars And the forms of the Gods for my naked eye! Let the little troubled life-god within Cast his veils from the still soul, His tiger-stripes of virtue and sin, His clamour and glamour and thole and dole; All make tranquil, all make free. Let my heart-beats measure the footsteps of God As He comes from His timeless infinity To build in their rapture His burning abode. Weave from my life His poem of days, His calm pure dawns and His noons of force. My acts for the grooves of His chariot-race, My thoughts for the tramp of His great steeds' course! ~ Sri Aurobindo, Collected Poems ,
230:"She" How shall I welcome not this light Or, wakened by it, greet with doubt This beam as palpable to sight As visible to touch? How not, Old as I am and (some say) wise, Revive beneath her summer eyes? How not have all my nights and days, My spirit ranging far and wide, By recollections of her grace Enlightened and preoccupied? Preoccupied: the Morning Star How near the Sun and yet how far! Enlightened: true, but more than true, Or why must I discover there The meaning in this taintless dew, The dancing wave, this blessed air Enchanting in its morning dress And calm as everlastingness? The flame that in the heart resides Is parcel of that central Fire Whose energy is winds and tides- Is rooted deep in the Desire That smilingly unseals its power Each summer in each springing flower. Oh Lady Nature-Proserpine, Mistress of Gender, star-crowned Queen! Ah Rose of Sharon-Mistress mine, My teacher ere I turned fourteen, When first I hallowed from afar Your Beautyship in avatar! I sense the hidden thing you say, Your subtle whisper how the Word From Alpha on to Omega Made all things-you confide my Lord Himself-all, all this potent Frame, All save the riddle of your name. Wisdom! I heard a voice that said: "What riddle? What is that to you? How! By my follower betrayed! Look up-for shame! Now tell me true: Where meet you light, with love and grace? Still unacquainted with my face?" Dear God, the erring heart must live- Through strength and weakness, calm and glow- That answer Wisdom scorns to give. Much have I learned. One problem, though, I never shall unlock: Who then, Who made Sophia feminine? ~ Owen Barfield, 1978 ,
231:There is, indeed, a higher form of the buddhi that can be called the intuitive mind or intuitive reason, and this by its intuitions, its inspirations, its swift revelatory vision, its luminous insight and discrimination can do the work of the reason with a higher power, a swifter action, a greater and spontaneous certitude. It acts in a self-light of the truth which does not depend upon the torch-flares of the sense-mind and its limited uncertain percepts; it proceeds not by intelligent but by visional concepts: It is a kind of truth-vision, truth-hearing, truth-memory, direct truth-discernment. This true and authentic intuition must be distinguished from a power of the ordinary mental reason which is too easily confused with it, that power of Involved reasoning that reaches its conclusion by a bound and does not need the ordinary steps of the logical mind. The logical reason proceeds pace after pace and tries the sureness of each step like a marl who is walking over unsafe ground and has to test by the hesitating touch of his foot each span of soil that he perceives with his eye. But this other supralogical process of the reason is a motion of rapid insight or swift discernment; it proceeds by a stride or leap, like a man who springs from one sure spot to another point of sure footing, -- or at least held by him to be sure. He sees this space he covers in one compact and flashing view, but he does not distinguish or measure either by eye or touch its successions, features and circumstances. This movement has something of the sense of power of the intuition, something of its velocity, some appearance of its light and certainty, arid we always are apt to take it for the intuition. But our assumption is an error and, if we trust to it, it may lead us into grievous blunders. ~ Sri Aurobindo, The Synthesis Of Yoga ,
232:One can concentrate in any of the three centres which is easiest to the sadhak or gives most result. The power of the concentration in the heart-centre is to open that centre and by the power of aspiration, love, bhakti, surrender remove the veil which covers and conceals the soul and bring forward the soul or psychic being to govern the mind, life and body and turn and open them all-fully-to the Divine, removing all that is opposed to that turning and opening. This is what is called in this Yoga the psychic transformation. The power of concentration above the head is to bring peace, silence, liberation from the body sense, the identification with mind and life and open the way for the lower (mental vital-physical) consciousness to rise up to meet the higher Consciousness above and for the powers of the higher (spiritual or divine) Consciousness to descend into mind, life and body. This is what is called in this Yoga the spiritual transformation. If one begins with this movement, then the Power from above has in its descent to open all the centres (including the lowest centre) and to bring out the psychic being; for until that is done there is likely to be much difficulty and struggle of the lower consciousness obstructing, mixing with or even refusing the Divine Action from above. If the psychic being is once active this struggle and these difficulties can be greatly minimised. The power of concentration in the eyebrows is to open the centre there, liberate the inner mind and vision and the inner or Yogic consciousness and its experiences and powers. From here also one can open upwards and act also in the lower centres; but the danger of this process is that one may get shut up in one's mental spiritual formations and not come out of them into the free and integral spiritual experience and knowledge and integral change of the being and nature. ~ Sri Aurobindo, Letters On Yoga - II 7.5.56 - Omnipresence,
233:And therefore, all of those for whom authentic transformation has deeply unseated their souls must, I believe, wrestle with the profound moral obligation to shout form the heart-perhaps quietly and gently, with tears of reluctance; perhaps with fierce fire and angry wisdom; perhaps with slow and careful analysis; perhaps by unshakable public example-but authentically always and absolutely carries a a demand and duty: you must speak out, to the best of your ability, and shake the spiritual tree, and shine your headlights into the eyes of the complacent. You must let that radical realization rumble through your veins and rattle those around you. Alas, if you fail to do so, you are betraying your own authenticity. You are hiding your true estate. You don't want to upset others because you don't want to upset your self. You are acting in bad faith, the taste of a bad infinity. Because, you see, the alarming fact is that any realization of depth carries a terrible burden: those who are allowed to see are simultaneously saddled with the obligation to communicate that vision in no uncertain terms: that is the bargain. You were allowed to see the truth under the agreement that you would communicate it to others (that is the ultimate meaning of the bodhisattva vow). And therefore, if you have seen, you simply must speak out. Speak out with compassion, or speak out with angry wisdom, or speak out with skillful means, but speak out you must. And this is truly a terrible burden, a horrible burden, because in any case there is no room for timidity. The fact that you might be wrong is simply no excuse: You might be right in your communication, and you might be wrong, but that doesn't matter. What does matter, as Kierkegaard so rudely reminded us, is that only by investing and speaking your vision with passion, can the truth, one way or another, finally penetrate the reluctance of the world. If you are right, or if you are wrong, it is only your passion that will force either to be discovered. It is your duty to promote that discovery-either way-and therefore it is your duty to speak your truth with whatever passion and courage you can find in your heart. You must shout, in whatever way you can. ~ Ken Wilber, One Taste ,
234:There is one point in particular I would like to single out and stress, namely, the notion of evolution. It is common to assume that one of the doctrines of the perennial philosophy... is the idea of involution-evolution. That is, the manifest world was created as a "fall" or "breaking away" from the Absolute (involution), but that all things are now returning to the Absolute (via evolution). In fact, the doctrine of progressive temporal return to Source (evolution) does not appear anywhere, according to scholars as Joseph Campbell, until the axial period (i.e. a mere two thousand years ago). And even then, the idea was somewhat convoluted and backwards. The doctrine of the yugas, for example, sees the world as proceeding through various stages of development, but the direction is backward: yesterday was the Golden Age, and time ever since has been a devolutionary slide downhill, resulting in the present-day Kali-Yuga. Indeed, this notion of a historical fall from Eden was ubiquitous during the axial period; the idea that we are, at this moment, actually evolving toward Spirit was simply not conceived in any sort of influential fashion. But sometime during the modern era-it is almost impossible to pinpoint exactly-the idea of history as devolution (or a fall from God) was slowly replaced by the idea of history as evolution (or a growth towards God). We see it explicitly in Schelling (1775-1854); Hegel (1770-1831) propounded the doctrine with a genius rarely equaled; Herbert Spencer (1820-1903) made evolution a universal law, and his friend Charles Darwin (1809-1882) applied it to biology. We find it next appearing in Aurobindo (1872-1950), who gave perhaps its most accurate and profound spiritual context, and Pierre Teilhard de Chardin (1881-1955) who made it famous in the West. But here is my point: we might say that the idea of evolution as return-to-Spirit is part of the perennial philosophy, but the idea itself, in any adequate form, is no more than a few hundred years old. It might be 'ancient' as timeless, but it is certainly not ancient as "old."... This fundamental shift in the sense or form of the perennial philosophy-as represented in, say, Aurobindo, Hegel, Adi Da, Schelling, Teilhard de Chardin, Radhakrishnan, to name a few-I should like to call the "neoperennial philosophy." ~ Ken Wilber, The Eye Of Spirit ,
235:Imperial Maheshwari is seated in the wideness above the thinking mind and will and sublimates and greatens them into wisdom and largeness or floods with a splendour beyond them. For she is the mighty and wise One who opens us to supramental infinities and the cosmic vastness, to the grandeur of the supreme Light, to a treasure-house of miraculous knowledge, to the measureless movement of the Mother's eternal forces. Tranquil is she and wonderful, great and calm for ever. Nothing can move her because all wisdom is in her; nothing is hidden from her that she chooses to know; she comprehends all things and all beings and their nature and what moves them and the law of the world and its times and how all was and is and must be. A strength is in her that meets everything and masters and none can prevail in the end against her vast intangible wisdom and high tranquil power. Equal, patient, unalterable in her will she deals with men according to their nature and with things and happenings according to their Force and truth that is in them. Partiality she has none, but she follows the decrees of the Supreme and some she raises up and some she casts down or puts away into the darkness. To the wise she gives a greater and more luminous wisdom; those that have vision she admits to her counsels; on the hostile she imposes the consequence of their hostility; the ignorant and foolish she leads them according to their blindness. In each man she answers and handles the different elements of his nature according to their need and their urge and the return they call for, puts on them the required pressure or leaves them to their cherished liberty to prosper in the ways of the Ignorance or to perish. For she is above all, bound by nothing, attached to nothing in the universe. Yet she has more than any other the heart of the universal Mother. For her compassion is endless and inexhaustible; all are to her eyes her children and portions of the One, even the Asura and Rakshasa and Pisacha and those that are revolted and hostile. Even her rejections are only a postponement, even her punishments are a grace. But her compassion does not blind her wisdom or turn her action from the course decreed; for the Truth of things is her one concern, knowledge her centre of power and to build our soul and our nature into the divine Truth her mission and her labour. ~ Sri Aurobindo, The Mother With Letters On The Mother game test3,
236:Fundamentally, whatever be the path one follows - whe- ther the path of surrender, consecration, knowledge-if one wants it to be perfect, it is always equally difficult, and there is but one way, one only, I know of only one: that is perfect sincerity, but perfect sincerity!Do you know what perfect sincerity is?...Never to try to deceive oneself, never let any part of the being try to find out a way of convincing the others, never to explain favourably what one does in order to have an excuse for what one wants to do, never to close one's eyes when something is unpleasant, never to let anything pass, telling oneself, "That is not important, next time it will be better."Oh! It is very difficult. Just try for one hour and you will see how very difficult it is. Only one hour, to be totally, absolutely sincere. To let nothing pass. That is, all one does, all one feels, all one thinks, all one wants, is exclusively the Divine."I want nothing but the Divine, I think of nothing but the Divine, I do nothing but what will lead me to the Divine, I love nothing but the Divine."Try - try, just to see, try for half an hour, you will see how difficult it is! And during that time take great care that there isn't a part of the vital or a part of the mind or a part of the physical being nicely hidden there, at the back, so that you don't see it (Mother hides her hands behind her back) and don't notice that it is not collaborating - sitting quietly there so that you don't unearth it... it says nothing, but it does not change, it hides itself. How many such parts! How many parts hide themselves! You put them in your pocket because you don't want to see them or else they get behind your back and sit there well-hidden, right in the middle of your back, so as not to be seen. When you go there with your torch - your torch of sincerity - you ferret out all the corners, everywhere, all the small corners which do not consent, the things which say "No" or those which do not move: "I am not going to budge. I am glued to this place of mine and nothing will make me move."... You have a torch there with you, and you flash it upon the thing, upon everything. You will see there are many of them there, behind your back, well stuck.Try, just for an hour, try!No more questions?Nobody has anything to say? Then, au revoir, my children! ~ The Mother, Question and Answers Volume-6,
237:The poet-seer sees differently, thinks in another way, voices himself in quite another manner than the philosopher or the prophet. The prophet announces the Truth as the Word, the Law or the command of the Eternal, he is the giver of the message; the poet shows us Truth in its power of beauty, in its symbol or image, or reveals it to us in the workings of Nature or in the workings of life, and when he has done that, his whole work is done; he need not be its explicit spokesman or its official messenger. The philosopher's business is to discriminate Truth and put its parts and aspects into intellectual relation with each other; the poet's is to seize and embody aspects of Truth in their living relations, or rather - for that is too philosophical a language - to see her features and, excited by the vision, create in the beauty of her image. No doubt, the prophet may have in him a poet who breaks out often into speech and surrounds with the vivid atmosphere of life the directness of his message; he may follow up his injunction "Take no thought for the morrow," by a revealing image of the beauty of the truth he enounces, in the life of Nature, in the figure of the lily, or link it to human life by apologue and parable. The philosopher may bring in the aid of colour and image to give some relief and hue to his dry light of reason and water his arid path of abstractions with some healing dew of poetry. But these are ornaments and not the substance of his work; and if the philosopher makes his thought substance of poetry, he ceases to be a philosophic thinker and becomes a poet-seer of Truth. Thus the more rigid metaphysicians are perhaps right in denying to Nietzsche the name of philosopher; for Nietzsche does not think, but always sees, turbidly or clearly, rightly or distortedly, but with the eye of the seer rather than with the brain of the thinker. On the other hand we may get great poetry which is full of a prophetic enthusiasm of utterance or is largely or even wholly philosophic in its matter; but this prophetic poetry gives us no direct message, only a mass of sublime inspirations of thought and image, and this philosophic poetry is poetry and lives as poetry only in so far as it departs from the method, the expression, the way of seeing proper to the philosophic mind. It must be vision pouring itself into thought-images and not thought trying to observe truth and distinguish its province and bounds and fences. ~ Sri Aurobindo, The Future Poetry ,
238:As far as heaven, as near as thought and hope,Glimmered the kingdom of a griefless life.Above him in a new celestial vaultOther than the heavens beheld by mortal eyes,As on a fretted ceiling of the gods,An archipelago of laughter and fire,Swam stars apart in a rippled sea of sky.Towered spirals, magic rings of vivid hueAnd gleaming spheres of strange felicityFloated through distance like a symbol world.On the trouble and the toil they could not share,On the unhappiness they could not aid,Impervious to life's suffering, struggle, grief,Untarnished by its anger, gloom and hate,Unmoved, untouched, looked down great visioned planesBlissful for ever in their timeless right.Absorbed in their own beauty and content,Of their immortal gladness they live sure.Apart in their self-glory plunged, remoteBurning they swam in a vague lucent haze,An everlasting refuge of dream-light,A nebula of the splendours of the godsMade from the musings of eternity.Almost unbelievable by human faith,Hardly they seemed the stuff of things that are.As through a magic television's glassOutlined to some magnifying inner eyeThey shone like images thrown from a far sceneToo high and glad for mortal lids to seize.But near and real to the longing heartAnd to the body's passionate thought and senseAre the hidden kingdoms of beatitude.In some close unattained realm which yet we feel,Immune from the harsh clutch of Death and Time,Escaping the search of sorrow and desire,In bright enchanted safe peripheriesFor ever wallowing in bliss they lie.In dream and trance and muse before our eyes,Across a subtle vision's inner field,Wide rapturous landscapes fleeting from the sight,The figures of the perfect kingdom passAnd behind them leave a shining memory's trail.Imagined scenes or great eternal worlds,Dream-caught or sensed, they touch our hearts with their depths;Unreal-seeming, yet more real than life,Happier than happiness, truer than things true,If dreams these were or captured images,Dream's truth made false earth's vain realities.In a swift eternal moment fixed there liveOr ever recalled come back to longing eyesCalm heavens of imperishable Light,Illumined continents of violet peace,Oceans and rivers of the mirth of GodAnd griefless countries under purple suns. ~ Sri Aurobindo, Savitri 02.03 - The Glory and the Fall of Life,
239:Who could have thought that this tanned young man with gentle, dreamy eyes, long wavy hair parted in the middle and falling to the neck, clad in a common coarse Ahmedabad dhoti, a close-fitting Indian jacket, and old-fashioned slippers with upturned toes, and whose face was slightly marked with smallpox, was no other than Mister Aurobindo Ghose, living treasure of French, Latin and Greek?" Actually, Sri Aurobindo was not yet through with books; the Western momentum was still there; he devoured books ordered from Bombay and Calcutta by the case. "Aurobindo would sit at his desk," his Bengali teacher continues, "and read by the light of an oil lamp till one in the morning, oblivious of the intolerable mosquito bites. I would see him seated there in the same posture for hours on end, his eyes fixed on his book, like a yogi lost in the contemplation of the Divine, unaware of all that went on around him. Even if the house had caught fire, it would not have broken this concentration." He read English, Russian, German, and French novels, but also, in ever larger numbers, the sacred books of India, the Upanishads, the Bhagavad Gita, the Ramayana, although he had never been in a temple except as an observer. "Once, having returned from the College," one of his friends recalls, "Sri Aurobindo sat down, picked up a book at random and started to read, while Z and some friends began a noisy game of chess. After half an hour, he put the book down and took a cup of tea. We had already seen him do this many times and were waiting eagerly for a chance to verify whether he read the books from cover to cover or only scanned a few pages here and there. Soon the test began. Z opened the book, read a line aloud and asked Sri Aurobindo to recite what followed. Sri Aurobindo concentrated for a moment, and then repeated the entire page without a single mistake. If he could read a hundred pages in half an hour, no wonder he could go through a case of books in such an incredibly short time." But Sri Aurobindo did not stop at the translations of the sacred texts; he began to study Sanskrit, which, typically, he learned by himself. When a subject was known to be difficult or impossible, he would refuse to take anyone's word for it, whether he were a grammarian, pandit, or clergyman, and would insist upon trying it himself. The method seemed to have some merit, for not only did he learn Sanskrit, but a few years later he discovered the lost meaning of the Veda. ~ Satprem, Sri Aurobindo Or The Adventure of Consciousness ,
240:"Without conscious occult powers, is it possible to help or protect from a distance somebody in difficulty or danger? If so, what is the practical procedure?" Then a sub-question: "What can thought do?" We are not going to speak of occult processes at all; although, to tell the truth, everything that happens in the invisible world is occult, by definition. But still, practically, there are two processes which do not exclude but complete each other, but which may be used separately according to one's preference. It is obvious that thought forms a part of one of the methods, quite an important part. I have already told you several times that if one thinks clearly and powerfully, one makes a mental formation, and that every mental formation is an entity independent of its fashioner, having its own life and tending to realise itself in the mental world - I don't mean that you see your formation with your physical eyes, but it exists in the mental world, it has its own particular independent existence. If you have made a formation with a definite aim, its whole life will tend to the realisation of this aim. Therefore, if you want to help someone at a distance, you have only to formulate very clearly, very precisely and strongly the kind of help you want to give and the result you wish to obtain. That will have its effect. I cannot say that it will be all-powerful, for the mental world is full of innumerable formations of this kind and naturally they clash and contradict one another; hence the strongest and the most persistent will have the best of it. Now, what is it that gives strength and persistence to mental formations? - It is emotion and will. If you know how to add to your mental formation an emotion, affection, tenderness, love, and an intensity of will, a dynamism, it will have a much greater chance of success. That is the first method. It is within the scope of all those who know how to think, and even more of those who know how to love. But as I said, the power is limited and there is great competition in that world. Therefore, even if one has no knowledge at all but has trust in the divine Grace, if one has the faith that there is something in the world like the divine Grace, and that this something can answer a prayer, an aspiration, an invocation, then, after making one's mental formation, if one offers it to the Grace and puts one's trust in it, asks it to intervene and has the faith that it will intervene, then indeed one has a chance of success. Try, and you will surely see the result. ~ The Mother, Questions And Answers 1956 253,
241:30. Take the same position as heretofore and visualize a Battleship; see the grim monster floating on the surface of the water; there appears to be no life anywhere about; all is silence; you know that by far the largest part of the vessel is under water; out of sight; you know that the ship is as large and as heavy as a twenty-story skyscraper; you know that there are hundreds of men ready to spring to their appointed task instantly; you know that every department is in charge of able, trained, skilled officials who have proven themselves competent to take charge of this marvelous piece of mechanism; you know that although it lies apparently oblivious to everything else, it has eyes which see everything for miles around, and nothing is permitted to escape its watchful vision; you know that while it appears quiet, submissive and innocent, it is prepared to hurl a steel projectile weighing thousands of pounds at an enemy many miles away; this and much more you can bring to mind with comparatively no effort whateveR But how did the battleship come to be where it is; how did it come into existence in the first place? All of this you want to know if you are a careful observer. 31. Follow the great steel plates through the foundries, see the thousands of men employed in their production; go still further back, and see the ore as it comes from the mine, see it loaded on barges or cars, see it melted and properly treated; go back still further and see the architect and engineers who planned the vessel; let the thought carry you back still further in order to determine why they planned the vessel; you will see that you are now so far back that the vessel is something intangible, it no longer exists, it is now only a thought existing in the brain of the architect; but from where did the order come to plan the vessel? Probably from the Secretary of Defense; but probably this vessel was planned long before the war was thought of, and that Congress had to pass a bill appropriating the money; possibly there was opposition, and speeches for or against the bill. Whom do these Congressmen represent? They represent you and me, so that our line of thought begins with the Battleship and ends with ourselves, and we find in the last analysis that our own thought is responsible for this and many other things, of which we seldom think, and a little further reflection will develop the most important fact of all and that is, if someone had not discovered the law by which this tremendous mass of steel and iron could be made to float upon the water, instead of immediately going to the bottom, the battleship could not have come into existence at all. ~ Charles F Haanel, The Master Key System ,
242:One can learn how to identify oneself. One must learn. It is indispensable if one wants to get out of one's ego. For so long as one is shut up in one's ego, one can't make any progress. How can it be done? There are many ways. I'll tell you one. When I was in Paris, I used to go to many places where there were gatherings of all kinds, people making all sorts of researches, spiritual (so-called spiritual), occult researches, etc. And once I was invited to meet a young lady (I believe she was Swedish) who had found a method of knowledge, exactly a method for learning. And so she explained it to us. We were three or four (her French was not very good but she was quite sure about what she was saying!); she said: "It's like this, you take an object or make a sign on a blackboard or take a drawing - that is not important - take whatever is most convenient for you. Suppose, for instance, that I draw for you... (she had a blackboard) I draw a design." She drew a kind of half-geometric design. "Now, you sit in front of the design and concentrate all your attention upon it - upon that design which is there. You concentrate, concentrate without letting anything else enter your consciousness - except that. Your eyes are fixed on the drawing and don't move at all. You are as it were hypnotised by the drawing. You look (and so she sat there, looking), you look, look, look.... I don't know, it takes more or less time, but still for one who is used to it, it goes pretty fast. You look, look, look, you become that drawing you are looking at. Nothing else exists in the world any longer except the drawing, and then, suddenly, you pass to the other side; and when you pass to the other side you enter a new consciousness, and you know." We had a good laugh, for it was amusing. But it is quite true, it is an excellent method to practise. Naturally, instead of taking a drawing or any object, you may take, for instance, an idea, a few words. You have a problem preoccupying you, you don't know the solution of the problem; well, you objectify your problem in your mind, put it in the most precise, exact, succinct terms possible, and then concentrate, make an effort; you concentrate only on the words, and if possible on the idea they represent, that is, upon your problem - you concentrate, concentrate, concentrate until nothing else exists but that. And it is true that, all of a sudden, you have the feeling of something opening, and one is on the other side. The other side of what?... It means that you have opened a door of your consciousness, and instantaneously you have the solution of your problem. It is an excellent method of learning "how" to identify oneself. ~ The Mother, Questions And Answers 1953 217,
243:Ekajaṭī or Ekajaṭā, (Sanskrit: "One Plait Woman"; Wylie: ral gcig ma: one who has one knot of hair),[1] also known as Māhacīnatārā,[2] is one of the 21 Taras. Ekajati is, along with Palden Lhamo deity, one of the most powerful and fierce goddesses of Vajrayana Buddhist mythology.[1][3] According to Tibetan legends, her right eye was pierced by the tantric master Padmasambhava so that she could much more effectively help him subjugate Tibetan demons. Ekajati is also known as "Blue Tara", Vajra Tara or "Ugra Tara".[1][3] She is generally considered one of the three principal protectors of the Nyingma school along with Rāhula and Vajrasādhu (Wylie: rdo rje legs pa). Often Ekajati appears as liberator in the mandala of the Green Tara. Along with that, her ascribed powers are removing the fear of enemies, spreading joy, and removing personal hindrances on the path to enlightenment. Ekajati is the protector of secret mantras and "as the mother of the mothers of all the Buddhas" represents the ultimate unity. As such, her own mantra is also secret. She is the most important protector of the Vajrayana teachings, especially the Inner Tantras and termas. As the protector of mantra, she supports the practitioner in deciphering symbolic dakini codes and properly determines appropriate times and circumstances for revealing tantric teachings. Because she completely realizes the texts and mantras under her care, she reminds the practitioner of their preciousness and secrecy.[4] Düsum Khyenpa, 1st Karmapa Lama meditated upon her in early childhood. According to Namkhai Norbu, Ekajati is the principal guardian of the Dzogchen teachings and is "a personification of the essentially non-dual nature of primordial energy."[5] Dzogchen is the most closely guarded teaching in Tibetan Buddhism, of which Ekajati is a main guardian as mentioned above. It is said that Sri Singha (Sanskrit: Śrī Siṃha) himself entrusted the "Heart Essence" (Wylie: snying thig) teachings to her care. To the great master Longchenpa, who initiated the dissemination of certain Dzogchen teachings, Ekajati offered uncharacteristically personal guidance. In his thirty-second year, Ekajati appeared to Longchenpa, supervising every ritual detail of the Heart Essence of the Dakinis empowerment, insisting on the use of a peacock feather and removing unnecessary basin. When Longchenpa performed the ritual, she nodded her head in approval but corrected his pronunciation. When he recited the mantra, Ekajati admonished him, saying, "Imitate me," and sang it in a strange, harmonious melody in the dakini's language. Later she appeared at the gathering and joyously danced, proclaiming the approval of Padmasambhava and the dakinis.[6] ~ Wikipedia,
244:"O Death, thou lookst on an unfinished worldAssailed by thee and of its road unsure,Peopled by imperfect minds and ignorant lives,And sayest God is not and all is vain.How shall the child already be the man?Because he is infant, shall he never grow?Because he is ignorant, shall he never learn?In a small fragile seed a great tree lurks,In a tiny gene a thinking being is shut;A little element in a little sperm,It grows and is a conqueror and a sage.Then wilt thou spew out, Death, God's mystic truth,Deny the occult spiritual miracle?Still wilt thou say there is no spirit, no God?A mute material Nature wakes and sees;She has invented speech, unveiled a will.Something there waits beyond towards which she strives,Something surrounds her into which she grows:To uncover the spirit, to change back into God,To exceed herself is her transcendent task.In God concealed the world began to be,Tardily it travels towards manifest God:Our imperfection towards perfection toils,The body is the chrysalis of a soul:The infinite holds the finite in its arms,Time travels towards revealed eternity.A miracle structure of the eternal Mage,Matter its mystery hides from its own eyes,A scripture written out in cryptic signs,An occult document of the All-Wonderful's art.All here bears witness to his secret might,In all we feel his presence and his power.A blaze of his sovereign glory is the sun,A glory is the gold and glimmering moon,A glory is his dream of purple sky.A march of his greatness are the wheeling stars.His laughter of beauty breaks out in green trees,His moments of beauty triumph in a flower;The blue sea's chant, the rivulet's wandering voiceAre murmurs falling from the Eternal's harp.This world is God fulfilled in outwardness.His ways challenge our reason and our sense;By blind brute movements of an ignorant Force,By means we slight as small, obscure or base,A greatness founded upon little things,He has built a world in the unknowing Void.His forms he has massed from infinitesimal dust;His marvels are built from insignificant things.If mind is crippled, life untaught and crude,If brutal masks are there and evil acts,They are incidents of his vast and varied plot,His great and dangerous drama's needed steps;He makes with these and all his passion-play,A play and yet no play but the deep schemeOf a transcendent Wisdom finding waysTo meet her Lord in the shadow and the Night:Above her is the vigil of the stars;Watched by a solitary InfinitudeShe embodies in dumb Matter the Divine,In symbol minds and lives the Absolute. ~ Sri Aurobindo, Savitri 10.03 - The Debate of Love and Death,
245:It is then by a transformation of life in its very principle, not by an external manipulation of its phenomena, that the integral Yoga proposes to change it from a troubled and ignorant into a luminous and harmonious movement of Nature. There are three conditions which are indispensable for the achievement of this central inner revolution and new formation; none of them is altogether sufficient in itself, but by their united threefold power the uplifting can be done, the conversion made and completely made. For, first, life as it is is a movement of desire and it has built in us as its centre a desire-soul which refers to itself all the motions of life and puts in them its own troubled hue and pain of an ignorant, half-lit, baffled endeavour: for a divine living, desire must be abolished and replaced by a purer and firmer motive-power, the tormented soul of desire dissolved and in its stead there must emerge the calm, strength, happiness of a true vital being now concealed within us. Next, life as it is is driven or led partly by the impulse of the life-force, partly by a mind which is mostly a servant and abettor of the ignorant life-impulse, but in part also its uneasy and not too luminous or competent guide and mentor; for a divine life the mind and the life-impulse must cease to be anything but instruments and the inmost psychic being must take their place as the leader on the path and the indicator of a divine guidance. Last, life as it is is turned towards the satisfaction of the separative ego; ego must disappear and be replaced by the true spiritual person, the central being, and life itself must be turned towards the fulfilment of the Divine in terrestrial existence; it must feel a Divine Force awaking within it and become an obedient instrumentation of its purpose. There is nothing that is not ancient and familiar in the first of these three transforming inner movements; for it has always been one of the principal objects of spiritual discipline. It has been best formulated in the already expressed doctrine of the Gita by which a complete renouncement of desire for the fruits as the motive of action, a complete annulment of desire itself, the complete achievement of a perfect equality are put forward as the normal status of a spiritual being. A perfect spiritual equality is the one true and infallible sign of the cessation of desire, - to be equal-souled to all things, unmoved by joy and sorrow, the pleasant and the unpleasant, success or failure, to look with an equal eye on high and low, friend and enemy, the virtuous and the sinner, to see in all beings the manifold manifestation of the One and in all things the multitudinous play or the slow masked evolution of the embodied Spirit. ~ Sri Aurobindo, The Synthesis Of Yoga The Ascent of the Sacrifice - 2,
246:The madman.- Have you not heard of that madman who lit a lantern in the bright morning hours, ran to the market place. and cried incessantly: "I seek God! I seek God!" -As many of those who did not believe in God were standing around just then, he provoked much laughter. Has he got lost? asked one. Did he lose his way like a child? asked another. Or is he hiding? Is he afraid of us? Has he gone on a voyage? emigrated? -Thus they yelled and laughed. The madman jumped into their midst and pierced them with his eyes. "Whither is God?" he cried; "I will tell you. We have killed him-you and I. All of us are his murderers. But how did we do this? How could we drink up the sea? Who gave us the sponge to wipe away the entire horizon? What were we doing when we unchained this earth from its sun? Whither is it moving now? Whither are we moving? Away from all suns? Are we not plunging continually? Backward, sideward. forward. in all directions? be there still any up or down? Are we not straying as through an infinite nothing? Do we not feel the breath of empty space? Has it not become colder? Is not night continually closing in on us? Do we not need to light lanterns in the morning? Do we hear nothing as yet of the noise of the gravediggers who are burying God? Do we smell nothing as yet of the divine decomposition? Gods, too. decompose. God is dead. God remains dead. And we have killed him. "How shall we comfort ourselves, the murderers of all murderers? What was holiest and mightiest of all that the world has yet owned has bled to death under our knives: who will wipe this blood off us? What water is there for us to clean ourselves? What festivals of atonement, what sacred games shall we have to invent? Is not the greatness of this deed too great for us? Must we ourselves not become gods simply to appear worthy of it? There has never been a greater deed; and whoever is born after us-for the sake of this deed he will belong to a higher history than all history hitherto." Here the madman fell silent and looked again at his listeners; and they, too, were silent and stared at him in astonishment. At last he threw his lantern on the ground, and it broke into pieces and went out. "I have come too early," he said then: "my time is not yet. This tremendous event is still on its way, still wandering; it has not yet reached the ears of men. Lightning and thunder require time; the light of the stars requires time; deeds, though done, still require time to be seen and heard. This deed is still more distant from them than the most distant stars-and yet they have done it themselves... It has been related further that on the same day the madman forced his way into several churches and there struck up his reqttiem aeternam deo. Led out and called to account, he is said always to have replied nothing but: "What after all are these churches now if they are not the tombs and sepulchers of God? ~ Friedrich Nietzsche, The Gay Science trans. Kaufmann,
247:The Mother once described the characteristics of the unity-body, of the future supramental body, to a young Ashramite: 'You know, if there is something on that window-sill and if I [in a supramental body] want to take it, I stretch out my hand and it becomes - wow! - long, and I have the thing in my hand without even having to get up from my chair ... Physically, I shall be able to be here and there at the same time. I shall be able to communicate with many people at the same time. To have something in my hand, I'll just have to wish for it. I think about something and I want it and it is already in my hand. With this transformed body I shall be free of the fetters of ignorance, pain, of mortality and unconsciousness. I shall be able to do many things at the same time. The transparent, luminous, strong, light, elastic body won't need any material things to subsist on ... The body can even be lengthened if one wants it to become tall, or shrunk when one wants it to be small, in any circumstances ... There will be all kinds of changes and there will be powers without limit. And it won't be something funny. Of course, I am giving you somewhat childish examples to tease you and to show the difference. 'It will be a true being, perfect in proportion, very, very beautiful and strong, light, luminous or else transparent. It will have a supple and malleable body endowed with extraordinary capacities and able to do everything; a body without age, a creation of the New Consciousness or else a transformed body such as none has ever imagined ... All that is above man will be within its reach. It will be guided by the Truth alone and nothing less. That is what it is and more even than has ever been conceived.'895 This the Mother told in French to Mona Sarkar, who noted it down as faithfully as possible and read it out to her for verification. The supramental body will not only be omnipotent and omniscient, but also omnipresent. And immortal. Not condemned to a never ending monotonous immortality - which, again, is one of our human interpretations of immortality - but for ever existing in an ecstasy of inexhaustible delight in 'the Joy that surpasses all understanding.' Moment after moment, eternity after eternity. For in that state each moment is an eternity and eternity an ever present moment. If gross matter is not capable of being used as a permanent coating of the soul in the present phase of its evolution, then it certainly is not capable of being the covering of the supramental consciousness, to form the body that has, to some extent, been described above. This means that the crux of the process of supramental transformation lies in matter; the supramental world has to become possible in matter, which at present still is gross matter. - Sri Aurobindo and the Mother were supramentalized in their mental and vital, but their enormous problem was the supramentalization of the physical body, consisting of the gross matter of the Earth. As the Mother said: 'It is matter itself that must change so that the Supramental may manifest. A new kind of matter no longer corresponding with Mendeleyev's periodic table of the elements? Is that possible? ~ Georges Van Vrekhem,
248:28 August 1957Mother, Sri Aurobindo says here: "Whether the whole of humanity would be touched [by the Supramental influence] or only a part of it ready for the change would depend on what was intended or possible in the continued order of the universe."The Supramental Manifestation, SABCL, Vol. 16, p. 56What is meant by "what was intended or possible"? The two things are different. So far you have said that if humanity changes, if it wants to participate in the new birth...It is the same thing. But when you look at an object on a certain plane, you see it horizontally, and when you look at the same object from another plane, you see it vertically. (Mother shows the cover and the back of her book.) So, if one looks from above, one says "intended"; if one looks from below, one says "possible".... But it is absolutely the same thing, only the point of view is different.But in that case, it is not our incapacity or lack of will to change that makes any difference.We have already said this many a time. If you remain in a consciousness which functions mentally, even if it is the highest mind, you have the notion of an absolute determinism of cause and effect and feel that things are what they are because they are what they are and cannot be otherwise.It is only when you come out of the mental consciousness completely and enter a higher perception of things - which you may call spiritual or divine - that you suddenly find yourself in a state of perfect freedom where everything is possible.(Silence)Those who have contacted that state or lived in it, even if only for a moment, try to describe it as a feeling of an absolute Will in action, which immediately gives to the human mentality the feeling of being arbitrary. And because of that distortion there arises the idea - which I might call traditional - of a supreme and arbitrary God, which is something most unacceptable to every enlightened mind. I suppose that this experience badly expressed is at the origin of this notion. And in fact it is incorrect to express it as an absolute Will: it is very, very, very different. It is something else altogether. For, what man understands by "Will" is a decision that is taken and carried out. We are obliged to use the word "will", but in its truth the Will acting in the universe is neither a choice nor a decision that is taken. What seems to me the closest expression is "vision". Things are because they are seen. But of course "seen", not seen as we see with these eyes.(Mother touches her eyes...) All the same, it is the nearest thing.It is a vision - a vision unfolding itself.The universe becomes objective as it is progressively seen.And that is why Sri Aurobindo has said "intended or possible". It is neither one nor the other. All that can be said is a distortion.(Silence)Objectivisation - universal objectivisation - is something like a projection in space and time, like a living image of what is from all eternity. And as the image is gradually projected on the screen of time and space, it becomes objective:The Supreme contemplating His own Image. ~ The Mother, Questions And Answers 1957-1958 ,
249:Can it be said in justification of one's past that whatever has happened in one's life had to happen?The Mother: Obviously, what has happened had to happen; it would not have been, if it had not been intended. Even the mistakes that we have committed and the adversities that fell upon us had to be, because there was some necessity in them, some utility for our lives. But in truth these things cannot be explained mentally and should not be. For all that happened was necessary, not for any mental reason, but to lead us to something beyond what the mind imagines. But is there any need to explain after all? The whole universe explains everything at every moment and a particular thing happens because the whole universe is what it is. But this does not mean that we are bound over to a blind acquiescence in Nature's inexorable law. You can accept the past as a settled fact and perceive the necessity in it, and still you can use the experience it gave you to build up the power consciously to guide and shape your present and your future.Is the time also of an occurrence arranged in the Divine Plan of things?The Mother: All depends upon the plane from which one sees and speaks. There is a plane of divine consciousness in which all is known absolutely, and the whole plan of things foreseen and predetermined. That way of seeing lives in the highest reaches of the Supramental; it is the Supreme's own vision. But when we do not possess that consciousness, it is useless to speak in terms that hold good only in that region and are not our present effective way of seeing things. For at a lower level of consciousness nothing is realised or fixed beforehand; all is in the process of making. Here there are no settled facts, there is only the play of possibilities; out of the clash of possibilities is realised the thing that has to happen. On this plane we can choose and select; we can refuse one possibility and accept another; we can follow one path, turn away from another. And that we can do, even though what is actually happening may have been foreseen and predetermined in a higher plane.The Supreme Consciousness knows everything beforehand, because everything is realised there in her eternity. But for the sake of her play and in order to carry out actually on the physical plane what is foreordained in her own supreme self, she moves here upon earth as if she did not know the whole story; she works as if it was a new and untried thread that she was weaving. It is this apparent forgetfulness of her own foreknowledge in the higher consciousness that gives to the individual in the active life of the world his sense of freedom and independence and initiative. These things in him are her pragmatic tools or devices, and it is through this machinery that the movements and issues planned and foreseen elsewhere are realised here.It may help you to understand if you take the example of an actor. An actor knows the whole part he has to play; he has in his mind the exact sequence of what is to happen on the stage. But when he is on the stage, he has to appear as if he did not know anything; he has to feel and act as if he were experiencing all these things for the first time, as if it was an entirely new world with all its chance events and surprises that was unrolling before his eyes. 28th April ~ The Mother, Questions And Answers 1929-1931 ,
250:HOW CAN I READ SAVITRI?An open reply by Dr Alok Pandey to a fellow devoteeA GIFT OF LOVE TO THE WORLDMost of all enjoy Savitri. It is Sri Aurobindo's gift of Love to the world. Read it from the heart with love and gratitude as companions and drown in its fiery bliss. That is the true understanding rather than one that comes by a constant churning of words in the head.WHENBest would be to fix a time that works for you. One can always take out some time for the reading, even if it be late at night when one is done with all the daily works. Of course, a certain receptivity is needed. If one is too tired or the reading becomes too mechanical as a ritual routine to be somehow finished it tends to be less effective, as with anything else. Hence the advice is to read in a quiet receptive state.THE PACEAs to the pace of reading it is best to slowly build up and keep it steady. To read a page or a passage daily is better than reading many pages one day and then few lines or none for days. This brings a certain discipline in the consciousness which makes one receptive. What it means is that one should fix up that one would read a few passages or a page or two daily, and then if an odd day one is enjoying and spontaneously wants to read more then one can go by the flow.COMPLETE OR SELECTIONS?It is best to read at least once from cover to cover. But if one is not feeling inclined for that do read some of the beautiful cantos and passages whose reference one can find in various places. This helps us familiarise with the epic and the style of poetry. Later one can go for the cover to cover reading.READING ALOUD, SILENTLY, OR WRITING DOWN?One can read it silently. Loud reading is needed only if one is unable to focus with silent reading. A mantra is more potent when read subtly. I am aware that some people recommend reading it aloud which is fine if that helps one better. A certain flexibility in these things is always good and rigid rules either ways are not helpful.One can also write some of the beautiful passages with which one feels suddenly connected. It is a help in the yoga since such a writing involves the pouring in of the consciousness of Savitri through the brain and nerves and the hand.Reflecting upon some of these magnificent lines and passages while one is engaged in one\s daily activities helps to create a background state for our inner being to get absorbed in Savitri more and more.HOW DO I UNDERSTAND THE MEANING? DO I NEED A DICTIONARY?It is helpful if a brief background about the Canto is known. This helps the mind top focus and also to keep in sync with the overall scene and sense of what is being read.But it is best not to keep referring to the dictionary while reading. Let the overall sense emerge. Specifics can be done during a detailed reading later and it may not be necessary at all. Besides the sense that Sri Aurobindo has given to many words may not be accurately conveyed by the standard dictionaries. A flexibility is required to understand the subtle suggestions hinted at by the Master-poet.In this sense Savitri is in the line of Vedic poetry using images that are at once profound as well as commonplace. That is the beauty of mystic poetry. These are things actually experienced and seen by Sri Aurobindo, and ultimately it is Their Grace that alone can reveal the intrinsic sense of this supreme revelation of the Supreme. ~ Dr Alok Pandey,
251:There walled apart by its own innernessIn a mystical barrage of dynamic lightHe saw a lone immense high-curved world-pileErect like a mountain-chariot of the GodsMotionless under an inscrutable sky.As if from Matter's plinth and viewless baseTo a top as viewless, a carved sea of worldsClimbing with foam-maned waves to the SupremeAscended towards breadths immeasurable;It hoped to soar into the Ineffable's reign:A hundred levels raised it to the Unknown.So it towered up to heights intangibleAnd disappeared in the hushed conscious VastAs climbs a storeyed temple-tower to heavenBuilt by the aspiring soul of man to liveNear to his dream of the Invisible.Infinity calls to it as it dreams and climbs;Its spire touches the apex of the world;Mounting into great voiceless stillnessesIt marries the earth to screened eternities.Amid the many systems of the OneMade by an interpreting creative joyAlone it points us to our journey backOut of our long self-loss in Nature's deeps;Planted on earth it holds in it all realms:It is a brief compendium of the Vast.This was the single stair to being's goal.A summary of the stages of the spirit,Its copy of the cosmic hierarchiesRefashioned in our secret air of selfA subtle pattern of the universe.It is within, below, without, above.Acting upon this visible Nature's schemeIt wakens our earth-matter's heavy dozeTo think and feel and to react to joy;It models in us our diviner parts,Lifts mortal mind into a greater air,Makes yearn this life of flesh to intangible aims,Links the body's death with immortality's call:Out of the swoon of the InconscienceIt labours towards a superconscient Light.If earth were all and this were not in her,Thought could not be nor life-delight's response:Only material forms could then be her guestsDriven by an inanimate world-force.Earth by this golden superfluityBore thinking man and more than man shall bear;This higher scheme of being is our causeAnd holds the key to our ascending fate;It calls out of our dense mortalityThe conscious spirit nursed in Matter's house.The living symbol of these conscious planes,Its influences and godheads of the unseen,Its unthought logic of Reality's actsArisen from the unspoken truth in things,Have fixed our inner life's slow-scaled degrees.Its steps are paces of the soul's returnFrom the deep adventure of material birth,A ladder of delivering ascentAnd rungs that Nature climbs to deity.Once in the vigil of a deathless gazeThese grades had marked her giant downward plunge,The wide and prone leap of a godhead's fall.Our life is a holocaust of the Supreme.The great World-Mother by her sacrificeHas made her soul the body of our state;Accepting sorrow and unconsciousnessDivinity's lapse from its own splendours woveThe many-patterned ground of all we are.An idol of self is our mortality.Our earth is a fragment and a residue;Her power is packed with the stuff of greater worldsAnd steeped in their colour-lustres dimmed by her drowse;An atavism of higher births is hers,Her sleep is stirred by their buried memoriesRecalling the lost spheres from which they fell.Unsatisfied forces in her bosom move;They are partners of her greater growing fateAnd her return to immortality;They consent to share her doom of birth and death;They kindle partial gleams of the All and driveHer blind laborious spirit to composeA meagre image of the mighty Whole.The calm and luminous Intimacy within ~ Sri Aurobindo, Savitri 02.01 - The World-Stair,
252:DarknessI had a dream, which was not all a dream.The bright sun was extinguish'd, and the starsDid wander darkling in the eternal space,Rayless, and pathless, and the icy earthSwung blind and blackening in the moonless air;Morn came and went-and came, and brought no day,And men forgot their passions in the dreadOf this their desolation; and all heartsWere chill'd into a selfish prayer for light:And they did live by watchfires-and the thrones,The palaces of crowned kings-the huts,The habitations of all things which dwell,Were burnt for beacons; cities were consum'd,And men were gather'd round their blazing homesTo look once more into each other's face;Happy were those who dwelt within the eyeOf the volcanos, and their mountain-torch:A fearful hope was all the world contain'd;Forests were set on fire-but hour by hourThey fell and faded-and the crackling trunksExtinguish'd with a crash-and all was black.The brows of men by the despairing lightWore an unearthly aspect, as by fitsThe flashes fell upon them; some lay downAnd hid their eyes and wept; and some did restTheir chins upon their clenched hands, and smil'd;And others hurried to and fro, and fedTheir funeral piles with fuel, and look'd upWith mad disquietude on the dull sky,The pall of a past world; and then againWith curses cast them down upon the dust,And gnash'd their teeth and howl'd: the wild birds shriek'dAnd, terrified, did flutter on the ground,And flap their useless wings; the wildest brutesCame tame and tremulous; and vipers crawl'dAnd twin'd themselves among the multitude,Hissing, but stingless-they were slain for food.And War, which for a moment was no more,Did glut himself again: a meal was boughtWith blood, and each sate sullenly apartGorging himself in gloom: no love was left;All earth was but one thought-and that was deathImmediate and inglorious; and the pangOf famine fed upon all entrails-menDied, and their bones were tombless as their flesh;The meagre by the meagre were devour'd,Even dogs assail'd their masters, all save one,And he was faithful to a corse, and keptThe birds and beasts and famish'd men at bay,Till hunger clung them, or the dropping deadLur'd their lank jaws; himself sought out no food,But with a piteous and perpetual moan,And a quick desolate cry, licking the handWhich answer'd not with a caress-he died.The crowd was famish'd by degrees; but twoOf an enormous city did survive,And they were enemies: they met besideThe dying embers of an altar-placeWhere had been heap'd a mass of holy thingsFor an unholy usage; they rak'd up,And shivering scrap'd with their cold skeleton handsThe feeble ashes, and their feeble breathBlew for a little life, and made a flameWhich was a mockery; then they lifted upTheir eyes as it grew lighter, and beheldEach other's aspects-saw, and shriek'd, and died-Even of their mutual hideousness they died,Unknowing who he was upon whose browFamine had written Fiend. The world was void,The populous and the powerful was a lump,Seasonless, herbless, treeless, manless, lifeless-A lump of death-a chaos of hard clay.The rivers, lakes and ocean all stood still,And nothing stirr'd within their silent depths;Ships sailorless lay rotting on the sea,And their masts fell down piecemeal: as they dropp'dThey slept on the abyss without a surge-The waves were dead; the tides were in their grave,The moon, their mistress, had expir'd before;The winds were wither'd in the stagnant air,And the clouds perish'd; Darkness had no needOf aid from them-She was the Universe. ~ George Gordon Byron,
253:Allow the Lord to Do Everything ::: Now, when I start looking like this (Mother closes her eyes), two things are there at the same time: this smile, this joy, this laughter are there, and such peace! Such full, luminous, total peace, in which there are no more conflicts, no more contradictions. There are no more conflicts. It is one single luminous harmony - and yet everything we call error, suffering, misery, everything is there. It eliminates nothing. It is another way of seeing.(long silence) There can be no doubt that if you sincerely want to get out of it, it is not so difficult after all: you have nothing to do, you only have to allow the Lord to do everything. And He does everything. He does everything. It is so wonderful, so wonderful! He takes anything, even what we call a very ordinary intelligence and he simply teaches you to put this intelligence aside, to rest: "There, be quiet, don't stir, don't bother me, I don't need you." Then a door opens - you don't even feel that you have to open it; it is wide open, you are tkane over to the other side. All that is done by Someone else, not you. And then the other way becomes impossible. All this... oh, this tremendous labour of hte mind striving to understand, toiling and giving itself headaches!... It is absolutely useless, absolutely useless, no use at all, it merely increases the confusion. You are faced with a so-called problem: what should you say, what should you do, how should you act? There is nothing to do, nothing, you only have to say to the Lord, "There, You see, it is like that" - that's all. And then you stay very quiet. And then quite spontaneously, without thinking about it, without reflection, without calculation, nothing, nothing, without the slightest effect - you do what has to be done. That is to say, the Lord does it, it is no longer you. He does it. He arranges the circumstances, He arranges the people, He puts the words into your mouth or your pen - He does everything, everything, everything, everything; you have nothing more to do but allow yourself to live blissfully. I am more and more convinced that people do not really want it.But clearing the ground is difficult, the work of clearing the ground before hand.But you don't even need to do it! He does it for you.But they are constantly breaking in: the old consciousness, the old thoughts....Yes, they try to come in again, by habit. You only have to say, "Lord, You see, You see, You see, it is like that" - that's all. "Lord, You see, You see this, You see that, You see this fool" - and it is all over immediately. And it changes automatically, my child, without the slightest effort. Simply to be sincere, that is to say, to truly want everything to be right. You are perfectly conscious that you can do nothing about it, that you have no capacity.... But there is always something that wants to do it by itself; that's the trouble, otherwise... No, you may be full of an excellent goodwill and then you want to do it. That's what complicated everything. Or else you don't have faith, you believe that the Lord will not be able to do it and that you must do it yourself, because He does not know! (Mother laughs.) This, this kind of stupidity is very common. "How can He see things? We live in a world of Falsehood, how can He see Falsehood and see..." But He sees the thing as it is! Exactly! I am not speaking of people of no intelligence, I am speaking of people who are intelligent and try - there is a kind of conviction, like that, somewhere, even in people who know that we live in a world of Ignorance and Falsehood and that there is a Lord who is All-Truth. They say, "Precisely because He is All-Truth, He does not understand. (Mother laughs.) He does not understand our falsehood, I must deal with it myself." That is very strong, very common. Ah! we make complications for nothing. ~ The Mother,
254:The ancient Mesopotamians and the ancient Egyptians had some very interesting, dramatic ideas about that. For example-very briefly-there was a deity known as Marduk. Marduk was a Mesopotamian deity, and imagine this is sort of what happened. As an empire grew out of the post-ice age-15,000 years ago, 10,000 years ago-all these tribes came together. These tribes each had their own deity-their own image of the ideal. But then they started to occupy the same territory. One tribe had God A, and one tribe had God B, and one could wipe the other one out, and then it would just be God A, who wins. That's not so good, because maybe you want to trade with those people, or maybe you don't want to lose half your population in a war. So then you have to have an argument about whose God is going to take priority-which ideal is going to take priority.What seems to happen is represented in mythology as a battle of the gods in celestial space. From a practical perspective, it's more like an ongoing dialog. You believe this; I believe this. You believe that; I believe this. How are we going to meld that together? You take God A, and you take God B, and maybe what you do is extract God C from them, and you say, 'God C now has the attributes of A and B.' And then some other tribes come in, and C takes them over, too. Take Marduk, for example. He has 50 different names, at least in part, of the subordinate gods-that represented the tribes that came together to make the civilization. That's part of the process by which that abstracted ideal is abstracted. You think, 'this is important, and it works, because your tribe is alive, and so we'll take the best of both, if we can manage it, and extract out something, that's even more abstract, that covers both of us.'I'll give you a couple of Marduk's interesting features. He has eyes all the way around his head. He's elected by all the other gods to be king God. That's the first thing. That's quite cool. They elect him because they're facing a terrible threat-sort of like a flood and a monster combined. Marduk basically says that, if they elect him top God, he'll go out and stop the flood monster, and they won't all get wiped out. It's a serious threat. It's chaos itself making its comeback. All the gods agree, and Marduk is the new manifestation. He's got eyes all the way around his head, and he speaks magic words. When he fights, he fights this deity called Tiamat. We need to know that, because the word 'Tiamat' is associated with the word 'tehom.' Tehom is the chaos that God makes order out of at the beginning of time in Genesis, so it's linked very tightly to this story. Marduk, with his eyes and his capacity to speak magic words, goes out and confronts Tiamat, who's like this watery sea dragon. It's a classic Saint George story: go out and wreak havoc on the dragon. He cuts her into pieces, and he makes the world out of her pieces. That's the world that human beings live in.The Mesopotamian emperor acted out Marduk. He was allowed to be emperor insofar as he was a good Marduk. That meant that he had eyes all the way around his head, and he could speak magic; he could speak properly. We are starting to understand, at that point, the essence of leadership. Because what's leadership? It's the capacity to see what the hell's in front of your face, and maybe in every direction, and maybe the capacity to use your language properly to transform chaos into order. God only knows how long it took the Mesopotamians to figure that out. The best they could do was dramatize it, but it's staggeringly brilliant. It's by no means obvious, and this chaos is a very strange thing. This is a chaos that God wrestled with at the beginning of time.Chaos is half psychological and half real. There's no other way to really describe it. Chaos is what you encounter when you're blown into pieces and thrown into deep confusion-when your world falls apart, when your dreams die, when you're betrayed. It's the chaos that emerges, and the chaos is everything it wants, and it's too much for you. That's for sure. It pulls you down into the underworld, and that's where the dragons are. All you've got at that point is your capacity to bloody well keep your eyes open, and to speak as carefully and as clearly as you can. Maybe, if you're lucky, you'll get through it that way and come out the other side. It's taken people a very long time to figure that out, and it looks, to me, that the idea is erected on the platform of our ancient ancestors, maybe tens of millions of years ago, because we seem to represent that which disturbs us deeply using the same system that we used to represent serpentile, or other, carnivorous predators. ~ Jordan Peterson, Biblical Series 1,
255:AUGOEIDES: The magicians most important invocation is that of his Genius, Daemon, True Will, or Augoeides. This operation is traditionally known as attaining the Knowledge and Conversation of the Holy Guardian Angel. It is sometimes known as the Magnum Opus or Great Work. The Augoeides may be defined as the most perfect vehicle of Kia on the plane of duality. As the avatar of Kia on earth, the Augoeides represents the true will, the raison detre of the magician, his purpose in existing. The discovery of ones true will or real nature may be difficult and fraught with danger, since a false identification leads to obsession and madness. The operation of obtaining the knowledge and conversation is usually a lengthy one. The magician is attempting a progressive metamorphosis, a complete overhaul of his entire existence. Yet he has to seek the blueprint for his reborn self as he goes along. Life is less the meaningless accident it seems. Kia has incarnated in these particular conditions of duality for some purpose. The inertia of previous existences propels Kia into new forms of manifestation. Each incarnation represents a task, or a puzzle to be solved, on the way to some greater form of completion. The key to this puzzle is in the phenomena of the plane of duality in which we find ourselves. We are, as it were, trapped in a labyrinth or maze. The only thing to do is move about and keep a close watch on the way the walls turn. In a completely chaotic universe such as this one, there are no accidents. Everything is signifcant. Move a single grain of sand on a distant shore and the entire future history of the world will eventually be changed. A person doing his true will is assisted by the momentum of the universe and seems possessed of amazing good luck. In beginning the great work of obtaining the knowledge and conversation, the magician vows to interpret every manifestation of existence as a direct message from the infinite Chaos to himself personally. To do this is to enter the magical world view in its totality. He takes complete responsibility for his present incarnation and must consider every experience, thing, or piece of information which assails him from any source, as a reflection of the way he is conducting his existence. The idea that things happen to one that may or may not be related to the way one acts is an illusion created by our shallow awareness. Keeping a close eye on the walls of the labyrinth, the conditions of his existence, the magician may then begin his invocation. The genius is not something added to oneself. Rather it is a stripping away of excess to reveal the god within. Directly on awakening, preferably at dawn, the initiate goes to the place of invocation. Figuring to himself as he goes that being born anew each day brings with it the chance of greater rebirth, first he banishes the temple of his mind by ritual or by some magical trance. Then he unveils some token or symbol or sigil which represents to him the Holy Guardian Angel. This symbol he will likely have to change during the great work as the inspiration begins to move him. Next he invokes an image of the Angel into his minds eye. It may be considered as a luminous duplicate of ones own form standing in front of or behind one, or simply as a ball of brilliant light above ones head. Then he formulates his aspirations in what manner he will, humbling himself in prayer or exalting himself in loud proclamation as his need be. The best form of this invocation is spoken spontaneously from the heart, and if halting at first, will prove itself in time. He is aiming to establish a set of ideas and images which correspond to the nature of his genius, and at the same time receive inspiration from that source. As the magician begins to manifest more of his true will, the Augoeides will reveal images, names, and spiritual principles by which it can be drawn into greater manifestation. Having communicated with the invoked form, the magician should draw it into himself and go forth to live in the way he hath willed. The ritual may be concluded with an aspiration to the wisdom of silence by a brief concentration on the sigil of the Augoeides, but never by banishing. Periodically more elaborate forms of ritual, using more powerful forms of gnosis, may be employed. At the end of the day, there should be an accounting and fresh resolution made. Though every day be a catalog of failure, there should be no sense of sin or guilt. Magic is the raising of the whole individual in perfect balance to the power of Infinity, and such feelings are symptomatic of imbalance. If any unnecessary or imbalanced scraps of ego become identified with the genius by mistake, then disaster awaits. The life force flows directly into these complexes and bloats them into grotesque monsters variously known as the demon Choronzon. Some magicians attempting to go too fast with this invocation have failed to banish this demon, and have gone spectacularly insane as a result. ~ Peter J Carroll, Liber Null ,
256:Death & FameWhen I dieI don't care what happens to my body throw ashes in the air, scatter 'em in East River bury an urn in Elizabeth New Jersey, B'nai Israel CemeteryBut I want a big funeral St. Patrick's Cathedral, St. Mark's Church, the largest synagogue in ManhattanFirst, there's family, brother, nephews, spry aged Edith stepmother 96, Aunt Honey from old Newark,Doctor Joel, cousin Mindy, brother Gene one eyed one ear'd, sister-in-law blonde Connie, five nephews, stepbrothers & sisters their grandchildren, companion Peter Orlovsky, caretakers Rosenthal & Hale, Bill Morgan--Next, teacher Trungpa Vajracharya's ghost mind, Gelek Rinpoche, there Sakyong Mipham, Dalai Lama alert, chance visiting America, Satchitananda Swami Shivananda, Dehorahava Baba, Karmapa XVI, Dudjom Rinpoche, Katagiri & Suzuki Roshi's phantoms Baker, Whalen, Daido Loorie, Qwong, Frail White-haired Kapleau Roshis, Lama Tarchen --Then, most important, lovers over half-century Dozens, a hundred, more, older fellows bald & rich young boys met naked recently in bed, crowds surprised to see each other, innumerable, intimate, exchanging memories"He taught me to meditate, now I'm an old veteran of the thousandday retreat --""I played music on subway platforms, I'm straight but loved him he loved me""I felt more love from him at 19 than ever from anyone""We'd lie under covers gossip, read my poetry, hug & kiss belly to belly arms round each other""I'd always get into his bed with underwear on & by morning my skivvies would be on the floor""Japanese, always wanted take it up my bum with a master""We'd talk all night about Kerouac & Cassady sit Buddhalike then sleep in his captain's bed.""He seemed to need so much affection, a shame not to make him happy""I was lonely never in bed nude with anyone before, he was so gentle my stomach shuddered when he traced his finger along my abdomen nipple to hips-- ""All I did was lay back eyes closed, he'd bring me to come with mouth & fingers along my waist""He gave great head"So there be gossip from loves of 1948, ghost of Neal Cassady commin-gling with flesh and youthful blood of 1997 and surprise -- "You too? But I thought you were straight!""I am but Ginsberg an exception, for some reason he pleased me.""I forgot whether I was straight gay queer or funny, was myself, tender and affectionate to be kissed on the top of my head, my forehead throat heart & solar plexus, mid-belly. on my prick, tickled with his tongue my behind""I loved the way he'd recite 'But at my back allways hear/ time's winged chariot hurrying near,' heads together, eye to eye, on a pillow --"Among lovers one handsome youth straggling the rear"I studied his poetry class, 17 year-old kid, ran some errands to his walk-up flat, seduced me didn't want to, made me come, went home, never saw him again never wanted to... ""He couldn't get it up but loved me," "A clean old man." "He made sure I came first"This the crowd most surprised proud at ceremonial place of honor--Then poets & musicians -- college boys' grunge bands -- age-old rock star Beatles, faithful guitar accompanists, gay classical con-ductors, unknown high Jazz music composers, funky trum-peters, bowed bass & french horn black geniuses, folksinger fiddlers with dobro tamborine harmonica mandolin auto-harp pennywhistles & kazoosNext, artist Italian romantic realists schooled in mystic 60's India, Late fauve Tuscan painter-poets, Classic draftsman Massa-chusets surreal jackanapes with continental wives, poverty sketchbook gesso oil watercolor masters from American provincesThen highschool teachers, lonely Irish librarians, delicate biblio-philes, sex liberation troops nay armies, ladies of either sex"I met him dozens of times he never remembered my name I loved him anyway, true artist""Nervous breakdown after menopause, his poetry humor saved me from suicide hospitals""Charmant, genius with modest manners, washed sink, dishes my studio guest a week in Budapest"Thousands of readers, "Howl changed my life in Libertyville Illinois""I saw him read Montclair State Teachers College decided be a poet-- ""He turned me on, I started with garage rock sang my songs in Kansas City""Kaddish made me weep for myself & father alive in Nevada City""Father Death comforted me when my sister died Boston l982""I read what he said in a newsmagazine, blew my mind, realized others like me out there"Deaf & Dumb bards with hand signing quick brilliant gesturesThen Journalists, editors's secretaries, agents, portraitists & photo-graphy aficionados, rock critics, cultured laborors, cultural historians come to witness the historic funeral Super-fans, poetasters, aging Beatnicks & Deadheads, autograph-hunters, distinguished paparazzi, intelligent gawkersEveryone knew they were part of 'History" except the deceased who never knew exactly what was happening even when I was aliveFebruary 22, 1997 ~ Allen Ginsberg,
257:What are these operations? They are not mere psychological self-analysis and self-observation. Such analysis, such observation are, like the process of right thought, of immense value and practically indispensable. They may even, if rightly pursued, lead to a right thought of considerable power and effectivity. Like intellectual discrimination by the process of meditative thought they will have an effect of purification; they will lead to self-knowledge of a certain kind and to the setting right of the disorders of the soul and the heart and even of the disorders of the understanding. Self-knowledge of all kinds is on the straight path to the knowledge of the real Self. The Upanishad tells us that the Self-existent has so set the doors of the soul that they turn outwards and most men look outward into the appearances of things; only the rare soul that is ripe for a calm thought and steady wisdom turns its eye inward, sees the Self and attains to immortality. To this turning of the eye inward psychological self-observation and analysis is a great and effective introduction.We can look into the inward of ourselves more easily than we can look into the inward of things external to us because there, in things outside us, we are in the first place embarrassed by the form and secondly we have no natural previous experience of that in them which is other than their physical substance. A purified or tranquillised mind may reflect or a powerful concentration may discover God in the world, the Self in Nature even before it is realised in ourselves, but this is rare and difficult. (2) And it is only in ourselves that we can observe and know the process of the Self in its becoming and follow the process by which it draws back into self-being. Therefore the ancient counsel, know thyself, will always stand as the first word that directs us towards the knowledge. Still, psychological self-knowledge is only the experience of the modes of the Self, it is not the realisation of the Self in its pure being. The status of knowledge, then, which Yoga envisages is not merely an intellectual conception or clear discrimination of the truth, nor is it an enlightened psychological experience of the modes of our being. It is a "realisation", in the full sense of the word; it is the making real to ourselves and in ourselves of the Self, the transcendent and universal Divine, and it is the subsequent impossibility of viewing the modes of being except in the light of that Self and in their true aspect as its flux of becoming under the psychical and physical conditions of our world-existence. This realisation consists of three successive movements, internal vision, complete internal experience and identity. This internal vision, dr.s.t.i, the power so highly valued by the ancient sages, the power which made a man a Rishi or Kavi and no longer a mere thinker, is a sort of light in the soul by which things unseen become as evident and real to it-to the soul and not merely to the intellect-as do things seen to the physical eye. In the physical world there are always two forms of knowledge, the direct and the indirect, pratyaks.a, of that which is present to the eyes, and paroks.a, of that which is remote from and beyond our vision. When the object is beyond our vision, we are necessarily obliged to arrive at an idea of it by inference, imagination, analogy, by hearing the descriptions of others who have seen it or by studying pictorial or other representations of it if these are available. By putting together all these aids we can indeed arrive at a more or less adequate idea or suggestive image of the object, but we do not realise the thing itself; it is not yet to us the grasped reality, but only our conceptual representation of a reality. But once we have seen it with the eyes,-for no other sense is adequate,-we possess, we realise; it is there secure in our satisfied being, part of ourselves in knowledge. Precisely the same rule holds good of psychical things and of he Self. We may hear clear and luminous teachings about the Self from philosophers or teachers or from ancient writings; we may by thought, inference, imagination, analogy or by any other available means attempt to form a mental figure or conception of it; we may hold firmly that conception in our mind and fix it by an entire and exclusive concentration;3 but we have not yet realised it, we have not seen God. It is only when after long and persistent concentration or by other means the veil of the mind is rent or swept aside, only when a flood of light breaks over the awakened mentality, jyotirmaya brahman, and conception gives place to a knowledge-vision in which the Self is as present, real, concrete as a physical object to the physical eye, that we possess in knowledge; for we have seen. After that revelation, whatever fadings of the light, whatever periods of darkness may afflict the soul, it can never irretrievably lose what it has once held. The experience is inevitably renewed and must become more frequent till it is constant; when and how soon depends on the devotion and persistence with which we insist on the path and besiege by our will or our love the hidden Deity. (2) And it is only in ourselves that we can observe and know the 2 In one respect, however, it is easier, because in external things we are not so much hampered by the sense of the limited ego as in ourselves; one obstacle to the realisation of God is therefore removed. ~ Sri Aurobindo, The Synthesis Of Yoga 2.02 - The Status of Knowledge,
258:Why do we forget our dreams? Because you do not dream always at the same place. It is not always the same part of your being that dreams and it is not at the same place that you dream. If you were in conscious, direct, continuous communication with all the parts of your being, you would remember all your dreams. But very few parts of the being are in communication. For example, you have a dream in the subtle physical, that is to say, quite close to the physical. Generally, these dreams occur in the early hours of the morning, that is between four and five o'clock, at the end of the sleep. If you do not make a sudden movement when you wake up, if you remain very quiet, very still and a little attentive - quietly attentive - and concentrated, you will remember them, for the communication between the subtle physical and the physical is established - very rarely is there no communication. Now, dreams are mostly forgotten because you have a dream while in a certain state and then pass into another. For instance, when you sleep, your body is asleep, your vital is asleep, but your mind is still active. So your mind begins to have dreams, that is, its activity is more or less coordinated, the imagination is very active and you see all kinds of things, take part in extraordinary happenings.... After some time, all that calms down and the mind also begins to doze. The vital that was resting wakes up; it comes out of the body, walks about, goes here and there, does all kinds of things, reacts, sometimes fights, and finally eats. It does all kinds of things. The vital is very adventurous. It watches. When it is heroic it rushes to save people who are in prison or to destroy enemies or it makes wonderful discoveries. But this pushes back the whole mental dream very far behind. It is rubbed off, forgotten: naturally you cannot remember it because the vital dream takes its place. But if you wake up suddenly at that moment, you remember it. There are people who have made the experiment, who have got up at certain fixed hours of the night and when they wake up suddenly, they do remember. You must not move brusquely, but awake in the natural course, then you remember. After a time, the vital having taken a good stroll, needs to rest also, and so it goes into repose and quietness, quite tired at the end of all kinds of adventures. Then something else wakes up. Let us suppose that it is the subtle physical that goes for a walk. It starts moving and begins wandering, seeing the rooms and... why, this thing that was there, but it has come here and that other thing which was in that room is now in this one, and so on. If you wake up without stirring, you remembeR But this has pushed away far to the back of the consciousness all the stories of the vital. They are forgotten and so you cannot recollect your dreams. But if at the time of waking up you are not in a hurry, you are not obliged to leave your bed, on the contrary you can remain there as long as you wish, you need not even open your eyes; you keep your head exactly where it was and you make yourself like a tranquil mirror within and concentrate there. You catch just a tiny end of the tail of your dream. You catch it and start pulling gently, without stirring in the least. You begin pulling quite gently, and then first one part comes, a little later another. You go backward; the last comes up first. Everything goes backward, slowly, and suddenly the whole dream reappears: "Ah, there! it was like that." Above all, do not jump up, do not stir; you repeat the dream to yourself several times - once, twice - until it becomes clear in all its details. Once that dream is settled, you continue not to stir, you try to go further in, and suddenly you catch the tail of something else. It is more distant, more vague, but you can still seize it. And here also you hang on, get hold of it and pull, and you see that everything changes and you enter another world; all of a sudden you have an extraordinary adventure - it is another dream. You follow the same process. You repeat the dream to yourself once, twice, until you are sure of it. You remain very quiet all the time. Then you begin to penetrate still more deeply into yourself, as though you were going in very far, very far; and again suddenly you see a vague form, you have a feeling, a sensation... like a current of air, a slight breeze, a little breath; and you say, "Well, well...." It takes a form, it becomes clear - and the third category comes. You must have a lot of time, a lot of patience, you must be very quiet in your mind and body, very quiet, and you can tell the story of your whole night from the end right up to the beginning. Even without doing this exercise which is very long and difficult, in order to recollect a dream, whether it be the last one or the one in the middle that has made a violent impression on your being, you must do what I have said when you wake up: take particular care not even to move your head on the pillow, remain absolutely still and let the dream return. Some people do not have a passage between one state and another, there is a little gap and so they leap from one to the other; there is no highway passing through all the states of being with no break of the consciousness. A small dark hole, and you do not remember. It is like a precipice across which one has to extend the consciousness. To build a bridge takes a very long time; it takes much longer than building a physical bridge.... Very few people want to and know how to do it. They may have had magnificent activities, they do not remember them or sometimes only the last, the nearest, the most physical activity, with an uncoordinated movement - dreams having no sense. But there are as many different kinds of nights and sleep as there are different days and activities. There are not many days that are alike, each day is different. The days are not the same, the nights are not the same. You and your friends are doing apparently the same thing, but for each one it is very different. And each one must have his own procedure. Why are two dreams never alike?Because all things are different. No two minutes are alike in the universe and it will be so till the end of the universe, no two minutes will ever be alike. And men obstinately want to make rules! One must do this and not that.... Well! we must let people please themselves. You could have put to me a very interesting question: "Why am I fourteen years old today?" Intelligent people will say: "It is because it is the fourteenth year since you were born." That is the answer of someone who believes himself to be very intelligent. But there is another reason. I shall tell this to you alone.... I have drowned you all sufficiently well! Now you must begin to learn swimming! ~ The Mother, Questions And Answers 1953 36?,
259:Mother, when one imagines something, does it not exist?When you imagine something, it means that you make a mental formation which may be close to the truth or far from the truth - it also depends upon the quality of your formation. You make a mental formation and there are people who have such a power of formation that they succeed in making what they imagine real. There are not many of these but there are some. They imagine something and their formation is so well made and so powerful that it succeeds in being realised. These are creators; there are not many of them but there are some. If one thinks of someone who doesn't exist or who is dead?Ah! What do you mean? What have you just said? Someone who doesn't exist or someone who is dead? These are two absolutely different things. I mean someone who is dead.Someone who is dead! If this person has remained in the mental domain, you can find him immediately. Naturally if he is no longer in the mental domain, if he is in the psychic domain, to think of him is not enough. You must know how to go into the psychic domain to find him. But if he has remained in the mental domain and you think of him, you can find him immediately, and not only that, but you can have a mental contact with him and a kind of mental vision of his existence. The mind has a capacity of vision of its own and it is not the same vision as with these eyes, but it is a vision, it is a perception in forms. But this is not imagination. It has nothing to do with imagination. Imagination, for instance, is when you begin to picture to yourself an ideal being to whom you apply all your conceptions, and when you tell yourself, "Why, it should be like this, like that, its form should be like this, its thought like that, its character like that," when you see all the details and build up the being. Now, writers do this all the time because when they write a novel, they imagine. There are those who take things from life but there are those who are imaginative, creators; they create a character, a personage and then put him in their book later. This is to imagine. To imagine, for example, a whole concurrence of circumstances, a set of events, this is what I call telling a story to oneself. But it can be put down on paper, and then one becomes a novelist. There are very different kinds of writers. Some imagine everything, some gather all sorts of observations from life and construct their book with them. There are a hundred ways of writing a book. But indeed some writers imagine everything from beginning to end. It all comes out of their head and they construct even their whole story without any support in things physically observed. This truly is imagination. But as I say, if they are very powerful and have a considerable capacity for creation, it is possible that one day or other there will be a physical human being who realises their creation. This too is true. What do you suppose imagination is, eh? Have you never imagined anything, you? And what happens? All that one imagines.You mean that you imagine something and it happens like that, eh? Or it is in a dream... What is the function, the use of the imagination?If one knows how to use it, as I said, one can create for oneself his own inner and outer life; one can build his own existence with his imagination, if one knows how to use it and has a power. In fact it is an elementary way of creating, of forming things in the world. I have always felt that if one didn't have the capacity of imagination he would not make any progress. Your imagination always goes ahead of your life. When you think of yourself, usually you imagine what you want to be, don't you, and this goes ahead, then you follow, then it continues to go ahead and you follow. Imagination opens for you the path of realisation. People who are not imaginative - it is very difficult to make them move; they see just what is there before their nose, they feel just what they are moment by moment and they cannot go forward because they are clamped by the immediate thing. It depends a good deal on what one calls imagination. However... Men of science must be having imagination!A lot. Otherwise they would never discover anything. In fact, what is called imagination is a capacity to project oneself outside realised things and towards things realisable, and then to draw them by the projection. One can obviously have progressive and regressive imaginations. There are people who always imagine all the catastrophes possible, and unfortunately they also have the power of making them come. It's like the antennae going into a world that's not yet realised, catching something there and drawing it here. Then naturally it is an addition to the earth atmosphere and these things tend towards manifestation. It is an instrument which can be disciplined, can be used at will; one can discipline it, direct it, orientate it. It is one of the faculties one can develop in himself and render serviceable, that is, use it for definite purposes. Sweet Mother, can one imagine the Divine and have the contact?Certainly if you succeed in imagining the Divine you have the contact, and you can have the contact with what you imagine, in any case. In fact it is absolutely impossible to imagine something which doesn't exist somewhere. You cannot imagine anything at all which doesn't exist somewhere. It is possible that it doesn't exist on the earth, it is possible that it's elsewhere, but it is impossible for you to imagine something which is not already contained in principle in the universe; otherwise it could not occur. Then, Sweet Mother, this means that in the created universe nothing new is added?In the created universe? Yes. The universe is progressive; we said that constantly things manifest, more and more. But for your imagination to be able to go and seek beyond the manifestation something which will be manifested, well, it may happen, in fact it does - I was going to tell you that it is in this way that some beings can cause considerable progress to be made in the world, because they have the capacity of imagining something that's not yet manifested. But there are not many. One must first be capable of going beyond the manifested universe to be able to imagine something which is not there. There are already many things which can be imagined. What is our terrestrial world in the universe? A very small thing. Simply to have the capacity of imagining something which does not exist in the terrestrial manifestation is already very difficult, very difficult. For how many billions of years hasn't it existed, this little earth? And there have been no two identical things. That's much. It is very difficult to go out from the earth atmosphere with one's mind; one can, but it is very difficult. And then if one wants to go out, not only from the earth atmosphere but from the universal life! To be able simply to enter into contact with the life of the earth in its totality from the formation of the earth until now, what can this mean? And then to go beyond this and enter into contact with universal life from its beginnings up to now... and then again to be able to bring something new into the universe, one must go still farther beyond. Not easy! That's all? (To the child) Convinced? ~ The Mother, Questions And Answers 1955 ,
260:How to MeditateDeep meditation is a mental procedure that utilizes the nature of the mind to systematically bring the mind to rest. If the mind is given the opportunity, it will go to rest with no effort. That is how the mind works.Indeed, effort is opposed to the natural process of deep meditation. The mind always seeks the path of least resistance to express itself. Most of the time this is by making more and more thoughts. But it is also possible to create a situation in the mind that turns the path of least resistance into one leading to fewer and fewer thoughts. And, very soon, no thoughts at all. This is done by using a particular thought in a particular way. The thought is called a mantra.For our practice of deep meditation, we will use the thought - I AM. This will be our mantra.It is for the sound that we will use I AM, not for the meaning of it.The meaning has an obvious significance in English, and I AM has a religious meaning in the English Bible as well. But we will not use I AM for the meaning - only for the sound. We can also spell it AYAM. No meaning there, is there? Only the sound. That is what we want. If your first language is not English, you may spell the sound phonetically in your own language if you wish. No matter how we spell it, it will be the same sound. The power of the sound ...I AM... is great when thought inside. But only if we use a particular procedure. Knowing this procedure is the key to successful meditation. It is very simple. So simple that we will devote many pages here to discussing how to keep it simple, because we all have a tendency to make things more complicated. Maintaining simplicity is the key to right meditation.Here is the procedure of deep meditation: While sitting comfortably with eyes closed, we'll just relax. We will notice thoughts, streams of thoughts. That is fine. We just let them go by without minding them. After about a minute, we gently introduce the mantra, ...I AM...We think the mantra in a repetition very easily inside. The speed of repetition may vary, and we do not mind it. We do not intone the mantra out loud. We do not deliberately locate the mantra in any particular part of the body. Whenever we realize we are not thinking the mantra inside anymore, we come back to it easily. This may happen many times in a sitting, or only once or twice. It doesn't matter. We follow this procedure of easily coming back to the mantra when we realize we are off it for the predetermined time of our meditation session. That's it.Very simple.Typically, the way we will find ourselves off the mantra will be in a stream of other thoughts. This is normal. The mind is a thought machine, remember? Making thoughts is what it does. But, if we are meditating, as soon as we realize we are off into a stream of thoughts, no matter how mundane or profound, we just easily go back to the mantra.Like that. We don't make a struggle of it. The idea is not that we have to be on the mantra all the time. That is not the objective. The objective is to easily go back to it when we realize we are off it. We just favor the mantra with our attention when we notice we are not thinking it. If we are back into a stream of other thoughts five seconds later, we don't try and force the thoughts out. Thoughts are a normal part of the deep meditation process. We just ease back to the mantra again. We favor it.Deep meditation is a going toward, not a pushing away from. We do that every single time with the mantra when we realize we are off it - just easily favoring it. It is a gentle persuasion. No struggle. No fuss. No iron willpower or mental heroics are necessary for this practice. All such efforts are away from the simplicity of deep meditation and will reduce its effectiveness.As we do this simple process of deep meditation, we will at some point notice a change in the character of our inner experience. The mantra may become very refined and fuzzy. This is normal. It is perfectly all right to think the mantra in a very refined and fuzzy way if this is the easiest. It should always be easy - never a struggle. Other times, we may lose track of where we are for a while, having no mantra, or stream of thoughts either. This is fine too. When we realize we have been off somewhere, we just ease back to the mantra again. If we have been very settled with the mantra being barely recognizable, we can go back to that fuzzy level of it, if it is the easiest. As the mantra refines, we are riding it inward with our attention to progressively deeper levels of inner silence in the mind. So it is normal for the mantra to become very faint and fuzzy. We cannot force this to happen. It will happen naturally as our nervous system goes through its many cycles ofinner purification stimulated by deep meditation. When the mantra refines, we just go with it. And when the mantra does not refine, we just be with it at whatever level is easy. No struggle. There is no objective to attain, except to continue the simple procedure we are describing here.When and Where to MeditateHow long and how often do we meditate? For most people, twenty minutes is the best duration for a meditation session. It is done twice per day, once before the morning meal and day's activity, and then again before the evening meal and evening's activity.Try to avoid meditating right after eating or right before bed.Before meal and activity is the ideal time. It will be most effective and refreshing then. Deep meditation is a preparation for activity, and our results over time will be best if we are active between our meditation sessions. Also, meditation is not a substitute for sleep. The ideal situation is a good balance between meditation, daily activity and normal sleep at night. If we do this, our inner experience will grow naturally over time, and our outer life will become enriched by our growing inner silence.A word on how to sit in meditation: The first priority is comfort. It is not desirable to sit in a way that distracts us from the easy procedure of meditation. So sitting in a comfortable chair with back support is a good way to meditate. Later on, or if we are already familiar, there can be an advantage to sitting with legs crossed, also with back support. But always with comfort and least distraction being the priority. If, for whatever reason, crossed legs are not feasible for us, we will do just fine meditating in our comfortable chair. There will be no loss of the benefits.Due to commitments we may have, the ideal routine of meditation sessions will not always be possible. That is okay. Do the best you can and do not stress over it. Due to circumstances beyond our control, sometimes the only time we will have to meditate will be right after a meal, or even later in the evening near bedtime. If meditating at these times causes a little disruption in our system, we will know it soon enough and make the necessary adjustments. The main thing is that we do our best to do two meditations every day, even if it is only a short session between our commitments. Later on, we will look at the options we have to make adjustments to address varying outer circumstances, as well as inner experiences that can come up.Before we go on, you should try a meditation. Find a comfortable place to sit where you are not likely to be interrupted and do a short meditation, say ten minutes, and see how it goes. It is a toe in the water.Make sure to take a couple of minutes at the end sitting easily without doing the procedure of meditation. Then open your eyes slowly. Then read on here.As you will see, the simple procedure of deep meditation and it's resulting experiences will raise some questions. We will cover many of them here.So, now we will move into the practical aspects of deep meditation - your own experiences and initial symptoms of the growth of your own inner silence. ~ Yogani, Deep Meditation ,
261:Intuition And The Value Of Concentration ::: Mother, how can the faculty of intuition be developed? ... There are different kinds of intuition, and we carry these capacities within us. They are always active to some extent but we don't notice them because we don't pay enough attention to what is going on in us. Behind the emotions, deep within the being, in a consciousness seated somewhere near the level of the solar plexus, there is a sort of prescience, a kind of capacity for foresight, but not in the form of ideas: rather in the form of feelings, almost a perception of sensations. For instance, when one is going to decide to do something, there is sometimes a kind of uneasiness or inner refusal, and usually, if one listens to this deeper indication, one realises that it was justified. In other cases there is something that urges, indicates, insists - I am not speaking of impulses, you understand, of all the movements which come from the vital and much lower still - indications which are behind the feelings, which come from the affective part of the being; there too one can receive a fairly sure indication of the thing to be done. These are forms of intuition or of a higher instinct which can be cultivated by observation and also by studying the results. Naturally, it must be done very sincerely, objectively, without prejudice. If one wants to see things in a particular way and at the same time practise this observation, it is all useless. One must do it as if one were looking at what is happening from outside oneself, in someone else. It is one form of intuition and perhaps the first one that usually manifests. There is also another form but that one is much more difficult to observe because for those who are accustomed to think, to act by reason - not by impulse but by reason - to reflect before doing anything, there is an extremely swift process from cause to effect in the half-conscious thought which prevents you from seeing the line, the whole line of reasoning and so you don't think that it is a chain of reasoning, and that is quite deceptive. You have the impression of an intuition but it is not an intuition, it is an extremely rapid subconscious reasoning, which takes up a problem and goes straight to the conclusions. This must not be mistaken for intuition. In the ordinary functioning of the brain, intuition is something which suddenly falls like a drop of light. If one has the faculty, the beginning of a faculty of mental vision, it gives the impression of something coming from outside or above, like a little impact of a drop of light in the brain, absolutely independent of all reasoning. This is perceived more easily when one is able to silence one's mind, hold it still and attentive, arresting its usual functioning, as if the mind were changed into a kind of mirror turned towards a higher faculty in a sustained and silent attention. That too one can learn to do. One must learn to do it, it is a necessary discipline. When you have a question to solve, whatever it may be, usually you concentrate your attention here (pointing between the eyebrows), at the centre just above the eyes, the centre of the conscious will. But then if you do that, you cannot be in contact with intuition. You can be in contact with the source of the will, of effort, even of a certain kind of knowledge, but in the outer, almost material field; whereas, if you want to contact the intuition, you must keep this (Mother indicates the forehead) completely immobile. Active thought must be stopped as far as possible and the entire mental faculty must form - at the top of the head and a little further above if possible - a kind of mirror, very quiet, very still, turned upwards, in silent, very concentrated attention. If you succeed, you can - perhaps not immediately - but you can have the perception of the drops of light falling upon the mirror from a still unknown region and expressing themselves as a conscious thought which has no connection with all the rest of your thought since you have been able to keep it silent. That is the real beginning of the intellectual intuition. It is a discipline to be followed. For a long time one may try and not succeed, but as soon as one succeeds in making a mirror, still and attentive, one always obtains a result, not necessarily with a precise form of thought but always with the sensations of a light coming from above. And then, if one can receive this light coming from above without entering immediately into a whirl of activity, receive it in calm and silence and let it penetrate deep into the being, then after a while it expresses itself either as a luminous thought or as a very precise indication here (Mother indicates the heart), in this other centre. Naturally, first these two faculties must be developed; then, as soon as there is any result, one must observe the result, as I said, and see the connection with what is happening, the consequences: see, observe very attentively what has come in, what may have caused a distortion, what one has added by way of more or less conscious reasoning or the intervention of a lower will, also more or less conscious; and it is by a very deep study - indeed, almost of every moment, in any case daily and very frequent - that one succeeds in developing one's intuition. It takes a long time. It takes a long time and there are ambushes: one can deceive oneself, take for intuitions subconscious wills which try to manifest, indications given by impulses one has refused to receive openly, indeed all sorts of difficulties. One must be prepared for that. But if one persists, one is sure to succeed. And there comes a time when one feels a kind of inner guidance, something which is leading one very perceptibly in all that one does. But then, for the guidance to have its maximum power, one must naturally add to it a conscious surrender: one must be sincerely determined to follow the indication given by the higher force. If one does that, then... one saves years of study, one can seize the result extremely rapidly. If one also does that, the result comes very rapidly. But for that, it must be done with sincerity and... a kind of inner spontaneity. If one wants to try without this surrender, one may succeed - as one can also succeed in developing one's personal will and making it into a very considerable power - but that takes a very long time and one meets many obstacles and the result is very precarious; one must be very persistent, obstinate, persevering, and one is sure to succeed, but only after a great labour. Make your surrender with a sincere, complete self-giving, and you will go ahead at full speed, you will go much faster - but you must not do this calculatingly, for that spoils everything! (Silence) Moreover, whatever you may want to do in life, one thing is absolutely indispensable and at the basis of everything, the capacity of concentrating the attention. If you are able to gather together the rays of attention and consciousness on one point and can maintain this concentration with a persistent will, nothing can resist it - whatever it may be, from the most material physical development to the highest spiritual one. But this discipline must be followed in a constant and, it may be said, imperturbable way; not that you should always be concentrated on the same thing - that's not what I mean, I mean learning to concentrate. And materially, for studies, sports, all physical or mental development, it is absolutely indispensable. And the value of an individual is proportionate to the value of his attention. And from the spiritual point of view it is still more important. There is no spiritual obstacle which can resist a penetrating power of concentration. For instance, the discovery of the psychic being, union with the inner Divine, opening to the higher spheres, all can be obtained by an intense and obstinate power of concentration - but one must learn how to do it. There is nothing in the human or even in the superhuman field, to which the power of concentration is not the key. You can be the best athlete, you can be the best student, you can be an artistic, literary or scientific genius, you can be the greatest saint with that faculty. And everyone has in himself a tiny little beginning of it - it is given to everybody, but people do not cultivate it. ~ The Mother, Questions And Answers 1957-1958 ,
262:Can a Yogi attain to a state of consciousness in which he can know all things, answer all questions, relating even to abstruse scientific problems, such as, for example, the theory of relativity?Theoretically and in principle it is not impossible for a Yogi to know everything; all depends upon the Yogi. But there is knowledge and knowledge. The Yogi does not know in the way of the mind. He does not know everything in the sense that he has access to all possible information or because he contains all the facts of the universe in his mind or because his consciousness is a sort of miraculous encyclopaedia. He knows by his capacity for a containing or dynamic identity with things and persons and forces. Or he knows because he lives in a plane of consciousness or is in contact with a consciousness in which there is the truth and the knowledge. If you are in the true consciousness, the knowledge you have will also be of the truth. Then, too, you can know directly, by being one with what you know. If a problem is put before you, if you are asked what is to be done in a particular matter, you can then, by looking with enough attention and concentration, receive spontaneously the required knowledge and the true answer. It is not by any careful application of theory that you reach the knowledge or by working it out through a mental process. The scientific mind needs these methods to come to its conclusions. But the Yogi's knowledge is direct and immediate; it is not deductive. If an engineer has to find out the exact position for the building of an arch, the line of its curve and the size of its opening, he does it by calculation, collating and deducing from his information and data. But a Yogi needs none of these things; he looks, has the vision of the thing, sees that it is to be done in this way and not in another, and this seeing is his knowledge. Although it may be true in a general way and in a certain sense that a Yogi can know all things and can answer all questions from his own field of vision and consciousness, yet it does not follow that there are no questions whatever of any kind to which he would not or could not answer. A Yogi who has the direct knowledge, the knowledge of the true truth of things, would not care or perhaps would find it difficult to answer questions that belong entirely to the domain of human mental constructions. It may be, he could not or would not wish to solve problems and difficulties you might put to him which touch only the illusion of things and their appearances. The working of his knowledge is not in the mind. If you put him some silly mental query of that character, he probably would not answer. The very common conception that you can put any ignorant question to him as to some super-schoolmaster or demand from him any kind of information past, present or future and that he is bound to answer, is a foolish idea. It is as inept as the expectation from the spiritual man of feats and miracles that would satisfy the vulgar external mind and leave it gaping with wonder. Moreover, the term "Yogi" is very vague and wide. There are many types of Yogis, many lines or ranges of spiritual or occult endeavour and different heights of achievement, there are some whose powers do not extend beyond the mental level; there are others who have gone beyond it. Everything depends on the field or nature of their effort, the height to which they have arrived, the consciousness with which they have contact or into which they enter. Do not scientists go sometimes beyond the mental plane? It is said that Einstein found his theory of relativity not through any process of reasoning, but through some kind of sudden inspiration. Has that inspiration anything to do with the Supermind?The scientist who gets an inspiration revealing to him a new truth, receives it from the intuitive mind. The knowledge comes as a direct perception in the higher mental plane illumined by some other light still farther above. But all that has nothing to do with the action of Supermind and this higher mental level is far removed from the supramental plane. Men are too easily inclined to believe that they have climbed into regions quite divine when they have only gone above the average level. There are many stages between the ordinary human mind and the Supermind, many grades and many intervening planes. If an ordinary man were to get into direct contact even with one of these intermediate planes, he would be dazzled and blinded, would be crushed under the weight of the sense of immensity or would lose his balance; and yet it is not the Supermind. Behind the common idea that a Yogi can know all things and answer all questions is the actual fact that there is a plane in the mind where the memory of everything is stored and remains always in existence. All mental movements that belong to the life of the earth are memorised and registered in this plane. Those who are capable of going there and care to take the trouble, can read in it and learn anything they choose. But this region must not be mistaken for the supramental levels. And yet to reach even there you must be able to silence the movements of the material or physical mind; you must be able to leave aside all your sensations and put a stop to your ordinary mental movements, whatever they are; you must get out of the vital; you must become free from the slavery of the body. Then only you can enter into that region and see. But if you are sufficiently interested to make this effort, you can arrive there and read what is written in the earth's memory. Thus, if you go deep into silence, you can reach a level of consciousness on which it is not impossible for you to receive answers to all your questions. And if there is one who is consciously open to the plenary truth of the supermind, in constant contact with it, he can certainly answer any question that is worth an answer from the supramental Light. The queries put must come from some sense of the truth and reality behind things. There are many questions and much debated problems that are cobwebs woven of mere mental abstractions or move on the illusory surface of things. These do not pertain to real knowledge; they are a deformation of knowledge, their very substance is of the ignorance. Certainly the supramental knowledge may give an answer, its own answer, to the problems set by the mind's ignorance; but it is likely that it would not be at all satisfactory or perhaps even intelligible to those who ask from the mental level. You must not expect the supramental to work in the way of the mind or demand that the knowledge in truth should be capable of being pieced together with the half-knowledge in ignorance. The scheme of the mind is one thing, but Supermind is quite another and it would no longer be supramental if it adapted itself to the exigencies of the mental scheme. The two are incommensurable and cannot be put together. When the consciousness has attained to supramental joys, does it no longer take interest in the things of the mind?The supramental does not take interest in mental things in the same way as the mind. It takes its own interest in all the movements of the universe, but it is from a different point of view and with a different vision. The world presents to it an entirely different appearance; there is a reversal of outlook and everything is seen from there as other than what it seems to the mind and often even the opposite. Things have another meaning; their aspect, their motion and process, everything about them, are watched with other eyes. Everything here is followed by the supermind; the mind movements and not less the vital, the material movements, all the play of the universe have for it a very deep interest, but of another kind. It is about the same difference as that between the interest taken in a puppet-play by one who holds the strings and knows what the puppets are to do and the will that moves them and that they can do only what it moves them to do, and the interest taken by another who observes the play but sees only what is happening from moment to moment and knows nothing else. The one who follows the play and is outside its secret has a stronger, an eager and passionate interest in what will happen and he gives an excited attention to its unforeseen or dramatic events; the other, who holds the strings and moves the show, is unmoved and tranquil. There is a certain intensity of interest which comes from ignorance and is bound up with illusion, and that must disappear when you are out of the ignorance. The interest that human beings take in things founds itself on the illusion; if that were removed, they would have no interest at all in the play; they would find it dry and dull. That is why all this ignorance, all this illusion has lasted so long; it is because men like it, because they cling to it and its peculiar kind of appeal that it endures. ~ The Mother, Questions And Answers 1929-1931 93?
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263:The whole question. The whole question? And now, do you understand?... Not quite? I told you that you did not understand because it was muddled up; in one question three different ideas were included. So naturally it created a confusion. But taken separately they are what I explained to you just now, most probably; that is to say, one has this altogether ignorant and obliterated consciousness and is convinced that he is the cause and effect, the origin and result of himself, separate from all others, separate with a limited power to act upon others and a little greater capacity to be set in movement by others or to react to others' influence. That is how people think usually, something like that, isn't that so? How do you feel, you? What effect do you have upon yourself? And you? And you?... You have never thought about it? You have never looked into yourself to see what effect you exercise upon yourself? Never thought over it? No? How do you feel? Nobody will tell me? Come, you tell me that. Never tried to understand how you feel? Yes? No? How strange! Never sought to understand how, for example, decisions take place in you? From where do they come? What makes you decide one thing rather than another? And what is the relation between a decision of yours and your action? And to what extent do you have the freedom of choice between one thing and another? And how far do you feel you are able to, you are free to do this or that or that other or nothing at all?... You have pondered over that? Yes? Is there any one among the students who has thought over it? No? Nobody put the question to himself? You? You?... Even if one thinks over it, perhaps one is not able to answer! One cannot explain? No. It is difficult to explain? Even this simple little thing, to see where in your consciousness the wills that come from outside meet your will (which you call yours, which comes from within), at what place the two join together and to what extent the one from outside acts upon that from within and the one from within acts upon that from outside? You have never tried to find this out? It has never seemed to you unbearable that a will from outside should have an action upon your will? No? I do not know. Oh! I am putting very difficult problems! But, my children, I was preoccupied with that when I was a child of five!... So I thought you must have been preoccupied with it since a long time. In oneself, there are contradictory wills. Yes, many. That is one of the very first discoveries. There is one part which wants things this way; and then at another moment, another way, and a third time, one wants still another thing! Besides, there is even this: something that wants and another which says no. So? But it is exactly that which has to be found if you wish in the least to organise yourself. Why not project yourself upon a screen, as in the cinema, and then look at yourself moving on it? How interesting it is! This is the first step. You project yourself on the screen and then observe and see all that is moving there and how it moves and what happens. You make a little diagram, it becomes so interesting then. And then, after a while, when you are quite accustomed to seeing, you can go one step further and take a decision. Or even a still greater step: you organise - arrange, take up all that, put each thing in its place, organise in such a way that you begin to have a straight movement with an inner meaning. And then you become conscious of your direction and are able to say: "Very well, it will be thus; my life will develop in that way, because that is the logic of my being. Now, I have arranged all that within me, each thing has been put in its place, and so naturally a central orientation is forming. I am following this orientation. One step more and I know what will happen to me for I myself am deciding it...." I do not know, I am telling you this; to me it seemed terribly interesting, the most interesting thing in the world. There was nothing, no other thing that interested me more than that. This happened to me.... I was five or six or seven years old (at seven the thing became quite serious) and I had a father who loved the circus, and he came and told me: "Come with me, I am going to the circus on Sunday." I said: "No, I am doing something much more interesting than going to the circus!" Or again, young friends invited me to attend a meeting where we were to play together, enjoy together: "No, I enjoy here much more...." And it was quite sincere. It was not a pose: for me, it was like this, it was true. There was nothing in the world more enjoyable than that. And I am so convinced that anybody who does it in that way, with the same freshness and sincerity, will obtain most interesting results.... To put all that on a screen in front of yourself and look at what is happening. And the first step is to know all that is happening and then you must not try to shut your eyes when something does not appear pleasant to you! You must keep them wide open and put each thing in that way before the screen. Then you make quite an interesting discovery. And then the next step is to start telling yourself: "Since all that is happening within me, why should I not put this thing in this way and then that thing in that way and then this other in this way and thus wouldn't I be doing something logical that has a meaning? Why should I not remove that thing which stands obstructing the way, these conflicting wills? Why? And what does that represent in the being? Why is it there? If it were put there, would it not help instead of harming me?" And so on. And little by little, little by little, you see clearer and then you see why you are made like that, what is the thing you have got to do - that for which you are born. And then, quite naturally, since all is organised for this thing to happen, the path becomes straight and you can say beforehand: "It is in this way that it will happen." And when things come from outside to try and upset all that, you are able to say: "No, I accept this, for it helps; I reject that, for that harms." And then, after a few years, you curb yourself as you curb a horse: you do whatever you like, in the way you like and you go wherever you like. It seems to me this is worth the trouble. I believe it is the most interesting thing. ...You must have a great deal of sincerity, a little courage and perseverance and then a sort of mental curiosity, you understand, curious, seeking to know, interested, wanting to learn. To love to learn: that, one must have in one's nature. To find it impossible to stand before something grey, all hazy, in which nothing is seen clearly and which gives you quite an unpleasant feeling, for you do not know where you begin and where you end, what is yours and what is not yours and what is settled and what is not settled - what is this pulp-like thing you call yourself in which things get intermingled and act upon one another without even your being aware of it? You ask yourself: "But why have I done this?" You know nothing about it. "And why have I felt that?" You don't know that, either. And then, you are thrown into a world outside that is only fog and you are thrown into a world inside that is also for you another kind of fog, still more impenetrable, in which you live, like a cork thrown upon the waters and the waves carry it away or cast it into the air, and it drops and rolls on. That is quite an unpleasant state. I do not know, but to me it appears unpleasant. To see clearly, to see one's way, where one is going, why one is going there, how one is to go there and what one is going to do and what is the kind of relation with others... But that is a problem so wonderfully interesting - it is interesting - and you can always discover things every minute! One's work is never finished. There is a time, there is a certain state of consciousness when you have the feeling that you are in that condition with all the weight of the world lying heavy upon you and besides you are going in blinkers and do not know where you are going, but there is something which is pushing you. And that is truly a very unpleasant condition. And there is another moment when one draws oneself up and is able to see what is there above, and one becomes it; then one looks at the world as though from the top of a very very high mountain and one sees all that is happening below; then one can choose one's way and follow it. That is a more pleasant condition. This then is truly the truth, you are upon earth for that, surely. All individual beings and all the little concentrations of consciousness were created to do this work. It is the very reason for existence: to be able to become fully conscious of a certain sum of vibrations representing an individual being and put order there and find one's way and follow it. And so, as men do not know it and do not do it, life comes and gives them a blow here: "Oh! that hurts", then a blow there: "Ah! that's hurting me." And the thing goes on like that and all the time it is like that. And all the time they are getting pain somewhere. They suffer, they cry, they groan. But it is simply due to that reason, there is no other: it is that they have not done that little work. If, when they were quite young, there had been someone to teach them to do the work and they had done it without losing time, they could have gone through life gloriously and instead of suffering they would have been all-powerful masters of their destiny. This is not to say that necessarily all things would become pleasant. It is not at all that. But your reaction towards things becomes the true reaction and instead of suffering, you learn; instead of being miserable, you go forward and progress. After all, I believe it is for this that you are here - so that there is someone who can tell you: "There, well, try that. It is worth trying." ~ The Mother, Questions And Answers 1953 199,
264:[The Gods and Their Worlds] [...] According to traditions and occult schools, all these zones of realities, these planes of realities have got different names; they have been classified in a different way, but there is an essential analogy, and if you go back far enough into the traditions, you see only the words changing according to the country and the language. Even now, the experiences of Western occultists and those of Eastern occultists offer great similarities. All who set out on the discovery of these invisible worlds and make a report of what they saw, give a very similar description, whether they be from here or there; they use different words, but the experience is very similar and the handling of forces is the same. This knowledge of the occult worlds is based on the existence of subtle bodies and of subtle worlds corresponding to those bodies. They are what the psychological method calls "states of consciousness", but these states of consciousness really correspond to worlds. The occult procedure consists then in being aware of these various inner states of being or subtle bodies and in becoming sufficiently a master of them so as to be able to go out of them successively, one after another. There is indeed a whole scale of subtleties, increasing or decreasing according to the direction in which you go, and the occult procedure consists in going out of a denser body into a subtler body and so on again, up to the most ethereal regions. You go, by successive exteriorisations, into bodies or worlds more and more subtle. It is somewhat as if every time you passed into another dimension. The fourth dimension of the physicists is nothing but the scientific transcription of an occult knowledge. To give another image, one can say that the physical body is at the centre - it is the most material, the densest and also the smallest - and the inner bodies, more subtle, overflow more and more the central physical body; they pass through it, extending themselves farther and farther, like water evaporating from a porous vase and forming a kind of steam all around. And the greater the subtlety, the more the extension tends to unite with that of the universe: one ends by universalising oneself. And it is altogether a concrete process which gives an objective experience of invisible worlds and even enables one to act in these worlds. There are, then, only a very small number of people in the West who know that these gods are not merely subjective and imaginary - more or less wildly imaginary - but that they correspond to a universal truth. All these regions, all these domains are filled with beings who exist, each in its own domain, and if you are awake and conscious on a particular plane - for instance, if on going out of a more material body you awake on some higher plane, you have the same relation with the things and people of that plane as you had with the things and people of the material world. That is to say, there exists an entirely objective relation that has nothing to do with the idea you may have of these things. Naturally, the resemblance is greater and greater as you approach the physical world, the material world, and there even comes a time when the one region has a direct action upon the other. In any case, in what Sri Aurobindo calls the overmental worlds, you will find a concrete reality absolutely independent of your personal experience; you go back there and again find the same things, with the differences that have occurred during your absence. And you have relations with those beings that are identical with the relations you have with physical beings, with this difference that the relation is more plastic, supple and direct - for example, there is the capacity to change the external form, the visible form, according to the inner state you are in. But you can make an appointment with someone and be at the appointed place and find the same being again, with certain differences that have come about during your absence; it is entirely concrete with results entirely concrete. One must have at least a little of this experience in order to understand these things. Otherwise, those who are convinced that all this is mere human imagination and mental formation, who believe that these gods have such and such a form because men have thought them to be like that, and that they have certain defects and certain qualities because men have thought them to be like that - all those who say that God is made in the image of man and that he exists only in human thought, all these will not understand; to them this will appear absolutely ridiculous, madness. One must have lived a little, touched the subject a little, to know how very concrete the thing is. Naturally, children know a good deal if they have not been spoilt. There are so many children who return every night to the same place and continue to live the life they have begun there. When these faculties are not spoilt with age, you can keep them with you. At a time when I was especially interested in dreams, I could return exactly to a place and continue a work that I had begun: supervise something, for example, set something in order, a work of organisation or of discovery, of exploration. You go until you reach a certain spot, as you would go in life, then you take a rest, then you return and begin again - you begin the work at the place where you left off and you continue it. And you perceive that there are things which are quite independent of you, in the sense that changes of which you are not at all the author, have taken place automatically during your absence. But for this, you must live these experiences yourself, you must see them yourself, live them with sufficient sincerity and spontaneity in order to see that they are independent of any mental formation. For you can do the opposite also, and deepen the study of the action of mental formation upon events. This is very interesting, but it is another domain. And this study makes you very careful, very prudent, because you become aware of how far you can delude yourself. So you must study both, the dream and the occult reality, in order to see what is the essential difference between the two. The one depends upon us; the other exists in itself; entirely independent of the thought that we have of it. When you have worked in that domain, you recognise in fact that once a subject has been studied and something has been learnt mentally, it gives a special colour to the experience; the experience may be quite spontaneous and sincere, but the simple fact that the subject was known and studied lends a particular quality. Whereas if you had learnt nothing about the question, if you knew nothing at all, the transcription would be completely spontaneous and sincere when the experience came; it would be more or less adequate, but it would not be the outcome of a previous mental formation. Naturally, this occult knowledge or this experience is not very frequent in the world, because in those who do not have a developed inner life, there are veritable gaps between the external consciousness and the inmost consciousness; the linking states of being are missing and they have to be constructed. So when people enter there for the first time, they are bewildered, they have the impression they have fallen into the night, into nothingness, into non-being! I had a Danish friend, a painter, who was like that. He wanted me to teach him how to go out of the body; he used to have interesting dreams and thought that it would be worth the trouble to go there consciously. So I made him "go out" - but it was a frightful thing! When he was dreaming, a part of his mind still remained conscious, active, and a kind of link existed between this active part and his external being; then he remembered some of his dreams, but it was a very partial phenomenon. And to go out of one's body means to pass gradually through all the states of being, if one does the thing systematically. Well, already in the subtle physical, one is almost de-individualised, and when one goes farther, there remains nothing, for nothing is formed or individualised. Thus, when people are asked to meditate or told to go within, to enter into themselves, they are in agony - naturally! They have the impression that they are vanishing. And with reason: there is nothing, no consciousness! These things that appear to us quite natural and evident, are, for people who know nothing, wild imagination. If, for example, you transplant these experiences or this knowledge to the West, well, unless you have been frequenting the circles of occultists, they stare at you with open eyes. And when you have turned your back, they hasten to say, "These people are cranks!" Now to come back to the gods and conclude. It must be said that all those beings who have never had an earthly existence - gods or demons, invisible beings and powers - do not possess what the Divine has put into man: the psychic being. And this psychic being gives to man true love, charity, compassion, a deep kindness, which compensate for all his external defects. In the gods there is no fault because they live according to their own nature, spontaneously and without constraint: as gods, it is their manner of being. But if you take a higher point of view, if you have a higher vision, a vision of the whole, you see that they lack certain qualities that are exclusively human. By his capacity of love and self-giving, man can have as much power as the gods and even more, when he is not egoistic, when he has surmounted his egoism. If he fulfils the required condition, man is nearer to the Supreme than the gods are. He can be nearer. He is not so automatically, but he has the power to be so, the potentiality. If human love manifested itself without mixture, it would be all-powerful. Unfortunately, in human love there is as much love of oneself as of the one loved; it is not a love that makes you forget yourself. - 4 November 1958 ~ The Mother, Words Of The Mother III 355
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265:One little picture in this book, the Magic Locket, was drawn by 'Miss Alice Havers.' I did not state this on the title-page, since it seemed only due, to the artist of all these (to my mind) wonderful pictures, that his name should stand there alone.The descriptions, of Sunday as spent by children of the last generation, are quoted verbatim from a speech made to me by a child-friend and a letter written to me by a lady-friend.The Chapters, headed 'Fairy Sylvie' and 'Bruno's Revenge,' are a reprint, with a few alterations, of a little fairy-tale which I wrote in the year 1867, at the request of the late Mrs. Gatty, for 'Aunt Judy's Magazine,' which she was then editing.It was in 1874, I believe, that the idea first occurred to me of making it the nucleus of a longer story.As the years went on, I jotted down, at odd moments, all sorts of odd ideas, and fragments of dialogue, that occurred to me--who knows how?--with a transitory suddenness that left me no choice but either to record them then and there, or to abandon them to oblivion. Sometimes one could trace to their source these random flashes of thought--as being suggested by the book one was reading, or struck out from the 'flint' of one's own mind by the 'steel' of a friend's chance remark but they had also a way of their own, of occurring, a propos of nothing --specimens of that hopelessly illogical phenomenon, 'an effect without a cause.' Such, for example, was the last line of 'The Hunting of the Snark,' which came into my head (as I have already related in 'The Theatre' for April, 1887) quite suddenly, during a solitary walk: and such, again, have been passages which occurred in dreams, and which I cannot trace to any antecedent cause whatever. There are at least two instances of such dream-suggestions in this book--one, my Lady's remark, 'it often runs in families, just as a love for pastry does', the other, Eric Lindon's badinage about having been in domestic service.And thus it came to pass that I found myself at last in possession of a huge unwieldy mass of litterature--if the reader will kindly excuse the spelling --which only needed stringing together, upon the thread of a consecutive story, to constitute the book I hoped to write. Only! The task, at first, seemed absolutely hopeless, and gave me a far clearer idea, than I ever had before, of the meaning of the word 'chaos': and I think it must have been ten years, or more, before I had succeeded in classifying these odds-and-ends sufficiently to see what sort of a story they indicated: for the story had to grow out of the incidents, not the incidents out of the story I am telling all this, in no spirit of egoism, but because I really believe that some of my readers will be interested in these details of the 'genesis' of a book, which looks so simple and straight-forward a matter, when completed, that they might suppose it to have been written straight off, page by page, as one would write a letter, beginning at the beginning; and ending at the end.It is, no doubt, possible to write a story in that way: and, if it be not vanity to say so, I believe that I could, myself,--if I were in the unfortunate position (for I do hold it to be a real misfortune) of being obliged to produce a given amount of fiction in a given time,--that I could 'fulfil my task,' and produce my 'tale of bricks,' as other slaves have done. One thing, at any rate, I could guarantee as to the story so produced--that it should be utterly commonplace, should contain no new ideas whatever, and should be very very weary reading!This species of literature has received the very appropriate name of 'padding' which might fitly be defined as 'that which all can write and none can read.' That the present volume contains no such writing I dare not avow: sometimes, in order to bring a picture into its proper place, it has been necessary to eke out a page with two or three extra lines : but I can honestly say I have put in no more than I was absolutely compelled to do.My readers may perhaps like to amuse themselves by trying to detect, in a given passage, the one piece of 'padding' it contains. While arranging the 'slips' into pages, I found that the passage was 3 lines too short. I supplied the deficiency, not by interpolating a word here and a word there, but by writing in 3 consecutive lines. Now can my readers guess which they are?A harder puzzle if a harder be desired would be to determine, as to the Gardener's Song, in which cases (if any) the stanza was adapted to the surrounding text, and in which (if any) the text was adapted to the stanza.Perhaps the hardest thing in all literature--at least I have found it so: by no voluntary effort can I accomplish it: I have to take it as it come's is to write anything original. And perhaps the easiest is, when once an original line has been struck out, to follow it up, and to write any amount more to the same tune. I do not know if 'Alice in Wonderland' was an original story--I was, at least, no conscious imitator in writing it--but I do know that, since it came out, something like a dozen storybooks have appeared, on identically the same pattern. The path I timidly explored believing myself to be 'the first that ever burst into that silent sea'--is now a beaten high-road: all the way-side flowers have long ago been trampled into the dust: and it would be courting disaster for me to attempt that style again.Hence it is that, in 'Sylvie and Bruno,' I have striven with I know not what success to strike out yet another new path: be it bad or good, it is the best I can do. It is written, not for money, and not for fame, but in the hope of supplying, for the children whom I love, some thoughts that may suit those hours of innocent merriment which are the very life of Childhood; and also in the hope of suggesting, to them and to others, some thoughts that may prove, I would fain hope, not wholly out of harmony with the graver cadences of Life.If I have not already exhausted the patience of my readers, I would like to seize this opportunity perhaps the last I shall have of addressing so many friends at once of putting on record some ideas that have occurred to me, as to books desirable to be written--which I should much like to attempt, but may not ever have the time or power to carry through--in the hope that, if I should fail (and the years are gliding away very fast) to finish the task I have set myself, other hands may take it up.First, a Child's Bible. The only real essentials of this would be, carefully selected passages, suitable for a child's reading, and pictures. One principle of selection, which I would adopt, would be that Religion should be put before a child as a revelation of love--no need to pain and puzzle the young mind with the history of crime and punishment. (On such a principle I should, for example, omit the history of the Flood.) The supplying of the pictures would involve no great difficulty: no new ones would be needed : hundreds of excellent pictures already exist, the copyright of which has long ago expired, and which simply need photo-zincography, or some similar process, for their successful reproduction. The book should be handy in size with a pretty attractive looking cover--in a clear legible type--and, above all, with abundance of pictures, pictures, pictures!Secondly, a book of pieces selected from the Bible--not single texts, but passages of from 10 to 20 verses each--to be committed to memory. Such passages would be found useful, to repeat to one's self and to ponder over, on many occasions when reading is difficult, if not impossible: for instance, when lying awake at night--on a railway-journey --when taking a solitary walk-in old age, when eyesight is failing or wholly lost--and, best of all, when illness, while incapacitating us for reading or any other occupation, condemns us to lie awake through many weary silent hours: at such a time how keenly one may realise the truth of David's rapturous cry "O how sweet are thy words unto my throat: yea, sweeter than honey unto my mouth!"I have said 'passages,' rather than single texts, because we have no means of recalling single texts: memory needs links, and here are none: one may have a hundred texts stored in the memory, and not be able to recall, at will, more than half-a-dozen--and those by mere chance: whereas, once get hold of any portion of a chapter that has been committed to memory, and the whole can be recovered: all hangs together.Thirdly, a collection of passages, both prose and verse, from books other than the Bible. There is not perhaps much, in what is called 'un-inspired' literature (a misnomer, I hold: if Shakespeare was not inspired, one may well doubt if any man ever was), that will bear the process of being pondered over, a hundred times: still there are such passages--enough, I think, to make a goodly store for the memory.These two books of sacred, and secular, passages for memory--will serve other good purposes besides merely occupying vacant hours: they will help to keep at bay many anxious thoughts, worrying thoughts, uncharitable thoughts, unholy thoughts. Let me say this, in better words than my own, by copying a passage from that most interesting book, Robertson's Lectures on the Epistles to the Corinthians, Lecture XLIX. "If a man finds himself haunted by evil desires and unholy images, which will generally be at periodical hours, let him commit to memory passages of Scripture, or passages from the best writers in verse or prose. Let him store his mind with these, as safeguards to repeat when he lies awake in some restless night, or when despairing imaginations, or gloomy, suicidal thoughts, beset him. Let these be to him the sword, turning everywhere to keep the way of the Garden of Life from the intrusion of profaner footsteps."Fourthly, a "Shakespeare" for girls: that is, an edition in which everything, not suitable for the perusal of girls of (say) from 10 to 17, should be omitted. Few children under 10 would be likely to understand or enjoy the greatest of poets: and those, who have passed out of girlhood, may safely be left to read Shakespeare, in any edition, 'expurgated' or not, that they may prefer: but it seems a pity that so many children, in the intermediate stage, should be debarred from a great pleasure for want of an edition suitable to them. Neither Bowdler's, Chambers's, Brandram's, nor Cundell's 'Boudoir' Shakespeare, seems to me to meet the want: they are not sufficiently 'expurgated.' Bowdler's is the most extraordinary of all: looking through it, I am filled with a deep sense of wonder, considering what he has left in, that he should have cut anything out! Besides relentlessly erasing all that is unsuitable on the score of reverence or decency, I should be inclined to omit also all that seems too difficult, or not likely to interest young readers. The resulting book might be slightly fragmentary: but it would be a real treasure to all British maidens who have any taste for poetry.If it be needful to apologize to any one for the new departure I have taken in this story--by introducing, along with what will, I hope, prove to be acceptable nonsense for children, some of the graver thoughts of human life--it must be to one who has learned the Art of keeping such thoughts wholly at a distance in hours of mirth and careless ease. To him such a mixture will seem, no doubt, ill-judged and repulsive. And that such an Art exists I do not dispute: with youth, good health, and sufficient money, it seems quite possible to lead, for years together, a life of unmixed gaiety--with the exception of one solemn fact, with which we are liable to be confronted at any moment, even in the midst of the most brilliant company or the most sparkling entertainment. A man may fix his own times for admitting serious thought, for attending public worship, for prayer, for reading the Bible: all such matters he can defer to that 'convenient season', which is so apt never to occur at all: but he cannot defer, for one single moment, the necessity of attending to a message, which may come before he has finished reading this page,' this night shalt thy soul be required of thee.'The ever-present sense of this grim possibility has been, in all ages, 1 an incubus that men have striven to shake off. Few more interesting subjects of enquiry could be found, by a student of history, than the various weapons that have been used against this shadowy foe. Saddest of all must have been the thoughts of those who saw indeed an existence beyond the grave, but an existence far more terrible than annihilation--an existence as filmy, impalpable, all but invisible spectres, drifting about, through endless ages, in a world of shadows, with nothing to do, nothing to hope for, nothing to love! In the midst of the gay verses of that genial 'bon vivant' Horace, there stands one dreary word whose utter sadness goes to one's heart. It is the word 'exilium' in the well-known passageOmnes eodem cogimur, omniumVersatur urna serius ociusSors exitura et nos in aeternumExilium impositura cymbae.Yes, to him this present life--spite of all its weariness and all its sorrow--was the only life worth having: all else was 'exile'! Does it not seem almost incredible that one, holding such a creed, should ever have smiled?And many in this day, I fear, even though believing in an existence beyond the grave far more real than Horace ever dreamed of, yet regard it as a sort of 'exile' from all the joys of life, and so adopt Horace's theory, and say 'let us eat and drink, for to-morrow we die.'We go to entertainments, such as the theatre--I say 'we', for I also go to the play, whenever I get a chance of seeing a really good one and keep at arm's length, if possible, the thought that we may not return alive. Yet how do you know--dear friend, whose patience has carried you through this garrulous preface that it may not be your lot, when mirth is fastest and most furious, to feel the sharp pang, or the deadly faintness, which heralds the final crisis--to see, with vague wonder, anxious friends bending over you to hear their troubled whispers perhaps yourself to shape the question, with trembling lips, "Is it serious?", and to be told "Yes: the end is near" (and oh, how different all Life will look when those words are said!)--how do you know, I say, that all this may not happen to you, this night?And dare you, knowing this, say to yourself "Well, perhaps it is an immoral play: perhaps the situations are a little too 'risky', the dialogue a little too strong, the 'business' a little too suggestive.I don't say that conscience is quite easy: but the piece is so clever, I must see it this once! I'll begin a stricter life to-morrow." To-morrow, and to-morrow, and tomorrow!"Who sins in hope, who, sinning, says,'Sorrow for sin God's judgement stays!'Against God's Spirit he lies; quite stops Mercy with insult; dares, and drops,Like a scorch'd fly, that spins in vainUpon the axis of its pain,Then takes its doom, to limp and crawl,Blind and forgot, from fall to fall."Let me pause for a moment to say that I believe this thought, of the possibility of death--if calmly realised, and steadily faced would be one of the best possible tests as to our going to any scene of amusement being right or wrong. If the thought of sudden death acquires, for you, a special horror when imagined as happening in a theatre, then be very sure the theatre is harmful for you, however harmless it may be for others; and that you are incurring a deadly peril in going. Be sure the safest rule is that we should not dare to live in any scene in which we dare not die.But, once realise what the true object is in life--that it is not pleasure, not knowledge, not even fame itself, 'that last infirmity of noble minds'--but that it is the development of character, the rising to a higher, nobler, purer standard, the building-up of the perfect Man--and then, so long as we feel that this is going on, and will (we trust) go on for evermore, death has for us no terror; it is not a shadow, but a light; not an end, but a beginning!One other matter may perhaps seem to call for apology--that I should have treated with such entire want of sympathy the British passion for 'Sport', which no doubt has been in by-gone days, and is still, in some forms of it, an excellent school for hardihood and for coolness in moments of danger.But I am not entirely without sympathy for genuine 'Sport': I can heartily admire the courage of the man who, with severe bodily toil, and at the risk of his life, hunts down some 'man-eating' tiger: and I can heartily sympathize with him when he exults in the glorious excitement of the chase and the hand-to-hand struggle with the monster brought to bay. But I can but look with deep wonder and sorrow on the hunter who, at his ease and in safety, can find pleasure in what involves, for some defenceless creature, wild terror and a death of agony: deeper, if the hunter be one who has pledged himself to preach to men the Religion of universal Love: deepest of all, if it be one of those 'tender and delicate' beings, whose very name serves as a symbol of Love--'thy love to me was wonderful, passing the love of women'--whose mission here is surely to help and comfort all that are in pain or sorrow!'Farewell, farewell! but this I tellTo thee, thou Wedding-Guest!He prayeth well, who loveth wellBoth man and bird and beast.He prayeth best, who loveth bestAll things both great and small;For the dear God who loveth us,He made and loveth all.' ~ Lewis Carroll, Sylvie and Bruno ,

*** NEWFULLDB 2.4M ***

1:and it mightn’t be ~ Marian Keyes
2:An eye for an eye. ~ Belle Aurora
3:Bella, I can't! ~ Stephenie Meyer
4:Cockeye ~ Christopher Paul Curtis
5:database. Another ~ Marissa Meyer
6:dishes. BLACK-EYED ~ Dan Buettner
7:fossils, ~ Kathryn Meyer Griffith
8:Idiot! You idiot! ~ Marissa Meyer
9:I'm Switzerland ~ Stephenie Meyer
10:My eyes adored ya ~ Frankie Valli
11:My eyes! I'm blind! ~ Darren Shan
12:obeyed. ~ Elizabeth George Speare
13:Off with his head ~ Marissa Meyer
14:Our Words Are Seeds ~ Joyce Meyer
15:Penguins,Lovely ~ Stephenie Meyer
16:skimble-skamble ~ Georgette Heyer
17:you are important ~ Marissa Meyer
18:Your eyes make me shy ~ Anais Nin
19:Your eyes make me shy ~ Ana s Nin
20:Do I dazzle you? ~ Stephenie Meyer
21:Jazz closed his eyes. ~ Barry Lyga
22:mind over matter ~ Stephenie Meyer
23:mother’s eyes widen ~ Charles Todd
24:Off with his head! ~ Marissa Meyer
25:People need freedom. ~ Joyce Meyer
26:Think Yourself Happy ~ Joyce Meyer
27:Your eyes are even smaller, ~ Rumi
28:Your eyes make me shy. ~ Ana s Nin
29:He’ll elude them. ~ Stephenie Meyer
30:Hello, little girl, ~ Marissa Meyer
31:Her eyes ate me. ~ Raymond Chandler
32:I have forseen... ~ Stephenie Meyer
33:I'll be a lady tomorrow ~ L A Meyer
34:I'm a serial bigamist. ~ Russ Meyer
35:I'm not your enemy. ~ Marissa Meyer
36:I said: what about my eyes? ~ Rumi
37:Learn to wait on God. ~ Joyce Meyer
38:Love gives you eyes. ~ Peter Kreeft
39:Només ets humana. ~ Stephenie Meyer
40:Nothosaur, ~ Kathryn Meyer Griffith
41:Our very eyes ~ William Shakespeare
42:She’s diabolical. ~ Stephenie Meyer
43:Eyes up here, Taco. ~ Mariana Zapata
44:his steel grey eyes ~ Scott Hildreth
45:Hope is not a strategy ~ Betsy Beyer
46:I see holes like eyes ~ Stephen King
47:No blood, no foul. ~ Stephenie Meyer
48:Punctuation, is? fun! ~ Daniel Keyes
49:Satellite in my eyes ~ Dave Matthews
50:Say it...out loud. ~ Stephenie Meyer
51:unblinking stalker eyes. ~ Anonymous
52:Unity increases power. ~ Joyce Meyer
53:Who can blind lover's eyes? ~ Virgil
54:And one eye-witness weighs ~ Plautus
55:closed her eyes as if ~ Melinda Leigh
56:Distract me, please ~ Stephenie Meyer
57:Hope is not a strategy. ~ Betsy Beyer
58:I am really Method-y. ~ Breckin Meyer
59:I'm a pro at weird. ~ Stephenie Meyer
60:I prefer brunettes. ~ Stephenie Meyer
61:Just kissing my girl, ~ Marissa Meyer
62:Keep good eye contact. ~ Leil Lowndes
63:Kiss me with your eyes. ~ Andy Warhol
64:Love comes in at the eye. ~ W B Yeats
65:My house, my rules! ~ Stephenie Meyer
66:Never look a tulip in the eye. ~ Lulu
67:Shut your eyes and see. ~ James Joyce
68:What can 'scape the eye ~ John Milton
69:Would You Wear My Eyes? ~ Bob Kaufman
70:but eyes remain a window ~ Delia Owens
71:Damn rancid chicken. ~ Stephenie Meyer
72:Did I grow a third eye? ~ Stephen King
73:Do I you dazzle you? ~ Stephenie Meyer
74:Eyes sense what mind sees. ~ Toba Beta
75:God Sees the Good in You ~ Joyce Meyer
76:His eyes were green. ~ Cassandra Clare
77:I'm hotter than you! ~ Stephenie Meyer
78:In my mind's eye ~ William Shakespeare
79:It's a strange world ~ Stephenie Meyer
80:It's good to be queen. ~ Marissa Meyer
81:Joy in All Circumstances ~ Joyce Meyer
82:Life and love go on. ~ Stephenie Meyer
83:Lift up your eyes upon ~ Maya Angelou
84:Look through my eyes... ~ Claudia Gray
85:Never believe your eyes ~ Clive Barker
86:TALES OF SOUTHERN WATERS, ~ Greg Keyes
87:There is no I in hero. ~ Marissa Meyer
88:There was no danger. ~ Stephenie Meyer
89:What am I dying for? ~ Stephenie Meyer
90:wiped a tear from her eye. ~ Anonymous
91:You are my business! ~ Stephenie Meyer
92:You are my life now. ~ Stephenie Meyer
93:Alicia, her eyes shining. ~ Enid Blyton
94:between Isabelle’s eyes. ~ Amanda Cabot
95:Cinders. Embers. Ashes. ~ Marissa Meyer
96:Dark-bright fire lit eyes ~ Audre Lorde
97:Did I promise you too much? ~ Kai Meyer
98:Hebzucht heeft geen kleur. ~ Deon Meyer
99:I make music for ears, not eyes ~ Adele
100:Keep your eye on the ball. ~ Ford Frick
101:Keep your eye on the prey ~ Erin Hunter
102:Look into my eyes and deny me. ~ Poppet
103:More than my own life ~ Stephenie Meyer
104:my eye lest I be invaded by ~ Ivan Doig
105:oh you do smell good. ~ Stephenie Meyer
106:Over my pile of ashes ~ Stephenie Meyer
107:Reality abides in the eyes. ~ Greg Iles
108:Rough as a badger's arse ~ Marian Keyes
109:The world needs heroes. ~ Marissa Meyer
110:Thurman raised an eyebrow. ~ Hugh Howey
111:Tony rolled his green eyes ~ Eric Arvin
112:Was bedeutet dir das Lesen? ~ Kai Meyer
113:We can always do it better. ~ Don Meyer
114:Wolf?” How … predatory. ~ Marissa Meyer
115:Worst high five ever. ~ Stephenie Meyer
116:astonished-looking eyes. ~ Anton Chekhov
117:Don’t ever flirt with sin. ~ Joyce Meyer
118:Eyes skip a low-key profile. ~ Toba Beta
119:Hauríem sigut feliços. ~ Stephenie Meyer
120:Her rage split her open. ~ Marissa Meyer
121:I dream with my eyes open. ~ Jules Verne
122:I'll fight the Gargoyle. ~ Marissa Meyer
123:I'm done, I'm so done! ~ Stephenie Meyer
124:I'm going to escape now. ~ Marissa Meyer
125:I’m more of an eye coverer. ~ Kasie West
126:I rather enjoy nonsense. ~ Marissa Meyer
127:Let the dry eyes perceive ~ Dylan Thomas
128:Life and love go on... ~ Stephenie Meyer
129:My mom is part albino. ~ Stephenie Meyer
130:of his eyes on my body. I ~ Penny Wylder
131:Optimism can be relearnt. ~ Marian Keyes
132:Our health is our wealth. ~ Marian Keyes
133:painted moth-eyebrows, ~ Guy Gavriel Kay
134:She eyes me like a pisces. ~ Kurt Cobain
135:Someone had keyed my car. ~ Ernest Cline
136:The light was in her eyes. ~ Henry James
137:the one-eyed man is king, ~ Louise Penny
138:the rain from his eyes. ~ Angela Marsons
139:What's past is prolog. ~ Elizabeth Reyes
140:Blind eyes cannot read. ~ Peter Greenaway
141:Coast with us, Emerald Eyes? ~ Jay McLean
142:Every day you teach attitude. ~ Don Meyer
143:Every life is precious. ~ Stephenie Meyer
144:Eyes never learn how to lie ~ V C Andrews
145:Have character, don't be one. ~ Don Meyer
146:Hindsight provides new eyes. ~ Wayne Dyer
147:His eyes were all policeman. ~ Donna Leon
148:Holy crow!" ~Bella Swan ~ Stephenie Meyer
149:Hope was a coward's tool. ~ Marissa Meyer
150:I bit a pillow. Or two. ~ Stephenie Meyer
151:I'm a bargain shopper. ~ Cheyenne Kimball
152:I'm a live wire in a dead world. ~ Eyedea
153:Kindness is my religion, ~ Timber Hawkeye
154:Let her see me clearly. ~ Stephenie Meyer
155:Listen with your eyes. ~ Sherrilyn Kenyon
156:men i swear."
-jacky faber ~ L A Meyer
157:My eye-balls are glass, ~ Hilda Doolittle
158:Ostentatious, isn't it? ~ Stephenie Meyer
159:Richarda Mabeye Food For Free ~ Anonymous
160:so I can keep an eye on you?. ~ Anonymous
161:Strange world isn't it? ~ Stephenie Meyer
162:The eyes are hammers. ~ Wassily Kandinsky
163:The Foundation for Security ~ Joyce Meyer
164:Thel’s love-drenched eyes ~ David Simpson
165:Think with your eyes open. ~ Shelly Crane
166:An eye for an eye is elemental. ~ Lou Reed
167:Aşktan başka neye hacet.       ~ Anonymous
168:Coaches do get very nervous. ~ Urban Meyer
169:Does my eye look okay to you? ~ John Green
170:Guilt is a self-indulgence. ~ Marian Keyes
171:He is clearly unhinging. ~ Georgette Heyer
172:his big, glossy eyes. “It’s ~ Chris Colfer
173:Humor heals the heckler. ~ Gerald C Meyers
174:Ik ben altijd bang! - Zélie ~ Tomi Adeyemi
175:I’m game if you’re game. ~ Elizabeth Reyes
176:IOI (pronounced eye-oh-eye) ~ Ernest Cline
177:I only have eyes for you. ~ David Levithan
178:Irgendwer muss ja schuld sein. ~ Kai Meyer
179:It's like boiling a frog ~ Stephenie Meyer
180:Kisses honeyed by oblivion. ~ George Eliot
181:Lift up our eyes to you? ~ Hilda Doolittle
182:May your eyes be always open ~ Ted Andrews
183:No hay culpa sin sangre. ~ Stephenie Meyer
184:Oculus Dei, the eyes of God. ~ Rick Yancey
185:One eye sees, the other feels. ~ Paul Klee
186:Open your eyes and live. ~ Rebecca Donovan
187:Soul rotted before my eyes. ~ Faith Hunter
188:The mind is the battlefield. ~ Joyce Meyer
189:To avoid eye contact, kiss. ~ Mason Cooley
190:Um...carefully Bella ow. ~ Stephenie Meyer
191:Aah! Eye contact. Look away! ~ Laini Taylor
192:A dog has got human eyes. ~ Karl Pilkington
193:An eye for an eye my friend. ~ Tsugumi Ohba
194:Architecture is invention. ~ Oscar Niemeyer
195:before she could respond. ~ Elizabeth Reyes
196:Birds are the eyes of Heaven. ~ Suzy Kassem
197:Blue eyes wash off sometimes. ~ Anne Sexton
198:cover my hands with my eyes. ~ Kelly Rimmer
199:Damn, I need eye bleach. ~ Sherrilyn Kenyon
200:He never leaves, does he? ~ Stephenie Meyer
201:His eyebrows widen in surprise. ~ E L James
202:I can get money with my eyes closed ~ Drake
203:I do not have hostile eyebrows. ~ Anonymous
204:I'm lonely, but everyone is lonely ~ Eyedea
205:Impossible is my specialty. ~ Marissa Meyer
206:I’m the very monster I hunt. ~ Tomi Adeyemi
207:I've always lived in a city. ~ Ana Gasteyer
208:Look not in my eyes, for fear ~ A E Housman
209:Love is dead; let lovers' eyes, ~ John Ford
210:Love is grieved at injustice. ~ Joyce Meyer
211:Perception starts with the eye. ~ Aristotle
212:Pray in church and sin at home. ~ L A Meyer
213:Sizi Rahatsız Etmeye Geldim! ~ Ali Shariati
214:Some stains never came out. ~ Marissa Meyer
215:Stuff your eyes with wonder. ~ Ray Bradbury
216:This girl really was crazy. ~ Marissa Meyer
217:To contemplation's sober eye, ~ Thomas Gray
218:What I saw was just one eye ~ Harold Monro
219:As if you could outrun me. ~ Stephenie Meyer
220:Be a blessing to someone else. ~ Joyce Meyer
221:Courage does not always roar, ~ Tomi Adeyemi
222:Don't read with your eyes. ~ Thomas C Foster
223:ends up sleeping in your bed. ~ Marian Keyes
224:EYES: I am free. I look ahead ~ Louise L Hay
225:God Wants You to Be Encouraged ~ Joyce Meyer
226:Go jump off a cliff, Leah. ~ Stephenie Meyer
227:Go sit down and look pale. ~ Stephenie Meyer
228:Hide me from day's garish eye. ~ John Milton
229:If I have an iPod, I'm good. ~ Breckin Meyer
230:Imperfect, but Perfectly Loved ~ Joyce Meyer
231:I want to be a monster too ~ Stephenie Meyer
232:Look with all your eyes, look. ~ Jules Verne
233:Real eyes, Realize, Real lies ~ Tupac Shakur
234:recycled hemp fibers by one-eyed ~ Lee Child
235:She is the elephant’s eyebrows, ~ Libba Bray
236:Sometimes, kismet happens. ~ Stephenie Meyer
237:So the self under the eye lies, ~ Ted Hughes
238:Stupid, shiny Volvo owner. ~ Stephenie Meyer
239:Surprise is key in all art. ~ Oscar Niemeyer
240:Suzie’s eyes shifted. “What? ~ Spencer Quinn
241:The corpse opened his eyes. ~ Donato Carrisi
242:The eye is inlet to the soul. ~ Hosea Ballou
243:The eye will have his part. ~ George Herbert
244:The Eye will take care of her. ~ Rick Yancey
245:The gods don’t make mistakes. ~ Tomi Adeyemi
246:This hostage stuff is fun. ~ Stephenie Meyer
247:Through the power of physics ~ Marissa Meyer
248:Time is three eyes and eight elbows. ~ Dogen
249:What's missing is the eyeballs ~ Anne Sexton
250:You are the ocean to my eyes. ~ Sanober Khan
251:You'll always be my Bella. ~ Stephenie Meyer
252:A fool is wise in his eyes.
   ~ King Solomon,
253:away from Eden. She’s mine. ~ Karen Witemeyer
254:Crazy loves company, Sir Clay ~ Marissa Meyer
255:Darkness is so predictable. ~ Stephenie Meyer
256:Fear is not God’s will for you. ~ Joyce Meyer
257:he whispered. “Scarlet.” With ~ Marissa Meyer
258:his eyes flashing like dimes. ~ Gillian Flynn
259:If you meet a cross-eyed person ~ Anne Sexton
260:I just rocked the eye chart, ~ MC Paul Barman
261:i'm in love with you, Bella ~ Stephenie Meyer
262:Inspiration in desperation. ~ Stephenie Meyer
263:Inspiration is intention obeyed. ~ Emily Carr
264:In your eyes I found myself. ~ Melissa Foster
265:I've learned to love my brown eyes. ~ Tinashe
266:Kind eyes under all the mascara. ~ Jojo Moyes
267:look into her eyes is to see ~ Ginger Garrett
268:Love is simply where it is. ~ Stephenie Meyer
269:Love, life, meaning...over. ~ Stephenie Meyer
270:My character is not flawless. ~ Breckin Meyer
271:My head is turned by every eye ~ Jack Kerouac
272:Over everything, I choose you ~ Marissa Meyer
273:Real eyes, realize, real lies. ~ Tupac Shakur
274:Seek His face and not His hand. ~ Joyce Meyer
275:Sight is where the eye hits. ~ Louis Zukofsky
276:Slaan my plat met ’n vars snoek. ~ Deon Meyer
277:Stephenie Meyer + Science = wrong! ~ Alex Day
278:Storm is prerequisite to mental gain ~ Eyedea
279:surrender, and say, “My God, have ~ F B Meyer
280:The car goes where the eyes go. ~ Garth Stein
281:The eye altering, alters all. ~ William Blake
282:The Heart sees what the eyes cannot ~ Unknown
283:Their eyes met, green to blue. ~ Tiffany Snow
284:The stars set fire to my eyes. ~ Markus Zusak
285:They say eyes clear with age. ~ Philip Larkin
286:turbulent eyes. “I didn’t realize. ~ J D Robb
287:You. Are. Not. Leaving. Me. ~ Stephenie Meyer
288:Your eyes speak truths you don’t. ~ C D Reiss
289:Art is a fairy tale for the eye. ~ Sarah McCoy
290:ascetic, but his eyes had the cold ~ Anonymous
291:As if you could outrun me... ~ Stephenie Meyer
292:because thou hast obeyed my voice. ~ Anonymous
293:Being me has its privledges. ~ Stephenie Meyer
294:cabin, eyes wide, face gone white. ~ Ann Moore
295:Compound eyes confound lies. ~ Neal Shusterman
296:Crazy loves company, Sir Clay. ~ Marissa Meyer
297:empty place opposite with eyes too ~ Lee Child
298:Everyone’s got beautiful eyes. ~ Patricia Ryan
299:God finally caught his eye. ~ George S Kaufman
300:Her eyes serious tho. Sad some. ~ Alice Walker
301:I am a Jedi again"

-Anakin ~ Greg Keyes
302:I have no idea what I'm doing. ~ Marissa Meyer
303:I instruct you to be the obeyer, ~ Phife Dawg
304:I really wanted to be a writer. ~ Nancy Meyers
305:I shut my eyes in order to see. ~ Paul Gauguin
306:It's the mind that sees, not eyes. ~ Toba Beta
307:Living is Easy with Eyes Closed. ~ John Lennon
308:Living is easy with eyes closed. ~ The Beatles
309:Love makes a good eye squint. ~ George Herbert
310:My eyes are only for him. ~ Karen Marie Moning
311:Open your eyes to the magic around you. ~ Brom
312:OUR BOOKS ARE FRIENDS FOR LIFE ~ Marissa Meyer
313:Over everything, I choose you. ~ Marissa Meyer
314:Panopte’s Eye Tamai Kobayashi ~ Nalo Hopkinson
315:Reality had run and got Sanity. ~ Marian Keyes
316:Rolling eyes = feminist pedagogy. ~ Sara Ahmed
317:Tell me. Tell me with your eyes. ~ James Joyce
318:The eyes are windows to the soul ~ Leah Thomas
319:The eyes of my eyes are opened. ~ e e cummings
320:The god we now behold with opened eyes, ~ Ovid
321:This is the consciousness revolution, ~ Eyedea
322:together. My eyes widened at the ~ Selena Kitt
323:way, looking as if he wanted ~ Stephenie Meyer
324:Why am I covered in feathers ~ Stephenie Meyer
325:your eyes quench my thirst. ~ Ir ne N mirovsky
326:you, Warburton, I would have ~ Georgette Heyer
327:Art opens the fishiest eye . . . ~ Sheridan Hay
328:Beauty lies in the eyes of the beholder ~ Plato
329:Cocaine eyes won't hide your face. ~ Neil Young
330:door, she kept her eyes closed, ~ Josephine Cox
331:Forever is only the beginning ~ Stephenie Meyer
332:Good luck tended to avoid me. ~ Stephenie Meyer
333:Hate is a passionate emotion. ~ Stephenie Meyer
334:her eyes clear of the angry rage ~ A J Scudiere
335:He went to rub his eyes and missed. ~ Max Barry
336:I hate myself for liking you. ~ Stephenie Meyer
337:It was all about eyes, the truth. ~ Luke Davies
338:I wish I could see outta two eyes. ~ Slick Rick
339:Life sucks, and then you die. ~ Stephenie Meyer
340:Magicians guard an empty safe. ~ Jim Steinmeyer
341:Only I had dry eyes, a dry heart. ~ V C Andrews
342:Only the dead know the truth. ~ Leonid Andreyev
343:paths would have already crossed ~ Marian Keyes
344:Reading is dreaming with open eyes. ~ Anonymous
345:She finds me even in my dreams. ~ Marissa Meyer
346:She thought her eyes were playing ~ Kami Garcia
347:Shout praise and whisper criticism. ~ Don Meyer
348:Since when are you a breeder? ~ Stephenie Meyer
349:Stop touching me with your eyes. ~ Tahereh Mafi
350:The boy had my wolf's eyes. ~ Maggie Stiefvater
351:The wine sparkled in his eyes ~ Edgar Allan Poe
352:Those who have eyes see little . ~ Helen Keller
353:To be a team, you must be a family. ~ Don Meyer
354:Were all important in god's eyes. ~ James Joyce
355:Were all important in god's eyes. ~ Joyce Meyer
356:what comes around goes around ~ Stephenie Meyer
357:When'er into thine eyes I see, ~ Heinrich Heine
358:when love looks straight into your eyes ~ Mario
359:You don’t need your eyes to love, ~ R J Palacio
360:YOU. GOT. FOOD. IN. MY. HAIR. ~ Stephenie Meyer
361:Your eyes smile peace. ~ Dante Gabriel Rossetti
362:არავის დახმარება არაა შეუძლებელი ~ Daniel Keyes
363:57 R​EEL COULDN’T TAKE her eyes ~ David Baldacci
364:Alice is the most… supportive. ~ Stephenie Meyer
365:Awe is the salve that will heal our eyes. ~ Rumi
366:Beauty lies in the eyes of the beholder. ~ Plato
367:Come se non fosse mai esistito ~ Stephenie Meyer
368:Desserts. I ordered banoffee pie. ~ Marian Keyes
369:Draadschaar. - Cinder, tegen Kai ~ Marissa Meyer
370:Every door is a study in leaving. ~ Susan Meyers
371:Eyes are a window to the soul. ~ Karen Kingsbury
372:For the Eye altering alters all; ~ William Blake
373:had shifty eyes. Unease niggled ~ Caroline Fyffe
374:I'd been broken beyond repair. ~ Stephenie Meyer
375:I prefer to see with closed eyes. ~ Josef Albers
376:İsyan et, isyan, nisyanla sönmeceye! ~ Can Y cel
377:I think Ian likes you too much ~ Stephenie Meyer
378:It's like pain, this pleasure. ~ Stephenie Meyer
379:Living is easier with eyes closed. ~ The Beatles
380:Look at Love with the eyes of your Heart. ~ Rumi
381:Love comes in at the eye. ~ William Butler Yeats
382:Love has a hundred gentle ends. ~ Leonora Speyer
383:Love is a conquest! Love is war! ~ Marissa Meyer
384:My eyebrows could do with a trim. ~ Arthur Smith
385:My eyelash fluttering is subpar. ~ Gail Carriger
386:Nothing good happens accidentally. ~ Joyce Meyer
387:Now, you red-eyed devil," he said, ~ Jack London
388:Okay,” he said, his eyes so kind and ~ Susan Sey
389:People were powerless subroutines. ~ Scott Meyer
390:Pure hell was living in her eyes. ~ Linda Howard
391:speed is the curse of the age. ~ Georgette Heyer
392:Statism ends with an eye roll. ~ Stefan Molyneux
393:That's very...big of you. ~ Marissa Meyer
394:The camera is the eye of history. ~ Mathew Brady
395:Three empty blocks later, Thorne ~ Marissa Meyer
396:Toni Morrison’s The Bluest Eye ~ Dorothy Allison
397:Worst high five ever." - Diego ~ Stephenie Meyer
398:You know, you don't see with your eyes ~ KRS One
399:BEAUTY LIES IN THE EYES OF A BEHOLDER ~ Anonymous
400:But sure the eye of time beholds no name, ~ Homer
401:Clear eyes, full hearts, can't lose. ~ Peter Berg
402:Close both eyes to see with the other eye. ~ Rumi
403:Close your eyes, fall in Love, stay there. ~ Rumi
404:Don't it make my brown eyes blue? ~ Crystal Gayle
405:Don't let hope make you stupid. ~ Stephenie Meyer
406:Don’t let hope make you stupid. ~ Stephenie Meyer
407:Don't lose the wonder in your eyes ~ Van Morrison
408:Dying is boring, Nighteyes observed. ~ Robin Hobb
409:Edward is so happy and handsome ~ Stephenie Meyer
410:grovelling, mole-eyed blockhead ~ Charlotte Bront
411:He had known this was inevitable. ~ Marissa Meyer
412:Her eyes the glowworm lend thee, ~ Robert Herrick
413:I am who I am in the eyes of God- ~ Richard Rohr
414:I belong wherever I want to be. ~ Stephenie Meyer
415:I love with the heart not the eyes. ~ Niall Horan
416:I'm really a peaceful sort of coward. ~ L A Meyer
417:İntihar etmeyeceksek içelim bari ~ Adalet A ao lu
418:I serve my princess. No one else. ~ Marissa Meyer
419:I think it was hiding a princess. ~ Marissa Meyer
420:I've become rather fond of fools. ~ Marissa Meyer
421:Jacob was a gift from the gods. ~ Stephenie Meyer
422:Jealousy's eyes are green. ~ Percy Bysshe Shelley
423:Just snow and sapphire and ink. ~ Stephenie Meyer
424:keep your eyes closed. It’s bright ~ Susan Stoker
425:Kiss me with your eyelashes tonight. ~ Jason Mraz
426:Life sucks, and then you die... ~ Stephenie Meyer
427:Lift up your eyes discouraged one ~ Matty Mullins
428:Love and kindness go hand in hand. ~ Marian Keyes
429:Love has perfect eyes for beauty. ~ Bryant McGill
430:Love is a conquest, love is a war ~ Marissa Meyer
431:Make eye contact and small talk. ~ Timothy Snyder
432:One eye open. One still in a dream ~ Markus Zusak
433:See with eyes unclouded by hate. ~ Hayao Miyazaki
434:Shared suffering makes a team a team. ~ Don Meyer
435:She was too good for a monster. ~ Stephenie Meyer
436:So eager for eternal damnation. ~ Stephenie Meyer
437:T3. The Antarctic stare. Long-eye. ~ Matthew Iden
438:The future is bright at Ohio State. ~ Urban Meyer
439:To shut your eyes is to travel. ~ Emily Dickinson
440:We need a backbone, not a wishbone. ~ Joyce Meyer
441:You're a parasite for sore eyes. ~ Gregory Ratoff
442:Your whole life informs your eye. ~ Roger Deakins
443:You spawny-eyed pig-faced wazzock ~ Mark A Cooper
444:للملذات الطاغية .. نهايات طاغية ~ Stephenie Meyer
445:All keyes hang not on one girdle. ~ George Herbert
446:An eye for an eye....we are all blind ~ Dalai Lama
447:Anything to be out of these woods. ~ Marissa Meyer
448:Beauty is in the eye of the beholder… ~ Lora Leigh
449:Besides, I punched him in the eye. ~ Jasper Fforde
450:Broken isn’t the same as unfixable ~ Marissa Meyer
451:Cheyenne Jackson is just a dream. ~ Jane Krakowski
452:Close your eyes and look inside, ~ Charles Ghigna
453:Close your eyes and you will see. ~ Joseph Joubert
454:Deviance is in the eye of the beholder ~ Anonymous
455:Don't let your mind see through your eyes. ~ Mooji
456:Don't take too long, Mrs. Cullen ~ Stephenie Meyer
457:Eliminate Worry from Your Vocabulary ~ Joyce Meyer
458:energy flows where attention goes ~ Timber Hawkeye
459:Eye has not seen, ear has not heard... ~ Anonymous
460:Eyes mark the shape of the city. ~ Haruki Murakami
461:Eyes overlook objects unknown to mind. ~ Toba Beta
462:Frigates are the eyes of a fleet. ~ Horatio Nelson
463:From now on I'm Switzerland ok!! ~ Stephenie Meyer
464:Her blue eyes sought the west afar, ~ Walter Scott
465:He's like a drug for you, Bella. ~ Stephenie Meyer
466:He wasn’t eye candy, he was eye crack, ~ Anonymous
467:His eyes were the color of agony... ~ Markus Zusak
468:I can see the greed and envy in your eyes. ~ Nelly
469:It makes sense now!” His eyes are full ~ E L James
470:It Will Be As If I Never Existed ~ Stephenie Meyer
471:I wake up expecting to enjoy my day. ~ Joyce Meyer
472:What the hell, I decided. ~ Stephenie Meyer
473:La vida apesta y encima te mata. ~ Stephenie Meyer
474:Life Isn’t Fair, but God Is Faithful ~ Joyce Meyer
475:Lock made eye contact. ‘Yeah. Where’d ~ Sean Black
476:Look the world straight in the eye. ~ Helen Keller
477:Los ojos negros... ¿Leyenda o realidad ~ Anonymous
478:Love is a conquest! Love is a war! ~ Marissa Meyer
479:memory shines in all its old glory. ~ Tomi Adeyemi
480:No,” she said and turned her empty eyes ~ J D Horn
481:One eye open, one still in a dream. ~ Markus Zusak
482:People underestimate the freckled. ~ Helen Oyeyemi
483:Please. Please. Take car of Winter ~ Marissa Meyer
484:Rubbing her eyes, Juliette followed as ~ Gill Paul
485:See with one eye, feel with the other. ~ Paul Klee
486:She had eyes like strange sins. ~ Raymond Chandler
487:She was immune. She was important. ~ Marissa Meyer
488:Some illnesses, the eye doesn't see. ~ Julie Berry
489:Son," he said, "you monkeyed up. ~ Jennifer Echols
490:The eye is bigger then the belly. ~ George Herbert
491:The eyes are the nipples of the face. ~ Anna Faris
492:The eyes are the windows to the soul ~ Hilary Duff
493:There is creation in the eye. ~ William Wordsworth
494:The team is an extension of the coach. ~ Don Meyer
495:We’re not pouring rice in my head. ~ Marissa Meyer
496:We're not putting rice in my head. ~ Marissa Meyer
497:Where the mind goes the man follows. ~ Joyce Meyer
498:You're driving with your eyes closed. ~ Don Henley
499:You've always been my incentive. ~ Elizabeth Reyes
500:Ain't nothing quite as beautiful as music. ~ Eyedea

--- IN CHAPTERS (in Dictionaries, in Quotes, in Chapters)



10

1267 Poetry
  854 Integral Yoga
  244 Philosophy
  217 Mysticism
  204 Fiction
  148 Occultism
  114 Christianity
   53 Psychology
   44 Philsophy
   43 Yoga
   22 Science
   21 Mythology
   15 Sufism
   14 Integral Theory
   13 Theosophy
   5 Hinduism
   5 Education
   5 Buddhism
   3 Kabbalah
   1 Zen
   1 Taoism
   1 Alchemy


  466 The Mother
  371 Sri Aurobindo
  347 Satprem
  188 Nolini Kanta Gupta
  158 William Wordsworth
  130 William Butler Yeats
  115 Percy Bysshe Shelley
  107 H P Lovecraft
   93 Walt Whitman
   90 John Keats
   79 Rabindranath Tagore
   69 Robert Browning
   66 Friedrich Nietzsche
   53 Friedrich Schiller
   53 Aleister Crowley
   46 Pierre Teilhard de Chardin
   46 Carl Jung
   44 Ralph Waldo Emerson
   38 James George Frazer
   35 Plotinus
   35 Johann Wolfgang von Goethe
   35 Edgar Allan Poe
   31 Saint Augustine of Hippo
   27 Swami Krishnananda
   25 Jorge Luis Borges
   25 Jalaluddin Rumi
   24 Lucretius
   22 Sri Ramakrishna
   20 Rudolf Steiner
   20 Rainer Maria Rilke
   17 Saint John of Climacus
   17 Aldous Huxley
   17 A B Purani
   15 Hafiz
   14 Ovid
   12 Kabir
   12 Anonymous
   11 Swami Vivekananda
   11 Plato
   11 Nirodbaran
   9 George Van Vrekhem
   8 Sri Ramana Maharshi
   8 Saint Teresa of Avila
   7 Ramprasad
   7 Li Bai
   7 Lewis Carroll
   7 Joseph Campbell
   7 Ibn Arabi
   7 Franz Bardon
   6 Swami Sivananda Saraswati
   6 Jordan Peterson
   6 Farid ud-Din Attar
   4 Thomas Merton
   4 Patanjali
   4 Bokar Rinpoche
   4 Aristotle
   4 Allama Muhammad Iqbal
   4 Alice Bailey
   3 Thubten Chodron
   3 Sarmad
   3 Saint Hildegard von Bingen
   3 Muso Soseki
   3 Mirabai
   3 Mansur al-Hallaj
   2 William Blake
   2 Vidyapati
   2 Surdas
   2 Shankara
   2 Khwaja Abdullah Ansari
   2 Jorge Luis Borges
   2 Jayadeva
   2 Italo Calvino
   2 Hakim Sanai
   2 Dadu Dayal
   2 Boethius
   2 Alfred Tennyson
   2 Abu-Said Abil-Kheir


  158 Wordsworth - Poems
  130 Yeats - Poems
  115 Shelley - Poems
   90 Keats - Poems
   87 Whitman - Poems
   77 Tagore - Poems
   69 Browning - Poems
   66 Record of Yoga
   59 Thus Spoke Zarathustra
   53 Schiller - Poems
   46 Savitri
   44 Emerson - Poems
   38 The Golden Bough
   38 Collected Works of Nolini Kanta Gupta - Vol 07
   35 Poe - Poems
   34 Collected Works of Nolini Kanta Gupta - Vol 02
   34 Agenda Vol 02
   32 The Divine Comedy
   31 Agenda Vol 13
   30 Magick Without Tears
   30 Collected Poems
   30 Agenda Vol 10
   28 Agenda Vol 11
   27 The Study and Practice of Yoga
   26 On Thoughts And Aphorisms
   26 Agenda Vol 12
   26 Agenda Vol 09
   26 Agenda Vol 08
   24 The Synthesis Of Yoga
   24 The Gospel of Sri Ramakrishna
   24 Of The Nature Of Things
   24 Essays In Philosophy And Yoga
   23 Collected Works of Nolini Kanta Gupta - Vol 05
   23 Agenda Vol 01
   22 Prayers And Meditations
   22 Collected Works of Nolini Kanta Gupta - Vol 04
   22 Agenda Vol 03
   21 Mysterium Coniunctionis
   21 Goethe - Poems
   21 Collected Works of Nolini Kanta Gupta - Vol 03
   20 Rilke - Poems
   19 Questions And Answers 1957-1958
   19 Questions And Answers 1950-1951
   19 Liber ABA
   19 Collected Works of Nolini Kanta Gupta - Vol 08
   19 Collected Works of Nolini Kanta Gupta - Vol 01
   19 City of God
   19 Agenda Vol 07
   18 Rumi - Poems
   18 Lovecraft - Poems
   18 Labyrinths
   18 Essays On The Gita
   18 Agenda Vol 05
   18 Agenda Vol 04
   17 Words Of Long Ago
   17 The Perennial Philosophy
   17 The Ladder of Divine Ascent
   17 Evening Talks With Sri Aurobindo
   17 Agenda Vol 06
   16 The Life Divine
   16 Letters On Yoga IV
   15 Sri Aurobindo or the Adventure of Consciousness
   14 The Phenomenon of Man
   14 The Future of Man
   14 On the Way to Supermanhood
   14 Metamorphoses
   14 Letters On Yoga II
   14 Hafiz - Poems
   14 Faust
   13 The Human Cycle
   13 The Confessions of Saint Augustine
   13 Questions And Answers 1956
   13 Questions And Answers 1953
   13 Crowley - Poems
   12 Anonymous - Poems
   11 Twelve Years With Sri Aurobindo
   11 Questions And Answers 1954
   11 Plotinus - Complete Works Vol 04
   11 Essays Divine And Human
   10 The Practice of Psycho therapy
   10 Talks
   10 Songs of Kabir
   10 Kena and Other Upanishads
   10 Hymn of the Universe
   10 Collected Works of Nolini Kanta Gupta - Vol 06
   9 Theosophy
   9 The Archetypes and the Collective Unconscious
   9 Preparing for the Miraculous
   9 Knowledge of the Higher Worlds
   9 5.1.01 - Ilion
   8 The Blue Cliff Records
   8 The Bible
   8 Questions And Answers 1955
   8 Plotinus - Complete Works Vol 03
   8 Plotinus - Complete Works Vol 02
   8 Plotinus - Complete Works Vol 01
   8 Letters On Yoga III
   8 Let Me Explain
   7 Twilight of the Idols
   7 The Secret Of The Veda
   7 The Hero with a Thousand Faces
   7 Li Bai - Poems
   7 Borges - Poems
   6 The Way of Perfection
   6 The Secret Doctrine
   6 The Mother With Letters On The Mother
   6 Maps of Meaning
   6 Letters On Yoga I
   6 Letters On Poetry And Art
   6 Hymns to the Mystic Fire
   6 Alice in Wonderland
   6 Aion
   6 A Garden of Pomegranates - An Outline of the Qabalah
   5 Walden
   5 Raja-Yoga
   5 Liber Null
   5 Dark Night of the Soul
   5 Arabi - Poems
   5 Amrita Gita
   4 Writings In Bengali and Sanskrit
   4 The Practice of Magical Evocation
   4 The Interior Castle or The Mansions
   4 The Gateless Gate
   4 Tara - The Feminine Divine
   4 Song of Myself
   4 Questions And Answers 1929-1931
   4 Poetics
   4 Patanjali Yoga Sutras
   4 A Treatise on Cosmic Fire
   3 The 7 Habits of Highly Effective People
   3 Sex Ecology Spirituality
   3 On Education
   3 Isha Upanishad
   3 Initiation Into Hermetics
   3 How to Free Your Mind - Tara the Liberator
   3 Beating the Cloth Drum Letters of Zen Master Hakuin
   2 Words Of The Mother III
   2 Words Of The Mother II
   2 The Zen Teaching of Bodhidharma
   2 The Red Book Liber Novus
   2 The Lotus Sutra
   2 The Integral Yoga
   2 The Essentials of Education
   2 The Castle of Crossed Destinies
   2 Selected Fictions
   2 General Principles of Kabbalah
   2 Bhakti-Yoga
   2 Advanced Dungeons and Dragons 2E


00.03_-_Upanishadic_Symbolism, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
  
   It may be asked why the dog has been chosen as the symbol of Intuition. In the Vedas, the cow and the horse also play a large part; even the donkey and the frog have their own assigned roles. These objects are taken from the environment of ordinary life, and are those that are most familiar to the external consciousness, through which the inner experiences have to express themselves, if they are to be expressed at all. These material objects represent various kinds of forces and movements and subtle and occult and spiritual dynamisms. Strictly speaking, however, symbols are not chosen in a subtle or spiritual experience, that is to say, they are not arbitrarily selected and constructed by the conscious intelligence. They form part of a dramatization (to use a term of the Freudian psychology of dreams), a psychological alchemy, whose method and process and rationale are very obscure, which can be penetrated only by the vision of a third eye.
  
  --
  
   The Sun is the first and the most immediate source of light that man has and needs. He is the presiding deity of our waking consciousness and has his seat in the eyecakusa ditya, ditya caku bhtvakii prviat. The eye is the representative of the senses; it is the sense par excellence. In truth, sense-perception is the initial light with which we have to guide us, it is the light with which we start on the way. A developed stage comes when the Sun sets for us, that is to say, when we retire from the senses and rise into the mind, whose divinity is the Moon. It is the mental knowledge, the light of reason and intelligence, of reflection and imagination that govern our consciousness. We have to proceed farther and get beyond the mind, exceed the derivative light of the Moon. So when the Moon sets, the Fire is kindled. It is the light of the ardent and aspiring heart, the glow of an inner urge, the instincts and inspirations of our secret life-will. Here we come into touch with a source of knowledge and realization, a guidance more direct than the mind and much deeper than the sense-perception. Still this light partakes more of heat than of pure luminosity; it is, one may say, incandescent feeling, but not vision. We must probe deeper, mount higherreach heights and profundities that are serene and transparent. The Fire is to be quieted and silenced, says the Upanishad. Then we come nearer, to the immediate vicinity of the Truth: an inner hearing opens, the direct voice of Truth the Wordreaches us to lead and guide. Even so, however, we have not come to the end of our journey; the Word of revelation is not the ultimate Light. The Word too is clothing, though a luminous clothinghiramayam ptram When this last veil dissolves and disappears, when utter silence, absolute calm and quietude reign in the entire consciousness, when no other lights trouble or distract our attention, there appears the Atman in its own body; we stand face to face with the source of all lights, the self of the Light, the light of the Self. We are that Light and we become that Light.
  
  --
  
   One is an ideal in and of the world, the other is an ideal transcending the world. The Path of the Fathers (Pityna) enjoins the right accomplishing of the dharma of Lifeit is the path of works, of Karma; it is the line of progressive evolution that, man follows through the experience of life after life on earth. The Path of the Gods (Devayna) runs above life's evolutionary course; it lifts man out of the terrestrial cycle and places him in a superior consciousness it is the path of knowledge, of Vidya.4 The Path of the Fathers is the soul's southern or inferior orbit (dakiyana, aparrdha); the Path of the Gods is the northern or superior orbit (uttaryaa, parrdha)The former is also called the Lunar Path and the latter the Solar Path.5 For the moon represents the mind,6 and is therefore, an emblem that befits man so long as he is a mental being and pursues a dharma that is limited by the mind; the sun, on the other hand, is the knowledge and consciousness that is beyond the mindit is the eye of the Gods.7
  
  --
  
   Apart from the question whether the biological phenomenon described is really a symbol and a cloak for another order of reality, and even taking it at its face value, what is to be noted here is the idea of a cosmic cycle, and a cosmic cycle that proceeds through the principle of sacrifice. If it is asked what there is wonderful or particularly spiritual in this rather naf description of a very commonplace happening that gives it an honoured place in the Upanishads, the answer is that it is wonderful to see how the Upanishadic Rishi takes from an event its local, temporal and personal colour and incorporates it in a global movement, a cosmic cycle, as a limb of the Universal Brahman. The Upanishads contain passages which a puritanical mentality may perhaps describe as 'pornographic'; these have in fact been put by some on the Index expurgatorius. But the ancients saw these matters with other eyes and through another consciousness.
  
   We have, in modern times, a movement towards a more conscious and courageous, knowledge of things that were taboo to puritan ages. Not to shut one's eyes to the lower, darker and hidden strands of our nature, but to bring them out into the light of day and to face them is the best way of dealing with such elements, which otherwise, if they are repressed, exert an unhealthy influence on the mind and nature. The Upanishadic view runs on the same lines, but, with the unveiling and the natural and not merely naturalisticdelineation of these under-worlds (concerning sex and food), it endows them with a perspective sub specie aeternitatis. The sexual function, for example, is easily equated to the double movement of ascent and descent that is secreted in nature, or to the combined action of Purusha and Prakriti in the cosmic Play, or again to the hidden fount of Delight that holds and moves the universe. In this view there is nothing merely secular and profane, but all is woven into the cosmic spiritual whole; and man is taught to consider and to mould all his movementsof soul and mind and bodyin the light and rhythm of that integral Reality.11
  
  --
  
   Some Western and Westernised scholars have tried to show that the phenomenon described here is an exclusively natural phenomenon, actually visible in the polar region where the sun never sets for six months and moves in a circle whose plane is parallel to the plane of the horizon on the summer solstice and is gradually inclined as the sun regresses towards the equinox (on which day just half the solar disc is visible above the horizon). The sun may be said there to move in the direction East-South-West-North and again East. Indeed the Upanishad mentions the positions of the sun in that order and gives a character to each successive station. The Ray from the East is red, symbolising the Rik, the Southern Ray is white, symbolising the Yajur, the Western Ray is black symbolising the Atharva. The natural phenomenon, however, might have been or might not have been before the mind's eye of the Rishi, but the symbolism, the esotericism of it is clear enough in the way the Rishi speaks of it. Also, apart from the first four movements (which it is already sufficiently difficult to identify completely with what is visible), the fifth movement, as a separate descending movement from above appears to be a foreign element in the context. And although, with regard to the sixth movement or status, the sun is visible as such exactly from the point of the North Pole for a while, the ring of the Rishi's utterance is unmistakably spiritual, it cannot but refer to a fact of inner consciousness that is at least what the physical fact conveys to the Rishi and what he seeks to convey and express primarily.
  

00.04_-_The_Beautiful_in_the_Upanishads, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
  
   Only, to some perhaps the beauty may not appear as evident and apparent. The Spirit of beauty that resides in the Upanishadic consciousness is more retiring and reticent. It dwells in its own privacy, in its own home, as it were, and therefore chooses to be bare and austere, simple and sheer. Beauty means usually the beauty of form, even if it be not always the decorative, ornamental and sumptuous form. The early Vedas aimed at the perfect form (surpaktnum), the faultless expression, the integral and complete embodiment; the gods they envisaged and invoked were gleaming powers carved out of harmony and beauty and figured close to our modes of apprehension (spyan). But the Upanishads came to lay stress upon what is beyond the form, what the eye cannot see nor the vision reflect:
  
  --
  
   Its figure does not lie in the field of vision, none can see it with the eye
  

00.05_-_A_Vedic_Conception_of_the_Poet, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
  
   The poet is a trinity in himself. A triune consciousness forms his personality. First of all, he is the Knower-the Seer of the Truth, kavaya satyadrara. He has the direct vision, the luminous intelligence, the immediate perception.12 A subtle and profound and penetrating consciousness is his,nigam, pracetas; his is the eye of the Sun,srya caku.13 He secures an increased being through his effulgent understanding.14 In the second place, the Poet is not only Seer but Doer; he is knower as well as creator. He has a dynamic knowledge and his vision itself is power, ncak;15 he is the Seer-Will,kavikratu.16 He has the blazing radiance of the Sun and is supremely potent in his self-Iuminousness.17 The Sun is the light and the energy of the Truth. Even like the Sun the Poet gives birth to the Truth, srya satyasava, satyya satyaprasavya. But the Poet as Power is not only the revealer or creator,savit, he is also the builder or fashioner,ta, and he is the organiser,vedh is personality. First of all, he is the Knower-the Seer of the Truth, kavaya satyadrara, of the Truth.18 As Savita he manifests the Truth, as Tashta he gives a perfected body and form to the Truth, and as Vedha he maintains the Truth in its dynamic working. The effective marshalling and organisation of the Truth is what is called Ritam, the Right; it is also called Dharma,19 the Law or the Rhythm, the ordered movement and invincible execution of the Truth. The Poet pursues the Path of the Right;20 it is he who lays out the Path for the march of the Truth, the progress of the Sacrifice.21 He is like a fast steed well-yoked, pressing forward;22 he is the charger that moves straight and unswerving and carries us beyond 23into the world of felicity.
  

0.01f_-_FOREWARD, #The Phenomenon of Man, #Pierre Teilhard de Chardin, #Christianity
  history of the living world can be summarised as the elaboration
  of ever more perfect eyes within a cosmos in which there is
  always something more to be seen. After all, do we not judge
  --
  tedious subject ? Is it not precisely one of the attractions of science
  that it rests our eyes by turning them away from man ?
  
  --
  
  But to do this we must focus our eyes correctly.
  
  --
  jurists, man is a tiny, even a shrinking, creature. His over-
  pronounced individuality conceals from our eyes the whole to
  which he belongs ; as we look at him our minds incline to break
  --
  In fact I doubt whether there is a more decisive moment for
  a thinking being than when the scales fall from his eyes and he
  discovers that he is not an isolated unit lost in the cosmic solitudes,

0.01_-_Introduction, #Agenda Vol 1, #The Mother, #Integral Yoga
  This AGENDA is not even a path: it is a light little vibration that seizes you at any turning - and then, there it is, you are IN IT. 'Another world in the world,' She said. One has to catch the light little vibration, one has to flow with it, in a nothing that is like the only something in the midst of this great debacle. At the beginning of things, when still nothing was FIXED, when there was not yet this habit of the pelican or the kangaroo or the chimpanzee or the XXth century biologist, there was a little pulsation that beat and beat - a delightful dizziness, a joy in the world's great adventure; a little never-imprisoned spark that has kept on beating from species to species, but as if it were always eluding us, as if it were always over there, over there - as if it were something to become,
   something to be played forever as the one great game of the world; a who-knows-what that left this sprig of a pensive man in the middle of a clearing; a little 'something' that beats, beats, that keeps on breathing beneath every skin that has ever been put on it - like our deepest breath, our lightest air, our air of nothing - and it keeps on going, it keeps on going. We must catch the light little breath, the little pulsation of nothing. Then suddenly, on the threshold of our clearing of concrete, our head starts spinning incurably, our eyes blink into something else, and all is different, and all seems surcharged with meaning and with life, as though we had never lived until that very minute.
  

0.02_-_The_Three_Steps_of_Nature, #The Synthesis Of Yoga, #Sri Aurobindo, #Integral Yoga
  But in order that we may be wisely guided in our effort, we must know, first, the general principle and purpose underlying this separative impulse and, next, the particular utilities upon which the method of each school of Yoga is founded. For the general principle we must interrogate the universal workings of Nature herself, recognising in her no merely specious and illusive activity of a distorting Maya, but the cosmic energy and working of God Himself in His universal being formulating and inspired by a vast, an infinite and yet a minutely selective
  Wisdom, prajna prasr.ta puran. of the Upanishad, Wisdom that went forth from the Eternal since the beginning. For the particular utilities we must cast a penetrative eye on the different methods of Yoga and distinguish among the mass of their details the governing idea which they serve and the radical force which gives birth and energy to their processes of effectuation.
  
  --
  
  Moreover the whole trend of modern thought and modern endeavour reveals itself to the observant eye as a large conscious effort of Nature in man to effect a general level of intellectual equipment, capacity and farther possibility by universalising the opportunities which modern civilisation affords for the mental life. Even the preoccupation of the European intellect, the protagonist of this tendency, with material Nature and the externalities of existence is a necessary part of the effort. It seeks to prepare a sufficient basis in man's physical being and vital energies and in his material environment for his full mental possibilities. By the spread of education, by the advance of the backward races, by the elevation of depressed classes, by the multiplication of labour-saving appliances, by the movement
  

0.04_-_The_Systems_of_Yoga, #The Synthesis Of Yoga, #Sri Aurobindo, #Integral Yoga
  
  The results of Hathayoga are thus striking to the eye and impose easily on the vulgar or physical mind. And yet at the end we may ask what we have gained at the end of all this stupendous labour. The object of physical Nature, the preservation of the mere physical life, its highest perfection, even in a certain sense the capacity of a greater enjoyment of physical living have been carried out on an abnormal scale. But the weakness of Hathayoga is that its laborious and difficult processes make so great a demand on the time and energy and impose so complete a severance from the ordinary life of men that the utilisation of its results for the life of the world becomes either impracticable or is extraordinarily restricted. If in return for this loss we gain another life in another world within, the mental, the dynamic, these results could have been acquired through other systems, through Rajayoga, through Tantra, by much less laborious methods and held on much less exacting terms. On the other hand the physical results, increased vitality, prolonged youth, health, longevity are of small avail if they must be held by us as misers of ourselves, apart from the common life, for their own sake, not utilised, not thrown into the common sum of the world's activities. Hathayoga attains large results, but at an exorbitant price and to very little purpose.
  
  Rajayoga takes a higher flight. It aims at the liberation and perfection not of the bodily, but of the mental being, the control of the emotional and sensational life, the mastery of the whole apparatus of thought and consciousness. It fixes its eyes on the citta, that stuff of mental consciousness in which all these activities arise, and it seeks, even as Hathayoga with its physical material, first to purify and to tranquillise. The normal state of man is a condition of trouble and disorder, a kingdom either at war with itself or badly governed; for the lord, the Purusha, is subjected to his ministers, the faculties, subjected even to his subjects, the instruments of sensation, emotion, action, enjoyment. Swarajya, self-rule, must be substituted for this subjection.
  

0.05_-_The_Synthesis_of_the_Systems, #The Synthesis Of Yoga, #Sri Aurobindo, #Integral Yoga
  
  Thirdly, the divine Power in us uses all life as the means of this integral Yoga. Every experience and outer contact with our world-environment, however trifling or however disastrous, is used for the work, and every inner experience, even to the most repellent suffering or the most humiliating fall, becomes a step on the path to perfection. And we recognise in ourselves with opened eyes the method of God in the world, His purpose of light in the obscure, of might in the weak and fallen, of delight in what is grievous and miserable. We see the divine method to be the same in the lower and in the higher working; only in the one it is pursued tardily and obscurely through the subconscious in
  Nature, in the other it becomes swift and self-conscious and the instrument confesses the hand of the Master. All life is a Yoga of Nature seeking to manifest God within itself. Yoga marks the stage at which this effort becomes capable of self-awareness and therefore of right completion in the individual. It is a gathering up and concentration of the movements dispersed and loosely combined in the lower evolution.

01.01_-_Sri_Aurobindo_-_The_Age_of_Sri_Aurobindo, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
  
   The ideal or perhaps one should say the policy of Real-politick is the thing needed in this world. To achieve something actually in the physical and material field, even a lesser something, is worth much more than speculating on high flaunting chimeras and indulging in day-dreams. Yes, but what is this something that has to be achieved in the material world? It is always an ideal. Even procuring food for each and every person, clothing and housing all is not less an ideal for all its concern about actuality. Only there are ideals and ideals; some are nearer to the earth, some seem to be in the background. But the mystery is that it is not always the ideal nearest to the earth which is the easiest to achieve or the first thing to be done first. Do we not see before our very eye show some very simple innocent social and economic changes are difficult to carry outthey bring in their train quite disproportionately gestures and movements of violence and revolution? That is because we seek to cure the symptoms and not touch the root of the disease. For even the most innocent-looking social, economic or political abuse has at its base far-reaching attitudes and life-urgeseven a spiritual outlook that have to be sought out and tackled first, if the attempt at reform is to be permanently and wholly successful. Even in mundane matters we do not dig deep enough, or rise high enough.
  

01.01_-_The_Symbol_Dawn, #Savitri, #Sri Aurobindo, #Integral Yoga
  Almost one felt, opaque, impenetrable,
  In the sombre symbol of her eyeless muse
  The abysm of the unbodied Infinite;
  --
  To raise its head and look for absent light,
  Straining closed eyes of vanished memory,
  Like one who searches for a bygone self
  --
  Arrived from the other side of boundlessness
  An eye of deity peered through the dumb deeps;
  A scout in a reconnaissance from the sun,
  --
  The waking ear of Nature heard her steps
  And wideness turned to her its limitless eye,
  And, scattered on sealed depths, her luminous smile
  --
  The excess of beauty natural to god-kind
  Could not uphold its claim on time-born eyes;
  Too mystic-real for space-tenancy
  --
  Leaving her slain behind she travels on:
  Man only marks and God's all-seeing eyes.
  Even in this moment of her soul's despair,
  --
  A stone-still figure of high and godlike Pain
  Stared into Space with fixed regardless eyes
  That saw grief's timeless depths but not life's goal.

--- WEBGEN

auromere - walking-with-eyes-unfocussed
auromere - how-can-we-see-in-our-dreams-when-our-eyes-are-closed
auromere - constitution-of-man
auromere - sleep-and-dreams
auromere - symbols-seen-during-spiritual-experiences
selforum - feyerabend rorty derrida lyotard
https://thoughtsandvisions-searle88.blogspot.com/2015/08/minds-eye.html
https://thoughtsandvisions-searle88.blogspot.com/2016/04/eyes-wide-shut.html
dedroidify.blogspot - eye-on-top-of-pyramid-is-our-own
dedroidify.blogspot - daily-dedroidify-pineal-gland-third-eye
dedroidify.blogspot - eckhart-tolle-through-dogmatic-eyes
dedroidify.blogspot - dmt-third-eye
dedroidify.blogspot - eyes-in-sky
dedroidify.blogspot - keep-your-eye-on-skeye
dedroidify.blogspot - third-eye-crowned-sun-or-seat-of-soul
dedroidify.blogspot - eye-patterns-nlp
dedroidify.blogspot - ds-neyen-in-triangle
dedroidify.blogspot - eye-of-ds9
dedroidify.blogspot - voyagers-all-seeing-eye-on-pyramid
dedroidify.blogspot - third-eye-witness-news
dedroidify.blogspot - every-closed-eye-is-not-sleeping-and
dedroidify.blogspot - fisheye-placebo-by-yuumei-wenqing-yan
dedroidify.blogspot - i-spy-with-my-third-eye
https://esotericotherworlds.blogspot.com/2012/11/third-eye.html
https://esotericotherworlds.blogspot.com/2012/12/quest-for-third-eye.html
wiki.auroville - Eyes
wiki.auroville - File:Drawing_by_Mother_-_Mothers_eyes_1935-1940.jpg
wiki.auroville - Maitreyee
Dharmapedia - Third_eye
Psychology Wiki - Adolf_Meyer
Psychology Wiki - Mind's_eye
Psychology Wiki - Rapid_eye_movement_sleep
Psychology Wiki - Types_of_gestures#Eye-rolling
Psychology Wiki - Types_of_gestures#My_eye
Stanford Encyclopedia of Philosophy - feyerabend
Occultopedia - evil_eye
Occultopedia - eye_of_horus
https://en.wikiquote.org/wiki/Alan_Keyes
https://en.wikiquote.org/wiki/Alexei_Alexeyevich_Abrikosov
https://en.wikiquote.org/wiki/Angela's_Eyes
https://en.wikiquote.org/wiki/Angel_Eyes_(film)
https://en.wikiquote.org/wiki/Blaine_Luetkemeyer
https://en.wikiquote.org/wiki/Blood_in_My_Eye
https://en.wikiquote.org/wiki/Brass_Eye
https://en.wikiquote.org/wiki/Cat's_Eye_(1985_film)
https://en.wikiquote.org/wiki/Daniel_Keyes
https://en.wikiquote.org/wiki/Dead_Man's_Eyes
https://en.wikiquote.org/wiki/Eye
https://en.wikiquote.org/wiki/Eyed
https://en.wikiquote.org/wiki/Eye_of_the_Cat
https://en.wikiquote.org/wiki/Eyes
https://en.wikiquote.org/wiki/Eyes_Wide_Shut
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https://en.wikiquote.org/wiki/Heather_Heyer
https://en.wikiquote.org/wiki/Leonard_B._Meyer
https://en.wikiquote.org/wiki/Louis_Untermeyer
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https://en.wikiquote.org/wiki/Paul_Karl_Feyerabend
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https://en.wikiquote.org/wiki/Popeye
https://en.wikiquote.org/wiki/Queer_Eye
https://en.wikiquote.org/wiki/Red_Eye_(2005_American_film)
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https://en.wikiquote.org/wiki/Sue_Thomas:_F.B.Eye
https://en.wikiquote.org/wiki/The_Beast_with_a_Million_Eyes
https://en.wikiquote.org/wiki/The_Dark_Eyes_of_London_(film)
https://en.wikiquote.org/wiki/The_Eyes_of_the_Dragon
https://en.wikiquote.org/wiki/The_Girl_with_the_Golden_Eyes
https://en.wikiquote.org/wiki/The_Hills_Have_Eyes_(2006_film)
https://en.wikiquote.org/wiki/The_Public_Eye_(film)
https://en.wikiquote.org/wiki/The_Secret_in_Their_Eyes
https://en.wikiquote.org/wiki/Third_eye
https://en.wikiquote.org/wiki/Tomi_Adeyemi
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Wikipedia - Accommodation (eye)
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Wikipedia - Bette Davis Eyes
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Wikipedia - Blade Runner 4: Eye and Talon
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Wikipedia - Bogdan III the One-Eyed
Wikipedia - Book of the Ten Treatises of the Eye
Wikipedia - Boris Sergeyevich Sokolov
Wikipedia - Bramor C4EYE
Wikipedia - Buckeye Broadband
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Wikipedia - Bug-eyed monster
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Wikipedia - Carl Geyer
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Wikipedia - Carolyn Korsmeyer
Wikipedia - Carry On, Hawkeye
Wikipedia - Case Closed: Captured in Her Eyes
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Wikipedia - Category:Discoveries by Maik Meyer
Wikipedia - Category:Eyewear
Wikipedia - Category:Eyewear companies of the United States
Wikipedia - Category:Pupils of Sergei Taneyev
Wikipedia - Cat eye glasses
Wikipedia - Cat eye syndrome
Wikipedia - Cat's Eye (manga)
Wikipedia - Cat's eye (road)
Wikipedia - Cecilia Heyes
Wikipedia - Cecilia Reyes
Wikipedia - Charles Rollin Keyes
Wikipedia - Cheyenne, Wyoming
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Wikipedia - Christian Erich Hermann von Meyer
Wikipedia - Christian Friedrich Freyer
Wikipedia - Claire E. Eyers
Wikipedia - Cleyera japonica
Wikipedia - Closed-eye hallucination
Wikipedia - Conrad Ferdinand Meyer
Wikipedia - Cooperative eye hypothesis
Wikipedia - Corey Keyes
Wikipedia - Cosmic Eye
Wikipedia - Cressida Heyes
Wikipedia - Curt Echtermeyer
Wikipedia - Dale Beyerstein
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Wikipedia - Dan Meyerstein
Wikipedia - David E. Meyer
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Wikipedia - Detective Conan: Private Eye in the Distant Sea
Wikipedia - Detective Conan: The Private Eyes' Requiem
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Wikipedia - Epiphany Eyewear
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Wikipedia - Eugen Ferdinand von Homeyer
Wikipedia - Eva de Vitray-Meyerovitch
Wikipedia - Evil eye
Wikipedia - Evolution of the eye
Wikipedia - Eye
Wikipedia - Eye blink conditioning
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Wikipedia - Eyegroove
Wikipedia - Eye in the Sky
Wikipedia - Eye in the Sky (novel)
Wikipedia - Eyelash extensions
Wikipedia - Eyeless in Gaza (novel)
Wikipedia - Eye movement desensitization and reprocessing
Wikipedia - Eye movement in music reading
Wikipedia - Eye of Agamotto
Wikipedia - Eye of a needle
Wikipedia - Eye of GNOME
Wikipedia - Eye of Horus
Wikipedia - Eye of Providence
Wikipedia - Eye of Ra
Wikipedia - Eye of the Beholder (2002 video game)
Wikipedia - Eye of the Beholder III: Assault on Myth Drannor
Wikipedia - Eye of the Beholder II: The Legend of Darkmoon
Wikipedia - Eye of the Beholder (video game)
Wikipedia - Eye on Psi Chi
Wikipedia - Eyepatch
Wikipedia - Eyes of the Dragon
Wikipedia - Eyes of the University: Right to Philosophy 2
Wikipedia - Eyes on the Prize
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Wikipedia - Eyespot apparatus
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Wikipedia - Falcon's Eye
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Wikipedia - Five Eyes
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Wikipedia - For Your Eye Only
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Wikipedia - Franz Meyen
Wikipedia - Freaky Green Eyes
Wikipedia - Frederick Newmeyer
Wikipedia - Friedrich Albrecht Anton Meyer
Wikipedia - Friedrich Rittelmeyer
Wikipedia - Frontal eye fields
Wikipedia - Galka Scheyer
Wikipedia - George Meyer-Darcis
Wikipedia - Georges Dreyer
Wikipedia - Georgette Heyer
Wikipedia - Ghost Rider (Robbie Reyes)
Wikipedia - Giacomo Meyerbeer
Wikipedia - God's eye view
Wikipedia - Goku Midnight Eye
Wikipedia - Grawemeyer Award
Wikipedia - Haddocks' Eyes
Wikipedia - Hans Freyer
Wikipedia - Hawkeye (2021 TV series)
Wikipedia - Hawkeye: Blindspot
Wikipedia - Hawkeye (Clint Barton)
Wikipedia - Hawkeye (Kate Bishop)
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Wikipedia - Heino Meyer-Bahlburg
Wikipedia - Heinrich Wilhelm Gottfried von Waldeyer-Hartz
Wikipedia - Helmut Schreyer
Wikipedia - Henry Conrad Brokmeyer
Wikipedia - Henry Meyer (poet)
Wikipedia - Hilarion Alfeyev
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Wikipedia - Honeyeater
Wikipedia - Human eye
Wikipedia - Ivan Kireyevsky
Wikipedia - Ivan Matveyevich Vinogradov
Wikipedia - Jaime Reyes
Wikipedia - Jason Speyer
Wikipedia - Jerome Busemeyer
Wikipedia - JMonkeyEngine
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Wikipedia - Johan Sebastian Cammermeyer Welhaven
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Wikipedia - Julius Lothar Meyer
Wikipedia - Karnameye Balkh
Wikipedia - Karol Meyer
Wikipedia - Kay Behrensmeyer
Wikipedia - Kenneth S. Deffeyes
Wikipedia - Kirstine Meyer
Wikipedia - Konstantin Sergeyevich Aksakov
Wikipedia - Krzysztof Meyer
Wikipedia - Kuno Meyer
Wikipedia - Lady Jaye Breyer P-Orridge
Wikipedia - Larry Stockmeyer
Wikipedia - Lauren Meyers
Wikipedia - Leonard B. Meyer
Wikipedia - Leonid Andreyev
Wikipedia - List of Hawkeye characters
Wikipedia - Litany of the Eye of Horus
Wikipedia - Louis Niedermeyer
Wikipedia - Louis Untermeyer
Wikipedia - Ludger Sthlmeyer
Wikipedia - Ludwig Geyer
Wikipedia - Luise Meyer-Schtzmeister
Wikipedia - Luise Meyer-Schutzmeister
Wikipedia - Magic eye tube
Wikipedia - Maria von Wedemeyer
Wikipedia - Markus Feyerabend
Wikipedia - Marta Bohn-Meyer
Wikipedia - Martin E. Meyerson
Wikipedia - Marvin Meyer
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Wikipedia - Meyera Oberndorf
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Wikipedia - Meyer hardness test
Wikipedia - Meyer Howard Abrams
Wikipedia - Meyer Kayserling
Wikipedia - Meyerland, Houston
Wikipedia - Meyer Rubin
Wikipedia - Meyer Schapiro
Wikipedia - Midnight Eye
Wikipedia - Mikhail Alekseyev
Wikipedia - Mind's eye
Wikipedia - Miriah Meyer
Wikipedia - Mobileye
Wikipedia - Moorfields Eye Hospital
Wikipedia - New York University Rory Meyers College of Nursing
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Wikipedia - Nina Andreyeva
Wikipedia - Nina Vedeneyeva
Wikipedia - Non-rapid eye movement sleep
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Wikipedia - Northrop Grumman E-2 Hawkeye
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Wikipedia - Open Your Eyes (1997 film)
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Wikipedia - Paul Feyerabend
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Wikipedia - Peter Beyer
Wikipedia - Private Eye
Wikipedia - Quinze-Vingts National Eye Hospital
Wikipedia - Ralf Altmeyer
Wikipedia - Rapid eye movement sleep
Wikipedia - Rapid eye movement sleep behavior disorder
Wikipedia - Reyes Tamez
Wikipedia - Richard August Carl Emil Erlenmeyer
Wikipedia - Richard Meyer (mathematician)
Wikipedia - Rimless eyeglasses
Wikipedia - Robert T. Beyer
Wikipedia - Rodolphe Meyer de Schauensee
Wikipedia - Roman Catholic Diocese of Speyer
Wikipedia - Romeo and Juliet (Nureyev)
Wikipedia - Rostislav Alexeyev
Wikipedia - Roundel: The little eyes that never knew Light
Wikipedia - Rudolf Eickemeyer Jr.
Wikipedia - Scheyern
Wikipedia - Scheyern Abbey
Wikipedia - Scott Meyers
Wikipedia - Sergei Alekseyevich Lebedev
Wikipedia - Sergei Taneyev
Wikipedia - Sergey Alexeyevich Chaplygin
Wikipedia - Sergey Alexeyevich Lebedev
Wikipedia - Seth Neddermeyer
Wikipedia - Seyed E. Hasnain
Wikipedia - Sidney Keyes
Wikipedia - Siegfried Knemeyer
Wikipedia - Sophia Alekseyevna
Wikipedia - Speyer
Wikipedia - Speyer Cathedral
Wikipedia - Stanislav Mikheyev
Wikipedia - Starry Eyes
Wikipedia - Stefan Meyer-Kahlen
Wikipedia - Stephen Breyer
Wikipedia - Stephen C. Meyer
Wikipedia - Story of the Eye
Wikipedia - Supplementary eye field
Wikipedia - Template talk:Eyewear
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Wikipedia - Ten-Eyed Man
Wikipedia - Teresa Blankmeyer Burke
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Wikipedia - The Black Eyed Peas
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Wikipedia - The Eye of the Sibyl
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Wikipedia - The Eye of the World
Wikipedia - The Hawkeye Initiative
Wikipedia - The Hills Have Eyes (1977 film)
Wikipedia - The Hills Have Eyes (2006 film)
Wikipedia - Theodoor Boeyermans
Wikipedia - Third eye
Wikipedia - Third Eye Blind
Wikipedia - Thomas Maschmeyer
Wikipedia - Thor Heyerdahl
Wikipedia - Tiger's eye
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Wikipedia - Tsarevna Sophia Alekseyevna of Russia
Wikipedia - Valery Alekseyev (anthropologist)
Wikipedia - Vassian Patrikeyev
Wikipedia - Viktor Meyer
Wikipedia - Vladimir Andreyevich Uspensky
Wikipedia - Vsevolod Meyerhold
Wikipedia - Walter of Speyer
Wikipedia - Werner Meyer-Eppler
Wikipedia - Werner Schreyer
Wikipedia - Weyerhaeuser
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Wikipedia - William Heyen
Wikipedia - William N. Eschmeyer
Wikipedia - Wrong Eye/Scope
Wikipedia - Xeyes
Wikipedia - Yves Meyer
Wikipedia - Zakhireye Khwarazmshahi
https://allpoetry.com/Alexander-Sergeyevich-Pushkin
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https://allpoetry.com/Tove-Meyer
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Goodreads author - Daniel_Keyes
Goodreads author - Noel_Vietmeyer
Goodreads author - Judith_Hemschemeyer
Goodreads author - Danny_Meyer
Goodreads author - Greg_Keyes
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Goodreads author - Rob_Neyer
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Goodreads author - Theresa_Meyers
Goodreads author - Randy_Susan_Meyers
Goodreads author - Touka_Neyestani
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Goodreads author - Karen_Witemeyer
Goodreads author - Aaron_Meyer
Goodreads author - Ben_F_Meyer
Goodreads author - Chris_Meyers
Goodreads author - Kurt_A_Meyer
Goodreads author - Mark_Beyer
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Goodreads author - William_Heyen
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Goodreads author - Peter_Geye
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Goodreads author - Marcel_Beyer
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Goodreads author - Mathias_Meyer
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Goodreads author - Andrea_Meyer
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Goodreads author - Paul_Kampffmeyer
Goodreads author - F_B_Meyer
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Goodreads author - A_S_Kompaneyets
Goodreads author - Stephanie_Meyer
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Goodreads author - Venedikt_Yerofeyev
Goodreads author - Scott_Meyer
Goodreads author - Elena_M_Reyes
Goodreads author - Erin_Meyer
Goodreads author - M_R_Kopmeyer
Goodreads author - Severino_Reyes
Goodreads author - Frances_Parkinson_Keyes
Goodreads author - Ver_nica_Reyes
Goodreads author - Stephen_G_Breyer
Goodreads author - Kim_Dreyer
Goodreads author - Philipp_Meyer
Goodreads author - Helen_Oyeyemi
Goodreads author - Sam_Adeyemi
Goodreads author - Joyce_Meyer
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Goodreads author - Kathryn_Meyer_Griffith
Goodreads author - Seyed_Ali_Salehi
Goodreads author - Pamela_Meyer
Goodreads author - Stephenie_Meyer
Goodreads author - Laura_Meyerovich
https://myanimelist.net/manga/1105/Red_Eyes
https://myanimelist.net/manga/15449/Yami_no_Purple_Eyes
https://myanimelist.net/manga/1932/Cats_Eye
https://myanimelist.net/manga/343/Dragon_Eye
https://myanimelist.net/manga/43/Eyeshield_21
https://myanimelist.net/manga/4518/Eye_Level
https://myanimelist.net/manga/48321/Koukaku_Kidoutai__Arise_-_Sleepless_Eye
https://myanimelist.net/manga/662/3x3_Eyes
https://myanimelist.net/manga/7071/B-Eyes
https://myanimelist.net/manga/93595/Eyeshield_21
https://myanimelist.net/anime/1225/3x3_Eyes__Seima_Densetsu
https://myanimelist.net/anime/1317/Eyeshield_21__Maboroshi_no_Golden_Bowl
https://myanimelist.net/anime/1363/Detective_Conan_Movie_04__Captured_in_Her_Eyes
https://myanimelist.net/anime/14653/Hayate_no_Gotoku_Cant_Take_My_Eyes_Off_You
https://myanimelist.net/anime/14735/Detective_Conan_Movie_17__Private_Eye_in_the_Distant_Sea
https://myanimelist.net/anime/14913/Battle_Spirits__Sword_Eyes
https://myanimelist.net/anime/15/Eyeshield_21
https://myanimelist.net/anime/1879/Midnight_Eye__Gokuu
https://myanimelist.net/anime/1880/Midnight_Eye__Gokuu_II
https://myanimelist.net/anime/19877/Battle_Spirits__Sword_Eyes_Gekitouden
https://myanimelist.net/anime/2043/Cats_Eye
https://myanimelist.net/anime/20557/11eyes_Picture_Drama
https://myanimelist.net/anime/300/3x3_Eyes
https://myanimelist.net/anime/32031/Leopard_Eyes
https://myanimelist.net/anime/37516/City_Hunter_Movie__Shinjuku_Private_Eyes
https://myanimelist.net/anime/6418/Eyeshield_21__Jump_Festa_2005_Special
https://myanimelist.net/anime/6682/11eyes
https://myanimelist.net/anime/7739/11eyes__Momoiro_Genmutan
3x3 Eyes -- Sazan aizu (original title) PG | 1h 50min | Animation, Fantasy, Horror | TV Mini-Series (1991-1992) Episode Guide 4 episodes 3x3 Eyes Poster ::: A demon girl's quest to become human, with the help of an unwitting boy named Yakumo. Stars:
A Dry White Season (1989) ::: 7.0/10 -- R | 1h 46min | Drama, Thriller | 20 September 1989 (USA) -- A white middle class South African suburbanite with no interest in politics agrees to help his black gardener find his jailed son. His investigation opens his eyes to the horrors committed by the secret police and turns him into a target. Director: Euzhan Palcy Writers: Andr P. Brink (novel) (as Andr Brink), Colin Welland (screenplay) | 1 more credit
Agneepath (2012) ::: 6.9/10 -- Not Rated | 2h 54min | Action, Crime, Drama | 26 January 2012 (India) -- A young boy's father is lynched before his eyes; fifteen years later he returns home for revenge. Director: Karan Malhotra Writers: Ila Bedi Dutta (screenplay), Avinash Ghodke (additional dialogue) | 2
Air Emergency ::: Mayday (original tit ::: TV-14 | 1h | Documentary, Crime, Drama | TV Series (2003 ) -- Dramatized reconstruction of real-life air disasters, along with interviews with aviation experts and eyewitnesses. Creators:
Ajin Part 1: Shoudou (2015) ::: 7.7/10 -- Ajin: Shôdô (original title) -- Ajin Part 1: Shoudou Poster For high schooler Kei - and for at least forty-six others - immortality comes as the nastiest surprise ever. Sadly for Kei, such a feat doesn't make him a superhero. In the eyes of both the... See full summary » Director: Hiroaki Andô Writer: Gamon Sakurai (manga)
All Watched Over by Machines of Loving Grace ::: 1h | Documentary | TV Mini-Series (2011) Episode Guide 3 episodes All Watched Over by Machines of Loving Grace Poster A series of films about how humans have been colonized by the machines we have built. Although we don't realize it, the way we see everything in the world today is through the eyes of the computers. Stars: Adam Curtis, Stewart Brand, Peder Anker | See full cast & crew » (BUTTON) Added to Watchlist
Banana Joe (1982) ::: 6.4/10 -- 1h 36min | Action, Comedy | 8 April 1982 (Italy) -- A man is living happily on an island with his family, growing bananas. When a local mobster with an eye on man's property tries to take it from him, he must go to the town for the first time to get some help. Director: Steno Writers: Mario Amendola (screenplay) (as Amendola), Bruno Corbucci (screenplay) (as Corbucci) | 2 more credits
Battle for Terra (2007) ::: 6.5/10 -- Terra (original title) -- Battle for Terra Poster -- A peaceful alien planet faces annihilation, as the homeless remainder of the human race sets its eyes on Terra. Mala, a rebellious Terrian teenager, will do everything she can to stop it. Director: Aristomenis Tsirbas Writers:
Best in Show (2000) ::: 7.5/10 -- PG-13 | 1h 30min | Comedy | 20 October 2000 (USA) -- A "behind the scenes" look into the highly competitive and cut-throat world of dog-shows through the eyes of a group of ruthless dog owners. Director: Christopher Guest Writers: Christopher Guest, Eugene Levy
Best in Show (2000) ::: 7.5/10 -- PG-13 | 1h 30min | Comedy | 20 October 2000 (USA) -- A "behind the scenes" look into the highly competitive and cut-throat world of dog-shows through the eyes of a group of ruthless dog owners.
Big Eyes (2014) ::: 7.0/10 -- PG-13 | 1h 46min | Biography, Crime, Drama | 25 December 2014 (USA) -- A drama about the awakening of painter Margaret Keane, her phenomenal success in the 1950s, and the subsequent legal difficulties she had with her husband, who claimed credit for her works in the 1960s. Director: Tim Burton Writers:
Brass Eye ::: TV-MA | 25min | Comedy | TV Series (19972001) Controversal spoof of current affairs television, and the role of celebrity in the UK. Stars: Christopher Morris, Mark Heap, Kevin Eldon | See full cast & crew Available on Amazon (BUTTON) Added to Watchlist
Bridgerton ::: TV-MA | 1h | Drama, Romance | TV Series (2020 ) Season 2 Premiere 2021 -- Wealth, lust, and betrayal set against the backdrop of Regency-era England, seen through the eyes of the powerful Bridgerton family. Creator:
Bud Abbott and Lou Costello Meet the Invisible Man (1951) ::: 6.8/10 -- Passed | 1h 22min | Comedy, Sci-Fi, Sport | 7 March 1951 (USA) -- Two bumbling private eyes help a man wrongly accused of murder who has become invisible to help clear his name. Director: Charles Lamont Writers: Hugh Wedlock Jr. (story), Howard Snyder (story) | 4 more credits Stars:
Caliphate ::: Kalifat (original tit ::: TV-MA | 46min | Drama, Thriller | TV Series (2020 ) -- Agent Fatima gets a tip that a terrorist act is planned in Sweden. At the same time, the teenager Sulle has opened her eyes to her student assistant who opens the doors to a new fascinating world. Creator:
Charly (1968) ::: 7.0/10 -- M | 1h 43min | Drama, Romance, Sci-Fi | 23 September 1968 (USA) -- An intellectually disabled man undergoes an experiment that gives him the intelligence of a genius. Director: Ralph Nelson Writers: Daniel Keyes (novel), Stirling Silliphant (screenplay) Stars:
Cheyenne Autumn (1964) ::: 6.8/10 -- PG | 2h 34min | Drama, History, Western | 22 December 1964 (USA) -- The Cheyenne, tired of broken U.S. government promises, head for their ancestral lands but a sympathetic cavalry officer is tasked to bring them back to their reservation. Director: John Ford Writers:
City Lights (1931) ::: 8.5/10 -- G | 1h 27min | Comedy, Drama, Romance | 7 March 1931 (USA) -- With the aid of a wealthy erratic tippler, a dewy-eyed tramp who has fallen in love with a sightless flower girl accumulates money to be able to help her medically. Director: Charles Chaplin Writer: Charles Chaplin Stars:
Claymore ::: Kureimoa (original tit ::: TV-MA | 24min | Animation, Action, Adventure | TV Series (2007) Episode Guide 26 episodes Claymore Poster -- In a world rife with deadly creatures called "youma", a young silver eyed woman, Clare, works on behalf of an organization that trains female youma halfbreeds into warriors with the ability... See full summary »
Compulsion (1959) ::: 7.4/10 -- Approved | 1h 43min | Biography, Crime, Drama | 16 May 1959 (Canada) -- Two wealthy law-school students go on trial for murder in this version of the Leopold-Loeb case. Director: Richard Fleischer Writers: Richard Murphy (screenplay), Meyer Levin (based on the novel by)
C.S.A.: The Confederate States of America (2004) ::: 6.4/10 -- PG-13 | 1h 29min | Comedy, Drama, War | 24 June 2005 (Spain) -- Through the eyes of a British "documentary", this film takes a satirically humorous, and sometimes frightening, look at the history of an America where the South won the Civil War. Director: Kevin Willmott Writer:
Danny Deckchair (2003) ::: 6.7/10 -- PG-13 | 1h 40min | Comedy, Romance | 31 July 2003 (Australia) -- An Aussie becomes a national sensation when he lifts off in his deck chair tied to balloons. Director: Jeff Balsmeyer Writers: Jeff Balsmeyer, Lizzie Bryant (additional dialogue) | 1 more credit
Dead Again (1991) ::: 6.9/10 -- R | 1h 47min | Crime, Drama, Mystery | 30 August 1991 (USA) -- A woman who has lost her memory is taken in by a Los Angeles orphanage, and a private eye is enlisted to track down her identity, but he soon finds that he might have a past life connection to her that endangers their lives. Director: Kenneth Branagh Writer:
Dispatches from Elsewhere ::: TV-14 | Drama, Mystery | TV Series (2020 ) -- Feeling as though there's something missing in their lives, four ordinary people stumble across a puzzle hiding just beyond the veil of everyday life, and their eyes are opened to a world of possibility and magic. Creator:
Dragons: Race to the Edge ::: TV-Y7-FV | 22min | Animation, Action, Adventure | TV Series (20132018) -- Unlock the secrets of the Dragon Eye and come face to face with more dragons than anyone has ever imagined as Hiccup, Toothless and the Dragon Riders soar to the edge of adventure. Stars:
Dreamgirls (2006) ::: 6.5/10 -- PG-13 | 2h 10min | Drama, Music, Musical | 25 December 2006 (USA) -- A trio of black female soul singers cross over to the pop charts in the early 1960s, facing their own personal struggles along the way. Director: Bill Condon Writers: Tom Eyen (based on the original broadway production book by), Bill
Duckman: Private Dick/Family Man ::: TV-PG | 30min | Animation, Adventure, Comedy | TV Series (19941997) A crass, womanizing duck works as a private eye with his level-headed pig sidekick, all the while raising a family as a single dad. Creators: Everett Peck, Gabor Csupo, Arlene Klasky | 5 more credits Stars:
Eagle Eye (2008) ::: 6.6/10 -- PG-13 | 1h 58min | Action, Mystery, Thriller | 26 September 2008 (USA) -- Jerry and Rachel are two strangers thrown together by a mysterious phone call from a woman they have never met. Threatening their lives and family, she pushes Jerry and Rachel into a series of increasingly dangerous situations, using the technology of everyday life to track and control their every move. Director: D.J. Caruso
Eye Candy ::: TV-14 | 1h | Crime, Drama, Mystery | TV Series (2015) -- A New York woman suspects that one of her online dates is a serial killer. Creator: Christian Taylor
Eye in the Sky (2015) ::: 7.3/10 -- R | 1h 42min | Action, Drama, Thriller | 1 April 2016 (USA) -- Col. Katherine Powell, a military officer in command of an operation to capture terrorists in Kenya, sees her mission escalate when a girl enters the kill zone triggering an international dispute over the implications of modern warfare. Director: Gavin Hood Writer:
Eye of the Needle (1981) ::: 7.1/10 -- R | 1h 52min | Romance, Thriller, War | 24 July 1981 (USA) -- A ruthless German spy, trying to get out of Britain with vital information about D-Day, must spend time with a young woman and her crippled husband. Director: Richard Marquand Writers: Ken Follett (based on the novel by), Stanley Mann (screenplay) Stars:
Eyes Wide Open (2009) ::: 7.3/10 -- Einayim Petukhoth (original title) -- Eyes Wide Open Poster -- A married, Orthodox, Jerusalem butcher and Jewish father of four falls in love with his handsome, 22-year-old male apprentice, triggering the suspicions of his wife and the disapproval of his Orthodox community. Director: Haim Tabakman Writer:
Eyes Wide Shut (1999) ::: 7.4/10 -- R | 2h 39min | Drama, Mystery, Thriller | 16 July 1999 (USA) -- A New York City doctor embarks on a harrowing, night-long odyssey of sexual and moral discovery after his wife reveals a painful secret to him. Director: Stanley Kubrick Writers:
Eyewitness ::: TV-14 | 42min | Crime, Mystery, Romance | TV Series (2016 ) -- When a young gay couple witness a triple murder, they will do anything to avoid being outed to their small town. Creator: Adi Hasak
Farewell, My Lovely (1975) ::: 7.1/10 -- R | 1h 35min | Crime, Mystery, Thriller | 8 August 1975 (USA) -- Los Angeles private eye Philip Marlowe is hired by paroled convict Moose Malloy to find his girlfriend Velma, former seedy nightclub dancer. Director: Dick Richards Writers:
Faster, Pussycat! Kill! Kill! (1965) ::: 6.7/10 -- Not Rated | 1h 23min | Action, Comedy | 6 August 1965 (USA) -- Three go-go dancers holding a young girl hostage come across a crippled old man living with his two sons in the desert. After learning he's hiding a sum of cash around, the women start scheming on him. Director: Russ Meyer Writers: Jackie Moran (screenplay) (as Jack Moran), Russ Meyer (original story) Stars:
For Your Eyes Only (1981) ::: 6.7/10 -- PG | 2h 7min | Action, Adventure, Thriller | 26 June 1981 (USA) -- James Bond is assigned to find a missing British vessel, equipped with a weapons encryption device and prevent it from falling into enemy hands. Director: John Glen Writers:
Free Enterprise (1998) ::: 6.7/10 -- R | 1h 53min | Comedy, Romance | 4 June 1999 (USA) -- Two less than successful film producers, approaching mid-life crisis and clinging to their nerdy sci-fi obsessions, suddenly meet their idol: William Shatner. Director: Robert Meyer Burnett Writers:
French Connection II (1975) ::: 6.8/10 -- R | 1h 59min | Action, Crime, Drama | 21 May 1975 (USA) -- "Popeye" Doyle travels to Marseille to find Alain Charnier, the drug smuggler who eluded him in New York. Director: John Frankenheimer Writers: Alexander Jacobs (screenplay), Robert Dillon (screenplay) | 3 more
Girl Shy (1924) ::: 7.7/10 -- Not Rated | 1h 27min | Comedy, Romance | 20 April 1924 (USA) -- A shy young man who can't talk to women ventures out to publish a book full of fictional conquests, but finds true love along the way. Directors: Fred C. Newmeyer (as Fred Newmeyer), Sam Taylor Writers: Sam Taylor (story), Ted Wilde (story) | 2 more credits Stars:
GoldenEye (1995) ::: 7.2/10 -- PG-13 | 2h 10min | Action, Adventure, Thriller | 17 November 1995 (USA) -- Years after a friend and fellow 00 agent is killed on a joint mission, a secret space based weapons program known as "GoldenEye" is stolen. James Bond sets out to stop a Russian crime syndicate from using the weapon. Director: Martin Campbell Writers:
He Who Gets Slapped (1924) ::: 7.8/10 -- 1h 35min | Drama, Romance, Thriller | 22 December 1924 (USA) -- A bitter clown endeavors to rescue the young woman he loves from the lecherous count who once betrayed him. Director: Victor Sjstrm (as Victor Seastrom) Writers: Leonid Andreyev (adapted from the play by), Carey Wilson (adapted for the screen by) | 2 more credits Stars:
Hostiles (2017) ::: 7.2/10 -- R | 2h 14min | Drama, Western | 26 January 2018 (USA) -- In 1892, a legendary Army Captain reluctantly agrees to escort a Cheyenne chief and his family through dangerous territory. Director: Scott Cooper Writers: Scott Cooper (written for the screen by), Donald E. Stewart (based on
Hunter X Hunter OVA ::: Connections -- Episode Guide 8 episodes Hunter X Hunter OVA Poster Reuniting with Gon and his friends, Kurapika explains to them the risks he bears because of his abilities. He believes his target of revenge is no longer alive and the search for his fallen comrade's eyes could truly begin. Stars: Atsuko Bungo, Hozumi Gôda, Akari Hibino | See full cast & crew » Available on Amazon (BUTTON)
Ice Station Zebra (1968) ::: 6.6/10 -- G | 2h 28min | Adventure, Thriller | 23 October 1968 (USA) -- USN nuclear sub USS Tigerfish must rush to the North Pole to rescue the staff of Drift Ice Station Zebra weather station. Director: John Sturges Writers: Alistair MacLean (novel), Douglas Heyes (screenplay) | 1 more credit
In Your Eyes (2014) ::: 7.0/10 -- Not Rated | 1h 46min | Fantasy, Romance | 20 April 2014 (USA) -- Two seemingly unconnected souls from different corners of the United States make a telepathic bond that allows them to see, hear and feel the other's experiences, creating a bond that apparently can't be broken. Director: Brin Hill Writer:
It's Complicated (2009) ::: 6.5/10 -- R | 2h | Comedy, Drama, Romance | 25 December 2009 (USA) -- When attending their son's college graduation, a couple reignite the spark in their relationship. But the complicated fact is they're divorced and he's remarried. Director: Nancy Meyers Writer:
Jarhead (2005) ::: 7.0/10 -- R | 2h 5min | Action, Biography, Drama | 4 November 2005 (USA) -- A psychological study of a soldier's state of mind during the Gulf War. Told through the eyes of a U.S. Marine sniper who struggles to cope with boredom, a sense of isolation, and other issues back home. Director: Sam Mendes Writers:
JonTron ::: TV-14 | Comedy | TV Series (2010 ) The ongoing adventures of JonTron, as he takes it upon himself to review games of all kinds (and some movies), under the watchful eye of his friend and overlord, the cyborg bird, Jacques. Creator: Jon Jafari Stars:
Kill Bill: Vol. 2 (2004) ::: 8.0/10 -- R | 2h 17min | Action, Crime, Thriller | 16 April 2004 (USA) -- The Bride continues her quest of vengeance against her former boss and lover Bill, the reclusive bouncer Budd, and the treacherous, one-eyed Elle. Director: Quentin Tarantino Writers:
Kings Row (1942) ::: 7.5/10 -- Passed | 2h 7min | Drama, Mystery, Romance | 18 April 1942 (USA) -- The dark side and hypocrisy of provincial American life is seen through the eyes of five children as they grow to adulthood at the turn of the century. Director: Sam Wood Writers:
Kiss Kiss Bang Bang (2005) ::: 7.5/10 -- R | 1h 43min | Comedy, Crime, Mystery | 18 November 2005 (USA) -- A murder mystery brings together a private eye, a struggling actress, and a thief masquerading as an actor. Director: Shane Black Writers: Brett Halliday (novel), Shane Black (screen story) | 1 more credit
Kon-Tiki (2012) ::: 7.2/10 -- PG-13 | 1h 58min | Adventure, Biography, Drama | 26 April 2013 (USA) -- Legendary explorer Thor Heyerdahl's epic 4,300-mile crossing of the Pacific on a balsawood raft in 1947, in an effort to prove that it was possible for South Americans to settle in Polynesia in pre-Columbian times. Directors: Joachim Rnning, Espen Sandberg Writer:
Life as We Know It ::: 43min | Comedy, Drama, Romance | TV Series (20042005) Life through the eyes of Dino Whitman (Faris), Jonathan Fields (Lowell) and Ben Connor (Foster), three hormone-charged teenage boys. Creators: Jeff Judah, Gabe Sachs Stars:
Life Is a Miracle (2004) ::: 7.6/10 -- Zivot je cudo (original title) -- Life Is a Miracle Poster What could be better for the village than a scenic railway to bring in the tourists? What could be worse for tourism than war? Luka builds the railway and shuts his eyes to war. Then Luka's wife runs off with a musician and his son is called up to the army. Luka's life is a war zone. Then he meets Sabaha.. Director: Emir Kusturica Writers:
Living Is Easy with Eyes Closed (2013) ::: 7.0/10 -- Vivir es fcil con los ojos cerrados (original title) -- (Spain) Living Is Easy with Eyes Closed Poster -- In Spain in 1966, an English teacher picks up two hitchhikers on his quest to meet John Lennon. Director: David Trueba Writer:
Mank (2020) ::: 7.0/10 -- R | 2h 11min | Biography, Comedy, Drama | 4 December 2020 (USA) -- 1930's Hollywood is reevaluated through the eyes of scathing social critic and alcoholic screenwriter Herman J. Mankiewicz as he races to finish the screenplay of Citizen Kane (1941). Director: David Fincher Writer:
Marco Polo: One Hundred Eyes (2015) ::: 7.8/10 -- 28min | Action, Drama, History | TV Movie 26 December 2015 -- Featurette 2:19 | Featurette -- Before he lost his sight. Before he pledged his service to Kublai Khan. Hundred Eyes saw what made him into the deadly assassin who trains Marco Polo. Director: Alik Sakharov Writers:
May (2002) ::: 6.6/10 -- R | 1h 33min | Comedy, Drama, Horror | 11 April 2003 (Denmark) -- A socially awkward veterinary assistant with a lazy eye and obsession with perfection descends into depravity after developing a crush on a boy with perfect hands. Director: Lucky McKee Writer:
Mayans M.C. ::: TV-MA | 1h | Crime, Drama, Thriller | TV Series (2018 ) Season 3 Premiere Tuesday, March 16 -- Set in a post-Jax Teller world, "Mayans MC" sees EZ Reyes, a former golden boy now fresh out of prison, as a prospect in the Mayan MC charter on the California-Mexico border who must carve out his new outlaw identity.
Men at Work ::: TV-14 | 30min | Comedy, Drama, Romance | TV Series (20122014) Featurette 2:03 | Featurette -- Comedy following the misadventures of four buddies who work together at a magazine. Creator: Breckin Meyer
My Man Godfrey (1936) ::: 8.0/10 -- Not Rated | 1h 34min | Comedy, Drama, Romance | 6 September 1936 (USA) -- A scatterbrained socialite hires a vagrant as a family butler - but there's more to Godfrey than meets the eye. Director: Gregory La Cava Writers: Morrie Ryskind (screen play), Eric Hatch (screen play) | 1 more
One Eyed Girl (2013) ::: 6.5/10 -- 1h 42min | Drama, Thriller | 2 April 2015 (Australia) -- A young psychiatrist is haunted by the suicide of a patient and hovers on the verge of a breakdown. He meets an attractive representative of a secret church that promises salvation to its members. Director: Nick Remy Matthews (as Nick Matthews) Writers:
One-Eyed Jacks (1961) ::: 7.1/10 -- Not Rated | 2h 21min | Drama, Western | 30 March 1961 (USA) -- After robbing a Mexican bank, Dad Longworth takes the loot and leaves his partner Rio to be captured but Rio escapes and searches for Dad in California. Director: Marlon Brando Writers: Guy Trosper (screenplay), Calder Willingham (screenplay) | 1 more credit
One Last Thing... (2005) ::: 6.6/10 -- R | 1h 36min | Comedy, Drama | 5 May 2006 (USA) -- A young man with a terminal illness makes an unconventional request on local television. Director: Alex Steyermark Writer: Barry Stringfellow
Out of the Past (1947) ::: 8.0/10 -- Not Rated | 1h 37min | Crime, Drama, Film-Noir | December 1947 (USA) -- A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames. Director: Jacques Tourneur Writers:
Page 3 (2005) ::: 7.3/10 -- 2h 19min | Drama | 21 January 2005 (India) -- A look at Mumbai's socialite party circle world through the eyes of a Page 3 journalist. Director: Madhur Bhandarkar Writers: Nina Arora (screenplay), Madhur Bhandarkar (dialogue) | 2 more
Paradise Now (2005) ::: 7.4/10 -- PG-13 | 1h 31min | Crime, Drama, Thriller | 18 November 2005 (USA) -- Two childhood friends are recruited for a suicide bombing in Tel Aviv. Director: Hany Abu-Assad Writers: Hany Abu-Assad, Bero Beyer | 1 more credit
PEN15 ::: TV-MA | 30min | Comedy | TV Series (2019 ) Season 2 Returns 2021 -- The comedic story of middle school seen through the eyes of two 7th grade girls dealing with the awkwardness of being a teenager. Creators:
Popeye the Sailor ::: TV-G | 30min | Animation, Comedy, Family | TV Series (19601962) The continuing animated adventures of Olive Oyl, Wimpy, Swee'pea and Popeye. Stars: Jack Mercer, Mae Questel, Jackson Beck Watch on Plex Go to plex.tv (BUTTON) Added to Watchlist
Private Eyes ::: TV-PG | 43min | Comedy, Crime, Drama | TV Series (2016 ) -- Former professional hockey player Matt Shade partners with private eye Angie Everett to solve crimes around Toronto. Creators: Tim Kilby, Shelley Eriksen
Queer Eye ::: TV-14 | 45min | Reality-TV | TV Series (2018 ) -- A new Fab Five set out to Atlanta to help some of the city's people refine their wardrobes, grooming, diet, cultural pursuits, and home dcor. Stars:
Red Eye (2005) ::: 6.4/10 -- PG-13 | 1h 25min | Thriller | 19 August 2005 (USA) -- A woman is kidnapped by a stranger on a routine flight. Threatened by the potential murder of her father, she is pulled into a plot to assist her captor in a political assassination. Director: Wes Craven Writers:
Reflections in a Golden Eye (1967) ::: 6.8/10 -- Not Rated | 1h 48min | Drama, Romance, Thriller | 13 October 1967 (USA) -- Bizarre tale of sex, betrayal, and perversion at a military post. Director: John Huston Writers: Chapman Mortimer (screenplay), Gladys Hill (screenplay) | 1 more credit
Safety Last! (1923) ::: 8.1/10 -- Not Rated | 1h 14min | Action, Comedy, Thriller | 1 April 1923 (USA) -- A boy leaves his small country town and heads to the big city to get a job. As soon as he makes it big his sweetheart will join him and marry him. His enthusiasm to get ahead leads to some interesting adventures. Directors: Fred C. Newmeyer (as Fred Neymeyer), Sam Taylor Writers: Hal Roach (story), Sam Taylor (story) | 2 more credits Stars:
Shaft (1971) ::: 6.6/10 -- R | 1h 40min | Action, Crime, Thriller | 2 July 1971 (USA) -- Cool black private eye John Shaft is hired by a crime lord to find and retrieve his kidnapped daughter. Director: Gordon Parks Writers: Ernest Tidyman (screenplay), John D.F. Black (screenplay) | 1 more
Shut Eye ::: TV-MA | 45min | Crime, Drama, Fantasy | TV Series (20162017) -- Charlie is a scammer with a small chain of fortune-telling storefronts and contracts building tricks for a family that controls the business in the greater chunk of LA. Creator:
Silent Witness ::: TV-14 | 2h | Crime, Drama, Mystery | TV Series (1996 ) -- Crimes through the eyes of a team of forensic pathologists and forensic scientists. Stars: Emilia Fox, William Gaminara, Tom Ward | See full cast & crew
Sinbad and the Eye of the Tiger (1977) ::: 6.4/10 -- G | 1h 53min | Action, Adventure, Family | 14 July 1977 (UK) -- Sinbad The Sailor sails to deliver a cursed prince to a dangerous island in the face of deadly opposition from a powerful witch. Director: Sam Wanamaker Writers: Beverley Cross (screenplay), Beverley Cross (story) | 1 more credit
Soldier Blue (1970) ::: 6.9/10 -- R | 1h 52min | Western | 22 January 1971 (Canada) -- After a cavalry patrol is ambushed by the Cheyenne, the two survivors, a soldier and a woman, must reach the safety of the nearest fort. Director: Ralph Nelson Writers: Theodore V. Olsen (novel), John Gay (screenplay) Stars:
Something's Gotta Give (2003) ::: 6.7/10 -- PG-13 | 2h 8min | Comedy, Drama, Romance | 12 December 2003 (USA) -- A swinger on the cusp of being a senior citizen with a taste for young women falls in love with an accomplished woman closer to his age. Director: Nancy Meyers Writer: Nancy Meyers
Star Trek II: The Wrath of Khan (1982) ::: 7.7/10 -- PG | 1h 53min | Action, Adventure, Sci-Fi | 4 June 1982 (USA) -- With the assistance of the Enterprise crew, Admiral Kirk must stop an old nemesis, Khan Noonien Singh, from using the life-generating Genesis Device as the ultimate weapon. Director: Nicholas Meyer Writers:
Star Trek VI: The Undiscovered Country (1991) ::: 7.2/10 -- PG | 1h 50min | Action, Adventure, Sci-Fi | 6 December 1991 (USA) -- On the eve of retirement, Kirk and McCoy are charged with assassinating the Klingon High Chancellor and imprisoned. The Enterprise crew must help them escape to thwart a conspiracy aimed at sabotaging the last best hope for peace. Director: Nicholas Meyer Writers:
Stonehearst Asylum (2014) ::: 6.8/10 -- Eliza Graves (original title) -- Stonehearst Asylum Poster -- An Oxford graduate takes up a job in a mental asylum, only to discover that the "revolutionary" new treatments are inhumane, and that there is more going on than meets the eye. Director: Brad Anderson Writers:
The All-New Popeye Hour ::: TV-G | 1h | Animation, Short, Adventure | TV Series (19781983) The new adventures of Popeye the Sailor Man and his friends.
The All-New Popeye Hour ::: TV-G | 1h | Animation, Short, Adventure | TV Series (19781983) The new adventures of Popeye the Sailor Man and his friends. Stars: Marilyn Schreffler, Jack Mercer, Hal Smith | See full cast & crew Available on Amazon (BUTTON) Added to Watchlist (BUTTON)
The Big White (2005) ::: 6.4/10 -- R | 1h 45min | Comedy, Crime, Drama | 3 December 2005 (USA) -- To remedy his financial problems, a travel agent has his eye on a frozen corpse, which just happens to be sought after by two hitmen. Director: Mark Mylod Writer: Collin Friesen
The Boy in the Striped Pajamas (2008) ::: 7.8/10 -- The Boy in the Striped Pyjamas (original title) -- The Boy in the Striped Pajamas Poster -- Through the innocent eyes of Bruno, the eight-year-old son of the commandant at a German concentration camp, a forbidden friendship with a Jewish boy on the other side of the camp fence has startling and unexpected consequences. Director: Mark Herman
The Cheyenne Social Club (1970) ::: 6.9/10 -- GP | 1h 43min | Comedy, Romance, Western | 12 June 1970 (USA) -- An aging cowboy finds to his embarrassment that the successful business he has inherited from his brother is actually a house of prostitution. Director: Gene Kelly Writers: James Lee Barrett, Davis Grubb (novel) Stars:
The Day After (1983) ::: 7.0/10 -- TV-PG | 2h 7min | Drama, Sci-Fi | TV Movie 20 November 1983 -- The effects of a devastating nuclear holocaust on small-town residents of eastern Kansas. Director: Nicholas Meyer Writer: Edward Hume Stars:
The Devil's Double (2011) ::: 7.1/10 -- R | 1h 49min | Biography, Drama, Thriller | 8 September 2011 -- The Devil's Double Poster -- A chilling vision of the House of Saddam Hussein comes to life through the eyes of the man who was forced to become the double of Hussein's sadistic son. Director: Lee Tamahori Writers:
The Evil Eye (1963) ::: 7.1/10 -- La ragazza che sapeva troppo (original title) -- The Evil Eye Poster -- A mystery novel-loving American tourist witnesses a murder in Rome, and soon finds herself and her suitor caught up in a series of killings. Director: Mario Bava Writers:
The Eye (2002) ::: 6.7/10 -- Gin gwai (original title) -- The Eye Poster -- A blind girl gets a cornea transplant so that she will be able to see again. She gets more than she bargained for upon realizing she can also see ghosts. Directors: Danny Pang (as Pang Brothers), Oxide Chun Pang (as Pang Brothers) Writers:
The Freshman (1925) ::: 7.5/10 -- Not Rated | 1h 17min | Comedy, Family, Romance | 20 September 1925 -- The Freshman Poster A nerdy college student will do anything to become popular on campus. Directors: Fred C. Newmeyer (as Fred Newmeyer), Sam Taylor Writers: Sam Taylor (story), Ted Wilde (story) | 2 more credits Stars:
The Hills Have Eyes (2006) ::: 6.4/10 -- R | 1h 47min | Action, Adventure, Horror | 10 March 2006 (USA) -- A family falls victim to a group of mutated cannibals in a desert far away from civilization. Director: Alexandre Aja Writers: Wes Craven (based upon his film), Alexandre Aja (screenplay) | 1 more
The Holiday (2006) ::: 6.9/10 -- PG-13 | 2h 16min | Comedy, Romance | 8 December 2006 (USA) -- Two women troubled with guy-problems swap homes in each other's countries, where they each meet a local guy and fall in love. Director: Nancy Meyers Writer: Nancy Meyers
The Intern (2015) ::: 7.1/10 -- PG-13 | 2h 1min | Comedy, Drama | 25 September 2015 (USA) -- Seventy-year-old widower Ben Whittaker has discovered that retirement isn't all it's cracked up to be. Seizing an opportunity to get back in the game, he becomes a senior intern at an online fashion site, founded and run by Jules Ostin. Director: Nancy Meyers Writer:
The Little Foxes (1941) ::: 8.0/10 -- Approved | 1h 56min | Drama, Romance | 29 August 1941 (USA) -- The ruthless, moneyed Hubbard clan lives in, and poisons, their part of the deep South at the turn of the twentieth century. Director: William Wyler Writers: Lillian Hellman (by), Lillian Hellman (screen play) | 3 more credits
The Meyerowitz Stories (2017) ::: 6.9/10 -- The Meyerowitz Stories (New and Selected) (original title) -- The Meyerowitz Stories Poster -- An estranged family gathers together in New York City for an event celebrating the artistic work of their father. Director: Noah Baumbach Writer:
The Nativity Story (2006) ::: 6.8/10 -- PG | 1h 41min | Adventure, Drama, Family | 1 December 2006 (USA) -- A drama that focuses on the period in Mary and Joseph's life where they journeyed to Bethlehem for the birth of Jesus. Director: Catherine Hardwicke Writer: Mike Rich
The Nice Guys (2016) ::: 7.4/10 -- R | 1h 56min | Action, Comedy, Crime | 20 May 2016 (USA) -- In 1970s Los Angeles, a mismatched pair of private eyes investigate a missing girl and the mysterious death of a porn star. Director: Shane Black Writers: Shane Black, Anthony Bagarozzi
The Parent Trap (1998) ::: 6.5/10 -- PG | 2h 8min | Adventure, Comedy, Drama | 29 July 1998 (USA) -- Identical twins Annie and Hallie, separated at birth and each raised by one of their biological parents, later discover each other for the first time at summer camp and make a plan to bring their wayward parents back together. Director: Nancy Meyers Writers:
The Prince of Egypt (1998) ::: 7.1/10 -- PG | 1h 39min | Animation, Adventure, Drama | 18 December 1998 (USA) -- Egyptian Prince Moses learns of his identity as a Hebrew and his destiny to become the chosen deliverer of his people. Directors: Brenda Chapman, Steve Hickner | 1 more credit Writers: Philip LaZebnik, Nicholas Meyer (additional screenplay material)
The Public Eye (1992) ::: 6.5/10 -- R | 1h 39min | Crime, Drama, Romance | 16 October 1992 (USA) -- Story of a 1940s photographer who specializes in crime and is not getting involved until this time. Director: Howard Franklin Writer: Howard Franklin
The Seven-Per-Cent Solution (1976) ::: 6.7/10 -- PG | 1h 53min | Adventure, Crime, Drama | May 1977 (UK) -- To treat his friend's cocaine induced delusions, Watson lures Sherlock Holmes to Sigmund Freud. Director: Herbert Ross Writers: Nicholas Meyer (screenplay), Nicholas Meyer (novel) | 1 more credit
The Son ::: TV-14 | 44min | Drama, Western | TV Series (20172019) -- A multi-generational epic telling of the story of America's birth as a superpower through the bloody rise and fall of one Texas oil empire. Creators: Brian McGreevy, Philipp Meyer, Lee Shipman
The Space Between Us (2017) ::: 6.4/10 -- PG-13 | 2h | Drama, Romance, Sci-Fi | 3 February 2017 (USA) -- The first human born on Mars travels to Earth for the first time, experiencing the wonders of the planet through fresh eyes. He embarks on an adventure with a street-smart girl to discover how he came to be. Director: Peter Chelsom Writers:
The Travelling Players (1975) ::: 8.0/10 -- O thiasos (original title) -- The Travelling Players Poster Greece, 1939-1952: Fascist, Nazi, and Communist conflict, as seen through the eyes of a family of travelling provincial players. Director: Theodoros Angelopoulos Writer: Theodoros Angelopoulos Stars:
The White Crow (2018) ::: 6.6/10 -- R | 2h 7min | Biography, Drama | 22 March 2019 (UK) -- The story of Rudolf Nureyev's defection to the West. Director: Ralph Fiennes Writers: David Hare (screenplay), Julie Kavanagh (Inspired by her book: "Rudolf Nureyev: The Life")
The Wire ::: TV-MA | 59min | Crime, Drama, Thriller | TV Series (20022008) -- The Baltimore drug scene, as seen through the eyes of drug dealers and law enforcement. Creator: David Simon
The Yakuza (1974) ::: 7.2/10 -- R | 1h 52min | Action, Crime, Drama | 19 March 1975 (USA) -- American private-eye Harry Kilmer returns to Japan to rescue a friend's kidnapped daughter from the clutches of the Yakuza. Director: Sydney Pollack Writers: Paul Schrader (screenplay), Robert Towne (screenplay) | 1 more credit Stars:
This Must Be the Place (2011) ::: 6.7/10 -- R | 1h 58min | Adventure, Comedy, Drama | 24 August 2011 (France) -- Cheyenne, a retired rock star living off his royalties in Dublin, returns to New York City to find the man responsible for a humiliation suffered by his recently deceased father during W.W.II. Director: Paolo Sorrentino Writers:
Time After Time (1979) ::: 7.1/10 -- PG | 1h 52min | Adventure, Drama, Sci-Fi | 28 September 1979 (USA) -- H.G. Wells pursues Jack the Ripper to the 20th Century when the serial murderer uses the future writer's time machine to escape his time period. Director: Nicholas Meyer Writers:
Toy Story 2 (1999) ::: 7.9/10 -- G | 1h 32min | Animation, Adventure, Comedy | 24 November 1999 (USA) -- When Woody is stolen by a toy collector, Buzz and his friends set out on a rescue mission to save Woody before he becomes a museum toy property with his roundup gang Jessie, Prospector, and Bullseye. Directors: John Lasseter, Ash Brannon (co-director) | 1 more credit Writers:
Trinkets ::: TV-MA | 30min | Comedy, Crime, Drama | TV Series (20192020) -- An unexpected friendship forms when three teenage girls meet in Shoplifters Anonymous. Creators: Amy Andelson, Emily Meyer, Kirsten Smith
Umbre -- Not Rated | 45min | Crime, Drama, Thriller | TV Series (2014 ) ::: Relu is a family man. He has two children, a wife, and a double life. Seen through the eyes of his family, Relu Oncescu appears to be an ordinary taxi driver. No one suspects that Relu ... See full summary Stars:
Veep ::: TV-MA | 28min | Comedy | TV Series (20122019) -- Former Senator Selina Meyer finds that being Vice President of the United States is nothing like she hoped and everything that everyone ever warned her about. Creator:
Veronica Mars (2014) ::: 6.8/10 -- PG-13 | 1h 47min | Crime, Drama, Mystery | 13 March 2014 (Germany) -- Years after walking away from her past as a young private eye, Veronica Mars gets pulled back to her hometown, just in time for her high school reunion, in order to help her old flame Logan Echolls, who's embroiled in a murder mystery. Director: Rob Thomas Writers:
Village of the Damned (1960) ::: 7.3/10 -- Not Rated | 1h 17min | Horror, Sci-Fi | 7 December 1960 (USA) -- In the English village of Midwich, the blonde-haired, glowing-eyed children of uncertain paternity prove to have frightening powers. Director: Wolf Rilla Writers: Stirling Silliphant (screenplay), Wolf Rilla (screenplay) | 2 more
War of the Worlds (2005) ::: 6.5/10 -- PG-13 | 1h 56min | Adventure, Sci-Fi, Thriller | 29 June 2005 (USA) -- An updated version of H.G Wells' seminal sci-fi classic about an alien invasion threatening the future of humanity. The catastrophic nightmare is depicted through the eyes of one American family fighting for survival. Director: Steven Spielberg Writers:
What Women Want (2000) ::: 6.4/10 -- PG-13 | 2h 7min | Comedy, Fantasy, Romance | 15 December 2000 (USA) -- A cocky, chauvinistic advertising executive magically acquires the ability to hear what women are thinking. Director: Nancy Meyers
What Women Want (2000) ::: 6.4/10 -- PG-13 | 2h 7min | Comedy, Fantasy, Romance | 15 December 2000 (USA) -- A cocky, chauvinistic advertising executive magically acquires the ability to hear what women are thinking. Director: Nancy Meyers Writers: Josh Goldsmith (story), Cathy Yuspa (story) | 3 more credits Stars:
Woman on the Run (1950) ::: 7.3/10 -- Not Rated | 1h 17min | Crime, Drama, Film-Noir | 4 February 1951 -- Woman on the Run Poster Frank Johnson becomes an eyewitness to a murder. He's pursued around San Francisco by his wife, the police, and the killer. Director: Norman Foster Writers: Alan Campbell (screenplay), Norman Foster (screenplay) | 1 more credit
X: The Man with the X-Ray Eyes (1963) ::: 6.7/10 -- X (original title) -- (USA) X: The Man with the X-Ray Eyes Poster A doctor uses special eye drops to give himself x-ray vision, but the new power has disastrous consequences. Director: Roger Corman Writers: Robert Dillon (screenplay), Ray Russell (screenplay) | 1 more credit
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