classes ::: adjective,
children :::
branches ::: enchanting

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object:enchanting
word class:adjective

see also :::

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now begins generated list of local instances, definitions, quotes, instances in chapters, wordnet info if available and instances among weblinks


OBJECT INSTANCES [0] - TOPICS - AUTHORS - BOOKS - CHAPTERS - CLASSES - SEE ALSO - SIMILAR TITLES

TOPICS
SEE ALSO


AUTH

BOOKS
Heart_of_Matter
My_Burning_Heart
The_Divine_Milieu

IN CHAPTERS TITLE

IN CHAPTERS CLASSNAME

IN CHAPTERS TEXT
0.00_-_INTRODUCTION
01.05_-_Rabindranath_Tagore:_A_Great_Poet,_a_Great_Man
10.01_-_A_Dream
1.03_-_On_Knowledge_of_the_World.
1.03_-_Some_Aspects_of_Modern_Psycho_therapy
1.03_-_The_House_Of_The_Lord
1.05_-_The_New_Consciousness
1.06_-_The_Four_Powers_of_the_Mother
1.08_-_THE_MASTERS_BIRTHDAY_CELEBRATION_AT_DAKSHINESWAR
1.09_-_BOOK_THE_NINTH
1.11_-_BOOK_THE_ELEVENTH
1.19_-_THE_MASTER_AND_HIS_INJURED_ARM
1.ami_-_To_the_Saqi_(from_Baal-i-Jibreel)
1f.lovecraft_-_Beyond_the_Wall_of_Sleep
1.fs_-_Elegy_On_The_Death_Of_A_Young_Man
1.fs_-_The_Ideals
1.jda_-_My_heart_values_his_vulgar_ways_(from_The_Gitagovinda)
1.jk_-_Epistle_To_My_Brother_George
1.jk_-_Song_Of_Four_Faries
1.jk_-_Sonnet_To_Byron
1.rmr_-_Elegy_I
1.whitman_-_Passage_To_India
1.ww_-_Book_Seventh_[Residence_in_London]
1.ww_-_Book_Sixth_[Cambridge_and_the_Alps]
2.09_-_THE_MASTERS_BIRTHDAY
2.12_-_THE_MASTERS_REMINISCENCES
2.19_-_THE_MASTER_AND_DR._SARKAR
23.12_-_A_Note_On_The_Mother_of_Dreams
29.04_-_Mothers_Playground
30.17_-_Rabindranath,_Traveller_of_the_Infinite
4.04_-_In_the_Total_Christ
5_-_The_Phenomenology_of_the_Spirit_in_Fairytales
Aeneid
Cratylus
Guru_Granth_Sahib_first_part
LUX.07_-_ENCHANTMENT
P.11_-_MAGICAL_WEAPONS
The_Act_of_Creation_text
The_Dream_of_a_Ridiculous_Man
The_Dwellings_of_the_Philosophers

PRIMARY CLASS

SIMILAR TITLES
enchanting

DEFINITIONS


TERMS STARTING WITH

enchanting ::: p. pr. & vb. n. --> of Enchant ::: a. --> Having a power of enchantment; charming; fascinating.


TERMS ANYWHERE

abhicAra. [alt. abhicara] (T. mngon spyod). In Sanskrit, "magic" or "wrathful action"; in ANUTTARAYOGATANTRA, the fourth of the four activities (CATURKARMAN) of the Buddhist tantric adept. AbhicAra is broken down into mArana "killing," mohana "enchanting," stambhana "paralyzing," vidvesana "rendering harm through animosity," uccAtana "removing or driving away," and vasīkarana "subduing." After initiation (ABHIsEKA), adepts who keep their tantric commitments (SAMAYA) properly and reach the requisite yogic level are empowered to use four sorts of enlightened activity, as appropriate: these four types of activities are (1) those that are pacifying (S. sANTICARA); (2) those that increase prosperity, life span, etc. (PAUstIKA), when necessary for the spread of the doctrine; (3) those that subjugate or tame (S. VAsĪKARAnA) the unruly; and finally (4) those that are violent or drastic measures (abhicAra) such as war, when the situation requires it. In the MANJUsRĪNAMASAMGĪTI, CAnakya, Candragupta's minister, is said to have used abhicAra against his enemies, and because of this misuse of tantric power was condemned to suffer the consequences in hell. Throughout the history of Buddhist tantra, the justification of violence by invoking the category of abhicAra has been a contentious issue. PADMASAMBHAVA is said to have tamed the unruly spirits of Tibet, sometimes violently, with his magical powers, and the violent acts that RWA LO TSA BA in the eleventh century countenanced against those who criticized his practices are justified by categorizing them as abhicAra.

enchanting ::: p. pr. & vb. n. --> of Enchant ::: a. --> Having a power of enchantment; charming; fascinating.

bewitching ::: p. pr. & vb. n. --> of Bewitch ::: a. --> Having power to bewitch or fascinate; enchanting; captivating; charming.

disenchanting ::: p. pr. & vb. n. --> of Disenchant

disenchantment ::: n. --> The act of disenchanting, or state of being disenchanted.

enchantment ::: n. --> The act of enchanting; the production of certain wonderful effects by the aid of demons, or the agency of supposed spirits; the use of magic arts, spells, or charms; incantation.
The effect produced by the act; the state of being enchanted; as, to break an enchantment.
That which captivates the heart and senses; an influence or power which fascinates or highly delights.


ensorcelling ::: enchanting, bewitching.

entrancing ::: delightful; enchanting.

fascination ::: n. --> The act of fascinating, bewhiching, or enchanting; enchantment; witchcraft; the exercise of a powerful or irresistible influence on the affections or passions; unseen, inexplicable influence.
The state or condition of being fascinated.
That which fascinates; a charm; a spell.


incanting ::: a. --> Enchanting.

irresistibly attractive, charming; enchanting; captivating.

ravishing ::: 1. Extremely delightful; very lovely. 2. Extremely beautiful or attractive; enchanting; entrancing.

siren ::: Classical Mythol. One of several fabulous sea nymphs, part woman, part bird, who were supposed to lure sailors to destruction by their enchanting singing. Fig. One who, or that which, sings sweetly, charms, allures, or deceives, like the Sirens. (Sri Aurobindo uses the word in its adjectival sense: Seductive, tempting.)

siren ::: classical Mythol. One of several fabulous sea nymphs, part woman, part bird, who were supposed to lure sailors to destruction by their enchanting singing. Fig. One who, or that which, sings sweetly, charms, allures, or deceives, like the Sirens. (Sri Aurobindo uses the word in its adjectival sense: Seductive, tempting.)

wizard ::: n. --> A wise man; a sage.
One devoted to the black art; a magician; a conjurer; a sorcerer; an enchanter. ::: a. --> Enchanting; charming.
Haunted by wizards.




QUOTES [3 / 3 - 304 / 304]


KEYS (10k)

   1 Peter J Carroll
   1 Owen Barfield
   1 https://wiki.auroville.org.in/wiki/Nirodbaran

NEW FULL DB (2.4M)

   9 Lisa Kleypas
   6 Mark Twain
   4 Terry Pratchett
   4 Leo Tolstoy
   4 Judith McNaught
   4 Cornelia Funke
   4 Bill Bryson
   3 Steve Maraboli
   3 Hermann Hesse
   3 Guy Kawasaki
   3 E L James
   3 C S Lewis
   3 Charlotte Smith
   3 Charles Bukowski
   3 Anna Laetitia Barbauld
   2 William Shakespeare
   2 Victor Hugo
   2 Tessa Dare
   2 Stephen Cope
   2 Robert Musil

1:The wand weapon similarily appears in a profusion of forms. As an instrument to assist the projection of the magical will onto the aetheric and material planes, it could be a general purpose sigil, an amulet, a ring, an enchanting mantra, or even an act or gesture one performs. As with the pentacle, there is a virtue in having a small, portable, and permanent device of this class, for power accrues to it with use. As with the cup, the power of the wand is partly to fascinate the surface functions of the mind and channel the forces concealed in the depths. Like the sword, the wand is manipulated in such a way as to describe vividly to the will and subconscious what is required of them.
   ~ Peter J Carroll, Liber Null,
2:She"
  
   How shall I welcome not this light
   Or, wakened by it, greet with doubt
   This beam as palpable to sight
   As visible to touch? How not,
   Old as I am and (some say) wise,
   Revive beneath her summer eyes?
  
   How not have all my nights and days,
   My spirit ranging far and wide,
   By recollections of her grace
   Enlightened and preoccupied?
   Preoccupied: the Morning Star
   How near the Sun and yet how far!
  
   Enlightened: true, but more than true,
   Or why must I discover there
   The meaning in this taintless dew,
   The dancing wave, this blessed air
   Enchanting in its morning dress
   And calm as everlastingness?
  
   The flame that in the heart resides
   Is parcel of that central Fire
   Whose energy is winds and tides-
   Is rooted deep in the Desire
   That smilingly unseals its power
   Each summer in each springing flower.
  
   Oh Lady Nature-Proserpine,
   Mistress of Gender, star-crowned Queen!
   Ah Rose of Sharon-Mistress mine,
   My teacher ere I turned fourteen,
   When first I hallowed from afar
   Your Beautyship in avatar!
  
   I sense the hidden thing you say,
   Your subtle whisper how the Word
   From Alpha on to Omega
   Made all things-you confide my Lord
   Himself-all, all this potent Frame,
   All save the riddle of your name.
  
   Wisdom! I heard a voice that said:
   "What riddle? What is that to you?
   How! By my follower betrayed!
   Look up-for shame! Now tell me true:
   Where meet you light, with love and grace?
   Still unacquainted with my face?"
  
   Dear God, the erring heart must live-
   Through strength and weakness, calm and glow-
   That answer Wisdom scorns to give.
   Much have I learned. One problem, though,
   I never shall unlock: Who then,
   Who made Sophia feminine?
   ~ Owen Barfield, 1978,
3:(Nirodbaran:) "It was the first week of January 1930.
     At about 3 p.m., I reached Dilip Kumar Roy's place. "Oh, you have come! Let us go," he said, and cutting a rose from his terrace-garden he added, "Offer this to the Mother." When we arrived at the Ashram he left me at the present Reading Room saying, "Wait here." My heart was beating nervously as if I were going to face an examination. A stately chair in the middle of the room attracted momentarily my attention. In a short while the Mother came accompanied by Nolini, Amrita and Dilip. She took her seat in the chair, the others stood by her side. I was dazzled by the sight. Was it a ‘visionary gleam’ or a reality? Nothing like it had I seen before. Her fair complexion, set off by a finely coloured sari and a headband, gave me the impression of a goddess such as we see in pictures or in the idols during the Durga Puja festival. She was all smiles and redolent with grace. I suppose this was the Mahalakshmi smile Sri Aurobindo had spoken of in his book The Mother. She bathed me in the cascade of her smile and heart-melting look. I stood before her, shy and speechless, made more so by the presence of the others who were enjoying the silent sweet spectacle. Minutes passed. Then I offered to her hand my rose and did my pranam at her feet which had gold anklets on them. She stooped and blessed me. On standing up, I got again the same enchanting smile like moonbeams from a magic sky. After a time she said to the others, "He is very shy." "[1]

(Amal Kiran:) "Now to come back to all the people, all – the undamned all who were there in the Ashram. Very soon after my coming Dilip Kumar Roy came with Sahana Devi. They came and settled down. And, soon after that, I saw the face of my friend Nirod. It was of course an unforgettable face. (laughter) I think he had come straight from England or via some place in Bengal, but he carried something of the air of England. (laughter) He had passed out as a doctor at Edinburgh. I saw him, we became friends and we have remained friends ever since. But when he came as a doctor he was not given doctoring work here. As far as I remember he was made the head of a timber godown! (laughter) All sorts of strange jobs were being given to people. Look at the first job I got. The Mother once told me, "I would like you to do some work." I said, "All right, I am prepared to do some work." Then she said,"Will you take charge of our stock of furniture?" (laughter)"[2]

(Amal Kiran:) "To return to my friend Nirod – it was after some time that he got the Dispensary. I don't know whether he wanted it, or liked it or not, but he established his reputation as the frowning physician. (laughter) People used to come to him with a cold and he would stand and glare at them, and say, "What? You have a cold!" Poor people, they would simply shiver (laughter) and this had a very salutary effect because they thought that it was better not to fall ill than face the doctor's drastic disapproval of any kind of illness which would give him any botheration. (laughter) But he did his job all right, and every time he frightened off a patient he went to his room and started trying to write poetry (laughter) – because that, he thought, was his most important job. And, whether he succeeded as a doctor or not, as a poet he has eminently succeeded. Sri Aurobindo has really made him a poet.

    The doctoring as well as the poetry was a bond between us, because my father had been a doctor and medicine ran in my blood. We used to discuss medical matters sometimes, but more often the problems and pains of poetry."[3] ~ https://wiki.auroville.org.in/wiki/Nirodbaran

*** WISDOM TROVE ***

1:Life is really about a spiritual unfolding that is personal and enchanting - an unfolding that no science or philosophy or religion has yet fully clarified. ~ james-redfield, @wisdomtrove
2:The delight we inspire in others has this enchanting peculiarity that, far from being diminished like every other reflection, it returns to us more radiant than ever. ~ victor-hugo, @wisdomtrove
3:The enchanting, and sometimes terrifying, thing is that the world can be so many things to so many different souls. That it can be, and is, all these things at once and the same time. ~ henry-miller, @wisdomtrove
4:the sweet heavy smell grew very much less. For though the whole fire had not been put out, a good bit of it had, and what remained smelled very largely of burnt Marsh-wiggle, which is not at all an enchanting smell. ~ c-s-lewis, @wisdomtrove
5:How beautiful you are! You are more beautiful in anger than in repose. I don't ask you for your love; give me yourself and your hatred; give me yourself and that pretty rage; give me yourself and that enchanting scorn; it will be enough for me. ~ charles-dickens, @wisdomtrove
6:I know the look of an apple that is roasting and sizzling on the hearth on a winter's evening, and I know the comfort that comes of eating it hot, along with some sugar and a drench of cream... I know how the nuts taken in conjunction with winter apples, cider, and doughnuts, make old people's tales and old jokes sound fresh and crisp and enchanting. ~ mark-twain, @wisdomtrove
7:Flora, always tall, had grown to be very broad too, and short of breath; but that was not much. Flora, whom he had left a lily, had become a peony; but that was not much. Flora, who had seemed enchanting in all she said and thought, was diffuse and silly. That was much. Flora, who had been spoiled and artless long ago, was determined to be spoiled and artless now. That was a fatal blow. ~ charles-dickens, @wisdomtrove
8:Get off the scale! I have yet to see a scale that can tell you how enchanting your eyes are. I have yet to see a scale that can show you how wonderful your hair looks when the sun shines its glorious rays on it. I have yet to see a scale that can thank you for your compassion, sense of humor, and contagious smile. Get off the scale because I have yet to see one that can admire you for your perseverance when challenged in life. ~ steve-maraboli, @wisdomtrove
9:Man designs for himself a garden with a hundred kinds of trees, a thousand kinds of flowers, a hundred kinds of fruit and vegetables. Suppose, then, that the gardener of this garden knew no other distinction between edible and inedible, nine-tenths of this garden would be useless to him. He would pull up the most enchanting flowers and hew down the noblest trees and even regard them with a loathing and envious eye. This is what the Steppenwolf does with the thousand flowers of his soul. What does not stand classified as either man or wolf he does not see at all. ~ hermann-hesse, @wisdomtrove

*** NEWFULLDB 2.4M ***

1:The mind is an enchanting thing. ~ Marianne Moore,
2:My God, she's enchanting. My God, she's mine. ~ Mia Sheridan,
3:And one day, you, too, might grow up to be enchanting. ~ Tiffany Baker,
4:Every age can be enchanting, provided you live within it. ~ Brigitte Bardot,
5:A holiday in a new dress—can earth offer anything more enchanting? ~ O Henry,
6:All of a sudden I had the revelation of how enchanting my pond was. ~ Claude Monet,
7:Never was living beauty so enchanting as a dying Saviour. ~ Charles Haddon Spurgeon,
8:Free love,Ayaan knew, is an enchanting place haunted by demented women ~ Manu Joseph,
9:London is one of the most enchanting places I've ever been on this planet. ~ Don Johnson,
10:Too dear I prized a fair enchanting face: beauty unchaste is beauty in disgrace. ~ Homer,
11:The ability to forget a sorrow is childhood's most enchanting feature. ~ Phyllis McGinley,
12:Most stories are too good to be true. That's what makes them enchanting. ~ Kerri Maniscalco,
13:The ravaged face in the mirror hides the enchanting youth that is the real me. ~ Mason Cooley,
14:I thought you were the loveliest, most enchanting creature God ever created. ~ Judith McNaught,
15:Can any mortal mixture of earth's mould Breathe such divine enchanting ravishment? ~ John Milton,
16:In our progress towards the goal, we ever see more and more enchanting scenery. ~ Mahatma Gandhi,
17:The fantasy of the taste of M&Ms is more enchanting than the taste of M&Ms ~ Geneen Roth,
18:The Sea of Galilee is like an enchanting woman whose moods are fiercely changeable. ~ R C Sproul,
19:Holy Istanbul! Your name is the most enchanting one of all names which enchants me. ~ Pierre Loti,
20:Ah, and you go, do something as enchanting as shivering and almost break my resolve. ~ Abbi Glines,
21:One whom the music of his own vain tongue doth ravish like enchanting harmony. ~ William Shakespeare,
22:To make yourself beautiful you oiled your body with honey, enchanting the bees. ~ Velimir Khlebnikov,
23:for some strange reason which should have alarmed me, I found him completely enchanting. ~ Penny Reid,
24:Disney has a great tradition of enchanting children and giving them something to behold. ~ Nicolas Cage,
25:Pursuing your passions makes you more interesting, and interesting people are enchanting. ~ Guy Kawasaki,
26:Trust is our gift back to God, and he finds it so enchanting that Jesus died for love of it ~ Brennan Manning,
27:Do men often tell you you're enchanting?" "No. Men often tell me I hit very hard." Hint, hint. ~ Ilona Andrews,
28:...the light through the windows is always more enchanting when viewed from the street outside. ~ Gail Caldwell,
29:Dark-eyed, dark-haired, with smiles of enchanting archness and a step like a fawn— ~ Mary Wollstonecraft Shelley,
30:How in heaven’s name did our beloved and enchanting childhood turn into this bloodbath of adulthood? ~ Cameron Jace,
31:It was April in Minneapolis and snowing, the flakes coming down in thick swirls enchanting the city ~ Cheryl Strayed,
32:And now about the cauldron sing
Like elves and fairies in a ring,
Enchanting all that you put in. ~ William Shakespeare,
33:Be You! It is so enchanting to see the beauty that radiates from someone freely expressing their uniqueness. ~ Steve Maraboli,
34:I have plenty of machinery around me; what I really need is a more enchanting world in which to live and work. ~ Thomas Moore,
35:And so, with all the athleticism of a student who spends most of his time reading and enchanting, I tried to jump ~ Andrew Rowe,
36:The enchanting charms of this sublime science reveal only to those who have the courage to go deeply into it. ~ Carl Friedrich Gauss,
37:Freshness is important. If a game is fresh, new, intriguing, challenging, and enchanting, it will sell, and sell well. ~ Roberta Williams,
38:You can learn all sorts of rules and techniques of writing and still not be able to assemble something beautiful or enchanting. ~ Peter Turchi,
39:What could be more beautiful than a dear old lady growing wise with age? Every age can be enchanting, provided you live within it. ~ Brigitte Bardot,
40:A serious dignity reigned upon her countenance, but was tempered by a grace and sweetness which rendered her truly enchanting. Lorenzo ~ Matthew Lewis,
41:Perhaps it wasn't a mistake, yet merely a book that needed to end.
Sometimes the final line isn't as enchanting as the opening. ~ Brittainy C Cherry,
42:I have remained a simple fellow who asks nothing of the world; only my youth is gone - the enchanting youth that forever walks on air. ~ Albert Einstein,
43:The mind is an enchanting thing is an enchanted thing, like the glaze on a katydid-wing subdivided by sun till the nettings are legion. ~ Marianne Moore,
44:Now I really feel the landscape, I can be bold and include every tone of pink and blue: it's enchanting, it's delicious, and I hope it will please you. ~ Claude Monet,
45:I saw stars like Helen Hayes, Maurice Evans, Tallulah Bankhead and Cornelia Otis Skinner. It was enchanting. I knew that was the world I wanted to be in. ~ Sada Thompson,
46:Life is really about a spiritual unfolding that is personal and enchanting - an unfolding that no science or philosophy or religion has yet fully clarified. ~ James Redfield,
47:I cannot control who was going to come, and who was going to go, and who will stay my buddy, my pal, and who'll find me enchanting, and oddly I feel relieved. ~ Sharon Creech,
48:She was enchanting. He loved the notes she wrote in her pretty handwriting, the way she smelled, like oranges and dough, the savage blackness of her hair. ~ Sarah Addison Allen,
49:She was… damn it, she was everything. Witty, enchanting, brave, smart… and beautiful. And he knew that his eyes were saying all that and that she wasn’t turning away. ~ L J Smith,
50:Love is a flower that blooms so tender, each kiss a dew drop of sweet surrender. Love is a moment of life enchanting, let's take that moment that tonight is granting. ~ Dean Martin,
51:The delight we inspire in others has this enchanting peculiarity that, far from being diminished like every other reflection, it returns to us more radiant than ever. ~ Victor Hugo,
52:The day, like the previous days, dragged sluggishly by in a kind of insipid idleness, devoid even of that dreamy expectancy which can make idleness so enchanting. ~ Vladimir Nabokov,
53:In every age poets and social reformers have tried to stimulate the people of their own time to a nobler life by enchanting stories of the virtues of the heroes of old. ~ Alfred Marshall,
54:To put it quite crudely ... the poor don't really know how the rich live, and the rich don't know how the poor live, and to find out is really enchanting to both of them. ~ Agatha Christie,
55:He knelt on one knee, close to the hem of her dress, and looked up at her. She watched him as he kissed her hand.
“Beautiful, enchanting Livia, will you marry me today? ~ Debra Anastasia,
56:There is something so enchanting in the smile of melancholy. It is a ray of light in the darkness, a shade between sadness and despair, showing the possibility of consolation. ~ Leo Tolstoy,
57:The enchanting, and sometimes terrifying, thing is that the world can be so many things to so many different souls. That it can be, and is, all these things at once and the same time. ~ Henry Miller,
58:The best user experiences are enchanting. They help the user enter an alternate reality, whether it's the world of making music, writing, sharing photos, coding, or managing a project. ~ Kathy Sierra,
59:Always, after he was in bed, there were voices - indefinite, fading, enchanting - just outside his window, and before he fell asleep he would dream one of his favorites waking dreams. ~ F Scott Fitzgerald,
60:Pity is the most pleasant feeling in those who have not much pride and have no prospect of great conquests; for them the easy prey - and that is what all who suffer are - is enchanting. ~ Friedrich Nietzsche,
61:Never wade through the pretty ripples
of perpetually flowing
rivers, until you have looked at their lovely waters,
and prayed to them,
and washed your hands in the pale enchanting water ~ Hesiod,
62:If you want to make a good first impression, smile at people. What does it cost to smile? Nothing. What does it cost not to smile? Everything, if not smiling prevents you from enchanting people. ~ Guy Kawasaki,
63:I put a spell on people so they don't know they're working out... An enchanting spell, where they just don't think about it, or over think it, and then at the end they go, 'Wow, I feel good.' ~ Richard Simmons,
64:Never wade through the pretty ripples
of perpetually flowing
rivers, until you have looked at their lovely waters,
and prayed to them,
and washed your hands in the pale enchanting water. ~ Hesiod,
65:That smile, Acharya knew, was the summary of all men who stay out of fierce enchanting battles because they want to build their place in the world through the deceptions of good public relations. ~ Manu Joseph,
66:To win the trophy of enchanting grace: Ranks of Carnations, to all ladies dear, Of whose sweet taste I write approval here, For these pre-eminent myself I think, As long as you don't overdue the pink. ~ Ruth Pitter,
67:Ben looked at her. She shrugged. ‘As a little girl I could bullseye watermelons at twenty paces. Now I nail ’em at thirty.’ ‘What an enchanting child you must have been.’ ‘Admit it, you’re impressed. ~ Scott Mariani,
68:Howard's enchanting Hospice obeys its own magical inner logic with excellent prose and a sadness that will split open hearts. You have in your hands a story that is inquisitive, gripping, and triumphant. ~ Deb Olin Unferth,
69:the sweet heavy smell grew very much less. For though the whole fire had not been put out, a good bit of it had, and what remained smelled very largely of burnt Marsh-wiggle, which is not at all an enchanting smell. ~ C S Lewis,
70:Oratory is the art of enchanting the soul, and therefore he who would be an orator has to learn the differences of human souls--they are so many and of such a nature, and from them come the differences between man and man. ~ Plato,
71:I was speechless. Never had I dreamed that the First Amendment of the Constitution of the United States of America and the enchanting technology of a motion-picture camera would be combined to form such an atrocity. ~ Kurt Vonnegut,
72:Sex is all the enchantment required. Do men find women so enchanting once the sex is taken out? Does anyone find anyone that enchanting unless they have sexual business with them? Who else are you enchanted by? Nobody. ~ Philip Roth,
73:Hans Christian Andersen said 'Every man's life is a fairy tale written by God's fingers.' Maybe he was right, maybe not. Either way, just remember: enchanting as they may be, in fairytales the forests are always dark. ~ Greg F Gifune,
74:On one of these occasions, "suddenly there hovered around the top of the rock a brightness of unequaled clearness and color, which, in increasingly smaller circles thickened, was the enchanting figure of the beautiful Lore. ~ Mark Twain,
75:The terrors of the child are quite reasonable, and add to his loveliness; for his utter ignorance and weakness, and his enchanting indignation on such a small basis of capital compel every bystander to take his part. ~ Ralph Waldo Emerson,
76:the cathedral-like Galleria Vittorio Emanuele II in Milan, which Mark Twain found so enchanting that he declared he would happily live in it for the rest of his life. It is still probably the most beautiful shopping center in the world. ~ Bill Bryson,
77:because the erotic frisson is such that the kiss that you only imagine giving,can be as powerful and as enchanting as hours of actual lovemaking. As Marcel Proust said, it's our imagination that is responsible for love, not the other person. ~ Esther Perel,
78:We’d read about sirens in English this fall; Greek mythology bullshit about women so beautiful, their voices so enchanting, that men did anything for them. Turned out that mythology crap was real because every time I saw her, I lost my mind. ~ Katie McGarry,
79:God changes appearances every second. Blessed is the man who can recognize him in all his disguises. One moment he is a glass of fresh water, the next, your son bouncing on your knees or an enchanting woman, or perhaps merely a morning walk. ~ Nikos Kazantzakis,
80:How beautiful you are! You are more beautiful in anger than in repose. I don't ask you for your love; give me yourself and your hatred; give me yourself and that pretty rage; give me yourself and that enchanting scorn; it will be enough for me. ~ Charles Dickens,
81:[On Malaysia:] Mr. Darwin says so truly that a visit to the tropics (and such tropics) is like a visit to a new planet. This new wonder-world, so enchanting, tantalising, intoxicating, makes me despair, for I cannot make you see what I am seeing! ~ Isabella Bird,
82:Beauty is Nature in perfection; circularity is its chief attribute. Behold the full moon, the enchanting golf ball, the domes of splendid temples, the huckleberry pie, the wedding ring, the circus ring, the ring for the waiter, and the "round" of drinks. ~ O Henry,
83:Every once in awhile you find a novel so magical that there is no escaping its spell. The Night Circus is one of these rarities - engrossing, beautifully written and utterly enchanting. If you choose to read just one novel this year, this is it ~ Danielle Trussoni,
84:Masques are mere pious recitals," he said scathingly, "devised to make the audience feel inspired with unending speeches about chastity, nobility, bravery, and other such nonsense. They're enchanting to look at, but dreary beyond belief to hear. ~ Bernard Cornwell,
85:It just goes to show, never say never, or the next thing you know, you’ll be doing what you said you never would, owning a dog you swore you didn’t want and walking (or carrying) a tiny, totally enchanting little dog on a rhinestone-studded pink leash. ~ Danielle Steel,
86:A Midsummer Night’s Dream remains an enchanting work after four hundred years, but few would argue that it cuts to the very heart of human behaviour. What it does do is take, and give, a positive satisfaction in the joyous possibilities of verbal expression. ~ Bill Bryson,
87:Elena smiled and he had to smile back, at first just a quirk of the lip, and then a full smile. She was…Damn it, she was everything. Witty, enchanting, brave, smart…and beautiful. And he knew that his eyes were saying all that and that she wasn’t turning away. ~ L J Smith,
88:I thought I dreamed you." The words whisper from my parched throat.
His head tilts to one side, his mouth shifting to something less sarcastic, more amused. "That may be the most enchanting thing I've ever been told after spending the night with a girl. ~ Tammara Webber,
89:On March 28, 1801, his only full-length ballet was premiered, The Creatures of Prometheus. Beethoven also completed one of his most famous and enchanting pieces during this year, his Piano Sonata No. 14, which would come to be known and loved as the Moonlight Sonata. ~ Hourly History,
90:She laughed. He was right. Her laughter was enchanting. So, too, the sparkle in her eyes as she glanced at him. He'd never seen eyes as darkly brown as hers. With her dark hair she should have been a study in monochrome, but she wasn't. Her cheeks matched her pink lips. ~ Karen Ranney,
91:She turned around to look at me with her enchanting gaze that further pierced my heart; a look I would never forget and I would retain till perpetuity and think of it always whenever she came to my mind. And that is not going to be a few times, if my heart is to have its way. ~ Faraaz Kazi,
92:Sebastian smiled lazily as he came to her. Taking her shoulders in his hands, he slid an appraising
glance along her half-clad body. “Don’t remove a single freckle, sweet. I found some in the most
enchanting places. I already have my favorites…shall I tell you where they are? ~ Lisa Kleypas,
93:With her enchanting songs, her rare beauty, and clever tricks, this wild 'wanderess' ensnared my soul like a gypsy-thief, and led me foolish and blind to where you find me now. The first time I saw her, fires were alight. It was a spicy night in Barcelona. The air was fragrant and free. ~ Roman Payne,
94:But in this life we take turns at being enchanting, then enchanted. First we play in the streets, unaware of the freedom burning in the sun on our hair and the cigarette in our mouth, unconscious of the daydreams we inspire. Then it's our time to sit at a window and watch, and we are moved. ~ Jardine Libaire,
95:Girls are apt to imagine noble and enchanting and totally imaginary figures in their own minds; they have fanciful extravagant ideas about men, and sentiment, and life; and then they innocently endow somebody or other with all the perfections for their daydreams, and put their trust in him. ~ Honore de Balzac,
96:Or maybe she simply couldn't stay merry. That subversive, candid merriment of hers was enchanting, electric; but it was a social phenomenon. It was something elicited by, and dazzling to, a new acquaintance. It was like makeup: it looked good in public, but in private, sooner or later it had to come off. ~ Joan Wickersham,
97:Sharko greeted her. Her hands were soft and delicate, her nails cut short. Her long black hair, fine and buoyant, framed an enchanting pair of eyes. She must have been in her early thirties and didn’t look anything like Sharko’s image of Egyptian women: veiled, obedient, living in their husbands’ shadows. ~ Franck Thilliez,
98:In after years when he remembered the enchanting dreams of his boyhood, instead of sighing after them as something gone for ever, he would say to himself, "what matter they are gone? In the heavenly kingdom my own mother is waiting me, fairer and stronger and real. I imagined the elves; God imagined my mother. ~ George MacDonald,
99:In the halls of heaven it was now dark enough for the Aurora Borealis sisters to begin their lively dance of the veils. With an enchanting play of colors they flitted light and quick about the great stage of the heavens, in fluttering golden dresses, their tumbling pearl necklaces scattering here and there in their wild caperings. ~ Sj n,
100:You know that kind of quiver that trembles around through you when you are seeing something so strange and enchanting and wonderful that it is just a fearful joy to be alive and look at it; and you know how you gaze, and your lips turn dry and your breath comes short, but you wouldn't be anywhere but there, not for the world. ~ Mark Twain,
101:To be serious, the things you really want to relive are things like bedtime with your daughter when she becomes incredibly entertaining 'cause she doesn't want to go to sleep. They're at their most enchanting 'cause they just want to put it off, so they do a cabaret for you. You sit there thinking, "Please don't let this end." ~ Bill Nighy,
102:My little innocent has some fire in her after all. His velvety voice licked her spine. Fire, and a decadently enchanting sway to her hips. Sam blushed to her roots and stumbled into the stables trying to still the “sway to her hips.” She would ignore him and hope he would go away like a bad dream. She didn’t need this in her life. ~ Paula Quinn,
103:She lives her life like a flame; a dance of purposeful chaos.… Her enchanting light can guide you and quell your fears… She’s hot; warming those who respect her and burning those who don’t... She is a flame with an unforgettable glow… A weak man will try to dim her luminance... but her soul mate will take pleasure in fanning the blaze. ~ Steve Maraboli,
104:When the line of incoming guests ended, Peyton put his arm around Carrie’s waist. She looked enchanting tonight with her reddish-brown tresses pulled back off her face save for the ringlets that brushed against her bare shoulders. Her skin glowed with softness, and Peyton longed to kiss his way down her neck and across her collarbone. ~ Andrea Boeshaar,
105:It was like a Stygian plain, like a vision of Hades: a land of shadows, vapours and water. Everything was going misty and disappearing like spirits. The moon was enchanting and pulling at the plain just as she enchants and pulls at the sea, drinking all that vast earthly dampness from the horizon with her silent, insatiable throat. ~ Gabriele D Annunzio,
106:He lay back for a little in his bed thinking about the smells of food… of the intoxicating breath of bakeries and dullness of buns… He planned dinners, of enchanting aromatic foods… endless dinners, in which one could alternate flavor with flavor from sunset to dawn without satiety, while one breathed great draughts of the bouquet of brandy. ~ Evelyn Waugh,
107:For the man on the quest, the universe becomes enchanting-an effect that good religion accomplishes. There are no dead ends, no wasted time, no useless characters or meaningless happenings. All has meaning, and God is in all things waiting to speak and to bless. Everything belongs once a man is on his real quest and asking the right questions. ~ Richard Rohr,
108:I know the look of an apple that is roasting and sizzling on the hearth on a winter's evening, and I know the comfort that comes of eating it hot, along with some sugar and a drench of cream... I know how the nuts taken in conjunction with winter apples, cider, and doughnuts, make old people's tales and old jokes sound fresh and crisp and enchanting. ~ Mark Twain,
109:Prison Bars
Though Prison Bars my Freedom mars,
and Glittering Bayonets Guard me round,
My Rebel soul Scorns such Control,
and Dwells with Friends on Southern Ground.
My Heart is Light, and Spirits Bright,
and Hope, with Her Enchanting Wand,
Gives Visions Fair: and Free as Air,
I Roam at Will in Dixie's Land.
~ Anonymous Americas,
110:Narrative nonfiction was not my forte. I always wanted to let my imagination run free, and the facts sometimes got in the way. At one point I wanted to illustrate Jack Prelutsky's enchanting poems. Unable to do that, I started devising and improvising my own poems, very raw at first. I immersed myself in verse, writing reams of stuff until it gelled. ~ Douglas Florian,
111:The Cinderella of the church today is the prayer meeting. This handmaid of the Lord is unloved and unwooed because she is not dripping with the pearls of intellectualism, nor glamorous with the silks of philosophy; neither is she enchanting with the tiara of psychology. She wears the homespuns of sincerity and humility and so is not afraid to kneel! ~ Leonard Ravenhill,
112:WE THINK, sometimes, there's not a dragon left. Not one brave knight, not a single princess gliding through secret forests, enchanting deer and butterflies with her smile. We think sometimes that ours is an age past frontiers, past adventures. Destiny, it's way over the horizon; glowing shadows galloped past long ago, and gone. What a pleasure to be wrong. ~ Richard Bach,
113:I had come from wondrous lands, from landscapes more enchanting than life, but only to myself did I ever mention these lands, and I said nothing about the landscapes which I saw in dreams. My feet stepped like theirs over the floorboards and the flagstones, but my heart was far away, even if it beat close by, false master of an estranged and exiled body. ~ Fernando Pessoa,
114:He lay back for a little in his bed thinking about the smells of food . . . of the intoxicating breath of bakeries and dullness of buns. . . . He planned dinners, of enchanting aromatic foods . . . endless dinners, in which one could alternate flavour with flavour from sunset to dawn without satiety, while one breathed great draughts of the bouquet of old brandy. ~ Evelyn Waugh,
115:If the men and women of the past, with all their flaws and limitations and ambitions and appetites, could press on through ignorance and superstition, racism and sexism, selfishness and greed, to create a freer, stronger nation, then perhaps we, too, can right wrongs and take another step toward that most enchanting and elusive of destinations: a more perfect Union. ~ Jon Meacham,
116:It has always seemed to me. ever since early childhood, amid all the commonplaces of life, i was very near to a kingdom of ideal beauty. Between it and me hung only a thin veil. I could never draw it quite aside, but sometimes a wind fluttered it and I caught a glimpse of the enchanting realms beyond-only a glimpse-but those glimpses have always made life worthwhile. ~ Lucy Maud Montgomery,
117:Over the course of the day, he revealed to her a boyish, mischievous side that she found enchanting. One moment he played the lover, sliding his fingers lightly across the nape of her neck or down her arm as they walked. The next he was a rascal, sweeping her off her feet and threatening to toss her in the water or jumping out at her from the brush, ferocious as a bear. ~ Catherine Anderson,
118:The splendor of a human heart that trusts it is loved unconditionally gives God more pleasure than Westminster Cathedral, the Sistine Chapel, Beethoven’s “Ninth Symphony”, Van Gogh’s “Sunflowers”, the sight of 10,000 butterflies in flight, or the scent of a million orchids in bloom. Trust is our gift back to God, and he finds it so enchanting that Jesus died for love of it. ~ Brennan Manning,
119:Many verses of the holy books, above all the Upanishads of Sama-Veda spoke of this innermost thing. It is written: “Your soul is the whole world.” It says that when a man is asleep, he penetrates his innermost and dwells in Atman. There was wonderful wisdom in these verses; all the knowledge of the sages was told here in enchanting language, pure as honey collected by the bees. ~ Hermann Hesse,
120:her father would have found her performance enchanting, would have scooped her up in his arms and called her his sea anemone. His approval sparked magic into the blandest day, could layer her in the self-confidence and security she otherwise might lack; and without it, without him, she felt small, and helpless, and the idea of sleeping in a parking lot suddenly seemed very real. ~ Anthony Marra,
121:But here is an artist. He desires to paint you the dreamiest, shadiest, quietest, most enchanting bit of romantic landscape in all the valley of the Saco. What is the chief element he employs? There stand his trees, each with a hollow trunk, as if a hermit and a crucifix were within; and here sleeps his meadow, and there sleep his cattle; and up from yonder cottage goes a sleepy smoke. ~ Herman Melville,
122:Flora, always tall, had grown to be very broad too, and short of breath; but that was not much. Flora, whom he had left a lily, had become a peony; but that was not much. Flora, who had seemed enchanting in all she said and thought, was diffuse and silly. That was much. Flora, who had been spoiled and artless long ago, was determined to be spoiled and artless now. That was a fatal blow. ~ Charles Dickens,
123:Practicing love often means feeling through fear: intentionally opening yourself when you would rather close down, giving yourself when you would rather hide. Love means recognizing yourself as the open fullness of this moment regardless of its contents -- trenchant thoughts, enchanting pleasures, heavy emotions, or gnawing pains -- and surrendering all hold on the familiar act you call 'me'. ~ David Deida,
124:I should not be able to make any one understand how exciting it all was. You know that kind of quiver that trembles around through you when you are seeing something so strange and enchanting and wonderful that it is just a fearful joy to be alive and look at it; and you know how you gaze, and your lips turn dry and your breath comes short, but you wouldn't be anywhere but there, not for the world. ~ Mark Twain,
125:This is the fairest picture on our planet, the most enchanting to look upon, the most satisfying to the eye and spirit. To see the sun sink down, drowned in his pink and purple and golden floods, and overwhelm Florence with tides of color that make all the sharp lines dim and faint and turn the solid city to a city of dreams, is a sight to stir the coldest nature, and make a sympathetic one drunk with ecstasy. ~ Mark Twain,
126:On a good day, every small thing is enchanting. Everything is a miracle. There is no emptiness. There is no need for forgiveness or escape or medicine. I hear only the wind in the trees, and my devils hatching their sacral plans, fusing all the shattered pieces together into a blanket of ice. I have found that it's under that ice that I can feel I am just another normal person. In the dark and cold, I am at 'peace. ~ Ottessa Moshfegh,
127:Imagine an American Hans Christian Andersen, conceive of the Brothers Grimm living in Missouri, and you will approximate Howard Schwartz, a fable-maker and fable-gatherer seduced by the uncanny and the unearthly. In Lilith's Cave, he once again reaches into a magical cornucopia of folklore and fantasy and spreads before us, in enchanting language, the marvels and shocks of dybbuks, ghosts, demons, spirits, and wizards. ~ Cynthia Ozick,
128:(Brazil:) I've never beheld such a paradise. The people are enchanting and--a mercy on this earth of ours--this is the only placewhere there isn't any race question. Negroes and whites and Indians, three-quarters, oneeighth, the wonderful Mulatto and Creole women, Jews and Christians, all dwell together in a peace that passes describing. The Jewish immigrants are in seventh heaven; all of them have jobs and feel at home. ~ Stefan Zweig,
129:In a world beyond this one, that river goes on singing sweetly, enchanting us with what we want to hear, shaping what we need to see in order to keep going. In those waters, all disappointments are forgotten, our mistakes forgiven. Gazing into them, we see a strong father. A loving mother. Warm rooms where we are sheltered, adored, wanted. And the uncertainty of our futures is nothing more than the fog of breath on a windowpane. ~ Libba Bray,
130:In a world beyond this one, that river goes on singing sweetly, enchanting us
with what we want to hear, shaping what we need to see in order to keep going. In those waters, all disappointments are forgotten, our mistakes forgiven. Gazing into them, we see a strong father. A loving mother. Warm rooms where we are sheltered, adored, wanted. And the uncertainty of our futures is nothing more than the fog of breath on a windowpane. ~ Libba Bray,
131:quiet. But when no one was looking I would slip into Ella’s room and steal a book and take it back of the barn and try to read it. Usually I could not decipher enough words to make the story have meaning. I burned to learn to read novels and I tortured my mother into telling me the meaning of every strange word I saw, not because the word itself had any value, but because it was the gateway to a forbidden and enchanting land. One ~ Richard Wright,
132:I open the red leather box and examine the earrings. They are beautiful: simple yet elegant, just like the enchanting Miss Steele … who left me this morning because I punished her … because I pushed her too hard. I cradle my head once again. But she let me. She didn’t stop me. She let me because she loves me. The thought is horrifying, and I dismiss it immediately. She can’t. It’s simple: no one can feel like that about me. Not if they know me. ~ E L James,
133:The kitten was six weeks old. It was enchanting, a delicate fairy-tale cat, whose Siamese genes showed in the shape of the face, ears, tail, and the subtle lines of its body. [...] She sat, a tiny thing, in the middle of a yellow carpet, surrounded by five worshipppers, not at all afraid of us. Then she stalked around that floor of the house, inspecting every inch of it, climbed up on to my bed, crept under the fold of a sheet, and was at home. ~ Doris Lessing,
134:Notable American Women is an enchanting and moving novel. Like Italo Calvino and Lewis Carrol, Ben Marcus reconfigures the world that we might see ourselves in a cultural and moral landscape that is disturbingly familiar, yet entirely new. As though granted a new beginning, Marcus renames the creatures of our world, questions who we are and who, as men and women, we might be. Notable American Women is a wonder book, pleasurable and provocative. ~ Maureen Howard,
135:Death is eventual, a nature’s call, and it happens everyday. Adage, true love, isn’t, and it needs human strength to live with its enchanting, yet sorrowful consequences. It deserves to be appreciated, for it’s not easy, and needs human will, strength, and heart. It doesn’t matter how many people die in the world, as long as there are the few who know how to love and live. The power of love, however little, is enough to balance all the death around us. ~ Anonymous,
136:Life is, in fact, a battle. Evil is insolent and strong; beauty enchanting, but rare; goodness very apt to be weak; folly very apt to be defiant; wickedness to carry the day; imbeciles to be in great places, people of sense in small, and mankind generally unhappy. But the world as it stands is no narrow illusion, no phantasm, no evil dream of the night; we wake up to it, forever and ever; and we can neither forget it nor deny it nor dispense with it. ~ Henry James,
137:The secret island had looked mysterious enough on the night they had seen it before - but now, swimming in the hot June haze, it seemed more enchanting than ever. As they drew near to it, and saw the willow trees that bent over the water-edge and heard the sharp call of moorhens that scuttled off, the children gazed in delight. Nothing but trees and birds and little wild animals. Oh, what a secret island, all for their very own, to live on and play on. ~ Enid Blyton,
138:For indeed Christianity was complicit in the death of antiquity, and in the birth of modernity, not because it was an accomplice of the latter, but because it, alone in the history of the West, constituted a rejection of and alternative to nihilism's despair, violence, and idolatry of power; as such, Christianity shattered the imposing and enchanting facade behind which nihilism once hid, and thereby, inadvertently, called it forth into the open. ~ David Bentley Hart,
139:This is a wonderful book, unique and engaging. Diaconis and Graham manage to convey the awe and marvels of mathematics, and of magic tricks, especially those that depend fundamentally on mathematical ideas. They range over many delicious topics, giving us an enchanting personal view of the history and practice of magic, of mathematics, and of the fascinating connection between the two cultures. Magical Mathematics will have an utterly devoted readership. ~ Barry Mazur,
140:It isn’t only the Utopians who become a little more immortal with every blade they take away. It isn’t only they who delight in seeing unicorns and wingrays in the street, who gaze through Griffincloth into enchanting nowheres, and ride the shuttles to the brave, bare Moon, which their efforts make a little less bare every day. We all enjoy these wonders, all of us, all Hives, all Hiveless. Reader, you should not have barred Apollo Mojave from the Pantheon. ~ Ada Palmer,
141:Then there are the words that the Song of Solomon provides a man. The enchanting words of courtship."
She closed her eyes and, lips parted, began to chant. "How beautiful you are, my love, your eyes are doves.... Your lips are like a crimson thread, and your mouth is lovely. Your cheeks are like halves of a pomegranate.... Your neck is like the tower of David.... Your two breasts are like two fawns, twins of a gazelle, that feed among the lilies. ~ Talia Carner,
142:Few western wonders are more inspiring than the beauties of an Arizona moonlit landscape; the silvered mountains in the distance, the strange lights and shadows upon hog back and arroyo, and the grotesque details of the stiff, yet beautiful cacti form a picture at once enchanting and inspiring; as though one were catching for the first time a glimpse of some dead and forgotten world, so different is it from the aspect of any other spot upon our earth. ~ Edgar Rice Burroughs,
143:Elves are wonderful. They provoke wonder. Elves are marvelous. They cause marvels. Elves are fantastic. They create fantasies. Elves are glamorous. They project glamour. Elves are enchanting. They weave enchantment. Elves are terrific. They beget terror. The thing about words is that meanings can twist just like a snake, and if you want to find snakes look for them behind words that have changed their meaning. No one ever said elves are nice. Elves are bad. ~ Terry Pratchett,
144:Elves are wonderful. They provoke wonder. Elves are marvellous. They cause marvels. Elves are fantastic. They create fantasies. Elves are glamorous. They project glamour. Elves are enchanting. They weave enchantment. Elves are terrific. They beget terror. The thing about words is that meanings can twist just like a snake, and if you want to find snakes look for them behind words that have changed their meaning. No one ever said elves are nice. Elves are bad. ~ Terry Pratchett,
145:Elves are wonderful. They provoke wonder. Elves are marvelous. They cause marvels. Elves are fantastic. They create fantasies. Elves are glamorous. They project glamour. Elves are enchanting. They weave enchantment. Elves are terrific. They beget terror. The thing about words is that meanings can twist just like a snake, and if you want to find snakes look for them behind words that have changed their meaning. No one ever said elves are nice. Elves are bad.   ~ Terry Pratchett,
146:[long Neglect Has Worn Away]
Long neglect has worn away
Half the sweet enchanting smile;
Time has turned the bloom to gray;
Mold and damp the face defile.
But that lock of silky hair,
Still beneath the picture twined,
Tells what once those features were,
Paints their image on the mind.
Fair the hand that traced that line,
“Dearest, ever deem me true”;
Swiftly flew the fingers fine
When the pen that motto drew.
~ Emily Jane Brontë,
147:Enchanting is not the word that would immediately spring to mind when describing a play that deals with fractal geometry, iterated algorithms, chaos theory and the second law of thermodynamics, but it is a perfect fit for Tom Stoppard's astonishing 1993 play, which is as beautiful as it is brilliant. This is one Stoppard drama that you don't have to be Einstein to understand -- you can feel it as well as think it. (...) Breathtaking, exhilarating and deeply satisfying. ~ Lyn Gardner,
148:The movie was an enormous hit in 1927. With Wings, it confirmed Bow as Hollywood’s leading female star. She received forty thousand letters a week—more than the population of a fair-sized town. In the summer of 1927, her career seemed set to go on indefinitely. In fact, it was nearly at an end. Winsome and enchanting as she was to behold, her Brooklyn accent was the vocal equivalent of nails on a blackboard, and in the new world of talking pictures that would never do. ~ Bill Bryson,
149:With her, too, I danced more easily now, in a freer and more sprightly fashion, even though not so buoyantly and more self-consciously than with the other. Hermine had me lead, adapting herself as softly and lightly as the leaf of a flower, and with her, too, I now experienced all these delights that now advanced and now took wing. She, too, now exhaled the perfume of woman and love, and her dancing, too, sang with intimate tenderness the lovely and enchanting song of sex. ~ Hermann Hesse,
150:CREATE A VIDEO. An enchanting, enticing, and energizing less-than-two-minutes video is the most important component of your project. Make it great, because it’s going to make or break your project. TELL A PERSONAL STORY. Your video, e-mails, and social media posts should tell a story. The best kind of story is a personal one. For example, how you undertook the project because you had an unmet need, such as a better way to fix flat bike tires (see the patchnride project on Indiegogo). ~ Guy Kawasaki,
151:Elves are wonderful. They provoke wonder.
Elves are marvellous. They cause marvels.
Elves are fantastic. They create fantasies.
Elves are glamorous. They project glamour.
Elves are enchanting. They weave enchantment.
Elves are terrific. They beget terror.
The thing about words is that meanings can twist just like a snake, and if you want to find snakes look for them behind words that have changed their meaning.
No one ever said elves are nice.
Elves are bad. ~ Terry Pratchett,
152:Clothes, when abstracted from the flow of present time and their transmogrifying function on the human body, and seen as forms in themselves, are strange tubes and excrescences worthy of being classed with such facial decorations as the ring through the nose or the lip-stretching disk. But how enchanting they become when seen togetherwith the qualities they bestow on their wearer! What happens then is no less than the infusion, into some tangled lines on a piece of paper, of the meaning of a great word. ~ Robert Musil,
153:Rambha had given Gandhi an enchanting image to describe the power of mantra. She compared the practice of mantra to the training of an elephant. “As the elephant walks through the market,” taught Rambha, “he swings his trunk from side to side and creates havoc with it wherever he goes—knocking over fruit stands and scattering vendors, snatching bananas and coconuts wherever possible. His trunk is naturally restless, hungry, scattered, undisciplined. This is just like the mind—constantly causing trouble. ~ Stephen Cope,
154:Clothes, when abstracted from the flow of present time and their transmogrifying function on the human body, and seen as forms in themselves, are strange tubes and excrescences worthy of being classed with such facial decorations as the ring through the nose or the lip-stretching disk. But how enchanting they become when seen together
with the qualities they bestow on their wearer! What happens then is no less than the infusion, into some tangled lines on a piece of paper, of the meaning of a great word. ~ Robert Musil,
155:More specifically, Hildegard of Bingen, in her Book of Divine Works (written in the twelfth century), discussed spiritual “progress” in terms of a cycle of four, which she called “the very pulse of life.” She wrote that progress begins with a time of “purging and purification,” followed by “confrontation with temptuous impulses,” then moves into “vigorous life and enchanting fragrance,” and finally reaches “the ripeness of nature and the perspicacity of the increasingly alert and mature human being. ~ Alexander John Shaia,
156:But Calypso has offered to make Odysseus “immortal, ageless, all his days” (ref) and invited him to live with her in a paradisal environment so enchanting that . . . even a deathless god who came upon that place would gaze in wonder, heart entranced with pleasure (ref)  —a place before which Hermes, messenger of Zeus, “stood . . . spellbound” (ref). All this Odysseus rejects, though he knows that the alternative is to entrust himself again, this time alone and on a makeshift craft, to that sea about which he has no illusions. ~ Homer,
157:Case Studies: I
You thrust into the coffin
where your young wife lay cold
and even more hauntingly beautiful
for the tragic manner of her death
every one of your unpublished poems.
The poet in you, you wanted
the gesture to say, had died with her.
You would not love again.
This is the nineteenth century.
But seven years have passed.
There are men with shovels.
If you do love again, how much
do you love yourself,
her memory,
your enchanting new mistress,
poetry?
~ Eric Torgersen,
158:I treat my writing life like a fabulous, enchanting lover, because that is what it is to me. Something that is terribly time consuming, delicious and time-stopping. I have missed important meetings for love, and I will continue to put my writing life in the same position. My writing life is the lover at the center, not the neglected cranky demanding millstone, my ball and chain.
When you are love, truly and passionately, you don't have to write down in your daily schedule "Spend quality time with Lover today. You can't not. ~ Heather Sellers,
159:I treat my writing life like a fabulous, enchanting lover, because that is what it is to me. Something that is terribly time consuming, delicious and time-stopping. I have missed important meetings for love, and I will continue to put my writing life in the same position. My writing life is the lover at the center, not the neglected cranky demanding millstone, my ball and chain.
When you are love, truly and passionately, you don't have to write down in your daily schedule "Spend quality time with Lover today." You can't not. ~ Heather Sellers,
160:Unwrapping the paper carefully so it doesn’t tear, I find a beautiful red leather box. Cartier. It’s familiar, thanks to my second-chance earrings and my watch. Cautiously, I open the box to discover a delicate charm bracelet of silver or platinum or white gold—I don’t know, but it’s absolutely enchanting. Attached to it are several charms: the Eiffel Tower; a London black cab; a helicopter—Charlie Tango; a glider—the soaring, a catamaran—The Grace; a bed; and an ice cream cone? I look up at him, bemused. “Vanilla?” He shrugs apologetically(...) ~ E L James,
161:On a night like this, you can’t sit around in your shirtsleeves,” she said, returning to playing the efficient chatelaine. “I can take it off again.” Alarm flashed in her eyes, but the way her gaze clung to his chest was deeply gratifying. When a man fell into instant lust with a pretty lassie, he liked to see his interest reciprocated. “You’ll get cold.” “I know the perfect way to warm up.” That blush was charming. She was such an enchanting mixture of strength and uncertainty. Aye, she’d make a grand wife, would Miss Charlotte Warren. “What ~ Anna Campbell,
162:Lucky for Joan, she was not watching when her devilish sons nearly knocked Layla off her feet in front of Fadden's Mini-Mart.
"How's it going?" Peter winked at Layla as his brother let out a low whistle.
Layla, having just sidestepped Benny Corcoran's admiration, was not prepared for the wily twins' attentions. With an enchanting combination of teenage timidity and self-assurance, she nodded briefly in their direction before ducking into the mini-mart.
"Jaysus. Did you see her?"
"See her? Michael, I think we've just witnessed a miracle. ~ Marsha Mehran,
163:Man designs for himself a garden with a hundred kinds of trees, a thousand kinds of flowers, a hundred kinds of fruit and vegetables. Suppose, then, that the gardener of this garden knew no other distinction between edible and inedible, nine-tenths of this garden would be useless to him. He would pull up the most enchanting flowers and hew down the noblest trees and even regard them with a loathing and envious eye. This is what the Steppenwolf does with the thousand flowers of his soul. What does not stand classified as either man or wolf he does not see at all. ~ Hermann Hesse,
164:I think that there is only one way to science - or to philosophy, for that matter: to meet a problem, to see its beauty and fall in love with it; to get married to it and to live with it happily, till death do ye part - unless you should meet another and even more fascinating problem or unless, indeed, you should obtain a solution. But even if you do obtain a solution, you may then discover, to your delight, the existence of a whole family of enchanting, though perhaps difficult, problem children, for whose welfare you may work, with a purpose, to the end of your days. ~ Karl Popper,
165:Her attention wandered, and she began staring at the clouds, dreamily watching them drift over the city. When she was little, she wished she could fly up there and play, or even, when things were particularly miserable, stay there forever. She'd never told anyone, but she used to daydream about trapping one of the flying horses that were supposed to live in the mountains, or finding some other way of getting up there. The idea of living in a place where you were never above the same landscape, that in fact, you could see the world without leaving "home," was enchanting. ~ Mercedes Lackey,
166:How is it that you have such dark eyebrows and yet your hair is golden?"
"Oh, that," Eleanor says, tucked up into the corner of the love seat with a shawl draped over her legs. She's still recovering from her own encounter with Lord Downpike. "Hadn't you guessed?" You already discovered he uses a very potent charm spell. It's woven into his hair. Some would consider constantly charming everyone a bit of an excess, but Lord Ackerly needs all the help he can get."
"Such vanity." I tsk, trying to hold back a smile. No wonder his hair was both so enchanting and so aggravating. ~ Kiersten White,
167:But Moominpappa wasn't listening, because just at that moment he had got the right grip on a big round boulder, and with a great thud it rolled down the slope. It made two very clear sparks and left a faint but enchanting smell of gunpowder behind. Now it was lying at the bottom, just where it should lie. It was wonderful to roll stones, first pushing with all one's might, then feeling them beginning to move just a little at first -- then a little more -- and then giving way and rolling into the sea with a colossal splash, leaving one standing there trembling with effort and pride. ~ Tove Jansson,
168:This has got to be the most poorly named town I've ever visited. There is absolutely no sign of anything even remotely enchanting about it. It's one of the worst cases of false advertising I've seen.
I've traveled a lot.Done considerable time in my share of dead-end dumps. Or at least that's what I thought until I came here.
I mean,where do people shop for clothing and food?
Where do the teens all hang out-the ones who haven't already hopped the first bus out of this godforsaken place?
And,more important,where do I catch that very same bus-how soon 'til it leaves? ~ Alyson Noel,
169:How attractive Miss Darvin is,” she commented. “I suppose,” Beatrix said noncommittally. “In fact,” Catherine added in a glum tone, “she’s enchanting.” Beatrix watched Leo and Miss Darvin with thoughtful blue eyes as they executed a perfect turn. “I wouldn’t say enchanting …” “I can’t see one flaw.” “I can. Her elbows are knobby.” Squinting through her spectacles, Catherine thought that perhaps Beatrix was right. They were a bit knobby. “That’s true,” she said, feeling a tiny bit better. “And doesn’t her neck seem rather too long?” “She’s a giraffe,” Beatrix said with an emphatic nod. ~ Lisa Kleypas,
170:You’re beautiful, Evie,” came his soft comment. Having been raised by relations who had always lamented the garish color of her hair and the proliferation of freckles, Evie gave him a skeptical smile. “Aunt Florence has always given me a bleaching lotion to make my freckles vanish. But there’s no getting rid of them.” Sebastian smiled lazily as he came to her. Taking her shoulders in his hands, he slid an appraising glance along her half-clad body. “Don’t remove a single freckle, sweet. I found some in the most enchanting places. I already have my favorites…shall I tell you where they are? ~ Lisa Kleypas,
171:Nearly everywhere I've been, popular wisdom has it that the location of humanity's original planet is unknown, mysterious. In fact it isn't, as anyone who troubles to read on the subject will discover, but it is very, very, very far away from nearly anywhere, and not a tremendously interesting place. Or at the very least, not nearly as interesting as the enchanting idea that your people are not newcomers to their homes but in fact only recolonized the place they had belonged from the beginning of time. One meets this claim anywhere one finds a remotely human-habitable planet. ~ Ann Leckie,
172:Anyhow,” she went on, “so long as my mother forced me to embroider, I insisted on choosing a pattern that interested me. I’ve never understood why girls are always made to stitch insipid flowers and ribbons.”
“Well, just to hazard a guess . . .” Colin straightened his edge. “Perhaps that’s because sleeping on a bed of flowers and ribbons sounds delightful and romantic. Whereas sharing one’s bed with a primeval sea snail sounds disgusting.”
Her jaw firmed. “You’re welcome to sleep on the floor.”
“Did I say disgusting? I meant enchanting. I’ve always wanted to go to bed with a primeval sea snail. ~ Tessa Dare,
173:How do I look to him?" she asked herself. She got up and brought a long mirror towards the window. She stood it on the floor against a chair. Then she sat down in front of it on the rug and, facing it, slowly opened her legs. The sight was enchanting. The skin was flawless, the vulva, roseate and full. She thought it was like the gum plant leaf with its secret milk that the pressure of the finger could bring out, the odorous moisture that came like the moisture of the sea shells. So was Venus born of the sea with this little kernel of salty honey in her, which only caresses could bring out of the hidden recesses of her body. ~ Ana s Nin,
174:In a celebrated case a Mrs Butler, who lived in Ireland, dreamt repeatedly of ‘the most enchanting house I ever saw’. She and her husband decided to move to England and inspected many properties around London. One day they went to look at a house in Hampshire and Mrs Butler recognized it as her dream house. She was so familiar with it that she was able to show the housekeeper around the premises and describe every room before they entered it. The price of the house was absurdly low, and when they went to see the agent he told them why. ‘The house is haunted.’ But, he added, ‘you need not be concerned. You are the ghost.’ He ~ Colin Wilson,
175:It is often said that what sets Shakespeare apart is his ability to illuminate the workings of the soul and so on, and he does that superbly, goodness knows, but what really characterizes his work - every bit of it, in poems and plays and even dedications, throughout every portion of his career - is a positive and palpable appreciation of the transfixing power of language. A Midsummer Night's Dream remains an enchanting work after four hundred years, but few could argue that it cuts to the very heart of human behaviour. What it does is take, and give, a positive satisfaction in the joyous possibilities of verbal expression. ~ Bill Bryson,
176:Sonnet 04
If I was drawn here from a distant place,
'Twas not to pray nor hear our friend's address,
But, gazing once more on your winsome face,
To worship there Ideal Loveliness.
On that pure shrine that has too long ignored
The gifts that once I brought so frequently
I lay this votive offering, to record
How sweet your quiet beauty seemed to me.
Enchanting girl, my faith is not a thing
By futile prayers and vapid psalm-singing
To vent in crowded nave and public pew.
My creed is simple: that the world is fair,
And beauty the best thing to worship there,
And I confess it by adoring you.
~ Alan Seeger,
177:As a matter of fact it required only a tolerable show of virtue for Peter to win encomiums at any time. He would brush his curly mop of hair away from his forehead, lift his eyes, part his lips, showing a row of tiny white teeth; then a dimple would appear in each cheek and a seraphic expression (wholly at variance with the facts) would overspread the baby face, whereupon the beholder...would cry "Angel boy!" and kiss him. He was even kissed now, though he had done nothing at all but exist and be an enchanting personage, which is one of the injustices of a world where a large number of virtuous and well-behaved people go unkissed to their graves! ~ Kate Douglas Wiggin,
178:[T]he incomparable Diana Wynne Jones, one of the finest mythic fiction writers of our age, who left us too early (due to cancer) two days ago. I'm so grateful to her for the extraordinary books she has left behind, which have inspired a whole generation of younger writers. She was writing brilliant YA fantasy before the genre (as we know it now) even existed; she was writing enchanting "wizard school" books long before Harry Potter was a gleam in Rowling's eye; and her knowledge of how to weave mythic/folkloric themes into contemporary fiction was second to no one's. Diana will be terribly missed, but through her magical stories, her light will stay on. ~ Terri Windling,
179:Sonnet Xlviii. To Mrs. ****
NO more my wearied soul attempts to stray
From sad reality and vain regret,
Nor courts enchanting fiction to allay
Sorrows that sense refuses to forget:
For of calamity so long the prey,
Imagination now has lost her powers,
Nor will her fairy loom again essay
To dress affliction in a robe of flowers.
But if no more the bowers of Fancy bloom,
Let one superior scene attract my view,
Where heaven's pure rays the sacred spot illume,
Let thy loved hand with palm and amaranth strew
The mournful path approaching to the tomb,
While Faith's consoling voice endears the friendly gloom.
~ Charlotte Smith,
180:And the dagger?" "Is that really -?"
"Katoptris," Piper said proudly. "Belonged to Helen of Troy."
I yelped. "You have Helen of Troy's dagger? Where did you find it?"
Piper shrugged. "In a shed at camp."
I felt like pulling out my hair. I remembered the day Helen received that dagger as a wedding present. Such a gorgeous blade, held by the most beautiful woman ever to walk the earth. (No offence to the billions of other women out there who are also quite enchanting; I love you all.) And Piper had found this historically significant, well-crafted, powerful weapon in a shed?
Alas, time makes bric-a-brac of everything, no matter how important. ~ Rick Riordan,
181:In a celebrated case a Mrs Butler, who lived in Ireland, dreamt repeatedly of ‘the most enchanting house I ever saw’. She and her husband decided to move to England and inspected many properties around London. One day they went to look at a house in Hampshire and Mrs Butler recognized it as her dream house. She was so familiar with it that she was able to show the housekeeper around the premises and describe every room before they entered it. The price of the house was absurdly low, and when they went to see the agent he told them why. ‘The house is haunted.’ But, he added, ‘you need not be concerned. You are the ghost.’ He had recognized her from the owner’s precise description. Rudyard ~ Colin Wilson,
182:Aubry Park was a glorious Elizabethan manor, lovingly restored in the last century and equipped with numerous gothic undertones- enough to send Charlotte's mother into a ghost-seeking frenzy.
The massive, cream-colored stone house sat hidden in a forest like some romantic woodland folly. Upon first approach, it seemed rather modest, enclosed in a small courtyard, the upper floors timbered and gabled, but after one ventured a look past the facade, the manor sprawled onward, connecting to a myriad of wings, towers hidden by tall trees and climbing vines and private walled gardens.
"Enchanting," Charlotte murmured, running her fingertips along the soft bristles of an ivory-handled brush. ~ Olivia Parker,
183:The delightful assurance of her total indifference towards Frank Churchill, of her having a heart completely disengaged from him, had given birth to the hope, that, in time, he might gain her affection himself;—but it had been no present hope—he had only, in the momentary conquest of eagerness over judgment, aspired to be told that she did not forbid his attempt to attach her.—The superior hopes which gradually opened were so much the more enchanting.—The affection, which he had been asking to be allowed to create, if he could, was already his!—Within half an hour, he had passed from a thoroughly distressed state of mind, to something so like perfect happiness, that it could bear no other name. ~ Jane Austen,
184:The wand weapon similarily appears in a profusion of forms. As an instrument to assist the projection of the magical will onto the aetheric and material planes, it could be a general purpose sigil, an amulet, a ring, an enchanting mantra, or even an act or gesture one performs. As with the pentacle, there is a virtue in having a small, portable, and permanent device of this class, for power accrues to it with use. As with the cup, the power of the wand is partly to fascinate the surface functions of the mind and channel the forces concealed in the depths. Like the sword, the wand is manipulated in such a way as to describe vividly to the will and subconscious what is required of them.
   ~ Peter J Carroll, Liber Null,
185:The story of Yoshitsune and the Thousand Cherry Tres was both simple and complicated. Simple in that things never change: people consistently jealous or secretive or brave-hearted. As for the rest, it all came down to a series of misunderstandings, the type that could happen to anyone, really. You assume that the sushi bucket is full of gold coins, but instead it's got Kokingo's head in it. You think you know everything about your faithful follower, but it turns out that he's actually an orphaned fox who can change his shape at will. It was he who spoke my favorite line of the evening, five words that perfectly conveyed just how enchanting and full of surprises this Kabuki play really is: 'That drum is my father. ~ David Sedaris,
186:Normally, we allow enthusiasm to elude us when we are involved in such mundane activities, those that have no importance at all in the overall scale of our existence. We lose our enthusiasm because of the small and unavoidable defeats we suffer during the good fight. And since we don't realize that enthusiasm is a major strength, able to help us win the ultimate victory, we let it dribble through our fingers; we do this without recognizing that we are letting the true meaning of our lives escape us. We blame the world for our boredom and for our losses, and we forget that it was we ourselves who allowed this enchanting power, which justifies everything, to diminish--the manifestation of agape in the form of enthusiasm. ~ Paulo Coelho,
187:Plato, in his famous fight against the ancient Sophists, discovered that their “universal art of enchanting the mind by arguments” (Phaedrus 261) had nothing to do with truth but aimed at opinions which by their very nature are changing, and which are valid only “at the time of the agreement and as long as the agreement lasts” (Theaetetus 172). He also discovered the very insecure position of truth in the world, for from “opinions comes persuasion and not from truth” (Phaedrus 260). The most striking difference between ancient and modern sophists is that the ancients were satisfied with a passing victory of the argument at the expense of truth, whereas the moderns want a more lasting victory at the expense of reality. ~ Hannah Arendt,
188:She had turned thought and feeling into life, into reality, into creation. They speak of the creations of the human intellect, of the human imagination! there is nothing man can do comes half so near the making of the Maker as the ordering of his way--except one thing: the highest creation of which man is capable, is to will the will of the Father. That has in it an element of the purely creative, and then is man likest God. But simply to do what we ought, is an altogether higher, diviner, more potent, more creative thing, than to write the grandest poem, paint the most beautiful picture, carve the mightiest statue, build the most worshiping temple, dream out the most enchanting commotion of melody and harmony. ~ George MacDonald,
189:I would not for the whole world diminish you. I know it is usual in these circumstances to protest—"I love you for yourself alone"—"I love you essentially"—and as you imply, my dearest, to mean by "you essentially"—lips hands and eyes. But you must know—we do know—that it is not so—dearest, I love your soul and with that your poetry—the grammar and stopping and hurrying syntax of your quick thought—quite as much essentially you as Cleopatra's hopping was essentially hers to delight Antony—more essentially, in that while all lips hands and eyes resemble each other somewhat (though yours are enchanting and also magnetic)—your thought clothed with your words is uniquely you, came with you, would vanish if you vanished— ~ A S Byatt,
190:They had been married for three days.
Lauren stirred, moving closer to him for warmth. Careful not to disturb her, he drew the satin quilt up around her shoulders. Reverently he touched her cheek, tracing its elegant curve. Lauren had brought joy to his life and laughter to his home.She thought he was beautiful. When she looked at him, he felt beautiful.
Somewhere in another part of the big house a clock began chiming the hour of midnight. Lauren's lashes slowly flickered open, and he looked into her enchanting blue eyes. "It's Christmas," he whispered.
His wife smiled up at him, and her answer made his throat tighten. "No," she said softly, laying her fingers against his jaw. "Christmas came three days ago. ~ Judith McNaught,
191:We think, sometimes, there's not a dragon left. Not one brave knight, not a single princess gliding through secret forests, enchanting deer and butterflies with her smile. What a pleasure to be wrong. Princesses, knights, enchantments and dragons, mystery and adventure ...not only are they here-and-now, they're all that ever lived on earth! Our century, they've changed clothes, of course. Dragons wear government-costumes, today, and failure-suits and disaster-outfits. Society's demons screech, whirl down on us should we lift our eyes from the ground, dare we turn right at corners we've been told to turn left. So crafty have appearances become that princesses and knights can be hidden from each other, can be hidden from themselves. ~ Richard Bach,
192:Put it this way, how do you feel about the supernatural?”
“I’m fine with it,” Molly replied coolly. “I used to watch Charmed and Buffy and all those shows.”
Gabriel winced slightly. “This isn’t quite the same thing.”
“Okay, well, listen to this. Last week my horoscope in Cosmo told me I was going to meet an enchanting stranger
and this guy on the bus gave me his phone number. I’m a total believer now.”
“Yeah, you’ve really seen the light,” Xavier said under his breath.
“Did you know that Sagittarians have a problem with sarcasm?” Molly snapped.
“That would be very enlightening, except I’m a Leo.”
“Yeah, well, everyone knows they’re a pack of assholes!”
“My God, you’re like talking to a rock.”
“You’re a rock! ~ Alexandra Adornetto,
193:Loki felt electricity shoot through his body. It was a shocking chill running through his veins.

On impulse, he pushed her head back to the floor and forced his lips onto hers and kissed her.

Time stopped.

Amazingly, Loki felt her body ease and soften. It even got warmer, miraculously buzzing back to life. Loki pressed his lips harder against hers, his eyes closed. He felt like she was sucking his life energy out of him. He didn't mind, even if he'd be a hundred years older when he opened his eyes again.

It was an enchanting feeling, very diffrent from kissing Pippi Luvbug. Every breath Snow White took was Loki's now. Who'd have thought that the boy who didn't believe in a true love's kiss would find the cure in a true love's kiss? ~ Cameron Jace,
194:She saw that they felt themselves alone in that crowded room. And Vronsky’s face, always so firm and independent, held that look that had struck her, of bewilderment and humble submissiveness, like the expression of an intelligent dog when it has done wrong.

Anna smiled, and her smile was reflected by him. She grew thoughtful, and he became serious. Some supernatural force drew Kitty’s eyes to Anna’s face. She was enchanting in her simple black dress, enchanting were her round arms with their bracelets, enchanting was her firm neck with its thread of pearls, fascinating the straying curls of her loose hair, enchanting the graceful, light movements of her little feet and hands, enchanting was that lovely face in its animation, but there was something terrible and cruel about her charm. ~ Leo Tolstoy,
195:Walt's father had been shopping with his son on a Sunday afternoon when he'd wandered into All Saints' Passage and found the bookshop. A silent boy, Walt still hadn't spoken, so there was no reason to think he'd be interested in reading yet. But when Walt snuck through the door, under his father's arm, he let out a gasp of delight.
He had stepped into a kingdom: an oak labyrinth of bookshelves, corridors and canyons of literature beckoning him, whispering enchanting words Walt had never heard before. The air was smoky with the scent of leather, ink and paper, caramel-rich and citrus-sharp. Walt stuck out his small tongue to taste this new flavor and grinned, sticky with excitement. And he knew, all of a sudden and deep in his soul, that this was a place he belonged more than any other. ~ Menna van Praag,
196:Give Me The Harp Of Epic Song
Give me the harp of epic song,
Which Homer's finger thrill'd along;
But tear away the sanguine string,
For war is not the theme I sing.
Proclaim the laws of festal rite,
I'm monarch of the board tonight;
And all around shall brim as high,
And quaff the tide as deep as I!
And when the cluster's mellowing dews
Their warm, enchanting balm infuse,
Our feet shall catch th' elastic bound,
And reel us through the dance's round.
Oh Bacchus! we shall sing to thee,
In wild but sweet ebriety!
And flash around such sparks of thought,
As Bacchus could alone have taught!
Then give the harp of epic song,
Which Homer's finger thrill'd along;
But tear away the sanguine string,
For war is not the theme I sing!
~ Anacreon,
197:These better be my size,” Nina said grumpily. She was tempted to strip down in the middle of the tomb, but she thought Matthias might keel over from the sheer impropriety of it all. She grabbed a lantern and marched into one of the side catacombs to change. She didn’t have a mirror, but she could tell the dress was spectacularly dowdy, and she had no words for the little knitted vest. When she emerged from the passage, Jesper doubled over laughing, Kaz’s brows shot up, and even Inej’s lips twitched.
“Saints,” Nina said sourly. “How bad is it?”
Inej cleared her throat. “You do look a bit …”
“Enchanting,” said Matthias.
Nina was about to snap that she didn’t appreciate the sarcasm when she saw the expression on his face. He looked like someone had just given him a tuba full of puppies. ~ Leigh Bardugo,
198:I looked at Win. Win’s face was as usual unreadable. The woman with the paintball makeup—hard to say an age, could have been an easy fifty or a hard twenty-five, and I was counting on the latter—said to Win, “I live near here.” Win gave her the superior gaze that made people hate him. “In that alley perhaps?” “No,” she said with a big hearty laugh. Win was such a card. “I have a basement flat.” “Must be divine,” Win said in a voice richly marinated in sarcasm. “Oh, it’s nothing special,” Paintball said, not picking up on Win’s tone. “But it’s got a bed.” She pulled up on her pink ’n’ purple leg warmers and winked at Win. “A bed,” she repeated. In case he wasn’t getting the drift. “Sounds enchanting.” “Want to see it?” “Madam”—Win faced her full—“I would rather have my semen removed via a catheter.” Another ~ Harlan Coben,
199:My conscience was clean—most mythical objects are—but I felt a small twinge of unease anyway. Could this be trouble—perhaps a confrontation over some emerging evidence of my Wicked Ways? I always cleaned up thoroughly—No Body Part Left Behind!—and in any case, it had been quite a while since I had done anything at all worth not talking about. In fact, it had just recently started to seem like much too long, and the past few evenings I had been fondling my little candidates list and thinking about a new Playdate. My last Enchanting Encounter had been several months ago, and I certainly deserved another soon—unless I had somehow been discovered. But as I thought back on that wonderful evening, I could remember no slipup, no lazy shortcut, nothing but painstaking perfection. Had Somebody Somehow found Something anyway? But ~ Jeff Lindsay,
200:To know what has come before is to be armed against despair. If the men and women of the past, with all their flaws and limitations and ambitions and appetites, could press on through ignorance and superstition, racism and sexism, selfishness and greed, to create a freer, stronger nation, then perhaps we, too, can right wrongs and take another step toward that most enchanting and elusive of destinations: a more perfect Union.
To do so requires innumerable acts of citizenship and private grace. It will require, as it has in the past, the witness and the bravery of reformers who hold no office and who have no traditional power but who yearn for a better, freer way of life. And will also require, I believe, a president of the United States with a temperamental disposition to speak to the country's hopes rather than to its fears. ~ Jon Meacham,
201:You're beautiful, Evie," came his soft comment.
Having been raised by relations who had always lamented the garish color of her hair and the proliferation of freckles, Evie gave him a skeptical smile. "Aunt Florence has always given me a bleaching lotion to make my freckles vanish. But there's no getting rid of them."
Sebastian smiled lazily as he came to her. Taking her shoulders in his hands, he slid an appraising glance along her half-clad body. "Don't remove a single freckle, sweet. I found some in the most enchanting places. I already have my favorites... shall I tell you where they are?"
Disarmed and discomfited, Evie shook her head and made a movement to twist away from him. He wouldn't let her, however. Pulling her closer, he bent his golden head and kissed the side of her neck. "Little spoilsport," he whispered, smiling. ~ Lisa Kleypas,
202:He had grown up among people to whom such emotions were unknown. The old Marquess's passion for his fields and woods was the love of the agriculturist and the hunter, not that of the naturalist or the poet; and the aristocracy of the cities regarded the country merely as so much soil from which to draw their maintenance. The gentlefolk never absented themselves from town but for a few weeks of autumn, when they went to their villas for the vintage, transporting thither all the diversions of city life and venturing no farther afield than the pleasure-grounds that were but so many open-air card-rooms, concert-halls and theatres. Odo's tenderness for every sylvan function of renewal and decay, every shifting of light and colour on the flying surface of the year, would have been met with the same stare with which a certain enchanting Countess ~ Edith Wharton,
203:A Frenchman is self-assured because he considers himself personally, in mind as well as body, irresistibly enchanting for men as well as women. An Englishman is self-assured on the grounds that he is a citizen of the best-organized state in the world, and therefore, as an Englishman, he always knows what he must do, and knows that everything he does as an Englishman is unquestionably good. An Italian is self-assured because he is excitable and easily forgets himself and others. A Russian is self-assured precisely because he does not know anything and does not want to know anything, because he does not believe it possible to know anything fully. A German is self-assured worst of all, and most firmly of all, and most disgustingly of all, because he imagines that he knows the truth, science, which he has invented himself, but which for him is the absolute truth. ~ Leo Tolstoy,
204:Earth's Silences
How dear to hearts by hurtful noises scarred
In the stillness of the many-leavèd trees,
The quiet of green hills, the million-starred
Tranquillity of night, the endless seas
Of silence in deep wilds, where nature broods
In large, serene, uninterrupted moods.
Oh, but to work as orchards work–bring forth
Pink bloom, green bud, red fruit and yellow leaf,
As noiselessly as gold proclaims its worth,
Or as the pale blade turns to russet sheaf,
Or splendid sun goes down the glowing west,
Still as forgotten memories in the breast.
How without panting effort, painful word,
Comes the enchanting miracle of snow,
Making a sleeping ocean. None have heard
Its waves, its surf, its foam, its overflow;
For unto every heart, all hot and wild,
It seems to say, 'Oh, hush thee! hush, my child!'
~ Ethelwyn Wetherald,
205:I do not know how old I was when I learned to play chess. I could not have been older than eight, because I still have a chessboard on whose side my father inscribed, with a soldering iron, “Saša Hemon 1972.” I loved the board more than chess—it was one of the first things I owned. Its materiality was enchanting to me: the smell of burnt wood that lingered long after my father had branded it; the rattle of the thickly varnished pieces inside, the smacking sound they made when I put them down, the board’s hollow wooden echo. I can even recall the taste—the queen’s tip was pleasantly suckable; the pawns’ round heads, not unlike nipples, were sweet. The board is still at our place in Sarajevo, and, even if I haven’t played a game on it in decades, it is still my most cherished possession, providing incontrovertible evidence that there once lived a boy who used to be me. ~ Aleksandar Hemon,
206:You know from the repeated declarations in the Law that the principal purpose of the whole Law was the removal and utter destruction of idolatry, and all that is connected therewith, even its name, and everything that might lead to any such practices, e.g., acting as a consulter with familiar spirits, or as a wizard, passing children through the fire, divining, observing the clouds, enchanting, charming, or inquiring of the dead. The law prohibits us to imitate the heathen in any of these deeds, and a fortiori to adopt them entirely. It is distinctly said in the Law that everything which idolaters consider as service to their gods, and a means of approaching them, is rejected and despised by God... Thus all precepts cautioning against idolatry, or against that which is connected therewith, leads to it, or is related to it, are evidently useful. ~ Maimonides, Guide for the Perplexed (c. 1190),
207:As a boy, in my own backyard I could catch a basket of blue crabs, a string of flounder, a dozen redfish, or a net full of white shrimp. All this I could do in a city enchanting enough to charm cobras out of baskets, one so corniced and filigreed and elaborate that it leaves strangers awed and natives self-satisfied. In its shadows you can find metal work as delicate as lace and spiral staircases as elaborate as yachts. In the secrecy of its gardens you can discover jasmine and camellias and hundreds of other plants that look embroidered and stolen from the Garden of Eden for the sheer love of richness and the joy of stealing from the gods. In its kitchens, the stoves are lit up in happiness as the lamb is marinating in red wine sauce, vinaigrette is prepared for the salad, crabmeat is anointed with sherry, custards are baked in the oven, and buttermilk biscuits cool on the counter. ~ Pat Conroy,
208:Byron! how sweetly sad thy melody!
Attuning still the soul to tenderness,
As if soft Pity, with unusual stress,
Had touch'd her plaintive lute, and thou, being by,
Hadst caught the tones, nor suffer'd them to die.
O'ershadowing sorrow doth not make thee less
Delightful: thou thy griefs dost dress
With a bright halo, shining beamily,
As when a cloud the golden moon doth veil,
Its sides are ting'd with a resplendent glow,
Through the dark robe oft amber rays prevail,
And like fair veins in sable marble flow;
Still warble, dying swan! still tell the tale,
The enchanting tale, the tale of pleasing woe.
'First given in the Life, Letters &c. (1848), Volume 1, page 13, under the date December 1814.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Sonnet To Byron
,
209:Rosabella Beauty was the daughter of the famous Beauty, a girl whose love had turned the Beast back into a prince. Darling Charming was the daughter of the renowned King Charming, whose royal storyline stretched back to the very beginning of stories. The Charming men had always been known for their heroic deeds, luxurious hair, and enchanting eyes. Darling's two brothers were expected to follow in King Charming's heroic footsteps by saving damsels, slaying dragons, and basically conquering whatever evil stepped into their paths.
Darling, however, was not a son. She was a daughter. And being a daughter was a different matter altogether. No heroic deeds were expected of her. No quests or adventures. While the activities of the Charming princes had always been celebrated by poets and storytellers, the Charming princesses had a singular destiny- to be damsels in distress waiting for rescue. ~ Suzanne Selfors,
210:What Do The Futures Speak Of?
IN ANSWER TO A QUESTION IN THE GREEK GRAMMAR
They speak of never-withering shades,
And bowers of opening joy;
They promise mines of fairy gold,
And bliss without alloy.
They whisper strange enchanting things
Within Hope's greedy ears;
And sure this tuneful voice exceeds
The music of the spheres.
They speak of pleasure to the gay,
And wisdom to the wise;
And soothe the poet's beating heart
With fame that never dies.
To virgins languishing in love
They speak the minute nigh;
And warm consenting hearts they join,
And paint the rapture high.
In every language, every tongue,
The same kind things they say;
In gentle slumbers speak by night,
In waking dreams by day.
Cassandra's fate reversed is theirs;
She true, no faith could gain,—
They every passing hour deceive,
Yet are believed again.
~ Anna Laetitia Barbauld,
211:Blake waited for her to look at him with a smile, but her shoes were still too captivating. He held a hand up to stop Cole from beginning the ceremony. He knelt on one knee, close to the hem of her dress, and looked up at her. She watched him as he kissed her hand.
“Beautiful, enchanting Livia, will you marry me today?”
Livia’s disobedient tears emerged, gravity bathing his smiling face with their small, splashy wishes. She took her hand from his and covered her mouth. She nodded over and over as she cried.
Blake stood and gathered her. Livia dissolved into him, leaving the guests alternately tearing up or looking in other directions.
Blake tried to stroke her hair through the veil, but he was afraid he would pull it out. “Shhh. It’s okay. I’m not that terrible, am I?”
Livia shook her head.
“I’m making you my wife right now, even if you cry through the whole damn thing.” Blake switched to wiping her tears. ~ Debra Anastasia,
212:Nadya Zelenin and her mother had returned from a performance of Eugene Onegin at the theatre. Going into her room, the girl swiftly threw off her dress and let her hair down. Then she quickly sat at the table in her petticoat and white bodice to write a letter like Tatyana's.

'I love you,' she wrote, 'but you don't love me, you don't love me!'

Having written this, she laughed.

She was only sixteen and had never loved anyone yet. She knew that Gorny (an army officer) and Gruzdyov (a student) were both in love with her, but now, after the opera, she wanted to doubt their love. To be unloved and miserable: what an attractive idea! There was something beautiful, touching and romantic about A loving B when B wasn't interested in A. Onegin was attractive in not loving at all, while Tatyana was enchanting because she loved greatly. Had they loved equally and been happy they might have seemed boring.

("After The Theatre") ~ Anton Chekhov,
213:Sack The Gongman
Sack the gon-gman
My love has come home today
He strike the gong time and again
And shortens my night of dance and song
If he were to listen to me
He would throw away the gong
Sack the gong-man
Here is the unstruck melody
With a master player and a colorful hue
I've forgotten, my prayers and fasts
The barman offering cups of brew
Sack the gong-man
Seeing him is an enchanting sight
One forgets all aches of life
Let the night spread out long
And the morn wait a strife
Sack the gong-man
I have indulge in magic a lot
With necromancers and many a seer
Now that he has comeback home
We'll live together a million years
Sack the gong-man
He has saved me from many a hazard
Bulleh's bed is cosy and warm
After much wait my turn has come
No happenstance may do us harm
Sack the gong-man
Sack the gong-man
39
My love has come home today
~ Bulleh Shah,
214:The greatest barrier preventing us from fully challenging sexism is the pervasive antifeminine sentiment that runs wild in both the straight and queer communities, targeting people of all genders and sexualities. The only realistic way to address this issue is to work toward empowering femininity itself. We must rightly recognize that feminine expression is strong, daring, and brave - that it is powerful - and not in an enchanting, enticing, or supernatural sort of way, but in a tangible, practical way that facilitates openness, creativity, and honest expression. We must move beyond seeing femininity as helpless and dependent, or merely as masculinity's sidekick, and instead acknowledge that feminine expression exists of its own accord and brings its own rewards to those who naturally gravitate toward it. By embracing femininity, feminism will finally be able to reach out to the vast majority of feminine women who have felt alienated by the movement in the past. ~ Julia Serano,
215:I Love Loving You

You are my favorite song; a rhythm of beauty that captures my spirit.

You are my favorite poem; an exquisite grouping of ideas set in motion with an unmatched enchanting elegance.

You are my best friend; from our laughter to our deep conversations, our moments together are a timeless pleasure.

You are my soul mate; a connection so pure, so powerful, that it can only be considered divine.

You are my lover; a passionate entwinement, a chorus of ecstasy, and a feeling of complete unity that words could never adequately describe.

You are my angel; you remind me of the goodness in this world and inspire me to be the greatest version of myself.

You are my home; it is in your loving gaze that I find the comfort, acceptance, and the sense of belonging.

You are my love ~ Steve Maraboli mi amor; there are not enough days in forever to allow me to fully express my love for you.

I love loving you. ~ Steve Maraboli,
216:How beautiful this security seemed to me, this enchanting security of knowing oneself unnoticed and unseen! And not only was the forest empty of human beings, but our nearest neighbour on the other side, the side of open plains and rolling rye-fields, was ten miles away along almost impassable rutted tracks—the one neighbour, that is, of our own class, which was hochgeboren. Other neighbours there were, much nearer, some only two miles off and easily accessible because they lived on the high road, but they were no good to us because they were only wohlgeboren. For purposes of social intercourse, Wohlgeborens were of no use at all. If the Hochgeborens happened to meet them in a train or other public place, they were, of course, gracious, almost crushingly gracious, but they never invited them to dinner; and having myself become hochgeboren, through what seemed to be no fault of my own, I found that it was one of my duties, and an immediate and pressing one, to learn ~ Elizabeth von Arnim,
217:I loathe San Francisco. Sure, it looks like Jurassic Park in places, and the fog layer is enchanting with its plumes and trellises interweaving with the leaves and lichen on the redwoods. But everything else is like if New York’s Gramercy neighborhood got a whole town. On any given night there are way too many “going-out shirts” and the women dress like there was a fire sale at some emporium that only sells clam-diggers and kicky little jackets with ornamental zippers. I have never so frequently witnessed pinstripe and patchwork meeting in the middle as I have on the tragic A-line skirts of Valencia Street. Every man who isn’t contemptibly rich enough to be famous for it reminds me of Matthew Lillard’s pigtail-braided Rollerblader in Hackers. I have never tallied so many “Pick-Up Artist” hats or labret piercings outside of 1996. Fashion is no more than an indication of larger trends. Certain parts of San Francisco are what happens when white people have no natural predator. ~ Mary H K Choi,
218:Germans can be self-assured on the basis of an abstract idea—science, that is, an imaginary knowledge of the perfect truth. A Frenchman is self-assured because he considers himself personally, in mind as well as body, irresistibly enchanting for men as well as women. An Englishman is self-assured on the grounds that he is a citizen of the best-organized state in the world, and therefore, as an Englishman, he always knows what he must do, and knows that everything he does as an Englishman is unquestionably good. An Italian is self-assured because he is excitable and easily forgets himself and others. A Russian is self-assured precisely because he does not know anything and does not want to know anything, because he does not believe it possible to know anything fully. A German is self-assured worst of all, and most firmly of all, and most disgustingly of all, because he imagines that he knows the truth, science, which he has invented himself, but which for him is the absolute truth. ~ Leo Tolstoy,
219:The Industrial Revolution was based on two grand concepts that were profound in their simplicity. Innovators came up with ways to simplify endeavors by breaking them into easy, small tasks that could be accomplished on assembly lines. Then, beginning in the textile industry, inventors found ways to mechanize steps so that they could be performed by machines, many of them powered by steam engines. Babbage, building on ideas from Pascal and Leibniz, tried to apply these two processes to the production of computations, creating a mechanical precursor to the modern computer. His most significant conceptual leap was that such machines did not have to be set to do only one process, but instead could be programmed and reprogrammed through the use of punch cards. Ada saw the beauty and significance of that enchanting notion, and she also described an even more exciting idea that derived from it: such machines could process not only numbers but anything that could be notated in symbols. ~ Walter Isaacson,
220:The Spell
OUR boat has drifted with the stream
That stirs the river's full sweet bosom
And now she stays where gold flags gleam
By meadow-sweet's pale foam of blossom.
Sedge-warblers sing the sun the song
The nightingale sings to the shadows;
Forget-me-nots grow all along
The fringes of the happy meadows.
See the wet lilies' golden beads!
The river-nymphs for necklace string them,
And in the sighing of the reeds
You hear the song their lovers sing them.
Gold sun, blue air, green shimmering leaves,
The weir's old song--the wood's old story-Such spells the enchanting Summer weaves
She holds me in a web of glory.
And you--with head against my arm
And subtle wiles that seek to hold me-Not even you can add a charm
To the sweet sorceries that enfold me.
Yet lean there still! The hour is ours;
If we should move the charm might shiver
And joyless sun and scentless flowers
Might mock a disenchanted river.
~ Edith Nesbit,
221:The Egoists
TWO strangers, from opposing poles,
Meet in the torrid zone of Love:
And their desire seems set above
The limitation of their souls.
This is the trap; this is the snare,
This is the false, enchanting light,
And when it smoulders into night,
How can each know the other is there?
They own no bond of common speech;
Each, from far shores by wild winds brought,
Gropes for some cord of common thought
To draw the other within reach.
Each when the dark tide drowns their star,
Cries out, 'Thou art not one with me:
One flesh we seemed when eyes could see,
But now, how far thou art! How far!'
Each calling, 'Come! be mine! be wise!'
Stands obstinately in his place,
How can these two come face to face,
Till light spring from their meeting eyes?
Could both but once cry, 'Far thou art,
But I am coming!' How the beat
Of waves that part them would retreat,
Resurge and find them, heart to heart!
~ Edith Nesbit,
222:Is something the matter?” she finally asked. Oliver frowned. “Why would you ask that?” “You’re not speaking, and it’s been my experience that you’re never at a loss for something to say.” Laughing, Oliver took one step forward. “If you must know, the only thing the matter at the moment is that you look enchanting this evening, quite like a princess, and your beauty is what stole the words straight from my lips and fogged up my mind.” Harriet suddenly found she was at a loss for words. Oliver grinned and moved across the room, stopping directly in front of her. He drew her hand up and placed a kiss on the knuckles, his gaze and the merest touch of his lips against her gloved hand sending shivers down her spine. “Is something wrong, Miss Peabody?” he asked and continued before she could reply, not that she was certain she would actually have been able to do that. “Why, since I’ve become known to you, it’s been my observation that you’re never without words, and yet, here you are . . . speechless. ~ Jen Turano,
223:Song Iii
FROM THE FRENCH.
I.
'AH! say,' the fair Louisa cried,
'Say where the abode of Love is found?'
Pervading nature, I replied,
His influence spreads the world around.
When Morning's arrowy beams arise,
He sparkles in the enlivening ray,
And blushes in the glowing skies
When rosy evening fades away.
II.
The summer winds that gently blow,
The flocks that bleat along the glades,
The nightingale, that soft and low,
With music fills the listening shades:
The murmurs of the silver surf
All echo Love's enchanting notes,
From violets lurking in the turf,
His balmy breath through ether floats.
III.
From perfumed flowers and dewy leaves
Delicious scents he bids exhale,
He smiles amid autumnal sheaves,
And clothes with green the grassy vale;
But when that throne the god assumes
Where his most powerful influence lies,
'Tis on Louisa's cheek he blooms,
And lightens from her radiant eyes!
~ Charlotte Smith,
224:Get Off The Scale!

You are beautiful. Your beauty, just like your capacity for life, happiness, and success, is immeasurable. Day after day, countless people across the globe get on a scale in search of validation of beauty and social acceptance.

Get off the scale! I have yet to see a scale that can tell you how enchanting your eyes are. I have yet to see a scale that can show you how wonderful your hair looks when the sun shines its glorious rays on it. I have yet to see a scale that can thank you for your compassion, sense of humor, and contagious smile. Get off the scale because I have yet to see one that can admire you for your perseverance when challenged in life.

It’s true, the scale can only give you a numerical reflection of your relationship with gravity. That’s it. It cannot measure beauty, talent, purpose, life force, possibility, strength, or love. Don’t give the scale more power than it has earned. Take note of the number, then get off the scale and live your life. You are beautiful! ~ Steve Maraboli,
225:Do you have any idea how beautiful you are?” he asked.
Elizabeth had a vague idea, since everyone was always telling her, and she suppressed a worried impulse to reply, “Do you have any idea how intelligent I am?” It wasn’t that she was an intellectual by any stretch of the imagination, but she did like to read and even debate issues, and she wasn’t at all certain he would like that in her. He never expressed an opinion on anything except the most trivial generalities and he never asked for hers.
“You’re enchanting,” he whispered, and Elizabeth wondered, very seriously, why he thought that. He didn’t know how much she loved to fish, or to laugh, or that she could shoot a pistol so well she was almost a marksman. He didn’t know she’d once had chariot races across the yard at Havenhurst, or that flowers seemed to bloom especially well for her. She didn’t even know if he’d like to hear all the wonderful tales of Havenhurst and its colorful former inhabitants. He knew so little of her; she knew even less about him. ~ Judith McNaught,
226:Unwrapping the paper carefully so it doesn’t tear, I find a beautiful red leather
box. Cartier. It’s familiar, thanks to my second-chance earrings and my watch.
Cautiously, I open the box to discover a delicate charm bracelet of silver, or platinum
or white gold—I don’t know, but it’s absolutely enchanting. Attached to it
are several charms: the Eiffel Tower, a London black cab, a helicopter—Charlie
Tango, a glider—the soaring, a catamaran—The Grace, a bed, and an ice cream
cone? I look up at him, bemused.
“Vanilla?” He shrugs apologetically, and I can’t help but laugh. Of course.
“Christian, this is beautiful. Thank you. It’s yar.” He grins.
My favorite is the heart. It’s a locket.
“You can put a picture or whatever in that.”
“A picture of you.” I glance at him through my lashes. “Always in my heart.”
He smiles his lovely, heartbreakingly shy smile.
I fondle the last two charms: a letter C—oh yes, I was his first girlfriend to
use his first name. I smile at the thought. And finally, there’s a key.
“To my heart and soul,” he whispers. ~ E L James,
227:Ah, yes. She was a lovely creature, just as Charles had described. Her skin was as white as snowdrops and set off by dark, upswept hair. Her face was enchanting, with a delicate nose and fine, dark eyes set beneath daintily arched brows. Physically, she was diminutive and graceful — yet despite her small size, there was something about her that conveyed courage, resilience, and fortitude. It was easy to see why his brother had fallen for her. But where was the joie de vivre, the innocent naiveté that Charles had so praised? This woman seemed older than her years, as though her spirit had been crushed beneath the weight of sorrow and hardship. By God, if he lived, he'd remedy that. She was far too young — and pretty — to embrace age before its time! He closed his eyes, content to let his head sway in her lap, content to feel her tightening up the curve of her arm so that he wasn't jostled so. To think that she, Charles's betrothed, was here in England. And to think that this infant whose tiny body was so near to his, whose heart beat so close to his own, was his brother's little girl.... ~ Danelle Harmon,
228:While the Eternal Feminine in Faust II still appears in personalized form as the Madonna, she works her effects in The Magic Flute as an invisible spiritual power, as music. But this music is the expression of divine love itself, which unites law and freedom, above and below, in the wisdom of the heart and of love. As harmony, it grants humankind divine peace and rules the world as the highest divinity.
From the earliest times, magic and music have stood under the rule of the Archetypal Feminine, which in myth and fairy tale is also the mistress of transformation, intoxication, and enchanting sound. Thus it is quite understandable that it is precisely this feminine principle that bestows the magical instruments. The Orpheus motif of the magical taming of the animal energies through music belongs to her, for as mistress of the animals the Great Goddess rules the world of wild as well as tame creatures. She can transform things and people into animal form, tame the animal, and enchant it because, like music, she is able to make the tame wild and the wild tame with the power of her magic. ~ Erich Neumann,
229:,Grown-ups love figures. When you describe a new friend to them, they never ask you about the important things. They never say 'What's his voice like? What are his favourite games? Does he collect butterflies?' Instead they demand 'How old is he? How many brothers has he? How much does he weigh? How much does his father earn?' Only then do they feel they know him. If you say to the grown-ups: 'I've seen a lovely house made of pink brick, with geraniums in the windows and doves on the rood', they are unable to picture such a house. You must say: I saw a house that come a hundred thousand francs.' Then they cry out: 'How pretty!'
Again, you might say to them: 'The proof that the little prince existed is that he was enchanting, that he laughed, and that he was looking for a sheep. When someone wants a sheep, it is proof that they exist.' The grown-ups will merely shrug their shoulders, and treat you like a child. But if you tell them: 'The planet he came from is Asteroid B 612', then they will be convinced, and will spare you all their question. That is how they are. You must not hold it against them. Children have to be very indulgent towards grown-ups. ~ Antoine de Saint Exup ry,
230:Come," he said gently, for he knew she'd been through travail. "I sought you out amongst your labors to bend my knee and plead that you leave the dust and spiders and mouse droppings to come and lounge awhile and perhaps partake of luncheon."
Interestingly, she blushed. "I can't do that," she hissed under her breath.
"Why not?" he asked, deeply diverted by her reaction.
"The other servants."
He blinked. "I assure you, I do let all my servants partake of luncheon."
"But if I am with you..." Her blush deepened.
He cocked his head, studying her, entirely baffled. "I didn't mean luncheon as a euphemism; however, I'm entirely happy to adjourn to my rooms right at this moment if that is-"
"No," she said with what some might take as unflattering emphasis. She rolled her eyes as if he were the one being difficult, which, to be fair, he often was. "Let's go have luncheon."
He smiled. "Splendid!"
She looked at him a little shyly. Absolutely enchanting. "I'm dusty. I'll go wash first and meet you in the dining room, shall I?"
He bowed with a flourish. "I await your presence."
She looked flustered at that and he was very tempted to perhaps lean her up against one of the tables and- ~ Elizabeth Hoyt,
231:When he is sitting quiet, thinking about his sins, or is absent-minded or unapprehensive of danger, his majestic ears project above him conspicuously; but the breaking of a twig will scare him nearly to death, and then he tilts his ears back gently and starts for home. All you can see, then, for the next minute, is his long gray form stretched out straight and "streaking it" through the low sage-brush, head erect, eyes right, and ears just canted a little to the rear, but showing you where the animal is, all the time, the same as if he carried a jib. Now and then he makes a marvelous spring with his long legs, high over the stunted sage-brush, and scores a leap that would make a horse envious. Presently he comes down to a long, graceful "lope," and shortly he mysteriously disappears. He has crouched behind a sage-bush, and will sit there and listen and tremble until you get within six feet of him, when he will get under way again. But one must shoot at this creature once, if he wishes to see him throw his heart into his heels, and do the best he knows how. He is frightened clear through, now, and he lays his long ears down on his back, straightens himself out like a yard-stick every spring he makes, and scatters miles behind him with an easy indifference that is enchanting. ~ Mark Twain,
232:put on three plays a year. This was Millie's second year in drama, and she had only done bit roles, which suited her fine. She confided in Lila that her real reason for joining the group was to find a husband—she had no acting ambition. All the interesting guys hung around there. They were already into rehearsals of The Owl and the Pussycat, the December production, starring the two most talented actors in school. She persuaded Lila to sneak backstage and watch. Millie ushered Lila into the wings of the dark stage. Lila melted into the curtain and watched the actors rehearse, illuminated only by the work light. Their voices resonated in the empty auditorium, filling Lila with awe. Absorbed in their performance, Lila startled when the instructor called for a break. She realized she had been holding her breath. Suddenly she knew she wanted to join this group. Yet she would never have the courage to do it. How could she? She was no match for these students. They probably had taken acting lessons and performed plays all through high school. All Lila had to her credit was her fifth-grade Christmas performance. But she knew in that moment that every chance she had would be spent in this theater, watching an enchanting world. At the campus bookstore she flipped through a copy of The ~ C S Lakin,
233:pleasure’, his enchanting voice was pleasing to her ears.Meanwhile, the maid brought two glasses of fresh mango juice. She placed it on the table and went inside. Laurie handed her a glass and helped himself to another. Alice took the juice and started sipping slowly. It tasted awesome. She found it difficult to look at him, especially in his eyes. So she suddenly became interested in the carpet and started pondering it up and down the huge hall. Laurie sat still, observing her with a smile playing hide and seek at the corner of his lips. He didn’t disturb her from her mission. Five minutes later they placed their empty glasses on the table and went to the garden. Laurie called out to the gardener and asked him to give Alice whatever she wanted. He dragged her into a casual conversation, asking her about her family’s well being, her father’s work and her little sister’s music classes. He remembers everything, Alice thought. It was comforting and she felt special as she answered him. The gardener having done with his job, handled her a pile of the plants she asked for. Alice took them with thanks. She looked at Laurie and was about to thank him when he gestured her to stop.‘Please don’t mention it’, his smile was inviting. Alice had no other option but to join him in his smile4 ~ Anonymous,
234:He pulled her up against him, his hands not the slightest bit gentle, and his body was hard and strong against her softness. "Let me give you a little demonstration of what I'm sparing you," he whispered against her mouth.
She'd been kissed before.
She'd fought Frederick Varienne's assaults, and her uncle's too fond salutes, and she had always thought she didn't like kissing.
She was wrong.
He put one hand behind her neck, his long fingers holding her head still, while his other arm encircled her waist. He lowered his mouth to hers, leisurely, brushing his lips against hers, back and forth, slowly, oh, so slowly. She wanted to push him away, she wanted to draw him closer, so instead she simply let her hands rest at her sides. As long as she didn't respond, didn't participate, there could surely be no harm in it. Besides, she didn't have much choice in the matter. If Killoran decided to kiss her, for whatever dark reasons, then kiss her he would.
His thumb was stroking the side of her face. He was pressing his hand against the small of her back, so that her hips were thrust up against his, and she let her eyelids flutter closed as he just touched the surface of her lips, his brandy-flavored breath warming her.
The sensation was disturbing and enchanting, and she wanted more of it. ~ Anne Stuart,
235:The Blonde Maiden
Though
she
depart, a vision flitting,
If I these thoughts in words exhale:
I love you, you blonde maiden, sitting
Within your pure white beauty's veil.
I love you for your blue eyes dreaming,
Like moonlight moving over snow,
And 'mid the far-off forests beaming
On something hid I may not know.
I love this forehead's fair perfection
Because it stands so starry-clear,
In flood of thought sees its reflection
And wonders at the image near.
I love these locks in riot risen
Against the hair-net's busy bands;
To free them from their pretty prison
Their sylphs entice my eyes and hands.
I love this figure's supple swinging
In rhythm of its bridal song,
Of strength and life-joy daily singing
With youthful yearnings deep and long.
I love this foot so lightly bearing
The glory of sure victory
Through youth's domain of merry daring
To meet first-love that hers shall be.
I love these hands, these lips enchanting,
With them the God of love's allied,
With them the apple-prize is granting,
But guards them, too, lest aught betide.
I love you and must say it ever,
Although you heed not what you've heard,
But flee and answer: maidens never
May put their trust in poet's word.
149
~ Bjornstjerne Bjornson,
236:Youth And Lordship
MY young lord's the lover
Of earth and sky above,
Of youth's sway and youth's play,
Of songs and flowers and love.
Yet for love's desire
Green youth lacks the daring;
Though one dream of fire,
All his hours ensnaring,
Burns the boy past bearing—
The dream that girls inspire.
My young lord's the lover
Of every burning thought
That Love's will, that Love's skill
Within his breast has wrought.
Lovely girl, look on him
Soft as music's measure;
Yield him, when you've won him,
Joys and toys at pleasure;
But to win your treasure,
Softly look upon him.
My young lord's the lover
Of every tender grace
That woman, to woo man,
Can wear in form or face.
Take him to your bosom
Now, girl, or never;
Let not your new blossom
Of sweet kisses sever;
Only guard for ever
Your boast within your bosom.
My young lord's the lover
Of every secret thing,
Love-hidden, love-bidden
This day to banqueting.
Lovely girl, with vaunting
Never tempt to-morrow:
From all shapes enchanting
Any joy can borrow,
Still the spectre Sorrow
524
Rises up for haunting.
And now my lord's the lover
Of ah! so many a sweet,—
Of roses, of spouses,
As many as love may greet.
~ Dante Gabriel Rossetti,
237:Over the course of the day, he revealed to her a boyish, mischievous side that she found enchanting. One moment he played the lover, sliding his fingers lightly across the nape of her neck or down her arm as they walked. The next he was a rascal, sweeping her off her feet and threatening to toss her in the water or jumping out at her from the brush, ferocious as a bear.
Loretta’s pulse quickened at those times. She knew Hunter was only playing, but he was a little too convincing for comfort when he tried to look fierce. Beneath his gentle façade there lurked a dark side, and at those times she glimpsed it. Though he had become her friend and lover, he was also the epitome of all she had feared these last seven years. Making love with him hadn’t completely erased her memories. Sometimes she wondered if the past would haunt her forever.
Hunter disappeared once, returning a few minutes later with a bouquet of wild flowers. When Swift Antelope and Amy weren’t watching, he dragged her behind bushes to kiss her. Several times, on toward evening, he pressed his palm against her belly and raised a questioning brow. Loretta blushed, well aware of what he was asking. She was still tender from his lovemaking, but not so much as the night before. Yet how could she tell him? Ladies didn’t speak of such things, not even to their husbands. ~ Catherine Anderson,
238:To me she was a woman who had something supernatural about her. Her face reminded me so strongly of the confounding oblivion of other people's faces that, upon seeing her, my whole body began to shake, and my knees gave way. I saw the whole painful story of my life behind her large eyes, her extremely large eyes, wet and glistening eyes, like black diamond balls thrown into tears. In her eyes, in her black eyes, I found the eternal night, the dense darkness that I had been searching for. I plunged into its awesome, enchanting darkness. I felt as though some force was being extracted from my being; the ground shook underneath my feet. At that moment, If I had fallen to the ground, I would have drawn an indescribable pleasure from that fall. My heart stopped. Fearing that my breath might make her disappear, as if she were a piece of cloud or a puff of smoke, I restrained myself from breathing. Her silence was like a miracle. It was as though a glass wall intervened between us. This Moment, this hour, this eternity was choking me. Her weary eyes, as if witnessing something extraordinary that others could not see—as if seeing death—were gradually closing. Eventually, her eyelids closed. The intensity of the moment shook me. I felt like a drowning man who was coming to the surface for air. With the edge of my sleeve, I wiped the perspiration on my forehead. ~ Sadegh Hedayat,
239:Salvini In America
Come, gentlemen-your gold.
Thanks: welcome to the show.
To hear a story told
In words you do not know.
Now, great Salvini, rise
And thunder through your tears,
Aha! friends, let your eyes
Interpret to your ears.
Gods! 't is a goodly game.
Observe his stride-how grand!
When legs like his declaim
Who can misunderstand?
See how that arm goes round.
It says, as plain as day:
'I love,' 'The lost is found,'
'Well met, sir,' or, 'Away!'
And mark the drawing down
Of brows. How accurate
The language of that frown:
Pain, gentlemen-or hate.
Those of the critic trade
Swear it is all as clear
As if his tongue were made
To fit an English ear.
Hear that Italian phrase!
Greek to your sense, 't is true;
But shrug, expression, gaze
Well, they are Grecian too.
But it is Art! God wot
Its tongue to all is known.
Faith! he to whom 't were not
Would better hold his own.
412
Shakespeare says act and word
Must match together true.
From what you've seen and heard,
How can you doubt they do?
Enchanting drama! Mark
The crowd 'from pit to dome',
One box alone is dark
The prompter stays at home.
Stupendous artist! You
Are lord of joy and woe:
We thrill if you say 'Boo,'
And thrill if you say 'Bo.'
~ Ambrose Bierce,
240:When I fall in love with someone, then that doesn’t “just” happen… When I love someone’s character, over time I’ll see that personality, I love so much, shining through their eyes and fusing with their appearance, turning them in the most beautiful girl in the world. It’s not about appearance, it’s about someone’s beautiful, amazing, wonderful, fantastic personality, you’ll see every time you look at her. It’s about the fact that when you look in her eyes, you just feel home… You forget all your problems, all your fears, you just feel safe, you feel like you’ve finally found a place where you belong… A place you can spend an eternity, where you will spend an eternity, cause those enchanting, beautiful eyes will slow down time and make every second; looking in her beautiful eyes, right into her amazing personality, last more than a lifetime.
It’s about the fact that the whole world, the whole universe just looks so much more beautiful!! All of a sudden everything looks different and your heart will just start smiling. That’s what love is all about… the moment someone you only “liked” before, changes into the most aesthetically pleasing girl in the world. The moment you realize how blind you’ve been all those days, how you were living in a fake universe, never knowing that the only thing your life is all about, the only thing that keeps you smiling, was all the time right next to you. ~ Tom Hiddleston,
241:You’re beautiful, Evie,” came his soft comment.
Having been raised by relations who had always lamented the garish color of her hair and the proliferation of freckles, Evie gave him a skeptical smile. “Aunt Florence has always given me a bleaching lotion to make my freckles vanish. But there’s no getting rid of them.”
Sebastian smiled lazily as he came to her. Taking her shoulders in his hands, he slid an appraising glance along her half-clad body. “Don’t remove a single freckle, sweet. I found some in the most enchanting places. I already have my favorites… shall I tell you where they are?”
Disarmed and discomfited, Evie shook her head and made a movement to twist away from him. He wouldn’t let her, however. Pulling her closer, he bent his golden head and kissed the side of her neck. “Little spoilsport,” he whispered, smiling. “I’m going to tell you anyway.” His fingers closed around a handful of the chemise and eased the hem slowly upward. Her breath caught as she felt his fingers nuzzling tenderly between her bare legs. “As I discovered earlier,” he said against her sensitive throat, “there’s a trail inside your right thigh that leads to—”
A knock at the door interrupted them, and Sebastian lifted his head with a grumble of annoyance. “Breakfast,” he muttered. “And I wouldn’t care to make you choose between my lovemaking or a hot meal, as the answer would likely be unflattering. ~ Lisa Kleypas,
242:A Sufi's Remonstrance
I’m sick of You. Your magnificence
precipitates mental pain, ethical
cramps. That You continue to shine
blinds, asphyxiates, twists the sinews
of my words. How dare You bewitch
in an aeon like this? 14 year-old
Iraqi girl kidnapped, raped, burnt alive
by American servicemen; Palestinian
toddler’s head pulped by the shrapnel
of Israeli bombs; sleepy Israeli civilian
shattered by rubble while drinking tea; not
to forget the forgotten diseased, starved
billions expiring in the squalid ghettos
of ‘globalisation’. Could You possibly
justify the garish brilliance of your
intractable, effervescent spring
as rivers shrivel and soil turns saline
due to pitiless ‘progress’? Or the candle
of compassion in this starless night
of cyclic hatred? I honestly can’t help
my revulsion at Your volition to remain
prodigious, enchanting, Beloved. So what
if You discharge life, if my life is nothing
but a valley along the trajectory of return
to You? You flaunt the ecstasies of Union
and transcendence when reality demands
outrage and obduracy. Why won’t You
let me loathe my fellow creatures instead
of being mesmerised by Your allure? It turns
my stomach, aches my intellect, since I hope
and even occasionally smile, sleep and dream
in spite of the calamities, because of You.
~ Ali Alizadeh,
243:Not very long after this a very exciting thing happened. Not only Sara, but the entire school, found it exciting, and made it the chief subject of conversation for weeks after it occurred. In one of his letters Captain Crewe told a most interesting story. A friend who had been at school with him when he was a boy had unexpectedly come to see him in India. He was the owner of a large tract of land upon which diamonds had been found, and he was engaged in developing the mines. If all went as was confidently expected, he would become possessed of such wealth as it made one dizzy to think of; and because he was fond of the friend of his school days, he had given him an opportunity to share in this enormous fortune by becoming a partner in his scheme. This, at least, was what Sara gathered from his letters. It is true that any other business scheme, however magnificent, would have had but small attraction for her or for the schoolroom; but "diamond mines" sounded so like the Arabian Nights that no one could be indifferent. Sara thought them enchanting, and painted pictures, for Ermengarde and Lottie, of labyrinthine passages in the bowels of the earth, where sparkling stones studded the walls and roofs and ceilings, and strange, dark men dug them out with heavy picks. Ermengarde delighted in the story, and Lottie insisted on its being retold to her every evening. Lavinia was very spiteful about it, and told Jessie that she didn't believe such things as diamond mines existed. ~ Frances Hodgson Burnett,
244:LIKE CARS, FOR INSTANCE?” Mrs. Weasley had appeared, holding a long poker like a sword. Mr. Weasley’s eyes jerked open. He stared guiltily at his wife. “C-cars, Molly, dear?” “Yes, Arthur, cars,” said Mrs. Weasley, her eyes flashing. “Imagine a wizard buying a rusty old car and telling his wife all he wanted to do with it was take it apart to see how it worked, while really he was enchanting it to make it fly.” Mr. Weasley blinked. “Well, dear, I think you’ll find that he would be quite within the law to do that, even if — er — he maybe would have done better to, um, tell his wife the truth. . . . There’s a loophole in the law, you’ll find. . . . As long as he wasn’t intending to fly the car, the fact that the car could fly wouldn’t —” “Arthur Weasley, you made sure there was a loophole when you wrote that law!” shouted Mrs. Weasley. “Just so you could carry on tinkering with all that Muggle rubbish in your shed! And for your information, Harry arrived this morning in the car you weren’t intending to fly!” “Harry?” said Mr. Weasley blankly. “Harry who?” He looked around, saw Harry, and jumped. “Good lord, is it Harry Potter? Very pleased to meet you, Ron’s told us so much about —” “Your sons flew that car to Harry’s house and back last night!” shouted Mrs. Weasley. “What have you got to say about that, eh?” “Did you really?” said Mr. Weasley eagerly. “Did it go all right? I — I mean,” he faltered as sparks flew from Mrs. Weasley’s eyes, “that — that was very wrong, boys — very wrong indeed. . . . ~ J K Rowling,
245:NEVER INDEX YOUR OWN BOOK
As for the life of Aamons, Mona, the index itself gave a jangling, surrealistic picture of the many conflicting forces that had been brought to bear on her and of her dismayed reactions to them. “Aamons, Mona:” the index said, “adopted by Monzano in order to boost Monzano’s popularity, 194–199, 216 n.; childhood in compound of House of Hope and Mercy, 63–81; childhood romance with P. Castle, 72 f; death of father, 89 ff; death of mother, 92 f; embarrassed by role as national erotic symbol, 80, 95 f, 166 n., 209, 247 n., 400–406, 566 n., 678; engaged to P. Castle, 193; essential naïveté, 67–71, 80, 95 f, 116 n., 209, 274 n., 400–406, 566 n., 678; lives with Bokonon, 92–98, 196–197; poems about, 2 n., 26, 114, 119, 311, 316, 477 n., 501, 507, 555 n., 689, 718 ff, 799 ff, 800 n., 841, 846 ff, 908 n., 971, 974; poems by, 89, 92, 193; returns to Monzano, 199; returns to Bokonon, 197; runs away from Bokonon, 199; runs away from Monzano, 197; tries to make self ugly in order to stop being erotic symbol to islanders, 80, 95 f, 116 n., 209, 247 n., 400–406, 566 n., 678; tutored by Bokonon, 63–80; writes letter to United Nations, 200; xylophone virtuoso, 71.” I showed this index entry to the Mintons, asking them if they didn’t think it was an enchanting biography in itself, a biography of a reluctant goddess of love. I got an unexpectedly expert answer, as one does in life sometimes. It appeared that Claire Minton, in her time, had been a professional indexer. I had never heard of such a profession before. ~ Kurt Vonnegut,
246:The Mysterious Visitor

Spirit, lovely guest, who are you?
Whence have you flown down to us?
Taciturn and without a sound
Why have you abandoned us?
Where are you? Where is your dwelling?
What are you, where did you go?
Why did you appear,
Heavenly, upon the Earth?

Mayhap you are youthful Hope,
Who arrives from time to time
Cloaked in magic
From a land unknown?
Merciless as Hope,
Sweetest joy you show us
For a moment, then
Take it back and fly away.

Was it Love that you enacted
For us all in mystery? . . .
Days of love, when one beloved
Rendered this world beautiful
Ah! then, sighted through the veil
Earth did seem unearthly...
Now the veil has lifted; Love is gone;
Life is empty, joy - a dream.

Was it Thought, enchanting
You embodied for us here?
Far removed from every worry,
With a dreamy finger pointing
To her lips, she sallies forth
Just like you, from time to time,
Ushers us without a sound
Back to bygone days.

Or within you dwells the sacred spirit
Of Dame Poetry? . . .
Just like you, she came from Heaven
Veiling us twofold:
Using azure for the skies,
And clear white for earth;
What lies near is lovely through her;
All that's distant - known.

Or perhaps 'twas premonition
That descended in your guise
And to us with clarity described
All that's sacred and divine?
Thus it often happens in this life:
Something brilliant flies to meet us,
Raises up the veil
And then beckons us beyond. ~ Vasily Zhukovsky,
247:La Gitana
Your hair was full of roses in the dewfall as we danced,
The sorceress enchanting and the paladin entranced,
In the starlight as we wove us in a web of silk and steel
Immemorial as the marble in the halls of Boabdil,
In the pleasuance of the roses with the fountains and the yews
Where the snowy Sierra soothed us with the breezes and the dews!
In the starlight as we trembled from a laugh to a caress,
And the God came warm upon us in our pagan allegresse.
Was the Baile de la Bona too seductive? Did you feel
Through the silence and the softness all the tension of the steel?
For your hair was full of roses, and my flesh was full of thorns,
And the midnight came upon us worth a million crazy morns.
Ah! my Gipsy, my Gitana, my Saliya! were you fain
For the dance to turn to earnest? - O the sunny land of Spain!
My Gitana, my Saliya! more delicious than a dove!
With your hair aflame with roses and your lips alight with love!
Shall I see you, shall I kiss you once again? I wander far
From the sunny land of summer to the icy Polar Star.
I shall find you, I shall have you! I am coming back again
From the filth and fog to seek you in the sunny land of Spain.
I shall find you, my Gitana, my Saliya! as of old
With your hair aflame with roses and your body gay with gold.
I shall find you, I shall have you, in the summer and the south
With our passion in your body and our love upon your mouth With our wonder and our worship be the world aflame anew!
My Gitana, my Saliya! I am coming back to you!
~ Aleister Crowley,
248:There must be a glowing light above such houses. The joy they contain must escape in light through the stones of the walls and shine dimly into the darkness. It is impossible that this sacred festival of destiny should not send a celestial radiation to the infinite. Love is the sublime crucible in which is consummated the fusion of man and woman; the one being, the triple being, the final being-- the human trinity springs from it. This birth of two souls into one space must be an emotion for space. The lover is priest; the apprehensive maiden submits. Something of this joy goes to God. Where there really is marriage, that is to say, where there is love, the ideal is mingled with it. A nuptial bed makes a halo in the darkness. Were it given to the eye of the flesh to perceive the fearful and enchanting sights of the superior life, it is likely that we should see the forms of night, the winged stranger, the blue travelers of the invisible, bending, a throng of shadowy heads, over the luminous house, pleased, blessing, showing to one another the sweetly startled maiden bride and wearing the reflection of the human felicity on their divine countenances. If at that supreme hour, the wedded pair, bewildered with pleasure, and believing themselves alone, were to listen, they would hear in their room a rustling of confused wings. Perfect happiness implies the solidarity of the angels. That obscure little alcove has for its ceiling the whole heavens. When two mouths, made sacred by love, draw near to each other to create, it is impossible, that above that ineffable kiss there should not be a thrill in the immense mystery of the stars. ~ Victor Hugo,
249:For half a century now, a new consciousness has been entering the human world, a new awareness that can only be called transcendent, spiritual. If you find yourself reading this book, then perhaps you already sense what is happening, already feel it inside. It begins with a heightened perception of the way our lives move forward. We notice those chance events that occur at just the right moment, and bring forth just the right individuals, to suddenly send our lives in a new and important direction. Perhaps more than any other people in any other time, we intuit higher meaning in these mysterious happenings.

We know that life is really about a spiritual unfolding that is personal and enchanting an unfolding that no science or philosophy or religion has yet fully clarified. And we know something else as well: know that once we do understand what is happening, how to engage this allusive process and maximize its occurrence in our lives, human society will take a quantum leap into a whole new way of life one
that realizes the best of our tradition and creates a culture that has been the goal of history all along.

The following story is offered toward this new understanding. If it touches you, if it crystalizes something that you perceive in life, then pass on what you see to another for I think our new awareness of the spiritual is expanding in exactly this way, no longer through hype nor fad, but personally, through a kind of positive psychological contagion among people.

All that any of us have to do is uspend our doubts and distractions just long enough... and miraculously,this reality can be our own. ~ James Redfield,
250:He sat on the edge of the mattress, his nerves sizzling as Daisy gathered up the loose folds of her nightgown. She crawled into his lap with the delicacy of a cat. The scent of sweet female skin filled his nostrils, and her weight settled on his thighs. Linking her slender arms around his neck, she said gravely, “I missed you.”
His palms charted the shape of her body; the tender curves, the slender waist, the firm heart-shaped bottom. But as enchanting as he found Daisy’s physical charms, they didn’t affect him a fraction as intensely as the warm, lively intelligence of her nature.
“I missed you too.”
Daisy’s fingers played in his hair, the delicate touch sending jolts of pleasure from the base of his skull to his groin. Her voice turned provocative. “Did you meet many women in Bristol? Westcliff mentioned something about a dinner, and a soirée given by your host—”
“I didn’t notice any women.” Matthew found it hard to think over the exquisite writhing desire. “You’re the only one I’ve ever wanted.”
She touched the tip of her nose to his in a playful nudge. “You weren’t celibate in the past, however.”
“No,” Matthew admitted, closing his eyes as he felt the caress of her breath against his skin. “It’s a lonely feeling, wishing the woman in your arms was someone else. Not long before I left New York, I realized that every woman I’d been with in the past seven years had resembled you in some way. One would have your eyes, another your hands, or your hair…I thought I would spend the rest of my life searching for little reminders of you. I thought—”
Her mouth pressed against his, absorbing the raw confession. ~ Lisa Kleypas,
251:Her skin was warm beneath his hand, and he could feel the ripe curves beneath the lawn nightdress. The material might be opaque, but it did little to disguise the feel of her.
He was not a man who resisted temptation. Nor was he a man who prided himself on honor, decency, or fair play. He thought of her eyes as she had listened to the opera, and he tilted his head and pressed his mouth against the base of her throat, beneath the ring of bruises.
The pulse leapt beneath his mouth, hammering wildly. In panic or in longing? He didn't care. He turned her in his arms, so that her front pressed up against his. She was a tall woman, taller than those he was used to, and he found she fit him quite nicely, her hips cradling his, her breasts against his chest, her neck within easy reach of his mouth as he traced his way along the abraded flesh. She shivered again, and he liked it. Releasing her face, he slid his hand down between their bodies, into the ripped-open front of her nightdress, and encountered soft female flesh, gently rounded, tantalizing, enchanting, mesmerizing. She was trembling in his arms, with fear, with longing, and the shiver that ran over her warm, scented flesh was irresistible.
He wanted her. Wanted to lose himself in her sweet body, wanted to kiss her mouth, her breasts. He wanted oblivion, hot and dark, but oblivion with her, and the hell with his plans, with waiting. He was going to swing her up in his arms and carry her over to the sofa, he was going to drag her upstairs to his bed and strip off her clothes, slowly, and then make love to her, making it last, over and over again, until they were both wet and shaking, and he wouldn't let her escape for days. ~ Anne Stuart,
252:"She"
  
   How shall I welcome not this light
   Or, wakened by it, greet with doubt
   This beam as palpable to sight
   As visible to touch? How not,
   Old as I am and (some say) wise,
   Revive beneath her summer eyes?
  
   How not have all my nights and days,
   My spirit ranging far and wide,
   By recollections of her grace
   Enlightened and preoccupied?
   Preoccupied: the Morning Star
   How near the Sun and yet how far!
  
   Enlightened: true, but more than true,
   Or why must I discover there
   The meaning in this taintless dew,
   The dancing wave, this blessed air
   Enchanting in its morning dress
   And calm as everlastingness?
  
   The flame that in the heart resides
   Is parcel of that central Fire
   Whose energy is winds and tides-
   Is rooted deep in the Desire
   That smilingly unseals its power
   Each summer in each springing flower.
  
   Oh Lady Nature-Proserpine,
   Mistress of Gender, star-crowned Queen!
   Ah Rose of Sharon-Mistress mine,
   My teacher ere I turned fourteen,
   When first I hallowed from afar
   Your Beautyship in avatar!
  
   I sense the hidden thing you say,
   Your subtle whisper how the Word
   From Alpha on to Omega
   Made all things-you confide my Lord
   Himself-all, all this potent Frame,
   All save the riddle of your name.
  
   Wisdom! I heard a voice that said:
   "What riddle? What is that to you?
   How! By my follower betrayed!
   Look up-for shame! Now tell me true:
   Where meet you light, with love and grace?
   Still unacquainted with my face?"
  
   Dear God, the erring heart must live-
   Through strength and weakness, calm and glow-
   That answer Wisdom scorns to give.
   Much have I learned. One problem, though,
   I never shall unlock: Who then,
   Who made Sophia feminine?
   ~ Owen Barfield, 1978,
253:Let us finally consider how naive it is altogether to say: "Man ought to be such and such!" Reality shows us an enchanting wealth of types, the abundance of a lavish play and change of forms — and some wretched loafer of a moralist comments: "No! Man ought to be different." He even knows what man should be like, this wretched bigot and prig: he paints himself on the wall and comments, "Ecce homo!" But even when the moralist addresses himself only to the single human being and says to him, "You ought to be such and such!" he does not cease to make himself ridiculous. The single human being is a piece of fatum from the front and from the rear, one law more, one necessity more for all that is yet to come and to be. To say to him, "Change yourself!" is to demand that everything be changed, even retroactively. And indeed there have been consistent moralists who wanted man to be different, that is, virtuous — they wanted him remade in their own image, as a prig: to that end, they negated the world! No small madness! No modest kind of immodesty!
Morality, insofar as it condemns for its own sake, and not out of regard for the concerns, considerations, and contrivances of life, is a specific error with which one ought to have no pity — an idiosyncrasy of degenerates which has caused immeasurable harm.
We others, we immoralists, have, conversely, made room in our hearts for every kind of understanding, comprehending, and approving. We do not easily negate; we make it a point of honor to be affirmers. More and more, our eyes have opened to that economy which needs and knows how to utilize everything that the holy witlessness of the priest, the diseased reason in the priest, rejects — that economy in the law of life which finds an advantage even in the disgusting species of the prigs, the priests, the virtuous. What advantage? But we ourselves, we immoralists, are the answer. ~ Friedrich Nietzsche,
254:Parisian Dream
Á Constantine Guys
The vague and distant image
of this landscape, so terrifying,
on which no mortal’s gazed
thrilled me again this morning.
Sleep is full of miracles!
By a singular caprice
from that unfolding spectacle
I’d banned all shapeless leaf,
a painter proud of my artistry
I savoured in my picture
the enchanting monotony
of metal, marble, water.
Babel of stairs and arcades,
it was an infinite palace
full of pools and cascades,
falling gold, burnt, or lustreless:
and heavy cataracts there
like curtains of crystal,
dazzling, hung in air
from walls of metal.
Not trees, but colonnades
circled the sleeping pools
where colossal naiads gazed
at themselves, as women do.
Between banks of rose and green,
the blue water stretched,
for millions of leagues
to the universe’s edge:
there were un-heard of stones,
and magic waves: there were,
dazzled by everything shown,
enormous quivering mirrors!
Impassive and taciturn,
Ganges, in the firmament,
poured treasures from the urn
into abysses of diamond.
Architect of this spell,
399
I made a tame ocean swell
entirely at my will,
through a jewelled tunnel:
and all, seemed glossy, clear
iridescent: even the shades
of black, liquid glory there
in light’s crystallised rays.
Not a single star, no trace
of a sun even, low in the sky,
to illuminate this wondrous place
that shone with intrinsic fire!
And over these shifting wonders
hovered (oh dreadful novelty!
All for the eye, none for the ear!)
the silence of eternity.
II
Opening eyes filled with flame
I saw the horrors of my hovel,
and felt the barbs of shameful
care, re-entering my soul:
brutally with gloomy blows
the clock struck mid-day,
and the sky poured shadows
on a world, benumbed and grey.
~ Charles Baudelaire,
255:The Incantation
Scene: Federal Political Arena
A darkened cave. In the middle, a cauldron, boiling.
Enter the three witches.
1ST WITCH: Thrice hath the Federal Jackass brayed.
2ND WITCH: Once the Bruce-Smith War-horse neighed.
3RD WITCH: So Georgie comes, 'tis time, 'tis time,
Around the cauldron to chant our rhyme.
1ST WITCH: In the cauldron boil and bake
Fillet of a tariff snake,
Home-made flannels -- mostly cotton,
Apples full of moths, and rotten,
Lamb that perished in the drought,
Starving stock from "furthest out",
Drops of sweat from cultivators,
Sweating to feed legislators.
Grime from a white stoker's nob,
Toiling at a nigger's job.
Thus the great Australian Nation,
Seeks political salvation.
ALL: Double, double, toil and trouble,
Fire burn, and cauldron bubble.
2ND WITCH: Heel-taps from the threepenny bars,
Ash from Socialist cigars.
Leathern tongue of boozer curst
With the great Australian thirst,
Two-up gambler keeping dark,
Loafer sleeping in the park -Drop them in to prove the sequel,
All men are born free and equal.
ALL: Double, double, toil and trouble,
Fire burn, and cauldron bubble.
3RD WITCH:Lung of Labour agitator,
370
Gall of Isaacs turning traitor;
Spleen that Kingston has revealed,
Sawdust stuffing out of Neild;
Mix them up, and then combine
With duplicity of Lyne,
Alfred Deakin's gift of gab,
Mix the gruel thick and slab.
ALL: Double, double, toil and trouble,
Heav'n help Australia in her trouble.
HECATE: Oh, well done, I commend your pains,
And everyone shall share i' the gains,
And now about the cauldron sing,
Enchanting all that you put in.
Round about the cauldron go,
In the People's rights we'll throw,
Cool it with an Employer's blood,
Then the charm stands firm and good,
And thus with chaos in possession,
Ring in the coming Fed'ral Session.
~ Banjo Paterson,
256:Ignoto
I love thee not for sacred chastity.
Who loves for that? nor for thy sprightly wit:
I love thee not for thy sweet modesty,
Which makes thee in perfection's throne to sit.
I love thee not for thy enchanting eye,
Thy beauty, ravishing perfection:
I love thee not for that my soul doth dance,
And leap with pleasure when those lips of thine,
Give musical and graceful utterance,
To some (by thee made happy) poet's line.
I love thee not for voice or slender small,
But wilt thou know wherefore? Fair sweet, for all.
'Faith, wench! I cannot court thy sprightly eyes,
With the base viol placed between my thighs:
I cannot lisp, nor to some fiddle sing,
Nor run upon a high stretching minikin.
I cannot whine in puling elegies.
Entombing Cupid with sad obsequies:
I am not fashioned for these amorous times,
To court thy beauty with lascivious rhymes:
I cannot dally, caper, dance and sing,
Oiling my saint with supple sonneting:
I cannot cross my arms, or sigh 'Ah me,'
'Ah me forlorn!' egregious foppery!
I cannot buss thy fill, play with thy hair,
Swearing by Jove, 'Thou art most debonnaire!'
Not I, by cock! but I shall tell thee roundly,
Hark in thine ear, zounds I can ____ thee soundly.
Sweet wench, I love thee; yet I will not sue,
Or show my love as musky courtiers do;
I'll not carouse a health to honour thee,
In this same bezzling drunken courtesy:
And when all's quaffed, eat up my bousinglass,
In glory that I am thy servile ass.
Nor will I wear a rotten Bourbon lock,
As some sworn peasant to a female mock.
Well-featured lass, thou know'st I love thee dear,
39
Yet for thy sake I will not bore mine ear,
To hang thy dirty silken shoe-tires there:
Not for thy love will I once gnash a brick,
Or some pied colours in my bonnet stick.
But by the chaps of hell, to do thee good,
I'll freely spend my thrice decocted blood.
~ Christopher Marlowe,
257:As I walked out one evening,
Walking down Bristol Street,
The crowds upon the pavement
Were fields of harvest wheat.

And down by the brimming river
I heard a lover sing
Under an arch of the railway:
"Love has no ending.

"I'll love you, dear, I'll love you
Till China and Africa meet,
And the river jumps over the mountain
And the salmon sing in the street,

"I'll love till the ocean
Is folded and hung up to dry
And the seven stars go squawking
Like geese about the sky.

"The years shall run like rabbits,
For in my arms I hold
The Flower of the Ages,
And the first love of the world."

But all the clocks in the city
Began to whirr and chime:
"O let not Time deceive you,
You cannot conquer Time.

"In the burrows of the Nightmare
Where Justice naked is,
Time watches from the shadow
And coughs when you would kiss.

"In headaches and in worry
Vaguely life leaks away,
And Time will have his fancy
Tomorrow or today.

"Into many a green valley
Drifts the appalling snow;
Time breaks the threaded dances
And the diver's brilliant bow.

"O plunge your hands in water,
Plunge them in up to the wrist;
Stare, stare in the basin
And wonder what you've missed.

"The glacier knocks in the cupboard,
The desert sighs in the bed,
And the crack in the teacup opens
A lane to the land of the dead.

"Where the beggars raffle the banknotes
And the Giant is enchanting to Jack,
And the Lily-white Boy is a Roarer,
And Jill goes down on her back.

"O look, look in the mirror,
O look in your distress;
Life remains a blessing
Although you cannot bless.

"O stand, stand at the window
As the tears scald and start;
You shall love your crooked neighbor
With all your crooked heart."

It was late, late in the evening,
The lovers they were gone;
The clocks had ceased their chiming,
And the deep river ran on. ~ W H Auden,
258:(Golden Globe acceptance speech in the style of Jane Austen's letters):

"Four A.M. Having just returned from an evening at the Golden Spheres, which despite the inconveniences of heat, noise and overcrowding, was not without its pleasures. Thankfully, there were no dogs and no children. The gowns were middling. There was a good deal of shouting and behavior verging on the profligate, however, people were very free with their compliments and I made several new acquaintances. Miss Lindsay Doran, of Mirage, wherever that might be, who is largely responsible for my presence here, an enchanting companion about whom too much good cannot be said. Mr. Ang Lee, of foreign extraction, who most unexpectedly apppeared to understand me better than I undersand myself. Mr. James Schamus, a copiously erudite gentleman, and Miss Kate Winslet, beautiful in both countenance and spirit. Mr. Pat Doyle, a composer and a Scot, who displayed the kind of wild behavior one has lernt to expect from that race. Mr. Mark Canton, an energetic person with a ready smile who, as I understand it, owes me a vast deal of money. Miss Lisa Henson -- a lovely girl, and Mr. Gareth Wigan -- a lovely boy. I attempted to converse with Mr. Sydney Pollack, but his charms and wisdom are so generally pleasing that it proved impossible to get within ten feet of him. The room was full of interesting activitiy until eleven P.M. when it emptied rather suddenly. The lateness of the hour is due therefore not to the dance, but to the waiting, in a long line for horseless vehicles of unconscionable size. The modern world has clearly done nothing for transport.

P.S. Managed to avoid the hoyden Emily Tomkins who has purloined my creation and added things of her own. Nefarious creature."

"With gratitude and apologies to Miss Austen, thank you. ~ Emma Thompson,
259:Verses On Mrs Rowe
SUCH were the notes our chaster SAPPHO sung,
And every muse dropt honey on her tongue.
Blest shade ! how pure a breath of praise was thine,
Whose spotless life was faultless as thy line:
In whom each worth and every grace conspire,
The Christian's meekness and the Poet's fire.
Learn'd without pride, a woman without art;
The sweetest manners and the gentlest heart.
Smooth like her verse her passions learnt to move,
And her whole soul was harmony and love:
Virtue that breast without a conflict gain'd,
And easy like a native monarch reign'd.
On earth still favour'd as by heaven approv'd,
The world applauded, and ALEXIS lov'd.
With love, with health, with fame, and friendship blest,
And of a chearful heart the constant feast,
What more of bliss sincere could earth bestow?
What purer heaven could angels taste below?
But bliss from earth's vain scenes too quickly flies;
The golden chord is broke, ALEXIS dies.
Now in the leafy shade, and widow'd grove,
Sad PHILOMELA mourns her absent love.
Now deep retir'd in FROME's enchanting vale,
She pours her tuneful sorrows on the gale;
Without one fond reserve the world disclaims,
And gives up all her soul to heavenly flames.
Yet in no useless gloom she wore her days;
She lov'd the work, and only shun'd the praise.
Her pious hand the poor, the mourner blest;
Her image liv'd in every kindred breast.
THYNN, CARTERET, BLACKMORE, ORRERY approv'd,
And PRIOR prais'd, and noble HERTFORD lov'd;
Seraphic KENN, and tuneful WATTS were thine,
And virtue's noblest champions fill'd the line.
Blest in thy friendships! in thy death too blest !
Receiv'd without a pang to endless rest.
Heaven call'd the Saint matur'd by length of days,
189
And her pure spirit was exhal'd in praise.
Bright pattern of thy sex, be thou my muse;
Thy gentle sweetness thro' my soul diffuse:
Let me thy palm, tho' not thy laurel share,
And copy thee in charity and prayer.
Tho' for the bard my lines are yet too faint,
Yet in my life let me transcribe the saint.
~ Anna Laetitia Barbauld,
260:Sir Templeton was not feeling himself last night,” said Aunt Saffronia, her eyes flicking from plate to Jane and back to plate, “so Mr. Nobley offered to accompany him to see an apothecary in town, and Colonel Andrews went as well, having some business to attend to there. They are so attentive, such honest, caring lads. I shall feel their loss when they leave.”
“I feel it today.” Miss Charming pursed her lips. “Eating breakfast with no gentlemen and that Heartwright girl poaching on my men--this isn’t what I was promised.” She looked at Aunt Saffronia with the eye of a haggler.
Aunt Saffronia placed her hands in her lap, a calming gesture. “I know, my dear, but they will be back, and in the meantime…”
“I didn’t come here for the meantime. I came for the men.”
Poor Aunt Saffronia! Jane felt for her. She put a hand on Miss Charming’s arm. “Lizzy, maybe you and I could go visit the stables and go for a ride or--”
“Not today, Jane. My feelings are hurt.” A tear formed in one eye. “I was promised certain things about this place and I can tell you one thing--so far, no one’s made me feel enchanting.
“Oh, my,” Aunt Saffronia said, “I can’t have unhappiness at my table. Spoils the digestion. Miss Charming, what say we call on Mrs. Wattlesbrook? I believe she would be very concerned to hear of any dissatisfaction during your visit.”
Miss Charming looked at Aunt Saffronia with her dry eye, like a goose considering biting, then nodded her head and said, “Done.”
Jane thought, Mrs. Wattlesbrook will have Mr. Nobley tamed into Charming’s personal pet by sundown.
He’d been Miss Charming’s choice from the beginning, though he’d quickly proved too much work to keep the woman’s interest. He was the most eye-catching, no question, and he gave the appearance of having some real depth, if he’d just relax a bit. Jane was curious to see how he changed once Wattlesbrook ordered him to charm Miss Charming. And that would be fine by Jane. So what that he’d come (needlessly) running to her rescue in his shirttails? They way he’d said, “Don’t be a fool, Miss Erstwhile,” made her want to poke him in the eye. He was supposed to be Darcy-adorable, not teeth-grindingly maddening. ~ Shannon Hale,
261:Thirty-Eight
IN early youth's unclouded scene,
The brilliant morning of eighteen,
With health and sprightly joy elate
We gazed on life's enchanting spring ,
Nor thought how quickly time would bring
The mournful period--Thirty-eight.
Then the starch maid, or matron sage,
Already at the sober age,
We view'd with mingled scorn and hate;
In whose sharp words, or sharper face,
With thoughtless mirth we loved to trace
The sad effects of--Thirty-eight.
Till saddening, sickening at the view
We learn'd to dread what Time might do;
And then preferr'd a prayer to Fate
To end our days ere that arrived;
When (power and pleasure long survived)
We met neglect and--Thirty-eight.
But time, in spite of wishes, flies
And Fate our simple prayer denies,
And bids us death's own hour await:
The auburn locks are mix'd with grey,
The transient roses fade away,
But reason comes at--Thirty-eight.
Her voice the anguish contradicts
That dying vanity inflicts;
Her hand new pleasures can create,
For us she opens to the view
Prospects less bright--but far more true,
And bids us smile at--Thirty-eight.
No more shall scandal's breath destroy
The social converse we enjoy
With bard or critic tete a tete;-O'er youth's bright blooms her blights shall pour,
But spare the improving friendly hour
That science gives to --Thirty-eight.
Stripp'd of their gaudy hues by Truth,
We view the glitt'ring toys of youth,
205
And blush to think how poor the bait
For which to public scenes we ran
And scorn'd of sober sense the plan
Which gives content at--Thirty-eight.
Though Time's inexorable sway
Has torn the myrtle bands away,
For other wreaths 'tis not too late,
The amaranth's purple glow survives,
And still Minerva's olive lives
On the calm brow of--Thirty-eight.
With eye more steady we engage
To contemplate approaching age,
And life more justly estimate;
With firmer souls, and stronger powers,
With reason, faith, and friendship ours,
We'll not regret the stealing hours
That lead from Thirty--even to Forty-eight.
~ Charlotte Smith,
262:How was your journey?" he asked.
"You don't have to make small talk with me," she said. "I don't like it, and I'm not very good at it."
They paused at the shade of portico, beside a sweet-scented bower of roses. Casually Lord St. Vincent leaned a shoulder against a cream-painted column. A lazy smile curved his lips as he looked down at her. "Didn't Lady Berwick teach you?"
"She tried. But I hate trying to make conversation about weather. Who cares what the temperature is? I want to talk about things like... like..."
"Yes?" he prompted as she hesitated.
"Darwin. Women's suffrage. Workhouses, war, why we're alive, if you believe in séances or spirits, if music has ever made you cry, or what vegetable you hate most..." Pandora shrugged and glanced up at him, expecting the familiar frozen expression of a man who was about to run for his life. Instead she found herself caught by his arrested stare, while the silence seemed to wrap around them.
After a moment, Lord St. Vincent said softly, "Carrots."
Bemused, Pandora tried to gather her wits. "That's the vegetable you hate most? Do you mean cooked ones?"
"Any kind of carrots."
"Out of all vegetables?" At his nod, she persisted, "What about carrot cake?"
"No."
But it's cake."
A smile flickered across his lips. "Still carrots."
Pandora wanted to argue the superiority of carrots over some truly atrocious vegetable, such as Brussels sprouts, but heir conversation was interrupted by a silky masculine voice.
"Ah, there you are. I've been sent out to fetch you."
Pandora shrank back as she saw a tall msn approach in a graceful stride. She knew instantly that he must be Lord Sy. Vincent's father- the resemblance was striking. His complexion was tanned and lightly time-weathered, with laugh-lines at the outer corners of his blue eyes. He had a full head of tawny-golden hair, handsomely silvered at the sides and temples. Having heard of his reputation as a former libertine, Pandora had expected an aging roué with coarse features and a leer... not this rather gorgeous specimen who wore his formidable presence like an elegant suit of clothes.
"My son, what can you be thinking, keeping this enchanting creature out in the heat of midday? ~ Lisa Kleypas,
263:Six heads erupted from the water with fangs flashing and mouths roaring. On the neck of one of them was Asherah, riding it like a steed. She pointed down at the approaching form of Mikael. The monster focused on the angel as a target. The sound of gurgling from deep within its bowels warned Mikael. He had been caught by this attack before, at the beach of Mount Sapan. He was not going to let it happen again. He dove behind a huge boulder as a stream of fire poured out from the dragon head and blackened the entire area of stone. Another head reached down and Dagon leapt onto it, pulled away before Uriel and Gabriel could reach him. Ba’alzebul and Molech dashed headlong at the seven heads. Ba’alzebul’s muscular form launched an amazing thirty feet to catch one of the gaping jaws as it swung past the rocks of the beach. Molech was not so glorious. He could only make a good twenty feet. It was not enough to reach his target. He landed in the water in a belly flop. Uriel and Gabriel could not help but look at each other, smirking. One of the dragon heads reached down and picked Molech out of the water with its teeth and placed him on the back of another neck. The head that Ba’alzebul had caught had a sword stuck in the roof of its mouth, the hilt sticking out of its head. It was Gabriel’s sword, from their confrontation at Sapan generations earlier. Ba’alzebul pulled it from the creature’s mouth and swung around to mount its neck. He raised the sword high in victory, as all seven heads plunged back into the deep, carrying its four riders away from the grasp of the angels. Mikael stepped down to the shoreline to stand by Uriel and Gabriel as Raphael and Raguel helped the trapped angels get free from the rocks. They looked out onto the frothing, swirling waters left behind by the exit of the gargantuan and its riders. There was no way the archangels could ever chase that chaos monster. “You have to hand it to that Asherah,” said Uriel. “She is one goddess with chutzpah, taking her chances with enchanting Leviathan.” Gabriel added, “And I thought Ashtart was gutsy.” “Ashtart cut your gut in half back at Mount Hermon,” said Uriel wryly. “If I had not found your legs in the waters of the Abyss you would have been a paraplegic until the Resurrection. ~ Brian Godawa,
264:Love Elegy, To Henry
Then thou hast learnt the secret of my soul,
Officious Friendship has its trust betrayed;
No more I need the bursting sigh control,
Nor summon pride my struggling soul to aid.
But think not banished hope returns again,
Think not I write thy thankless heart to move;
The faded form that tells my tender pain
May win thy pity, but it can't thy love.
Nor can I move thee by soft winning art,
By manners taught to charm, or practised glance;
Artless as thine, my too too feeling heart
Disdains the tutored eye, the fond advance.
The cold coquette, to win her destined prey,
May feign a passion which she ne'er can feel;
But I true Passion's soft commands obey,
And fain my tender feelings would conceal.
In others' eyes, when fixed on thine, I see
That fondness painted which alone I know;
Think not, my Henry, they can love like me,
More love I hide than they can e'er bestow.
While tender glances their emotions speak,
And oft they heave and oft suppress the sigh;
O turn to me, behold my pallid cheek
Shrinking from thine, behold my downcast eye!
While they by mirth, by wit, thine ear amuse,
And by their eloquence thy plaudits seek;
See me the fond contention still refuse,
Nor in thy presence, Henry, dare to speak.
When asked to breathe the soul-enchanting song,
See them o'erjoyed exert their utmost art;
While vainly I would join the choral throng,
Lost are those tones which once could touch the heart.
20
But, Henry, wert thou in Love's language wise,
Vainly would others more than Emma shine;
Beyond their sweetest strains thy heart would prize
One faint, one broken, tender tone of mine.
O proofs of passion, eloquent as vain!
By thee unheeded, or perhaps unknown,....
But learn, the pangs that prompt this pensive strain,
Ere long, disdainful youth, may be thine own.
Ah! no....in hopeless love thou canst not pine,
Thou ne'er canst woo the brightest maid in vain;
For thee Love's star midst cloudless skies will shine,
And light thy graceful steps to Hymen's fane:
While I, as hope, and strength, and life recede,
Far, far from thee shall waste the languid day;
Blest, if the scroll that speaks thy bliss I read,
But far more blest to feel life's powers decay.
~ Amelia Opie,
265:Blissfully unaware of all that, Elizabeth continued to love him without reservation or guile, and as she grew more certain of his love, she became more confident and more enchanting to Ian. On those occasions when she saw his expression become inexplicably grim, she teased him or kissed him, and, if those ploys failed, she presented him with little gifts-a flower arrangement from Havenhurst’s gardens, a single rose that she stuck behind his ear, or left upon his pillow. “Shall I have to resort to buying you a jewel to make you smile, my lord?” she joked one day three months after they were married. “I understand that is how it is done when a lover begins to act distracted.”
To Elizabeth’s surprise, her remark made him snatch her into his arms in a suffocating embrace. “I am not losing interest in you, if that’s what you’re suggesting,” he told her.
Elizabeth leaned back in his arms, surprised by the unwarranted force of his declaration, and continued to tease. “You’re quite certain?”
“Positive.”
“You wouldn’t lie to me, would you?” she asked in a voice of mock severity.
“I would never lie to you,” Ian said gravely, but then he realized that by withholding the truth from her, he was, in effect, deceiving her, which in turn, amounted to little less than lying outright.
Elizabeth knew something was bothering him, and that as time passed, it was bothering him with increasing frequency, but she never dreamed she was even remotely the cause of his silences or preoccupation. She thought of Robert often, but not since the day of her marriage had she permitted herself to think of Mr. Wordsworth’s accusations, not even for an instant. In the first place, she couldn’t bear it; in the second, she no longer believed there was the slightest possibility he was right.
“I have to go to Havenhurst tomorrow,” she said reluctantly when Ian finally let her go. “The masons have started on the house and bridge, and the irrigation work has begun. If I spend the night, though, I shouldn’t have to go back for at least a fornight.”
“I’ll miss you,” he said quietly, but there was no trace of resentment in his voice, nor did he attempt to persuade her to postpone the trip. He was keeping to his bargain with the integrity that Elizabeth particularly admired in him.
“Not,” she whispered, kissing the side of his mouth, “as much as I’ll miss you. ~ Judith McNaught,
266:Jeanne-Marie's Hands
Jeanne-Marie has strong hands; dark hands tanned by the summer,
pale hands like dead hands. Are they the hands of Donna Juana?
Did they get their dusky cream colour
sailing on pools of sensual pleasure?
Have
Have
Have
Have
they
they
they
they
dipped into moons, in ponds of serenity?
drunk heat from barbarous skies, calm upon enchanting knees?
rolled cigars, or traded in diamonds?
tossed golden flowers at the glowing feet of Madonnas?
It is the black blood of belladonnas that blazes and sleeps in their palms.
Hands which drive the diptera with which
the auroral bluenesses buzz, towards the nectars?
Hands which measure out poisons?
Oh what Dream has stiffened them in pandiculations?
Some extraordinary dream of the Asias, of Khenghavars or Zions?
These hands have neither sold oranges
nor become sunburnt at the feet of the gods:
these hands have never washed the napkins of heavy babies without eyes.
These are not the hands of a tart,
nor of working women with round foreheads burnt
by a sun which is drunk with the smell of tar,
in woods that sink of factories.
These are benders of backbones; hands that never work harm;
more inevitable than machines, stronger than carthorses!
Stirring like furnaces, shaking off all their chills of fear,
their flesh sings Marseillaises, and never Eleisons!
They could grasp your necks, O evil women;
they could pulverize your hands, noblewomen;
your infamous hands full of white and of carmine.
The splendour of these hands of love turns the heads of the lambs!
On their spicy fingers the great sun sets a ruby!
A dark stain of the common people makes then brown
like the nipples of the women of yesterday,
68
but it is the backs of these Hands which every
proud Rebel desires to kiss! Marvelous,
they have paled in the great sunshine full of love of the cause
on the bronze casing of machine-guns throughout insurgent Paris!
Ah, sometimes, O blessed Hands, at your wrists,
Hands where our never-sobered lips tremble,
cries out a chain of bright links!
And there's a strange and sudden
Start in our beings when,
sometimes, they try, angelic Hands,
to make your sunburn fade away
by making your fingers bleed!
~ Arthur Rimbaud,
267:The careful, embroidered stitches delineated a coil of some sort. It looked rather like a halved snail shell, but the interior was divided into dozen of intricate chambers.
"Is that a nautilus?" he asked.
"Close, but no. It's an ammonite."
"An ammonite? What's an ammonite? Sounds like an Old Testament people overdue for smiting."
"Ammonites are not a biblical people," she replied in a tone of strained forbearance. "But they have been smited."
"Smote."
With a snap of linen, she shot him a look. "Smote?"
"Grammatically speaking, I think the word you want is 'smote.' "
"Scientifically speaking, the word I want is 'extinct.' Ammonites are extinct. They're only known to us in fossils."
"And bedsheets, apparently."
"You know..." She huffed aside a lock of hair dangling
in her face. "You could be helping."
"But I'm so enjoying watching," he said, just to devil her. Nonetheless, he picked up the edge of the top sheet and fingered the stitching as he pulled it straight. "So you made this?"
"Yes." Though judging by her tone, it hadn't been a labor of love. "My mother always insisted, from the time I was twelve years old, that I spend an hour every evening on embroidery. She had all three of us forever stitching things for our trousseaux."
'Trousseaux.' The word hit him queerly. "You brought your trousseau?"
"Of course I brought my trousseau. To create the illusion of an elopement, obviously. And it made the most logical place to store Francine. All these rolls of soft fabric made for good padding."
Some emotion jabbed his side, then scampered off before he could name it. Guilt, most likely. These were sheets meant to grace her marriage bed, and she was spreading them over a stained straw-tick mattress in a seedy coaching inn.
"Anyhow," she went on, "so long as my mother forced me to embroider, I insisted on choosing a pattern that interested me. I've never understood why girls are always made to stitch insipid flowers and ribbons."
"Well, just to hazard a guess..." Colin straightened his edge. "Perhaps that's because sleeping on a bed of flowers and ribbons sounds delightful and romantic. Whereas sharing one's bed with a primeval sea snail sounds disgusting."
Her jaw firmed. "You're welcome to sleep on the floor."
"Did I say disgusting? I meant enchanting. I've always wanted to go to bed with a primeval sea snail. ~ Tessa Dare,
268:I can only thank the good Lord above,” she began after she turned back to him and Mr. Hodges assumed his usual stoic demeanor, “that your father and brother are away on business at the moment, because, well, I’m sure they’d have quite a bit to say regarding your current circumstance.” She released the tiniest of sighs. “Honestly, Edgar, one would have thought, considering you failed so spectacularly to win Wilhelmina’s hand the first time you proposed to her, that you would have tried a little more diligently to pull off a romantic moment the second time around.” “And one would have thought, considering how put out you’ve been at Wilhelmina over her rejecting my proposal all those years ago, that you would be trying to figure out a way to get me out of marrying her rather than marrying her.” “I’ve always adored Wilhelmina,” Nora said with a rattle of the paper she was still holding. “And while I’m sure I did lend the impression of being put out with her, that was mostly for your benefit, dear.” Edgar’s mouth dropped open. “Do not tell me that you’ve been holding out hope all these years for something like this to happen.” “I must admit that I have, and . . . now it would seem as if that hope was not misplaced if a wedding does indeed occur between the two of you in the foreseeable future.” Reaching for his tea again, Edgar drained the cup and set it aside. “I’m hesitantly optimistic that a wedding may soon take place, especially since I have come to realize that I still love Wilhelmina. I find her to be a most enchanting creature, and I would be a lucky gentleman indeed if she would truly agree to become my wife.” Nora frowned. “I’m afraid I don’t understand why you’re only hesitantly optimistic about marrying Wilhelmina. You’ve mentioned a time or two now that you told Mrs. Travers you were to be married, and while I know you’ve been away from society for quite some time, surely you haven’t forgotten that, as a gentleman, you have no choice but to go through with the wedding. And, as a lady, Wilhelmina can’t refute your declaration, not if she wants to keep her reputation, and . . . she can forget about continuing on as a social secretary if she doesn’t go through with the marriage because she’ll be looked at forevermore as a woman of loose moral values.” She rattled the paper again. “Add in the article Miss Quill published, and I can say with all certainty that there will be a wedding to plan, whether Wilhelmina has doubts or not.” Turning ~ Jen Turano,
269:So at last Ilar Sant came to this wood, which people now call St. Hilary's wood because they have forgotten all about Ilar. And he was weary with his wandering, and the day was very hot; so he stayed by this well and began to drink. And there on that great stone he saw the shining fish, and so he rested, and built an altar and a church of willow boughs, and offered the sacrifice not only for the quick and the dead, but for all the wild beasts of the woods and the streams.

"And when this blessed Ilar rang his holy bell and began to offer, there came not only the Prince and his servants, but all the creatures of the wood. There, under the hazel boughs, you might see the hare, which flies so swiftly from men, come gently and fall down, weeping greatly on account of the Passion of the Son of Mary. And, beside the hare, the weasel and the pole-cat would lament grievously in the manner of penitent sinners; and wolves and lambs together adored the saint's hierurgy; and men have beheld tears streaming from the eyes of venomous serpents when Ilar Agios uttered 'Curiluson' with a loud voice—since the serpent is not ignorant that by its wickedness sorrow came to the whole world. And when, in the time of the holy ministry, it is necessary that frequent Alleluyas should be chanted and vociferated, the saint wondered what should be done, for as yet none in that place was skilled in the art of song. Then was a great miracle, since from all the boughs of the wood, from every bush and from every green tree, there resounded Alleluyas in enchanting and prolonged harmony; never did the Bishop of Rome listen to so sweet a singing in his church as was heard in this wood. For the nightingale and thrush and blackbird and blackcap, and all their companions, are gathered together and sing praises to the Lord, chanting distinct notes and yet concluding in a melody of most ravishing sweetness; such was the mass of the Fisherman. Nor was this all, for one day as the saint prayed beside the well he became aware that a bee circled round and round his head, uttering loud buzzing sounds, but not endeavouring to sting him. To be short; the bee went before Ilar, and led him to a hollow tree not far off, and straightway a swarm of bees issued forth, leaving a vast store of wax behind them. This was their oblation to the Most High, for from their wax Ilar Sant made goodly candles to burn at the Offering; and from that time the bee is holy, because his wax makes light to shine upon the Gifts. ~ Arthur Machen,
270:How important was mantra to Gandhi’s transformation? Extremely. When done systematically, mantra has a powerful effect on the brain. It gathers and focuses the energy of the mind. It teaches the mind to focus on one point, and it cultivates a steadiness that over time becomes an unshakable evenness of temper. The cultivation of this quality of “evenness” is a central principle of the Bhagavad Gita. It is called samatva in Sanskrit, and it is a central pillar of Krishna’s practice. When the mind develops steadiness, teaches Krishna, it is not shaken by fear or greed. So, in his early twenties, Gandhi had already begun to develop a still-point at the center of his consciousness—a still-point that could not be shaken. This little seed of inner stillness would grow into a mighty oak. Gandhi would become an immovable object. Rambha had given Gandhi an enchanting image to describe the power of mantra. She compared the practice of mantra to the training of an elephant. “As the elephant walks through the market,” taught Rambha, “he swings his trunk from side to side and creates havoc with it wherever he goes—knocking over fruit stands and scattering vendors, snatching bananas and coconuts wherever possible. His trunk is naturally restless, hungry, scattered, undisciplined. This is just like the mind—constantly causing trouble.” “But the wise elephant trainer,” said Rambha, “will give the elephant a stick of bamboo to hold in his trunk. The elephant likes this. He holds it fast. And as soon as the elephant wraps his trunk around the bamboo, the trunk begins to settle. Now the elephant strides through the market like a prince: calm, collected, focused, serene. Bananas and coconuts no longer distract.” So too with the mind. As soon as the mind grabs hold of the mantra, it begins to settle. The mind holds the mantra gently, and it becomes focused, calm, centered. Gradually this mind becomes extremely concentrated. This is the beginning stage of meditation. All meditation traditions prescribe some beginning practice of gathering, focusing, and concentration—and in the yoga tradition this is most often achieved precisely through mantra. The whole of Chapter Six in the Bhagavad Gita is devoted to Krishna’s teachings on this practice: “Whenever the mind wanders, restless and diffuse in its search for satisfaction without, lead it within; train it to rest in the Self,” instructs Krishna. “When meditation is mastered, the mind is unwavering like the flame of a lamp in a windless place. ~ Stephen Cope,
271:Galen slides into his desk, unsettled by the way the sturdy blond boy talking to Emma casually rests his arm on the back of her seat.
"Good morning," Galen says, leaning over to wrap his arms around her, nearly pulling her from the chair. He even rests his cheek against hers for good measure. "Good morning...er, Mark, isn't it?" he says, careful to keep his voice pleasant. Still, he glances meaningfully at the masculine arm still lining the back of Emma's seat, almost touching her.
To his credit-and safety-Mark eases the offending limb back to his own desk, offering Emma a lazy smile full of strikingly white teeth. "You and Forza, huh? Did you clear that with his groupies?"
She laughs and gently pries Galen's arms off her. Out of the corner of his eye, he sees the eruption of pink spreading like spilled paint over her face. She's not used to dating him yet. Until about ten minutes ago, he wasn't used to it either. Now though, with the way Mark eyes her like a tasty shellfish, playing the role of Emma's boyfriend feels all too natural.
The bell rings, saving Emma from a reply and saving Mark thousands of dollars in hospital bills. Emma shoots Galen a withering look, which he deflects with that he hopes is an enchanting grin. He measures his success by the way her blush deepens but stops short when he notices the dark circles under her eyes.
She didn't sleep last night. Not that he thought she would. She'd been quiet on the flight home from Destin two nights ago. He didn't pressure her to talk about it with him, mostly because he didn't know what to say once the conversation got started. So many times, he's started to assure her that he doesn't see her as an abomination, but it seems wrong to say it out loud. Like he's willfully disagreeing with the law. But how could those delicious-looking lips and those huge violet eyes be considered an abomination?
What's even crazier is that not only does he not consider her an abomination, the fact that she could be a Half-Breed ignited a hope in him he's got no right to feel: Grom would never mate with a half human. At least, Galen doesn't think he would.
He glances at Emma, whose silky eyelids don't even flutter in her state of light sleep. When he clears his throat, she startles. "Thank you," she mouths to him as she picks her pencil back up, using the eraser to trace the lines in her textbook as she reads. He acknowledges with a nod. He doesn't want to leave her like this, anxious and tense and out of place in her own beautiful skin. ~ Anna Banks,
272:One morning she at last succeeded in helping him to the foot of the steps, trampling down the grass before him with her feet, and clearing a way for him through the briars, whose supple arms barred the last few yards. Then they slowly entered the wood of roses. It was indeed a very wood, with thickets of tall standard roses throwing out leafy clumps as big as trees, and enormous rose bushes impenetrable as copses of young oaks. Here, formerly, there had been a most marvellous collection of plants. But since the flower garden had been left in abandonment, everything had run wild, and a virgin forest had arisen, a forest of roses over-running the paths, crowded with wild offshoots, so mingled, so blended, that roses of every scent and hue seemed to blossom on the same stem. Creeping roses formed mossy carpets on the ground, while climbing roses clung to others like greedy ivy plants, and ascended in spindles of verdure, letting a shower of their loosened petals fall at the lightest breeze. Natural paths coursed through the wood — narrow footways, broad avenues, enchanting covered walks in which one strolled in the shade and scent. These led to glades and clearings, under bowers of small red roses, and between walls hung with tiny yellow ones. Some sunny nooks gleamed like green silken stuff embroidered with bright patterns; other shadier corners offered the seclusion of alcoves and an aroma of love, the balmy warmth, as it were, of a posy languishing on a woman’s bosom. The rose bushes had whispering voices too. And the rose bushes were full of songbirds’ nests. ‘We must take care not to lose ourselves,’ said Albine, as she entered the wood. ‘I did lose myself once, and the sun had set before I was able to free myself from the rose bushes which caught me by the skirt at every step.’ They had barely walked a few minutes, however, before Serge, worn out with fatigue, wished to sit down. He stretched himself upon the ground, and fell into deep slumber. Albine sat musing by his side. They were on the edge of a glade, near a narrow path which stretched away through the wood, streaked with flashes of sunlight, and, through a small round blue gap at its far end, revealed the sky. Other little paths led from the clearing into leafy recesses. The glade was formed of tall rose bushes rising one above the other with such a wealth of branches, such a tangle of thorny shoots, that big patches of foliage were caught aloft, and hung there tent-like, stretching out from bush to bush. Through the tiny apertures in the patches of leaves, which were suggestive of fine lace, the light ~ mile Zola,
273:To The Baron Destonne
WHO HAD WISHED AT THE NEXT TRANSIT OF MERCURY TO FIND HIMSELF
AGAIN BETWEEN MRS. LA BORDE AND MRS. B.
In twice five winters more and one,
Hermes again will cross the Sun;
Again a dusky spot appear,
Slow-journeying o'er his splendid sphere:
The stars shall slide into their places,
Exhibiting the self-same faces,
And in the like position fix
As Thursday morning, eighty-six.
But changing mortals hope in vain
Their lost position more to gain;—
Once more between La Borde and me!—
Ah, wish not what will never be!
For wandering planets have their rules,
Well known in astronomic schools;
But life's swift wheels will ne'er turn back,
When once they've measured o'er their track.
Eleven years,—twice five and one,—
Is a long hour in Beauty's sun:
Those years will pilfer many a grace
Which decks La Borde's enchanting face;
The little Loves which round her fly,
Will moult the wing, and droop, and die:
And I, grown dull, my lyre unstrung
In some old chimney corner hung,
Gay scenes of Paris all forgot,
Shall rust within my silent cot:
Life's summer ended, and life's spring,
Nor she shall charm, nor I shall sing.
Even Cook, upon whose blooming brow
The youthful graces open now,
Eleven years may vastly change:
No more the Provinces he'll range;
No more with humid eyes entreat,
And wait his doom at Beauty's feet;
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Married and grave, he'll spend his time
Far from the idleness of rime;
Forgetting oranges and myrtle,
Will drink his port and eat his turtle;
Perhaps with country justice sit,
And turn his back on thee and Wit.
For thee, my friend, whose copious vein
Pours forth at will the polished strain,
With every talent formed to please,
Each fair idea quick to seize;—
Who knows within so long a space
What scenes the present may efface,
What course thy stream of life may take,
What winds may curl, what storms may shake,
What varying colours, gay or grave,
Shall tinge by turns the passing wave;
Of objects on its banks what swarms—
The loftier or the fairer forms—
Shall glide before the liquid glass,
And print their image as they pass?
Let Fancy then and Friendship stray
In Pleasure's flowery walks today,
Today improve the social hours,
And build today the Muse's bowers;
And when life's pageant on will go,
Try not to stop the passing show;
But give to scenes that once were dear,
A sigh, a farewell, and a tear.
~ Anna Laetitia Barbauld,
274:It was my father who called the city the Mansion on the River. He was talking about Charleston, South Carolina, and he was a native son, peacock proud of a town so pretty it makes your eyes ache with pleasure just to walk down its spellbinding, narrow streets. Charleston was my father’s ministry, his hobbyhorse, his quiet obsession, and the great love of his life. His bloodstream lit up my own with a passion for the city that I’ve never lost nor ever will. I’m Charleston-born, and bred. The city’s two rivers, the Ashley and the Cooper, have flooded and shaped all the days of my life on this storied peninsula. I carry the delicate porcelain beauty of Charleston like the hinged shell of some soft-tissued mollusk. My soul is peninsula-shaped and sun-hardened and river-swollen. The high tides of the city flood my consciousness each day, subject to the whims and harmonies of full moons rising out of the Atlantic. I grow calm when I see the ranks of palmetto trees pulling guard duty on the banks of Colonial Lake or hear the bells of St. Michael’s calling cadence in the cicada-filled trees along Meeting Street. Deep in my bones, I knew early that I was one of those incorrigible creatures known as Charlestonians. It comes to me as a surprising form of knowledge that my time in the city is more vocation than gift; it is my destiny, not my choice. I consider it a high privilege to be a native of one of the loveliest American cities, not a high-kicking, glossy, or lipsticked city, not a city with bells on its fingers or brightly painted toenails, but a ruffled, low-slung city, understated and tolerant of nothing mismade or ostentatious. Though Charleston feels a seersuckered, tuxedoed view of itself, it approves of restraint far more than vainglory. As a boy, in my own backyard I could catch a basket of blue crabs, a string of flounder, a dozen redfish, or a net full of white shrimp. All this I could do in a city enchanting enough to charm cobras out of baskets, one so corniced and filigreed and elaborate that it leaves strangers awed and natives self-satisfied. In its shadows you can find metalwork as delicate as lace and spiral staircases as elaborate as yachts. In the secrecy of its gardens you can discover jasmine and camellias and hundreds of other plants that look embroidered and stolen from the Garden of Eden for the sheer love of richness and the joy of stealing from the gods. In its kitchens, the stoves are lit up in happiness as the lamb is marinating in red wine sauce, vinaigrette is prepared for the salad, crabmeat is anointed with sherry, custards are baked in the oven, and buttermilk biscuits cool on the counter. ~ Pat Conroy,
275:Flower In Worship
No place for weeping in the flow of Time,
It is not for weeping over, you gave us riches.
Light, Water, Air, Heaven and Hade,
Countless solar systems-all thy playthings
The enchanting life that throbs around
Rich and green - (even that thy gift!)
Thy gifts in a variety of forms - unseen gods,
Blades of grass, worms, butterflies, men,
With gratitude I think of these - yet
Had you to give us this cursed Love?
But now, a tender life did adorn my lap,
My heart was filled with comfort and hope.
A light for my eyes, a wise of cool breeze
To caress my being, to fill my veins with joy!
You bade me lift him from the dell below
And raise him to the vast expanse above.
Well, had you to bind us with this chain
Of affection just to cause us pain?
To see him was to be in the morning state,
An embrace was like sandal paste.
The world was a grand festive field for me,
What a realm of bliss where I chanced to be!
Alas, mango blossom! I did not see
The dark clouds of what was sure to be.
A lovely wick aflame did I place
To face a storm that was gaining pace.
A fool, I built my heaven on sands,
A hopeless hell I made with my own hands.
To weep now; but a question comes up oft,
Who will an answer give?
What was my fault?
Poverty used to wet my eyes,
My hands would rise to wipe the tears.
Humiliations subdue me, but then,
I stroke my beard and raise my face.
Obstacles untold block my way.
When hurts and wounds my body cover
I cling to the cool comfort you did shower.
Never washed I with eye's salty tears
My body soiled with sweat
Is that the crime?
Like crescent at dawn, cold and still,
Lay there my life, I see him still.
The day broke in.
Though pale, as the night had sucked all blood,
A tender smile lit up his lips.
Darling, is it to give me a little relief
That you lit up a sparkler
With your life that was drying up?
When dusk grew dark, Cruelty?
You snatched from me
The tender sprout of life yourself had given.
Like a creeper struck with lightning
Lay the mother at my feet swooning.
I stood and watched with heart turned steel,
Justice felt its eyes too, dull.
You filled with fire those lovely eyes
Golden dawns were wont gently to praise.
You forced fierce storms across that breast,
Liquid fire along those veins.
O Cruelty!
You,
You alone are the Eternal Truth!
With gratitude I throw at you this name:
'Hey, The Merciful', this address like a
Flower offered in worship
May thy feet accept, that'll be a favor.
[Translated from Malayalam 'Poojapushpam' by well-known poet Madhavan
Ayyapath. ]
~ Edasseri Govindan Nair,
276:My heart values his vulgar ways, Refuses to admit my rage, Feels strangely elated, and keeps denying his guilt. When he steals away without me To indulge his craving For more young women, My perverse heart Only wants Krishna back. What can I do? I reach the lonely forest hut where he secretly lies at night. My trembling eyes search for him as he laughs in a mood of passion. Friend, bring Kesi's sublime tormentor to revel with me! I've gone mad with waiting for his fickle love to change. I shy from him when we meet; he coaxes me with flattering words. I smile at him tenderly as he loosens the silken cloth on my hips. Friend, bring Kesi's sublime tormentor to revel with me! I've gone mad with waiting for his fickle love to change. I fall on the bed of tender ferns; he lies on my breasts forever. I embrace him, kiss him; he clings to me drinking my lips. Friend, bring Kesi's sublime tormentor to revel with me! I've gone mad with waiting for his fickle love to change. My eyes close languidly as I feel the flesh quiver on his cheek. My body is moist with sweat; he is shaking from the wine of lust. Friend, bring Kesi's sublime tormentor to revel with me! I've gone mad with waiting for his fickle love to change. I murmur like a cuckoo; he masters love's secret rite. My hari is a tangle of wilted flowers; my breasts bear his nailmarks. Friend, bring Kesi's sublime tormentor to revel with me! I've gone mad with waiting for his fickle love to change. Jewel anklets ring at my feet as he reaches the height of passion. My belt falls noisily; he draws back my hair to kiss me. Friend, bring Kesi's sublime tormentor to revel with me! I've gone mad with waiting for his fickle love to change. I savor passion's joyful time; his lotus eyes are barely open. My body falls like a limp vine; Madhu's foe delights in my love. Friend, bring Kesi's sublime tormentor to revel with me! I've gone mad with waiting for his fickle love to change. Jayadeva sings about Radha's fantasy of making love with Madhu's killer. Let the story of a lonely cowherdess spread joy in his graceful play. Friend, bring Kesi's sublime tormentor to revel with me! I've gone mad with waiting for his fickle love to change. The enchanting flute in his hand Lies fallen under coy glances; Sweat of love wets his cheeks; His bewildered face is smiling -- When Krishna sees me watching him Playing in the forest In a crowd of village beauties, I feel the joy of desire. Wind from a lakeside garden Coaxing buds on new asoka branches Into clusters of scarlet flowers Is only fanning the flames to burn me. This mountain Of new mango blossoms Humming with roving bumblebees Is no comfort to me now, freind. [1994.jpg] -- from Love Song of the Dark Lord: Jayadeva's Gitagovinda, Translated by Barbara Stoler Miller

~ Jayadeva, My heart values his vulgar ways (from The Gitagovinda)
,
277:I’m in agreement with you now about the not-watching part,” she said.
Jane and Mr. Nobley walked back to the house in silence, the air around them thick, dragging with awkwardness. Witnessing confessions of love and first kisses can be enchanting when you’re with someone comfortable, someone you’ve already had that kiss with, and can laugh about it and feel cozy and remember your own first moment. Seeing it with Mr. Nobley was like having a naked-in-public dream.
“It’s only natural to confuse truth and fantasy as they play parts in a theatrical,” said Jane. “They start to feel as their characters would.”
“True. Which is one reason why I was hesitant to engage in this frivolity. I do not think pretending something can make it real.”
“I find it a little alarming that we agree on something. But do you think, in their case anyway, do you think those feelings could run deeper?”
Mr. Nobley stopped. He looked at her. “I wondered the same.”
“I suppose it’s possible.”
“It’s more than possible. They reside in compatible stations in life, they have like minds, their sentiments seem suited to each other.”
“You sound like a textbook on matrimony. I’m talking about love, Mr. Nobley. Despite falling in love over a script, do you think they have a chance?”
Mr. Nobley frowned and rubbed his sideburns briskly with the back of his fingers. “I…I knew Captain East in the past when he loved another woman. Her changes, her cruelty broke him. He was a shell for some time. If you had asked me last month if another woman’s attentions could make him a whole man again, I would have said that no man can recover from such a wound, that he will never be able to trust a woman again, that romantic love is not air or water and one can live without it. But now…” He breathed out. He had not looked away from her. “Now I do not know. Now I almost begin to think, yes. Yes.”
“Yes,” she repeated. The moon hung in the sky just over his shoulder, peering as though listening in, breathless for what was next.
“Miss Erstwhile.”
“Yes?”
He looked at the sky, he took several breaths as if trying to locate the right words, he briefly shut his eyes. “Miss Erstwhile, do you--”
Captain East and Miss Heartwright passed by, walking close without touching. Mr. Nobley watched them, his frown deepening, then he looked back over his shoulder at nothing.
What? What?! Jane wanted to yell.
“Shall we go inside?”
He offered his arm. She felt dumped-on-her-rear disappointment, but she took his arm and pretended she was just fine. Soon the warm safety of roof and walls cut off the luscious strangeness of night in the garden. Servants scurried, candles blazed, the preparations for the play were lively and unconcerned with a moment in the park.
Without another word, Mr. Nobley left her alone, his jacket still around her shoulders. It smelled like gardens. ~ Shannon Hale,
278:L'Aube Spirituelle (Spiritual Dawn)
Quand chez les débauchés l'aube blanche et vermeille
Entre en société de l'Idéal rongeur,
Par l'opération d'un mystère vengeur
Dans la brute assoupie un ange se réveille.
Des Cieux Spirituels l'inaccessible azur,
Pour l'homme terrassé qui rêve encore et souffre,
S'ouvre et s'enfonce avec l'attirance du gouffre.
Ainsi, chère Déesse, Etre lucide et pur,
Sur les débris fumeux des stupides orgies
Ton souvenir plus clair, plus rose, plus charmant,
À mes yeux agrandis voltige incessamment.
Le soleil a noirci la flamme des bougies;
Ainsi, toujours vainqueur, ton fantôme est pareil,
Ame resplendissante, à l'immortel soleil!
Spiritual Dawn
When debauchees are roused by the white, rosy dawn,
Escorted by the Ideal which gnaws at their hearts
Through the action of a mysterious, vengeful law,
In the somnolent brute an Angel awakens.
The inaccessible blue of Spiritual Heavens,
For the man thrown to earth who suffers and still dreams,
Opens and yawns with the lure of the abyss.
Thus, dear Goddess, Being, lucid and pure,
Over the smoking ruins of stupid orgies,
Your memory, clearer, more rosy, more charming,
Hovers incessantly before my widened eyes.
The sunlight has darkened the flame of the candles;
Thus, ever triumphant, resplendent soul!
Your phantom is like the immortal sun!
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— Translated by William Aggeler
Spiritual Dawn
When in the company of the Ideal
(That gnawing tooth) Dawn enters, white and pink,
The rooms of rakes — each sated beast can feel
An Angel waking through the fumes of drink.
For downcast Man, who dreams and suffers still,
The azure of the mystic heaven above,
With gulf-like vertigo, attracts his will.
So, Goddess, lucid Being of pure love,
Over the smoking wreck of feasts and scandals,
Your phantom, rosy and enchanting, flies
And still returns to my dilated eyes.
The sun has blackened out the flame of candles.
So your victorious phantom seems as one,
O blazing spirit, with the deathless Sun!
— Translated by Roy Campbell
L'Aube spirituelle
when to the drunkard's room the flushing East
comes with her comrade sharply-clawed, the Dream,
she wakens, by a dark avenging scheme,
an angel in the dull besotted beast.
deep vaults of inaccessible azure there,
before the dreamer sick with many a phasm,
open, abysmal as a beckoning chasm.
thus, deity, all pure clear light and air,
over the stupid orgy's reeking track
— brighter and lovelier yet, thine image flies
in fluttering rays before my widening eyes.
the sun has turned the candles' flame to black;
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even so, victorious always, thou art one
— resplendent spirit! — with the eternal sun!
— Translated by Lewis Piaget Shanks
~ Charles Baudelaire,
279:He remembered an old tale which his father was fond of telling him—the story of Eos Amherawdur (the Emperor Nightingale). Very long ago, the story began, the greatest and the finest court in all the realms of faery was the court of the Emperor Eos, who was above all the kings of the Tylwydd Têg, as the Emperor of Rome is head over all the kings of the earth. So that even Gwyn ap Nudd, whom they now call lord over all the fair folk of the Isle of Britain, was but the man of Eos, and no splendour such as his was ever seen in all the regions of enchantment and faery. Eos had his court in a vast forest, called Wentwood, in the deepest depths of the green-wood between Caerwent and Caermaen, which is also called the City of the Legions; though some men say that we should rather name it the city of the Waterfloods. Here, then, was the Palace of Eos, built of the finest stones after the Roman manner, and within it were the most glorious chambers that eye has ever seen, and there was no end to the number of them, for they could not be counted. For the stones of the palace being immortal, they were at the pleasure of the Emperor. If he had willed, all the hosts of the world could stand in his greatest hall, and, if he had willed, not so much as an ant could enter into it, since it could not be discerned. But on common days they spread the Emperor's banquet in nine great halls, each nine times larger than any that are in the lands of the men of Normandi. And Sir Caw was the seneschal who marshalled the feast; and if you would count those under his command—go, count the drops of water that are in the Uske River. But if you would learn the splendour of this castle it is an easy matter, for Eos hung the walls of it with Dawn and Sunset. He lit it with the sun and moon. There was a well in it called Ocean. And nine churches of twisted boughs were set apart in which Eos might hear Mass; and when his clerks sang before him all the jewels rose shining out of the earth, and all the stars bent shining down from heaven, so enchanting was the melody. Then was great bliss in all the regions of the fair folk. But Eos was grieved because mortal ears could not hear nor comprehend the enchantment of their song. What, then, did he do? Nothing less than this. He divested himself of all his glories and of his kingdom, and transformed himself into the shape of a little brown bird, and went flying about the woods, desirous of teaching men the sweetness of the faery melody. And all the other birds said: "This is a contemptible stranger." The eagle found him not even worthy to be a prey; the raven and the magpie called him simpleton; the pheasant asked where he had got that ugly livery; the lark wondered why he hid himself in the darkness of the wood; the peacock would not suffer his name to be uttered. In short never was anyone so despised as was Eos by all the chorus of the birds. But wise men heard that song from the faery regions and listened all night beneath the bough, and these were the first who were bards in the Isle of Britain. ~ Arthur Machen,
280:Two hours later, the drawing room converted, the costumes wrapped, the electric-kerosene lamps flickering in a semicircle at their feet, the performers enacted the thirty-minute ode to love and the Mediterranean, Home by the Sea.
Miss Charming kept a ferocious grip on her script and gave oily air kisses to Colonel Andrews. Amelia was calm and sweet, melting into her dialogue with Captain East as though into his arms. Jane knelt beside Mr. Nobley, the wounded war captain, as he nearly died, and did her best to sound earnest. Old Jane would’ve run away or laughed self-consciously throughout. New Jane decided to feel as enchanting as Miss Charming and performed each line with relish and passion. It didn’t matter that she wasn’t a very good actress. Mr. Nobley’s character miraculously recovered all the same, leading to the part where he stood and took her hands. They were still cold. He paused, as though trying to remember what came next.
He looked. Looked at her. At her and into her. Into her eyes as though he couldn’t bear to look away. And there was a delicious curl in his smile.
“I love you,” he said.
Zing, thought Jane.
It was his line, more or less, though simplified. Stripped of similes and farms and rain and moon and all, it pierced her. She opened her mouth to say her own line but couldn’t remember a single word. And she didn’t want to.
He leaned. She leaned.
Then Aunt Saffronia, who’d been laughing encouragingly during the parts that were supposed to be sad and clapping gleefully whenever a new character came onstage, now cleared her throat as though intensely uncomfortable. Mr. Nobley hesitated, then kissed Jane’s cheek. His lips were warm, his cheek slightly scratchy. She smiled and breathed him in.
At length, the six actors stood side by side, pretending the bright yellow wall of the drawing room opened to a view of the Mediterranean Sea, and said their closing lines.
Jane: Trying to sound actress-y. “At last, we are all truly happy.”
Miss Charming: Pause. Crinkling of paper. Frantic searching for line. “Indeed.”
Amelia: With a shy smile for the tall man beside her. “Our travels are ended.”
Captain East: With a manly smile for his lady. “We can rest peacefully in each other’s arms.”
Colonel Andrews: As always, with panache! “And no matter where we may roam…”
Mr. Nobley: A sigh. “This will always be our home.” His voice unhappy with the line. “By the sea.”
And, silence as the audience waited for who knows what--a better ending line? A better play? Colonel Andrews cleared his throat, and Jane inclined her head in a hurried curtsy.
“Oh,” Aunt Saffronia said and started the applause.
The audience clapped enthusiastically and arhythmically, and the cast bowed, Miss Charming giggling.
Jane squinted past the lamps to get her first good look at the audience, now that the play was over and stage fright couldn’t prickle her. Aunt Saffronia, beaming. Mrs. Wattlesbrook, looking for all the world like a proud schoolmarm. Matilda, bored, and a few other servants, equally bored. ~ Shannon Hale,
281:The Owl Describing Her Young Ones
Why was that baleful Creature made,
Which seeks our Quiet to invade,
And screams ill Omens through the Shade?
'Twas, sure, for every Mortals good,
When, by wrong painting of her Brood,
She doom'd them for the Eagle's Food:
Who proffer'd Safety to her Tribe,
Wou'd she but shew them or describe,
And serving him, his Favour bribe.
When thus she did his Highness tell;
In Looks my Young do all excel,
Nor Nightingales can sing so well.
You'd joy to see the pretty Souls,
With wadling Steps and frowzy Poles,
Come creeping from their secret Holes.
But I ne'er let them take the Air,
The Fortune-hunters do so stare;
And Heiresses indeed they are.
This ancient Yew three hundred Years,
Has been possess'd by Lineal Heirs:
The Males extinct, now All is Theirs.
I hope I've done their Beauties right,
Whose Eyes outshine the Stars by Night;
Their Muffs and Tippets too are White.
The King of Cedars wav'd his Power,
And swore he'd fast ev'n from that Hour,
Ere he'd such Lady Birds devour.
Th' Agreement seal'd, on either part,
The Owl now promis'd, from her Heart,
All his Night-Dangers to divert;
162
As Centinel to stand and whoop,
If single Fowl, or Shoal, or Troop
Should at his Palace aim or stoop.
But home, one Evening without Meat,
The Eagle comes, and takes his Seat,
Where they did these Conditions treat.
The Mother-Owl was prol'd away,
To seek abroad for needful Prey,
And forth the Misses came to play.
What's here ! the hungry Monarch cry'd,
When near him living Flesh he spy'd,
With which he hop'd to be supply'd.
But recollecting, 'twas the Place,
Where he'd so lately promis'd Grace
To an enchanting, beauteous Race;
He paus'd a while, and kept his Maw,
With sober Temperance, in awe,
Till all their Lineaments he saw.
What are these Things, and of what Sex,
At length he cry'd, with Vultur's Becks,
And Shoulders higher than their Necks?
These wear no Palatines, nor Muffs,
Italian Silks, or Doyley Stuffs,
But motley Callicoes, and Ruffs.
Nor Brightness in their Eyes is seen,
But through the Film a dusky Green,
And like old Margery is their Mien.
Then for my Supper they're design'd,
Nor can be of that lovely Kind,
To whom my Pity was inclin'd.
No more Delays; as soon as spoke,
163
The Plumes are stripped, the Grisles broke,
And near the Feeder was to choak.
When now return'd the grizly Dame,
(Whose Family was out of Frame)
Against League-Breakers does exclaim.
How! quoth the Lord of soaring Fowls,
(Whilst horribly she wails and howls)
Were then your Progeny but Owls?
I thought some Phoenix was their Sire,
Who did those charming Looks inspire,
That you'd prepar'd me to admire.
Upon your self the Blame be laid;
My Talons you've to Blood betray'd,
And ly'd in every Word you said.
Faces or Books, beyond their Worth extoll'd,
Are censur'd most, and thus to pieces pulled.
~ Anne Kingsmill Finch,
282:And wilt thou, faithless one, then, leave me,
With all thy magic phantasy,
With all the thoughts that joy or grieve me,
Wilt thou with all forever fly?
Can naught delay thine onward motion,
Thou golden time of life's young dream?
In vain! eternity's wide ocean
Ceaselessly drowns thy rolling stream.

The glorious suns my youth enchanting
Have set in never-ending night;
Those blest ideals now are wanting
That swelled my heart with mad delight.
The offspring of my dream hath perished,
My faith in being passed away;
The godlike hopes that once I cherish
Are now reality's sad prey.

As once Pygmalion, fondly yearning,
Embraced the statue formed by him,
Till the cold marble's cheeks were burning,
And life diffused through every limb,
So I, with youthful passion fired,
My longing arms round Nature threw,
Till, clinging to my breast inspired,
She 'gan to breathe, to kindle too.

And all my fiery ardor proving,
Though mute, her tale she soon could tell,
Returned each kiss I gave her loving,
The throbbings of my heart read well.
Then living seemed each tree, each flower,
Then sweetly sang the waterfall,
And e'en the soulless in that hour
Shared in the heavenly bliss of all.

For then a circling world was bursting
My bosom's narrow prison-cell,
To enter into being thirsting,
In deed, word, shape, and sound as well.
This world, how wondrous great I deemed it,
Ere yet its blossoms could unfold!
When open, oh, how little seemed it!
That little, oh, how mean and cold!

How happy, winged by courage daring,
The youth life's mazy path first pressed
No care his manly strength impairing,
And in his dream's sweet vision blest!
The dimmest star in air's dominion
Seemed not too distant for his flight;
His young and ever-eager pinion
Soared far beyond all mortal sight.

Thus joyously toward heaven ascending,
Was aught for his bright hopes too far?
The airy guides his steps attending,
How danced they round life's radiant car!
Soft love was there, her guerdon bearing,
And fortune, with her crown of gold,
And fame, her starry chaplet wearing,
And truth, in majesty untold.

But while the goal was yet before them,
The faithless guides began to stray;
Impatience of their task came o'er them,
Then one by one they dropped away.
Light-footed Fortune first retreating,
Then Wisdom's thirst remained unstilled,
While heavy storms of doubt were beating
Upon the path truth's radiance filled.

I saw Fame's sacred wreath adorning
The brows of an unworthy crew;
And, ah! how soon Love's happy morning,
When spring had vanished, vanished too!
More silent yet, and yet more weary,
Became the desert path I trod;
And even hope a glimmer dreary
Scarce cast upon the gloomy road.

Of all that train, so bright with gladness,
Oh, who is faithful to the end?
Who now will seek to cheer my sadness,
And to the grave my steps attend?
Thou, Friendship, of all guides the fairest,
Who gently healest every wound;
Who all life's heavy burdens sharest,
Thou, whom I early sought and found!

Employment too, thy loving neighbor,
Who quells the bosom's rising storms;
Who ne'er grows weary of her labor,
And ne'er destroys, though slow she forms;
Who, though but grains of sand she places
To swell eternity sublime,
Yet minutes, days, ay! years effaces
From the dread reckoning kept by Time!

~ Friedrich Schiller, The Ideals
,
283:He then said something in Arabic to Ali, who made a sign of obedience and withdrew, but not to any distance. As to Franz a strange transformation had taken place in him. All the bodily fatigue of the day, all the preoccupation of mind which the events of the evening had brought on, disappeared as they do at the first approach of sleep, when we are still sufficiently conscious to be aware of the coming of slumber. His body seemed to acquire an airy lightness, his perception brightened in a remarkable manner, his senses seemed to redouble their power, the horizon continued to expand; but it was not the gloomy horizon of vague alarms, and which he had seen before he slept, but a blue, transparent, unbounded horizon, with all the blue of the ocean, all the spangles of the sun, all the perfumes of the summer breeze; then, in the midst of the songs of his sailors, -- songs so clear and sonorous, that they would have made a divine harmony had their notes been taken down, -- he saw the Island of Monte Cristo, no longer as a threatening rock in the midst of the waves, but as an oasis in the desert; then, as his boat drew nearer, the songs became louder, for an enchanting and mysterious harmony rose to heaven, as if some Loreley had decreed to attract a soul thither, or Amphion, the enchanter, intended there to build a city.

At length the boat touched the shore, but without effort, without shock, as lips touch lips; and he entered the grotto amidst continued strains of most delicious melody. He descended, or rather seemed to descend, several steps, inhaling the fresh and balmy air, like that which may be supposed to reign around the grotto of Circe, formed from such perfumes as set the mind a dreaming, and such fires as burn the very senses; and he saw again all he had seen before his sleep, from Sinbad, his singular host, to Ali, the mute attendant; then all seemed to fade away and become confused before his eyes, like the last shadows of the magic lantern before it is extinguished, and he was again in the chamber of statues, lighted only by one of those pale and antique lamps which watch in the dead of the night over the sleep of pleasure. They were the same statues, rich in form, in attraction, and poesy, with eyes of fascination, smiles of love, and bright and flowing hair. They were Phryne, Cleopatra, Messalina, those three celebrated courtesans. Then among them glided like a pure ray, like a Christian angel in the midst of Olympus, one of those chaste figures, those calm shadows, those soft visions, which seemed to veil its virgin brow before these marble wantons. Then the three statues advanced towards him with looks of love, and approached the couch on which he was reposing, their feet hidden in their long white tunics, their throats bare, hair flowing like waves, and assuming attitudes which the gods could not resist, but which saints withstood, and looks inflexible and ardent like those with which the serpent charms the bird; and then he gave way before looks that held him in a torturing grasp and delighted his senses as with a voluptuous kiss. It seemed to Franz that he closed his eyes, and in a last look about him saw the vision of modesty completely veiled; and then followed a dream of passion like that promised by the Prophet to the elect. Lips of stone turned to flame, breasts of ice became like heated lava, so that to Franz, yielding for the first time to the sway of the drug, love was a sorrow and voluptuousness a torture, as burning mouths were pressed to his thirsty lips, and he was held in cool serpent-like embraces. The more he strove against this unhallowed passion the more his senses yielded to its thrall, and at length, weary of a struggle that taxed his very soul, he gave way and sank back breathless and exhausted beneath the kisses of these marble goddesses, and the enchantment of his marvellous dream. ~ Alexandre Dumas,
284:Passage To America
I.
On the day of the feast
death had its celebration
the teevees and the movies
told us the same story
death in the morning death in the evening
death in the cellar death in the alley
death on the highway the boy returning from the rally
death in the cornfield the girl going to the grocer's
death in the valley and high on the mountain
death from pollution and great disillusion
death in the mind in the womb in the cradle
death from belief and its comic relief
the winds from the north and the winds from the south
sowed the seeds of death and waited for the harvest
death was riding nightmares
on the streets of civilization
someone had coughed in the women's room
and kleenex caught her vaginal sneeze
while history knocked at the door
and waited in the winter outside
the computer counted the errors
and discounted others
a woman had died but it was a mistake
someone wanted to undo it
learned it was too late
and walked to the seashore
and watched the tidal waves
death was riding the receding waves
death was roaring in the generation gap
and lying in history's lap
was sucking on its sap
on the day of the feast
death had its celebration
knocked out of sleep by the casualty list
someone was still groping in daylight
but it's christmas and new year
time to stop worrying over those that are dead
time to start thinking of living yet
24
while the sun is still hot and the day not done
perhaps a mistake to suppose it so
it's easy enough to suppose it so
and it's easy enough to die in these circumstances
but think of the horror and the glory of having to live
II.
My sitar
my guitar
from east or west
i do not care
whatever i dare
is for the best
fingers of the left
tripping on nipples
fingers of the right
strumming the ripples
around the lotus bud
as we set on the bed
each petal quakes
as the raga awakes
raises in dizzy spirals
towers and gyres
steeples and spires
domes and minarets
pagodas pyramids
fabled hoofs
trot on gabled roofs
as the tala quickens
we rocket to the heavens
to gather the starlust
and then we fall
falter and fall
like flakes of feathered snow
sprinkled with stardust
o my guitar
o my sitar
III.
Having learnt
in a short lifetime
that chalk doesn't write on chalk
25
he turned
to look
for sunflowers
in beds
of roses
IV.
Twice-punctured silver belle
suspended in the cerulean
her sea of tranquility
disturbed by hymen penetration
her darkness filmed and douched
unable to recover her cherry nights
fears yet longs for
the next assault
in sweet dread of periodic stress
her bashful beams dreaming downward
for a metallic man-thrust
V.
The poet chews the afternoon like his moustache
he drones on about a new civilization
his mystic beard points to the seed of time
his tongue trips on the syllables of a sutra
my girl she sleeps
and slides on to my shoulder
her breasts rise and fall
where the words of the poet rebound
her dark green shirt exudes the smell of sweat
her golden hair the sinuous oily flesh of hair
curves creeps and curls into my veins
words wary sliders reveal their mystery
my girl she stirs turns around
her bellybutton shows a foetus face
a snake tongue smacks her swollen lips
the soft hairs on her upper lip
now moist and alive
a dog walks in and lies down at my feet
he listens to the poet
reading chanting enchanting
like a dream called off in the middle
the poet pauses poised for breath between the mantras
the tangled thighs of minutes
26
the dog gets up stretches himself walks away
wagging his tail in total agreement
soft nervous fingers touch me from the side
they keep me from the poet
a dog is dignified by his tail
i wish i had one
VI.
Time to say farewell
Pale faces
after a nightlong wake
do not need to kiss
Before another nightfall
sometime during the day
we have to say farewell
How shall we part then
Write an autograph
and put a period after it
Take a long walk
and sigh in the wind
Recite a few verses
and smile at the end
Perhaps a last smutty story
to leave a scratch on the memory
Look how the spring sun
Struggles with the rain!
VII.
It's as if i suddenly meet you on the way
when i go for my usual walk in the evening
the earth that begins at your feet
seems to end at mine
the air you breathe out
enters into my lungs
and the light that escapes from your eyes
focuses on mine
america
i see your map
like the palm of a hand stretched out on my lap
mississippi traces your lifeline to the south
while the great lakes draw circles
along the st lawrence headline
27
but where is your heartline
on the mount of jupiter
new england cocks its eyes at europe
your venus is still in heat
in the far south of florida
and the mount of moon
shimmers on the california beach
but america
where has vanished your heartline
has some test explosion
sucked it underground
i remember river phalgun
that goes dry in summer defying our prayers
where once the buddha got enlightenment
and learned to take the earth for a begging bowl
but here the fission and the fusion
your scientists envision
offer your palmist nothing but confusion
sailing back from mescalin to marijuana
someone said
there never was such a line
in this ancient newborn land
where we grow corn and PL 480
and make cover tv sets in plenty
till our chests are nearly empty
and brains spout tons of TNT
it's christmas again
the shape of a heart neatly pinned to a cross
that stands on a hill we have set up with skill
(Translated by the author, with the help of J.O. Perry, Dakshinamoorthy, K.
Satchidanandan, and Esther Y. Smith.)
~ Ayyappa Paniker,
285:Look! What wonders the spring has wrought! The river bank is a paradise! Rose-embowered glades, Blossoming jasmine and hyacinth, And violets, the envy of the skies!. Rainbow colours transformed Into a chorus of rapturous sounds, And the harmony of flowers The hillside is carnation-red; In the languid haze, the air Seems drunk with the beauty of life! The brook, on the heights of the hill, Dances to its own music. The world is dizzy in a pageant of colour! My rosy-cheeked Cup-bearer! The voice of spring is the voice of life! But the spring lasts not for ever; So bring me the cup that tears all veils -- The wine that brightens life -- The wine that intoxicates the world -- The wine in which flows The music of everlasting life, The wine that reveals eternity's secret. Unveil the secrets, O Saqi. Look! The world has changed apace! New are the songs, and new is the music; The West's magic has dissolved; The West's magicians are bewildered; Old politics has lost its game; The world is tired of kings; Gone are the days of the rich; Gone is the jugglery of old; Awake is China's sleeping giant; The Himalayas' torrents are unleashed; Sinai is riven; Moses awaits the light divine. The Muslim says that God is One But his heart is Still a heathen: Culture, sufism, rites and rthetoric, All adore non- Arab idols; The truth was lost in trifles, And the nation was lost in conventions. The speaker's rhetoric is enchanting, But is devoid of passion; It is clothed in logic neat, But lost in a maze of words; The sufi, unique in the love of truth, Unique in the love of God, Was lost in un-Islamic thought; Was lost in the hierarchic quest; The fire of love is extinguished, And a Muslim is a heap of ashes, O Saqi! Give me the old wine again! Let the potent cup go round! Let me soar on the wings of love; Make my dust bright-pinioned; Make wisdom free; And make the young guide the old; Thou it is that nourishest. this nation; Thou it is that canst sustain it; Urge them to move, to stir; Give them Ali's heart; give them Siddiq's passion; Let the same old love pierce their hearts; Awaken in them a burning zeal; Let the stars throw down their spears, And let the earth's dwellers tremble Give the young a passion that consumes; Give them my vision, my love of God; Free my boat from the whirlpool's grip, And make it move forward-, Reveal to me the secrets of life, For thou knowest them all; The treasures of a fakir like me Are suffused, unsleeping eyes, And secret yearnings of the heart-, My anguished sighs at night, My solitude in the world of men, My hopes and my fears, My quest untiring, My nature an arena of thought A mirror of the world. My heart a battlefield of life, With armies of suspicion, And bastions of certitude; With these treasures I am More rich than the richest of all. Let the young join my throng, And let them find an anchor of hope. The sea of life has its ebb and flow-, In every atom's heart is the pulse of life; It manifests itself in the body, As a flame conceals a wave of smoke; Contact with the earth was harsh for it, But it liked the labour; It is in motion, and not in motion; Tired of the elements' shackles; A unity, imprisoned by plurality; But always unique, unequalled. It has made this dome of myriad glass; It has carved this pantheon. It does not repeat its craft For thou art not me, and I am not thou; It has created the world of men, And remains in solitude, Its brightness is seen in the stars, And in the lustre of pearls-, To it belong the wildernesses, The flowers and the thorns; Mountains sometimes are shaken by its might; It captures angels and nymphs; It makes the eagle pounce on a prey, And leave a blood-stained body. Every atom throbs with life; Rest is an illusion; Life's journey pauses not, For every moment is a new glory; Life, thou thinkest, is a mystery; Life is a delight in eternal flight; Life has seen many ups and downs; It loves a journey, not a goal. Movement is life's being; Movement is truth, pause is a mirage. Life's enjoyment is in perils, In facing ups and downs; In the world beyond Life stalked for death, But the impulse to procreate Peopled the world of man and beast. Flowers blossomed and dropped From this tree of life. Fools think life is ephemeral; Life renews itself for ever -- Moving fast as a flash, Moving to eternity in a breath; Time, a chain of days and nights, Is the ebb and flow of breath. This flow of breath is like a sword, Selfhood is its sharpness; Selfhood is the secret of life; It is the world's awakening, Selfhood is solitary, absorbed, An ocean enclosed in a drop; It shines in light and in darkness, Existent in, but away from, thee and me. The dawn of life behind it, eternity before, It has no frontiers before, no frontiers behind. Afloat on the river of time, Bearing the buffets of the waves, Changing the course of its quest, Shifting its glance from time to time; For it a hill is a grain of sand, Mountains are shattered by its blows; A journey is its beginning and end, And this is the secret of its being. It is the moon's beam, the spark in the flint, Colourless itself, though infused with colours, No concern has it with the calculus of space, With linear time's limits, with the finitude of life. It manifested itself in man's essence of dust, After an eternity of a strife to be born. It is in thy heart that Selfhood has an abode, As heaven has its abode in the cornea of thy eye. To one who guards his Selfhood, The living that demeans it, is poison; He accepts only a living, That keeps his self- esteem; Keep away from royal pomp, Keep thy Selfhood free; Thou shouldst bow in prayer, Not bow to a human being. This myriad-coloured world, Under the sentence of death, This world of sight and sound, I Where life means eating and drinking, Is Selfhood's initial stage; It is not thy abode, O traveller! This dust-bowl is not the source of thy fire; The world is for thee, not thou for the world. Demolish this illusion of' time and space; Selfhood is the Tiger of God, the world is its prey; The earth is its prey, the heavens are its prey; Other worlds there are, still awaiting birth, The earth-born are not the centre of all life; They all await thy assault, Thy cataclysmic thought and deed; Days and nights revolve, To reveal thy Selfhood to thee; Thou art the architect of the world. Words fail to convey the truth; Truth is the mirror, words its shade; Though the breath is a burning flame, The flame has limited bounds. 'If now I soar any farther, The vision will sear my wings.'

~ Allama Muhammad Iqbal, To the Saqi (from Baal-i-Jibreel)
,
286:Full many a dreary hour have I past,
My brain bewildered, and my mind o'ercast
With heaviness; in seasons when I've thought
No spherey strains by me could e'er be caught
From the blue dome, though I to dimness gaze
On the far depth where sheeted lightning plays;
Or, on the wavy grass outstretched supinely,
Pry 'mong the stars, to strive to think divinely:
That I should never hear Apollo's song,
Though feathery clouds were floating all along
The purple west, and, two bright streaks between,
The golden lyre itself were dimly seen:
That the still murmur of the honey bee
Would never teach a rural song to me:
That the bright glance from beauty's eyelids slanting
Would never make a lay of mine enchanting,
Or warm my breast with ardour to unfold
Some tale of love and arms in time of old.

But there are times, when those that love the bay,
Fly from all sorrowing far, far away;
A sudden glow comes on them, nought they see
In water, earth, or air, but poesy.
It has been said, dear George, and true I hold it,
(For knightly Spenser to Libertas told it,)
That when a Poet is in such a trance,
In air her sees white coursers paw, and prance,
Bestridden of gay knights, in gay apparel,
Who at each other tilt in playful quarrel,
And what we, ignorantly, sheet-lightning call,
Is the swift opening of their wide portal,
When the bright warder blows his trumpet clear,
Whose tones reach nought on earth but Poet's ear.
When these enchanted portals open wide,
And through the light the horsemen swiftly glide,
The Poet's eye can reach those golden halls,
And view the glory of their festivals:
Their ladies fair, that in the distance seem
Fit for the silv'ring of a seraph's dream;
Their rich brimmed goblets, that incessant run
Like the bright spots that move about the sun;
And, when upheld, the wine from each bright jar
Pours with the lustre of a falling star.
Yet further off, are dimly seen their bowers,
Of which, no mortal eye can reach the flowers;
And 'tis right just, for well Apollo knows
'Twould make the Poet quarrel with the rose.
All that's revealed from that far seat of blisses
Is the clear fountains' interchanging kisses,
As gracefully descending, light and thin,
Like silver streaks across a dolphin's fin,
When he upswimmeth from the coral caves,
And sports with half his tail above the waves.

These wonders strange he sees, and many more,
Whose head is pregnant with poetic lore.
Should he upon an evening ramble fare
With forehead to the soothing breezes bare,
Would he nought see but the dark, silent blue
With all its diamonds trembling through and through?
Or the coy moon, when in the waviness
Of whitest clouds she does her beauty dress,
And staidly paces higher up, and higher,
Like a sweet nun in holy-day attire?
Ah, yes! much more would start into his sight
The revelries and mysteries of night:
And should I ever see them, I will tell you
Such tales as needs must with amazement spell you.

These are the living pleasures of the bard:
But richer far posterity's reward.
What does he murmur with his latest breath,
While his proud eye looks though the film of death?
"What though I leave this dull and earthly mould,
Yet shall my spirit lofty converse hold
With after times.The patriot shall feel
My stern alarum, and unsheath his steel;
Or, in the senate thunder out my numbers
To startle princes from their easy slumbers.
The sage will mingle with each moral theme
My happy thoughts sententious; he will teem
With lofty periods when my verses fire him,
And then I'll stoop from heaven to inspire him.
Lays have I left of such a dear delight
That maids will sing them on their bridal night.
Gay villagers, upon a morn of May,
When they have tired their gentle limbs with play
And formed a snowy circle on the grass,
And placed in midst of all that lovely lass
Who chosen is their queen,with her fine head
Crowned with flowers purple, white, and red:
For there the lily, and the musk-rose, sighing,
Are emblems true of hapless lovers dying:
Between her breasts, that never yet felt trouble,
A bunch of violets full blown, and double,
Serenely sleep:she from a casket takes
A little book,and then a joy awakes
About each youthful heart,with stifled cries,
And rubbing of white hands, and sparkling eyes:
For she's to read a tale of hopes, and fears;
One that I fostered in my youthful years:
The pearls, that on each glist'ning circlet sleep,
Must ever and anon with silent creep,
Lured by the innocent dimples. To sweet rest
Shall the dear babe, upon its mother's breast,
Be lulled with songs of mine. Fair world, adieu!
Thy dales, and hills, are fading from my view:
Swiftly I mount, upon wide spreading pinions,
Far from the narrow bound of thy dominions.
Full joy I feel, while thus I cleave the air,
That my soft verse will charm thy daughters fair,
And warm thy sons!" Ah, my dear friend and brother,
Could I, at once, my mad ambition smother,
For tasting joys like these, sure I should be
Happier, and dearer to society.
At times, 'tis true, I've felt relief from pain
When some bright thought has darted through my brain:
Through all that day I've felt a greater pleasure
Than if I'd brought to light a hidden treasure.
As to my sonnets, though none else should heed them,
I feel delighted, still, that you should read them.
Of late, too, I have had much calm enjoyment,
Stretched on the grass at my best loved employment
Of scribbling lines for you. These things I thought
While, in my face, the freshest breeze I caught.
E'en now I'm pillowed on a bed of flowers
That crowns a lofty clift, which proudly towers
Above the ocean-waves, The stalks, and blades,
Chequer my tablet with their quivering shades.
On one side is a field of drooping oats,
Through which the poppies show their scarlet coats;
So pert and useless, that they bring to mind
The scarlet coats that pester human-kind.
And on the other side, outspread, is seen
Ocean's blue mantle streaked with purple, and green.
Now 'tis I see a canvassed ship, and now
Mark the bright silver curling round her prow.
I see the lark dowm-dropping to his nest,
And the broad winged sea-gull never at rest;
For when no more he spreads his feathers free,
His breast is dancing on the restless sea.
Now I direct my eyes into the west,
Which at this moment is in sunbeams drest:
Why westward turn? 'Twas but to say adieu!
'Twas but to kiss my hand, dear George, to you!
Written in August, 1816. by owner. provided at no charge for educational purposes
~ John Keats, Epistle To My Brother George
,
287:Ode To Remorse
Dread offspring of the holy light within,
Offspring of Conscience and of Sin,
Stern as thine awful sire, and fraught with woe
From bitter springs thy mother taught to flow,—
Remorse! To man alone 'tis given
Of all on earth, or all in heaven,
To wretched man thy bitter cup to drain,
Feel thy awakening stings, and taste thy wholesome pain.
Midst Eden's blissful bowers,
And amaranthine flowers,
Thy birth portentous dimmed the orient day,
What time our hapless sire,
O'ercome by fond desire,
The high command presumed to disobey;
Then didst thou rear thy snaky crest,
And raise thy scorpion lash to tear the guilty breast:
And never, since that fatal hour,
May man, of woman born, expect to' escape thy power.
Thy goading stings the branded Cain
Cross the' untrodden desert drove,
Ere from his cradling home and native plain
Domestic man had learnt to rove.
By gloomy shade or lonely flood
Of vast primeval solitude,
Thy step his hurried steps pursued,
Thy voice awoke his conscious fears,
For ever sounding in his ears
A father's curse, a brother's blood;
Till life was misery too great to bear,
And torturing thought was lost in sullen, dumb despair.
The king who sat on Judah's throne,
By guilty love to murder wrought,
Was taught thy searching power to own,
When, sent of Heaven, the seer his royal presence sought.
As, wrapt in artful phrase, with sorrow feigned,
He told of helpless, meek distress,
86
And wrongs that sought from power redress,
The pity-moving tale his ear obtained,
And bade his better feelings wake:
Then, sudden as the trodden snake
On the scared traveller darts his fangs,
The prophet's bold rebuke aroused thy keenest pangs.
And O that look, that soft upbraiding look!
A thousand cutting, tender things it spoke,—
The sword so lately drawn was not so keen,—
Which, as the injured Master turned him round,
In the strange solemn scene,
And the shrill clarion gave the' appointed sound,
Pierced sudden through the reins,
Awakening all thy pains,
And drew a silent shower of bitter tears
Down Peter's blushing cheek, late pale with coward fears.
Cruel Remorse! where Youth and Pleasure sport,
And thoughtless Folly keeps her court,—
Crouching midst rosy bowers thou lurk'st unseen;
Slumbering the festal hours away,
While Youth disports in that enchanting scene;
Till on some fated day
Thou with a tiger-spring dost leap upon thy prey,
And tear his helpless breast, o'erwhelmed with wild dismay.
Mark that poor wretch with clasped hands!
Pale o'er his parent's grave he stands,—
The grave by his ingratitude prepared;
Ah then, where'er he rests his head,
On roses pillowed or the softest down,
Though festal wreaths his temples crown,
He well might envy Guatimozin's bed,
With burning coals and sulphur spread,
And with less agony his torturing hour have shared.
For Thou art by to point the keen reproach;
Thou draw'st the curtains of his nightly couch,
Bring'st back the reverend face with tears bedewed,
87
That o'er his follies yearned;
The warnings oft in vain renewed,
The looks of anguish and of love,
His stubborn breast that failed to move,
When in the scorner's chair he sat, and wholesome counsel spurned.
Lives there a man whose labouring breast
Is with some dark and guilty secret prest,
Who hides within its inmost fold
Strange crimes to mortal ear untold?
In vain to sad Chartreuse he flies,
Midst savage rocks and cloisters dim and drear,
And there to shun thee tries:
In vain untold his crime to mortal ear,
Silence and whispered sounds but make thy voice more clear.
Lo, where the cowled monk with frantic rage
Lifts high the sounding scourge, his bleeding shoulders smites!
Penance and fasts his anxious thoughts engage,
Weary his days and joyless are his nights,
His naked feet the flinty pavement tears,
His knee at every shrine the marble wears;—
Why does he lift the cruel scourge?
The restless pilgrimage why urge?
'Tis all to quell thy fiercer rage,
'Tis all to soothe thy deep despair,
He courts the body's pangs, for thine he cannot bear.
See o'er the bleeding corse of her he loved,
The jealous murderer bends unmoved,
Trembling with rage, his livid lips express
His frantic passion's wild and rash excess.
O God, she's innocent!—transfixt he stands,
Pierced thro' with shafts from thine avenging hands;
Down his pale cheek no tear will flow,
Nor can he shun, nor can he bear, his woe.
'Twas phantoms summoned by thy power
Round Richard's couch at midnight hour,
That scared the tyrant from unblest repose;
With frantic haste, “To horse! to horse!” he cries,
88
While on his crowned brow cold sweat-drops rise,
And fancied spears his spear oppose;
But not the swiftest steed can bear away
From thy firm grasp thine agonizing prey,
Thou wast the fiend, and thou alone;
That stood'st by Beaufort's mitred head,
With upright hair and visage ghastly pale:
Thy terrors shook his dying bed,
Past crimes and blood his sinking heart assail,
His hands are clasped,—hark to that hollow groan!
See how his glazed, dim eye-balls wildly roll,
'Tis not dissolving Nature's pains; that pang is of the soul.
Where guilty souls are doomed to dwell,
'Tis thou that mak'st their fiercest hell,
The vulture thou that on their liver feeds,
As rise to view their past unhallowed deeds;
With thee condemned to stay,
Till time has rolled away
Long æras of uncounted years,
And every stain is washed in soft repentant tears.
Servant of God—but unbeloved—proceed,
For thou must live and ply thy scorpion scourge;
Thy sharp upbraidings urge
Against the' unrighteous deed,
Till thine accursed mother shall expire,
And a new world spring forth from renovating fire.
O! when the glare of day is fled,
And calm, beneath the evening star,
Reflection leans her pensive head,
And calls the passions to her solemn bar;
Reviews the censure rash, the hasty word,
The purposed act too long deferred,
Of time the wasted treasures lent,
And fair occasions lost and golden hours misspent:
When anxious Memory numbers o'er
Each offered prize we failed to seize;
Or friends laid low, whom now no more
89
Our fondest love can serve or please,
And thou, dread power! bring'st back in terrors drest,
The' irrevocable past, to sting the careless breast;—
O! in that hour be mine to know,
While fast the silent sorrows flow,
And wisdom cherishes the wholesome pain,
No heavier guilt, no deeper stain,
Than tears of meek contrition may atone,
Shed at the mercy-seat of Heaven's eternal throne.
~ Anna Laetitia Barbauld,
288:Les Phares (The Beacons)
Rubens, fleuve d'oubli, jardin de la paresse,
Oreiller de chair fraîche où l'on ne peut aimer,
Mais où la vie afflue et s'agite sans cesse,
Comme l'air dans le ciel et la mer dans la mer;
Léonard de Vinci, miroir profond et sombre,
Où des anges charmants, avec un doux souris
Tout chargé de mystère, apparaissent à l'ombre
Des glaciers et des pins qui ferment leur pays;
Rembrandt, triste hôpital tout rempli de murmures,
Et d'un grand crucifix décoré seulement,
Où la prière en pleurs s'exhale des ordures,
Et d'un rayon d'hiver traversé brusquement;
Michel-Ange, lieu vague où l'on voit des Hercules
Se mêler à des Christs, et se lever tout droits
Des fantômes puissants qui dans les crépuscules
Déchirent leur suaire en étirant leurs doigts;
Colères de boxeur, impudences de faune,
Toi qui sus ramasser la beauté des goujats,
Grand coeur gonflé d'orgueil, homme débile et jaune,
Puget, mélancolique empereur des forçats;
Watteau, ce carnaval où bien des coeurs illustres,
Comme des papillons, errent en flamboyant,
Décors frais et légers éclairés par des lustres
Qui versent la folie à ce bal tournoyant;
Goya, cauchemar plein de choses inconnues,
De foetus qu'on fait cuire au milieu des sabbats,
De vieilles au miroir et d'enfants toutes nues,
Pour tenter les démons ajustant bien leurs bas;
Delacroix, lac de sang hanté des mauvais anges,
Ombragé par un bois de sapins toujours vert,
Où, sous un ciel chagrin, des fanfares étranges
Passent, comme un soupir étouffé de Weber;
345
Ces malédictions, ces blasphèmes, ces plaintes,
Ces extases, ces cris, ces pleurs, ces Te Deum,
Sont un écho redit par mille labyrinthes;
C'est pour les coeurs mortels un divin opium!
C'est un cri répété par mille sentinelles,
Un ordre renvoyé par mille porte-voix;
C'est un phare allumé sur mille citadelles,
Un appel de chasseurs perdus dans les grands bois!
Car c'est vraiment, Seigneur, le meilleur témoignage
Que nous puissions donner de notre dignité
Que cet ardent sanglot qui roule d'âge en âge
Et vient mourir au bord de votre éternité!
The Beacons
Rubens, river of oblivion, garden of indolence,
Pillow of cool flesh where one cannot love,
But where life moves and whirls incessantly
Like the air in the sky and the tide in the sea;
Leonardo, dark, unfathomable mirror,
In which charming angels, with sweet smiles
Full of mystery, appear in the shadow
Of the glaciers and pines that enclose their country;
Rembrandt, gloomy hospital filled with murmuring,
Ornamented only with a large crucifix,
Lit for a moment by a wintry sun,
Where from rot and ordure rise tearful prayers;
Angelo, shadowy place where Hercules' are seen
Mingling with Christs, and rising straight up,
Powerful phantoms, which in the twilights
Rend their winding-sheets with outstretched fingers;
Boxer's wrath, shamelessness of Fauns, you whose genius
Showed to us the beauty in a villain,
Great heart filled with pride, sickly, yellow man,
Puget, melancholy emperor of galley slaves;
346
Watteau, carnival where the loves of many famous hearts
Flutter capriciously like butterflies with gaudy wings;
Cool, airy settings where the candelabras' light
Touches with madness the couples whirling in the dance
Goya, nightmare full of unknown things,
Of fetuses roasted in the midst of witches' sabbaths,
Of old women at the mirror and of nude children,
Tightening their hose to tempt the demons;
Delacroix, lake of blood haunted by bad angels,
Shaded by a wood of fir-trees, ever green,
Where, under a gloomy sky, strange fanfares
Pass, like a stifled sigh from Weber;
These curses, these blasphemies, these lamentations,
These Te Deums, these ecstasies, these cries, these tears,
Are an echo repeated by a thousand labyrinths;
They are for mortal hearts a divine opium.
They are a cry passed on by a thousand sentinels,
An order re-echoed through a thousand megaphones;
They are a beacon lighted on a thousand citadels,
A call from hunters lost deep in the woods!
For truly, Lord, the clearest proofs
That we can give of our nobility,
Are these impassioned sobs that through the ages roll,
And die away upon the shore of your Eternity.
— Translated by William Aggeler
The Beacons
Rubens, the grove of case, Nepenthe's river
Couch of cool flesh, where Love may never be,
But where life ever flows and seems to quiver
As air in heaven, or, in the sea, the sea.
Da Vinci, dusky mirror and profound,
347
Where angels, smiling mystery, appear,
Shaded by pines and glaciers, that surround
And seem to shut their country in the rear.
Rembrandt, sad hospital of murmurs, where
Adorned alone by one great crucifix,
From offal-heaps exhales the weeping prayer
That winter shoots a sunbeam to transfix.
Vague region, Michelangelo, where Titans
Are mixed with Christs: and strong ghosts rise, in crowds
To stand bolt upright in the gloom that lightens,
With gristly talons tearing through their shrouds.
Rage of the boxer, mischief of the faun,
Extracting beauty out of blackguards' looks —
The heart how proud, the man how pinched and drawn —
Puget the mournful emperor of crooks!
Watteau, the carnival, where famous hearts
Go flitting by like butterflies that burn,
While through gay scenes each chandelier imparts
A madness to the dancers as they turn.
Goya's a nightmare full of things unguessed,
Of foeti stewed on nights of witches' revels.
Crones ogle mirrors; children scarcely dressed,
Adjust their hose to tantalise the devils.
A lake of gore where fallen angels dwell
Is Delacroix, by firwoods ever fair,
Where under fretful skies strange fanfares swell
Like Weber's sighs and heartbeats in the air.
These curses, blasphemies, and lamentations,
These ecstasies, tears, cries and soaring psalms —
Through endless mazes, their reverberations
Bring, to our mortal hearts, divinest balms.
A thousand sentinels repeat the cry.
A thousand trumpets echo. Beacon-tossed
A thousand summits flare it through the sky,
348
A call of hunters in the jungle lost.
And certainly this is the most sublime
Proof of our worth and value, Oh Divinity,
That this great sob rolls on through ageless time
To die upon the shores of your infinity.
— Translated by Roy Campbell
Les Phares
Rubens, great river of oblivion,
garden of ease, cool flesh no lovers crave,
but where the floods of life unceasing run,
like wind on wind or wave on ocean wave;
Da Vinci — deep and sombre looking-glass
enchanting angels haunt, with subtle smile
all mystery-charged, while shadows dark amass
and pines and ice-cliffs bound their prison-isle;
Rembrandt — a piteous murmuring hospital
where ordure streams in tears and orisons,
stripped to the crucifix on one bare wall
illumed by one chill dart from wintry suns;
vast desert void, — o Michael Angelo!
— where TItans mix with Christs, and twilight clouds
where mighty spectres rise up stark and slow
— whose opening fingers rend their mouldered shrouds;
the rage of boxers and the satyrs' lust
— thou who hast found a grace in toiling knaves,
great heart, in a poor bilious body thrust
— Puget, the gloomy king of galley-slaves;
Watteau — bright carnival, where courtly pairs,
like butterflies in satin, flit about;
flaming in misty groves 'neath resin-flares
which pour their madness on the whirling rout;
349
Goya, who in a nightmare-horde unfurls
hags boiling foetuses in witches' milk,
beldames before the glass and naked girls
for demon-lovers tightening hose of silk;
and Delacroix — dark lake of blood forlorn
'mid fadeless firs, where evil angels fare,
a sullen sky wherefrom a faery horn
floats, faint as Oberon's horn through muffling air;
these curses, blasphemies and these laments,
these ecstasies, cries, tears, hossanas from
a thousand caverns, form one echo, whence
— death-doomed, we draw a heavenly opium!
theirs is a blast a thousand sentinels
pass on with their trumpets in a thousand moods;
a torch upon a thousand citadels,
a hail from hunters lost in pathless woods!
for truly, 'tis the mightiest voice our souls
command, o Lord, to prove their worth to Thee:
this ardent sob which down the ages rolls
and dies against Thy verge, Eternity!
— Translated by Lewis Piaget Shanks
The Beacons
Reubens, river of forgetfulness, garden of sloth,
Pillow of wet flesh that one cannot love,
But where life throngs and seethes without cease
Like the air in the sky and the water in the sea.
Leonardo da Vinci, sinister mirror,
Where these charming angels with sweet smiles
Charged with mystery, appear in shadows
Of glaciers and pines that close off the country.
Rembrandt, sad hospital full of murmurs
350
Decorated only with a crucifix,
Where tearful prayers arise from filth
And a ray of winter light crosses brusquely.
Michelangelo, a wasteland where one sees Hercules
Mingling with Christ, and rising in a straight line
Powerful phantoms that in the twilight
Tear their shrouds with stretching fingers.
Rage of a boxer, impudence of a faun,
You who gather together the beauty of the boor,
Your big heart swelling with pride at man defective and yellow,
Puget, melancholy emperor of the poor.
Watteau, this carnival of illustrious hearts
Like butterflies, errant and flamboyant,
In the cool decor, with delicate lightning in the chandeliers
Crossing the madness of the twirling ball.
Goya, nightmare of unknown things,
Fetuses roasting on the spit,
Harridans in the mirror and naked children
Tempting demons by loosening their stockings.
Delacroix, haunted lake of blood and evil angels,
Shaded by evergreen forests of dark firs,
Where, under a grieving sky, strange fanfares
Pass, like a gasping breath of Weber.
These curses, these blasphemies, these moans,
These ecstasies, these tears, these cries of 'Te Deum'
Are an echo reiterated in a thousand mazes;
It is for mortal hearts a divine opium!
It is a cry repeated by a thousand sentinels,
An order returned by a thousand megaphones,
A beacon lighting a thousand citadels
A summons to hunters lost in the wide woods.
For truly, O Lord, what better testimony
Can we give to our dignity
Than this burning sob that rolls from age to age
351
And comes to die on the shore of Your eternity?
Translated by William A. Sigler
~ Charles Baudelaire,
289:Astrophel
A Pastorall Elegie vpon the death of the most Noble and valorous Knight, Sir
Philip Sidney.
Dedicated To the most beautifull and vertuous Ladie, the Countesse of Essex.

Shepheards that wont on pipes of oaten reed,
Oft times to plaint your loues concealed smart:
And with your piteous layes haue learnd to breed
Compassion in a countrey lasses hart.
Hearken ye gentle shepheards to my song,
And place my dolefull plaint your plaints emong.
To you alone I sing this mournfull verse,
The mournfulst verse that euer man heard tell:
To you whose softened hearts it may empierse,
VVith dolours dart for death of Astrophel.
To you I sing and to none other wight,
For well I wot my rymes bene rudely dight.
Yet as they been, if any nycer wit
Shall hap to heare, or couet them to read:
Thinke he, that such are for such ones most fit,
Made not to please the liuing but the dead.
And if in him found pity euer place,
Let him be moou'd to pity such a case.
A Gentle Shepheard borne in Arcady,
Of gentlest race that euer shepheard bore:
About the grassie bancks of Hæmony,
Did keepe his sheep, his litle stock and store.
Full carefully he kept them day and night,
In fairest fields, and Astrophel he hight.
Young Astrophel the pride of shepheards praise,
Young Astrophel the rusticke lasses loue:
Far passing all the pastors of his daies,
In all that seemly shepheard might behoue.
In one thing onely fayling of the best,
That he was not so happie as the rest.
70
For from the time that first the Nymph his mother
Him forth did bring, and taught her lambs to feed:
A sclender swaine excelling far each other,
In comely shape, like her that did him breed.
He grew vp fast in goodnesse and in grace,
And doubly faire wox both in mynd and face.
Which daily more and more he did augment,
With gentle vsage and demeanure myld:
That all mens hearts with secret rauishment
He stole away, and weetingly beguyld.
Ne spight it selfe that all good things doth spill,
Found ought in him, that she could say was ill.
His sports were faire, his ioyance innocent,
Sweet without sowre, and honny without gall:
And he himselfe seemd made for meriment,
Merily masking both in bowre and hall.
There was no pleasure nor delightfull play,
When Astrophel so euer was away.
For he could pipe and daunce, and caroll sweet,
Emongst the shepheards in their shearing feast:
As Somers larke that with her song doth greet,
The dawning day forth comming from the East.
And layes of loue he also could compose,
Thrise happie she, whom he to praise did chose.
Full many Maydens often did him woo,
Them to vouchsafe emongst his rimes to name,
Or make for them as he was wont to doo,
For her that did his heart with loue inflame.
For which they promised to dight for him,
Gay chapelets of flowers and gyrlonds trim.
And many a Nymph both of the wood and brooke,
Soone as his oaten pipe began to shrill:
Both christall wells and shadie groues forsooke,
To heare the charmes of his enchanting skill.
And brought him presents, flowers if it were prime,
Or mellow fruit if it were haruest time.
71
But he for none of them did care a whit,
Yet wood Gods for them oft[en] sighed sore:
Ne for their gifts vnworthie of his wit,
Yet not vnworthie of the countries store.
For one alone he cared, for one he sight,
His lifes desire, and his deare loues delight.
Stella the faire, the fairest star in skie,
As faire as Venus or the fairest faire:
A fairer star saw neuer liuing eie,
[S]hot her sharp pointed beames through purest aire.
Her he did loue, her he alone did honor,
His thoughts, his rimes, his songs were all vpõ her.
To her he vowd the seruice of his daies,
On her he spent the riches of his wit:
For her he made hymnes of immortall praise,
Of onely her he sung, he thought, he writ.
Her, and but her of loue he deemed,
For all the rest but little he esteemed.
Ne her with ydle words alone he wowed,
And verses vaine (yet verses are not vaine)
But with braue deeds to her sole seruice vowed,
And bold achieuements her did entertaine.
For both in deeds and words he nourtred was,
Both wise and hardie (too hardie alas).
In wrestling nimble, and in renning swift,
In shooting steddie, and in swimming strong:
Well made to strike, to throw, to leape, to lift,
And all the sports that shepheards are emong.
In euery one he vanquisht euery one,
He vanquist all, and vanquisht was of none.
Besides, in hunting such felicitie,
Or rather infelicitie he found:
That euery field and forest far away,
He sought, where saluage beasts do most abound.
No beast so saluage but he could it kill,
No chace so hard, but he therein had skill.
72
Such skill matcht with such courage as he had,
Did prick him foorth with proud desire of praise:
To seek abroad, of daunger nought y'drad,
His mistresse name, and his owne fame to raise.
What need[eth] perill to be sought abroad,
Since round about vs, it doth make aboad?
It fortuned as he, that perlous game
In forreine soyle pursued far away:
Into a forest wide, and waste he came
Where store he heard to be of saluage pray.
So wide a forest and so waste as this,
Nor famous Ardeyn, nor fowle Arlo is.
There his welwouen toyles and subtil traines,
He laid the brutish nation to enwrap:
So well he wrought with practise and with paines,
That he of them great troups did soone entrap.
Full happie man (misweening much) was hee,
So rich a spoile within his power to see.
Eftsoones all heedlesse of his dearest hale,
Full greedily into the heard he thrust:
To slaughter them, and work their finall bale,
Least that his tolye should of their troups be brust.
Wide wounds emongst them many a one he made,
Now with his sharp borespeare, now with his blade.
His care was all how he them all might kill,
That none might scape (so partiall vnto none)
Ill mynd so much to mynd anothers ill,
As to become vnmyndfull of his owne.
But pardon that vnto the cruell skies,
That from himselfe to them withdrew his eies.
So as he rag'd emongst that beastly rout,
A cruell beast of most accursed brood:
Vpon him turnd (despeyre makes cowards stout)
And with fell tooth accustomed to blood,
Launched his thigh with so mischieuous might,
That it both bone and muscles ryued quight.
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So deadly was the dint and deep the wound,
And so huge streames of blood thereout did flow:
That he endured not the direfull stound,
But on the cold deare earth himselfe did throw.
The whiles the captiue heard his nets did rend,
And hauing none to let, to wood did wend.
Ah where were ye this while his shepheard peares,
To whom aliue was nought so deare as hee:
And ye faire Mayds the matches of his yeares,
Which in his grace did boast you most to bee?
Ah where were ye, when he of you had need,
To stop his wound that wondrously did bleed?
Ah wretched boy the shape of dreryhead,
And sad ensample of mans suddein end:
Full litle faileth but thou shalt be dead,
Vnpitied, vnplaynd, of foe or frend.
Whilest none is nigh, thine eylids vp to close,
And kisse thy lips like faded leaues of rose.
A sort of shepheards sewing of the chace,
As they the forest raunged on a day:
By fate or fortune came vnto the place,
Where as the lucklesse boy yet bleeding lay.
Yet bleeding lay, and yet would still haue bled,
Had not good hap those shepheards thether led.
They stopt his wound (too late to stop it was)
And in their armes they softly did him reare:
Tho (as he wild) vnto his loued lasse,
His dearest loue him dolefully did beare.
The dolefulst beare that euer man did see,
Was Astrophel, but dearest vnto mee.
She when she saw her loue in such a plight,
With crudled blood and filthie gore deformed:
That wont to be with flowers and gyrlonds dight,
And her deare fauours dearly well adorned
Her face, the fairest face that eye mote see,
She likewise did deforme like him to bee.
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Her yellow locks that shone so bright and long,
As Sunny beames in fairest somers day:
She fiersly tore, and with outragious wrong
From her red cheeks the roses rent away.
And her faire brest the threasury of ioy,
She spoyld therof, and filled with annoy.
His palled face impictured with death,
She bathed oft with teares and dried oft:
And with sweet kisses suckt the wasting breath,
Out of his lips like lillies pale and soft.
And oft she cald to him, who answerd nought,
But onely by his lookes did tell his thought.
The rest of her impatient regret,
And piteous mone the which she for him made:
No toong can tell, nor any forth can set,
But he whose heart like sorrow did inuade.
At last when paine his vitall powres had spent,
His wasted life her weary lodge forwent.
Which when she saw, she staied not a whit,
But after him did make vntimely haste:
Forth with her ghost out of her corpse did flit,
And followed her make like Turtle chaste.
To proue that death their hearts cannot diuide,
Which liuing were in loue so firmly tide.
The Gods which all things see, this same beheld,
And pittying this paire of louers trew:
Transformed them there lying on the field,
Into one flowre that is both red and blew.
It first growes red, and then to blew doth fade,
Like Astrophel, which thereinto was made.
And in the midst thereof a star appeares,
As fairly formd as any star in skyes:
Resembling Stella in her freshest yeares,
Forth darting beames of beautie from her eyes,
And all the day it standeth full of deow,
Which is the teares, that from her eyes did flow.
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That hearbe of some, Starlight is cald by name,
Of others Penthia, though not so well:
But thou where euer thou dost finde the same,
From this day forth do call it Astrophel.
And when so euer thou it vp doest take,
Do pluck it softly for that shepheards sake.
Hereof when tydings far abroad did passe,
The shepheards all which loued him full deare:
And sure full deare of all he loued was,
Did thether flock to see what they did heare.
And when that pitteous spectacle they vewed,
The same with bitter teares they all bedewed.
And euery one did make exceeding mone,
With inward anguish and great griefe opprest:
And euery one did weep and waile and mone,
And meanes deuiz'd to shew his sorrow best.
That from that houre since first on grassie greene,
Shepheards kept sheep, was not like mourning seen..
~ Edmund Spenser,
290:Flora
REMOTE from scenes, where the o'erwearied mind
Shrinks from the crimes and follies of mankind,
From hostile menace, and offensive boast,
Peace, and her train of home-born pleasures lost;
To fancy's reign, who would not gladly turn,
And lose awhile, the miseries they mourn
In sweet oblivion ? Come then, Fancy ! deign,
Queen of ideal pleasure, once again,
To lend thy magic pencil, and to bring
Such lovely forms, as in life's happier spring,
On the green margin of my native Wey,
Before mine infant eyes were wont to play,
And with that pencil, teach me to describe
The enchanting goddess of the flowery tribe,
Whose first prerogative it is to chase
The clouds that hang on languid beauty's face;
And, while advancing suns and tepid showers,
Lead on the laughing Spring's delicious hours,
Bid the wan maid the hues of health assume,
Charm with new grace, and blush with fresher bloom.
The vision comes !­While slowly melt away,
Night's hovering shades before the eastern ray,
Ere yet declines the morning's humid star,
Fair Fancy brings her; in her leafy car
Flora descends, to dress the expecting earth,
Awake the germs, and call the buds to birth;
Bid each hybernacle its cell unfold,
And open silken leaves, and eyes of gold !
Of forest foliage of the firmest shade
Enwove by magic hands, the car was made;
Oak, and the ample Plane, without entwined,
And Beech and Ash the verdant concave lin'd;
The Saxifrage, that snowy flowers emboss,
Supplied the seat; and of the mural moss
The velvet footstool rose, where lightly rest,
Her slender feet in Cypripedium drest.
The tufted rush, that bears a silken crown,
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The floating feathers of the thistle's down,
In tender hues of rainbow lustre dyed,
The airy texture of her robe supplied,
And wild convolvuli, yet half unblown,
Form'd, with their wreathing buds, her simple zone,
Some wandering tresses of her radiant hair,
Luxuriant floated on the enamour'd air;
The rest were by the Scandix' points confin'd
And graced a shining knot, her head behind­
While, as a sceptre of supreme command,
She waved the Anthoxanthum in her hand.
Around the goddess, as the flies that play,
In countless myriads in the western ray,
The sylphs innumerous throng; whose magic powers
Guard the soft buds, and nurse the infant flowers;
Round the sustaining stems weak tendrils bind,
And save the pollen from dispersing wind;
From suns too ardent, shade their transient hues,
And catch in odorous cups translucent dews.
The ruder tasks of others are, to chase
From vegetable life the insect race,
Break the polluting thread the spider weaves,
And brush the aphis from th' unfolding leaves.
For conquest arm'd these pigmy warriors wield
The thorny lance, and spread the hollow shield
Of lichen tough; or bear, as silver bright,
Lunaria's pearly circlet, firm and light.
On the helm'd head the crimson foxglove glows,
Or Scutellaria guards the martial brows,
While the Leontodon its plumage rears,
And o'er the casque in waving grace appears;
With stern undaunted eye, one warlike chief
Grasps the tall club from Arum's blood-dropt leaf;
This, with the Burdock's hooks annoys his foes,
The purple thorn that borrows from the Rose.
In honeyed nectaries couched, some drive away
The forked insidious earwig from his prey;
Fearless the scaled libellula assail,
Dart their keen lances at the encroaching snail;
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Arrest the winged ant, on pinions light,
And strike the headlong beetle in his flight.
Nor less assiduous round their lovely queen,
The lighter forms of female fays are seen;
Rich was the purple vest Floscella wore,
Spun of the tufts the Tradescantia bore;
The Cistus' flowers minute her temple graced,
And threads of Yucca bound her slender waist.
From the wild bee, whose wond'rous labour weaves,
In artful folds the rose's fragrant leaves,
Was borrow'd fair Petalla's light cymar;
And the Hypericum, with spangling star,
O'er her fair locks its bloom minute enwreath'd;
Then, while voluptuous odours round her breath'd,
Came Nectarynia; as the arrowy rays
Of lambent fire round pictur'd seraphs blaze,
So did the Passiflora's radii shed,
Cerulean glory o'er the sylphid's head,
While round her form, the pliant tendrils twined,
And clasp'd the scarf that floated on the wind.
More grave the para-nymph Calyxa drest;
A brown transparent spatha formed her vest;
The silver scales that bound her raven hair,
Xeranthemum's unfading calyx bear;
And a light sash of spiral Ophrys press'd
Her filmy tunic, on her tender breast.
But where shall images or words be found
To paint the fair ethereal forms, that round
The queen of flowers attended ? and the while
Bask'd in her eyes and wanton'd in her smile.
Now towards the earth the gay procession bends,
Lo ! from the buoyant air, the car descends;
Anticipating then the various year,
Flowers of all hues and every month appear,
From every swelling bulb its blossoms rise;
Here, blow the Hyacinths of loveliest dyes,
Breathing of heaven; and there, her royal brows
Begemmed with pearl, the Crown imperial shews;
Peeps the blue Gentian, from the soft'ning ground,
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Jonquils and Violets, shed their odours round;
The Honeysuckle rears his scallop'd horn;
A snow of blossoms whiten on the thorn.
Here, like the fatal fruit to Paris given,
That spread fell feuds throughout the fabled heaven,
The yellow Rose her golden globe displays;
There lovelier still, among the spiny sprays
Her blushing rivals glow with brighter dyes,
Than paints the summer sun on western skies.
And the scarce tinged, and paler Rose unveil
Their modest beauties to the sighing gale.
Thro' the deep woodland's wild uncultur'd scene,
Spreads the soft influence of the floral queen;
See a fair pyramid the Chesnut rear,
Its crimson tassels on the Larch appear;
The Fir, dark native of the sullen North,
Owns her soft sway; and slowly springing forth
On the rough Oak are buds minute unfurl'd,
Whose giant produce may command the world !
Each forest thicket feels the balmy air,
And plants that love the shade are blowing there.
Rude rocks with Filices and Bryums smile,
And wastes are gay with Thyme and Chamomile.
Ah ! yet prolong the dear delicious dream,
And trace her power along the mountain stream.
See ! from its rude and rocky source, o'erhung
With female fern, and glossy adder's-tongue
Slowly it wells, in pure and chrystal drops,
And steals soft-gliding, thro' the upland copse;
Then murmuring on, along the willowy sides,
The reed-bird whispers, and the Halcyon hides;
While among sallows pale, and birchen bowers,
Embarks in Fancy's eye the queen of flowers.
O'er her light skiff, of woven bull-rush made,
The Water lily lends a polish'd shade;
While Galium there, of pale and silver hue,
And Epilobiums on the banks that grew,
Form her soft couch; and as the Sylphs divide,
With pliant arms, the still increasing tide,
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A thousand leaves along the stream unfold;
Amid its waving swords, in flaming gold
The Iris towers; and here the Arrowhead
And water Crowfoot, more profusely spread
Spangle the quiet current; higher there,
As conscious of her claims, in beauty rare,
Her rosy umbels rears the flow'ring Rush,
While with reflected charms the waters blush.
The naiad now, the year's fair goddess leads,
Through richer pastures and more level meads
Down to the sea; where even the briny sands
Their product offer to her glowing hands;
For there, by sea-dews nurs'd and airs marine,
The Chelidonium blows; in glaucous green,
Each refluent tide the thorn'd Eryngium laves,
And its pale leaves seem tinctured by the waves;
And half-way up the cliff, whose rugged brow
Hangs o'er the ever toiling surge below,
Springs the light Tamarisk.­The summit bare,
Is tufted by the Statice; and there,
Crush'd by the fisher, as he stands to mark
Some distant signal or approaching bark,
The Saltwort's starry stalks are thickly sown,
Like humble worth, unheeded and unknown !
From depths where corals spring from chrystal caves,
And break with scarlet branch, the eddying waves,
Where Algæ stream, as change the flowing tides,
And where, half flower, half fish, the Polyp hides,
And long tenacious bands of sea-lace twine
Round palm-shaped leaves impearl'd with coralline.
Enamour'd Fancy now the sea-maids calls,
And from their grottos dim, and shell-paved halls,
Charm'd by her voice, the shining train emerge,
And buoyant float above the circling surge;
Green Byssus, waving in the sea-born gales,
Form'd their thin mantles, and transparent veils,
Panier'd in shells, or bound with silver strings,
Of silken pinna; each her trophy brings
Of plants, from rocks and caverns submarine,
With leathery branch, and bladder'd buds between;
44
There, its dark folds the pucker'd laver spread,
With trees in miniature of various red;
There flag-shaped olive-leaves, depending hung,
And fairy fans from glossy pebbles sprung;
Then her terrestrial train the nereids meet,
And lay their spoils saline at Flora's feet.
O ! fairest of the fabled forms ! that stream,
Dress'd by wild Fancy, thro' the poet's dream,
Still may thy attributes of leaves and flowers,
Thy garden's rich, and shrub-o'ershadow'd bowers,
And yellow meads, with Spring's first honours bright,
The child's gay heart, and frolic step invite;
And, while the careless wanderer explores,
The umbrageous forest, or the rugged shores,
Climbs the green down, or roams the broom-clad waste,
May Truth, and Nature, form his future taste !
Goddess ! on youth's bless'd hours thy gifts bestow;
Bind the fair wreath on virgin-beauty's brow,
And still may Fancy's brightest flowers be wove
Round the gold chains of hymeneal love.
But most for those, by Sorrow's hands oppress'd,
May thy beds blossom, and thy wilds be dress'd;
And where by Fortune and the world forgot,
The mourner droops in some sequester'd spot,
('Sad luxury to vulgar minds unknown,')
O'er blighted happiness for ever gone,
Yet the dear image seeks not to forget,
But woos his grief, and cherishes regret;
Loving, with fond and lingering pain, to mourn
O'er joys and hopes that never will return;­
Thou, visionary power ! mayst bid him view
Forms not less lovely, and as transient too;
And while they soothe the wearied pilgrim's eyes,
Afford an antepast of Paradise.
~ Charlotte Smith,
291:Sappho To Phaon (Ovid Heroid Xv)
Say, lovely youth, that dost my heart command,
Can Phaon's eyes forget his Sappho's hand?
Must then her name the wretched writer prove,
To thy remembrance lost, as to thy love?
Ask not the cause that I new numbers choose,
The Lute neglected, and the Lyric muse;
Love taught my tears in adder notes to flow,
And tun'd my heart to Elegies of woe,
I burn, I burn, as when thro' ripen'd corn
By driving winds the spreading flames are borne!
Phaon to Aetna's scorching fields retires,
While I consume with more than Aetna's fires!
No more my soul a charm in music finds,
Music has charms alone for peaceful minds.
Soft scenes of solitude no more can please,
Love enters there, and I'm my own disease.
No more the Lesbian dames my passion move,
Once the dear objects of my guilty love;
All other loves are lost in only thine,
Ah youth ungrateful to a flame like mine!
Whom would not all those blooming charms surprize,
Those heav'nly looks, and dear deluding eyes?
The harp and bow would you like Phoebus bear,
A brighter Phoebus Phaon might appear;
Would you with ivy wreath your flowing hair,
Not Bacchus' self with Phaon could compare:
Yet Phoebus lov'd, and Bacchus felt the flame,
One Daphne warm'd, and one the Cretan dame,
Nymphs that in verse no more could rival me,
That ev'n those Gods contend in charms with thee.
The Muses teach me all their softest lays,
And the wide world resounds with Sappho's praise.
Tho' great Alcaeus more sublimely sings,
And strikes with bolder rage the sounding strings,
No less renown attends the moving lyre,
Which Venus tunes, and all her loves inspire;
To me what nature has in charms deny'd,
Is well by wit's more lasting flames supply'd.
Tho' short my stature, yet my name extends
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To heav'n itself, and earth's remotest ends.
Brown as I am, an Ethiopian dame
Inspir'd young Perseus with a gen'rous flame;
Turtles and doves of diff'ring hues unite,
And glossy jet is pair'd with shining white.
If to no charms thou wilt thy heart resign,
But such as merit, such as equal thine,
By none, alas! by none thou canst be mov'd,
Phaon alone by Phaon must be lov'd!
Yet once thy Sappho could thy cares employ,
Once in her arms you center'd all your joy:
No time the dear remembrance can remove,
For oh! how vast a memory has love!
My music, then, you could for ever hear,
And all my words were music to your ear;
You stopp'd with kisses my enchanting tongue,
And found my kisses sweeter than my song.
In all I pleas'd, but most in what was best;
And the last joy was dearer than the rest.
Then with each word, each glance, each motion fir'd,
You still enjoy'd, and yet you still desir'd,
'Till all dissolving in the trance we lay,
And in tumultuous raptures died away.
The fair Sicilians now thy soul inflame;
Why was I born, ye Gods, a Lesbian dame?
But ah beware, Sicilian nymphs! nor boast
That wand'ring heart which I so lately lost;
Nor be with all those tempting words abus'd,
Those tempting words were all to Sappho us'd.
And you that rule Sicilia's happy plains,
Have pity, Venus, on your Poet's pains!
Shall fortune still in one sad tenor run,
And still increase the woes so soon begun?
Inur'd to sorrow from my tender years,
My parent's ashes drank my early tears:
My brother next, neglecting wealth and fame,
Ignobly burn'd in a destructive flame:
An infant daughter late my griefs increas'd,
And all a mother's cares distract my breast.
Alas, what more could fate itself impose,
But thee, the last and greatest of my woes?
No more my robes in waving purple flow,
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Nor on my hand the sparkling di'monds glow;
No more my locks in ringlets curl'd diffuse
The costly sweetness of Arabian dews,
Nor braids of gold the varied tresses bind,
That fly disorder'd with the wanton wind,
For whom should Sappho use such arts as these?
He's gone, whom only she desir'd to please!
Cupid's light darts my tender bosom move,
Still is there cause for Sappho still to love:
So from my birth the Sisters fix'd my doom,
And gave to Venus all my life to come;
Or while my Muse in melting notes complains,
My yielding heart keeps measure to my strains.
By charms like thine which all my soul have won,
Who might not - ah! who would not be undone?
For those Aurora Cephalus might scorn,
And with fresh blushes paint the conscious morn.
For those might Cynthia lengthen Phaon's sleep,
And bit Endymion nightly tend his sheep.
Venus for those had rapt thee to the skies,
But Mars on thee might look with Venus' eyes.
O scarce a youth, yet scarce a tender boy!
O useful time for lovers to employ!
Pride of thy age, and glory of thy race,
Come to these arms, and melt in this embrace!
The vows you never will return, receive;
And take at least the love you will not give.
See, while I write, my words are lost in tears;
The less my sense, the more my love appears.
Sure 'twas not much to bid one kind adieu,
(At least to feign was never hard to you)
Farewell, my Lesbian love, you might have said,
Or coldly thus, Farewell, oh Lesbian maid!
No tear did you, no parting kiss receive,
Nor knew I then how much I was to grieve.
No lover's gift your Sappho could confer,
And wrongs and woes were all you left with her.
No charge I gave you, and no charge could give,
But this, Be mindful of our loves, and live.
Now by the Nine, those pow'rs ador'd by me,
And Love, the God that ever waits on thee,
When first I heard (from whom I hardly knew)
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That you were fled, and all my joys with you,
Like some sad statue, speechless, pale I stood,
Grief chill'd my breast, and stopp'd my freezing blood;
No sigh to rise, no tear had powr to flow,
Fix'd in a stupid lethargy of woe:
But when its way th' impetuous passion found,
I rend my tresses, and my breast I wound,
I rave, then weep, I curse, and then complain,
Now swell to rage, no melt in tears again.
Not fiercer pangs distract the mournful dame,
Whose first-born infant feeds the fun'ral flame.
My scornful brother with a smile appears,
Insults my woes, and triumphs in my tears;
His hated image ever haunts my eyes,
And why this grief? thy daughter lives, he cries.
Stung with my Love, and furious with despair,
All torn my garments, and my bosom bare,
My woes, thy crimes, I to the world proclaim;
Such inconsistent things are love and shame!
'Tis thou art all my care and my delight,
My daily longing, and my dream by night:
Oh night more pleasing than the brightest day,
When fancy gives what absence takes away,
And, dress'd in all its visionary charms,
Restores my fair deserter to my arms!
Then round your neck in wanton wreaths I twine,
Then you, methinks, as fondly circle mine:
A thousand tender words I hear and speak;
A thousand melting kisses give, and take:
Then fiercer joys, I blush to mention these,
Yet while I blush, confess how much they please.
But when, with day, the sweet delusions fly,
And all things wake to life and joy, but I,
As if once more forsaken, I complain,
And close my eyes to dream of you again;
Then frantic rise, and like some Fury rove
Thro' lonely plains, and thro' the silent grove,
As if the silent grove, and lonely plains,
That knew my pleasures, could relieve my pains.
I view the Grotto, once the scene of love,
The rocks around, the hanging roofs above,
That charm'd me more, with native moss o'ergrown,
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Than Phyrgian marble, or the Parian stone.
I find the shades that veil'd our joys before;
But, Phaon gone, those shades delight no more.
Here the press'd herbs with bending tops betray
Where oft entwin'd in am'rous folds we lay;
I kiss that earth which once was press'd by you,
And all with tears the with'ring herbs bedew.
For thee the fading trees appear to mourn,
And birds defer their songs till thy return;
Night shades the grove,s and all in silence lie,
All but the mournful Philomel and I:
With mournful Philomel I join my strain,
Of Tereus she, of Phaeon I complain.
A spring there is, whose silver waters show,
Clear as a glass, the shining sands below:
A flow'ry Lotos spreads its arms above,
Shades all the banks, and seems itself a grove;
Eternal greens the mossy margin grace,
Watch'd by the sylvan Genius of the place.
Here as I lay, and swell'd with tears the flood,
Before my sight a wat'ry Virgin stood:
She stood and cry'd, 'O you that love in vain!
'Fly hence, and seek the fair Leucadian main;
'There stands a rock, from whose impending steep
'Apollo's fane surveys the rolling deep;
'There injur'd lovers, leaping from above,
'Their flames extinguish, and forget to love.
'Deucalion once, with hopeless fury burn'd,
'In vain he lov'd, relentless Pyrrha scorn'd;
'But when from hence he plung'd into the main,
'Deucalion scorn'd, and Pyrrha lov'd in vain.
Haste, Sappho, haste, from high Leucadia throw
'Thy wretched weight, nor dread the deeps below!'
She spoke, and vanish'd with the voice - I rise,
And silent tears fall trickling from my eyes.
I go, ye Nymphs! those rocks and seas to prove;
How much I fear, but ah, how much I love!
I go, ye Nymphs! where furious love inspires;
Let female fears submit to female fires.
To rocks and seas I fly from Phaon's hate,
And hope from seas and rocks a milder fate.
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Ye gentle gales, beneath my body blow,
And softly lay me on the waves below!
And thou, kind Love, my sinking limbs sustain,
Spread thy soft wings, and waft me o'er the main,
Nor let a Lover's death the guiltless flood profane!
On Phoebus' shrine my harp I'll then bestow,
And this Inscription shall be plac'd below.
'Here she who sung, to him that did inspire,
'Sappho to Phoebus consecrates her Lyre;
'What suits with Sappho, Phoebus, suits with thee;
The Gift, the giver, and the God agree.'
But why, alas, relentless youth, ah why
To distant seas must tender Sappho fly?
Thy charms than those may far more pow'rful be,
And Phoebus' self is less a God to me.
Ah! canst thou doom me to the rocks and sea,
O far more faithless and more hard than they?
Ah! canst thou rather see this tender breast
Dash'd on these rocks than to thy bosom prest?
This breast which once, in vain! you lik'd so well;
Where Loves play'd, and where the Muses dwell.
Alas! the Muses now no more inspire,
Untun'd my lute, and silent is my lyre,
My languid numbers have forgot to flow,
And fancy sinks beneath a weight of woe.
Ye Lesbian virgins, and ye Lesbian dames,
Themes of my verse, and objects of my flames,
No more your groves with my glad songs shall ring,
No more these hands shall touch the trembling string:
My Phaon's fled, and I those arts resign
(Wretch that I am, to call that Phaon mine!)
Return, fair youth, return, and bring along
Joy to my soul, and vigour to my song:
Absent from thee, the Poet's flame expires;
But ah! how fiercely burn the Lover's fires!
Gods! can no pray'rs, no sighs, no numbers move
One savage heart, or teach it how to love?
The winds my pray'rs, my sighs, my numbers bear,
The flying winds have lost them all in air!
Oh when, alas! shall more auspicious gales
To these fond eyes restore thy welcome sails?
If you return - ah why these long delays?
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Poor Sappho dies while careless Phaon stays.
O launch thy bark, secure of prosp'rous gales;
Cupid for thee shall spread the swelling gales;
I you will fly - (yet ah! what cause can be,
Too cruel youth, that you should fly from me?)
If not from Phaon I must hope for ease,
Ah let me seek it from the raging seas:
To raging seas unpity'd I'll remove,
And either cease to live or cease to love!
~ Alexander Pope,
292:Un Fantôme (A Phantom)
I Les Ténèbres
Dans les caveaux d'insondable tristesse
Où le Destin m'a déjà relégué;
Où jamais n'entre un rayon rose et gai;
Où, seul avec la Nuit, maussade hôtesse,
Je suis comme un peintre qu'un Dieu moqueur
Condamne à peindre, hélas! sur les ténèbres;
Où, cuisinier aux appétits funèbres,
Je fais bouillir et je mange mon coeur,
Par instants brille, et s'allonge, et s'étale
Un spectre fait de grâce et de splendeur.
À sa rêveuse allure orientale,
Quand il atteint sa totale grandeur,
Je reconnais ma belle visiteuse:
C'est Elle! noire et pourtant lumineuse.
II Le Parfum
Lecteur, as-tu quelquefois respiré
Avec ivresse et lente gourmandise
Ce grain d'encens qui remplit une église,
Ou d'un sachet le musc invétéré?
Charme profond, magique, dont nous grise
Dans le présent le passé restauré!
Ainsi l'amant sur un corps adoré
Du souvenir cueille la fleur exquise.
De ses cheveux élastiques et lourds,
Vivant sachet, encensoir de l'alcôve,
Une senteur montait, sauvage et fauve,
Et des habits, mousseline ou velours,
Tout imprégnés de sa jeunesse pure,
506
Se dégageait un parfum de fourrure.
III Le Cadre
Comme un beau cadre ajoute à la peinture,
Bien qu'elle soit d'un pinceau très-vanté,
Je ne sais quoi d'étrange et d'enchanté
En l'isolant de l'immense nature,
Ainsi bijoux, meubles, métaux, dorure,
S'adaptaient juste à sa rare beauté;
Rien n'offusquait sa parfaite clarté,
Et tout semblait lui servir de bordure.
Même on eût dit parfois qu'elle croyait
Que tout voulait l'aimer; elle noyait
Sa nudité voluptueusement
Dans les baisers du satin et du linge,
Et, lente ou brusque, à chaque mouvement
Montrait la grâce enfantine du singe.
IV Le Portrait
La Maladie et la Mort font des cendres
De tout le feu qui pour nous flamboya.
De ces grands yeux si fervents et si tendres,
De cette bouche où mon coeur se noya,
De ces baisers puissants comme un dictame,
De ces transports plus vifs que des rayons,
Que reste-t-il? C'est affreux, ô mon âme!
Rien qu'un dessin fort pâle, aux trois crayons,
Qui, comme moi, meurt dans la solitude,
Et que le Temps, injurieux vieillard,
Chaque jour frotte avec son aile rude...
Noir assassin de la Vie et de l'Art,
Tu ne tueras jamais dans ma mémoire
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Celle qui fut mon plaisir et ma gloire!
A Phantom
I The Darkness
In the mournful vaults of fathomless gloom
To which Fate has already banished me,
Where a bright, rosy beam never enters;
Where, alone with Night, that sullen hostess,
I'm like a painter whom a mocking God
Condemns to paint, alas! upon darkness;
Where, a cook with a woeful appetite,
I boil and I eat my own heart;
At times there shines, and lengthens, and broadens
A specter made of grace and of splendor;
By its dreamy, oriental manner,
When it attains its full stature,
I recognize my lovely visitor;
It's She! dark and yet luminous.
II The Perfume
Reader, have you at times inhaled
With rapture and slow greediness
That grain of incense which pervades a church,
Or the inveterate musk of a sachet?
Profound, magical charm, with which the past,
Restored to life, makes us inebriate!
Thus the lover from an adored body
Plucks memory's exquisite flower.
From her tresses, heavy and elastic,
Living sachet, censer for the bedroom,
A wild and savage odor rose,
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And from her clothes, of muslin or velvet,
All redolent of her youth's purity,
There emanated the odor of furs.
III The Frame
As a lovely frame adds to a painting,
Even though it's from a master's brush,
An indefinable strangeness and charm
By isolating it from vast nature,
Thus jewels, metals, gilding, furniture,
Suited her rare beauty to perfection;
Nothing dimmed its flawless splendor;
All seemed to form for her a frame.
One would even have said that she believed
That everything wished to love her; she drowned
Her nudity voluptuously
In the kisses of the satin and linen,
And, with each movement, slow or brusque,
She showed the child-like grace of a monkey.
IV The Portrait
Disease and Death make ashes
Of all the fire that flamed for us.
Of those wide eyes, so fervent and tender,
Of that mouth in which my heart was drowned,
Of those kisses potent as dittany,
Of those transports more vivid than sunbeams,
What remains? It is frightful, O my soul!
Nothing but a faint sketch, in three colors,
Which, like me, is dying in solitude,
And which Time, that contemptuous old man,
Grazes each day with his rough wing...
509
Black murderer of Life and Art,
You will never kill in my memory
The one who was my glory and my joy!
— Translated by William Aggeler
A Phantom
I The Shades
My fate confines me, dark and shady,
In vaults of lone unfathomed grief.
No rosy sunbeams bring relief.
Alone with Night, my grim landlady,
I'm like a painter whom God spites
To paint on shades, and cook and eat
My own poor heart, the only meat
Of my funereal appetites.
Sometimes a spectre dim, reclining
In grace and glory, can be seen.
With dreamy oriental mien.
When fully its own form defining,
I recognise who it must be,
Sombre yet luminous, it's She!
II The Perfume
Reader, say, have you ever breathed,
With lazy greed and joy, the dusk
Of an old church with incense wreathed,
Or smelt an ancient bag of musk?
It's by such charms the Nevermore
Intoxicates us in the Now —
As lovers to Remembrance bow
Over the bodies they adore.
510
From her thick tresses as they fume
(Scent-sack and censer of the room)
A feline, tawny perfume springs.
Her muslins and her velvets smooth
Give off, made pregnant with her youth,
Scents of the fur of prowling things.
III The Frame
As a fine frame improves a plate
Although the graver needs no vaunting —
I know not what of strange and haunting
(From nature vast to isolate
Her beauty) was conferred by gems,
Metals, and gear. She mingled with them,
And swirled them all into her rhythm
As in her skirts the flouncing herns.
They say she thought all things were stung
With love for her. Her naked flesh
She loved to drown in kisses fresh
Of flax or satin. To her clung,
In all the movements of her shape,
The childish graces of the ape.
IV The Portrait
Sickness and death will form the ash and dust
Of all the fire we blazed with in such splendour,
Of those great eyes so fervent and so tender,
The mouth wherein my heart would drown its lust,
The kisses strong as marum, the delightful,
Fierce transports livelier than the solar rays.
What can remain? My soul, the truth is frightful!
A fading sketch, a faint three-coloured haze,
511
Which (like myself unfriended) wanes away,
While Time, insulting dotard, every day,
Brushes it fainter with his heedless wing...
Killer of life and art! black, evil King!
You'll never kill, within my soul, the story
Of that which was my rapture and my glory.
— Translated by Roy Campbell
Portrait
Disease and Death make ashes out of all
The fires that flamed for us, out of the round
Wide eyes, so fervent and so kind withal,
Out of the mouth wherein my heart was drowned,
Out of our kisses, strong as pepperwort,
Out of throes bright as patterns sunbeams etch.
What is left now? What dreadful last resort,
O Soul? Only a faint three-colored sketch
Which is, like me, a lonely dying thing,
And which that oldster Time with scornful heart
Bruises each day beneath his jagged wing.
Slayer of Life and murderer of Art,
Mine, still, one treasure you shall not destroy:
She who was all my glory and my joy!
[The original publication only includes this last section of the poem].
— Translated by Jacques LeClercq
The Portrait
Disease and Death, these are the ashes of
All that was fire, and warmed us heretofore.
Of those big eyes, so full of faith and love,
That mouth which stopped my heart, that endless store
Of kisses strong as dittany — that whole
Transport, that passion hotter than the sun,
512
What now remains? A sorry thing, my soul!
A faded sketch, in three pale crayons done;
Which, like myself, in dusty solitude
Subsides, and which with his injurious wing
Time daily rubs against. O black and rude
Assassin of proud Life and powerful Art:
You cannot rob my memory of one thing, —
Her, that was all my triumph, all my heart.
[The original publication only includes this last section of the poem].
— Translated by Edna St. Vincent Millay
Un Fantôme
I Les Tenebres
down in the unplumbed crypt of blight
where Fate abandoned me to die,
where falls no cheering ray; where I,
sole lodger of the sulky Night,
like artists blind God sets apart
in mockery — I paint the murk;
where, like a ghoulish cook at work,
I boil and munch upon my heart,
momently gleams, and grows apace,
a phantom languorously bright,
and by its dreamy Orient grace,
when it attains its radiant height,
at last I know the lovely thing:
'tis She! girl black yet glimmering.
II Le Parfum
513
how long, in silken favours, last
their prisoned scents! how greedily
we breathe the incense-grain, a sea
of fragrance, in cathedrals vast!
o deep enchanting sorcery!
in present joys to find the past!
'tis thus on cherished flesh amassed
Love culls the flower of memory.
her thick curled hair, like bags of musk
or living censers, left the dusk
with strange wild odours all astir,
and, from her lace and velvet busk,
— candid and girlish, over her,
hovered a heavy scent of fur.
III Le Cadre
as framing to a portrait gives
— though from a famous brush it be —
a magic full of mystery
secluding it from all that lives,
so gems, divans, gold, steel became
her beauty's border and attire;
no pomp obscured its perfect fire,
all seemed to serve her as a frame.
one even might have said she found
all sought to love her, for she drowned
in kisses of her silks and laces,
her fair nude body, all a-quiver,
and swift or slow, each pose would give her
a host of girlish simian graces.
IV Le Portrait
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Death and Disease to ashes turn
all flames that wrapped our youth around.
of her soft eyes, so quick to burn,
her mouth, wherein my heart was drowned.
of her wild kisses' tyrannies,
her passion's blaze implacable —
drear heart! what now is left of these?
only a faded old pastel
dying, like me, in loneliness,
duller each day in every part,
stripped by Time's pinion merciless...
black murderer of life and art,
never shalt thou destroy in me
her, once my pride and ecstasy!
— Translated by Lewis Piaget Shanks
A Ghost
I Perfume
Reader, have you ever breathed in
With intoxication and slow gluttony,
That grain of incense which fills a church,
Or that embedded musk of a scent-bag?
Deep, magical charm, the past recalled
By you now makes us drunk.
Thus a lover plucks from an adored body
The exquisite flower of memory.
From her buoyant, heavy hair,
A living sachet, censer of recesses,
There climbs a fragrance, savage, wild,
And from her muslin or velvet dresses,
Permeated with her pure youth,
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Escapes a perfume of fur.
II The Frame
As a fine frame adds to its picture,
Though it may come from a well-known brush,
Thus jewels, furniture, metals or gilding
Adapted themselves quite to her unusual beauty;
it was some strange enchantment,
Parting her from enormous nature;
Nothing darkened her perfect pellucidity,
Everything seemed to serve her as frame.
At times one would even have said that she thought
That all things desired to love her; voluptuously
She drowned her nakedness
In kisses of satin and linen,
And, slow or sudden, in each movement
Showed the childlike grace of the monkey.
[The original publication only includes these two sections of the poem].
— Translated by Geoffrey Wagner
~ Charles Baudelaire,
293:A Hymn In Honour Of Beauty
Ah whither, Love, wilt thou now carry me?
What wontless fury dost thou now inspire
Into my feeble breast, too full of thee?
Whilst seeking to aslake thy raging fire,
Thou in me kindlest much more great desire,
And up aloft above my strength dost raise
The wondrous matter of my fire to praise.
That as I erst in praise of thine own name,
So now in honour of thy mother dear,
An honourable hymn I eke should frame,
And with the brightness of her beauty clear,
The ravish'd hearts of gazeful men might rear
To admiration of that heavenly light,
From whence proceeds such soul-enchanting might.
Thereto do thou, great goddess, queen of beauty,
Mother of love, and of all world's delight,
Without whose sovereign grace and kindly duty
Nothing on earth seems fair to fleshly sight,
Do thou vouchsafe with thy love-kindling light
T' illuminate my dim and dulled eyne,
And beautify this sacred hymn of thine:
That both to thee, to whom I mean it most,
And eke to her, whose fair immortal beam
Hath darted fire into my feeble ghost,
That now it wasted is with woes extreme,
It may so please, that she at length will stream
Some dew of grace into my withered heart,
After long sorrow and consuming smart.
WHAT time this world's great Workmaster did cast
To make all things such as we now behold,
It seems that he before his eyes had plac'd
A goodly pattern, to whose perfect mould
He fashion'd them as comely as he could;
That now so fair and seemly they appear,
As nought may be amended anywhere.
That wondrous pattern, wheresoe'er it be,
Whether in earth laid up in secret store,
Or else in heaven, that no man may it see
With sinful eyes, for fear it to deflore,
Is perfect Beauty, which all men adore;
Whose face and feature doth so much excel
All mortal sense, that none the same may tell.
Thereof as every earthly thing partakes
Or more or less, by influence divine,
So it more fair accordingly it makes,
And the gross matter of this earthly mine,
Which clotheth it, thereafter doth refine,
Doing away the dross which dims the light
Of that fair beam which therein is empight.
For, through infusion of celestial power,
The duller earth it quick'neth with delight,
And lifeful spirits privily doth pour
Through all the parts, that to the looker's sight
They seem to please. That is thy sovereign might,
O Cyprian queen, which flowing from the beam
Of thy bright star, thou into them dost stream.
That is the thing which giveth pleasant grace
To all things fair, that kindleth lively fire,
Light of thy lamp, which, shining in the face,
Thence to the soul darts amorous desire,
And robs the hearts of those which it admire;
Therewith thou pointest thy son's poison'd arrow,
That wounds the life, and wastes the inmost marrow.
How vainly then do idle wits invent,
That beauty is nought else but mixture made
Of colours fair, and goodly temp'rament
Of pure complexions, that shall quickly fade
And pass away, like to a summer's shade;
Or that it is but comely composition
Of parts well measur'd, with meet disposition.
Hath white and red in it such wondrous power,
That it can pierce through th' eyes unto the heart,
And therein stir such rage and restless stour,
As nought but death can stint his dolour's smart?
Or can proportion of the outward part
Move such affection in the inward mind,
That it can rob both sense and reason blind?
Why do not then the blossoms of the field,
Which are array'd with much more orient hue,
And to the sense most dainty odours yield,
Work like impression in the looker's view?
Or why do not fair pictures like power shew,
In which oft-times we nature see of art
Excell'd, in perfect limning every part?
But ah, believe me, there is more than so,
That works such wonders in the minds of men;
I, that have often prov'd, too well it know,
And whoso list the like assays to ken,
Shall find by trial, and confess it then,
That beauty is not, as fond men misdeem,
An outward shew of things, that only seem.
For that same goodly hue of white and red,
With which the cheeks are sprinkled, shall decay,
And those sweet rosy leaves, so fairly spread
Upon the lips, shall fade and fall away
To that they were, even to corrupted clay;
That golden wire, those sparkling stars so bright,
Shall turn to dust; and lose their goodly light.
But that fair lamp, from whose celestial ray
That light proceeds, which kindleth lovers' fire,
Shall never be extinguish'd nor decay;
But when the vital spirits do expire,
Unto her native planet shall retire;
For it is heavenly born and cannot die,
Being a parcel of the purest sky.
For when the soul, the which derived was,
At first, out of that great immortal Spright,
By whom all live to love, whilom did pass
10
Down from the top of purest heaven's height
To be embodied here, it then took light
And lively spirits from that fairest star,
Which lights the world forth from his fiery car.
Which power retaining still or more or less,
When she in fleshly seed is eft enraced,
Through every part she doth the same impress,
According as the heavens have her graced,
And frames her house, in which she will be placed,
Fit for herself, adorning it with spoil
Of th' heavenly riches which she robb'd erewhile.
Thereof it comes that these fair souls, which have
The most resemblance of that heavenly light,
Frame to themselves most beautiful and brave
Their fleshly bower, most fit for their delight,
And the gross matter by a sovereign might
Tempers so trim, that it may well be seen
A palace fit for such a virgin queen.
So every spirit, as it is most pure,
And hath in it the more of heavenly light,
So it the fairer body doth procure
To habit in, and it more fairly dight
With cheerful grace and amiable sight.
For of the soul the body form doth take:
For soul is form, and doth the body make.
Therefore wherever that thou dost behold
A comely corpse, with beauty fair endued,
Know this for certain, that the same doth hold
A beauteous soul, with fair conditions thewed,
Fit to receive the seed of virtue strewed.
For all that fair is, is by nature good;
That is a sign to know the gentle blood.
Yet oft it falls that many a gentle mind
Dwells in deformed tabernacle drown'd,
Either by chance, against the course of kind,
Or through unaptness in the substance found,
Which it assumed of some stubborn ground,
11
That will not yield unto her form's direction,
But is deform'd with some foul imperfection.
And oft it falls, (ay me, the more to rue)
That goodly beauty, albe heavenly born,
Is foul abus'd, and that celestial hue,
Which doth the world with her delight adorn,
Made but the bait of sin, and sinners' scorn,
Whilst every one doth seek and sue to have it,
But every one doth seek but to deprave it.
Yet nathëmore is that fair beauty's blame,
But theirs that do abuse it unto ill:
Nothing so good, but that through guilty shame
May be corrupt, and wrested unto will:
Natheless the soul is fair and beauteous still,
However flesh{"e}s fault it filthy make;
For things immortal no corruption take.
But ye fair dames, the world's dear ornaments
And lively images of heaven's light,
Let not your beams with such disparagements
Be dimm'd, and your bright glory dark'ned quite;
But mindful still of your first country's sight,
Do still preserve your first informed grace,
Whose shadow yet shines in your beauteous face.
Loathe that foul blot, that hellish firebrand,
Disloyal lust, fair beauty's foulest blame,
That base affections, which your ears would bland,
Commend to you by love's abused name,
But is indeed the bondslave of defame;
Which will the garland of your glory mar,
And quench the light of your bright shining star.
But gentle Love, that loyal is and true,
Will more illumine your resplendent ray,
And add more brightness to your goodly hue,
From light of his pure fire; which, by like way
Kindled of yours, your likeness doth display;
Like as two mirrors, by oppos'd reflection,
Do both express the face's first impression.
12
Therefore, to make your beauty more appear,
It you behoves to love, and forth to lay
That heavenly riches which in you ye bear,
That men the more admire their fountain may;
For else what booteth that celestial ray,
If it in darkness be enshrined ever,
That it of loving eyes be viewed never?
But, in your choice of loves, this well advise,
That likest to yourselves ye them select,
The which your forms' first source may sympathize,
And with like beauty's parts be inly deckt;
For, if you loosely love without respect,
It is no love, but a discordant war,
Whose unlike parts amongst themselves do jar.
For love is a celestial harmony
Of likely hearts compos'd of stars' concent,
Which join together in sweet sympathy,
To work each other's joy and true content,
Which they have harbour'd since their first descent
Out of their heavenly bowers, where they did see
And know each other here belov'd to be.
Then wrong it were that any other twain
Should in love's gentle band combined be
But those whom Heaven did at first ordain,
And made out of one mould the more t' agree;
For all that like the beauty which they see,
Straight do not love; for love is not so light
As straight to burn at first beholder's sight.
But they, which love indeed, look otherwise,
With pure regard and spotless true intent,
Drawing out of the object of their eyes
A more refined form, which they present
Unto their mind, void of all blemishment;
Which it reducing to her first perfection,
Beholdeth free from flesh's frail infection.
And then conforming it unto the light,
13
Which in itself it hath remaining still,
Of that first Sun, yet sparkling in his sight,
Thereof he fashions in his higher skill
An heavenly beauty to his fancy's will;
And it embracing in his mind entire,
The mirror of his own thought doth admire.
Which seeing now so inly fair to be,
As outward it appeareth to the eye,
And with his spirit's proportion to agree,
He thereon fixeth all his fantasy,
And fully setteth his felicity;
Counting it fairer than it is indeed,
And yet indeed her fairness doth exceed.
For lovers' eyes more sharply sighted be
Than other men's, and in dear love's delight
See more than any other eyes can see,
Through mutual receipt of beam{"e}s bright,
Which carry privy message to the spright,
And to their eyes that inmost fair display,
As plain as light discovers dawning day.
Therein they see, through amorous eye-glances,
Armies of loves still flying to and fro,
Which dart at them their little fiery lances;
Whom having wounded, back again they go,
Carrying compassion to their lovely foe;
Who, seeing her fair eyes' so sharp effect,
Cures all their sorrows with one sweet aspect.
In which how many wonders do they rede
To their conceit, that others never see,
Now of her smiles, with which their souls they feed,
Like gods with nectar in their banquets free;
Now of her looks, which like to cordials be;
But when her words' embássade forth she sends,
Lord, how sweet music that unto them lends.
Sometimes upon her forehead they behold
A thousand graces masking in delight;
Sometimes within her eyelids they unfold
14
Ten thousand sweet belgards, which to their sight
Do seem like twinkling stars in frosty night;
But on her lips, like rosy buds in May,
So many millions of chaste pleasures play.
All those, O Cytherea, and thousands more
Thy handmaids be, which do on thee attend,
To deck thy beauty with their dainties' store,
That may it more to mortal eyes commend,
And make it more admir'd of foe and friend:
That in men's hearts thou may'st thy throne install,
And spread thy lovely kingdom over all.
Then Iö, triumph! O great Beauty's Queen,
Advance the banner of thy conquest high,
That all this world, the which thy vassals bene,
May draw to thee, and with due fealty
Adore the power of thy great majesty,
Singing this hymn in honour of thy name,
Compil'd by me, which thy poor liegeman am.
In lieu whereof grant, O great sovereign,
That she whose conquering beauty doth captive
My trembling heart in her eternal chain,
One drop of grace at length will to me give,
That I her bounden thrall by her may live,
And this same life, which first fro me she reaved,
May owe to her, of whom I it received.
And you, fair Venus' darling, my dear dread,
Fresh flower of grace, great goddess of my life,
When your fair eyes these fearful lines shall read,
Deign to let fall one drop of due relief,
That may recure my heart's long pining grief,
And shew what wondrous power your beauty hath,
That can restore a damned wight from death.
~ Edmund Spenser,
294:An Hymn In Honour Of Beauty
AH whither, Love, wilt thou now carry me?
What wontless fury dost thou now inspire
Into my feeble breast, too full of thee?
Whilst seeking to aslake thy raging fire,
Thou in me kindlest much more great desire,
And up aloft above my strength dost raise
The wondrous matter of my fire to praise.
That as I erst in praise of thine own name,
So now in honour of thy mother dear,
An honourable hymn I eke should frame,
And with the brightness of her beauty clear,
The ravish'd hearts of gazeful men might rear
To admiration of that heavenly light,
From whence proceeds such soul-enchanting might.
Thereto do thou, great goddess, queen of beauty,
Mother of love, and of all world's delight,
Without whose sovereign grace and kindly duty
Nothing on earth seems fair to fleshly sight,
Do thou vouchsafe with thy love-kindling light
T' illuminate my dim and dulled eyne,
And beautify this sacred hymn of thine:
That both to thee, to whom I mean it most,
And eke to her, whose fair immortal beam
Hath darted fire into my feeble ghost,
That now it wasted is with woes extreme,
It may so please, that she at length will stream
Some dew of grace into my withered heart,
After long sorrow and consuming smart.
WHAT time this world's great Workmaster did cast
To make all things such as we now behold,
It seems that he before his eyes had plac'd
A goodly pattern, to whose perfect mould
He fashion'd them as comely as he could;
That now so fair and seemly they appear,
As nought may be amended anywhere.
35
That wondrous pattern, wheresoe'er it be,
Whether in earth laid up in secret store,
Or else in heaven, that no man may it see
With sinful eyes, for fear it to deflore,
Is perfect Beauty, which all men adore;
Whose face and feature doth so much excel
All mortal sense, that none the same may tell.
Thereof as every earthly thing partakes
Or more or less, by influence divine,
So it more fair accordingly it makes,
And the gross matter of this earthly mine,
Which clotheth it, thereafter doth refine,
Doing away the dross which dims the light
Of that fair beam which therein is empight.
For, through infusion of celestial power,
The duller earth it quick'neth with delight,
And lifeful spirits privily doth pour
Through all the parts, that to the looker's sight
They seem to please. That is thy sovereign might,
O Cyprian queen, which flowing from the beam
Of thy bright star, thou into them dost stream.
That is the thing which giveth pleasant grace
To all things fair, that kindleth lively fire,
Light of thy lamp, which, shining in the face,
Thence to the soul darts amorous desire,
And robs the hearts of those which it admire;
Therewith thou pointest thy son's poison'd arrow,
That wounds the life, and wastes the inmost marrow.
How vainly then do idle wits invent,
That beauty is nought else but mixture made
Of colours fair, and goodly temp'rament
Of pure complexions, that shall quickly fade
And pass away, like to a summer's shade;
Or that it is but comely composition
Of parts well measur'd, with meet disposition.
Hath white and red in it such wondrous power,
36
That it can pierce through th' eyes unto the heart,
And therein stir such rage and restless stour,
As nought but death can stint his dolour's smart?
Or can proportion of the outward part
Move such affection in the inward mind,
That it can rob both sense and reason blind?
Why do not then the blossoms of the field,
Which are array'd with much more orient hue,
And to the sense most dainty odours yield,
Work like impression in the looker's view?
Or why do not fair pictures like power shew,
In which oft-times we nature see of art
Excell'd, in perfect limning every part?
But ah, believe me, there is more than so,
That works such wonders in the minds of men;
I, that have often prov'd, too well it know,
And whoso list the like assays to ken,
Shall find by trial, and confess it then,
That beauty is not, as fond men misdeem,
An outward shew of things, that only seem.
For that same goodly hue of white and red,
With which the cheeks are sprinkled, shall decay,
And those sweet rosy leaves, so fairly spread
Upon the lips, shall fade and fall away
To that they were, even to corrupted clay;
That golden wire, those sparkling stars so bright,
Shall turn to dust; and lose their goodly light.
But that fair lamp, from whose celestial ray
That light proceeds, which kindleth lovers' fire,
Shall never be extinguish'd nor decay;
But when the vital spirits do expire,
Unto her native planet shall retire;
For it is heavenly born and cannot die,
Being a parcel of the purest sky.
For when the soul, the which derived was,
At first, out of that great immortal Spright,
By whom all live to love, whilom did pass
37
Down from the top of purest heaven's height
To be embodied here, it then took light
And lively spirits from that fairest star,
Which lights the world forth from his fiery car.
Which power retaining still or more or less,
When she in fleshly seed is eft enraced,
Through every part she doth the same impress,
According as the heavens have her graced,
And frames her house, in which she will be placed,
Fit for herself, adorning it with spoil
Of th' heavenly riches which she robb'd erewhile.
Thereof it comes that these fair souls, which have
The most resemblance of that heavenly light,
Frame to themselves most beautiful and brave
Their fleshly bower, most fit for their delight,
And the gross matter by a sovereign might
Tempers so trim, that it may well be seen
A palace fit for such a virgin queen.
So every spirit, as it is most pure,
And hath in it the more of heavenly light,
So it the fairer body doth procure
To habit in, and it more fairly dight
With cheerful grace and amiable sight.
For of the soul the body form doth take:
For soul is form, and doth the body make.
Therefore wherever that thou dost behold
A comely corpse, with beauty fair endued,
Know this for certain, that the same doth hold
A beauteous soul, with fair conditions thewed,
Fit to receive the seed of virtue strewed.
For all that fair is, is by nature good;
That is a sign to know the gentle blood.
Yet oft it falls that many a gentle mind
Dwells in deformed tabernacle drown'd,
Either by chance, against the course of kind,
Or through unaptness in the substance found,
Which it assumed of some stubborn ground,
38
That will not yield unto her form's direction,
But is deform'd with some foul imperfection.
And oft it falls, (ay me, the more to rue)
That goodly beauty, albe heavenly born,
Is foul abus'd, and that celestial hue,
Which doth the world with her delight adorn,
Made but the bait of sin, and sinners' scorn,
Whilst every one doth seek and sue to have it,
But every one doth seek but to deprave it.
Yet nathëmore is that fair beauty's blame,
But theirs that do abuse it unto ill:
Nothing so good, but that through guilty shame
May be corrupt, and wrested unto will:
Natheless the soul is fair and beauteous still,
However flesh{"e}s fault it filthy make;
For things immortal no corruption take.
But ye fair dames, the world's dear ornaments
And lively images of heaven's light,
Let not your beams with such disparagements
Be dimm'd, and your bright glory dark'ned quite;
But mindful still of your first country's sight,
Do still preserve your first informed grace,
Whose shadow yet shines in your beauteous face.
Loathe that foul blot, that hellish firebrand,
Disloyal lust, fair beauty's foulest blame,
That base affections, which your ears would bland,
Commend to you by love's abused name,
But is indeed the bondslave of defame;
Which will the garland of your glory mar,
And quench the light of your bright shining star.
But gentle Love, that loyal is and true,
Will more illumine your resplendent ray,
And add more brightness to your goodly hue,
From light of his pure fire; which, by like way
Kindled of yours, your likeness doth display;
Like as two mirrors, by oppos'd reflection,
Do both express the face's first impression.
39
Therefore, to make your beauty more appear,
It you behoves to love, and forth to lay
That heavenly riches which in you ye bear,
That men the more admire their fountain may;
For else what booteth that celestial ray,
If it in darkness be enshrined ever,
That it of loving eyes be viewed never?
But, in your choice of loves, this well advise,
That likest to yourselves ye them select,
The which your forms' first source may sympathize,
And with like beauty's parts be inly deckt;
For, if you loosely love without respect,
It is no love, but a discordant war,
Whose unlike parts amongst themselves do jar.
For love is a celestial harmony
Of likely hearts compos'd of stars' concent,
Which join together in sweet sympathy,
To work each other's joy and true content,
Which they have harbour'd since their first descent
Out of their heavenly bowers, where they did see
And know each other here belov'd to be.
Then wrong it were that any other twain
Should in love's gentle band combined be
But those whom Heaven did at first ordain,
And made out of one mould the more t' agree;
For all that like the beauty which they see,
Straight do not love; for love is not so light
As straight to burn at first beholder's sight.
But they, which love indeed, look otherwise,
With pure regard and spotless true intent,
Drawing out of the object of their eyes
A more refined form, which they present
Unto their mind, void of all blemishment;
Which it reducing to her first perfection,
Beholdeth free from flesh's frail infection.
And then conforming it unto the light,
40
Which in itself it hath remaining still,
Of that first Sun, yet sparkling in his sight,
Thereof he fashions in his higher skill
An heavenly beauty to his fancy's will;
And it embracing in his mind entire,
The mirror of his own thought doth admire.
Which seeing now so inly fair to be,
As outward it appeareth to the eye,
And with his spirit's proportion to agree,
He thereon fixeth all his fantasy,
And fully setteth his felicity;
Counting it fairer than it is indeed,
And yet indeed her fairness doth exceed.
For lovers' eyes more sharply sighted be
Than other men's, and in dear love's delight
See more than any other eyes can see,
Through mutual receipt of beam{"e}s bright,
Which carry privy message to the spright,
And to their eyes that inmost fair display,
As plain as light discovers dawning day.
Therein they see, through amorous eye-glances,
Armies of loves still flying to and fro,
Which dart at them their little fiery lances;
Whom having wounded, back again they go,
Carrying compassion to their lovely foe;
Who, seeing her fair eyes' so sharp effect,
Cures all their sorrows with one sweet aspect.
In which how many wonders do they rede
To their conceit, that others never see,
Now of her smiles, with which their souls they feed,
Like gods with nectar in their banquets free;
Now of her looks, which like to cordials be;
But when her words' embássade forth she sends,
Lord, how sweet music that unto them lends.
Sometimes upon her forehead they behold
A thousand graces masking in delight;
Sometimes within her eyelids they unfold
41
Ten thousand sweet belgards, which to their sight
Do seem like twinkling stars in frosty night;
But on her lips, like rosy buds in May,
So many millions of chaste pleasures play.
All those, O Cytherea, and thousands more
Thy handmaids be, which do on thee attend,
To deck thy beauty with their dainties' store,
That may it more to mortal eyes commend,
And make it more admir'd of foe and friend:
That in men's hearts thou may'st thy throne install,
And spread thy lovely kingdom over all.
Then Iö, triumph! O great Beauty's Queen,
Advance the banner of thy conquest high,
That all this world, the which thy vassals bene,
May draw to thee, and with due fealty
Adore the power of thy great majesty,
Singing this hymn in honour of thy name,
Compil'd by me, which thy poor liegeman am.
In lieu whereof grant, O great sovereign,
That she whose conquering beauty doth captive
My trembling heart in her eternal chain,
One drop of grace at length will to me give,
That I her bounden thrall by her may live,
And this same life, which first fro me she reaved,
May owe to her, of whom I it received.
And you, fair Venus' darling, my dear dread,
Fresh flower of grace, great goddess of my life,
When your fair eyes these fearful lines shall read,
Deign to let fall one drop of due relief,
That may recure my heart's long pining grief,
And shew what wondrous power your beauty hath,
That can restore a damned wight from death.
~ Edmund Spenser,
295:Malmaison
How the slates of the roof sparkle in the sun, over there, over there,
beyond the high wall! How quietly the Seine runs in loops and windings,
over there, over there, sliding through the green countryside! Like ships
of the line, stately with canvas, the tall clouds pass along the sky,
over the glittering roof, over the trees, over the looped and curving river.
A breeze quivers through the linden-trees. Roses bloom at Malmaison.
Roses! Roses! But the road is dusty. Already the Citoyenne Beauharnais
wearies of her walk. Her skin is chalked and powdered with dust,
she smells dust, and behind the wall are roses! Roses with
smooth open petals, poised above rippling leaves . . . Roses . . .
They have told her so. The Citoyenne Beauharnais shrugs her shoulders
and makes a little face. She must mend her pace if she would be back
in time for dinner. Roses indeed! The guillotine more likely.
The tiered clouds float over Malmaison, and the slate roof sparkles
in the sun.
II
Gallop! Gallop! The General brooks no delay. Make way, good people,
and scatter out of his path, you, and your hens, and your dogs,
and your children. The General is returned from Egypt, and is come
in a `caleche' and four to visit his new property. Throw open the gates,
you, Porter of Malmaison. Pull off your cap, my man, this is your master,
the husband of Madame. Faster! Faster! A jerk and a jingle
and they are arrived, he and she. Madame has red eyes. Fie! It is for joy
at her husband's return. Learn your place, Porter. A gentleman here
for two months? Fie! Fie, then! Since when have you taken to gossiping.
Madame may have a brother, I suppose. That -- all green, and red,
and glitter, with flesh as dark as ebony -- that is a slave; a bloodthirsty,
stabbing, slashing heathen, come from the hot countries to cure your tongue
of idle whispering.
A fine afternoon it is, with tall bright clouds sailing over the trees.
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'Bonaparte, mon ami, the trees are golden like my star, the star I pinned
to your destiny when I married you. The gypsy, you remember her prophecy!
My dear friend, not here, the servants are watching; send them away,
and that flashing splendour, Roustan. Superb -- Imperial, but . . .
My dear, your arm is trembling; I faint to feel it touching me! No, no,
Bonaparte, not that -- spare me that -- did we not bury that last night!
You hurt me, my friend, you are so hot and strong. Not long, Dear,
no, thank God, not long.'
The looped river runs saffron, for the sun is setting. It is getting dark.
Dark. Darker. In the moonlight, the slate roof shines palely milkily white.
The roses have faded at Malmaison, nipped by the frost. What need for roses?
Smooth, open petals -- her arms. Fragrant, outcurved petals -- her breasts.
He rises like a sun above her, stooping to touch the petals, press them wider.
Eagles. Bees. What are they to open roses! A little shivering breeze
runs through the linden-trees, and the tiered clouds blow across the sky
like ships of the line, stately with canvas.
III
The gates stand wide at Malmaison, stand wide all day. The gravel
of the avenue glints under the continual rolling of wheels.
An officer gallops up with his sabre clicking; a mameluke gallops down
with his charger kicking. `Valets de pied' run about in ones, and twos,
and groups, like swirled blown leaves. Tramp! Tramp! The guard is changing,
and the grenadiers off duty lounge out of sight, ranging along the roads
toward Paris.
The slate roof sparkles in the sun, but it sparkles milkily, vaguely,
the great glass-houses put out its shining. Glass, stone, and onyx
now for the sun's mirror. Much has come to pass at Malmaison.
New rocks and fountains, blocks of carven marble, fluted pillars uprearing
antique temples, vases and urns in unexpected places, bridges of stone,
bridges of wood, arbours and statues, and a flood of flowers everywhere,
new flowers, rare flowers, parterre after parterre of flowers. Indeed,
the roses bloom at Malmaison. It is youth, youth untrammeled and advancing,
trundling a country ahead of it as though it were a hoop. Laughter,
and spur janglings in tessellated vestibules. Tripping of clocked
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and embroidered stockings in little low-heeled shoes over smooth grass-plots.
India muslins spangled with silver patterns slide through trees -mingle -- separate -- white day fireflies flashing moon-brilliance
in the shade of foliage.
'The kangaroos! I vow, Captain, I must see the kangaroos.'
'As you please, dear Lady, but I recommend the shady linden alley
and feeding the cockatoos.'
'They say that Madame Bonaparte's breed of sheep is the best in all France.'
'And, oh, have you seen the enchanting little cedar she planted
when the First Consul sent home the news of the victory of Marengo?'
Picking, choosing, the chattering company flits to and fro. Over the trees
the great clouds go, tiered, stately, like ships of the line
bright with canvas.
Prisoners'-base, and its swooping, veering, racing, giggling, bumping.
The First Consul runs plump into M. de Beauharnais and falls.
But he picks himself up smartly, and starts after M. Isabey. Too late,
M. Le Premier Consul, Mademoiselle Hortense is out after you. Quickly,
my dear Sir! Stir your short legs, she is swift and eager, and as graceful
as her mother. She is there, that other, playing too, but lightly, warily,
bearing herself with care, rather floating out upon the air than running,
never far from goal. She is there, borne up above her guests
as something indefinably fair, a rose above periwinkles. A blown rose,
smooth as satin, reflexed, one loosened petal hanging back and down.
A rose that undulates languorously as the breeze takes it,
resting upon its leaves in a faintness of perfume.
There are rumours about the First Consul. Malmaison is full of women,
and Paris is only two leagues distant. Madame Bonaparte stands
on the wooden bridge at sunset, and watches a black swan
pushing the pink and silver water in front of him as he swims,
crinkling its smoothness into pleats of changing colour with his breast.
Madame Bonaparte presses against the parapet of the bridge,
and the crushed roses at her belt melt, petal by petal, into the pink water.
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IV
A vile day, Porter. But keep your wits about you. The Empress
will soon be here. Queer, without the Emperor! It is indeed,
but best not consider that. Scratch your head and prick up your ears.
Divorce is not for you to debate about. She is late? Ah, well,
the roads are muddy. The rain spears are as sharp as whetted knives.
They dart down and down, edged and shining. Clop-trop! Clop-trop!
A carriage grows out of the mist. Hist, Porter. You can keep on your hat.
It is only Her Majesty's dogs and her parrot. Clop-trop!
The Ladies in Waiting, Porter. Clop-trop! It is Her Majesty. At least,
I suppose it is, but the blinds are drawn.
'In all the years I have served Her Majesty she never before passed the gate
without giving me a smile!'
You're a droll fellow, to expect the Empress to put out her head
in the pouring rain and salute you. She has affairs of her own
to think about.
Clang the gate, no need for further waiting, nobody else will be coming
to Malmaison to-night.
White under her veil, drained and shaking, the woman crosses the antechamber.
Empress! Empress! Foolish splendour, perished to dust. Ashes of roses,
ashes of youth. Empress forsooth!
Over the glass domes of the hot-houses drenches the rain. Behind her
a clock ticks -- ticks again. The sound knocks upon her thought
with the echoing shudder of hollow vases. She places her hands on her ears,
but the minutes pass, knocking. Tears in Malmaison. And years to come
each knocking by, minute after minute. Years, many years, and tears,
and cold pouring rain.
'I feel as though I had died, and the only sensation I have
is that I am no more.'
Rain! Heavy, thudding rain!
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The roses bloom at Malmaison. And not only roses. Tulips, myrtles,
geraniums, camelias, rhododendrons, dahlias, double hyacinths.
All the year through, under glass, under the sky, flowers bud, expand, die,
and give way to others, always others. From distant countries they have
been brought, and taught to live in the cool temperateness of France.
There is the `Bonapartea' from Peru; the `Napoleone Imperiale';
the `Josephinia Imperatrix', a pearl-white flower, purple-shadowed,
the calix pricked out with crimson points. Malmaison wears its flowers
as a lady wears her gems, flauntingly, assertively. Malmaison decks herself
to hide the hollow within.
The glass-houses grow and grow, and every year fling up hotter reflections
to the sailing sun.
The cost runs into millions, but a woman must have something
to console herself for a broken heart. One can play backgammon and patience,
and then patience and backgammon, and stake gold napoleons on each game
won.
Sport truly! It is an unruly spirit which could ask better. With her jewels,
her laces, her shawls; her two hundred and twenty dresses, her fichus,
her veils; her pictures, her busts, her birds. It is absurd that she
cannot be happy. The Emperor smarts under the thought of her ingratitude.
What could he do more? And yet she spends, spends as never before.
It is ridiculous. Can she not enjoy life at a smaller figure?
Was ever monarch plagued with so extravagant an ex-wife. She owes
her chocolate-merchant, her candle-merchant, her sweetmeat purveyor;
her grocer, her butcher, her poulterer; her architect, and the shopkeeper
who sells her rouge; her perfumer, her dressmaker, her merchant of shoes.
She owes for fans, plants, engravings, and chairs. She owes
masons and carpenters, vintners, lingeres. The lady's affairs
are in sad confusion.
And why? Why?
Can a river flow when the spring is dry?
Night. The Empress sits alone, and the clock ticks, one after one.
The clock nicks off the edges of her life. She is chipped like
an old bit of china; she is frayed like a garment of last year's wearing.
She is soft, crinkled, like a fading rose. And each minute flows by
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brushing against her, shearing off another and another petal.
The Empress crushes her breasts with her hands and weeps. And the tall clouds
sail over Malmaison like a procession of stately ships bound for the moon.
Scarlet, clear-blue, purple epauletted with gold. It is a parade of soldiers
sweeping up the avenue. Eight horses, eight Imperial harnesses,
four caparisoned postilions, a carriage with the Emperor's arms on the panels.
Ho, Porter, pop out your eyes, and no wonder. Where else under the Heavens
could you see such splendour!
They sit on a stone seat. The little man in the green coat of a Colonel
of Chasseurs, and the lady, beautiful as a satin seed-pod, and as pale.
The house has memories. The satin seed-pod holds his germs of Empire.
We will stay here, under the blue sky and the turreted white clouds.
She draws him; he feels her faded loveliness urge him to replenish it.
Her soft transparent texture woos his nervous fingering. He speaks to her
of debts, of resignation; of her children, and his; he promises that she
shall see the King of Rome; he says some harsh things and some pleasant.
But she is there, close to him, rose toned to amber, white shot with violet,
pungent to his nostrils as embalmed rose-leaves in a twilit room.
Suddenly the Emperor calls his carriage and rolls away
across the looping Seine.
VI
Crystal-blue brightness over the glass-houses. Crystal-blue streaks
and ripples over the lake. A macaw on a gilded perch screams;
they have forgotten to take out his dinner. The windows shake. Boom! Boom!
It is the rumbling of Prussian cannon beyond Pecq. Roses bloom at Malmaison.
Roses! Roses! Swimming above their leaves, rotting beneath them.
Fallen flowers strew the unraked walks. Fallen flowers for a fallen Emperor!
The General in charge of him draws back and watches. Snatches of music -snarling, sneering music of bagpipes. They say a Scotch regiment
is besieging Saint-Denis. The Emperor wipes his face, or is it his eyes.
His tired eyes which see nowhere the grace they long for. Josephine!
Somebody asks him a question, he does not answer, somebody else does that.
There are voices, but one voice he does not hear, and yet he hears it
all the time. Josephine! The Emperor puts up his hand to screen his face.
The white light of a bright cloud spears sharply through the linden-trees.
130
`Vive l'Empereur!' There are troops passing beyond the wall,
troops which sing and call. Boom! A pink rose is jarred off its stem
and falls at the Emperor's feet.
'Very well. I go.' Where! Does it matter? There is no sword to clatter.
Nothing but soft brushing gravel and a gate which shuts with a click.
'Quick, fellow, don't spare your horses.'
A whip cracks, wheels turn, why burn one's eyes following a fleck of dust.
VII
Over the slate roof tall clouds, like ships of the line, pass along the sky.
The glass-houses glitter splotchily, for many of their lights are broken.
Roses bloom, fiery cinders quenching under damp weeds. Wreckage and misery,
and a trailing of petty deeds smearing over old recollections.
The musty rooms are empty and their shutters are closed, only in the gallery
there is a stuffed black swan, covered with dust. When you touch it,
the feathers come off and float softly to the ground. Through a chink
in the shutters, one can see the stately clouds crossing the sky
toward the Roman arches of the Marly Aqueduct.
~ Amy Lowell,
296:The Kalevala - Rune Xiv
DEATH OF LEMMINKAINEN.
Lemminkainen, much disheartened,
Deeply thought and long considered,
What to do, what course to follow,
Whether best to leave the wild-moose
In the fastnesses of Hisi,
And return to Kalevala,
Or a third time hunt the ranger,
Hoping thus to bring him captive,
Thus return at last a victor
To the forest home of Louhi,
To the joy of all her daughters,
To the wood-nymph's happy fireside.
Taking courage Lemminkainen
Spake these words in supplication:
'Ukko, thou O God above me,
Thou Creator of the heavens,
Put my snow-shoes well in order,
And endow them both with swiftness,
That I rapidly may journey
Over marshes, over snow-fields,
Over lowlands, over highlands,
Through the realms of wicked Hisi,
Through the distant plains of Lapland,
Through the paths of Lempo's wild-moose,
To the forest hills of Juutas.
To the snow-fields shall I journey,
Leave the heroes to the woodlands,
On the way to Tapiola,
Into Tapio's wild dwellings.
'Greeting bring I to the mountains,
Greeting to the vales and uplands,
Greet ye, heights with forests covered,
Greet ye, ever-verdant fir-trees,
Greet ye, groves of whitened aspen,
Greetings bring to those that greet you,
Fields, and streams, and woods of Lapland.
160
Bring me favor, mountain-woodlands,
Lapland-deserts, show me kindness,
Mighty Tapio, be gracious,
Let me wander through thy forests,
Let me glide along thy rivers,
Let this hunter search thy snow-fields,
Where the wild-moose herds in numbers
Where the bounding reindeer lingers.
'O Nyrikki, mountain hero,
Son of Tapio of forests,
Hero with the scarlet head-gear,
Notches make along the pathway,
Landmarks upward to the mountains,
That this hunter may not wander,
May not fall, and falling perish
In the snow-fields of thy kingdom,
Hunting for the moose of Hisi,
Dowry for the pride of Northland.
'Mistress of the woods, Mielikki,
Forest-mother, formed in beauty,
Let thy gold flow out abundant,
Let thy silver onward wander,
For the hero that is seeking
For the wild-moose of thy kingdom;
Bring me here thy keys of silver,
From the golden girdle round thee;
Open Tapio's rich chambers,
And unlock the forest fortress,
While I here await the booty,
While I hunt the moose of Lempo.
'Should this service be too menial
Give the order to thy servants,
Send at once thy servant-maidens,
And command it to thy people.
Thou wilt never seem a hostess,
If thou hast not in thy service,
Maidens ready by the hundreds,
Thousands that await thy bidding,
Who thy herds may watch and nurture,
Tend the game of thy dominions.
'Tall and slender forest-virgin,
Tapio's beloved daughter,
161
Blow thou now thy honey flute-notes,
Play upon thy forest-whistle,
For the hearing of thy mistress,
For thy charming woodland-mistress,
Make her hear thy sweet-toned playing,
That she may arise from slumber.
Should thy mistress not awaken
At the calling of thy flute-notes,
Play again, and play unceasing,
Make the golden tongue re-echo.'
Wild and daring Lemminkainen
Steadfast prays upon his journey,
Calling on the gods for succor,
Hastens off through fields and moorlands,
Passes on through cruel brush-wood,
To the colliery of Hisi,
To the burning fields of Lempo;
Glided one day, then a second,
Glided all the next day onward,
Till he came to Big-stone mountain,
Climbed upon its rocky summit,
Turned his glances to the north-west,
Toward the Northland moors and marshes;
There appeared the Tapio-mansion.
All the doors were golden-colored,
Shining in the gleam of sunlight
Through the thickets on the mountains,
Through the distant fields of Northland.
Lemminkainen, much encouraged,
Hastens onward from his station
Through the lowlands, o'er the uplands,
Over snow-fields vast and vacant,
Under snow-robed firs and aspens,
Hastens forward, happy-hearted,
Quickly reaches Tapio's court-yards,
Halts without at Tapio's windows,
Slyly looks into her mansion,
Spies within some kindly women,
Forest-dames outstretched before him,
All are clad in scanty raiment,
Dressed in soiled and ragged linens.
Spake the stranger Lemminkainen:
162
'Wherefore sit ye, forest-mothers,
In your old and simple garments,
In your soiled and ragged linen?
Ye, forsooth! are too untidy,
Too unsightly your appearance
In your tattered gowns appareled.
When I lived within the forest,
There were then three mountain castles,
One of horn and one of ivory,
And the third of wood constructed;
In their walls were golden windows,
Six the windows in each castle,
Through these windows I discovered
All the host of Tapio's mansion,
Saw its fair and stately hostess;
Saw great Tapio's lovely daughter,
Saw Tellervo in her beauty,
With her train of charming maidens;
All were dressed in golden raiment,
Rustled all in gold and silver.
Then the forest's queenly hostess,
Still the hostess of these woodlands,
On her arms wore golden bracelets,
Golden rings upon her fingers,
In her hair were sparkling, jewels,
On her bead were golden fillets,
In her ears were golden ear-rings,
On her neck a pearly necklace,
And her braidlets, silver-tinselled.
'Lovely hostess of the forest,
Metsola's enchanting mistress,
Fling aside thine ugly straw-shoes,
Cast away the shoes of birch-bark,
Doff thy soiled and ragged linen,
Doff thy gown of shabby fabric,
Don the bright and festive raiment,
Don the gown of merry-making,
While I stay within thy borders,
While I seek my forest-booty,
Hunt the moose of evil Hisi.
Here my visit will be irksome,
Here thy guest will be ill-humored,
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Waiting in thy fields and woodlands,
Hunting here the moose of Lempo,
Finding not the Hisi-ranger,
Shouldst thou give me no enjoyment,
Should I find no joy, nor respite.
Long the eve that gives no pleasure,
Long the day that brings no guerdon!
'Sable-bearded god of forests,
In thy hat and coat of ermine,
Robe thy trees in finest fibers,
Deck thy groves in richest fabrics,
Give the fir-trees shining silver,
Deck with gold the slender balsams,
Give the spruces copper belting,
And the pine-trees silver girdles,
Give the birches golden flowers,
Deck their stems with silver fret-work,
This their garb in former ages,
When the days and nights were brighter,
When the fir-trees shone like sunlight,
And the birches like the moonbeams;
Honey breathed throughout the forest,
Settled in the glens and highlands
Spices in the meadow-borders,
Oil out-pouring from the lowlands.
'Forest daughter, lovely virgin,
Golden maiden, fair Tulikki,
Second of the Tapio-daughters,
Drive the game within these borders,
To these far-extending snow-fields.
Should the reindeer be too sluggish,
Should the moose-deer move too slowly
Cut a birch-rod from the thicket,
Whip them hither in their beauty,
Drive the wild-moose to my hurdle,
Hither drive the long-sought booty
To the hunter who is watching,
Waiting in the Hisi-forests.
'When the game has started hither,
Keep them in the proper highway,
Hold thy magic hands before them,
Guard them well on either road-side,
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That the elk may not escape thee,
May not dart adown some by-path.
Should, perchance, the moose-deer wander
Through some by-way of the forest,
Take him by the ears and antlers,
Hither lead the pride of Lempo.
'If the path be filled with brush-wood
Cast the brush-wood to the road-side;
If the branches cross his pathway,
Break the branches into fragments;
Should a fence of fir or alder
Cross the way that leads him hither.
Make an opening within it,
Open nine obstructing fences;
If the way be crossed by streamlets,
If the path be stopped by rivers,
Make a bridge of silken fabric,
Weaving webs of scarlet color,
Drive the deer-herd gently over,
Lead them gently o'er the waters,
O'er the rivers of thy forests,
O'er the streams of thy dominions.
'Thou, the host of Tapio's mansion,
Gracious host of Tapiola,
Sable-bearded god of woodlands,
Golden lord of Northland forests,
Thou, O Tapio's worthy hostess,
Queen of snowy woods, Mimerkki,
Ancient dame in sky-blue vesture,
Fenland-queen in scarlet ribbons,
Come I to exchange my silver,
To exchange my gold and silver;
Gold I have, as old as moonlight,
Silver of the age of sunshine,
In the first of years was gathered,
In the heat and pain of battle;
It will rust within my pouches,
Soon will wear away and perish,
If it be not used in trading.'
Long the hunter, Lemminkainen,
Glided through the fen and forest,
Sang his songs throughout the woodlands,
165
Through three mountain glens be sang them,
Sang the forest hostess friendly,
Sang he, also, Tapio friendly,
Friendly, all the forest virgins,
All of Metsola's fair daughters.
Now they start the herds of Lempo,
Start the wild-moose from his shelter,
In the realms of evil Hisi,
Tapio's highest mountain-region;
Now they drive the ranger homeward,
To the open courts of Piru,
To the hero that is waiting,
Hunting for the moose of Juutas.
When the herd had reached the castle,
Lemminkainen threw his lasso
O'er the antlers of the blue-moose,
Settled on the neck and shoulders
Of the mighty moose of Hisi.
Then the hunter, Kaukomieli,
Stroked his captive's neck in safety,
For the moose was well-imprisoned.
Thereupon gay Lemminkainen
Filled with joyance spake as follows:
'Pride of forests, queen of woodlands,
Metsola's enchanted hostess,
Lovely forest dame, Mielikki,
Mother-donor of the mountains,
Take the gold that I have promised,
Come and take away the silver;
Spread thy kerchief well before me,
Spread out here thy silken neck-wrap,
Underneath the golden treasure,
Underneath the shining silver,
that to earth it may not settle,
Scattered on the snows of winter.'
Then the hero went a victor
To the dwellings of Pohyola,
And addressed these words to Louhi:
'I have caught the moose of Hisi,
In the Metsola-dominions,
Give, O hostess, give thy daughter,
Give to me thy fairest virgin,
166
Bride of mine to be hereafter.'
Louhi, hostess of the Northland,
Gave this answer to the suitor:
'I will give to thee my daughter,
For thy wife my fairest maiden,
When for me thou'lt put a bridle
On the flaming horse of Hisi,
Rapid messenger of Lempo,
On the Hisi-plains and pastures.'
Nothing daunted, Lemminkainen
Hastened forward to accomplish
Louhi's second test of heroes,
On the cultivated lowlands,
On the sacred fields and forests.
Everywhere he sought the racer,
Sought the fire-expiring stallion,
Fire out-shooting from his nostrils.
Lemminkainen, fearless hunter,
Bearing in his belt his bridle,
On his shoulders, reins and halter,
Sought one day, and then a second,
Finally, upon the third day,
Went he to the Hisi-mountain,
Climbed, and struggled to the summit;
To the east he turned his glances,
Cast his eyes upon the sunrise,
There beheld the flaming courser,
On the heath among the far-trees.
Lempo's fire-expiring stallion
Fire and mingled smoke, out-shooting
From his mouth, and eyes, and nostrils.
Spake the daring Lemminkainen,
This the hero's supplication:
'Ukko, thou O God above me,
Thou that rulest all the storm-clouds,
Open thou the vault of heaven,
Open windows through the ether,
Let the icy rain come falling,
Lot the heavy hailstones shower
On the flaming horse of Hisi,
On the fire-expiring stallion.'
Ukko, the benign Creator,
167
Heard the prayer of Lemminkainen,
Broke apart the dome of heaven,
Rent the heights of heaven asunder,
Sent the iron-hail in showers,
Smaller than the heads of horses,
Larger than the heads of heroes,
On the flaming steed of Lempo,
On the fire-expiring stallion,
On the terror of the Northland.
Lemminkainen, drawing nearer,
Looked with care upon the courser,
Then he spake the words that follow:
'Wonder-steed of mighty Hisi,
Flaming horse of Lempo's mountain,
Bring thy mouth of gold, assenting,
Gently place thy head of silver
In this bright and golden halter,
In this silver-mounted bridle.
I shall never harshly treat thee,
Never make thee fly too fleetly,
On the way to Sariola,
On the tracks of long duration,
To the hostess of Pohyola,
To her magic courts and stables,
Will not lash thee on thy journey;
I shall lead thee gently forward,
Drive thee with the reins of kindness,
Cover thee with silken blankets.'
Then the fire-haired steed of Juutas,
Flaming horse of mighty Hisi,
Put his bead of shining silver,
In the bright and golden bead-stall,
In the silver-mounted bridle.
Thus the hero, Lemminkainen,
Easy bridles Lempo's stallion,
Flaming horse of evil Piru;
Lays the bits within his fire-mouth,
On his silver head, the halter,
Mounts the fire-expiring courser,
Brandishes his whip of willow,
Hastens forward on his journey,
Bounding o'er the hills and mountains,
168
Dashing through the valleys northward,
O'er the snow-capped hills of Lapland,
To the courts of Sariola.
Then the hero, quick dismounting,
Stepped within the court of Louhi,
Thus addressed the Northland hostess:
'I have bridled Lempo's fire-horse,
I have caught the Hisi-racer,
Caught the fire-expiring stallion,
In the Piru plains and pastures,
Ridden him within thy borders;
I have caught the moose of Lempo,
I have done what thou demandest;
Give, I pray thee, now thy daughter,
Give to me thy fairest maiden,
Bride of mine to be forever.'
Louhi, hostess of Pohyola,
Made this answer to the suitor:
'I will only give my daughter,
Give to thee my fairest virgin,
Bride of thine to be forever,
When for me the swan thou killest
In the river of Tuoni,
Swimming in the black death-river,
In the sacred stream and whirlpool;
Thou canst try one cross-bow only,
But one arrow from thy quiver.'
Then the reckless Lemminkainen,
Handsome hero, Kaukomieli,
Braved the third test of the hero,
Started out to hunt the wild-swan,
Hunt the long-necked, graceful swimmer,
In Tuoni's coal-black river,
In Manala's lower regions.
Quick the daring hunter journeyed,
Hastened off with fearless footsteps,
To the river of Tuoni,
To the sacred stream and whirlpool,
With his bow upon his shoulder,
With his quiver and one arrow.
Nasshut, blind and crippled shepherd,
Wretched shepherd of Pohyola,
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Stood beside the death-land river,
Near the sacred stream and whirlpool,
Guarding Tuonela's waters,
Waiting there for Lemminkainen,
Listening there for Kaukomieli,
Waiting long the hero's coming.
Finally he hears the footsteps
Of the hero on his journey,
Hears the tread of Lemminkainen,
As he journeys nearer, nearer,
To the river of Tuoni,
To the cataract of death-land,
To the sacred stream and whirlpool.
Quick the wretched shepherd, Nasshut,
From the death-stream sends a serpent,
Like an arrow from a cross-bow,
To the heart of Lemminkainen,
Through the vitals of the hero.
Lemminkainen, little conscious,
Hardly knew that be was injured,
Spake these measures as he perished.
'Ah! unworthy is my conduct,
Ah! unwisely have I acted,
That I did not heed my mother,
Did not take her goodly counsel,
Did not learn her words of magic.
Oh I for three words with my mother,
How to live, and bow to suffer,
In this time of dire misfortune,
How to bear the stings of serpents,
Tortures of the reed of waters,
From the stream of Tuonela!
'Ancient mother who hast borne me,
Who hast trained me from my childhood,
Learn, I pray thee, where I linger,
Where alas! thy son is lying,
Where thy reckless hero suffers.
Come, I pray thee, faithful mother,
Come thou quickly, thou art needed,
Come deliver me from torture,
From the death-jaws of Tuoni,
From the sacred stream and whirlpool.'
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Northland's old and wretched shepherd,
Nasshut, the despised protector
Of the flocks of Sariola,
Throws the dying Lemminkainen,
Throws the hero of the islands,
Into Tuonela's river,
To the blackest stream of death-land,
To the worst of fatal whirlpools.
Lemminkainen, wild and daring,
Helpless falls upon the waters,
Floating down the coal-black current,
Through the cataract and rapids
To the tombs of Tuonela.
There the blood-stained son of death-land,
There Tuoni's son and hero,
Cuts in pieces Lemminkainen,
Chops him with his mighty hatchet,
Till the sharpened axe strikes flint-sparks
From the rocks within his chamber,
Chops the hero into fragments,
Into five unequal portions,
Throws each portion to Tuoni,
In Manala's lowest kingdom,
Speaks these words when he has ended:
'Swim thou there, wild Lemminkainen,
Flow thou onward in this river,
Hunt forever in these waters,
With thy cross-bow and thine arrow,
Shoot the swan within this empire,
Shoot our water-birds in welcome!'
Thus the hero, Lemminkainen,
Thus the handsome Kaukomieli,
The untiring suitor, dieth
In the river of Tuoni,
In the death-realm of Manala.
~ Elias Lönnrot,
297:Beauty And The Beast
A Merchant, who by generous pains
Prospered in honourable gains,
Could boast, his wealth and fame to share,
Three manly Sons, three Daughters fair;
With these he felt supremely blest.His latest born surpass'd the rest:
She was so gentle, good and kind,
So fair in feature, form, and mind,
So constant too in filial duty,
The neighbours called her Little Beauty!
And when fair childhood's days were run,
That title still she wore and won;
Lovelier as older still she grew,
Improv'd in grace and goodness too.Her elder Sisters, gay and vain,
View'd her with envy and disdain,
Toss'd up their heads with haughty air;
Dress, Fashion, Pleasure, all their care.
'Twas thus, improving and improv'd;
Loving, and worthy to be lov'd,
Sprightly, yet grave, each circling day
Saw Beauty innocently gay.
Thus smooth the May-like moments past;
Blest times! but soon by clouds o'ercast!
Sudden as winds that madd'ning sweep
The foaming surface of the deep,
Vast treasures, trusted to the wave,
Were buried in the billowy grave!
Our Merchant, late of boundless store,
Saw Famine hasting to his door.
With willing hand and ready grace,
Mild Beauty takes the Servant's place;
Rose with the sun to household cares,
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And morn's repast with zeal prepares,
The wholesome meal, the cheerful fire:
What cannot filial love inspire?
And when the task of day was done,
Suspended till the rising sun,
Music and song the hours employ'd,
As more deserv'd, the more enjoy'd;
Till Industry, with Pastime join'd,
Refresh'd the body and the mind;
And when the groupe retir'd to rest,
Father and Brothers Beauty blest.
Not so the Sisters; as before
'Twas rich and idle, now 'twas poor.
In shabby finery array'd,
They still affected a parade:
While both insulted gentle Beauty,
Unwearied in the housewife's duty;
They mock'd her robe of modest brown,
And view'd her with a taunting frown;
Yet scarce could hold their rage to see
The blithe effects of Industry.
In this retreat a year had past,
When happier tidings came at last,
And in the Merchant's smile appear'd
Prospects that all the Cotters cheer'd:
A letter came; its purport good;
Part of his ventures brav'd the flood:
'With speed,' said he, 'I must to town,
'And what, my girls, must I bring down?'
The envious Sisters, all confusion,
Commissions gave in wild profusion;
Caps, hats, and bonnets, bracelets, broaches,
To cram the pockets of the coaches,
With laces, linens, to complete
The order, and to fill the seat.
Such wants and wishes now appear'd,
23
To make them larger Beauty fear'd;
Yet lest her silence might produce
From jealous Sisters more abuse,
Considerately good, she chose,
The emblem of herself,-a Rose.
The good man on his journey went,
His thoughts on generous Beauty bent.
'If Heav'n,' he said, and breath'd a prayer,
'If Heav'n that tender child should spare,
'Whate'er my lot, I must be bless'd,
'I must be rich:'-he wept the rest.
Timely such feelings!-Fortune still,
Unkind and niggard, crost his will.
Of all his hopes, alas, the gains
Were far o'erbalanc'd by the pains;
For after a long tedious round,
He had to measure back his ground.
A short day's travel from his Cot,
New misadventures were his lot;
Dark grew the air, the wind blew high,
And spoke the gathering tempest nigh;
Hail, snow, and night-fog join'd their force,
Bewildering rider and his horse.
Dismay'd, perplext, the road they crost,
And in the dubious maze were lost.
When glimmering through the vapours drear,
A taper shew'd a dwelling near.
And guess our Merchant's glad surprise,
When a rich palace seemed to rise
As on he mov'd! The knee be bent,
Thankful to Heaven; then nearer went.
But, O! how much his wonder grew,
When nothing living met his view!Entering a splendid hall, he found,
24
With every luxury around,
A blazing fire, a plenteous board,
A costly cellaret, well stor'd,
All open'd wide, as if to say,
'Stranger, refresh thee on thy way!'
The Merchant to the fire drew near,
Deeming the owner would appear,
And pardon one who, drench'd in rain,
Unask'd, had ventured to remain.
The court-yard clock had number'd seven,
When first he came; but when eleven
Struck on his ear as mute he sate,
It sounded like the knoll of Fate.
And yet so hungry was he grown,
He pick'd a capon to the bone;
And as choice wines before him stood,
He needs must taste if they were good:
So much he felt his spirits cheer'dThe more he drank, the less he fear'd.
Now bolder grown, he pac'd along,
(Still hoping he might do no wrong),
When, entering at a gilded door,
High-rais'd upon a sumptuous floor,
A sofa shew'd all Persia's pride,
And each magnificence beside:
So down at once the Merchant lay,
Tir'd with the wonders of the day.
But had it been a rushy bed,
Tuck'd in the corner of a shed,
With no less joy had it been press'd:
The good man pray'd, and sank to rest.
Nor woke he till the noon of day;
And as he thus enchanted lay,
'Now for my storm-sopp'd clothes,' he cries:
25
When lo! a suit complete he spies;
'Yes, 'tis all fairy-work, no doubt,
'By gentle Pity brought about!'
Tenfold, when risen, amazement grew;
For bursting on his gazing view,
Instead of snow, he saw fair bowers
In all the pride of summer flowers.
Entering again the hall, behold,
Serv'd up in silver, pearl, and gold,
A breakfast, form'd of all things rare,
As if Queen Mab herself were there.
As now he past, with spirits gay,
A shower of Roses strew'd the way,
E'en to his hand the branches bent:
'One of these boughs-I go content!
'Beauty, dear Beauty-thy request
'If I may bear away, I'm blest.'
The Merchant pull'd-the branches broke!A hideous growling while he spoke,
Assail'd his startled ears; and then
A frightful Beast, as from a den,
Rushing to view, exclaimed, 'Ingrate!
'That stolen branch has seal'd thy fate.
'All that my castle own'd was thine,
'My food, my fire, my bed, my wine:
'Thou robb'st my Rose-trees in return,
'For this, base Plunderer, thou shalt mourn!'
'My Lord, I swear upon my knees,
'I did not mean to harm your trees;
'But a lov'd Daughter, fair as spring,
'Intreated me a Rose to bring;
'O didst thou know, my lord, the Maid!'-
'I am no Lord,' Beast angry said,
'And so no flattery!-but know,
'If, on your oath before you go,
'Within three wasted Moons you here
26
'Cause that lov'd Daughter to appear,
'And visit Beast a volunteer
'To suffer for thee, thou mayest live:'Speak not!-do this!-and I forgive.'
Mute and deprest the Merchant fled,
Unhappy traveller, evil sped!
Beauty was first her sire to meet,
Springing impatient from her seat;
Her Brothers next assembled round;
Her straying Sisters soon were found.
While yet the Father fondly press'd
The Child of Duty to his Breast,'Accept these Roses, ill-starr'd Maid!
'For thee thy Father's life is paid.'
The Merchant told the tale of Beast;
And loud lamentings, when he ceas'd,
From both the jealous Sisters broke,
As thus with taunting rage they spoke:
'And so thou kill'st thy Father, Miss,
'Proud, sinful creature, heardst thou this?
'We only wish'd a few new clothes;
'Beauty, forsooth, must have her Rose!
'Yet, harden'd Wretch, her eyes are dry,
'Tho' for her Pride our Sire must die!'
'Die! Not for worlds!' exclaim'd the Maid;
'Beast kindly will take me instead:
'And O, a thousand deaths I'd prove
'To shew my Father how I love!'
The Brothers cried, 'Let us away,
'We'll perish, or the Monster slay.'
'Vain hope, my gen'rous Sons, his power
'Can troops of men and horse devour:
'Your offer, Beauty, moves my soul;
'But no man can his fate controul:
27
'Mine was the fault; you, Love, are free;
'And mine the punishment shall be.'
Beauty was firm! the Sire caress'd
Again his Darling to his breast;
With blended love and awe survey'd,
And each good Brother blest the Maid!
Three months elaps'd, her Father's heart
Heav'd high, as she prepar'd to part;
The Sisters try'd a tear to force,
While Beauty smil'd as she took horse;
Yet smil'd thro' many a generous tear,
To find the parting moment near!
And just as evening's shades came on,
The splendid Palace court they won.
Beauty, now lost in wonder all,
Gain'd with her Sire the spacious hall;
Where, of the costliest viands made,
Behold, a sumptuous table laid!
The Merchant, sickening at the sight,
Sat down with looks of dire affright,
But nothing touch'd; tho' Beauty prest,
And strove to lull his fears to rest.
Just as she spoke, a hideous noise
Announc'd the growling monster's voice.
And now Beast suddenly stalk'd forth,
While Beauty well nigh sank to earth:
Scarce could she conquer her alarms,
Tho' folded in a father's arms.
Grim Beast first question'd fierce, if she
Had hither journey'd willingly?
'Yes,' Beauty cried-in trembling tone:
'That's kind,' said Beast, and thus went on'Good Merchant, at to-morrow's dawn,
'I charge and warn you to be gone!
'And further, on life's penalty,
'Dare not again to visit me.
'Beauty, farewell!' he now withdrew,
As she return'd the dread adieu.
28
Each then their separate pillow prest,
And slumber clos'd their eyes in rest.
As zephyr light, from magic sleep,
Soon as the sun began to peep,
Sprang Beauty; and now took her way
To where her anguish'd father lay,But envious time stole swiftly on;
'Begone! lov'd Father! ah! begone!
'The early dew now gems the thorn,
'The sun-beams gain upon the morn.
'Haste, Father, haste! Heaven guards the good!'
In wonder rapt the Merchant stood;
And while dread fears his thoughts employ,
A child so generous still was joy.
'My Father's safe!' she cried, 'blest Heaven!
'The rest is light, this bounty given.'
She now survey'd th' enchanting scene,
Sweet gardens of eternal green;
Mirrors, and chandeliers of glass,
And diamonds bright which those surpass;
All these her admiration gain'd;
But how was her attention chain'd,
When she in golden letters trac'd,
High o'er an arch of emeralds plac'd,
'Beauty's apartment! Enter, blest!
'This, but an earnest of the rest!'
The fair one was rejoic'd to find,
Beast studied less her eye, than mind.
But, wishing still a nearer view,
Forth from the shelves a book she drew,
In whose first page, in lines of gold,
She might heart-easing words behold:
'Welcome Beauty, banish fear!
'You are Queen, and Mistress here:
29
'Speak your wishes, speak your will,
'Swift obedience meets them still.'
'Alas!' said she, with heartfelt sighs,
The daughter rushing to her eyes,
'There's nothing I so much desire,
'As to behold my tender Sire.'
Beauty had scarce her wish express'd,
When it was granted by the Beast:
A wond'rous mirror to her eye,
Brought all her cottage family.
Here her good Brothers at their toil,
For still they dress'd the grateful soil;
And there with pity she perceiv'd,
How much for her the Merchant griev'd;
How much her Sisters felt delight
To know her banish'd from their sight,
Altho' with voice and looks of guile,
Their bosoms full of joy the while,
They labour'd hard to force a tear,
And imitate a grief sincere.
At noon's repast, she heard a sound
Breathing unseen sweet music round;
But when the evening board was spread,
The voice of Beast recall'd her dread:
'May I observe you sup?' he said;
'Ah, tremble not; your will is law;
'One question answer'd, I withdraw.'Am I not hideous to your eyes?'
'Your temper's sweet,' she mild replies.
'Yes, but I'm ugly, have no sense:''That's better far, than vain pretence.''Try to be happy, and at ease,'
Sigh'd Beast, 'as I will try to please.''Your outward form is scarcely seen
'Since I arriv'd, so kind you've been.'
30
One quarter of the rolling year,
No other living creature near,
Beauty with Beast had past serene,
Save some sad hours that stole between.
That she her Father's life had sav'd,
Upon her heart of hearts was grav'd:
While yet she view'd the Beast with dread,
This was the balm that conscience shed.
But now a second solace grew,
Whose cause e'en conscience scarcely knew.
Here on a Monster's mercy cast,Yet, when her first dire fears were past,
She found that Monster, timid, mild,
Led like the lion by the child.
Custom and kindness banish'd fear;
Beauty oft wish'd that Beast were near.
Nine was the chosen hour that Beast
Constant attended Beauty's feast,
Yet ne'er presum'd to touch the food,
Sat humble, or submissive stood,
Or, audience crav'd, respectful spoke,
Nor aim'd at wit, or ribald joke,
But oftner bent the raptur'd ear
Or ravish'd eye, to see or hear.
And if th' appointed hour pass'd by,
'Twas marked by Beauty with a sigh.
'Swear not to leave me,' sigh'd the Beast:
'I swear'-for now her fears were ceas'd,
'And willing swear,-so now and then
'I might my Father see again'One little week-he's now alone.'
'Granted!' quoth Beast: your will be done!'
'Your Ring upon the table lay
'At night,-you're there at peep of day:
'But oh,-remember, or I die!'
He gaz'd, and went without reply.
At early morn, she rang to rise;
31
The Maid beholds with glad surprise:
Summons her Father to her side,
Who, kneeling and embracing, cried,
With rapture and devotion wild,
'O bless'd be Heaven, and blest my Child!'
Beauty the Father now address'd,
And strait to see her Sisters press'd.
They both were married, and both prov'd
Neither was happy or belov'd.
And when she told them she was blest
With days of ease, and nights of rest;
To hide the malice of the soul,
Into the garden sly they stole,
And there in floods of tears they vent
Their hate, and feel its punishment.
'If,' said the eldest, 'you agree,
'We'll make that wench more curs'd than we!
'I have a plot, my sister dear:
'More than her week let's keep her here.
'No more with Monster shall she sup,
'Who, in his rage, shall eat her up.'
And now such art they both employ'd,
While Beauty wept, yet was o'erjoy'd;
And when the stated hour was come,'Ah! can you quit so soon your home?'
Eager they question'd-tore their hairAnd look'd the Pictures of Despair.
Beauty, tho' blushing at delay,
Promis'd another week to stay.
Meantime, altho' she err'd from love,
Her conscious heart could ill approve'Thy vow was giv'n, thy vow was broke!'
Thus Conscience to her bosom spoke.
Thoughts such as these assail'd her breast,
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And a sad vision broke her rest!
The palace-garden was the place,
Which her imaginations trace:
There, on a lawn, as if to die,
She saw poor Beast extended lie,
Reproaching with his latest breath
Beauty's ingratitude in death.
Rous'd from her sleep, the contrite Maid
The Ring upon her toilette laid,
And Conscience gave a sound repose:
Balmy her rest; and when she rose,
The palace of poor Beast she found,
Groves, gardens, arbours, blooming round:
The morning shone in summer's pride,
Beauty for fairer evening sigh'dSigh'd for the object once so fear'd,
By worth, by kindness now endear'd.
But when had past the wonted hour,
And no wish'd footstep pass'd the door;When yet another hour lagg'd on,Then to the wide canal she ran:
'For there in vision,' said the fair,
'Was stretch'd the object of my care!'
And there, alas! he now was found,
Extended on the flowery ground.
'Ah! fond and faithful Beast,' she cried,
'Hast thou for me perfidious died?
'O! could'st thou hear my fervid prayer,
''Twould ease the anguish of despair.'
Beast open'd now his long-clos'd eyes,
And saw the fair with glad surprise.
'In my last moments you are sent;
'You pity, and I die content.'
'Thou shalt not die,' rejoin'd the Maid;
'O rather live to hate, upbraid'But no! my grievous fault forgive!
'I feel I can't without thee live.'
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Beauty had scarce pronounc'd the word,
When magic sounds of sweet accord,
The music of celestial spheres
As if from seraph harps she hears;
Amaz'd she stood,-new wonders grew;
For Beast now vanish'd from her view;
And, lo! a Prince, with every grace
Of figure, fashion, feature, face,
In whom all charms of Nature meet,
Was kneeling at fair Beauty's feet.
'But where is Beast?' still Beauty cried:
'Behold him here!' the Prince replied.
'Orasmyn, lady, is my name,
'In Persia not unknown to fame;
'Till this re-humanizing hour,
'The victim of a Fairy's pow'r;'Till a deliverer could be found,
'Who, while the accursed spell still bound,
'Could first endure, tho' with alarm,
'And break at last by love the charm!'
Beauty delighted gave her hand,
And bade the Prince her fate command;
The Prince now led through rooms of state,
Where Beauty's family await,
In bridal vestments all array'd,
By some superior power convey'd.
'Beauty,' pronounc'd a heavenly voice,
'Now take from me your princely choice.
'Virtue, to every good beside
'While wit and beauty were denied,
'Fix'd your pure heart! for which, unseen,
'I led your steps; and now a Queen,
'Seated on Persia's glittering throne,
''Tis mine and Virtue's task to crown!
'But as for you, ye Sisters vain,
34
'Still first and last in envy's train,
'Before fair Beauty's Palace-gate,
'Such Justice has decreed your fate,
'Transform'd to statues you must dwell,
'Curs'd with the single power, to feel'Unless by penitence and prayer'But this will ask long years of care,
'Of promise and performance too,
'A change of mind from false to true'A change I scarce can hope from you.'
Instant the Power stretch'd forth her wand,
Her sceptre of supreme command,
When lo! at her resistless call,
Gay crowds came thronging through the hall,
The blissful hour to celebrate
When Persia's Prince resum'd his state:
At once the dome with music rang,
And virgins danc'd, and minstrels sang;
It was the Jubilee of Youth,
Led on by Virtue and by Truth;
The pride of Persia fill'd the scene,
To hail Orasmyn and his Queen!
THE END
~ Charles Lamb,
298:Fragments From 'Genius Lost'
Prelude
I SEE the boy-bard neath life’s morning skies,
While hope’s bright cohorts guess not of defeat,
And ardour lightens from his earnest eyes,
And faith’s cherubic wings around his being beat.
Loudly the echo of his soul repeats
Those deathless strains that witched the world of old;
While to the deeds, his high heart proudly beats,
Of names within them, treasured like heroic gold.
To love he lights the ode of vocal fire,
And yearns in song o’er freedom’s sacred throes,
Or pours a pious incense from his lyre,
Wherever o’er the grave a martyre-glory glows.
Or as he wanders waking dreams arise,
And paint new Edens on the future’s scroll,
While on the wings of rapture he outflies
The faltering mood that warns in his prophetic soul.
“All doubt away!” he cries in trustful mood;
“From Time’s unknown the perfect yet shall rise;
And this full heart attests how much of God
Might dwell with man beneath these purple-clouded skies!”
Thus holiest shapes inhabit his desire,
And love’s dream-turtles sing along his way;
Thus faith keeps mounting, like a skylark, higher,
As hope engoldens more the morning of his day.
But ah! Too high that harp-like heart is strung,
To bear the jar of this harsh world’s estate;
And ’tis betrayed by that too fervent tongue
How burns the fire within, that bodes a wayward fate.
Soon on the morning’s wings shall fancy flee,
And world-damps quench love’s spiritual flame,
And his wild powers, now as the wild waves free,
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Be reef-bound by low wants and beaten down by shame.
Now mark him in the city’s weltering crowd
Haggard and pale; and yet, in his distress,
How quick to scorn the vile—defy the pround—
Grim, cold, and distant now—then seized with recklessness.
Yet oft what agony his pride assails,
When life’s first morning faith to thought appears
Lost in the shadowy past, and nought avails
Her calling to the lost—then blood is in his tears.
Henceforth must his sole comrade be despair,
Sole wanderer by his side in ways forlorn;
And as a root-wrenched vine no more may bear,
No more by this dry wood shall fruit be borne.
No more! And every care of life, in woe
And desperation, to the wind is hurled!
He thanks dull wondering pity with a blow,
And leaps, though into hell, out of the cruel world.
First Love
I, even when a child,
Had fondly brooded, with a glowing cheek
And asking heart, with lips apart, and breath
Hushed to such silence as the matron dove
Preserves while warming into life her young,
Over the secretely-disclosing hope
Of finding in the fulness of my youth
Some sweet, congenial one to love, to call
My own. And one has been whose soul
Felt to its depth the influence of mine,
Albeit between us the sweet name of Love
Passed never, to bring blooming to the check
Those rosy shames that burn it on the heart—
Symbol of heaven, sole synonym of God!—
Yet not the less a sympathy that heard,
Through many a whisper, Love’s sweet spirit-self,
Low breathing in the silence of our souls,
Knit us together with a still consent.
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And she was beautiful in outward shape,
As lovely in her mind. Such eyes she had
As burn in the far depths of passionate thought,
While yet the visionary heart of youth
Is lonely in its hope! Cherries were ne’er
More ruby-rich, more delicately full,
Than were her lips; and, when her young heart would,
A smile, ineffably enchanting, played
The unwitting conqueress there.
Her light, round form
Had grace in every impulse, motions fair
As her life’s purity; her being all
Was as harmonious to the mind, as are
Most perfect strains of purest tones prolonged,
To music-loving ears.
But full of dole
Her mortal fate to me! Ere sixteen springs
Had bloomed about her being, a most fell
And secret malady did feel amid
The roses of her cheeks, her lips—but still,
Felon-like, shunned the lustre of her eyes,
That more replendent grew. And so, before
Those glowing orbs had turned their starry light
Upon one human face with other troth
Than a meek daughter or fond sister yields;
Ere her white arms and heaving bosom held
A nestling other than the weary head
Of sickness or a stranger babe, the grass
That whistled dry in the autumnal wind,
Was billowing round her grave.
And yet I live
Within a world that knoweth her no more.
’Tis well when misery’s harassed son
For shelter to the grave doth go,
As to his mountain-hold may run
The hunted roe.
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Yet when, beneath benignant skies,
The angle Grace herself appears
But Death’s born bride, the stoniest eyes
Might break in tears.
Chorus of the Hours
Ah! That Death
Should ever, like a drear, untimely night,
Descent upon the loved, in Love’s despite!
Ah! That a little breath
Expiring from the world, should leave each scene,
Where its warm influence before hath been,
So empty to the heart in its despair
Of all but misery—misery everywhere!
Thus in the morning of my life have I
No happiness rooted in the earth, to hold
My spirit to the actual. All my hopes
Are blown away by adverse chilling winds,
Blown sheer away, out of the world, to seek
Such solace as may be derived from far
And lonely flights of faith. Yet even these
Only divert, not satisfy, my soul;
Still, when her wings refuse them, wearied out
By so wild-will’d an aeronaut as I,
Having no nearer comfort, even as now,
Their foregone influence do I meditate,
Tracing them upward in their heavenward track.
As through an ocean of uprolling mist
Amid the morning Alps, a morning bird
Keeps soaring, trustful of the risen sun—
Who then is turning all the mountain tops
To diamond islets washed by waves of gold,
That shatter as they surge—keeps soaring, till
It shoots at length into the cloudless light,
And gleams a bird of fire; so faith upmounts
Through the earth’s misty tribulations, up
Into the clear of the eternal world,
Unfainting, fervent, till, with happy wings
Outspreading full amid the rays of God
69
It glories, gleaming like the Alpine bird.
But wearying in her flight, even faith returns,
As does the bird—returns into the mist
That shutteth down all less adventurous life,
But stronger for the mighty vision left
And for the heavenly warmth upon her wings.
Once,—did I only stand in thought beside
The grave of one who had for freedom died,
Or on some spot made holy by the vow
Of tuneful love, though of an ancient day,—
My very life would thrill—and am I now
Journeying away
From that fraternal interest which cast
Around me then the feeling of the past?
I know not; but my heart no more will leap
Even to the trump of some Homeric lay:
Bad progress is it, if from that I keep
Journeying away!
Misery
As the moaning wild waves ever
Fret around some lonely isle,
There are griefs that no endeavour
Stilleth even for a while,
Beating at my heart for ever,
Beating at it now,
Beating at my heart—and aching
Upward to my brow.
Like the wild clouds flying over
High above all human reach,
There are joys that I their lover
Cannot even scale in speech;
Flying o’er my head for ever
Flying o’er it now;
Flying o’er my head—and shading
With despair my brow.
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Chorus of the Hours
Alas! The veriest human clod
Is happier than he,
On whom the majesty,
And the mystery
Of thought, had fallen like the fire of God!
Ah! Those by nature gifted to pursue
The beautiful and true
Have chiefly in dishonour trod
The regions they redeemed—as even yet they do!
And where are they, to gods upgrown,
Shall drive this darksome doom?
Ye suffering sons of Genius, you
Must dissipate the gloom
That clouds you even as of old
In its mist so deadly cold!
With your own injuries, let stern thought
Of the most desolate deathless of those
Who with the power of darkness fought,
(Each in his age, whereon his spirit rose,
As rises some peculiar star of night
To burn eternally apart,)
Yea, let stern thought of those
Now nerve you to re-urge the lengthened fight;
And for those others,
Your future brothers,
Now follow victory with unflinching heart!
Looking Beyond
Yes, it is well, in this our cold grim earth
To steal an hour for meditation free;
To die in body, and with all the mind
Thus freed, to bridge with might beams of thought
The depth of the Eternal. Even on me
Such mood sometimes descends, the precious gift
Of pitying Urania, then I fly,
Even as a stork mid evening’s purple clouds
In mid-Elysiums—Paradises fair
71
Perhaps in stars consummated, whereon
The once earth-treading votaries of Truth
In soul reside, until a period when
Knowledge, advancing them from height to height,
And Love, grown perfect, shall have nurtured forth
Angelic wings for heaven.
But by these
I mean not such as with sour faces boast;
Blind moles of fear, who deem thy honour God
By offering up on outraged human hearts,
As upon blood-stained altars, every gay
And happy feeling, every rose wish
That sweetens human souls: and who, convened
In their dull tabernacles, all at once
Behowl the Diety as dogs the moon,
Or deprecate his wrath with grovelling rites,
And boisterous groans, that from stentorian lungs
Are grunted, swine-like, forth! Oh no! For such
The paradise of fools full wide extends
Her dismal gates!
I speak not thus in scorn;
Scorn is not sweet to me; but when the rights
Of man are trampled on; when villains sit
In the high places of the land, and sport
With what the just hold sacred; when mere wealth
Can win its Nestor’s favour, and the sleek
Regard even of its saints, and when religion
Itself is ever in a bad extreme—
A bloated pomp of mystery and show,
Or a most crude and coarse perversity,
Vile as a beggar’s raiment—then the scorn
Of indignation, then the brave disgust
Of righteous shame and honest hate, put forth
In tones like God’s own thunder burst aboard,
Are things the thin-souled scoundrel never feels.
Enough. The good I deem leave vain disputes
On things that are, and must be from their kind,
Mainly unknown, and still with faithful heed
Have care of those God gave them light to see
72
Strewn round their daily being: and of such
Rightfully choosing, and to fitting ends
Well shaping all, upbuild with honest hands
A true and simple life; and in the jars
Of national factions they alway, despite
Of frowning kings and banning priests afford
Their aid to freedom.
Yet will there come a day, though not to me,
When excellence of being shall be sought
Not only thus in vision, but within
The actual round of this diurnal world,—
A day whose light shall chase the clouds that veil
Upon the mountain tops of old repute
The imaginary gods of wrongful power,
And pierce thence downward to the vales of toil,
Healing and blessing all men—the great day
Of knowledge. Then the accident of birth—
That empty imposition! Or the claim
Of wealth—that earthly and most gnomish cheat!
Shall neither arrogate to any, proud
Distinctions as of right, nor qualify
Any by its sole influence for power
Over his fellows, but all men shall stand
Proudly beneath the fair wide roof of heaven,
As God-created equals, each the sire
Of his own worth, and the joint sanctioner
Of all political pertainment, all
Moral and social honour.
Yea, for such
Is Freedom’s charter traced upon the heart
Of our humanity, whene’er ’tis rid
Of the foul scroff of vice, and on the brain
Built godlike, when disclouded by God’s light
Of a too old distemper’s fatal rout,
Of boastful hell-suggested superstitions
And customs born of Error. And let none
Despair of such an advent; for, as when
Some solemn wood’s familiar cadences,
Deepening and deepening all around, portend
The salutary storm, even so the wide
73
Pervading instinct of a sure revolt
Against the ancient tyrannies of the earth
Roams on before it in the living stress
Of knowledge, omening the unborn change
By harshening still to the fine ear of thought
The daily jar of customary wrongs.
And let none fear that earthly power, or aught
Less than Omnipotence, can still or stay
The solemn prelude that for ever thus
Keeps deepening round and onward in the front
Of that great victory over wrong, which time
Shall witness—wrong and its abettors, all
Whom lust of sway unsanctioned by the truth
Shall to the last disnature; for the spirit
It first evokes—a mighty will to think—
Doth thenceforth charge it with oracular tones
That may not be mistaken.
Yea, great thoughts
With great thoughts coalescing through the world,
Into the future of all progress pour
Sun-prophecies, there quickening what were else
Nascent too long.
Chorus of the Hours
O why is not this beauteous earth
The Eden men imagine—the fair seat
Of fruitful peace, pure love, and sunny mirth?
And why are its prime souls, though so complete
In apprehension of a Godlike state,
The subjects ever of fraternal hate—
Oppressing or oppressed,
That so the portion is of all, deceit
And fear, and anger, sorrow, and unrest?
There’s not one bright enduring thing
In this great round of nature that appears—
No shining stars, no river murmuring,
No morn-crowned hill, no golden evening scene,
That hath not glimmered and distorted been
Through the dim mist of tears—
74
Tears not as blood from some wrung human brain,
Throbbing and aching with unpitied pain!
There is not one green mound, existent long
In any region, nor old wayside stone,
On which some weary child of social wrong
Hath sat not—there, alone,
To bite his pallid lip and heave the unheeded groan!
And such hath been the state of man
Since first the race’s recreancy began;
And thus his piety is scared away
From earth, its proper home,
To seek vague heavens above the source of day;
Or out beyond the gorgeous gloom
Wherewith dusk evening curtains up the west;
There flying, like the psalmist’s dove, to rest
In sinless gardens of perpetual bloom
And islands of the blest.
Ah! My heart
Is like a core of fire within my breast,
And by this agony is all my mind
Shaken away from its tenacious hold
Of time and sensuous things. Now come, thou meek
Religious trust, that sometime to my soul
Fliest friendly, like a heaven-descended dove,
With wings that whisper of the peace of God!
Come, and assure it now, that all thus seen
Of evil, by the patience of the One
Almighty Master of the Universe,
Is but allowed, to dash our vain repose
On Time’s foundations, and all mad belief
In human consequence; that, finally,
Amid the death of expectations fond,—
Discoveries diurnal that the pomps
And pleasures of the world are but bright mists
Concealing, mid its heights of pomp and shame,
Its depths of degradation,—that all weal,
Beauty, and peace, even in their permanence,
Are but the florid riches of a soil
75
That crusts the cone of some yet masked volcano,
Whose darling fires but wait the dread command:
“Up, to the work appointed! ”—we at length,
Even thus admonished, thus in hope and heart
Subdued and chastened, might be so constrained
To look between the thunder-bearing clouds
That darken over this mysterious ball s
Blind face, for surer, better things beyond
Its flying scenes of doubtful good, commixed
With evident evil: yea, conclude at last
That wereso in the universe of God
Our better home may be, it is not here;
Then here why build we?
O! Then, farewell,
Fancy and Hope, twin angels of the past!
Thee, Fancy, chiefly of my younger life
The spiritual spouse, farewell! With all
Thy pictured equipage: the shapes sublime
Of universal liberty and right,
Dethroning tyrants and investing worth
Alone with power and honour; and with these
Fair visions that come shining to the heart
Like evening stars from a serener air
Of generosity, in rapture high
At rival excellence; of charity
Living in secret for her own sweet sake;
Of mercy lifting up a fallen foe;
Of pity yearning o’er the child of shame;
Unselfish love, and resolute friendship—all,
Even to common trust—farewell! These lights
May never burn in the grey dome of time
or constellate for me the world again!
No more! No, never more.
The Cemetery
Here, only here
In the dark dwellings of this silent city
Is rest for the world-weary. Slander here,
Disease and poverty, forego their victim;
76
The fox of envy and the wolf of scorn
Snarl not within these gates. The enemy
Who comes to triumph o’er the powerless bones
That once he feared, still hates—even as he comes,
By the dismaying silence smitten, stops,
Listening for some far reproachful voice
Heard only through the mystery of his soul,
And, shuddering, asks forgiveness. Slept I here,
And should an enemy so plead, and might
My injured spirit, hovering over, hear—
The boon were granted. O that here, even now,
The sense were frozen to forgetfulness
That I, upon this populous star of God,
This earth that I was born to, and have loved,
Am utterly uncared-for and alone!
Whither?
Alas! These thoughts are storming all my soul
With madness—yea, the madness of despair!
And though my reason lifting up its strength
As desperately confronts them, just as well
Might the poor castaway, who helpless stands
On some bleak rock in the mid ocean, preach
Obedience to the breakers surging round
That perilous point, as I (in this wild gloom)
Strive to o’ercome them—And why should I strive?
No, rather let them howl like midnight wolves
Within my failing brain, and gnaw and tug
At my sick heart, their bitter food, for they
Will help me to my one desire—death.
Be his rest who sleeps below,
Done to death by toil and woe,
Sound and sweet.
So much in fortune did he lack,
So little meet
Of kindness, as with bleeding feet
He journeyed life’s most barren track,
That only hate in its deceit,
Not love, not pity, would entreat
77
To have him back.
But he sleeps well where many a bloom
That might not grace his living home
Pranks the raised sod:
Tokening, perhaps, that one who here
Missed the world’s smile, hath met elsewhere
The smile of God.
~ Charles Harpur,
299:The Deserted Garden
I know a village in a far-off land
Where from a sunny, mountain-girdled plain
With tinted walls a space on either hand
And fed by many an olive-darkened lane
The high-road mounts, and thence a silver band
Through vineyard slopes above and rolling grain,
Winds off to that dim corner of the skies
Where behind sunset hills a stately city lies.
Here, among trees whose overhanging shade
Strews petals on the little droves below,
Pattering townward in the morning weighed
With greens from many an upland garden-row,
Runs an old wall; long centuries have frayed
Its scalloped edge, and passers to and fro
Heard never from beyond its crumbling height
Sweet laughter ring at noon or plaintive song at night.
But here where little lizards bask and blink
The tendrils of the trumpet-vine have run,
At whose red bells the humming bird to drink
Stops oft before his garden feast is done;
And rose-geraniums, with that tender pink
That cloud-banks borrow from the setting sun,
Have covered part of this old wall, entwined
With fair plumbago, blue as evening heavens behind.
And crowning other parts the wild white rose
Rivals the honey-suckle with the bees.
Above the old abandoned orchard shows
And all within beneath the dense-set trees,
Tall and luxuriant the rank grass grows,
That settled in its wavy depth one sees
Grass melt in leaves, the mossy trunks between,
Down fading avenues of implicated green;
Wherein no lack of flowers the verdurous night
With stars and pearly nebula o'erlay;
Azalea-boughs half rosy and half white
94
Shine through the green and clustering apple-spray,
Such as the fairy-queen before her knight
Waved in old story, luring him away
Where round lost isles Hesperian billows break
Or towers loom up beneath the clear, translucent lake;
And under the deep grass blue hare-bells hide,
And myrtle plots with dew-fall ever wet,
Gay tiger-lilies flammulate and pied,
Sometime on pathway borders neatly set,
Now blossom through the brake on either side,
Where heliotrope and weedy mignonette,
With vines in bloom and flower-bearing trees,
Mingle their incense all to swell the perfumed breeze,
That sprung like Hermes from his natal cave
In some blue rampart of the curving West,
Comes up the valleys where green cornfields wave,
Ravels the cloud about the mountain crest,
Breathes on the lake till gentle ripples pave
Its placid floor; at length a long-loved guest,
He steals across this plot of pleasant ground,
Waking the vocal leaves to a sweet vernal sound.
Here many a day right gladly have I sped,
Content amid the wavy plumes to lie,
And through the woven branches overhead
Watch the white, ever-wandering clouds go by,
And soaring birds make their dissolving bed
Far in the azure depths of summer sky,
Or nearer that small huntsman of the air,
The fly-catcher, dart nimbly from his leafy lair;
Pillowed at case to hear the merry tune
Of mating warblers in the boughs above
And shrill cicadas whom the hottest noon
Keeps not from drowsy song; the mourning dove
Pours down the murmuring grove his plaintive croon
That like the voice of visionary love
Oft have I risen to seek through this green maze
(Even as my feet thread now the great world's garden-ways);
95
And, parting tangled bushes as I passed
Down beechen allies beautiful and dim,
Perhaps by some deep-shaded pool at last
My feet would pause, where goldfish poise and swim,
And snowy callas' velvet cups are massed
Around the mossy, fern-encircled brim.
Here, then, that magic summoning would cease,
Or sound far off again among the orchard trees.
And here where the blanched lilies of the vale
And violets and yellow star-flowers teem,
And pink and purple hyacinths exhale
Their heavy fume, once more to drowse and dream
My head would sink, from many an olden tale
Drawing imagination's fervid theme,
Or haply peopling this enchanting spot
Only with fair creations of fantastic thought.
For oft I think, in years long since gone by,
That gentle hearts dwelt here and gentle hands
Stored all this bowery bliss to beautify
The paradise of some unsung romance;
Here, safe from all except the loved one's eye,
'Tis sweet to think white limbs were wont to glance,
Well pleased to wanton like the flowers and share
Their simple loveliness with the enamored air.
Thrice dear to them whose votive fingers decked
The altars of First Love were these green ways,
These lawns and verdurous brakes forever flecked
With the warm sunshine of midsummer days;
Oft where the long straight allies intersect
And marble seats surround the open space,
Where a tiled pool and sculptured fountain stand,
Hath Evening found them seated, silent, hand in hand.
When twilight deepened, in the gathering shade
Beneath that old titanic cypress row,
Whose sombre vault and towering colonnade
Dwarfed the enfolded forms that moved below,
Oft with close steps these happy lovers strayed,
Till down its darkening aisle the sunset glow
96
Grew less and patterning the garden floor
Faint flakes of filtering moonlight mantled more and more.
And the strange tempest that a touch imparts
Through the mid fibre of the molten frame,
When the sweet flesh in early youth asserts
Its heyday verve and little hints enflame,
Disturbed them as they walked; from their full hearts
Welled the soft word, and many a tender name
Strove on their lips as breast to breast they strained
And the deep joy they drank seemed never, never drained.
Love's soul that is the depth of starry skies
Set in the splendor of one upturned face
To beam adorably through half-closed eyes;
Love's body where the breadth of summer days
And all the beauty earth and air comprise
Come to the compass of an arm's embrace,
To burn a moment on impassioned lips
And yield intemperate joy to quivering finger-tips,
They knew; and here where morning-glories cling
Round carven forms of carefullest artifice,
They made a bower where every outward thing
Should comment on the cause of their own bliss;
With flowers of liveliest hue encompassing
That flower that the beloved body is
That rose that for the banquet of Love's bee
Has budded all the æons of past eternity.
But their choice seat was where the garden wall,
Crowning a little summit, far and near,
Looks over tufted treetops onto all
The pleasant outer country; rising here
From rustling foliage where cuckoos call
On summer evenings, stands a belvedere,
Buff-hued, of antique plaster, overrun
With flowering vines and weatherworn by rain and sun.
Still round the turrets of this antique tower
The bougainvillea hangs a crimson crown,
Wistaria-vines and clematis in flower,
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Wreathing the lower surface further down,
Hide the old plaster in a very shower
Of motley blossoms like a broidered gown.
Outside, ascending from the garden grove,
A crumbling stairway winds to the one room above.
And whoso mounts by this dismantled stair
Finds the old pleasure-hall, long disarrayed,
Brick-tiled and raftered, and the walls foursquare
Ringed all about with a twofold arcade.
Backward dense branches intercept the glare
Of afternoon with eucalyptus shade;
Eastward the level valley-plains expand,
Sweet as a queen's survey of her own Fairyland.
For through that frame the ivied arches make,
Wide tracts of sunny midland charm the eye,
Frequent with hamlet grove, and lucent lake
Where the blue hills' inverted contours lie;
Far to the east where billowy mountains break
In surf of snow against a sapphire sky,
Huge thunderheads loom up behind the ranges,
Changing from gold to pink as deepening sunset changes;
And over plain and far sierra spread
The fulgent rays of fading afternoon,
Showing each utmost peak and watershed
All clarified, each tassel and festoon
Of floating cloud embroidered overhead,
Like lotus-leaves on bluest waters strewn,
Flushing with rose, while all breathes fresh and free
In peace and amplitude and bland tranquillity.
Dear were such evenings to this gentle pair;
Love's tide that launched on with a blast too strong
Sweeps toward the foaming reef, the hidden snare,
Baffling with fond illusion's siren-song,
Too faint, on idle shoals, to linger there
Far from Youth's glowing dream, bore them along,
With purple sail and steered by seraph hands
To isles resplendent in the sunset of romance.
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And out of this old house a flowery fane,
A bridal bower, a pearly pleasure-dome,
They built, and furnished it with gold and grain,
And bade all spirits of beauty hither come,
And wingéd Love to enter with his train
And bless their pillow, and in this his home
Make them his priests as Hero was of yore
In her sweet girlhood by the blue Dardanian shore.
Tree-ferns, therefore, and potted palms they brought,
Tripods and urns in rare and curious taste,
Polychrome chests and cabinets inwrought
With pearl and ivory etched and interlaced;
Pendant brocades with massive braid were caught,
And chain-slung, oriental lamps so placed
To light the lounger on some low divan,
Sunken in swelling down and silks from Hindustan.
And there was spread, upon the ample floors,
Work of the Levantine's laborious loom,
Such as by Euxine or Ionian shores
Carpets the dim seraglio's scented gloom.
Each morn renewed, the garden's flowery stores
Blushed in fair vases, ochre and peach-bloom,
And little birds through wicker doors left wide
Flew in to trill a space from the green world outside.
And there was many a dainty attitude,
Bronze and eburnean. All but disarrayed,
Here in eternal doubt sweet Psyche stood
Fain of the bath's delight, yet still afraid
Lest aught in that palatial solitude
Lurked of most menace to a helpless maid.
Therefore forever faltering she stands,
Nor yet the last loose fold slips rippling from her hands.
Close by upon a beryl column, clad
In the fresh flower of adolescent grace,
They set the dear Bithynian shepherd lad,
The nude Antinous. That gentle face,
Forever beautiful, forever sad,
Shows but one aspect, moon-like, to our gaze,
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Yet Fancy pictures how those lips could smile
At revelries in Rome, and banquets on the Nile.
And there were shapes of Beauty myriads more,
Clustering their rosy bridal bed around,
Whose scented breadth a silken fabric wore
Broidered with peacock hues on creamiest ground,
Fit to have graced the barge that Cydnus bore
Or Venus' bed in her enchanted mound,
While pillows swelled in stuffs of Orient dyes,
All broidered with strange fruits and birds of Paradise.
'Twas such a bower as Youth has visions of,
Thither with one fair spirit to retire,
Lie upon rose-leaves, sleep and wake with Love
And feast on kisses to the heart's desire;
Where by a casement opening on a grove,
Wide to the wood-winds and the sweet birds' choir,
A girl might stand and gaze into green boughs,
Like Credhe at the window of her golden house.
Or most like Vivien, the enchanting fay,
Where with her friend, in the strange tower they planned,
She lies and dreams eternity away,
Above the treetops in Broceliande,
Sometimes at twilight when the woods are gray
And wolf-packs howl far out across the lande,
Waking to love, while up behind the trees
The large midsummer moon lifts-even so loved these.
For here, their pleasure was to come and sit
Oft when the sun sloped midway to the west,
Watching with sweet enjoyment interknit
The long light slant across the green earth's breast,
And clouds upon the ranges opposite,
Rolled up into a gleaming thundercrest,
Topple and break and fall in purple rain,
And mist of summer showers trail out across the plain.
Whereon the shafts of ardent light, far-flung
Across the luminous azure overhead,
Ofttimes in arcs of transient beauty hung
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The fragmentary rainbow's green and red.
Joy it was here to love and to be young,
To watch the sun sink to his western bed,
And streaming back out of their flaming core
The vesperal aurora's glorious banners soar.
Tinging each altitude of heaven in turn,
Those fiery rays would sweep. The cumuli
That peeped above the mountain-tops would burn
Carmine a space; the cirrus-whorls on high,
More delicate than sprays of maiden fern,
Streak with pale rose the peacock-breasted sky,
Then blanch. As water-lilies fold at night,
Sank back into themselves those plumes of fervid light.
And they would watch the first faint stars appear,
The blue East blend with the blue hills below,
As lovers when their shuddering bliss draws near
Into one pulse of fluid rapture grow.
New fragrance on the freshening atmosphere
Would steal with evening, and the sunset glow
Draw deeper down into the wondrous west
Round vales of Proserpine and islands of the blest.
So dusk would come and mingle lake and shore,
The snow-peaks fade to frosty, opaline,
To pearl the doméd clouds the mountains bore,
Where late the sun's effulgent fire had been
Showing as darkness deepened more and more
The incandescent lightnings flare within,
And Night that furls the lily in the glen
And twines impatient arms would fall, and then---and then . . .
Sometimes the peasant, coming late from town
With empty panniers on his little drove
Past the old lookout when the Northern Crown
Glittered with Cygnus through the scented grove,
Would hear soft noise of lute-strings wafted down
And voices singing through the leaves above
Those songs that well from the warm heart that woos
At balconies in Merida or Vera Cruz.
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And he would pause under the garden wall,
Caught in the spell of that voluptuous strain,
With all the sultry South in it, and all
Its importunity of love and pain;
And he would wait till the last passionate fall
Died on the night, and all was still again.
Then to his upland village wander home,
Marvelling whence that flood of elfin song might come.
O lyre that Love's white holy hands caress,
Youth, from thy bosom welled their passionate lays
Sweet opportunity for happiness
So brief, so passing beautiful---O days,
When to the heart's divine indulgences
All earth in smiling ministration pays
Thine was the source whose plenitude, past over,
What prize shall rest to pluck, what secret to discover!
The wake of color that follows her when May
Walks on the hills loose-haired and daisy-crowned,
The deep horizons of a summer's day,
Fair cities, and the pleasures that abound
Where music calls, and crowds in bright array
Gather by night to find and to be found;
What were these worth or all delightful things
Without thine eyes to read their true interpretings!
For thee the mountains open glorious gates,
To thee white arms put out from orient skies,
Earth, like a jewelled bride for one she waits,
Decks but to be delicious in thine eyes,
Thou guest of honor for one day, whose fêtes
Eternity has travailed to devise;
Ah, grace them well in the brief hour they last!
Another's turn prepares, another follows fast.
Yet not without one fond memorial
Let my sun set who found the world so fair!
Frail verse, when Time the singer's coronal
Has rent, and stripped the rose-leaves from his hair,
Be thou my tablet on the temple wall!
Among the pious testimonials there,
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Witness how sweetly on my heart as well
The miracles of dawn and starry evening fell!
Speak of one then who had the lust to feel,
And, from the hues that far horizons take,
And cloud and sunset, drank the wild appeal,
Too deep to live for aught but life's sweet sake,
Whose only motive was the will to kneel
Where Beauty's purest benediction spake,
Who only coveted what grove and field
And sunshine and green Earth and tender arms could yield--A nympholept, through pleasant days and drear
Seeking his faultless adolescent dream,
A pilgrim down the paths that disappear
In mist and rainbows on the world's extreme,
A helpless voyager who all too near
The mouth of Life's fair flower-bordered stream,
Clutched at Love's single respite in his need
More than the drowning swimmer clutches at a reed--That coming one whose feet in other days
Shall bleed like mine for ever having, more
Than any purpose, felt the need to praise
And seek the angelic image to adore,
In love with Love, its wonderful, sweet ways
Counting what most makes life worth living for,
That so some relic may be his to see
How I loved these things too and they were dear to me.
I sometimes think a conscious happiness
Mantles through all the rose's sentient vine
When summer winds with myriad calyces
Of bloom its clambering height incarnadine;
I sometimes think that cleaving lips, no less,
And limbs that crowned desires at length entwine
Are nerves through which that being drinks delight,
Whose frame is the green Earth robed round with day and night.
And such were theirs: the traveller without,
Pausing at night under the orchard trees,
Wondered and crossed himself in holy doubt,
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For through their song and in the murmuring breeze
It seemed angelic choirs were all about
Mingling in universal harmonies,
As though, responsive to the chords they woke,
All Nature into sweet epithalamium broke.
And still they think a spirit haunts the place:
'Tis said, when Night has drawn her jewelled pall
And through the branches twinkling fireflies trace
Their mimic constellations, if it fall
That one should see the moon rise through the lace
Of blossomy boughs above the garden wall,
That surely would he take great ill thereof
And famish in a fit of unexpressive love.
But this I know not, for what time the wain
Was loosened and the lily's petal furled,
Then I would rise, climb the old wall again,
And pausing look forth on the sundown world,
Scan the wide reaches of the wondrous plain,
The hamlet sites where settling smoke lay curled,
The poplar-bordered roads, and far away
Fair snowpeaks colored with the sun's last ray.
Waves of faint sound would pulsate from afar
Faint song and preludes of the summer night;
Deep in the cloudless west the evening star
Hung 'twixt the orange and the emerald light;
From the dark vale where shades crepuscular
Dimmed the old grove-girt belfry glimmering white,
Throbbing, as gentlest breezes rose or fell,
Came the sweet invocation of the evening bell.
~ Alan Seeger,
300:The Kalevala - Rune X
ILMARINEN FORGES THE SAMPO.
Wainamoinen, the magician,
Takes his steed of copper color,
Hitches quick his fleet-foot courser,
Puts his racer to the snow-sledge,
Straightway springs upon the cross-seat,
Snaps his whip adorned with jewels.
Like the winds the steed flies onward,
Like a lightning flash, the racer
Makes the snow-sledge creak and rattle,
Makes the highway quickly vanish,
Dashes on through fen and forest,
Over hills and through the valleys,
Over marshes, over mountains,
Over fertile plains and meadows;
Journeys one day, then a second,
So a third from morn till evening,
Till the third day evening brings him
To the endless bridge of Osmo,
To the Osmo-fields and pastures,
To the plains of Kalevala;
When the hero spake as follows:
'May the wolves devour the dreamer,
Eat the Laplander for dinner,
May disease destroy the braggart,
Him who said that I should never
See again my much-loved home-land,
Nevermore behold my kindred,
Never during all my life-time,
Never while the sunshine brightens,
Never while the moonlight glimmers
On the meadows of Wainola,
On the plains of Kalevala.'
Then began old Wainamoinen,
Ancient bard and famous singer,
To renew his incantations;
Sang aloft a wondrous pine-tree,
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Till it pierced the clouds in growing
With its golden top and branches,
Till it touched the very heavens,
Spread its branches in the ether,
In the ever-shining sunlight.
Now he sings again enchanting,
Sings the Moon to shine forever
In the fir-tree's emerald branches;
In its top he sings the Great Bear.
Then be quickly journeys homeward,
Hastens to his golden portals,
Head awry and visage wrinkled,
Crooked cap upon his forehead,
Since as ransom he had promised
Ilmarinen, magic artist,
Thus to save his life from torture
On the distant fields of Northland
In the dismal Sariola.
When his stallion he had halted
On the Osmo-field and meadow,
Quickly rising in his snow-sledge,
The magician heard one knocking,
Breaking coal within the smithy,
Beating with a heavy hammer.
Wainamoinen, famous minstrel,
Entering the smithy straightway,
Found the blacksmith, Ilmarinen,
Knocking with his copper hammer.
Ilmarinen spake as follows:
'Welcome, brother Wainamoinen,
Old and worthy Wainamoinen!
Why so long hast thou been absent,
Where hast thou so long been hiding?'
Wainamoinen then made answer,
These the words of the magician:
'Long indeed have I been living,
Many dreary days have wandered,
Many cheerless nights have lingered,
Floating on the cruel ocean,
Weeping in the fens and woodlands
Of the never-pleasant Northland,
In the dismal Sariola;
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With the Laplanders I've wandered,
With the people filled with witchcraft.'
Promptly answers Ilmarinen,
These the words the blacksmith uses:
'O thou ancient Wainamoinen,
Famous and eternal singer,
Tell me of thy journey northward,
Of thy wanderings in Lapland,
Of thy dismal journey homeward.'
Spake the minstrel, Wainamoinen:
'I have much to tell thee, brother,
Listen to my wondrous story:
In the Northland lives a virgin,
In a village there, a maiden,
That will not accept a lover,
That a hero's hand refuses,
That a wizard's heart disdaineth;
All of Northland sings her praises,
Sings her worth and magic beauty,
Fairest maiden of Pohyola,
Daughter of the earth and ocean.
From her temples beams the moonlight,
From her breast, the gleam of sunshine,
From her forehead shines the rainbow,
On her neck, the seven starlets,
And the Great Bear from her shoulder.
'Ilmarinen, worthy brother,
Thou the only skilful blacksmith,
Go and see her wondrous beauty,
See her gold and silver garments,
See her robed in finest raiment,
See her sitting on the rainbow,
Walking on the clouds of purple.
Forge for her the magic Sampo,
Forge the lid in many colors,
Thy reward shall be the virgin,
Thou shalt win this bride of beauty;
Go and bring the lovely maiden
To thy home in Kalevala.'
Spake the brother, Ilmarinen:
O thou cunning Wainamoinen,
Thou hast promised me already
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To the ever-darksome Northland,
Thy devoted head to ransom,
Thus to rescue thee from trouble.
I shall never visit Northland,
Shall not go to see thy maiden,
Do not love the Bride of Beauty;
Never while the moonlight glimmers,
Shall I go to dreary Pohya,
To the plains of Sariola,
Where the people eat each other,
Sink their heroes in the ocean,
Not for all the maids of Lapland.'
Spake the brother, Wainamoinen:
'I can tell thee greater wonders,
Listen to my wondrous story:
I have seen the fir-tree blossom,
Seen its flowers with emerald branches,
On the Osmo-fields and woodlands;
In its top, there shines the moonlight,
And the Bear lives in its branches.'
Ilmarinen thus made answer:
'I cannot believe thy story,
Cannot trust thy tale of wonder,
Till I see the blooming fir-tree,
With its many emerald branches,
With its Bear and golden moonlight.'
This is Wainamoinen's answer:
'Wilt thou not believe my story?
Come with me and I will show thee
If my lips speak fact or fiction.'
Quick they journey to discover,
Haste to view the wondrous fir-tree;
Wainamoinen leads the journey,
Ilmarinen closely follows.
As they near the Osmo-borders,
Ilmarinen hastens forward
That be may behold the wonder,
Spies the Bear Within the fir-top,
Sitting on its emerald branches,
Spies the gleam of golden moonlight.
Spake the ancient Wainamoinen,
These the words the singer uttered:
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Climb this tree, dear Ilmarinen,
And bring down the golden moonbeams,
Bring the Moon and Bear down with thee
From the fir-tree's lofty branches.'
Ilmarinen, full consenting,
Straightway climbed the golden fir-tree,
High upon the bow of heaven,
Thence to bring the golden moonbeams,
Thence to bring the Bear of heaven,
From the fir-tree's topmost branches.
Thereupon the blooming fir-tree
Spake these words to Ilmarinen:
'O thou senseless, thoughtless hero,
Thou hast neither wit nor instinct;
Thou dost climb my golden branches,
Like a thing of little judgment,
Thus to get my pictured moonbeams,
Take away my silver starlight,
Steal my Bear and blooming branches.'
Quick as thought old Wainamoinen
Sang again in magic accents,
Sang a storm-wind in the heavens,
Sang the wild winds into fury,
And the singer spake as follows:
`Take, O storm-wind, take the forgeman,
Carry him within thy vessel,
Quickly hence, and land the hero
On the ever-darksome Northland,
On the dismal Sariola.'
Now the storm-wind quickly darkens,
Quickly piles the air together,
Makes of air a sailing vessel,
Takes the blacksmith, Ilmarinen,
Fleetly from the fir-tree branches,
Toward the never-pleasant Northland,
Toward the dismal Sariola.
Through the air sailed Ilmarinen,
Fast and far the hero travelled,
Sweeping onward, sailing northward,
Riding in the track of storm-winds,
O'er the Moon, beneath the sunshine,
On the broad back of the Great Bear,
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Till he neared Pohyola's woodlands,
Neared the homes of Sariola,
And alighted undiscovered,
Was Dot noticed by the hunters,
Was not scented by the watch-dogs.
Louhi, hostess of Pohyola,
Ancient, toothless dame of Northland,
Standing in the open court-yard,
Thus addresses Ilmarinen,
As she spies the hero-stranger:
'Who art thou of ancient heroes,
Who of all the host of heroes,
Coming here upon the storm-wind,
O'er the sledge-path of the ether,
Scented not by Pohya's watch-dogs?
This is Ilmarinen's answer:
'I have surely not come hither
To be barked at by the watch-dogs,
At these unfamiliar portals,
At the gates of Sariola.'
Thereupon the Northland hostess
Asks again the hero-stranger:
'Hast thou ever been acquainted
With the blacksmith of Wainola,
With the hero, Ilmarinen,
With the skilful smith and artist?
Long I've waited for his coming,
Long this one has been expected,
On the borders of the Northland,
Here to forge for me the Sampo.'
Spake the hero, Ilmarinen:
'Well indeed am I acquainted
With the blacksmith, Ilmarinen,
I myself am Ilmarinen,
I, the skilful smith and artist.'
Louhi, hostess of the Northland,
Toothless dame of Sariola,
Straightway rushes to her dwelling,
These the words that Louhi utters:
'Come, thou youngest of my daughters,
Come, thou fairest of my maidens,
Dress thyself in finest raiment,
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Deck thy hair with rarest jewels,
Pearls upon thy swelling bosom,
On thy neck, a golden necklace,
Bind thy head with silken ribbons,
Make thy cheeks look fresh and ruddy,
And thy visage fair and winsome,
Since the artist, Ilmarinen,
Hither comes from Kalevala,
Here to forge for us the Sampo,
Hammer us the lid in colors.'
Now the daughter of the Northland,
Honored by the land and water,
Straightway takes her choicest raiment,
Takes her dresses rich in beauty,
Finest of her silken wardrobe,
Now adjusts her silken fillet,
On her brow a band of copper,
Round her waist a golden girdle,
Round her neck a pearly necklace,
Shining gold upon her bosom,
In her hair the threads of silver.
From her dressing-room she hastens,
To the hall she bastes and listens,
Full of beauty, full of joyance,
Ears erect and eyes bright-beaming,
Ruddy cheeks and charming visage,
Waiting for the hero-stranger.
Louhi, hostess of Pohyola,
Leads the hero, Ilmarinen,
To her dwelling-rooms in Northland,
To her home in Sariola,
Seats him at her well-filled table,
Gives to him the finest viands,
Gives him every needed comfort,
Then addresses him as follows:
'O thou blacksmith, Ilmarinen,
Master of the forge and smithy,
Canst thou forge for me the Sampo,
Hammer me the lid in colors,
From the tips of white-swan feathers,
From the milk of greatest virtue,
From a single grain of barley,
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From the finest wool of lambkins?
Thou shalt have my fairest daughter,
Recompense for this thy service.'
These the words of Ilmarinen:
'I will forge for thee the Sampo,
Hammer thee the lid in colors,
From the tips of white-swan feathers,
From the milk of greatest virtue,
From a single grain of barley,
From the finest wool of lambkins?
Since I forged the arch of heaven,
Forged the air a concave cover,
Ere the earth had a beginning.'
Thereupon the magic blacksmith
Went to forge the wondrous Sampo,
Went to find a blacksmith's workshop,
Went to find the tools to work with;
But he found no place for forging,
Found no smithy, found no bellows,
Found no chimney, found no anvil,
Found no tongs, and found no hammer.
Then the-artist, Ilmarinen.
Spake these words, soliloquizing:
'Only women grow discouraged,
Only knaves leave work unfinished,
Not the devils, nor the heroes,
Nor the Gods of greater knowledge.'
Then the blacksmith, Ilmarinen,
Sought a place to build a smithy,
Sought a place to plant a bellows,
On the borders of the Northland,
On the Pohya-hills and meadows;
Searched one day, and then a second;
Ere the evening of the third day,
Came a rock within his vision,
Came a stone with rainbow-colors.
There the blacksmith, Ilmarinen,
Set at work to build his smithy,
Built a fire and raised a chimney;
On the next day laid his bellows,
On the third day built his furnace,
And began to forge the Sampo.
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The eternal magic artist,
Ancient blacksmith, Ilmarinen,
First of all the iron-workers,
Mixed together certain metals,
Put the mixture in the caldron,
Laid it deep within the furnace,
Called the hirelings to the forging.
Skilfully they work the bellows,
Tend the fire and add the fuel,
Three most lovely days of summer,
Three short nights of bright midsummer,
Till the rocks begin to blossom,
In the foot-prints of the workmen,
From the magic heat and furnace.
On the first day, Ilmarinen
Downward bent and well examined,
On the bottom of his furnace,
Thus to see what might be forming
From the magic fire and metals.
From the fire arose a cross-bow,
'With the brightness of the moonbeams,
Golden bow with tips of silver;
On the shaft was shining copper,
And the bow was strong and wondrous,
But alas! it was ill-natured,
Asking for a hero daily,
Two the heads it asked on feast-days.
Ilmarinen, skilful artist,
Was not pleased with this creation,
Broke the bow in many pieces,
Threw them back within the furnace,
Kept the workmen at the bellows,
Tried to forge the magic Sampo.
On the second day, the blacksmith
Downward bent and well examined,
On the bottom of the furnace;
From the fire, a skiff of metals,
Came a boat of purple color,
All the ribs were colored golden,
And the oars were forged from copper;
Thus the skiff was full of beauty,
But alas! a thing of evil;
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Forth it rushes into trouble,
Hastens into every quarrel,
Hastes without a provocation
Into every evil combat.
Ilmarinen, metal artist,
Is not pleased with this creation,
Breaks the skiff in many fragments,
Throws them back within the furnace,
Keeps the workmen at the bellows,
Thus to forge the magic Sampo.
On the third day, Ilmarinen,
First of all the metal-workers,
Downward bent and well examined,
On the bottom of the furnace;
There be saw a heifer rising,
Golden were the horns of Kimmo,
On her head the Bear of heaven,
On her brow a disc of sunshine,
Beautiful the cow of magic;
But alas! she is ill-tempered,
Rushes headlong through the forest,
Rushes through the swamps and meadows,
Wasting all her milk in running.
Ilmarinen, the magician.
Is not pleased with this creation,
Cuts the magic cow in pieces,
Throws them in the fiery furnace,
Sets the workmen at the bellows,
Thus to forge the magic Sampo.
On the fourth day, Ilmarinen
Downward bent and well examined,
To the bottom of the furnace;
There beheld a plow in beauty
Rising from the fire of metals,
Golden was the point and plowshare,
And the beam was forged from copper,
And the handles, molten silver,
Beautiful the plow and wondrous;
But alas! it is ill-mannered,
Plows up fields of corn and barley,
Furrows through the richest meadows.
Ilmarinen, metal artist,
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Is not pleased with this creation,
Quickly breaks the plow in pieces,
Throws them back within the furnace,
Lets the winds attend the bellows,
Lets the storm-winds fire the metals.
Fiercely vie the winds of heaven,
East-wind rushing, West-wind roaring,
South-wind crying, North-wind howling,
Blow one day and then a second,
Blow the third from morn till even,
When the fire leaps through the windows,
Through the door the sparks fly upward,
Clouds of smoke arise to heaven;
With the clouds the black smoke mingles,
As the storm-winds ply the bellows.
On the third night Ilmarinen,
Bending low to view his metals,
On the bottom of the furnace,
Sees the magic Sampo rising,
Sees the lid in many colors.
Quick the artist of Wainola
Forges with the tongs and anvil,
Knocking with a heavy hammer,
Forges skilfully the Sampo;
On one side the flour is grinding,
On another salt is making,
On a third is money forging,
And the lid is many-colored.
Well the Sampo grinds when finished,
To and fro the lid in rocking,
Grinds one measure at the day-break,
Grinds a measure fit for eating,
Grinds a second for the market,
Grinds a third one for the store-house.
Joyfully the dame of Northland,
Louhi, hostess of Pohyola,
Takes away the magic Sampo,
To the hills of Sariola,
To the copper-bearing mountains,
Puts nine locks upon the wonder,
Makes three strong roots creep around it;
In the earth they grow nine fathoms,
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One large root beneath the mountain,
One beneath the sandy sea-bed,
One beneath the mountain-dwelling.
Modestly pleads Ilmarinen
For the maiden's willing answer,
These the words of the magician:
'Wilt thou come with me, fair maiden,
Be my wife and queen forever?
I have forged for thee the Sampo,
Forged the lid in many colors.'
Northland's fair and lovely daughter
Answers thus the metal-worker:
'Who will in the coming spring-time,
Who will in the second summer,
Guide the cuckoo's song and echo?
Who will listen to his calling,
Who will sing with him in autumn,
Should I go to distant regions,
Should this cheery maiden vanish
From the fields of Sariola,
From Pohyola's fens and forests,
Where the cuckoo sings and echoes?
Should I leave my father's dwelling,
Should my mother's berry vanish,
Should these mountains lose their cherry,
Then the cuckoo too would vanish,
All the birds would leave the forest,
Leave the summit of the mountain,
Leave my native fields and woodlands,
Never shall I, in my life-time,
Say farewell to maiden freedom,
Nor to summer cares and labors,
Lest the harvest be ungarnered,
Lest the berries be ungathered,
Lest the song-birds leave the forest,
Lest the mermaids leave the waters,
Lest I sing with them no longer.'
Ilmarinen, the magician,
The eternal metal-forger,
Cap awry and head dejected,
Disappointed, heavy-hearted,
Empty-handed, well considers,
125
How to reach his distant country,
Reach his much-loved home and kinded,
Gain the meadows of Wainola,
From the never-pleasant Northland,
From the darksome Sariola.
Louhi thus addressed the suitor:
'O thou blacksmith, Ilmarinen,
Why art thou so heavy-hearted,
Why thy visage so dejected?
Hast thou in thy mind to journey
From the vales and hills of Pohya,
To the meadows of Wainola,
To thy home in Kalevala?
This is Ilmarinen's answer:
'Thitherward my mind is tending,
To my home-land let me journey,
With my kindred let me linger,
Be at rest in mine own country.'
Straightway Louhi, dame of Northland,
Gave the hero every comfort,
Gave him food and rarest viands,
Placed him in a boat of copper,
In a copper-banded vessel,
Called the winds to his assistance,
Made the North-wind guide him homeward.
Thus the skilful Ilmarinen
Travels toward his native country,
On the blue back of the waters,
Travels one day, then a second,
Till the third day evening brings him
To Wainola's peaceful meadows,
To his home in Kalevala.
Straightway ancient Wainamoinen
Thus addresses Ilmarinen:
'O my brother, metal-artist,
Thou eternal wonder-worker,
Didst thou forge the magic Sampo,
Forge the lid in many colors?'
Spake the brother, Ilmarinen,
These the words the master uttered:
'Yea, I forged the magic Sampo,
Forged the lid in many colors;
126
To and fro the lid in rocking
Grinds one measure at the day-dawn,
Grinds a measure fit for eating,
Grinds a second for the market,
Grinds a third one for the store-house.
Louhi has the wondrous Sampo,
I have not the Bride of Beauty.'
~ Elias Lönnrot,
301:The Kalevala - Rune Xlvi
OTSO THE HONEY-EATER.
Came the tidings to Pohyola,
To the village of the Northland,
That Wainola had recovered
From her troubles and misfortunes,
From her sicknesses and sorrows.
Louhi, hostess of the Northland,
Toothless dame of Sariola,
Envy-laden, spake these measures:
'Know I other means of trouble,
I have many more resources;
I will drive the bear before me,
From the heather and the mountain,
Drive him from the fen and forest,
Drive great Otso from the glen-wood
On the cattle of Wainola,
On the flocks of Kalevala.'
Thereupon the Northland hostess
Drove the hungry bear of Pohya
From his cavern to the meadows,
To Wainola's plains and pastures.
Wainamoinen, ancient minstrel,
To his brother spake as follows:
'O thou blacksmith, Ilmarinen,
Forge a spear from magic metals,
Forge a lancet triple-pointed,
Forge the handle out of copper,
That I may destroy great Otso,
Slay the mighty bear of Northland,
That he may not eat my horses,
Nor destroy my herds of cattle,
Nor the flocks upon my pastures.'
Thereupon the skillful blacksmith
Forged a spear from magic metals,
Forged a lancet triple-pointed,
Not the longest, nor the shortest,
Forged the spear in wondrous beauty.
242
On one side a bear was sitting,
Sat a wolf upon the other,
On the blade an elk lay sleeping,
On the shaft a colt was running,
Near the hilt a roebuck bounding.
Snows had fallen from the heavens,
Made the flocks as white as ermine
Or the hare, in days of winter,
And the minstrel sang these measures:
'My desire impels me onward
To the Metsola-dominions,
To the homes of forest-maidens,
To the courts of the white virgins;
I will hasten to the forest,
Labor with the woodland-forces.
'Ruler of the Tapio-forests,
Make of me a conquering hero,
Help me clear these boundless woodlands.
O Mielikki, forest-hostess,
Tapio's wife, thou fair Tellervo,
Call thy dogs and well enchain them,
Set in readiness thy hunters,
Let them wait within their kennels.
'Otso, thou O Forest-apple,
Bear of honey-paws and fur-robes,
Learn that Wainamoinen follows,
That the singer comes to meet thee;
Hide thy claws within thy mittens,
Let thy teeth remain in darkness,
That they may not harm the minstrel,
May be powerless in battle.
Mighty Otso, much beloved,
Honey-eater of the mountains,
Settle on the rocks in slumber,
On the turf and in thy caverns;
Let the aspen wave above thee,
Let the merry birch-tree rustle
O'er thy head for thy protection.
Rest in peace, thou much-loved Otso,
Turn about within thy thickets,
Like the partridge at her brooding,
In the spring-time like the wild-goose.'
243
When the ancient Wainamoinen
Heard his dog bark in the forest,
Heard his hunter's call and echo,
He addressed the words that follow:
'Thought it was the cuckoo calling,
Thought the pretty bird was singing;
It was not the sacred cuckoo,
Not the liquid notes of songsters,
'Twas my dog that called and murmured,
'Twas the echo of my hunter
At the cavern-doors of Otso,
On the border of the woodlands.'
Wainamoinen, old and trusty,
Finds the mighty bear in waiting,
Lifts in joy the golden covers,
Well inspects his shining fur-robes;
Lifts his honey-paws in wonder,
Then addresses his Creator:
'Be thou praised, O mighty Ukko,
As thou givest me great Otso,
Givest me the Forest-apple,
Thanks be paid to thee unending.'
To the bear he spake these measures:
'Otso, thou my well beloved,
Honey-eater of the woodlands,
Let not anger swell thy bosom;
I have not the force to slay thee,
Willingly thy life thou givest
As a sacrifice to Northland.
Thou hast from the tree descended,
Glided from the aspen branches,
Slippery the trunks in autumn,
In the fog-days, smooth the branches.
Golden friend of fen and forest,
In thy fur-robes rich and beauteous,
Pride of woodlands, famous Light-foot,
Leave thy cold and cheerless dwelling,
Leave thy home within the alders,
Leave thy couch among the willows,
Hasten in thy purple stockings,
Hasten from thy walks restricted,
Come among the haunts of heroes,
244
Join thy friends in Kalevala.
We shall never treat thee evil,
Thou shalt dwell in peace and plenty,
Thou shalt feed on milk and honey,
Honey is the food of strangers.
Haste away from this thy covert,
From the couch of the unworthy,
To a couch beneath the rafters
Of Wainola's ancient dwellings.
Haste thee onward o'er the snow-plain,
As a leaflet in the autumn;
Skip beneath these birchen branches,
As a squirrel in the summer,
As a cuckoo in the spring-time.'
Wainamoinen, the magician,
The eternal wisdom-singer,
O'er the snow-fields hastened homeward,
Singing o'er the hills and mountains,
With his guest, the ancient Otso,
With his friend, the, famous Light-foot,
With the Honey-paw of Northland.
Far away was heard the singing,
Heard the playing of the hunter,
Heard the songs of Wainamoinen;
All the people heard and wondered,
Men and maidens, young and aged,
From their cabins spake as follows:
'Hear the echoes from the woodlands,
Hear the bugle from the forest,
Hear the flute-notes of the songsters,
Hear the pipes of forest-maidens!'
Wainamoinen, old and trusty,
Soon appears within the court-yard.
Rush the people from their cabins,
And the heroes ask these questions:
'Has a mine of gold been opened,
Hast thou found a vein of silver,
Precious jewels in thy pathway?
Does the forest yield her treasures,
Give to thee the Honey-eater?
Does the hostess of the woodlands,
Give to thee the lynx and adder,
245
Since thou comest home rejoicing,
Playing, singing, on thy snow-shoes?'
Wainamoinen, ancient minstrel,
Gave this answer to his people:
'For his songs I caught the adder,
Caught the serpent for his wisdom;
Therefore do I come rejoicing,
Singing, playing, on my snow-shoes.
Not the mountain lynx, nor serpent,
Comes, however, to our dwellings;
The Illustrious is coming,
Pride and beauty of the forest,
'Tis the Master comes among us,
Covered with his friendly fur-robe.
Welcome, Otso, welcome, Light-foot,
Welcome, Loved-one from the glenwood!
If the mountain guest is welcome,
Open wide the gates of entry;
If the bear is thought unworthy,
Bar the doors against the stranger.'
This the answer of the tribe-folk:
'We salute thee, mighty Otso,
Honey-paw, we bid thee welcome,
Welcome to our courts and cabins,
Welcome, Light-foot, to our tables
Decorated for thy coming!
We have wished for thee for ages,
Waiting since the days of childhood,
For the notes of Tapio's bugle,
For the singing of the wood-nymphs,
For the coming of dear Otso,
For the forest gold and silver,
Waiting for the year of plenty,
Longing for it as for summer,
As the shoe waits for the snow-fields,
As the sledge for beaten highways,
As the, maiden for her suitor,
And the wife her husband's coming;
Sat at evening by the windows,
At the gates have, sat at morning,
Sat for ages at the portals,
Near the granaries in winter, Vanished,
246
Till the snow-fields warmed and
Till the sails unfurled in joyance,
Till the earth grew green and blossomed,
Thinking all the while as follows:
'Where is our beloved Otso,
Why delays our forest-treasure?
Has he gone to distant Ehstland,
To the upper glens of Suomi?'
Spake the ancient Wainamoinen:
'Whither shall I lead the stranger,
Whither take the golden Light-foot?
Shall I lead him to the garner,
To the house of straw conduct him?'
This the answer of his tribe-folk:
'To the dining-hall lead Otso,
Greatest hero of the Northland.
Famous Light-foot, Forest-apple,
Pride and glory of the woodlands,
Have no fear before these maidens,
Fear not curly-headed virgins,
Clad in silver-tinselled raiment
Maidens hasten to their chambers
When dear Otso joins their number,
When the hero comes among them.'
This the prayer of Wainamoinen:
'Grant, O Ukko, peace and plenty
Underneath these painted rafters,
In this ornamented dweling;
Thanks be paid to gracious Ukko!'
Spake again the ancient minstrel:
'Whither shall we lead dear Otso,
'Whither take the fur-clad stranger?
This the answer of his people:
'Hither let the fur-robed Light-foot
Be saluted on his coming;
Let the Honey-paw be welcomed
To the hearth-stone of the penthouse,
Welcomed to the boiling caldrons,
That we may admire his fur-robe,
May behold his cloak with joyance.
Have no care, thou much-loved Otso,
Let not anger swell thy bosom
247
As thy coat we view with pleasure;
We thy fur shall never injure,
Shall not make it into garments
To protect unworthy people.'
Thereupon wise Wainamoinen
Pulled the sacred robe from Otso,
Spread it in the open court-yard,
Cut the, members into fragments,
Laid them in the heating caldrons,
In the copper-bottomed vesselsO'er the fire the crane was hanging,
On the crane were hooks of copper,
On the hooks the broiling-vessels
Filled with bear-steak for the feasting,
Seasoned with the salt of Dwina,
From the Saxon-land imported,
From the distant Dwina-waters,
From the salt-sea brought in shallops.
Ready is the feast of Otso;
From the fire are swung the kettles
On the crane of polished iron;
In the centers of the tables
Is the bear displayed in dishes,
Golden dishes, decorated;
Of the fir-tree and the linden
Were the tables newly fashioned;
Drinking cups were forged from copper,
Knives of gold and spoons of silver;
Filled the vessels to their borders
With the choicest bits of Light-foot,
Fragments of the Forest-apple.
Spake the ancient Wainamoinen
'Ancient one with bosom golden,
Potent voice in Tapio's councils
Metsola's most lovely hostess,
Hostess of the glen and forest,
Hero-son of Tapiola,
Stalwart youth in cap of scarlet,
Tapio's most beauteous virgin,
Fair Tellervo of the woodlands,
Metsola with all her people,
Come, and welcome, to the feasting,
248
To the marriage-feast of Otso!
All sufficient, the provisions,
Food to eat and drink abundant,
Plenty for the hosts assembled,
Plenty more to give the village.'
This the question of the people:
'Tell us of the birth of Otso!
Was be born within a manger,
Was he nurtured in the bath-room
Was his origin ignoble?'
This is Wainamoinen's answer:
'Otso was not born a beggar,
Was not born among the rushes,
Was not cradled in a manger;
Honey-paw was born in ether,
In the regions of the Moon-land,
On the shoulders of Otava,
With the daughters of creation.
'Through the ether walked a maiden,
On the red rims of the cloudlets,
On the border of the heavens,
In her stockings purple-tinted,
In her golden-colored sandals.
In her hand she held a wool-box,
With a hair-box on her shoulder;
Threw the wool upon the ocean,
And the hair upon the rivers;
These are rocked by winds and waters,
Water-currents bear them onward,
Bear them to the sandy sea-shore,
Land them near the Woods of honey,
On an island forest-covered.
'Fair Mielikki, woodland hostess,
Tapio's most cunning daughter,
Took the fragments from the sea-side,
Took the white wool from the waters,
Sewed the hair and wool together,
Laid the bundle in her basket,
Basket made from bark of birch-wood,
Bound with cords the magic bundle;
With the chains of gold she bound it
To the pine-tree's topmost branches.
249
There she rocked the thing of magic,
Rocked to life the tender baby,
Mid the blossoms of the pine-tree,
On the fir-top set with needles;
Thus the young bear well was nurtured,
Thus was sacred Otso cradled
On the honey-tree of Northland,
In the middle of the forest.
'Sacred Otso grew and flourished,
Quickly grew with graceful movements,
Short of feet, with crooked ankles,
Wide of mouth and broad of forehead,
Short his nose, his fur-robe velvet;
But his claws were not well fashioned,
Neither were his teeth implanted.
Fair Mielikki, forest hostess,
Spake these words in meditation:
'Claws I should be pleased to give him,
And with teeth endow the wonder,
Would be not abuse the favor.'
'Swore the bear a promise sacred,
On his knees before Mielikki,
Hostess of the glen and forest,
And before omniscient Ukko,
First and last of all creators,
That he would not harm the worthy,
Never do a deed of evil.
Then Mielikki, woodland hostess,
Wisest maid of Tapiola,
Sought for teeth and claws to give him,
From the stoutest mountain-ashes,
From the juniper and oak tree,
From the dry knots of the alder.
Teeth and claws of these were worthless,
Would not render goodly service.
'Grew a fir-tree on the mountain,
Grew a stately pine in Northland,
And the fir had silver branches,
Bearing golden cones abundant;
These the sylvan maiden gathered,
Teeth and claws of these she fashioned
In the jaws and feet of Otso,
250
Set them for the best of uses.
Then she freed her new-made creature,
Let the Light-foot walk and wander,
Let him lumber through the marshes,
Let him amble through the forest,
Roll upon the plains and pastures;
Taught him how to walk a hero,
How to move with graceful motion,
How to live in ease and pleasure,
How to rest in full contentment,
In the moors and in the marshes,
On the borders of the woodlands;
How unshod to walk in summer,
Stockingless to run in autumn;
How to rest and sleep in winter
In the clumps of alder-bushes
Underneath the sheltering fir-tree,
Underneath the pine's protection,
Wrapped securely in his fur-robes,
With the juniper and willow.
This the origin of Otso,
Honey-eater of the Northlands,
Whence the sacred booty cometh.
Thus again the people questioned:
Why became the woods so gracious,
Why so generous and friendly?
Why is Tapio so humored,
That he gave his dearest treasure,
Gave to thee his Forest-apple,
Honey-eater of his kingdom?
Was he startled with thine arrows,
Frightened with the spear and broadsword?'
Wainamoinen, the magician,
Gave this answer to the question:
'Filled with kindness was the forest,
Glen and woodland full of greetings,
Tapio showing greatest favor.
Fair Mielikki, forest hostess,
Metsola's bewitching daughter,
Beauteous woodland maid, Tellervo,
Gladly led me on my journey,
Smoothed my pathway through the glen-wood.
251
Marked the trees upon the, mountains,
Pointing me to Otso's caverns,
To the Great Bear's golden island.
'When my journeyings had ended,
When the bear had been discovered,
Had no need to launch my javelins,
Did not need to aim the arrow;
Otso tumbled in his vaulting,
Lost his balance in his cradle,
In the fir-tree where he slumbered;
Tore his breast upon the branches,
Freely gave his life to others.
'Mighty Otso, my beloved,
Thou my golden friend and hero,
Take thy fur-cap from thy forehead,
Lay aside thy teeth forever,
Hide thy fingers in the darkness,
Close thy mouth and still thine anger,
While thy sacred skull is breaking.
'Now I take the eyes of Otso,
Lest he lose the sense of seeing,
Lest their former powers shall weaken;
Though I take not all his members,
Not alone must these be taken.
'Now I take the ears of Otso,
Lest he lose the sense of 'hearing,
Lest their former powers shall weaken;
Though I take not all his members,
Not alone must these be taken.
'Now I take the nose of Otso,
Lest he lose the sense of smelling,
Lest its former powers shall weaken;
Though I take not all his members,
Not alone must this be taken.
'Now I take the tongue of Otso,
Lest he lose the sense of tasting
Lest its former powers shall weaken;
Though I take not all his members,
Not alone must this be taken.
'Now I take the brain of Otso,
Lest he lose the means of thinking,
Lest his consciousness should fail him,
252
Lest his former instincts weaken;
Though I take not all his members,
Not alone must this be taken.
'I will reckon him a hero,
That will count the teeth of Light-foot,
That will loosen Otso's fingers
From their settings firmly fastened.'
None he finds with strength sufficient
To perform the task demanded.
Therefore ancient Wainamoinen
Counts the teeth of sacred Otso;
Loosens all the claws of Light-foot,
With his fingers strong as copper,
Slips them from their firm foundations,
Speaking to the bear these measures:
'Otso, thou my Honey-eater,
Thou my Fur-ball of the woodlands,
Onward, onward, must thou journey
From thy low and lonely dwelling,
To the court-rooms of the village.
Go, my treasure, through the pathway
Near the herds of swine and cattle,
To the hill-tops forest covered,
To the high and rising mountains,
To the spruce-trees filled with needles,
To the branches of the pine-tree;
There remain, my Forest-apple,
Linger there in lasting slumber,
Where the silver bells are ringing,
To the pleasure of the shepherd.'
Thus beginning, and thus ending,
Wainamoinen, old and truthful,
Hastened from his emptied tables,
And the children thus addressed him:
'Whither hast thou led thy booty,
Where hast left thy Forest-apple,
Sacred Otso of the woodlands?
Hast thou left him on the iceberg,
Buried him upon the snow-field?
Hast thou sunk him in the quicksand,
Laid him low beneath the heather?'
Wainamoinen spake in answer:
253
'Have not left him on the iceberg,
Have not buried him in snow-fields;
There the dogs would soon devour him,
Birds of prey would feast upon him;
Have not hidden him in Swamp-land,
Have not buried him in heather;
There the worms would live upon him,
Insects feed upon his body.
Thither I have taken Otso,
To the summit of the Gold-hill,
To the copper-bearing mountain,
Laid him in his silken cradle
In the summit of a pine-tree,
Where the winds and sacred branches
Rock him to his lasting slumber,
To the pleasure of the hunter,
To the joy of man and hero.
To the east his lips are pointing,
While his eyes are northward looking;
But dear Otso looks not upward,
For the fierceness of the storm-winds
Would destroy his sense of vision.'
Wainamoinen, ancient minstrel,
Touched again his harp of joyance,
Sang again his songs enchanting,
To the pleasure of the evening,
To the joy of morn arising.
Spake the singer of Wainola:
'Light for me a torch of pine-wood,
For the darkness is appearing,
That my playing may be joyous
And my wisdom-songs find welcome.'
Then the ancient sage and singer,
Wise and worthy Wainamoinen,
Sweetly sang and played, and chanted,
Through the long and dreary evening,
Ending thus his incantation:
'Grant, O Ukko, my Creator,
That the people of Wainola
May enjoy another banquet
In the company of Light-foot;
Grant that we may long remember
254
Kalevala's feast with Otso!
'Grant, O Ukko, my Creator,
That the signs may guide our footsteps,
That the notches in the pine-tree
May direct my faithful people
To the bear-dens of the woodlands;
That great Tapio's sacred bugle
May resound through glen and forest;
That the wood-nymph's call may echo,
May be heard in field and hamlet,
To the joy of all that listen!
Let great Tapio's horn for ages
Ring throughout the fen and forest,
Through the hills and dales of Northland
O'er the meadows and the mountains,
To awaken song and gladness
In the forests of Wainola,
On the snowy plains of Suomi,
On the meads of Kalevala,
For the coming generations.'
~ Elias Lönnrot,
302:class:Classics

BOOK THE NINTH

The Story of Achelous and Hercules

Theseus requests the God to tell his woes,
Whence his maim'd brow, and whence his groans arose
Whence thus the Calydonian stream reply'd,
With twining reeds his careless tresses ty'd:
Ungrateful is the tale; for who can bear,
When conquer'd, to rehearse the shameful war?
Yet I'll the melancholy story trace;
So great a conqu'ror softens the disgrace:
Nor was it still so mean the prize to yield,
As great, and glorious to dispute the field.
Perhaps you've heard of Deianira's name,
For all the country spoke her beauty's fame.
Long was the nymph by num'rous suitors woo'd,
Each with address his envy'd hopes pursu'd:
I joyn'd the loving band; to gain the fair,
Reveal'd my passion to her father's ear.
Their vain pretensions all the rest resign,
Alcides only strove to equal mine;
He boasts his birth from Jove, recounts his spoils,
His step-dame's hate subdu'd, and finish'd toils.

Can mortals then (said I), with Gods compare?
Behold a God; mine is the watry care:
Through your wide realms I take my mazy way,
Branch into streams, and o'er the region stray:
No foreign guest your daughter's charms adores,
But one who rises in your native shores.
Let not his punishment your pity move;
Is Juno's hate an argument for love?
Though you your life from fair Alcmena drew,
Jove's a feign'd father, or by fraud a true.
Chuse then; confess thy mother's honour lost,
Or thy descent from Jove no longer boast.

While thus I spoke, he look'd with stern disdain,
Nor could the sallies of his wrath restrain,
Which thus break forth. This arm decides our right;
Vanquish in words, be mine the prize in fight.

Bold he rush'd on. My honour to maintain,
I fling my verdant garments on the plain,
My arms stretch forth, my pliant limbs prepare,
And with bent hands expect the furious war.
O'er my sleek skin now gather'd dust he throws,
And yellow sand his mighty muscles strows.
Oft he my neck, and nimble legs assails,
He seems to grasp me, but as often fails.
Each part he now invades with eager hand;
Safe in my bulk, immoveable I stand.
So when loud storms break high, and foam and roar
Against some mole that stretches from the shore;
The firm foundation lasting tempests braves,
Defies the warring winds, and driving waves.

A-while we breathe, then forward rush amain,
Renew the combat, and our ground maintain;
Foot strove with foot, I prone extend my breast,
Hands war with hands, and forehead forehead prest.
Thus have I seen two furious bulls engage,
Inflam'd with equal love, and equal rage;
Each claims the fairest heifer of the grove,
And conquest only can decide their love:
The trembling herds survey the fight from far,
'Till victory decides th' important war.
Three times in vain he strove my joints to wrest,
To force my hold, and throw me from his breast;
The fourth he broke my gripe, that clasp'd him round,
Then with new force he stretch'd me on the ground;
Close to my back the mighty bur then clung,
As if a mountain o'er my limbs were flung.
Believe my tale; nor do I, boastful, aim
By feign'd narration to extol my fame.
No sooner from his grasp I freedom get,
Unlock my arms, that flow'd with trickling sweat,
But quick he seized me, and renew'd the strife,
As my exhausted bosom pants for life:
My neck he gripes, my knee to earth he strains;
I fall, and bite the sand with shame, and pains.

O'er-match'd in strength, to wiles, and arts I take,
And slip his hold, in form of speckled snake;
Who, when I wreath'd in spires my body round,
Or show'd my forky tongue with hissing sound,
Smiles at my threats: Such foes my cradle knew,
He cries, dire snakes my infant hand o'erthrew;
A dragon's form might other conquests gain,
To war with me you take that shape in vain.
Art thou proportion'd to the Hydra's length,
Who by his wounds receiv'd augmented strength?
He rais'd a hundred hissing heads in air;
When one I lopt, up-sprung a dreadful pair.
By his wounds fertile, and with slaughter strong,
Singly I quell'd him, and stretch'd dead along.
What canst thou do, a form precarious, prone,
To rouse my rage with terrors not thy own?
He said; and round my neck his hands he cast,
And with his straining fingers wrung me fast;
My throat he tortur'd, close as pincers clasp,
In vain I strove to loose the forceful grasp.

Thus vanquish'd too, a third form still remains,
Chang'd to a bull, my lowing fills the plains.
Strait on the left his nervous arms were thrown
Upon my brindled neck, and tugg'd it down;
Then deep he struck my horn into the sand,
And fell'd my bulk among the dusty land.
Nor yet his fury cool'd; 'twixt rage and scorn,
From my maim'd front he tore the stubborn horn:
This, heap'd with flow'rs, and fruits, the Naiads bear,
Sacred to plenty, and the bounteous year.

He spoke; when lo, a beauteous nymph appears,
Girt like Diana's train, with flowing hairs;
The horn she brings in which all Autumn's stor'd,
And ruddy apples for the second board.

Now morn begins to dawn, the sun's bright fire
Gilds the high mountains, and the youths retire;
Nor stay'd they, 'till the troubled stream subsides,
And in its bounds with peaceful current glides.
But Achelous in his oozy bed
Deep hides his brow deform'd, and rustick head:
No real wound the victor's triumph show'd,
But his lost honours griev'd the watry God;
Yet ev'n that loss the willow's leaves o'erspread,
And verdant reeds, in garlands, bind his head.

The Death of Nessus the Centaur

This virgin too, thy love, O Nessus, found,
To her alone you owe the fatal wound.
As the strong son of Jove his bride conveys,
Where his paternal lands their bulwarks raise;
Where from her slopy urn, Evenus pours
Her rapid current, swell'd by wintry show'rs,
He came. The frequent eddies whirl'd the tide,
And the deep rolling waves all pass deny'd.
As for himself, he stood unmov'd by fears,
For now his bridal charge employ'd his cares,
The strong-limb'd Nessus thus officious cry'd
(For he the shallows of the stream had try'd),
Swim thou, Alcides, all thy strength prepare,
On yonder bank I'll lodge thy nuptial care.

Th' Aonian chief to Nessus trusts his wife,
All pale, and trembling for her heroe's life:
Cloath'd as he stood in the fierce lion's hide,
The laden quiver o'er his shoulder ty'd
(For cross the stream his bow and club were cast),
Swift he plung'd in: These billows shall be past,
He said, nor sought where smoother waters glide,
But stem'd the rapid dangers of the tide.
The bank he reach'd; again the bow he bears;
When, hark! his bride's known voice alarms his ears.
Nessus, to thee I call (aloud he cries)
Vain is thy trust in flight, be timely wise:
Thou monster double-shap'd, my right set free;
If thou no rev'rence owe my fame and me,
Yet kindred should thy lawless lust deny;
Think not, perfidious wretch, from me to fly,
Tho' wing'd with horse's speed; wounds shall pursue;
Swift as his words the fatal arrow flew:
The centaur's back admits the feather'd wood,
And thro' his breast the barbed weapon stood;
Which when, in anguish, thro' the flesh he tore,
From both the wounds gush'd forth the spumy gore
Mix'd with Lernaean venom; this he took,
Nor dire revenge his dying breast forsook.
His garment, in the reeking purple dy'd,
To rouse love's passion, he presents the bride.

The Death of Hercules

Now a long interval of time succeeds,
When the great son of Jove's immortal deeds,
And step-dame's hate, had fill'd Earth's utmost round;
He from Oechalia, with new lawrels crown'd,
In triumph was return'd. He rites prepares,
And to the King of Gods directs his pray'rs;
When Fame (who falshood cloaths in truth's disguise,
And swells her little bulk with growing lies)
Thy tender ear, o Deianira, mov'd,
That Hercules the fair Iole lov'd.
Her love believes the tale; the truth she fears
Of his new passion, and gives way to tears.
The flowing tears diffus'd her wretched grief,
Why seek I thus, from streaming eyes, relief?
She cries; indulge not thus these fruitless cares,
The harlot will but triumph in thy tears:
Let something be resolv'd, while yet there's time;
My bed not conscious of a rival's crime.
In silence shall I mourn, or loud complain?
Shall I seek Calydon, or here remain?
What tho', ally'd to Meleager's fame,
I boast the honours of a sister's name?
My wrongs, perhaps, now urge me to pursue
Some desp'rate deed, by which the world shall view
How far revenge, and woman's rage can rise,
When weltring in her blood the harlot dies.

Thus various passions rul'd by turns her breast,
She now resolves to send the fatal vest,
Dy'd with Lernaean gore, whose pow'r might move
His soul anew, and rouse declining love.
Nor knew she what her sudden rage bestows,
When she to Lychas trusts her future woes;
With soft endearments she the boy commands,
To bear the garment to her husband's hands.

Th' unwitting hero takes the gift in haste,
And o'er his shoulders Lerna's poison cast,
As first the fire with frankincense he strows,
And utters to the Gods his holy vows;
And on the marble altar's polish'd frame
Pours forth the grapy stream; the rising flame
Sudden dissolves the subtle pois'nous juice,
Which taints his blood, and all his nerves bedews.
With wonted fortitude he bore the smart,
And not a groan confess'd his burning heart.
At length his patience was subdu'd by pain,
He rends the sacred altar from the plain;
Oete's wide forests echo with his cries:
Now to rip off the deathful robe he tries.
Where-e'er he plucks the vest, the skin he tears,
The mangled muscles, and huge bones he bares
(A ghastful sight!), or raging with his pain,
To rend the sticking plague he tugs in vain.

As the red iron hisses in the flood,
So boils the venom in his curdling blood.
Now with the greedy flame his entrails glow,
And livid sweats down all his body flow;
The cracking nerves burnt up are burst in twain,
The lurking venom melts his swimming brain.

Then, lifting both his hands aloft, he cries,
Glut thy revenge, dread Empress of the skies;
Sate with my death the rancour of thy heart,
Look down with pleasure, and enjoy my smart.
Or, if e'er pity mov'd a hostile breast
(For here I stand thy enemy profest),
Take hence this hateful life, with tortures torn,
Inur'd to trouble, and to labours born.
Death is the gift most welcome to my woe,
And such a gift a stepdame may bestow.
Was it for this Busiris was subdu'd,
Whose barb'rous temples reek'd with strangers' blood?
Press'd in these arms his fate Antaeus found,
Nor gain'd recruited vigour from the ground.
Did I not triple-form'd Geryon fell?
Or did I fear the triple dog of Hell?
Did not these hands the bull's arm'd forehead hold?
Are not our mighty toils in Elis told?
Do not Stymphalian lakes proclaim thy fame?
And fair Par thenian woods resound thy name?
Who seiz'd the golden belt of Thermodon?
And who the dragon-guarded apples won?
Could the fierce centaur's strength my force withstand,
Or the fell boar that spoil'd th' Arcadian land?
Did not these arms the Hydra's rage subdue,
Who from his wounds to double fury grew?
What if the Thracian horses, fat with gore,
Who human bodies in their mangers tore,
I saw, and with their barb'rous lord o'erthrew?
What if these hands Nemaea's lion slew?
Did not this neck the heav'nly globe sustain?
The female partner of the Thunderer's reign
Fatigu'd, at length suspends her harsh commands,
Yet no fatigue hath slack'd these valiant hands.
But now new plagues pursue me, neither force,
Nor arms, nor darts can stop their raging course.
Devouring flame thro' my rack'd entrails strays,
And on my lungs and shrivel'd muscles preys.
Yet still Eurystheus breathes the vital air.
What mortal now shall seek the Gods with pray'r?

The Transformation of Lychas into a Rock

The hero said; and with the torture stung,
Furious o'er Oete's lofty hills he sprung.
Stuck with the shaft, thus scours the tyger round,
And seeks the flying author of his wound.
Now might you see him trembling, now he vents
His anguish'd soul in groans, and loud laments;
He strives to tear the clinging vest in vain,
And with up-rooted forests strows the plain;
Now kindling into rage, his hands he rears,
And to his kindred Gods directs his pray'rs.
When Lychas, lo, he spies; who trembling flew,
And in a hollow rock conceal'd from view,
Had shun'd his wrath. Now grief renew'd his pain,
His madness chaf'd, and thus he raves again.

Lychas, to thee alone my fate I owe,
Who bore the gift, the cause of all my woe.
The youth all pale, with shiv'ring fear was stung,
And vain excuses falter'd on his tongue.
Alcides snatch'd him, as with suppliant face
He strove to clasp his knees, and beg for grace:
He toss'd him o'er his head with airy course,
And hurl'd with more than with an engine's force;
Far o'er th' Eubaean main aloof he flies,
And hardens by degrees amid the skies.
So showry drops, when chilly tempests blow,
Thicken at first, then whiten into snow,
In balls congeal'd the rolling fleeces bound,
In solid hail result upon the ground.
Thus, whirl'd with nervous force thro' distant air,
The purple tide forsook his veins, with fear;
All moisture left his limbs. Transform'd to stone,
In ancient days the craggy flint was known;
Still in the Eubaean waves his front he rears,
Still the small rock in human form appears,
And still the name of hapless Lychas bears.

The Apotheosis of Hercules

But now the hero of immortal birth
Fells Oete's forests on the groaning Earth;
A pile he builds; to Philoctetes' care
He leaves his deathful instruments of war;
To him commits those arrows, which again
Shall see the bulwarks of the Trojan reign.
The son of Paean lights the lofty pyre,
High round the structure climbs the greedy fire;
Plac'd on the top, thy nervous shoulders spread
With the Nemaean spoils, thy careless head
Rais'd on a knotty club, with look divine,
Here thou, dread hero, of celestial line,
Wert stretch'd at ease; as when a chearful guest,
Wine crown'd thy bowls, and flow'rs thy temples drest.

Now on all sides the potent flames aspire,
And crackle round those limbs that mock the fire
A sudden terror seiz'd th' immortal host,
Who thought the world's profess'd defender lost.
This when the Thund'rer saw, with smiles he cries,
'Tis from your fears, ye Gods, my pleasures rise;
Joy swells my breast, that my all-ruling hand
O'er such a grateful people boasts command,
That you my suff'ring progeny would aid;
Tho' to his deeds this just respect be paid,
Me you've oblig'd. Be all your fears forborn,
Th' Oetean fires do thou, great hero, scorn.
Who vanquish'd all things, shall subdue the flame.
That part alone of gross maternal frame
Fire shall devour; while what from me he drew
Shall live immortal, and its force subdue;
That, when he's dead, I'll raise to realms above;
May all the Pow'rs the righteous act approve.
If any God dissent, and judge too great
The sacred honours of the heav'nly seat,
Ev'n he shall own his deeds deserve the sky,
Ev'n he reluctant, shall at length comply.
Th' assembled Pow'rs assent. No frown 'till now
Had mark'd with passion vengeful Juno's brow,
Mean-while whate'er was in the pow'r of flame
Was all consum'd; his body's nervous frame
No more was known, of human form bereft,
Th' eternal part of Jove alone was left.
As an old serpent casts his scaly vest,
Wreathes in the sun, in youthful glory drest;
So when Alcides mortal mold resign'd,
His better part enlarg'd, and grew refin'd;
August his visage shone; almighty Jove
In his swift carr his honour'd offspring drove;
High o'er the hollow clouds the coursers fly,
And lodge the hero in the starry sky.

The Transformation of Galanthis

Atlas perceiv'd the load of Heav'n's new guest.
Revenge still rancour'd in Eurystheus' breast
Against Alcides' race. Alcmena goes
To Iole, to vent maternal woes;
Here she pours forth her grief, recounts the spoils
Her son had bravely reap'd in glorious toils.
This Iole, by Hercules' commands,
Hyllus had lov'd, and joyn'd in nuptial bands.
Her swelling womb the teeming birth confess'd,
To whom Alcmena thus her speech address'd.

O, may the Gods protect thee, in that hour,
When, 'midst thy throws, thou call'st th' Ilithyan Pow'r!

May no delays prolong thy racking pain,
As when I su'd for Juno's aid in vain.

When now Alcides' mighty birth drew nigh,
And the tenth sign roll'd forward on the sky,
My womb extends with such a mighty load,
As Jove the parent of the bur then show'd.
I could no more th' encreasing smart sustain,
My horror kindles to recount the pain;
Cold chills my limbs while I the tale pursue,
And now methinks I feel my pangs anew.
Seven days and nights amidst incessant throws,
Fatigu'd with ills I lay, nor knew repose;
When lifting high my hands, in shrieks I pray'd,
Implor'd the Gods, and call'd Lucina's aid.
She came, but prejudic'd, to give my Fate
A sacrifice to vengeful Juno's hate.
She hears the groaning anguish of my fits,
And on the altar at my door she sits.
O'er her left knee her crossing leg she cast,
Then knits her fingers close, and wrings them fast:
This stay'd the birth; in mutt'ring verse she pray'd,
The mutt'ring verse th' unfinish'd birth delay'd.
Now with fierce struggles, raging with my pain,
At Jove's ingratitude I rave in vain.
How did I wish for death! such groans I sent,
As might have made the flinty heart relent.

Now the Cadmeian matrons round me press,
Offer their vows, and seek to bring redress;
Among the Theban dames Galanthis stands,
Strong limb'd, red hair'd, and just to my commands:
She first perceiv'd that all these racking woes
From the persisting hate of Juno rose.
As here and there she pass'd, by chance she sees
The seated Goddess; on her close-press'd knees
Her fast-knit hands she leans; with chearful voice
Galanthis cries, Whoe'er thou art, rejoyce,
Congratulate the dame, she lies at rest,
At length the Gods Alcmena's womb have blest.
Swift from her seat the startled Goddess springs,
No more conceal'd, her hands abroad she flings;
The charm unloos'd, the birth my pangs reliev'd;
Galanthis' laughter vex'd the Pow'r deceiv'd.
Fame says, the Goddess dragg'd the laughing maid
Fast by the hair; in vain her force essay'd
Her grov'ling body from the ground to rear;
Chang'd to fore-feet her shrinking arms appear:
Her hairy back her former hue retains,
The form alone is lost; her strength remains;
Who, since the lye did from her mouth proceed,
Shall from her pregnant mouth bring forth her breed;
Nor shall she quit her long-frequented home,
But haunt those houses where she lov'd to roam.

The Fable of Dryope

She said, and for her lost Galanthis sighs;
When the fair consort of her son replies;
Since you a servant's ravish'd form bemoan,
And kindly sigh for sorrows not your own,
Let me (if tears and grief permit) relate
A nearer woe, a sister's stranger fate.

No nymph of all Oechaloa could compare
For beauteous form with Dryope the fair;
Her tender mother's only hope and pride
(My self the offspring of a second bride),
This nymph, compress'd by him who rules the day,
Whom Delphi, and the Delian isle obey,
Andraemon lov'd; and blest in all those charms
That pleas'd a God, succeeded to her arms.

A lake there was, with shelving banks around,
Whose verdant summit fragrant myrtles crown'd.
Those shades, unknowing of the fates, she sought;
And to the Naiads flow'ry garlands brought;
Her smiling babe (a pleasing charge) she prest
Between her arms, and nourish'd at her breast.
Not distant far a watry lotos grows;
The Spring was new, and all the verdant boughs,
Acorn'd with blossoms, promis'd fruits that vye
In glowing colours with the Tyrian dye.
Of these she cropt, to please her infant son,
And I my self the same rash act had done,
But, lo! I saw (as near her side I stood)
The violated blossoms drop with blood;
Upon the tree I cast a frightful look,
The trembling tree with sudden horror shook.
Lotis the nymph (if rural tales be true)
As from Priapus' lawless lust she flew,
Forsook her form; and fixing here became
A flow'ry plant, which still preserves her name.

This change unknown, astonish'd at the sight,
My trembling sister strove to urge her flight;
Yet first the pardon of the Nymphs implor'd,
And those offended Sylvan pow'rs ador'd:
But when she backward would have fled, she found
Her stiff'ning feet were rooted to the ground:
In vain to free her fasten'd feet she strove,
And as she struggles only moves above;
She feels th' incroaching bark around her grow,
By slow degrees, and cover all below:
Surpriz'd at this, her trembling hand she heaves
To rend her hair; her hand is fill'd with leaves;
Where late was hair, the shooting leaves are seen
To rise, and shade her with a sudden green.
The Child Amphisus, to her bosom prest,
Perceiv'd a colder and a harder breast,
And found the springs, that n'er 'till then deny'd
Their milky moisture, on a sudden dry'd.
I saw, unhappy, what I now relate,
And stood the helpless witness of thy fate;
Embrac'd thy boughs, the rising bark delay'd,
There wish'd to grow, and mingle shade with shade.

Behold Andraemon, and th' unhappy sire
Appear, and for their Dryope enquire;
A springing tree for Dryope they find,
And print warm kisses on the panting rind;
Prostrate, with tears their kindred plant bedew,
And close embrac'd, as to the roots they grew;
The face was all that now remain'd of thee;
No more a woman, nor yet quite a tree:
Thy branches hung with humid pearls appear,
From ev'ry leaf distills a trickling tear;
And strait a voice, while yet a voice remains,
Thus thro' the trembling boughs in sighs complains.

If to the wretched any faith be giv'n,
I swear by all th' unpitying Pow'rs of Heav'n,
No wilful crime this heavy vengeance bred,
In mutual innocence our lives we led.
If this be false, let these new greens decay,
Let sounding axes lop my limbs away,
And crackling flames on all my honours prey.
Now from my branching arms this infant bear,
Let some kind nurse supply a mother's care;
Yet to his mother let him oft be led,
Sport in her shades, and in her shades be fed;
Teach him, when first his infant voice shall frame
Imperfect words, and lisp his mother's name,
To hail this tree, and say with weeping eyes,
Within this plant my hapless parent lies;
And when in youth he seeks the shady woods,
Oh, let him fly the chrystal lakes and floods,
Nor touch the fatal flow'rs; but warn'd by me,
Believe a Goddess shrin'd in ev'ry tree.
My sire, my sister, and my spouse farewel!
If in your breasts or love, or pity, dwell,
Protect your plant, nor let my branches feel
The browzing cattle, or the piercing steel.
Farewel! and since I cannot bend to join
My lips to yours, advance at least to mine.
My son, thy mother's parting kiss receive,
While yet thy mother has a kiss to give.
I can no more; the creeping rind invades
My closing lips, and hides my head in shades:
Remove your hands; the bark shall soon suffice,
Without their aid, to seal these dying eyes.
She ceas'd at once to speak, and ceas'd to be;
And all the nymph was lost within the tree:
Yet latent life thro' her new branches reign'd,
And long the plant a human heat retain'd.

Iolaus restor'd to Youth

While Iole the fatal change declares,
Alcmena's pitying hand oft wip'd her tears.
Grief too stream'd down her cheeks; soon sorrow flies,
And rising joy the trickling moisture dries,
Lo Iolaus stands before their eyes.
A youth he stood; and the soft down began
O'er his smooth chin to spread, and promise man.
Hebe submitted to her husband's pray'rs,
Instill'd new vigour, and restor'd his years.

The Prophecy of Themis

Now from her lips a solemn oath had past,
That Iolaus this gift alone shou'd taste,
Had not just Themis thus maturely said
(Which check'd her vow, and aw'd the blooming maid).

Thebes is embroil'd in war. Capaneus stands
Invincible, but by the Thund'rer's hands.
Ambition shall the guilty brothers fire,
Both rush to mutual wounds, and both expire.
The reeling Earth shall ope her gloomy womb,
Where the yet breathing bard shall find his tomb.
The son shall bath his hands in parents' blood,
And in one act be both unjust, and good.
Of home, and sense depriv'd, where-e'er he flies,
The Furies, and his mother's ghost he spies.
His wife the fatal bracelet shall implore,
And Phegeus stain his sword in kindred gore.
Callirhoe shall then with suppliant pray'r
Prevail on Jupiter's relenting ear.
Jove shall with youth her infant sons inspire,
And bid their bosoms glow with manly fire.

The Debate of the Gods

When Themis thus with prescient voice had spoke,
Among the Gods a various murmur broke;
Dissention rose in each immortal breast,
That one should grant, what was deny'd the rest.
Aurora for her aged spouse complains,
And Ceres grieves for Jason's freezing veins;
Vulcan would Erichthonius' years renew,
Her future race the care of Venus drew,
She would Anchises' blooming age restore;
A diff'rent care employ'd each heav'nly Pow'r:
Thus various int'rests did their jars encrease,
'Till Jove arose; he spoke, their tumults cease.

Is any rev'rence to our presence giv'n,
Then why this discord 'mong the Pow'rs of Heav'n?
Who can the settled will of Fate subdue?
'Twas by the Fates that Iolaus knew
A second youth. The Fates' determin'd doom
Shall give Callirhoe's race a youthful bloom.
Arms, nor ambition can this pow'r obtain;
Quell your desires; ev'n me the Fates restrain.
Could I their will controul, no rolling years
Had Aeacus bent down with silver hairs;
Then Rhadamanthus still had youth possess'd,
And Minos with eternal bloom been bless'd.
Jove's words the synod mov'd; the Pow'rs give o'er,
And urge in vain unjust complaint no more.
Since Rhadamanthus' veins now slowly flow'd,
And Aeacus, and Minos bore the load;
Minos, who in the flow'r of youth, and fame,
Made mighty nations tremble at his name,
Infirm with age, the proud Miletus fears,
Vain of his birth, and in the strength of years,
And now regarding all his realms as lost,
He durst not force him from his native coast.
But you by choice, Miletus, fled his reign,
And thy swift vessel plow'd th' Aegean main;
On Asiatick shores a town you frame,
Which still is honour'd with the founder's name.
Here you Cyanee knew, the beauteous maid,
As on her father's winding banks she stray'd:
Caunus and Byblis hence their lineage trace,
The double offspring of your warm embrace.

The Passion of of Byblis

Let the sad fate of wretched Byblis prove
A dismal warning to unlawful love;
One birth gave being to the hapless pair,
But more was Caunus than a sister's care;
Unknown she lov'd, for yet the gentle fire
Rose not in flames, nor kindled to desire,
'Twas thought no sin to wonder at his charms,
Hang on his neck, and languish in his arms;
Thus wing'd with joy, fled the soft hours away,
And all the fatal guilt on harmless Nature lay.

But love (too soon from piety declin'd)
Insensibly deprav'd her yielding mind.
Dress'd she appears, with nicest art adorn'd,
And ev'ry youth, but her lov'd brother, scorn'd;
For him alone she labour'd to be fair,
And curst all charms that might with hers compare.
'Twas she, and only she, must Caunus please,
Sick at her heart, yet knew not her disease:
She call'd him lord, for brother was a name
Too cold, and dull for her aspiring flame;
And when he spoke, if sister he reply'd,
For Byblis change that frozen word, she cry'd.
Yet waking still she watch'd her strugling breast,
And love's approaches were in vain address'd,
'Till gentle sleep an easy conquest made,
And in her soft embrace the conqueror was laid.
But oh too soon the pleasing vision fled,
And left her blushing on the conscious bed:
Ah me! (she cry'd) how monstrous do I seem?
Why these wild thoughts? and this incestuous dream?
Envy herself ('tis true) must own his charms,
But what is beauty in a sister's arms?
Oh were I not that despicable she,
How bless'd, how pleas'd, how happy shou'd I be!
But unregarded now must bear my pain,
And but in dreams, my wishes can obtain.

O sea-born Goddess! with thy wanton boy!
Was ever such a charming scene of joy?
Such perfect bliss! such ravishing delight!
Ne'er hid before in the kind shades of night.
How pleas'd my heart! in what sweet raptures tost!
Ev'n life it self in the soft combat lost,
While breathless he on my heav'd bosom lay,
And snatch'd the treasures of my soul away.

If the bare fancy so affects my mind,
How shou'd I rave if to the substance join'd?
Oh, gentle Caunus! quit thy hated line,
Or let thy parents be no longer mine!
Oh that in common all things were enjoy'd,
But those alone who have our hopes destroy'd.
Were I a princess, thou an humble swain,
The proudest kings shou'd rival thee in vain.
It cannot be, alas! the dreadful ill
Is fix'd by Fate, and he's my brother still.
Hear me, ye Gods! I must have friends in Heav'n,
For Jove himself was to a sister giv'n:
But what are their prerogatives above,
To the short liberties of human love?
Fantastick thoughts! down, down, forbidden fires,
Or instant death extinguish my desires.
Strict virtue, then, with thy malicious leave,
Without a crime I may a kiss receive:
But say shou'd I in spight of laws comply,
Yet cruel Caunus might himself deny,
No pity take of an afflicted maid
(For love's sweet game must be by couples play'd).
Yet why shou'd youth, and charms like mine, despair?
Such fears ne'er startled the Aeolian pair;
No ties of blood could their full hopes destroy,
They broke thro' all, for the prevailing joy;
And who can tell but Caunus too may be
Rack'd and tormented in his breast for me?
Like me, to the extreamest anguish drove,
Like me, just waking from a dream of love?
But stay! Oh whither wou'd my fury run!
What arguments I urge to be undone!
Away fond Byblis, quench these guilty flames;
Caunus thy love but as brother claims;
Yet had he first been touch'd with love of me,
The charming youth cou'd I despairing see?
Oppress'd with grief, and dying by disdain?
Ah no! too sure I shou'd have eas'd his pain!
Since then, if Caunus ask'd me, it were done;
Asking my self, what dangers can I run?
But canst thou ask? and see that right betray'd,
From Pyrrha down to thy whole sex convey'd?
That self-denying gift we all enjoy,
Of wishing to be won, yet seeming to be coy.
Well then, for once, let a fond mistress woo;
The force of love no custom can subdue;
This frantick passion he by words shall know,
Soft as the melting heart from whence they flow.
The pencil then in her fair hand she held,
By fear discourag'd, but by love compell'd
She writes, then blots, writes on, and blots again,
Likes it as fit, then razes it as vain:
Shame, and assurance in her face appear,
And a faint hope just yielding to despair;
Sister was wrote, and blotted as a word
Which she, and Caunus too (she hop'd) abhorr'd;
But now resolv'd to be no more controul'd
By scrup'lous virtue, thus her grief she told.

Thy lover (gentle Caunus) wishes thee
That health, which thou alone canst give to me.
O charming youth! the gift I ask bestow,
Ere thou the name of the fond writer know;
To thee without a name I would be known,
Since knowing that, my frailty I must own.
Yet why shou'd I my wretched name conceal?
When thousand instances my flames reveal:
Wan looks, and weeping eyes have spoke my pain,
And sighs discharg'd from my heav'd heart in vain;
Had I not wish'd my passion might be seen,
What cou'd such fondness and embraces mean?
Such kisses too! (Oh heedless lovely boy)
Without a crime no sister cou'd enjoy:
Yet (tho' extreamest rage has rack'd my soul,
And raging fires in my parch'd bosom roul)
Be witness, Gods! how piously I strove,
To rid my thoughts of this enchanting love.
But who cou'd scape so fierce, and sure a dart,
Aim'd at a tender, and defenceless heart?
Alas! what maid cou'd suffer, I have born,
Ere the dire secret from my breast was torn;
To thee a helpless vanquish'd wretch I come,
'Tis you alone can save, or give my doom;
My life, or death this moment you may chuse.
Yet think, oh think, no hated stranger sues,
No foe; but one, alas! too near ally'd,
And wishing still much nearer to be ty'd.
The forms of decency let age debate,
And virtue's rules by their cold morals state;
Their ebbing joys give leisure to enquire,
And blame those noble flights our youth inspire:
Where Nature kindly summons let us go,
Our sprightly years no bounds in love shou'd know,
Shou'd feel no check of guilt, and fear no ill;
Lovers, and Gods act all things at their will:
We gain one blessing from our hated kin,
Since our paternal freedom hides the sin;
Uncensur'd in each other's arms we lye,
Think then how easie to compleat our joy.
Oh, pardon and oblige a blushing maid,
Whose rage the pride of her vain sex betray'd;
Nor let my tomb thus mournfully complain,
Here Byblis lies, by her lov'd Caunus slain.

Forc'd here to end, she with a falling tear
Temper'd the pliant wax, which did the signet bear:
The curious cypher was impress'd by art,
But love had stamp'd one deeper in her heart;
Her page, a youth of confidence, and skill,
(Secret as night) stood waiting on her will;
Sighing (she cry'd): Bear this, thou faithful boy,
To my sweet partner in eternal joy:
Here a long pause her secret guilt confess'd,
And when at length she would have spoke the rest,
Half the dear name lay bury'd in her breast.

Thus as he listned to her vain command,
Down fell the letter from her trembling hand.
The omen shock'd her soul. Yet go, she cry'd;
Can a request from Byblis be deny'd?

To the Maeandrian youth this message's born,
The half-read lines by his fierce rage were torn;
Hence, hence, he cry'd, thou pandar to her lust,
Bear hence the triumph of thy impious trust:
Thy instant death will but divulge her shame,
Or thy life's blood shou'd quench the guilty flame.
Frighted, from threatning Caunus he withdrew,
And with the dreadful news to his lost mistress flew.
The sad repulse so struck the wounded fair,
Her sense was bury'd in her wild despair;
Pale was her visage, as the ghastly dead;
And her scar'd soul from the sweet mansion fled;
Yet with her life renew'd, her love returns,
And faintly thus her cruel fate she mourns:
'Tis just, ye Gods! was my false reason blind?
To write a secret of this tender kind?
With female craft I shou'd at first have strove,
By dubious hints to sound his distant love;
And try'd those useful, tho' dissembled, arts,
Which women practise on disdainful hearts:
I shou'd have watch'd whence the black storm might rise;

Ere I had trusted the unfaithful skies.
Now on the rouling billows I am tost,
And with extended sails, on the blind shelves am lost.
Did not indulgent Heav'n my doom foretell,
When from my hand the fatal letter fell?
What madness seiz'd my soul? and urg'd me on
To take the only course to be undone?
I cou'd my self have told the moving tale
With such alluring grace as must prevail;
Then had his eyes beheld my blushing fears,
My rising sighs, and my descending tears;
Round his dear neck these arms I then had spread,
And, if rejected, at his feet been dead:
If singly these had not his thoughts inclin'd,
Yet all united would have shock'd his mind.
Perhaps, my careless page might be in fault,
And in a luckless hour the fatal message brought;
Business, and worldly thoughts might fill his breast,
Sometimes ev'n love itself may be an irksome guest:
He cou'd not else have treated me with scorn,
For Caunus was not of a tygress born;
Nor steel, nor adamant has fenc'd his heart;
Like mine, 'tis naked to the burning dart.

Away false fears! he must, he shall be mine;
In death alone I will my claim resign;
'Tis vain to wish my written crime unknown,
And for my guilt much vainer to atone.
Repuls'd and baffled, fiercer still she burns,
And Caunus with disdain her impious love returns.
He saw no end of her injurious flame,
And fled his country to avoid the shame.
Forsaken Byblis, who had hopes no more;
Burst out in rage, and her loose robes she tore;
With her fair hands she smote her tender breast,
And to the wond'ring world her love confess'd;
O'er hills and dales, o'er rocks and streams she flew,
But still in vain did her wild lust pursue:
Wearied at length, on the cold earth she fell,
And now in tears alone could her sad story tell.
Relenting Gods in pity fix'd her there,
And to a fountain turn'd the weeping fair.

The Fable of Iphis and Ian the

The fame of this, perhaps, thro' Crete had flown:
But Crete had newer wonders of her own,
In Iphis chang'd; for, near the Gnossian bounds
(As loud report the miracle resounds),
At Phaestus dwelt a man of honest blood,
But meanly born, and not so rich as good;
Esteem'd, and lov'd by all the neighbourhood;
Who to his wife, before the time assign'd
For child-birth came, thus bluntly spoke his mind.
If Heav'n, said Lygdus, will vouchsafe to hear,
I have but two petitions to prefer;
Short pains for thee, for me a son and heir.
Girls cost as many throes in bringing forth;
Beside, when born, the titts are little worth;
Weak puling things, unable to sustain
Their share of labour, and their bread to gain.
If, therefore, thou a creature shalt produce,
Of so great charges, and so little use
(Bear witness, Heav'n, with what reluctancy),
Her hapless innocence I doom to die.
He said, and common tears the common grief display,
Of him who bad, and her who must obey.

Yet Telethusa still persists, to find
Fit arguments to move a father's mind;
T' extend his wishes to a larger scope,
And in one vessel not confine his hope.
Lygdus continues hard: her time drew near,
And she her heavy load could scarcely bear;
When slumbring, in the latter shades of night,
Before th' approaches of returning light,
She saw, or thought she saw, before her bed,
A glorious train, and Isis at their head:
Her moony horns were on her forehead plac'd,
And yellow shelves her shining temples grac'd:
A mitre, for a crown, she wore on high;
The dog, and dappl'd bull were waiting by;
Osyris, sought along the banks of Nile;
The silent God: the sacred crocodile;
And, last, a long procession moving on,
With timbrels, that assist the lab'ring moon.
Her slumbers seem'd dispell'd, and, broad awake,
She heard a voice, that thus distinctly spake.
My votary, thy babe from death defend,
Nor fear to save whate'er the Gods will send.
Delude with art thy husband's dire decree:
When danger calls, repose thy trust on me:
And know thou hast not serv'd a thankless deity.
This promise made, with night the Goddess fled;
With joy the woman wakes, and leaves her bed;
Devoutly lifts her spotless hands on high,
And prays the Pow'rs their gift to ratifie.

Now grinding pains proceed to bearing throes,
'Till its own weight the burden did disclose.
'Twas of the beauteous kind, and brought to light
With secrecy, to shun the father's sight.
Th' indulgent mother did her care employ,
And past it on her husb and for a boy.
The nurse was conscious of the fact alone;
The father paid his vows as for a son;
And call'd him Iphis, by a common name,
Which either sex with equal right may claim.
Iphis his grandsire was; the wife was pleas'd,
Of half the fraud by Fortune's favour eas'd:
The doubtful name was us'd without deceit,
And truth was cover'd with a pious cheat.
The habit show'd a boy, the beauteous face
With manly fierceness mingled female grace.

Now thirteen years of age were swiftly run,
When the fond father thought the time drew on
Of settling in the world his only son.
Ian the was his choice; so wondrous fair,
Her form alone with Iphis cou'd compare;
A neighbour's daughter of his own degree,
And not more bless'd with Fortune's goods than he.

They soon espous'd; for they with ease were join'd,
Who were before contracted in the mind.
Their age the same, their inclinations too;
And bred together, in one school they grew.
Thus, fatally dispos'd to mutual fires,
They felt, before they knew, the same desires.
Equal their flame, unequal was their care;
One lov'd with hope, one languish'd in despair.
The maid accus'd the lingring day alone:
For whom she thought a man, she thought her own.
But Iphis bends beneath a greater grief;
As fiercely burns, but hopes for no relief.
Ev'n her despair adds fuel to her fire;
A maid with madness does a maid desire.
And, scarce refraining tears, Alas, said she,
What issue of my love remains for me!
How wild a passion works within my breast,
With what prodigious flames am I possest!
Could I the care of Providence deserve,
Heav'n must destroy me, if it would preserve.
And that's my fate, or sure it would have sent
Some usual evil for my punishment:
Not this unkindly curse; to rage, and burn,
Where Nature shews no prospect of return.
Nor cows for cows consume with fruitless fire;
Nor mares, when hot, their fellow-mares desire:
The father of the fold supplies his ewes;
The stag through secret woods his hind pursues;
And birds for mates the males of their own species chuse.

Her females Nature guards from female flame,
And joins two sexes to preserve the game:
Wou'd I were nothing, or not what I am!
Crete, fam'd for monsters, wanted of her store,
'Till my new love produc'd one monster more.
The daughter of the sun a bull desir'd,
And yet ev'n then a male a female fir'd:
Her passion was extravagantly new,
But mine is much the madder of the two.
To things impossible she was not bent,
But found the means to compass her intent.
To cheat his eyes she took a different shape;
Yet still she gain'd a lover, and a leap.
Shou'd all the wit of all the world conspire,
Shou'd Daedalus assist my wild desire,
What art can make me able to enjoy,
Or what can change Ian the to a boy?
Extinguish then thy passion, hopeless maid,
And recollect thy reason for thy aid.
Know what thou art, and love as maidens ought,
And drive these golden wishes from thy thought.
Thou canst not hope thy fond desires to gain;
Where hope is wanting, wishes are in vain.

And yet no guards against our joys conspire;
No jealous husb and hinders our desire;
My parents are propitious to my wish,
And she herself consenting to the bliss.
All things concur to prosper our design;
All things to prosper any love but mine.
And yet I never can enjoy the fair;
'Tis past the pow'r of Heav'n to grant my pray'r.
Heav'n has been kind, as far as Heav'n can be;
Our parents with our own desires agree;
But Nature, stronger than the Gods above,
Refuses her assistance to my love;
She sets the bar that causes all my pain;
One gift refus'd, makes all their bounty vain.
And now the happy day is just at hand,
To bind our hearts in Hymen's holy band:
Our hearts, but not our bodies: thus accurs'd,
In midst of water I complain of thirst.
Why com'st thou, Juno, to these barren rites,
To bless a bed defrauded of delights?
But why shou'd Hymen lift his torch on high,
To see two brides in cold embraces lye?

Thus love-sick Iphis her vain passion mourns;
With equal ardour fair Ian the burns,
Invoking Hymen's name, and Juno's pow'r,
To speed the work, and haste the happy hour.

She hopes, while Telethusa fears the day,
And strives to interpose some new delay:
Now feigns a sickness, now is in a fright
For this bad omen, or that boding sight.
But having done whate'er she could devise,
And empty'd all her magazine of lies,
The time approach'd; the next ensuing day
The fatal secret must to light betray.
Then Telethusa had recourse to pray'r,
She, and her daughter with dishevel'd hair;
Trembling with fear, great Isis they ador'd,
Embrac'd her altar, and her aid implor'd.

Fair queen, who dost on fruitful Egypt smile,
Who sway'st the sceptre of the Pharian isle,
And sev'n-fold falls of disemboguing Nile,
Relieve, in this our last distress, she said,
A suppliant mother, and a mournful maid.
Thou, Goddess, thou wert present to my sight;
Reveal'd I saw thee by thy own fair light:
I saw thee in my dream, as now I see,
With all thy marks of awful majesty:
The glorious train that compass'd thee around;
And heard the hollow timbrels holy sound.
Thy words I noted, which I still retain;
Let not thy sacred oracles be vain.
That Iphis lives, that I myself am free
From shame, and punishment, I owe to thee.
On thy protection all our hopes depend.
Thy counsel sav'd us, let thy pow'r defend.

Her tears pursu'd her words; and while she spoke,
The Goddess nodded, and her altar shook:
The temple doors, as with a blast of wind,
Were heard to clap; the lunar horns that bind
The brows of Isis cast a blaze around;
The trembling timbrel made a murm'ring sound.

Some hopes these happy omens did impart;
Forth went the mother with a beating heart:
Not much in fear, nor fully satisfy'd;
But Iphis follow'd with a larger stride:
The whiteness of her skin forsook her face;
Her looks embolden'd with an awful grace;
Her features, and her strength together grew,
And her long hair to curling locks withdrew.
Her sparkling eyes with manly vigour shone,
Big was her voice, audacious was her tone.
The latent parts, at length reveal'd, began
To shoot, and spread, and burnish into man.
The maid becomes a youth; no more delay
Your vows, but look, and confidently pay.
Their gifts the parents to the temple bear:
The votive tables this inscription wear;
Iphis the man, has to the Goddess paid
The vows, that Iphis offer'd when a maid.

Now when the star of day had shewn his face,
Venus and Juno with their presence grace
The nuptial rites, and Hymen from above
Descending to compleat their happy love;
The Gods of marriage lend their mutual aid;
And the warm youth enjoys the lovely maid.

----------------------------------------------------------------------
~ Ovid, BOOK THE NINTH

,
303:BOOK THE ELEVENTH

The Death of Orpheus

Here, while the Thracian bard's enchanting strain
Sooths beasts, and woods, and all the listn'ing plain,
The female Bacchanals, devoutly mad,
In shaggy skins, like savage creatures, clad,
Warbling in air perceiv'd his lovely lay,
And from a rising ground beheld him play.
When one, the wildest, with dishevel'd hair,
That loosely stream'd, and ruffled in the air;
Soon as her frantick eye the lyrist spy'd,
See, see! the hater of our sex, she cry'd.
Then at his face her missive javelin sent,
Which whiz'd along, and brusht him as it went;
But the soft wreathes of ivy twisted round,
Prevent a deep impression of the wound.
Another, for a weapon, hurls a stone,
Which, by the sound subdu'd as soon as thrown,
Falls at his feet, and with a seeming sense
Implores his pardon for its late offence.
But now their frantick rage unbounded grows,
Turns all to madness, and no measure knows:
Yet this the charms of musick might subdue,
But that, with all its charms, is conquer'd too;
In louder strains their hideous yellings rise,
And squeaking horn-pipes eccho thro' the skies,
Which, in hoarse consort with the drum, confound
The moving lyre, and ev'ry gentle sound:
Then 'twas the deafen'd stones flew on with speed,
And saw, unsooth'd, their tuneful poet bleed.
The birds, the beasts, and all the savage crew
Which the sweet lyrist to attention drew,
Now, by the female mob's more furious rage,
Are driv'n, and forc'd to quit the shady stage.
Next their fierce hands the bard himself assail,
Nor can his song against their wrath prevail:
They flock, like birds, when in a clustring flight,
By day they chase the boding fowl of night.
So crowded amphitheatres survey
The stag, to greedy dogs a future prey.
Their steely javelins, which soft curls entwine
Of budding tendrils from the leafy vine,
For sacred rites of mild religion made,
Are flung promiscuous at the poet's head.
Those clods of earth or flints discharge, and these
Hurl prickly branches sliver'd from the trees.
And, lest their passion shou'd be unsupply'd,
The rabble crew, by chance, at distance spy'd
Where oxen, straining at the heavy yoke,
The fallow'd field with slow advances broke;
Nigh which the brawny peasants dug the soil,
Procuring food with long laborious toil.
These, when they saw the ranting throng draw near,
Quitted their tools, and fled, possest with fear.
Long spades, and rakes of mighty size were found,
Carelesly left upon the broken ground.
With these the furious lunaticks engage,
And first the lab'ring oxen feel their rage;
Then to the poet they return with speed,
Whose fate was, past prevention, now decreed:
In vain he lifts his suppliant hands, in vain
He tries, before, his never-failing strain.
And, from those sacred lips, whose thrilling sound
Fierce tygers, and insensate rocks cou'd wound,
Ah Gods! how moving was the mournful sight!
To see the fleeting soul now take its flight.
Thee the soft warblers of the feather'd kind
Bewail'd; for thee thy savage audience pin'd;
Those rocks and woods that oft thy strain had led,
Mourn for their charmer, and lament him dead;
And drooping trees their leafy glories shed.
Naids and Dryads with dishevel'd hair
Promiscuous weep, and scarfs of sable wear;
Nor cou'd the river-Gods conceal their moan,
But with new floods of tears augment their own.
His mangled limbs lay scatter'd all around,
His head, and harp a better fortune found;
In Hebrus' streams they gently roul'd along,
And sooth'd the waters with a mournful song.
Soft deadly notes the lifeless tongue inspire,
A doleful tune sounds from the floating lyre;
The hollows banks in solemn consort mourn,
And the sad strain in ecchoing groans return.
Now with the current to the sea they glide,
Born by the billows of the briny tide;
And driv'n where waves round rocky Lesbos roar,
They strand, and lodge upon Methymna's shore.

But here, when landed on the foreign soil,
A venom'd snake, the product of the isle
Attempts the head, and sacred locks embru'd
With clotted gore, and still fresh-dropping blood.
Phoebus, at last, his kind protection gives,
And from the fact the greedy monster drives:
Whose marbled jaws his impious crime atone,
Still grinning ghastly, tho' transform'd to stone.

His ghost flies downward to the Stygian shore,
And knows the places it had seen before:
Among the shadows of the pious train
He finds Eurydice, and loves again;
With pleasure views the beauteous phantom's charms,
And clasps her in his unsubstantial arms.
There side by side they unmolested walk,
Or pass their blissful hours in pleasing talk;
Aft or before the bard securely goes,
And, without danger, can review his spouse.

The Thracian Women transform'd to Trees

Bacchus, resolving to revenge the wrong,
Of Orpheus murder'd, on the madding throng,
Decreed that each accomplice dame should stand
Fix'd by the roots along the conscious land.
Their wicked feet, that late so nimbly ran
To wreak their malice on the guiltless man,
Sudden with twisted ligatures were bound,
Like trees, deep planted in the turfy ground.
And, as the fowler with his subtle gins,
His feather'd captives by the feet entwines,
That flutt'ring pant, and struggle to get loose,
Yet only closer draw the fatal noose;
So these were caught; and, as they strove in vain
To quit the place, they but encreas'd their pain.
They flounce and toil, yet find themselves controul'd;
The root, tho' pliant, toughly keeps its hold.
In vain their toes and feet they look to find,
For ev'n their shapely legs are cloath'd with rind.
One smites her thighs with a lamenting stroke,
And finds the flesh transform'd to solid oak;
Another, with surprize, and grief distrest,
Lays on above, but beats a wooden breast.
A rugged bark their softer neck invades,
Their branching arms shoot up delightful shades;
At once they seem, and are, a real grove,
With mossy trunks below, and verdant leaves above.

The Fable of Midas

Nor this suffic'd; the God's disgust remains,
And he resolves to quit their hated plains;
The vineyards of Tymole ingross his care,
And, with a better choir, he fixes there;
Where the smooth streams of clear Pactolus roll'd,
Then undistinguish'd for its sands of gold.
The satyrs with the nymphs, his usual throng,
Come to salute their God, and jovial danc'd along.
Silenus only miss'd; for while he reel'd,
Feeble with age, and wine, about the field,
The hoary drunkard had forgot his way,
And to the Phrygian clowns became a prey;
Who to king Midas drag the captive God,
While on his totty pate the wreaths of ivy nod.

Midas from Orpheus had been taught his lore,
And knew the rites of Bacchus long before.
He, when he saw his venerable guest,
In honour of the God ordain'd a feast.
Ten days in course, with each continu'd night,
Were spent in genial mirth, and brisk delight:
Then on th' eleventh, when with brighter ray
Phosphor had chac'd the fading stars away,
The king thro' Lydia's fields young Bacchus sought,
And to the God his foster-father brought.
Pleas'd with the welcome sight, he bids him soon
But name his wish, and swears to grant the boon.
A glorious offer! yet but ill bestow'd
On him whose choice so little judgment show'd.
Give me, says he (nor thought he ask'd too much),
That with my body whatsoe'er I touch,
Chang'd from the nature which it held of old,
May be converted into yellow gold.
He had his wish; but yet the God repin'd,
To think the fool no better wish could find.

But the brave king departed from the place,
With smiles of gladness sparkling in his face:
Nor could contain, but, as he took his way,
Impatient longs to make the first essay.
Down from a lowly branch a twig he drew,
The twig strait glitter'd with a golden hue:
He takes a stone, the stone was turn'd to gold;
A clod he touches, and the crumbling mold
Acknowledg'd soon the great transforming pow'r,
In weight and substance like a mass of ore.
He pluck'd the corn, and strait his grasp appears
Fill'd with a bending tuft of golden ears.
An apple next he takes, and seems to hold
The bright Hesperian vegetable gold.
His hand he careless on a pillar lays.
With shining gold the fluted pillars blaze:
And while he washes, as the servants pour,
His touch converts the stream to Danae's show'r.

To see these miracles so finely wrought,
Fires with transporting joy his giddy thought.
The ready slaves prepare a sumptuous board,
Spread with rich dainties for their happy lord;
Whose pow'rful hands the bread no sooner hold,
But its whole substance is transform'd to gold:
Up to his mouth he lifts the sav'ry meat,
Which turns to gold as he attempts to eat:
His patron's noble juice of purple hue,
Touch'd by his lips, a gilded cordial grew;
Unfit for drink, and wondrous to behold,
It trickles from his jaws a fluid gold.

The rich poor fool, confounded with surprize,
Starving in all his various plenty lies:
Sick of his wish, he now detests the pow'r,
For which he ask'd so earnestly before;
Amidst his gold with pinching famine curst;
And justly tortur'd with an equal thirst.
At last his shining arms to Heav'n he rears,
And in distress, for refuge, flies to pray'rs.
O father Bacchus, I have sinn'd, he cry'd,
And foolishly thy gracious gift apply'd;
Thy pity now, repenting, I implore;
Oh! may I feel the golden plague no more.

The hungry wretch, his folly thus confest,
Touch'd the kind deity's good-natur'd breast;
The gentle God annull'd his first decree,
And from the cruel compact set him free.
But then, to cleanse him quite from further harm,
And to dilute the relicks of the charm,
He bids him seek the stream that cuts the land
Nigh where the tow'rs of Lydian Sardis stand;
Then trace the river to the fountain head,
And meet it rising from its rocky bed;
There, as the bubling tide pours forth amain,
To plunge his body in, and wash away the stain.
The king instructed to the fount retires,
But with the golden charm the stream inspires:
For while this quality the man forsakes,
An equal pow'r the limpid water takes;
Informs with veins of gold the neighb'ring land,
And glides along a bed of golden sand.

Now loathing wealth, th' occasion of his woes,
Far in the woods he sought a calm repose;
In caves and grottos, where the nymphs resort,
And keep with mountain Pan their sylvan court.
Ah! had he left his stupid soul behind!
But his condition alter'd not his mind.

For where high Tmolus rears his shady brow,
And from his cliffs surveys the seas below,
In his descent, by Sardis bounded here,
By the small confines of Hypaepa there,
Pan to the nymphs his frolick ditties play'd,
Tuning his reeds beneath the chequer'd shade.
The nymphs are pleas'd, the boasting sylvan plays,
And speaks with slight of great Apollo's lays.
Tmolus was arbiter; the boaster still
Accepts the tryal with unequal skill.
The venerable judge was seated high
On his own hill, that seem'd to touch the sky.
Above the whisp'ring trees his head he rears,
From their encumbring boughs to free his ears;
A wreath of oak alone his temples bound,
The pendant acorns loosely dangled round.
In me your judge, says he, there's no delay:
Then bids the goatherd God begin, and play.
Pan tun'd the pipe, and with his rural song
Pleas'd the low taste of all the vulgar throng;
Such songs a vulgar judgment mostly please,
Midas was there, and Midas judg'd with these.

The mountain sire with grave deportment now
To Phoebus turns his venerable brow:
And, as he turns, with him the listning wood
In the same posture of attention stood.
The God his own Parnassian laurel crown'd,
And in a wreath his golden tresses bound,
Graceful his purple mantle swept the ground.
High on the left his iv'ry lute he rais'd,
The lute, emboss'd with glitt'ring jewels, blaz'd
In his right hand he nicely held the quill,
His easy posture spoke a master's skill.
The strings he touch'd with more than human art,
Which pleas'd the judge's ear, and sooth'd his heart;
Who soon judiciously the palm decreed,
And to the lute postpon'd the squeaking reed.

All, with applause, the rightful sentence heard,
Midas alone dissatisfy'd appear'd;
To him unjustly giv'n the judgment seems,
For Pan's barbarick notes he most esteems.
The lyrick God, who thought his untun'd ear
Deserv'd but ill a human form to wear,
Of that deprives him, and supplies the place
With some more fit, and of an ampler space:
Fix'd on his noddle an unseemly pair,
Flagging, and large, and full of whitish hair;
Without a total change from what he was,
Still in the man preserves the simple ass.

He, to conceal the scandal of the deed,
A purple turbant folds about his head;
Veils the reproach from publick view, and fears
The laughing world would spy his monstrous ears.
One trusty barber-slave, that us'd to dress
His master's hair, when leng then'd to excess,
The mighty secret knew, but knew alone,
And, tho' impatient, durst not make it known.
Restless, at last, a private place he found,
Then dug a hole, and told it to the ground;
In a low whisper he reveal'd the case,
And cover'd in the earth, and silent left the place.

In time, of trembling reeds a plenteous crop
From the confided furrow sprouted up;
Which, high advancing with the ripening year,
Made known the tiller, and his fruitless care:
For then the rustling blades, and whisp'ring wind,
To tell th' important secret, both combin'd.

The Building of Troy

Phoebus, with full revenge, from Tmolus flies,
Darts thro' the air, and cleaves the liquid skies;
Near Hellespont he lights, and treads the plains
Where great Laomedon sole monarch reigns;
Where, built between the two projecting strands,
To Panomphaean Jove an altar stands.
Here first aspiring thoughts the king employ,
To found the lofty tow'rs of future Troy.
The work, from schemes magnificent begun,
At vast expence was slowly carry'd on:
Which Phoebus seeing, with the trident God
Who rules the swelling surges with his nod,
Assuming each a mortal shape, combine
At a set price to finish his design.
The work was built; the king their price denies,
And his injustice backs with perjuries.
This Neptune cou'd not brook, but drove the main,
A mighty deluge, o'er the Phrygian plain:
'Twas all a sea; the waters of the deep
From ev'ry vale the copious harvest sweep;
The briny billows overflow the soil,
Ravage the fields, and mock the plowman's toil.

Nor this appeas'd the God's revengeful mind,
For still a greater plague remains behind;
A huge sea-monster lodges on the sands,
And the king's daughter for his prey demands.
To him that sav'd the damsel, was decreed
A set of horses of the Sun's fine breed:
But when Alcides from the rock unty'd
The trembling fair, the ransom was deny'd.
He, in revenge, the new-built walls attack'd,
And the twice-perjur'd city bravely sack'd.
Telamon aided, and in justice shar'd
Part of the plunder as his due reward:
The princess, rescu'd late, with all her charms,
Hesione, was yielded to his arms;
For Peleus, with a Goddess-bride, was more
Proud of his spouse, than of his birth before:
Grandsons to Jove there might be more than one,
But he the Goddess had enjoy'd alone.

The Story of Thetis and Peleus

For Proteus thus to virgin Thetis said,
Fair Goddess of the waves, consent to wed,
And take some spritely lover to your bed.
A son you'll have, the terror of the field,
To whom in fame, and pow'r his sire shall yield.

Jove, who ador'd the nymph with boundless love,
Did from his breast the dangerous flame remove.
He knew the Fates, nor car'd to raise up one,
Whose fame and greatness should eclipse his own,
On happy Peleus he bestow'd her charms,
And bless'd his grandson in the Goddess' arms:

A silent creek Thessalia's coast can show;
Two arms project, and shape it like a bow;
'Twould make a bay, but the transparent tide
Does scarce the yellow-gravell'd bottom hide;
For the quick eye may thro' the liquid wave
A firm unweedy level beach perceive.
A grove of fragrant myrtle near it grows,
Whose boughs, tho' thick, a beauteous grot disclose;
The well-wrought fabrick, to discerning eyes,
Rather by art than Nature seems to rise.
A bridled dolphin oft fair Thetis bore
To this her lov'd retreat, her fav'rite shore.
Here Peleus seiz'd her, slumbring while she lay,
And urg'd his suit with all that love could say:
But when he found her obstinately coy,
Resolv'd to force her, and comm and the joy;
The nymph, o'erpowr'd, to art for succour flies
And various shapes the eager youth surprize:
A bird she seems, but plies her wings in vain,
His hands the fleeting substance still detain:
A branchy tree high in the air she grew;
About its bark his nimble arms he threw:
A tyger next she glares with flaming eyes;
The frighten'd lover quits his hold, and flies:
The sea-Gods he with sacred rites adores,
Then a libation on the ocean pours;
While the fat entrails crackle in the fire,
And sheets of smoak in sweet perfume aspire;
'Till Proteus rising from his oozy bed,
Thus to the poor desponding lover said:
No more in anxious thoughts your mind employ,
For yet you shall possess the dear expected joy.
You must once more th' unwary nymph surprize,
As in her cooly grot she slumbring lies;
Then bind her fast with unrelenting hands,
And strain her tender limbs with knotted bands.
Still hold her under ev'ry different shape,
'Till tir'd she tries no longer to escape.
Thus he: then sunk beneath the glassy flood,
And broken accents flutter'd, where he stood.

Bright Sol had almost now his journey done,
And down the steepy western convex run;
When the fair Nereid left the briny wave,
And, as she us'd, retreated to her cave.
He scarce had bound her fast, when she arose,
And into various shapes her body throws:
She went to move her arms, and found 'em ty'd;
Then with a sigh, Some God assists ye, cry'd,
And in her proper shape stood blushing by his side.
About her waiste his longing arms he flung,
From which embrace the great Achilles sprung.

The Transformation of Daedalion

Peleus unmix'd felicity enjoy'd
(Blest in a valiant son, and virtuous bride),
'Till Fortune did in blood his hands imbrue,
And his own brother by curst chance he slew:
Then driv'n from Thessaly, his native clime,
Trachinia first gave shelter to his crime;
Where peaceful Ceyx mildly fill'd the throne,
And like his sire, the morning planet, shone;
But now, unlike himself, bedew'd with tears,
Mourning a brother lost, his brow appears.
First to the town with travel spent, and care,
Peleus, and his small company repair:
His herds, and flocks the while at leisure feed,
On the rich pasture of a neighb'ring mead.
The prince before the royal presence brought,
Shew'd by the suppliant olive what he sought;
Then tells his name, and race, and country right,
But hides th' unhappy reason of his flight.
He begs the king some little town to give,
Where they may safe his faithful vassals live.
Ceyx reply'd: To all my bounty flows,
A hospitable realm your suit has chose.
Your glorious race, and far-resounding fame,
And grandsire Jove, peculiar favours claim.
All you can wish, I grant; entreaties spare;
My kingdom (would 'twere worth the sharing) share.

Tears stop'd his speech: astonish'd Peleus pleads
To know the cause from whence his grief proceeds.
The prince reply'd: There's none of ye but deems
This hawk was ever such as now it seems;
Know 'twas a heroe once, Daedalion nam'd,
For warlike deeds, and haughty valour fam'd;
Like me to that bright luminary born,
Who wakes Aurora, and brings on the morn.
His fierceness still remains, and love of blood,
Now dread of birds, and tyrant of the wood.
My make was softer, peace my greatest care;
But this my brother wholly bent on war;
Late nations fear'd, and routed armies fled
That force, which now the tim'rous pigeons dread.
A daughter he possess'd, divinely fair,
And scarcely yet had seen her fifteenth year;
Young Chione: a thousand rivals strove
To win the maid, and teach her how to love.
Phoebus, and Mercury by chance one day
From Delphi, and Cyllene past this way;
Together they the virgin saw: desire
At once warm'd both their breasts with am'rous fire.
Phoebus resolv'd to wait 'till close of day;
But Mercury's hot love brook'd no delay;
With his entrancing rod the maid he charms,
And unresisted revels in her arms.
'Twas night, and Phoebus in a beldam's dress,
To the late rifled beauty got access.
Her time compleat nine circling moons had run;
To either God she bore a lovely son:
To Mercury Autolycus she brought,
Who turn'd to thefts and tricks his subtle thought;
Possess'd he was of all his father's slight,
At will made white look black, and black look white.
Philammon born to Phoebus, like his sire,
The Muses lov'd, and finely struck the lyre,
And made his voice, and touch in harmony conspire.
In vain, fond maid, you boast this double birth,
The love of Gods, and royal father's worth,
And Jove among your ancestors rehearse!
Could blessings such as these e'er prove a curse?
To her they did, who with audacious pride,
Vain of her own, Diana's charms decry'd.
Her taunts the Goddess with resentment fill;
My face you like not, you shall try my skill.
She said; and strait her vengeful bow she strung,
And sent a shaft that pierc'd her guilty tongue:
The bleeding tongue in vain its accents tries;
In the red stream her soul reluctant flies.
With sorrow wild I ran to her relief,
And try'd to moderate my brother's grief.
He, deaf as rocks by stormy surges beat,
Loudly laments, and hears me not intreat.
When on the fun'ral pile he saw her laid,
Thrice he to rush into the flames assay'd,
Thrice with officious care by us was stay'd.
Now, mad with grief, away he fled amain,
Like a stung heifer that resents the pain,
And bellowing wildly bounds along the plain.
O'er the most rugged ways so fast he ran,
He seem'd a bird already, not a man:
He left us breathless all behind; and now
In quest of death had gain'd Parnassus' brow:
But when from thence headlong himself he threw,
He fell not, but with airy pinions flew.
Phoebus in pity chang'd him to a fowl,
Whose crooked beak and claws the birds controul,
Little of bulk, but of a warlike soul.
A hawk become, the feather'd race's foe,
He tries to case his own by other's woe.

A Wolf turn'd into Marble

While they astonish'd heard the king relate
These wonders of his hapless brother's fate;
The prince's herdsman at the court arrives,
And fresh surprize to all the audience gives.
O Peleus, Peleus! dreadful news I bear,
He said; and trembled as he spoke for fear.
The worst, affrighted Peleus bid him tell,
Whilst Ceyx too grew pale with friendly zeal.
Thus he began: When Sol mid-heav'n had gain'd,
And half his way was past, and half remain'd,
I to the level shore my cattle drove,
And let them freely in the meadows rove.
Some stretch'd at length admire the watry plain,
Some crop'd the herb, some wanton swam the main.
A temple stands of antique make hard by,
Where no gilt domes, nor marble lure the eye;
Unpolish'd rafters bear its lowly height,
Hid by a grove, as ancient, from the sight.
Here Nereus, and the Nereids they adore;
I learnt it from the man who thither bore
His net, to dry it on the sunny shore.
Adjoyns a lake, inclos'd with willows round,
Where swelling waves have overflow'd the mound,
And, muddy, stagnate on the lower ground.
From thence a russling noise increasing flies,
Strikes the still shore; and frights us with surprize,
Strait a huge wolf rush'd from the marshy wood,
His jaws besmear'd with mingled foam, and blood,
Tho' equally by hunger urg'd, and rage,
His appetite he minds not to asswage;
Nought that he meets, his rabid fury spares,
But the whole herd with mad disorder tears.
Some of our men who strove to drive him thence,
Torn by his teeth, have dy'd in their defence.
The echoing lakes, the sea, and fields, and shore,
Impurpled blush with streams of reeking gore.
Delay is loss, nor have we time for thought;
While yet some few remain alive, we ought
To seize our arms, and with confederate force
Try if we so can stop his bloody course.
But Peleus car'd not for his ruin'd herd;
His crime he call'd to mind, and thence inferr'd,
That Psamathe's revenge this havock made,
In sacrifice to murder'd Phocus' shade.
The king commands his servants to their arms;
Resolv'd to go; but the loud noise alarms
His lovely queen, who from her chamber flew,
And her half-plaited hair behind her threw:
About his neck she hung with loving fears,
And now with words, and now with pleading tears,
Intreated that he'd send his men alone,
And stay himself, to save two lives in one.
Then Peleus: Your just fears, o queen, forget;
Too much the offer leaves me in your debt.
No arms against the monster I shall bear,
But the sea nymphs appease with humble pray'r.

The citadel's high turrets pierce the sky,
Which home-bound vessels, glad, from far descry;
This they ascend, and thence with sorrow ken
The mangled heifers lye, and bleeding men;
Th' inexorable ravager they view,
With blood discolour'd, still the rest pursue:
There Peleus pray'd submissive tow'rds the sea,
And deprecates the ire of injur'd Psamathe.
But deaf to all his pray'rs the nymph remain'd,
'Till Thetis for her spouse the boon obtain'd.
Pleas'd with the luxury, the furious beast,
Unstop'd, continues still his bloody feast:
While yet upon a sturdy bull he flew,
Chang'd by the nymph, a marble block he grew.
No longer dreadful now the wolf appears,
Bury'd in stone, and vanish'd like their fears.
Yet still the Fates unhappy Peleus vex'd;
To the Magnesian shore he wanders next.
Acastus there, who rul'd the peaceful clime,
Grants his request, and expiates his crime.

The Story of Ceyx and Alcyone

These prodigies affect the pious prince,
But more perplex'd with those that happen'd since,
He purposes to seek the Clarian God,
Avoiding Delphi, his more fam'd abode,
Since Phlegyan robbers made unsafe the road.
Yet could he not from her he lov'd so well,
The fatal voyage, he resolv'd, conceal;
But when she saw her lord prepar'd to part,
A deadly cold ran shiv'ring to her heart;
Her faded cheeks are chang'd to boxen hue,
And in her eyes the tears are ever new.
She thrice essay'd to speak; her accents hung,
And falt'ring dy'd unfinish'd on her tongue,
And vanish'd into sighs: with long delay
Her voice return'd, and found the wonted way.

Tell me, my lord, she said, what fault unknown
Thy once belov'd Alcyone has done?
Whither, ah, whither, is thy kindness gone!
Can Ceyx then sustain to leave his wife,
And unconcern'd forsake the sweets of life?
What can thy mind to this long journey move?
Or need'st thou absence to renew thy love?
Yet, if thou go'st by land, tho' grief possess
My soul ev'n then, my fears will be the less.
But ah! be warn'd to shun the watry way,
The face is frightful of the stormy sea:
For late I saw a-drift disjointed planks,
And empty tombs erected on the banks.
Nor let false hopes to trust betray thy mind,
Because my sire in caves constrains the wind,
Can with a breath their clam'rous rage appease,
They fear his whistle, and forsake the seas:
Not so; for once indulg'd, they sweep the main;
Deaf to the call, or hearing, hear in vain;
But bent on mischief bear the waves before,
And not content with seas, insult the shore,
When ocean, air, and Earth, at once ingage,
And rooted forests fly before their rage:
At once the clashing clouds to battel move,
And lightnings run across the fields above:
I know them well, and mark'd their rude comport,
While yet a child within my father's court:
In times of tempest they comm and alone,
And he but sits precarious on the throne:
The more I know, the more my fears augment;
And fears are oft prophetick of th' event.
But if not fears, or reasons will prevail,
If Fate has fix'd thee obstinate to sail,
Go not without thy wife, but let me bear
My part of danger with an equal share,
And present, what I suffer only fear:
Then o'er the bounding billows shall we fly,
Secure to live together, or to die.

These reasons mov'd her warlike husband's heart,
But still he held his purpose to depart:
For as he lov'd her equal to his life,
He would not to the seas expose his wife;
Nor could be wrought his voyage to refrain,
But sought by arguments to sooth her pain:
Nor these avail'd; at length he lights on one,
With which so difficult a cause he won:
My love, so short an absence cease to fear,
For by my father's holy flame I swear,
Before two moons their orb with light adorn,
If Heav'n allow me life, I will return.

This promise of so short a stay prevails;
He soon equips the ship, supplies the sails,
And gives the word to launch; she trembling views
This pomp of death, and parting tears renews:
Last with a kiss, she took a long farewel,
Sigh'd with a sad presage, and swooning fell:
While Ceyx seeks delays, the lusty crew,
Rais'd on their banks, their oars in order drew
To their broad breasts, the ship with fury flew.

The queen recover'd, rears her humid eyes,
And first her husb and on the poop espies,
Shaking his hand at distance on the main;
She took the sign, and shook her hand again.
Still as the ground recedes, contracts her view
With sharpen'd sight, 'till she no longer knew
The much-lov'd face; that comfort lost supplies
With less, and with the galley feeds her eyes;
The galley born from view by rising gales,
She follow'd with her sight the flying sails:
When ev'n the flying sails were seen no more,
Forsaken of all sight she left the shore.

Then on her bridal bed her body throws,
And sought in sleep her wearied eyes to close:
Her husband's pillow, and the widow'd part
Which once he press'd, renew'd the former smart.

And now a breeze from shoar began to blow,
The sailors ship their oars, and cease to row;
Then hoist their yards a-trip, and all their sails
Let fall, to court the wind, and catch the gales:
By this the vessel half her course had run,
Both shoars were lost to sight, when at the close
Of day a stiffer gale at east arose:
The sea grew white, the rouling waves from far,
Like heralds, first denounce the watry war.

This seen, the master soon began to cry,
Strike, strike the top-sail; let the main-sheet fly,
And furl your sails: the winds repel the sound,
And in the speaker's mouth the speech is drown'd.
Yet of their own accord, as danger taught
Each in his way, officiously they wrought;
Some stow their oars, or stop the leaky sides,
Another bolder, yet the yard bestrides,
And folds the sails; a fourth with labour laves
Th' intruding seas, and waves ejects on waves.

In this confusion while their work they ply,
The winds augment the winter of the sky,
And wage intestine wars; the suff'ring seas
Are toss'd, and mingled, as their tyrants please.
The master would command, but in despair
Of safety, stands amaz'd with stupid care,
Nor what to bid, or what forbid he knows,
Th' ungovern'd tempest to such fury grows:
Vain is his force, and vainer is his skill;
With such a concourse comes the flood of ill;
The cries of men are mix'd with rattling shrowds;
Seas dash on seas, and clouds encounter clouds:
At once from east to west, from pole to pole,
The forky lightnings flash, the roaring thunders roul.

Now waves on waves ascending scale the skies,
And in the fires above the water fries:
When yellow sands are sifted from below,
The glittering billows give a golden show:
And when the fouler bottom spews the black
The Stygian dye the tainted waters take:
Then frothy white appear the flatted seas,
And change their colour, changing their disease,
Like various fits the Trachin vessel finds,
And now sublime, she rides upon the winds;
As from a lofty summit looks from high,
And from the clouds beholds the nether sky;
Now from the depth of Hell they lift their sight,
And at a distance see superior light;
The lashing billows make a loud report,
And beat her sides, as batt'ring rams a fort:
Or as a lion bounding in his way,
With force augmented, bears against his prey,
Sidelong to seize; or unapal'd with fear,
Springs on the toils, and rushes on the spear:
So seas impell'd by winds, with added pow'r
Assault the sides, and o'er the hatches tow'r.

The planks (their pitchy cov'ring wash'd away)
Now yield; and now a yawning breach display:
The roaring waters with a hostile tide
Rush through the ruins of her gaping side.
Mean-time in sheets of rain the sky descends,
And ocean swell'd with waters upwards tends;
One rising, falling one, the Heav'ns and sea
Meet at their confines, in the middle way:
The sails are drunk with show'rs, and drop with rain,
Sweet waters mingle with the briny main.
No star appears to lend his friendly light;
Darkness, and tempest make a double night;
But flashing fires disclose the deep by turns,
And while the lightnings blaze, the water burns.

Now all the waves their scatter'd force unite,
And as a soldier foremost in the fight,
Makes way for others, and an host alone
Still presses on, and urging gains the town;
So while th' invading billows come a-breast,
The hero tenth advanc'd before the rest,
Sweeps all before him with impetuous sway,
And from the walls descends upon the prey;
Part following enter, part remain without,
With envy hear their fellows' conqu'ring shout,
And mount on others' backs, in hopes to share
The city, thus become the seat of war.

An universal cry resounds aloud,
The sailors run in heaps, a helpless crowd;
Art fails, and courage falls, no succour near;
As many waves, as many deaths appear.
One weeps, and yet despairs of late relief;
One cannot weep, his fears congeal his grief,
But stupid, with dry eyes expects his fate:
One with loud shrieks laments his lost estate,
And calls those happy whom their fun'rals wait.
This wretch with pray'rs and vows the Gods implores,
And ev'n the skies he cannot see, adores.
That other on his friends his thoughts bestows,
His careful father, and his faithful spouse.
The covetous worldling in his anxious mind,
Thinks only on the wealth he left behind.

All Ceyx his Alcyone employs,
For her he grieves, yet in her absence joys:
His wife he wishes, and would still be near,
Not her with him, but wishes him with her:
Now with last looks he seeks his native shoar,
Which Fate has destin'd him to see no more;
He sought, but in the dark tempestuous night
He knew not whither to direct his sight.
So whirl the seas, such darkness blinds the sky,
That the black night receives a deeper dye.

The giddy ship ran round; the tempest tore
Her mast, and over-board the rudder bore.
One billow mounts, and with a scornful brow,
Proud of her conquest gain'd, insults the waves below;
Nor lighter falls, than if some giant tore
Pindus and Athos with the freight they bore,
And toss'd on seas; press'd with the pond'rous blow,
Down sinks the ship within th' abyss below:
Down with the vessel sink into the main
The many, never more to rise again.
Some few on scatter'd planks, with fruitless care,
Lay hold, and swim; but while they swim, despair.

Ev'n he who late a scepter did command,
Now grasps a floating fragment in his hand;
And while he struggles on the stormy main,
Invokes his father, and his wife's, in vain.
But yet his consort is his greatest care,
Alcyone he names amidst his pray'r;
Names as a charm against the waves and wind;
Most in his mouth, and ever in his mind.
Tir'd with his toil, all hopes of safety past,
From pray'rs to wishes he descends at last;
That his dead body, wafted to the sands,
Might have its burial from her friendly hands,
As oft as he can catch a gulp of air,
And peep above the seas, he names the fair;
And ev'n when plung'd beneath, on her he raves,
Murm'ring Alcyone below the waves:
At last a falling billow stops his breath,
Breaks o'er his head, and whelms him underneath.
That night, his heav'nly form obscur'd with tears,
And since he was forbid to leave the skies,
He muffled with a cloud his mournful eyes.

Mean-time Alcyone (his fate unknown)
Computes how many nights he had been gone.
Observes the waining moon with hourly view,
Numbers her age, and wishes for a new;
Against the promis'd time provides with care,
And hastens in the woof the robes he was to wear:
And for her self employs another loom,
New-dress'd to meet her lord returning home,
Flatt'ring her heart with joys, that never were to come:

She fum'd the temples with an od'rous flame,
And oft before the sacred altars came,
To pray for him, who was an empty name.
All Pow'rs implor'd, but far above the rest
To Juno she her pious vows address'd,
Her much-lov'd lord from perils to protect,
And safe o'er seas his voyage to direct:
Then pray'd, that she might still possess his heart,
And no pretending rival share a part;
This last petition heard of all her pray'r,
The rest, dispers'd by winds, were lost in air.

But she, the Goddess of the nuptial bed,
Tir'd with her vain devotions for the dead,
Resolv'd the tainted hand should be repell'd,
Which incense offer'd, and her altar held:
Then Iris thus bespoke: Thou faithful maid,
By whom thy queen's commands are well convey'd,
Haste to the house of sleep, and bid the God
Who rules the night by visions with a nod,
Prepare a dream, in figure, and in form
Resembling him, who perish'd in the storm;
This form before Alcyone present,
To make her certain of the sad event.

Indu'd with robes of various hue she flies,
And flying draws an arch (a segment of the skies):
Then leaves her bending bow, and from the steep
Descends, to search the silent house of sleep.

The House of Sleep

Near the Cymmerians, in his dark abode,
Deep in a cavern, dwells the drowzy God;
Whose gloomy mansion nor the rising sun,
Nor setting, visits, nor the lightsome noon;
But lazy vapours round the region fly,
Perpetual twilight, and a doubtful sky:
No crowing cock does there his wings display,
Nor with his horny bill provoke the day;
Nor watchful dogs, nor the more wakeful geese,
Disturb with nightly noise the sacred peace;
Nor beast of Nature, nor the tame are nigh,
Nor trees with tempests rock'd, nor human cry;
But safe repose without an air of breath
Dwells here, and a dumb quiet next to death.

An arm of Lethe, with a gentle flow
Arising upwards from the rock below,
The palace moats, and o'er the pebbles creeps,
And with soft murmurs calls the coming sleeps.
Around its entry nodding poppies grow,
And all cool simples that sweet rest bestow;
Night from the plants their sleepy virtue drains,
And passing, sheds it on the silent plains:
No door there was th' unguarded house to keep,
On creaking hinges turn'd, to break his sleep.

But in the gloomy court was rais'd a bed,
Stuff'd with black plumes, and on an ebon-sted:
Black was the cov'ring too, where lay the God,
And slept supine, his limbs display'd abroad:
About his head fantastick visions fly,
Which various images of things supply,
And mock their forms; the leaves on trees not more,
Nor bearded ears in fields, nor sands upon the shore.

The virgin ent'ring bright, indulg'd the day
To the brown cave, and brush'd the dreams away:
The God disturb'd with this new glare of light,
Cast sudden on his face, unseal'd his sight,
And rais'd his tardy head, which sunk again,
And sinking, on his bosom knock'd his chin;
At length shook off himself, and ask'd the dame,
(And asking yawn'd) for what intent she came.

To whom the Goddess thus: O sacred rest,
Sweet pleasing sleep, of all the Pow'rs the best!
O peace of mind, repairer of decay,
Whose balms renew the limbs to labours of the day,
Care shuns thy soft approach, and sullen flies away!
Adorn a dream, expressing human form,
The shape of him who suffer'd in the storm,
And send it flitting to the Trachin court,
The wreck of wretched Ceyx to report:
Before his queen bid the pale spectre stand,
Who begs a vain relief at Juno's hand.
She said, and scarce awake her eyes could keep,
Unable to support the fumes of sleep;
But fled, returning by the way she went,
And swerv'd along her bow with swift ascent.

The God, uneasy 'till he slept again,
Resolv'd at once to rid himself of pain;
And, tho' against his custom, call'd aloud,
Exciting Morpheus from the sleepy crowd:
Morpheus, of all his numerous train, express'd
The shape of man, and imitated best;
The walk, the words, the gesture could supply,
The habit mimick, and the mein bely;
Plays well, but all his action is confin'd,
Extending not beyond our human kind.
Another, birds, and beasts, and dragons apes,
And dreadful images, and monster shapes:
This demon, Icelos, in Heav'n's high hall
The Gods have nam'd; but men Phobetor call.
A third is Phantasus, whose actions roul
On meaner thoughts, and things devoid of soul;
Earth, fruits, and flow'rs he represents in dreams,
And solid rocks unmov'd, and running streams.
These three to kings, and chiefs their scenes display,
The rest before th' ignoble commons play.
Of these the chosen Morpheus is dispatch'd;
Which done, the lazy monarch, over-watch'd,
Down from his propping elbow drops his head,
Dissolv'd in sleep, and shrinks within his bed.

Darkling the demon glides, for flight prepar'd,
So soft, that scarce his fanning wings are heard.
To Trachin, swift as thought, the flitting shade,
Thro' air his momentary journey made:
Then lays aside the steerage of his wings,
Forsakes his proper form, assumes the king's;
And pale, as death, despoil'd of his array,
Into the queen's apartment takes his way,
And stands before the bed at dawn of day:
Unmov'd his eyes, and wet his beard appears;
And shedding vain, but seeming real tears;
The briny waters dropping from his hairs.
Then staring on her with a ghastly look,
And hollow voice, he thus the queen bespoke.

Know'st thou not me? Not yet, unhappy wife?
Or are my features perish'd with my life?
Look once again, and for thy husb and lost,
Lo all that's left of him, thy husband's ghost!
Thy vows for my return were all in vain,
The stormy south o'ertook us in the main,
And never shalt thou see thy living lord again.
Bear witness, Heav'n, I call'd on thee in death,
And while I call'd, a billow stop'd my breath.
Think not, that flying fame reports my fate;
I present, I appear, and my own wreck relate.
Rise, wretched widow, rise; nor undeplor'd
Permit my soul to pass the Stygian ford;
But rise, prepar'd in black, to mourn thy perish'd lord.

Thus said the player-God; and adding art
Of voice and gesture, so perform'd his part,
She thought (so like her love the shade appears)
That Ceyx spake the words, and Ceyx shed the tears;
She groan'd, her inward soul with grief opprest,
She sigh'd, she wept, and sleeping beat her breast;
Then stretch'd her arms t' embrace his body bare;
Her clasping arms inclose but empty air:
At this, not yet awake, she cry'd, O stay;
One is our fate, and common is our way!

So dreadful was the dream, so loud she spoke,
That starting sudden up, the slumber broke:
Then cast her eyes around, in hope to view
Her vanish'd lord, and find the vision true:
For now the maids, who waited her commands,
Ran in with lighted tapers in their hands.
Tir'd with the search, not finding what she seeks,
With cruel blows she pounds her blubber'd cheeks;
Then from her beaten breast the linnen tare,
And cut the golden caul that bound her hair.
Her nurse demands the cause; with louder cries
She prosecutes her griefs, and thus replies.

No more Alcyone; she suffer'd death
With her lov'd lord, when Ceyx lost his breath:
No flatt'ry, no false comfort, give me none,
My shipwreck'd Ceyx is for ever gone:
I saw, I saw him manifest in view,
His voice, his figure, and his gestures knew:
His lustre lost, and ev'ry living grace,
Yet I retain'd the features of his face;
Tho' with pale cheeks, wet beard, and dropping hair,
None but my Ceyx could appear so fair:
I would have strain'd him with a strict embrace,
But thro' my arms he slipt, and vanish'd from the place:

There, ev'n just there he stood; and as she spoke,
Where last the spectre was she cast her look:
Fain would she hope, and gaz'd upon the ground,
If any printed footsteps might be found.

Then sigh'd, and said: This I too well foreknew,
And my prophetick fears presag'd too true:
'Twas what I begg'd, when with a bleeding heart
I took my leave, and suffer'd thee to part;
Or I to go along, or thou to stay,
Never, ah never to divide our way!
Happier for me, that all our hours assign'd
Together we had liv'd; ev'n not in death disjoin'd!
So had my Ceyx still been living here,
Or with my Ceyx I had perish'd there:
Now I die absent, in the vast profound;
And me, without my self, the seas have drown'd.
The storms were not so cruel: should I strive
To leng then life, and such a grief survive;
But neither will I strive, nor wretched thee
In death forsake, but keep thee company.
If not one common sepulchre contains
Our bodies, or one urn our last remains,
Yet Ceyx and Alcyone shall join,
Their names remember'd in one common line.

No farther voice her mighty grief affords,
For sighs come rushing in betwixt her words,
And stop'd her tongue; but what her tongue deny'd,
Soft tears, and groans, and dumb complaints supply'd.

'Twas morning; to the port she takes her way,
And stands upon the margin of the sea:
That place, that very spot of ground she sought,
Or thither by her destiny was brought,
Where last he stood: and while she sadly said,
'Twas here he left me, lingring here delay'd
His parting kiss, and there his anchors weigh'd.

Thus speaking, while her thoughts past actions trace,
And call to mind, admonish'd by the place,
Sharp at her utmost ken she cast her eyes,
And somewhat floating from afar descries:
It seems a corps a-drift to distant sight,
But at a distance who could judge aright?
It wafted nearer yet, and then she knew,
That what before she but surmis'd, was true:
A corps it was, but whose it was, unknown,
Yet mov'd, howe'er, she made the cause her own.
Took the bad omen of a shipwreck'd man,
As for a stranger wept, and thus began.

Poor wretch, on stormy seas to lose thy life,
Unhappy thou, but more thy widow'd wife;
At this she paus'd: for now the flowing tide
Had brought the body nearer to the side:
The more she looks, the more her fears increase,
At nearer sight; and she's her self the less:
Now driv'n ashore, and at her feet it lies,
She knows too much in knowing whom she sees:
Her husband's corps; at this she loudly shrieks,
'Tis he, 'tis he, she cries, and tears her cheeks,
Her hair, and vest; and stooping to the sands,
About his neck she cast her trembling hands.

And is it thus, o dearer than my life,
Thus, thus return'st thou to thy longing wife!
She said, and to the neighbouring mole she strode,
(Rais'd there to break th' incursions of the flood).

Headlong from hence to plunge her self she springs,
But shoots along, supported on her wings;
A bird new-made, about the banks she plies,
Not far from shore, and short excursions tries;
Nor seeks in air her humble flight to raise,
Content to skim the surface of the seas:
Her bill tho' slender, sends a creaking noise,
And imitates a lamentable voice.
Now lighting where the bloodless body lies,
She with a fun'ral note renews her cries:
At all her stretch, her little wings she spread,
And with her feather'd arms embrac'd the dead:
Then flick'ring to his palid lips, she strove
To print a kiss, the last essay of love.
Whether the vital touch reviv'd the dead,
Or that the moving waters rais'd his head
To meet the kiss, the vulgar doubt alone;
For sure a present miracle was shown.
The Gods their shapes to winter-birds translate,
But both obnoxious to their former fate.
Their conjugal affection still is ty'd,
And still the mournful race is multiply'd:
They bill, they tread; Alcyone compress'd,
Sev'n days sits brooding on her floating nest:
A wintry queen: her sire at length is kind,
Calms ev'ry storm, and hushes ev'ry wind;
Prepares his empire for his daughter's ease,
And for his hatching nephews smooths the seas.

Aesacus transform'd into a Cormorant

These some old man sees wanton in the air,
And praises the unhappy constant pair.
Then to his friend the long-neck'd corm'rant shows,
The former tale reviving others' woes:
That sable bird, he cries, which cuts the flood
With slender legs, was once of royal blood;
His ancestors from mighty Tros proceed,
The brave Laomedon, and Ganymede
(Whose beauty tempted Jove to steal the boy),
And Priam, hapless prince! who fell with Troy:
Himself was Hector's brother, and (had Fate
But giv'n this hopeful youth a longer date)
Perhaps had rival'd warlike Hector's worth,
Tho' on the mother's side of meaner birth;
Fair Alyxothoe, a country maid,
Bare Aesacus by stealth in Ida's shade.
He fled the noisy town, and pompous court,
Lov'd the lone hills, and simple rural sport.
And seldom to the city would resort.
Yet he no rustick clownishness profest,
Nor was soft love a stranger to his breast:
The youth had long the nymph Hesperie woo'd,
Oft thro' the thicket, or the mead pursu'd:
Her haply on her father's bank he spy'd,
While fearless she her silver tresses dry'd;
Away she fled: not stags with half such speed,
Before the prowling wolf, scud o'er the mead;
Not ducks, when they the safer flood forsake,
Pursu'd by hawks, so swift regain the lake.
As fast he follow'd in the hot career;
Desire the lover wing'd, the virgin fear.
A snake unseen now pierc'd her heedless foot;
Quick thro' the veins the venom'd juices shoot:
She fell, and 'scap'd by death his fierce pursuit;
Her lifeless body, frighted, he embrac'd,
And cry'd, Not this I dreaded, but thy haste:
O had my love been less, or less thy fear!
The victory, thus bought, is far too dear.
Accursed snake! yet I more curs'd than he!
He gave the wound; the cause was given by me.
Yet none shall say, that unreveng'd you dy'd.
He spoke; then climb'd a cliff's o'er-hanging side,
And, resolute, leap'd on the foaming tide.
Tethys receiv'd him gently on the wave;
The death he sought deny'd, and feathers gave.
Debarr'd the surest remedy of grief,
And forc'd to live, he curst th' unask'd relief.
Then on his airy pinions upward flies,
And at a second fall successless tries;
The downy plume a quick descent denies.
Enrag'd, he often dives beneath the wave,
And there in vain expects to find a grave.
His ceaseless sorrow for th' unhappy maid,
Meager'd his look, and on his spirits prey'd.
Still near the sounding deep he lives; his name
From frequent diving and emerging came.

----------------------------------------------------------------------
~ Ovid, BOOK THE ELEVENTH

,
304:The Victories Of Love. Book I
From Frederick Graham
Mother, I smile at your alarms!
I own, indeed, my Cousin's charms,
But, like all nursery maladies,
Love is not badly taken twice.
Have you forgotten Charlotte Hayes,
My playmate in the pleasant days
At Knatchley, and her sister, Anne,
The twins, so made on the same plan,
That one wore blue, the other white,
To mark them to their father's sight;
And how, at Knatchley harvesting,
You bade me kiss her in the ring,
Like Anne and all the others? You,
That never of my sickness knew,
Will laugh, yet had I the disease,
And gravely, if the signs are these:
As, ere the Spring has any power,
The almond branch all turns to flower,
Though not a leaf is out, so she
The bloom of life provoked in me;
And, hard till then and selfish, I
Was thenceforth nought but sanctity
And service: life was mere delight
In being wholly good and right,
As she was; just, without a slur;
Honouring myself no less than her;
Obeying, in the loneliest place,
Ev'n to the slightest gesture, grace
Assured that one so fair, so true,
He only served that was so too.
For me, hence weak towards the weak,
No more the unnested blackbird's shriek
Startled the light-leaved wood; on high
Wander'd the gadding butterfly,
Unscared by my flung cap; the bee,
242
Rifling the hollyhock in glee,
Was no more trapp'd with his own flower,
And for his honey slain. Her power,
From great things even to the grass
Through which the unfenced footways pass,
Was law, and that which keeps the law,
Cherubic gaiety and awe;
Day was her doing, and the lark
Had reason for his song; the dark
In anagram innumerous spelt
Her name with stars that throbb'd and felt;
'Twas the sad summit of delight
To wake and weep for her at night;
She turn'd to triumph or to shame
The strife of every childish game;
The heart would come into my throat
At rosebuds; howsoe'er remote,
In opposition or consent,
Each thing, or person, or event,
Or seeming neutral howsoe'er,
All, in the live, electric air,
Awoke, took aspect, and confess'd
In her a centre of unrest,
Yea, stocks and stones within me bred
Anxieties of joy and dread.
O, bright apocalyptic sky
O'erarching childhood! Far and nigh
Mystery and obscuration none,
Yet nowhere any moon or sun!
What reason for these sighs? What hope,
Daunting with its audacious scope
The disconcerted heart, affects
These ceremonies and respects?
Why stratagems in everything?
Why, why not kiss her in the ring?
'Tis nothing strange that warriors bold,
Whose fierce, forecasting eyes behold
The city they desire to sack,
Humbly begin their proud attack
By delving ditches two miles off,
Aware how the fair place would scoff
243
At hasty wooing; but, O child,
Why thus approach thy playmate mild?
One morning, when it flush'd my thought
That, what in me such wonder wrought
Was call'd, in men and women, love,
And, sick with vanity thereof,
I, saying loud, ‘I love her,’ told
My secret to myself, behold
A crisis in my mystery!
For, suddenly, I seem'd to be
Whirl'd round, and bound with showers of threads
As when the furious spider sheds
Captivity upon the fly
To still his buzzing till he die;
Only, with me, the bonds that flew,
Enfolding, thrill'd me through and through
With bliss beyond aught heaven can have
And pride to dream myself her slave.
A long, green slip of wilder'd land,
With Knatchley Wood on either hand,
Sunder'd our home from hers. This day
Glad was I as I went her way.
I stretch'd my arms to the sky, and sprang
O'er the elastic sod, and sang
‘I love her, love her!’ to an air
Which with the words came then and there;
And even now, when I would know
All was not always dull and low,
I mind me awhile of the sweet strain
Love taught me in that lonely lane.
Such glories fade, with no more mark
Than when the sunset dies to dark.
They pass, the rapture and the grace
Ineffable, their only trace
A heart which, having felt no less
Than pure and perfect happiness,
Is duly dainty of delight;
A patient, poignant appetite
For pleasures that exceed so much
244
The poor things which the world calls such,
That, when these lure it, then you may
The lion with a wisp of hay.
That Charlotte, whom we scarcely knew
From Anne but by her ribbons blue,
Was loved, Anne less than look'd at, shows
That liking still by favour goes!
This Love is a Divinity,
And holds his high election free
Of human merit; or let's say,
A child by ladies call'd to play,
But careless of their becks and wiles,
Till, seeing one who sits and smiles
Like any else, yet only charms,
He cries to come into her arms.
Then, for my Cousins, fear me not!
None ever loved because he ought.
Fatal were else this graceful house,
So full of light from ladies' brows.
There's Mary; Heaven in her appears
Like sunshine through the shower's bright tears;
Mildred's of Earth, yet happier far
Than most men's thoughts of Heaven are;
But, for Honoria, Heaven and Earth
Seal'd amity in her sweet birth.
The noble Girl! With whom she talks
She knights first with her smile; she walks,
Stands, dances, to such sweet effect,
Alone she seems to move erect.
The brightest and the chastest brow
Rules o'er a cheek which seems to show
That love, as a mere vague suspense
Of apprehensive innocence,
Perturbs her heart; love without aim
Or object, like the sunlit flame
That in the Vestals' Temple glow'd,
Without the image of a god.
And this simplicity most pure
She sets off with no less allure
Of culture, subtly skill'd to raise
The power, the pride, and mutual praise
245
Of human personality
Above the common sort so high,
It makes such homely souls as mine
Marvel how brightly life may shine.
How you would love her! Even in dress
She makes the common mode express
New knowledge of what's fit so well
'Tis virtue gaily visible!
Nay, but her silken sash to me
Were more than all morality,
Had not the old, sweet, feverous ill
Left me the master of my will!
So, Mother, feel at rest, and please
To send my books on board. With these,
When I go hence, all idle hours
Shall help my pleasures and my powers.
I've time, you know, to fill my post,
And yet make up for schooling lost
Through young sea-service. They all speak
German with ease; and this, with Greek,
(Which Dr. Churchill thought I knew,)
And history, which I fail'd in too,
Will stop a gap I somewhat dread,
After the happy life I've led
With these my friends; and sweet 'twill be
To abridge the space from them to me.
II
From Mrs. Graham
My Child, Honoria Churchill sways
A double power through Charlotte Hayes.
In minds to first-love's memory pledged
The second Cupid's born full-fledged.
I saw, and trembled for the day
When you should see her beauty, gay
And pure as apple-blooms, that show
Outside a blush and inside snow,
Her high and touching elegance
Of order'd life as free as chance.
246
Ah, haste from her bewitching side,
No friend for you, far less a bride!
But, warning from a hope so wild,
I wrong you. Yet this know, my Child:
He that but once too nearly hears
The music of forefended spheres,
Is thenceforth lonely, and for all
His days like one who treads the Wall
Of China, and, on this hand, sees
Cities and their civilities,
And, on the other, lions. Well,
(Your rash reply I thus foretell,)
Good is the knowledge of what's fair,
Though bought with temporal despair!
Yes, good for one, but not for two.
Will it content a wife that you
Should pine for love, in love's embrace,
Through having known a happier grace;
And break with inward sighs your rest,
Because, though good, she's not the best?
You would, you think, be just and kind,
And keep your counsel! You will find
You cannot such a secret keep;
'Twill out, like murder, in your sleep;
A touch will tell it, though, for pride,
She may her bitter knowledge hide;
And, while she accepts love's make-believe,
You'll twice despise what you'd deceive.
I send the books. Dear Child, adieu!
Tell me of all you are and do.
I know, thank God, whate'er it be,
'Twill need no veil 'twixt you and me.
III
From Frederick
The multitude of voices blythe
Of early day, the hissing scythe
Across the dew drawn and withdrawn,
The noisy peacock on the lawn,
247
These, and the sun's eye-gladding gleam,
This morning, chased the sweetest dream
That e'er shed penitential grace
On life's forgetful commonplace;
Yet 'twas no sweeter than the spell
To which I woke to say farewell.
Noon finds me many a mile removed
From her who must not be beloved;
And us the waste sea soon shall part,
Heaving for aye, without a heart!
Mother, what need to warn me so?
I love Miss Churchill? Ah, no, no.
I view, enchanted, from afar,
And love her as I love a star,
For, not to speak of colder fear,
Which keeps my fancy calm, I hear,
Under her life's gay progress hurl'd,
The wheels of the preponderant world,
Set sharp with swords that fool to slay
Who blunders from a poor byway,
To covet beauty with a crown
Of earthly blessing added on;
And she's so much, it seems to me,
Beyond all women womanly,
I dread to think how he should fare
Who came so near as to despair.
IV
From Frederick
Yonder the sombre vessel rides
Where my obscure condition hides.
Waves scud to shore against the wind
That flings the sprinkling surf behind;
In port the bickering pennons show
Which way the ships would gladly go;
Through Edgecumb Park the rooted trees
Are tossing, reckless, in the breeze;
On top of Edgecumb's firm-set tower,
As foils, not foibles, of its power,
248
The light vanes do themselves adjust
To every veering of the gust:
By me alone may nought be given
To guidance of the airs of heaven?
In battle or peace, in calm or storm,
Should I my daily task perform,
Better a thousand times for love,
Who should my secret soul reprove?
Beholding one like her, a man
Longs to lay down his life! How can
Aught to itself seem thus enough,
When I have so much need thereof?
Blest in her place, blissful is she;
And I, departing, seem to be
Like the strange waif that comes to run
A few days flaming near the sun,
And carries back, through boundless night,
Its lessening memory of light.
Oh, my dear Mother, I confess
To a deep grief of homelessness,
Unfelt, save once, before. 'Tis years
Since such a shower of girlish tears
Disgraced me? But this wretched Inn,
At Plymouth, is so full of din,
Talkings and trampings to and fro.
And then my ship, to which I go
To-night, is no more home. I dread,
As strange, the life I long have led;
And as, when first I went to school,
And found the horror of a rule
Which only ask'd to be obey'd,
I lay and wept, of dawn afraid,
And thought, with bursting heart, of one
Who, from her little, wayward son,
Required obedience, but above
Obedience still regarded love,
So change I that enchanting place,
The abode of innocence and grace
And gaiety without reproof,
For the black gun-deck's louring roof,
249
Blind and inevitable law
Which makes light duties burdens, awe
Which is not reverence, laughters gain'd
At cost of purities profaned,
And whatsoever most may stir
Remorseful passion towards her,
Whom to behold is to depart
From all defect of life and heart.
But, Mother, I shall go on shore,
And see my Cousin yet once more!
'Twere wild to hope for her, you say.
l've torn and cast those words away.
Surely there's hope! For life 'tis well
Love without hope's impossible;
So, if I love, it is that hope
Is not outside the outer scope
Of fancy. You speak truth: this hour
I must resist, or lose the power.
What! and, when some short months are o'er,
Be not much other than before?
Drop from the bright and virtuous sphere
In which I'm held but while she's dear?
For daily life's dull, senseless mood,
Slay the fine nerves of gratitude
And sweet allegiance, which I owe
Whether the debt be weal or woe?
Nay, Mother, I, forewarn'd, prefer
To want for all in wanting her.
For all? Love's best is not bereft
Ever from him to whom is left
The trust that God will not deceive
His creature, fashion'd to believe
The prophecies of pure desire.
Not loss, not death, my love shall tire.
A mystery does my heart foretell;
Nor do I press the oracle
For explanations. Leave me alone,
And let in me love's will be done.
250
V
From Frederick
Fashion'd by Heaven and by art
So is she, that she makes the heart
Ache and o'erflow with tears, that grace
So lovely fair should have for place,
(Deeming itself at home the while,)
The unworthy earth! To see her smile
Amid this waste of pain and sin,
As only knowing the heaven within,
Is sweet, and does for pity stir
Passion to be her minister:
Wherefore last night I lay awake,
And said, ‘Ah, Lord, for Thy love's sake,
Give not this darling child of Thine
To care less reverent than mine!’
And, as true faith was in my word,
I trust, I trust that I was heard.
The waves, this morning, sped to land,
And shouted hoarse to touch the strand,
Where Spring, that goes not out to sea,
Lay laughing in her lovely glee;
And, so, my life was sunlit spray
And tumult, as, once more to-day,
For long farewell did I draw near
My Cousin, desperately dear.
Faint, fierce, the truth that hope was none
Gleam'd like the lightning in the sun;
Yet hope I had, and joy thereof.
The father of love is hope, (though love
Lives orphan'd on, when hope is dead,)
And, out of my immediate dread
And crisis of the coming hour,
Did hope itself draw sudden power.
So the still brooding storm, in Spring,
Makes all the birds begin to sing.
Mother, your foresight did not err:
I've lost the world, and not won her.
And yet, ah, laugh not, when you think
251
What cup of life I sought to drink!
The bold, said I, have climb'd to bliss
Absurd, impossible, as this,
With nought to help them but so great
A heart it fascinates their fate.
If ever Heaven heard man's desire,
Mine, being made of altar-fire,
Must come to pass, and it will be
That she will wait, when she shall see,
This evening, how I go to get,
By means unknown, I know not yet
Quite what, but ground whereon to stand,
And plead more plainly for her hand!
And so I raved, and cast in hope
A superstitious horoscope!
And still, though something in her face
Portended ‘No!’ with such a grace
It burthen'd me with thankfulness,
Nothing was credible but ‘Yes.’
Therefore, through time's close pressure bold,
I praised myself, and boastful told
My deeds at Acre; strain'd the chance
I had of honour and advance
In war to come; and would not see
Sad silence meant, ‘What's this to me.’
When half my precious hour was gone,
She rose to greet a Mr. Vaughan;
And, as the image of the moon
Breaks up, within some still lagoon
That feels the soft wind suddenly,
Or tide fresh flowing from the sea,
And turns to giddy flames that go
Over the water to and fro,
Thus, when he took her hand to-night,
Her lovely gravity of light
Was scatter'd into many smiles
And flattering weakness. Hope beguiles
No more my heart, dear Mother. He,
By jealous looks, o'erhonour'd me.
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With nought to do, and fondly fain
To hear her singing once again,
I stay'd, and turn'd her music o'er;
Then came she with me to the door.
‘Dearest Honoria,’ I said,
(By my despair familiar made,)
‘Heaven bless you!’ Oh, to have back then stepp'd
And fallen upon her neck, and wept,
And said, ‘My friend, I owe you all
‘I am, and have, and hope for. Call
‘For some poor service; let me prove
‘To you, or him here whom you love,
‘My duty. Any solemn task,
‘For life's whole course, is all I ask!’
Then she must surely have wept too,
And said, ‘My friend, what can you do!’
And I should have replied, ‘I'll pray
‘For you and him three times a-day,
‘And, all day, morning, noon, and night,
‘My life shall be so high and right
‘That never Saint yet scaled the stairs
‘Of heaven with more availing prayers!’
But this (and, as good God shall bless
Somehow my end, I'll do no less,)
I had no right to speak. Oh, shame,
So rich a love, so poor a claim!
My Mother, now my only friend,
Farewell. The school-books which you send
I shall not want, and so return.
Give them away, or sell, or burn.
I'll write from Malta. Would I might
But be your little Child to-night,
And feel your arms about me fold,
Against this loneliness and cold!
VI
From Mrs. Graham
The folly of young girls! They doff
Their pride to smooth success, and scoff
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At far more noble fire and might
That woo them from the dust of fight!
But, Frederick, now the storm is past,
Your sky should not remain o'ercast.
A sea-life's dull, and, oh, beware
Of nourishing, for zest, despair.
My Child, remember, you have twice
Heartily loved; then why not thrice,
Or ten times? But a wise man shuns
To cry ‘All's over,’ more than once.
I'll not say that a young man's soul
Is scarcely measure of the whole
Earthly and heavenly universe,
To which he inveterately prefers
The one beloved woman. Best
Speak to the senses' interest,
Which brooks no mystery nor delay:
Frankly reflect, my Son, and say,
Was there no secret hour, of those
Pass'd at her side in Sarum Close,
When, to your spirit's sick alarm,
It seem'd that all her marvellous charm
Was marvellously fled? Her grace
Of voice, adornment, movement, face
Was what already heart and eye
Had ponder'd to satiety;
And so the good of life was o'er,
Until some laugh not heard before,
Some novel fashion in her hair,
Or style of putting back her chair,
Restored the heavens. Gather thence
The loss-consoling inference.
Yet blame not beauty, which beguiles,
With lovely motions and sweet smiles,
Which while they please us pass away,
The spirit to lofty thoughts that stay
And lift the whole of after-life,
Unless you take the vision to wife,
Which then seems lost, or serves to slake
Desire, as when a lovely lake
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Far off scarce fills the exulting eye
Of one athirst, who comes thereby,
And inappreciably sips
The deep, with disappointed lips.
To fail is sorrow, yet confess
That love pays dearly for success!
No blame to beauty! Let's complain
Of the heart, which can so ill sustain
Delight. Our griefs declare our fall,
But how much more our joys! They pall
With plucking, and celestial mirth
Can find no footing on the earth,
More than the bird of paradise,
Which only lives the while it flies.
Think, also, how 'twould suit your pride
To have this woman for a bride.
Whate'er her faults, she's one of those
To whom the world's last polish owes
A novel grace, which all who aspire
To courtliest custom must acquire.
The world's the sphere she's made to charm,
Which you have shunn'd as if 'twere harm.
Oh, law perverse, that loneliness
Breeds love, society success!
Though young, 'twere now o'er late in life
To train yourself for such a wife;
So she would suit herself to you,
As women, when they marry, do.
For, since 'tis for our dignity
Our lords should sit like lords on high,
We willingly deteriorate
To a step below our rulers' state;
And 'tis the commonest of things
To see an angel, gay with wings,
Lean weakly on a mortal's arm!
Honoria would put off the charm
Of lofty grace that caught your love,
For fear you should not seem above
Herself in fashion and degree,
As in true merit. Thus, you see,
'Twere little kindness, wisdom none,
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To light your cot with such a sun.
VII
From Frederick
Write not, my Mother, her dear name
With the least word or hint of blame.
Who else shall discommend her choice,
I giving it my hearty voice?
Wed me? Ah, never near her come
The knowledge of the narrow home!
Far fly from her dear face, that shows
The sunshine lovelier than the rose,
The sordid gravity they wear
Who poverty's base burthen bear!
(And all are poor who come to miss
Their custom, though a crown be this.)
My hope was, that the wheels of fate,
For my exceeding need, might wait,
And she, unseen amidst all eyes,
Move sightless, till I sought the prize,
With honour, in an equal field.
But then came Vaughan, to whom I yield
With grace as much as any man,
In such cause, to another can.
Had she been mine, it seems to me
That I had that integrity
And only joy in her delight—
But each is his own favourite
In love! The thought to bring me rest
Is that of us she takes the best.
'Twas but to see him to be sure
That choice for her remain'd no more!
His brow, so gaily clear of craft;
His wit, the timely truth that laugh'd
To find itself so well express'd;
His words, abundant yet the best;
His spirit, of such handsome show
You mark'd not that his looks were so;
His bearing, prospects, birth, all these
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Might well, with small suit, greatly please;
How greatly, when she saw arise
The reflex sweetness of her eyes
In his, and every breath defer
Humbly its bated life to her;
Whilst power and kindness of command,
Which women can no more withstand
Than we their grace, were still unquell'd,
And force and flattery both compell'd
Her softness! Say I'm worthy. I
Grew, in her presence, cold and shy.
It awed me, as an angel's might
In raiment of reproachful light.
Her gay looks told my sombre mood
That what's not happy is not good;
And, just because 'twas life to please,
Death to repel her, truth and ease
Deserted me; I strove to talk,
And stammer'd foolishness; my walk
Was like a drunkard's; if she took
My arm, it stiffen'd, ached, and shook:
A likely wooer! Blame her not;
Nor ever say, dear Mother, aught
Against that perfectness which is
My strength, as once it was my bliss.
And do not chafe at social rules.
Leave that to charlatans and fools.
Clay graffs and clods conceive the rose,
So base still fathers best. Life owes
Itself to bread; enough thereof
And easy days condition love;
And, kindly train'd, love's roses thrive,
No more pale, scentless petals five,
Which moisten the considerate eye
To see what haste they make to die,
But heavens of colour and perfume,
Which, month by month, renew the bloom
Of art-born graces, when the year
In all the natural grove is sere.
Blame nought then! Bright let be the air
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About my lonely cloud of care.
VIII
From Frederick
Religion, duty, books, work, friends,—
'Tis good advice, but there it ends.
I'm sick for what these have not got.
Send no more books: they help me not;
I do my work: the void's there still
Which carefullest duty cannot fill.
What though the inaugural hour of right
Comes ever with a keen delight?
Little relieves the labour's heat;
Disgust oft crowns it when complete;
And life, in fact, is not less dull
For being very dutiful.
‘The stately homes of England,’ lo,
‘How beautiful they stand!’ They owe
How much to nameless things like me
Their beauty of security!
But who can long a low toil mend
By looking to a lofty end?
And let me, since 'tis truth, confess
The void's not fill'd by godliness.
God is a tower without a stair,
And His perfection, love's despair.
'Tis He shall judge me when I die;
He suckles with the hissing fly
The spider; gazes calmly down,
Whilst rapine grips the helpless town.
His vast love holds all this and more.
In consternation I adore.
Nor can I ease this aching gulf
With friends, the pictures of myself.
Then marvel not that I recur
From each and all of these to her.
For more of heaven than her have I
No sensitive capacity.
Had I but her, ah, what the gain
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Of owning aught but that domain!
Nay, heaven's extent, however much,
Cannot be more than many such;
And, she being mine, should God to me
Say ‘Lo! my Child, I give to thee
All heaven besides,’ what could I then,
But, as a child, to Him complain
That whereas my dear Father gave
A little space for me to have
In His great garden, now, o'erblest,
I've that, indeed, but all the rest,
Which, somehow, makes it seem I've got
All but my only cared-for plot.
Enough was that for my weak hand
To tend, my heart to understand.
Oh, the sick fact, 'twixt her and me
There's naught, and half a world of sea.
IX
From Frederick
In two, in less than two hours more
I set my foot on English shore,
Two years untrod, and, strange to tell,
Nigh miss'd through last night's storm! There fell
A man from the shrouds, that roar'd to quench
Even the billows' blast and drench.
Besides me none was near to mark
His loud cry in the louder dark,
Dark, save when lightning show'd the deeps
Standing about in stony heaps.
No time for choice! A rope; a flash
That flamed as he rose; a dizzy splash;
A strange, inopportune delight
Of mounting with the billowy might,
And falling, with a thrill again
Of pleasure shot from feet to brain;
And both paced deck, ere any knew
Our peril. Round us press'd the crew,
With wonder in the eyes of most.
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As if the man who had loved and lost
Honoria dared no more than that!
My days have else been stale and flat.
This life's at best, if justly scann'd,
A tedious walk by the other's strand,
With, here and there cast up, a piece
Of coral or of ambergris,
Which, boasted of abroad, we ignore
The burden of the barren shore.
I seldom write, for 'twould be still
Of how the nerves refuse to thrill;
How, throughout doubly-darken'd days,
I cannot recollect her face;
How to my heart her name to tell
Is beating on a broken bell;
And, to fill up the abhorrent gulf,
Scarce loving her, I hate myself.
Yet, latterly, with strange delight,
Rich tides have risen in the night,
And sweet dreams chased the fancies dense
Of waking life's dull somnolence.
I see her as I knew her, grace
Already glory in her face;
I move about, I cannot rest,
For the proud brain and joyful breast
I have of her. Or else I float,
The pilot of an idle boat,
Alone, alone with sky and sea,
And her, the third simplicity.
Or Mildred, to some question, cries,
(Her merry meaning in her eyes,)
‘The Ball, oh, Frederick will go;
‘Honoria will be there!’ and, lo,
As moisture sweet my seeing blurs
To hear my name so link'd with hers,
A mirror joins, by guilty chance,
Either's averted, watchful glance!
Or with me, in the Ball-Room's blaze,
Her brilliant mildness thrids the maze;
Our thoughts are lovely, and each word
260
Is music in the music heard,
And all things seem but parts to be
Of one persistent harmony.
By which I'm made divinely bold;
The secret, which she knows, is told;
And, laughing with a lofty bliss
Of innocent accord, we kiss;
About her neck my pleasure weeps;
Against my lip the silk vein leaps;
Then says an Angel, ‘Day or night,
‘If yours you seek, not her delight,
‘Although by some strange witchery
‘It seems you kiss her, 'tis not she;
‘But, whilst you languish at the side
‘Of a fair-foul phantasmal bride,
‘Surely a dragon and strong tower
‘Guard the true lady in her bower.’
And I say, ‘Dear my Lord, Amen!’
And the true lady kiss again.
Or else some wasteful malady
Devours her shape and dims her eye;
No charms are left, where all were rife,
Except her voice, which is her life,
Wherewith she, for her foolish fear,
Says trembling, ‘Do you love me, Dear?’
And I reply, ‘Sweetest, I vow
‘I never loved but half till now.’
She turns her face to the wall at this,
And says, ‘Go, Love, 'tis too much bliss.’
And then a sudden pulse is sent
About the sounding firmament
In smitings as of silver bars;
The bright disorder of the stars
Is solved by music; far and near,
Through infinite distinctions clear,
Their twofold voices' deeper tone
Utters the Name which all things own,
And each ecstatic treble dwells
On one whereof none other tells;
And we, sublimed to song and fire,
Take order in the wheeling quire,
Till from the throbbing sphere I start,
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Waked by the heaving of my heart.
Such dreams as these come night by night,
Disturbing day with their delight.
Portend they nothing? Who can tell!
God yet may do some miracle.
'Tis nigh two years, and she's not wed,
Or you would know! He may be dead,
Or mad, and loving some one else,
And she, much moved that nothing quells
My constancy, or, simply wroth
With such a wretch, accept my troth
To spite him; or her beauty's gone,
(And that's my dream!) and this man Vaughan
Takes her release: or tongues malign,
Confusing every ear but mine,
Have smirch'd her: ah, 'twould move her, sure,
To find I loved her all the more!
Nay, now I think, haply amiss
I read her words and looks, and his,
That night! Did not his jealousy
Show—Good my God, and can it be
That I, a modest fool, all blest,
Nothing of such a heaven guess'd?
Oh, chance too frail, yet frantic sweet,
To-morrow sees me at her feet!
Yonder, at last, the glad sea roars
Along the sacred English shores!
There lies the lovely land I know,
Where men and women lordliest grow;
There peep the roofs where more than kings
Postpone state cares to country things,
And many a gay queen simply tends
The babes on whom the world depends;
There curls the wanton cottage smoke
Of him that drives but bears no yoke;
There laughs the realm where low and high
Are lieges to society.
And life has all too wide a scope,
Too free a prospect for its hope,
For any private good or ill,
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Except dishonour, quite to fill!
—Mother, since this was penn'd, I've read
That ‘Mr. Vaughan, on Tuesday, wed
‘The beautiful Miss Churchill.’ So
That's over; and to-morrow I go
To take up my new post on board
The ‘Wolf,’ my peace at last restored;
My lonely faith, like heart-of-oak,
Shock-season'd. Grief is now the cloak
I clasp about me to prevent
The deadly chill of a content
With any near or distant good,
Except the exact beatitude
Which love has shown to my desire.
Talk not of ‘other joys and higher,’
I hate and disavow all bliss
As none for me which is not this.
Think not I blasphemously cope
With God's decrees, and cast off hope.
How, when, and where can mine succeed?
I'll trust He knows who made my need.
Baseness of men! Pursuit being o'er,
Doubtless her Husband feels no more
The heaven of heavens of such a Bride,
But, lounging, lets her please his pride
With fondness, guerdons her caress
With little names, and turns a tress
Round idle fingers. If 'tis so,
Why then I'm happier of the two!
Better, for lofty loss, high pain,
Than low content with lofty gain.
Poor, foolish Dove, to trust from me
Her happiness and dignity!
From Frederick
I thought the worst had brought me balm:
'Twas but the tempest's central calm.
Vague sinkings of the heart aver
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That dreadful wrong is come to her,
And o'er this dream I brood and dote,
And learn its agonies by rote.
As if I loved it, early and late
I make familiar with my fate,
And feed, with fascinated will,
On very dregs of finish'd ill.
I think, she's near him now, alone,
With wardship and protection none;
Alone, perhaps, in the hindering stress
Of airs that clasp him with her dress,
They wander whispering by the wave;
And haply now, in some sea-cave,
Where the ribb'd sand is rarely trod,
They laugh, they kiss. Oh, God! oh, God!
There comes a smile acutely sweet
Out of the picturing dark; I meet
The ancient frankness of her gaze,
That soft and heart-surprising blaze
Of great goodwill and innocence,
And perfect joy proceeding thence!
Ah! made for earth's delight, yet such
The mid-sea air's too gross to touch.
At thought of which, the soul in me
Is as the bird that bites a bee,
And darts abroad on frantic wing,
Tasting the honey and the sting;
And, moaning where all round me sleep
Amidst the moaning of the deep,
I start at midnight from my bed—
And have no right to strike him dead.
What world is this that I am in,
Where chance turns sanctity to sin!
'Tis crime henceforward to desire
The only good; the sacred fire
That sunn'd the universe is hell!
I hear a Voice which argues well:
‘The Heaven hard has scorn'd your cry;
‘Fall down and worship me, and I
‘Will give you peace; go and profane
‘This pangful love, so pure, so vain,
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‘And thereby win forgetfulness
‘And pardon of the spirit's excess,
‘Which soar'd too nigh that jealous Heaven
‘Ever, save thus, to be forgiven.
‘No Gospel has come down that cures
‘With better gain a loss like yours.
‘Be pious! Give the beggar pelf,
‘And love your neighbour as yourself!
‘You, who yet love, though all is o'er,
‘And she'll ne'er be your neighbour more,
‘With soul which can in pity smile
‘That aught with such a measure vile
‘As self should be at all named 'love!'
‘Your sanctity the priests reprove;
‘Your case of grief they wholly miss;
‘The Man of Sorrows names not this.
‘The years, they say, graff love divine
‘On the lopp'd stock of love like thine;
‘The wild tree dies not, but converts.
‘So be it; but the lopping hurts,
‘The graff takes tardily! Men stanch
‘Meantime with earth the bleeding branch,
‘There's nothing heals one woman's loss,
‘And lighten's life's eternal cross
‘With intermission of sound rest,
‘Like lying in another's breast.
‘The cure is, to your thinking, low!
‘Is not life all, henceforward, so?’
Ill Voice, at least thou calm'st my mood.
I'll sleep! But, as I thus conclude,
The intrusions of her grace dispel
The comfortable glooms of hell.
A wonder! Ere these lines were dried,
Vaughan and my Love, his three-days' Bride,
Became my guests. I look'd, and, lo,
In beauty soft as is the snow
And powerful as the avalanche,
She lit the deck. The Heav'n-sent chance!
She smiled, surprised. They came to see
The ship, not thinking to meet me.
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At infinite distance she's my day:
What then to him? Howbeit they say
'Tis not so sunny in the sun
But men might live cool lives thereon!
All's well; for I have seen arise
That reflex sweetness of her eyes
In his, and watch'd his breath defer
Humbly its bated life to her,
His wife. My Love, she's safe in his
Devotion! What ask'd I but this?
They bade adieu; I saw them go
Across the sea; and now I know
The ultimate hope I rested on,
The hope beyond the grave, is gone,
The hope that, in the heavens high,
At last it should appear that I
Loved most, and so, by claim divine,
Should have her, in the heavens, for mine,
According to such nuptial sort
As may subsist in the holy court,
Where, if there are all kinds of joys
To exhaust the multitude of choice
In many mansions, then there are
Loves personal and particular,
Conspicuous in the glorious sky
Of universal charity,
As Phosphor in the sunrise. Now
I've seen them, I believe their vow
Immortal; and the dreadful thought,
That he less honour'd than he ought
Her sanctity, is laid to rest,
And, blessing them, I too am blest.
My goodwill, as a springing air,
Unclouds a beauty in despair;
I stand beneath the sky's pure cope
Unburthen'd even by a hope;
And peace unspeakable, a joy
Which hope would deaden and destroy,
Like sunshine fills the airy gulf
266
Left by the vanishing of self.
That I have known her; that she moves
Somewhere all-graceful; that she loves,
And is belov'd, and that she's so
Most happy, and to heaven will go,
Where I may meet with her, (yet this
I count but accidental bliss,)
And that the full, celestial weal
Of all shall sensitively feel
The partnership and work of each,
And thus my love and labour reach
Her region, there the more to bless
Her last, consummate happiness,
Is guerdon up to the degree
Of that alone true loyalty
Which, sacrificing, is not nice
About the terms of sacrifice,
But offers all, with smiles that say,
'Tis little, but it is for aye!
XI
From Mrs. Graham
You wanted her, my Son, for wife,
With the fierce need of life in life.
That nobler passion of an hour
Was rather prophecy than power;
And nature, from such stress unbent,
Recurs to deep discouragement.
Trust not such peace yet; easy breath,
In hot diseases, argues death;
And tastelessness within the mouth
Worse fever shows than heat or drouth.
Wherefore take, Frederick, timely fear
Against a different danger near:
Wed not one woman, oh, my Child,
Because another has not smiled!
Oft, with a disappointed man,
The first who cares to win him can;
For, after love's heroic strain,
Which tired the heart and brought no gain,
267
He feels consoled, relieved, and eased
To meet with her who can be pleased
To proffer kindness, and compute
His acquiescence for pursuit;
Who troubles not his lonely mood;
And asks for love mere gratitude.
Ah, desperate folly! Yet, we know,
Who wed through love wed mostly so.
At least, my Son, when wed you do,
See that the woman equals you,
Nor rush, from having loved too high,
Into a worse humility.
A poor estate's a foolish plea
For marrying to a base degree.
A woman grown cannot be train'd,
Or, if she could, no love were gain'd;
For, never was a man's heart caught
By graces he himself had taught.
And fancy not 'tis in the might
Of man to do without delight;
For, should you in her nothing find
To exhilarate the higher mind,
Your soul would deaden useless wings
With wickedness of lawful things,
And vampire pleasure swift destroy
Even the memory of joy.
So let no man, in desperate mood,
Wed a dull girl because she's good.
All virtues in his wife soon dim,
Except the power of pleasing him,
Which may small virtue be, or none!
I know my just and tender Son,
To whom the dangerous grace is given
That scorns a good which is not heaven;
My Child, who used to sit and sigh
Under the bright, ideal sky,
And pass, to spare the farmer's wheat,
The poppy and the meadow-sweet!
He would not let his wife's heart ache
For what was mainly his mistake;
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But, having err'd so, all his force
Would fix upon the hard, right course.
She's graceless, say, yet good and true,
And therefore inly fair, and, through
The veils which inward beauty fold,
Faith can her loveliness behold.
Ah, that's soon tired; faith falls away
Without the ceremonial stay
Of outward loveliness and awe.
The weightier matters of the law
She pays: mere mint and cumin not;
And, in the road that she was taught,
She treads, and takes for granted still
Nature's immedicable ill;
So never wears within her eyes
A false report of paradise,
Nor ever modulates her mirth
With vain compassion of the earth,
Which made a certain happier face
Affecting, and a gayer grace
With pathos delicately edged!
Yet, though she be not privileged
To unlock for you your heart's delight,
(Her keys being gold, but not the right,)
On lower levels she may do!
Her joy is more in loving you
Than being loved, and she commands
All tenderness she understands.
It is but when you proffer more
The yoke weighs heavy and chafes sore.
It's weary work enforcing love
On one who has enough thereof,
And honour on the lowlihead
Of ignorance! Besides, you dread,
In Leah's arms, to meet the eyes
Of Rachel, somewhere in the skies,
And both return, alike relieved,
To life less loftily conceived.
Alas, alas!
Then wait the mood
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In which a woman may be woo'd
Whose thoughts and habits are too high
For honour to be flattery,
And who would surely not allow
The suit that you could proffer now.
Her equal yoke would sit with ease;
It might, with wearing, even please,
(Not with a better word to move
The loyal wrath of present love);
She would not mope when you were gay,
For want of knowing aught to say;
Nor vex you with unhandsome waste
Of thoughts ill-timed and words ill-placed;
Nor reckon small things duties small,
And your fine sense fantastical;
Nor would she bring you up a brood
Of strangers bound to you by blood,
Boys of a meaner moral race,
Girls with their mother's evil grace,
But not her chance to sometimes find
Her critic past his judgment kind;
Nor, unaccustom'd to respect,
Which men, where 'tis not claim'd, neglect,
Confirm you selfish and morose,
And slowly, by contagion, gross;
But, glad and able to receive
The honour you would long to give,
Would hasten on to justify
Expectancy, however high,
Whilst you would happily incur
Compulsion to keep up with her.
XII
From Frederick
Your letter, Mother, bears the date
Of six months back, and comes too late.
My Love, past all conceiving lost,
A change seem'd good, at any cost,
From lonely, stupid, silent grief,
Vain, objectless, beyond relief,
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And, like a sea-fog, settled dense
On fancy, feeling, thought, and sense.
I grew so idle, so despised
Myself, my powers, by Her unprized,
Honouring my post, but nothing more,
And lying, when I lived on shore,
So late of mornings: weak tears stream'd
For such slight cause,—if only gleam'd,
Remotely, beautifully bright,
On clouded eves at sea, the light
Of English headlands in the sun,—
That soon I deem'd 'twere better done
To lay this poor, complaining wraith
Of unreciprocated faith:
And so, with heart still bleeding quick,
But strengthen'd by the comfort sick
Of knowing that She could not care,
I turn'd away from my despair,
And told our chaplain's daughter, Jane,—
A dear, good girl, who saw my pain,
And look'd as if she pitied me,—
How glad and thankful I should be
If some kind woman, not above
Myself in rank, would give her love
To one that knew not how to woo.
Whereat she, without more ado,
Blush'd, spoke of love return'd, and closed
With what she thought I had proposed.
And, trust me, Mother, I and Jane,
We suit each other well. My gain
Is very great in this good Wife,
To whom I'm bound, for natural life,
By hearty faith, yet crossing not
My faith towards—I know not what!
As to the ether is the air,
Is her good to Honoria's fair;
One place is full of both, yet each
Lies quite beyond the other's reach
And recognition.
If you say,
271
Am I contented? Yea and nay!
For what's base but content to grow
With less good than the best we know?
But think me not from life withdrawn,
By passion for a hope that's gone,
So far as to forget how much
A woman is, as merely such,
To man's affection. What is best,
In each, belongs to all the rest;
And though, in marriage, quite to kiss
And half to love the custom is,
'Tis such dishonour, ruin bare,
The soul's interior despair,
And life between two troubles toss'd,
To me, who think not with the most;
Whatever 'twould have been, before
My Cousin's time, 'tis now so sore
A treason to the abiding throne
Of that sweet love which I have known,
I cannot live so, and I bend
My mind perforce to comprehend
That He who gives command to love
Does not require a thing above
The strength He gives. The highest degree
Of the hardest grace, humility;
The step t'ward heaven the latest trod,
And that which makes us most like God,
And us much more than God behoves,
Is, to be humble in our loves.
Henceforth for ever therefore I
Renounce all partiality
Of passion. Subject to control
Of that perspective of the soul
Which God Himself pronounces good,
Confirming claims of neighbourhood,
And giving man, for earthly life,
The closest neighbour in a wife,
I'll serve all. Jane be much more dear
Than all as she is much more near!
I'll love her! Yea, and love's joy comes
Ever from self-love's martyrdoms!
272
Yet, not to lie for God, 'tis true
That 'twas another joy I knew
When freighted was my heart with fire
Of fond, irrational desire
For fascinating, female charms,
And hopeless heaven in Her mild arms.
Nor wrong I any, if I profess
That care for heaven with me were less
But that I'm utterly imbued
With faith of all Earth's hope renew'd
In realms where no short-coming pains
Expectance, and dear love disdains
Time's treason, and the gathering dross,
And lasts for ever in the gloss
Of newness.
All the bright past seems,
Now, but a splendour in my dreams,
Which shows, albeit the dreamer wakes,
The standard of right life. Life aches
To be therewith conform'd; but, oh,
The world's so stolid, dark, and low!
That and the mortal element
Forbid the beautiful intent,
And, like the unborn butterfly,
It feels the wings, and wants the sky.
But perilous is the lofty mood
Which cannot yoke with lowly good.
Right life, for me, is life that wends
By lowly ways to lofty ends.
I well perceive, at length, that haste
T'ward heaven itself is only waste;
And thus I dread the impatient spur
Of aught that speaks too plain of Her.
There's little here that story tells;
But music talks of nothing else.
Therefore, when music breathes, I say,
(And urge my task,) Away, away!
Thou art the voice of one I knew,
But what thou say'st is not yet true;
Thou art the voice of her I loved,
273
And I would not be vainly moved.
So that which did from death set free
All things, now dons death's mockery,
And takes its place with things that are
But little noted. Do not mar
For me your peace! My health is high.
The proud possession of mine eye
Departed, I am much like one
Who had by haughty custom grown
To think gilt rooms, and spacious grounds,
Horses, and carriages, and hounds,
Fine linen, and an eider bed
As much his need as daily bread,
And honour of men as much or more.
Till, strange misfortune smiting sore,
His pride all goes to pay his debts,
A lodging anywhere he gets,
And takes his family thereto
Weeping, and other relics few,
Allow'd, by them that seize his pelf,
As precious only to himself.
Yet the sun shines; the country green
Has many riches, poorly seen
From blazon'd coaches; grace at meat
Goes well with thrift in what they eat;
And there's amends for much bereft
In better thanks for much that's left!
Jane is not fair, yet pleases well
The eye in which no others dwell;
And features somewhat plainly set,
And homely manners leave her yet
The crowning boon and most express
Of Heaven's inventive tenderness,
A woman. But I do her wrong,
Letting the world's eyes guide my tongue!
She has a handsomeness that pays
No homage to the hourly gaze,
And dwells not on the arch'd brow's height
And lids which softly lodge the light,
Nor in the pure field of the cheek
274
Flow'rs, though the soul be still to seek;
But shows as fits that solemn place
Whereof the window is the face:
Blankness and leaden outlines mark
What time the Church within is dark;
Yet view it on a Festal night,
Or some occasion else for light,
And each ungainly line is seen
A special character to mean
Of Saint or Prophet, and the whole
Blank window is a living scroll.
For hours, the clock upon the shelf,
Has all the talking to itself;
But to and fro her needle runs
Twice, while the clock is ticking once;
And, when a wife is well in reach,
Not silence separates, but speech;
And I, contented, read, or smoke,
And idly think, or idly stroke
The winking cat, or watch the fire,
In social peace that does not tire;
Until, at easeful end of day,
She moves, and puts her work away,
And, saying ‘How cold 'tis,’ or ‘How warm,’
Or something else as little harm,
Comes, used to finding, kindly press'd,
A woman's welcome to my breast,
With all the great advantage clear
Of none else having been so near.
But sometimes, (how shall I deny!)
There falls, with her thus fondly by,
Dejection, and a chilling shade.
Remember'd pleasures, as they fade,
Salute me, and colossal grow,
Like foot-prints in the thawing snow.
I feel oppress'd beyond my force
With foolish envy and remorse.
I love this woman, but I might
Have loved some else with more delight;
And strange it seems of God that He
275
Should make a vain capacity.
Such times of ignorant relapse,
'Tis well she does not talk, perhaps.
The dream, the discontent, the doubt,
To some injustice flaming out,
Were't else, might leave us both to moan
A kind tradition overthrown,
And dawning promise once more dead
In the pernicious lowlihead
Of not aspiring to be fair.
And what am I, that I should dare
Dispute with God, who moulds one clay
To honour and shame, and wills to pay
With equal wages them that delve
About His vines one hour or twelve!
XIII
From Lady Clitheroe To Mary Churchill
I've dreadful news, my Sister dear!
Frederick has married, as we hear,
Oh, such a girl! This fact we get
From Mr. Barton, whom we met
At Abury once. He used to know,
At Race and Hunt, Lord Clitheroe,
And writes that he ‘has seen Fred Graham,
‘Commander of the 'Wolf,'—the same
‘The Mess call'd Joseph,—with his Wife
‘Under his arm.’ He ‘lays his life,
‘The fellow married her for love,
‘For there was nothing else to move.
‘H. is her Shibboleth. 'Tis said
‘Her Mother was a Kitchen-Maid.’
Poor Fred! What will Honoria say?
She thought so highly of him. Pray
Tell it her gently. I've no right,
I know you hold, to trust my sight;
But Frederick's state could not be hid!
And Felix, coming when he did,
276
Was lucky; for Honoria, too,
Was half in love. How warm she grew
On ‘worldliness,’ when once I said
I fancied that, in ladies, Fred
Had tastes much better than his means!
His hand was worthy of a Queen's,
Said she, and actually shed tears
The night he left us for two years,
And sobb'd, when ask'd the cause to tell,
That ‘Frederick look'd so miserable.’
He did look very dull, no doubt,
But such things girls don't cry about.
What weathercocks men always prove!
You're quite right not to fall in love.
I never did, and, truth to tell,
I don't think it respectable.
The man can't understand it, too.
He likes to be in love with you,
But scarce knows how, if you love him,
Poor fellow. When 'tis woman's whim
To serve her husband night and day,
The kind soul lets her have her way!
So, if you wed, as soon you should,
Be selfish for your husband's good.
Happy the men who relegate
Their pleasures, vanities, and state
To us. Their nature seems to be
To enjoy themselves by deputy,
For, seeking their own benefit,
Dear, what a mess they make of it!
A man will work his bones away,
If but his wife will only play;
He does not mind how much he's teased,
So that his plague looks always pleased;
And never thanks her, while he lives,
For anything, but what he gives!
'Tis hard to manage men, we hear!
Believe me, nothing's easier, Dear.
The most important step by far
Is finding what their colours are.
The next is, not to let them know
277
The reason why they love us so.
The indolent droop of a blue shawl,
Or gray silk's fluctuating fall,
Covers the multitude of sins
In me. Your husband, Love, might wince
At azure, and be wild at slate,
And yet do well with chocolate.
Of course you'd let him fancy he
Adored you for your piety.
XIV
From Jane To Her Mother
Dear Mother, as you write, I see
How glad and thankful I should be
For such a husband. Yet to tell
The truth, I am so miserable!
How could he—I remember, though,
He never said he loved me! No,
He is so right that all seems wrong
I've done and thought my whole life long!
I'm grown so dull and dead with fear
That Yes and No, when he is near,
Is all I have to say. He's quite
Unlike what most would call polite,
And yet, when first I saw him come
To tea in Aunt's fine drawing-room,
He made me feel so common! Oh,
How dreadful if he thinks me so!
It's no use trying to behave
To him. His eye, so kind and grave,
Sees through and through me! Could not you,
Without his knowing that I knew,
Ask him to scold me now and then?
Mother, it's such a weary strain
The way he has of treating me
As if 'twas something fine to be
A woman; and appearing not
To notice any faults I've got!
I know he knows I'm plain, and small,
Stupid, and ignorant, and all
278
Awkward and mean; and, by degrees,
I see a beauty which he sees,
When often he looks strange awhile,
Then recollects me with a smile.
I wish he had that fancied Wife,
With me for Maid, now! all my life
To dress her out for him, and make
Her looks the lovelier for his sake;
To have her rate me till I cried;
Then see her seated by his side,
And driven off proudly to the Ball;
Then to stay up for her, whilst all
The servants were asleep; and hear
At dawn the carriage rolling near,
And let them in; and hear her laugh,
And boast, he said that none was half
So beautiful, and that the Queen,
Who danced with him the first, had seen
And noticed her, and ask'd who was
That lady in the golden gauze?
And then to go to bed, and lie
In a sort of heavenly jealousy,
Until 'twas broad day, and I guess'd
She slept, nor knew how she was bless'd.
Pray burn this letter. I would not
Complain, but for the fear I've got
Of going wild, as we hear tell
Of people shut up in a cell,
With no one there to talk to. He
Must never know he is loved by me
The most; he'd think himself to blame;
And I should almost die for shame.
If being good would serve instead
Of being graceful, ah, then, Fred—
But I, myself, I never could
See what's in women's being good;
For all their goodness is to do
Just what their nature tells them to.
Now, when a man would do what's right,
279
He has to try with all his might.
Though true and kind in deed and word,
Fred's not a vessel of the Lord.
But I have hopes of him; for, oh,
How can we ever surely know
But that the very darkest place
May be the scene of saving grace!
XV
From Frederick
‘How did I feel?’ The little wight
Fill'd me, unfatherly, with fright!
So grim it gazed, and, out of the sky,
There came, minute, remote, the cry,
Piercing, of original pain.
I put the wonder back to Jane,
And her delight seem'd dash'd, that I,
Of strangers still by nature shy,
Was not familiar quite so soon
With her small friend of many a moon.
But, when the new-made Mother smiled,
She seem'd herself a little child,
Dwelling at large beyond the law
By which, till then, I judged and saw;
And that fond glow which she felt stir
For it, suffused my heart for her;
To whom, from the weak babe, and thence
To me, an influent innocence,
Happy, reparative of life,
Came, and she was indeed my wife,
As there, lovely with love she lay,
Brightly contented all the day
To hug her sleepy little boy,
In the reciprocated joy
Of touch, the childish sense of love,
Ever inquisitive to prove
Its strange possession, and to know
If the eye's report be really so.
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XVI
From Jane To Mrs. Graham
Dear Mother,—such if you'll allow,
In love, not law, I'll call you now,—
I hope you're well. I write to say
Frederick has got, besides his pay,
A good appointment in the Docks;
Also to thank you for the frocks
And shoes for Baby. I, (D.V.,)
Shall soon be strong. Fred goes to sea
No more. I am so glad; because,
Though kinder husband never was,
He seems still kinder to become
The more he stays with me at home.
When we are parted, I see plain
He's dull till he gets used again
To marriage. Do not tell him, though;
I would not have him know I know,
For all the world.
I try to mind
All your advice; but sometimes find
I do not well see how. I thought
To take it about dress; so bought
A gay new bonnet, gown, and shawl;
But Frederick was not pleased at all;
For, though he smiled, and said, ‘How smart!’
I feel, you know, what's in his heart.
But I shall learn! I fancied long
That care in dress was very wrong,
Till Frederick, in his startling way,
When I began to blame, one day,
The Admiral's Wife, because we hear
She spends two hours, or something near,
In dressing, took her part, and said
How all things deck themselves that wed;
How birds and plants grow fine to please
Each other in their marriages;
And how (which certainly is true—
It never struck me—did it you?)
281
Dress was, at first, Heaven's ordinance,
And has much Scripture countenance.
For Eliezer, we are told,
Adorn'd with jewels and with gold
Rebecca. In the Psalms, again,
How the King's Daughter dress'd! And, then,
The Good Wife in the Proverbs, she
Made herself clothes of tapestry,
Purple and silk: and there's much more
I had not thought about before!
But Fred's so clever! Do you know,
Since Baby came, he loves me so!
I'm really useful, now, to Fred;
And none could do so well instead.
It's nice to fancy, if I died,
He'd miss me from the Darling's side!
Also, there's something now, you see,
On which we talk, and quite agree;
On which, without pride too, I can
Hope I'm as wise as any man.
I should be happy now, if quite
Sure that in one thing Fred was right.
But, though I trust his prayers are said,
Because he goes so late to bed,
I doubt his Calling. Glad to find
A text adapted to his mind,—
That where St. Paul, in Man and Wife,
Allows a little worldly life,—
He smiled, and said that he knew all
Such things as that without St. Paul!
And once he said, when I with pain
Had got him just to read Romaine,
‘Men's creeds should not their hopes condemn.
‘Who wait for heaven to come to them
‘Are little like to go to heaven,
‘If logic's not the devil's leaven!’
I cried at such a wicked joke,
And he, surprised, went out to smoke.
But to judge him is not for me,
Who myself sin so dreadfully
As half to doubt if I should care
282
To go to heaven, and he not there.
He must be right; and I dare say
I shall soon understand his way.
To other things, once strange, I've grown
Accustom'd, nay, to like. I own
'Twas long before I got well used
To sit, while Frederick read or mused
For hours, and scarcely spoke. When he
For all that, held the door to me,
Pick'd up my handkerchief, and rose
To set my chair, with other shows
Of honour, such as men, 'tis true,
To sweethearts and fine ladies do,
It almost seem'd an unkind jest;
But now I like these ways the best.
They somehow make me gentle and good;
And I don't mind his quiet mood.
If Frederick does seem dull awhile,
There's Baby. You should see him smile!
I'm pretty and nice to him, sweet Pet,
And he will learn no better yet:
Indeed, now little Johnny makes
A busier time of it, and takes
Our thoughts off one another more,
I'm happy as need be, I'm sure!
XVII
From Felix To Honoria
Let me, Beloved, while gratitude
Is garrulous with coming good,
Or ere the tongue of happiness
Be silenced by your soft caress,
Relate how, musing here of you,
The clouds, the intermediate blue,
The air that rings with larks, the grave
And distant rumour of the wave,
The solitary sailing skiff,
The gusty corn-field on the cliff,
The corn-flower by the crumbling ledge,
Or, far-down at the shingle's edge,
283
The sighing sea's recurrent crest
Breaking, resign'd to its unrest,
All whisper, to my home-sick thought,
Of charms in you till now uncaught,
Or only caught as dreams, to die
Ere they were own'd by memory.
High and ingenious Decree
Of joy-devising Deity!
You whose ambition only is
The assurance that you make my bliss,
(Hence my first debt of love to show,
That you, past showing, indeed do so!)
Trust me, the world, the firmament,
With diverse-natured worlds besprent,
Were rear'd in no mere undivine
Boast of omnipotent design,
The lion differing from the snake
But for the trick of difference sake,
And comets darting to and fro
Because in circles planets go;
But rather that sole love might be
Refresh'd throughout eternity
In one sweet faith, for ever strange,
Mirror'd by circumstantial change.
For, more and more, do I perceive
That everything is relative
To you, and that there's not a star,
Nor nothing in't, so strange or far,
But, if 'twere scanned, 'twould chiefly mean
Somewhat, till then, in you unseen,
Something to make the bondage strait
Of you and me more intimate,
Some unguess'd opportunity
Of nuptials in a new degree.
But, oh, with what a novel force
Your best-conn'd beauties, by remorse
Of absence, touch; and, in my heart,
How bleeds afresh the youthful smart
Of passion fond, despairing still
To utter infinite good-will
284
By worthy service! Yet I know
That love is all that love can owe,
And this to offer is no less
Of worth, in kind speech or caress,
Than if my life-blood I should give.
For good is God's prerogative,
And Love's deed is but to prepare
The flatter'd, dear Belov'd to dare
Acceptance of His gifts. When first
On me your happy beauty burst,
Honoria, verily it seem'd
That naught beyond you could be dream'd
Of beauty and of heaven's delight.
Zeal of an unknown infinite
Yet bade me ever wish you more
Beatified than e'er before.
Angelical were your replies
To my prophetic flatteries;
And sweet was the compulsion strong
That drew me in the course along
Of heaven's increasing bright allure,
With provocations fresh of your
Victorious capacity.
Whither may love, so fledged, not fly?
Did not mere Earth hold fast the string
Of this celestial soaring thing,
So measure and make sensitive,
And still, to the nerves, nice notice give
Of each minutest increment
Of such interminable ascent,
The heart would lose all count, and beat
Unconscious of a height so sweet,
And the spirit-pursuing senses strain
Their steps on the starry track in vain!
But, reading now the note just come,
With news of you, the babes, and home,
I think, and say, ‘To-morrow eve
‘With kisses me will she receive;’
And, thinking, for extreme delight
Of love's extremes, I laugh outright.
285
XVIII
From Frederick
Eight wedding-days gone by, and none
Yet kept, to keep them all in one,
Jane and myself, with John and Grace
On donkeys, visited the place
I first drew breath in, Knatchley Wood.
Bearing the basket, stuff'd with food,
Milk, loaves, hard eggs, and marmalade,
I halted where the wandering glade
Divides the thicket. There I knew,
It seem'd, the very drops of dew
Below the unalter'd eglantine.
Nothing had changed since I was nine!
In the green desert, down to eat
We sat, our rustic grace at meat
Good appetite, through that long climb
Hungry two hours before the time.
And there Jane took her stitching out,
And John for birds'-nests pry'd about,
And Grace and Baby, in between
The warm blades of the breathing green,
Dodged grasshoppers; and I no less,
In conscientious idleness,
Enjoy'd myself, under the noon
Stretch'd, and the sounds and sights of June
Receiving, with a drowsy charm,
Through muffled ear and folded arm.
And then, as if I sweetly dream'd,
I half-remember'd how it seem'd
When I, too, was a little child
About the wild wood roving wild.
Pure breezes from the far-off height
Melted the blindness from my sight,
Until, with rapture, grief, and awe,
I saw again as then I saw.
As then I saw, I saw again
The harvest-waggon in the lane,
286
With high-hung tokens of its pride
Left in the elms on either side;
The daisies coming out at dawn
In constellations on the lawn;
The glory of the daffodil;
The three black windmills on the hill,
Whose magic arms, flung wildly by,
Sent magic shadows o'er the rye.
Within the leafy coppice, lo,
More wealth than miser's dreams could show,
The blackbird's warm and woolly brood,
Five golden beaks agape for food;
The Gipsies, all the summer seen
Native as poppies to the Green;
The winter, with its frosts and thaws
And opulence of hips and haws;
The lovely marvel of the snow;
The Tamar, with its altering show
Of gay ships sailing up and down,
Among the fields and by the Town;
And, dearer far than anything,
Came back the songs you used to sing.
(Ah, might you sing such songs again,
And I, your Child, but hear as then,
With conscious profit of the gulf
Flown over from my present self!)
And, as to men's retreating eyes,
Beyond high mountains higher rise,
Still farther back there shone to me
The dazzling dusk of infancy.
Thither I look'd, as, sick of night,
The Alpine shepherd looks to the height,
And does not see the day, 'tis true,
But sees the rosy tops that do.
Meantime Jane stitch'd, and fann'd the flies
From my repose, with hush'd replies
To Grace, and smiles when Baby fell.
Her countenance love visible
Appear'd, love audible her voice.
Why in the past alone rejoice,
Whilst here was wealth before me cast
287
Which, I could feel, if 'twere but past
Were then most precious? Question vain,
When ask'd again and yet again,
Year after year; yet now, for no
Cause, but that heaven's bright winds will blow
Not at our pray'r but as they list,
It brought that distant, golden mist
To grace the hour, firing the deep
Of spirit and the drowsy keep
Of joy, till, spreading uncontain'd,
The holy power of seeing gain'd
The outward eye, this owning even
That where there's love and truth there's heaven.
Debtor to few, forgotten hours
Am I, that truths for me are powers.
Ah, happy hours, 'tis something yet
Not to forget that I forget!
And now a cloud, bright, huge and calm,
Rose, doubtful if for bale or balm;
O'ertoppling towers and bulwarks bright
Appear'd, at beck of viewless might,
Along a rifted mountain range.
Untraceable and swift in change,
Those glittering peaks, disrupted, spread
To solemn bulks, seen overhead;
The sunshine quench'd, from one dark form
Fumed the appalling light of storm.
Straight to the zenith, black with bale,
The Gipsies' smoke rose deadly pale;
And one wide night of hopeless hue
Hid from the heart the recent blue.
And soon, with thunder crackling loud,
A flash reveal'd the formless cloud:
Lone sailing rack, far wavering rim,
And billowy tracks of stormland dim.
We stood, safe group'd beneath a shed.
Grace hid behind Jane's gown for dread,
Who told her, fondling with her hair,
‘The naughty noise! but God took care
288
‘Of all good girls.’ John seem'd to me
Too much for Jane's theology,
Who bade him watch the tempest. Now
A blast made all the woodland bow;
Against the whirl of leaves and dust
Kine dropp'd their heads; the tortured gust
Jagg'd and convuls'd the ascending smoke
To mockery of the lightning's stroke.
The blood prick'd, and a blinding flash
And close coinstantaneous crash
Humbled the soul, and the rain all round
Resilient dimm'd the whistling ground,
Nor flagg'd in force from first to last,
Till, sudden as it came, 'twas past,
Leaving a trouble in the copse
Of brawling birds and tinkling drops.
Change beyond hope! Far thunder faint
Mutter'd its vast and vain complaint,
And gaps and fractures, fringed with light,
Show'd the sweet skies, with squadrons bright
Of cloudlets, glittering calm and fair
Through gulfs of calm and glittering air.
With this adventure, we return'd.
The roads the feet no longer burn'd.
A wholesome smell of rainy earth
Refresh'd our spirits, tired of mirth.
The donkey-boy drew friendly near
My Wife, and, touch'd by the kind cheer
Her countenance show'd, or sooth'd perchance
By the soft evening's sad advance,
As we were, stroked the flanks and head
Of the ass, and, somewhat thick-voiced, said,
‘To 'ave to wop the donkeys so
‘'Ardens the 'art, but they won't go
‘Without!’ My Wife, by this impress'd,
As men judge poets by their best,
When now we reach'd the welcome door,
Gave him his hire, and sixpence more.
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XIX
From Jane
Dear Mrs. Graham, the fever's past,
And Fred is well. I, in my last,
Forgot to say that, while 'twas on,
A lady, call'd Honoria Vaughan,
One of his Salisbury Cousins, came.
Had I, she ask'd me, heard her name?
'Twas that Honoria, no doubt,
Whom he would sometimes talk about
And speak to, when his nights were bad,
And so I told her that I had.
She look'd so beautiful and kind!
And just the sort of wife my mind
Pictured for Fred, with many tears,
In those sad early married years.
Visiting, yesterday, she said,
The Admiral's Wife, she learn'd that Fred
Was very ill; she begg'd to be,
If possible, of use to me.
What could she do? Last year, his Aunt
Died, leaving her, who had no want,
Her fortune. Half was his, she thought;
But he, she knew, would not be brought
To take his rights at second hand.
Yet something might, she hoped, be plann'd.
What did I think of putting John
To school and college? Mr. Vaughan,
When John was old enough, could give
Preferment to her relative;
And she should be so pleased.—I said
I felt quite sure that dearest Fred
Would be most thankful. Would we come,
And make ourselves, she ask'd, at home,
Next month, at High-Hurst? Change of air
Both he and I should need, and there
At leisure we could talk, and then
Fix plans, as John was nearly ten.
290
It seemed so rude to think and doubt,
So I said, Yes. In going out,
She said, ‘How strange of Frederick, Dear,’
(I wish he had been there to hear,)
‘To send no cards, or tell me what
‘A nice new Cousin I had got!’
Was not that kind?
When Fred grew strong,
I had, I found, done very wrong.
Anger was in his voice and eye.
With people born and bred so high
As Fred and Mrs. Vaughan and you,
It's hard to guess what's right to do;
And he won't teach me!
Dear Fred wrote,
Directly, such a lovely note,
Which, though it undid all I had done,
Was, both to me and Mrs. Vaughan,
So kind! His words, I can't say why,
Like soldiers' music, made me cry.
~ Coventry Patmore,

IN CHAPTERS [34/34]



   12 Poetry
   6 Integral Yoga
   5 Yoga
   2 Occultism
   2 Mythology
   1 Sufism
   1 Philosophy
   1 Fiction
   1 Christianity


   5 Sri Ramakrishna
   4 Nolini Kanta Gupta
   3 John Keats
   2 William Wordsworth
   2 Sri Aurobindo
   2 Peter J Carroll
   2 Ovid
   2 Friedrich Schiller


   5 The Gospel of Sri Ramakrishna
   3 Keats - Poems
   2 Wordsworth - Poems
   2 Schiller - Poems
   2 Metamorphoses
   2 Liber Null
   2 Collected Works of Nolini Kanta Gupta - Vol 07


0.00 - INTRODUCTION, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
   The love of Radha is the precursor of the resplendent vision of Sri Krishna, and Sri Ramakrishna soon experienced that vision. The enchanting ing form of Krishna appeared to him and merged in his person. He became Krishna; he totally forgot his own individuality and the world; he saw Krishna in himself and in the universe. Thus he attained to the fulfilment of the worship of the Personal God. He drank from the fountain of Immortal Bliss. The agony of his heart vanished forever. He realized Amrita, Immortality, beyond the shadow of death.
   One day, listening to a recitation of the Bhagavata on the verandah of the Radhakanta temple, he fell into a divine mood and saw the enchanting form of Krishna. He perceived the luminous rays issuing from Krishna's Lotus Feet in the form of a stout rope, which touched first the Bhagavata and then his own chest, connecting all three — God, the scripture, and the devotee. "After this vision", he used to say, "I came to realize that Bhagavan, Bhakta, and Bhagavata — God, Devotee, and Scripture — are in reality one and the same."
   --- VEDANTA

01.05 - Rabindranath Tagore: A Great Poet, a Great Man, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Tagore the poet reminds one often and anon of Kalidasa. He was so much in love, had such kinship with the great old master that many of his poems, many passages and lines are reminiscences, echoes, modulations or a paraphrase of the original classic. Tagore himself refers in his memoirs to one Kalidasian line that haunted his juvenile brain because of its exquisite music and enchanting imagery:
   Mandki nirjharikarm vodh muhuh-kamPita-deva-druh

1.03 - On Knowledge of the World., #The Alchemy of Happiness, #Al-Ghazali, #Sufism
  As man's primary necessities in the world are three, viz : clothing, food and shelter, so the arts of the world are three, viz: weaving, planting and building. The rest of the arts serve either for the purpose of perfecting the others, or for repairing injuries. Thus the spinner aids the work [69] of weaving, the tailor carries out that work to perfection, while the cloth-dresser adds beauty to the work. In the arts, there is need of iron, skins and wood, and for these many instruments are necessary. No person is able to work at all kinds of trades, but by the will of God, upon one is devolved one art and upon another two, and the whole community is made dependent, one member upon the other. When avarice, ambition and covetousness hold sway in the hearts of men, because some are not pleased to see others obtain honors, and because they do not endeavor to quell their wants, envy and hatred arise among them. Each one, dissatisfied with his own rights, plots against the property and honor of his fellows. On this account there was a necessity for three farther distinctions, viz: sovereignty, judicial authority, and jurisprudence, which contains the digest of the law. But alas ! poor and wretched man coming under the influence of all these causes, motives and instruments, spends his life in collecting wealth and lays up for himself sources of regret. And just as the pilgrim, who on his way to the Kaaba of Mecca, was engaged day and night in taking care of his camel, got separated from the caravan, and perished in the desert, so those who know not the real nature of the world and its worthlessness, and do not understand that it is the place where seed is sown for eternity, but spend all their thoughts upon it, are certainly fascinated and deceived; as the apostle of God declares. "The world is more enchanting than Harout and Marout: let men beware of it."1
  After you have learned that the world is delusive, enchanting and treacherous, you need to know in what way its delusions and enchantment operate. I will, therefore, mention some things which are illustrative of the world. The world, beloved, is like an enchanter, who exhibits himself [70] to you as though he would dwell with you and would forever be at your side; while in truth this world is always upon the point of being snatched away from you, notwithstanding you are tranquilly unconscious of it. The world is like a shadow, which, while you look at it, seems fixed, although in reality, it is in motion. Life is like a running water, which is always advancing, yet yon think that it is still and permanent, and you wish to fix your abode by it. The world again is like an enchanter who performs for you acts of friendship and manifests love for yon, for the sake of winning your affections to him : but as soon as he has secured your love, he turns away his face from you and plots to destroy you....
  The world resembles those imposters, who decorate themselves externally and conceal the sorrows and curse they bring, while the ignorant, looking only at the outside, are fascinated and deluded. The world resembles the old woman who arrayed herself in silk stuffs and flowered brocades, and with ornaments, and covered her head with a beautiful embroidered veil, so that those who should see her from a distance, and notice only her garments and her form, might be deceived. And whenever she has succeeded in inducing a person to follow after her and to decide upon joining himself to her, she takes off her robes from her back and her veil from her head, and immediately her concealed ugliness is brought to light, and the person who had been seeking her, becomes subject to eternal regret and sorrow. We have received it also by tradition, that the world will be brought to the great assembly at the last day, in the form of a woman with livid eyes, pendent lips, and deformed shape, and all the people will look upon her, (we take refuge in God,) and will exclaim, "what deformed and horrible person is that, whose aspect alone is severe torture to the soul?" And they will be answered. "It was on her account that you were envying and [71] hating one another, and were ready to slay one another. It was on her account that you rebelled against God, and debased yourselves to every sort of corruption." And then God will order her to be driven off to hell with her followers and her lovers....

1.03 - The House Of The Lord, #Twelve Years With Sri Aurobindo, #Nirodbaran, #Integral Yoga
  The Mother would come to Sri Aurobindo's room an hour after his bath for their usual work. Then we left the room, wondering what they were talking about. Probably Ashram affairs, world problems and all that the Mother "considered necessary for him to know". Once I was sitting absorbed in meditation in front of Sri Aurobindo when the Mother entered. Perhaps she waited for a while, then he called, "Nirod, Mother has come." I opened my eyes and saw that she was waiting with a gracious smile. I simply rushed out abashed! The Meetings lasted from 15 minutes to an hour, at the most; and when the Mother opened the door we were therewaiting outside. Greeting us with an enchanting smile, she would go back to her work and we entered the Presence.
  Sometime in 1945 his eyesight got affected; and the Mother suggested that I should now take up all the reading and writing work and this continued till the end. In the evening we revised the old versions of Savitri, read letters, poems, literary articles by disciples or devotees outside, and other miscellaneous matters. In course of time these incidental readings increased to such an extent that he remarked that all his time was being spent on these, while his own work was left undone. He only made the remark and continued with them, until in 1949, practically all the correspondence came to an abrupt halt, and only the work on Savitri proceeded steadily. I wonder if he had taken the decision to leave the body and was therefore in a hurry to finish his epic in time. Correspondence with Dilip and Amal Kiran was the only exception.

1.05 - The New Consciousness, #On the Way to Supermanhood, #Satprem, #Integral Yoga
  Therefore, we cannot say precisely how it works, any more than the apes of old could say what had to be done to control thought. We can, however, try to describe some of these elusive little strokes, indicate a general direction and, along with our traveler of the new world, follow step by step the thread of a discovery that seems at times incoherent but eventually makes a coherent whole. We have never been in that country before. It even seems to take shape under our feet, almost to grow by our look, as if noticing this curve, that almost mischievous gleam, encouraged it to grow and draw this dotted line under our feet, this other curve, and that enchanting hill, toward which we run with a pounding heart. Our traveler of the new world is first and foremost an observer: nothing escapes his attention, not one detail, not the slightest encounter, the least conjunction or hardly noticeable correspondence the marvel is born in droplets, as though the secret were of an infinitesimal order. He is a microscopic observer. For maybe there are no big things or small ones, but one and the same supreme flowing whose every point is as supremely filled with consciousness and meaning as the sum total of all universes, as if, really, the entire goal were at each instant.
  Hence we have filled each and every wastel and of our day there is no more waste we have infused the vacancy between two acts with being, and even our acts are no longer so completely caught up in the Machine. We can talk, make phone calls, write or meet people, but behind in the background, something continues to be, vibrating, vibrating very softly, like a breath from a far-off sea, the flowing of a little river in the distance; and if we stop for a moment in mid-gesture and take but a single step back, we are instantly in that ever so fresh little river, that open space, that easy expanse, and we sink into it as into the repose of Truth, because only Truth is at rest, since it is. Strangely enough, this sort of slippage or shifting of the center of being does not loosen our grip on life, does not throw us into a sort of dream state we would be tempted to call hollow. On the contrary, we are utterly awake it even looks as if the sleeper were in the one who talks, writes and telephones in a state of alertness, but not alert to the machine's wheelworks, the play of the features, the calculation of the next step, the whirl of appearances: we are engrossed in something else, as if listening behind our head, in that vibrating expanse, that leisurely flowing; and sometimes we feel variations of intensity, changes of rhythm, sudden pressures, as if a finger of light were pressing there, bringing something to our notice, calling our attention to a particular point by shining its light. Then, without knowing why, we utter some words, make a gesture, or, on the contrary, are kept from making a gesture, we turn here instead of there, smile when the person we were talking to seemed so unpleasant, or, on the contrary, dismiss him rapidly when he seemed so well intentioned. And everything is exactly as it should be, to a T. What we did or said was exactly what had to be done or said, just where we had to turn to avoid the accident or have the necessary encounter two days or two hours later, in utter amazement, we understand the meaning or exactness of our action. It is as if we had been introduced to a functioning of truth.

1.06 - The Four Powers of the Mother, #The Mother With Letters On The Mother, #Sri Aurobindo, #Integral Yoga
  11:And yet it is not easy to meet the demand of this enchanting Power or to keep her presence. Harmony and beauty of the mind and soul, harmony and beauty of the thoughts and feelings, harmony and beauty in every outward act and movement, harmony and beauty of the life and surroundings, this is the demand of Mahalakshmi. Where there is affinity to the rhythms of the secret world-bliss and response to the call of the AllBeautiful and concord and unity and the glad flow of many lives turned towards the Divine, in that atmosphere she consents to abide. But all that is ugly and mean and base, all that is poor and sordid and squalid, all that is brutal and coarse repels her advent. Where love and beauty are not or are reluctant to be born, she does not come; where they are mixed and disfigured with baser things, she turns soon to depart or cares little to pour her riches. If she finds herself in men's hearts surrounded with selfishness and hatred and jealousy and malignance and envy and strife, if treachery and greed and ingratitude are mixed in the sacred chalice, if grossness of passion and unrefined desire degrade devotion, in such hearts the gracious and beautiful Goddess will not linger. A divine disgust seizes upon her and she withdraws, for she is not one who insists or strives; or, veiling her face, she waits for this bitter and poisonous devil's stuff to be rejected and disappear before she will found anew her happy influence. Ascetic bareness and harshness are not pleasing to her nor the suppression of the heart's deeper emotions and the rigid repression of the soul's and the life's parts of beauty. For it is through love and beauty that she lays on men the yoke of the Divine. Life is turned in her supreme creations into a rich work of celestial art and all existence into a poem of sacred delight; the world's riches are brought together and concerted for a supreme order and even the simplest and commonest things are made wonderful by her intuition of unity and the breath of her spirit. Admitted to the heart she lifts wisdom to pinnacles of wonder and reveals to it the mystic secrets of the ecstasy that surpasses all knowledge, meets devotion with the passionate attraction of the Divine, teaches to strength and force the rhythm that keeps the might of their acts harmonious and in measure and casts on perfection the charm that makes it endure for ever.
  12:MAHASARASWATI is the Mother s Power of Work and her spirit of perfection and order. The youngest of the Four, she is the most skilful in executive faculty and the nearest to physical Nature. Maheshwari lays down the large lines of the worldforces, Mahakali drives their energy and impetus, Mahalakshmi discovers their rhythms and measures, but Mahasaraswati presides over their detail of organisation and execution, relation of parts and effective combination of forces and unfailing exactitude of result and fulfilment. The science and craft and technique of things are Mahasaraswati's province. Always she holds in her nature and can give to those whom she has chosen the intimate and precise knowledge, the subtlety and patience, the accuracy of intuitive mind and conscious hand and discerning eye of the perfect worker. This Power is the strong, the tireless, the careful and efficient builder, organiser, administrator, technician, artisan and classifier of the worlds. When she takes up the transformation and new-building of the nature, her action is laborious and minute and often seems to our impatience slow and interminable, but it is persistent, integral and flawless. For the will in her works is scrupulous, unsleeping, indefatigable; leaning over us she notes and touches every little detail, finds out every minute defect, gap, twist or incompleteness, considers and weighs accurately all that has been done and all that remains still to be done hereafter. Nothing is too small or apparently trivial for her attention; nothing however impalpable or disguised or latent can escape her. Moulding and remoulding she labours each part till it has attained its true form, is put in its exact place in the whole and fulfils its precise purpose. In her constant and diligent arrangement and rearrangement of things her eye is on all needs at once and the way to meet them and her intuition knows what is to be chosen and what rejected and successfully determines the right instrument, the right time, the right conditions and the right process. Carelessness and negligence and indolence she abhors; all scamped and hasty and shuffling work, all clumsiness and a peu pres and misfire, all false adaptation and misuse of instruments and faculties and leaving of things undone or half done is offensive and foreign to her temper. When her work is finished, nothing has been forgotten, no part has been misplaced or omitted or left in a faulty condition; all is solid, accurate, complete, admirable. Nothing short of a perfect perfection satisfies her and she is ready to face an eternity of toil if that is needed for the fullness of her creation. Therefore of all the Mother s powers she is the most long-suffering with man and his thousand imperfections. Kind, smiling, close and helpful, not easily turned away or discouraged, insistent even after repeated failure, her hand sustains our every step on condition that we are single in our will and straightforward and sincere; for a double mind she will not tolerate and her revealing irony is merciless to drama and histrionics and self-deceit and pretence. A mother to our wants, a friend in our difficulties, a persistent and tranquil counsellor and mentor, chasing away with her radiant smile the clouds of gloom and fretfulness and depression, reminding always of the ever-present help, pointing to the eternal sunshine, she is firm, quiet and persevering in the deep and continuous urge that drives us towards the integrality of the higher nature. All the work of the other Powers leans on her for its completeness; for she assures the material foundation, elaborates the stuff of detail and erects and rivets the armour of the structure.

1.08 - THE MASTERS BIRTHDAY CELEBRATION AT DAKSHINESWAR, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
  Now and then he went into samdhi, standing still as a statue. While he was in one of these states of divine unconsciousness, the devotees put thick garlands of jasmine around his neck. The enchanting form of the Master reminded the devotees of Chaitanya, another Incarnation of God. The Master passed alternately through three moods of divine consciousness: the inmost, when he completely lost all knowledge of the outer world; the semi-conscious, when he danced with the devotees in an ecstasy of love; and the conscious, when he joined them in loud singing. It was indeed a sight for the gods, to see the Master standing motionless in samdhi, with fragrant garlands hanging from his neck, his countenance beaming with love, and the devotees singing and dancing around him.
  When it was time for his noon meal, Sri Ramakrishna put on a new yellow cloth and sat on the small couch. His golden complexion, blending with his yellow cloth, enchanted the eyes of the devotees.

1.09 - BOOK THE NINTH, #Metamorphoses, #Ovid, #Poetry
  To rid my thoughts of this enchanting love.
  But who cou'd scape so fierce, and sure a dart,

1.11 - BOOK THE ELEVENTH, #Metamorphoses, #Ovid, #Poetry
  Here, while the Thracian bard's enchanting strain
  Sooths beasts, and woods, and all the listn'ing plain,

1.19 - THE MASTER AND HIS INJURED ARM, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
  Wondrous waves of the sweetness of God, ever new and ever enchanting,
  Rise on the surface, ever assuming

1.ami - To the Saqi (from Baal-i-Jibreel), #unset, #Arthur C Clarke, #Fiction
   English version by Naeem Siddiqui Original Language Urdu Look! What wonders the spring has wrought! The river bank is a paradise! Rose-embowered glades, Blossoming jasmine and hyacinth, And violets, the envy of the skies!. Rainbow colours transformed Into a chorus of rapturous sounds, And the harmony of flowers The hillside is carnation-red; In the languid haze, the air Seems drunk with the beauty of life! The brook, on the heights of the hill, Dances to its own music. The world is dizzy in a pageant of colour! My rosy-cheeked Cup-bearer! The voice of spring is the voice of life! But the spring lasts not for ever; So bring me the cup that tears all veils -- The wine that brightens life -- The wine that intoxicates the world -- The wine in which flows The music of everlasting life, The wine that reveals eternity's secret. Unveil the secrets, O Saqi. Look! The world has changed apace! New are the songs, and new is the music; The West's magic has dissolved; The West's magicians are bewildered; Old politics has lost its game; The world is tired of kings; Gone are the days of the rich; Gone is the jugglery of old; Awake is China's sleeping giant; The Himalayas' torrents are unleashed; Sinai is riven; Moses awaits the light divine. The Muslim says that God is One But his heart is Still a heathen: Culture, sufism, rites and rthetoric, All adore non- Arab idols; The truth was lost in trifles, And the nation was lost in conventions. The speaker's rhetoric is enchanting, But is devoid of passion; It is clothed in logic neat, But lost in a maze of words; The sufi, unique in the love of truth, Unique in the love of God, Was lost in un-Islamic thought; Was lost in the hierarchic quest; The fire of love is extinguished, And a Muslim is a heap of ashes, O Saqi! Give me the old wine again! Let the potent cup go round! Let me soar on the wings of love; Make my dust bright-pinioned; Make wisdom free; And make the young guide the old; Thou it is that nourishest. this nation; Thou it is that canst sustain it; Urge them to move, to stir; Give them Ali's heart; give them Siddiq's passion; Let the same old love pierce their hearts; Awaken in them a burning zeal; Let the stars throw down their spears, And let the earth's dwellers tremble Give the young a passion that consumes; Give them my vision, my love of God; Free my boat from the whirlpool's grip, And make it move forward-, Reveal to me the secrets of life, For thou knowest them all; The treasures of a fakir like me Are suffused, unsleeping eyes, And secret yearnings of the heart-, My anguished sighs at night, My solitude in the world of men, My hopes and my fears, My quest untiring, My nature an arena of thought A mirror of the world. My heart a battlefield of life, With armies of suspicion, And bastions of certitude; With these treasures I am More rich than the richest of all. Let the young join my throng, And let them find an anchor of hope. The sea of life has its ebb and flow-, In every atom's heart is the pulse of life; It manifests itself in the body, As a flame conceals a wave of smoke; Contact with the earth was harsh for it, But it liked the labour; It is in motion, and not in motion; Tired of the elements' shackles; A unity, imprisoned by plurality; But always unique, unequalled. It has made this dome of myriad glass; It has carved this pantheon. It does not repeat its craft For thou art not me, and I am not thou; It has created the world of men, And remains in solitude, Its brightness is seen in the stars, And in the lustre of pearls-, To it belong the wildernesses, The flowers and the thorns; Mountains sometimes are shaken by its might; It captures angels and nymphs; It makes the eagle pounce on a prey, And leave a blood-stained body. Every atom throbs with life; Rest is an illusion; Life's journey pauses not, For every moment is a new glory; Life, thou thinkest, is a mystery; Life is a delight in eternal flight; Life has seen many ups and downs; It loves a journey, not a goal. Movement is life's being; Movement is truth, pause is a mirage. Life's enjoyment is in perils, In facing ups and downs; In the world beyond Life stalked for death, But the impulse to procreate Peopled the world of man and beast. Flowers blossomed and dropped From this tree of life. Fools think life is ephemeral; Life renews itself for ever -- Moving fast as a flash, Moving to eternity in a breath; Time, a chain of days and nights, Is the ebb and flow of breath. This flow of breath is like a sword, Selfhood is its sharpness; Selfhood is the secret of life; It is the world's awakening, Selfhood is solitary, absorbed, An ocean enclosed in a drop; It shines in light and in darkness, Existent in, but away from, thee and me. The dawn of life behind it, eternity before, It has no frontiers before, no frontiers behind. Afloat on the river of time, Bearing the buffets of the waves, Changing the course of its quest, Shifting its glance from time to time; For it a hill is a grain of sand, Mountains are shattered by its blows; A journey is its beginning and end, And this is the secret of its being. It is the moon's beam, the spark in the flint, Colourless itself, though infused with colours, No concern has it with the calculus of space, With linear time's limits, with the finitude of life. It manifested itself in man's essence of dust, After an eternity of a strife to be born. It is in thy heart that Selfhood has an abode, As heaven has its abode in the cornea of thy eye. To one who guards his Selfhood, The living that demeans it, is poison; He accepts only a living, That keeps his self- esteem; Keep away from royal pomp, Keep thy Selfhood free; Thou shouldst bow in prayer, Not bow to a human being. This myriad-coloured world, Under the sentence of death, This world of sight and sound, I Where life means eating and drinking, Is Selfhood's initial stage; It is not thy abode, O traveller! This dust-bowl is not the source of thy fire; The world is for thee, not thou for the world. Demolish this illusion of' time and space; Selfhood is the Tiger of God, the world is its prey; The earth is its prey, the heavens are its prey; Other worlds there are, still awaiting birth, The earth-born are not the centre of all life; They all await thy assault, Thy cataclysmic thought and deed; Days and nights revolve, To reveal thy Selfhood to thee; Thou art the architect of the world. Words fail to convey the truth; Truth is the mirror, words its shade; Though the breath is a burning flame, The flame has limited bounds. 'If now I soar any farther, The vision will sear my wings.' <
1f.lovecraft - Beyond the Wall of Sleep, #Lovecraft - Poems, #unset, #Zen
   I gazed, I perceived that my own brain held the key to these enchanting
   metamorphoses; for each vista which appeared to me, was the one my

1.fs - Elegy On The Death Of A Young Man, #Schiller - Poems, #Friedrich Schiller, #Poetry
  And how kindly, how enchantingly
  Smiled the future,with what golden eye

1.fs - The Ideals, #Schiller - Poems, #Friedrich Schiller, #Poetry
  The glorious suns my youth enchanting
   Have set in never-ending night;

1.jda - My heart values his vulgar ways (from The Gitagovinda), #unset, #Arthur C Clarke, #Fiction
   English version by Barbara Stoler Miller Original Language Sanskrit My heart values his vulgar ways, Refuses to admit my rage, Feels strangely elated, and keeps denying his guilt. When he steals away without me To indulge his craving For more young women, My perverse heart Only wants Krishna back. What can I do? I reach the lonely forest hut where he secretly lies at night. My trembling eyes search for him as he laughs in a mood of passion. Friend, bring Kesi's sublime tormentor to revel with me! I've gone mad with waiting for his fickle love to change. I shy from him when we meet; he coaxes me with flattering words. I smile at him tenderly as he loosens the silken cloth on my hips. Friend, bring Kesi's sublime tormentor to revel with me! I've gone mad with waiting for his fickle love to change. I fall on the bed of tender ferns; he lies on my breasts forever. I embrace him, kiss him; he clings to me drinking my lips. Friend, bring Kesi's sublime tormentor to revel with me! I've gone mad with waiting for his fickle love to change. My eyes close languidly as I feel the flesh quiver on his cheek. My body is moist with sweat; he is shaking from the wine of lust. Friend, bring Kesi's sublime tormentor to revel with me! I've gone mad with waiting for his fickle love to change. I murmur like a cuckoo; he masters love's secret rite. My hari is a tangle of wilted flowers; my breasts bear his nailmarks. Friend, bring Kesi's sublime tormentor to revel with me! I've gone mad with waiting for his fickle love to change. Jewel anklets ring at my feet as he reaches the height of passion. My belt falls noisily; he draws back my hair to kiss me. Friend, bring Kesi's sublime tormentor to revel with me! I've gone mad with waiting for his fickle love to change. I savor passion's joyful time; his lotus eyes are barely open. My body falls like a limp vine; Madhu's foe delights in my love. Friend, bring Kesi's sublime tormentor to revel with me! I've gone mad with waiting for his fickle love to change. Jayadeva sings about Radha's fantasy of making love with Madhu's killer. Let the story of a lonely cowherdess spread joy in his graceful play. Friend, bring Kesi's sublime tormentor to revel with me! I've gone mad with waiting for his fickle love to change. The enchanting flute in his hand Lies fallen under coy glances; Sweat of love wets his cheeks; His bewildered face is smiling -- When Krishna sees me watching him Playing in the forest In a crowd of village beauties, I feel the joy of desire. Wind from a lakeside garden Coaxing buds on new asoka branches Into clusters of scarlet flowers Is only fanning the flames to burn me. This mountain Of new mango blossoms Humming with roving bumblebees Is no comfort to me now, freind. [1994.jpg] -- from Love Song of the Dark Lord: Jayadeva's Gitagovinda, Translated by Barbara Stoler Miller <
1.jk - Epistle To My Brother George, #Keats - Poems, #John Keats, #Poetry
  Would never make a lay of mine enchanting,
  Or warm my breast with ardour to unfold

1.jk - Song Of Four Faries, #Keats - Poems, #John Keats, #Poetry
  Dusketha, so enchantingly
  Freckle-wing'd and lizard-sided!

1.jk - Sonnet To Byron, #Keats - Poems, #John Keats, #Poetry
  The enchanting tale, the tale of pleasing woe.
  'First given in the Life, Letters &c. (1848), Volume 1, page 13, under the date December 1814.'

1.whitman - Passage To India, #Whitman - Poems, #unset, #Zen
       enchanting mirages of waters and meadows;
   Marking through these, and after all, in duplicate slender lines,

1.ww - Book Seventh [Residence in London], #unset, #Arthur C Clarke, #Fiction
  And rustling leaves. enchanting age and sweet!
  Romantic almost, looked at through a space,

1.ww - Book Sixth [Cambridge and the Alps], #unset, #Arthur C Clarke, #Fiction
  Between thy lofty rocks. enchanting show        
  Those woods and farms and orchards did present,

2.09 - THE MASTERS BIRTHDAY, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
  Wondrous waves of the sweetness of God, ever new and ever enchanting,
  Rise on the surface, ever assuming

2.19 - THE MASTER AND DR. SARKAR, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
  This universe with all its manifold and blessed modes Is but the enchanting poem of Thine inexhaustible thought; Its beauty overflows on every side.
  O Thou Poet, great and primal, in the rhythm of Thy thought The sun and moon arise and move toward their setting; The stars, shining like bits of gems, are the fair characters In which Thy song is written across the blue expanse of sky; The year, with its six seasons, in tune with the happy earth, Proclaims Thy glory to the end of time.

23.12 - A Note On The Mother of Dreams, #Collected Works of Nolini Kanta Gupta - Vol 06, #Nolini Kanta Gupta, #Integral Yoga
   The Mother of Dreams then is the divine intermediary, the supreme creative Force, the' Mother of Energy. The mighty dynamo fabricating and throwing out endless streams of possible and impossible things. Worlds and gods and men and creatures are all her children - built with her flesh and blood, inspired by her breath, moved by her gesture. But she is the Mother not only of the Shining Ones, but also of the Dark Ones. Calamity and prosperity, rise and fall are cadences in her enchanting symphony. She holds them all in her bosom and carries them forward through a variegated play, a chequered progressive evolution towards their highest and supreme Destiny upon this earth.
   Sri Aurobindo, *Collected Poems*(Cent. Ed., Vol. 5), p. 67.

29.04 - Mothers Playground, #Collected Works of Nolini Kanta Gupta - Vol 07, #Nolini Kanta Gupta, #Integral Yoga
   You may remember, we once saw a play in our Theatre staged by our students. It was about the adventure of a few young people leaving their home and going out wandering. In the end they came to a house and one of them casually opened a side-door in the building and all entered and found themselves in a fairyland. They were surprised, astonished: they found they had left the old world and come to a new unfamiliar enchanting fairyland.
   The same experience one has when one opens the gate of the playground and enters it. At least we used to experience in that way in the early days. As soon as we stepped into the playground, a new atmosphere enveloped us, a new life full of joy, happiness and delight and freedom. When we used to put on our group uniform, we felt quite different from what we were normally. Old people with their blue shorts in our group, really old people - they felt very young, youthful and trotting about as if they had left their age behind with all their cares. And the younger people, the youngest ones, they were so eager to join the group, to put on the green uniform. So many among them after putting on their green shorts rushed to me and said enthusiastically: "Today I have got my uniform and I will join the group": so happy, so free, so full of delight and delightful they were.

30.17 - Rabindranath, Traveller of the Infinite, #Collected Works of Nolini Kanta Gupta - Vol 07, #Nolini Kanta Gupta, #Integral Yoga
   Our mind and heart are carried away by the seductive charm of beautiful language, fine rhythm and an enchanting picture. But our physical eyes fail to seize a meaningful substance or a direct and clear experience behind the words. No doubt, evidently there is an effort to formulate some realisation, but nothing solid has been achieved. Everything is fluid and thin and tenuous, about to vanish like vapour. That is why critics of the classical school accused Tagore of obscurity and enigmatic vagueness - all a play of whims, caprices and fancies - the clear, direct and positive certainty of the truth-seer is lacking there - Rabindranath cannot sing in unison with the Vedic sages, jyok ca Saryam drse" - "May we behold the Sun with open and undazed eyes."
   To some extent, perhaps, it is true that if we compare Tagore with those who stand on the peaks in world literature, we find in their creation an utmost, flawless harmony and synthesis between speech and substance, while in Tagore we find on the whole speech carrying more weight than substance and this is why his poetic genius, as it were, somewhat falls short of perfect perfection - except in a few instances. But that, it may be answered, would be demanding something from Tagore which is not germane to his nature and genius; it would be, as it were, to measure him by a standard different from his own. To be sure, substance does not mean mere wealth of clear intellectual thoughts or solidity of subject-matter. Substance means the real essence, the very core, the thing in itself, a delight-truth gleaned in consciousness, made vibrant with life. And it may be said that even this is the law of a particular formula of creation - but Rabindranath has followed another law. We may take here an example. As a sculptor Michael Angelo had no parallel among the artists. One special trait of his carving was this that he hardly ever completed a figure to a final finish; he left it unfinished to a certain extent; the unfinished portion in its rawness was suggestive of things unsaid. Probably he would indicate in this way that the statue as a statue has not an independent value of its own but is part of nature's own beauty around a statue; it was not a model according to the Greek ideal - a creation flawless, exquisite and perfect in every feature, complete and sufficient in itself but quite separate from other creations. In our country the practice of carving out some portion of a whole hill and shaping out of it some idol or cave temple was in vogue. The inner sense of that practice was perhaps to prove the unity and indivisibility of art and nature and how they harmonise and commune with each other. A similar excuse may be put forward on behalf of Tagore. A lightness and sinuosity, turns and returns in the movement, weave out the essential theme, because of the pressure, the necessity, the very law of the consciousness. And that also has characterised the impetus of the upward drive of aspiration - a thirst for attaining a farther and farther progression - the ever burning and increasing flame of the psychic Being, the everspreading rays of the immortal light. This unending, ceaseless, free and absolute aspiration, this voyage to the Unknown finds expression in lines like
  --
   Tagore, as it appears to me, never again reached such heights of bold imageries and in such an amplitude of melody. enchanting moods and manners, figures and symbols, diverse and varied, were there, every one of them with its own speciality, beauty and gracefulness but it is doubtful whether they possess the sense of vastness and loftiness and epic sweep and grandeur to that extent as here. The urge, the movement that finds expression here is not concerned merely with the aspiration of human beings or individuals; here is expressed in a profound, grandiose voice the aspiration of the inert soil and the mute earth; not merely in conscious beings but also in the subconscient world there vibrates an intense, passionate, vast, upward longing. A sleepless march proceeds towards the light from the bottom of the entire creation - not only it is finely and adequately expressed but that reality has assumed its own form as it were in word and rhythm, as a living embodiment. In 'The Awakening of the Fountain' we notice the lisping of this grand message, although the .fountain there is a mere symbol or an image, and the significance too is to a considerable extent of the nature of an oration or discourse, nevertheless fundamentally the poet's dream remains the same. So, we can say, what commenced with the 'Fountain', with the cry of a chord and the invocation of a single limb, has become a full-fledged orchestral symphony in 'Balaka': the wheel has come full circle.
   ***

4.04 - In the Total Christ, #Hymn of the Universe, #Pierre Teilhard de Chardin, #Christianity
  manity with the most enchanting and captivating
  splendors of the universe. And then he came

Aeneid, #unset, #Arthur C Clarke, #Fiction
  upon his Thracian lyre's enchanting strings,
  if Pollux could redeem his brother by

Cratylus, #unset, #Arthur C Clarke, #Fiction
  wisdom and enchanting ravishment has not only filled my ears but taken
  possession of my soul, and to-day I shall let his superhuman power work

Guru Granth Sahib first part, #unset, #Arthur C Clarke, #Fiction
  The Mohinis, the enchanting heavenly beauties who entice hearts in this world, in paradise, and in the underworld of the subconscious sing.
  The celestial jewels created by You, and the sixty-eight holy places of pilgrimage sing.
  --
  The Mohinis, the enchanting heavenly beauties who entice hearts in paradise, in this world, and in the underworld of the subconscious, sing of You.
  The celestial jewels created by You, and the sixty-eight sacred shrines of pilgrimage, sing of You.

LUX.07 - ENCHANTMENT, #Liber Null, #Peter J Carroll, #Occultism
  Magical will may exert its effects directly on the universe, or it may use symbols or sigils as intermediaries. The creation of direct effects, like prescience in divination, represents a high point in the art and is just as elusive. Making things happen by either method is referred to as the art of enchanting or the casting of enchantments.
  From a magical point of view, it is axiomatic that we have created the world in which we exist. Looking about himself, the magician can say "thus have I willed," or "thus do I perceive," or more accurately, "thus does my Kia manifest."

P.11 - MAGICAL WEAPONS, #Liber Null, #Peter J Carroll, #Occultism
  The wand weapon similarily appears in a profusion of forms. As an instrument to assist the projection of the magical will onto the aetheric and material planes, it could be a general purpose sigil, an amulet, a ring, an enchanting mantra, or even an act or gesture one performs. As with the pentacle, there is a virtue in having a small, portable, and permanent device of this class, for power accrues to it with use. As with the cup, the power of the wand is partly to fascinate the surface functions of the mind and channel the forces concealed in the depths. Like the sword, the wand is manipulated in such a way as to describe vividly to the will and subconscious what is required of them.
  The Lamp weapon is only named as such because of the popular analogy of spirit with light. Chaos, the ultimate substrate of existence, and Kia, the personal life force, are equally likely to be felt as an awesome darkness or as both brilliance and voidness simultaneously. As a device to channel these forces to the mundane consciousness of the magician there is no limit to the forms the lamp might take. It could be anything from an idea of God or the Tao, to some primitive looking fetish or symbol. The way of the magician is the manifestation of spirit within matter, and his primary technique is gnosis, the focusing of consciousness by physiological means. The magician's lamp should be something which aids his gnosis and receives the forces he generates. The lamp is the weapon of inspiration in the original sense of the word - it inspirits him.

The Act of Creation text, #The Act of Creation, #Arthur Koestler, #Psychology
  Dr. Y , one a boy, the other an enchanting little girl. The little
  girl seemed to take an immediate liking to X; she insisted on his

The Dream of a Ridiculous Man, #unset, #Arthur C Clarke, #Fiction
  Oh, everyone laughs in my face now and assures me that even in dreams one cannot see such details as I'm now telling, that in my dream I saw or felt only a certain sensation generated by my own heart in delirium, and that I invented the details when I woke up. And when I disclosed to them that perhaps it was actually so - God, what laughter they threw in my face, and what fun they had at my expense! Oh, yes, of course, I was overcome just by the sensation of that dream, and it alone survived in the bloody wound of my heart: yet the real images and forms of my dream, that is, those that I actually saw at the time of my dreaming, were fulfilled so harmoniously, they were so enchanting and beautiful, and so true, that having awakened, I was, of course, unable to embody them in our weak words, so that they must have been as if effaced in my mind, and therefore, indeed, perhaps
  I myself unconsciously was forced to invent the details afterward; and of course distorted them, especially with my so passionate desire to hurry and tell them at least somehow. And yet how can I not believe that it all really was? And was, perhaps a thousand times better, brighter, and more joyful than I'm telling? Let it be a dream, still it all could not but be. You know, I'll tell you a secret: perhaps it wasn't a dream at all! For here a certain thing happened, something so terribly true that it couldn't have been imagined in a dream. Let my dream have been generated by my heart, but was my heart alone capable of generating the terrible truth that happened to me afterward? How could I myself invent or imagine it in my heart? Can it be that my paltry heart and capricious, insignificant mind were able to rise to such a revelation of the truth! Oh, judge for yourselves: I've concealed it so far, but now I'll finish telling this truth as well. The thing was that

WORDNET



--- Overview of verb enchant

The verb enchant has 3 senses (first 1 from tagged texts)
                    
1. (2) enchant, enrapture, transport, enthrall, ravish, enthral, delight ::: (hold spellbound)
2. capture, enamour, trance, catch, becharm, enamor, captivate, beguile, charm, fascinate, bewitch, entrance, enchant ::: (attract; cause to be enamored; "She captured all the men's hearts")
3. hex, bewitch, glamour, witch, enchant, jinx ::: (cast a spell over someone or something; put a hex on someone or something)

--- Overview of adj enchanting

The adj enchanting has 1 sense (no senses from tagged texts)
                  
1. bewitching, captivating, enchanting, enthralling, entrancing, fascinating ::: (capturing interest as if by a spell; "bewitching smile"; "Roosevelt was a captivating speaker"; "enchanting music"; "an enthralling book"; "antique papers of entrancing design"; "a fascinating woman")





--- Similarity of adj enchanting

1 sense of enchanting                        

Sense 1
bewitching, captivating, enchanting, enthralling, entrancing, fascinating
   => attractive (vs. unattractive)


--- Antonyms of adj enchanting

1 sense of enchanting                        

Sense 1
bewitching, captivating, enchanting, enthralling, entrancing, fascinating

INDIRECT (VIA attractive) -> unattractive



--- Pertainyms of adj enchanting

1 sense of enchanting                        

Sense 1
bewitching, captivating, enchanting, enthralling, entrancing, fascinating


--- Derived Forms of adj enchanting
                                    




IN WEBGEN [10000/79]

Wikipedia - The Enchanting Shadow -- 1960 film
https://www.goodreads.com/book/show/12939770-more-than-enchanting
https://www.goodreads.com/book/show/13543022-enchanting-lily
https://www.goodreads.com/book/show/14829831-disenchanting-india
https://www.goodreads.com/book/show/15698812-enchanting-existence
https://www.goodreads.com/book/show/17544.The_Quiet_Little_Woman_Tilly_s_Christmas__Rosa_s_Tale_Three_Enchanting_Christmas_Stories
https://www.goodreads.com/book/show/1858349.Enchanting_the_Lady
https://www.goodreads.com/book/show/25797764-my-enchanting-hoyden
https://www.goodreads.com/book/show/31359390-enchanting-the-highlander
https://www.goodreads.com/book/show/31843190-enchanting-the-highlander
https://www.goodreads.com/book/show/33517149-the-enchantingly-easy-persian-cookbook
https://www.goodreads.com/book/show/35871296-enchanting-voices
https://www.goodreads.com/book/show/39090938-re-enchanting-the-world
https://www.goodreads.com/book/show/39302017-enchanting-nicholette
https://www.goodreads.com/book/show/41443158-the-enchanting-of-an-earl
https://www.goodreads.com/book/show/43124856-enchanting-the-king
https://www.goodreads.com/book/show/6049158-enchanting-the-beast
The Busy World of Richard Scarry (1993 - 1997) - This fully animated series is based on the books by Richard Scarry which parents worldwide rely on to teach valuable lessons. Busytown is an enchanting place thats abuzz with energy and life. Young audiences love to sing and laugh along, as Huckle Cat and Lowly Worm make their way through the day....
Disney's Sing Me a Story with Belle (1995 - 1997) - Belle invites a group of children into her enchanting Book and Music Shop for 30 minutes of stories and songs promoting a special theme, utilizing Disney's classic cartoons.
The Princess Bride(1987) - In this enchantingly cracked fairy tale, the beautiful Princess Buttercup and the dashing Westley must overcome staggering odds to find happiness amid six-fingered swordsmen, murderous princes, Sicilians and rodents of unusual size. But even death can't stop these true lovebirds from triumphing.
Wee Sing: The Best Christmas Ever!(1990) - Fill your holidays with extra good cheer from the special world of Wee Sing as Santa's elves work their magic to create the best Christmas ever! Join Susie, Johnny, Nellie, Will, and some unexpected guests on an enchanting trip to the North Pole. Poofer, Dimpie, Snooter, and the rest of Santa...
Voyager(1991) - Walter Faber has survived a crash with an airplane. His next trip is by ship. On board this ship he meets the enchanting Sabeth and they have a passionate love affair. Together they travel to her home in Greece, but the rational Faber doesn't know what fate has in mind for him for past doings.
Emma (1996) ::: 7.0/10 -- TV-G | 1h 47min | Comedy, Drama, Romance | TV Movie 16 February 1997 -- Faithful, enchanting adaptation of Jane Austen's nineteenth-century tale of Emma Woodhouse--a clever young woman whose mischievous matchmaking schemes nearly end up jeopardizing her own shot at romance. Director: Diarmuid Lawrence Writers:
Today's Special (2009) ::: 6.6/10 -- R | 1h 39min | Comedy | 11 November 2009 (USA) -- In this super-feel-good foodie comedy, young Manhattan chef Samir rediscovers his heritage and his passion for life through the enchanting art of cooking Indian food. Director: David Kaplan Writers:
https://aikaonlinena.fandom.com/wiki/Enchanting_Equipment
https://dawn-of-gods.fandom.com/wiki/Enchanting
https://diablo.fandom.com/wiki/Enchanting
https://elderscrolls.fandom.com/wiki/Altar_of_Enchanting
https://elderscrolls.fandom.com/wiki/Enchanting
https://elderscrolls.fandom.com/wiki/Enchanting_(Blades)
https://elderscrolls.fandom.com/wiki/Enchanting_Hireling
https://elderscrolls.fandom.com/wiki/Enchanting_(Oblivion)
https://elderscrolls.fandom.com/wiki/Enchanting_(Online)
https://elderscrolls.fandom.com/wiki/Enchanting_Pick-Up
https://elderscrolls.fandom.com/wiki/Enchanting_(Skyrim)
https://elderscrolls.fandom.com/wiki/Enchanting_Station
https://elderscrolls.fandom.com/wiki/Enchanting_station
https://elderscrolls.fandom.com/wiki/Fortify_Enchanting
https://elderscrolls.fandom.com/wiki/Hireling_(Enchanting)
https://forgottenrealms.fandom.com/wiki/Quimby's_enchanting_gourmet
https://ftb.fandom.com/wiki/Enchanting_Plus
https://minecraft.fandom.com/wiki/Enchanting
https://minecraft.fandom.com/wiki/Enchanting_mechanics
https://minecraft.fandom.com/wiki/Minecraft_Dungeons:Enchanting
https://neverwinter.fandom.com/wiki/Enchanting
https://valkyriesky.fandom.com/wiki/Enchanting_Combinations
https://wowpedia.fandom.com/wiki/Enchanting
https://wowwiki-archive.fandom.com/wiki/BoP_enchanting_recipes
https://wowwiki-archive.fandom.com/wiki/Crystal_(enchanting)
https://wowwiki-archive.fandom.com/wiki/Disenchanting
https://wowwiki-archive.fandom.com/wiki/Draenor_Enchanting
https://wowwiki-archive.fandom.com/wiki/Economical_enchanting_training
https://wowwiki-archive.fandom.com/wiki/Enchanting
https://wowwiki-archive.fandom.com/wiki/Enchanting_Bag
https://wowwiki-archive.fandom.com/wiki/Enchanting_faction_recipes
https://wowwiki-archive.fandom.com/wiki/Enchanting_gems
https://wowwiki-archive.fandom.com/wiki/Enchanting_ingredient
https://wowwiki-archive.fandom.com/wiki/Enchanting_ingredients
https://wowwiki-archive.fandom.com/wiki/Enchanting_mission
https://wowwiki-archive.fandom.com/wiki/Enchanting_proficiencies
https://wowwiki-archive.fandom.com/wiki/Enchanting_recipe
https://wowwiki-archive.fandom.com/wiki/Enchanting_recipes
https://wowwiki-archive.fandom.com/wiki/Enchanting_recipes/Apprentice
https://wowwiki-archive.fandom.com/wiki/Enchanting_recipes/Artisan
https://wowwiki-archive.fandom.com/wiki/Enchanting_recipes/Draenor_Master
https://wowwiki-archive.fandom.com/wiki/Enchanting_recipes/Expert
https://wowwiki-archive.fandom.com/wiki/Enchanting_recipes/Grand_Master
https://wowwiki-archive.fandom.com/wiki/Enchanting_recipes/Illustrious
https://wowwiki-archive.fandom.com/wiki/Enchanting_recipes/Journeyman
https://wowwiki-archive.fandom.com/wiki/Enchanting_recipes/Legion_Master
https://wowwiki-archive.fandom.com/wiki/Enchanting_recipes/Master
https://wowwiki-archive.fandom.com/wiki/Enchanting_recipes/Zen_Master
https://wowwiki-archive.fandom.com/wiki/Enchanting_trainers
https://wowwiki-archive.fandom.com/wiki/Enchanting_Vellum
https://wowwiki-archive.fandom.com/wiki/Making_money_with_enchanting
https://wowwiki-archive.fandom.com/wiki/Simply_Enchanting
Astarotte no Omocha! -- -- Diomedéa -- 12 eps -- Manga -- Comedy Demons Ecchi Fantasy Romance Seinen -- Astarotte no Omocha! Astarotte no Omocha! -- Succubi, like the young princess Astarotte "Lotte" Ygvar, require the life seed from men to survive, replenish their magic, and continue the royal lineage of the magical realm. This means succubi are required to keep a harem of men close at hand. Ironically, Lotte despises men, which will put her life at risk once she matures. To convince her to fulfill her duties, one of her attendants, Judith Snorrevik, goes to the human realm to find a human male whom Lotte can tolerate. -- -- Judith returns with 23-year-old Naoya Touhara, a single father who unfortunately leaves his daughter, Asuha, behind in the human realm. As the first member of Lotte's harem, Naoya quickly adapts to this new environment, serving the princess to make her happy, rather than viewing her with sexual intent. Unfortunately, when his daughter is allowed to arrive in the magical realm, Naoya's relationship quickly worsens with Lotte. Even so, he strives to patch up their relationship. -- -- It soon becomes clear, however, that Naoya's presence in the magical realm is more than just mere coincidence. As he develops his bond with Lotte, fate begins to pull together the connections that tie him and everyone else within this enchanting world. -- -- TV - Apr 11, 2011 -- 124,210 6.58
The Enchanting Enemy
The Enchanting Shadow



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