TERMS STARTING WITH
dungeon ::: a dark, often underground chamber or cell used to confine prisoners. (Sri Aurobindo employs the word as an adjective.)
dungeon ::: n. --> A close, dark prison, common/, under ground, as if the lower apartments of the donjon or keep of a castle, these being used as prisons. ::: v. t. --> To shut up in a dungeon.
Dungeon {Zork}
TERMS ANYWHERE
dungeon ::: a dark, often underground chamber or cell used to confine prisoners. (Sri Aurobindo employs the word as an adjective.)
dungeon ::: n. --> A close, dark prison, common/, under ground, as if the lower apartments of the donjon or keep of a castle, these being used as prisons. ::: v. t. --> To shut up in a dungeon.
black hole ::: --> A dungeon or dark cell in a prison; a military lock-up or guardroom; -- now commonly with allusion to the cell (the Black Hole) in a fort at Calcutta, into which 146 English prisoners were thrust by the nabob Suraja Dowla on the night of June 20, 17656, and in which 123 of the prisoners died before morning from lack of air.
delivery ::: n. --> The act of delivering from restraint; rescue; release; liberation; as, the delivery of a captive from his dungeon.
The act of delivering up or over; surrender; transfer of the body or substance of a thing; distribution; as, the delivery of a fort, of hostages, of a criminal, of goods, of letters.
The act or style of utterance; manner of speaking; as, a good delivery; a clear delivery.
The act of giving birth; parturition; the expulsion or
Devaki (Sanskrit) Devakī The mother of Krishna. She was shut up in a dungeon by her brother, King Kansa, for fear of the fulfillment of a prophecy that a son of hers would dethrone and kill him. Notwithstanding the strict watch kept, Devaki was overshadowed by Vishnu, the holy spirit, and thus gave birth to that god’s avatara, Krishna as the incarnated ray of the Logos.
Dungeon {Zork}
hack "jargon" 1. Originally, a quick job that produces what is needed, but not well. 2. An incredibly good, and perhaps very time-consuming, piece of work that produces exactly what is needed. 3. To bear emotionally or physically. "I can't hack this heat!" 4. To work on something (typically a program). In an immediate sense: "What are you doing?" "I'm hacking TECO." In a general (time-extended) sense: "What do you do around here?" "I hack TECO." More generally, "I hack "foo"" is roughly equivalent to ""foo" is my major interest (or project)". "I hack solid-state physics." See {Hacking X for Y}. 5. To pull a prank on. See {hacker}. 6. To interact with a computer in a playful and exploratory rather than goal-directed way. "Whatcha up to?" "Oh, just hacking." 7. Short for {hacker}. 8. See {nethack}. 9. (MIT) To explore the basements, roof ledges, and steam tunnels of a large, institutional building, to the dismay of Physical Plant workers and (since this is usually performed at educational institutions) the Campus Police. This activity has been found to be eerily similar to playing adventure games such as {Dungeons and Dragons} and {Zork}. See also {vadding}. See also {neat hack}, {real hack}. [{Jargon File}] (1996-08-26)
hack ::: (jargon) 1. Originally, a quick job that produces what is needed, but not well.2. An incredibly good, and perhaps very time-consuming, piece of work that produces exactly what is needed.3. To bear emotionally or physically. I can't hack this heat!4. To work on something (typically a program). In an immediate sense: What are you doing? I'm hacking TECO. In a general (time-extended) sense: What do you equivalent to foo is my major interest (or project). I hack solid-state physics. See Hacking X for Y.5. To pull a prank on. See hacker.6. To interact with a computer in a playful and exploratory rather than goal-directed way. Whatcha up to? Oh, just hacking.7. Short for hacker.8. See nethack.9. (MIT) To explore the basements, roof ledges, and steam tunnels of a large, institutional building, to the dismay of Physical Plant workers and (since this activity has been found to be eerily similar to playing adventure games such as Dungeons and Dragons and Zork. See also vadding.See also neat hack, real hack.[Jargon File] (1996-08-26)
hell ::: v. t. --> The place of the dead, or of souls after death; the grave; -- called in Hebrew sheol, and by the Greeks hades.
The place or state of punishment for the wicked after death; the abode of evil spirits. Hence, any mental torment; anguish.
A place where outcast persons or things are gathered
A dungeon or prison; also, in certain running games, a place to which those who are caught are carried for detention.
A gambling house.
Hunt the Wumpus "games, history" (Or "Wumpus") /wuhm'p*s/ A famous fantasy computer game, created by {Gregory Yob} in about 1973. Hunt the Wumpus appeared in Creative Computing, Vol 1, No 5, Sep - Oct 1975, where Yob says he had come up with the game two years previously, after seeing the grid-based games Hurkle, Snark and Mugwump at {People's Computing Company} (PCC). He later delivered Wumpus to PCC who published it in their newsletter. ESR says he saw a version including termites running on the {Dartmouth Time-Sharing System} in 1972-3. Magnus Olsson, in his 1992-07-07 {USENET} article "9207071854.AA21847@thep.lu.se", posted the {BASIC} {source code} of what he believed was pretty much the version that was published in 1973 in David Ahl's "101 Basic Computer Games", by {Digital Equipment Corporation}. The wumpus lived somewhere in a cave with the topology of an dodecahedron's edge/vertex graph (later versions supported other topologies, including an icosahedron and M"obius strip). The player started somewhere at random in the cave with five "crooked arrows"; these could be shot through up to three connected rooms, and would kill the wumpus on a hit (later versions introduced the wounded wumpus, which got very angry). Unfortunately for players, the movement necessary to map the maze was made hazardous not merely by the wumpus (which would eat you if you stepped on him) but also by bottomless pits and colonies of super bats that would pick you up and drop you at a random location (later versions added "anaerobic termites" that ate arrows, bat migrations and earthquakes that randomly changed pit locations). This game appears to have been the first to use a non-random graph-structured map (as opposed to a rectangular grid like the even older Star Trek games). In this respect, as in the dungeon-like setting and its terse, amusing messages, it prefigured {ADVENT} and {Zork} and was directly ancestral to both (Zork acknowledged this heritage by including a super-bat colony). There have been many {ports} including one distributed with {SunOS}, a {freeware} one for the {Macintosh} and a {C} emulation by {ESR}. [Does "101 Basic Computer Games" give any history?] (2004-10-04)
hythe ::: n. --> A small haven. See Hithe. I () I, the ninth letter of the English alphabet, takes its form from the Phoenician, through the Latin and the Greek. The Phoenician letter was probably of Egyptian origin. Its original value was nearly the same as that of the Italian I, or long e as in mete. Etymologically I is most closely related to e, y, j, g; as in dint, dent, beverage, L. bibere; E. kin, AS. cynn; E. thin, AS. /ynne; E. dominion, donjon, dungeon. html{color:
moria ::: (games) /mor'ee-*/ Like nethack and rogue, one of the large PD Dungeons and Dragons-like simulation games, available for a wide range of machines and days, elvish. The game is extremely addictive and a major consumer of time better used for hacking.[Jargon File]
moria "games" /mor'ee-*/ Like {nethack} and {rogue}, one of the large {PD} {Dungeons and Dragons}-like simulation games, available for a wide range of machines and operating systems. The name is from Tolkien's Mines of Moria; compare {elder days}, {elvish}. The game is extremely addictive and a major consumer of time better used for hacking. [{Jargon File}]
MUD "games" {Multi-User Dimension} or "Multi-User Domain". Originally "Multi-User Dungeon". [{Jargon File}] (1995-04-16)
MUD ::: (games) Multi-User Dimension or Multi-User Domain. Originally Multi-User Dungeon.[Jargon File] (1995-04-16)
Multi-User Dimension "games" (MUD) (Or Multi-User Domain, originally "Multi-User Dungeon") A class of multi-player interactive game, accessible via the {Internet} or a {modem}. A MUD is like a real-time {chat} forum with structure; it has multiple "locations" like an {adventure} game and may include combat, traps, puzzles, magic and a simple economic system. A MUD where characters can build more structure onto the database that represents the existing world is sometimes known as a "{MUSH}". Most MUDs allow you to log in as a guest to look around before you create your own character. Historically, MUDs (and their more recent progeny with names of MU- form) derive from a hack by Richard Bartle and Roy Trubshaw on the University of Essex's {DEC-10} in 1979. It was a game similar to the classic {Colossal Cave} adventure, except that it allowed multiple people to play at the same time and interact with each other. Descendants of that game still exist today and are sometimes generically called BartleMUDs. There is a widespread myth that the name MUD was trademarked to the commercial MUD run by Bartle on {British Telecom} (the motto: "You haven't *lived* 'til you've *died* on MUD!"); however, this is false - Richard Bartle explicitly placed "MUD" in the {PD} in 1985. BT was upset at this, as they had already printed trademark claims on some maps and posters, which were released and created the myth. Students on the European academic networks quickly improved on the MUD concept, spawning several new MUDs ({VAXMUD}, {AberMUD}, {LPMUD}). Many of these had associated {bulletin-board systems} for social interaction. Because these had an image as "research" they often survived administrative hostility to {BBSs} in general. This, together with the fact that {Usenet} feeds have been spotty and difficult to get in the UK, made the MUDs major foci of hackish social interaction there. AberMUD and other variants crossed the Atlantic around 1988 and quickly gained popularity in the US; they became nuclei for large hacker communities with only loose ties to traditional hackerdom (some observers see parallels with the growth of {Usenet} in the early 1980s). The second wave of MUDs (TinyMUD and variants) tended to emphasise social interaction, puzzles, and cooperative world-building as opposed to combat and competition. In 1991, over 50% of MUD sites are of a third major variety, LPMUD, which synthesises the combat/puzzle aspects of AberMUD and older systems with the extensibility of TinyMud. The trend toward greater programmability and flexibility will doubtless continue. The state of the art in MUD design is still moving very rapidly, with new simulation designs appearing (seemingly) every month. There is now a move afoot to deprecate the term {MUD} itself, as newer designs exhibit an exploding variety of names corresponding to the different simulation styles being explored. {UMN MUD Gopher page (gopher://spinaltap.micro.umn.edu/11/fun/Games/MUDs/Links)}. {U Pennsylvania MUD Web page (http://cis.upenn.edu/~lwl/mudinfo.html)}. See also {bonk/oif}, {FOD}, {link-dead}, {mudhead}, {MOO}, {MUCK}, {MUG}, {MUSE}, {chat}. {Usenet} newsgroups: {news:rec.games.mud.announce}, {news:rec.games.mud.admin}, {news:rec.games.mud.diku}, {news:rec.games.mud.lp}, {news:rec.games.mud.misc}, {news:rec.games.mud.tiny}. (1994-08-10)
Multi-User Dimension ::: (games) (MUD) (Or Multi-User Domain, originally Multi-User Dungeon) A class of multi-player interactive game, accessible via the Internet or a modem. MUDs allow you to log in as a guest to look around before you create your own character.Historically, MUDs (and their more recent progeny with names of MU- form) derive from a hack by Richard Bartle and Roy Trubshaw on the University of Essex's as they had already printed trademark claims on some maps and posters, which were released and created the myth.Students on the European academic networks quickly improved on the MUD concept, spawning several new MUDs (VAXMUD, AberMUD, LPMUD). Many of these had associated This, together with the fact that Usenet feeds have been spotty and difficult to get in the UK, made the MUDs major foci of hackish social interaction there.AberMUD and other variants crossed the Atlantic around 1988 and quickly gained popularity in the US; they became nuclei for large hacker communities with only aspects of AberMUD and older systems with the extensibility of TinyMud. The trend toward greater programmability and flexibility will doubtless continue.The state of the art in MUD design is still moving very rapidly, with new simulation designs appearing (seemingly) every month. There is now a move afoot to deprecate the term MUD itself, as newer designs exhibit an exploding variety of names corresponding to the different simulation styles being explored. . .See also bonk/oif, FOD, link-dead, mudhead, MOO, MUCK, MUG, MUSE, chat.Usenet newsgroups: rec.games.mud.announce, rec.games.mud.admin, rec.games.mud.diku, rec.games.mud.lp, rec.games.mud.misc, rec.games.mud.tiny. (1994-08-10)
Multi-User Dungeon ::: Multi-User Dimension
Multi-User Dungeon {Multi-User Dimension}
NetHack "games" /net'hak/ (Unix) A dungeon game similar to {rogue} but more elaborate, distributed in {C} source over {Usenet} and very popular at {Unix} sites and on {PC}-class machines (nethack is probably the most widely distributed of the {freeware} dungeon games). The earliest versions, written by Jay Fenlason and later considerably enhanced by Andries Brouwer, were simply called "hack". The name changed when maintenance was taken over by a group of hackers originally organised by Mike Stephenson. Version: NetHack 3.2 (Apr 1996?). {(http://win.tue.nl/games/roguelike/nethack/)}. {FAQ (ftp://rtfm.mit.edu/pub/usenet/rec.games.roguelike.nethack/)}. {FTP U Penn (ftp://linc.cis.upenn.edu/pub/NH3.1/)} No large downloads between 9:00 and 18:00 local or the directory will be removed. {Usenet} newsgroup: {news:rec.games.roguelike.nethack}. E-mail: "nethack-bugs@linc.cis.upenn.edu". (1996-06-13)
NetHack ::: (games) /net'hak/ (Unix) A dungeon game similar to rogue but more elaborate, distributed in C source over Usenet and very popular at Unix sites name changed when maintenance was taken over by a group of hackers originally organised by Mike Stephenson.Version: NetHack 3.2 (Apr 1996?). . . No large downloads between 9:00 and 18:00 local or the directory will be removed.Usenet newsgroup: rec.games.roguelike.nethack.E-mail: . (1996-06-13)
oubliette ::: n. --> A dungeon with an opening only at the top, found in some old castles and other strongholds, into which persons condemned to perpetual imprisonment, or to perish secretly, were thrust, or lured to fall.
rogue "games" [Unix] A Dungeons-and-Dragons-like game using character graphics, written under BSD Unix and subsequently ported to other Unix systems. The original BSD "curses(3)" screen-handling package was hacked together by Ken Arnold to support "rogue(6)" and has since become one of Unix's most important and heavily used application libraries. Nethack, Omega, Larn, and an entire subgenre of computer dungeon games all took off from the inspiration provided by "rogue(6)". See also {nethack}. [{Jargon File}]
rogue ::: (games) [Unix] A Dungeons-and-Dragons-like game using character graphics, written under BSD Unix and subsequently ported to other Unix systems. The subgenre of computer dungeon games all took off from the inspiration provided by rogue(6). See also nethack.[Jargon File]
troglodyte ::: (jargon) (Commodore) 1. A hacker who never leaves his cubicle. The term Gnoll (from Dungeons & Dragons) is also reported.2. A curmudgeon attached to an obsolescent computing environment. The combination ITS troglodyte was flung around some during the Usenet and e-mail wringle-wrangle attending the 2.x.x revision of the Jargon File; at least one of the people it was intended to describe adopted it with pride.[Jargon File] (1995-01-11)
troglodyte "jargon" (Commodore) 1. A hacker who never leaves his cubicle. The term "Gnoll" (from Dungeons & Dragons) is also reported. 2. A curmudgeon attached to an obsolescent computing environment. The combination "ITS troglodyte" was flung around some during the {Usenet} and {e-mail} wringle-wrangle attending the 2.x.x revision of the {Jargon File}; at least one of the people it was intended to describe adopted it with pride. [{Jargon File}] (1995-01-11)
Zork ::: (games) /zork/ The second of the great early experiments in computer fantasy gaming; see ADVENT. Zork was originally written on MIT-DM during the Infocom. The Fortran source was later rewritten for portability and released to Usenet under the name Dungeon.Both Fortran Dungeon and translated C versions are available from many FTP archives.[Jargon File] (1998-09-21)
Zork "games" /zork/ The second of the great early experiments in computer fantasy gaming; see {ADVENT}. Zork was originally written on {MIT-DM} during the late 1970s, later distributed with {BSD Unix} as a patched, sourceless {RT-11} {Fortran} binary (see {retrocomputing}) and commercialised as "The Zork Trilogy" by {Infocom}. The Fortran source was later rewritten for portability and released to {Usenet} under the name "Dungeon". Both Fortran "Dungeon" and translated {C} versions are available from many {FTP archives}. [{Jargon File}] (1998-09-21)
KEYS (10k)
4 Gary Gygax
1 Saint Therese of Lisieux
1 Naropa
1 Manly P Hall
1 Joseph Goodman
1 Dungeons and Dragons Players Handbook.
NEW FULL DB (2.4M)
13 J K Rowling
12 Cassandra Clare
11 Terry Pratchett
8 John Milton
8 Gary Gygax
7 Robert Green Ingersoll
7 Kate DiCamillo
7 Emily Dickinson
6 Alexandre Dumas
5 William Shakespeare
5 Victor Hugo
5 Nathaniel Hawthorne
5 Kresley Cole
4 Rumi
4 Rene Denfeld
4 Henry Wadsworth Longfellow
4 George MacDonald
4 C S Lewis
4 Anonymous
3 Thomas Harris
1:Role-playing isn't storytelling. If the dungeon master is directing it, it's not a game. ~ Gary Gygax, #KEYS
2:Samsara is the tendency to find fault with others, an unbearable fire-bowl, a dungeon dark, a deep swamp of three poisons, a fearful wave of evil lives. ~ Naropa, #KEYS
3:I learned from experience that joy does not reside in the things about us, but in the very depths of the soul, that one can have it in the gloom of a dungeon as well as in the palace of a king. ~ Saint Therese of Lisieux, #KEYS
4:The most immediate influences upon AD&D were probably de Camp & Pratt, R. E. Howard, Fritz Leiber, Jack Vance, H P Lovecraft, and A. Merritt. ~ Gary Gygax, Writing in Appendix N, AD&D Dungeon Masters Guide (1979), p. 224, #KEYS
5:In a staggering display of power, the caster causes all portals within 1 mile to blast open in a violent burst. [...] Moreover, normal fasteners and stoppers are loosened or dislodged, such that wine corks fizz open, lids fall off dinner pots, shoelaces unlace, snaps loosen, belts unbuckle, and so on. ~ Joseph Goodman, Dungeon Crawl Classics Role Playing Game, #KEYS
6:The new D&D is too rule intensive. It's relegated the Dungeon Master to being an entertainer rather than master of the game. It's done away with the archetypes, focused on nothing but combat and character power, lost the group cooperative aspect, bastardized the class-based system, and resembles a comic-book superheroes game more than a fantasy RPG where a player can play any alignment desired, not just lawful good. ~ Gary Gygax, GameSpy interview, Pt. 2 (16 August 2004), #KEYS
7:You are not entering this world in the usual manner, for you are setting forth to be a Dungeon Master. Certainly there are stout fighters, mighty magic-users, wily thieves, and courageous clerics who will make their mark in the magical lands of D&D adventure. You however, are above even the greatest of these, for as DM you are to become the Shaper of the Cosmos. It is you who will give form and content to the all the universe. You will breathe life into the stillness, giving meaning and purpose to all the actions which are to follow. ~ Gary Gygax, #KEYS
8:The spirit, while superior to all of its bodies, is incapable of manifesting without its chain of vehicles. This divine spark must always be limited by the quality of its bodies. In all too many cases, it is the servant of its own dependencies. Instead of ruling its world by apostolic succession, the spirit is generally bowed and broken by the endless demands of the lower nature. The appetites, desires, and selfish propensities cast the spirit into a dungeon, while a false and cruel monarch rules the empire in his stead. ~ Manly P Hall, Magic: A Treatise on Esoteric Ethics, #KEYS
9:When man's thoughts rise upon the wings of aspiration, when he pushes back the darkness with the strength of reason and logic, then indeed the builder is liberated from his dungeon and the light pours in, bathing him with life and power. This light enables us to seek more clearly the mystery of creation and to find with greater certainty our place in the Great Plan, for as man unfolds his bodies he gains talents with which he can explore the mysteries of Nature and search for the hidden workings of the Divine. Through these powers the Builder is liberated and his consciousness goes forth conquering and to conquer. These higher ideals, these spiritual concepts, these altruistic, philanthropic, educative applications of thought power glorify the Builder; for they give the power of expression and those who can express themselves are free. When man can mold his thoughts, his emotions, and his actions into faithful expressions of his highest ideals then liberty is his, for ignorance is the darkness of Chaos and knowledge is the light of Cosmos.
~ Manly P Hall,#KEYS
*** WISDOM TROVE ***
1:What other dungeon is so dark as one's own heart! What jailer so inexorable as one's self! ~ nathaniel-hawthorne, @wisdomtrove 2:Your thief looks Exactly like the rest, or rather better; & 3:An enlightened mind is not hoodwinked; it is not shut up in a gloomy prison till it thinks the walls of its dungeon the limits of the universe, and the reach of its own chain the outer verge of intelligence. ~ henry-wadsworth-longfellow, @wisdomtrove 4:I have you fast in my fortress, And will not let you depart, But put you down into the dungeon, In the round-tower of my heart, And there will I keep you forever, Yes, forever and a day, Till the walls shall crumble to ruin, And moulder in the dust away! ~ henry-wadsworth-longfellow, @wisdomtrove 5:Hell is a state of mind - ye never said a truer word. And every state of mind, left to itself, every shutting up of the creature within the dungeon of its own mind - is, in the end, Hell. But Heaven is not a state of mind. Heaven is reality itself. All that is fully real is Heavenly. ~ c-s-lewis, @wisdomtrove 6:It is the divine attribute of the imagination, that it is irrepressible, unconfinable; that when the real world is shut out, it can create a world for itself, and with a necromantic power can conjure up glorious shapes and forms, and brilliant visions to make solitude populous, and irradiate the gloom of a dungeon. ~ washington-irving, @wisdomtrove 7:I know it is more agreeable to walk upon carpets than to lie upon dungeon floors, I know it is pleasant to have all the comforts and luxuries of civilization; but he who cares only for these things is worth no more than a butterfly, contented and thoughtless, upon a morning flower; and who ever thought of rearing a tombstone to a last summer's butterfly? ~ henry-ward-beecher, @wisdomtrove *** NEWFULLDB 2.4M ***
1:I was deep in the poo poo dungeon. ~ Sam Cheever, #NFDB
2:The dungeon was a miserable place. ~ Chris Colfer, #NFDB
3:Harsh words live in the dungeon of the heart ~ Norman Mailer, #NFDB
4:Lovely. Imprisoned in a nursery school dungeon. ~ Rick Riordan, #NFDB
5:War was a dungeon for the spiritually condemned ~ Dylan Saccoccio, #NFDB
6:If anyone locked me in a dungeon, there'd be screams. ~ Terry Pratchett, #NFDB
7:Your worst dungeon might be the room with the most windows. ~ Rene Denfeld, #NFDB
8:There's gotta be a way out of this dungeon."- G. Gygax ~ Robert Lynn Asprin, #NFDB
9:We are all serving a life sentence in the dungeon of the self. ~ Cyril Connolly, #NFDB
10:God's smile—and a dungeon—are enough for a true heart! ~ Charles Haddon Spurgeon, #NFDB
11:How clear everything becomes when you look from the darkness of a dungeon! ~ Umberto Eco, #NFDB
12:How clear everything becomes when you look from the darkness of a dungeon. ~ Umberto Eco, #NFDB
13:If I were to lock you up in a dungeon, I guarantee you would not be bored. ~ Priya Ardis, #NFDB
14:The feast I ate was rotten,
What I thought was a palace was a dungeon. ~ Stephen King,#NFDB
15:The love of our neighbor is the only door out of the dungeon of self. ~ George MacDonald, #NFDB
16:The very time I thought I was lost, my dungeon shook and my chains fell off. ~ James Baldwin, #NFDB
17:I was a huge fantasy geek growing up. I was the dungeon master in my D&D game. ~ David Benioff, #NFDB
18:No interruptions, stereos pumpin from the dungeon, coming live from Flatbush Junction ~ Capital STEEZ, #NFDB
19:Role-playing isn't storytelling. If the dungeon master is directing it, it's not a game. ~ Gary Gygax, #NFDB
20:One may live tranquilly in a dungeon; but does life consist in living quietly? ~ Jean Jacques Rousseau, #NFDB
21:Role-playing isn't storytelling. If the dungeon master is directing it, it's not a game. ~ Gary Gygax, #NFDB
22:I'm just not fond of cages,' she said, 'and this place looks like one giant dungeon. ~ Stephanie Garber, #NFDB
23:The biggest trap, the biggest dungeon in life isn't laziness or bad luck, it's comfort. ~ Robert Kiyosaki, #NFDB
24:I bear the dungeon within me; within me is winter, ice, despair; I have darkness in my soul. ~ Victor Hugo, #NFDB
25:I come to dungeon for good time—which maybe is problem, I admit—but I get bad time instead. ~ Kevin Hearne, #NFDB
26:In one way, I fear all Damascus is a dungeon. Or do you have to live here to appreciate that? ~ Robert Fisk, #NFDB
27:I bear the dungeon within me; within me is winter, ice, and despair; I have darkness in my soul. ~ Victor Hugo, #NFDB
28:Sin thrives in the dungeon, but slap it on the table for all to see, and it withers rather quickly. ~ Ted Dekker, #NFDB
29:What other dungeon is so dark as one's own heart! What jailer so inexorable as one's self! ~ Nathaniel Hawthorne, #NFDB
30:What other dungeon is so dark as one's own heart! What jailer so in exorable as one's self! ~ Nathaniel Hawthorne, #NFDB
31:A good man's prayers will from the deepest dungeon climb heaven's height, and bring a blessing down. ~ Joanna Baillie, #NFDB
32:It was as good as sealing yourself into a dungeon. Walled in, with nowhere to go but your own doom. ~ Haruki Murakami, #NFDB
33:A candle can bring light to a dungeon but it can also be used to light a deadly marijuana cigarette. ~ Eleanor Roosevelt, #NFDB
34:Oh God, this was so stupid; he’s going to kill me.
Or throw me in that dungeon I’m still convinced he has… ~ Mandy Hubbard,#NFDB
35:James Baldwin’s “My Dungeon Shook—Letter to My Nephew on the One Hundredth Anniversary of Emancipation, ~ Carolina De Robertis, #NFDB
36:Nobleness and generosity are the soul's ethereal firmament; without them, one looks at an insect in a dungeon. ~ Sri Aurobindo, #NFDB
37:Capital punishment turns the state into a murderer. But imprisonment turns the state into a gay dungeon-master. ~ Jesse Jackson, #NFDB
38:Before they could say more than “fine,” the dungeon door opened and Slughorn’s belly preceded him out of the door. ~ J K Rowling, #NFDB
39:Modern man is a prisoner who thinks he is free because he refrains from touching the walls of his dungeon. ~ Nicol s G mez D vila, #NFDB
40:to know, and by knowledge to lift up the mind from the dungeon of the body to the enjoying his own divine essence ~ Philip Sidney, #NFDB
41:It might be a dungeon
of suffering and pain full
yet this life is worth living
and this world is beautiful. ~ Jyoti Arora,#NFDB
42:It was like some horrible crime committed in a dungeon, all unseen and unheeded, buried out of sight and of memory. ~ Upton Sinclair, #NFDB
43:Modern man is a prisoner who thinks he is free because he refrains from touching the
walls of his dungeon. ~ Nicol s G mez D vila,#NFDB
44:Though the dungeon, the scourge, and the executioner be absent, the guilty mind can apply the goad and scorch with blows. ~ Lucretius, #NFDB
45:O loss of sight, of thee I most complain! Blind among enemies, O worse than chains, Dungeon, or beggary, or decrepit age! ~ John Milton, #NFDB
46:(These “wise men” apparently thought setting up a small shop in the middle of a monster-infested dungeon was a fine idea.) ~ Ernest Cline, #NFDB
47:I had rather be a toad, and live upon the vapor of a dungeon than keep a corner in the thing I love for others uses. ~ William Shakespeare, #NFDB
48:This idea was one of vengeance to me, and I tasted it slowly in the night of my dungeon and the despair of my captivity. ~ Alexandre Dumas, #NFDB
49:I had rather be a toad, and live upon the vapor of a dungeon, than keep a corner in the thing I love for others uses. ~ William Shakespeare, #NFDB
50:Dignity and majesty have I seen but once, as it stood in chains, at midnight, in a dungeon in an obscure village of Missouri. ~ Parley P Pratt, #NFDB
51:It is kind of dungeon-esque,” I murmured to her. “Who uses stone this dark for a wine cellar? I’d expect something more Tuscan. ~ Richelle Mead, #NFDB
52:This isn't Dungeon & Dragons, dude. Just because I'm wearing black doesn't mean I have the Find & Remive Traps skill. ~ John G Hartness, #NFDB
53:Long have I dwelt forgotten here
In pining woe and dull despair;
This place of solitude and gloom
Must be my dungeon and my tomb. ~ Anne Bront,#NFDB
54:If you die, Lily ... I’ll steal your soul and take you to the Abyss, where I will keep you in my magical dungeon so you can never escape. ~ Nalini Singh, #NFDB
55:When a prisoner sees the door of his dungeon open, he dashes for it without stopping to think where he shall get his dinner outside. ~ George Bernard Shaw, #NFDB
56:She was trapped with a telepathic cat that wanted to go to the opera, in an elevator that had passed dungeon in favor of a lower floor - hell. ~ Nina Bangs, #NFDB
57:A slave will amuse himself in his dungeon; a free man must file through his chains and dig through his prison-walls before he can frolic. ~ George MacDonald, #NFDB
58:I can survive this. Whatever torture they inflict on me, I will survive, and I will plan, and I will escape. Then she entered the dungeon. ~ Lindsay Buroker, #NFDB
59:Miss Kane, I have been worried.
Sorry, I've been in a faery closet and a werewolf dungeon.
Business or pleasure?
Business. ~ Alexis Hall,#NFDB
60:Your thief looks Exactly like the rest, or rather better; 'Tis only at the bar, and in the dungeon, That wise men know your felon by his features. ~ Lord Byron, #NFDB
61:Never build a dungeon you wouldn't be happy to spend the night in yourself. The world would be a happier place if more people remembered that. ~ Terry Pratchett, #NFDB
62:Intellectual liberty is the air of the soul, the sunshine of the mind, and without it, the world is a prison, the universe is a dungeon. ~ Robert Green Ingersoll, #NFDB
63:Moaning Myrtle burst into anguished sobs and fled from the dungeon. Peeves shot after her, pelting her with moldy peanuts, yelling, “Pimply! Pimply! ~ J K Rowling, #NFDB
64:Samsara is the tendency to find fault with others, an unbearable fire-bowl, a dungeon dark, a deep swamp of three poisons, a fearful wave of evil lives. ~ Naropa, #NFDB
65:I picked up the corpse and dragged it down and down the winding steps of the tower, into the stinking dungeon, and threw it to rot with the rest there. ~ Anne Rice, #NFDB
66:I saw the Fall of Troy! World War Five! I was pushing boxes at the Boston Tea Party! Now I'm gonna die in a dungeon.... [disgustedly] in Cardiff! ~ Russell T Davies, #NFDB
67:A lord’s dungeon near Gulltown,” the smith replied. “A brigand, a barber, a beggar, two orphans, and a boy whore. With such do we defend the realms of men. ~ Anonymous, #NFDB
68:Albert, you are more highly privileged than ever I was. No one ever made me a nice dungeon when I was your age. I think I had better leave you where you are. ~ E Nesbit, #NFDB
69:Whene'er with haggard eyes I view This dungeon that I'm rotting in, I think of those companions true Who studied with me at the U- Niversity of Gottingen. ~ George Canning, #NFDB
70:Really, I scolded myself, you should have known that you'd end up in a stone dungeon with no facilities. That's how these things always end up, isn't it? ~ Lilith Saintcrow, #NFDB
71:That kiss, I cannot describe. It was like a poem, a prayer, a homecoming unlooked-for. It was like dungeon walls crumbling to reveal a glimpse of sky. It ~ Jacqueline Carey, #NFDB
72:In the depths of every heart there is a tomb and a dungeon, though the lights, the music, and the revelry above may cause us to forget their existence. ~ Nathaniel Hawthorne, #NFDB
73:In the depths of every heart there is a tomb and a dungeon, though the lights, the music, and the revelry above may cause us to forget their existence... ~ Nathaniel Hawthorne, #NFDB
74:They were like the man with the dungeon stone and gloom, rising from the underground, the sordid hipsters of America, a new beat generation that I was slowly joining. ~ Jack Kerouac, #NFDB
75:His recent dungeon experience had persuaded him that opportunites for good things should be grabbed and not postponed. You never knew when you wouldn't be around anymore. ~ Jean Ferris, #NFDB
76:They were like the man with the dungeon stone and the gloom, rising from the underground, the sordid hipsters of America, a new beat generation that I was slowly joining. ~ Jack Kerouac, #NFDB
77:A dungeon horrible, on all sides round,
As one great furnace flamed; yet from those flames
No light; but rather darkness visible
Served only to discover sights of woe ~ John Milton,#NFDB
78:The door's locked," said the Fool. "There's all sorts of noises, but the door's locked."
"Well, it's a dungeon, isn't it?"
"They're not supposed to lock from the inside! ~ Terry Pratchett,#NFDB
79:Dweller in yon dungeon dark, Hangman of creation, mark! Who in widow weeds appears, Laden with unhonoured years, Noosing with care a bursting purse, Baited with many a deadly curse? ~ Robert Burns, #NFDB
80:I had to spend my entire childhood in the Altensam dungeon like an inmate doing time for no comprehensible reason, for a crime he can't remember committing, a judicial error probably. ~ Thomas Bernhard, #NFDB
81:I had to spend my entire childhood in the Altensam dungeon like an inmate doing time for no comprehensible reason, for a crime he can’t remember committing, a judicial error probably. ~ Thomas Bernhard, #NFDB
82:I always, always wanted to be the Dungeon Master because that's where the creativity lies - in thinking up places, characters and situations. If done well, a game can be a novel in itself. ~ Sharyn McCrumb, #NFDB
83:A novel related in a dungeon, in the presence of death, cannot have the same meaning, the same consequences, as it would when read on the beach or in a meadow, in the shade of cherry trees. ~ Tahar Ben Jelloun, #NFDB
84:Remember the story of the Spanish prisoner. For many years he was confined in a dungeon... One day it occurred to him to push the door of his cell. It was open; and it had never been locked. ~ Winston Churchill, #NFDB
85:He that has light within his own clear breast May sit in the center, and enjoy bright day: But he that hides a dark soul and foul thoughts Benighted walks under the mid-day sun; Himself his own dungeon. ~ John Milton, #NFDB
86:He that has light within his own clear breast May sit in the centre, and enjoy bright day: But he that hides a dark soul and foul thoughts Benighted walks under the mid-day sun; Himself his own dungeon. ~ John Milton, #NFDB
87:I don’t know. After the downstairs, I assumed something creepier and dirtier.” I shrugged. “You didn’t have electricity down there.” “It’s for dramatic effect.” Loki gestured widely. “It’s a dungeon. ~ Amanda Hocking, #NFDB
88:Lack of understanding seemed as valuable to God as understanding. It required man to dip into the black hole of faith. But dipping into the hole was pretty much like walking through the dungeon at times. ~ Ted Dekker, #NFDB
89:Never build a dungeon you wouldn’t be happy to spend the night in yourself,’ said the Patrician, laying out the food on the cloth. ‘The world would be a happier place if more people remembered that. ~ Terry Pratchett, #NFDB
90:Never build a dungeon you wouldn’t be happy to spend the night in yourself,” said the Patrician, laying out the food on the cloth. “The world would be a happier place if more people remembered that. ~ Terry Pratchett, #NFDB
91:What a fool, quoth he, am I, thus to lie in a stinking dungeon, when I may as well walk at liberty! I have a key in my bosom, called Promise, that will, I am persuaded, open any lock in Doubting Castle. ~ John Bunyan, #NFDB
92:Belle, so brave and noble—willing to take her father’s place as a prisoner in the castle dungeon. What sort of woman would do that—give up her life so easily, sacrificing her freedom for her father’s? ~ Serena Valentino, #NFDB
93:Jason wasn't sure what to expect at the end--a dungeon, a mad scientist’s lab, or maybe a sewer reservoir where all Porta-Potty sludge ends up, forming an evil toilet face large enough to swallow the world. ~ Rick Riordan, #NFDB
94:Of all men living [priests] are our greatest enemies. If it were possible, they would extinguish the very light of nature, turn the world into a dungeon, and keep mankind for ever in chains and darkness. ~ George Berkeley, #NFDB
95:The most immediate influences upon AD&D were probably de Camp & Pratt, R. E. Howard, Fritz Leiber, Jack Vance, H P Lovecraft, and A. Merritt. ~ Gary Gygax, Writing in Appendix N, AD&D Dungeon Masters Guide (1979), p. 224, #NFDB
96:From that day on he learned to accept the
dungeon he existed in, neither seeking to escape with sudden derring-do nor beating his pate
bloody on its walls.
And, thus resigned, he returned to work. ~ Richard Matheson,#NFDB
97:she also apparently had a bona fide dungeon in her house. At least that’s what Inez told me when we arrived. Maude, overhearing as she passed by, rolled her eyes. “It’s not a dungeon, Inez. It’s a wine cellar. ~ Richelle Mead, #NFDB
98:Your solicitude overwhelms me,’ returned Ravenscar. ‘I own I had expected at least a loaf of bread and a jug of water in my dungeon – until I learned, of course, that you had some idea of starving me to death. ~ Georgette Heyer, #NFDB
99:What a fool I have been to lie in a stinking dungeon like this, when I could just as well walk free! I have a key in my pocket next to my heart called Promise that will, I am sure, open any lock in Doubting Castle. ~ John Bunyan, #NFDB
100:Cast me into a dungeon, burn me at the stake, crown me king of kings, I can ‘pursue happiness’ as long as my brain lives—but neither gods nor saints, wise men nor subtle drugs, can insure that I will catch it. ~ Robert A Heinlein, #NFDB
101:Cast me into a dungeon, burn me at the stake, crown me king of kings, I can 'pursue happiness' as long as my brain lives - but neither gods nor saints, wise men nor subtle drugs, can ensure that I will catch it. ~ Robert A Heinlein, #NFDB
102:Furlough?” He said.
“What?” said the first hood irritably.
Despereaux shuddered. His own brother was delivering him to the dungeon. His heart stopped beating and shrunk to a small, cold, disbelieving pebble. ~ Kate DiCamillo,#NFDB
103:Cast me into a dungeon;, burn me at the state, crown me king of kings, I can 'pursue happiness' as long as my brain lives -- but neither gods nor saints, wise men nor subtle drugs, can insure that I will catch it. ~ Robert A Heinlein, #NFDB
104:Faith builds in the dungeon and lazarhouse its sublimest shrines; and up, through roofs of stone, that shut out the eye of heaven, ascends the ladder where the angels glide to and fro,--prayer. ~ Edward Bulwer Lytton 1st Baron Lytton, #NFDB
105:People either build a castle or a dungeon. The former by their virtues, pull people into positive edifices with gainful impression. The later by their vices, push people into negative huts with painful oppression. ~ Israelmore Ayivor, #NFDB
106:An enlightened mind is not hoodwinked; it is not shut up in a gloomy prison till it thinks the walls of its dungeon the limits of the universe, and the reach of its own chain the outer verge of intelligence. ~ Henry Wadsworth Longfellow, #NFDB
107:Now and then a visitor wept, to be sure; but this slaughtering machine ran on, visitors or no visitors. It was like some horrible crime committed in a dungeon, all unseen and unheeded, buried out of sight and of memory. ~ Upton Sinclair, #NFDB
108:Yes, dimensional warping. Someone had to have done this for the first time in the past. I don’t know who they were, but they must have had a pair on them bigger than my dungeon to be messing around with forces like these. ~ Dakota Krout, #NFDB
109:Yes sir. Oh and this is Sunshine. She’s with…” He cut her off.
“And bring me back a cheese steak from Olley’s, extra meat, peppers, and onions” I feared if she messed up his sandwich, he would chain her to a dungeon floor ~ Elle Klass,#NFDB
110:My name is Earwig Dungeon. I come from Wichita, Kansas. My mom and I used to own a restaurant where we served human flesh. It was very popular. We were millionaires. I had a pony and a yacht. Now we are on the run from the FBI… ~ Rob Reger, #NFDB
111:. . . and then, from that dungeon in the West,
There rises up a melody, beguiling and forlorn.
It is the sweet, sad, self-deceiving murderer's song,
And it will not end 'til morn . . .'
-- Wheldrake, The Prisoners ~ Michael Moorcock,#NFDB
112:You wish to be free, but there is no such thing as freedom. You can redecorate dungeon to give illusion of freedom, but you are still in dungeon.” “I should’ve had the choice.” “Choice is illusion, same as happiness and freedom. ~ Carolyn Crane, #NFDB
113:I promptly forgot about him and prepared a blend of Creativi-Tea, since I had some fantasy role-players coming in for their weekly dungeon crawl, and the DM always wanted a little something extra to keep him on top of his players. ~ Kevin Hearne, #NFDB
114:To the one, nights spent in dancing had seemed made of minutes instead of hours; to the other, those selfsame nights had been like all other nights of dungeon life and seemed made of slow, dragging weeks instead of hours and minutes. ~ Mark Twain, #NFDB
115:He surveyed the dimly lit space. She’d lured him directly into a large dungeon cell. And one he recognized, because he’d kept prisoners here when he was master and king of Castle Tornin. She’s trapped me in my own goddamned dungeon. ~ Kresley Cole, #NFDB
116:I’m an adult,” the boy says. “I got rights.”
“Everybody’s got rights. A man tied to a bed got rights. A man down in a dungeon got rights. A little screaming baby got rights. Yeah, you got rights. What you don’t got is power. ~ Justin Torres,#NFDB
117:But I also said it was up to you to decide what kind of monster you wanted to become. And what I saw that night in the dungeon, at the refugee camp, facing down Sarren...it gave me something I have not felt in a long time. It gave me hope. ~ Julie Kagawa, #NFDB
118:If you’re planning on stalking me, taking me out, trying to get me drunk, then taking me home to tie me up, throw me into a dungeon under your barn, and rape me then kill me…it’ll never work. I’ll take you down before you know what happened. ~ Susan Stoker, #NFDB
119:I simply await the day that they drag me to some air-conditioned dungeon and leave me there beneath the fluorescent lights and soundproofed ceiling to pay the price for scorning all that they hold dear within their little latex hearts. ~ John Kennedy Toole, #NFDB
120:I wish we could go to the movies."
I stared at him. "We're in a creepy dungeon. There's a chance I might die in the next few hours. You are going to die in the next few hours. And if you had one wish, it would be to catch a movie? ~ Rachel Hawkins,#NFDB
121:Beneath his fine skin the bold construction, the feudal architecture were apparent. His head made one think of those old dungeon keeps on which the disused battlements are still to be seen, although inside they have been converted into libraries. ~ Marcel Proust, #NFDB
122:In 1419, the Council issued the famously worded decree that Quidditch should not be played “anywhere near any place where there is the slightest chance that a Muggle might be watching or we’ll see how well you can play whilst chained to a dungeon wall. ~ J K Rowling, #NFDB
123:What a hell of horror, I thought, to wander alone, a bare existence never going out of itself, never widening its life in another life, but, bound with the cords of its poor peculiarities, lying an eternal prisoner in the dungeon of its own being! I ~ George MacDonald, #NFDB
124:Oh, those hateful sods will never make it to Heaven. They’re all on an express elevator to the gay spit-roast dungeon in Hell. Within five minutes of kicking the bucket, they’ll have demon balls swollen with fiery spunk slapping off their shapeless chins. ~ Michael Logan, #NFDB
125:Long ago I abandoned my masterpiece a roll of paper thirty yards long which I filled completely with minute handwriting in my dungeon years ago It vanished when the Bastille fell it vanished as everything written everything thought and planned will disappear ~ Peter Weiss, #NFDB
126:I wished Dean and Carlo were there—then I realized they’d be out of place and unhappy. They were like the man with the dungeon stone and the gloom, rising from the underground, the sordid hipsters of America, a new beat generation that I was slowly joining. The ~ Jack Kerouac, #NFDB
127:Dead. things, dead things. . ." I said. "Come no closer. Talking of madness and love, in this reeking place! And that old monster, Magnus, locking them up in his dungeon. How did he love them, his captives? The way boys love butterflies when they rip off their wings! ~ Anne Rice, #NFDB
128:I am apt to think, if we knew what it was to be an angel for one hour, we should return to this world, though it were to sit on the brightest throne in it, with vastly more loathing and reluctance than we would now descend into a loathsome dungeon or sepulchre. ~ George Berkeley, #NFDB
129:Asleep, he looks like a bleeding Prince Charming chained in the dungeon. When I was little, I always thought I’d be Cinderella, but I guess this makes me the wicked witch.
But then again, Cinderella didn’t live in a post-apocalyptic world invaded by avenging angels. ~ Susan Ee,#NFDB
130:Illustrious confessors of Jesus Christ, a Christian finds in prison the same joys as the prophets tasted in the desert. Call it not a dungeon, but a solitude. When the soul is in heaven, the body feels not the weight of fetters; it carries the whole man along with it. ~ Tertullian, #NFDB
131:I have you fast in my fortress, And will not let you depart, But put you down into the dungeon, In the round-tower of my heart, And there will I keep you forever, Yes, forever and a day, Till the walls shall crumble to ruin, And moulder in the dust away! ~ Henry Wadsworth Longfellow, #NFDB
132:The lambs will stop for now. But, Clarice, you judge yourself with all the mercy of the dungeon scales at Threave; you'll have to earn it again and again, the blessed silence. Because it's the plight that drives you, seeing the plight, and the plight will not end, ever. ~ Thomas Harris, #NFDB
133:Determined independence of spirit walks at freedom in a tyrant's Bastille, and defies a despot's hosts; but a mind enslaved by sin builds its own dungeon, forges its own fetters, and rivets on its chains. It is slavery indeed when the iron enters into the soul. ~ Charles Haddon Spurgeon, #NFDB
134:I think the biggest mistake you can make in creator owned work is having info-dumps like, "Here's how this world works!" it's just like someone playing dungeon master and boring me with the backstory of their fucking world. Just bring me into you story and get it cooking. ~ Rick Remender, #NFDB
135:James Baldwin’s “My Dungeon Shook—Letter to My Nephew on the One Hundredth Anniversary of Emancipation,” published in The Fire Next Time in 1963 (the same year Dr. Martin Luther King, Jr., penned another seminal and brilliant epistolary essay, “Letter from Birmingham ~ Carolina De Robertis, #NFDB
136:I wandered through various public rooms, glory below, gloom above: for the look of lust always is gloomy; lust is never quite sure—even when the velvety victim is locked up in one’s dungeon—that some rival devil or influential god may still not abolish one’s prepared triumph ~ Vladimir Nabokov, #NFDB
137:They can keep men in here, under lock and key, deep in the dungeon until the final moments of their lives, so that men like York and me will never taste the rain. But they cannot keep us from passing our condensation on to the sky. They cannot keep us from raining down in China. ~ Rene Denfeld, #NFDB
138:Do you know what it means to be emphatic? I will tell you: It means that when you are being forcibly taken to a dungeon, when you have a large knife at your back, when you are trying to be brave, you are able, still, to think for a moment of the person who is holding the knife. ~ Kate DiCamillo, #NFDB
139:I wandered through various public rooms, glory below, gloom above: for the look of lust always is gloomy; lust is never quite sure--even when the velvety victim is locked up in one's dungeon--that some rival devil or influential god may still not abolish one's prepared triumph. ~ Vladimir Nabokov, #NFDB
140:Hell is a state of mind -- ye never said a truer word. And every state of mind, left to itself, every shutting up of the creature within the dungeon of its own mind -- is, in the end, Hell. But Heaven is not a state of mind. Heaven is reality itself. All that is fully real is Heavenly. ~ C S Lewis, #NFDB
141:We stood there for a long moment before he said, "You know, we still have like, half an hour down here. Seems a shame to waste it." I poked him in the ribs, and he gave an exaggerated wince. "No way, dude. My days of cellar, mill, and dungeon lovin' are over. Go castle or go home. ~ Rachel Hawkins, #NFDB
142:I have you fast in my fortress,
And will not let you depart,
But put you down into the dungeon
In the round-tower of my heart.
And there will I keep you forever,
Yes, forever and a day,
Till the walls shall crumble to ruin,
And moulder in dust away. ~ Henry Wadsworth Longfellow,#NFDB
143:I have you fast in my fortress,
And will not let you depart,
But put you down into the dungeon,
In the round-tower of my heart,
And there will I keep you forever,
Yes, forever and a day,
Till the walls shall crumble to ruin,
And moulder in the dust away! ~ Henry Wadsworth Longfellow,#NFDB
144:The love of our neighbor is the only door out of the dungeon of self, where we mope and mow, striking sparks, and rubbing phosphorescences out of the walls, and blowing our own breath in our own nostrils, instead of issuing to the fair sunlight of God, the sweet winds of the universe. ~ George MacDonald, #NFDB
145:To call it a dungeon would be an insult. The women I played with came willingly, in more ways than one. It wasn’t a room out of a lame BDSM movie. The equipment was hidden in plain sight, and the room could look as innocent to an observer as it did dirty to someone who knew their shit. ~ Isabella Starling, #NFDB
146:Farewell” is not the word that you would like to hear from your mother as you are being led to the dungeon by 2 oversize mice in black hoods. Words that you would like to hear are “Take me instead, I will go to the dungeon in my sons place.” There is a great deal of comfort in those words. ~ Kate DiCamillo, #NFDB
147:Farewell” is not the word that you would like to hear from your mother as you are being led to the dungeon by 2 oversize mice in black hoods.
Words that you would like to hear are “Take me instead, I will go to the dungeon in my sons place.” There is a great deal of comfort in those words. ~ Kate DiCamillo,#NFDB
148:Yes, indeed, I have often thought with a bitter joy that these riches, which would make the wealth of a dozen families, will be forever lost to those men who persecute me. This idea was one of vengeance to me, and I tasted it slowly in the night of my dungeon and the despair of my captivity. ~ Alexandre Dumas, #NFDB
149:The lady hasn’t lost it yet—the sound of freedom. When she laughs, you can hear the wind in the trees and the splash of water hitting pavement. You can sense the gentle caress of rain on your face and how laughter sounds in the open air, all the things those of us in this dungeon can never feel. ~ Rene Denfeld, #NFDB
150:A dungeon horrible, on all sides round, As one great furnace, flamed; yet from those flames No light, but rather darkness visible Serv'd only to discover sights of woe, Regions of sorrow, doleful shades, where peace And rest can never dwell, hope never comes That comes to all; but torture without end. ~ John Milton, #NFDB
151:And through our actions these guys may see the error of their ways, give up their lives of villainy, and return to the side of the angels?"
"You really believe that?" asked Cara.
"No, not in the slightest. I personally hope my father ends up in a very deep, dark dungeon for the rest of his life." - Ian ~ Sarwat Chadda,#NFDB
152:Darwin's theory of evolution is the last of the great nineteenth-century mystery religions. And as we speak it is now following Freudians and Marxism into the Nether regions, and I'm quite sure that Freud, Marx and Darwin are commiserating one with the other in the dark dungeon where discarded gods gather. ~ David Berlinski, #NFDB
153:Not only did I rise above my drooling-hunchback-in-the-dungeon status, but I also made our meeting seem like a chance encounter, one of the most powerful aphrodisiacs known to man. Thanks to chick flicks, the concept of true love being orchestrated by the rough, construction worker hands of fate is an easy sell. ~ Shane Kuhn, #NFDB
154:Such as are betrayed by their easy nature to be ordinary security for their friends leave so little to themselves, as their liberty remains ever after arbitrary at the will of others; experience having recorded many, whom their fathers had left elbowroom enough, that by suretyship have expired in a dungeon. ~ Frances Osborne, #NFDB
155:This power, this black power, originates in a view of the American galaxy taken from a dark and essential planet. Black power is the dungeon-side view of Monticello—which is to say, the view taken in struggle. And black power births a kind of understanding that illuminates all the galaxies in their truest colors. ~ Ta Nehisi Coates, #NFDB
156:It is the divine attribute of the imagination, that it is irrepressible, unconfinable; that when the real world is shut out, it can create a world for itself, and with a necromantic power can conjure up glorious shapes and forms, and brilliant visions to make solitude populous, and irradiate the gloom of a dungeon. ~ Washington Irving, #NFDB
157:And now you have a small map of the princess's heart (hatred, sorrow, kindness, empathy), the heart that she carried down inside her as she went down the golden stairs and through the kitchen and, finally, just as the sky outside the castle began to lighten, down into the dark dungeon with the rat and the serving girl. ~ Kate DiCamillo, #NFDB
158:Ignorance has been well represented under the similitude of a dungeon, where, though it is full of life, yet darkness and silence reign. But in society the bars and locks have been broken; the dungeon itself is demolished; the prisoners are out; they are in the midst of us. We have no security but to teach and renovate them. ~ Horace Mann, #NFDB
159:Robe him in white," said Shinyun, "so the mark of the crimson hand will show upon him."
Magnus crossed his arms and raised his voice and his eyebrows. "You can poison me and throw me in a dungeon. You can beat me and even sacrifice me to a Greater Demon. But I draw the line at wearing a white suit for an evening event. ~ Cassandra Clare,#NFDB
160:Therein, ye gods, ye make the weak most strong;
Therein, ye gods, you tyrants do defeat.
Nor stony wall, nor walls of beaten brass,
Nor airless dungeon, nor strong links of iron,
Can be retentive to the strength of spirit:
But life being weary of these worldly bars
Never lacks power to dismiss itself. ~ William Shakespeare,#NFDB
161:Jonathan crouched on his hands and knees, panting in the blackness. He'd never seen such darkness before, total and suffocating. Down in the deepest dungeon, pinned beneath a prison of dark stone, there was hardly even the memory of light. His eyes gasped like the mouth of a fish yanked out of the water They found no light to breathe. ~ Dan Gemeinhart, #NFDB
162:It exasperated her to think that the dungeon in which she had languished for so many unhappy years had been unlocked all the time, and that the impulses she had so carefully struggled with and stifled for the sake of keeping well with society, were precisely those by which alone she could have come into any sort of sincere human contact. ~ George Bernard Shaw, #NFDB
163:In a staggering display of power, the caster causes all portals within 1 mile to blast open in a violent burst. [...] Moreover, normal fasteners and stoppers are loosened or dislodged, such that wine corks fizz open, lids fall off dinner pots, shoelaces unlace, snaps loosen, belts unbuckle, and so on. ~ Joseph Goodman, Dungeon Crawl Classics Role Playing Game, #NFDB
164:Your words can unlock a life you love or one you loathe. It is up to you whether the self-fulfilling prophecies you articulate become a delight or a dungeon. Fortunately, as C. S. Lewis wrote, “The doors of hell are locked on the inside.” If you talked your way into your current mess, you can very likely talk your way out. One of my favorite Bible ~ Levi Lusko, #NFDB
165:When I became convinced that the universe is natural, that all the ghosts and gods are myths, there entered into my brain, into my soul, into every drop of my blood the sense, the feeling, the joy of freedom. The walls of my prison crumbled and fell. The dungeon was flooded with light and all the bolts and bars and manacles became dust. ~ Robert Green Ingersoll, #NFDB
166:The miracle is that some have stepped out of the rags of the Republic's definition to assume the great burden and glory of their humanity and their responsibility for one another. It is an extraordinary achievement to be trapped in the dungeon of color and to dare to shake down its walls and to step out of it leaving the jailkeeper in the rubble. ~ James A Baldwin, #NFDB
167:What does it mean to still be ashamed of interests that so many other people openly celebrate? What does it mean to still be ashamed of the part of myself that has, in so many ways, bought me my entire career? If I had not been a fantasy reader, a video game player, a D&D dungeon master, I would probably not be a writer or an editor or a professor. ~ Matt Bell, #NFDB
168:Hell is a state of mind - ye never said a truer word. And every state of mind, left to itself, every shutting up of the creature within the dungeon of its own mind - is, in the end, Hell. But Heaven is not a state of mind. Heaven is reality itself. All that is fully real is Heavenly. For all that can be shaken will be shaken and only the unshakeable remains. ~ C S Lewis, #NFDB
169:Hell is a state of mind—ye never said a truer word. And every state of mind, left to itself, every shutting up of the creature within the dungeon of its own mind—is, in the end, Hell. But Heaven is not a state of mind. Heaven is reality itself. All that is fully real is Heavenly. For all that can be shaken will be shaken and only the unshakeable remains.’ ‘But ~ C S Lewis, #NFDB
170:Mrs Cake? What is a Mrs Cake?"
"You have ... ghastly Things from the Dungeon Dimensions and things, yes? Terrible hazards of your ungodly profession?" said the Chief Priest.
"Yes."
"We have someone called Mrs Cake."
Ridcully gave him an inquiring look.
"Don't ask," said the priest, shuddering. "Just be grateful you'll never have to find out. ~ Terry Pratchett,#NFDB
171:I know it is more agreeable to walk upon carpets than to lie upon dungeon floors, I know it is pleasant to have all the comforts and luxuries of civilization; but he who cares only for these things is worth no more than a butterfly, contented and thoughtless, upon a morning flower; and who ever thought of rearing a tombstone to a last summer's butterfly? ~ Henry Ward Beecher, #NFDB
172:I have seen ministers of justice, clothed in magisterial robes and criminals arraigned before them, while life was suspended on a breath in the courts of England; I have witnessed a congress in solemn session to give laws to nations;...but dignity and majesty have I seen but once, as it stood in chains at midnight, in a dungeon, in an obscure village of Missouri. ~ Parley P Pratt, #NFDB
173:I'm not crazy."
"I'm not judging you, my dear. Some of my best friends are crazy." He nodded to the corner. "Take Wallace, for example. He's crazy as a loon, aren't you, Wallace?"
Valkyrie frowned. "Uh, there's... there's no one there."
Meritorious sighed. "That's what we long-term prisoners call dungeon humour. You learn to appreciate it after a few years. ~ Derek Landy,#NFDB
174:Sorel's basic character flaws had all cemented by the age of fifteen, a fact which further elicited my sympathy. To have all the building blocks of your life in place by that age was, by any standard, a tragedy. It was as good as sealing yourself into a dungeon. Walled in, with nowhere to go but your own doom.
Walls.
A world completely surrounded by walls. ~ Haruki Murakami,#NFDB
175:The talk of pale, burning-eyed students, anarchists and utopians all, over tea and cigarettes in a locked room long past midnight, is next morning translated, with the literalness of utter innocence, into the throwing of the bomb, the shouting of the proud slogan, the dragging away of the young dreamer-doer, still smiling, to the dungeon and the firing squad. ~ Christopher Isherwood, #NFDB
176:Dumbass thought he could shimmy down there with a coil of rope tied around a tree trunk. Only he was five. He couldn’t tie off a knot to save his soul. Was in that dark, dank dungeon for darn near two days. Almost died. I’m not a mean person, and I hope God doesn’t strike me down for thinking this, but I don’t think the world would be a worse place without “the hole” in it. ~ K L Kreig, #NFDB
177:Seizing a cudgel from the nearest priest, he laid about him like a veritable demon as he forged his rapid way toward the altar. The hand of La had paused at the first noise of interruption. When she saw who the author of it was she went white. She had never been able to fathom the secret of the strange white man's escape from the dungeon in which she had locked him. ~ Edgar Rice Burroughs, #NFDB
178:The books brought brilliance to my life, and they brought an understanding: Life is a story. Everything that has happened and will happen to me is all part of the story of this enchanted place - all the dreams and visions and understandings that come to me in my dungeon cell. The books helped me see the truth is not in the touch of the stone but in what the stone tells you. ~ Rene Denfeld, #NFDB
179:And if all I know how to do is speak, it is for you that I shall speak. My lips shall speak for miseries that have no mouth, my voice shall be the liberty of those who languish in the dungeon of despair… And above all my body as well as my soul, beware of folding your arms in the sterile attitude of spectator, for life is not a spectacle, for a sea of pain is not a proscenium. ~ Aim C saire, #NFDB
180:You’re too visible, Albert,” Hadrian explained. “Can’t afford to have our favorite noble hauled to some dungeon where they cut off your eyelids or pull off your fingernails until you tell them what we’re up to.” “But if they torture me, and I don’t know the plan, how will I save myself?” “I’m sure they’ll believe you after the fourth nail or so,” Royce said with a wicked grin. ~ Michael J Sullivan, #NFDB
181:Like a bitch in heat, I seem to attract a coterie of policemen and sanitation officials. The world will someday get me on some ludicrous pretext; I simply await the day that they drag me to some air-conditioned dungeon and leave me there beneath the fluorescent lights and soundproofed ceiling to pay the price for scorning all that they hold dear within their little latex hearts. ~ John Kennedy Toole, #NFDB
182:A couple of hours after Rik left, Trance was still on the floor of the basement dungeon, staring at the mess around him.
“Trance?”
He looked up to find Wyatt at the bottom of the stairs, staring at him. Wyatt gave a long whistle as he looked around the room and then again at Trance. “Orgy gone wild?”
Trance groaned. “Is there a fucking sign on my door that says ‘Bother Me Now’? ~ Sydney Croft,#NFDB
183:O, who shall from this dungeon raise
A soul enslaved so many ways?
With bolts of bones, that fettered stands
In feet; and manacled in hands.
Here blinded with an eye: and there
Deaf with the drumming of an ear;
A soul hung up, as ’twere, in chains
Of nerves, and arteries, and veins;
Tortured, besides each other part,
In a vain head and double heart? ~ Andrew Marvell,#NFDB
184:The Salimbeni genes,” I observed, rolling my eyes, “are yet again rearing their ugly head. Let me guess, if we were married, you would chain me in the dungeon every time you left the house?”
He considered it, but not for long. “I wouldn’t have to. Once you get to know me, you will never want anyone else. And”—he finally put down the teaspoon—“you will forget everyone you knew before. ~ Anne Fortier,#NFDB
185:You’re too visible, Albert,” Hadrian explained. “Can’t afford to have our favorite noble hauled to some dungeon where they cut off your eyelids or pull off your fingernails until you tell them what we’re up to.”
“But if they torture me, and I don’t know the plan, how will I save myself?”
“I’m sure they’ll believe you after the fourth nail or so,” Royce said with a wicked grin. ~ Michael J Sullivan,#NFDB
186:I have met countless patients who told me that they “are” bipolar or borderline or that they “have” PTSD, as if they had been sentenced to remain in an underground dungeon for the rest of their lives, like the Count of Monte Cristo. None of these diagnoses takes into account the unusual talents that many of our patients develop or the creative energies they have mustered to survive. ~ Bessel A van der Kolk, #NFDB
187:Yeah, great timing. Now I could attack the walls all I wanted. My cell had no bars, no windows, not even a door. The skeletal guards shoved me straight through a wall and it became solid behind me. I wasn’t sure if the room was airtight. Probably. Hades’ dungeon was meant for dead people, and they don’t breathe. So forget fifty or sixty years. I’d be dead in fifty or sixty minutes. Meanwhile, ~ Rick Riordan, #NFDB
188:Nick was dressed in jeans, a dark green sweater, and bomber jacket–the perfect image of a rich college student. Talon looked like a biker who had just left Sanctuary, New Orleans’s premier biker bar. Acheron looked like a refugee from the Dungeon–the local underground goth hangout. Valerius was the professional contingent, and Zarek…Zarek just looked like he was ready to kill something.’ (Talon) ~ Sherrilyn Kenyon, #NFDB
189:Sometimes I felt the bloated Toad, hideous and pampered with the poisonous vapours of the dungeon, dragging his loathsome length along my bosom: Sometimes the quick cold Lizard rouzed me leaving his slimy track upon my face, and entangling itself in the tresses of my wild and matted hair: Often have I at waking found my fingers ringed with the long worms which bred in the corrupted flesh of my Infant. ~ Matthew Lewis, #NFDB
190:Many persecuted believers have thrived in the desert of prison. Perpetua, a third-century Christian who was imprisoned and martyred for her faith, said of her prison cell: “The dungeon became to me as it were a palace, so that I preferred being there to being elsewhere.” Do not be fearful of dry times in your spiritual life. Tap into the Bridegroom, seeking only His living water and you will thrive. ~ Richard Wurmbrand, #NFDB
191:Hay, I have no doubt if I moved even an inch in the wrong direction, you’d have me on the ground with your knee on my throat before I could even think about getting out of your way. And as sick as it makes me, the thought of you overpowering me makes me hard. I don’t have a dungeon under my barn, and I have no plans to stalk you. But we can negotiate the taking-you-out, getting-you-drunk, and tying-you-up thing. ~ Susan Stoker, #NFDB
192:Gen bit her tongue and tried for seriousness. “I didn’t know it was that bad, I swear. She’s a nurse in the NIC unit and complained she couldn’t meet a cool guy. She said she enjoyed a bit of kink, not hard-core dungeon stuff.” He blew out a breath, grabbed a beer, and ripped open a bag of pretzels. “Do I look like the submissive type? Or one who’d get off on being tied to a bed with a wrench at my balls? Not fun, Gen. ~ Jennifer Probst, #NFDB
193:He whom I enclose with my name is weeping in this dungeon.
I am ever busy building this wall all around; and as this wall goes up into
the sky day by day I lose sight of my true being in its dark shadow.
I take pride in this great wall, and I plaster it with dust and sand
lest a least hole should be left in this name;
and for all the care I take I lose sight of my true being.
~ Rabindranath Tagore, Dungeon
,#NFDB
194:At the last moment, Antoinette came out of her faint and shouted one word to her child.
That word, reader, was adieu...
Adieu is the French word for farewell.
“Farewell” is not the word you would like to hear from your mother as you are being led to the dungeon by two oversize mice in black hoods...
“Farewell” is a word that, in any language, is full of sorrow. It is a word that promises absolutely nothing. ~ Kate DiCamillo,#NFDB
195:So live, that when thy summons comes to join The innumerable caravan which moves
To that mysterious realm where each shall take His chamber in the silent halls of death, Thou go not, like the quarry-slave at night,Scourged to his dungeon; but, sustain'd and soothed
By an unfaltering trust, approach thy grave,Like one who wraps the drapery of his couch About him, and lies down to pleasant dreams."
Thanatopsis ~ William Cullen Bryant,#NFDB
196:Oh, Mercédès, I have spoken your name with sighs of melancholy, with groans of pain and with the croak of despair. I have spoken it frozen with cold, huddled on the straw of my dungeon. I have spoken it raging with heat and rolling around on the stone floor of my prison. Mercédès, I must have my revenge, because for fourteen years I suffered, fourteen years I wept and cursed. Now, I say to you, Mercédès, I must have my revenge! ~ Alexandre Dumas, #NFDB
197:Can you not see death as the friend and deliverer? It means stripping off that body which is tormenting you: like taking off a hairshirt or getting out of a dungeon. What is there to be afraid of? You have long attempted (and none of us does more) a Christian life. Your sins are confessed and absolved. Has this world been so kind to you that you should leave it with regret? There are better things ahead than any we leave behind. (117) ~ Devin Brown, #NFDB
198:And this may teach us the extreme value of searching the Scriptures. There may be a promise in the Word which would exactly fit your case, but you may not know of it, and therefore you miss its comfort. You are like prisoners in a dungeon, and there may be one key in the bunch which would unlock the door, and you might be free; but if you will not look for it, you may remain a prisoner still, though liberty is so near at hand. ~ Charles Haddon Spurgeon, #NFDB
199:I was reminded of a married chatelaine who, after sleeping with a young vassal one night, had him seized by the palace guards the next morning and summarily executed in a dungeon on trumped-up charges, not only to eliminate all evidence of their adulterous night together and to prevent her young lover from becoming a nuisance now that he thought he was entitled to her favors, but to stem the temptation to seek him out on the following evening. ~ Andr Aciman, #NFDB
200:Not to be overly dramatic," said Magnus, "but - aaaargh. Aaaargh. Why! I cannot believe we broke into a secret sanctum in a creepy dungeon to find something your sister would e-mail us the next day."
Alec looked at the page on the glorious history of the Crimson Hand, in which the Great Poison commanded his followers to paint white stripes on horses and make the wooden mouse the national animal of Morocco.
"It is ironic," he admitted. ~ Cassandra Clare,#NFDB
201:This wretched little magazine article has helped convince more open-minded liberal arts graduates that the nuclear family doesn’t exist without some hideous twist, like the dad is allowed to go to an S&M dungeon once a week or something. It makes me cry because it means that fewer and fewer people are believing it’s cool to want what I want, which is to be married and have kids and love each other in a monogamous, long-lasting relationship. ~ Mindy Kaling, #NFDB
202:Perhaps such secrets, the secrets of everyone, were only expressed when the person laboriously ragged them into the light of the world, imposed them on the world, and made them a part of the world's experience. Without this effort, the secret place was merely a dungeon in which the person perished; without this effort, indeed, the entire world would be an uninhabitable darkness; and she saw, with a dreadful reluctance why this effort was so rare. ~ James Baldwin, #NFDB
203:Rumor holds that Sabine trapped him to use as a sex slave, tormenting him until he agreed to wed her. Then he made a slave of her.”
She blinked at him. “Like those are bad things?” At his look of astonishment, she said, “They enjoyed tons of bondage, some master/sub stuff, a real-live dungeon with shackles, role and cosplay. Spankings and repeated orgasm denial. You know, typical BDSM. But don’t worry, they were doing it before it became cool. ~ Kresley Cole,#NFDB
204:Formerly these harsh cells in which the discipline of the prison leaves the condemned to himself were composed of four stone walls, a ceiling of stone, a pavement of tiles, a camp bed, a grated air-hole, a double iron door, and were called "dungeons" ; but the dungeon has been thought too horrible; now it is composed ofan iron door, a grated air-hole, a camp bed, a pavement of tiles, a ceiling of stone, four stone walls, and it is called "punishment cell. ~ Victor Hugo, #NFDB
205:As one can hardly find any thing in a house where nothing keeps its place, but all is cast on a heap together; so it is in the heart where all things are in disorder, especially when darkness is added to this disorder: so that the hear t is like an obscure cave or dungeon, where there is but a little crevice of light, and a man must rather grope than see No wonder if men mistake in searching such a heat, sand so miscarry in judging of their estate (304). ~ Richard Baxter, #NFDB
206:The new D&D is too rule intensive. It's relegated the Dungeon Master to being an entertainer rather than master of the game. It's done away with the archetypes, focused on nothing but combat and character power, lost the group cooperative aspect, bastardized the class-based system, and resembles a comic-book superheroes game more than a fantasy RPG where a player can play any alignment desired, not just lawful good. ~ Gary Gygax, GameSpy interview, Pt. 2 (16 August 2004), #NFDB
207:I'm not scared. I'm..." She paused. "I've been locked up in this... this dungeon of a palace my whole life. As of tomorrow, that's all I'll ever have. This palace. This life. At seventeen, that's it. My future decided."
"Sorrow, I know-"
"No, you don't know." Sorrow threw her arms wide, as though gesturing to all of Rhannon. "I've only ever known Rhannon as it is. This is Rhannon, for me. No one in their right mind would want me in charge of it. ~ Melinda Salisbury,#NFDB
208:the kind of penetrating stare Harry knew so well. “Best not to roam the corridors these days. Not since . . .” He sighed heavily, bade Riddle good night, and strode off. Riddle watched him walk out of sight and then, moving quickly, headed straight down the stone steps to the dungeons, with Harry in hot pursuit. But to Harry’s disappointment, Riddle led him not into a hidden passageway or a secret tunnel but to the very dungeon in which Harry had Potions with Snape. ~ J K Rowling, #NFDB
209:Let's go down to the basement."
I didn't move. "How do I know you're not some kind of serial killer with a perverted sex dungeon down there?"
He grinned at me. "Well...I'm not a serial killer."
"So says you." I trudged down the carpeted staircase after him. "But Ted Bundy was apparently very popular in his day, and just so you know, I've got my keys in between my fingers right now, which means that if you try anything, I can totally punch you and stab you at the same time. ~ Cherry Cheva,#NFDB
210:The church in all ages and among all peoples has been the consistent enemy of the human race. Everywhere and at all times, it has opposed the liberty of thought and expression. It has been the sworn enemy of investigation and intellectual development. It has denied the existence of facts, the tendency of which was to undermine its power. It has always been carrying fagots to the feet of Philosophy. It has erected the gallows for Genius. It has built the dungeon for Thinkers. ~ Robert Green Ingersoll, #NFDB
211:The idea that the spirits of those once tortured in the house might still be there was the avenue his imagination began to explore. The groaning of the wood sounded like screams from the dungeon and the clunking pipes were the implements of torture. His bedcovers seemed to offer less protection than they had done in his younger years, he felt naked and at the mercy of his thoughts, and it wasn’t long before the skull he’d seen in the cellar had a face, manifested by fear and imagination. ~ Matthew Williams, #NFDB
212:For many feverish years he was burdened with the sensation, an ancient one to be sure, that the incredible sprawl of human history was no more than a pathetically partial record of an infinitely vast and shadowed chronicle of universal metamorphoses. How much greater, then, was the feeling that his own pathetic history formed a practically invisible fragment of what itself was merely an obscure splinter of the infinite. Somehow he needed to liberate himself from the dungeon cell of his life. ~ Thomas Ligotti, #NFDB
213:The Bible isn’t a cookbook—deviate from the recipe and the soufflé falls flat. It’s not an owner’s manual—with detailed and complicated step-by-step instructions for using your brand-new all-in-one photocopier/FAX machine/scanner/microwave/DVR/home security system. It’s not a legal contract—make sure you read the fine print and follow every word or get ready to be cast into the dungeon. It’s not a manual of assembly—leave out a few bolts and the entire jungle gym collapses on your three-year-old. ~ Peter Enns, #NFDB
214:Grief is personal. It isn't something you can share like a box of chocolates. It's yours and yours alone, a spiked steel ball chained to your ankle, a coat of nails around your shoulders, a crown of thorns. No one else can feely your pain. They cannot walk in your shoes because your shoes are full with broken glass and every time you take a step forward, it rips your soles to bloody shreds. Grief is the worst kind of torture and it never ends. You have dibs on that dungeon for the rest of your life. ~ C J Tudor, #NFDB
215:What then became of me? I know not; I lost sensation, and chains and darkness were the only objects that pressed upon me. Sometimes, indeed, I dreamt that I wandered in flowery meadows and pleasant vales with the friends of my youth, but I awoke and found myself in a dungeon. Melancholy followed, but by degrees I gained a clear conception of my miseries and situation and was then released from my prison. For they had called me mad, and during many months, as I understood, a solitary cell had been my habitation. ~ Anonymous, #NFDB
216:All men needed to hear their stories told. He was a man, but if he died without telling the story he would be something less than that, an albino cockroach, a louse. The dungeon did not udnerstand the idea of as tory. The dungeon was static, eternal, black and a story needed motion adn tiem and light. He felt his story slipping away from him, beocming inconsequential, ceasing to be. He has no story. There was no story. He was not a man. There was no man here. There was only the dungeon, and the slithering dark. ~ Salman Rushdie, #NFDB
217:I'd finished the first two [books] and they were going to to be published, and [editor] said, "We need you to write a summary that will drive people to these books." And it took forever. I couldn't think of a thing to say. I looked at the back of other children's books that were full of giddy praise and corny rhetorical questions, you know, "Will she have a better time at summer camp than she thinks?" "How will she escape from the troll's dungeon?" All these terrible, terrible summaries of books, and I just couldn't. ~ Daniel Handler, #NFDB
218:Simon blinked himself awake, confused, for a moment, why he was in a dungeon that smelled of dung rather than his Brooklyn bedroom - then, once he got his bearings, confused all over again about why he was being awoken in the middle of the night by a wide-eyed Scotsman.
"Is there a fire?" Simon asked. "There better be a fire. Or a demon attack. And I'm not talking about some puny lower-lever demon, mind you. You want to wake me up in the middle of a dream about rock superstardom, it better be a Greater Demon. ~ Cassandra Clare,#NFDB
219:In the vaults of our hearts and brains, danger waits. All the chambers are not lovely, light and high. There are holes in the floor of the mind, like those in a medieval dungeon floor - the stinking oubliettes, named for forgetting, bottle-shaped cells in solid rock with the trapdoor in the top. Nothing escapes from them quietly to ease us. A quake, some betrayal by our safeguards, and sparks of memory fire the noxious gases - things trapped for years fly free, ready to explode in pain and drive us to dangerous behavior. ~ Thomas Harris, #NFDB
220:In the vaults of our hearts and brains, danger waits. All the chambers are not lovely, light and high. There are holes in the floor of the mind, like those in a medieval dungeon floor - the stinking oubliettes, named for forgetting, bottle-shaped cells in solid rock with the trapdoor in the top. Nothing escapes from them quietly to ease us. A quake, some betrayal by our safeguards, and sparks of memory fire the noxious gases - things trapped for years fly free, ready to explode in pain and drive us to dangerous behavior... ~ Thomas Harris, #NFDB
221:Why hasn’t Annika sent a retrieval party?”
“Now, don’t feel slighted—I’m sure she will soon—but right now she’s focused on finding Myst. She figured if Ivo is looking for a Valkyrie, it’d have to be Myst. Remember, she was in his dungeon only five years ago? And had that incident with the rebel general?”
Like Emma would ever forget. Myst herself had confided to Emma that she might as well have been caught freebasing with the ghost of Bundy.
“See,” Nix said, “other Valkyrie like the forbidden fruit as much as you do. ~ Kresley Cole,#NFDB
222:You are not entering this world in the usual manner, for you are setting forth to be a Dungeon Master. Certainly there are stout fighters, mighty magic-users, wily thieves, and courageous clerics who will make their mark in the magical lands of D&D adventure. You however, are above even the greatest of these, for as DM you are to become the Shaper of the Cosmos. It is you who will give form and content to the all the universe. You will breathe life into the stillness, giving meaning and purpose to all the actions which are to follow. ~ Gary Gygax, #NFDB
223:You are not entering this world in the usual manner, for you are setting forth to be a Dungeon Master. Certainly there are stout fighters, mighty magic-users, wily thieves, and courageous clerics who will make their mark in the magical lands of D&D adventure. You however, are above even the greatest of these, for as DM you are to become the Shaper of the Cosmos. It is you who will give form and content to the all the universe. You will breathe life into the stillness, giving meaning and purpose to all the actions which are to follow. ~ Gary Gygax, #NFDB
224:will take you by the hand and keep you; I will give you p as a covenant for the people, q a light for the nations, 7 r to open the eyes that are blind, to bring out the prisoners from the dungeon, s from the prison those who sit in darkness. 8[†] I am the LORD; that is my name; t my glory I give to no other, nor my praise to carved idols. 9 Behold, the former things have come to pass, u and new things I now declare; before they spring forth I tell you of them. ~ Anonymous, #NFDB
225:Haply for I am black, And have not those soft parts of conversation That chamberers have; or for I am declined Into the vale of years—yet that’s not much— She’s gone. I am abused, and my relief Must be to loathe her. O curse of marriage, That we can call these delicate creatures ours And not their appetites! I had rather be a toad And live upon the vapor of a dungeon Than keep a corner in the thing I love For others’ uses. Yet ’tis the plague of great ones; Prerogatived are they less than the base. ’Tis destiny unshunnable, like death. ~ William Shakespeare, #NFDB
226:O loss of sight, of thee I most complain! Blind among enemies, O worse than chains, dungeon or beggary, or decrepit age! Light, the prime work of God, to me is extinct, and all her various objects of delight annulled, which might in part my grief have eased. Inferior to the vilest now become of man or worm; the vilest here excel me, they creep, yet see; I, dark in light, exposed to daily fraud, contempt, abuse and wrong, within doors, or without, still as a fool, in power of others, never in my own; scarce half I seem to live, dead more than half. ~ John Milton, #NFDB
227:So here I am, sending a two-ounce mouse down into a dungeon with a sewing needle to save a human princess, and I don't know how in the world he's going to do it. I have no idea. That was the first time it occurred to me that writing the story was roughly equivalent to Despereaux's descent into the dungeon. I was tremendously aware of that as I was writing. I thought, "I have to be brave or else I'm not going to be able to tell it." But it's the only way that I can write. If I know what's going to happen, I'm not interested in telling the story. ~ Kate DiCamillo, #NFDB
228:Lord. As Blake brought out so beautifully in his poem “Jerusalem”: “. . . Babel mocks, saying there is no God or Son of God; That Thou, O Human Imagination, O Divine Body of the Lord Jesus Christ art all A delusion; but I know Thee, O Lord, when Thou arisest upon My weary eyes, even in this dungeon and this iron mill. . . For Thou also sufferest with me, although I behold Thee not. . .” . . .And the Divine Voice answers: “. . . Fear not! Lo, I am with you always. Only believe in me, that I have power to raise from death Thy Brother who sleepeth in Albion. ~ Neville Goddard, #NFDB
229:The spirit, while superior to all of its bodies, is incapable of manifesting without its chain of vehicles. This divine spark must always be limited by the quality of its bodies. In all too many cases, it is the servant of its own dependencies. Instead of ruling its world by apostolic succession, the spirit is generally bowed and broken by the endless demands of the lower nature. The appetites, desires, and selfish propensities cast the spirit into a dungeon, while a false and cruel monarch rules the empire in his stead. ~ Manly P Hall, Magic: A Treatise on Esoteric Ethics, #NFDB
230:The spirit, while superior to all of its bodies, is incapable of manifesting without its chain of vehicles. This divine spark must always be limited by the quality of its bodies. In all too many cases, it is the servant of its own dependencies. Instead of ruling its world by apostolic succession, the spirit is generally bowed and broken by the endless demands of the lower nature. The appetites, desires, and selfish propensities cast the spirit into a dungeon, while a false and cruel monarch rules the empire in his stead. ~ Manly P Hall, Magic: A Treatise on Esoteric Ethics, #NFDB
231:It don’t make no difference how foolish it is, it’s the right way — and it’s the regular way. And there ain’t no other way, that ever I heard of, and I’ve read all the books that gives any information about these things. They always dig out with a case-knife — and not through dirt, mind you; generly it’s through solid rock. And it takes them weeks and weeks and weeks, and for ever and ever. Why, look at one of them prisoners in the bottom dungeon of the Castle Deef, in the harbor of Marseilles, that dug himself out that way; how long was he at it, you reckon? ~ Mark Twain, #NFDB
232:You’ll call for me. You’ll be lonely in your new quarters and will feel out of sorts. I could let you pet my hair until you fell asleep.”
He drew in closer and lowered his voice to ask in all seriousness, “You’re mad, aren’t you?”
“As—a—hatter,” she whispered back conspiratorially.
He felt a hint of sympathy for the creature. “How long have you been in here?”
“For four long...interminable...days.”
He glowered at her.
“Which is why I want you to take me with you. I don’t eat much.”
The dungeon erupted with laughter again.
(Myst and Nikolai) ~ Kresley Cole,#NFDB
233:It will be hard James but you come from sturdy peasant stock men who picked cotton and dammed rivers and built railroads and in the teeth of the most terrifying odds achieved an unassailable and monumental dignity You come from a long line of great poets some of the greatest poets since Homer. One of them said "The very time I thought I was lost My dungeon shook and my chains fell off." You know and I know that the country is celebrating one hundred years of freedom one hundred years too soon. We cannot be free until they are free. God bless you James and Godspeed. ~ James Baldwin, #NFDB
234:It will be hard James but you come from sturdy peasant stock men who picked cotton and dammed rivers and built railroads and in the teeth of the most terrifying odds achieved an unassailable and monumental dignity You come from a long line of great poets some of the greatest poets since Homer. One of them said "The very time I thought I was lost My dungeon shook and my chains fell off." You know and I know that the country is celebrating one hundred years of freedom one hundred years too soon. We cannot be free until they are free. God bless you James and Godspeed. ~ James A Baldwin, #NFDB
235:Let none, however difficult the circumstances, consider himself as debarred from the way of holiness. Have we but God and the cross of Christ, we have the means for becoming altogether holy in our walk and conversation. What dungeon is there that can shut us out from this? Only let us use the present location and means faithfully and truly, taking them from God's hand, and we shall find him able to free us from all that is really a hindrance. Let us each one desire to be a saint in his own place and calling, instead of building 'castles in the air' of future holiness. ~ Gerhard Tersteegen, #NFDB
236:Haply for I am black,
And have not those soft parts of conversation
That chamberers have; or for I am declined
Into the vale of years—yet that’s not much—
She’s gone. I am abused, and my relief
Must be to loathe her. O curse of marriage,
That we can call these delicate creatures ours
And not their appetites! I had rather be a toad
And live upon the vapor of a dungeon
Than keep a corner in the thing I love
For others’ uses. Yet ’tis the plague of great ones;
Prerogatived are they less than the base.
’Tis destiny unshunnable, like death. ~ William Shakespeare,#NFDB
237:In the depths of every heart, there is a tomb and a dungeon, though the lights, the music, and revelry above may cause us to forget their existence, and the buried ones, or prisoners whom they hide. But sometimes, and oftenest at midnight, those dark receptacles are flung wide open. In an hour like this, when the mind has a passive sensibility, but no active strength; when the imagination is a mirror, imparting vividness to all ideas, without the power of selecting or controlling them; then pray that your grieves may slumber, and the brotherhood of remorse not break their chain. ~ Nathaniel Hawthorne, #NFDB
238:That reminds me why I gave up Dungeons and Dragons. There were too many monsters. Back in the old days you could go around a dungeon without meeting much more than a few orcs and lizard men, but then everyone started inventing monsters and pretty soon it was a case of bugger the magic sword, what you really need to be the complete adventurer was the Marcus L. Rowland fifteen-volume guide to Monsters and the ability to read very, very fast, because if you couldn’t recognize them from the outside you pretty soon got the chance to try looking at them from the wrong side of their tonsils. ~ Terry Pratchett, #NFDB
239:Nonethless it had been a castle, with all that this implies: it had had towering walls and turrets, beams as great as trees, arched doorways wide enough for processions to pass through, ceilings so cavernous that owls nested in them. It had had wings and ramparts and thin windows from which to shoot arrows, internal courtyards, banquet rooms, hidden doors, secret passages. It had had a chapel and, in its bowels, a dungeon. It housed sculptures and paintings, tapestries and cushions, carpets and carvings, its fortressed heart had been clad in glit, silver, glass, gold, damask, ivory, ermine. ~ Sonya Hartnett, #NFDB
240:At that tasted Fruit The Sun, as from THYESTEAN Banquet, turn'd His course intended; else how had the World Inhabited, though sinless, more then now, Avoided pinching cold and scorching heate? These changes in the Heav'ns, though slow, produc'd Like change on Sea and Land, sideral blast, Vapour, and Mist, and Exhalation hot, Corrupt and Pestilent: Now from the North Of NORUMBEGA, and the SAMOED shoar Bursting thir brazen Dungeon, armd with ice And snow and haile and stormie gust and flaw, BOREAS and CAECIAS and ARGESTES loud And THRASCIAS rend the Woods and Seas upturn; ~ John Milton, #NFDB
241:If a prisoner hadn't lived outside, he would not
detest the dungeon. Desiring knows there's satisfaction beyond this. Straying maps
the path. A secret freedom opens through a crevice you can barely see. Your love
of many things proves they're one. Every separate stiff trunk and stem in the garden
connects with nimble root hairs underground. The awareness a wine drinker wants cannot
be tasted in wine, but that failure brings his deep thirst closer. So the heart keeps ignoring
the waterfall and the key, but there is one guiding through all the desiring restlessness. ~ Rumi,#NFDB
242:After chopping off all the arms that reached out to me; after boarding up all the windows and doors; after filling all the pits with poisoned water; after building my house on the rock of a No inaccessible to flattery and fear; after cutting out my tongue and eating it; after hurling handfuls of silence and monosyllables of scorn at my loves; after forgetting my name and the name of my birthplace and the name of my race; after judging and sentencing myself to perpetual waiting and perpetual loneliness, I heard against the stones of my dungeon of syllogisms the humid, tender, insistent onset of spring. ~ Octavio Paz, #NFDB
243:Mercédès! Ah, yes, you are right, this name is still sweet to me when I speak it, and this is the first time for many years that it has sounded so clear as it left my lips. Oh, Mercédès, I have spoken your name with sighs of melancholy, with groans of pain and with the croak of despair. I have spoken it frozen with cold, huddled on the straw of my dungeon. I have spoken it raging with heat and rolling around on the stone floor of my prison. Mercédès, I must have my revenge, because for fourteen years I suffered, fourteen years I wept and cursed. Now, I say to you, Mercédès, I must have my revenge! ~ Alexandre Dumas, #NFDB
244:Oh, I know that. Or at least I think I know that,” she stammers. “I mean, you seem like a decent guy, but then again, lots of serial killers probably seem decent too when you first meet them. Did you know that Ted Bundy was actually really charming?” Her eyes widen. “How messed up is that? Imagine you’re walking along one day and you meet this really cute, charming guy, and you’re like, oh my God, he’s perfect, and then you’re over at his place and you find a trophy dungeon in the basement with skin suits and Barbie dolls with the eyes ripped out and—”
“Jesus,” I cut in. “Did anyone ever tell you that you talk a lot? ~ Elle Kennedy,#NFDB
245:Yes, indeed, I have often thought with a bitter joy that these riches, which would make the wealth of a dozen families, will be forever lost to those men who persecute me. This idea was one of vengeance to me, and I tasted it slowly in the night of my dungeon and the despair of my captivity. But now I have forgiven the world for the love of you; now that I see you, young and with a promising future, — now that I think of all that may result to you in the good fortune of such a disclosure, I shudder at any delay, and tremble lest I should not assure to one as worthy as yourself the possession of so vast an amount of hidden wealth. ~ Alexandre Dumas, #NFDB
246:My Soul Is Sunk In All-Suffusing Shame
My soul is sunk in all-suffusing shame;
Yet not for any individual sin,
But that the world's original fair fameMy own land's most-is not what it hath been.
Shrieks of intolerable bondage smite,
Without response, its comfortable ears,
Making a craven compromise with Might,
For their own luxury, of others' tears.
Better than this the sanguinary crash
Of fratricidal strokes, and nerveful hate!
So do I hope to hear the sabres clash
And tumbrils rattle when the snows abate.
Love peace who will-I for mankind prefer,
To dungeon or disgrace, a sepulchre.
~ Alfred Austin,#NFDB
247:O full and splendid Moon, whom I
Have, from this desk, seen climb the sky
So many a midnight,—would thy glow
For the last time beheld my woe!
Ever thine eye, most mournful friend,
O'er books and papers saw me bend;
But would that I, on mountains grand,
Amid thy blessed light could stand,
With spirits through mountain-caverns hover,
Float in thy twilight the meadows over,
And, freed from the fumes of lore that swathe me,
To health in thy dewy fountains bathe me!
Ah, me! this dungeon still I see.
This drear, accursed masonry,
Where even the welcome daylight strains
But duskly through the painted panes. ~ Johann Wolfgang von Goethe,#NFDB
248:Oh, and get this. Gideon married Scarlet, the keeper of Nightmares.” “You’re kidding.” Fickle Gideon? Married? Scarlet was gorgeous, yeah, and feisty as hell. Powerful, too. And Gideon had been a tad bit obsessed with her when she’d been locked in their dungeon. But marriage? Everyone in the fortress had lost IQ points, it seemed. “He couldn’t have waited until I got back to sign on for double occupancy?” Strider mumbled. “What a great friend.” “No one was invited to the ceremony, if you catch my meaning.” “Well, the decision to get hitched is gonna give him nightmares.” Strider snickered. “Get it? Nightmares?” “Har, har. You’re a borderline fucktard, you know that?” “Hey, ~ Gena Showalter, #NFDB
249:Now the thought
Both of lost happiness and lasting pain
Torments him; round he throws his baleful eyes
That witnessed huge affliction and dismay
Mixed with obdurate pride and steadfast hate:
At once as far as angels ken he views
The dismal situation waste and wild,
A dungeon horrible, on all sides round
As one great furnace flamed, yet from those flames
No light, but rather darkness visible
Served only to discover sights of woe,
Regions of sorrow, doleful shades, where peace
And rest can never dwell, hope never comes
That comes to all; but torture without end
Still urges, and a fiery deluge, fed
With ever-burning sulfur unconsumed. ~ John Milton,#NFDB
250:Apart from this ultimate hope, the created world would be a dungeon of despair for God’s children. But faith animates our lives with an eschatological anticipation of the presence and glory of Christ. We will not find our full and permanent happiness here. Nor will we find Christian joy automatically, like a daily newspaper at the door. God intends for us to find joy kinetically, in action, as we work out our faith with fear and trembling, as we fight the good fight of faith, as we worship, fellowship, and engage in all the various dynamics of the Christian life together.62 But even in this, our hope of eternal joy sobers our expectations for the joy we can expect to experience in this life. ~ Tony Reinke, #NFDB
251:A few people have ventured to imitate Shakespeare's tragedy. But no audacious spirit has dreamed or dared to imitate Shakespeare's comedy. No one has made any real attempt to recover the loves and the laughter of Elizabethan England. The low dark arches, the low strong pillars upon which Shakespeare's temple rests we can all explore and handle. We can all get into his mere tragedy; we can all explore his dungeon and penetrate into his coal-cellar, but we stretch our hands and crane our necks in vain towards that height where the tall turrets of his levity are tossed towards the sky. Perhaps it is right that this should be so; properly understood, comedy is an even grander thing than tragedy. ~ G K Chesterton, #NFDB
252:I take it that “gentleman” is a term that only describes a person in his relation to others; but when we speak of him as “a man” , we consider him not merely with regard to his fellow men, but in relation to himself, - to life – to time – to eternity. A cast-away lonely as Robinson Crusoe- a prisoner immured in a dungeon for life – nay, even a saint in Patmos, has his endurance, his strength, his faith, best described by being spoken of as “a man”. I am rather weary of this word “ gentlemanly” which seems to me to be often inappropriately used, and often too with such exaggerated distortion of meaning, while the full simplicity of the noun “man”, and the adjective “manly” are unacknowledged. ~ Elizabeth Gaskell, #NFDB
253:If you don’t mind my interrupting your no doubt fascinating private conversation,” said Richard, lifting a blond brow, “there have been some inquiries as to why our guest is not bound.”
“Or trussed,” contributed Henrietta.
“I have,” said Nicolas, spreading his arms wide, “attempted to explain, but your comrades, my love, seem reluctant to listen. I would prefer not to have rope marks on this coat, if it is all the same.”
“There must be some shackles in the dungeon,” said Henrietta darkly.
“Rust stains,” said Nicolas politely, “are very difficult to get out. My valet would be most cross. And one does not like to encounter Gaston when he is cross.”
Miles nodded knowingly. “Valets, eh? ~ Lauren Willig,#NFDB
254:frantically. Where was his backpack? “Go!” said a guard, giving him a push. Jack went. Down they marched, down the long, dark hallway. Squinty, Annie, Mustache, Jack, and Red. Down a narrow, winding staircase. Jack heard Annie shouting at the guards. “Dummies! Meanies! We didn’t do anything!” The guards laughed. They didn’t take her seriously at all. At the bottom of the stairs was a big iron door with a bar across it. Squinty pushed the bar off the door. Then he shoved at the door. It creaked open. Jack and Annie were pushed into a cold, clammy room. The fiery torch lit the dungeon. There were chains hanging from the filthy walls. Water dripped from the ceiling, making puddles on the stone floor. It was ~ Mary Pope Osborne, #NFDB
255:Why are you telling me all this, Vivienne?” Tears were threatening to spill down my cheeks. “Remember the night when you arrived? When you were in the dungeon? I told you that you were nothing but a pawn.” I could still remember her exact words and how frightened she made me feel: "Understand, girl, that you are nothing here. You’re nothing but a pawn, a piece used to make the board move. Your best chance at survival and proving your significance is to win Derek’s affections. Considering everything I know about my brother, I’m not sure that’s even possible." I smiled bitterly. “How could I forget?” “I was wrong.” Vivienne, in all her grace and beauty, looked me in the eye and said, “You’re not a pawn, Sofia. You’re the queen. ~ Bella Forrest, #NFDB
256:The old men from the charity hospital next door would come jerking past our rooms, making useless, disjointed leaps. They'd go from room to room, spitting out gossip between their decayed teeth, purveying scraps of malignant worn-out slander. Cloistered in their official misery as in an oozing dungeon, those aged workers ruminated the layer of shit that long years of servitude deposit on men's souls. Impotent hatreds grown rancid in the pissy idleness of dormitories. They employed their last quavering energies in hurting each other a little more. In destroying what little pleasure they had left.
Their last remaining pleasure! Their shriveled carcasses contained not one solitary atom that was not absolutely vicious! ~ Louis Ferdinand C line,#NFDB
257:Let men position you in the den, God will make you a Daniel in the den. Let men position you to face Goliath, God will make you a David. Let men subject you to undue pressure, torture and pain, blindfold you and lead you into the dungeon, God will make you a Samson there! Let men sell you into indentured servitude, God will make you Joseph. Let men build a death trap for you, God shall turn it into the days of Mordecai and Haman and you shall only see with your eyes the destruction of evil conspirators who would never repent! Let all odds be against you, God will make you Job. And when though fear grips your heart because of the storm you see, God will empower you and make you more than Peter. Stay hopeful! Trust in God! ~ Ernest Agyemang Yeboah, #NFDB
258:What can I not doubt? The reality of suffering. It brooks no arguments. Nihilists cannot undermine it with skepticism. Totalitarians cannot banish it. Cynics cannot escape from its reality. Suffering is real, and the artful infliction of suffering on another, for its own sake, is wrong. That became the cornerstone of my belief. Searching through the lowest reaches of human thought and action, understanding my own capacity to act like a Nazi prison guard or a gulag archipelago trustee or a torturer of children in a dungeon, I grasped what it meant to “take the sins of the world onto oneself.” Each human being has an immense capacity for evil. Each human being understands, a priori, perhaps not what is good, but certainly what is not. ~ Jordan Peterson, #NFDB
259:What can I not doubt? The reality of suffering. It brooks no arguments. Nihilists cannot undermine it with skepticism. Totalitarians cannot banish it. Cynics cannot escape from its reality. Suffering is real, and the artful infliction of suffering on another, for its own sake, is wrong. That became the cornerstone of my belief. Searching through the lowest reaches of human thought and action, understanding my own capacity to act like a Nazi prison guard or a gulag archipelago trustee or a torturer of children in a dungeon, I grasped what it meant to “take the sins of the world onto oneself.” Each human being has an immense capacity for evil. Each human being understands, a priori, perhaps not what is good, but certainly what is not. ~ Jordan B Peterson, #NFDB
260:In silence the man reined in his horse, dismounted, lifted me down to a high grassy spot that was scarcely damp. In the gathering gloom he tended to his horse, which presently cropped at the grass. My eyes had become accustomed to the darkness; the flare of light from a Fire Stick, and the reddish flicker of a fire, startled me.
At first I turned away, for the unsteady flame hurt my eyes, but after a time the prospect of warmth brought me around, and I started inching toward the fire.
The man looked up, dropped what he was doing, and took a step toward me. “I can carry you,” he said.
I waved him off. “I’ll do it myself,” I said shortly, thinking, Why be polite now? So I’ll be in a good mood when you dump me in Galdran’s dungeon? ~ Sherwood Smith,#NFDB
261:Wesson glanced back at the other ship. A gleeful smile threatened at his lips, but he wrapped it tightly with his will and pushed it deep into the dungeon from which it had sprung. It was a struggle, and part of him wanted to let it go, but Mage Threll’s firm grip kept him anchored. Then, the aftermath struck him. He heaved into the water as a cry escaped him. He looked at the evidence of his destruction. Where once dozens of men and women had lived, stood nothing but debris. He knew it was unlikely they would find bodies. They would have been crushed and vaporized, leaving behind no evidence that they had existed. Wesson slumped to the ground and buried his head in his hands as he sobbed. Rezkin grabbed hold of the rope ladder someone had thrown down to him. ~ Kel Kade, #NFDB
262:Can't we make a blusterer ourselves? asked Jón Hreggviðsson. Can't we scratch that damned sign with the ax-point onto the chopping block and get a beautiful, chubby woman in here tonight, right now-or preferably three? It was no easy matter to create such a sign, because in order to do so the two men required much greater access to the animal kingdom and the forces of nature than conditions in the dungeon permitted. The sign of the Blusterer is inscribed with a raven's gall on the rust-brown inner side of a bitch's skin, and afterward blood is sprinkled over the skin - blood from a black tomcat whose neck has been cut under a full moon by an unspoiled maiden. Where'd you find an unspoiled maiden to cut a black tomcat's neck asked Jón Hreggviðsson. ~ Halld r Kiljan Laxness, #NFDB
263:Last Words
The night sky's a black stretch limo, boss in the back
behind tinted glass. You could say that.
Down here's a dungeon, up there's the glittering
ring of keys in the sentry's fist. The self
exists. Beauty too. But they're elsewhere.
You could say that. Or not speak till commanded to.
Dawn, alone on the porch, I watch
the one map unfold and flatten before me—
same toppled TV antenna in the berry vines,
same cardinal, bright wound in the pasture grass.
My wound is my business. I've wearied of it.
From now on, morning will be attended
by its own noises only, evening will approach
without palms in its path. Let the horses
steam in the field, the sun-struck
river blanch. I'm boarding the troop train
~ Chris Forhan,#NFDB
264:As there is no appearance of daylight, what is to be done during the night? It occurred to me that I would arise and examine, by my lamp, the wails of my cell. They are covered with writings, with drawings, fantastic figures, and names which mix with and efface each other. It would appear that each prisoner had wished to leave behind him some trace here at least. Pencil, chalk, charcoal, — black, white, grey letters; sometimes deep carvings upon the stone. If my mind were at ease, I could take an interest in this strange book, which is developed page by page, to my eyes, on each stone of this dungeon. I should like to recompose these fragments of thought; to trace a character for each name; to give sense and life to these mutilated inscriptions, — these dismembered phrases. ~ Victor Hugo, #NFDB
265:Archer shifted on the bed so that he could look at my face. “I’ll go with you,” he said.
I raised both eyebrows at him. “Cross, you’re the Casnoffs’ personal torture guinea pig. It’s a miracle they’re letting you stay in your room and not, like chaining you in a dungeon. If they catch you wandering around in the cellar-“
“If the Casnoffs were going to lock me up, they would’ve done it already.”
“Why haven’t they?” Jenna wondered out loud, and Archer shrugged.
“Maybe it’s because they know I can’t escape? Or maybe having to look at the dude they’ve been flaying alive every day is punishment for the other students. Either way, I’ll take it.”
Archer turned back to me, and that familiar grin flashed over his face. “Come on, Mercer. Me, you, the cellar. What could go wrong? ~ Rachel Hawkins,#NFDB
266:For many feverish years he was burdened with the sensation, an ancient one to be sure, that the incredible sprawl of human history was no more than a pathetically partial record of an infinitely vast and shadowed chronicle of universal metamorphoses. How much greater, then, was the feeling that his own pathetic history formed a practically invisible fragment of what itself was merely an obscure splinter of the infinite. Somehow he needed to excarcerate himself from the claustral dungeon cell of his life. In the end, however, he broke beneath the weight of his aspiration. And as the years passed, the only mystery which seemed worthy of his interest, and his amazement, was that unknown day which would inaugurate his personal eternity, that incredible day on which the sun simply would not rise, and forever would begin. ~ Thomas Ligotti, #NFDB
267:Georgiana, a more vain and absurd animal than you, was certainly never allowed to cumber the earth. You had no right to be born; for you make no use of life. Instead of living for, in, and with yourself, as a reasonable being ought, you seek only to fasten your feebleness on some other person’s strength: if no one can be found willing to burden her or himself with such a fat, weak, puffy, useless thing, you cry out that you are ill-treated, neglected, miserable. Then, too, existence for you must be a scene of continual change and excitement, or else the world is a dungeon: you must be admired, you must be courted, you must be flattered—you must have music, dancing, and society—or you languish, you die away. Have you no sense to devise a system which will make you independent of all efforts, and all wills, but your own? ~ Charlotte Bront, #NFDB
268:His knees locked and he pushed his weight against Mr. Jones’s hand. It wasn’t the dim light coming through the skylights or the giant steel fan that waited to chop them up or the smell of urine or the dank-dungeon cells that lined both sides of the aisle that made Danny step back. It was a sense of panic, of fear, that saturated the atmosphere like an electrical current, tingling in his bowels. The boys ahead of him didn’t seize up, but they stutter-stepped. Like the end of a ship’s plank was dead ahead. Danny felt this type of fear spreading through his groin like cold fingers once before. A memory emerged in the soupy sea of memories inside his head. He remembered getting pulled out of the back seat of a car with his hands cuffed behind his back by someone. But then like everything he tried to remember, there were gaps. ~ Tony Bertauski, #NFDB
269:We have to determine Ivo’s purpose.”
Kaderin said, “Myst just escaped his dungeon five years ago. He could want her back.”
“All this to recapture her?” Annika asked. Myst the Coveted, considered the most beautiful Valkyrie, had been under his power. She’d escaped when the vampire rebels took his castle. That situation always enraged Annika. Indiscretions between Myst and Wroth, a rebel general, had occurred.
Until two days ago, Annika had believed Myst had put that vampire and the entire disgusting situation behind her. Yet everyone had heard Myst’s heart speed up at the mere mention of vampires in the New World. She’d checked her flame-red hair again and again before joining a group setting out to hunt them.
No, Myst hadn’t moved on from the general. Had Ivo been unable to forget his stunning captive? ~ Kresley Cole,#NFDB
270:It is a scientific fact that most situations in life go from bad to worse—I believe it’s called entropy. Any scientists who happened to be observing us at this moment would have been quietly satisfied to see that this natural law held true. As Deborah had said, I really did get insights into the sick and twisted creatures of the night. But that was because I was one of them. Deborah was the only living person I had ever talked to on the subject. After all, I didn’t want people walking around and saying things like, “Gee, Dexter thinks just like a killer. Wonder why?” Additionally, since these thoughts came from a private place, deep inside Dexter’s Dungeon, discussing it always made me feel slightly naked. I thought my sister understood that, but every now and then, like now, she dragged me stripped and flinching into the spotlight. ~ Jeff Lindsay, #NFDB
271:The Sweets Of Liberty
Is there a man that never sighed
To set the prisoner free?
Is there a man that never prized
The sweets of liberty ?
Then let him, let him breathe -unseen,
Or in a dungeon live;
Nor never, never know the sweets
That liberty can give.
Is there a heart so cold in man,
Can galling fetters crave ?
Is there a wretch so truly low,
Can stoop to be a slave?
O, let him, then, in chains be bound,
In chains and bondage live ;
Nor never, never know the sweets
That liberty can give.
Is there a breast so chilled in life,
Can nurse the coward’s sigh ?
Is there a creature so debased,
Would not for freedom die ?
O, let him then be doomed to crawl
Where only reptiles live ;
Nor never, never know the sweets
That liberty can give.
~ Anonymous Americas,#NFDB
272:But . . . this door is allayed with a sign,” Onranion pointed out, waving his hand in front of it and singing a few words. A pale blue Alkan glyph appeared.
“What does it say?”
“Our language indicates, with layers of inference and context, a particular meaning,” Onranion lectured. “Our symbols don’t merely ‘say’, they truly inform. But only those who understand those subtle contexts, those who can make the proper inferences of meaning – and all of the possible shades of that meaning.”
“So what subtle concept does this particular glyph indicate?” asked Mavone, studying the squiggly blue line dancing in the air.
“‘To the Dungeon,’” supplied Lilastien, with a snicker.
“And the context?” prompted Hance.
“Uh . . . ‘this way' to the dungeon? It’s down 'these' stairs?’” suggested Mavone.
“More or less,” Onranion shrugged. ~ Terry Mancour,#NFDB
273:Their eyes wide open, they stared into empty nothingness. There was silence everywhere. Apart from a few twinkling of stars, masses of dark void pressed down upon the atmosphere. Moments passed slowly. She could not sleep a wink. A pale light peeled the darkness off. She felt she was in slumber-land; a land of the living dead - then thoughts returned: an anguish; life appeared to be too short; it melted away so easily into bleak oblivion. She felt that she passed through space, a path designated by ethereal time. Her spirits soared like a falcon...despaired...and more...it fell into a dungeon of dark depression. Laying there. like a fallen log of a dead pine, she heard from her bed a roaring noise of the westerly knocking on the shutters of the window. It was like an ancient calling of Nemesis to wake her up to the fact that surely an end was closing in. ~ Mehreen Ahmed, #NFDB
274:Alas, it was in vain that I implored the dungeon-keep of Roussainville, that I begged it to send out to meet me some daughter of its village, appealing to it as to the sole confidant to whom I had disclosed my earliest desire when, from the top floor of our house at Combray, from the little room that smelt of orris-root, I had peered out and seen nothing but its tower, framed in the square of the half-opened window, while, with the heroic scruples of a traveller setting forth for unknown climes, or of a desperate wretch hesitating on the verge of self-destruction, faint with emotion, I explored, across the bounds of my own experience, an untrodden path which, I believed, might lead me to my death, even — until passion spent itself and left me shuddering among the sprays of flowering currant which, creeping in through the window, tumbled all about my body. ~ Marcel Proust, #NFDB
275:After the first few weeks of building up intense hope about the dog, it had slowly dawned on him that intense hope was not the answer and never had been. In a world of monotonous horror there could be no salvation in wild dreaming. Horror he had adjusted to. But monotony was the greater obstacle, and he realized it now, understood it at long last. And understanding it seemed to give him a sort of quiet peace, a sense of having spread all the cards on his mental table, examined them, and settled conclusively on the desired hand. Burying the dog had not been the agony he had supposed it would be. In a way, it was almost like burying threadbare hopes and false excitements. From that day on he learned to accept the dungeon he existed in, neither seeking to escape with sudden derring-do nor beating his pate bloody on its walls. And, thus resigned, he returned to work. ~ Richard Matheson, #NFDB
276:Demons and their Hell are quite different from the Dungeon Dimensions, those endless parallel wastelands outside space and time. The sad, mad Things in the Dungeon Dimensions have no understanding of the world but simply crave light and shape and try to warm themselves by the fires of reality, clustering around it with about the same effect—if they ever broke through—as an ocean trying to warm itself around a candle. Whereas demons belong to the same space-time wossname, more or less, as humans, and have a deep and abiding interest in humanity’s day-to-day affairs. Interestingly enough, the gods of the Disc have never bothered much about judging the souls of the dead, and so people only go to hell if that’s where they believe, in their deepest heart, that they deserve to go. Which they won’t do if they don’t know about it. This explains why it is important to shoot missionaries on sight. ~ Terry Pratchett, #NFDB
277:Awareness came back slowly, and not very pleasantly. First were all the aches and twinges, then the dizziness, and last the sensation of movement. Before I even opened my eyes I realized that once again I was on a horse, clasped upright by an arm.
The Marquis again? Memories came flooding back--the dungeon, the Baron’s horrible promise, then the knife and Shevraeth’s comment about timing. The Marquis had saved me, with about the closest timing in history, from a thoroughly nasty fate. Relief was my foremost emotion, then gratitude, and then a residual embarrassment that I didn’t understand and instantly dismissed. He had saved my life, and I owed him my thanks.
I opened my eyes, squinting against bright sunlight, and turned my head, words forming only to vanish when I looked up into an unfamiliar face. I closed my eyes again, completely confused. Had I dreamed it all, then? Except--where was I, and with whom? ~ Sherwood Smith,#NFDB
278:High Waving Heather 'Neath Stormy Blasts Bending
High waving heather 'neath stormy blasts bending,
Midnight and moonlight and bright shining stars,
Darkness and glory rejoicingly blending,
Earth rising to heaven and heaven descending,
Man's spirit away from its drear dungeon sending,
Bursting the fetters and breaking the bars.
All down the mountain sides wild forests lending
One mighty voice to the life-giving wind,
Rivers their banks in their jubilee rending,
Fast through the valleys a reckless course wending,
Wider and deeper their waters extending,
Leaving a desolate desert behind.
Shining and lowering and swelling and dying,
Changing forever from midnight to noon;
Roaring like thunder, like soft music sighing,
Shadows on shadows advancing and flying,
Lighning-bright flashes the deep gloom defying,
Coming as swiftly and fading as soon.
~ Emily Jane Brontë,#NFDB
279:What is the difference, Potter, between monkshood and wolfsbane?"
At this, Hermione stood up, her hand stretching towards the dungeon ceiling.
I don't know," said Harry quietly. "I think Hermione does, though, why don't you try asking her?"
A few people laughed; Harry caught sight of Seamus's eye and Seamus winked. Snape, however, was not pleased.
Sit down," he snapped at Hermione. "For your information, Potter, asphodel and wormwood make a sleeping potion so powerful it is known as the Draught of Living Death. A bezoar is a stone taken from the stomach of a goat and it will save you from most poisons. As for monkshood and wolfsbane, they are the same plant, which also goes by the name of aconite. Well? Why aren't you all copying that down?"
There was a sudden rummaging for quills and parchment. Over the noise, Snape said, "And a point will be taken from Gryffindor house for your cheek, Potter. ~ J K Rowling,#NFDB
280:Before I ended up in this dungeon of the world,
I was with you all the time.
How I wish I’d never fallen into
this earthly trap.
I kept telling you over and over again:
“I’m perfectly happy here.
I don’t want to go anywhere.
To travel from this exaltation down to earth
is just too difficult a journey."
You sent me anyway:
“Go, don’t be scared.
No harm will come to you.
I will always be with you."
You persuaded me by saying:
“If you go, you’ll gain new experiences.
You’ll progress on your path.
You’ll be far more mature
when you come back home."
I replied: “O Essence of Knowledge,
What good is all this learning and informationwithout you?
Who could leave you for knowledge,
unless he has no knowledge of you?"
When I drink wine from your hand,
I haven’t a care in the world.
I become drunk and happy.
I couldn’t care less about gain or loss,
or people’s good or bad features. ~ Rumi,#NFDB
281:Before I ended up in this dungeon of the world,
I was with you all the time.
How I wish I’d never fallen into
this earthly trap.
I kept telling you over and over again:
“I’m perfectly happy here.
I don’t want to go anywhere.
To travel from this exaltation down to earth
is just too difficult a journey."
You sent me anyway:
“Go, don’t be scared.
No harm will come to you.
I will always be with you."
You persuaded me by saying:
“If you go, you’ll gain new experiences.
You’ll progress on your path.
You’ll be far more mature
when you come back home."
I replied: “O Essence of Knowledge,
What good is all this learning and information without you?
Who could leave you for knowledge,
unless he has no knowledge of you?"
When I drink wine from your hand,
I haven’t a care in the world.
I become drunk and happy.
I couldn’t care less about gain or loss,
or people’s good or bad features. ~ Rumi,#NFDB
282:1159
'Twas Like A Maelstrom, With A Notch
414
'Twas like a Maelstrom, with a notch,
That nearer, every Day,
Kept narrowing its boiling Wheel
Until the Agony
Toyed coolly with the final inch
Of your delirious Hem—
And you dropt, lost,
When something broke—
And let you from a Dream—
As if a Goblin with a Gauge—
Kept measuring the Hours—
Until you felt your Second
Weigh, helpless, in his Paws—
And not a Sinew—stirred—could help,
And sense was setting numb—
When God—remembered—and the Fiend
Let go, then, Overcome—
As if your Sentence stood—pronounced—
And you were frozen led
From Dungeon's luxury of Doubt
To Gibbets, and the Dead—
And when the Film had stitched your eyes
A Creature gasped "Reprieve"!
Which Anguish was the utterest—then—
To perish, or to live?
~ Emily Dickinson,#NFDB
283:She spun to face him. “Listen, Hellboy, we need to make this quick. I have garage sales to hit and naughty souls to claim. Decide.” “I do not understand.” Was this goddess tormenting him for sport? Why did she call him “Hellboy?” How very rude! She poked at his bare chest with a razor sharp fingernail. “You hate taking orders.” Sì, true. After all, I am vampire. “And even if you decided to listen like a good little boy, the odds of pulling this off are slim to none.” I happen to excel at all things impossible. I am a vampire! “So don’t come crying if you end up in your queen’s dungeon…” Vampires do not cry, silly woman. “Tortured three times a day for all eternity, which is where you have a ninety-nine point nine, nine, nine percent chance of landing if you don’t do exactly as I say.” Actually, those numbers are quite encouraging. He thought his odds were somewhere between pigs flying and hell freezing over. “Buon. I understand. Tell me what you saw, what I must do. ~ Mimi Jean Pamfiloff, #NFDB
284:Without A Title
So aloof, so meek in your ways,
Now you're fire, you're pure combustion.
Only let me lock up your beauty
Deep, deep down in a poem's dungeon.
See how wholly transformed they are
By the fire in the glowing lampshade;
Edge of wall, edge of window-pane,
Our own figures and our own shadows.
There you sit on cushions, apart,
Legs tucked under you, Turkish fashion.
In the light or in the shadow,
Childlike, always, the way you reason.
Dreaming, now you thread on a string
Beads that lie on your lap in profusion.
Far too sad is your mien, too artless
Is the drift of your conversation.
Yes, love's truly a vulgar word.
I'll invent something else to supplant it,
Just for you, the whole world, all words
I will gladly rename, if you want it.
Can your sorrowful mien convey
All your hidden orebearing richness,
All that radiant seam of your heart?
Why d'you fill your eyes with such sadness?
~ Boris Pasternak,#NFDB
285:Spleen
When the low, heavy sky weighs like a lid
On the groaning spirit, victim of long ennui,
And from the all-encircling horizon
Spreads over us a day gloomier than the night;
When the earth is changed into a humid dungeon,
In which Hope like a bat
Goes beating the walls with her timid wings
And knocking her head against the rotten ceiling;
When the rain stretching out its endless train
Imitates the bars of a vast prison
And a silent horde of loathsome spiders
Comes to spin their webs in the depths of our brains,
All at once the bells leap with rage
And hurl a frightful roar at heaven,
Even as wandering spirits with no country
437
Burst into a stubborn, whimpering cry.
— And without drums or music, long hearses
Pass by slowly in my soul; Hope, vanquished,
Weeps, and atrocious, despotic Anguish
On my bowed skull plants her black flag.
— William Aggeler, The Flowers of Evil (Fresno, CA: Academy Library Guild,
1954)
~ Charles Baudelaire,#NFDB
286:As a teenager with morbid proclivities, my only real social outlets in Hawai’i were the gothic and S&M fetish clubs with names like “Flesh” and “The Dungeon” that took place on Saturday nights in warehouses down by the airport. My friends and I, all uniform-wearing private-school girls by day, would tell our parents we were having a sleepover and instead change into black vinyl ball gowns we ordered off the Internet. Then we’d go to the clubs and get tied to iron crosses and publicly flogged amid puffing fog machines. After the clubs closed at two a.m. we’d go into a twenty-four-hour diner called Zippy’s, invariably get called “witches” by some confused late-night patrons, wash off our makeup in the bathroom, and sleep for a few hours in my parents’ car. Since I was also on my school’s competitive outrigger canoe paddling team, the next morning I would have to peel off the vinyl ball gown and paddle in the open ocean for two hours as dolphins leapt majestically next to our boat. Hawai’i is an interesting place to grow up. ~ Caitlin Doughty, #NFDB
287:Alas, it was in vain that I implored the dungeon-keep of Roussainville, that I begged it to send out to meet me some daughter of its village, appealing to it as to the sole confidant to whom I had disclosed my earliest desire when, from the top floor of our house at Combray, from the little room that smelt of orris-root, I had peered out and seen nothing but its tower, framed in the square of the half-opened window, while, with the heroic scruples of a traveller setting forth for unknown climes, or of a desperate wretch hesitating on the verge of self-destruction, faint with emotion, I explored, across the bounds of my own experience, an untrodden path which, I believed, might lead me to my death, even—until passion spent itself and left me shuddering among the sprays of flowering currant which, creeping in through the window, tumbled all about my body. In vain I called upon it now. In vain I compressed the whole landscape into my field of vision, draining it with an exhaustive gaze which sought to extract from it a female creature. ~ Marcel Proust, #NFDB
288:When man's thoughts rise upon the wings of aspiration, when he pushes back the darkness with the strength of reason and logic, then indeed the builder is liberated from his dungeon and the light pours in, bathing him with life and power. This light enables us to seek more clearly the mystery of creation and to find with greater certainty our place in the Great Plan, for as man unfolds his bodies he gains talents with which he can explore the mysteries of Nature and search for the hidden workings of the Divine. Through these powers the Builder is liberated and his consciousness goes forth conquering and to conquer. These higher ideals, these spiritual concepts, these altruistic, philanthropic, educative applications of thought power glorify the Builder; for they give the power of expression and those who can express themselves are free. When man can mold his thoughts, his emotions, and his actions into faithful expressions of his highest ideals then liberty is his, for ignorance is the darkness of Chaos and knowledge is the light of Cosmos.
~ Manly P Hall,#NFDB
289:C’mon,” said Harry, and he led Hermione and Mrs. Cattermole to the door.
When the Patronuses glided out of the dungeon there were cries of shock from the people waiting outside. Harry looked around; the dementors were falling back on both sides of them, melding into the darkness, scattering before the silver creatures.
“It’s been decided that you should all go home and go into hiding with your families,” Harry told the waiting Muggle-borns, who were dazzled by the light of the Patronuses and still cowering slightly. “Go abroad if you can. Just get well away from the Ministry. That’s the--er--new official position. Now, if you’ll just follow the Patronuses, you’ll be able to leave from the Atrium.”
They managed to get up the stone steps without being intercepted, but as they approached the lifts Harry started to have misgivings. If they emerged into the Atrium with a silver stag, an otter soaring alongside it, and twenty or so people, half of them accused Muggle-borns, he could not help feeling that they would attract unwanted attention. ~ J K Rowling,#NFDB
290:Ernie strolled into the dungeon, carrying a shovel over his shoulder and whistling a bit of a happy tune under his breath. “Finished burying that sword, Mr. Haverstein, just like you asked me to, and there’ll be no finding it now, not with it being buried in the graveyard . . . Oh . . . hello, Miss Plum. I wasn’t expecting to find you down here in the, um, dungeon.” Ernie shot a glance to Bram, who only had a grimace to send him in return. Shifting the shovel to his other shoulder, Ernie blinked far too innocent eyes Lucetta’s way. “How goes the wedding plans?” “I’d rather discuss why you were burying the sword, and where this graveyard is, and exactly what, or who, is buried in it,” Lucetta returned. “I’ve always thought a wedding right around Christmas would be lovely,” Ernie continued as if Lucetta hadn’t spoken. “I’m sure Abigail and Iris would agree with you, Ernie, which is why I’m also sure they’re going to be incredibly disappointed to learn that there will be no wedding, at least not one that will ever see me married to your boss—Mr. Madman Haverstein.” Bram ~ Jen Turano, #NFDB
291:Pregnancy—we were taught, if we were privileged—was something awful that went with sex, just as AIDS and genital warts went with sex, unless you used condoms (and even then, be really careful). It was made clear that sexually transmitted diseases and teen pregnancy were simply not for us: We were to use birth control and go to college and if we somehow got pregnant too soon or with the wrong guy, we were to abort. There was no mention of the possibility that we might want to get pregnant too late. From the minute the dragon of our fertility came on the scene, we learned to chain it up and forget about it. Fertility meant nothing to us in our twenties; it was something to be secured in the dungeon and left there to molder. In our early thirties, we remembered it existed and wondered if we should check on it, and then—abruptly, horrifyingly—it became urgent: Somebody find that dragon! It was time to rouse it, get it ready for action. But the beast had not grown stronger during the decades of hibernation. By the time we tried to wake it, the dragon was weakened, wizened. Old. ~ Ariel Levy, #NFDB
292:Come, Walk With Me
Come, walk with me,
There's only thee
To bless my spirit now We used to love on winter nights
To wander through the snow;
Can we not woo back old delights?
The clouds rush dark and wild
They fleck with shade our mountain heights
The same as long ago
And on the horizon rest at last
In looming masses piled;
While moonbeams flash and fly so fast
We scarce can say they smiled Come walk with me, come walk with me;
We were not once so few
But Death has stolen our company
As sunshine steals the dew He took them one by one and we
Are left the only two;
So closer would my feelings twine
Because they have no stay but thine 'Nay call me not - it may not be
Is human love so true?
Can Friendship's flower droop on for years
And then revive anew?
No, though the soil be wet with tears,
How fair soe'er it grew
The vital sap once perished
Will never flow again
And surer than that dwelling dread,
The narrow dungeon of the dead
Time parts the hearts of men -'
~ Emily Jane Brontë,#NFDB
293:Looking down these dreary passages, the dull repose and quiet that prevails, is awful. Occasionally, there is a drowsy sound from some lone weaver’s shuttle, or shoemaker’s last, but it is stifled by the thick walls and heavy dungeon-door, and only serves to make the general stillness more profound. Over the head and face of every prisoner who comes into this melancholy house, a black hood is drawn; and in this dark shroud, an emblem of the curtain dropped between him and the living world, he is led to the cell from which he never again comes forth, until his whole term of imprisonment has expired….He is a man buried alive; to be dug out in the slow round of years….
And though he lives to be in the same cell ten weary years, he has no means of knowing, down to the very last hour, in what part of the building it is situated; what kind of men there are about him; whether in the long winter night there are living people near, or he is in some lonely corner of the great jail, with walls, and passages, and iron doors between him and the nearest sharer in its solitary horrors. ~ Charles Dickens,#NFDB
294:Jesus is worthy of our devotion and our thanks. Your Jesus is the One who rode into the depths of the darkest, most dangerous dungeon to rescue his true love. He is the One who will ride again on a white steed with fire in his eyes and a flaming sword in his hand. He has inscribed you into the palm of his nail-pierced hand. He knows your every thought, numbers your every hair, and cherishes your every tear. Jesus weeps for you and with you, longs for you, hopes for you, dreams of you, and rejoices over you with singing. He is the One who has battled all the forces of hell to free you and who battles still. Jesus is your knight in shining armor. He is the love you have been longing for. He is your dream come true. He is your hero. He is Aslan, the Lion of Judah, and the Lamb of God. He is the Prince of Peace, the Alpha and Omega, the First and the Last, the King of Kings and the Lord of Lords, the Mighty One. His name is like a kiss and an earthquake. His gaze is on you. He has pledged his love to you and betrothed you to him forever. He is unchangeable, and his love will never fail you. ~ Stasi Eldredge, #NFDB
295:Yes, he had heard it all his life, but it was only now that his ears were opened to this sound that came from darkness, that could only come from darkness, that yet bore such sure witness to the glory of the light. And now in his moaning, and so far from any help, he heard it in himself--it rose from his bleeding, his cracked-open heart. It was a sound of rage and weeping which filled the grave, rage and weeping from time set free, but bound now in eternity; rage that had no language, weeping with no voice--which yet spoke now, to John's startled soul, of boundless melancholy, of the bitterest patience, and the longest night; of the deepest water, the strongest chains, the most cruel lash; of humility most wretched, the dungeon most absolute, of love's bed defiled, and birth dishonored, and most bloody, unspeakable, sudden death. Yes, the darkness hummed with murder: the body in the water, the body in the fire, the body on the tree. John looked down the line of these armies of darkness, army upon army, and his soul whispered: Who are these? Who are they? And wondered: Where shall I go? ~ James Baldwin, #NFDB
296:If you are a monster, stand up.
If you are a monster, a trickster, a fiend,
If you’ve built a steam-powered wishing machine
If you have a secret, a dark past, a scheme,
If you kidnap maidens or dabble in dreams
Come stand by me.
If you have been broken, stand up.
If you have been broken, abandoned, alone
If you have been starving, a creature of bone
If you live in a tower, a dungeon, a throne
If you weep for wanting, to be held, to be known,
Come stand by me.
If you are a savage, stand up.
If you are a witch, a dark queen, a black knight,
If you are a mummer, a pixie, a sprite,
If you are a pirate, a tomcat, a wright,
If you swear by the moon and you fight the hard fight,
Come stand by me.
If you are a devil, stand up.
If you are a villain, a madman, a beast,
If you are a strowler, a prowler, a priest,
If you are a dragon come sit at our feast,
For we all have stripes, and we all have horns,
We all have scales, tails, manes, claws and thorns
And here in the dark is where new worlds are born.
Come stand by me. ~ Catherynne M Valente,#NFDB
297:At the height of the witch craze the Duke of Brunswick invited two learned and famous Jesuits—both of whom believed in witchcraft and in torture as a means of eliciting a confession—to join him in the Brunswick dungeon to witness the torture of a woman accused of witchcraft. Suspecting that people will say anything to stop the pain, the duke told the woman on the rack that he had reasons to believe that the two men accompanying him were warlocks and that he wanted to know what she thought, instructing her torturers to jack up the pain a little more. The woman promptly “confessed” that she had seen both men turn themselves into goats, wolves, and other animals, that they had sexual relations with other witches, and that they had fathered many children with heads like toads and legs like spiders. “The Duke of Brunswick led his astounded friends away,” MacKay narrates. “This was convincing proof to both of them that thousands of persons had suffered unjustly; they knew their own innocence, and shuddered to think what their fate might have been if an enemy instead of a friend had put such a confession into the mouth of a criminal. ~ Michael Shermer, #NFDB
298:Where’s Ruby?” “She’s waiting for you down by the dungeon,” Iris said. Bram tilted his head. “Is she still refusing to acknowledge that I’m her brother?” “Goodness no,” Iris said. “Ruby’s never been one to hold a grudge, and she wasn’t that determined to become acquainted with Mr. Grimstone in the first place. It was just a poorly thought-out plan of hers to get back at Geoffrey Jensen, but . . . she’s since moved on, or at least that’s what she told me.” “What do you mean she’s moved on?” Mr. Skukman asked, stepping forward and looking rather frightening as his face darkened. Iris, Bram noticed, didn’t seem intimidated by the man at all as she arched a brow Mr. Skukman’s way. “My mother and I took Ruby to a few society events while we were still in the city, and . . . well, I’m not exactly certain what happened, but Ruby has since decided she does not care for society gentlemen much at all, but prefers the more strong and . . . silent type.” Mr. Skukman blinked, blinked again, smiled, and then headed immediately through the door that led down to the dungeon. “I didn’t know he knew how to smile,” Abigail said to no one in particular. Leaving ~ Jen Turano, #NFDB
299:Athena
Force of reason, who shut up the shrill
foul Furies in the dungeon of the Parthenon,
led whimpering to the cave they live in still,
beneath the rock your city foundered on:
who, equivocating, taught revenge to sing
(or seem to, or be about to) a kindlier tune:
mind that can make a scheme of anything—
a game, a grid, a system, a mere folder
in the universal file drawer: uncompromising
mediatrix, virgin married to the welfare
of the body politic: deific contradiction,
warbonnet-wearing olive-bearer, author
of the law's delays, you who as talisman
and totem still wear the aegis, baleful
with Medusa's scowl (though shrunken
and self-mummified, a Gorgon still): cool
guarantor of the averted look, the guide
of Perseus, who killed and could not kill
the thing he'd hounded to its source, the dread
thing-in-itself none can elude, whose counterfeit we halfway hanker for: aware (gone mad
with clarity) we have invented all you stand for,
though we despise the artifice—a space to savor
horror, to pre-enact our own undoing in—
living, we stare into the mirror of the Gorgon.
~ Amy Clampitt,#NFDB
300:The Future Verdict
How will our unborn children scoff at us
In the good years to come,
The happier ears to come,
Because, like driven sheep, we yielded thus,
Before the shearers dumb.
What are the words their wiser lips will say?
'These men had gained the light;
'These women knew the right;
'They had their chance, and let it slip away.
'They did not, when they might.
'They were the first to hear the gospel preached,
'And to believe therein;
'Yet they remained in sin.
'They saw the promised land they might have reached,
'And dared not enter in.
'They might have won their freedom, had they tried;
'No savage laws forbade;
'For them the way was made.
'They might have had the joys for which they cried
'And yet they shrank, afraid.
'Afraid to face - the martyr's rack and flame?
'The traitor's dungeon? Nay 'Of what their world would say 'The smile, the joke, the thinnest ghost of blame!
'Lord! Lord! What fools were they!'
And we - no longer actors of the stage
We cumber now - maybe
With other eyes shall see
This wasted chance, and with celestial rage
Cry 'O what fools were we!'
~ Ada Cambridge,#NFDB
301:If there is one thought with regard to the church of Christ, which at times comes to me with overwhelming sorrow; if there is one thought in regard to my own life, of which I am ashamed; if there is one thought, which I feel that the church of Christ has not accepted or grasped; if there is one thought, which makes me pray to God, “Oh, God, teach us, by Your grace, new things” – it is the wonderful power that prayer is meant to have in the kingdom. We have so little availed ourselves of it. We have all read the expression of Christian in Bunyan’s great work, Pilgrim’s Progress, when he realized that he had the key that would unlock the dungeon. (Bunyan’s book used to be read by nearly all Christians and should still be read by Christians today.) We have the key that can unlock the spiritual dungeons of London and New York and Chicago and Washington, D.C. and of all heathendom. But, we are far more occupied with our work than we are with prayer. We believe more in speaking to men than we believe in speaking to God. Doesn’t this convict us when we are too busy to pray or rush through prayer in order to get on with our work or are so caught up with work that we never sit at the feet of Jesus? ~ Andrew Murray, #NFDB
302:Ah, yes, the "unalienable rights." Each year someone quotes that magnificent poetry. Life? What "right" to life has a man who is drowning in the Pacific? The ocean will not hearken to his cries. What "right" to life has a man who must die if he is to save his children? If he chooses to save his own life, does he do so as a matter of "right"? If two men are starving and cannibalism is the only alternative to death, which man's right is "unalienable"? And is it "right"? As to liberty, the heroes who signed the great document pledged themselves to buy liberty with their lives. Liberty is never unalienable; it must be redeemed regularly with the blood of patriots or it always vanishes. Of all the so-called natural human rights that have ever been invented, liberty is least likely to be cheap and is never free of cost. The third "right"? - the "pursuit of happiness"? It is indeed unalienable but it is not a right; it is simply a universal condition which tyrants cannot take away nor patriots restore. Cast me into a dungeon, burn me at the stake, crown me king of kings, I can "pursue happiness" as long as my brain lives - but neither gods nor saints, wise men nor subtle drugs, can insure that I will catch it. ~ Robert A Heinlein, #NFDB
303:In between lessons she talked about her friends at Court: what they liked, or said, or how they entertained. Pleasant, easy talk, meant to show all her friends in the best light; she did not, I realized, like politics or gossip. She never once mentioned the Marquise of Merindar.
In my turn I told her my history, bits at a time, but only if she asked. And ask she did. She listened soberly, wincing from time to time; one cold, blustery day I recounted how I had ended up in Baron Debegri’s dungeon, and my narrow escape therefrom.
At the end of that story she shuddered and asked, “How could you have lived through that and still be sane?”
“Am I sane?” I joked. “There are some who might argue.” Her reaction secretly cheered me, exactly like a ten-year-old who has managed to horrify her friends. It isn’t much of a claim to fame, but it’s all I have, I thought later as I stared down at the third fan I’d broken, and when--again--I’d forgotten which curtsy to make to which person under which circumstances.
The one thing I couldn’t talk about was that terrible day when Shevraeth brought me to face Galdran before the entire Court. I did not want to know if Nimiar had been there, and had looked at me, and had laughed. ~ Sherwood Smith,#NFDB
304:The Bible isn’t a cookbook—deviate from the recipe and the soufflé falls flat. It’s not an owner’s manual—with detailed and complicated step-by-step instructions for using your brand-new all-in-one photocopier/FAX machine/scanner/microwave/DVR/home security system. It’s not a legal contract—make sure you read the fine print and follow every word or get ready to be cast into the dungeon. It’s not a manual of assembly—leave out a few bolts and the entire jungle gym collapses on your three-year-old. When we open the Bible and read it, we are eavesdropping on an ancient spiritual journey. That journey was recorded over a thousand-year span of time, by different writers, with different personalities, at different times, under different circumstances, and for different reasons. In the Bible, we read of encounters with God by ancient peoples, in their times and places, asking their questions, and expressed in language and ideas familiar to them. Those encounters with God were, I believe, genuine, authentic, and real. But they were also ancient—and that explains why the Bible behaves the way it does. This kind of Bible—the Bible we have—just doesn’t work well as a point-by-point exhaustive and timelessly binding list of instructions about God and the life of faith. ~ Peter Enns, #NFDB
305:Potter!” said Snape suddenly. “What would I get if I added powdered root of asphodel to an infusion of wormwood?” Powdered root of what to an infusion of what? Harry glanced at Ron, who looked as stumped as he was; Hermione’s hand had shot into the air. “I don’t know, sir,” said Harry. Snape’s lips curled into a sneer. “Tut, tut — fame clearly isn’t everything.” He ignored Hermione’s hand. “Let’s try again. Potter, where would you look if I told you to find me a bezoar?” Hermione stretched her hand as high into the air as it would go without her leaving her seat, but Harry didn’t have the faintest idea what a bezoar was. He tried not to look at Malfoy, Crabbe, and Goyle, who were shaking with laughter. “I don’t know, sir.” “Thought you wouldn’t open a book before coming, eh, Potter?” Harry forced himself to keep looking straight into those cold eyes. He had looked through his books at the Dursleys’, but did Snape expect him to remember everything in One Thousand Magical Herbs and Fungi? Snape was still ignoring Hermione’s quivering hand. “What is the difference, Potter, between monkshood and wolfsbane?” At this, Hermione stood up, her hand stretching toward the dungeon ceiling. “I don’t know,” said Harry quietly. “I think Hermione does, though, why don’t you try her? ~ J K Rowling, #NFDB
306:Ballade Of Blind Love
Who have loved and ceased to love, forget
That ever they loved in their lives, they say;
Only remember the fever and fret,
And the pain of Love, that was all his pay;
All the delight of him passes away
From hearts that hoped, and from lips that met Too late did I love you, my love, and yet
I shall never forget till my dying day.
Too late were we 'ware of the secret net
That meshes the feet in the flowers that stray;
There were we taken and snared, Lisette,
In the dungeon of La Fausse Amistie;
Help was there none in the wide world's fray,
Joy was there none in the gift and the debt;
Too late we knew it, too long regret I shall never forget till my dying day!
We must live our lives, though the sun be set,
Must meet in the masque where parts we play,
Must cross in the maze of Life's minuet;
Our yea is yea, and our nay is nay:
But while snows of winter or flowers of May
Are the sad year's shroud or coronet,
In the season of rose or of violet,
I shall never forget till my dying day!
ENVOY.
Queen, when the clay is my coverlet,
When I am dead, and when you are grey,
Vow, where the grass of the grave is wet,
'I shall never forget till my dying day!'
~ Andrew Lang,#NFDB
307:The Captive's Dream
Methought I saw him but I knew him not;
He was so changed from what he used to be,
There was no redness on his woe-worn cheek,
No sunny smile upon his ashy lips,
His hollow wandering eyes looked wild and fierce,
And grief was printed on his marble brow,
And O I thought he clasped his wasted hands,
And raised his haggard eyes to Heaven, and prayed
That he might die - I had no power to speak,
I thought I was allowed to see him thus;
And yet I might not speak one single word;
I might not even tell him that I lived
And that it might be possible if search were made,
To find out where I was and set me free,
O how I longed to clasp him to my heart,
Or but to hold his trembling hand in mine,
And speak one word of comfort to his mind,
I struggled wildly but it was in vain,
I could not rise from my dark dungeon floor,
And the dear name I vainly strove to speak,
Died in a voiceless whisper on my tongue,
Then I awoke, and lo it was a dream!
A dream? Alas it was reality!
For well I know wherever he may be
He mourns me thus - O heaven I could bear
My deadly fate with calmness if there were
No kindred hearts to bleed and break for me!
Alexandrina Zenobia
~ Anne Brontë,#NFDB
308:She looked suspiciously between Narian and me, and I went behind my desk, consciously mimicking what Cannan always did. I also wanted to put distance between myself and Nantilam, for her eyes seemed to pierce my flesh. Narian, on the other hand, went to stand directly in front of her.
“We weren’t expecting you,” he admonished boldly. Having grown up a member of a royal family, I winced, knowing if anyone had addressed my father, the King, in such a manner, great offense would have been taken, followed by great retribution.
“That much is apparent,” Nantilam responded, her words clipped. “I ask you once more, where is Rava?”
“In the dungeon.”
“What?” Nantilam was shocked--of all the answers she might have postulated, this was the most outlandish. She dropped her riding gloves on the seat of an armchair before the fireplace, then crossed her arms, her icy expression suggesting that Narian and I might trade places with Rava if we did not have a good rationale.
“Narian, I grant you many privileges as the commander of my army, but imprisoning the shield maiden I have placed as your second is not among them.”
She was patronizing him, and he glared at her. “Unless I gravely misjudge you, Rava was never granted the privilege of arbitrarily torturing and murdering Hytanican citizens. ~ Cayla Kluver,#NFDB
309:I enjoyed perfect health of body, and tranquillity of mind; I did not feel the treachery or inconstancy of a friend, nor the injuries of a secret or open enemy. I had no occasion of bribing, flattering, or pimping, to procure the favour of any great man, or of his minion; I wanted no fence against fraud or oppression: here was neither physician to destroy my body, nor lawyer to ruin my fortune; no informer to watch my words and actions, or forge accusations against me for hire: here were no gibers, censurers, backbiters, pickpockets, highwaymen, housebreakers, attorneys, bawds, buffoons, gamesters, politicians, wits, splenetics, tedious talkers, controvertists, ravishers, murderers, robbers, virtuosos; no leaders, or followers, of party and faction; no encouragers to vice, by seducement or examples; no dungeon, axes, gibbets, whipping-posts, or pillories; no cheating shopkeepers or mechanics; no pride, vanity, or affectation; no fops, bullies, drunkards, strolling whores, or poxes; no ranting, lewd, expensive wives; no stupid, proud pedants; no importunate, overbearing, quarrelsome, noisy, roaring, empty, conceited, swearing companions; no scoundrels raised from the dust upon the merit of their vices, or nobility thrown into it on account of their virtues; no lords, fiddlers, judges, or dancing-masters. ~ Jonathan Swift, #NFDB
310:It is clear enough why both major propaganda systems insist upon this fantasy. Since its origins, the Soviet State has attempted to harness the energies of its own population and oppressed people elsewhere in the service of the men who took advantage of the popular ferment in Russia in 1917 to seize State power. One major ideological weapon employed to this end has been the claim that the State managers are leading their own society and the world towards the socialist ideal; an impossibility, as any socialist — surely any serious Marxist — should have understood at once (many did), and a lie of mammoth proportions as history has revealed since the earliest days of the Bolshevik regime. The taskmasters have attempted to gain legitimacy and support by exploiting the aura of socialist ideals and the respect that is rightly accorded them, to conceal their own ritual practice as they destroyed every vestige of socialism.
As for the world’s second major propaganda system, association of socialism with the Soviet Union and its clients serves as a powerful ideological weapon to enforce conformity and obedience to the State capitalist institutions, to ensure that the necessity to rent oneself to the owners and managers of these institutions will be regarded as virtually a natural law, the only alternative to the ‘socialist’ dungeon. ~ Noam Chomsky,#NFDB
311:This is going to break your grandmother’s heart,” she finally said, lifting up a heavy chain that had spikes attached to the end of it. “I have no idea how I’m going to divulge to her that you, her treasured grandson, are nothing more than some . . . crazed lunatic.” “That’s a bit harsh, and all of this”—he gestured around the room—“is not exactly what it seems.” “It’s not a dungeon filled with every type of torture device devised in the last five hundred years?” “I think the oldest I’ve managed to find is three hundred years old, and . . .” “You’re not helping your case, Mr. Haverstein,” Tilda called out to him. “Uh yes, probably not.” “I’m confused about the railroad tie Stanley’s attached to,” Lucetta tossed at him, causing him to blink at the rapid change of topics. “Uh . . .” he began. “It’s not that confusing, Miss Plum,” Stanley said, speaking up when Bram continued floundering. “I’m trying to see how long it takes to get freed from being shackled to a railroad track with only a hairpin to get undone.” “Why would anyone need to know that?” “Well, it might come in handy if, well . . . hmm . . . That is a difficult question to answer,” Stanley said as he sent Lucetta a rather strained smile. “May I assume you have a reason for practicing such a thing?” Lucetta pressed. “Uh . . .” was all Stanley seemed capable of replying, which had Lucetta marching right up to him. “What ~ Jen Turano, #NFDB
312:Mastema shook his head, then said, “What of the Sons of Rapha? Are they not an elite squad of assassins?” “Disbanded by the Lord of Gath,” said Ba’alzebul with an angry look at Dagon. “Achish is protecting David because he is using him in raids against the Israelites in the Negeb.” Dagon added, “The entire court of archangels sought to bind us at Gath, so we cannot return there.” It didn’t take Mastema any time to think of it. He already knew the answer. “Morons. Since David’s rise to power is forestalled until Saul’s fall, and David is now in Achish’s confidence, the answer is obvious. Get Achish to fight against Saul with David helping him. Have Achish withdraw his forces from David in the battlefield. He will be killed by Saul’s soldiers, and you kill Saul. The line of messiah Seed will die, and you can rename all of Israel ‘Palestine.’” Palestine was the Latin pronunciation of Philistia. Asherah added with a smirk, “Crushed by the mouth of the Serpent.” That drew Mastema’s attention with a return smirk and nod. He said, “Well, you are not all buffoons.” Ba’alzebul’s face went flush with offense. Dagon grinned. Mastema added, “But beware, my divine imbeciles. The heavenly host will show up in full force. So you had better all be there, and you had better be in top form, or you will find yourself in a certain underworld dungeon that starts with a “T” and rhymes with Tartarus. ~ Brian Godawa, #NFDB
313:Well, the black man has functioned in the white man's world as a fixed star, as an immovable pillar: and as he moves out of his place, heaven and earth are shaken to their foundations. You, don't be afraid. I said that it was intended that you should perish in the ghetto, perish by never being allowed to go behind the white man's definitions, by never being allowed to spell your proper name. You have, and many of us have, defeated this intention; and, by a terrible law, a terrible paradox, those innocents who believed that your imprisonment made them safe are losing their grasp of reality. But these men are your brothers - your lost, younger brothers. And if the word integration means anything, this is what it means: that we, with love, shall force our brothers to see themselves as they are, to cease fleeing from reality and begin to change it. For this is your home, my friend, do not be driven from it; great men have done great things here, and will again, and we can make America what America must become. It will be hard, James, but you come from sturdy, peasant stock, men who picked cotton and damned rivers and built railroads, and, in the teeth of the most terrifying odds, achieved an unassailable and monumental dignity. You come from a long line of great poets, some of the greatest poets since Homer. One of them said, The very time I thought I was lost, My dungeon shook and my chains fell off. ~ James Baldwin, #NFDB
314:When today Oskar, lying or sitting in his hospital bed but in either case drumming, revisits Arsenal Passage and the Stockturm with the scribbles on its dungeon walls and its well-oiled instruments of torture, when once again he looks down on those three windows outside the lobby of the Stadt-Theater and thereafter returns to Arsenal Passage and Sigismund Markus' store, searching for the particulars of a day in September, he cannot help looking for Poland at the same time. How does he look for it? With his drumsticks. Does he also look for Poland with his soul? He looks for it with every organ of his being, but the soul is not an organ.
I look for the land of the Poles that is lost to the Germans, for the moment at least. Nowadays the Germans have started searching for Poland with credits, Leicas, and compasses, with radar, divining rods, delegations, and moth-eaten provincial students' associations in costume. Some carry Chopin in their hearts, others thoughts of revenge. Condemning the first four partitions of Poland, they are busily planning a fifth; in the meantime flying to Warsaw via Air France in order to deposit, with appropriate remorse, a wreath on the spot that was once the ghetto. One of these days they will go searching for Poland with rockets. I, meanwhile, conjure up Poland on my drum. And this is what I drum: Poland's lost, but not forever, all's lost, but not forever, Poland's not lost forever. ~ G nter Grass,#NFDB
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317:The Children's Hour
Between the dark and the daylight,
When the night is beginning to lower,
Comes a pause in the day's occupations,
That is known as the Children's Hour.
I hear in the chamber above me
The patter of little feet,
The sound of a door that is opened,
And voices soft and sweet.
From my study I see in the lamplight,
Descending the broad hall stair,
Grave Alice, and laughing Allegra,
And Edith with golden hair.
A whisper, and then a silence:
Yet I know by their merry eyes
They are plotting and planning together
To take me by surprise.
A sudden rush from the stairway,
A sudden raid from the hall!
By three doors left unguarded
They enter my castle wall!
They climb up into my turret
O'er the arms and back of my chair;
If I try to escape, they surround me;
They seem to be everywhere.
They almost devour me with kisses,
Their arms about me entwine,
Till I think of the Bishop of Bingen
In his Mouse-Tower on the Rhine!
Do you think, o blue-eyed banditti,
Because you have scaled the wall,
Such an old mustache as I am
Is not a match for you all!
I have you fast in my fortress,
And will not let you depart,
But put you down into the dungeon
In the round-tower of my heart.
And there will I keep you forever,
Yes, forever and a day,
Till the walls shall crumble to ruin,
And moulder in dust away! ~ Henry Wadsworth Longfellow,#NFDB
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Enjoy! :) ~ Various,#NFDB
319:The North Wind
That wind is from the North, I know it well;
No other breeze could have so wild a swell.
Now deep and loud it thunders round my cell,
The faintly dies,
And softly sighs,
And moans and murmurs mournfully.
I know its language; thus is speaks to me -'I have passed over thy own mountains dear,
Thy northern mountains -- and they still are free,
Still lonely, wild, majestic, bleak and drear,
And stern and lovely, as they used to be
When thou, a young enthusiast,
As wild and free as they,
O'er rocks and glens and snowy heights
Didst often love to stray.
I've blown the wild untrodden snows
In whirling eddies from their brows,
And I have howled in caverns wild
Where thou, a joyous mountain child,
Didst dearly love to be.
The sweet world is not changed, but thou
Art pining in a dungeon now,
Where thou must ever be;
No voice but mine can reach thine ear,
And Heaven has kindly sent me here,
To mourn and sigh with thee,
And tell thee of the cherished land
Of thy nativity.'
Blow on, wild wind, thy solemn voice,
However sad and drear,
Is nothing to the gloomy silence
I have had to bear.
Hot tears are streaming from my eyes,
But these are better far
Than that dull gnawing tearless [time]
The stupor of despair.
111
Confined and hopeless as I am,
O speak of liberty,
O tell me of my mountain home,
And I will welcome thee.
Alexandrina Zenobia
~ Anne Brontë,#NFDB
320:Report went to the King that the mysterious attack on Chovilun was by mountain raiders,” he said.
“So my lord must have been right about those greens.” Flerac pulled thoughtfully at his thin mustache. Greens, I’d gathered, was their nickname for Galdran’s warriors.
“I’m just glad we didn’t have to kill them,” Snap put in, rolling her eyes. “Those two in the dungeon were sick as old oatmeal about being ordered to stand duty during torture. I can tell when someone’s haystacking, and they weren’t.”
“What happened?” I asked, trying to hide my surprise. “I take it there was fighting when you people pulled me out of that Merindar fortress?”
They all turned to me, then to Nessaren, who said, “Some. We let some of them go, on oath they’d desert. There are plenty of greens who didn’t want to join, or wish they hadn’t.”
“What about that lumping snarlface of a Baron?” I kept my voice as casual as possible, wondering what all this meant. Was Shevraeth, or was he not, Debegri’s ally? “I hope he got trounced.”
“He ran.” Flerac’s lip curled. “Came out, found his two bodyguards down, got out through some secret passage while we were trying to get in through another door. Don’t think he saw any of us. Don’t know, though.”
Then they were no longer allies. What did that mean? Was Shevraeth trying to take Debegri’s place in Galdran’s favor?
“Report could be false,” Amol said soberly.
Nessaren nodded once. “Let’s pick up our feet, shall we?”
By which they meant it was time to ride faster. ~ Sherwood Smith,#NFDB
321:Every couple of months or so, some boundary breaking article comes out in a nationally published magazine. The article makes a big thesis statement about relationships. Like say how, women don’t need men anymore, or how if you’re a woman over thirty-five, you should just settle with whatever guy is half-way nice to you, or how monogamy is not feasible, or plausible, or enjoyable, for any human. And we should all be swingers, or a study is released that say’s, you don’t have to love your kids anymore or something. They’re the kind of articles that are e-mailed everywhere and I get them forwarded to me about eight times. I will read one of these articles and immediately afterward I’m so swept up in it, I can’t help but think Yes, Yes, that is one-hundred percent right. Finally! Someone has confirmed that little voice in the back of my mind that has always not loved my kids, or I’m so happy I’m that much closer to my swinging lifestyle I’ve always secretly been craving. I’m normal and now it’s a national discussion and others agree and I can feel normal now. But then, a week later I’m thinking, I hate this. I feel awful. This wretched little magazine article has helped convinced more open minded liberal arts graduates that, the nuclear family doesn’t exist without some hideous twist, like the dad is allowed to go to an S & M dungeon once a week or something. It makes me cry because it means that fewer and fewer people are believing it’s cool to want what I want, which is to be married and have kids and love each other in a monogamous, long-lasting relationship. ~ Mindy Kaling, #NFDB
322:A more vain and absurd animal than you was certainly never allowed to cumber the earth. You had no right to be born, for you make no use of life. Instead of living for, in, and with yourself, as a reasonable being ought, you seek only to fasten your feebleness on some other person’s strength: if no one can be found willing to burden her or himself with such a fat, weak, puffy, useless thing, you cry out that you are ill-treated, neglected, miserable. Then, too, existence for you must be a scene of continual change and excitement, or else the world is a dungeon: you must be admired, you must be courted, you must be flattered - you must have music, dancing, and society - or you languish, you die away. Have you no sense to devise a system which will make you independent of all efforts, and all wills, but your own? Take one day; share it into sections; to each section apportion its task: leave no stray unemployed quarters of an hour, ten minutes, five minutes - include all; do each piece of business in its turn with method, with rigid regularity. The day will close almost before you are aware it has begun; and you are indebted to no one for helping you to get rid of one vacant moment: you have had to seek no one’s company, conversation, sympathy, forbearance; you have lived, in short, as an independent being ought to do. Take this advice: the first and last I shall offer you; then you will not want me or any one else, happen what may. Neglect it - go on as heretofore, craving, whining, and idling - and suffer the results of your idiocy, however bad and insuperable they may be. ~ Charlotte Bront, #NFDB
323:Consolation
How agreeable it is not to be touring Italy this summer,
wandering her cities and ascending her torrid hilltowns.
How much better to cruise these local, familiar streets,
fully grasping the meaning of every roadsign and billboard
and all the sudden hand gestures of my compatriots.
There are no abbeys here, no crumbling frescoes or famous
domes and there is no need to memorize a succession
of kings or tour the dripping corners of a dungeon.
No need to stand around a sarcophagus, see Napoleon's
little bed on Elba, or view the bones of a saint under glass.
How much better to command the simple precinct of home
than be dwarfed by pillar, arch, and basilica.
Why hide my head in phrase books and wrinkled maps?
Why feed scenery into a hungry, one-eyes camera
eager to eat the world one monument at a time?
Instead of slouching in a café ignorant of the word for ice,
I will head down to the coffee shop and the waitress
known as Dot. I will slide into the flow of the morning
paper, all language barriers down,
rivers of idiom running freely, eggs over easy on the way.
And after breakfast, I will not have to find someone
willing to photograph me with my arm around the owner.
I will not puzzle over the bill or record in a journal
what I had to eat and how the sun came in the window.
It is enough to climb back into the car
as if it were the great car of English itself
and sounding my loud vernacular horn, speed off
down a road that will never lead to Rome, not even Bologna.
~ Billy Collins,#NFDB
324:Lines Inscribed On The Wall Of A Dungeon In The
Southern P Of I
Though not a breath can enter here,
I know the wind blows fresh and free;
I know the sun is shining clear,
Though not a gleam can visit me.
They thought while I in darkness lay,
'Twere pity that I should not know
How all the earth is smiling gay;
How fresh the vernal breezes blow.
They knew, such tidings to impart
Would pierce my weary spirit through,
And could they better read my heart,
They'd tell me, she was smiling too.
They need not, for I know it well,
Methinks I see her even now;
No sigh disturbs her bosom's swell,
No shade o'ercasts her angel brow.
Unmarred by grief her angel voice,
Whence sparkling wit, and wisdom flow:
And others in its sound rejoice,
And taste the joys I must not know,
Drink rapture from her soft dark eye,
And sunshine from her heavenly smile;
On wings of bliss their moments fly,
And I am pining here the while!
Oh! tell me, does she never give -To my distress a single sigh?
She smiles on them, but does she grieve
One moment, when they are not by?
When she beholds the sunny skies,
And feels the wind of heaven blow;
Has she no tear for him that lies
61
In dungeon gloom, so far below?
While others gladly round her press
And at her side their hours beguile,
Has she no sigh for his distress
Who cannot see a single smile
Nor hear one word nor read a line
That her beloved hand might write,
Who banished from her face must pine
Each day a long and lonely night?
Alexander April 1826
~ Anne Brontë,#NFDB
325:The Poet
THEY tell you the poet is useless and empty the sound of his lyre,
That science has made him a phantom, and thinned to a shadow his fire:
Yet reformer has never demolished a dungeon or den of the foe
But the flame of the soul of a poet pulsated in every blow.
They tell you he hinders with tinklings, with gags from an obsolete stage,
The dramas of deed and the worship of Laws in a practical age:
But the deeds of to-day are the children of magical dreams he has sung,
And the Laws are ineffable Fires that from niggardly heaven he wrung!
The bosoms of women he sang of are heaving to-day in our maids:
The God that he drew from the Silence our woes or our weariness aids:
Not a maxim has needled through Time, but a poet had feathered its shaft,
Not a law is a boon to the people but he has dictated its draft.
And why do we fight for our fellows? For Liberty why do we long?
Because with the core of our nerve-cells are woven the lightnings of song!
For the poet for ages illumined the animal dreams of our sires,
And his Thought-Become-Flesh is the matrix of all our unselfish desires!
Yea, why are we fain for the Beautiful? Why should we die for the Right?
Because through the forested æons, in spite of the priests of the Night,
Undeterred by the faggot or cross, uncorrupted by glory or gold,
To our mothers the poet his Vision of Goodness and Beauty has told.
When, comrades, we thrill to the message of speaker in highway or hall,
The voice of the poet is reaching the silenter poet in all:
And again, as of old, when the flames are to leap up the turrets of Wrong,
Shall the torch of the New Revolution be lit from the words of a Song
~ Bernard O'Dowd,#NFDB
326:Miss Rebecca Vaughn,” Eliza says, as if to formally present me to Alex. I walk into some kind of parlor, trying to hold my head up high and act as if I’m not at all nervous. I half-heartedly hope Eliza will stay inside the room but she doesn’t; she steps aside and lets me enter.
I walk to a high-backed brocade chair with gilded arms and legs across from the big sofa Alex is occupying and sit down. I cross my ankles and carefully spread out my skirts as if it’s the most important thing in the world and requires every ounce of concentration. Victoria would be proud.
“Where is she?” His voice comes out firm, demanding.
Wow. So much for stalling. I bite my lip. “Who?”
“Do not play games,” he says.
I study my hands as they wring in my lap. I can play dumb, I can postpone this, or I can just tell him. Like ripping off a Band-Aid.
“With Trent Rallsmouth,” I say, peeking up at him from underneath my lashes.
His eyes fly open and he sits up straighter.
“The boy from the dance? Where?”
Oh God. He does not look happy. “The gardener’s cottage on the eastern edge of Harksbury.”
Alex stands like he’s the incredible hulk--so quickly I’m surprised the whole sofa doesn’t fly back and crash into the wall.
Oh God, this was so stupid; he’s going to kill me.
Or throw me in that dungeon I’m still convinced he has…
“Please tell me they have a proper chaperone,” he says.
I purse my lips and shake my head.
He sighs, a great drag of irritation, and crosses his arms at his chest. It makes his chest bulge with muscle, and I try to focus on the fact that he seems like he could wring my neck and not on the way he looks today.
Which, seriously, is pretty hot. His face is flushed in anger, which brings out his dark eyes…
Focus. ~ Mandy Hubbard,#NFDB
327:This is the crime of which I accuse my country and my countrymen, and for which neither I nor time nor history will ever forgive them, that they have destroyed and are destroying hundreds of thousands of lives and do not know it and do not want to know it. . . . It is their innocence which constitutes the crime. . . . This innocent country set you down in a ghetto in which, in fact, it intended that you should perish. The limits of your ambition were, thus, expected to be set forever. You were born into a society which spelled out with brutal clarity, and in as many ways as possible, that you were a worthless human being. You were not expected to aspire to excellence: you were expected to make peace with mediocrity. . . . You have, and many of us have, defeated this intention; and, by a terrible law, a terrible paradox, those innocents who believed that your imprisonment made them safe are losing their grasp on reality. But these men are your brothers—your lost, younger brothers. And if the word integration means anything, this is what it means: that we, with love, shall force our brothers to see themselves as they are, to cease fleeing from reality and begin to change it. For this is your home, my friend, do not be driven from it; great men have done great things here, and will again, and we can make America what it must become. It will be hard, but you come from sturdy, peasant stock, men who picked cotton and dammed rivers and built railroads, and, in the teeth of the most terrifying odds, achieved an unassailable and monumental dignity. You come from a long line of great poets since Homer. One of them said, The very time I thought I was lost, My dungeon shook and my chains fell off. . . . We cannot be free until they are free. God bless you, and Godspeed. ~ Michelle Alexander, #NFDB
328:You,” she said, bending an icy eye on Elizabeth, “come with me. You have much to explain, madam, and you can do it while Faulkner attends to your appearance.”
“I am not,” Elizabeth said in a burst of frustrated anger, “going to think of my appearance at a time like this.”
The duchess’s brows shot into her hairline. “Have you come to persuade them that your husband is innocent?”
“Well, of course I have. I-“
“Then don’t shame him more than you already have! You look like a refugee from a dustbin in Bedlam. You’ll be lucky if they don’t hang you for putting them to all this trouble!” She started up the staircase with Elizabeth following slowly behind, listening to her tirade with only half her mind. “Now, if your misbegotten brother would do us the honor of showing himself, your husband might not have to spend the night in a dungeon, which is exactly where Jordan thinks he’s going to land if the prosecutors have their way.”
Elizabeth stopped on the third step. “Will you please listen to me for a moment-“ she began angrily.
“I’ll listen to you all the way to Westminster,” the dowager snapped back sarcastically. “I daresay all London will be eager to hear what you have to say for yourself in tomorrow’s paper!”
“For the love of God!” Elizabeth cried at her back, wondering madly to whom she could turn for speedier help. An hour was an eternity! “I have not come merely to show that I’m alive. I can prove that Robert is alive and that he came to no harm at Ian’s hands, and-“
The duchess lurched around and started down the staircase, her gaze searching Elizabeth’s face with a mixture of desperation and hope. “Faulkner!” she barked without turning, “bring whatever you need. You can attend Lady Thornton in the coach! ~ Judith McNaught,#NFDB
329:Dungeon Grates
So piteously the lonely soul of man
Shudders before this universal plan,
So grievous is the burden and the pain,
So heavy weighs the long, material chain
From cause to cause, too merciless for hate,
The nightmare march of unrelenting fate,
I think that he must die thereof unless
Ever and again across the dreariness
There came a sudden glimpse of spirit faces,
A fragrant breath to tell of flowery places
And wider oceans, breaking on the shore
From which the hearts of men are always sore.
It lies beyond endeavour; neither prayer
Nor fasting, nor much wisdom winneth there,
Seeing how many prophets and wise men
Have sought for it and still returned again
With hope undone. But only the strange power
Of unsought Beauty in some casual hour
Can build a bridge of light or sound or form
To lead you out of all this strife and storm;
When of some beauty we are grown a part
Till from its very glory’s midmost heart
Out leaps a sudden beam of larger light
Into our souls. All things are seen aright
Amid the blinding pillar of its gold,
Seven times more true than what for truth we hold
In vulgar hours. The miracle is done
And for one little moment we are one
With the eternal stream of loveliness
That flows so calm, aloft from all distress
Yet leaps and lives around us as a fire
Making us faint with overstrong desire
To sport and swim for ever in its deep—
Only a moment.
O! but we shall keep
Our vision still. One moment was enough,
We know we are not made of mortal stuff.
And we can bear all trials that come after,
The hate of men and the fool’s loud bestial laughter
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And Nature’s rule and cruelties unclean,
For we have seen the Glory—we have seen.
~ Clive Staples Lewis,#NFDB
330:A Little While, A Little While,
A little while, a little while,
The noisy crowd are barred away;
And I can sing and I can smile
A little while I've holyday !
Where wilt thou go my harassed heart ?
Full many a land invites thee now;
And places near, and far apart
Have rest for thee, my weary brow There is a spot 'mid barren hills
Where winter howls and driving rain
But if the dreary tempest chills
There is a light that warms again
The house is old, the trees are bare
And moonless bends the misty dome
But what on earth is half so dear So longed for as the hearth of home ?
The mute bird sitting on the stone,
The dank moss dripping from the wall,
The garden-walk with weeds o'ergrown
I love them - how I love them all !
Shall I go there? or shall I seek
Another clime, another sky,
Where tongues familiar music speak
In accents dear to memory ?
Yes, as I mused, the naked room,
The flickering firelight died away
And from the midst of cheerless gloom
I passed to bright unclouded day A little and a lone green lane
That opened on a common wide
A distant, dreamy, dim blue chain
Of mountains circling every side -
14
A heaven so clear, an earth so calm,
So sweet, so soft, so hushed in air
And, deepening still the dreamlike charm,
Wild moor-sheep feeding everywhere That was the scene - I knew it well
I knew the pathways far and near
That winding o'er each billowy swell
Marked out the tracks of wandering deer
Could I have lingered but an hour
It well had paid a week of toil
But truth has banished fancy's power
I hear my dungeon bars recoil Even as I stood with raptured eye
Absorbed in bliss so deep and dear
My hour of rest had fleeted by
And given me back to weary care ~ Emily Jane Brontë,#NFDB
331:I only wanted books—nothing more—only books, only words, it was never anything but words—give them to me, I don’t have any! Look, see, I don’t have any! Look, I’m naked, barefoot, I’m standing before you—nothing in my pants pockets, nothing under my shirt or under my arm! They’re not stuck in my beard! Inside—look—there aren’t any inside either—everything’s been turned inside out, there’s nothing there! Only guts! I’m hungry! I’m tormented!...
What do you mean there’s nothing? Then how can you talk and cry, what words are you frightened with, which ones do you call out in your sleep? Don’t nighttime cries roam inside you, a thudding twilight murmur, a fresh morning shriek? There they are words—don’t you recognize them? They’re writhing inside you, trying to get out! There they are! They’re yours! From wood, stone, roots, growing in strength, a dull mooing and whining in the gut is trying to get out; a piece of tongue curls, the torn nostrils swell in torment. That’s how the bewitched, beaten, and twisted snuffle with a mangy wail, their boiled white eyes locked up in closets, their vein torn out, backbone gnawed; that’s right, that’s how your pushkin writhe, or mushkin—what is in my name for you?—pushkin-mushkin, flung upon the hillock like a shaggy black idol, forever flattened by fences, up to his ears in di, the pushkin-stump, legless, six-fingered, biting his tongue, nose in his chest—and his head can’t be raised!—pushkin, tearing off the poisoned shirt, ropes, chains, caftan, noose, that wooden heaviness: let me out, let me out! What is in my name for you? Why does the wind spin in the gully? How many roads must a man walk down? What do you want, old man? Why do you trouble me? My Lord, what is the matter? Ennui, oh, Nin! Grab the inks and cry! Open the dungeon wide! I’m here! I’m innocent! I’m with you! I’m with you! ~ Tatyana Tolstaya,#NFDB
332:I don’t know how long I had been sniffing and snorting there on my broken bunk (and I didn’t care who heard me) when I became aware of furtive little sounds from the corridor. Nothing loud--no more than a slight scrape--then a soft grunt of surprise.
I looked up, saw nothing in the darkness.
A voice whispered, “Countess?”
A voice I recognized. “Azmus!”
“It is I,” he whispered. “Quickly--before they figure out about the doors.”
“What?”
“I’ve been shadowing this place for two days, trying to figure a way in,” he said as he eased the door open. “There must be something going on. The outer door wasn’t locked tonight, and neither is this one.”
“Shevraeth,” I croaked.
“What?”
“Marquis of Shevraeth. Was here gloating at me. The guard must have expected him to lock it, since the grand Marquis sent the fellow away,” I muttered as I got shakily to my feet. “And he--being an aristocrat, and above mundane things--probably assumed the guard would lock it. Uh! Sorry, I just can’t walk--“
At once Azmus sprang to my side. Together we moved out of the corridor, me hating myself for not even thinking of trying the door--except, how could I have gotten anywhere on my own?
At the end of the corridor a long shape lay still on the ground. Unconscious or dead, I didn’t know, and I wasn’t going to check. I just hoped it wasn’t one of the nice guards.
Outside it was raining in earnest, which made visibility difficult for our enemies as well as for us. Azmus took a good grip on me, breathing into my ear: “Brace up--we’ll have to move fast.”
The trip across the courtyard was probably fifty paces or so, but it seemed fifty days’ travel to me. Every step was a misery, but I managed, heartened by the reflection that each step took me farther from that dungeon and--I hoped fervently--from the fate in store if Galdran got his claws into me again. ~ Sherwood Smith,#NFDB
333:Georgiana, a more vain and absurd animal than you, was certainly never allowed to cumber the earth. You had no right to be born; for you make no use of life. Instead of living for, in, and with yourself, as a reasonable being ought, you seek only to fasten your feebleness on some other person’s strength: if no one can be found willing to burden her or himself with such a fat, weak, puffy, useless thing, you cry out that you are ill-treated, neglected, miserable. Then, too, existence for you must be a scene of continual change and excitement, or else the world is a dungeon: you must be admired, you must be courted, you must be flattered—you must have music, dancing, and society—or you languish, you die away. Have you no sense to devise a system which will make you independent of all efforts, and all wills, but your own? Take one day; share it into sections; to each section apportion its task: leave no stray unemployed quarters of an hour, ten minutes, five minutes, include all; do each piece of business in its turn with method, with rigid regularity. The day will close almost before you are aware it has begun; and you are indebted to no one for helping you to get rid of one vacant moment; you have had to seek no one's company, conversation, sympathy, forbearance; you have lived, in short, as an independent being ought to do. Take this advice: the first and last I shall offer you...After my mother's death, I wash my hands of you; from the day her coffin is carried to the vault in Gateshead church, you and I will be as separate as if we had never known each other. You need not think that because we chanced to be born of the same parents, I shall suffer you to fasten me down by even the feeblest claim. I can tell you this--if the whole human race, ourselves excepted, were swept away, and we two stood alone on the earth, I would leave you in the old world, and betake myself to the new. ~ Charlotte Bront, #NFDB
334:February 21 MORNING “He hath said.” — Hebrews 13:5 IF we can only grasp these words by faith, we have an all-conquering weapon in our hand. What doubt will not be slain by this twoedged sword? What fear is there which shall not fall smitten with a deadly wound before this arrow from the bow of God’s covenant? Will not the distresses of life and the pangs of death; will not the corruptions within, and the snares without; will not the trials from above, and the temptations from beneath, all seem but light afflictions, when we can hide ourselves beneath the bulwark of “He hath said”? Yes; whether for delight in our quietude, or for strength in our conflict, “He hath said” must be our daily resort. And this may teach us the extreme value of searching the Scriptures. There may be a promise in the Word which would exactly fit your case, but you may not know of it, and therefore you miss its comfort. You are like prisoners in a dungeon, and there may be one key in the bunch which would unlock the door, and you might be free; but if you will not look for it, you may remain a prisoner still, though liberty is so near at hand. There may be a potent medicine in the great pharmacopoeia of Scripture, and you may yet continue sick unless you will examine and search the Scriptures to discover what “He hath said.” Should you not, besides reading the Bible, store your memories richly with the promises of God? You can recollect the sayings of great men; you treasure up the verses of renowned poets; ought you not to be profound in your knowledge of the words of God, so that you may be able to quote them readily when you would solve a difficulty, or overthrow a doubt? Since “He hath said” is the source of all wisdom, and the fountain of all comfort, let it dwell in you richly, as “A well of water, springing up unto everlasting life.” So shall you grow healthy, strong, and happy in the divine life. ~ Charles Haddon Spurgeon, #NFDB
335:In the last week of April 2004, a handful of the Abu Ghraib photographs were broadcast on 60 minutes and published in The New Yorker, and within a couple of days they had been rebroadcast and republished pretty much everywhere on earth. Overnight, the human pyramid, the hooded man on the box, the young woman soldier with a prisoner on a leash, and the corpse packed in ice had become the defining images of the Iraq war...Never before had such primal dungeon scenes been so baldly captured on camera...But above all, it was the posing soldiers, mugging for their buddies' cameras while dominating the prisoners in trophy stances, that gave the photographs the sense of unruly and unmediated reality. The staging was part of the reality they documented. And the grins, the thumbs-up, the arms crossed over puffed-out chests—all this unseemly swagger and self-regard was the height of amateurism. These soldier-photographers stood, at once, inside and outside the events they recorded, watching themselves take part in the spectacle, and their decision not to conceal but to reveal what they were doing indicated that they were not just amateur photographers, but amateur torturers.
So the amateurism was not merely a formal dimension of the Abu Ghraib pictures. It was part of their content, part of what we saw in them, and it corresponded to an aspect of the Iraq War that troubled and baffled nearly everyone: the reckless and slapdash ineptitude with which it had been prosecuted. It was an amateur-run war, a murky and incoherent war. It was not clear why it was waged; too many reasons were given, none had held up, and the stories we invented to explain it to ourselves hardly seemed to matter, since once it was started the war had become its own engine—not a means to an end but an end in itself. What had been billed as a war of ideas and ideals had been exposed as a war of poses and posturing. ~ Philip Gourevitch,#NFDB
336:February 16 MORNING “I have learned, in whatever state I am, therewith to be content.” — Philippians 4:11 THESE words show us that contentment is not a natural propensity of man. “Ill weeds grow apace.” Covetousness, discontent, and murmuring are as natural to man as thorns are to the soil. We need not sow thistles and brambles; they come up naturally enough, because they are indigenous to earth: and so, we need not teach men to complain; they complain fast enough without any education. But the precious things of the earth must be cultivated. If we would have wheat, we must plough and sow; if we want flowers, there must be the garden, and all the gardener’s care. Now, contentment is one of the flowers of heaven, and if we would have it, it must be cultivated; it will not grow in us by nature; it is the new nature alone that can produce it, and even then we must be specially careful and watchful that we maintain and cultivate the grace which God has sown in us. Paul says, “I have learned . . . to be content;” as much as to say, he did not know how at one time. It cost him some pains to attain to the mystery of that great truth. No doubt he sometimes thought he had learned, and then broke down. And when at last he had attained unto it, and could say, “I have learned in whatsoever state I am, therewith to be content,” he was an old, grey-headed man, upon the borders of the grave — a poor prisoner shut up in Nero’s dungeon at Rome. We might well be willing to endure Paul’s infirmities, and share the cold dungeon with him, if we too might by any means attain unto his good degree. Do not indulge the notion that you can be contented with learning, or learn without discipline. It is not a power that may be exercised naturally, but a science to be acquired gradually. We know this from experience. Brother, hush that murmur, natural though it be, and continue a diligent pupil in the College of Content. ~ Charles Haddon Spurgeon, #NFDB
337:A Prisoner In A Dungeon Deep
A prisoner in a dungeon deep
Sat musing silently;
His head was rested on his hand,
His elbow on his knee.
Turned he his thoughts to future times
Or are they backward cast?
For freedom is he pining now
Or mourning for the past?
No, he has lived so long enthralled
Alone in dungeon gloom
That he has lost regret and hope,
Has ceased to mourn his doom.
He pines not for the light of day
Nor sighs for freedom now;
Such weary thoughts have ceased at length
To rack his burning brow.
Lost in a maze of wandering thoughts
He sits unmoving there;
That posture and that look proclaim
The stupor of despair.
Yet not for ever did that mood
Of sullen calm prevail;
There was a something in his eye
That told another tale.
It did not speak of reason gone,
It was not madness quite;
It was a fitful flickering fire,
A strange uncertain light.
And sooth to say, these latter years
Strange fancies now and then
Had filled his cell with scenes of life
And forms of living men.
18
A mind that cannot cease to think
Why needs he cherish there?
Torpor may bring relief to pain
And madness to despair.
Such wildering scenes, such flitting shapes
As feverish dreams display:
What if those fancies still increase
And reason quite decay?
But hark, what sounds have struck his ear;
Voices of men they seem;
And two have entered now his cell;
Can this too be a dream?
'Orlando, hear our joyful news:
Revenge and liberty!
Your foes are dead, and we are come
At last to set you free.'
So spoke the elder of the two,
And in the captive's eyes
He looked for gleaming ecstasy
But only found surprise.
'My foes are dead! It must be then
That all mankind are gone.
For they were all my deadly foes
And friends I had not one.'
~ Anne Brontë,#NFDB
338:No follower of Christ knew the shape of the earth. For many centuries this great Peasant of Palestine has been worshiped as God. Millions and millions have given their lives to his service. The wealth of the world was lavished on his shrines.
His name carried consolation to the diseased and dying. His name dispelled the darkness of death, and filled the dungeon with light. His name gave courage to the martyr, and in the midst of fire, with shriveling lips the sufferer uttered it again and again. The outcasts, the deserted, the fallen, felt that Christ was their friend, felt that he knew their sorrows and pitied their sufferings.
All this is true, and if it were all, how beautiful, how touching, how glorious it would be.
But it is not all. There is another side.
In his name millions and millions of men and women have been imprisoned, tortured and killed. In his name millions and millions have been enslaved. In his name the thinkers, the investigators, have been branded as criminals, and his followers have shed the blood of the wisest and best.
In his name the progress of many nations was stayed for a thousand years. In his gospel was found the dogma of eternal pain, and his words added an infinite horror to death. His gospel filled the world with hatred and revenge; made intellectual honesty a crime; made happiness here the road to hell, denounced love as base and bestial, canonized credulity, crowned bigotry and destroyed the liberty of man.
It would have been far better had the New Testament never been written – far better had the theological Christ never lived. Had the writers of the Testament been regarded as uninspired, had Christ been thought of only as a man, had the good been accepted and the absurd, the impossible, and the revengeful thrown away, mankind would have escaped the wars, the tortures, the scaffolds, the dungeons, the agony and tears, the crimes and sorrows of a thousand years. ~ Robert G Ingersoll,#NFDB
339:Let me explain, Eoin. I’m not a witch. I . . .” He immediately interrupted me with more words in Gaelic that I didn’t understand before he turned and walked over to the window seat to stare outside. “What do ye expect me to do with ye now, lass? I should’ve left ye down in the dungeon to rot, but I expect ye spelled me so that I would relent and release ye, aye? What did ye plan to do, Blaire, place spells on us to do yer bidding and torture me for having married ye? I canna believe Arran was right! What a wicked bitch ye are!” Anger flared within me, and I made no effort to continue the accent I’d tried so hard to use over the past weeks. “Are you crazy? Have I done or said anything to anyone since I’ve been here that would make you think that I wanted to hurt you? If you’d just stop all of your insane ranting and listen to me, I could explain what I was doing in the spell room.” “How did ye even know about the room, Blaire? Ye had no business being in that part of the castle at all!” “Mary showed me. It’s where she found me when I showed up here.” “Ye are a damned liar, Blaire! Do ye no remember the day ye arrived? Ye insulted just about everyone in the castle, and ye nearly broke poor Kip’s back with the inconsiderate load ye piled onto him!” “No!” I was no longer afraid, but I was so angry I was on the verge of tears. Each breath seemed painful in my chest. “I don’t remember the day Blaire arrived because I’m not Blaire! I don’t understand why or how I got here, but I’ve spent almost every minute since I showed up in this godforsaken place trying to get back home to Texas.” “Not Blaire? Texas? God, Arran was right! How could I have been so blind? Well, I’ll no more be fooled by ye, and I’ll no have ye causing havoc here anymore.” He reached as if to grab for my arm, but I evaded him, jumping quickly to the left and chunking the nearest object I could reach at his head. It hit him square on the nose. With a ferocious growl, he leapt in my direction once more. ~ Bethany Claire, #NFDB
340:A Voice From The Dungeon
I'm buried now; I've done with life;
I've done with hate, revenge and strife;
I've done with joy, and hope and love
And all the bustling world above.
Long have I dwelt forgotten here
In pining woe and dull despair;
This place of solitude and gloom
Must be my dungeon and my tomb.
No hope, no pleasure can I find:
I am grown weary of my mind;
Often in balmy sleep I try
To gain a rest from misery,
And in one hour of calm repose
To find a respite from my woes,
But dreamless sleep is not for me
And I am still in misery.
I dream of liberty, 'tis true,
But then I dream of sorrow too,
Of blood and guilt and horrid woes,
Of tortured friends and happy foes;
I dream about the world, but then
I dream of fiends instead of men;
Each smiling hope so quickly fades
And such a lurid gloom pervades
That world -- that when I wake and see
Those dreary phantoms fade and flee,
Even in my dungeon I can smile,
And taste of joy a little while.
And yet it is not always so;
I dreamt a little while ago
That all was as it used to be:
A fresh free wind passed over me;
21
It was a pleasant summer's day,
The sun shone forth with cheering ray,
Methought a little lovely child
Looked up into my face and smiled.
My heart was full, I wept for joy,
It was my own, my darling boy;
I clasped him to my breast and he
Kissed me and laughed in childish glee.
Just them I heard in whisper sweet
A well known voice my name repeat.
His father stood before my eyes;
I gazed at him in mute surprise,
I thought he smiled and spoke to me,
But still in silent ecstasy
I gazed at him; I could not speak;
I uttered one long piercing shriek.
Alas! Alas! That cursed scream
Aroused me from my heavenly dream;
I looked around in wild despair,
I called them, but they were not there;
The father and the child are gone,
And I must live and die alone.
Marina Sabia
~ Anne Brontë,#NFDB
341:Mirth And Mourning
'O cast away your sorrow; -A while, at least, be gay!
If grief must come tomorrow,
At least, be glad today!
'How can you still be sighing
When smiles are everywhere?
The little birds are flying
So blithely through the air;
'The sunshine glows so brightly
O'er all the blooming earth;
And every heart beats lightly, -Each face is full of mirth.'
'I always feel the deepest gloom
When day most brightly shines:
When Nature shows the fairest bloom,
My spirit most repines;
'For, in the brightest noontide glow,
The dungeon's light is dim;
Though freshest winds around us blow,
No breath can visit him.
'If he must sit in twilight gloom,
Can I enjoy the sight
Of mountains clad in purple bloom,
And rocks in sunshine bright? -'My heart may well be desolate, -These tears may well arise
While prison wall and iron grate
Oppress his weary eyes.'
'But think of him tomorrow,
And join your comrades now; -That constant cloud of sorrow
Ill suits so young a brow.
68
'Hark, how their merry voices
Are sounding far and near!
While all the world rejoices
Can you sit moping here?'
'When others' hearts most lightly bound
Mine feels the most oppressed;
When smiling faces greet me round
My sorrow will not rest:
'I think of him whose faintest smile
Was sunshine to my heart,
Whose lightest word could care beguile
And blissful thoughts impart;
'I think how he would bless that sun,
And love this glorious scene;
I think of all that has been done,
And all that might have been.
'Those sparkling eyes, that blessed me so,
Are dim with weeping now;
And blighted hope and burning woe
Have ploughed that marble brow.
'What waste of youth, what hopes destroyed,
What days of pining care,
What weary nights of comfort void
Art thou condemned to bear!
'O! if my love must suffer so -And wholly for my sake -What marvel that my tears should flow, -Or that my heart should break!'
Zerona
~ Anne Brontë,#NFDB
342:Weep Not Too Much
Weep not too much, my darling;
Sigh not too oft for me;
Say not the face of Nature
Has lost its charm for thee.
I have enough of anguish
In my own breast alone;
Thou canst not ease the burden, Love,
By adding still thine own.
I know the faith and fervour
Of that true heart of thine;
But I would have it hopeful
As thou wouldst render mine.
At night, when I lie waking,
More soothing it will be
To say 'She slumbers calmly now,'
Than say 'She weeps for me.'
When through the prison grating
The holy moonbeams shine,
And I am wildly longing
To see the orb divine
Not crossed, deformed, and sullied
By those relentless bars
That will not show the crescent moon,
And scarce the twinkling stars,
It is my only comfort
To think, that unto thee
The sight is not forbidden -The face of heaven is free.
If I could think Zerona
Is gazing upward now -Is gazing with a tearless eye
A calm unruffled brow;
That moon upon her spirit
Sheds sweet, celestial balm, -The thought, like Angel's whisper,
My misery would calm.
149
And when, at early morning,
A faint flush comes to me,
Reflected from those glowing skies
I almost weep to see;
Or when I catch the murmur
Of gently swaying trees,
Or hear the louder swelling
Of the soul-inspiring breeze,
And pant to feel its freshness
Upon my burning brow,
Or sigh to see the twinkling leaf,
And watch the waving bough;
If, from these fruitless yearnings
Thou wouldst deliver me,
Say that the charms of Nature
Are lovely still to thee;
While I am thus repining,
O! let me but believe,
'These pleasures are not lost to her,'
And I will cease to grieve.
O, scorn not Nature's bounties!
My soul partakes with thee.
Drink bliss from all her fountains,
Drink for thyself and me!
Say not, 'My soul is buried
In dungeon gloom with thine;'
But say, 'His heart is here with me;
His spirit drinks with mine.'
A.E.
~ Anne Brontë,#NFDB
343:David strode through the battle raging between his men and the castle defenders in the courtyard and headed straight for the keep, intent on his goal.
The castle would fall quickly. The defenders lacked leadership and were in disarray. His only concern was whether the castle had a secret tunnel for escape. During the siege, he had spread his men out through the fields surrounding the fortress to keep watch. But he had concentrated his forces for the attack and most were now inside the castle. If there was a tunnel, he must secure the widow and her daughters before they had a chance to escape. He did not relish the idea of having to chase them down through the fields with dogs.
The defenders had foolishly waited too long to withdraw to the keep, and most were caught in the courtyard when David’s men burst through the gate. He barely spared them a glance as he ran up the steps of the keep.
With several of his warriors at his back, he burst through the doors brandishing his sword. He paused inside the entrance to hall. Women and children were screaming, and the few Blackadder warriors who had made it inside were overturning tables in a useless attempt to set up a defense.
“If ye hope for mercy, drop your weapons,” David shouted, making his voice heard above the chaos.
He locked gazes with the men who hesitated to obey his order until every weapon clanked to the floor, then he swept his gaze over the women. Their clothing confirmed what he’d known the moment he entered the hall. Blackadder’s widow was not in the room.
“Where is she?” he demanded of the closest Blackadder man.
“Who, m’lord?” the man said, shifting his gaze to the side.
“Your mistress!” David picked him up by the front of his tunic and leaned in close. “Tell me now.”
“In her bedchamber,” the man squeaked, pointing to an arched doorway. “’Tis up the stairs.”
David caught a sudden whiff of urine and dropped the man to the floor in disgust. The wretch had wet himself.
“Take him to the dungeon,” he ordered. The coward had given up his mistress far too easily. ~ Margaret Mallory,#NFDB
344:You know, we still have like, half an hour down here. Seems a shame to waste it.”
I poked him in the ribs, and he gave an exaggerated wince. “No way, dude. My days of cellar, mill, and dungeon lovin’ are over. Go castle or go home.”
“Fair enough,” he said as we interlaced our fingers and headed for the stairs. “But does it have to be a real castle, or would one of those inflatable bouncy things work?”
I laughed. “Oh, inflatable castles are totally out of-“
I skidded to a stop on the first step, causing Archer to bump into me.
“What the heck is that?” I asked, pointing to a dark stain in the nearest corner.
“Okay, number one question you don’t want to hear in a creepy cellar,” Archer sad, but I ignored him and stepped off the staircase. The stain bled out from underneath the stone wall, covering maybe a foot of the dirt floor. It looked black and vaguely…sticky. I swallowed my disgust as I knelt down and gingerly touched the blob with one finger.
Archer crouched down next to me and reached into his pocket. He pulled out a lighter, and after a few tries, a wavering flame sprung up.
We studied my fingertip in the dim glow.
“So that’s-“
“It’s blood, yeah,” I said, not taking my eyes off my hand.
“Scary.”
“I was gonna go with vile, but scary works.”
Archer fished in his pockets again, and this time he produced a paper napkin. I took it from him and gave Lady Macbeth a run for her money in the hand-scrubbing department. But even as I attempted to remove a layer of skin from my finger, something was bugging me. I mean, something other than the fact that I’d just touched a puddle of blood.
“Check the other corners,” I told Archer.
He stood up and moved across the room. I stayed where I was, trying to remember that afternoon Dad and I had sat with the Thorne family grimoire. We’d looked at dozens of spells, but there had been one-
“There’s blood in every corner,” Archer called from the other side of the cellar. “Or at least that’s what I’m guessing it is. Unlike some people, I don’t have the urge to go sticking my fingers in it. ~ Rachel Hawkins,#NFDB
345:I looked around for the tunic so I could leave the room; not for worlds would I go out dressed thus into the midst of a lot of staring Renselaeus warriors.
Unless Galdran has won! The terrible thought froze me for a moment, but then I looked down at that fire and realized that if Galdran had beaten us, I’d hardly be in such comfortable surroundings again. More likely I’d have woken in some dungeon somewhere, with clanking chains attached to every limb.
I held my head in my hands, trying to get the strength to stand; then my door opened, thrust by an impatient hand. Branaric stood there, grinning in surprise.
“You’re awake! Healer said you’d likely sleep out the day.”
I nodded slowly, eyeing his flushed cheeks and overbright eyes. His right arm rested in a sling. “You are also sick,” I observed.
“Merrily so,” he agreed, “but I cannot for the life of me keep still. Burn it! Truth to tell, I never thought I’d live to see this day.”
“What day?” I asked, and then, narrowly, “We’re not prisoners, are we? Where is Galdran?”
“Ash,” Bran said with a laugh.
I gaped. “Dead?”
“Dead and burned, though no one shed a tear at his funeral fire. And you should have seen his minions scatter beforehand! The rest couldn’t surrender fast enough!” He laughed again, then, “Ulp! Forgot. Want tea?”
“Oh yes,” I said with enthusiasm. “I was just looking for my tunic. Or rather, the one I was wearing.”
“Mud,” he said succinctly. “Galdran smacked you off your horse and you landed flat in a mud puddle. Hold there!”
I sat down on the bunk again, questions swarming through my mind like angry bees.
Branaric was back in a moment, carefully carrying a brimming mug in his one good hand, and some folded cloth and a plain brown citizen’s hat tucked under his arm. “Here ye are, sister,” he said cheerily. “Let’s celebrate.”
I took the mug, and as he toasted me with a pretend one, I lifted mine to him and drank deeply. The listerblossom infusion flooded me from head to heels with soothing warmth. I sighed with relief, then said, “Now, tell me everything.”
He chuckled and leaned against the door. “That’s a comprehensive command! Where to begin? ~ Sherwood Smith,#NFDB
346:It was all so very businesslike that one watched it fascinated. It was porkmaking by machinery, porkmaking by applied mathematics. And yet somehow the most matter-of-fact person could not help thinking of the hogs; they were so innocent, they came so very trustingly; and they were so very human in their protests—and so perfectly within their rights! They had done nothing to deserve it; and it was adding insult to injury, as the thing was done here, swinging them up in this cold-blooded, impersonal way, without a pretense of apology, without the homage of a tear. Now and then a visitor wept, to be sure; but this slaughtering machine ran on, visitors or no visitors. It was like some horrible crime committed in a dungeon, all unseen and unheeded, buried out of sight and of memory. One could not stand and watch very long without becoming philosophical, without beginning to deal in symbols and similes, and to hear the hog squeal of the universe. Was it permitted to believe that there was nowhere upon the earth, or above the earth, a heaven for hogs, where they were requited for all this suffering? Each one of these hogs was a separate creature. Some were white hogs, some were black; some were brown, some were spotted; some were old, some young; some were long and lean, some were monstrous. And each of them had an individuality of his own, a will of his own, a hope and a heart’s desire; each was full of self-confidence, of self-importance, and a sense of dignity. And trusting and strong in faith he had gone about his business, the while a black shadow hung over him and a horrid Fate waited in his pathway. Now suddenly it had swooped upon him, and had seized him by the leg. Relentless, remorseless, it was; all his protests, his screams, were nothing to it—it did its cruel will with him, as if his wishes, his feelings, had simply no existence at all; it cut his throat and watched him gasp out his life. And now was one to believe that there was nowhere a god of hogs, to whom this hog personality was precious, to whom these hog squeals and agonies had a meaning? Who would take this hog into his arms and comfort him, reward him for his work well done, and show him the meaning of his sacrifice? ~ Upton Sinclair, #NFDB
347:If you think I’ll believe anything you have to say from this point forward, Mr. Haverstein, you’re more delusional than I’m giving you credit for. Although, do know that I’m not blaming you for everything. I will take some responsibility for being caught in a compromising situation.” “I’m the one who stole you away from the rehearsal.” “True, you did, but . . .” Lucetta drew herself up. “In hindsight, it was a mistake on my part to accompany you there so readily. You’re obviously not a gentleman I can trust, and that means . . . I expect you to keep your distance from me until I can make arrangements to depart Ravenwood for a safer environment.” With that, she spun on her heel and was out of the dungeon before he could even consider stopping her. “Don’t just stand there, go after her,” Tilda said. “She’s not going to listen to me.” “You’ll have to tell her the truth. Tell her you’re Mr. Grimstone.” “I was about to do just that, but . . . well, matters seemed to get quickly out of hand.” “That’s because Miss Plum thinks you’ve lied to her, sir,” Ernie said. “I have lied to her—I’ve lied to everyone, for that matter, by keeping Mr. Grimstone a secret.” Ernie shifted the shovel to his other shoulder. “Perhaps it’s time for you to make amends for that. I believe your family will be more accepting of having an author in the family than you’ve given them credit for, sir.” “Except for maybe Ruby,” Tilda said, speaking up. “Especially since she was considering tracking Mr. Grimstone down and convincing him he should court her.” “Good thing she’s been showing a bit of interest in Mr. Skukman,” Stanley pointed out from his position on the ground. “That way you won’t be dealing with a sister nursing a broken heart over a love that can never be hers.” Bram’s lips quirked ever so slightly “Yes, thank you for that, Stanley.” Heading for the door, he looked over his shoulder and caught Ernie’s eye. “Will you see Stanley released? I wasn’t able to retrieve the spare key from the kitchen.” “Don’t you give it another thought, sir,” Ernie said with a nod. “And don’t fret over what you need to tell Miss Plum. Just remember what Reverend Gilmore was preaching the last time we were back in the city—the truth shall set you free.” Bram smiled. “A good reminder. Thank you, Ernie. ~ Jen Turano, #NFDB
348:When I became convinced that the Universe is natural – that all the ghosts and gods are myths, there entered into my brain, into my soul, into every drop of my blood, the sense, the feeling, the joy of freedom. The walls of my prison crumbled and fell, the dungeon was flooded with light and all the bolts, and bars, and manacles became dust. I was no longer a servant, a serf or a slave. There was for me no master in all the wide world -- not even in infinite space. I was free -- free to think, to express my thoughts -- free to live to my own ideal -- free to live for myself and those I loved -- free to use all my faculties, all my senses -- free to spread imagination's wings -- free to investigate, to guess and dream and hope -- free to judge and determine for myself -- free to reject all ignorant and cruel creeds, all the "inspired" books that savages have produced, and all the barbarous legends of the past -- free from popes and priests -- free from all the "called" and "set apart" -- free from sanctified mistakes and holy lies -- free from the fear of eternal pain -- free from the winged monsters of the night -- free from devils, ghosts and gods. For the first time I was free. There were no prohibited places in all the realms of thought -- no air, no space, where fancy could not spread her painted wings -- no chains for my limbs -- no lashes for my back -- no fires for my flesh -- no master's frown or threat – no following another's steps -- no need to bow, or cringe, or crawl, or utter lying words. I was free. I stood erect and fearlessly, joyously, faced all worlds.
And then my heart was filled with gratitude, with thankfulness, and went out in love to all the heroes, the thinkers who gave their lives for the liberty of hand and brain -- for the freedom of labor and thought -- to those who fell on the fierce fields of war, to those who died in dungeons bound with chains -- to those who proudly mounted scaffold's stairs -- to those whose bones were crushed, whose flesh was scarred and torn -- to those by fire consumed -- to all the wise, the good, the brave of every land, whose thoughts and deeds have given freedom to the sons of men. And then I vowed to grasp the torch that they had held, and hold it high, that light might conquer darkness still. ~ Robert G Ingersoll,#NFDB
349:In The Manner Of Spenser
So long estranged from every Muse's lyre,
And groveling in the tangled net of Care;
What powerful breath shall kindle up that fire
Smothered with damps of most unkindly air?
Ah, how is quenched the lamp that burnt so fair!
Come, sweet seducers, late too far away,
Once more to my deserted cell repair;
Your rebel courts again your gentle sway;—
Come, soothe the winter's night, and charm the summer's day.
Come, dear companions of my youthful hour,
Fill my fond breast with your majestic themes;
Meet me again on hill, by stream, or bower,
And bathe my fancy in the bliss of dreams.
Vain wish! no more the star of Fancy gleams;
They with becoming scorn reject thy prayer:
Nor will they haunt thy bower, or bless thy streams,
No more to thy deserted cell repair:—
“Go, court the world,” they cry, “thou art not worth our care.”
Bustle and hurry, noise and thrall they hate,
And plodding Method with her leaden rule;
And all that swells the' unwieldy pomp of state,
And all that binds to earth the golden fool;
And creeping Labour with his patient tool:
Free like the birds they wander unconfined,
Nor dip their wings in Lucre's muddy pool;
Business they hate, in crowded nook enshrined,
That spins her dirty web, and clouds the' ethereal mind.
Ah, why should man, in hard unsocial strife,
And withering care whose vigils never cease,
Fretting away this little thread of life,
Of his sad birthright reap such large increase!
Why should he toil for aught but bread and peace?
Why rear to heaven his clay-built pyramids?
Nor from his tasks himself, poor slave! release;
With anxious thought, which wholesome rest forbids,
Drying the balm of sleep from sorrow's swollen lids.
Despising cheap delights, he loves to scoop
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His marble palace from the rock's hard breast,
And in close dungeon walls himself to coop,
On golden couches wooing pale unrest;
With foreign looms his stately halls are drest,
And grim-wrought tapestry clothes the darkened room;
While in the flowery vale Peace builds her nest,
Amidst the purple heath or yellow broom,
Or where midst rustling corn the nodding poppies bloom.
~ Anna Laetitia Barbauld,#NFDB
350:Hymn: Ye Are The Salt Of The Earth
Salt of the earth, ye virtuous few,
Who season human-kind;
Light of the world, whose cheering ray
Illumes the realms of mind:
Where Misery spreads her deepest shade,
Your strong compassion glows;
From your blest lips the balm distils,
That softens mortal woes.
By dying beds, in prison glooms,
Your frequent steps are found;
Angels of love! you hover near,
To bind the stranger's wound.
You wash with tears the bloody page
Which human crimes deform;
When vengeance threats, your prayers ascend,
And break the gathering storm.
As down the summer stream of vice
The thoughtless many glide;
Upward you steer your steady bark,
And stem the rushing tide.
Where guilt her foul contagion breathes,
And golden spoils allure;
Unspotted still your garments shine—
Your hands are ever pure.
Whene'er you touch the poet's lyre,
A loftier strain is heard;
Each ardent thought is yours alone,
And every burning word.
Yours is the large expansive thought,
The high heroic deed;
Exile and chains to you are dear—
To you 'tis sweet to bleed.
You lift on high the warning voice,
When public ills prevail;
Yours is the writing on the wall
That turns the tyrant pale.
The dogs of hell your steps pursue,
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With scoff, and shame, and loss;
The hemlock bowl 'tis yours to drain,
To taste the bitter cross.
E'en yet the steaming scaffolds smoke,
By Seine's polluted stream;
With your rich blood the fields are drenched,
Where Polish sabres gleam.
E'en now, through those accursed bars,
In vain we send our sighs;
Where, deep in Olmutz' dungeon glooms,
The patriot martyr lies.
Yet yours is all through History's rolls
The kindling bosom feels;
And at your tomb, with throbbing heart,
The fond enthusiast kneels.
In every faith, through every clime,
Your pilgrim steps we trace;
And shrines are dressed, and temples rise,
Each hallowed spot to grace;
And pæans loud, in every tongue,
And choral hymns resound;
And lengthening honours hand your name
To time's remotest bound.
Proceed! your race of glory run,
Your virtuous toils endure!
You come, commissioned from on high,
And your reward is sure.
~ Anna Laetitia Barbauld,#NFDB
351:You’re like a nuclear missile, you’re dropped somewhere and cause devastation all around. You’ve always been that way. And I figured you’d come here and just fucking destroy everything that stood against me, like you do all the time. I wanted to tell you, I really did, but I couldn’t. I couldn’t risk you saying no, to the whole plan going out the window.” I got off Galahad, who adjusted his suit, but didn’t bother getting back to his feet. “Do you even know what Simon was here for?” “No, although we will. A few years in a dungeon will loosen his tongue a little.” “I never thought you’d be on the receiving end of my anger,” I said softly. “I always thought you’d be honest with me. That you knew how I felt after leaving Merlin, leaving behind the lies and manipulations. But I was wrong. You’re just shittier at it than he was.” “I have more important things to do than lament whatever has broken in our friendship,” he said, anger leaking from every syllable. “I think you should leave this city and this state.” “You’re having me kicked out?” Galahad shook his head. “I’ll be putting Bill Moon in charge of the investigation into what happened here. We’ll make things more palatable for the humans living here, and then we’ll be taking Simon back to Shadow Falls.” “And Rean?” “He has refused my aid and vanished with his remaining colony into the woods. Nine out of twenty-two died today, I doubt he wishes to involve himself with the affairs of anyone other than his colony.” “You lost two allies in space of a day and damaged your reputation as a ruler who takes care of his own. Congrats. You must be very proud.” “I think we’re done here,” he said and got back to his feet once more. I took a step toward him and I noticed something in his expression. Fear. But not fear of me, Galahad would never have been scared of me, but maybe the fear of what had been lost between us, and my anger evaporated, replaced with sadness. “Galahad, you should know something,” I said, gaining his attention as he walked off toward the house. He stopped at the open door and glanced back at me. “What is it?” “I’m not a nuclear bomb, I’m a scalpel. I cut away the tumors and diseased flesh that threatens to consume everything. So, you need to be very careful that during your reign, you don’t become something that requires my utmost attention.” And with that, I turned and walked away. ~ Steve McHugh, #NFDB
352:We stalked carefully through the park in best paramilitary fashion, the lost patrol on its mission into the land of the B movie. To Deborah’s credit, she was very careful. She moved stealthily from one piece of cover to the next, frequently looking right to Chutsky and then left at me. It was getting harder to see her, since the sun had now definitely set, but at least that meant it was harder for them to see us, too—whoever them might turn out to be. We leapfrogged through the first part of the park like this, past the ancient souvenir stand, and then I came up to the first of the rides, an old merry-go-round. It had fallen off its spindle and lay there leaning to one side. It was battered and faded and somebody had chopped the heads off the horses and spray-painted the whole thing in Day-Glo green and orange, and it was one of the saddest things I had ever seen. I circled around it carefully, holding my gun ready, and peering behind everything large enough to hide a cannibal. At the far side of the merry-go-round I looked to my right. In the growing darkness I could barely make out Debs. She had moved up into the shadow of one of the large posts that held up the cable car line that ran from one side of the park to the other. I couldn’t see Chutsky at all; where he should have been there was a row of crumbling playhouses that fringed a go-kart track. I hoped he was there, being watchful and dangerous. If anything did jump out and yell boo at us, I wanted him ready with his assault rifle. But there was no sign of him, and even as I watched, Deborah began to move forward again, deeper into the dark park. A warm, light wind blew over me and I smelled the Miami night: a distant tang of salt on the edge of rotting vegetation and automobile exhaust. But even as I inhaled the familiar smell, I felt the hairs go up on the back of my neck and a soft whisper came up at me from the lowest dungeon of Castle Dexter, and a rustle of leather wings rattled softly on the ramparts. It was a very clear notice that something was not right here and this would be a great time to be somewhere else; I froze there by the headless horses, looking for whatever had set off the Passenger’s alarm. I saw and heard nothing. Deborah had vanished into the darkness and nothing moved anywhere, except a plastic shopping bag blowing by in the gentle wind. My stomach turned over, and for once it was not from hunger. My ~ Jeff Lindsay, #NFDB
353:In silence the man reined in his horse, dismounted, lifted me down to a high grassy spot that was scarcely damp. In the gathering gloom he tended to his horse, which presently cropped at the grass. My eyes had become accustomed to the darkness; the flare of light from a Fire Stick, and the reddish flicker of a fire, startled me.
At first I turned away, for the unsteady flame hurt my eyes, but after a time the prospect of warmth brought me around, and I started inching toward the fire.
The man looked up, dropped what he was doing, and took a step toward me. “I can carry you,” he said.
I waved him off. “I’ll do it myself,” I said shortly, thinking, Why be polite now? So I’ll be in a good mood when you dump me in Galdran’s dungeon?
He hesitated. I ignored him and turned my attention to easing forward. After a moment he returned to whatever he had been doing. After a little experimenting, I found that it was easiest to sit backward and inchworm along, dragging my left leg.
Soon enough I was near to his fire, which was properly built in a ring of rocks. Using the tip of his rapier, he held out chunks of bread with cheese, toasting them just enough. The smell made my mouth water.
In silence he divided the food into two portions, laying mine on a flat rock near my hand.
Then he held up a camp kettle. “Want tea? Or just water?”
“Tea,” I said.
He walked off toward the waterfall. I peered after him into the gloom, saw the horse standing near the pool where the water fell. One chance of escape gone. I’d never get to the horse before he could stop me.
With a small sense of relief, I turned my attention to the bread. I was suddenly ravenous, and even though the cheese was still hot, I wolfed my share down and licked my fingers to catch the last crumbs.
By then the man had returned and set the kettle among the embers. Then he looked up, paused, then picked up his share of the bread and reached over to put it in front of me.
“That’s yours,” I said.
“You appear to need it more than I do,” he said, looking amused. “Go ahead. I won’t starve.”
I picked up the bread, feeling a weird sense of unreality: Did he expect me to be grateful? The situation was so strange I simply had to turn it into absurdity--it was either that or sink into fear and apprehension. “Well, does it matter if I starve?” I said. “Or do Galdran’s torturers require only plump victims for their arts? ~ Sherwood Smith,#NFDB
354:They had chains which they fastened about the leg of the nearest hog, and the other end of the chain they hooked into one of the rings upon the wheel. So, as the wheel turned, a hog was suddenly jerked off his feet and borne aloft. At the same instant the ear was assailed by a most terrifying shriek; the visitors started in alarm, the women turned pale and shrank back. The shriek was followed by another, louder and yet more agonizing--for once started upon that journey, the hog never came back; at the top of the wheel he was shunted off upon a trolley and went sailing down the room. And meantime another was swung up, and then another, and another, until there was a double line of them, each dangling by a foot and kicking in frenzy--and squealing. The uproar was appalling, perilous to the ear-drums; one feared there was too much sound for the room to hold--that the walls must give way or the ceiling crack. There were high squeals and low squeals, grunts, and wails of agony; there would come a momentary lull, and then a fresh outburst, louder than ever, surging up to a deafening climax. It was too much for some of the visitors--the men would look at each other, laughing nervously, and the women would stand with hands clenched, and the blood rushing to their faces, and the tears starting in their eyes. Meantime, heedless of all these things, the men upon the floor were going about their work. Neither squeals of hogs nor tears of visitors made any difference to them; one by one they hooked up the hogs, and one by one with a swift stroke they slit their throats. There was a long line of hogs, with squeals and life-blood ebbing away together; until at last each started again, and vanished with a splash into a huge vat of boiling water. It was all so very businesslike that one watched it fascinated. It was pork-making by machinery, pork-making by applied mathematics. And yet somehow the most matter-of-fact person could not help thinking of the hogs; they were so innocent, they came so very trustingly; and they were so very human in their protests--and so perfectly within their rights! They had done nothing to deserve it; and it was adding insult to injury, as the thing was done here, swinging them up in this cold-blooded, impersonal way, without a pretence at apology, without the homage of a tear. Now and then a visitor wept, to be sure; but this slaughtering-machine ran on, visitors or no visitors. It was like some horrible crime committed in a dungeon, all unseen and unheeded, buried out of sight and of memory. ~ Upton Sinclair, #NFDB
355:The Lonely Sparrow
Thou from the top of yonder antique tower,
O lonely sparrow, wandering, hast gone,
Thy song repeating till the day is done,
And through this valley strays the harmony.
How Spring rejoices in the fields around,
And fills the air with light,
So that the heart is melted at the sight!
Hark to the bleating flocks, the lowing herds!
In sweet content, the other birds
Through the free sky in emulous circles wheel,
In pure enjoyment of their happy time:
Thou, pensive, gazest on the scene apart,
Nor wilt thou join them in the merry round;
Shy playmate, thou for mirth hast little heart;
And with thy plaintive music, dost consume
Both of the year, and of thy life, the bloom.
Alas, how much my ways
Resemble thine! The laughter and the sport,
That fill with glee our youthful days,
And thee, O love, who art youth's brother still,
Too oft the bitter sigh of later years,
I care not for; I know not why,
But from them ever distant fly:
Here in my native place,
As if of alien race,
My spring of life I like a hermit pass.
This day, that to the evening now gives way,
Is in our town an ancient holiday.
Hark, through the air, that voice of festal bell,
While rustic guns in frequent thunders sound,
Reverberated from the hills around.
In festal robes arrayed,
The neighboring youth,
Their houses leaving, o'er the roads are spread;
They pleasant looks exchange, and in their hearts
Rejoice. I, lonely, in this distant spot,
Along the country wandering,
Postpone all pleasure and delight
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To some more genial time: meanwhile,
As through the sunny air around I gaze,
My brow is smitten by his rays,
As after such a day serene,
Dropping behind yon distant hills,
He vanishes, and seems to say,
That thus all happy youth must pass away.
Thou, lonely little bird, when thou
Hast reached the evening of the days
Thy stars assign to thee,
Wilt surely not regret thy ways;
For all thy wishes are
Obedient to Nature's law. But ah!
If I, in spite of all my prayers,
Am doomed the hateful threshold of old age
To cross, when these dull eyes will give
No response to another's heart,
The world to them a void will be,
Each day become more full of misery,
How then, will this, my wish appear
In those dark hours, that dungeon drear?
My blighted youth, my sore distress,
Alas, will _then_ seem happiness!
~ Count Giacomo Leopardi,#NFDB
356:When the guards cut me loose I fell like an old bundle of laundry onto the stone courtyard, and once again hands gripped my upper arms and yanked me upright.
This time I made no pretense of walking as I was borne into a dank tunnel, then down steep steps into an even danker, nasty-smelling chamber.
And what I saw around me was a real, true-to-nightmare dungeon. Shackles, iron baskets, various prods and knives and whips and other instruments whose purpose I didn’t know--and didn’t want to know--were displayed on the walls around two great stained and scored tables.
A huge, ugly man in a bespattered blackweave apron motioned for the soldiers to put me into a chair with irons at arms and feet. As they did, he said, “What am I supposed to be finding out?”
Behind, the Baron said harshly, “I want to shed these wet clothes. Don’t touch her until I return. This is going to last a long, long time.” His gloating laugh echoed down a stone passageway.
The huge man pursed his lips, shrugged, then turned to his fire, selecting various pincers and brands to lay on a grate in the flames.
Then he came back, lifted one bushy brow at the soldiers still flanking me, and said in a low voice, “Kinda little and scrawny, this one, ain’t she? What she done?”
“Countess of Tlanth,” one said in a flat vice.
The man whistled, then grinned. He had several teeth missing. Then he bent closer, peered at me, and shook his head. “Looks to me like she’s half done for already. Grudge or no grudge, she won’t last past midnight.” He grinned again, motioning to the nearest warrior. “Go ahead and put the irons on. Shall we just have a little fun while we’re waiting?”
He pulled one of his brands out of the fire and stepped toward me, raising it. The sharp smell of red-hot metal made me sneeze--and when I looked up, the man’s mouth was open with surprise.
My gaze dropped to the knife embedded squarely in his chest, which seemed to have sprouted there. But knives don’t sprout, even in dungeons, I thought hazily, as the torturer fell heavily at my feet. I turned my head, half rising from the chair--
And saw the Marquis of Shevraeth standing framed in the doorway. At his back were four of his liveried equerries, with swords drawn and ready.
The Marquis strolled forward, indicated the knife with a neatly gloved hand, and gave me a faint smile. “I trust the timing was more or less advantageous?”
“More or less,” I managed to say before the rushing in my ears washed over me, and I passed out cold right on top of the late torturer. ~ Sherwood Smith,#NFDB
357:I don’t know what transgression Rava committed which, in your eyes, makes her deserving of punishment, but this is not how she should be treated during her time of grief.”
“Then you had best remove her to Cokyri. I won’t release her here.”
The High Priestess was not amused by Narian’s response, and she approached him, her lips compressed into a thin line. Laying a hand against the side of his head, she grasped a handful of his hair.
“That is for me to decide,” she said, her voice dangerously soft.
Narian pushed her hand away, and she raised a displeased eyebrow. Feeling like an intruder, I racked my brain for a way to leave, for the sake of my own comfort.
“Your party was intercepted?” I asked, reminding Nantilam of my presence. “Then you were traveling here for some other reason?”
“Yes,” she said, shifting her focus to me, her tone rounding into the rich, controlled cadence of a ruler. “Rava sent word to me about the festival you are hosting.”
Now I wished I had not spoken. I looked to Narian for help, but he offered none, perhaps could offer none. Still, the issue needed to be addressed at some point, and she didn’t sound angry.
“Yes, I am reinstating, on a smaller scale, Hytanica’s annual Harvest Festival.”
“Rava wished me to put a stop to it, but I see no need to do so. I believe, along with you, that it will lift the people’s spirits. But I share Rava’s concerns about rebellion, and have come so that my presence may discourage such foolishness.”
“Your presence is most welcome,” I said, relieved that she did not intend to interfere with my plans. “I’m glad you thought to come.”
“Thank you, Alera,” she said, bestowing a slight smile on me as though making a point to Narian about his rudeness. She turned on her heel to go, picking up her gloves as she did so. Just before she stepped into the Hearing Hall, she spoke once more to her commander.
“Narian, you will release Rava at once and escort her to my rooms.”
“I won’t,” he said, a simple, firm refusal.
A simple, firm refusal that merited a significant reaction. The High Priestess closed the door again and stood facing it for a long moment, then she turned toward us, her quiet anger heating the room.
“You will, Narian.”
“You haven’t even asked after Rava’s crimes. I will not release her, and if I see her free within the Bastion, I will personally return her to the dungeon.”
“Tell me, then, what she’s done. Justify your defiance if you can.”
I foresaw this battle between them growing lengthy, for neither of them was disposed on principle to give ground. ~ Cayla Kluver,#NFDB
358:I’ll tell you what,” she said, prepared to make a deal. “Let’s see how your ‘diplomacy’ would profit us. If you can give me a decent solution to a pretend situation, I’ll agree to have you accompany me instead of Shanks. Although, I don’t know how wise it is to leave a Viidun captain on the Kemeniroc in your absence.”
Derian agreed to the test. “Okay, what’s your question?”
She thought hard for a moment; her eyes scrunching in concentration, lips pulled down to one side. Then, as a crooked grin spread across her lips, she set up an imagined scenario.
“Pretend we’re down on the planet with this King Wennergren when he graciously offers to walk us through his cherished garden. While we’re there he begs me to touch his favorite, award-winning flower, hoping my powers will make it thrive and blossom. But for some strange reason it doesn’t respond to me the way plants do on our world. Instead of thriving, the flower withers and dies right before his shocked and furious eyes. Now pretend he’s easily offended and has a horrible temper…”
Derian cut it. “You have no idea what his temperament is like.”
“I know. That’s not the point.” Her eyes scolded him for interrupting. “Just pretend that he becomes outraged by my actions, assuming that I purposefully destroyed his prized plant. The angry king orders both of us to be seized and thrown into his deep, dark, inescapable dungeon. But, somehow we manage to dodge his line of soldiers and run into a nearby congested jungle, hiding beneath the foliage from our determined pursuers.
“Finally, pretend that we trudge along for hours, so deep within the trees that we begin to hear howling in the distance from dangerous, hungry beasts. They seem to sound off all around us. Every now and then we hear weapon’s fire as King Wennergren’s men fend off these wild animals. This only reminds us that the soldiers are still in pursuit. Far, far buried within the dark jungle we spot a clearing and head for it. Unfortunately, once we reach it we come across an entire pack of ferocious animals who begin to stalk us. So we turn around, only to face a line of soldiers from behind, pointing their weapons our direction. We’re surrounded by danger on both sides, Derian! Now, what do you do?”
She looked at him, wide-eyed and expectant.
“Eena, you have a terribly overactive imagination,” he said flatly.
She rolled her eyes, then impatiently asked him again, “Well? What would you do?”
“I’d stop pretending."
She fell back in her chair, groaning. “You’re still not going.”
“Try and stop me,” he dared.
“You know I can,” she reminded him.
He glared at her. “When the time comes, we’ll see. ~ Richelle E Goodrich,#NFDB
359:Within minutes, the other angels followed the sound of the collapsed tunnel and found Mikael’s location. They were able to dislodge enough of the rock and pull his broken body from the rubble. He had been severely crushed. Gabriel held him. “I can bring him back to the surface to heal.” Raphael said, “That leaves five. We can split up and try to surround the mole. He can’t hide here forever.” They heard the sound of a howl. “Dire wolves,” said Uriel. “We can’t chase him here forever.” Dire wolves were vicious, fanged black hounds of hell almost as tall as a man. Raphael said, “He must have bred them down here. There could be dozens.” “Or hundreds,” said Uriel. The angels could kill dozens of the wolves. But hundreds was another matter altogether. Several of them had almost been overwhelmed by a hundred dire wolves in the days of the giant King Arba, while rescuing Abraham and Sarah from the clutches of the Anakim in Kiriath-arba. They were rescued by a hundred archers. But they didn’t have a hundred archers down in this dungeon of dread darkness. “Take Mikael to safety,” said Uriel. “The rest of you draw the wolves back up to the surface.” They looked at Uriel with fear. Gabriel said, “No, Uriel. We can do this together.” Uriel grasped the leather harness of the special weapon strapped to his back. “I must do this alone.” They all knew what it meant. Uriel had the most sensitive senses. He was the best tracker of all of them. Gabriel protested more, “I will not let you.” “You have no choice.” They heard the sound of wolves getting closer. “And I have no time to quibble with you, Gabriel. Leave — all of you. Draw them after you.” Gabriel teared up. What Uriel was going to do was akin to suicide for humans. Raphael said, “He’s right.” They agreed silently. Gabriel went and grasped his friend in a bear hug that he didn’t seem to want to let go. “My brother.” “Stop your pouting, Gabriel. It’s only until the judgment.” Gabriel pulled away with an angry look in his face. It softened, and he said with a smirk, “You will finally outdo me, little friend.” Uriel gave him a dirty look. Little friend. There was still time to tease. “I outdid you a long time ago,” said Uriel with a grin. Gabriel added, “But there is still Armageddon. You don’t know what I might be capable of.” Uriel said, “Go. We’ll have all eternity to debate that.” They turned to leave. But their delay had lost them time. The underworld dire wolves were upon them. Fifty glowing eyes locked on them, approaching slowly, ready to pounce. There was only enough room to fight against one or two wolves at a time through the narrow passages. Gabriel stood at the back, carrying the broken form of Mikael, who was starting to heal, but not able to fight yet. The other four approached the wolves in single file. ~ Brian Godawa, #NFDB
360:I watched the light flicker on the limestone walls until Archer said, "I wish we could go to the movies."
I stared at him. "We're in a creepy dungeon. There's a chance I might die in the next few hours. You are going to die in the next few hours. And if you had one wish, it would be to catch a movie?"
He shook his head. "That's not what I meant. I wish we weren't like this. You know, demon, demon-hunter. I wish I'd met you in a normal high school, and taken you on normal dates, and like, carried your books or something." Glancing over at me, he squinted and asked, "Is that a thing humans actually do?"
"Not outside of 1950s TV shows," I told him, reaching up to touch his hair. He wrapped an arm around me and leaned against the wall, pulling me to his chest. I drew my legs up under me and rested my cheek on his collarbone. "So instead of stomping around forests hunting ghouls, you want to go to the movies and school dances."
"Well,maybe we could go on the occasional ghoul hunt," he allowed before pressing a kiss to my temple. "Keep things interesting."
I closed my eyes. "What else would we do if we were regular teenagers?"
"Hmm...let's see.Well,first of all, I'd need to get some kind of job so I could afford to take you on these completely normal dates. Maybe I could stock groceries somewhere."
The image of Archer in a blue apron, putting boxes of Nilla Wafers on a shelf at Walmart was too bizarre to even contemplate, but I went along with it. "We could argue in front of our lockers all dramatically," I said. "That's something I saw a lot at human high schools."
He squeezed me in a quick hug. "Yes! Now that sounds like a good time. And then I could come to your house in the middle of the night and play music really loudly under your window until you took me back."
I chuckled. "You watch too many movies. Ooh, we could be lab partners!"
"Isn't that kind of what we were in Defense?"
"Yeah,but in a normal high school, there would be more science, less kicking each other in the face."
"Nice."
We spent the next few minutes spinning out scenarios like this, including all the sports in which Archer's L'Occhio di Dio skills would come in handy, and starring in school plays.By the time we were done, I was laughing, and I realized that, for just a little while, I'd managed to forget what a huge freaking mess we were in.
Which had probably been the point.
Once our laughter died away, the dread started seeping back in. Still, I tried to joke when I said, "You know, if I do live through this, I'm gonna be covered in funky tattoos like the Vandy. You sure you want to date the Illustrated Woman, even if it's just for a little while?"
He caught my chin and raised my eyes to his. "Trust me," he said softly, "you could have a giant tiger tattooed on your face, and I'd still want to be with you."
"Okay,seriously,enough with the swoony talk," I told him, leaning in closer. "I like snarky, mean Archer."
He grinned. "In that case, shut up, Mercer. ~ Rachel Hawkins,#NFDB
361:I wonder what the future has in store for the two of them.” Lucetta’s mention of the future had Bram pausing for a moment, realizing that with all the insanity of the past week or so, they’d not had much time to talk about anything, let alone what either of them wanted for the future. “Even though I was disappointed with the explanation behind the supposed ghosts at Ravenwood, you have to admit that some of what Mrs. Macmillan told you would make good fodder for a new book,” Lucetta continued, pulling him from his thoughts. “Readers would especially like the part about a hidden treasure, although, in my humble opinion, the hero should get caught trying to find it and . . .” As Lucetta continued musing about different plot points, it suddenly hit him how absolutely wonderful life would be if he could spend it with the amazing lady standing right next to him. That she was beautiful, there could be no doubt, but her true beauty wasn’t physical in nature, it was soul-deep—seen in the way she treated her friends, animals, and even a mother who’d brushed her aside for a man who was less than worthy. She’d been through so much, and yet, here she was, contemplating his work and what could help him, and . . . he wanted to give her a spectacular gesture, something that would show her exactly how special he found her. She’d been on her own for far too long, and during that time, she’d decided she didn’t need anyone else, or rather, she wouldn’t need anyone because that could cause her pain—pain she’d experienced when her father had left her, and then when her mother had done the same thing by choosing Nigel. “. . . and I know that you seem to be keen on the whole pirate idea, but really, Bram, if you’d create a hero who is more on the intelligent side, less on the race to the rescue of the damsel in distress side, well, I mean, I’m no author, but . . .” As she stopped for just a second to gulp in a breath of air, and then immediately launched back into a conversation she didn’t seem to realize he wasn’t participating in, Bram got the most intriguing and romantic idea he’d ever imagined. Taking a single step closer to Lucetta, he leaned down and kissed her still-moving lips. When she finally stopped talking and let out the smallest of sighs, he deepened the kiss, reluctantly pulling away from her a moment later. “I know this is going to seem rather peculiar,” he began. “But I need to go to work right this very minute.” “Work?” she repeated faintly. “Indeed, and I do hope you won’t get too annoyed by this, but I need to get started straightaway, which means you might want to go back to the theater so that you don’t get bored.” “You want me gone from Ravenwood?” she asked in a voice that had gone from faint to irritated in less than a second. “I don’t know if I’d put it quite like that, but I might be able to work faster without you around.” He sent her a smile, kissed her again, but when he started getting too distracted with the softness of her lips, pulled back, kissed the tip of her nose, and then . . . after telling her he’d see her before too long, headed straight back into his dungeon. ~ Jen Turano, #NFDB
362:INFERNO 33, 22-75.
Now had the loophole of that dungeon, still
Which bears the name of Famine's Tower from me,
And where tis fit that many another will
Be doomed to linger in captivity,
Shown through its narrow opening in my cell
Moon after moon slow waning, when a sleep,
That of the future burst the veil, in dream
Visited me. It was a slumber deep
And evil; for I saw, or I did seem
To see, that tyrant Lord his revels keep
The leader of the cruel hunt to them,
Chasing the wolf and wolf-cubs up the steep
Ascent, that from the Pisan is the screen
Of Lucca; with him Gualandi came,
Sismondi, and Lanfranchi, bloodhounds lean,
Trained to the sport and eager for the game
Wide ranging in his front; but soon were seen
Though by so short a course, with spirits tame,
The father and his whelps to flag at once,
And then the sharp fangs gored their bosoms deep.
Ere morn I roused myself, and heard my sons,
For they were with me, moaning in their sleep,
And begging bread. Ah, for those darling ones!
Right cruel art thou, if thou dost not weep
In thinking of my souls sad augury;
And if thou weepest not now, weep never more!
They were already waked, as wont drew nigh
The allotted hour for food, and in that hour
Each drew a presage from his dream. When I
Heard locked beneath me of that horrible tower
The outlet; then into their eyes alone
I looked to read myself, without a sign
Or word. I wept notturned within to stone.
They wept aloud, and little Anselm mine,
Saidtwas my youngest, dearest little one,--
What ails thee, father? Why look so at thine?
In all that day, and all the following night,
I wept not, nor replied; but when to shine
Upon the world, not us, came forth the light
Of the new sun, and thwart my prison thrown
Gleamed through its narrow chink, a doleful sight,
Three faces, each the reflex of my own,
Were imaged by its faint and ghastly ray;
Then I, of either hand unto the bone,
Gnawed, in my agony; and thinking they
Twas done from sudden pangs, in their excess,
All of a sudden raise themselves, and say,
Father! our woes, so great, were yet the less
Would you but eat of us,twas you who clad
Our bodies in these weeds of wretchedness;
Despoil them. Not to make their hearts more sad,
I hushed myself. That day is at its close,--
Anotherstill we were all mute. Oh, had
The obdurate earth opened to end our woes!
The fourth day dawned, and when the new sun shone,
Outstretched himself before me as it rose
My Gaddo, saying, Help, father! hast thou none
For thine own childis there no help from thee?
He diedthere at my feetand one by one,
I saw them fall, plainly as you see me.
Between the fifth and sixth day, ere twas dawn,
I found myself blind-groping oer the three.
Three days I called them after they were gone.
Famine of grief can get the mastery.
[Translated by Medwin and corrected by Shelley.]
~ Percy Bysshe Shelley, Ugolino
,#NFDB
363:I’ve heard the most interesting rumors regarding you and the oh-so-dishy Mr. Haverstein,” Millie said. “I don’t believe dishy is a real word” was all Lucetta could think to respond. Millie waved that away with a flick of her dainty wrist. “I can’t be expected to know all the right words, Lucetta, and you’re stalling.” Lucetta blew out a breath, stirring the bubbles. “What have you heard?” “That you and Mr. Haverstein were caught in a most interesting situation in a storage room of all places, that he tried to save you from drowning twice in his, uh, moat from what I’ve been told, and . . . that he did save you once from a mad goat by the name of Geoffrey. I’ve also heard that you seem to enjoy his company, so much so that there’s been talk of marriage—but you rejected the marriage idea because of mysterious happenings occurring at Ravenwood.” “Bram didn’t save me from drowning twice. He almost caused me to drown both of those times.” “Again . . . stalling.” Tracing a finger through the bubbles, Lucetta took a second to gather her thoughts. “He’s explained away practically all the mysteries surrounding him, which has allowed me to come to the conclusion he’s not insane.” Millie’s eyes turned the size of saucers. “You had reason to doubt his sanity?” “He maintains a dungeon and has a castle where suits of armor go strolling about in the middle of the night—what else was I to conclude?” “A . . . dungeon?” “Yes, but I can’t explain that in any further detail, since the dungeon is part of a rather large secret that Bram has yet to divulge to anyone except his staff—and now me, of course.” Millie settled back in her chair and crossed her arms over her chest. “Fair enough, but . . . tell me this, how do you feel about the man, especially since his sanity is no longer in question?” “That’s a little tricky to answer.” Millie sent her a look that had exasperation stamped all over it. “It is not. And since you’re the one who insisted Harriet and I dwell on exactly what our feelings were for Oliver and Everett just a few months back, I’m going to extend you the same courtesy. So . . . feelings—yours for Mr. Haverstein—what are they?” “He, uh . . . did mention that he’d like to court me.” “Court you?” “Yes, you know, call on me, take me for drives, bring me flowers, and . . . well . . . court me.” “That’s incredibly romantic.” “Well, yes, it is, but . . .” “You don’t want to be courted because you see that as a weakness of being female.” “What?” Millie rolled her eyes. “Lucetta, you and I have been friends for a very long time, and while you never talk about yourself much—as in ever—it’s always been clear to me and Harriet that you’ve got this attitude, if you will, about being a female. It’s one of the reasons I believe you’ve held yourself so distant from any gentleman who has ever shown an interest in you. And, it’s why you’re incredibly wary of men like Bram Haverstein, who clearly—and this is without me even knowing that much about him—is an old-fashioned man, one who enjoys swooping in and saving the damsel in distress.” “There’s that romance novel lover I’ve been missing.” Millie sat forward. “You know I’m right.” “So ~ Jen Turano, #NFDB
364:Why hadn’t he told me? Because I’d called him a liar and untrustworthy, and had made it plain I wasn’t going to change my opinion, no matter what. Then why hadn’t he told my brother, who did trust him?
That I couldn’t answer. And in a sense it didn’t matter. What did matter was that I had been wrong about Shevraeth. I had been so wrong I had nearly gotten a lot of people killed for no reason.
Just thinking it made me grit my teeth, and in a way it felt almost as bad as cleaning the fester from my wounded foot. Which was right, because I had to clean out from my mind the fester caused by anger and hatred. I remembered suddenly that horrible day in Galdran’s dungeon when the Marquis had come to me himself and offered me a choice between death and surrender. “It might buy you time,” he’d said.
At that moment I’d seen surrender as dishonor, and it had taken courage to refuse. He’d seen that and had acknowledged it in many different ways, including his words two days before about my being a heroine. Generous words, meant to brace me up. What I saw now was the grim courage it had taken to act his part in Galdran’s Court, all the time planning to change things with the least amount of damage to innocent people. And when Branaric and I had come crashing into his plans, he’d included us as much as he could in his net of safety. My subsequent brushes with death were, I saw miserably now, my own fault.
I had to respect what he’d done. He’d come to respect us for our ideals, that much was clear. What he might think of me personally…
Suddenly I felt an overwhelming desire to be home. I wanted badly to clean out our castle, and replant Mama’s garden, and walk in the sunny glades, and think, and read, and learn. I no longer wanted to face the world in ignorance, wearing castoff clothing and old horse blankets.
But first there was something I had to do.
I slipped out the door; paused, listening. From Branaric’s room came the sound of slow, deep breathing. I stepped inside the room Shevraeth had been using, saw a half-folded map on the table, a neat pile of papers, a pen and inkwell, and a folded pair of gloves.
Pulling out the wallet from my clothes, I opened it and extracted Debegri’s letter. This I laid on the table beside the papers. Then I knelt down and picked up the pen. Finding a blank sheet of paper, I wrote in slow, careful letters: You’ll probably need this to convince Galdran’s old allies.
Then I retreated to my room, pulled the borrowed tunic over my head, bound up my ratty braid, settled the overlarge hat onto my head, and slipped out the door.
At the end of the little hall was another door, which opened onto a clearing. Under a dilapidated roof waited a string of fine horses, and a few Renselaeus stable hands sat about.
When they saw me, they sprang to their feet.
“My lady?” One bowed.
“I should like a ride,” I said, my heart thumping.
But they didn’t argue, or refuse, or send someone to warn someone else. Working together, in a trice they had a fine, fresh mare saddled and ready.
And in another trice I was on her back and riding out, on my way home. ~ Sherwood Smith,#NFDB
365:I have had so many Dwellings, Nat, that I know these Streets as well as a strowling Beggar: I was born in this Nest of Death and Contagion and now, as they say, I have learned to feather it. When first I was with Sir Chris. I found lodgings in Phenix Street off Hogg Lane, close by St Giles and Tottenham Fields, and then in later times I was lodged at the corner of Queen Street and Thames Street, next to the Blew Posts in Cheapside. (It is still there, said Nat stirring up from his Seat, I have passed it!) In the time before the Fire, Nat, most of the buildings in London were made of timber and plaister, and stones were so cheap that a man might have a cart-load of them for six-pence or seven-pence; but now, like the Aegyptians, we are all for Stone. (And Nat broke in, I am for Stone!) The common sort of People gawp at the prodigious Rate of Building and exclaim to each other London is now another City or that House was not there Yesterday or the Situacion of the Streets is quite Changd (I contemn them when they say such things! Nat adds). But this Capital City of the World of Affliction is still the Capitol of Darknesse, or the Dungeon of Man's Desires: still in the Centre are no proper Streets nor Houses but a Wilderness of dirty rotten Sheds, allways tumbling or takeing Fire, with winding crooked passages, lakes of Mire and rills of stinking Mud, as befits the smokey grove of Moloch. (I have heard of that Gentleman, says Nat all a quiver). It is true that in what we call the Out-parts there are numberless ranges of new Buildings: in my old Black-Eagle Street, Nat, tenements have been rais'd and where my Mother and Father stared without understanding at their Destroyer (Death! he cryed) new-built Chambers swarm with life. But what a Chaos and Confusion is there: meer fields of Grass give way to crooked Passages and quiet Lanes to smoking Factors, and these new Houses, commonly built by the London workmen, are often burning and frequently tumbling down (I saw one, says he, I saw one tumbling!). Thus London grows more Monstrous, Straggling and out of all Shape: in this Hive of Noise and Ignorance, Nat, we are tyed to the World as to a sensible Carcasse and
as we cross the stinking Body we call out What News? or What's a clock? And thus do I pass my Days a stranger to mankind. I'll not be a Stander-by, but you will not see me pass among them in the World. (You will disquiet your self, Master, says Nat coming towards me). And what a World is it, of Tricking and Bartering, Buying and Selling, Borrowing and Lending, Paying and Receiving; when I walk among the Piss and Sir-reverence of the Streets I hear, Money makes the old Wife trot, Money makes the Mare to go (and Nat adds, What Words won't do, Gold will). What is their God but shineing Dirt and to sing its Devotions come the Westminster-Hall-whores, the Charing-cross whores, the Whitehall whores, the Channel-row whores, the Strand whores, the Fleet Street whores, the Temple-bar whores; and they are followed in the same Catch by the Riband weavers, the Silver-lace makers, the Upholsterers, the Cabinet-makers, Watermen, Carmen, Porters, Plaisterers, Lightemen, Footmen, Shopkeepers, Journey-men... and my Voice grew faint through the Curtain of my Pain. ~ Peter Ackroyd,#NFDB
366:For those first days it had taken all my energy just to keep up and not embarrass myself. But the regular food, and the rest, had restored a lot of my energy, and with it came curiosity.
I said tentatively, “You know, I have one or two questions…”
Amol’s eyelids lifted like he was thinking, Just one or two? and Snap took her underlip firmly between her teeth. She seemed to have the quickest temper, but she was also the first to laugh. Both of them turned expectantly to their captain, who said calmly, “Please feel free to ask, Lady Meliara. I’ll answer what I can.”
“Well, first, there’s that dungeon. Now, don’t think I’m complaining, but the last thing I remember is Shevraeth’s knife coming between me and a hot poker, you might say. I wake up with you, and we’re on the road, going north. Remalna-city is south. I take it I’m not on my way back to being a guest of Greedy Galdran?”
Snap’s head dropped quickly at the nickname for the King, as if to hide her laughter, but Amol snickered openly.
“No, my lady,” Nessaren said.
“Well, then, it seems to me we’re just about to the border. If we’re going to Tlanth, we ought to be turning west.”
“We are not going to Tlanth, my lady.”
I said with a deep feeling of foreboding, “Can you tell me where we are going?”
“Yes, my lady. Home. To Renselaeus.”
Not home to me, I thought, but because they had been so decent, I bit the comment back and just shook my head. “Why?”
“I do not know that. My orders were to bring you as quickly as was comfortable for you to travel.”
“I’d like to go home,” I said, polite as it was possible for me to be.
Nessaren’s expression blanked, and I knew she was about to tell me I couldn’t.
I said quickly, “It’s not far. I just want to see my brother, and let him know what has happened to me. He must be worried--he might even think me dead.”
At the words my brother her eyes flickered, but otherwise there was no change in her expression. When I was done speaking she said quietly, with a hint of regret, “I am sorry, my lady. I have my orders.”
I tried once again. “A message to Branaric, then? Please. You can read it--you can write it--“
She shook her head once, her gaze not on me, but somewhere beyond the trees. We’d ceased to be companions, even in pretense--which left only enemies. “We’re to have no communication with anyone outside of our own people,” she said.
My first reaction was disbelief. Then I thought of that letter of thanks I’d planned on writing, and even though I had not told anyone, humiliation burned through me, followed by anger all the more bright for the sense of betrayal that underlay it all. Why betrayal? Shevraeth had never pretended to be on my side. Therefore he had saved my life purely for his own ends. Worse, my brother was somehow involved with his plans; I remembered Nessaren’s subtle reaction to his mention, and I wondered if there had been some sort of reference to Bran in that letter Nessaren had just received. What else could this mean but that I was again to be used to force my brother to surrender?
Fury had withered all my good feelings, but I was determined not to show any of it, and I sat with my gaze on my hands, which were gripped in my lap, until I felt that I had my emotions under control again. ~ Sherwood Smith,#NFDB
367:What can I possibly do besides serve as a figure of fun for the Court to laugh at again? I don’t know anything--besides how to lose a war; and I don’t think anyone is requiring that particular bit of knowledge.” I tried to sound reasonable, but even I could hear the bitterness in my own voice.
My brother sighed. “I don’t know what I’ll do, either, except I’ll put my hand to anything I’m asked. That’s what our planning session is to be about, soon’s they return. So save your questions for then, and I don’t want any more of this talk of prisoners and grudges and suchlike. Vidanric saved your life--he’s been a true ally, can’t you see it now?”
“He saved it twice,” I corrected without thinking.
“He what?” My brother straightened up.
“In Chovilun dungeon. Didn’t I tell you?” Then I remembered I hadn’t gotten that far before Debegri’s trap had closed about us.
Bran pursed his lips, starting at me with an uncharacteristic expression. “Interesting. I didn’t know that.”
“Well, you got in the way of an arrow before I got a chance to finish the story,” I explained.
“Except, Vidanric didn’t tell me, either.” Branaric opened his mouth, hesitated, then shook his head. “Well, it seems we all have some talking to do. I’m going to lie down first. You drink your tea.” He went out, and I heard the door to his room shut and his cot creak.
I looked away, staring at the merry fire, my thoughts ranging back over the headlong pace of the recent days. Suddenly I knew that Shevraeth had recognized me outside that town, and I knew why he hadn’t done anything about it: because Debegri was with him then. The Marquis and his people had searched day and night in order to find me before Debegri did--searched not to kill me, but in order to save me from certain death at Debegri’s hands.
Why hadn’t he told me? Because I’d called him a liar and untrustworthy, and had made it plain I wasn’t going to change my opinion, no matter what. Then why hadn’t he told my brother, who did trust him?
That I couldn’t answer. And in a sense it didn’t matter. What did matter was that I had been wrong about Shevraeth. I had been so wrong I had nearly gotten a lot of people killed for no reason.
Just thinking it made me grit my teeth, and in a way it felt almost as bad as cleaning the fester from my wounded foot. Which was right, because I had to clean out from my mind the fester caused by anger and hatred. I remembered suddenly that horrible day in Galdran’s dungeon when the Marquis had come to me himself and offered me a choice between death and surrender. “It might buy you time,” he’d said.
At that moment I’d seen surrender as dishonor, and it had taken courage to refuse. He’d seen that and had acknowledged it in many different ways, including his words two days before about my being a heroine. Generous words, meant to brace me up. What I saw now was the grim courage it had taken to act his part in Galdran’s Court, all the time planning to change things with the least amount of damage to innocent people. And when Branaric and I had come crashing into his plans, he’d included us as much as he could in his net of safety. My subsequent brushes with death were, I saw miserably now, my own fault.
I had to respect what he’d done. He’d come to respect us for our ideals, that much was clear. What he might think of me personally… ~ Sherwood Smith,#NFDB
368:Young Bicham
In London city was Bicham born,
He longd strange countries for to see,
But he was taen by a savage Moor,
Who handld him right cruely.
For thro his shoulder he put a bore,
An thro the bore has pitten a tree,
And he's gard him draw the carts o wine,
Where horse and oxen had wont to be.
He's casten [him] in a dungeon deep,
Where he coud neither hear nor see;
He's shut him up in a prison strong,
An he's handld him right cruely.
O this Moor he had but ae daughter,
I wot her name was Shusy Pye;
She's doen her to the prison-house,
And she's calld young Bicham one word by.
'O hae ye ony lands or rents,
Or citys in your ain country,
Coud free you out of prison strong,
An coud maintain a lady free?'
O London city is my own,
An other citys twa or three,
Coud loose me out o prison strong,
An could maintain a lady free.'
O she has bribed her father's men
Wi meikle goud and white money,
She's gotten the key o the prison doors,
And she has set Young Bicham free.
She's gi'n him a loaf o good white bread,
But an a flask o Spanish wine,
An she bad him mind on the ladie's love
That sae kindly freed him out o pine.
259
'Go set your foot on good ship-board,
An haste you back to your ain country,
An before that seven years has an end,
Come back again, love, and marry me.'
It was long or seven years had an end
She longd fu sair her love to see;
She's set her foot on good ship-board,
An turnd her back on her ain country.
She's saild up, so has she down,
Till she came to the other side;
She's landed at Young Bicham's gates,
An I hop this day she sal be his bride.
'Is this Young Bicham's gates?' says she.
'Or is that noble prince within?'
'He's up the stair wi his bonny bride,
An monny a lord and lady wi him.'
'O has he taen a bonny bride,
An has he clean forgotten me?'
An sighing said that gay lady,
'I wish I were in my ain country!'
She's pitten her ban in her pocket,
An gin the porter guineas three;
Says, 'Take ye that, ye proud porter,
An bid the bridegroom speak to me.'
O whan the porter came up the stair,
He's fa'n low down upon his knee:
'Won up, won up, ye proud porter,
And what makes a' this courtesy?'
'O I've been porter at your gates
This mair nor seven years an three,
But there is a lady at them now
The like of whom I never did see.
'For on every finger she has a ring,
260
An on the mid-finger she has three,
An there's as meikle goud aboon her brow
As woud buy an earldom o lan to me.'
Then up it started Young Bicham,
An sware so loud by Our Lady,
'It can be nane but Shusy Pye
That has come oor the sea to me.'
O quickly ran he down the stair,
O fifteen steps he has made but three,
He's tane his bonny love in his arms
An a wot he kissd her tenderly.
'O hae you tane a bonny bride?
An hae you quite forsaken me?
An hae ye quite forgotten her
That gae you life an liberty?'
She's lookit oer her left shoulder
To hide the tears stood in her ee;
'Now fare thee well, Young Bicham,' she says,
'I'll strive to think nae mair on thee.'
'Take back your daughter, madam,' he says,
'An a double dowry I'll gie her wi;
For I maun marry my first true love,
That's done and suffered so much for me.'
He's tak his bonny love by the han,
And led her to yon fountain stane;
He's changed her name frae Shusy Pye,
An he's cald her his bonny love, Lady Jane.
~ Andrew Lang,#NFDB
369:Prisoner, The - (A Fragment)
In the dungeon-crypts, idly did I stray,
Reckless of the lives wasting there away;
"Draw the ponderous bars! open, Warder stern!"
He dared not say me nay - the hinges harshly turn.
"Our guests are darkly lodged," I whisper'd, gazing through
The vault, whose grated eye showed heaven more grey than blue;
(This was when glad spring laughed in awaking pride;)
"Aye, darkly lodged enough!" returned my sullen guide.
Then, God forgive my youth; forgive my careless tongue;
I scoffed, as the chill chains on the damp flag-stones rung:
"Confined in triple walls, art thou so much to fear,
That we must bind thee down and clench thy fetters here?"
The captive raised her face, it was as soft and mild
As sculpted marble saint, or slumbering unwean'd child;
It was so soft and mild, it was so sweet and fair,
Pain could not trace a line, nor grief a shadow there!
The captive raised her hand and pressed it to her brow;
"I have been struck," she said, "and I am suffering now;
Yet these are little worth, your bolts and irons strong,
And, were they forged in steel, they could not hold me long."
Hoarse laughed the jailor grim: "Shall I be won to hear;
Dost think, fond, dreaming wretch, that I shall grant thy prayer?
Or, better still, wilt melt my master's heart with groans?
Ah! sooner might the sun thaw down these granite stones.
"My master's voice is low, his aspect bland and kind,
But hard as hardest flint, the soul that lurks behind;
And I am rough and rude, yet not more rough to see
Than is the hidden ghost that has its home in me."
About her lips there played a smile of almost scorn,
"My friend," she gently said, "you have not heard me mourn;
When you my kindred's lives, my lost life, can restore,
Then I may weep and sue, - but never, friend, before!
65
Still, let my tyrants know, I am not doom'd to wear
Year after year in gloom, and desolate despair;
A messenger of Hope, comes every night to me,
And offers for short life, eternal liberty.
He comes with western winds, with evening's wandering airs,
With that clear dusk of heaven that brings the thickest stars.
Winds take a pensive tone, and stars a tender fire,
And visions rise, and change, that kill me with desire.
Desire for nothing known in my maturer years,
When Joy grew mad with awe, at counting future tears.
When, if my spirit's sky was full of flashes warm,
I knew not whence they came, from sun, or thunder storm.
But, first, a hush of peace - a soundless calm descends;
The struggle of distress, and fierce impatience ends.
Mute music soothes my breast, unuttered harmony,
That I could never dream, till Earth was lost to me.
Then dawns the Invisible; the Unseen its truth reveals;
My outward sense is gone, my inward essence feels:
Its wings are almost free - its home, its harbour found,
Measuring the gulph, it stoops, and dares the final bound.
Oh, dreadful is the check - intense the agony When the ear begins to hear, and the eye begins to see;
When the pulse begins to throb, the brain to think again,
The soul to feel the flesh, and the flesh to feel the chain.
Yet I would lose no sting, would wish no torture less;
The more that anguish racks, the earlier it will bless;
And robed in fires of hell, or bright with heavenly shine,
If it but herald death, the vision is divine!"
She ceased to speak, and we, unanswering, turned to go We had no further power to work the captive woe:
Her cheek, her gleaming eye, declared that man had given
66
A sentence, unapproved, and overruled by Heaven.
~ Emily Jane Brontë,#NFDB
370: XXIII - DREARY DAY
A FIELD
FAUST MEPHISTOPHELES
FAUST
In misery! In despair! Long wretchedly astray on the face
of the earth, and now imprisoned! That gracious, ill-starred
creature shut in a dungeon as a criminal, and given
up to fearful torments! To this has it come! to this!Treacherous,
contemptible spirit, and thou hast concealed it from
me!Stand, then,stand! Roll the devilish eyes wrathfully in
thy head! Stand and defy me with thine intolerable presence!
Imprisoned! In irretrievable misery! Delivered up to evil
spirits, and to condemning, unfeeling Man! And thou hast
lulled me, meanwhile, with the most insipid dissipations, hast
concealed from me her increasing wretchedness, and suffered
her to go helplessly to ruin!
Roll the devilish eyes wrathfully in thy head
Roll the devilish eyes wrathfully in thy head
MEPHISTOPHELES
She is not the first.
FAUST
Dog! Abominable monster! Transform him, thou Infinite
Spirit! transform the reptile again into his dog-shape? in which
it pleased him often at night to scamper on before me, to roll
himself at the feet of the unsuspecting wanderer, and hang
upon his shoulders when he fell! Transform him again into
his favorite likeness, that he may crawl upon his belly in the
dust before me,that I may trample him, the outlawed, under
foot! Not the first! O woe! woe which no human soul can
grasp, that more than one being should sink into the depths
of this misery,that the first, in its writhing death-agony
under the eyes of the Eternal Forgiver, did not expiate the
guilt of all others! The misery of this single one pierces to the
very marrow of my life; and thou art calmly grinning at the
fate of thousands!
MEPHISTOPHELES
Now we are already again at the end of our wits, where the
understanding of you men runs wild. Why didst thou enter
into fellowship with us, if thou canst not carry it out? Wilt fly,
and art not secure against dizziness? Did we thrust ourselves
upon thee, or thou thyself upon us?
FAUST
Gnash not thus thy devouring teeth at me? It fills me with
horrible disgust. Mighty, glorious Spirit, who hast vouchsafed
to me Thine apparition, who knowest my heart and my soul,
why fetter me to the felon-comrade, who feeds on mischief and
gluts himself with ruin?
MEPHISTOPHELES
Hast thou done?
FAUST
Rescue her, or woe to thee! The fearfullest curse be upon
thee for thousands of ages!
MEPHISTOPHELES
I cannot loosen the bonds of the Avenger, nor undo his bolts.
Rescue her? Who was it that plunged her into ruin? I, or thou?
(FAUST looks around wildly.)
Wilt thou grasp the thunder? Well that it has not been
given to you, miserable mortals! To crush to pieces the innocent
respondent that is the tyrant-fashion of relieving one's
self in embarrassments.
FAUST
Take me thither! She shall be free!
MEPHISTOPHELES
And the danger to which thou wilt expose thyself? Know
that the guilt of blood, from thy hand, still lies upon the town!
Avenging spirits hover over the spot where the victim fell, and
lie in wait for the returning murderer.
FAUST
That, too, from thee? Murder and death of a world upon
thee, monster! Take me thither, I say, and liberate her!
MEPHISTOPHELES
I will convey thee there; and hear, what I can do! Have I
all the power in Heaven and on Earth? I will becloud the
jailer's senses: get possession of the key, and lead her forth with
human hand! I will keep watch: the magic steeds are ready,
I will carry you off. So much is in my power.
FAUST
Up and away!
Open Field
~ Johann Wolfgang von Goethe, DREARY DAY
,#NFDB
371:To him who in the love of Nature holds
Communion with her visible forms, she speaks
A various language; for his gayer hours
She has a voice of gladness, and a smile
And eloquence of beauty, and she glides
Into his darker musings, with a mild
And healing sympathy, that steals away
Their sharpness, ere he is aware. When thoughts
Of the last bitter hour come like a blight
Over thy spirit, and sad images
Of the stern agony, and shroud, and pall,
And breathless darkness, and the narrow house,
Make thee to shudder, and grow sick at heart;—
Go forth, under the open sky, and list
To Nature’s teachings, while from all around—
Earth and her waters, and the depths of air—
Comes a still voice—
Yet a few days, and thee
The all-beholding sun shall see no more
In all his course; nor yet in the cold ground,
Where thy pale form was laid, with many tears,
Nor in the embrace of ocean, shall exist
Thy image. Earth, that nourished thee, shall claim
Thy growth, to be resolved to earth again,
And, lost each human trace, surrendering up
Thine individual being, shalt thou go
To mix for ever with the elements,
To be a brother to the insensible rock
And to the sluggish clod, which the rude swain
Turns with his share, and treads upon. The oak
Shall send his roots abroad, and pierce thy mould.
Yet not to thine eternal resting-place
Shalt thou retire alone, nor couldst thou wish
Couch more magnificent. Thou shalt lie down
With patriarchs of the infant world—with kings,
The powerful of the earth—the wise, the good,
Fair forms, and hoary seers of ages past,
All in one mighty sepulchre. The hills
Rock-ribbed and ancient as the sun,—the vales
Stretching in pensive quietness between;
The venerable woods—rivers that move
In majesty, and the complaining brooks
That make the meadows green; and, poured round all,
Old Ocean’s gray and melancholy waste,—
Are but the solemn decorations all
Of the great tomb of man. The golden sun,
The planets, all the infinite host of heaven,
Are shining on the sad abodes of death,
Through the still lapse of ages. All that tread
The globe are but a handful to the tribes
That slumber in its bosom.—Take the wings
Of morning, pierce the Barcan wilderness,
Or lose thyself in the continuous woods
Where rolls the Oregon, and hears no sound,
Save his own dashings—yet the dead are there:
And millions in those solitudes, since first
The flight of years began, have laid them down
In their last sleep—the dead reign there alone.
So shalt thou rest, and what if thou withdraw
In silence from the living, and no friend
Take note of thy departure? All that breathe
Will share thy destiny. The gay will laugh
When thou art gone, the solemn brood of care
Plod on, and each one as before will chase
His favorite phantom; yet all these shall leave
Their mirth and their employments, and shall come
And make their bed with thee. As the long train
Of ages glide away, the sons of men,
The youth in life’s green spring, and he who goes
In the full strength of years, matron and maid,
The speechless babe, and the gray-headed man—
Shall one by one be gathered to thy side,
By those, who in their turn shall follow them.
So live, that when thy summons comes to join
The innumerable caravan, which moves
To that mysterious realm, where each shall take
His chamber in the silent halls of death,
Thou go not, like the quarry-slave at night,
Scourged to his dungeon, but, sustained and soothed
By an unfaltering trust, approach thy grave,
Like one who wraps the drapery of his couch
About him, and lies down to pleasant dreams. ~ William Cullen Bryant,#NFDB
372:I used to read in books how our fathers persecuted mankind. But I never appreciated it. I did not really appreciate the infamies that have been committed in the name of religion, until I saw the iron arguments that Christians used. I saw the Thumbscrew—two little pieces of iron, armed on the inner surfaces with protuberances, to prevent their slipping; through each end a screw uniting the two pieces. And when some man denied the efficacy of baptism, or may be said, 'I do not believe that a fish ever swallowed a man to keep him from drowning,' then they put his thumb between these pieces of iron and in the name of love and universal forgiveness, began to screw these pieces together. When this was done most men said, 'I will recant.' Probably I should have done the same. Probably I would have said: 'Stop; I will admit anything that you wish; I will admit that there is one god or a million, one hell or a billion; suit yourselves; but stop.'
But there was now and then a man who would not swerve the breadth of a hair. There was now and then some sublime heart, willing to die for an intellectual conviction. Had it not been for such men, we would be savages to-night. Had it not been for a few brave, heroic souls in every age, we would have been cannibals, with pictures of wild beasts tattooed upon our flesh, dancing around some dried snake fetich.
Let us thank every good and noble man who stood so grandly, so proudly, in spite of opposition, of hatred and death, for what he believed to be the truth.
Heroism did not excite the respect of our fathers. The man who would not recant was not forgiven. They screwed the thumbscrews down to the last pang, and then threw their victim into some dungeon, where, in the throbbing silence and darkness, he might suffer the agonies of the fabled damned. This was done in the name of love—in the name of mercy, in the name of Christ.
I saw, too, what they called the Collar of Torture. Imagine a circle of iron, and on the inside a hundred points almost as sharp as needles. This argument was fastened about the throat of the sufferer. Then he could not walk, nor sit down, nor stir without the neck being punctured, by these points. In a little while the throat would begin to swell, and suffocation would end the agonies of that man. This man, it may be, had committed the crime of saying, with tears upon his cheeks, 'I do not believe that God, the father of us all, will damn to eternal perdition any of the children of men.'
I saw another instrument, called the Scavenger's Daughter. Think of a pair of shears with handles, not only where they now are, but at the points as well, and just above the pivot that unites the blades, a circle of iron. In the upper handles the hands would be placed; in the lower, the feet; and through the iron ring, at the centre, the head of the victim would be forced. In this condition, he would be thrown prone upon the earth, and the strain upon the muscles produced such agony that insanity would in pity end his pain.
I saw the Rack. This was a box like the bed of a wagon, with a windlass at each end, with levers, and ratchets to prevent slipping; over each windlass went chains; some were fastened to the ankles of the sufferer; others to his wrists. And then priests, clergymen, divines, saints, began turning these windlasses, and kept turning, until the ankles, the knees, the hips, the shoulders, the elbows, the wrists of the victim were all dislocated, and the sufferer was wet with the sweat of agony. And they had standing by a physician to feel his pulse. What for? To save his life? Yes. In mercy? No; simply that they might rack him once again.
This was done, remember, in the name of civilization; in the name of law and order; in the name of mercy; in the name of religion; in the name of Christ. ~ Robert G Ingersoll,#NFDB
373:Are you certain you’re unharmed?” he asked as the carriage surged into motion. “My nerves are a little rattled, as can be expected, but other than that, I’m fine.” She caught his eye. “I’m incredibly grateful that you and everyone else worked so hard to find me, and were able to rid me of Silas once and for all.” A smile tugged at her lips. “I’m sure after a few weeks have passed, or . . . maybe a few years, when it’s not so very fresh to me, I’ll be able to laugh about it and tell people I was able to participate in my very own gothic-style story, quite like one our favorite author, Mr. Grimstone, might pen.” The mention of Mr. Grimstone had him leaning forward. “We have much to discuss.” Lucetta immediately took to looking wary. “Why do I have the feeling we’re no longer talking about me and . . . my abduction?” “Because we need to talk about us, and talk about where we go from here before we get back to Abigail’s house and everyone distracts us.” Lucetta’s wariness immediately increased. “I’m not certain there’s any need for that, Bram. The danger to me has passed, which means I’m free to return to the theater, and . . . you and I are free to go on our merry ways—and our separate merry ways, at that.” Bram settled back against the carriage seat. “I never took you for a coward, Lucetta.” Temper flashed in her eyes. “I’m not a coward.” “Then why aren’t you willing to at least see where whatever this is between us leads?” “There’s nothing between us.” “Your lips said differently a few days ago, and . . . you enjoy my company—you can’t deny that.” “Perhaps I do enjoy your company, but we’ll leave my lips out of further discussion, if you please. The truth of the matter is that I don’t trust you, I don’t like secrets, which you’re obviously keeping, and . . . I have no desire to become attached to a gentleman who spends time in a dungeon, of all places, and has a mausoleum marking the entrance to his drive.” “Ah, well, yes, but you see, those are some of the things I’d like to discuss with you.” He sent her what he hoped was a most charming smile, but one that only had her arching a brow his way again. Clearing his throat, he sat forward. “To continue, I have to admit that I’ve thought out my explanation regarding all of the things I need to explain in a certain order. So . . . if you’ll humor me, I wrote down a list, and . . .” Digging a hand into his jacket pocket, he pulled out the list and read it through, nodding before he lifted his head. “First, I need to say that—” he blew out a breath—“I’ve bungled practically everything with you so far, starting when I almost drowned you in the moat, er . . . twice.” “You won’t get an argument from me on that.” “I neglected to warn you about my goat.” Her lips twitched right at the corners. “That might be being a little hard on yourself, Bram. You couldn’t have known someone would turn Geoffrey loose on me up in the tower room.” “True, but I should have mentioned that I owned a goat with a curious dislike for ladies in skirts.” “I don’t believe Geoffrey is really at the root of the issues I have with you and Ravenwood, Bram.” He caught her eye and nodded. “I’m at the root of your issues, Lucetta—me and all of my secrets—which is why . . .” He consulted his notes again before he lifted his head. “I’m going to tell you everything, and then . . . ” He glanced one last time at his notes before he looked her way. “After you hear me out, I’d greatly appreciate it if you’d consider allowing me to . . . court you.” “Court me?” She began inching toward the carriage door, which was rather disturbing considering the carriage was traveling at a fast clip down the road. Stiffening his resolve, and ignoring the disbelief in her eyes, he nodded. “It would be my greatest honor to court you, especially since I should have asked to court you before I kissed you, and certainly before I offered to marry you . . . twice.” “You ~ Jen Turano, #NFDB
374:They [mountains] are portions of the heart of the earth that have escaped from the dungeon down below, and rushed up and out. For the heart of the earth is a great wallowing mass, not of blood, as in the hearts of men and animals, but of glowing hot melted metals and stones. And as our hearts keep us alive, so that great lump of heat keeps the earth alive: it is a huge power of buried sunlight—that is what it is. Now think: out of that caldron, where all the bubbles would be as big as the Alps if it could get room for its boiling, certain bubbles have bubbled out and escaped—up and away, and there they stand in the cool, cold sky—mountains. Think of the change, and you will no more wonder that there should be something awful about the very look of a mountain: from the darkness—for where the light has nothing to shine upon, it is much the same as darkness—from the heat, from the endless tumult of boiling unrest—up, with a sudden heavenward shoot, into the wind, and the cold, and the starshine, and a cloak of snow that lies like ermine above the blue-green mail of the glaciers; and the great sun, their grandfather, up there in the sky; and their little old cold aunt, the moon, that comes wandering about the house at night; and everlasting stillness, except for the wind that turns the rocks and caverns into a roaring organ for the young archangels that are studying how to let out the pent-up praises of their hearts, and the molten music of the streams, rushing ever from the bosoms of the glaciers fresh-born. Think too of the change in their own substance—no longer molten and soft, heaving and glowing, but hard and shining and cold. Think of the creatures scampering over and burrowing in it, and the birds building their nests upon it, and the trees growing out of its sides, like hair to clothe it, and the lovely grass in the valleys, and the gracious flowers even at the very edge of its armour of ice, like the rich embroidery of the garment below, and the rivers galloping down the valleys in a tumult of white and green! And along with all these, think of the terrible precipices down which the traveller may fall and be lost, and the frightful gulfs of blue air cracked in the glaciers, and the dark profound lakes, covered like little arctic oceans with floating lumps of ice. All this outside the mountain! But the inside, who shall tell what lies there? Caverns of awfullest solitude, their walls miles thick, sparkling with ores of gold or silver, copper or iron, tin or mercury, studded perhaps with precious stones—perhaps a brook, with eyeless fish in it, running, running ceaseless, cold and babbling, through banks crusted with carbuncles and golden topazes, or over a gravel of which some of the stones are rubies and emeralds, perhaps diamonds and sapphires—who can tell?—and whoever can't tell is free to think—all waiting to flash, waiting for millions of ages—ever since the earth flew off from the sun, a great blot of fire, and began to cool. Then there are caverns full of water, numbing cold, fiercely hot—hotter than any boiling water. From some of these the water cannot get out, and from others it runs in channels as the blood in the body: little veins bring it down from the ice above into the great caverns of the mountain's heart, whence the arteries let it out again, gushing in pipes and clefts and ducts of all shapes and kinds, through and through its bulk, until it springs newborn to the light, and rushes down the mountain side in torrents, and down the valleys in rivers—down, down, rejoicing, to the mighty lungs of the world, that is the sea, where it is tossed in storms and cyclones, heaved up in billows, twisted in waterspouts, dashed to mist upon rocks, beaten by millions of tails, and breathed by millions of gills, whence at last, melted into vapour by the sun, it is lifted up pure into the air, and borne by the servant winds back to the mountain tops and the snow, the solid ice, and the molten stream. ~ George MacDonald, #NFDB
375:The Prisoner. A Fragment
In the dungeon crypts idly did I stray,
Reckless of the lives wasting there away;
'Draw the ponderous bars; open, Warder stern!'
He dare not say me nay–the hinges harshly turn.
'Our guests are darkly lodged,' I whispered, gazing through
The vault whose grated eye showed heaven more grey than blue.
(This was when glad spring laughed in awaking pride.)
'Aye, darkly lodged enough!' returned my sullen guide.
Then, God forgive my youth, forgive my careless tongue!
I scoffed, as the chill chains on the damp flagstones rung;
'Confined in triple walls, art thou so much to fear,
That we must bind thee down and clench thy fetters here?'
The captive raised her face; it was as soft and mild
As sculptured marble saint or slumbering, unweaned child;
It was so soft and mild, it was so sweet and fair,
Pain could not trace a line nor grief a shadow there!
The captive raised her hand and pressed it to her brow:
'I have been struck,' she said, 'and I am suffering now;
Yet these are little worth, your bolts and irons strong;
And were they forged in steel they could not hold me long.'
Hoarse laughed the jailor grim: 'Shall I be won to hear;
Dost think, fond dreaming wretch, that I shall grant thy prayer?
Or, better still, wilt melt my master's heart with groans?
Ah, sooner might the sun thaw down these granite stones!
'My master's voice is low, his aspect bland and kind,
But hard as hardest flint the soul that lurks behind;
And I am rough and rude, yet not more rough to see
Than is the hidden ghost which has its home in me!
About her lips there played a smile of almost scorn:
'My friend,' she gently said, 'you have not heard me mourn;
When you my parents' lives-my lost life, can restore,
Then may I weep and sue-but never, Friend, before!'
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'Yet, tell them, Julian, all, I am not doomed to wear
Year after year in gloom and desolate despair;
A messenger of Hope comes every night to me,
And offers, for short life, eternal liberty.
He comes with western winds, with evening's wandering airs,
With that clear dusk of heaven that brings the thickest stars;
Winds take a pensive tone, and stars a tender fire, And visions rise and change
which kill me with desire–
'Desire for nothing known in my maturer years
When joy grew mad with awe at counting future tears;
When, if my spirit's sky was full of flashes warm,
I knew not whence they came, from sun or thunderstorm;
'But first a hush of peace, a soundless calm descends;
The struggle of distress and fierce impatience ends;
Mute music soothes my breast-unuttered harmony
That I could never dream till earth was lost to me.
'Then dawns the Invisible, the Unseen its truth reveals;
My outward sense is gone, my inward essence feels
Its wings are almost free, its home, its harbour found;
Measuring the gulf it stoops and dares the final bound!
'Oh, dreadful is the check-intense the agony
When the ear begins to hear and the eye begins to see;
When the pulse begins to throb, the brain to think again,
The soul to feel the flesh and the flesh to feel the chain!
'Yet I would lose no sting, would wish no torture less; go
The more that anguish racks the earlier it will bless;
And robed in fires of Hell, or bright with heavenly shine,
If it but herald Death, the vision is divine.'
She ceased to speak, and we, unanswering turned to go–
We had no further power to work the captive woe;
Her cheek, he gleaming eye, declared that man had given
A sentence unapproved, and overruled by Heaven.
(October 9, 1845)
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This poem is part of a larger Gondal poem which Emily revised for publication in
1846. She cut lines 1-12, 45-64, and 93-152. She added the concluding stanza,
which starts with 'She ceased to speak...' The original title of the poem is 'Julian
M. and A.G. Rochelle,' the names of two lovers in the Gondal saga.
~ Emily Jane Brontë,#NFDB
376:author class:Sri Aurobindo
A Vision of Science
I dreamed that in myself the world I saw,
Wherein three Angels strove for mastery. Law
Was one, clear vision and denial cold,
Yet in her limits strong, presumptuous, bold;
The second with enthusiasm bright,
Flame in her heart but round her brows the night,
Faded as this advanced. She could not bear
That searching gaze, nor the strong chilling air
These thoughts created, nourishing our parts
Of mind, but petrifying human hearts.
Science was one, the other gave her name,
Religion. But a third behind them came,
Veiled, vague, remote, and had as yet no right
Upon the world, but lived in her own light.
Wide were the victories of the Angel proud
Who conquered now and in her praise were loud
The nations. Few even yet to the other clove, -
And some were souls of night and some were souls of love.
But this was confident and throned. Her heralds ranged
Claiming that night was dead and all things changed;
For all things opened, all seemed clear, seemed bright -
Save the vast ranges that they left in night.
However, the light they shed upon the earth
Was great indeed, a firm and mighty birth.
A century's progress lived before my eyes.
Delivered from amazement and surprise,
Man's spirit measuring his worlds around
The laws of sight divined and laws of sound.
Light was not hidden from her searching gaze,
Nor matter could deny its myriad maze
To the cold enquiry; for the far came near,
The small loomed large, the intricate grew clear.
Measuring and probing the strong Angel strode,
Dissolving and combining, till she trod
Firmly among the stars, could weigh their forms,
Foretold the earthquakes, analysed the storms.
Doubt seemed to end and wonder's reign was closed.
The stony pages of the earth disclosed
Their unremembered secrets. Horses of steam
Were bitted and the lightnings made a team
To draw our chariots. Heaven was scaled at last
And the loud seas subdued. Distance resigned
Its strong obstructions to the mastering mind.
So moved that spirit trampling; then it laid
Its hand at last upon itself, how this was made
Wondering, and sought to class and sought to trace
Mind by its forms, the wearer by the dress.
Then the other arose and met that spirit robust,
Who laboured; she now grew a shade who must
Fade wholly away, yet to her fellow cried,
"I pass, for thou hast laboured well and wide.
Thou thinkest term and end for thee are not;
But though thy pride is great, thou hast forgot
The Sphinx that waits for man beside the way.
All questions thou mayst answer, but one day
Her question shall await thee. That reply,
As all we must; for they who cannot, die.
She slays them and their mangled bodies lie
Upon the highways of eternity.
Therefore, if thou wouldst live, know first this thing,
Who thou art in this dungeon labouring."
And Science confidently, "Nothing am I but earth,
Tissue and nerve and from the seed a birth,
A mould, a plasm, a gas, a little that is much.
In these grey cells that quiver to each touch
The secret lies of man; they are the thing called I.
Matter insists and matter makes reply.
Shakespeare was this; this force in Jesus yearned
And conquered by the cross; this only learned
The secret of the suns that blaze afar;
This was Napoleon's giant mind of war."
I heard and marvelled in myself to see
The infinite deny infinity.
Yet the weird paradox seemed justified;
Even mysticism shrank out-mystified.
But the third Angel came and touched my eyes;
I saw the mornings of the future rise,
I heard the voices of an age unborn
That comes behind us and our pallid morn,
And from the heart of an approaching light
One said to man, "Know thyself infinite,
Who shalt do mightier miracles than these,
Infinite, moving mid infinities."
Then from our hills the ancient answer pealed,
"For Thou, O Splendour, art myself concealed,
And the grey cell contains me not, the star
I outmeasure and am older than the elements are.
Whether on earth or far beyond the sun,
I, stumbling, clouded, am the Eternal One."
~ Sri Aurobindo, - A Vision of Science
,#NFDB
377:In Memoryt Of Saretta Deakin
_Who Died on October 25th_, 1899.
THERE was a day,
A horrible Autumn day,
When from her home, the home she made for ours
And that day made a nightmare of white flowers
And folk in black who whispered pityingly,
They carried her away;
And left our hearts all cold
And empty, yet with such a store to hold
Of sodden grief the slow drops still ooze out,
And, falling on all fair things, they wither these.
Tears came with time--but not with time went by.
And still we wander desolate about
The poor changed house, the garden and the croft,
Warm kitchen, sunny parlour, with the soft
Intolerable pervading memories
Of her whose face and voice made melodies,
Sweet unforgotten songs of mother-love-Dear songs of all the little joys that were.
We see the sun, and have no joy thereof,
Because she gathered in her dying hands
And carried with her to the fair far lands
The flower of all our joy, because she went
Out of the garden where her days were spent,
And took the very sun away with her.
The cross stands at her head.
Over her breast, that loving mother-breast,
Close buds of pansies purple and white are pressed.
It seems a place for rest,
For happy folded sleep; but ah, not there,
Not there, not there, our hardest tears are shed,
But in the house made empty for her sake.
Here, in the night intolerable, wake
The hungry passionate pains of Love still strong
To fight with death the bitter slow night long.
Then the rich price that poor Love has to pay
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Is paid, slow drop by drop, till the new day
With thin cold fingers pushes back night's wings,
And drags us out to common cruel things
That sting, and barb their stings with memory.
O Love--and is the price too hard to give?
Thine is the splendour of all things that live,
And this thy pain the price of life to thee-The sacrament that binds to the beloved,
The chain that holds though mountains be removed,
The portent of thine immortality.
So, in the house of pain imprisoned, we
Endure our bondage, and work out our time,
Nor seek from out our dungeon walls to climb-Bondsmen, who would not, if we could, be free.
Thank God, our hands still hold Love's cord--and she-Do not her hands still clasp the cord we hold,
Drawing us near, coiling bright fold on fold,
Till the far day when it shall draw us near
To the sight of her--her living hands, her dear
Tired face, grown weary of watching for our face?
And we shall hold her, in the happy place,
And hear her voice, the old same voice we knew-'Ah! children, I am tired of wanting you!'
Or, in some world more beautiful and dear
Than any she ever even dreamed of here,
Where time is changed, does she await the day
She longed for, and so little a while away,
When all the love we watered with our tears
Shall bloom, transplanted by the kindly years?
Dreaming through her new garden does she go,
Remembering the old garden, long ago,
Tending new flowers more fair than those that grow
In this sad garden where such sad flowers blow;
And, fondly touching bud and leaf and shoot,
Training her flowers to perfect branch and root,
Does she sometimes entreat some darling flower
To wait a little for its opening hour?
Can you not hear her voice: 'Ah, not to-day,
While my dear flowers, my own, are far away.
Be patient, bud! to-morrow soon will come:
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Ah! blossom when my little girl comes home!'
But now. But here.
The empty house, the always empty place-The black remembrance that no night blots out,
The memories, white, unbearable, and dear
That no white sunlight makes less cruel and clear?
The resistless riotous rout
Of cruel conquering thoughts, the night, the day?
Love is immortal: this the price to pay.
Worse than all pain it would be to forget-On Love's brave brow the crown of thorns is set.
Love is no niggard: though the price be high
Into God's market Love goes forth to buy
With royal meed God's greatest gifts and gain,
Love offers up his whole rich store of pain,
And buys of God Love's immortality.
~ Edith Nesbit,#NFDB
378:Of horrible heat- the which are nowhere, nor
Indeed can be: but in this life is fear
Of retributions just and expiations
For evil acts: the dungeon and the leap
From that dread rock of infamy, the stripes,
The executioners, the oaken rack,
The iron plates, bitumen, and the torch.
And even though these are absent, yet the mind,
With a fore-fearing conscience, plies its goads
And burns beneath the lash, nor sees meanwhile
What terminus of ills, what end of pine
Can ever be, and feareth lest the same
But grow more heavy after death. Of truth,
The life of fools is Acheron on earth.
This also to thy very self sometimes
Repeat thou mayst: "Lo, even good Ancus left
The sunshine with his eyes, in divers things
A better man than thou, O worthless hind;
And many other kings and lords of rule
Thereafter have gone under, once who swayed
O'er mighty peoples. And he also, he-
Who whilom paved a highway down the sea,
And gave his legionaries thoroughfare
Along the deep, and taught them how to cross
The pools of brine afoot, and did contemn,
Trampling upon it with his cavalry,
The bellowings of ocean- poured his soul
From dying body, as his light was ta'en.
And Scipio's son, the thunderbolt of war,
Horror of Carthage, gave his bones to earth,
Like to the lowliest villein in the house.
Add finders-out of sciences and arts;
Add comrades of the Heliconian dames,
Among whom Homer, sceptered o'er them all
Now lies in slumber sunken with the rest.
Then, too, Democritus, when ripened eld
Admonished him his memory waned away,
Of own accord offered his head to death.
Even Epicurus went, his light of life
Run out, the man in genius who o'er-topped
The human race, extinguishing all others,
As sun, in ether arisen, all the stars.
Wilt thou, then, dally, thou complain to go?-
For whom already life's as good as dead,
Whilst yet thou livest and lookest?- who in sleep
Wastest thy life- time's major part, and snorest
Even when awake, and ceasest not to see
The stuff of dreams, and bearest a mind beset
By baseless terror, nor discoverest oft
What's wrong with thee, when, like a sotted wretch,
Thou'rt jostled along by many crowding cares,
And wanderest reeling round, with mind aswim."
If men, in that same way as on the mind
They feel the load that wearies with its weight,
Could also know the causes whence it comes,
And why so great the heap of ill on heart,
O not in this sort would they live their life,
As now so much we see them, knowing not
What 'tis they want, and seeking ever and ever
A change of place, as if to drop the burden.
The man who sickens of his home goes out,
Forth from his splendid halls, and straight- returns,
Feeling i'faith no better off abroad.
He races, driving his Gallic ponies along,
Down to his villa, madly,- as in haste
To hurry help to a house afire.- At once
He yawns, as soon as foot has touched the threshold,
Or drowsily goes off in sleep and seeks
Forgetfulness, or maybe bustles about
And makes for town again. In such a way
Each human flees himself- a self in sooth,
As happens, he by no means can escape;
And willy-nilly he cleaves to it and loathes,
Sick, sick, and guessing not the cause of ail.
Yet should he see but that, O chiefly then,
Leaving all else, he'd study to divine
The nature of things, since here is in debate
Eternal time and not the single hour,
Mortal's estate in whatsoever remains
After great death.
And too, when all is said,
What evil lust of life is this so great
Subdues us to live, so dreadfully distraught
In perils and alarms? one fixed end
Of life abideth for mortality;
Death's not to shun, and we must go to meet.
Besides we're busied with the same devices,
Ever and ever, and we are at them ever,
And there's no new delight that may be forged
By living on. But whilst the thing we long for
Is lacking, that seems good above all else;
Thereafter, when we've touched it, something else
We long for; ever one equal thirst of life
Grips us agape. And doubtful 'tis what fortune
The future times may carry, or what be
That chance may bring, or what the issue next
Awaiting us. Nor by prolonging life
Take we the least away from death's own time,
Nor can we pluck one moment off, whereby
To minish the aeons of our state of death.
Therefore, O man, by living on, fulfil
As many generations as thou may:
Eternal death shall there be waiting still;
And he who died with light of yesterday
Shall be no briefer time in death's No-more
Than he who perished months or years before.
author class:Lucretius
~ out-belching from his mouth the surge, Cerberus And Furies, And That Lack Of Light
,#NFDB
379:Châtiment De L'Orgueil (The Punishment Of Pride)
En ces temps merveilleux où la Théologie
Fleurit avec le plus de sève et d'énergie,
On raconte qu'un jour un docteur des plus grands,
— Après avoir forcé les coeurs indifférents;
Les avoir remués dans leurs profondeurs noires;
Après avoir franchi vers les célestes gloires
Des chemins singuliers à lui-même inconnus,
Où les purs Esprits seuls peut-être étaient venus, —
Comme un homme monté trop haut, pris de panique,
S'écria, transporté d'un orgueil satanique:
«Jésus, petit Jésus! je t'ai poussé bien haut!
Mais, si j'avais voulu t'attaquer au défaut
De l'armure, ta honte égalerait ta gloire,
Et tu ne serais plus qu'un foetus dérisoire!»
Immédiatement sa raison s'en alla.
L'éclat de ce soleil d'un crêpe se voila
Tout le chaos roula dans cette intelligence,
Temple autrefois vivant, plein d'ordre et d'opulence,
Sous les plafonds duquel tant de pompe avait lui.
Le silence et la nuit s'installèrent en lui,
Comme dans un caveau dont la clef est perdue.
Dès lors il fut semblable aux bêtes de la rue,
Et, quand il s'en allait sans rien voir, à travers
Les champs, sans distinguer les étés des hivers,
Sale, inutile et laid comme une chose usée,
Il faisait des enfants la joie et la risée.
Punishment for Pride
In that marvelous time in which Theology
Flourished with the greatest energy and vigor,
It is said that one day a most learned doctor
— After winning by force the indifferent hearts,
Having stirred them in the dark depths of their being;
After crossing on the way to celestial glory,
Singular and strange roads, even to him unknown,
Which only pure Spirits, perhaps, had reached, —
Panic-stricken, like one who has clambered too high,
147
He cried, carried away by a satanic pride:
'Jesus, little jesus! I raised you very high!
But had I wished to attack you through the defect
In your armor, your shame would equal your glory,
And you would be no more than a despised fetus!'
At that very moment his reason departed.
A crape of mourning veiled the brilliance of that sun;
Complete chaos rolled in and filled that intellect,
A temple once alive, ordered and opulent,
Within whose walls so much pomp had glittered.
Silence and darkness took possession of it
Like a cellar to which the key is lost.
Henceforth he was like the beasts in the street,
And when he went along, seeing nothing, across
The fields, distinguishing nor summer nor winter,
Dirty, useless, ugly, like a discarded thing,
He was the laughing-stock, the joke, of the children.
— Translated by William Aggeler
The Punishment of Pride
When first Theology in her young prime
Flourished with vigour, in that wondrous time,
Of an illustrious Doctor it was said
That, having forced indifferent hearts to shed
Tears of emotion, moved to depths profound:
And having to celestial glory found
Marvellous paths, to his own self unknown,
Where only purest souls had fared alone —
Like a man raised too high, as in a panic,
Crazed with a vertigo of pride satanic,
He cried 'Poor Christ, I've raised you to renown!
But had I wished to bring you crashing down
Probing your flaws, your shame would match your pride
And you'd be but a foetus to deride!'
Immediately he felt his wits escape,
That flash of sunlight veiled itself in crepe.
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All chaos through his intellect was rolled,
A temple once, containing hoards of gold,
By opulence and order well controlled,
And topped with ceilings splendid to behold.
Silence and night installed their reign in him.
It seemed he was a cellar dank and dim,
To which no living man could find the key;
And from that day a very beast was he.
And while he wandered senseless on his way,
Not knowing spring from summer, night from day,
Foul, dirty, useless, and with no hereafter,
He served the children as a butt for laughter.
— Translated by Roy Campbell
The Punishment of Pride
Once in that marvelous and unremembered time
When theologic thought was flowering at its prime,
A pious metaphysician, the pundit of his day,
He who could move the hearts of murderers, so they say,
Having attained to a most fearful pitch of grace
By curious pathways he himself could scarcely trace,
For all his subtlety of logic — this austere
And venerable person (like one who climbs a sheer
Peak unperturbed, but at the top grows dizzy) cried,
Suddenly overtaken with satanic pride:
'Jesus, my little Jesus! I have exalted you
Into a very Titan — yet wielding as I do
The wand of dialectic, I could have made you shrink
To fetus-like proportions and fade away, I think!'
He thought no more, for instantly his reason cracked.
The noontide of this great intelligence was blacked
Out. Elemental chaos rolled through this serene
Temple, where so much order and opulence had been.
From its gold floor to its groined ceiling it grew dim:
Silence and utter night installed themselves in him,
As in an antique dungeon whereof the key is lost.
And from that day, through rain and snow, through sleet and frost,
Not knowing spring from winter and too mad to care,
149
He roamed about gesticulating, with the air
Of an old suit of underclothes hung out to dry,
And made the children laugh whenever he went by.
— Translated by George Dillon
~ Charles Baudelaire,#NFDB
380:transferred the focus of attention away from the 'difficult' novels of not just
Charlotte but all the Brontë sisters, and began a process of sanctification of their
private lives.
Villette
Charlotte's third published novel (and her last to be published during her
lifetime) was Villette, which came out in 1853. The main themes of Villette
include isolation, and how such a condition can be borne, and the internal conflict
brought about by societal repression of individual desire. The book's main
character, Lucy Snowe, travels abroad to teach in a boarding school in the
fictional town of Villette, where she encounters a culture and religion different to
her own, and where she falls in love with a man ('Paul Emanuel') whom she
cannot marry due to societal forces. Her experiences result in her having a
breakdown, but eventually she achieves independence and fulfilment in running
her own school. Villette marked Charlotte's return to the format of writing from a
first-person perspective (that of Lucy Snowe), a technique which she had used so
successfully in Jane Eyre. Also similar to Jane Eyre was Charlotte's use of aspects
from her own life history as inspiration for fictional events in the novel, in
particular her reworking of her own time spent at the pensionnat in Brussels into
Lucy spending time teaching at the boarding school, and her own falling in love
with Constantin Heger into Lucy falling in love with 'Paul Emanuel'. Villette was
acknowledged by the critics of the day as being a potent and sophisticated piece
of writing, although it was still criticised for its 'coarseness' and for not being
suitably 'feminine' in its portrayal of Lucy's desires.
Illness and subsequent death
In June 1854, Charlotte married Arthur Bell Nicholls, her father's curate and, in
the opinion of many scholars, the model for several of her literary characters
such as Jane Eyre's Rochester and St. John. She became pregnant soon after the
marriage. Her health declined rapidly during this time, and according to Gaskell,
her earliest biographer, she was attacked by "sensations of perpetual nausea and
ever-recurring faintness."Charlotte died, along with her unborn child, on 31
March 1855, at the young age of 38. Her death certificate gives the cause of
death as phthisis (tuberculosis), but many biographers[who?] suggest she may
have died from dehydration and malnourishment, caused by excessive vomiting
from severe morning sickness or hyperemesis gravidarum. There is also evidence
to suggest that Charlotte died from typhus she may have caught from Tabitha
Ackroyd, the Bronte household's oldest servant, who died shortly before her.
Charlotte was interred in the family vault in The Church of St. Michael and All
Angels, Haworth, West Yorkshire, England.
Posthumously, her first-written novel was published in 1857, the fragment she
worked on in her last years in 1860 (twice completed by recent authors, the
more famous version being Emma Brown: A Novel from the Unfinished
Manuscript by ~ Charlotte Brontë
by Clare Boylan, 2003), and much Angria
material over the ensuing decades
Apostasy
THIS last denial of my faith,
Thou, solemn Priest, hast heard;
And, though upon my bed of death,
I call not back a word.
Point not to thy Madonna, Priest,
Thy sightless saint of stone;
She cannot, from this burning breast,
Wring one repentant moan.
Thou say'st, that when a sinless child,
I duly bent the knee,
And prayed to what in marble smiled
Cold, lifeless, mute, on me.
I did. But listen ! Children spring
Full soon to riper youth;
And, for Love's vow and Wedlock's ring,
I sold my early truth.
'Twas not a grey, bare head, like thine,
Bent o'er me, when I said,
' That land and God and Faith are mine,
For which thy fathers bled.'
I see thee not, my eyes are dim;
But, well I hear thee say,
' O daughter, cease to think of him
Who led thy soul astray.
Between you lies both space and time;
Let leagues and years prevail
To turn thee from the path of crime,
Back to the Church's pale.'
And, did I need that thou shouldst tell
What mighty barriers rise
To part me from that dungeon-cell,
Where my loved Walter lies ?
And, did I need that thou shouldst taunt
My dying hour at last,
By bidding this worn spirit pant
No more for what is past ?
Priestmust I cease to think of him ?
How hollow rings that word !
Can time, can tears, can distance dim
The memory of my lord ?
I said before, I saw not thee,
Because, an hour agone,
Over my eye-balls, heavily,
The lids fell down like stone.
But still my spirit's inward sight
Beholds his image beam
As fixed, as clear, as burning bright,
As some red planet's gleam.
Talk not of thy Last Sacrament,
Tell not thy beads for me;
Both rite and prayer are vainly spent,
As dews upon the sea.
Speak not one word of Heaven above,
Rave not of Hell's alarms;
Give me but back my Walter's love,
Restore me to his arms !
Then will the bliss of Heaven be won;
Then will Hell shrink away,
As I have seen night's terrors shun
The conquering steps of day.
'Tis my religion thus to love,
My creed thus fixed to be;
Not Death shall shake, nor Priestcraft break
My rock-like constancy !
Now go; for at the door there waits
Another stranger guest:
He callsI comemy pulse scarce beats,
My heart fails in my breast.
Again that voicehow far away,
How dreary sounds that tone !
And I, methinks, am gone astray
In trackless wastes and lone.
I fain would rest a little while:
Where can I find a stay,
Till dawn upon the hills shall smile,
And show some trodden way ?
' I come ! I come !' in haste she said,
' 'Twas Walter's voice I heard !'
Then up she sprangbut fell back, dead,
His name her latest word.
~ Charlotte Brontë,#NFDB
381:Jock O The Side
Now Liddisdale has ridden a raid,
But I wat they had better staid at hame;
For Mitchell o Winfield he is dead,
And my son Johnie is prisner tane?
With my fa ding diddle, la la dew diddle.
For Mangerton house auld Downie is gane,
Her coats she has kilted up to her knee;
And down the water wi speed she rins,
While tears in spaits fa fast frae her eie.
Then up and bespake the lord Mangerton:
'What news, what news, sister Downie, to me?'
'Bad news, bad news, my lord Mangerton;
Mitchel is killd, and tane they hae my son Johnie.'
'Neer fear, sister Downie,' quo Mangerton;
'I hae yokes of oxen, four-and-twentie,
My barns, my byres, and my faulds, a' weel filld,
And I'll part wi them a' ere Johnie shall die.
'Three men I'll take to set him free,
Weel harnessd a' wi best of steel;
The English rogues may hear, and drie
The weight o their braid swords to feel
'The Laird's Jock ane, the Laird's Wat twa,
O Hobie Noble, thou ane maun be!
Thy coat is blue, thou has been true,
Since England banishd thee, to me.'
Now, Hobie was an English man,
In Bewcastle-dale was bred and born;
But his misdeeds they were sae great,
They banished him neer to return.
Lord Mangerton then orders gave,-'Your horses the wrang way maun a' be shod;
Like gentlemen ye must not seem,
98
But look like corn-caugers gawn ae road.
'Your armour gude ye maunna shaw,
Nor ance appear like men o weir;
As country lads be all arrayd,
Wi branks and brecham on ilk mare.'
Sae now a' their horses are shod the wrang way,
And Hobie has mounted his grey sae fine,
Jock his lively bay, Wat's on his white horse behind,
And on they rode for the water o Tyne.
At the Cholerford they a' light down,
And there, wi the help o the light o the moon,
A tree they cut, wi fifteen naggs upon each side,
To climb up the wall of Newcastle toun.
But when they came to Newcastle toun,
And were alighted at the wa,
They fand their tree three ells oer laigh,
They fand their stick baith short aid sma.
Then up and spake the Laird's ain Jock,
'There's naething for't; the gates we maun force.'
But when they cam the gate unto,
A proud porter withstood baith men and horse.
His neck in twa I wat they hae wrung;
Wi foot or hand he neer play'd paw;
His life and his keys at anes they hae taen,
And cast his body ahind the wa.
Now soon they reached Newcastle jail,
And to the prisner thus they call:
'Sleips thou, wakes thou, Jock o the Side,
Or is thou wearied o thy thrall?'
Jock answers thus, wi dolefu tone:
'Aft, aft I wake, I seldom sleip;
But wha's this kens my name sae weel,
And thus to hear my waes does seek?'
99
Then up and spake the good Laird's Jock:
'Neer fear ye now, my billie,' quo he;
'For here's the Laird's Jock, the Laird's Wat,
And Hobie Noble, come to set thee free.'
'Oh, had thy tongue, and speak nae mair,
And o thy talk now let me be!
For if a' Liddesdale were here the night,
The morn's the day that I maun die.
'Full fifteen stane o Spanish iron,
They hae laid a' right sair on me;
Wi locks and keys I am fast bound
Into this dungeon mirk and drearie.'
'Fear ye no that,' quo the Laird's Jock;
'A faint heart neer wan a fair ladie;
Work thou within, we'll work without,
And I'll be sworn we set thee free.'
The first strong dore that they came at,
They loosed it without a key;
The next chaind dore that they cam at,
They gard it a' in flinders flee.
The prisner now, upo his back,
The Laird's Jock's gotten up fu hie;
And down the stair him, irons and a',
Wi nae sma speed and joy brings he.
'Now, Jock, I wat,' quo Hobie Noble,
'Part o the weight ye may lay on me,'
'I wat weel no,' quo the Laird's Jock
'I count him lighter than a flee.'
Sae out at the gates they a' are gane,
The prisner's set on horseback hie;
And now wi speed they've tane the gate;
While ilk ane jokes fu wantonlie.
'O Jock, sae winsomely's ye ride,
Wi baith your feet upo ae side!
100
Sae weel's ye're harnessd, and sae trig!
In troth ye sit like ony bride.'
The night, tho wat, they didna mind,
But hied them on fu mirrilie,
Until they cam to Cholerford brae,
Where the water ran like mountains hie.
But when they came to Cholerford,
There they met with an auld man;
Says, 'Honest man, will the water ride?
Tell us in haste, if that ye can.'
'I wat weel no,' quo the good auld man;
'Here I hae livd this threty yeirs and three,
And I neer yet saw the Tyne sae big,
Nor rinning ance sae like a sea.'
Then up and spake the Laird's saft Wat,
The greatest coward in the company;
'Now halt, now halt, we needna try't;
The day is comd we a' maun die!'
'Poor faint-hearted thief!' quo the Laird's Jock,
'There'll nae man die but he that's fie;
I'll lead ye a' right safely through;
Lift ye the prisner on ahint me.
Sae now the water they a' hae tane,
By anes and 'twas they a' swam through
'Here are we a' safe,' says the Laird's Jock,
'And, poor faint Wat, what think ye now?'
They scarce the ither side had won,
When twenty men they saw pursue;
Frae Newcastle town they had been sent,
A' English lads right good and true.
But when the land-sergeant the water saw,
'It winna ride, my lads,' quo he;
Then out he cries, 'Ye the prisner may take,
But leave the irons, I pray, to me.'
101
'I wat weel no,' cryd the Laird's Jock,
'I'll keep them a'; shoon to my mare they'll be;
My good grey mare; for I am sure,
She's bought them a' fu dear frae thee.'
Sae now they're away for Liddisdale,
Een as fast as they coud them hie;
The prisner's brought to his ain fireside,
And there o's airns they make him free.
'Now, Jock, my billie,' quo a' the three,
'The day was comd thou was to die;
But thou's as weel at thy ain fireside,
Now sitting, I think, 'tween thee and me.'
They hae gard fill up ae punch-bowl,
And after it they maun hae anither,
And thus the night they a' hae spent,
Just as they had been brither and brither.
~ Andrew Lang,#NFDB
382:Forever fair, forever calm and bright,
Life flies on plumage, zephyr-light,
For those who on the Olympian hill rejoice
Moons wane, and races wither to the tomb,
And 'mid the universal ruin, bloom
The rosy days of GodsWith man, the choice,
Timid and anxious, hesitates between
The sense's pleasure and the soul's content;
While on celestial brows, aloft and sheen,
The beams of both are blent.
Seekest thou on earth the life of gods to share,
Safe in the realm of death?beware
To pluck the fruits that glitter to thine eye;
Content thyself with gazing on their glow
Short are the joys possession can bestow,
And in possession sweet desire will die.
'Twas not the ninefold chain of waves that bound
Thy daughter, Ceres, to the Stygian river
She plucked the fruit of the unholy ground,
And sowas hell's forever!
The weavers of the webthe fatesbut sway
The matter and the things of clay;
Safe from change that time to matter gives,
Nature's blest playmate, free at will to stray
With gods a god, amidst the fields of day,
The form, the archetype [39], serenely lives.
Would'st thou soar heavenward on its joyous wing?
Cast from thee, earth, the bitter and the real,
High from this cramped and dungeon being, spring
Into the realm of the ideal!
Here, bathed, perfection, in thy purest ray,
Free from the clogs and taints of clay,
Hovers divine the archetypal man!
Dim as those phantom ghosts of life that gleam
And wander voiceless by the Stygian stream,
Fair as it stands in fields Elysian,
Ere down to flesh the immortal doth descend:
If doubtful ever in the actual life
Each contesthere a victory crowns the end
Of every nobler strife.
Not from the strife itself to set thee free,
But more to nervedoth victory
Wave her rich garland from the ideal clime.
Whate'er thy wish, the earth has no repose
Life still must drag thee onward as it flows,
Whirling thee down the dancing surge of time.
But when the courage sinks beneath the dull
Sense of its narrow limitson the soul,
Bright from the hill-tops of the beautiful,
Bursts the attained goal!
If worth thy while the glory and the strife
Which fire the lists of actual life
The ardent rush to fortune or to fame,
In the hot field where strength and valor are,
And rolls the whirling thunder of the car,
And the world, breathless, eyes the glorious game
Then dare and strivethe prize can but belong
To him whose valor o'er his tribe prevails;
In life the victory only crowns the strong
He who is feeble fails.
But life, whose source, by crags around it piled,
Chafed while confined, foams fierce and wild,
Glides soft and smooth when once its streams expand,
When its waves, glassing in their silver play,
Aurora blent with Hesper's milder ray,
Gain the still beautifulthat shadow-land!
Here, contest grows but interchange of love,
All curb is but the bondage of the grace;
Gone is each foe,peace folds her wings above
Her native dwelling-place.
When, through dead stone to breathe a soul of light,
With the dull matter to unite
The kindling genius, some great sculptor glows;
Behold him straining, every nerve intent
Behold how, o'er the subject element,
The stately thought its march laborious goes!
For never, save to toil untiring, spoke
The unwilling truth from her mysterious well
The statue only to the chisel's stroke
Wakes from its marble cell.
But onward to the sphere of beautygo
Onward, O child of art! and, lo!
Out of the matter which thy pains control
The statue springs!not as with labor wrung
From the hard block, but as from nothing sprung
Airy and lightthe offspring of the soul!
The pangs, the cares, the weary toils it cost
Leave not a trace when once the work is done
The Artist's human frailty merged and lost
In art's great victory won! [40]
If human sin confronts the rigid law
Of perfect truth and virtue [41], awe
Seizes and saddens thee to see how far
Beyond thy reach, perfection;if we test
By the ideal of the good, the best,
How mean our efforts and our actions are!
This space between the ideal of man's soul
And man's achievement, who hath ever past?
An ocean spreads between us and that goal,
Where anchor ne'er was cast!
But fly the boundary of the senseslive
The ideal life free thought can give;
And, lo, the gulf shall vanish, and the chill
Of the soul's impotent despair be gone!
And with divinity thou sharest the throne,
Let but divinity become thy will!
Scorn not the lawpermit its iron band
The sense (it cannot chain the soul) to thrall.
Let man no more the will of Jove withstand [42],
And Jove the bolt lets fall!
If, in the woes of actual human life
If thou could'st see the serpent strife
Which the Greek art has made divine in stone
Could'st see the writhing limbs, the livid cheek,
Note every pang, and hearken every shriek,
Of some despairing lost Laocoon,
The human nature would thyself subdue
To share the human woe before thine eye
Thy cheek would pale, and all thy soul be true
To man's great sympathy.
But in the ideal realm, aloof and far,
Where the calm art's pure dwellers are,
Lo, the Laocoon writhes, but does not groan.
Here, no sharp grief the high emotion knows
Here, suffering's self is made divine, and shows
The brave resolve of the firm soul alone:
Here, lovely as the rainbow on the dew
Of the spent thunder-cloud, to art is given,
Gleaming through grief's dark veil, the peaceful blue
Of the sweet moral heaven.
So, in the glorious parable, behold
How, bowed to mortal bonds, of old
Life's dreary path divine Alcides trod:
The hydra and the lion were his prey,
And to restore the friend he loved to-day,
He went undaunted to the black-browed god;
And all the torments and the labors sore
Wroth Juno sentthe meek majestic one,
With patient spirit and unquailing, bore,
Until the course was run
Until the god cast down his garb of clay,
And rent in hallowing flame away
The mortal part from the divineto soar
To the empyreal air! Behold him spring
Blithe in the pride of the unwonted wing,
And the dull matter that confined before
Sinks downward, downward, downward as a dream!
Olympian hymns receive the escaping soul,
And smiling Hebe, from the ambrosial stream,
Fills for a god the bowl!
~ Friedrich Schiller, The Ideal And The Actual Life
,#NFDB
383:I.
Let those who pine in pride or in revenge,
Or think that ill for ill should be repaid,
Who barter wrong for wrong, until the exchange
Ruins the merchants of such thriftless trade,
Visit the tower of Vado, and unlearn
Such bitter faith beside Marenghis urn.
II.
A massy tower yet overhangs the town,
A scattered group of ruined dwellings now...
...
III.
Another scene are wise Etruria knew
Its second ruin through internal strife
And tyrants through the breach of discord threw
The chain which binds and kills. As death to life,
As winter to fair flowers (though some be poison)
So Monarchy succeeds to Freedoms foison.
IV.
In Pisas church a cup of sculptured gold
Was brimming with the blood of feuds forsworn:
A Sacrament more holy neer of old
Etrurians mingled mid the shades forlorn
Of moon-illumined forests, when...
V.
And reconciling factions wet their lips
With that dread wine, and swear to keep each spirit
Undarkened by their countrys last eclipse...
...
VI.
Was Florence the liberticide? that band
Of free and glorious brothers who had planted,
Like a green isle mid Aethiopian sand,
A nation amid slaveries, disenchanted
Of many impious faithswise, justdo they,
Does Florence, gorge the sated tyrants prey?
VII.
O foster-nurse of mans abandoned glory,
Since Athens, its great mother, sunk in splendour;
Thou shadowest forth that mighty shape in story,
As ocean its wrecked fanes, severe yet tender:
The light-invested angel Poesy
Was drawn from the dim world to welcome thee.
VIII.
And thou in painting didst transcribe all taught
By loftiest meditations; marble knew
The sculptors fearless souland as he wrought,
The grace of his own power and freedom grew.
And more than all, heroic, just, sublime,
Thou wart among the false...was this thy crime?
IX.
Yes; and on Pisas marble walls the twine
Of direst weeds hangs garlandedthe snake
Inhabits its wrecked palaces;in thine
A beast of subtler venom now doth make
Its lair, and sits amid their glories overthrown,
And thus thy victims fate is as thine own.
X.
The sweetest flowers are ever frail and rare,
And love and freedom blossom but to wither;
And good and ill like vines entangled are,
So that their grapes may oft be plucked together;--
Divide the vintage ere thou drink, then make
Thy heart rejoice for dead Marenghis sake.
Xa.
[Albert] Marenghi was a Florentine;
If he had wealth, or children, or a wife
Or friends, [or farm] or cherished thoughts which twine
The sights and sounds of home with lifes own life
Of these he was despoiled and Florence sent...
...
XI.
No record of his crime remains in story,
But if the morning bright as evening shone,
It was some high and holy deed, by glory
Pursued into forgetfulness, which won
From the blind crowd he made secure and free
The patriots meed, toil, death, and infamy.
XII.
For when by sound of trumpet was declared
A price upon his life, and there was set
A penalty of blood on all who shared
So much of water with him as might wet
His lips, which speech divided nothe went
Alone, as you may guess, to banishment.
XIII.
Amid the mountains, like a hunted beast,
He hid himself, and hunger, toil, and cold,
Month after month endured; it was a feast
Wheneer he found those globes of deep-red gold
Which in the woods the strawberry-tree doth bear,
Suspended in their emerald atmosphere.
XIV.
And in the roofless huts of vast morasses,
Deserted by the fever-stricken serf,
All overgrown with reeds and long rank grasses,
And hillocks heaped of moss-inwoven turf,
And where the huge and speckled aloe made,
Rooted in stones, a broad and pointed shade,--
XV.
He housed himself. There is a point of strand
Near Vados tower and town; and on one side
The treacherous marsh divides it from the land,
Shadowed by pine and ilex forests wide,
And on the other, creeps eternally,
Through muddy weeds, the shallow sullen sea.
XVI.
Here the earths breath is pestilence, and few
But things whose nature is at war with life--
Snakes and ill wormsendure its mortal dew.
The trophies of the climes victorious strife--
And ringed horns which the buffalo did wear,
And the wolfs dark gray scalp who tracked him there.
XVII.
And at the utmost point...stood there
The relics of a reed-inwoven cot, 95
Thatched with broad flags. An outlawed murderer
Had lived seven days there: the pursuit was hot
When he was cold. The birds that were his grave
Fell dead after their feast in Vados wave.
XVIII.
There must have burned within Marenghis breast
That fire, more warm and bright than life and hope,
(Which to the martyr makes his dungeon...
More joyous than free heavens majestic cope
To his oppressor), warring with decay,--
Or he could neer have lived years, day by day.
XIX.
Nor was his state so lone as you might think.
He had tamed every newt and snake and toad,
And every seagull which sailed down to drink
Those freshes ere the death-mist went abroad.
And each one, with peculiar talk and play,
Wiled, not untaught, his silent time away.
XX.
And the marsh-meteors, like tame beasts, at night
Came licking with blue tongues his veined feet;
And he would watch them, as, like spirits bright,
In many entangled figures quaint and sweet
To some enchanted music they would dance--
Until they vanished at the first moon-glance.
XXI.
He mocked the stars by grouping on each weed
The summer dew-globes in the golden dawn;
And, ere the hoar-frost languished, he could read
Its pictured path, as on bare spots of lawn
Its delicate brief touch in silver weaves
The likeness of the woods remembered leaves.
XXII.
And many a fresh Spring morn would he awaken--
While yet the unrisen sun made glow, like iron
Quivering in crimson fire, the peaks unshaken
Of mountains and blue isles which did environ
With air-clad crags that plain of land and sea,--
And feel ... liberty.
XXIII.
And in the moonless nights when the dun ocean
Heaved underneath wide heaven, star-impearled,
Starting from dreams...
Communed with the immeasurable world;
And felt his life beyond his limbs dilated,
Till his mind grew like that it contemplated.
XXIV.
His food was the wild fig and strawberry;
The milky pine-nuts which the autumn-blast
Shakes into the tall grass; or such small fry
As from the sea by winter-storms are cast;
And the coarse bulbs of iris-flowers he found
Knotted in clumps under the spongy ground.
XXV.
And so were kindled powers and thoughts which made
His solitude less dark. When memory came
(For years gone by leave each a deepening shade),
His spirit basked in its internal flame,--
As, when the black storm hurries round at night,
The fisher basks beside his red firelight.
XXVI.
Yet human hopes and cares and faiths and errors,
Like billows unawakened by the wind,
Slept in Marenghi still; but that all terrors,
Weakness, and doubt, had withered in his mind.
His couch...
...
XXVII.
And, when he saw beneath the sunsets planet
A black ship walk over the crimson ocean,--
Its pennon streaming on the blasts that fan it,
Its sails and ropes all tense and without motion,
Like the dark ghost of the unburied even
Striding athwart the orange-coloured heaven,--
XXVIII.
The thought of his own kind who made the soul
Which sped that winged shape through night and day,--
The thought of his own country...
...
This fragment refers to an event told in Sismondi's Histoire des Republiques Italiennes, which occurred during the war when Florence finally subdued Pisa, and reduced it to a province.--[MRS. SHELLEYS NOTE, 1824.]
~ Percy Bysshe Shelley, Marenghi
,#NFDB
384:Here, my dear friend, is a new book for you;
I have already dedicated two
To other friends, one female and one male,--
What you are, is a thing that I must veil;
What can this be to those who praise or rail?
I never was attached to that great sect
Whose doctrine is that each one should select
Out of the world a mistress or a friend,
And all the rest, though fair and wise, commend
To cold oblivionthough 'tis in the code
Of modern morals, and the beaten road
Which those poor slaves with weary footsteps tread
Who travel to their home among the dead
By the broad highway of the worldand so
With one sad friend, and many a jealous foe,
The dreariest and the longest journey go.
Free love has this, different from gold and clay,
That to divide is not to take away.
Like ocean, which the general north wind breaks
Into ten thousand waves, and each one makes
A mirror of the moon -- like some great glass,
Which did distort whatever form might pass,
Dashed into fragments by a playful child,
Which then reflects its eyes and forehead mild;
Giving for one, which it could ne'er express,
A thousand images of loveliness.
If I were one whom the loud world held wise,
I should disdain to quote authorities
In commendation of this kind of love:--
Why there is first the God in heaven above,
Who wrote a book called Nature, 'tis to be
Reviewed, I hear, in the next Quarterly;
And Socrates, the Jesus Christ of Greece,
And Jesus Christ Himself, did never cease
To urge all living things to love each other,
And to forgive their mutual faults, and smother
The Devil of disunion in their souls.
. . .
I love you!-- Listen, O embodied Ray
Of the great Brightness; I must pass away
While you remain, and these light words must be
Tokens by which you may remember me.
Start notthe thing you are is unbetrayed,
If you are human, and if but the shade
Of some sublimer spirit . . .
. . .
And as to friend or mistress, 'tis a form;
Perhaps I wish you were one. Some declare
You a familiar spirit, as you are;
Others with a . . . more inhuman
Hint that, though not my wife, you are a woman;
What is the colour of your eyes and hair?
Why, if you were a lady, it were fair
The world should knowbut, as I am afraid,
The Quarterly would bait you if betrayed;
And if, as it will be sport to see them stumble
Over all sorts of scandals, hear them mumble
Their litany of cursessome guess right,
And others swear you're a Hermaphrodite;
Like that sweet marble monster of both sexes,
Which looks so sweet and gentle that it vexes
The very soul that the soul is gone
Which lifted from her limbs the veil of stone.
. . .
It is a sweet thing, friendship, a dear balm,
A happy and auspicious bird of calm,
Which rides o'er life's ever tumultuous Ocean;
A God that broods o'er chaos in commotion;
A flower which fresh as Lapland roses are,
Lifts its bold head into the world's frore air,
And blooms most radiantly when others die,
Health, hope, and youth, and brief prosperity;
And with the light and odour of its bloom,
Shining within the dungeon and the tomb;
Whose coming is as light and music are
'Mid dissonance and gloom -- a star
Which moves not 'mid the moving heavens alone--
A smile among dark frownsa gentle tone
Among rude voices, a belovd light,
A solitude, a refuge, a delight.
If I had but a friend! Why, I have three
Even by my own confession; there may be
Some more, for what I know, for 'tis my mind
To call my friends all who are wise and kind,--
And these, Heaven knows, at best are very few;
But none can ever be more dear than you.
Why should they be? My muse has lost her wings,
Or like a dying swan who soars and sings,
I should describe you in heroic style,
But as it is, are you not void of guile?
A lovely soul, formed to be blessed and bless:
A well of sealed and secret happiness;
A lute which those whom Love has taught to play
Make music on to cheer the roughest day,
And enchant sadness till it sleeps? . . .
. . .
To the oblivion whither I and thou,
All loving and all lovely, hasten now
With steps, ah, too unequal! may we meet
In one Elysium or one winding-sheet!
If any should be curious to discover
Whether to you I am a friend or lover,
Let them read Shakespeare's sonnets, taking thence
A whetstone for their dull intelligence
That tears and will not cut, or let them guess
How Diotima, the wise prophetess,
Instructed the instructor, and why he
Rebuked the infant spirit of melody
On Agathon's sweet lips, which as he spoke
Was as the lovely star when morn has broke
The roof of darkness, in the golden dawn,
Half-hidden, and yet beautiful.
I'll pawn
My hopes of Heavenyou know what they are worth--
That the presumptuous pedagogues of Earth,
If they could tell the riddle offered here
Would scorn to be, or being to appear
What now they seem and are -- but let them chide,
They have few pleasures in the world beside;
Perhaps we should be dull were we not chidden,
Paradise fruits are sweetest when forbidden.
Folly can season Wisdom, Hatred Love.
. . .
Farewell, if it can be to say farewell
To those who . . .
. . .
I will not, as most dedicators do,
Assure myself and all the world and you,
That you are faultless -- would to God they were
Who taunt me with your love! I then should wear
These heavy chains of life with a light spirit,
And would to God I were, or even as near it
As you, dear heart. Alas! what are we? Clouds
Driven by the wind in warring multitudes,
Which rain into the bosom of the earth,
And rise again, and in our death and birth,
And through our restless life, take as from heaven
Hues which are not our own, but which are given,
And then withdrawn, and with inconstant glance
Flash from the spirit to the countenance.
There is a Power, a Love, a Joy, a God
Which makes in mortal hearts its brief abode,
A Pythian exhalation, which inspires
Love, only love -- a wind which o'er the wires
Of the soul's giant harp
There is a mood which language faints beneath;
You feel it striding, as Almighty Death
His bloodless steed . . .
. . .
And what is that most brief and bright delight
Which rushes through the touch and through the sight,
And stands before the spirit's inmost throne,
A naked Seraph? None hath ever known.
Its birth is darkness, and its growth desire;
Untameable and fleet and fierce as fire,
Not to be touched but to be felt alone,
It fills the world with glory -- and is gone.
. . .
It floats with rainbow pinions o'er the stream
Of life, which flows, like a . . . dream
Into the light of morning, to the grave
As to an ocean . . .
. . .
What is that joy which serene infancy
Perceives not, as the hours content them by,
Each in a chain of blossoms, yet enjoys
The shapes of this new world, in giant toys
Wrought by the busy . . . ever new?
Remembrance borrows Fancy's glass, to show
These forms more . . . sincere
Than now they are, than then, perhaps, they were.
When everything familiar seemed to be
Wonderful, and the immortality
Of this great world, which all things must inherit,
Was felt as one with the awakening spirit,
Unconscious of itself, and of the strange
Distinctions which in its proceeding change
It feels and knows, and mourns as if each were
A desolation . . .
. . .
Were it not a sweet refuge, Emily,
For all those exiles from the dull insane
Who vex this pleasant world with pride and pain,
For all that band of sister-spirits known
To one another by a voiceless tone?
. . .
If day should part us night will mend division
And if sleep parts us -- we will meet in vision
And if life parts us -- we will mix in death
Yielding our mite [?] of unreluctant breath
Death cannot part us -- we must meet again
In all in nothing in delight in pain:
How, why or when or whereit matters not
So that we share an undivided lot . . .
. . .
And we will move possessing and possessed
Wherever beauty on the earth's bare [?] breast
Lies like the shadow of thy soul -- till we
Become one being with the world we see . . .
~ Percy Bysshe Shelley, Epipsychidion - Passages Of The Poem, Or Connected Therewith
,#NFDB
385:ON REDEMPTION
When Zarathustra crossed over the great bridge one
day the cripples and beggars surrounded him, and a
hunchback spoke to him thus: "Behold, Zarathustra.
The people too learn from you and come to believe in
your doctrine; but before they will believe you entirely
one thing is still needed: you must first persuade us
cripples. Now here you have a fine selection and, verily,
an opportunity with more than one handle. You can
heal the blind and make the lame walk; and from him
who has too much behind him you could perhaps take
away a little. That, I think, would be the right way to
make the cripples believe in Zarathustra."
But Zarathustra replied thus to the man who had
spoken: "When one takes away the hump from the
hunchback one takes away his spirit-thus teach the
people. And when one restores his eyes to the blind
man he sees too many wicked things on earth, and he
will curse whoever healed him. But whoever makes the
lame walk does him the greatest harm: for when he can
walk his vices run away with him-thus teach the
people about cipples. And why should Zarathustra not
learn from the people when the people learn from
Zarathustra?
"But this is what matters least to me since I have
been among men: to see that this one lacks an eye and
that one an ear and a third a leg, while there are others
who have lost their tongues or their noses or their heads.
I see, and have seen, what is worse, and many things
so vile that I do not want to speak of everything; and
concerning some things I do not even like to be silent:
for there are human beings who lack everything, except
one thing of which they have too much-human beings
who are nothing but a big eye or a big mouth or a big
belly or anything at all that is big. Inverse cripples I
call them.
"And when I came out of my solitude and crossed
over this bridge for the first time I did not trust my
eyes and looked and looked again, and said at last, 'An
earl An ear as big as a man!' I looked still more closely
-and indeed, underneath the ear something was moving, something pitifully small and wretched and slender.
And, no doubt of it, the tremendous ear was attached
to a small, thin stalk-but this stalk was a human being!
If one used a magnifying glass one could even recognize
a tiny envious face; also, that a bloated little soul was
dangling from the stalk. The people, however, told me
that this great ear was not only a human being, but a
great one, a genius. But I never believed the people
when they spoke of great men; and I maintained my
belief that it was an inverse cripple who had too little
of everything and too much of one thing."
When Zarathustra had spoken thus to the hunchback
and to those whose mouthpiece and advocate the
hunchback was, he turned to his disciples in profound
dismay and said: "Verily, my friends, I walk among
men as among the fragments and limbs of men. This is
what is terrible for my eyes, that I find man in ruins and
scattered as over a battlefield or a butcher-field. And
when my eyes flee from the now to the past, they always find the same: fragments and limbs and dreadful
accidents-but no human beings.
"The now and the past on earth-alas, my friends,
that is what I find most unendurable; and I should not
know how to live if I were not also a seer of that which
139
must come. A seer, a wilder, a creator, a future himself
and a bridge to the future-and alas, also, as it were, a
cripple at this bridge: all this is Zarathustra.
"And you too have often asked yourselves, 'Who is
Zarathustra to us? What shall we call him? And, like
myself, you replied to yourselves with questions. Is he
a promiser? or a fulfiller? A conqueror? or an inheritor?
An autumn? or a plowshare? A physician? or one who
has recovered? Is he a poet? or truthful? A liberator?
or a tamer? good? or evil?
"I walk among men as among the fragments of the
future-that future which I envisage. And this is all my
creating and striving, that I create and carry together
into One what is fragment and riddle and dreadful
accident. And how could I bear to be a man if man
were not also a creator and guesser of riddles and
redeemer of accidents?
"To redeem those who lived in the past and to recreate all 'it was' into a 'thus I willed it'-that alone
should I call redemption. Will-that is the name of the
liberator and joy-bringer; thus I taught you, my friends.
But now learn this too: the will itself is still a prisoner.
Willing liberates; but what is it that puts even the liberator himself in fetters? 'It was'-that is the name of
the will's gnashing of teeth and most secret melancholy.
Powerless against what has been done, he is an angry
spectator of all that is past. The will cannot will backwards; and that he cannot break time and time's
covetousness, that is the wills loneliest melancholy.
"Willing liberates; what means does the will devise
for himself to get rid of his melancholy and to mock
his dungeon? Alas, every prisoner becomes a fool; and
the imprisoned will redeems himself foolishly. That time
does not run backwards, that is his wrath; 'that which
was' is the name of the stone he cannot move. And so
he moves stones out of wrath and displeasure, and he
wreaks revenge on whatever does not feel wrath and
displeasure as he does. Thus the will, the liberator, took
to hurting; and on all who can suffer he wreaks revenge
for his inability to go backwards. This, indeed this
alone, is what revenge is: the will's ill will against time
and its 'it was.'
"Verily, a great folly dwells in our will; and it has
become a curse for everything human that this folly has
acquired spirit.
"The spirit of revenge, my friends, has so far been the
subject of man's best reflection; and where there was
suffering, one always wanted punishment too.
"For 'punishment' is what revenge calls itself; with a
hypocritical lie it creates a good conscience for itself.
"Because there is suffering in those who will, inasmuch as they cannot will backwards, willing itself and
all life were supposed to be-a punishment. And now
cloud upon cloud rolled over the spirit, until eventually
madness preached, 'Everything passes away; therefore
everything deserves to pass away. And this too is justice,
this law of time that it must devour its children.' Thus
preached madness.
"'Things are ordered morally according to justice and
punishment. Alas, where is redemption from the flux of
things and from the punishment called existence?' Thus
preached madness.
"'Can there be redemption if there is eternal justice?
Alas, the stone It was cannot be moved: all punishments
must be eternal too.' Thus preached madness.
"'No deed can be annihilated: how could it be undone by punishment? This, this is what is eternal in the
punishment called existence, that existence must eternally become deed and guilt again. Unless the will
should at last redeem himself, and willing should be-
141
come not willing.' But, my brothers, you know this
fable of madness.
"I led you away from these fables when I taught you,
'The will is a creator.' All 'it was' is a fragment, a riddle, a dreadful accident-until the creative will says to
it, 'But thus I willed it.' Until the creative will says to
it, 'But thus I will it; thus shall I will it.'
"But has the will yet spoken thus? And when will
that happen? Has the will been unharnessed yet from
his own folly? Has the will yet become his own redeemer and joy-bringer? Has he unlearned the spirit of
revenge and all gnashing of teeth? And who taught him
reconciliation with time and something higher than any
reconciliation? For that will which is the will to power
must will something higher than any reconciliation; but
how shall this be brought about? Who could teach him
also to will backwards?"
At this point in his speech it happened that Zarathustra suddenly stopped and looked altoge ther like one
who has received a severe shock. Appalled, he looked
at his disciples; his eyes pierced their thoughts and the
thoughts behind their thoughts as with arrows. But after
a little while he laughed again and, pacified, he said:
"It is difficult to live with people because silence is so
difficult. Especially for one who is garrulous."
Thus spoke Zarathustra.
The hunchback, however, had listened to this discourse and covered his face the while; but when he
heard Zarathustra laugh he looked up curiously and
said slowly: "But why does Zarathustra speak otherwise
to us than to his disciples?"
Zarathustra answered: "What is surprising in that?
With hunchbacks one may well speak in a hunchbacked
way.
"All right," said the hunchback; "and one may well
tell pupils tales out of school. But why does Zarathustra
speak otherwise to his pupils than to himself?"
~ Friedrich Nietzsche, ON REDEMPTION
,#NFDB
386:jwvgV - DUNGEON
FAUST
(with a bunch of keys and a lamp, before an iron door)
A shudder, long unfelt, comes o'er me;
Mankind's collected woe o'erwhelms me, here.
She dwells within the dark, damp walls before me,
And all her crime was a delusion dear!
What! I delay to free her?
I dread, once again to see her?
On! my shrinking but lingers Death more near.
(He grasps the lock: the sound of singing is heard inside.)
My mother, the harlot,
Who put me to death;
My father, the varlet,
Who eaten me hath!
Little sister, so good,
Laid my bones in the wood,
In the damp moss and clay:
Then was I a beautiful bird o' the wood;
Fly away! Fly away!
FAUST (unlocking)
She does not dream her lover listens near;
That he the rattling chain, the rustling straw, can hear.
(He enters.)
MARGARET (hiding herself on the pallet)
Woe! woe! They come. O death of bitterness!
FAUST (whispering)
Hush! hush! The hour is come that frees thee.
MARGARET (throwing herself before him)
Art thou a man, then pity my distress!
FAUST
Thy cries will wake the guards, and they will seize thee!
(He takes hold of the fetters to unlock them.)
MARGARET (on her knees)
Who, headsman! unto thee such power
Over me could give?
Thou'rt come for me at midnight-hour:
Have mercy on me, let me live!
Is't not soon enough when morning chime has run?
(She rises.)
And I am yet so young, so young!
And now Death comes, and ruin!
I, too, was fair, and that was my undoing.
My love was near, but now he's far;
Torn lies the wreath, scattered the blossoms are.
Seize me not thus so violently!
Spare me! What have I done to thee?
Let me not vainly entreat thee!
I never chanced, in all my days, to meet thee!
FAUST
Shall I outlive this misery?
MARGARET
Now am I wholly in thy might.
But let me suckle, first, my baby!
I blissed it all this livelong night;
They took 't away, to vex me, maybe,
And now they say I killed the child outright.
And never shall I be glad again.
They sing songs about me! 'tis bad of the folk to do it!
There's an old story has the same refrain;
Who bade them so construe it?
FAUST (falling upon his knees)
Here lieth one who loves thee ever,
The thraldom of thy woe to sever.
MARGARET (flinging herself beside him)
O let us kneel, and call the Saints to hide us!
Under the steps beside us,
The threshold under,
Hell heaves in thunder!
The Evil One
With terrible wrath
Seeketh a path
His prey to discover!
FAUST (aloud)
Margaret! Margaret!
MARGARET (attentively listening)
That was the voice of my lover!
(She springs to her feet: the fetters fall off.)
Where is he? I heard him call me.
I am free! No one shall enthrall me.
To his neck will I fly,
On his bosom lie!
On the threshold he stood, and Margaret! calling,
Midst of Hell's howling and noises appalling,
Midst of the wrathful, infernal derision,
I knew the sweet sound of the voice of the vision!
FAUST
'Tis I!
MARGARET
'Tis thou! O, say it once again!
(Clasping him.)
'Tis he! 'tis he! Where now is all my pain?
The anguish of the dungeon, and the chain?
'Tis thou! Thou comest to save me,
And I am saved!
Again the street I see
Where first I looked on thee;
And the garden, brightly blooming,
Where I and Martha wait thy coming.
FAUST (struggling to leave)
Come! Come with me!
MARGARET
Delay, now!
So fain I stay, when thou delayest!
(Caressing him.)
FAUST
Away, now!
If longer here thou stayest,
We shall be made to dearly rue it.
MARGARET
Kiss me!canst no longer do it?
My friend, so short a time thou'rt missing,
And hast unlearned thy kissing?
Why is my heart so anxious, on thy breast?
Where once a heaven thy glances did create me,
A heaven thy loving words expressed,
And thou didst kiss, as thou wouldst suffocate me
Kiss me!
Or I'll kiss thee!
(She embraces him.)
Ah, woe! thy lips are chill,
And still.
How changed in fashion
Thy passion!
Who has done me this ill?
(She turns away from him.)
FAUST
Come, follow me! My darling, be more bold:
I'll clasp thee, soon, with warmth a thousand-fold;
But follow now! 'Tis all I beg of thee.
MARGARET (turning to him)
And is it thou? Thou, surely, certainly?
FAUST
'Tis I! Come on!
MARGARET
Thou wilt unloose my chain,
And in thy lap wilt take me once again.
How comes it that thou dost not shrink from me?
Say, dost thou know, my friend, whom thou mak'st free?
FAUST
Come! come! The night already vanisheth.
MARGARET
My mother have I put to death;
I've drowned the baby born to thee.
Was it not given to thee and me?
Thee, too!'Tis thou! It scarcely true doth seem
Give me thy hand! 'Tis not a dream!
Thy dear, dear hand!But, ah, 'tis wet!
Why, wipe it off! Methinks that yet
There's blood thereon.
Ah, God! what hast thou done?
Nay, shea the thy sword at last!
Do not affray me!
FAUST
O, let the past be past!
Thy words will slay me!
MARGARET
No, no! Thou must outlive us.
Now I'll tell thee the graves to give us:
Thou must begin to-morrow
The work of sorrow!
The best place give to my mother,
Then close at her side my brother,
And me a little away,
But not too very far, I pray!
And here, on my right breast, my baby lay!
Nobody else will lie beside me!
Ah, within thine arms to hide me,
That was a sweet and a gracious bliss,
But no more, no more can I attain it!
I would force myself on thee and constrain it,
And it seems thou repellest my kiss:
And yet 'tis thou, so good, so kind to see!
FAUST
If thou feel'st it is I, then come with me!
MARGARET
Out yonder?
FAUST
To freedom.
MARGARET
If the grave is there,
Death lying in wait, then come!
From here to eternal rest:
No further stepno, no!
Thou goest away! O Henry, if I could go!
FAUST
Thou canst! Just will it! Open stands the door.
MARGARET
I dare not go: there's no hope any more.
Why should I fly? They'll still my steps waylay!
It is so wretched, forced to beg my living,
And a bad conscience sharper misery giving!
It is so wretched, to be strange, forsaken,
And I'd still be followed and taken!
FAUST
I'll stay with thee.
MARGARET
Be quick! Be quick!
Save thy perishing child!
Away! Follow the ridge
Up by the brook,
If the grave is there, Death lying in wait, then come!
If the grave is there, Death lying in wait, then come!
Over the bridge,
Into the wood,
To the left, where the plank is placed
In the pool!
Seize it in haste!
'Tis trying to rise,
'Tis struggling still!
Save it! Save it!
FAUST
Recall thy wandering will!
One step, and thou art free at last!
MARGARET
If the mountain we had only passed!
There sits my mother upon a stone,
I feel an icy shiver!
There sits my mother upon a stone,
And her head is wagging ever.
She beckons, she nods not, her heavy head falls o'er;
She slept so long that she wakes no more.
She slept, while we were caressing:
Ah, those were the days of blessing!
FAUST
Here words and prayers are nothing worth;
I'll venture, then, to bear thee forth.
MARGARET
Nolet me go! I'll suffer no force!
Grasp me not so murderously!
I've done, else, all things for the love of thee.
FAUST
The day dawns: Dearest! Dearest!
MARGARET
Day? Yes, the day comes,the last day breaks for me!
My wedding-day it was to be!
Tell no one thou has been with Margaret!
Woe for my garland! The chances
Are over'tis all in vain!
We shall meet once again,
But not at the dances!
The crowd is thronging, no word is spoken:
The square below
And the streets overflow:
The death-bell tolls, the wand is broken.
I am seized, and bound, and delivered
Shoved to the blockthey give the sign!
Now over each neck has quivered
The blade that is quivering over mine.
Dumb lies the world like the grave!
FAUST
O had I ne'er been born!
MEPHISTOPHELES (appears outside)
Off! or you're lost ere morn.
Useless talking, delaying and praying!
My horses are neighing:
The morning twilight is near.
MARGARET
What rises up from the threshold here?
He! he! suffer him not!
What does he want in this holy spot?
He seeks me!
FAUST
Thou shalt live.
MARGARET
Judgment of God! myself to thee I give.
MEPHISTOPHELES (to FAUST)
Come! or I'll leave her in the lurch, and thee!
MARGARET
Thine am I, Father! rescue me!
Ye angels, holy cohorts, guard me,
Camp around, and from evil ward me!
Henry! I shudder to think of thee.
MEPHISTOPHELES
She is judged!
VOICE (from above)
She is saved!
MEPHISTOPHELES (to FAUST)
Hither to me!
(He disappears with FAUST.)
VOICE (from within, dying away)
Henry! Henry!
Faust
End
End of the Project Gutenberg EBook of Faust, by Johann Wolfgang Von Goethe
*** END OF THIS PROJECT GUTENBERG EBOOK FAUST
~ Johann Wolfgang von Goethe, DUNGEON
,#NFDB
387:The Kalevala - Rune I
BIRTH OF WAINAMOINEN.
In primeval times, a maiden,
Beauteous Daughter of the Ether,
Passed for ages her existence
In the great expanse of heaven,
O'er the prairies yet enfolded.
Wearisome the maiden growing,
Her existence sad and hopeless,
Thus alone to live for ages
In the infinite expanses
Of the air above the sea-foam,
In the far outstretching spaces,
In a solitude of ether,
She descended to the ocean,
Waves her coach, and waves her pillow.
Thereupon the rising storm-wind
Flying from the East in fierceness,
Whips the ocean into surges,
Strikes the stars with sprays of ocean
Till the waves are white with fervor.
To and fro they toss the maiden,
Storm-encircled, hapless maiden;
With her sport the rolling billows,
With her play the storm-wind forces,
On the blue back of the waters;
On the white-wreathed waves of ocean,
Play the forces of the salt-sea,
With the lone and helpless maiden;
Till at last in full conception,
Union now of force and beauty,
Sink the storm-winds into slumber;
Overburdened now the maiden
Cannot rise above the surface;
Seven hundred years she wandered,
Ages nine of man's existence,
Swam the ocean hither, thither,
Could not rise above the waters,
Conscious only of her travail;
Seven hundred years she labored
Ere her first-born was delivered.
Thus she swam as water-mother,
Toward the east, and also southward,
Toward the west, and also northward;
Swam the sea in all directions,
Frightened at the strife of storm-winds,
Swam in travail, swam unceasing,
Ere her first-born was delivered.
Then began she gently weeping,
Spake these measures, heavy-hearted:
'Woe is me, my life hard-fated!
Woe is me, in this my travail!
Into what have I now fallen?
Woe is me, that I unhappy,
Left my home in subtle ether,
Came to dwell amid the sea-foam,
To be tossed by rolling billows,
To be rocked by winds and waters,
On the far outstretching waters,
In the salt-sea's vast expanses,
Knowing only pain and trouble!
Better far for me, O Ukko!
Were I maiden in the Ether,
Than within these ocean-spaces,
To become a water-mother!
All this life is cold and dreary,
Painful here is every motion,
As I linger in the waters,
As I wander through the ocean.
Ukko, thou O God, up yonder,
Thou the ruler of the heavens,
Come thou hither, thou art needed,
Come thou hither, I implore thee,
To deliver me from trouble,
To deliver me in travail.
Come I pray thee, hither hasten,
Hasten more that thou art needed,
Haste and help this helpless maiden!'
When she ceased her supplications,
Scarce a moment onward passes,
Ere a beauteous duck descending,
Hastens toward the water-mother,
Comes a-flying hither, thither,
Seeks herself a place for nesting.
Flies she eastward, flies she westward,
Circles northward, circles southward,
Cannot find a grassy hillock,
Not the smallest bit of verdure;
Cannot find a spot protected,
Cannot find a place befitting,
Where to make her nest in safety.
Flying slowly, looking round her,
She descries no place for resting,
Thinking loud and long debating,
And her words are such as follow:
'Build I in the winds my dwelling,
On the floods my place of nesting?
Surely would the winds destroy it,
Far away the waves would wash it.'
Then the daughter of the Ether,
Now the hapless water-mother,
Raised her shoulders out of water,
Raised her knees above the ocean,
That the duck might build her dwelling,
Build her nesting-place in safety.
Thereupon the duck in beauty,
Flying slowly, looking round her,
Spies the shoulders of the maiden,
Sees the knees of Ether's daughter,
Now the hapless water-mother,
Thinks them to be grassy hillocks,
On the blue back of the ocean.
Thence she flies and hovers slowly,
Lightly on the knee she settles,
Finds a nesting-place befitting,
Where to lay her eggs in safety.
Here she builds her humble dwelling,
Lays her eggs within, at pleasure,
Six, the golden eggs she lays there,
Then a seventh, an egg of iron;
Sits upon her eggs to hatch them,
Quickly warms them on the knee-cap
Of the hapless water-mother;
Hatches one day, then a second,
Then a third day sits and hatches.
Warmer grows the water round her,
Warmer is her bed in ocean,
While her knee with fire is kindled,
And her shoulders too are burning,
Fire in every vein is coursing.
Quick the maiden moves her shoulders,
Shakes her members in succession,
Shakes the nest from its foundation,
And the eggs fall into ocean,
Dash in pieces on the bottom
Of the deep and boundless waters.
In the sand they do not perish,
Not the pieces in the ocean;
But transformed, in wondrous beauty
All the fragments come together
Forming pieces two in number,
One the upper, one the lower,
Equal to the one, the other.
From one half the egg, the lower,
Grows the nether vault of Terra:
From the upper half remaining,
Grows the upper vault of Heaven;
From the white part come the moonbeams,
From the yellow part the sunshine,
From the motley part the starlight,
From the dark part grows the cloudage;
And the days speed onward swiftly,
Quickly do the years fly over,
From the shining of the new sun
From the lighting of the full moon.
Still the daughter of the Ether,
Swims the sea as water-mother,
With the floods outstretched before her,
And behind her sky and ocean.
Finally about the ninth year,
In the summer of the tenth year,
Lifts her head above the surface,
Lifts her forehead from the waters,
And begins at last her workings,
Now commences her creations,
On the azure water-ridges,
On the mighty waste before her.
Where her hand she turned in water,
There arose a fertile hillock;
Wheresoe'er her foot she rested,
There she made a hole for fishes;
Where she dived beneath the waters,
Fell the many deeps of ocean;
Where upon her side she turned her,
There the level banks have risen;
Where her head was pointed landward,
There appeared wide bays and inlets;
When from shore she swam a distance,
And upon her back she rested,
There the rocks she made and fashioned,
And the hidden reefs created,
Where the ships are wrecked so often,
Where so many lives have perished.
Thus created were the islands,
Rocks were fastened in the ocean,
Pillars of the sky were planted,
Fields and forests were created,
Checkered stones of many colors,
Gleaming in the silver sunlight,
All the rocks stood well established;
But the singer, Wainamoinen,
Had not yet beheld the sunshine,
Had not seen the golden moonlight,
Still remaining undelivered.
Wainamoinen, old and trusty,
Lingering within his dungeon
Thirty summers altogether,
And of winters, also thirty,
Peaceful on the waste of waters,
On the broad-sea's yielding bosom,
Well reflected, long considered,
How unborn to live and flourish
In the spaces wrapped in darkness,
In uncomfortable limits,
Where he had not seen the moonlight,
Had not seen the silver sunshine.
10
Thereupon these words be uttered,
Let himself be heard in this wise:
'Take, O Moon, I pray thee, take me,
Take me, thou, O Sun above me,
Take me, thou O Bear of heaven,
From this dark and dreary prison,
From these unbefitting portals,
From this narrow place of resting,
From this dark and gloomy dwelling,
Hence to wander from the ocean,
Hence to walk upon the islands,
On the dry land walk and wander,
Like an ancient hero wander,
Walk in open air and breathe it,
Thus to see the moon at evening,
Thus to see the silver sunlight,
Thus to see the Bear in heaven,
That the stars I may consider.'
Since the Moon refused to free him,
And the Sun would not deliver,
Nor the Great Bear give assistance,
His existence growing weary,
And his life but an annoyance,
Bursts he then the outer portals
Of his dark and dismal fortress;
With his strong, but unnamed finger,
Opens he the lock resisting;
With the toes upon his left foot,
With the fingers of his right hand,
Creeps he through the yielding portals
To the threshold of his dwelling;
On his knees across the threshold,
Throws himself head foremost, forward
Plunges into deeps of ocean,
Plunges hither, plunges thither,
Turning with his hands the water;
Swims he northward, swims he southward,
Swims he eastward, swims he westward,
Studying his new surroundings.
Thus our hero reached the water,
Rested five years in the ocean,
Six long years, and even seven years,
11
Till the autumn of the eighth year,
When at last he leaves the waters,
Stops upon a promontory,
On a coast bereft of verdure;
On his knees he leaves the ocean,
On the land he plants his right foot,
On the solid ground his left foot,
Quickly turns his hands about him,
Stands erect to see the sunshine,
Stands to see the golden moonlight,
That he may behold the Great Bear,
That he may the stars consider.
Thus our hero, Wainamoinen,
Thus the wonderful enchanter
Was delivered from his mother,
Ilmatar, the Ether's daughter.
~ Elias Lönnrot,#NFDB
388:St. George And The Dragon
Of Hector's deeds did Homer sing,
And of the sack of stately Troy,
What griefs fair Helena did bring,
Which was Sir Paris' only joy:
And by my pen I will recite
St. George's deeds, and English knight.
Against the Sarazens so rude
Fought he full long and many a day,
Where many gyants he subdu'd,
In honour of the Christian way;
And after many adventures past,
To Egypt land he came at last.
Now, as the story plain doth tell,
Within that countrey there did rest
A dreadful dragon fierce and fell,
Whereby they were full sore opprest:
Who by his poisonous breath each day
Did many of the city slay.
The grief whereof did grow so great
Throughout the limits of the land,
That they their wise-men did intreat
To shew their cunning out of hand;
What way they might this fiend destroy,
That did the countrey thus annoy.
The wise-men all before the king,
This answer fram'd incontinent:
The dragon none to death might bring
By any means they could invent;
His skin more hard than brass was found,
That sword nor spear could pierce nor wound.
When this the people understood,
They cryed out most piteouslye,
The dragon's breath infects their blood,
That every day in heaps they dye;
642
Among them such a plague it bred,
The living scarce could bury the dead.
No means there were, as they could hear,
For to appease the dragon's rage,
But to present some virgin clear,
Whose blood his fury might asswage;
Each day he would a maiden eat,
For to allay his hunger great.
This thing by art the wise-men found,
Which truly must observed be;
Wherefore, throughout the city round,
A virgin pure of good degree
Was, by the king's commission, still
Taken up to serve the dragon's will.
Thus did the dragon every day
Untimely crop some virgin flowr,
Till all the maids were worn away,
And none were left him to devour;
Saving the king's fair daughter bright,
Her father's only heart's delight.
Then came the officers to the king,
That heavy message to declare,
Which did his heart with sorrow sting;
'She is,' quoth he, 'my kingdom's heir:
O let us all be poisoned here,
Ere she should die, that is my dear.'
Then rose the poeple presently,
And to the king in rage they went;
They said his daughter dear should dye,
The dragon's fury to prevent:
'Our daughters all are dead,' quoth they,
'And have been made the dragon's prey;
And by their blood we rescued were,
And thou hast sav'd thy life thereby;
And now in sooth it is but faire,
For us thy daughter so should die.'
'O save my daughter,' said the king,
643
'And let ME feel the dragon's sting.'
Then fell fair Sabra on her knee,
And to her father dear did say,
'O father, strive not thus for me,
But let me be the dragon's prey;
It may be, for my sake alone
This plague upon the land was thrown.
'Tis better I should dye,' she said,
'Than all your subjects perish quite;
Perhaps the dragon here was laid,
For my offence to work his spite,
And after he hath suckt my gore,
Your land shall feel the grief no more.'
'What hast thou done, my daughter dear,
For to deserve this heavy scourge?
It is my fault, as may appear,
Which makes the gods our state to purge;
Then ought I die, to stint the strife,
And to preserve thy happy life.'
Like mad-men, all the people cried,
'Thy death to us can do no good;
Our safety only doth abide
In making her the dragon's food.'
'Lo! here I am, I come,' quoth she,
'Therefore do what you will with me.'
'Nay stay, dear daughter,' quoth the queen,
'And as thou art a virgin bright,
That hast for vertue famous been,
So let me cloath thee all in white;
And crown thy head with flowers sweet,
An ornament for virgins meet.'
And when she was attired so,
According to her mother's mind,
Unto the stake then did she go,
To which her tender limbs they bind;
And being bound to stake a thrall
644
She bade farewell unto them all.
'Farewell, my father dear,' quoth she,
'And my sweet mother meek and mild;
Take you no thought nor weep for me,
For you may have another child;
Since for ry's good I dye,
Death I receive most willinglye.'
The king and queen and all their train
With weeping eyes went then. their way,
And let their daughter there remain,
To be the hungry dragon's prey:
But as she did there weeping lye,
Behold St. George came riding by.
And seeing there a lady bright
So rudely tyed unto a stake,
As well became a valiant knight,
He straight to her his way did take:
'Tell me, sweet maiden,' then quoth he,
'What caitif thus abuseth thee?
'And, lo! by Christ his cross I vow,
Which here is figured on my breast,
I will revenge it on his brow,
And break my lance upon his chest:'
And speaking thus whereas he stood,
The dragon issued from the wood.
The lady, that did first espy
The dreadful dragon coming so,
Unto St. George aloud did cry,
And willed him away to go;
'Here comes that cursed fiend,' quoth she,
'That soon will make an end of me.'
St. George then looking round about,
The fiery dragon soon espy'd,
And like a knight of courage stout,
Against him did most furiously ride;
And with such blows he did him greet,
645
He fell beneath his horse's feet.
For with his launce that was so strong,
As he came gaping in his face,
In at his mouth he thrust along;
For he could pierce no other place:
And thus within the lady's view
This mighty dragon straight he slew.
The savour of his poisoned breath
Could do this holy knight no harm;
Thus he the lady sav'd from death,
And home he led her by the arm;
Which when King Ptolemy did see,
There was great mirth and melody.
When as that valiant champion there
Had slain the dragon in the field,
To court he brought the lady fair,
Which to their hearts much joy did yield.
He in the court of Egypt staid
Till he most falsely was betray'd.
That lady dearly lov'd the knight,
He counted her his only joy;
But when their love was brought to light,
It turn'd unto their great annoy:
Th' Morocco king was in the court,
Who to the orchard did resort,
Dayly to take the pleasant air,
For pleasure sake he us'd to walk;
Under a wall he oft did hear
St. George with lady Sabra talk;
Their love he shew'd unto the king,
Which to St. George great woe did bring.
Those kings together did devise
To make the Christian knight away:
With letters him in curteous wise
They straightway sent to Persia,
But wrote to the sophy him to kill,
646
And treacherously his blood to spill.
Thus they for good did him reward
With evil, and most subtilly,
By much vile meanes they had regard
To work his death most cruelly;
Who, as through Persia land he rode,
With zeal destroy'd each idol god.
For which offence he straight was thrown
Into a dungeon dark and deep;
Where, when he thought his wrongs upon,
He bitterly did wail and weep:
Yet like a knight of courage stout,
At length his way he digged out.
Three grooms of the King of Persia
By night this valiant champion slew,
Though he had fasted many a day,
And then away from thence he flew
On the best steed the sophy had;
Which when he knew he was full mad.
Towards Christendom he made his flight,
But met a gyant by the way,
With whom in combat he did fight
Most valiantly a summer's day:
Who yet, for all his bats of steel,
Was forc'd the sting of death to feel.
Back o'er the seas with many bands
Of warlike souldiers soon he past,
Vowing upon those heathen lands
To work revenge; which at the last,
Ere thrice three years were gone and spent,
He wrought unto his heart's content.
Save onely Egypt land he spar'd,
For Sabra bright her only sake,
And, ere for her he had regard,
He meant a tryal kind to make:
Mean while the king, o'ercome in field,
647
Unto Saint George did quickly yield.
Then straight Morocco's king he slew,
And took fair Sabra to his wife,
But meant to try if she were true,
Ere with her he would lead his life;
And, tho' he had her in his train,
She did a virgin pure remain.
Toward England then that lovely dame
The brave St. George conducted strait,
An eunuch also with them came,
Who did upon the lady wait.
These three from Egypt went alone:
Now mark St. George's valour shown.
When as they in a forest were,
The lady did desire to rest:
Mean while St. George to kill a deer
For their repast did think it best:
Leaving her with the eunuch there,
Whilst he did go to kill the deer.
But lo! all in his absence came
Two hungry lyons, fierce and fell,
And tore the eunuch on the same
In pieces small, the truth to tell;
Down by the lady then they laid,
Whereby they shew'd she was a maid.
But when he came from hunting back,
And did behold this heavy chance,
Then for his lovely virgin's sake
His courage strait he did advance,
And came into the lions' sight,
Who ran at him with all their might.
Their rage did him no whit dismay,
Who, like a stout and valiant knight,
Did both the hungry lyons slay
Within the lady Sabra's sight:
Who all this while, sad and demure,
648
There stood most like a virgin pure.
Now when St. George did surely know
This lady was a virgin true,
His heart was glad, that erst was woe,
And all his love did soon renew:
He set her on a palfrey steed,
And towards England came with speed.
Where being in short space arriv'd
Unto his native dwelling place,
Therein with his dear love he livd,
And fortune did his nuptials grace:
They many years of joy did see,
And led their lives at Coventry.
~ Anonymous Olde English,#NFDB
389:'Fairy!' the Spirit said,
And on the Queen of Spells
Fixed her ethereal eyes,
'I thank thee. Thou hast given
A boon which I will not resign, and taught
A lesson not to be unlearned. I know
The past, and thence I will essay to glean
A warning for the future, so that man
May profit by his errors and derive
Experience from his folly;
For, when the power of imparting joy
Is equal to the will, the human soul
Requires no other heaven.'
MAB
'Turn thee, surpassing Spirit!
Much yet remains unscanned.
Thou knowest how great is man,
Thou knowest his imbecility;
Yet learn thou what he is;
Yet learn the lofty destiny
Which restless Time prepares
For every living soul.
'Behold a gorgeous palace that amid
Yon populous city rears its thousand towers
And seems itself a city. Gloomy troops
Of sentinels in stern and silent ranks
Encompass it around; the dweller there
Cannot be free and happy; hearest thou not
The curses of the fatherless, the groans
Of those who have no friend? He passes on
The King, the wearer of a gilded chain
That binds his soul to abjectness, the fool
Whom courtiers nickname monarch, whilst a slave
Even to the basest appetitesthat man
Heeds not the shriek of penury; he smiles
At the deep curses which the destitute
Mutter in secret, and a sullen joy
Pervades his bloodless heart when thousands groan
But for those morsels which his wantonness
Wastes in unjoyous revelry, to save
All that they love from famine; when he hears
The tale of horror, to some ready-made face
Of hypocritical assent he turns,
Smothering the glow of shame, that, spite of him,
Flushes his bloated cheek.
Now to the meal
Of silence, grandeur and excess he drags
His palled unwilling appetite. If gold,
Gleaming around, and numerous viands culled
From every clime could force the loathing sense
To overcome satiety,if wealth
The spring it draws from poisons not,or vice,
Unfeeling, stubborn vice, converteth not
Its food to deadliest venom; then that king
Is happy; and the peasant who fulfils
His unforced task, when he returns at even
And by the blazing fagot meets again
Her welcome for whom all his toil is sped,
Tastes not a sweeter meal.
Behold him now
Stretched on the gorgeous couch; his fevered brain
Reels dizzily awhile; but ah! too soon
The slumber of intemperance subsides,
And conscience, that undying serpent, calls
Her venomous brood to their nocturnal task.
Listen! he speaks! oh! mark that frenzied eye
Oh! mark that deadly visage!'
KING
'No cessation!
Oh! must this last forever! Awful death,
I wish, yet fear to clasp thee!Not one moment
Of dreamless sleep! O dear and blessd Peace,
Why dost thou shroud thy vestal purity
In penury and dungeons? Wherefore lurkest
With danger, death, and solitude; yet shun'st
The palace I have built thee? Sacred Peace!
Oh, visit me but once,but pitying shed
One drop of balm upon my withered soul!'
THE FAIRY
'Vain man! that palace is the virtuous heart,
And Peace defileth not her snowy robes
In such a shed as thine. Hark! yet he mutters;
His slumbers are but varied agonies;
They prey like scorpions on the springs of life.
There needeth not the hell that bigots frame
To punish those who err; earth in itself
Contains at once the evil and the cure;
And all-sufficing Nature can chastise
Those who transgress her law; she only knows
How justly to proportion to the fault
The punishment it merits.
Is it strange
That this poor wretch should pride him in his woe?
Take pleasure in his abjectness, and hug
The scorpion that consumes him? Is it strange
That, placed on a conspicuous throne of thorns,
Grasping an iron sceptre, and immured
Within a splendid prison whose stern bounds
Shut him from all that's good or dear on earth,
His soul asserts not its humanity?
That man's mild nature rises not in war
Against a king's employ? No'tis not strange.
He, like the vulgar, thinks, feels, acts, and lives
Just as his father did; the unconquered powers
Of precedent and custom interpose
Between a king and virtue. Stranger yet,
To those who know not Nature nor deduce
The future from the present, it may seem,
That not one slave, who suffers from the crimes
Of this unnatural being, not one wretch,
Whose children famish and whose nuptial bed
Is earth's unpitying bosom, rears an arm
To dash him from his throne!
Those gilded flies
That, basking in the sunshine of a court,
Fatten on its corruption! what are they?
The drones of the community; they feed
On the mechanic's labor; the starved hind
For them compels the stubborn glebe to yield
Its unshared harvests; and yon squalid form,
Leaner than fleshless misery, that wastes
A sunless life in the unwholesome mine,
Drags out in labor a protracted death
To glut their grandeur; many faint with toil
That few may know the cares and woe of sloth.
Whence, thinkest thou, kings and parasites arose?
Whence that unnatural line of drones who heap
Toil and unvanquishable penury
On those who build their palaces and bring
Their daily bread?From vice, black loathsome vice;
From rapine, madness, treachery, and wrong;
From all that genders misery, and makes
Of earth this thorny wilderness; from lust,
Revenge, and murder.And when reason's voice,
Loud as the voice of Nature, shall have waked
The nations; and mankind perceive that vice
Is discord, war and misery; that virtue
Is peace and happiness and harmony;
When man's maturer nature shall disdain
The playthings of its childhood;kingly glare
Will lose its power to dazzle, its authority
Will silently pass by; the gorgeous throne
Shall stand unnoticed in the regal hall,
Fast falling to decay; whilst falsehood's trade
Shall be as hateful and unprofitable
As that of truth is now.
Where is the fame
Which the vain-glorious mighty of the earth
Seek to eternize? Oh! the faintest sound
From time's light footfall, the minutest wave
That swells the flood of ages, whelms in nothing
The unsubstantial bubble. Ay! to-day
Stern is the tyrant's mandate, red the gaze
That flashes desolation, strong the arm
That scatters multitudes. To-morrow comes!
That mandate is a thunder-peal that died
In ages past; that gaze, a transient flash
On which the midnight closed; and on that arm
The worm has made his meal.
The virtuous man,
Who, great in his humility as kings
Are little in their grandeur; he who leads
Invincibly a life of resolute good
And stands amid the silent dungeon-depths
More free and fearless than the trembling judge
Who, clothed in venal power, vainly strove
To bind the impassive spirit;when he falls,
His mild eye beams benevolence no more;
Withered the hand outstretched but to relieve;
Sunk reason's simple eloquence that rolled
But to appall the guilty. Yes! the grave
Hath quenched that eye and death's relentless frost
Withered that arm; but the unfading fame
Which virtue hangs upon its votary's tomb,
The deathless memory of that man whom kings
Call to their minds and tremble, the remembrance
With which the happy spirit contemplates
Its well-spent pilgrimage on earth,
Shall never pass away.
'Nature rejects the monarch, not the man;
The subject, not the citizen; for kings
And subjects, mutual foes, forever play
A losing game into each other's hands,
Whose stakes are vice and misery. The man
Of virtuous soul commands not, nor obeys.
Power, like a desolating pestilence,
Pollutes whate'er it touches; and obedience,
Bane of all genius, virtue, freedom, truth,
Makes slaves of men, and of the human frame
A mechanized automaton.
When Nero
High over flaming Rome with savage joy
Lowered like a fiend, drank with enraptured ear
The shrieks of agonizing death, beheld
The frightful desolation spread, and felt
A new-created sense within his soul
Thrill to the sight and vibrate to the sound,
Thinkest thou his grandeur had not overcome
The force of human kindness? And when Rome
With one stern blow hurled not the tyrant down,
Crushed not the arm red with her dearest blood,
Had not submissive abjectness destroyed
Nature's suggestions?
Look on yonder earth:
The golden harvests spring; the unfailing sun
Sheds light and life; the fruits, the flowers, the trees,
Arise in due succession; all things speak
Peace, harmony and love. The universe,
In Nature's silent eloquence, declares
That all fulfil the works of love and joy,
All but the outcast, Man. He fabricates
The sword which stabs his peace; he cherisheth
The snakes that gnaw his heart; he raiseth up
The tyrant whose delight is in his woe,
Whose sport is in his agony. Yon sun,
Lights it the great alone? Yon silver beams,
Sleep they less sweetly on the cottage thatch
Than on the dome of kings? Is mother earth
A step-dame to her numerous sons who earn
Her unshared gifts with unremitting toil;
A mother only to those puling babes
Who, nursed in ease and luxury, make men
The playthings of their babyhood and mar
In self-important childishness that peace
Which men alone appreciate?
'Spirit of Nature, no!
The pure diffusion of thy essence throbs
Alike in every human heart.
Thou aye erectest there
Thy throne of power unappealable;
Thou art the judge beneath whose nod
Man's brief and frail authority
Is powerless as the wind
That passeth idly by;
Thine the tribunal which surpasseth
The show of human justice
As God surpasses man!
'Spirit of Nature! thou
Life of interminable multitudes;
Soul of those mighty spheres
Whose changeless paths through Heaven's deep silence lie;
Soul of that smallest being,
The dwelling of whose life
Is one faint April sun-gleam;
Man, like these passive things,
Thy will unconsciously fulfilleth;
Like theirs, his age of endless peace,
Which time is fast maturing,
Will swiftly, surely, come;
And the unbounded frame which thou pervadest,
Will be without a flaw
Marring its perfect symmetry!
~ Percy Bysshe Shelley, Queen Mab - Part III.
,#NFDB
390:'O happy Earth, reality of Heaven!
To which those restless souls that ceaselessly
Throng through the human universe, aspire!
Thou consummation of all mortal hope!
Thou glorious prize of blindly working will,
Whose rays, diffused throughout all space and time,
Verge to one point and blend forever there!
Of purest spirits thou pure dwelling-place
Where care and sorrow, impotence and crime,
Languor, disease and ignorance dare not come!
O happy Earth, reality of Heaven!
'Genius has seen thee in her passionate dreams;
And dim forebodings of thy loveliness,
Haunting the human heart, have there entwined
Those rooted hopes of some sweet place of bliss,
Where friends and lovers meet to part no more.
Thou art the end of all desire and will,
The product of all action; and the souls,
That by the paths of an aspiring change
Have reached thy haven of perpetual peace,
There rest from the eternity of toil
That framed the fabric of thy perfectness.
'Even Time, the conqueror, fled thee in his fear;
That hoary giant, who in lonely pride
So long had ruled the world that nations fell
Beneath his silent footstep. Pyramids,
That for millenniums had withstood the tide
Of human things, his storm-breath drove in sand
Across that desert where their stones survived
The name of him whose pride had heaped them there.
Yon monarch, in his solitary pomp,
Was but the mushroom of a summer day,
That his light-wingd footstep pressed to dust;
Time was the king of earth; all things gave way
Before him but the fixed and virtuous will,
The sacred sympathies of soul and sense,
That mocked his fury and prepared his fall.
'Yet slow and gradual dawned the morn of love;
Long lay the clouds of darkness o'er the scene,
Till from its native heaven they rolled away:
First, crime triumphant o'er all hope careered
Unblushing, undisguising, bold and strong,
Whilst falsehood, tricked in virtue's attributes,
Long sanctified all deeds of vice and woe,
Till, done by her own venomous sting to death,
She left the moral world without a law,
No longer fettering passion's fearless wing,
Nor searing reason with the brand of God.
Then steadily the happy ferment worked;
Reason was free; and wild though passion went
Through tangled glens and wood-embosomed meads,
Gathering a garland of the strangest flowers,
Yet, like the bee returning to her queen,
She bound the sweetest on her sister's brow,
Who meek and sober kissed the sportive child,
No longer trembling at the broken rod.
'Mild was the slow necessity of death.
The tranquil spirit failed beneath its grasp,
Without a groan, almost without a fear,
Calm as a voyager to some distant land,
And full of wonder, full of hope as he.
The deadly germs of languor and disease
Died in the human frame, and purity
Blessed with all gifts her earthly worshippers.
How vigorous then the athletic form of age!
How clear its open and unwrinkled brow!
Where neither avarice, cunning, pride or care
Had stamped the seal of gray deformity
On all the mingling lineaments of time.
How lovely the intrepid front of youth,
Which meek-eyed courage decked with freshest grace;
Courage of soul, that dreaded not a name,
And elevated will, that journeyed on
Through life's phantasmal scene in fearlessness,
With virtue, love and pleasure, hand in hand!
'Then, that sweet bondage which is freedom's self,
And rivets with sensation's softest tie
The kindred sympathies of human souls,
Needed no fetters of tyrannic law.
Those delicate and timid impulses
In Nature's primal modesty arose,
And with undoubting confidence disclosed
The growing longings of its dawning love,
Unchecked by dull and selfish chastity,
That virtue of the cheaply virtuous,
Who pride themselves in senselessness and frost.
No longer prostitution's venomed bane
Poisoned the springs of happiness and life;
Woman and man, in confidence and love,
Equal and free and pure together trod
The mountain-paths of virtue, which no more
Were stained with blood from many a pilgrim's feet.
'Then, where, through distant ages, long in pride
The palace of the monarch-slave had mocked
Famine's faint groan and penury's silent tear,
A heap of crumbling ruins stood, and threw
Year after year their stones upon the field,
Wakening a lonely echo; and the leaves
Of the old thorn, that on the topmost tower
Usurped the royal ensign's grandeur, shook
In the stern storm that swayed the topmost tower,
And whispered strange tales in the whirlwind's ear.
'Low through the lone cathedral's roofless aisles
The melancholy winds a death-dirge sung.
It were a sight of awfulness to see
The works of faith and slavery, so vast,
So sumptuous, yet so perishing withal,
Even as the corpse that rests beneath its wall!
A thousand mourners deck the pomp of death
To-day, the breathing marble glows above
To decorate its memory, and tongues
Are busy of its life; to-morrow, worms
In silence and in darkness seize their prey.
'Within the massy prison's mouldering courts,
Fearless and free the ruddy children played,
Weaving gay chaplets for their innocent brows
With the green ivy and the red wall-flower
That mock the dungeon's unavailing gloom;
The ponderous chains and gratings of strong iron
There rusted amid heaps of broken stone
That mingled slowly with their native earth;
There the broad beam of day, which feebly once
Lighted the cheek of lean captivity
With a pale and sickly glare, then freely shone
On the pure smiles of infant playfulness;
No more the shuddering voice of hoarse despair
Pealed through the echoing vaults, but soothing notes
Of ivy-fingered winds and gladsome birds
And merriment were resonant around.
'These ruins soon left not a wreck behind;
Their elements, wide-scattered o'er the globe,
To happier shapes were moulded, and became
Ministrant to all blissful impulses;
Thus human things were perfected, and earth,
Even as a child beneath its mother's love,
Was strengthened in all excellence, and grew
Fairer and nobler with each passing year.
'Now Time his dusky pennons o'er the scene
Closes in steadfast darkness, and the past
Fades from our charmd sight. My task is done;
Thy lore is learned. Earth's wonders are thine own
With all the fear and all the hope they bring.
My spells are passed; the present now recurs.
Ah me! a pathless wilderness remains
Yet unsubdued by man's reclaiming hand.
'Yet, human Spirit! bravely hold thy course;
Let virtue teach thee firmly to pursue
The gradual paths of an aspiring change;
For birth and life and death, and that strange state
Before the naked soul has found its home,
All tend to perfect happiness, and urge
The restless wheels of being on their way,
Whose flashing spokes, instinct with infinite life,
Bicker and burn to gain their destined goal;
For birth but wakes the spirit to the sense
Of outward shows, whose unexperienced shape
New modes of passion to its frame may lend;
Life is its state of action, and the store
Of all events is aggregated there
That variegate the eternal universe;
Death is a gate of dreariness and gloom,
That leads to azure isles and beaming skies
And happy regions of eternal hope.
Therefore, O Spirit! fearlessly bear on.
Though storms may break the primrose on its stalk,
Though frosts may blight the freshness of its bloom,
Yet spring's awakening breath will woo the earth
To feed with kindliest dews its favorite flower,
That blooms in mossy bank and darksome glens,
Lighting the greenwood with its sunny smile.
'Fear not then, Spirit, death's disrobing hand,
So welcome when the tyrant is awake,
So welcome when the bigot's hell-torch burns;
'T is but the voyage of a darksome hour,
The transient gulf-dream of a startling sleep.
Death is no foe to virtue; earth has seen
Love's brightest roses on the scaffold bloom,
Mingling with freedom's fadeless laurels there,
And presaging the truth of visioned bliss.
Are there not hopes within thee, which this scene
Of linked and gradual being has confirmed?
Whose stingings bade thy heart look further still,
When, to the moonlight walk by Henry led,
Sweetly and sadly thou didst talk of death?
And wilt thou rudely tear them from thy breast,
Listening supinely to a bigot's creed,
Or tamely crouching to the tyrant's rod,
Whose iron thongs are red with human gore?
Never: but bravely bearing on, thy will
Is destined an eternal war to wage
With tyranny and falsehood, and uproot
The germs of misery from the human heart.
Thine is the hand whose piety would soothe
The thorny pillow of unhappy crime,
Whose impotence an easy pardon gains,
Watching its wanderings as a friend's disease;
Thine is the brow whose mildness would defy
Its fiercest rage, and brave its sternest will,
When fenced by power and master of the world.
Thou art sincere and good; of resolute mind,
Free from heart-withering custom's cold control,
Of passion lofty, pure and unsubdued.
Earth's pride and meanness could not vanquish thee,
And therefore art thou worthy of the boon
Which thou hast now received; virtue shall keep
Thy footsteps in the path that thou hast trod,
And many days of beaming hope shall bless
Thy spotless life of sweet and sacred love.
Go, happy one, and give that bosom joy,
Whose sleepless spirit waits to catch
Light, life and rapture from thy smile!'
The Fairy waves her wand of charm.
Speechless with bliss the Spirit mounts the car,
That rolled beside the battlement,
Bending her beamy eyes in thankfulness.
Again the enchanted steeds were yoked;
Again the burning wheels inflame
The steep descent of heaven's untrodden way.
Fast and far the chariot flew;
The vast and fiery globes that rolled
Around the Fairy's palace-gate
Lessened by slow degrees, and soon appeared
Such tiny twinklers as the planet orbs
That there attendant on the solar power
With borrowed light pursued their narrower way.
Earth floated then below;
The chariot paused a moment there;
The Spirit then descended;
The restless coursers pawed the ungenial soil,
Snuffed the gross air, and then, their errand done,
Unfurled their pinions to the winds of heaven.
The Body and the Soul united then.
A gentle start convulsed Ianthe's frame;
Her veiny eyelids quietly unclosed;
Moveless awhile the dark blue orbs remained.
She looked around in wonder, and beheld
Henry, who kneeled in silence by her couch,
Watching her sleep with looks of speechless love,
And the bright beaming stars
That through the casement shone.
~ Percy Bysshe Shelley, Queen Mab - Part IX.
,#NFDB
391:'Thus do the generations of the earth
Go to the grave and issue from the womb,
Surviving still the imperishable change
That renovates the world; even as the leaves
Which the keen frost-wind of the waning year
Has scattered on the forest-soil and heaped
For many seasons therethough long they choke,
Loading with loathsome rottenness the land,
All germs of promise, yet when the tall trees
From which they fell, shorn of their lovely shapes,
Lie level with the earth to moulder there,
They fertilize the land they long deformed;
Till from the breathing lawn a forest springs
Of youth, integrity and loveliness,
Like that which gave it life, to spring and die.
Thus suicidal selfishness, that blights
The fairest feelings of the opening heart,
Is destined to decay, whilst from the soil
Shall spring all virtue, all delight, all love,
And judgment cease to wage unnatural war
With passion's unsubduable array.
Twin-sister of Religion, Selfishness!
Rival in crime and falsehood, aping all
The wanton horrors of her bloody play;
Yet frozen, unimpassioned, spiritless,
Shunning the light, and owning not its name,
Compelled by its deformity to screen
With flimsy veil of justice and of right
Its unattractive lineaments that scare
All save the brood of ignorance; at once
The cause and the effect of tyranny;
Unblushing, hardened, sensual and vile;
Dead to all love but of its abjectness;
With heart impassive by more noble powers
Than unshared pleasure, sordid gain, or fame;
Despising its own miserable being,
Which still it longs, yet fears, to disenthrall.
'Hence commerce springs, the venal interchange
Of all that human art or Nature yield;
Which wealth should purchase not, but want demand,
And natural kindness hasten to supply
From the full fountain of its boundless love,
Forever stifled, drained and tainted now.
Commerce! beneath whose poison-breathing shade
No solitary virtue dares to spring,
But poverty and wealth with equal hand
Scatter their withering curses, and unfold
The doors of premature and violent death
To pining famine and full-fed disease,
To all that shares the lot of human life,
Which, poisoned body and soul, scarce drags the chain
That lengthens as it goes and clanks behind.
'Commerce has set the mark of selfishness,
The signet of its all-enslaving power,
Upon a shining ore, and called it gold;
Before whose image bow the vulgar great,
The vainly rich, the miserable proud,
The mob of peasants, nobles, priests and kings,
And with blind feelings reverence the power
That grinds them to the dust of misery.
But in the temple of their hireling hearts
Gold is a living god and rules in scorn
All earthly things but virtue.
'Since tyrants by the sale of human life
Heap luxuries to their sensualism, and fame
To their wide-wasting and insatiate pride,
Success has sanctioned to a credulous world
The ruin, the disgrace, the woe of war.
His hosts of blind and unresisting dupes
The despot numbers; from his cabinet
These puppets of his schemes he moves at will,
Even as the slaves by force or famine driven,
Beneath a vulgar master, to perform
A task of cold and brutal drudgery;
Hardened to hope, insensible to fear,
Scarce living pulleys of a dead machine,
Mere wheels of work and articles of trade,
That grace the proud and noisy pomp of wealth!
'The harmony and happiness of man
Yields to the wealth of nations; that which lifts
His nature to the heaven of its pride,
Is bartered for the poison of his soul;
The weight that drags to earth his towering hopes,
Blighting all prospect but of selfish gain,
Withering all passion but of slavish fear,
Extinguishing all free and generous love
Of enterprise and daring, even the pulse
That fancy kindles in the beating heart
To mingle with sensation, it destroys,
Leaves nothing but the sordid lust of self,
The grovelling hope of interest and gold,
Unqualified, unmingled, unredeemed
Even by hypocrisy.
And statesmen boast
Of wealth! The wordy eloquence that lives
After the ruin of their hearts, can gild
The bitter poison of a nation's woe;
Can turn the worship of the servile mob
To their corrupt and glaring idol, fame,
From virtue, trampled by its iron tread,
Although its dazzling pedestal be raised
Amid the horrors of a limb-strewn field,
With desolated dwellings smoking round.
The man of ease, who, by his warm fireside,
To deeds of charitable intercourse
And bare fulfilment of the common laws
Of decency and prejudice confines
The struggling nature of his human heart,
Is duped by their cold sophistry; he sheds
A passing tear perchance upon the wreck
Of earthly peace, when near his dwelling's door
The frightful waves are driven,when his son
Is murdered by the tyrant, or religion
Drives his wife raving mad. But the poor man
Whose life is misery, and fear and care;
Whom the morn wakens but to fruitless toil;
Who ever hears his famished offspring's scream;
Whom their pale mother's uncomplaining gaze
Forever meets, and the proud rich man's eye
Flashing command, and the heart-breaking scene
Of thousands like himself;he little heeds
The rhetoric of tyranny; his hate
Is quenchless as his wrongs; he laughs to scorn
The vain and bitter mockery of words,
Feeling the horror of the tyrant's deeds,
And unrestrained but by the arm of power,
That knows and dreads his enmity.
'The iron rod of penury still compels
Her wretched slave to bow the knee to wealth,
And poison, with unprofitable toil,
A life too void of solace to confirm
The very chains that bind him to his doom.
Nature, impartial in munificence,
Has gifted man with all-subduing will.
Matter, with all its transitory shapes,
Lies subjected and plastic at his feet,
That, weak from bondage, tremble as they tread.
How many a rustic Milton has passed by,
Stifling the speechless longings of his heart,
In unremitting drudgery and care!
How many a vulgar Cato has compelled
His energies, no longer tameless then,
To mould a pin or fabricate a nail!
How many a Newton, to whose passive ken
Those mighty spheres that gem infinity
Were only specks of tinsel fixed in heaven
To light the midnights of his native town!
'Yet every heart contains perfection's germ.
The wisest of the sages of the earth,
That ever from the stores of reason drew
Science and truth, and virtue's dreadless tone,
Were but a weak and inexperienced boy,
Proud, sensual, unimpassioned, unimbued
With pure desire and universal love,
Compared to that high being, of cloudless brain,
Untainted passion, elevated will,
Which death (who even would linger long in awe
Within his noble presence and beneath
His changeless eye-beam) might alone subdue.
Him, every slave now dragging through the filth
Of some corrupted city his sad life,
Pining with famine, swoln with luxury,
Blunting the keenness of his spiritual sense
With narrow schemings and unworthy cares,
Or madly rushing through all violent crime
To move the deep stagnation of his soul,
Might imitate and equal.
But mean lust
Has bound its chains so tight about the earth
That all within it but the virtuous man
Is venal; gold or fame will surely reach
The price prefixed by Selfishness to all
But him of resolute and unchanging will;
Whom nor the plaudits of a servile crowd,
Nor the vile joys of tainting luxury,
Can bribe to yield his elevated soul
To Tyranny or Falsehood, though they wield
With blood-red hand the sceptre of the world.
'All things are sold: the very light of heaven
Is venal; earth's unsparing gifts of love,
The smallest and most despicable things
That lurk in the abysses of the deep,
All objects of our life, even life itself,
And the poor pittance which the laws allow
Of liberty, the fellowship of man,
Those duties which his heart of human love
Should urge him to perform instinctively,
Are bought and sold as in a public mart
Of undisguising Selfishness, that sets
On each its price, the stamp-mark of her reign.
Even love is sold; the solace of all woe
Is turned to deadliest agony, old age
Shivers in selfish beauty's loathing arms,
And youth's corrupted impulses prepare
A life of horror from the blighting bane
Of commerce; whilst the pestilence that springs
From unenjoying sensualism, has filled
All human life with hydra-headed woes.
'Falsehood demands but gold to pay the pangs
Of outraged conscience; for the slavish priest
Sets no great value on his hireling faith;
A little passing pomp, some servile souls,
Whom cowardice itself might safely chain
Or the spare mite of avarice could bribe
To deck the triumph of their languid zeal,
Can make him minister to tyranny.
More daring crime requires a loftier meed.
Without a shudder the slave-soldier lends
His arm to murderous deeds, and steels his heart,
When the dread eloquence of dying men,
Low mingling on the lonely field of fame,
Assails that nature whose applause he sells
For the gross blessings of the patriot mob,
For the vile gratitude of heartless kings,
And for a cold world's good word,viler still!
'There is a nobler glory which survives
Until our being fades, and, solacing
All human care, accompanies its change;
Deserts not virtue in the dungeon's gloom,
And in the precincts of the palace guides
Its footsteps through that labyrinth of crime;
Imbues his lineaments with dauntlessness,
Even when from power's avenging hand he takes
Its sweetest, last and noblest titledeath;
The consciousness of good, which neither gold,
Nor sordid fame, nor hope of heavenly bliss,
Can purchase; but a life of resolute good,
Unalterable will, quenchless desire
Of universal happiness, the heart
That beats with it in unison, the brain
Whose ever-wakeful wisdom toils to change
Reason's rich stores for its eternal weal.
'This commerce of sincerest virtue needs
No meditative signs of selfishness,
No jealous intercourse of wretched gain,
No balancings of prudence, cold and long;
In just and equal measure all is weighed,
One scale contains the sum of human weal,
And one, the good man's heart.
How vainly seek
The selfish for that happiness denied
To aught but virtue! Blind and hardened, they,
Who hope for peace amid the storms of care,
Who covet power they know not how to use,
And sigh for pleasure they refuse to give,
Madly they frustrate still their own designs;
And, where they hope that quiet to enjoy
Which virtue pictures, bitterness of soul,
Pining regrets, and vain repentances,
Disease, disgust and lassitude pervade
Their valueless and miserable lives.
'But hoary-headed selfishness has felt
Its death-blow and is tottering to the grave;
A brighter morn awaits the human day,
When every transfer of earth's natural gifts
Shall be a commerce of good words and works;
When poverty and wealth, the thirst of fame,
The fear of infamy, disease and woe,
War with its million horrors, and fierce hell,
Shall live but in the memory of time,
Who, like a penitent libertine, shall start,
Look back, and shudder at his younger years.'
~ Percy Bysshe Shelley, Queen Mab - Part V.
,#NFDB
392:I - NIGHT
(A lofty-arched, narrow, Gothic chamber. FAUST, in a chair at his
desk, restless.)
FAUST
I've studied now Philosophy
And Jurisprudence, Medicine,
And even, alas! Theology,
From end to end, with labor keen;
And here, poor fool! with all my lore
I stand, no wiser than before:
I'm Magisteryea, Doctorhight,
And straight or cross-wise, wrong or right,
These ten years long, with many woes,
I've led my scholars by the nose,
And see, that nothing can be known!
That knowledge cuts me to the bone.
I'm cleverer, true, than those fops of teachers,
Doctors and Magisters, Scribes and Preachers;
Neither scruples nor doubts come now to smite me,
Nor Hell nor Devil can longer affright me.
For this, all pleasure am I foregoing;
I do not pretend to aught worth knowing,
I do not pretend I could be a teacher
To help or convert a fellow-creature.
Then, too, I've neither lands nor gold,
Nor the world's least pomp or honor hold
No dog would endure such a curst existence!
Wherefore, from Magic I seek assistance,
That many a secret perchance I reach
Through spirit-power and spirit-speech,
And thus the bitter task forego
Of saying the things I do not know,
That I may detect the inmost force
Which binds the world, and guides its course;
Its germs, productive powers explore,
And rummage in empty words no more!
O full and splendid Moon, whom I
Have, from this desk, seen climb the sky
So many a midnight,would thy glow
For the last time beheld my woe!
Ever thine eye, most mournful friend,
O'er books and papers saw me bend;
But would that I, on mountains grand,
Amid thy blessed light could stand,
With spirits through mountain-caverns hover,
Float in thy twilight the meadows over,
And, freed from the fumes of lore that swa the me,
To health in thy dewy fountains ba the me!
Ah, me! this dungeon still I see.
This drear, accursed masonry,
Where even the welcome daylight strains
But duskly through the painted panes.
Hemmed in by many a toppling heap
Of books worm-eaten, gray with dust,
Which to the vaulted ceiling creep,
Against the smoky paper thrust,
With glasses, boxes, round me stacked,
And instruments together hurled,
Ancestral lumber, stuffed and packed
Such is my world: and what a world!
And do I ask, wherefore my heart
Falters, oppressed with unknown needs?
Why some inexplicable smart
All movement of my life impedes?
Alas! in living Nature's stead,
Where God His human creature set,
In smoke and mould the fleshless dead
And bones of beasts surround me yet!
Fly! Up, and seek the broad, free land!
And this one Book of Mystery
From Nostradamus' very hand,
Is't not sufficient company?
When I the starry courses know,
And Nature's wise instruction seek,
With light of power my soul shall glow,
As when to spirits spirits speak.
Tis vain, this empty brooding here,
Though guessed the holy symbols be:
Ye, Spirits, comeye hover near
Oh, if you hear me, answer me!
(He opens the Book, and perceives the sign of the Macrocosm.)
Ha! what a sudden rapture leaps from this
I view, through all my senses swiftly flowing!
I feel a youthful, holy, vital bliss
In every vein and fibre newly glowing.
Was it a God, who traced this sign,
With calm across my tumult stealing,
My troubled heart to joy unsealing,
With impulse, mystic and divine,
The powers of Nature here, around my path, revealing?
Am I a God?so clear mine eyes!
In these pure features I behold
Creative Nature to my soul unfold.
What says the sage, now first I recognize:
"The spirit-world no closures fasten;
Thy sense is shut, thy heart is dead:
Disciple, up! untiring, hasten
To ba the thy breast in morning-red!"
(He contemplates the sign.)
How each the Whole its substance gives,
Each in the other works and lives!
Like heavenly forces rising and descending,
Their golden urns reciprocally lending,
With wings that winnow blessing
From Heaven through Earth I see them pressing,
Filling the All with harmony unceasing!
How grand a show! but, ah! a show alone.
Thee, boundless Nature, how make thee my own?
Where you, ye beasts? Founts of all Being, shining,
Whereon hang Heaven's and Earth's desire,
Whereto our withered hearts aspire,
Ye flow, ye feed: and am I vainly pining?
(He turns the leaves impatiently, and perceives the sign of the
Earth-Spirit.)
How otherwise upon me works this sign!
Thou, Spirit of the Earth, art nearer:
Even now my powers are loftier, clearer;
I glow, as drunk with new-made wine:
New strength and heart to meet the world incite me,
The woe of earth, the bliss of earth, invite me,
And though the shock of storms may smite me,
No crash of shipwreck shall have power to fright me!
Clouds gather over me
The moon conceals her light
The lamp's extinguished!
Mists rise,red, angry rays are darting
Around my head!There falls
A horror from the vaulted roof,
And seizes me!
I feel thy presence, Spirit I invoke!
Reveal thyself!
Ha! in my heart what rending stroke!
With new impulsion
My senses heave in this convulsion!
I feel thee draw my heart, absorb, exhaust me:
Thou must! thou must! and though my life it cost me!
(He seizes the book, and mysteriously pronounces the sign of
the Spirit. A ruddy flame flashes: the Spirit appears in
the flame.)
SPIRIT
Who calls me?
FAUST (with averted head)
Terrible to see!
SPIRIT
Me hast thou long with might attracted,
Long from my sphere thy food exacted,
And now
FAUST
Woe! I endure not thee!
SPIRIT
To view me is thine aspiration,
My voice to hear, my countenance to see;
Thy powerful yearning moveth me,
Here am I!what mean perturbation
Thee, superhuman, shakes? Thy soul's high calling, where?
Where is the breast, which from itself a world did bear,
And shaped and cherishedwhich with joy expanded,
To be our peer, with us, the Spirits, banded?
Where art thou, Faust, whose voice has pierced to me,
Who towards me pressed with all thine energy?
He art thou, who, my presence breathing, seeing,
Trembles through all the depths of being,
A writhing worm, a terror-stricken form?
FAUST
Thee, form of flame, shall I then fear?
Yes, I am Faust: I am thy peer!
SPIRIT
In the tides of Life, in Action's storm,
A fluctuant wave,
A shuttle free,
Birth and the Grave,
An eternal sea,
A weaving, flowing
Life, all-glowing,
Thus at Time's humming loom 'tis my hand prepares
The garment of Life which the Deity wears!
FAUST
Thou, who around the wide world wendest,
Thou busy Spirit, how near I feel to thee!
SPIRIT
Thou'rt like the Spirit which thou comprehendest,
Not me!
(Disappears.)
FAUST (overwhelmed)
Not thee!
Whom then?
I, image of the Godhead!
Not even like thee!
(A knock).
O Death!I know it'tis my Famulus!
My fairest luck finds no fruition:
In all the fullness of my vision
The soulless sneak disturbs me thus!
(Enter WAGNER, in dressing-gown and night-cap, a lamp in
his hand. FAUST turns impatiently.)
WAGNER
Pardon, I heard your declamation;
'Twas sure an old Greek tragedy you read?
In such an art I crave some preparation,
Since now it stands one in good stead.
I've often heard it said, a preacher
Might learn, with a comedian for a teacher.
FAUST
Yes, when the priest comedian is by nature,
As haply now and then the case may be.
WAGNER
Ah, when one studies thus, a prisoned creature,
That scarce the world on holidays can see,
Scarce through a glass, by rare occasion,
How shall one lead it by persuasion?
FAUST
You'll ne'er attain it, save you know the feeling,
Save from the soul it rises clear,
Serene in primal strength, compelling
The hearts and minds of all who hear.
You sit forever gluing, patching;
You cook the scraps from others' fare;
And from your heap of ashes hatching
A starveling flame, ye blow it bare!
Take children's, monkeys' gaze admiring,
If such your taste, and be content;
But ne'er from heart to heart you'll speak inspiring,
Save your own heart is eloquent!
WAGNER
Yet through delivery orators succeed;
I feel that I am far behind, indeed.
FAUST
Seek thou the honest recompense!
Beware, a tinkling fool to be!
With little art, clear wit and sense
Suggest their own delivery;
And if thou'rt moved to speak in earnest,
What need, that after words thou yearnest?
Yes, your discourses, with their glittering show,
Where ye for men twist shredded thought like paper,
Are unrefreshing as the winds that blow
The rustling leaves through chill autumnal vapor!
WAGNER
Ah, God! but Art is long,
And Life, alas! is fleeting.
And oft, with zeal my critic-duties meeting,
In head and breast there's something wrong.
How hard it is to compass the assistance
Whereby one rises to the source!
And, haply, ere one travels half the course
Must the poor devil quit existence.
FAUST
Is parchment, then, the holy fount before thee,
A draught wherefrom thy thirst forever slakes?
No true refreshment can restore thee,
Save what from thine own soul spontaneous breaks.
WAGNER
Pardon! a great delight is granted
When, in the spirit of the ages planted,
We mark how, ere our times, a sage has thought,
And then, how far his work, and grandly, we have brought.
FAUST
O yes, up to the stars at last!
Listen, my friend: the ages that are past
Are now a book with seven seals protected:
What you the Spirit of the Ages call
Is nothing but the spirit of you all,
Wherein the Ages are reflected.
So, oftentimes, you miserably mar it!
At the first glance who sees it runs away.
An offal-barrel and a lumber-garret,
Or, at the best, a Punch-and-Judy play,
With maxims most pragmatical and hitting,
As in the mouths of puppets are befitting!
WAGNER
But then, the world the human heart and brain!
Of these one covets some slight apprehension.
FAUST
Yes, of the kind which men attain!
Who dares the child's true name in public mention?
The few, who thereof something really learned,
Unwisely frank, with hearts that spurned concealing,
And to the mob laid bare each thought and feeling,
Have evermore been crucified and burned.
I pray you, Friend, 'tis now the dead of night;
Our converse here must be suspended.
WAGNER
I would have shared your watches with delight,
That so our learned talk might be extended.
To-morrow, though, I'll ask, in Easter leisure,
This and the other question, at your pleasure.
Most zealously I seek for erudition:
Much do I know but to know all is my ambition.
[Exit.
FAUST (solus)
That brain, alone, not loses hope, whose choice is
To stick in shallow trash forevermore,
Which digs with eager hand for buried ore,
And, when it finds an angle-worm, rejoices!
Dare such a human voice disturb the flow,
Around me here, of spirit-presence fullest?
And yet, this once my thanks I owe
To thee, of all earth's sons the poorest, dullest!
For thou hast torn me from that desperate state
Which threatened soon to overwhelm my senses:
The apparition was so giant-great,
It dwarfed and withered all my soul's pretences!
I, image of the Godhead, who began
Deeming Eternal Truth secure in nearness
Ye choirs, have ye begun the sweet, consoling chant,
Which, through the night of Death, the angels ministrant
Sang, God's new Covenant repeating?
CHORUS OF WOMEN
With spices and precious
Balm, we arrayed him;
Faithful and gracious,
We tenderly laid him:
Linen to bind him
Cleanlily wound we:
Ah! when we would find him,
Christ no more found we!
CHORUS OF ANGELS
Christ is ascended!
Bliss hath invested him,
Woes that molested him,
Trials that tested him,
Gloriously ended!
FAUST
Why, here in dust, entice me with your spell,
Ye gentle, powerful sounds of Heaven?
Peal rather there, where tender natures dwell.
Your messages I hear, but faith has not been given;
The dearest child of Faith is Miracle.
I venture not to soar to yonder regions
Whence the glad tidings hither float;
And yet, from childhood up familiar with the note,
To Life it now renews the old allegiance.
Once Heavenly Love sent down a burning kiss
Upon my brow, in Sabbath silence holy;
And, filled with mystic presage, chimed the church-bell slowly,
And prayer dissolved me in a fervent bliss.
A sweet, uncomprehended yearning
Drove forth my feet through woods and meadows free,
And while a thousand tears were burning,
I felt a world arise for me.
These chants, to youth and all its sports appealing,
Proclaimed the Spring's rejoicing holiday;
And Memory holds me now, with childish feeling,
Back from the last, the solemn way.
Sound on, ye hymns of Heaven, so sweet and mild!
My tears gush forth: the Earth takes back her child!
CHORUS OF DISCIPLES
Has He, victoriously,
Burst from the vaulted
Grave, and all-gloriously
Now sits exalted?
Is He, in glow of birth,
Rapture creative near?
Ah! to the woe of earth
Still are we native here.
We, his aspiring
Followers, Him we miss;
Weeping, desiring,
Master, Thy bliss!
CHORUS OF ANGELS
Christ is arisen,
Out of Corruption's womb:
Burst ye the prison,
Break from your gloom!
Praising and pleading him,
Lovingly needing him,
Brotherly feeding him,
Preaching and speeding him,
Blessing, succeeding Him,
Thus is the Master near,
Thus is He here!
~ Johann Wolfgang von Goethe, NIGHT
,#NFDB
393:Sir Cauline
The First Part.
In Ireland, ferr over the sea,
There dwelleth a bonnye kinge;
And with him a yong and comlye knighte,
Men call him Syr Cauline.
The kinge had a ladye to his daughter,
In fashyon she hath no peere;
And princely wightes that ladye wooed
To be theyr wedded feere.
Syr Cauline loveth her best of all,
But nothing durst he saye;
Ne descreeve his counsayl to no man,
But deerlye he lovde this may.
Till on a daye it so beffell
Great dill to him was dight;
The maydens love removde his mynd,
To care-bed went the knighte.
One while he spred his armes him fro,
One while he spred them nye:
'And aye! but I winne that ladyes love,
For dole now I mun dye.'
And whan our parish-masse was done,
Our kinge was bowne to dyne;
He says, 'Where is Syr Cauline,
That is wont to serve the wyne?'
Then aunswerde him a courteous knighte,
And fast his handes gan wringe:
'Sir Cauline is sicke, and like to dye,
Without a good leechinge.'
'Fetche me downe my daughter deere,
608
She is a leeche fulle fine;
Goe take him doughe, and the baken bread,
And serve him with the wyne soe red;
Lothe I were him to tine.'
Fair Christabelle to his chaumber goes,
Her maydens follwyng nye:
'O well,' she sayth, 'How doth my lord?'
'O sicke, thou fayr ladye.'
'Nowe ryse up wightlye, man, for shame,
Never lye soe cowardlee;
For it is told in my fathers halle,
You dye for love of mee.'
'Fayre ladye, it is for your love
That all this dill I drye:
For if you wold comfort me with a kisse,
Then were I brought from bale to blisse,
No lenger wold I lye.'
'Syr Knighte, my father is a kinge,
I am his onlye heire;
Alas! and well you knowe, Syr Knighte,
I never can be youre fere.'
'O ladye, thou art a kinges daughter,
And I am not thy peere;
But let me doe some deedes of armes
To be your bacheleere.'
'Some deeds of armes if thou wilt doe,
My bacheleere to bee,
(But ever and aye my heart wold rue,
Giff harm shold happe to thee,)
'Upon Eldridge hill there groweth a thorne,
Upon the mores brodinge;
And dare ye, Syr Knighte, wake there all nighte,
Untill the fayre morninge?
'For the Eldridge knighte, so mickle of mighte,
609
Will examine you beforne;
And never man bare life awaye,
But he did him scath and scorne.
'That knighte he is a foul paynim,
And large of limb and bone;
And but if heaven may be thy speede,
Thy life it is but gone.'
'Nowe on the Eldridge hilles Ile walke,
For thy sake, fair laide;
And Ile either bring you a ready token,
Or Ile never more you see.'
The lady is gone to her own chaumbere,
Her maydens following bright;
Syr Cauline lope from care-bed soone,
And to the Eldridge hills is gone,
For to wake there all night.
Unto midnight, that the moone did rise,
He walked up and downe;
Then a lightsome bugle heard he blowe
Over the bents soe browne:
Quothe hee, 'If cryance come till my heart,
I am ffar from any good towne.'
And soone he spyde on the mores so broad
A furyous wight and fell;
A ladye bright his brydle led,
Clad in a fayre kyrtell:
And soe fast he called on Syr Cauline,
'O man, I rede thee flye,
For, 'but' if cryance come till thy heart,
I weene but thou mun dye.'
He sayth, ''No' cryance comes till my heart,
Nor, in faith, I wyll not flee;
For, cause thou minged not Christ before,
The less me dreadeth thee.'
610
The Eldridge knighte, he pricked his steed;
Syr Cauline bold abode:
Then either shooke his trustye speare,
And the timber these two children bare
Soe soone in sunder slode.
Then tooke they out theyr two good swordes,
And layden on full faste,
Till helme and hawberke, mail and sheelde,
They all were well-bye brast.
The Eldridge knight was mickle of might,
And stiffe in stower did stande;
But Syr Cauline with a 'backward' stroke,
Has smote off his right-hand;
That soone he, with paine and lacke of bloud,
Fell downe on that lay-land.
Then up Syr Cauline lift his brande
All over his head so hye:
'And here I sweare by the holy roode,
Nowe, caytiffe, thou shalt dye.'
Then up and came that ladye brighte,
Faste wringing of her hande:
'For the maydens love that most you love,
Withold that deadlye brande:
'For the maydens love that most you love,
Now smyte no more I praye;
And aye whatever thou wilt, my lord,
He shall thy hests obaye.'
'Now sweare to mee, thou Eldridge knighte,
And here on this lay-land,
That thou wilt believe on Christ his laye,
And thereto plight thy hand;
'And that thou never on Eldridge come
To sporte, gamon, or playe;
And that thou here give up thy armes
Until thy dying daye.'
611
The Eldridge knighte gave up his armes
With many a sorrowfulle sighe;
And sware to obey Syr Caulines hest,
Till the tyme that she shold dye.
And he then up and the Eldridge knighte
Sett him in his saddle anone;
And the Eldridge knighte and his ladye,
To theyr castle are they gone.
Then he tooke up the bloudy hand,
That was so large of bone,
And on it he founde five ringes of gold
Of knightes that had been slone.
Then he tooke up the Eldridge sworde,
As hard as any flint:
And he tooke off those ringes five,
As bright as fyre and brent.
Home then pricked Syr Cauline,
As light as leafe on tree;
I wys he neither stint ne blanne,
Till he his ladye see.
Then downe he knelt upon his knee,
Before that lady gay:
'O ladye, I have bin on the Eldridge hills:
These tokens I bring away.'
'Now welcome, welcome, Syr Cauline,
Thrice welcome unto mee,
For now I perceive thou art a true knighte,
Of valour bolde and free.'
'O ladye, I am thy own true knighte,
Thy hests for to obaye;
And mought I hope to winne thy love' -No more his tonge colde say.
The ladye blushed scarlette redde,
612
And fette a gentill sighe:
'Alas! Syr Knight, how may this bee,
For my degree's soe highe?
'But sith thou hast hight, thou comely youth,
To be my batchilere,
Ile promise, if the I may not wedde,
I will have none other fere.'
Then shee held forthe her lilly-white hand
Towards that knighte so free;
He gave to it one gentill kisse,
His heart was brought from Lale to blisse,
The teares sterte from his ee.
'But keep my counsayl, Syr Cauline,
Ne let no man it knowe;
For, and ever my father sholde it ken,
I wot he wolde us sloe.'
From that daye forthe, that ladye fayre
Lovde Syr Cauline the knighte:
From that daye forthe, he only joyde
Whan shee was in his sight.
Yea, and oftentimes they mette
Within a fayre arboure,
Where they, in love and sweet daliaunce,
Past manye a pleasaunt houre.
Part the Second
Everye white will have its blacke,
And everye sweete its sowre:
This founde the Ladye Christabelle
In an untimely howre.
For so it befelle, as Syr Cauline
Was with that ladye faire,
The kinge, her father, walked forthe
613
To take the evenyng aire:
And into the arboure as he went
To rest his wearye feet,
He found his daughter and Syr Cauline
There sette in daliaunce sweet.
The kinge hee sterted forthe, i-wys,
And an angrye man was hee:
'Nowe, traytoure, thou shalt hange or drawe,
And rewe shall thy ladie.'
Then forthe Syr Cauline he was ledde,
And throwne in dungeon deepe:
And the ladye into a towre so hye,
There left to wayle and weepe.
The queene she was Syr Caulines friend,
And to the kinge sayd shee:
'I praye you save Syr Caulines life,
And let him banisht bee.'
'Now, dame, that traitor shall be sent
Across the salt ssea fome:
But here I will make thee a band,
If ever he come within this land,
A foule deathe is his doome.'
All woe-begone was that gentil knight
To parte from his ladye;
And many a time he sighed sore,
And cast a wistfulle eye:
'Faire Christabelle, from thee to parte,
Farre lever had I dye.'
Faire Christabelle, that ladye bright,
Was had forthe of the towre;
But ever shee droopeth in her minde,
As, nipt an ungentle winde,
Doth some faire lillye flowre.
And ever shee doth lament and weepe
614
To tint her lover soe:
'Syr Cauline, thou little think'st on mee,
But I will still be true.'
Manye a kinge, and manye a duke,
And lorde of high degree,
Did sue to that fayre ladye of love;
But never shee wolde them nee.
When manye a daye was past and gone,
Ne comforte she colde finde,
The kynge proclaimed a tourneament,
To cheere his daughters mind.
And there came lords, and there came knights,
Fro manye a farre countrye,
To break a spere for theyr ladyes love,
Before that faire ladye.
And many a ladye there was sette,
In purple and in palle;
But faire Christabelle, soe woe-begone,
Was the fayrest of them all.
Then manye a knighte was mickle of might,
Before his ladye gaye;
But a stranger wight, whom no man knewe,
He wan the prize eche daye.
His acton it was all of blacke,
His hewberke and his sheelde;
Ne noe man wist whence he did come,
Ne noe man knewe where he did gone,
When they came out the feelde.
And now three days were prestlye past
In feates of chivalrye,
When lo, upon the fourth morninge,
A sorrowfulle sight they see:
A hugye giaunt stiffe and starke,
All foule of limbe and lere,
615
Two goggling eyen like fire farden,
A mouthe from eare to eare.
Before him came a dwarffe full lowe,
That waited on his knee;
And at his back five heads he bare,
All wan and pale of blee.
'Sir,' quoth the dwarffe, and louted lowe,
'Behold that hend Soldain!
Behold these heads I beare with me!
They are kings which he hath slain.
'The Eldridge knight is his own cousine,
Whom a knight of thine hath shent:
And hee is come to avenge his wrong:
And to thee, all thy knightes among,
Defiance here hath sent.
'But yette he will appease his wrath,
Thy daughters love to winne;
And, but thou yeelde him that fayre mayd,
Thy halls and towers must brenne.
'Thy head, Syr King, must goe with mee,
Or else thy daughter deere;
Or else within these lists soe broad,
Thou must finde him a peere.'
The king he turned him round aboute,
And in his heart was woe:
'Is there never a knighte of my round table
This matter will undergoe?
'Is there never a knighte amongst yee all
Will fight for my daughter and mee?
Whoever will fight yon grimme Soldan,
Right fair his meede shall bee.
'For hee shall have my broad laylands,
And of my crowne be heyre;
And he shall winne faire Christabelle
616
To be his wedded fere.'
But every knighte of his round table
Did stand both still and pale;
For, whenever they lookt on the grim Soldan,
It made their hearts to quail.
All woe-bgone was that fayre ladye,
When she sawe no helpe was nye;
She cast her thought on her owne true-love,
And the teares gusht from her eye.
Up then sterte the stranger knighte,
Sayd, 'Ladyye, be not affrayd;
Ile fight for thee with this grimme Soldan,
Thoughe he be unmacklye made.
'And if thou wilt lend me the Eldridge sworde,
That lyeth within thy bowre,
I truste in Christe for to slay this fiende,
Thoughe he be stiff in stowre.'
'Goe fetch him downe the Eldridge sword,'
The kinge he cryde, 'with speede:
Nowe heaven assist thee, courteous knighte;
My daughter is thy meede.'
The gyaunt he stepped into the lists,
And sayd, 'Awaye, awaye:
I sweare, as I am the hend Soldan,
Thou lettest me here all daye.'
Then forthe the stranger knight he came,
In his blacke armoure dight:
The ladye sighed a gentle sighe,
'That this were my true knighte!'
And nowe the gyaunt and knighte be mett
Within the lists soe broad;
And now, with swordes soe sharpe of steele,
They gan to lay on load.
617
The Soldan strucke the knighte a stroke,
That made him reele asyde:
Then woe-begone wast hat fayre ladye,
And thrice she deeply sighde.
The Soldan strucke a second stroke,
And made the bloude to flowe:
All pale and wan was that ladye fayre,
And thrice she wept for woe.
The Soldan strucke a third fell stroke,
Which brought the knighte on his knee:
Sad sorrow pierced that ladyes heart,
And she shriekt loud shriekings three.
The knighte he leapt upon his feete,
All recklesse of the pain:
Quoth hee, 'But heaven be now my speede,
Or else I shall be slaine.'
He grasped his sworde with mayne and mighte,
And spying a secrette part,
He drave it into the Soldan's syde,
And pierced him to the heart.
Then all the people gave a shoute,
Whan they sawe the Soldan falle:
The ladye wept, and thanked Christ
That had reskewed her from thrall.
And nowe the kinge, with all his barons,
Rose uppe from offe his seate,
And downe he stepped into the listes
That curteous knighte to greete.
But he, for payne and lacke of bloude,
Was fallen into a swounde,
And there, all walteringe in his gore,
Lay lifelesse on the grounde.
'Come downe, come downe, my daughter deare,
Thou art a leeche of skille;
618
Farre lever had I lose halfe my landes,
Than this good knighte sholde spille.'
Downe then steppeth that fayre ladye,
To helpe him if she maye:
But when she did his beavere raise,
'It is my life, my lord,' she sayes,
And shriekte and swound awaye.
Syr Cauline juste lifte up his eyes,
When he hearde his ladye crye:
'O ladye, I am thine owne true love;
For thee I wisht to dye.'
Then giving her one partinge looke,
He closed his eyes in death
Ever Christabelle, that ladye milde,
Begane to drawe her breathe.
But when she found her comelye knighte
Indeed was dead and gone,
She layde her pale, cold cheeke to his,
And thus she made her moane:
'O staye, my deare and onlye lord,
For mee, thy faithfulle feere;
'Tis meet that I shold followe thee,
Who hast bought my love so deare.'
Then fayntinge in a deadlye swoune,
And with a deep-fette sighe,
That burst her gentle heart in twayne,
Faire Christabelle did dye.
~ Anonymous Olde English,#NFDB
394:Scene.Inside the Turret on the Hill above Asolo.Luigi and his Mother entering.
Mother
If there blew wind, you'd hear a long sigh, easing
The utmost heaviness of music's heart.
Luigi
Here in the archway?
Mother
Oh no, noin farther,
Where the echo is made, on the ridge.
Luigi
Here surely, then.
How plain the tap of my heel as I leaped up!
Hark"Lucius Junius!" The very ghost of a voice
Whose body is caught and kept by . . . what are those?
Mere withered wallflowers, waving overhead?
They seem an elvish group with thin bleached hair
That lean out of their topmost fortresslook
And listen, mountain men, to what we say,
Hand under chin of each grave earthy face.
Up and show faces all of you!"All of you!"
That's the king dwarf with the scarlet comb; old Franz,
Come down and meet your fate? Hark"Meet your fate!"
Mother
Let him not meet it, my Luigido not
Go to his City! Putting crime aside,
Half of these ills of Italy are feigned:
Your Pellicos and writers for effect,
Write for effect.
Luigi
Hush! Say A. writes, and B.
Mother
These A.s and B.s write for effect, I say.
Then, evil is in its nature loud, while good
Is silent; you hear each petty injury,
None of his virtues; he is old beside,
Quiet and kind, and densely stupid. Why
Do A. and B. not kill him themselves?
Luigi
They teach
Others to kill himmeand, if I fail,
Others to succeed; now, if A. tried and failed,
I could not teach that: mine's the lesser task.
Mother, they visit night by night . . .
Mother
You, Luigi?
Ah, will you let me tell you what you are?
Luigi
Why not? Oh, the one thing you fear to hint,
You may assure yourself I say and say
Ever to myself! At timesnay, even as now
We sitI think my mind is touched, suspect
All is not sound: but is not knowing that,
What constitutes one sane or otherwise?
I know I am thusso, all is right again.
I laugh at myself as through the town I walk.
And see men merry as if no Italy
Were suffering; then I ponder"I am rich,
"Young, healthy; why should this fact trouble me,
"More than it troubles these?" But it does trouble.
No, trouble's a bad word: for as I walk
There's springing and melody and giddiness,
And old quaint turns and passages of my youth,
Dreams long forgotten, little in themselves,
Return to mewhatever may amuse me:
And earth seems in a truce with me, and heaven
Accords with me, all things suspend their strife,
The very cicala laughs "There goes he, and there!
"Feast him, the time is short; he is on his way
"For the world's sake: feast him this once, our friend!"
And in return for all this, I can trip
Cheerfully up the scaffold-steps. I go
This evening, mother!
Mother
But mistrust yourself
Mistrust the judgment you pronounce on him!
Luigi
Oh, there I feelam sure that I am right!
Mother
Mistrust your judgment then, of the mere means
To this wild enterprise. Say, you are right,
How should one in your state e'er bring to pass
What would require a cool head, a cold heart,
And a calm hand? You never will escape.
Luigi
Escape? To even wish that, would spoil all.
The dying is best part of it. Too much
Have I enjoyed these fifteen years of mine,
To leave myself excuse for longer life:
Was not life pressed down, running o'er with joy,
That I might finish with it ere my fellows
Who, sparelier feasted, make a longer stay?
I was put at the board-head, helped to all
At first; I rise up happy and content.
God must be glad one loves his world so much.
I can give news of earth to all the dead
Who ask me:last year's sunsets, and great stars
Which had a right to come first and see ebb
The crimson wave that drifts the sun away
Those crescent moons with notched and burning rims
That strengthened into sharp fire, and there stood,
Impatient of the azureand that day
In March, a double rainbow stopped the storm
May's warm slow yellow moonlit summer nights
Gone are they, but I have them in my soul!
Mother
(He will not go!)
Luigi
You smile at me? 'T is true,
Voluptuousness, grotesqueness, ghastliness,
Environ my devotedness as quaintly
As round about some antique altar wreathe
The rose festoons, goats' horns, and oxen's skulls.
Mother
See now: you reach the city, you must cross
His thresholdhow?
Luigi
Oh, that's if we conspired!
Then would come pains in plenty, as you guess
But guess not how the qualities most fit
For such an office, qualities I have,
Would little stead me, otherwise employed,
Yet prove of rarest merit only here.
Every one knows for what his excellence
Will serve, but no one ever will consider
For what his worst defect might serve: and yet
Have you not seen me range our coppice yonder
In search of a distorted ash?I find
The wry spoilt branch a natural perfect bow.
Fancy the thrice-sage, thrice-precautioned man
Arriving at the palace on my errand!
No, no! I have a handsome dress packed up
White satin here, to set off my black hair;
In I shall marchfor you may watch your life out
Behind thick walls, make friends there to betray you;
More than one man spoils everything. March straight
Only, no clumsy knife to fumble for.
Take the great gate, and walk (not saunter) on
Thro' guards and guardsI have rehearsed it all
Inside the turret here a hundred times.
Don't ask the way of whom you meet, observe!
But where they cluster thickliest is the door
Of doors; they'll let you passthey'll never blab
Each to the other, he knows not the favourite,
Whence he is bound and what's his business now.
Walk instraight up to him; you have no knife:
Be prompt, how should he scream? Then, out with you!
Italy, Italy, my Italy!
You're free, you're free! Oh mother, I could dream
They got about meAndrea from his exile,
Pier from his dungeon, Gualtier from his grave!
Mother
Well, you shall go. Yet seems this patriotism
The easiest virtue for a selfish man
To acquire: he loves himselfand next, the world
If he must love beyond,but nought between:
As a short-sighted man sees nought midway
His body and the sun above. But you
Are my adored Luigi, ever obedient
To my least wish, and running o'er with love:
I could not call you cruel or unkind.
Once more, your ground for killing him!then go!
Luigi
Now do you try me, or make sport of me?
How first the Austrians got these provinces . . .
(If that is all, I'll satisfy you soon)
Never by conquest but by cunning, for
That treaty whereby . . .
Mother
Well?
Luigi
(Sure, he's arrived,
The tell-tale cuckoo: spring's his confidant,
And he lets out her April purposes!)
Or . . . better go at once to modern time,
He has . . . they have . . . in fact, I understand
But can't restate the matter; that's my boast:
Others could reason it out to you, and prove
Things they have made me feel.
Mother
Why go to-night?
Morn's for adventure. Jupiter is now
A morning-star. I cannot hear you, Luigi!
Luigi
"I am the bright and morning-star," saith God
And, "to such an one I give the morning-star.
The gift of the morning-star! Have I God's gift
Of the morning-star?
Mother
Chiara will love to see
That Jupiter an evening-star next June.
Luigi
True, mother. Well for those who live through June!
Great noontides, thunder-storms, all glaring pomps
That triumph at the heels of June the god
Leading his revel through our leafy world.
Yes, Chiara will be here.
Mother
In June: remember,
Yourself appointed that month for her coming.
Luigi
Was that low noise the echo?
Mother
The night-wind.
She must be grownwith her blue eyes upturned
As if life were one long and sweet surprise:
In June she comes.
Luigi
We were to see together
The Titian at Treviso. There, again!
[From without is heard the voice of Pippa, singing]
A king lived long ago,
In the morning of the world,
When earth was nigher heaven than now:
And the king's locks curled,
Disparting o'er a forehead full
As the milk-white space 'twixt horn and horn
Of some sacrificial bull
Only calm as a babe new-born:
For he was got to a sleepy mood,
So safe from all decrepitude,
Age with its bane, so sure gone by,
(The gods so loved him while he dreamed)
That, having lived thus long, there seemed
No need the king should ever die.
Luigi
No need that sort of king should ever die!
Among the rocks his city was:
Before his palace, in the sun,
He sat to see his people pass,
And judge them every one
From its threshold of smooth stone.
They haled him many a valley-thief
Caught in the sheep-pens, robber-chief
Swarthy and shameless, beggar-cheat,
Spy-prowler, or rough pirate found
On the sea-sand left aground;
And sometimes clung about his feet,
With bleeding lip and burning cheek,
A woman, bitterest wrong to speak
Of one with sullen thickset brows:
And sometimes from the prison-house
The angry priests a pale wretch brought,
Who through some chink had pushed and pressed
On knees and elbows, belly and breast,
Worm-like into the temple,caught
He was by the very god,
Who ever in the darkness strode
Backward and forward, keeping watch
O'er his brazen bowls, such rogues to catch!
These, all and every one,
The king judged, sitting in the sun.
Luigi
That king should still judge sitting in the sun!
His councillors, on left and right,
Looked anxious up,but no surprise
Disturbed the king's old smiling eyes
Where the very blue had turned to white.
'T is said, a Python scared one day
The breathless city, till he came,
With forky tongue and eyes on flame
Where the old king sat to judge alway,
But when he saw the sweepy hair
Girt with a crown of berries rare
Which the god will hardly give to wear
To the maiden who singeth, dancing bare
In the altar-smoke by the pine-torch lights,
At his wondrous forest rites,
Seeing this, he did not dare
Approach that threshold in the sun,
Assault the old king smiling there.
Such grace had kings when the world begun!
[Pippa passes]
Luigi
And such grace have they, now that the world ends!
The Python at the city, on the throne,
And brave men, God would crown for slaying him,
Lurk in bye-corners lest they fall his prey.
Are crowns yet to be won in this late time,
Which weakness makes me hesitate to reach?
'T is God's voice calls: how could I stay? Farewell!
Talk by the way, while Pippa is passing from the Turret to the Bishop's Brother's House, close to the Duomo S. Maria. PoorGirls sitting on the steps.
1st Girl
There goes a swallow to Venicethe stout seafarer!
Seeing those birds fly, makes one wish for wings.
Let us all wish; you wish first!
2nd Girl
I? This sunset
To finish.
3rd Girl
That oldsomebody I know,
Greyer and older than my grandfather,
To give me the same treat he gave last week
Feeding me on his knee with fig-peckers,
Lampreys and red Breganze-wine, and mumbling
The while some folly about how well I fare,
Let sit and eat my supper quietly:
Since had he not himself been late this morning
Detained atnever mind where,had he not . . .
"Eh, baggage, had I not!"
2nd Girl
How she can lie!
3rd Girl
Look thereby the nails!
2nd Girl.
What makes your fingers red?
3rd Girl
Dipping them into wine to write bad words with
On the bright table: how he laughed!
1st Girl
My turn.
Spring's come and summer's coming. I would wear
A long loose gown, down to the feet and hands,
With plaits here, close about the throat, all day;
And all night lie, the cool long nights, in bed;
And have new milk to drink, apples to eat,
Deuzans and junetings, leather-coats . . ah, I should say,
This is away in the fieldsmiles!
3rd Girl
Say at once
You'd be at home: she'd always be at home!
Now comes the story of the farm among
The cherry orchards, and how April snowed
White blossoms on her as she ran. Why, fool,
They've rubved the chalk-mark out, how tall you were
Twisted your starling's neck, broken his cage,
Made a dung-hill of your garden!
1st Girl
They, destroy
My garden since I left them? wellperhaps!
I would have done so: so I hope they have!
A fig-tree curled out of our cottage wall;
They called it mine, I have forgotten why,
It must have been there long ere I was born:
CriccricI think I hear the wasps o'erhead
Pricking the papers strung to flutter there
And keep off birds in fruit-timecoarse long papers,
And the wasps eat them, prick them through and through.
3rd Girl
How her mouth twitches! Where was I?before
She broke in with her wishes and long gowns
And waspswould I be such a fool!Oh, here!
This is my way: I answer every one
Who asks me why I make so much of him
(If you say, "you love him"straight "he'll not be gulled!")
"He that seduced me when I was a girl
"Thus highhad eyes like yours, or hair like yours,
"Brown, red, white,"as the case may be: that pleases!
See how that beetle burnishes in the path!
There sparkles he along the dust: and, there
Your journey to that maize-tuft spoiled at least!
1st Girl
When I was young, they said if you killed one
Of those sunshiny beetles, that his friend
Up there, would shine no more that day nor next.
2nd Girl
When you were young? Nor are you young, that's true.
How your plump arms, that were, have dropped away!
Why, I can span them. Cecco beats you still?
No matter, so you keep your curious hair.
I wish they'd find a way to dye our hair
Your colourany lighter tint, indeed,
Than black: the men say they are sick of black,
Black eyes, black hair!
4th Girl
Sick of yours, like enough.
Do you pretend you ever tasted lampreys
And ortolans? Giovita, of the palace,
Engaged (but there's no trusting him) to slice me
Polenta with a knife that had cut up
An ortolan.
2nd Girl
Why, there! Is not that Pippa
We are to talk to, under the window,quick,
Where the lights are?
1st Girl
That she? No, or she would sing.
For the Intendant said . . .
3rd Girl
Oh, you sing first!
Then, if she listens and comes close . . I'll tell you,
Sing that song the young English noble made,
Who took you for the purest of the pure,
And meant to leave the world for youwhat fun!
2nd Girl
[sings]
You'll love me yet!and I can tarry
Your love's protracted growing:
June reared that bunch of flowers you carry,
From seeds of April's sowing.
I plant a heartful now: some seed
At least is sure to strike,
And yieldwhat you'll not pluck indeed,
Not love, but, may be, like.
You'll look at least on love's remains,
A grave's one violet:
Your look?that pays a thousand pains.
What's death? You'll love me yet!
3rd Girl
[to Pippa who approaches]
Oh, you may come closerwe shall not eat you! Why, you seem the very person that the great rich handsome Englishman has fallen so violently in love with. I'll tell you all about it.
~ Robert Browning, Pippa Passes - Part III - Evening
,#NFDB
395:The Kalevala - Rune Xlix
RESTORATION OF THE SUN AND MOON.
Thus has Fire returned to Northland
But the gold Moon is not shining,
Neither gleams the silver sunlight
In the chambers of Wainola,
On the plains of Kalevala.
On the crops the white-frost settled,
And the cattle died of hunger,
Even birds grew sick and perished.
Men and maidens, faint and famished,
Perished in the cold and darkness,
From the absence of the sunshine,
From the absence of the moonlight.
Knew the pike his holes and hollows,
And the eagle knew his highway,
Knew the winds the times for sailing;
But the wise men of the Northland
Could not know the dawn of morning,
On the fog-point in the ocean,
On the islands forest-covered.
Young and aged talked and wondered,
Well reflected, long debated,
How to live without the moonlight,
Live without the silver sunshine,
In the cold and cheerless Northland,
In the homes of Kalevala.
Long conjectured all the maidens,
Orphans asked the wise for counsel.
Spake a maid to Ilmarinen,
Running to the blacksmith's furnace:
'Rise, O artist, from thy slumbers,
Hasten from thy couch unworthy;
Forge from gold the Moon for Northland,
Forge anew the Sun from silver
Cannot live without the moonlight,
Nor without the silver sunshine!'
From his couch arose the artist,
223
From his couch of stone, the blacksmith,
And began his work of forging,
Forging Sun and Moon for Northland.
Came the ancient Wainamoinen,
In the doorway sat and lingered,
Spake, these Words to Ilmarinen:
'Blacksmith, my beloved brother,
Thou the only metal-worker,
Tell me why thy magic hammer
Falls so heavy on thine anvil?'
Spake the youthful Ilmarinen:
'Moon of gold and Sun of silver,
I am forging for Wainola;
I shall swing them into ether,
Plant them in the starry heavens.'
Spake the wise, old Wainamoinen:
'Senseless blacksmith of the ages,
Vainly dost thou swing thy hammer,
Vainly rings thy mighty anvil;
Silver will not gleam as sunshine,
Not of gold is born the moonlight!'
Ilmarinen, little heeding,
Ceases not to ply his hammer,
Sun and Moon the artist forges,
Wings the Moon of Magic upward,
Hurls it to the pine-tree branches;
Does not shine without her master.
Then the silver Sun he stations
In an elm-tree on the mountain.
From his forehead drip the sweat-drops,
Perspiration from his fingers,
Through his labors at the anvil
While the Sun and Moon were forging;
But the Sun shone not at morning
From his station in the elm-tree;
And the Moon shone not at evening
From the pine-tree's topmost branches.
Spake the ancient Wainamoinen:
'Let the Fates be now consulted,
And the oracles examined;
Only thus may we discover
Where the Sun and Moon lie hidden.'
224
Thereupon old Wainamoinen,
Only wise and true magician,
Cut three chips from trunks of alder,
Laid the chips in magic order,
Touched and turned them with his fingers,
Spake these words of master-magic:
'Of my Maker seek I knowledge,
Ask in hope and faith the answer
From the great magician, Ukko:
Tongue of alder, tell me truly,
Symbol of the great Creator,
Where the Sun and Moon are sleeping;
For the Moon shines not in season,
Nor appears the Sun at midday,
From their stations in the sky-vault.
Speak the truth, O magic alder,
Speak not words of man, nor hero,
Hither bring but truthful measures.
Let us form a sacred compact:
If thou speakest me a falsehood,
I will hurl thee to Manala,
Let the nether fires consume thee,
That thine evil signs may perish.'
Thereupon the alder answered,
Spake these words of truthful import:
'Verily the Sun lies hidden
And the golden Moon is sleeping
In the stone-berg of Pohyola,
In the copper-bearing mountain.'
These the words of Wainamoinen:
'I shall go at once to Northland,
To the cold and dark Pohyola,
Bring the Sun and Moon to gladden
All Wainola's fields and forests.'
Forth he hastens on his journey,
To the dismal Sariola,
To the Northland cold and dreary;
Travels one day, then a second,
So the third from morn till evening,
When appear the gates of Pohya,
With her snow-clad hills and mountains.
Wainamoinen, the magician,
225
At the river of Pohyola,
Loudly calls the ferry-maiden:
Bring a boat, O Pohya-daughter,
Bring a strong and trusty vessel,
Row me o'er these chilling waters,
O'er this rough and rapid river! '
But the Ferry-maiden heard not,
Did not listen to his calling.
Thereupon old Wainamoinen,
Laid a pile of well-dried brush-wood,
Knots and needles of the fir-tree,
Made a fire beside the river,
Sent the black smoke into heaven
Curling to the home of Ukko.
Louhi, hostess of the Northland,
Hastened to her chamber window,
Looked upon the bay and river,
Spake these words to her attendants:
'Why the fire across the river
Where the current meets the deep-sea,
Smaller than the fires of foemen,
Larger than the flames of hunters?'
Thereupon a Pohyalander
Hastened from the court of Louhi
That the cause he might discover,'
Bring the sought-for information
To the hostess of Pohyola;
Saw upon the river-border
Some great hero from Wainola.
Wainamoinen saw the stranger,
Called again in tones of thunder:
'Bring a skiff; thou son of Northland,
For the minstrel, Wainamoinen!
Thus the Pohyalander answered:
'Here no skiffs are lying idle,
Row thyself across the waters,
Use thine arms, and feet, and fingers,
To propel thee o'er the river,
O'er the sacred stream of Pohya.'
Wainamoinen, long reflecting,
Bravely thus soliloquizes:
'I will change my form and features,
226
Will assume a second body,
Neither man, nor ancient minstrel,
Master of the Northland waters!'
Then the singer, Wainamoinen,
Leaped, a pike, upon the waters,
Quickly swam the rapid river,
Gained the frigid Pohya-border.
There his native form resuming,
Walked he as a mighty hero,
On the dismal isle of Louhi,
Spake the wicked sons of Northland:
Come thou to Pohyola's court-room.'
To Pohyola's, court he hastened.
Spake again the sons of evil:
Come thou to the halls of Louhi!'
To Pohyola's halls he hastened.
On the latch he laid his fingers,
Set his foot within the fore-hall,
Hastened to the inner chamber,
Underneath the painted rafters,
Where the Northland-heroes gather.
There he found the Pohya-masters
Girded with their swords of battle,
With their spears and battle-axes,
With their fatal bows and arrows,
For the death of Wainamoinen,
Ancient bard, Suwantolainen.
Thus they asked the hero-stranger.
'Magic swimmer of the Northland,
Son of evil, what the message
That thou bringest from thy people,
What thy mission to Pohyola?'
Wainamoinen, old and truthful,
Thus addressed the hosts of Louhi:
'For the Sun I come to Northland,
Come to seek the Moon in Pohya;
Tell me where the Sun lies hidden,
Where the golden Moon is sleeping.'
Spake the evil sons of Pohya:
'Both the Sun and Moon are hidden
In the rock of many colors,
In the copper-bearing mountain,
227
In a cavern iron-banded,
In the stone-berg of Pohyola,
Nevermore to gain their freedom,
Nevermore to shine in Northland!'
Spake the hero, Wainamoinen:
'If the Sun be not uncovered,
If the Moon leave not her dungeon,
I will challenge all Pohyola
To the test of spear or broadsword,
Let us now our weapons measure!'
Quick the hero of Wainola
Drew his mighty sword of magic;
On its border shone the moonlight,
On its hilt the Sun was shining,
On its back, a neighing stallion,
On its face a cat was mewing,
Beautiful his magic weapon.
Quick the hero-swords are tested,
And the blades are rightly measured
Wainamoinen's sword is longest
By a single grain of barley,
By a blade of straw, the widest.
To the court-yard rushed the heroes,
Hastened to the deadly combat,
On the plains of Sariola.
Wainamoinen, the magician,
Strikes one blow, and then a second,
Strikes a third time, cuts and conquers.
As the house-maids slice the turnips,
As they lop the heads of cabbage,
As the stalks of flax are broken,
So the heads of Louhi's heroes
Fall before the magic broadsword
Of the ancient Wainamoinen.
Then victor from Wainola,
Ancient bard and great magician,
Went to find the Sun in slumber,
And the golden Moon discover,
In, the copper-bearing Mountains,
In the cavern iron-banded,
In the stone-berg of Pohyola.
He had gone but little distance,
228
When he found a sea-green island;
On the island stood a birch-tree,
Near the birch-tree stood a pillar
Carved in stone of many colors;
In the pillar, nine large portals
Bolted in a hundred places;
In the rock he found a crevice
Sending forth a gleam of sunlight.
Quick he drew his mighty broadsword,
From the pillar struck three colors,
From the magic of his weapon;
And the pillar fell asunder,
Three the number of the fragments.
Wainamoinen, old and faithful,
Through the crevice looked and wondered.
In the center of the pillar,
From a scarlet-colored basin,
Noxious serpents beer were drinking,
And the adders eating spices.
Spake the ancient Wainamoinen:
'Therefore has Pohyola's hostess
Little drink to give to strangers,
Since her beer is drank by serpents,
And her spices given to adders.'
Quick he draws his magic fire-blade,
Cuts the vipers green in pieces,
Lops the heads off all the adders,
Speaks these words of master-magic:
Thus, hereafter, let the serpent
Drink the famous beer of barley,
Feed upon the Northland-spices!'
Wainamoinen, the magician,
The eternal wizard-singer,
Sought to open wide the portals
With the hands and words of magic;
But his hands had lost their cunning,
And his magic gone to others.
Thereupon the ancient minstrel
Quick returning, heavy-hearted,
To his native halls and hamlets,
Thus addressed his brother-heroes:
'Woman, he without his weapons,
229
With no implements, a weakling!
Sun and Moon have I discovered,
But I could not force the Portals
Leading to their rocky cavern
In the copper bearing mountain.
Spake the reckless Lemminkainen
'O thou ancient Wainamoinen,
Why was I not taken with thee
To become, thy war-companion?
Would have been of goodly service,
Would have drawn the bolts or broken,
All the portals to the cavern,
Where the Sun and Moon lie hidden
In the copper-bearing mountain!'
Wainamoinen, ancient minstrel,
Thus replied to Lemminkainen:
'Empty Words will break no portals,
Draw no bolts of any moment;
Locks and bolts are never broken.
With the words of little wisdom!
Greater means than thou commandest
Must be used to free the sunshine,
Free the moonlight from her dungeon.'
Wainamoinen, not discouraged,
Hastened to the, forge and smithy,
Spake these words to Ilmarinen:
'O thou famous metal-artist,
Forge for me a magic trident,
Forge from steel a dozen stout-rings,
Master-keys, a goodly number,
Iron bars and heavy hammers,
That the Sun we may uncover
In the copper-bearing mountain,
In the stone-berg of Pohyola.'
Then the blacksmith, Ilmarinen,
The eternal metal-worker,
Forged the needs of Wainamoinen,
Forged for him the magic trident,
Forged from steel a dozen stout-rings,
Master-keys a goodly number,
Iron bars and heavy hammers,
Not the largest, nor the smallest,
230
Forged them of the right dimensions.
Louhi, hostess of Pohyola,
Northland's old and toothless wizard,
Fastened wings upon her shoulders,
As an eagle, sailed the heavens,
Over field, and fen, and forest,
Over Pohya's many, waters,
To the hamlets of Wainola,
To the forge of Ilmarinen.
Quick the famous metal-worker
Went to see if winds were blowing;
Found the winds at peace and silent,
Found an eagle, sable-colored,
Perched upon his window-casement.
Spake the artist, Ilmarinen:
'Magic bird, whom art thou seeking,
Why art sitting at my window?'
This the answer of the eagle:
'Art thou blacksmith, Ilmarinen,
The eternal iron-forger,
Master of the magic metals,
Northland's wonder-working artist?'
Ilmarinen gave this answer:
'There is nothing here of wonder,
Since I forged the dome of heaven,
Forged the earth a concave cover!'
Spake again the magic eagle:
Why this ringing of thine anvil,
Why this knocking of thy hammer,
Tell me what thy hands are forging?'
This the answer of the blacksmith:
''Tis a collar I am forging
For the neck of wicked Louhi,
Toothless witch of Sariola,
Stealer of the silver sunshine,
Stealer of the golden moonlight;
With this collar I shall bind her
To the iron-rock of Ehstland!'
Louhi, hostess of Pohyola,
Saw misfortune fast approaching,
Saw destruction flying over,
Saw the signs of bad-luck lower;
231
Quickly winged her way through ether
To her native halls and chambers,
To the darksome Sariola,
There unlocked the massive portals
Where the Sun and Moon were hidden,
In the rock of many colors,
In the cavern iron-banded,
In the copper-bearing mountain.
Then again the wicked Louhi
Changed her withered form and features,
And became a dove of good-luck;
Straightway winged the starry heavens,
Over field, and fen, and forest,
To the meadows of Wainola,
To the plains of Kalevala,
To the forge of Ilmarinen.
This the question of the blacksmith
'Wherefore comest, dove of good-luck,
What the tidings that thou bringest?'
Thus the magic bird made answer:
'Wherefore come I to thy smithy?
Come to bring the joyful tidings
That the Sun has left his cavern,
Left the rock of many colors,
Left the stone-berg of Pohyola;
That the Moon no more is hidden
In the copper-bearing mountains,
In the caverns iron-banded.'
Straightway hastened Ilmarinen
To the threshold of his smithy,
Quickly scanned the far horizon,
Saw again the silver sunshine,
Saw once more the golden moonlight,
Bringing peace, and joy, and plenty,
To the homes of Kalevala.
Thereupon the blacksmith hastened
To his brother, Wainamoinen,
Spake these words to the magician:
'O thou ancient bard and minstrel,
The eternal wizard-singer
See, the Sun again is shining,
And the golden Moon is beaming
232
From their long-neglected places,
From their stations in the sky-vault!'
Wainamoinen, old and faithful,
Straightway hastened to the court-yard,
Looked upon the far horizon,
Saw once more the silver sunshine,
Saw again the golden moonlight,
Bringing peace, and joy, and plenty,
To the people of the Northland,
And the minstrel spake these measures:
'Greetings to thee, Sun of fortune,
Greetings to thee, Moon of good-luck,
Welcome sunshine, welcome moonlight,
Golden is the dawn of morning!
Free art thou, O Sun of silver,
Free again, O Moon beloved,
As the sacred cuckoo's singing,
As the ring-dove's liquid cooings.
'Rise, thou silver Sun, each Morning,
Source of light and life hereafter,
Bring us, daily, joyful greetings,
Fill our homes with peace and plenty,
That our sowing, fishing, hunting,
May be prospered by thy coming.
Travel on thy daily journey,
Let the Moon be ever with thee;
Glide along thy way rejoicing,
End thy journeyings in slumber;
Rest at evening in the ocean,
When the daily cares have ended,
To the good of all thy people,
To the pleasure Of Wainoloa,
To the joy of Kalevala!'
~ Elias Lönnrot,#NFDB
396:Just at the self-same beat of Time's wide wings
Hyperion slid into the rustled air,
And Saturn gain'd with Thea that sad place
Where Cybele and the bruised Titans mourn'd.
It was a den where no insulting light
Could glimmer on their tears; where their own groans
They felt, but heard not, for the solid roar
Of thunderous waterfalls and torrents hoarse,
Pouring a constant bulk, uncertain where.
Crag jutting forth to crag, and rocks that seem'd
Ever as if just rising from a sleep,
Forehead to forehead held their monstrous horns;
And thus in thousand hugest phantasies
Made a fit roofing to this nest of woe.
Instead of thrones, hard flint they sat upon,
Couches of rugged stone, and slaty ridge
Stubborn'd with iron. All were not assembled:
Some chain'd in torture, and some wandering.
Caus, and Gyges, and Briareus,
Typhon, and Dolor, and Porphyrion,
With many more, the brawniest in assault,
Were pent in regions of laborious breath;
Dungeon'd in opaque element, to keep
Their clenched teeth still clench'd, and all their limbs
Lock'd up like veins of metal, crampt and screw'd;
Without a motion, save of their big hearts
Heaving in pain, and horribly convuls'd
With sanguine feverous boiling gurge of pulse.
Mnemosyne was straying in the world;
Far from her moon had Phoebe wandered;
And many else were free to roam abroad,
But for the main, here found they covert drear.
Scarce images of life, one here, one there,
Lay vast and edgeways; like a dismal cirque
Of Druid stones, upon a forlorn moor,
When the chill rain begins at shut of eve,
In dull November, and their chancel vault,
The Heaven itself, is blinded throughout night.
Each one kept shroud, nor to his neighbour gave
Or word, or look, or action of despair.
Creus was one; his ponderous iron mace
Lay by him, and a shatter'd rib of rock
Told of his rage, ere he thus sank and pined.
Iapetus another; in his grasp,
A serpent's plashy neck; its barbed tongue
Squeez'd from the gorge, and all its uncurl'd length
Dead: and because the creature could not spit
Its poison in the eyes of conquering Jove.
Next Cottus: prone he lay, chin uppermost,
As though in pain; for still upon the flint
He ground severe his skull, with open mouth
And eyes at horrid working. Nearest him
Asia, born of most enormous Caf,
Who cost her mother Tellus keener pangs,
Though feminine, than any of her sons:
More thought than woe was in her dusky face,
For she was prophesying of her glory;
And in her wide imagination stood
Palm-shaded temples, and high rival fanes
By Oxus or in Ganges' sacred isles.
Even as Hope upon her anchor leans,
So leant she, not so fair, upon a tusk
Shed from the broadest of her elephants.
Above her, on a crag's uneasy shelve,
Upon his elbow rais'd, all prostrate else,
Shadow'd Enceladus; once tame and mild
As grazing ox unworried in the meads;
Now tiger-passion'd, lion-thoughted, wroth,
He meditated, plotted, and even now
Was hurling mountains in that second war,
Not long delay'd, that scar'd the younger Gods
To hide themselves in forms of beast and bird.
Not far hence Atlas; and beside him prone
Phorcus, the sire of Gorgons. Neighbour'd close
Oceanus, and Tethys, in whose lap
Sobb'd Clymene among her tangled hair.
In midst of all lay Themis, at the feet
Of Ops the queen; all clouded round from sight,
No shape distinguishable, more than when
Thick night confounds the pine-tops with the clouds:
And many else whose names may not be told.
For when the Muse's wings are air-ward spread,
Who shall delay her flight? And she must chaunt
Of Saturn, and his guide, who now had climb'd
With damp and slippery footing from a depth
More horrid still. Above a sombre cliff
Their heads appear'd, and up their stature grew
Till on the level height their steps found ease:
Then Thea spread abroad her trembling arms
Upon the precincts of this nest of pain,
And sidelong fix'd her eye on Saturn's face:
There saw she direst strife; the supreme God
At war with all the frailty of grief,
Of rage, of fear, anxiety, revenge,
Remorse, spleen, hope, but most of all despair.
Against these plagues he strove in vain; for Fate
Had pour'd a mortal oil upon his head,
A disanointing poison: so that Thea,
Affrighted, kept her still, and let him pass
First onwards in, among the fallen tribe.
As with us mortal men, the laden heart
Is persecuted more, and fever'd more,
When it is nighing to the mournful house
Where other hearts are sick of the same bruise;
So Saturn, as he walk'd into the midst,
Felt faint, and would have sunk among the rest,
But that he met Enceladus's eye,
Whose mightiness, and awe of him, at once
Came like an inspiration; and he shouted,
"Titans, behold your God!" at which some groan'd;
Some started on their feet; some also shouted;
Some wept, some wail'd, all bow'd with reverence;
And Ops, uplifting her black folded veil,
Show'd her pale cheeks, and all her forehead wan,
Her eye-brows thin and jet, and hollow eyes.
There is a roaring in the bleak-grown pines
When Winter lifts his voice; there is a noise
Among immortals when a God gives sign,
With hushing finger, how he means to load
His tongue with the filll weight of utterless thought,
With thunder, and with music, and with pomp:
Such noise is like the roar of bleak-grown pines;
Which, when it ceases in this mountain'd world,
No other sound succeeds; but ceasing here,
Among these fallen, Saturn's voice therefrom
Grew up like organ, that begins anew
Its strain, when other harmonies, stopt short,
Leave the dinn'd air vibrating silverly.
Thus grew it up-"Not in my own sad breast,
Which is its own great judge and searcher out,
Can I find reason why ye should be thus:
Not in the legends of the first of days,
Studied from that old spirit-leaved book
Which starry Uranus with finger bright
Sav'd from the shores of darkness, when the waves
Low-ebb'd still hid it up in shallow gloom;-
And the which book ye know I ever kept
For my firm-based footstool:-Ah, infirm!
Not there, nor in sign, symbol, or portent
Of element, earth, water, air, and fire,-
At war, at peace, or inter-quarreling
One against one, or two, or three, or all
Each several one against the other three,
As fire with air loud warring when rain-floods
Drown both, and press them both against earth's face,
Where, finding sulphur, a quadruple wrath
Unhinges the poor world;-not in that strife,
Wherefrom I take strange lore, and read it deep,
Can I find reason why ye should be thus:
No, nowhere can unriddle, though I search,
And pore on Nature's universal scroll
Even to swooning, why ye, Divinities,
The first-born of all shap'd and palpable Gods,
Should cower beneath what, in comparison,
Is untremendous might. Yet ye are here,
O'erwhelm'd, and spurn'd, and batter'd, ye are here!
O Titans, shall I say 'Arise!'-Ye groan:
Shall I say 'Crouch!'-Ye groan. What can I then?
O Heaven wide! O unseen parent dear!
What can I? Tell me, all ye brethren Gods,
How we can war, how engine our great wrath!
O speak your counsel now, for Saturn's ear
Is all a-hunger'd. Thou, Oceanus,
Ponderest high and deep; and in thy face
I see, astonied, that severe content
Which comes of thought and musing: give us help!"
So ended Saturn; and the God of the sea,
Sophist and sage, from no Athenian grove,
But cogitation in his watery shades,
Arose, with locks not oozy, and began,
In murmurs, which his first-endeavouring tongue
Caught infant-like from the far-foamed sands.
"O ye, whom wrath consumes! who, passion-stung,
Writhe at defeat, and nurse your agonies!
Shut up your senses, stifle up your ears,
My voice is not a bellows unto ire.
Yet listen, ye who will, whilst I bring proof
How ye, perforce, must be content to stoop:
And in the proof much comfort will I give,
If ye will take that comfort in its truth.
We fall by course of Nature's law, not force
Of thunder, or of Jove. Great Saturn, thou
Hast sifted well the atom-universe;
But for this reason, that thou art the King,
And only blind from sheer supremacy,
One avenue was shaded from thine eyes,
Through which I wandered to eternal truth.
And first, as thou wast not the first of powers,
So art thou not the last; it cannot be:
Thou art not the beginning nor the end.
From Chaos and parental Darkness came
Light, the first fruits of that intestine broil,
That sullen ferment, which for wondrous ends
Was ripening in itself. The ripe hour came,
And with it Light, and Light, engendering
Upon its own producer, forthwith touch'd
The whole enormous matter into life.
Upon that very hour, our parentage,
The Heavens and the Earth, were manifest:
Then thou first born, and we the giant race,
Found ourselves ruling new and beauteous realms.
Now comes the pain of truth, to whom 'tis pain;
O folly! for to bear all naked truths,
And to envisage circumstance, all calm,
That is the top of sovereignty. Mark well!
As Heaven and Earth are fairer, fairer far
Than Chaos and blank Darkness, though once chiefs;
And as we show beyond that Heaven and Earth
In form and shape compact and beautiful,
In will, in action free, companionship,
And thousand other signs of purer life;
So on our heels a fresh perfection treads,
A power more strong in beauty, born of us
And fated to excel us, as we pass
In glory that old Darkness: nor are we
Thereby more conquer'd, than by us the rule
Of shapeless Chaos. Say, doth the dull soil
Quarrel with the proud forests it hath fed,
And feedeth still, more comely than itself?
Can it deny the chiefdom of green groves?
Or shall the tree be envious of the dove
Because it cooeth, and hath snowy wings
To wander wherewithal and find its joys?
We are such forest-trees, and our fair boughs
Have bred forth, not pale solitary doves,
But eagles golden-feather'd, who do tower
Above us in their beauty, and must reign
In right thereof; for 'tis the eternal law
That first in beauty should be first in might:
Yea, by that law, another race may drive
Our conquerors to mourn as we do now.
Have ye beheld the young God of the seas,
My dispossessor? Have ye seen his face?
Have ye beheld his chariot, foam'd along
By noble winged creatures he hath made?
I saw him on the calmed waters scud,
With such a glow of beauty in his eyes,
That it enforc'd me to bid sad farewell
To all my empire: farewell sad I took,
And hither came, to see how dolorous fate
Had wrought upon ye; and how I might best
Give consolation in this woe extreme.
Receive the truth, and let it be your balm."
Whether through pos'd conviction, or disdain,
They guarded silence, when Oceanus
Left murmuring, what deepest thought can tell?
But so it was, none answer'd for a space,
Save one whom none regarded, Clymene;
And yet she answer'd not, only complain'd,
With hectic lips, and eyes up-looking mild,
Thus wording timidly among the fierce:
"O Father! I am here the simplest voice,
And all my knowledge is that joy is gone,
And this thing woe crept in among our hearts,
There to remain for ever, as I fear:
I would not bode of evil, if I thought
So weak a creature could turn off the help
Which by just right should come of mighty Gods;
Yet let me tell my sorrow, let me tell
Of what I heard, and how it made me weep,
And know that we had parted from all hope.
I stood upon a shore, a pleasant shore,
Where a sweet clime was breathed from a land
Of fragrance, quietness, and trees, and flowers.
Full of calm joy it was, as I of grief;
Too full of joy and soft delicious warmth;
So that I felt a movement in my heart
To chide, and to reproach that solitude
With songs of misery, music of our woes;
And sat me down, and took a mouthed shell
And murmur'd into it, and made melody-
O melody no more! for while I sang,
And with poor skill let pass into the breeze
The dull shell's echo, from a bowery strand
Just opposite, an island of the sea,
There came enchantment with the shifting wind,
That did both drown and keep alive my ears.
I threw my shell away upon the sand,
And a wave fill'd it, as my sense was fill'd
With that new blissful golden melody.
A living death was in each gush of sounds,
Each family of rapturous hurried notes,
That fell, one after one, yet all at once,
Like pearl beads dropping sudden from their string:
And then another, then another strain,
Each like a dove leaving its olive perch,
With music wing'd instead of silent plumes,
To hover round my head, and make me sick
Of joy and grief at once. Grief overcame,
And I was stopping up my frantic ears,
When, past all hindrance of my trembling hands,
A voice came sweeter, sweeter than all tune,
And still it cried, 'Apollo! young Apollo!
The morning-bright Apollo! young Apollo!'
I fled, it follow'd me, and cried 'Apollo!'
O Father, and O Brethren, had ye felt
Those pains of mine; O Saturn, hadst thou felt,
Ye would not call this too indulged tongue
Presumptuous, in thus venturing to be heard."
So far her voice flow'd on, like timorous brook
That, lingering along a pebbled coast,
Doth fear to meet the sea: but sea it met,
And shudder'd; for the overwhelming voice
Of huge Enceladus swallow'd it in wrath:
The ponderous syllables, like sullen waves
In the half-glutted hollows of reef-rocks,
Came booming thus, while still upon his arm
He lean'd; not rising, from supreme contempt.
"Or shall we listen to the over-wise,
Or to the over-foolish, Giant-Gods?
Not thunderbolt on thunderbolt, till all
That rebel Jove's whole armoury were spent,
Not world on world upon these shoulders piled,
Could agonize me more than baby-words
In midst of this dethronement horrible.
Speak! roar! shout! yell! ye sleepy Titans all.
Do ye forget the blows, the buffets vile?
Are ye not smitten by a youngling arm?
Dost thou forget, sham Monarch of the waves,
Thy scalding in the seas? What! have I rous'd
Your spleens with so few simple words as these?
O joy! for now I see ye are not lost:
O joy! for now I see a thousand eyes
Wide-glaring for revenge!"-As this he said,
He lifted up his stature vast, and stood,
Still without intermission speaking thus:
"Now ye are flames, I'll tell you how to burn,
And purge the ether of our enemies;
How to feed fierce the crooked stings of fire,
And singe away the swollen clouds of Jove,
Stifling that puny essence in its tent.
O let him feel the evil he hath done;
For though I scorn Oceanus's lore,
Much pain have I for more than loss of realms:
The days of peace and slumbrous calm are fled;
Those days, all innocent of scathing war,
When all the fair Existences of heaven
Carne open-eyed to guess what we would speak:-
That was before our brows were taught to frown,
Before our lips knew else but solemn sounds;
That was before we knew the winged thing,
Victory, might be lost, or might be won.
And be ye mindful that Hyperion,
Our brightest brother, still is undisgraced-
Hyperion, lo! his radiance is here!"
All eyes were on Enceladus's face,
And they beheld, while still Hyperion's name
Flew from his lips up to the vaulted rocks,
A pallid gleam across his features stern:
Not savage, for he saw full many a God
Wroth as himself. He look'd upon them all,
And in each face he saw a gleam of light,
But splendider in Saturn's, whose hoar locks
Shone like the bubbling foam about a keel
When the prow sweeps into a midnight cove.
In pale and silver silence they remain'd,
Till suddenly a splendor, like the morn,
Pervaded all the beetling gloomy steeps,
All the sad spaces of oblivion,
And every gulf, and every chasm old,
And every height, and every sullen depth,
Voiceless, or hoarse with loud tormented streams:
And all the everlasting cataracts,
And all the headlong torrents far and near,
Mantled before in darkness and huge shade,
Now saw the light and made it terrible.
It was Hyperion:-a granite peak
His bright feet touch'd, and there he stay'd to view
The misery his brilliance had betray'd
To the most hateful seeing of itself.
Golden his hair of short Numidian curl,
Regal his shape majestic, a vast shade
In midst of his own brightness, like the bulk
Of Memnon's image at the set of sun
To one who travels from the dusking East:
Sighs, too, as mournful as that Memnon's harp
He utter'd, while his hands contemplative
He press'd together, and in silence stood.
Despondence seiz'd again the fallen Gods
At sight of the dejected King of day,
And many hid their faces from the light:
But fierce Enceladus sent forth his eyes
Among the brotherhood; and, at their glare,
Uprose Iapetus, and Creus too,
And Phorcus, sea-born, and together strode
To where he towered on his eminence.
There those four shouted forth old Saturn's name;
Hyperion from the peak loud answered, "Saturn!"
Saturn sat near the Mother of the Gods,
In whose face was no joy, though all the Gods
Gave from their hollow throats the name of "Saturn!"
by owner. provided at no charge for educational purposes
~ John Keats, Hyperion. Book II
,#NFDB
397:Viva Perpetua
Now being on the eve of death, discharged
From every mortal hope and earthly care,
I questioned how my soul might best employ
This hand, and this still wakeful flame of mind,
In the brief hours yet left me for their use;
Wherefore have I bethought me of my friend,
Of you, Philarchus, and your company,
Yet wavering in the faith and unconfirmed;
Perchance that I may break into thine heart
Some sorrowful channel for the love divine,
I make this simple record of our proof
In diverse sufferings for the name of Christ,
Whereof the end already for the most
Is death this day with steadfast faith endured.
We were in prison many days, close-pent
In the black lower dungeon, housed with thieves
And murderers and divers evil men;
So foul a pressure, we had almost died,
Even there, in struggle for the breath of life
Amid the stench and unendurable heat;
Nor could we find each other save by voice
Or touch, to know that we were yet alive,
So terrible was the darkness. Yea, 'twas hard
To keep the sacred courage in our hearts,
When all was blind with that unchanging night,
And foul with death, and on our ears the taunts
And ribald curses of the soldiery
Fell mingled with the prisoners' cries, a load
Sharper to bear, more bitter than their blows.
At first, what with that dread of our abode,
Our sudden apprehension, and the threats
Ringing perpetually in our ears, we lost
The living fire of faith, and like poor hinds
Would have denied our Lord and fallen away.
Even Perpetua, whose joyous faith
Was in the later holier days to be
The stay and comfort of our weaker ones,
Was silent for long whiles. Perchance she shrank
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In the mere sickness of the flesh, confused
And shaken by our new and horrible plight-The tender flesh, untempered and untried,
Not quickened yet nor mastered by the soul;
For she was of a fair and delicate make,
Most gently nurtured, to whom stripes and threats
And our foul prison-house were things undreamed.
But little by little as our spirits grew
Inured to suffering, with clasped hands, and tongues
That cheered each other to incessant prayer,
We rose and faced our trouble: we recalled
Our Master's sacred agony and death,
Setting before our eyes the high reward
Of steadfast faith, the martyr's deathless crown.
So passed some days whose length and count we lost,
Our bitterest trial. Then a respite came.
One who had interest with the governor
Wrought our removal daily for some hours
Into an upper chamber, where we sat
And held each other's hands in childish joy,
Receiving the sweet gift of light and air
With wonder and exceeding thankfulness.
And then began that life of daily growth
In mutual exaltation and sweet help
That bore us as a gently widening stream
Unto the ocean of our martyrdom.
Uniting all our feebler souls in one-A mightier--we reached forth with this to God.
Perpetua had been troubled for her babe,
Robbed of the breast and now these many days
Wasting for want of food; but when that change
Whereof I spake, of light and liberty
Relieved the horror of our prison gloom,
They brought it to her, and she sat apart,
And nursed and tended it, and soon the child
Would not be parted from her arms, but throve
And fattened, and she kept it night and day.
And always at her side with sleepless care
Hovered the young Felicitas--a slight
And spiritual figure--every touch and tone
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Charged with premonitory tenderness,
Herself so near to her own motherhood.
Thus lightened and relieved, Perpetua
Recovered from her silent fit. Her eyes
Regained their former deep serenity,
Her tongue its gentle daring; for she knew
Her life should not be taken till her babe
Had strengthened and outgrown the need of her.
Daily we were amazed at her soft strength,
Her pliant and untroubled constancy,
Her smiling, soldierly contempt of death,
Her beauty and the sweetness of her voice.
Her father, when our first few bitterest days
Were over, like a gust of grief and rage,
Came to her in the prison with wild eyes,
And cried: 'How mean you, daughter, when you say
You are a Christian? How can any one
Of honoured blood, the child of such as me,
Be Christian? 'Tis an odious name, the badge
Only of outcasts and rebellious slaves!'
And she, grief-touched, but with unyielding gaze,
Showing the fulness of her slender height:
'This vessel, father, being what it is,
An earthen pitcher, would you call it thus?
Or would you name it by some other name?'
'Nay, surely,' said the old man, catching breath,
And pausing, and she answered: 'Nor can I
Call myself aught but what I surely am-A Christian!' and her father, flashing back
In silent anger, left her for that time.
A special favour to Perpetua
Seemed daily to be given, and her soul
Was made the frequent vessel of God's grace,
Wherefrom we all, less gifted, sore athirst,
Drank courage and fresh joy; for glowing dreams
Were sent her, full of forms august, and fraught
With signs and symbols of the glorious end
Whereto God's love hath aimed us for Christ's sake.
Once--at what hour I know not, for we lay
In that foul dungeon, where all hours were lost,
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And day and night were indistinguishable-We had been sitting a long silent while,
Some lightly sleeping, others bowed in prayer,
When on a sudden, like a voice from God,
Perpetua spake to us and all were roused.
Her voice was rapt and solemn: 'Friends,' she said,
'Some word hath come to me in a dream. I saw
A ladder leading to heaven, all of gold,
Hung up with lances, swords, and hooks. A land
Of darkness and exceeding peril lay
Around it, and a dragon fierce as hell
Guarded its foot. We doubted who should first
Essay it, but you, Saturus, at last-So God hath marked you for especial grace-Advancing and against the cruel beast
Aiming the potent weapon of Christ's name-Mounted, and took me by the hand, and I
The next one following, and so the rest
In order, and we entered with great joy
Into a spacious garden filled with light
And balmy presences of love and rest;
And there an old man sat, smooth-browed, white-haired,
Surrounded by unnumbered myriads
Of spiritual shapes and faces angel-eyed,
Milking his sheep; and lifting up his eyes
He welcomed us in strange and beautiful speech,
Unknown yet comprehended, for it flowed
Not through the ears, but forth-right to the soul,
God's language of pure love. Between the lips
Of each he placed a morsel of sweet curd;
And while the curd was yet within my mouth,
I woke, and still the taste of it remains,
Through all my body flowing like white flame,
Sweet as of some immaculate spiritual thing.'
And when Perpetua had spoken, all
Were silent in the darkness, pondering,
But Saturus spake gently for the rest:
'How perfect and acceptable must be
Your soul to God, Perpetua, that thus
He bends to you, and through you speaks his will.
We know now that our martyrdom is fixed,
Nor need we vex us further for this life.'
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While yet these thoughts were bright upon our souls,
There came the rumour that a day was set
To hear us. Many of our former friends,
Some with entreaties, some with taunts and threats,
Came to us to pervert us; with the rest
Again Perpetua's father, worn with care;
Nor could we choose but pity his distress,
So miserably, with abject cries and tears,
He fondled her and called her 'Domina,'
And bowed his aged body at her feet,
Beseeching her by all the names she loved
To think of him, his fostering care, his years,
And also of her babe, whose life, he said,
Would fail without her; but Perpetua,
Sustaining by a gift of strength divine
The fulness of her noble fortitude,
Answered him tenderly: 'Both you and I,
And all of us, my father, at this hour
Are equally in God's hands, and what he wills
Must be'; but when the poor old man was gone
She wept, and knelt for many hours in prayer,
Sore tried and troubled by her tender heart.
One day, while we were at our midday meal,
Our cell was entered by the soldiery,
And we were seized and borne away for trial.
A surging crowd had gathered, and we passed
From street to street, hemmed in by tossing heads
And faces cold or cruel; yet we caught
At moments from masked lips and furtive eyes
Of friends--some known to as and some unknown-Many veiled messages of love and praise.
The floorways of the long basilica
Fronted us with an angry multitude;
And scornful eyes and threatening foreheads frowned
In hundreds from the columned galleries.
We were placed all together at the bar,
And though at first unsteadied and confused
By the imperial presence of the law,
The pomp of judgment and the staring crowd,
None failed or faltered; with unshaken tongue
253
Each met the stern Proconsul's brief demand
In clear profession. Rapt as in a dream,
Scarce conscious of my turn, nor how I spake,
I watched with wondering eyes the delicate face
And figure of Perpetua; for her
We that were youngest of our company
Loved with a sacred and absorbing love,
A passion that our martyr's brotherly vow
Had purified and made divine. She stood
In dreamy contemplation, slightly bowed,
A glowing stillness that was near a smile
Upon her soft closed lips. Her turn had come,
When, like a puppet struggling up the steps,
Her father from the pierced and swaying crowd
Appeared, unveiling in his aged arms
The smiling visage of her babe. He grasped
Her robe, and strove to draw her down. All eyes
Were bent upon her. With a softening glance,
And voice less cold and heavy with death's doom,
The old Proconsul turned to her and said:
'Lady, have pity on your father's age;
Be mindful of your tender babe; this grain
Of harmless incense offer for the peace
And welfare of the Emperor'; but she,
Lifting far forth her large and noteless eyes,
As one that saw a vision, only said:
'I cannot sacrifice'; and he, harsh tongued,
Bending a brow upon her rough as rock,
With eyes that struck like steel, seeking to break
Or snare her with a sudden stroke of fear:
'Art thou a Christian?' and she answered, 'Yea,
I am a Christian!' In brow-blackening wrath
He motioned a contemptuous hand and bade
The lictors scourge the old man down and forth
With rods, and as the cruel deed was done,
Perpetua stood white with quivering lips,
And her eyes filled with tears. While yet his cries
Were mingling with the curses of the crowd,
Hilarianus, calling name by name,
Gave sentence, and in cold and formal phrase
Condemned us to the beasts, and we returned
Rejoicing to our prison. Then we wished
254
Our martyrdom could soon have followed, not
As doubting for our constancy, but some
Grew sick under the anxious long suspense.
Perpetua again was weighed upon
By grief and trouble for her babe, whom now
Her father, seeking to depress her will,
Withheld and would not send it; but at length
Word being brought her that the child indeed
No longer suffered, nor desired the breast,
Her peace returned, and, giving thanks to God,
All were united in new bonds of hope.
Now being fixed in certitude of death,
We stripped our souls of all their earthly gear,
The useless raiment of this world; and thus,
Striving together with a single will,
In daily increment of faith and power,
We were much comforted by heavenly dreams,
And waking visitations of God's grace.
Visions of light and glory infinite
Were frequent with us, and by night or day
Woke at the very name of Christ the Lord,
Taken at any moment on our lips;
So that we had no longer thought or care
Of life or of the living, but became
As spirits from this earth already freed,
Scarce conscious of the dwindling weight of flesh.
To Saturus appeared in dreams the space
And splendour of the heavenly house of God,
The glowing gardens of eternal joy,
The halls and chambers of the cherubim,
In wreaths of endless myriads involved
The blinding glory of the angel choir,
Rolling through deeps of wheeling cloud and light
The thunder of their vast antiphonies.
The visions of Perpetua not less
Possessed us with their homely tenderness-As one, wherein she saw a rock-set pool
And weeping o'er its rim a little child,
Her brother, long since dead, Dinocrates:
Though sore athirst, he could not reach the stream,
Being so small, and her heart grieved thereat.
She looked again, and lo! the pool had risen,
255
And the child filled his goblet, and drank deep,
And prattling in a tender childish joy
Ran gaily off, as infants do, to play.
By this she knew his soul had found release
From torment, and had entered into bliss.
Quickly as by a merciful gift of God,
Our vigil passed unbroken. Yesternight
They moved us to the amphitheatre,
Our final lodging-place on earth, and there
We sat together at our agape
For the last time. In silence, rapt and pale,
We hearkened to the aged Saturus,
Whose speech, touched with a ghostly eloquence,
Canvassed the fraud and littleness of life,
God's goodness and the solemn joy of death.
Perpetua was silent, but her eyes
Fell gently upon each of us, suffused
With inward and eradiant light; a smile
Played often upon her lips.
While yet we sat,
A tribune with a band of soldiery
Entered our cell, and would have had us bound
In harsher durance, fearing our escape
By fraud or witchcraft; but Perpetua,
Facing him gently with a noble note
Of wonder in her voice, and on her lips
A lingering smile of mournful irony:
'Sir, are ye not unwise to harass us,
And rob us of our natural food and rest?
Should ye not rather tend us with soft care,
And so provide a comely spectacle?
We shall not honour Caesar's birthday well,
If we be waste and weak, a piteous crew,
Poor playthings for your proud and pampered beasts.'
The noisy tribune, whether touched indeed,
Or by her grave and tender grace abashed,
Muttered and stormed a while, and then withdrew.
The short night passed in wakeful prayer for some,
For others in brief sleep, broken by dreams
And spiritual visitations. Earliest dawn
256
Found us arisen, and Perpetua,
Moving about with smiling lips, soft-tongued,
Besought us to take food; lest so, she said,
For all the strength and courage of our hearts,
Our bodies should fall faint. We heard without,
Already ere the morning light was full,
The din of preparation, and the hum
Of voices gathering in the upper tiers;
Yet had we seen so often in our thoughts
The picture of this strange and cruel death,
Its festal horror, and its bloody pomp,
The nearness scarcely moved us, and our hands
Met in a steadfast and unshaken clasp.
The day is over. Ah, my friend, how long
With its wild sounds and bloody sights it seemed!
Night comes, and I am still alive--even I,
The least and last--with other two, reserved
To grace to-morrow's second day. The rest
Have suffered and with holy rapture passed
Into their glory. Saturus and the men
Were given to bears and leopards, but the crowd
Feasted their eyes upon no cowering shape,
Nor hue of fear, nor painful cry. They died
Like armed men, face foremost to the beasts,
With prayers and sacred songs upon their lips.
Perpetua and the frail Felicitas
Were seized before our eyes and roughly stripped,
And shrinking and entreating, not for fear,
Nor hurt, but bitter shame, were borne away
Into the vast arena, and hung up
In nets, naked before the multitude,
For a fierce bull, maddened by goads, to toss.
Some sudden tumult of compassion seized
The crowd, and a great murmur like a wave
Rose at the sight, and grew, and thundered up
From tier to tier, deep and imperious:
So white, so innocent they were, so pure:
Their tender limbs so eloquent of shame;
And so our loved ones were brought back, all faint,
And covered with light raiment, and again
Led forth, and now with smiling lips they passed
257
Pale, but unbowed, into the awful ring,
Holding each other proudly by the hand.
Perpetua first was tossed, and her robe rent,
But, conscious only of the glaring eyes,
She strove to hide herself as best she could
In the torn remnants of her flimsy robe,
And putting up her hands clasped back her hair,
So that she might not die as one in grief,
Unseemly and dishevelled. Then she turned,
And in her loving arms caressed and raised
The dying, bruised Felicitas. Once more
Gored by the cruel beast, they both were borne
Swooning and mortally stricken from the field.
Perpetua, pale and beautiful, her lips
Parted as in a lingering ecstasy,
Could not believe the end had come, but asked
When they were to be given to the beasts.
The keepers gathered round her--even they-In wondering pity--while with fearless hand,
Bidding us all be faithful and stand firm,
She bared her breast, and guided to its goal
The gladiator's sword that pierced her heart.
The night is passing. In a few short hours
I too shall suffer for the name of Christ.
A boundless exaltation lifts my soul!
I know that they who left us, Saturus,
Perpetua, and the other blessed ones,
Await me at the opening gates of heaven.
~ Archibald Lampman,#NFDB
398:The Monk
In Nino's chamber not a sound intrudes
Upon the midnight's tingling silentness,
Where Nino sits before his book and broods,
Thin and brow-burdened with some fine distress,
Some gloom that hangs about his mournful moods
His weary bearing and neglected dress:
So sad he sits, nor ever turns a leafSorrow's pale miser o'er his hoard of grief.
II
Young Nino and Leonora, they had met
Once at a revel by some lover's chance,
And they were young with hearts already set
To tender thoughts, attuned to romance;
Wherefore it seemed they never could forget
That winning touch, that one bewildering glance:
But found at last a shelter safe and sweet,
Where trembling hearts and longing hands might meet.
III
Ah, sweet their dreams, and sweet, the life they led
With that great love that was their bosoms' all,
Yet ever shadowed by some circling dread
It gloomed at moments deep and tragical,
And so for many a month they seemed to tread
With fluttering hearts, whatever might befall,
Half glad, half sad, their sweet and secret way
To the soft tune of some old lover's lay.
IV
But she is gone, alas he knows not where,
Or how his life that tender gift should lose:
Indeed his love was ever full of care,
The hasty joys and griefs of him who woos,
196
Where sweet success is neighbour to despair,
With stolen looks and dangerous interviews:
But one long week she came not, nor the next,
And so he wandered here and there perplext;
Nor evermore she came. Full many days
He sought her at their trysts, devised deep schemes
To lure her back, and fell on subtle ways
To win some word of her; but all his dreams
Vanished like smoke, and then in sore amaze
From town to town, as one that crazed seems,
He wandered, following in unhappy quest
Uncertain clues that ended like the rest.
VI
And now this midnight, as he sits forlorn,
The printed page for him no meaning bears;
With every word some torturing dream is born;
And every thought is like a step that scares
Old memories up to make him weep and mourn,
He cannot turn but from their latchless lairs,
The weary shadows of his lost delight.
Rise up like dusk birds through the lonely night.
VII
And still with questions vain he probes his grief,
Till thought is wearied out, and dreams grow dim.
What bitter chance, what woe beyond belief
Could keep his lady's heart so hid from him?
Or was her love indeed but light and brief,
A passing thought, a moment's dreamy whim?
Aye there it stings, the woe that never sleeps:
Poor Nino leans upon his book, and weeps.
VIII
Until at length the sudden grief that shook
His pierced bosom like a gust is past,
197
And laid full weary on the wide-spread book,
His eyes grow dim with slumber light and fast;
But scarcely have his dreams had time to look
On lands of kindlier promise, when aghast
He starts up softly, and in wondering wise
Listens atremble with wide open eyes.
IX
What sound was that? Who knocks like one in dread
With such swift hands upon his outer door?
Perhaps some beggar driven from his bed
By gnawing hunger he can bear no more,
Or questing traveller with confused tread,
Straying, bewildered in the midnight hoar.
Nino uprises, scared, he knows not how,
The dreams still pale about his burdened brow.
The heavy bolt he draws, and unawares
A stranger enters with slow steps, unsought,
A long robed monk, and in his hand he bears,
A jewelled goblet curiously wrought;
But of his face beneath the cowl he wears
For all his searching Nino seeth nought;
And slowly past him with long stride he hies,
While Nino follows with bewildered eyes.
XI
Straight on he goes with dusky rustling gown
His steps are soft, his hands are white and fine;
And still he bears the goblet on whose crown
A hundred jewels in the lamplight shine;
And ever from its edges dripping down
Falls with dark stain the rich and lustrous wine,
Wherefrom through all the chamber's shadowy deeps
A deadly perfume like a vapour creeps.
XII
198
And now he sets it down with careful hands
On the slim table's polished ebony;
And for a space as if in dreams he stands,
Close hidden in his sombre drapery.
'Oh lover, by thy lady's last commands,
I bid thee hearken, for I bear with me
A gift to give thee and a tale to tell
From her who loved thee, while she lived too well.'
XIII
The stranger's voice falls slow and solemnly.
Tis soft, and rich, and wondrous deep of tone;
And Nino's face grows white as ivory,
Listening fast-rooted like a shape of stone.
Ah, blessed saints, can such a dark thing be?
And was it death, and is Leonora gone?
Oh, love is harsh, and life is frail indeed,
That gives men joy, and then so makes them bleed.
XIV
'There is the gift I bring'; the stranger's head
Turns to the cup that glitters at his side;
'And now my tongue draws back for very dread,
Unhappy youth, from what it must not hide.
The saddest tale that ever lips have said;
Yet thou must know how sweet Lenora died,
A broken martyr for love's weary sake,
And left this gift for thee to leave or take.'
XV
Poor Nino listens with that marble face,
And eyes that move not, strangely wide and set.
The monk continues with his mournful grace:
'She told me, Nino, how you often met
In secret, and your plighted loves kept pace,
Together, tangled in the self-same net;
Your dream's dark danger and its dread you knew,
And still you met, and still your passion grew.
199
XVI
'And aye with that luxurious fire you fed
Your dangerous longing daily, crumb by crumb;
Nor ever cared that still above your head
The shadow grew; for that your lips were dumb.
You knew full keenly you could never wed:
'Twas all a dream: the end must surely come;
For not on thee her father's eyes were turned
To find a son, when mighty lords were spurned.
XVII
'Thou knowest that new-sprung prince, that proud up-start,
Pisa's new tyrant with his armed thralls,
Who bends of late to take the people's part,
Yet plays the king among his marble halls,
Whose gloomy palace in our city's heart,
Frowns like a fortress with its loop-holed walls.
'Twas him he sought for fair Leonora's hand,
That so his own declining house might stand.
XVIII
'The end came soon; 'twas never known to thee;
But, when your love was scarce a six months old,
She sat one day beside her father's knee,
And in her ears the dreadful thing was told.
Within one month her bridal hour should be
With Messer Gianni for his power and gold;
And as she sat with whitened lips the while,
The old man kissed her, with his crafty smile.
XIX
'Poor pallid lady, all the woe she felt
Thou, wretched Nino, thou alone canst know,
Down at his feet with many a moan she knelt,
And prayed that he would never wound her so.
Ah, tender saints! it was a sight to melt
The flintiest heart; but his could never glow.
He sat with clenched hands and straightened head,
200
And frowned, and glared, and turned from white to red.
XX
'And still with cries about his knees she clung,
Her tender bosom broken with her care.
His words were brief, with bitter fury flung:
'The father's will the child must meekly bear;
I am thy father, thou a girl and young.'
Then to her feet she rose in her despair,
And cried with tightened lips and eyes aglow,
One daring word, a straight and simple, 'No!'
XXI
'Her father left her with wild words, and sent
Rough men, who dragged her to a dungeon deep,
Where many a weary soul in darkness pent
For many a year had watched the slow days creep,
And there he left her for his dark intent,
Where madness breeds and sorrows never sleep.
Coarse robes he gave her, and her lips he fed
With bitter water and a crust of bread.
XXII
'And day by day still following out his plan,
He came to her, and with determined spite
Strove with soft words and then with curse and ban
To bend her heart so wearied to his might,
And aye she bode his bitter pleasure's span,
As one that hears, but hath not sense or sight.
Ah, Nino, still her breaking heart held true:
Poor lady sad, she had no thought but you.
XXIII
'The father tired at last and came no more,
But in his settled anger bade prepare
The marriage feast with all luxurious store,
With pomps and shows and splendors rich and rare;
And so in toil another fortnight wore,
201
Nor knew she aught what things were in the air,
Till came the old lord's message brief and coarse:
Within three days she should be wed by force.
XXIV
'And all that noon and weary night she lay,
Poor child, like death upon her prison stone,
And none that came to her but crept away,
Sickened at heart to see her lips so moan,
Her eyes so dim within their sockets grey,
Her tender cheeks so thin and ghastly grown;
But when the next morn's light began to stir,
She sent and prayed that I might be with her.
XXV
'This boon he gave: perchance he deemed that I,
The chaplain of his house, her childhood's friend,
With patient tones and holy words, might try
To soothe her purpose to his gainful end.
I bowed full low before his crafty eye,
But knew my heart had no base help to lend.
That night with many a silent prayer I came
To poor Leonora in her grief and shame.
XXVI
'But she was strange to me: I could not speak
For glad amazement, mixed with some dark fear;
I saw her stand no longer pale and weak,
But a proud maiden, queenly and most clear,
With flashing eyes and vermeil in her cheek:
And on the little table, set anear,
I marked two goblets of rare workmanship
With some strange liquor crowned to the lip.
XXVII
'And then she ran to me and caught my hand,
Tightly imprisoned in her meagre twain,
And like the ghost of sorrow she did stand,
202
And eyed me softly with a liquid pain:
'Oh father, grant, I pray thee, I command,
One boon to me, I'll never ask again,
One boon to me and to my love, to both;
Dear father, grant, and bind it with an oath.'
XXVIII
'This granted I, and then with many a wail
She told me all the story of your woe,
And when she finished, lightly but most pale,
To those two brimming goblets she did go,
And one she took within her fingers frail,
And looked down smiling in its crimson glow:
'And now thine oath I'll tell; God grant to thee
No rest in grave, if thou be false to me.
XXIX
''Alas, poor me! whom cruel hearts would wed
On the sad morrow to that wicked lord;
But I'll not go; nay, rather I'll be dead,
Safe from their frown and from their bitter word.
Without my Nino life indeed were sped;
And sith we two can never more accord
In this drear world, so weary and perplext,
We'll die, and win sweet pleasure in the next.
XXX
''Oh father, God will never give thee rest,
If thou be false to what thy lips have sworn,
And false to love, and false to me distressed,
A helpless maid, so broken and outworn.
This cup-she put it softly to her breastI pray thee carry, ere the morrow morn,
To Nino's hand, and tell him all my pain;
This other with mine own lips I will drain.'
XXXI
'Slowly she raised it to her lips, the while
203
I darted forward, madly fain to seize
Her dreadful hands, but with a sudden wile
She twisted and sprang from me with bent knees,
And rising turned upon me with a smile,
And drained her goblet to the very lees.
'Oh priest, remember, keep thine oath,' she cried,
And the spent goblet fell against her side.
XXXII
'And then she moaned and murmured like a bell:
'My Nino, my sweet Nino!' and no more
She said, but fluttered like a bird and fell
Lifeless as marble to the footworn floor;
And there she lies even now in lonely cell,
Poor lady, pale with all the grief she bore,
She could not live, and still be true to thee,
And so she's gone where no rude hands can be.'
XXXIII
The monk's voice pauses like some mournful flute,
Whose pondered closes for sheer sorrow fail,
And then with hand that seems as it would suit
A soft girl best, it is so light and frail,
He turns half round, and for a moment mute
Points to the goblet, and so ends his tale:
'Mine oath is kept, thy lady's last command;
'Tis but a short hour since it left her hand.'
XXXIV
So ends the stranger: surely no man's tongue
Was e'er so soft, or half so sweet, as his.
Oft as he listened, Nino's heart had sprung
With sudden start as from a spectre's kiss;
For deep in many a word he deemed had rung
The liquid fall of some loved emphasis;
And so it pierced his sorrow to the core,
The ghost of tones that he should hear no more.
XXXV
204
But now the tale is ended, and still keeps
The stranger hidden in dusky weed;
And Nino stands, wide-eyed, as one that sleeps,
And dimly wonders how his heart doth bleed.
Anon he bends, yet neither moans nor weeps,
But hangs atremble, like a broken reed;
'Ah! bitter fate, that lured and sold us so,
Poor lady mine; alas for all our woe!'
XXXVI
But even as he moans in such dark mood,
His wandering eyes upon the goblet fall.
Oh, dreaming heart! Oh, strange ingratitude!
So to forget his lady's lingering call,
Her parting gift, so rich, so crimson-hued,
The lover's draught, that shall be cure for all.
He lifts the goblet lightly from its place,
And smiles, and rears it with his courtly grace.
XXXVII
'Oh, lady sweet, I shall not long delay:
This gift of thine shall bring me to thine eyes.
Sure God will send on no unpardoned way
The faithful soul, that at such bidding dies.
When thou art gone, I cannot longer stay
To brave this world with all its wrath and lies,
Where hands of stone and tongues of dragon's breath
Have bruised mine angel to her piteous death.'
XXXVIII
And now the gleaming goblet hath scarce dyed
His lips' thin pallor with its deathly red,
When Nino starts in wonder, fearful-eyed,
For, lo! the stranger with outstretched head
Springs at his face one soft and sudden stride,
And from his hand the deadly cup hath sped,
Dashed to the ground, and all its seeded store
Runs out like blood upon the marble floor.
205
XXXIX
'Oh, Nino, my sweet Nino! speak to me,
Nor stand so strange, nor look so deathly pale.
'Twas all to prove thy heart's dear constancy
I brought that cup and told that piteous tale.
Ah! chains and cells and cruel treachery
Are weak indeed when women's hearts assail.
Art angry, Nino?' 'Tis no monk that cries,
But sweet Leonora with her love-lit eyes.
XL
She dashes from her brow the pented hood;
The dusky robe falls rustling to her feet;
And there she stands, as aye in dreams she stood.
Ah, Nino, see! Sure man did never meet
So warm a flower from such a sombre bud,
So trembling fair, so wan, so pallid sweet.
Aye, Nino, down like saint upon thy knee,
And soothe her hands with kisses warm and free.
XLI
And now with broken laughter on her lips,
And now with moans remembering of her care,
She weeps, and smiles, and like a child she slips
Her lily fingers through his curly hair,
The while her head with all it's sweet she dips,
Close to his ear, to soothe and murmur there;
'Oh, Nino, I was hid so long from thee,
That much I doubted what thy love might be.
XLII
'And though 'twas cruel hard of me to try
Thy faithful heart with such a fearful test,
Yet now thou canst be happy, sweet, as I
Am wondrous happy in thy truth confessed.
To haggard death indeed thou needst not fly
To find the softness of thy lady's breast;
206
For such a gift was never death's to give,
But thou shalt have me for thy love, and live.
XLIII
'Dost see these cheeks, my Nino? they're so thin,
Not round and soft, as when thou touched them last:
So long with bitter rage they pent me in,
Like some poor thief in lonely dungeons cast;
Only this night through every bolt and gin
By cunning stealth I wrought my way at last.
Straight to thine heart I fled, unfaltering,
Like homeward pigeon with uncaged wing.
XLIV
'Nay, Nino, kneel not; let me hear thee speak.
We must not tarry long; the dawn is nigh.'
So rises he, for very gladness weak;
But half in fear that yet the dream may fly,
He touches mutely mouth and brow and cheek;
Till in his ear she 'gins to plead and sigh:
'Dear love, forgive me for that cruel tale,
That stung thine heart and made thy lips so pale.'
XLV
And so he folds her softly with quick sighs,
And both with murmurs warm and musical
Talk and retalk, with dim or smiling eyes,
Of old delights and sweeter days to fall:
And yet not long, for, ere the starlit skies,
Grow pale above the city's eastern wall,
They rise, with lips and happy hands withdrawn,
And pass out softly into the dawn.
XLVI
For Nino knows the captain of a ship,
The friend of many journeys, who may be
This very morn will let his cables slip
For the warm coast of Sicily.
207
There in Palermo, at the harbour's lip,
A brother lives, of tried fidelity:
So to the quays by hidden ways they wend
In the pale morn, nor do they miss their friend.
XLVII
And ere the shadow off another night
Hath darkened Pisa, many a foe shall stray
Through Nino's home, with eyes malignly bright
In wolfish quest, but shall not find his prey:
The while those lovers in their white-winged flight
Shall see far out upon the twilight grey,
Behind, the glimmer of the sea, before,
The dusky outlines of a kindlier shore.
~ Archibald Lampman,#NFDB
399:The Legend Of Lady Gertrude
I.
Fallen the lofty halls, where vassal crowds
Drank in the dawn of Gertrude's natal day.
The dungeon roof an Alpine snow-wreath shrouds,
The strong, wild eagle's eyrie in the clouds—
The robber-baron's nest—is swept away.
II.
Bare is the mountain brow of lordly towers;
Only the sunbeams stay, the moon and stars,
The faithful saxifrage and gentian flowers,
The silvery mist, and soft, white, crystal showers,
And torrents rushing through their rocky bars.
III.
More than three hundred years ago, the flag
Charged with that dread device, an Alpine bear—
By many storm-winds rent—a grim, grey rag—
Floated above the castle on the crag,
Above the last whose heads were shelter'd there.
IV.
He was the proudest of an ancient race,
The fiercest of the robber chieftain's band,
That haughty Freiherr, with the iron face:
And she—his lady-sister, by God's grace—
The sweetest, gentlest maiden in the land.
V.
'Twas a rude nest for such a tender bird,
That lonely fortress, with its warrior-lord.
Aye drunken revels the night-stillness stirred;
From morn till eve the battle-cries were heard,
The sound of jingling spur and clanking sword.
VI.
And Lady Gertrude was both young and fair,
A mark for lawless hearts and roving eyes,—
209
With sweet, grave face, and amber-tinted hair,
And a low voice soft-thrilling through the air,
Filling it full of subtlest melodies.
VII.
But the great baron, proudest of his line,
Fetter'd, with jealous care, his white dove's wing;
Guarded his treasure in an inner shrine,
Till such a day as knightly hands should twine
Her slender fingers with the marriage-ring.
VIII.
From all her household rights was she debarred—
Her chair and place within the castle-hall,
Her palfrey's saddle in the castle-yard,
Her nursing ministries when blows fell hard
In border struggles—she was kept from all.
IX.
A stone-paved chamber, and the parapet
Opening above its winding turret-stair;
The castle-chapel, where few men were met,—
Round these the brother's boundaries were set.
The sweet child-sister was so very fair!
X.
She had her faithful nurse, her doves, her lute,
Her broidery and her distaff, and the hound—
Best prized of all—the grand, half-human brute,
Who aye watched near her, beautiful and mute,
With ears love-quicken'd, listening from the ground.
XI.
But the wild bird, so honourably caged,
Grew sick and sad in its captivity;
Longed—like those hills which time nor storm had aged,
And those deep glens where Danube waters raged—
In God's own wind and sunshine to be free.
XII.
And on a day, when she had seen them ride,
Baron and troopers, on some border raid,
210
Wooed by the glory of the summer tide,
The hound's soft-slouching footstep at her side,
Adown the valley Lady Gertrude stray'd.
XIII.
Adown the crag, whose shadow, still and black,
Lay like the death-sleep on a mountain pool;
Through rocky glen, by silvery torrent's track,
Through forest glade, 'neath wild vines, fluttering back
From softest zephyr kisses, green and cool.
XIV.
E'en till the woods and hamlets down below,
And summer meadows, were all broad and clear;
The river, moving statelily and slow,
A crimson ribbon in the sunset glow—
The dim, white, distant city strangely near.
XV.
She sat her down, a-weary, on the ground,
With tremulous long-drawn breath and wistful eyes;
Caress'd the velvet muzzle of the hound,
And listen'd vainly for some little sound
To come up from her world of mysteries.
XVI.
She had forgotten of the time and place,
When clank of warrior's harness smote her dream.
A growl, a spring, a shadow on her face,
And one strode up, with slow and stately pace,
And stood before her in the soft sun-gleam.
XVII.
An armèd knight, in noblest knightly guise,
From golden spur to golden dragon-crest;
Through open vizor gazing with surprise
Into the fair, flush'd face and startled eyes,
While horse and hound stood watchfully at rest.
XVIII.
The sun went down, and, with long, stealthy stride,
The shadows came, blurring the summer light;
211
And there was none the lady's step to guide
Up the lost pathway on the mountain-side—
None to protect her but this stranger knight!
XIX.
He placed her gently on his dappled grey,
Clothed in his mantle—for the air was chill;
He led her all the long and devious way,
Through glens, where starless night held royal sway,
And vine-tressed woodlands, where the leaves were still:
XX.
Through pathless ravines, where swift waters roll'd;
Up dark crag-ramparts, perilously steep,
Where eagles and a she-bear watch'd the fold;—
Facing the mountain breezes, clear and cold—
In shy, sweet silence, eloquent and deep.
XXI.
Holding his charger by the bridle-rein,
He led her through the robber-chieftain's lands;
Led her, unchallenged by the baron's train,
E'en to the low-brow'd castle-gate again,
And there he humbly knelt to kiss her hands.
XXII.
Brave lips, o'er tender palms bent down so low,
Silent and reverent, as it were to bless—
'Twas e'en a knightly love they did bestow,
Love true as steel and undefiled as snow;
No common courtesy, no light caress.
XXIII.
He rode away; and she to turret-lair
Sped, swift and trembling, like a hunted doe.
But wherefore, on the loopholed winding stair
Knelt she till morning, weeping, watching there?—
Because he was her brother's deadliest foe.
XXIV.
Because the golden dragon's blood had mixt
In all those mountain streams, had dyed the grass
212
Now trodden for her sake; because betwixt
Those two proud barons such a gulf was fixt
As never bridge of peace might overpass.
XXV.
A bitter, passionate feud, that was begun
In ages long forgotten, and bequeath'd
With those rich baronies by sire to son—
A sacred charge, a great work never done,
A sharp and fiery weapon never sheath'd.
XXVI.
Yet, e'er a month slipped by, as summer slips
On noiseless wings, another kiss was laid,
Not on white palms or rosy finger-tips,
But softly on shut eyes and quivering lips;
And vows were sealèd in the forest glade.
XXVII.
The robber baron, who had hedged about
That fairest blossom of the sacred plant,
Saw he the insolent mailèd hand stretch'd out
To break down all his barriers, strong and stout?
Knew he aught of that gracious covenant?
XXVIII.
His pride serenely slept. Nor did it wake
Till, in amaze, he saw his enemy stand
In his own castle, praying him to take
The pledge of peace for Lady Gertrude's sake—
Praying him humbly for the lady's hand.
XXIX.
Slowly the knitted brows grew fierce and black;
Slowly the eagle eyes began to shine.
“Sir knight,” he said, “I pray you get you back.
But one hour—and the Bears are on your track.
There's naught but fire and sword 'twixt mine and thine.”
XXX.
And then the doors were barred on every side
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Upon the innocent traitor, who had done
Such doubly-shameful despite to his pride.
Mocking, “I'll satisfy your heart,” he cried,
“An' you will have a husband, pretty one!”
XXXI.
Yet did she send a message stealthily,
Spurred by the torture of this ominous threat.
“Thou wilt not suffer it?” she said. And he,
“Fear not. To-morrow will I come for thee,—
At eve to-morrow, when the sun has set.”
XXXII.
And on the morrow, when the autumn light
Of red and gold had faded into grey,
She heard his signal up the echoing height,
Like hoarse owl-whistle, quivering through the night;
And in the dark she softly slipped away.
XXXIII.
Her faithful nurse, with trembling hands, untwined
The new-forged fetters and drew back the bars.
The hound look'd up into her face, and whined,
And scratch'd the door; he would not stay behind.
And so she went—watch'd only by the stars.
XXXIV.
Adown the mountain passes, with wing'd feet
And bright, blank eyes—her hand fast clutch'd around
A ragged slip of myrtle, white and sweet;
The hound beside her, velvet-footed, fleet
And silent, with his muzzle to the ground.
XXXV.
The knight was waiting, with his dappled steed,
Hard by the black brink of the waveless pool.
In his strong, tender arms—now safe indeed—
She cross'd the valley, with the wild bird's speed,
Fanned by the whispering night-wind, clear and cool.
XXXVI.
Away—away—far from the trysting-place—
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Over the blood-stain'd border-lands at last!
One wandering hind alone beheld the race;
A sudden rush—a shadow on his face—
A glint of golden scales—and she was past.
XXXVII.
She felt the shadow of a mighty wall,
And then the glow of torchlight, and again
The gloom of cloister'd stair and passage, fall
Upon her vacant eyes. She heard a call;
And, in the echoing mountains, its refrain.
XXXVIII.
Then all around her a great silence lay;
She knew not why, nor greatly seem'd to care,
Till, in low tones, she heard the baron say,
“Hast thou confess'd, my little one, to-day?”—
The while he weaved the myrtle in her hair.
XXXIX.
She glanced up suddenly, in blank amaze;
And then remember'd. 'Twas an altar, hung
With silk and rich embroidery, met her gaze;
'Twas perfumed, waxen altar-tapers' blaze
On her chill'd face and troubled spirit flung.
XL.
A holy father, with his open book,
Stood by the threshold of the chapel door.
Slowly, with bated breath and hands that shook,
Soft-clasped together—drawn with but a look—
She went, and knelt down humbly on the floor.
XLI.
The baron left her, lowly crouching there,
Her bright, starred tresses trailing on the stones;
And waited, kneeling on the altar-stair—
Holding his sword-hilt to his lips, in prayer—
The while she pleaded in her tremulous tones.
XLII.
A warning voice upon the still air dwelt,
215
A long, low cry of mingled hope and dread;—
A pause—a solemn silence—and she felt
The sweet absolving whisper as she knelt,
And hands of blessing covering her head.
XLIII.
The knight arose in silence, with a brow
Haughty and pale; and, softly drawing nigh,—
Love, life, and death in the new “I and thou”—
He gave and took each solemn marriage vow,
With all his arm'd retainers standing by.
XLIV.
The soft light fell upon their faces—still,
And calm, and full of rest. None now to part
The golden link between them!—naught to chill
The blest assurance that the father's will
Laid hand in hand, and gather'd heart to heart.
XLV.
And so 'twas done. Each finger now had worn
The rings that aye ring'd in the double life;
From each the pledge had been withdrawn in turn,
As one by one the hallow'd oaths were sworn;
And Lady Gertrude was the baron's wife.
XLVI.
He led her to her chamber, when the glow
Of dawn began to quicken earth and sky;
They watch'd the rosy wine-cup overflow
The pale, cool, silvery track upon the snow
Of Alpine crests, uplifted far and high.
XLVII.
They saw the mountain floodgates open'd wide,
The downward streaming of unfetter'd day;
In blessed stillness, standing side by side—
Stillness that told how they were satisfied,
Those hearts whereon the new-born glamour lay.
XLVIII.
And then, down cloister'd aisle and sculptured stair,
216
Through open courts, all bathed in shining mist,
They pass'd together, knight and lady fair;
She with the matron's coif upon her hair,
Her golden hair by lip and finger kiss'd.
XLIX.
He throned her proudly in his castle hall,
High on the daïs above the festive board,
'Neath shields and pennons drooping from the wall;
And they below the salt rose, one and all,
To greet the bride of their puissant lord.
L.
Loud were the shouts, and fair with smiling grace
The blue eyes of the lady baroness;
And bright and eager was the haughty face
Of her brave husband, towering in his place,
Yet aye low-stooping for a mute caress.
LI.
There came a sudden pause—a thunder-cloud,
Darkening the sunshine of the golden noon—
An ominous stillness in the armèd crowd,
While slowly stiffening lips, all stern and proud,
Shut in the kindly laughter—all too soon!
LII.
“To arms! To arms!” A passionate crimson flush
Rose, sank, and blanched the fair face of the bride.
“To arms!” The cry smote sharply on the hush,
And broke it;—all was one tumultuous rush—
“The Bears have cross'd the border-land!” they cried.
LIII.
But a few hours had Lady Gertrude dwelt
With her dear lord. Sad honours now were hers,
With white, hot hands she clasp'd his silver belt;
She held his dinted shield and sword; and knelt,
Like lowly squire, to don his golden spurs.
LIV.
“Thou wilt not fight with him?—thou wilt forbear
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For my sake?” So she pleaded, while the sun
Shone on her falling tears—each tear a prayer.
He whisper'd gravely, as he kissed her hair,
“I know not if I can, my little one.”
LV.
She held his hands, with infinite mute desire
To hold him back; then watch'd him to the field
With hungry, feverish eyes that could not tire,
Till sunny space absorb'd the fitful fire
Of the bright dragons on his crest and shield.
LVI.
When he was gone—quite gone—she crept away,
Back to the castle chapel, still and dim;
And knelt where he had knelt but yesterday,
Low on the altar step, to watch and pray—
To pour her heart out for the love of him.
LVII.
Her bower-maidens sat alone and spun
The while she pray'd, the terror-stricken wife.
The long hours slowly wanèd, one by one,
And evening came, and, with the setting sun,
The sudden darkness that eclipsed her life.
LVIII.
She listen'd, and she heard the sound at last,—
The ominous pause, the heavy, clanging tread;
She saw the strange, long shadow weirdly cast
Upon the floor, the red blood streaming fast,
The dear face grey and stiffen'd;—he was dead!
LIX.
“Ay, dead, my lady baroness; and slain
By him you call your brother. Curses light
Upon his caitiff soul! Ah, 'tis in vain
To murmur thus,—he will not hear again—
He cannot heed your whisperings to-night.”
LX.
She lay down on her bridal couch—the stone
218
Whereon he lay in his eternal rest;
They, pitying, pass'd out, leaving her alone,
To kiss the rigid lips, and cry, and moan,
With her white face upon his bleeding breast.
LXI.
'Twas night—wakeful, restless, troubled night,
Both wild and soft—fair;
With clouds fast flying through the domheight,
And shrieking winds, and silvery shining light,
And clear bells piercing the transparent air.
LXII.
Down vale and fell a lonely figure stray'd,—
Now a dark shadow on the moonlit ground,
Now flickering white and ghostly in the shade
Of haunted glen and scented forest-glade—
A woman, watched and followed by a hound.
LXIII.
'Twas Lady Gertrude, widow'd and forlorn,
Returning to the wild birds' mountain nest;
Sent out with smiling insult and with scorn,
And creeping to the home where she was born,
To hide her sorrow, to lie down and rest.
LXIV.
She reach'd the gate and cross'd the castle-yard,
And stood upon the threshold, chill'd with fear.
The baron rose and faced her, breathing hard:
“Troopers,” he thunder'd, “let the doors be barred
And double-barred!—we'll have no traitors here.”
LXV.
Such was her welcome. As she turn'd away,
Groping with sightless eyes and hands outspread,
The hound, unnoticed, slowly made his way
Along the hall, as if in track of prey,
With glistening teeth and stealthy velvet tread.
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LXVI.
There was no clarion cry, none heard the sound
Of knightly challenge, till the champion rose,
Avenging. Lo! they saw upon the ground
The baron struggling with the savage hound,
And grim death grimly waiting for the close!
LXVII.
'Twas done. He lay there unassoilzied, dead,
Ere scarcely fell'd by the relentless paws.
And the fierce hound, with painful, limping tread,
Was following still where Lady Gertrude led,
His own red life-blood dripping from his jaws.
LXVIII.
'Neath shadowy glades, with moonbeams interlaced,
Through valleys, at day—dawning, soft and dim,
Up mountain steeps at sunrise—uplands paced
By her dead lord in childhood—she retraced
The long miles stretching betwixt her and him.
LXIX.
She reach'd the castle, ere the torches' glare
Had wanèd in the brightness of the sky—
Another lord than hers was feasting there!
She shudder'd at the sounds that fill'd the air,
Of drunken laughter and loud revelry,
LXX.
And softly up the cloister'd stairs she crept,
Back to the lonely chapel, where all sound
Of human life in solemn silence slept.
With weary heart and noiseless feet she stept
Beneath the doorway into hallow'd ground.
LXXI.
Low at the altar, wrapped in slumber sweet
And still and deep, her murder'd lord lay here;
With waxen tapers at his head and feet—
Forcing reluctant darkness to retreat—
And cross-embroider'd pall upon his bier.
220
LXXII.
The blood-hound blindly stumbled, and fell prone
Across the threshold. Something came and prest
His huge head downward, stiffening him to stone.
And Lady Gertrude, passing up alone,
Spread her white arms above the baron's breast.
LXXIII.
The weapons which his lowly coffin bore—
His sword and spurs, his helm and shield and belt—
Like him, to rest from battle evermore,
Whose long-drawn shadows barred the chapel floor,—
She kiss'd them, for his dear sake, as she knelt.
LXXIV.
She laid her cheek upon the velvet pall,
With one long, quivering sigh; and tried to creep
Where the soft shadow of the rood would fall,
'Mid light of sunrise and of tapers tall,
Upon them both, and there she fell asleep.
LXXV.
She woke no more. But where her track had been,
On that last night, became a haunted ground.
And when the wild wind blows upon the sheen
Of summer moonlight, there may still be seen
The phantom of a lady and a hound.
~ Ada Cambridge,#NFDB
400:The Tower Of The Dream
Part I
HOW wonderful are dreams! If they but be
As some have said, the thin disjoining shades
Of thoughts or feelings, long foregone or late,
All interweaving, set in ghostly act
And strange procession, fair, grotesque, or grim,
By mimic fancy; wonderful no less
Are they though this be true and wondrous more
Is she, who in the dark, and stript of sense,
Can wield such sovereignty—the Queen of Art!
For what a cunning painter is she then,
Who hurriedly embodying, from the waste
Of things memorial littering life’s dim floor,
The forms and features, manifold and quaint,
That crowd the timeless vistas of a dream,
Fails in no stroke, but breathes Pygmalion-like
A soul of motion into all her work;
And doth full oft in magic mood inspire
Her phantom creatures with more eloquent tones
Than ever broke upon a waking ear.
But are they more? True glimpses oft, though vague,
Over that far unnavigable sea
Of mystic being, where the impatient soul
Is sometimes wont to stray and roam at large?
No answer comes. Yet are they wonderful
However we may rank them in our lore,
And worthy some fond record are these dreams
That with so capable a wand can bring
Back to the faded heart the rosy flush
And sweetness of a long-fled love, or touch
The eyes of an old enmity with tears
Of a yet older friendship; or restore
A world-lost mate, or reunite in joy
The living and the dead!—can, when so wills
Their wand’s weird wielder, whatsoe’er it be,
Lift up the fallen—fallen however low!
Give youth unto the worn, enrich the poor;
Build in the future higher than the hope
200
Of power, when boldest, ever dared to soar;
Annul the bars of space, the dens of time,
Giving the rigid and cold-clanking chain
Which force, that grey iniquity, hath clenched
About its captive, to relent,—yea, stretch
Forth into fairy-land, or melt like wax
In that fierce life whose spirit lightens wide
Round freedom, seated on her mountain throne.
But not thus always are our dreams benign;
Oft are they miscreations—gloomier worlds,
Crowded tempestuously with wrongs and fears,
More ghastly than the actual ever knew,
And rent with racking noises, such as should
Go thundering only through the wastes of hell.
Yes, wonderful are dreams: and I have known
Many most wild and strange. And once, long since,
As in the death-like mystery of sleep
My body lay impalled, my soul arose
And journeyed outward in a wondrous dream.
In the mid-hour of a dark night, methought
I roamed the margin of a waveless lake,
That in the knotted forehead of the land
Deep sunken, like a huge Cyclopean eye,
Lidless and void of speculation, stared
Glassily up—for ever sleepless—up
At the wide vault of heaven; and vaguely came
Into my mind a mystic consciousness
That over against me, on the farther shore
Which yet I might not see, there stood a tower.
The darkness darkened, until overhead
Solidly black the starless heaven domed,
And earth was one wide blot;—when, as I looked,
A light swung blazing from the tower (as yet
Prophesied only in my inner thought),
And brought at once its rounded structure forth
Massive and tall out of the mighty gloom.
On the broad lake that streaming radiance fell,
Through the lit fluid like a shaft of fire,
Burning its sullen depths with one red blaze.
201
Long at that wild light was I gazing held
In speechless wonder, till I thence could feel
A strange and thrillingly attractive power;
My bodily weight seemed witched away, aloft
I mounted, poised within the passive air,
Then felt I through my veins a branching warmth,
The herald of some yet unseen content,
The nearness of some yet inaudible joy,
As if some spell of golden destiny
Lifted me onwards to the fateful tower.
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Part II
High up the tower, a circling balcony
Emporched a brazen door. The silver roof
Rested on shafts of jet, and ivory work
Made a light fence against the deep abyss.
Before that portal huge a lady stood
In radiant loveliness, serene and bright,
Yet as it seemed expectant; for as still
She witched me towards her, soft she beckon’d me
With tiny hand more splendid than a star;
And then she smiled, not as a mortal smiles
With visible throes, to the mere face confined,
But with her whole bright influence all at once
In gracious act, as the Immortals might,
God-happy, or as smiles the morning, when
Its subtle lips in rosy beauty part
Under a pearly cloud, and breathe the while
A golden prevalence of power abroad,
That taketh all the orient heaven and earth
Into the glory of its own delight.
Then in a voice, keen, sweet, and silvery clear,
And intimately tender as the first
Fine feeling of a love-born bliss, she spoke,
“Where hast thou stayed so long? Oh, tell me where?”
202
With thrilling ears and heart I heard, but felt
Pass from me forth a cry of sudden fear,
As swooning through the wildness of my joy,
Methought I drifted,—whither? All was now
One wide cold blank; the lady and the tower,
The gleaming lake, with all around it, one
Wide dreary blank;—the drearier for that still
A dizzy, clinging, ghostly consciousness
Kept flickering from mine inmost pulse of life,
Like a far meteor in some dismal marsh;
How long I knew not, but the thrilling warmth
That, like the new birth of a passionate bliss,
Erewhile had searched me to the quick, again
Shuddered within me, more and more, until
Mine eyes had opened under two that made
All else like darkness; and upon my cheek
A breath that seemed the final spirit of health
And floral sweetness, harbingered once more
The silver accents of that wondrous voice,
Which to have heard was never to forget;
And with her tones came, warbled as it seemed,
In mystical respondence to her voice,
Still music, such as Eolus gives forth,
But purer, deeper;—warbled as from some
Unsearchable recess of soul supreme,
Some depth of the Eternal! echoing thence
Through the sweet meanings of its spirit speech.
I answered not, but followed in mute love
The beamy glances of her eyes; methought
Close at her side I lay upon a couch
Of purple, blazoned all with stars of gold
Tremblingly rayed with spiculated gems;
Thus sat we, looking forth; nor seemed it strange
That the broad lake, with its green shelving shores,
And all the hills and woods and winding vales,
Were basking in the beauty of a day
So goldenly serene, that never yet
The perfect power of life-essential light
Had so enrobed, since paradise was lost,
The common world inhabited by man.
203
I saw this rare surpassing beauty;—yea,
But saw it all through her superior life,
Orbing mine own in love; I felt her life,
The source of holiest and truth-loving thoughts,
Breathing abroad like odours from a flower,
Enriched with rosy passion, and pure joy
And earnest tenderness. Nor ever might
The glassy lake below more quickly give
Nimble impressions of the coming wind’s
Invisible footsteps, dimpling swift along,
Than instant tokens of communion sweet
With outward beauty’s subtle spirit, passed
Forth from her eyes, and thence in lambent waves
Suffused and lightened o’er her visage bright.
But as upon the wonder of her face
My soul now feasted, even till it seemed
Instinct with kindred lustre, lo! her eyes
Suddenly saddened; then abstractedly
Outfixing them as on some far wild thought
That darkened up like a portentous cloud
Over the morning of our peace, she flung
Her silver voice into a mystic song
Of many measures, which, as forth they went,
Slid all into a sweet abundant flood
Of metric melody! And to her voice
As still she sung, invisible singers joined
A choral burden that prolonged the strain’s
Rich concords, till the echoes of the hills
Came forth in tidal flow, and backward then
Subsiding like a refluent wave, died down
In one rich harmony. It strangely seemed
As though the song were ware that I but slept,
And that its utterer was but a dream;
’Tis traced upon the tablet of my soul
In shining lines that intonate themselves—
Not sounding to the ear but to the thought—
Out of the vague vast of the wonderful,
And might, when hardened into mortal speech,
And narrowed from its wide and various sweep
Into such flows as make our waking rhymes
Most wildly musical, be written thus:—
204
The Song
Wide apart, wide apart,
In old Time’s dim heart
One terrible Fiend doth his stern watch keep
Over the mystery
Lovely and deep,
Locked in thy history,
Beautiful Sleep!
Could we disarm him,
Could we but charm him,
The soul of the sleeper might happily leap,
Through the dark of the dim waste so deathly and deep
That shroudeth the triple divinity,
The three of thy mystical Trinity:
Gratitude, Liberty,
Joy from all trammels free,
Beautiful Spirit of Sleep!
Beautiful Spirit!
Could we confound him
Who darkens thy throne,
Could we surround him
With spells like thine own
For the divinity
Then of thy Trinity,
Oh, what a blesseder reign were begun!
For then it were evermore one,
With all that soul, freed from the body’s strait scheme,
Inherits of seer-light and mystical dream.
And to sleep were to die
Into life in the Infinite,
Holy and high,
Spotless and bright,
Calmly, peacefully deep
Ah then! that dread gulf should be crossed by a mortal,
Ah then! to what life were thy bright arch the portal,
Beautiful Spirit of Sleep.
205
-------------------------------------------------------------------------------Part III
She ceased, and a deep tingling silence fell
Instantly round,—silence complete, and yet
Instinct as with a breathing sweetness, left
By the rare spirit of her voice foregone;
Even as the fragrance of a flower were felt
Pervading the mute air through which erewhile,
It had been borne by the delighted hand
Of some sweet-thoughted maiden. Turning then
Her bright face towards me, as I stood entranced,
Yet with keen wonder stung, she said, “I love thee
As first love loveth—utterly! But ah
This love itself—this purple-wingéd love—
This life-enriching spirit of delight
Is but a honey-bee of paradise,
That only in the morning glory dares
To range abroad, only in vagrant mood,
Adventures out into the common world
Of man and woman, thither lured by sight
Of some sweet human soul that blooms apart,
Untainted by a rank soil’s weedy growths
Lured thither thus, yet being even then
A wilful wanderer from its birthplace pure,
Whereto it sadly must return again,
Or forfeit else its natal passport, ere
The dread night cometh. Yet of how great worth
Is love within the world! By the fair spring
Of even the lowliest love, how many rich
And gracious things that could not else have been,
Grow up like flowers, and breathe a perfume forth
That never leaves again the quickened sense
It once hath hit, as with a fairy’s wand!”
She spoke in mournful accents wild and sweet,
And lustrous tears brimmed over from the eyes
That met my own now melancholy gaze.
206
But not all comfortless is grief that sees
Itself reflected in another’s eyes,
And love again grew glad: alas, not long
For with a short low gasp of sudden fear
She started back, and hark! within the tower
A sound of strenuous steps approaching fast
Rang upwards, as it seemed, from the hard slabs
Of a steep winding stair; and soon the huge
And brazen portal, that behind us shut,
Burst open with a clang of loosened bolts—
A clang like thunder, that went rattling out
Against the echoes of the distant hills.
With deafened ears and looks aghast I turned
Towards the harsh noise, there to behold, between
The mighty jambs in the strong wall from which
The door swung inward, a tremendous form!
A horrid gloomy form that shapeless seemed,
And yet, in all its monstrous bulk, to man
A hideous likeness bare! Still more and more
Deformed it grew, as forth it swelled, and then
Its outlines melted in a grizzly haze,
That hung about them, even as grey clouds
Beskirt a coming tempest’s denser mass,
That thickens still internally, and shows
The murkiest in the midst—yea, murkiest there,
Where big with fate, and hid in solid gloom,
The yet still spirit of the thunder broods,
And menaces the world.
Beholding that dread form, the lady of light
Had rushed to my extended arms, and hid
Her beamy face, fright-harrowed, in my breast!
And thus we stood, made one in fear; while still
That terrible vision out upon us glared
With horny eyeballs—horrible the more
For that no evidence of conscious will,
No touch of passion, vitalized their fixed
Eumenidèan, stone-cold stare, as towards
Some surely destined task they seemed to guide
Its shapeless bulk and awful ruthless strength.
207
Then with a motion as of one dark stride
Shadowing forward, and outstretching straight
One vague-seen arm, from my reluctant grasp
It tore the radiant lady, saying “This
Is love forbidden!” in a voice whose tones
Were like low guttural thunders heard afar,
Outgrowling from the clouded gorges wild
Of steep-cragged mountains, when a sultry storm
Is pondering in its dark pavilions there.
Me then he seized, and threw me strongly back
Within the brazen door; its massive beam
Dropped with a wall-quake, and the bolts were shot
Into their sockets with a shattering jar.
I may not paint the horrible despair
That froze me now; more horrible than aught
In actual destiny, in waking life,
Could give the self -possession of my soul.
Within, without,—all silent, stirless, cold
Whither was she, my lady of delight
Reft terribly away? Time—every drip of which
Was as an age—kept trickling on and on,
Brought no release, no hope; brought not a breath
That spake of fellowship, or even of life
Out of myself. Utterly blank I stood
In marble-cold astonishment of heart!
And when at length I cast despairing eyes—
Eyes so despairing that the common gift
Of vision stung me like a deadly curse—
The dungeon round, pure pity of myself
So warmed and loosened from my brain, the pent
And icy anguish, that its load at once
Came like an Alp-thaw streaming through my eyes;
Till resignation, that balm-fragrant flower
Of meek pale grief that hath its root in tears,
Grew out of mine, and dewed my soul with peace.
My dungeon was a half-round lofty cell,
Massively set within the crossing wall
That seemed to cut the tower’s whole round in twain;
A door with iron studs and brazen clamps
Shut off the inner stairway of the tower;
And by this door a strange and mystic thing,
208
A bat-winged steed on scaly dragon claws,
Stood mute and rigid in the darkening cell.
The night came on; I saw the bat-winged steed
Fade, melt and die into the gathering gloom,
Then in the blackness hour by hour I paced,
And heard my step—the only sound to me
In all the wide world—throb with a dull blow
Down through the hollow tower that seemed to yawn.
A monstrous well beneath, with wide waste mouth
Bridged only by the quaking strip of floor
On which I darkling strode. Then hour on hour
Paused as if clotting at the heart of time,
And yet no other sound had being there
And still that strange, mute, mystic, bat-winged steed
Stood waiting near me by the inner door.
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Part IV
At last, all suddenly, in the air aloft
Over the tower a wild wailful song
Woke, flying many-voiced, then sweeping off
Far o’er the echoing hills, so passed away
In dying murmurs through the hollow dark.
Song
In vain was the charm sought
In vain was our spell wrought
Which that dread watcher’s eyes drowsy might keep;
In vain was the dragon-steed
There at the hour of need
Out with his double freight blissward to sweep.
Lost—lost—lost—lost!
In vain were our spells of an infinite cost
Lost—lost—lost—lost!
Yon gulf by a mortal may never be crossed
209
Never, ah never!
The doom holds for ever
For ever! for ever!
Away, come away!
For see, wide uprolling, the white front of day!
Away to the mystic mid-regions of sleep,
Of the beautiful Spirit of sleep.
Lost—lost—lost—lost!
The gulf we are crossing may never be crossed
By a mortal, ah, never!
The doom holds for ever!
For ever! for ever!
So passed that song (of which the drift alone
Is here reached after in such leaden speech
As uncharmed mortals use). And when its tones
Out towards the mountains in the dark afar
Had wasted, light began to pierce the gloom,
Marbling the dusk with grey; and then the steed,
With his strange dragon-claws and half-spread wings,
Grew slowly back into the day again.
The sunrise! Oh, it was a desolate pass
Immured in that relentless keep, to feel
How o’er the purple hills came the bright sun,
Rejoicing in his strength; and then to know
That he was wheeling up the heaven, and o’er
My prison roof, tracking his midway course
With step of fire, loud rolling through the world
The thunder of its universal life!
Thus seven times wore weary day and night
Wearily on, and still I could not sleep.
And still through this drear time the wintry tooth
Of hunger never gnawed my corporal frame;
No thirst inflamed me; while by the grim door
That strange, unmoving, dragon-footed steed
Stood as at first. Mere wonder at my doom
Relieved the else-fixed darkness of despair!
But on the seventh night at midnight—hark!
210
What might I hear? A step?—a small light step,
That by the stair ascending, swiftly came
Straight to the inner door—then stopped. Alas!
The black leaf opened not; and yet, the while,
A rainbow radiance through its solid breadth
Came flushing bright, in subtle wave on wave,
As sunset glow in swift rich curves wells forth
Through some dense cloud upon the verge of heaven:
So came it, filling all the cell at length
With rosy lights; and then the mystic steed
Moved, and spread wide his glimmering bat-like wings.
When hark! deep down in the mysterious tower
Another step! Yea, the same strenuous tramp
That once before I heard, big beating up—
A cry, a struggle, and retreating steps!
And that fair light had faded from the air.
Again the hateful tramp came booming up;
The great door opened, and the monster-fiend
Filled all the space between the mighty jambs.
My heart glowed hot with rage and hate at once;
Fiercely I charged him, but his horrible glooms
Enwrapped me closer, in yet denser coils
Every dread moment! But my anguish now,
My pain, and hate, and loathing, all had grown
Into so vast a horror that methought
I burst with irresistible strength away—
Rushed through the door and down the stairway—down
An endless depth—till a portcullis, hinged
In the tower’s basement, opened to my flight
It fell behind me, and my passage lay
By the long ripples of the rock-edged lake.
Then, breathless, pausing in my giddy flight,
I saw the lustrous lady upward pass
Through the lit air, with steadfast downward look
Of parting recognition—full of love,
But painless, passionless. Above the tower
And o’er the clouds her radiance passed away,
And melted into heaven’s marble dome!
Then fell there on my soul a sense of loss
So bleak, so desolate, that with a wild
211
Sleep-startling outcry, sudden I awoke
Awoke to find it but a wondrous dream;
Yet ever since to feel as if some pure
And guardian soul, out of the day and night,
Had passed for ever from the reach of love!
~ Charles Harpur,#NFDB
401:Daughter of Heaven and Earth, coy Spring,
With sudden passion languishing,
Maketh all things softly smile,
Painteth pictures mile on mile,
Holds a cup with cowslip-wreaths,
Whence a smokeless incense breathes.
Girls are peeling the sweet willow,
Poplar white, and Gilead-tree,
And troops of boys
Shouting with whoop and hilloa,
And hip, hip three times three.
The air is full of whistlings bland;
What was that I heard
Out of the hazy land?
Harp of the wind, or song of bird,
Or clapping of shepherd's hands,
Or vagrant booming of the air,
Voice of a meteor lost in day?
Such tidings of the starry sphere
Can this elastic air convey.
Or haply 't was the cannonade
Of the pent and darkened lake,
Cooled by the pendent mountain's shade,
Whose deeps, till beams of noonday break,
Afflicted moan, and latest hold
Even unto May the iceberg cold.
Was it a squirrel's pettish bark,
Or clarionet of jay? or hark,
Where yon wedged line the Nestor leads,
Steering north with raucous cry
Through tracts and provinces of sky,
Every night alighting down
In new landscapes of romance,
Where darkling feed the clamorous clans
By lonely lakes to men unknown.
Come the tumult whence it will,
Voice of sport, or rush of wings,
It is a sound, it is a token
That the marble sleep is broken,
And a change has passed on things.
Beneath the calm, within the light,
A hid unruly appetite
Of swifter life, a surer hope,
Strains every sense to larger scope,
Impatient to anticipate
The halting steps of aged Fate.
Slow grows the palm, too slow the pearl:
When Nature falters, fain would zeal
Grasp the felloes of her wheel,
And grasping give the orbs another whirl.
Turn swiftlier round, O tardy ball!
And sun this frozen side,
Bring hither back the robin's call,
Bring back the tulip's pride.
Why chidest thou the tardy Spring?
The hardy bunting does not chide;
The blackbirds make the maples ring
With social cheer and jubilee;
The redwing flutes his o-ka-lee,
The robins know the melting snow;
The sparrow meek, prophetic-eyed,
Her nest beside the snow-drift weaves,
Secure the osier yet will hide
Her callow brood in mantling leaves;
And thou, by science all undone,
Why only must thy reason fail
To see the southing of the sun?
As we thaw frozen flesh with snow,
So Spring will not, foolish fond,
Mix polar night with tropic glow,
Nor cloy us with unshaded sun,
Nor wanton skip with bacchic dance,
But she has the temperance
Of the gods, whereof she is one,--
Masks her treasury of heat
Under east-winds crossed with sleet.
Plants and birds and humble creatures
Well accept her rule austere;
Titan-born, to hardy natures
Cold is genial and dear.
As Southern wrath to Northern right
Is but straw to anthracite;
As in the day of sacrifice,
When heroes piled the pyre,
The dismal Massachusetts ice
Burned more than others' fire,
So Spring guards with surface cold
The garnered heat of ages old:
Hers to sow the seed of bread,
That man and all the kinds be fed;
And, when the sunlight fills the hours,
Dissolves the crust, displays the flowers.
The world rolls round,--mistrust it not,--
Befalls again what once befell;
All things return, both sphere and mote,
And I shall hear my bluebird's note,
And dream the dream of Auburn dell.
When late I walked, in earlier days,
All was stiff and stark;
Knee-deep snows choked all the ways,
In the sky no spark;
Firm-braced I sought my ancient woods,
Struggling through the drifted roads;
The whited desert knew me not,
Snow-ridges masked each darling spot;
The summer dells, by genius haunted,
One arctic moon had disenchanted.
All the sweet secrets therein hid
By Fancy, ghastly spells undid.
Eldest mason, Frost, had piled,
With wicked ingenuity,
Swift cathedrals in the wild;
The piny hosts were sheeted ghosts
In the star-lit minster aisled.
I found no joy: the icy wind
Might rule the forest to his mind.
Who would freeze in frozen brakes?
Back to books and sheltered home,
And wood-fire flickering on the walls,
To hear, when, 'mid our talk and games,
Without the baffled north-wind calls.
But soft! a sultry morning breaks;
The cowslips make the brown brook gay;
A happier hour, a longer day.
Now the sun leads in the May,
Now desire of action wakes,
And the wish to roam.
The caged linnet in the Spring
Hearkens for the choral glee,
When his fellows on the wing
Migrate from the Southern Sea;
When trellised grapes their flowers unmask,
And the new-born tendrils twine,
The old wine darkling in the cask
Feels the bloom on the living vine,
And bursts the hoops at hint of Spring:
And so, perchance, in Adam's race,
Of Eden's bower some dream-like trace
Survived the Flight, and swam the Flood,
And wakes the wish in youngest blood
To tread the forfeit Paradise,
And feed once more the exile's eyes;
And ever when the happy child
In May beholds the blooming wild,
And hears in heaven the bluebird sing,
"Onward," he cries, "your baskets bring,--
In the next field is air more mild,
And o'er yon hazy crest is Eden's balmier Spring."
Not for a regiment's parade,
Nor evil laws or rulers made,
Blue Walden rolls its cannonade,
But for a lofty sign
Which the Zodiac threw,
That the bondage-days are told,
And waters free as winds shall flow.
Lo! how all the tribes combine
To rout the flying foe.
See, every patriot oak-leaf throws
His elfin length upon the snows,
Not idle, since the leaf all day
Draws to the spot the solar ray,
Ere sunset quarrying inches down,
And half-way to the mosses brown;
While the grass beneath the rime
Has hints of the propitious time,
And upward pries and perforates
Through the cold slab a thousand gates,
Till green lances peering through
Bend happy in the welkin blue.
April cold with dropping rain
Willows and lilacs brings again,
The whistle of returning birds,
And trumpet-lowing of the herds.
The scarlet maple-keys betray
What potent blood hath modest May;
What fiery force the earth renews,
The wealth of forms, the flush of hues;
Joy shed in rosy waves abroad
Flows from the heart of Love, the Lord.
Hither rolls the storm of heat;
I feel its finer billows beat
Like a sea which me infolds;
Heat with viewless fingers moulds,
Swells, and mellows, and matures,
Paints, and flavours, and allures,
Bird and brier inly warms,
Still enriches and transforms,
Gives the reed and lily length,
Adds to oak and oxen strength,
Boils the world in tepid lakes,
Burns the world, yet burnt remakes;
Enveloping heat, enchanted robe,
Wraps the daisy and the globe,
Transforming what it doth infold,
Life out of death, new out of old,
Painting fawns' and leopards' fells,
Seethes the gulf-encrimsoning shells,
Fires garden with a joyful blaze
Of tulips in the morning's rays.
The dead log touched bursts into leaf,
The wheat-blade whispers of the sheaf.
What god is this imperial Heat,
Earth's prime secret, sculpture's seat?
Doth it bear hidden in its heart
Water-line patterns of all art,
All figures, organs, hues, and graces?
Is it Daedalus? is it Love?
Or walks in mask almighty Jove,
And drops from Power's redundant horn
All seeds of beauty to be born?
Where shall we keep the holiday,
And duly greet the entering May?
Too strait and low our cottage doors,
And all unmeet our carpet floors;
Nor spacious court, nor monarch's hall,
Suffice to hold the festival.
Up and away! where haughty woods
Front the liberated floods:
We will climb the broad-backed hills,
Hear the uproar of their joy;
We will mark the leaps and gleams
Of the new-delivered streams,
And the murmuring rivers of sap
Mount in the pipes of the trees,
Giddy with day, to the topmost spire,
Which for a spike of tender green
Bartered its powdery cap;
And the colours of joy in the bird,
And the love in its carol heard,
Frog and lizard in holiday coats,
And turtle brave in his golden spots;
We will hear the tiny roar
Of the insects evermore,
While cheerful cries of crag and plain
Reply to the thunder of river and main.
As poured the flood of the ancient sea
Spilling over mountain chains,
Bending forests as bends the sedge,
Faster flowing o'er the plains,--
A world-wide wave with a foaming edge
That rims the running silver sheet,--
So pours the deluge of the heat
Broad northward o'er the land,
Painting artless paradises,
Drugging herbs with Syrian spices,
Fanning secret fires which glow
In columbine and clover-blow,
Climbing the northern zones,
Where a thousand pallid towns
Lie like cockles by the main,
Or tented armies on a plain.
The million-handed sculptor moulds
Quaintest bud and blossom folds,
The million-handed painter pours
Opal hues and purple dye;
Azaleas flush the island floors,
And the tints of heaven reply.
Wreaths for the May! for happy Spring
To-day shall all her dowry bring,
The love of kind, the joy, the grace,
Hymen of element and race,
Knowing well to celebrate
With song and hue and star and state,
With tender light and youthful cheer,
The spousals of the new-born year.
Lo Love's inundation poured
Over space and race abroad!
Spring is strong and virtuous,
Broad-sowing, cheerful, plenteous,
Quickening underneath the mould
Grains beyond the price of gold.
So deep and large her bounties are,
That one broad, long midsummer day
Shall to the planet overpay
The ravage of a year of war.
Drug the cup, thou butler sweet,
And send the nectar round;
The feet that slid so long on sleet
Are glad to feel the ground.
Fill and saturate each kind
With good according to its mind,
Fill each kind and saturate
With good agreeing with its fate,
Willow and violet, maiden and man.
The bitter-sweet, the haunting air,
Creepeth, bloweth everywhere;
It preys on all, all prey on it,
Blooms in beauty, thinks in wit,
Stings the strong with enterprise,
Makes travellers long for Indian skies,
And where it comes this courier fleet
Fans in all hearts expectance sweet,
As if to-morrow should redeem
The vanished rose of evening's dream.
By houses lies a fresher green,
On men and maids a ruddier mien,
As if time brought a new relay
Of shining virgins every May,
And Summer came to ripen maids
To a beauty that not fades.
The ground-pines wash their rusty green,
The maple-tops their crimson tint,
On the soft path each track is seen,
The girl's foot leaves its neater print.
The pebble loosened from the frost
Asks of the urchin to be tost.
In flint and marble beats a heart,
The kind Earth takes her children's part,
The green lane is the school-boy's friend,
Low leaves his quarrel apprehend,
The fresh ground loves his top and ball,
The air rings jocund to his call,
The brimming brook invites a leap,
He dives the hollow, climbs the steep.
The youth reads omens where he goes,
And speaks all languages the rose.
The wood-fly mocks with tiny noise
The far halloo of human voice;
The perfumed berry on the spray
Smacks of faint memories far away.
A subtle chain of countless rings
The next unto the farthest brings,
And, striving to be man, the worm
Mounts through all the spires of form.
I saw the bud-crowned Spring go forth,
Stepping daily onward north
To greet staid ancient cavaliers
Filing single in stately train.
And who, and who are the travellers?
They were Night and Day, and Day and Night,
Pilgrims wight with step forthright.
I saw the Days deformed and low,
Short and bent by cold and snow;
The merry Spring threw wreaths on them,
Flower-wreaths gay with bud and bell;
Many a flower and many a gem,
They were refreshed by the smell,
They shook the snow from hats and shoon,
They put their April raiment on;
And those eternal forms,
Unhurt by a thousand storms,
Shot up to the height of the sky again,
And danced as merrily as young men.
I saw them mask their awful glance
Sidewise meek in gossamer lids;
And to speak my thought if none forbids.
It was as if the eternal gods,
Tired of their starry periods,
Hid their majesty in cloth
Woven of tulips and painted moth.
On carpets green the maskers march
Below May's well-appointed arch,
Each star, each god, each grace amain,
Every joy and virtue speed,
Marching duly in her train,
And fainting Nature at her need
Is made whole again.
'T was the vintage-day of field and wood,
When magic wine for bards is brewed;
Every tree and stem and chink
Gushed with syrup to the brink.
The air stole into the streets of towns,
And betrayed the fund of joy
To the high-school and medalled boy:
On from hall to chamber ran,
From youth to maid, from boy to man,
To babes, and to old eyes as well.
'Once more,' the old man cried, 'ye clouds,
Airy turrets purple-piled,
Which once my infancy beguiled,
Beguile me with the wonted spell.
I know ye skilful to convoy
The total freight of hope and joy
Into rude and homely nooks,
Shed mocking lustres on shelf of books,
On farmer's byre, on meadow-pipes,
Or on a pool of dancing chips.
I care not if the pomps you show
Be what they soothfast appear,
Or if yon realms in sunset glow
Be bubbles of the atmosphere.
And if it be to you allowed
To fool me with a shining cloud,
So only new griefs are consoled
By new delights, as old by old,
Frankly I will be your guest,
Count your change and cheer the best.
The world hath overmuch of pain,--
If Nature give me joy again,
Of such deceit I'll not complain.'
Ah! well I mind the calendar,
Faithful through a thousand years,
Of the painted race of flowers,
Exact to days, exact to hours,
Counted on the spacious dial
Yon broidered zodiac girds.
I know the pretty almanac
Of the punctual coming-back,
On their due days, of the birds.
I marked them yestermorn,
A flock of finches darting
Beneath the crystal arch,
Piping, as they flew, a march,--
Belike the one they used in parting
Last year from yon oak or larch;
Dusky sparrows in a crowd,
Diving, darting northward free,
Suddenly betook them all,
Every one to his hole in the wall,
Or to his niche in the apple-tree.
I greet with joy the choral trains
Fresh from palms and Cuba's canes.
Best gems of Nature's cabinet,
With dews of tropic morning wet,
Beloved of children, bards, and Spring,
O birds, your perfect virtues bring,
Your song, your forms, your rhythmic flight,
Your manners for the heart's delight,
Nestle in hedge, or barn, or roof,
Here weave your chamber weather-proof,
Forgive our harms, and condescend
To man, as to a lubber friend,
And, generous, teach his awkward race
Courage, and probity, and grace!
Poets praise that hidden wine
Hid in milk we drew
At the barrier of Time,
When our life was new.
We had eaten fairy fruit,
We were quick from head to foot,
All the forms we look on shone
As with diamond dews thereon.
What cared we for costly joys,
The Museum's far-fetched toys?
Gleam of sunshine on the wall
Poured a deeper cheer than all
The revels of the Carnival.
We a pine-grove did prefer
To a marble theatre,
Could with gods on mallows dine,
Nor cared for spices or for wine.
Wreaths of mist and rainbow spanned,
Arch on arch, the grimmest land;
Whistle of a woodland bird
Made the pulses dance,
Note of horn in valleys heard
Filled the region with romance.
None can tell how sweet,
How virtuous, the morning air;
Every accent vibrates well;
Not alone the wood-bird's call,
Or shouting boys that chase their ball,
Pass the height of minstrel skill,
But the ploughman's thoughtless cry,
Lowing oxen, sheep that bleat,
And the joiner's hammer-beat,
Softened are above their will.
All grating discords melt,
No dissonant note is dealt,
And though thy voice be shrill
Like rasping file on steel,
Such is the temper of the air,
Echo waits with art and care,
And will the faults of song repair.
So by remote Superior Lake,
And by resounding Mackinac,
When northern storms and forests shake,
And billows on the long beach break,
The artful Air doth separate
Note by note all sounds that grate,
Smothering in her ample breast
All but godlike words,
Reporting to the happy ear
Only purified accords.
Strangely wrought from barking waves,
Soft music daunts the Indian braves,--
Convent-chanting which the child
Hears pealing from the panther's cave
And the impenetrable wild.
One musician is sure,
His wisdom will not fail,
He has not tasted wine impure,
Nor bent to passion frail.
Age cannot cloud his memory,
Nor grief untune his voice,
Ranging down the ruled scale
From tone of joy to inward wail,
Tempering the pitch of all
In his windy cave.
He all the fables knows,
And in their causes tells,--
Knows Nature's rarest moods,
Ever on her secret broods.
The Muse of men is coy,
Oft courted will not come;
In palaces and market squares
Entreated, she is dumb;
But my minstrel knows and tells
The counsel of the gods,
Knows of Holy Book the spells,
Knows the law of Night and Day,
And the heart of girl and boy,
The tragic and the gay,
And what is writ on Table Round
Of Arthur and his peers,
What sea and land discoursing say
In sidereal years.
He renders all his lore
In numbers wild as dreams,
Modulating all extremes,--
What the spangled meadow saith
To the children who have faith;
Only to children children sing,
Only to youth will spring be spring.
Who is the Bard thus magnified?
When did he sing, and where abide?
Chief of song where poets feast
Is the wind-harp which thou seest
In the casement at my side.
AEolian harp,
How strangely wise thy strain!
Gay for youth, gay for youth,
(Sweet is art, but sweeter truth,)
In the hall at summer eve
Fate and Beauty skilled to weave.
From the eager opening strings
Rung loud and bold the song.
Who but loved the wind-harp's note?
How should not the poet doat
On its mystic tongue,
With its primeval memory,
Reporting what old minstrels said
Of Merlin locked the harp within,--
Merlin paying the pain of sin,
Pent in a dungeon made of air,--
And some attain his voice to hear,
Words of pain and cries of fear,
But pillowed all on melody,
As fits the griefs of bards to be.
And what if that all-echoing shell,
Which thus the buried Past can tell,
Should rive the Future, and reveal
What his dread folds would fain conceal?
It shares the secret of the earth,
And of the kinds that owe her birth.
Speaks not of self that mystic tone,
But of the Overgods alone:
It trembles to the cosmic breath,--
As it heareth, so it saith;
Obeying meek the primal Cause,
It is the tongue of mundane laws:
And this, at least, I dare affirm,
Since genius too has bound and term,
There is no bard in all the choir,
Not Homer's self, the poet sire,
Wise Milton's odes of pensive pleasure,
Or Shakspeare, whom no mind can measure,
Nor Collins' verse of tender pain,
Nor Byron's clarion of disdain,
Scott, the delight of generous boys,
Or Wordsworth, Pan's recording voice,--
Not one of all can put in verse,
Or to this presence could rehearse,
The sights and voices ravishing
The boy knew on the hills in Spring,
When pacing through the oaks he heard
Sharp queries of the sentry-bird,
The heavy grouse's sudden whirr,
The rattle of the kingfisher;
Saw bonfires of the harlot flies
In the lowland, when day dies;
Or marked, benighted and forlorn,
The first far signal-fire of morn.
These syllables that Nature spoke,
And the thoughts that in him woke,
Can adequately utter none
Save to his ear the wind-harp lone.
And best can teach its Delphian chord
How Nature to the soul is moored,
If once again that silent string,
As erst it wont, would thrill and ring.
Not long ago, at eventide,
It seemed, so listening, at my side
A window rose, and, to say sooth,
I looked forth on the fields of youth:
I saw fair boys bestriding steeds,
I knew their forms in fancy weeds,
Long, long concealed by sundering fates,
Mates of my youth,--yet not my mates,
Stronger and bolder far than I,
With grace, with genius, well attired,
And then as now from far admired,
Followed with love
They knew not of,
With passion cold and shy.
O joy, for what recoveries rare!
Renewed, I breathe Elysian air,
See youth's glad mates in earliest bloom,--
Break not my dream, obtrusive tomb!
Or teach thou, Spring! the grand recoil
Of life resurgent from the soil
Wherein was dropped the mortal spoil.
Soft on the south-wind sleeps the haze!
So on thy broad mystic van
Lie the opal-coloured days,
And waft the miracle to man.
Soothsayer of the eldest gods,
Repairer of what harms betide,
Revealer of the inmost powers
Prometheus proffered, Jove denied;
Disclosing treasures more than true,
Or in what far to-morrow due;
Speaking by the tongues of flowers,
By the ten-tongued laurel speaking,
Singing by the oriole songs,
Heart of bird the man's heart seeking;
Whispering hints of treasure hid
Under Morn's unlifted lid,
Islands looming just beyond
The dim horizon's utmost bound;--
Who can, like thee, our rags upbraid,
Or taunt us with our hope decayed?
Or who like thee persuade,
Making the splendour of the air,
The morn and sparkling dew, a snare?
Or who resent
Thy genius, wiles, and blandishment?
There is no orator prevails
To beckon or persuade
Like thee the youth or maid:
Thy birds, thy songs, thy brooks, thy gales,
Thy blooms, thy kinds,
Thy echoes in the wilderness,
Soothe pain, and age, and love's distress,
Fire fainting will, and build heroic minds.
For thou, O Spring! canst renovate
All that high God did first create.
Be still his arm and architect,
Rebuild the ruin, mend defect;
Chemist to vamp old worlds with new,
Coat sea and sky with heavenlier blue,
New-tint the plumage of the birds,
And slough decay from grazing herds,
Sweep ruins from the scarped mountain,
Cleanse the torrent at the fountain,
Purge alpine air by towns defiled,
Bring to fair mother fairer child,
Not less renew the heart and brain,
Scatter the sloth, wash out the stain,
Make the aged eye sun-clear,
To parting soul bring grandeur near.
Under gentle types, my Spring
Masks the might of Nature's king,
An energy that searches thorough
From Chaos to the dawning morrow;
Into all our human plight,
The soul's pilgrimage and flight;
In city or in solitude,
Step by step, lifts bad to good,
Without halting, without rest,
Lifting Better up to Best;
Planting seeds of knowledge pure,
Through earth to ripen, through heaven endure.
by owner. provided at no charge for educational purposes
~ Ralph Waldo Emerson, May-Day
,#NFDB
402:A TRAGEDY
IN FIVE ACTS
DRAMATIS PERSONS
OTHO THE GREAT, Emperor of Germany.
LUDOLPH, his Son.
CONRAD, Duke of Franconia.
ALBERT, a Knight, favoured by Otho.
SIGIFRED, an Officer, friend of Ludolph.
THEODORE, an Officer
GONFRED, an Officer
ETHELBERT. an Abbot.
GERSA, Prince of Hungary.
An Hungarian Captain.
Physician.
Page.
Nobles, Knights, Attendants, and Soldiers.
ERMINIA, Niece of Otho.
AURANTHE, Conrad's Sister.
Ladies and Attendants.
SCENE. The Castle of Friedburg, its vicinity, and the Hungarian Camp.
TIME. One Day.
SCENE I. An Apartment in the Castle. Enter CONRAD.
Conrad. So, I am safe emerged from these broils!
Amid the wreck of thousands I am whole;
For every crime I have a laurel-wreath,
For every lie a lordship. Nor yet has
My ship of fortune furl'd her silken sails,
Let her glide on! This danger'd neck is saved,
By dexterous policy, from the rebel's axe;
And of my ducal palace not one stone
Is bruised by the Hungarian petards.
Toil hard, ye slaves, and from the miser-earth
Bring forth once more my bullion, treasured deep,
With ah my jewell'd salvers, silver and gold,
And precious goblets that make rich the wine.
But why do I stand babbling to myself?
Where is Auranthe? I have news for her
Shall-
Enter AURANTHE.
Auranthe. Conrad! what tidings? Good, if I may guess
From your alert eyes and high-lifted brows.
What tidings of the battle? Albert? Ludolph? Otho?
Conrad. You guess aright. And, sister, slurring o'er
Our by-gone quarrels, I confess my heart
Is beating with a child's anxiety,
To make our golden fortune known to you.
Auranthe. So serious?
Conrad. Yes, so serious, that before
I utter even the shadow of a hint
Concerning what will make that sin-worn cheek
Blush joyous blood through every lineament,
You must make here a solemn vow to me.
Auranthe. I prythee, Conrad, do not overact
The hypocrite what vow would you impose?
Conrad. Trust me for once, that you may be assured
'Tis not confiding to a broken reed,
A poor Court-bankrupt, outwitted and lost,
Revolve these facts in your acutest mood,
In such a mood as now you listen to me:
A few days since, I was an open rebel
Against the Emperor, had suborn'd his son,
Drawn off his nobles to revolt, and shown
Contented fools causes for discontent
Fresh hatch'd in my ambition's eagle nest
So thrived I as a rebel, and behold
Now I am Otho's favourite, his dear friend,
His right hand, his brave Conrad.
Auranthe. I confess
You have intrigued with these unsteady times
To admiration; but to be a favourite
Conrad. I saw my moment. The Hungarians,
Collected silently in holes and corners,
Appeared, a sudden host, in the open day.
I should have perish'd in our empire's wreck,
But, calling interest loyalty, swore faith
To most believing Otho; and so helped
His blood-stained ensigns to the victory
In yesterday's hard fight, that it has turn'd
The edge of his sharp wrath to eager kindness.
Auranthe. So far yourself. But what is this to me
More than that I am glad? I gratulate you.
Conrad. Yes, sister, but it does regard you greatly,
Nearly, momentously, aye, painfully!
Make me this vow
Auranthe. Concerning whom or what?
Conrad. Albert!
Auranthe. I would inquire somewhat of him:
You had a letter from me touching him?
No treason 'gainst his head in deed or word!
Surely you spar'd him at my earnest prayer?
Give me the letter it should not exist!
Conrad. At one pernicious charge of the enemy,
I, for a moment-whiles, was prisoner ta'en
And rifled, stuff! the horses' hoofs have minc'd it!
Auranthe. He is alive?
Conrad. He is! but here make oath
To alienate him from your scheming brain,
Divorce him from your solitary thoughts,
And cloud him in such utter banishment,
That when his person meets again your eye,
Your vision shall quite lose its memory,
And wander past him as through vacancy.
Auranthe. I'll not be perjured.
Conrad. No, nor great, nor mighty;
You would not wear a crown, or rule a kingdom.
To you it is indifferent.
Auranthe. What means this?
Conrad. You'll not be perjured! Go to Albert then,
That camp-mushroom dishonour of our house.
Go, page his dusty heels upon a march,
Furbish his jingling baldric while he sleeps,
And share his mouldy ration in a siege.
Yet stay, perhaps a charm may call you back,
And make the widening circlets of your eyes
Sparkle with healthy fevers. The Emperor
Hath given consent that you should marry Ludolph!
Auranthe. Can it be, brother? For a golden crown
With a queen's awful lips I doubly thank you!
This is to wake in Paradise ! Farewell
Thou clod of yesterday 'twas not myself!
Not till this moment did I ever feel
My spirit's faculties! I'll flatter you
For this, and be you ever proud of it;
Thou, Jove-like, struck'dst thy forehead,
And from the teeming marrow of thy brain
I spring complete Minerva! But the prince
His highness Ludolph where is he?
Conrad. I know not:
When, lackeying my counsel at a beck,
The rebel lords, on bended knees, received
The Emperor's pardon, Ludolph kept aloof,
Sole, in a stiff, fool-hardy, sulky pride;
Yet, for all this, I never saw a father
In such a sickly longing for his son.
We shall soon see him, for the Emperor
He will be here this morning.
Auranthe. That I heard
Among the midnight rumours from the camp.
Conrad. You give up Albert to me?
Auranthe. Harm him not!
E'en for his highness Ludolph's sceptry hand,
I would not Albert suffer any wrong.
Conrad. Have I not laboured, plotted ?
Auranthe. See you spare him:
Nor be pathetic, my kind benefactor,
On all the many bounties of your hand,
'Twas for yourself you laboured not for me!
Do you not count, when I am queen, to take
Advantage of your chance discoveries
Of my poor secrets, and so hold a rod
Over my life?
Conrad. Let not this slave this villain
Be cause of feud between us. See! he comes!
Look, woman, look, your Albert is quite safe!
In haste it seems. Now shall I be in the way,
And wish'd with silent curses in my grave,
Or side by side with 'whelmed mariners.
Enter ALBERT.
Albert. Fair on your graces fall this early morrow!
So it is like to do, without my prayers,
For your right noble names, like favourite tunes,
Have fallen full frequent from our Emperor's lips,
High commented with smiles.
Auranthe. Noble Albert!
Conrad (aside). Noble!
Auranthe. Such salutation argues a glad heart
In our prosperity. We thank you, sir.
Albert. Lady! O, would to Heaven your poor servant
Could do you better service than mere words!
But I have other greeting than mine own,
From no less man than Otho, who has sent
This ring as pledge of dearest amity;
'Tis chosen I hear from Hymen's jewel'ry,
And you will prize it, lady, I doubt not,
Beyond all pleasures past, and all to come.
To you great duke
Conrad. To me! What of me, ha?
Albert. What pleas'd your grace to say?
Conrad. Your message, sir!
Albert. You mean not this to me?
Conrad. Sister, this way;
For there shall be no '''gentle Alberts" now, [Aside.
No "sweet Auranthes!"
[Exeunt CONRAD and AURANTHE.
Albert (solus). The duke is out of temper; if he knows
More than a brother of a sister ought,
I should not quarrel with his peevishness.
Auranthe Heaven preserve her always fair!
Is in the heady, proud, ambitious vein;
I bicker not with her, bid her farewell!
She has taken flight from me, then let her soar,
He is a fool who stands at pining gaze!
But for poor Ludolph, he is food for sorrow:
No levelling bluster of my licens'd thoughts,
No military swagger of my mind,
Can smother from myself the wrong I've done him,
Without design, indeed, yet it is so,
And opiate for the conscience have I none! [Exit.
SCENE II. The Court-yard of the Castle.
Martial Music. Enter, from the outer gate, OTHO, Nobles, Knights, and
Attendants. The Soldiers halt at the gate, with Banners in sight.
Otho. Where is my noble herald?
Enter CONRAD, from the Castle, attended by two Knights and
Servants. ALBERT following.
Well, hast told
Auranthe our intent imperial?
Lest our rent banners, too o' the sudden shown,
Should fright her silken casements, and dismay
Her household to our lack of entertainment.
A victory!
Conrad. God save illustrious Otho!
Otho. Aye, Conrad, it will pluck out all grey hairs;
It is the best physician for the spleen;
The courtliest inviter to a feast;
The subtlest excuser of small faults;
And a nice judge in the age and smack of wine.
Enter, from the Castle, AURANTHE, followed by Pages holding
up her robes, and a tram of Women. She kneels.
Hail my sweet hostess! I do thank the stars,
Or my good soldiers, or their ladies' eyes,
That, after such a merry battle fought,
I can, all safe in body and in soul,
Kiss your fair hand and lady fortune's too.
My ring! now, on my life, it doth rejoice
These lips to feel 't on this soft ivory!
Keep it, my brightest daughter; it may prove
The little prologue to a line of kings.
I strove against thee and my hot-blood son,
Dull blockhead that I was to be so blind,
But now my sight is clear; forgive me, lady.
Auranthe. My lord, I was a vassal to your frown,
And now your favour makes me but more humble;
In wintry winds the simple snow is safe,
But fadeth at the greeting of the sun:
Unto thine anger I might well have spoken,
Taking on me a woman's privilege,
But this so sudden kindness makes me dumb.
Otho. What need of this? Enough, if you will be
A potent tutoress to my wayward boy,
And teach him, what it seems his nurse could not
To say, for once, I thank you. Sigifred!
Albert. He has not yet return'd, my gracious liege.
Otho. What then! No tidings of my friendly Arab?
Conrad. None, mighty Otho.
[To one of his Knights, who goes out.
Send forth instantly
An hundred horsemen from my honoured gates,
To scour the plains and search the cottages.
Cry a reward, to him who shall first bring
News of that vanished Arabian,
A full-heap'd helmet of the purest gold.
Otho. More thanks, good Conrad; for, except my son's,
There is no face I rather would behold
Than that same quick-eyed pagan's. By the saints,
This coming night of banquets must not light
Her dazzling torches; nor the music breathe
Smooth, without clashing cymbal, tones of peace
And in-door melodies; nor the ruddy wine
Ebb spouting to the lees; if I pledge not
In my first cup, that Arab!
Albert. Mighty Monarch,
I wonder not this stranger's victor-deeds
So, hang upon your spirit. Twice in the fight
It was my chance to meet his olive brow,
Triumphant in the enemy's shatter 'd rhomb;
And, to say truth, in any Christian arm
I never saw such prowess.
Otho. Did you ever?
O, 'tis a noble boy! tut! what do I say?
I mean a triple Saladin, whose eyes,
When in the glorious scuffle they met mine,
Seem'd to say "Sleep, old man, in safety sleep;
I am the victory!"
Conrad. Pity he's not here.
Otho. And my son too, pity he is not here.
Lady Auranthe, I would not make you blush,
But can you give a guess where Ludolph is?
Know you not of him?
Auranthe. Indeed, my liege, no secret
Otho. Nay, nay, without more words, dost know of him?
Auranthe. I would I were so over-fortunate,
Both for his sake and mine, and to make glad
A father's ears with tidings of his son.
Otho. I see 'tis like to be a tedious day.
Were Theodore and Gonfred and the rest
Sent forth with my commands?
Albert. Aye, my lord.
Otho. And no news! No news! 'Faith! 'tis very strange
He thus avoids us. Lady, is't not strange?
Will he be truant to you too? It is a shame.
Conrad. Will 't please your highness enter, and accept
The unworthy welcome of your servant's house?
Leaving your cares to one whose diligence
May in few hours make pleasures of them all.
Otho. Not so tedious, Conrad. No, no, no,
I must see Ludolph or the What's that shout!
Voices without. Huzza! huzza! Long live the Emperor!
Other Voices. Fall back! Away there!
Otho. Say, what noise is that?
[ALBERT advancing from the bark of the Stage, whither he had
hastened on hearing the cheers of the soldiery.
Albert. It is young Gersa, the Hungarian prince,
Pick'd like a red stag from the fallow herd
Of prisoners. Poor prince, forlorn he steps,
Slow, and demure, and proud in his despair.
If I may judge by his so tragic bearing,
His eye not downcast, and his folded arm,
He doth this moment wish himself asleep
Among his fallen captains on yon plains.
Enter GERSA, in chains, and guarded,
Otho. Well said, Sir Albert.
Gersa. Not a word of greeting.
No welcome to a princely visitor,
Most mighty Otho? Will not my great host
Vouchsafe a syllable, before he bids
His gentlemen conduct me with all care
To some securest lodgings? cold perhaps!
Otho. What mood is this? Hath fortune touch'd thy brain?
Gersa. kings and princes of this fev'rous world,
What abject things, what mockeries must ye be,
What nerveless minions of safe palaces!
When here, a monarch, whose proud foot is used
To fallen princes' necks, as to his stirrup,
Must needs exclaim that I am mad forsooth,
Because I cannot flatter with bent knees
My conqueror!
Otho. Gersa, I think you wrong me:
I think I have a better fame abroad.
Gersa. I prythee mock me not with gentle speech,
But, as a favour, bid me from thy presence;
Let me no longer be the wondering food
Of all these eyes; prythee command me hence!
Otho. Do not mistake me, Gersa. That you may not,
Come, fair Auranthe, try if your soft hands
Can manage those hard rivets to set free
So brave a prince and soldier.
Auranthe (sets him free). Welcome task!
Gersa. I am wound up in deep astonishment!
Thank you, fair lady. Otho! emperor!
You rob me of myself; my dignity
Is now your infant; I am a weak child.
Otho. Give me your hand, and let this kindly grasp
Live in our memories.
Gersa. In mine it will.
I blush to think of my unchasten'd tongue;
But I was haunted by the monstrous ghost
Of all our slain battalions. Sire, reflect,
And pardon you will grant, that, at this hour,
The bruised remnants of our stricken camp
Are huddling undistinguish'd my dear friends,
With common thousands, into shallow graves.
Otho. Enough, most noble Gersa. You are free
To cheer the brave remainder of your host
By your own healing presence, and that too,
Not as their leader merely, but their king;
For, as I hear, the wily enemy,
Who eas'd the crownet from your infant brows,
Bloody Taraxa, is among the dead.
Gersa. Then I retire, so generous Otho please,
Bearing with me a weight of benefits
Too heavy to be borne.
Otho. It is not so;
Still understand me, King of Hungary,
Nor judge my open purposes awry.
Though I did hold you high in my esteem
For your self's sake, I do not personate
The stage-play emperor to entrap applause,
To set the silly sort o' the world agape,
And make the politic smile; no, I have heard
How in the Council you condemn 'd this war,
Urging the perfidy of broken faith,
For that I am your friend.
Gersa. If ever, sire,
You are mine enemy, I dare here swear
'Twill not be Gersa's fault. Otho, farewell!
Otho. Will you return, Prince, to our banqueting?
Gersa. As to my father's board I will return.
Otho. Conrad, with all due ceremony, give
The prince a regal escort to his camp;
Albert, go thou and bear him company.
Gersa, farewell!
Gersa. All happiness attend you!
Otho. Return with what good speed you may; for soon
We must consult upon our terms of peace.
[Exeunt GERSA and ALBERT with others.
And thus a marble column do I build
To prop my empire's dome. Conrad, in thee
I have another stedfast one, to uphold
The portals of my state; and, for my own
Pre-eminence and safety, I will strive
To keep thy strength upon its pedestal.
For, without thee, this day I might have been
A show-monster about the streets of Prague,
In chains, as just now stood that noble prince:
And then to me no mercy had been shown,
For when the conquered lion is once dungeon'd,
Who lets him forth again? or dares to give
An old lion sugar-cates of mild reprieve?
Not to thine ear alone I make confession,
But to all here, as, by experience,
I know how the great basement of all power
Is frankness, and a true tongue to the world;
And how intriguing secrecy is proof
Of fear and weakness, and a hollow state.
Conrad, I owe thee much.
Conrad. To kiss that hand,
My emperor, is ample recompense,
For a mere act of duty.
Otho. Thou art wrong;
For what can any man on earth do more?
We will make trial of your house's welcome,
My bright Auranthe!
Conrad. How is Friedburg honoured!
Enter ETHELBERT and six Monks.
Ethelbert. The benison of heaven on your head,
Imperial Otho!
Otho. Who stays me? Speak! Quick!
Ethelbert. Pause but one moment, mighty conqueror
Upon the threshold of this house of joy.
Otho. Pray, do not prose, good Ethelbert, but speak
What is your purpose.
Ethelbert. The restoration of some captive maids,
Devoted to Heaven's pious ministries,
Who, being driven from their religious cells,
And kept in thraldom by our enemy,
When late this province was a lawless spoil,
Still weep amid the wild Hungarian camp,
Though hemm'd around by thy victorious arms.
Otho. Demand the holy sisterhood in our name
From Gersa's tents. Farewell, old Ethelbert.
Ethelbert. The saints will bless you for this pious care.
Otho. Daughter, your hand; Ludolph's would fit it best.
Conrad. Ho ! let the music sound !
[Music. ETHELBERT raises his hands, as in benediction of OTHO.
Exeunt severally. The scene closes on them.
SCENE III. The Country, with the Castle in the distance.
Enter LUDOLPH and SIGIFRED.
Ludolph. You have my secret; let it not be breath 'd.
Sigifred. Still give me leave to wonder that the Prince
Ludolph and the swift Arab are the same ;
Still to rejoice that 'twas a German arm
Death doing in a turban'd masquerade.
Ludolph. The Emperor must not know it, Sigifred.
Sigifred. I prythee, why? What happier hour of time
Could thy pleasd star point down upon from heaven
With silver index, bidding thee make peace?
Ludolph. Still it must not be known, good Sigifred;
The star may point oblique.
Sigifred. If Otho knew
His son to be that unknown Mussulman
After whose spurring heels he sent me forth,
With one of his well-pleas'd Olympian oaths,
The charters of man's greatness, at this hour
He would be watching round the castle walls,
And, like an anxious warder, strain his sight
For the first glimpse of such a son return 'd
Ludolph, that blast of the Hungarians,
That Saracenic meteor of the fight,
That silent fury, whose fell Scymitar
Kept danger all aloof from Otho's head,
And left him space for wonder.
Ludolph. Say no more.
Not as a swordsman would I pardon claim,
But as a son. The bronz'd centurion,
Long toil'd in foreign wars, and whose high deeds
Are shaded in a forest of tall spears,
Known only to his troop, hath greater plea
Of favour with my sire than I can have.
Sigifred. My lord, forgive me that I cannot see
How this proud temper with clear reason squares.
What made you then, with such an anxious love,
Hover around that life, whose bitter days
You vext with bad revolt? Was 't opium,
Or the mad-fumed wine? Nay, do not frown,
I rather would grieve with you than upbraid.
Ludolph. I do believe you. No, 'twas not to make
A father his son's debtor, or to heal
His deep heart-sickness for a rebel child.
Twas done in memory of my boyish days,
Poor cancel for his kindness to my youth,
For all his calming of my childish griefs,
And all his smiles upon my merriment.
No, not a thousand foughten fields could sponge
Those days paternal from my memory,
Though now upon my head he heaps disgrace.
Sigifred. My Prince, you think too harshly
Ludolph. Can I so?
Hath he not gall'd my spirit to the quick?
And with a sullen rigour obstinate
Pour'd out a phial of wrath upon my faults?
Hunted me as the Tartar does the boar,
Driven me to the very edge o' the world,
And almost put a price upon my head?
Sigifred. Remember how he spar'd the rebel lords.
Ludolph. Yes, yes, I know he hath a noble nature
That cannot trample on the fallen. But his
Is not the only proud heart in his realm.
He hath wrong'd me, and I have done him wrong;
He hath lov'd me, and I have shown him kindness;
We should be almost equal.
Sigifred. Yet, for all this,
I would you had appear 'd among those lords,
And ta'en his favour.
Ludolph. Ha! till now I thought
My friend had held poor Ludolph's honour dear.
What ! would you have me sue before his throne
And kiss the courtier's missal, its silk steps?
Or hug the golden housings of his steed,
Amid a camp, whose steeled swarms I dar'd
But yesterday? And, at the trumpet sound,
Bow like some unknown mercenary's flag,
And lick the soiled grass? No, no, my friend,
I would not, I, be pardon'd in the heap,
And bless indemnity with all that scum,
Those men I mean, who on my shoulders propped
Their weak rebellion, winning me with lies,
And pitying forsooth my many wrongs;
Poor self-deceived wretches, who must think
Each one himself a king in embryo,
Because some dozen vassals cry'd my lord!
Cowards, who never knew their little hearts,
Till flurried danger held the mirror up,
And then they own'd themselves without a blush,
Curling, like spaniels, round my father's feet.
Such things deserted me and are forgiven,
While I, least guilty, am an outcast still,
And will be, for I love such fair disgrace.
Sigifred. I know the clear truth; so would Otho see,
For he is just and noble. Fain would I
Be pleader for you
Ludolph. He'll hear none of it;
You know his temper, hot, proud, obstinate;
Endanger not yourself so uselessly.
I will encounter his thwart spleen myself,
To-day, at the Duke Conrad's, where he keeps
His crowded state after the victory.
There will I be, a most unwelcome guest,
And parley with him, as a son should do,
Who doubly loathes a father's tyranny;
Tell him how feeble is that tyranny;
How the relationship of father and son
Is no more valid than a silken leash
Where lions tug adverse, if love grow not
From interchanged love through many years.
Aye, and those turreted Franconian walls,
Like to a jealous casket, hold my pearl
My fair Auranthe! Yes, I will be there.
Sigifred. Be not so rash; wait till his wrath shall pass,
Until his royal spirit softly ebbs
Self-influenced ; then, in his morning dreams
He will forgive thee, and awake in grief
To have not thy good morrow.
Ludolph. Yes, to-day
I must be there, while her young pulses beat
Among the new-plum'd minions of the war.
Have you seen her of late? No? Auranthe,
Franconia's fair sister, 'tis I mean.
She should be paler for my troublous days
And there it is my father's iron lips
Have sworn divorcement 'twixt me and my right.
Sigifred (aside). Auranthe! I had hop'd this whim had pass'd.
Ludolph. And, Sigifred, with all his love of justice,
When will he take that grandchild in his arms,
That, by my love I swear, shall soon be his?
This reconcilement is impossible,
For see but who are these?
Sigifred. They are messengers
From our great emperor; to you, I doubt not,
For couriers are abroad to seek you out.
Enter THEODORE and GONFRED.
Theodore. Seeing so many vigilant eyes explore
The province to invite your highness back
To your high dignities, we are too happy.
Gonfred. We have no eloquence to colour justly
The emperor's anxious wishes.
Ludolph. Go. I follow you.
[Exeunt THEODORE and GONFRED.
I play the prude : it is but venturing
Why should he be so earnest? Come, my friend,
Let us to Friedburg castle.
by owner. provided at no charge for educational purposes
~ John Keats, Otho The Great - Act I
,#NFDB
403:The Watch At Midnight
Dead stars, beneath the midnight's granite cope
and round your dungeon-gulf that blindly grope
and fall not, since no lower than any place
needs when the wing is dash'd and foil'd the face:
is this your shadow on the watcher's thought
imposed, or rather hath his anguish taught
the dumb and suffering dark to send you out,
reptile, the doubles of his lurking doubt,
in coasts of night that well might be supposed
the exiled hall of chaos late-deposed,
to haunt across this hour's desuetude,
immense, that whelms in monumental mood
the broad waste of his spirit, stonily
strewn with the wreck of his eternity?
The plumes of night, unfurl'd
and eyed with fire, are whirl'd
slowly above this watch, funereal:
the vast is wide, and yet
no way lies open; set
no bar, but the flat deep rises, a placid wall.
Some throne thou think'st to win
or pride of thy far kin;
this incomplete and dusty hour to achieve:
know that the hour is one,
eternally begun,
eternally deferr'd, thy grasp a Danaid sieve.
O weary realm, O height
the which exhausted flight
familiar finds, home of its prompting ill!
here, there, or there, or there,
even the same despair;
rest in thy place, O fool, the heart eludes thee still.
Rest — and a new abyss
suddenly yawns, of this
the moment sole, and yet the counterpart:
and thou must house it, thou,
within thy fleshy Now,
thyself the abyss that shrinks, the unbounded hermit-heart:
70
the mightier heart untold
whose paining depths enfold
all loneliness, all height, all vision'd shores;
and the abyss uncrown'd,
blank failure thro' each bound
from the consummate point thy broken hope implores.
The trees that thro' the tuneful morn had made
bride-dusk for beams that pierce the melting shade,
or thro' the opulent afternoon had stood
lordly, absorb'd in hieratic mood, —
now stricken with misgiving of the night
rise black and ominous, as who invite
some fearful coming whose foreblown wind shall bow,
convuls'd and shuddering, each dishevell'd brow:
the garden that had sparkled thro' its sheen
all day, a self-sufficing gem serene,
hiding in emerald depths the vision'd white
of limbs that follow their own clear delight,
exhales towards the inaccessible skies,
commencing, failing, broken, scents or sighs:
O mother, only,
where that thou hidest thee,
crown for the lonely brow,
bosom for the spent wanderer,
or balm for ache:
O mother,
nightly —
undiscoverable —
O heart too vast to find,
whelming our little desire:
we wander and fail —
But on the zenith, mass'd, a glittering throng,
the distant stars dropt a disdainful song:
They said, because their parcel-thought
might nor her shadowy vast embrace,
nor be refurl'd within that nought
which is the hid heart of all place,
they said: She is not anywhere!
have we not sought her and not seen?
71
nor is there found in earth or air
a sign to tell if she hath been!
— O fools and blind, not to have found!
is her desire not as your own?
stirs she not in the arms that round
a hopeless clasp, lone with the lone!
And the tense lips towards her bliss
in secret cells of anguish'd prayer
might know her in the broken kiss
she prompts nor, prompting, fails to share.
We drift from age to age nor waste
our strenuous song's exultant tone,
disdaining or to rest or haste:
because each place is still our throne.
The anguish'd doubt broods over Eden; night
hangs her rent banners thro' the viewless height;
trophies and glories whence a trouble streams
of lamentable valour in old dreams:
out of its blank the watcher's soul is stirr'd
to take unto itself some olden word:
O thou that achest, pulse o' the unwed vast,
now in the distant centre of my brain
dizzily narrow'd, now beyond the last
calm circle widening of the starry plain,
where, on the scatter'd edge of my surmise,
the twilit dreams fail off and rule is spent
vainly on vagrant bands the gulfs invite
to break away to the dark: they, backward sent,
tho' dumb, with dire infection in their eyes,
startle the central seat: — O pulse of night,
passing the hard throb of sun-smitten blood
when the noon-world is fused in fire and blent
with my then unattained hero-mood;
what will with me the imperious instinct
that hounds the gulfs together on that place
vanishing utterly out of mortal trace,
the citadel where I would seem distinct —
if not thou ween'st a vanity, my deep
unlighted still, the which thy refluent sweep
intolerably dilates, a tide that draws
72
with lunatic desire, distraught and fond,
to some dark moon of vastness, hung beyond
our little limits of familiar cause,
as tho' the tense and tortured voids should dash
ruining amorously together, a clash
portentous with some rose of thinnest flame,
secret, exhaled in the annull'd abyss,
that, with this soul, passes in that fell kiss
and to the soft-sprung flush all sanctity
surrenders, centring in the blossom'd Name,
as the dark wings of silence lovingly
hover above the adventurous song that fares
forth to the void and finds no lip that shares
its rapture, just the great wings spreading wide.
O mother thou or sister or my bride,
inevitable, whom this hour in me declares,
were thine of old such rhythmic pangs that bore
my shivering soul, wind-waif upon the shore
that is a wavering twilight, thence astray
beneath the empty plainness of the day?
me thy first want conceived to some dim end,
that my unwelcom'd love might henceward tend
to the dumb home that draws it in thy breast
and the veil'd couch of some divine incest,
where thou didst wait some hour of sharp delight
to wither up in splendour the stark night
and haggard shame that ceremented thy dearth,
with purest diamond-blaze, some overbirth
of the dark fire thy foresight did enmesh
within this hither and thither harried flesh?
Ay, yet obscurely stirs, a monstrous worm
in the rear cavern of my dazzled thought,
a memory that wavers, formless form
of superhuman nuptials, clasp'd and caught
unto the breast that is our loathed tomb:
then, issuing from the violated womb,
tremendous birth of dreadful prodigies
begotten on the apocalyptic skies:
one moment's hope, one thrill alone was given
of pinions beating up the parting heaven;
but straight thereon the spectral mirk was riven
73
by shapes of snaky horror, grisly jaw,
cold fear, and scaly fold, and endless maw.
What terror clutch'd me, even as ecstasy
smote dire across transfigured mystery?
and whose the sin that doom'd thee to disgrace,
to haunt the shapeless dark, a burning face,
eyes that would cling to mine and lips that seek
some baffled kiss, some word they may not speak,
condemn'd to yearn where the worn foam is hoar
and vain against the unshaken nightly shore.
Nightly thy tempting comes, when the dark breeze
scatters my thought among the unquiet trees
and sweeps it, with dead leaves, o'er widow'd lands
and kingdoms conquer'd by no human hands;
nightly thou wouldst exalt me in the deep,
crown'd with the morn that shines beyond our sleep,
nightly renew those nuptials, and re-win
virginity, and shed the doubtful sin:
but I am born into dividual life
and I have ta'en the woman for my wife,
a flowery pasture fenced and soft with streams,
fill'd with slow ease and fresh with eastern beams
of coolest silver on the sliding wave:
such refuge the derisive morning gave,
shaped featly in thy similitude, to attract
earthward the gusty soul thy temptings rack'd.
I sicken with the long unsatisfied
waiting: the sombre gulfs of night divide:
no dawn is shown that keeps its grace nor soon
degraded not to brutal fires of noon;
and heavy on my soul the tyrant lays
his hand, and dazzles with his common blaze
eyes that are fain, when evening brings the dew,
to cool them in the grasses: few, how few
are now the hours that thou mayst claim as thine!
— And shall I not take heart? if no divine
revealment star me with the diadem
hermetic, magian, alchemic gem,
shall I not feel the earth with firmer tread
if abdicating to the viewless dead
74
the invaluable round of nothingness?
Kingdom awaits me, homage, swords, liesse,
battle, broad fame in fable, song: shall I
confide all hope to scanty shapes that fly
in dreams, whom even if they be all I know
not, or fore-runners of the One? I go,
shaking them from my spirit, to rule and mould
in mine own shape the gods that shall be old.
— Nay, not thus lightly, heart the winds have mock'd!
wings of fierce winds that o'er the star-strown height
sweep, and adown the wide world-ways unlock'd
feign for thy trouble a last conclusive fight:
O heart wherethro' these insolent powers stray,
pass and repass, and thou dost foolish hold
aught else inspires them than their cynic play,
the aimless idle sport they plann'd of old
to while the waste hours of their tedious state
and shall pursue when thou art seal'd in dust,
thou latest toy, framed for this silly fate,
to watch their pastime turning, tremble and trust
some deathless gain for thee should issue of it
imblazed in stars on some thy kindred's brow;
O thou, all laughable for thy short wit,
not lightly thus shalt thou put off their slight
and steady thee to build in their despite
secure, some seat, and hold thy being safe,
joying in this at last that thou art thou,
distinct, no longer in wilful tides a waif:
O heart the winds have emptied of all clear
and natural impulse, O wasted brain
and spirit expent with straining from thy sphere,
turn thee to earth, if that be not a cheat,
and, childlike, lay thee in her torpid lap,
there to reflush these flaccid veins with sap
from spilth of sleep, where herbs of drowsy bane
spring in slow shade and death is sprinkled sweet,
with promis'd coolness dark — perchance a lure..
Thou sleep, at least, receive and wrap me sure
in midmost of thy softness, that no flare,
disastrous, from some rending of the veil,
nor dawn from springs beyond thy precincts, rare
75
with revelation, risen, or dewy-pale
exhaled from fields of death, disturb that full
absorption of robustness, and I wake
in placid large content, replete and dull,
fast-grown to earth, whom winds no longer shake.
Thick sleep, with error of the tangled wood,
and vapour from the evening marsh of sense,
and smoothness of the glide of Lethe, would
inaugurate his dullard innocence,
cool'd of his calenture, elaborate brute:
but, all deceitful of his craven hope,
the devious and covert ways of dream
shall lead him out upon no temper'd beam
or thick-grass'd ease, where herbs of soothing shoot
in asphodel, but on the shuddering scope
and the chill touch of endless distances
still thronging on the wingless soul that flees
along the self-pursuing path, to find
the naked night before it and behind.
What night is this, made denser, in his breast
or round him, suddenly or first confest
after its gradual thickening complete?
as tho' the mighty current, bearing fleet
the unresting stars, had here devolved its lees,
stagnant, contempt, on recreant destinies;
as tho' a settling of tremendous pens,
above the desolate dream, had shed immense
addition to the incumbence of despair
downward, across this crypt of stirless air,
from some henceforth infrangible attitude,
upon his breast, that knows no dawn renew'd,
builded enormously, each brazen stage,
with rigor of his hope in hopeless age
mummied, and look that turns his thew to stone:
even hers, that is his strangling sphinx, made known
with, on her breast, his fore-erected tomb,
engraven deep, the letters of his doom.
Terrible, if he will not have me else,
I lurk to seize and strangle, in the cells
where he hath made a dusk round his delight:
76
whether he woo the bride's incarnate bright
and natural rose to shimmer thro' the dense
of odour-motes whereby the brooding sense
flows forth beyond its aching bounds and lies,
full-brimm'd and sombre, around her clear disguise
that saturates the dusk with secret gold;
or the miraculous rose of Heaven to unfold
out from its heart of ruby fire and rain
unceasing drift of petals, and maintain
a tabernacle about the little hour
where his eternity hath phantom power:
and terrible I am moulded in the stone
that clamps for ever, rigid, stark, alone,
round nought but absence of the man he was,
some cell of that cold space against whose laws
he seeks a refuge in his inner deep
of love, and soften'd fire, and quicken'd sleep,
tho' knowing that I, the bride his sin dethroned
and exiled to the wastes that lie disown'd,
can bring that icy want even to the heart
of his most secret bliss, that he shall start
aghast, to see its burning centre fade
and know his hope, the impious, vain, unmade.
Lo now, beneath the watch of knitted boughs
he lies, close-folded to his newer spouse,
creature of morn, that hath ordain'd its fresh
dew and cool glimmer in her crystal flesh
sweetly be mix'd, with quicken'd breath of leaves
and the still charm the spotless dawning weaves.
But I have set my hand upon his soul
and moulded it to my unseen control;
and he hath slept within my shadowy hair
and guards a memory how in my far lair
the forces of tremendous passion stir:
my spectral face shall come between his eyes
and the soft face of her, my name shall rise,
unutter'd, in each thought that goes to her;
and in the quiet waters of her gaze
shall lurk a siren-lure that beckons him
down halls of death and sinful chambers dim:
he shall not know her nor her gentle ways
77
nor rest, content, by her sufficing source,
but, under stress of the veil'd stars, shall force
her simple bloom to perilous delight
adulterate with pain, some nameless night
stain'd with miasm of flesh become a tomb:
then baffled hope, some torch o' the blood to illume
and flush the jewel hid beyond all height,
and sombre rage that burst the holy bourne
of garden-joy, murdering innocence,
and the distraught desire to bring a kiss
unto the fleeting centre of the abyss,
discovering the eternal lack, shall spurn
even that sun-god's garden of pure sense,
not wisely wasted with insensate will.
I am his bride and was and shall be still,
tho' infamous as devil's dam, a fear
to wives that watch the cradle-side and hear
how I devour the newling flesh, and none
shall void my claim upon his latest son,
because the father fell beneath my harm,
not god invented late, nor anxious charm;
tho' with the chemic mind he holds in trust
to show me gem, he celebrate the dust;
dumb earth, in garb of borrow'd beauty dight
by the fond day that curtains him in light;
green pleasaunces, whose smiling would attest
his heart true-born of her untroubled breast
and leaves that beckon on the woodland ways
of the stream-side, where expectation strays
of water-brides, swift blight to them that see,
because the waters are to mirror me:—
of these his hunted thought, seeking retreat
in narrow light, and some sure bosom-heat
to cherish him, and friendly face of kin,
shall mould him fancied ancestors, to win
some certitude that he is in his home
rescued from any doom that bids him roam,
and him the blossom of the day presume,
unheeding that its roots are in my womb
nor song may breathe a magic unconfest
of the anterior silence of my breast:
78
but I shall lurk within the sightless stare
of his impassive idols, housing there
an unknown that allures and makes him fain
to perish for his creatures' fancied gain;
and they shall gaze and see not while his brood
befouls their stony presence with much blood,
their children's, and their captive enemies',
stretch'd out, exenterate, on those callous knees,
and, last, their own, ere some ill-fortuned field
drink all of it, since faith forbids them yield
and brings to learn in full, the fool's just trade,
the gratitude of gods themselves have made.
Last, since a pinch of dust may quench the eyes
that took the azure curve of stainless skies
and still the fiercest heart, he seeks to whelm
infinite yearning with a little realm,
beating together with ungentle hands,
enslaved, the trembling spawn of generous lands,
whom he shall force, a busy swarm, to raise,
last bulwarks of his whelming discontent,
heaven-threatening Babels, iron Ninevehs
square-thought with rigid will, a monument
of stony rage in high defiant stones
eternized with blasphemous intent,
and carve the mountain-cone to hide his bones,
a wonder to blank tribes of shrunken days:
but in that cave before his upstart gates
where elder night endures unshaken, waits
that foe of settled peace, the smiling sphinx,
or foul Echidna's mass'd insidious links,
reminding him that all is vanities;
and when, at last, o'er his nine roods he lies,
stretch'd in the sarcophage whereover grief
makes way before one huge gust of relief,
not the wing-blast of his vain shade shall drive
his wizen'd captives from their dungeon-hive,
and make a solitude about his bed;
nor the chill thought petrific his low head
exudes in rays of darkness, that beyond
this perturb'd sphere congeal, an orb of dread:
I, Lilith, on his tomb immensely throned,
79
with viewless face and viewless vans outspread;
in the wide waste of his unhallow'd work,
calm coils of fear, my serpent-brood shall lurk;
and I shall muse above the little dust
that was the flesh that held my word in trust.
Warrior and prince and poet, thou that fain
over some tract of lapsing years wouldst reign
nor know'st the crown that all thy wants confess
is Lilith's own, the round of nothingness:
warrior, whose witless game is but to feel
thyself authentic thro' the wielded steel
and give thy ghost assurance that thou art,
what aimless endless wars shall make thy heart
arena for the wheeling of their play!
king, that wast mighty in the easy way
of thy desire, what time these thews were young,
how bitter is the wisdom on thy tongue
in the late season, when a westering sun
shows thee thy work, that it is evil done!
O priest and poet, thou that makest God,
woe, when the path of thine illusion, trod
even to the end, reveals thee thy worn face,
eternal hermit of the unhallow'd place!
O man, the coward hope of thy despair
to be confounded with the driven air,
the grass that grows and knows not, the kind herds
that are not wrought with dreams nor any words,
to hollow out some refuge sunk as deep
as that was high thou hadst not sense to keep,
and here thy vexing shade to obliterate
ensuring that it rise not, soon or late,
thou knowing I claim thee whole when that thou art dead.
Go forth: be great, O nothing. I have said.
Thus in her hour of wrath, o'er Adam's head
Lilith, then first reveal'd, a name of dread,
thus in her hour of sorrow: and the rage,
that drove the giant-hunters in that age
since whelm'd beneath the weltering cataclysm,
was the mad flight from her instant abysm
and iron sadness and unsatisfied
80
despair of kings that by Euphrates' side
rein the wing'd steer or grasp the stony mane
of lions dared, if so they might obtain
surcease of lingering unnamed distress.
And if she kept the word forgetfulness
absorb'd, sole ear of sunken sleep, it is
to them that wander thro' Persepolis,
Ekbatan, or where else o'er arrow'd bricks
her snakes make the dry noise of trodden sticks,
known and well-known how that revolt was dash'd
and cruel keeps with lustral silence wash'd.
A name of dread reveal'd: and tho' forgot
in strenuous times to whom the lyre was not,
yet, when her hour awoke, the peoples heard
her coming and the winds no more deferr'd
that sweep along the expected day of wrath,
and rear'd the soaring aisles along her path
to house the massive gloom where she might dwell,
conjectured, hovering, impenetrable,
while o'er the mortal terror crouch'd beneath
the shuddering organ pour'd black wave of death;
when man withheld his hand from life, in fear
to find her, temptress, in the flesh most dear
or on the lowliest ways of simple peace —
vain-weening he that thus their feud might cease:
ay, and the cynic days that thought them blest
to know this earth a plunder-ground confest
and calm within them of the glutted beast
knew her, the emptiness that, when the feast
hath quench'd its lamps, makes, in the invaded hall,
stray'd steps, reverberated from the wall,
sound on the ear like some portentous stride,
companion's fixt, to mock our tread, beside,
nor near and show his apprehended guise
familiar, ease to our intended eyes.
Lilith, a name of dread: yet was her pain
and loving to her chosen ones not vain
hinted, who know what weight of gelid tears
afflicts the widow'd uplands of the spheres,
and whence the enrapturing breaths are sent that bring
a perfume of the secular flowering
81
of the far-bleeding rose of Paradise,
that mortal hearts in censer-fume arise
unto the heart that were an ardent peace,
and whence the sibyl-hints of song, that cease
in pale and thrilling silence, lest they wrong
her beauty, whose love bade live their fleeting throng,
even hers, who is the silence of our thought,
as he that sleeps in hush'd Valvins hath taught.
She is the night: all horror is of her
heap'd, shapeless, on the unclaim'd chaotic marsh
or huddled on the looming sepulchre
where the incult and scanty herb is harsh.
She is the night: all terror is of her
when the distemper'd dark begins to boil
with wavering face of larve and oily blur
of pallor on her suffocating coil.
Or majesty is hers, when marble gloom
supports her, calm, with glittering signs severe
and grandeur of metallic roof of doom,
far in the windows of our broken sphere.
Or she can be all pale, under no moon
or star, with veiling of the glamour cloud,
all pale, as were the fainting secret soon
to be exhaled, bride-robed in clinging shroud.
For she is night, and knows each wooing mood:
and her warm breasts are near in the charm'd air
of summer eve, and lovingly delude
the aching brow that craves their tender care.
The wooing night: all nuptials are of her;
and she the musky golden cloud that hangs
on maiden blood that burns, a boding stir
shot thro' with flashes of alluring pangs,
far off, in creeks that slept unvisited
or moved so smoothly that no ripple creas'd
their mirror'd slip of blue, till that sweet dread
melted the air and soft sighs stole, releas'd;
and she the shame of brides, veiling the white
of bosoms that for sharp fulfilment yearn;
she is the obscure centre of delight
and steals the kiss, the kiss she would return
82
deepen'd with all the abysm that under speech
moves shudderingly, or as that gulf is known
to set the astonied spouses each from each
across the futile sea of sighs, alone.
All mystery, and all love, beyond our ken,
she woos us, mournful till we find her fair:
and gods and stars and songs and souls of men
are the sparse jewels in her scatter'd hair.
This rose, the lips that kiss, and the young breast
they kindle, flush'd throughout its waking snows;
and this, that tremulous on the morning blows,
heart's youth some golden dew of dream hath blest;
auroras, grace and sooth! no tragic west
shed splendid the red anger of your close:
how soon within this wandering barrow grows
the canker'd heap of petals once caress'd!
Old odours of the rose are sickening; night,
hasten above the corpse of old delight,
if in decay the heart cherish some heat,
to breed new spice within the charnel-mould,
that eyes unseal'd with living dew may greet
the morning of the deathless rose of gold.
~ Christopher John Brennan,#NFDB
404:Adam Bell, Clym Of The Clough, And William Of
Cloudesly
Part the First
Mery it was in the grene forest
Amonge the leves grene,
Wheras men hunt east and west,
Wyth bowes and arrowes kene,
To ryse the dere out of theyr denne,
Suche sightes hath ofte bene sene,
As by thre yemen of the north countrey,
By them it is I meane.
The one of them hight Adam Bel,
The other Clym of the Clough,
The thyrd was William of Cloudesly,
An archer good ynough.
They were outlawed for venyson,
These yemen everychone;
They swore them brethren upon a day,
To Englyshe-wood for to gone.
Now lith and lysten, gentylmen,
That of myrthes loveth to here:
Two of them were single men,
The third had a wedded fere.
Wyllyam was the wedded man,
Muche more then was hys care:
He sayde to hys brethren upon a day,
To Carleile he would fare,
For to speke with fayre Alyce his wife,
And with hys chyldren thre.
'By my trouth,' sayde Adam Bel,
'Not by the counsell of me.
25
'For if ye go to Carleile, brother,
And from thys wylde wode wende,
If the justice may you take,
Your lyfe were at an ende.'
'If that I come not to-morrowe, brother,
By pryme to you agayne,
Truste you then that I am 'taken,'
Or else that I am slayne.'
He toke hys leave of hys brethren two,
And to Carleile he is gon;
There he knocked at hys owne windowe,
Shortlye and anone.
'Wher be you, fayre Alyce,' he sayd,
'My wife and chyldren thre?
Lyghtly let in thyne owne husbande,
Wyllyam of Cloudesle.'
'Alas!' then sayde fayre Alyce,
And syghed wonderous sore,
'Thys place hath been besette for you,
Thys halfe yere and more.'
'Now am I here,' sayde Cloudesle,
'I would that in I were:
Now fetche us meate and drynke ynoughe,
And lets make good chere.'
She fetched hym meate and drynke plentye,
Lyke a true wedded wyfe,
And pleased hym wyth that she had,
Whome she loved as her lyfe.
There lay an old wyfe in that place,
A lytle besyde the fyre,
Whych Wyllyam had found, of charytye,
More than seven yere.
Up she rose and forth she goes,
26
Evill mote she speede therfore,
For she had sett no fote on ground
In seven yere before.
She went unto the justice-hall,
As fast as she could hye:
'Thys night,' shee sayd, 'is come to town
Wyllyam of Cloudesle.'
Thereof the justice was full fayne,
And so was the shirife also;
'Thou shalt not trauaile hether, dame, for nought,
Thy meed thou shalt have ore thou go.'
They gave to her a ryght good goune
Of scarlate, 'and of graine:'
She toke the gyft and home she wente,
And couched her doune agayne.
They rysed the towne of mery Carleile
In all the haste they can,
And came thronging to Wyllyames house,
As fast as they might gone.
There they besette that good yeman,
Round about on every syde,
Wyllyam hearde great noyse of folkes,
That thither-ward fast hyed.
Alyce opened a back-wyndow,
And loked all aboute,
She was ware of the justice and shirife bothe,
Wyth a full great route.
'Alas! treason,' cryed Alyce,
'Ever wo may thou be!
Goe into my chamber, husband,' she sayd,
'Swete Wyllyam of Cloudesle.'
He toke hys sweard and hys bucler,
Hys bow and hys chyldren thre,
And wente into hys strongest chamber,
27
Where he thought the surest to be.
Fayre Alyce, like a lover true,
Took a pollaxe in her hande:
Said, 'He shal dye that cometh in
Thys dore, whyle I may stand.'
Cloudesle bente a right good bowe,
That was of a trusty tre,
He smot the justise on the brest,
That hys arowe brest in thre.
''A' curse on his harte,' saide William,
'Thys day thy cote dyd on;
If it had ben no better then meyne,
It had gone nere thy bone.'
'Yelde the, Cloudesle,' sayd the justise,
'And thy bowe and thy arrowes the fro.'
''A' curse on hys hart,' sayd fair Alyce,
'That my husband councelleth so.'
'Set fyre on the house,' saide the sherife,
'Syth it wyll no better be,
And brenne we therin William,' he saide,
'Hys wyfe and chyldren thre.'
They fyred the house in many a place,
The fyre flew up on hye;
'Alas!' then cryed fayre Alice,
'I se we here shall dy.'
William openyd a backe wyndow,
That was in hys chamber hye,
And there with sheetes he did let downe
His wyfe and chyldren thre.
'Have here my treasure,' sayde William,
'My wyfe and my chyldren thre,
For Christes love do them no harme,
But wreke you all on me.'
28
Wyllyam shot so wondrous well,
Tyll hys arrowes were all agoe,
And the fyre so fast upon hym fell,
That hys bowstryng brent in two.
The sparkles brent and fell upon
Good Wyllyam of Cloudesle;
Than was he a wofull man, and sayde,
'This is a cowardes death to me.
'Lever had I,' sayde Wyllyam,
'With my sworde in the route to renne,
Then here among myne enemyes wode,
Thus cruelly to bren.'
He toke hys sweard and hys buckler,
And among them all he ran;
Where the people were most in prece,
He smot downe many a man.
There myght no man abyde hys stroke,
So fersly on them he ran;
Then they threw wyndowes and dores on him,
And so toke that good yeman.
There they hym bounde both hand and fote,
And in depe dungeon hym cast;
'Now Cloudesle,' sayd the justice,
'Thou shalt be hanged in hast.'
''A payre of new gallowes,'' sayd the sherife,
''Now shal I for the make;'
And the gates of Carleil shal be shutte:
No man shal come in therat.
'Then shall not helpe Clym of the Cloughe,
Nor yet shall Adam Bell,
Though they came with a thousand mo,
Nor all the devels in hell.'
Early in the mornynge the justice uprose,
To the gates first gan he gon,
29
And commaunded to be shut full close
Lightile everychone.
Then went he to the market place,
As fast as he coulde hye;
A payre of new gallowes there he set up
Besyde the pyllorye.
A lytle boy 'amonge them asked,'
'What meaneth that gallow-tre?'
They sayde 'to hange a good yeman,
Called Wyllyam of Cloudesle.'
That lytle boye was the towne swyne-heard,
And kept fayre Alyces swyne;
Oft he had seene William in the wodde,
And geuen hym there to dyne.
He went out att a crevis in the wall,
And lightly to the woode dyd gone;
There met he with these wightye yemen
Shortly and anone.
'Alas!' then sayde that lytle boye,
'Ye tary here all to longe;
Cloudesle is taken and dampned to death,
All readye for to honge.'
'Alas!' then sayd good Adam Bell,
'That ever we see thys daye!
He had better with us have taryed,
So ofte as we dyd hym praye.
'He myght have dwelt in grene foreste,
Under the shadowes grene,
And have kepte both hym and us in reste,
Out of trouble and teene.'
Adam bent a ryght good bow,
A great hart sone hee had slayne;
'Take that, chylde,' he sayed, 'to thy dynner,
And bryng me myne arrowe agayne.'
30
'Now go we hence,' sayd these wightye yeomen,
'Tary we no lenger here;
We shall hym borowe, by God his grace,
Though we bye it full dere.'
To Caereil wente these good yemen,
All in a mornyng of Maye.
Here is a Fyt of Cloudeslye,
And another is for to saye.
Part the Second
And when they came to mery Carleile,
All in 'the' mornynge tyde,
They founde the gates shut them untyll
About on every syde.
'Alas!' then sayd good Adam Bell,
'That ever we were made men!
These gates be shut so wonderous fast,
We may not come therein.'
Then bespake him Clym of the Clough,
'Wyth a wyle we wyl us in bryng;
Let us saye we be messengers,
Streyght come nowe from our king.'
Adam said, 'I have a letter written,
Now let us wysely werke,
We wyl saye we have the kynges seale;
I holde the porter no clerke.'
Then Adam Bell bete on the gate,
With strokes great and stronge;
The porter marveiled who was therat,
And to the gate he throng.
'Who is there nowe,' sayd the porter
'That maketh all thys knockinge?'
31
'We be tow messengers,' quoth Clim of the Clough,
'Be come ryght from our kyng.'
'We have a letter,' sayd Adam Bel,
'To the justice we must it bryng;
Let us in, our message to do,
That we were agayne to the kyng.'
'Here commeth none in,' sayd the porter,
'By Hym that dyed on a tre,
Tyll a false thefe be hanged up,
Called Wyllyam of Cloudesle.'
Then spake the good yeman Clym of the Clough,
And swore by Mary fre,
'And if that we stande long wythout,
Lyke a thefe hanged thou shalt be.
'Lo! here we have the kynges seale;
What, lurden, art thou wode?'
The porter went it had ben so,
And lyghtly dyd off hys hode.
'Welcome be my lordes seale,' he saide;
'For that ye shall come in.'
He opened the gate full shortlye,
And euyl openyng for him.
'Now are we in,' sayde Adam Bell,
'Whereof we are full faine,
But Christ he knowes, that harowed hell,
How we shall com out agayne.'
'Had we the keys,' said Clim of the Clough,
'Ryght wel then shoulde we spede;
Then might we come out wel ynough
When we se tyme and nede.'
They called the porter to counsell,
And wrange hys necke in two,
And caste hym in a depe dongeon,
And toke hys keys hym fro.
32
'Now am I porter,' sayd Adam Bel,
'Se, brother, the keys are here;
The worst porter to merry Carleile,
That ye had thys hundred yere.
'And now wyll we our bowes bend,
Into the towne wyll we go,
For to delyuer our dere brother,
That lyeth in care and wo.'
Then they bent theyr good ewe bowes,
And loked theyr stringes were round;
The markett place in mery Carleile
They beset in that stound.
And as they loked them besyde,
A paire of new galowes 'they' see,
And the justice with a quest of squyers,
Had judged William hanged to be.
And Cloudesle lay redy there in a carte,
Fast bound both fote and hande,
And a stronge rop about hys necke,
All readye for to hange.
The justice called to him a ladde,
Cloudesles clothes hee shold have,
To take the measure of that yeman,
Thereafter to make hys grave.
'I have sene as great mervaile,' saild Cloudesle,
'As betweyne thys and pryme,
He that maketh a grave for me,
Hymselfe may lye therin.'
'Thou speakest proudlye,' said the justice,
'I shall the hange with my hande.'
Full wel herd this his brethren two,
There styll as they dyd stande.
Then Cloudesle cast hys eyen asyde,
33
And saw hys 'brethren twaine'
At a corner of the market place,
Redy the justice for to slaine.
'I se comfort,' sayd Cloudesle,
'Yet hope I well to fare;
If I might have my handes at wyll,
Ryght lytle wolde Icare.'
Then spake good Adam Bell
To Clym of the Clough so free,
'Brother, se ye marke the justyce wel,
Lo yonder you may him se.
'And at the shyrife shote I wyll,
Stronglyt wyth an arrowe kene;
A better shote in mery Carleile
Thys seven yere was not sene.'
They loosed their arrowes both at once,
Of no man had they dread;
The one hyt the justice, the other sheryfe,
That both theyr sides gan blede.
All men voyded, that them stode nye,
When the justice fell to the grounde,
And the sherife nye hym by,
Eyther had his deathes wounde.
All the citizens fast gan flye,
They durst no longer abyde;
There lyghtly they loosed Cloudeslee,
Where he with ropes lay tyde.
Wyllyam start to an officer of the towne,
Hys axe out of hys hande he wronge,
On eche syde he smote them downe,
Hee thought he taryed to long.
Wyllyam sayde to hys brethren two,
'Thys daye let us lyve and de;
If ever you have nede as I have now,
34
The same shall you finde by me.'
They shot so well in that tyde,
For theyr stringes were of silke ful sure,
That they kept the stretes on every side:
That batayle did long endure.
The fought together as brethren tru,
Lyke hardy men and bolde;
Many a man to the ground they thrue,
And many a herte made colde.
But when their arrowes were all gon,
Men preced to them full fast;
They draw theyr swordes then anone,
And theyr bowes from them they cast.
They went lyghtlye on theyr way,
Wyth swordes and buclers round;
By that it was myd of the day,
They made many a wound.
There was many an out-horne in Carleil blowen,
And the belles bacward dyd ryng;
Many a woman sayde alas!
And many theyr handes dyd wryng.
The mayre of Carleile forth was com,
Wyth hym a ful great route;
These yemen dred hym full sore,
Of theyr lyves they stode in great doute.
The mayre came armed a full great pace,
With a pollaxe in hys hande;
Many a strong man wyth him was,
There in that stowre to stande.
The mayre smot at Cloudesle with his bil,
Hys bucler he brast in two;
Full many a yeman with great evyll,
'Alas! treason' they cryed for wo.
'Kepe we the gates fast,' they bad,
35
'That these traytours thereout not go.'
But al for nought was that they wrought,
For so fast they downe were layde,
Tyll they all thre, that so manfulli fought,
Were gotten without at a braide.
'Have here your keyes,' sayd Adam Bel,
'Myne office I here forsake;
If you do by my counsell,
A new porter do ye make.'
He threw theyr keys at theyr heads,
And bad them evell to thryve;
And all that letteth any good yeman
To come and comfort his wyfe.
Thus be these good yemen gon to the wod,
And lyghtly as lefe on lynde;
The lough and be mery in theyr mode,
Theyr enemyes were ferr behynd.
And when they came to Englyshe-wode,
Under the trusty tre,
There they found bowes full good,
And arrowes full great plentye.
'So God me help,' sayd Adam Bell
And Clym of the Clough so fre,
'I would we were in mery Carleile,
Before that fayre meynye.'
They set them downe and made good chere,
And eate and dranke full well:
A second Fyt of the wightye yeomen:
Another I wyll you tell.
Part the Third.
As they sat in Englyshe-wood,
36
Under the green-wode tre,
They thought they herd a woman wepe,
But her they mought not se.
Sore then syghed the fayre Alyce:
'That ever I sawe thys day!
For nowe is my dere husband slayne,
Alas! and wel-a-way!
'Myght I have spoken wyth hys dere brethren,
Or with eyther of them twayne,
To shew to them what him befell,
My heart were out of payne.'
Cloudesle walked a lytle beside,
He looked under the grene wood linde,
He was ware of his wyfe, and chyldren thre,
Full wo in harte and mynde.
'Welcome, wyfe,' then sayde Wyllyam,
'Under 'this' trusti tre;
I had wende yesterdaye, by swete Saynt John,
Thou sholdest me never 'have' se.'
'Now well is me that ye be here,
My harte is out of wo.'
'Dame,' he sayde, 'be mery and glad,
And thanke my brethren two.'
'Herof to speake,' said Adam Bell,
'I-wis it is no bote;
The meate, that we must supp withall,
It runneth yet fast on fote.'
Then went they downe into a launde,
These noble archares all thre,
Eche of them slew a hart of greece,
The best that they cold se.
'Have here the best, Alyce, my wyfe,'
Sayd Wyllyam of Cloudesle;
'By cause ye so bouldly stode by me,
37
When I was slayne full nye.'
Then went they to suppere,
Wyth suche meate as they had,
And thanked God of ther fortune;
They were both mery and glad.
And when they had supped well,
Certayne wythouten lease,
Cloudesle sayd, 'We wyll to our kyng,
To get us a charter of peace.
'Alyce shal be at sojournyng
In a nunnery here besyde;
My tow sonnes shall wyth her go,
And ther they shall abyde.
'Myne eldest son shall go wyth me,
For hym have 'you' no care,
And he shall breng you worde agayn,
How that we do fare.'
Thus be these yemen to London gone,
As fast as they myght 'he',
Tyll they came to the kynges palace,
Where they woulde nedes be.
And whan they came to the kynges courte,
Unto the pallace gate,
Of no man wold they aske no leave,
But boldly went in therat.
They preced prestly into the hall,
Of no man had they dreade;
The porter came after and dyd them call,
And with them gan to chyde.
The usher sayde, 'Yemen, what wold ye have?
I pray you tell to me;
You myght thus make offycers shent:
Good Syrs, of whence be ye?'
38
'Syr, we be out-lawes of the forest,
Certayne withouten lease,
And hether we be come to our kyng,
To get us a charter of peace.'
And when they came before the kyng,
As it was the lawe of lande
The kneled downe without lettyng,
And eche held up his hand.
The sayed, 'Lorde, we beseche the here,
That ye wyll graunt us grace,
For we have slayne your fate falow dere
In many a sondry place.'
'What be your nams?' then said our king,
'Anone that you tell me:'
They sayd, 'Adam Bell, Clim of the Clough,
And Wyllyam of Cloudesle.'
'Be ye those theves,' then sayd our kyng,
'That men have tolde of to me?
Here to God I make an avowe,
Ye shal be hanged al thre.
'Ye shal be dead without mercy,
As I am kynge of this lande.'
He commanded his officers everichone
Fast on them to lay hande.
There they toke these good yemen,
And arested them al thre:
'So may I thryve,' sayd Adam Bell,
'Thys game lyketh not me.
'But, good Lorde, we beseche you now,
That yee graunt us grace.
Insomuche as we do to you come,
Or els that we may fro you passe,
'With such weapons as we have here,
Tyll we be out of your place;
39
And yf we lyve this hundreth yere,
We wyll aske you no grace.'
'Ye speake proudly,' sayd the kynge,
'Ye shall be hanged all thre.'
'That were great pitye,' then sayd the quene,
'If any grace myght be.
'My Lorde, whan I came fyrst into this lande,
To be your wedded wyfe,
The fyrst boone that I wold aske,
Ye would graunt it me belyfe;
'And I never asked none tyll now,
Therefore, good Lorde, graunt it me.'
'Now aske it, madam,' sayd the kynge,
'And graunted it shal be.'
'Then, good my Lord, I you beseche,
These yemen graunt ye me.'
'Madame, ye might have asked a boone
That shuld have been worth them all thre.
'Ye myght have asked towres and townes,
Parkes and forestes plente.'
'None soe pleasant to my pay,' shee sayd;
'Nor none so lefe to me.'
'Madame, sith it is your desyre,
Your askyng graunted shal be;
But I had lever have given you
Good market townes thre.'
The quene was a glad woman,
And sayde, 'Lord, gramarcy;
I dare undertake for them,
That true men shal they be.
'But, good my Lord, speke som mery word,
That comfort they may se.'
'I graunt you grace,' then sayd our king,
'Washe, felos, and to meate go ye.'
40
They had not setten but a whyle,
Certayne without lesynge,
There came messengers out of the north,
With letters to our kynge.
And whan the came before the kynge,
They knelt downe on theyr kne,
And sayd, 'Lord, your officers grete you well,
Of Carleile in the north cuntre.'
'How fareth my justice,' sayd the kyng,
'And my sherife also?'
'Syr, they be slayne, without leasynge,
And many an officer mo.'
'Who hath them slayne?' sayd the kyng;
'Anone thou tell to me:'
'Adam Bell, and Clime of the Clough,
And Wyllyam of Cloudesle.'
'Alas for rewth!' then sayd our kynge,
'My hart is wonderous sore;
I had lever than a thousande pounde,
I had knowne of thys before.
'For I have graunted them grace,
And that forthynketh me,
But had I knowne all thys before,
They had been hanged all thre.'
The kyng hee opened the letter anone,
Hymselfe he red it thro,
And founde how these outlawes had slain
Thre hundred men and mo.
Fyrst the justice and the sheryfe,
And the mayre of Carleile towne;
Of all the constables and catchipolles
Alyve were 'scant' left one.
The baylyes and the bedyls both,
41
And the sergeauntes of the law,
And forty fosters of the fe,
These outlawes had yslaw,
And broke his parks, and slayne his dere;
Of all they chose the best;
So perelous out-lawes as they were,
Walked not by easte nor west.
When the kynge this letter had red,
In hys harte he syghed sore;
'Take up the tables, anone,' he bad,
'For I may eat no more.'
The kyng called hys best archars,
To the buttes wyth hym to go;
'I wyll se these felowes shote,' he sayd,
'In the north have wrought this wo.'
The kynges bowmen buske them blyve,
And the quenes archers also,
So dyd these thre wyghtye yemen,
With them they thought to go.
There twyse or thryse they shote about,
For to assay theyr hande;
There was no shote these yemen shot,
That any prycke myght stand.
Then spake Wyllyam of Cloudesle,
'By Him that for me dyed,
I hold hym never no good archar,
That shoteth at buttes so wyde.'
'At what a butte now wold ye shote,
I pray thee tell to me?'
'At suche a but, Syr,' he sayd,
'As men use in my countre.'
Wyllyam wente into a fyeld,
And 'with him' his two brethren:
There they set up two hasell roddes,
42
Full twenty score betwene.
'I hold him an archar,' said Cloudesle,
'That yonder wande cleveth in two;'
'Here is none suche,' sayd the kyng,
'Nor none that can so do.'
'I shall assaye, Syr,' sayd Cloudesle,
'Or that I farther go.'
Cloudesly, with a bearyng arowe,
Clave the wand in two.
'Thou art the best archer,' then said the king,
'For sothe that ever I se.'
'And yet for your love,' sayd Wyllyam,
'I wyll do more maystery.'
'I have a sonne is seven yere olde,
He is to me full deare;
I wyll hym tye to stake,
All shall se that be here,
'And lay an apple upon hys head,
And go syxe score hym fro,
And I my selfe, with a brode arrow,
Shall cleve the apple in two.'
'Now haste the,' then sayd the kyng,
'By Hym that dyed on a tre;
By yf thou do not as thou hest sayde,
Hanged shalt thou be.
'And thou touche his head or gowne,
In syght that men may se,
By all the sayntes that be in heaven,
I shall hange you all thre.'
'That I have promised,' said William,
'That I wyll never forsake:'
And there even before the kynge,
In the earth he drove a stake,
43
And bound thereto his eldest sonne,
And bad hym stand styll therat,
And turned the childes face him fro,
Because he should not start.
An apple upon his head he set,
And then his bowe he bent;
Syxe score paces they were meaten,
And thether Cloudesle went.
There he drew out a fayr brode arrowe,
Hys bowe was great and longe,
He set that arrowe in his bowe,
That was both styffe and stronge.
He prayed the people, that wer there,
That they would still stand,
'For he that shoteth for such a wager,
Behoveth a stedfast hand.'
Muche people prayed for Cloudesle,
That hys lyfe saved myght be,
And whan he made hym redy to shote,
There was many weeping ee.
'But' Cloudesle clefte the apple in two,
As many a man myght se.
'Over Gods forbode,' sayde the kinge,
'That thou shold shote at me.
'I geve thee eightene pence a day,
And my bowe shalt thou bere,
And over all the north countre,
I make thee chyfe rydere.'
'And I thyrtene pence a day,' said the quene,
'By God and by my fay;
Come feche thy payment when thou wylt,
No man shall say the nay.'
'Wyllyam, I make the a gentleman,
Of clthyng and of fe,
44
And thy two brethren, yemen of my chambre,
For they are so semely to se.
'Your sonne, for he is tendre of age,
Of my wyne-seller he shall be,
And when he commeth to mans estate,
Better avaunced shall he be.'
'And, Wyllyam, bring to me your wife,' said the quene.
'Me longeth her sore to se;
She shall be my chefe gentlewoman,
To governe my nurserye.'
The yemen thanked them full curteously,
'To some byshop wyl we wend,
Of all the synnes that we have done
To be assoyld at his hand.'
So forth be gone these good yemen,
As fast as they might 'he;'
And after came and dwelled with the kynge,
And dyed good men all thre.
Thus endeth the lives of these good yemen,
God send them eternall blysse,
And all that with a hand-bowe shoteth,
That of heven they may never mysse. Amen.
~ Anonymous Olde English,#NFDB
405:I.
Fair Isabel, poor simple Isabel!
Lorenzo, a young palmer in Love's eye!
They could not in the self-same mansion dwell
Without some stir of heart, some malady;
They could not sit at meals but feel how well
It soothed each to be the other by;
They could not, sure, beneath the same roof sleep
But to each other dream, and nightly weep.
II.
With every morn their love grew tenderer,
With every eve deeper and tenderer still;
He might not in house, field, or garden stir,
But her full shape would all his seeing fill;
And his continual voice was pleasanter
To her, than noise of trees or hidden rill;
Her lute-string gave an echo of his name,
She spoilt her half-done broidery with the same.
III.
He knew whose gentle hand was at the latch,
Before the door had given her to his eyes;
And from her chamber-window he would catch
Her beauty farther than the falcon spies;
And constant as her vespers would he watch,
Because her face was turn'd to the same skies;
And with sick longing all the night outwear,
To hear her morning-step upon the stair.
IV.
A whole long month of May in this sad plight
Made their cheeks paler by the break of June:
"To morrow will I bow to my delight,
"To-morrow will I ask my lady's boon."
"O may I never see another night,
"Lorenzo, if thy lips breathe not love's tune."
So spake they to their pillows; but, alas,
Honeyless days and days did he let pass;
V.
Until sweet Isabella's untouch'd cheek
Fell sick within the rose's just domain,
Fell thin as a young mother's, who doth seek
By every lull to cool her infant's pain:
"How ill she is," said he, "I may not speak,
"And yet I will, and tell my love all plain:
"If looks speak love-laws, I will drink her tears,
"And at the least 'twill startle off her cares."
VI.
So said he one fair morning, and all day
His heart beat awfully against his side;
And to his heart he inwardly did pray
For power to speak; but still the ruddy tide
Stifled his voice, and puls'd resolve away
Fever'd his high conceit of such a bride,
Yet brought him to the meekness of a child:
Alas! when passion is both meek and wild!
VII.
So once more he had wak'd and anguished
A dreary night of love and misery,
If Isabel's quick eye had not been wed
To every symbol on his forehead high;
She saw it waxing very pale and dead,
And straight all flush'd; so, lisped tenderly,
"Lorenzo!"here she ceas'd her timid quest,
But in her tone and look he read the rest.
VIII.
"O Isabella, I can half perceive
"That I may speak my grief into thine ear;
"If thou didst ever any thing believe,
"Believe how I love thee, believe how near
"My soul is to its doom: I would not grieve
"Thy hand by unwelcome pressing, would not fear
"Thine eyes by gazing; but I cannot live
"Another night, and not my passion shrive.
IX.
"Love! thou art leading me from wintry cold,
"Lady! thou leadest me to summer clime,
"And I must taste the blossoms that unfold
"In its ripe warmth this gracious morning time."
So said, his erewhile timid lips grew bold,
And poesied with hers in dewy rhyme:
Great bliss was with them, and great happiness
Grew, like a lusty flower in June's caress.
X.
Parting they seem'd to tread upon the air,
Twin roses by the zephyr blown apart
Only to meet again more close, and share
The inward fragrance of each other's heart.
She, to her chamber gone, a ditty fair
Sang, of delicious love and honey'd dart;
He with light steps went up a western hill,
And bade the sun farewell, and joy'd his fill.
XI.
All close they met again, before the dusk
Had taken from the stars its pleasant veil,
All close they met, all eves, before the dusk
Had taken from the stars its pleasant veil,
Close in a bower of hyacinth and musk,
Unknown of any, free from whispering tale.
Ah! better had it been for ever so,
Than idle ears should pleasure in their woe.
XII.
Were they unhappy then?It cannot be
Too many tears for lovers have been shed,
Too many sighs give we to them in fee,
Too much of pity after they are dead,
Too many doleful stories do we see,
Whose matter in bright gold were best be read;
Except in such a page where Theseus' spouse
Over the pathless waves towards him bows.
XIII.
But, for the general award of love,
The little sweet doth kill much bitterness;
Though Dido silent is in under-grove,
And Isabella's was a great distress,
Though young Lorenzo in warm Indian clove
Was not embalm'd, this truth is not the less
Even bees, the little almsmen of spring-bowers,
Know there is richest juice in poison-flowers.
XIV.
With her two brothers this fair lady dwelt,
Enriched from ancestral merchandize,
And for them many a weary hand did swelt
In torched mines and noisy factories,
And many once proud-quiver'd loins did melt
In blood from stinging whip;with hollow eyes
Many all day in dazzling river stood,
To take the rich-ored driftings of the flood.
XV.
For them the Ceylon diver held his breath,
And went all naked to the hungry shark;
For them his ears gush'd blood; for them in death
The seal on the cold ice with piteous bark
Lay full of darts; for them alone did seethe
A thousand men in troubles wide and dark:
Half-ignorant, they turn'd an easy wheel,
That set sharp racks at work, to pinch and peel.
XVI.
Why were they proud? Because their marble founts
Gush'd with more pride than do a wretch's tears?
Why were they proud? Because fair orange-mounts
Were of more soft ascent than lazar stairs?
Why were they proud? Because red-lin'd accounts
Were richer than the songs of Grecian years?
Why were they proud? again we ask aloud,
Why in the name of Glory were they proud?
XVII.
Yet were these Florentines as self-retired
In hungry pride and gainful cowardice,
As two close Hebrews in that land inspired,
Paled in and vineyarded from beggar-spies,
The hawks of ship-mast foreststhe untired
And pannier'd mules for ducats and old lies
Quick cat's-paws on the generous stray-away,
Great wits in Spanish, Tuscan, and Malay.
XVIII.
How was it these same ledger-men could spy
Fair Isabella in her downy nest?
How could they find out in Lorenzo's eye
A straying from his toil? Hot Egypt's pest
Into their vision covetous and sly!
How could these money-bags see east and west?
Yet so they didand every dealer fair
Must see behind, as doth the hunted hare.
XIX.
O eloquent and famed Boccaccio!
Of thee we now should ask forgiving boon,
And of thy spicy myrtles as they blow,
And of thy roses amorous of the moon,
And of thy lilies, that do paler grow
Now they can no more hear thy ghittern's tune,
For venturing syllables that ill beseem
The quiet glooms of such a piteous theme.
XX.
Grant thou a pardon here, and then the tale
Shall move on soberly, as it is meet;
There is no other crime, no mad assail
To make old prose in modern rhyme more sweet:
But it is donesucceed the verse or fail
To honour thee, and thy gone spirit greet;
To stead thee as a verse in English tongue,
An echo of thee in the north-wind sung.
XXI.
These brethren having found by many signs
What love Lorenzo for their sister had,
And how she lov'd him too, each unconfines
His bitter thoughts to other, well nigh mad
That he, the servant of their trade designs,
Should in their sister's love be blithe and glad,
When 'twas their plan to coax her by degrees
To some high noble and his olive-trees.
XXII.
And many a jealous conference had they,
And many times they bit their lips alone,
Before they fix'd upon a surest way
To make the youngster for his crime atone;
And at the last, these men of cruel clay
Cut Mercy with a sharp knife to the bone;
For they resolved in some forest dim
To kill Lorenzo, and there bury him.
XXIII.
So on a pleasant morning, as he leant
Into the sun-rise, o'er the balustrade
Of the garden-terrace, towards him they bent
Their footing through the dews; and to him said,
"You seem there in the quiet of content,
"Lorenzo, and we are most loth to invade
"Calm speculation; but if you are wise,
"Bestride your steed while cold is in the skies.
XXIV.
"To-day we purpose, ay, this hour we mount
"To spur three leagues towards the Apennine;
"Come down, we pray thee, ere the hot sun count
"His dewy rosary on the eglantine."
Lorenzo, courteously as he was wont,
Bow'd a fair greeting to these serpents' whine;
And went in haste, to get in readiness,
With belt, and spur, and bracing huntsman's dress.
XXV.
And as he to the court-yard pass'd along,
Each third step did he pause, and listen'd oft
If he could hear his lady's matin-song,
Or the light whisper of her footstep soft;
And as he thus over his passion hung,
He heard a laugh full musical aloft;
When, looking up, he saw her features bright
Smile through an in-door lattice, all delight.
XXVI.
"Love, Isabel!" said he, "I was in pain
"Lest I should miss to bid thee a good morrow:
"Ah! what if I should lose thee, when so fain
"I am to stifle all the heavy sorrow
"Of a poor three hours' absence? but we'll gain
"Out of the amorous dark what day doth borrow.
"Good bye! I'll soon be back.""Good bye!" said she:
And as he went she chanted merrily.
XXVII.
So the two brothers and their murder'd man
Rode past fair Florence, to where Arno's stream
Gurgles through straiten'd banks, and still doth fan
Itself with dancing bulrush, and the bream
Keeps head against the freshets. Sick and wan
The brothers' faces in the ford did seem,
Lorenzo's flush with love.They pass'd the water
Into a forest quiet for the slaughter.
XXVIII.
There was Lorenzo slain and buried in,
There in that forest did his great love cease;
Ah! when a soul doth thus its freedom win,
It aches in lonelinessis ill at peace
As the break-covert blood-hounds of such sin:
They dipp'd their swords in the water, and did tease
Their horses homeward, with convulsed spur,
Each richer by his being a murderer.
XXIX.
They told their sister how, with sudden speed,
Lorenzo had ta'en ship for foreign lands,
Because of some great urgency and need
In their affairs, requiring trusty hands.
Poor Girl! put on thy stifling widow's weed,
And 'scape at once from Hope's accursed bands;
To-day thou wilt not see him, nor to-morrow,
And the next day will be a day of sorrow.
XXX.
She weeps alone for pleasures not to be;
Sorely she wept until the night came on,
And then, instead of love, O misery!
She brooded o'er the luxury alone:
His image in the dusk she seem'd to see,
And to the silence made a gentle moan,
Spreading her perfect arms upon the air,
And on her couch low murmuring, "Where? O where?"
XXXI.
But Selfishness, Love's cousin, held not long
Its fiery vigil in her single breast;
She fretted for the golden hour, and hung
Upon the time with feverish unrest
Not longfor soon into her heart a throng
Of higher occupants, a richer zest,
Came tragic; passion not to be subdued,
And sorrow for her love in travels rude.
XXXII.
In the mid days of autumn, on their eves
The breath of Winter comes from far away,
And the sick west continually bereaves
Of some gold tinge, and plays a roundelay
Of death among the bushes and the leaves,
To make all bare before he dares to stray
From his north cavern. So sweet Isabel
By gradual decay from beauty fell,
XXXIII.
Because Lorenzo came not. Oftentimes
She ask'd her brothers, with an eye all pale,
Striving to be itself, what dungeon climes
Could keep him off so long? They spake a tale
Time after time, to quiet her. Their crimes
Came on them, like a smoke from Hinnom's vale;
And every night in dreams they groan'd aloud,
To see their sister in her snowy shroud.
XXXIV.
And she had died in drowsy ignorance,
But for a thing more deadly dark than all;
It came like a fierce potion, drunk by chance,
Which saves a sick man from the feather'd pall
For some few gasping moments; like a lance,
Waking an Indian from his cloudy hall
With cruel pierce, and bringing him again
Sense of the gnawing fire at heart and brain.
XXXV.
It was a vision.In the drowsy gloom,
The dull of midnight, at her couch's foot
Lorenzo stood, and wept: the forest tomb
Had marr'd his glossy hair which once could shoot
Lustre into the sun, and put cold doom
Upon his lips, and taken the soft lute
From his lorn voice, and past his loamed ears
Had made a miry channel for his tears.
XXXVI.
Strange sound it was, when the pale shadow spake;
For there was striving, in its piteous tongue,
To speak as when on earth it was awake,
And Isabella on its music hung:
Languor there was in it, and tremulous shake,
As in a palsied Druid's harp unstrung;
And through it moan'd a ghostly under-song,
Like hoarse night-gusts sepulchral briars among.
XXXVII.
Its eyes, though wild, were still all dewy bright
With love, and kept all phantom fear aloof
From the poor girl by magic of their light,
The while it did unthread the horrid woof
Of the late darken'd time,the murderous spite
Of pride and avarice,the dark pine roof
In the forest,and the sodden turfed dell,
Where, without any word, from stabs he fell.
XXXVIII.
Saying moreover, "Isabel, my sweet!
"Red whortle-berries droop above my head,
"And a large flint-stone weighs upon my feet;
"Around me beeches and high chestnuts shed
"Their leaves and prickly nuts; a sheep-fold bleat
"Comes from beyond the river to my bed:
"Go, shed one tear upon my heather-bloom,
"And it shall comfort me within the tomb.
XXXIX.
"I am a shadow now, alas! alas!
"Upon the skirts of human-nature dwelling
"Alone: I chant alone the holy mass,
"While little sounds of life are round me knelling,
"And glossy bees at noon do fieldward pass,
"And many a chapel bell the hour is telling,
"Paining me through: those sounds grow strange to me,
"And thou art distant in Humanity.
XL.
"I know what was, I feel full well what is,
"And I should rage, if spirits could go mad;
"Though I forget the taste of earthly bliss,
"That paleness warms my grave, as though I had
"A Seraph chosen from the bright abyss
"To be my spouse: thy paleness makes me glad;
"Thy beauty grows upon me, and I feel
"A greater love through all my essence steal."
XLI.
The Spirit mourn'd "Adieu!"dissolv'd, and left
The atom darkness in a slow turmoil;
As when of healthful midnight sleep bereft,
Thinking on rugged hours and fruitless toil,
We put our eyes into a pillowy cleft,
And see the spangly gloom froth up and boil:
It made sad Isabella's eyelids ache,
And in the dawn she started up awake;
XLII.
"Ha! ha!" said she, "I knew not this hard life,
"I thought the worst was simple misery;
"I thought some Fate with pleasure or with strife
"Portion'd ushappy days, or else to die;
"But there is crimea brother's bloody knife!
"Sweet Spirit, thou hast school'd my infancy:
"I'll visit thee for this, and kiss thine eyes,
"And greet thee morn and even in the skies."
XLIII.
When the full morning came, she had devised
How she might secret to the forest hie;
How she might find the clay, so dearly prized,
And sing to it one latest lullaby;
How her short absence might be unsurmised,
While she the inmost of the dream would try.
Resolv'd, she took with her an aged nurse,
And went into that dismal forest-hearse.
XLIV.
See, as they creep along the river side,
How she doth whisper to that aged Dame,
And, after looking round the champaign wide,
Shows her a knife."What feverous hectic flame
"Burns in thee, child?What good can thee betide,
"That thou should'st smile again?"The evening came,
And they had found Lorenzo's earthy bed;
The flint was there, the berries at his head.
XLV.
Who hath not loiter'd in a green church-yard,
And let his spirit, like a demon-mole,
Work through the clayey soil and gravel hard,
To see skull, coffin'd bones, and funeral stole;
Pitying each form that hungry Death hath marr'd,
And filling it once more with human soul?
Ah! this is holiday to what was felt
When Isabella by Lorenzo knelt.
XLVI.
She gaz'd into the fresh-thrown mould, as though
One glance did fully all its secrets tell;
Clearly she saw, as other eyes would know
Pale limbs at bottom of a crystal well;
Upon the murderous spot she seem'd to grow,
Like to a native lily of the dell:
Then with her knife, all sudden, she began
To dig more fervently than misers can.
XLVII.
Soon she turn'd up a soiled glove, whereon
Her silk had play'd in purple phantasies,
She kiss'd it with a lip more chill than stone,
And put it in her bosom, where it dries
And freezes utterly unto the bone
Those dainties made to still an infant's cries:
Then 'gan she work again; nor stay'd her care,
But to throw back at times her veiling hair.
XLVIII.
That old nurse stood beside her wondering,
Until her heart felt pity to the core
At sight of such a dismal labouring,
And so she kneeled, with her locks all hoar,
And put her lean hands to the horrid thing:
Three hours they labour'd at this travail sore;
At last they felt the kernel of the grave,
And Isabella did not stamp and rave.
XLIX.
Ah! wherefore all this wormy circumstance?
Why linger at the yawning tomb so long?
O for the gentleness of old Romance,
The simple plaining of a minstrel's song!
Fair reader, at the old tale take a glance,
For here, in truth, it doth not well belong
To speak:O turn thee to the very tale,
And taste the music of that vision pale.
L.
With duller steel than the Persan sword
They cut away no formless monster's head,
But one, whose gentleness did well accord
With death, as life. The ancient harps have said,
Love never dies, but lives, immortal Lord:
If Love impersonate was ever dead,
Pale Isabella kiss'd it, and low moan'd.
'Twas love; cold,dead indeed, but not dethroned.
LI.
In anxious secrecy they took it home,
And then the prize was all for Isabel:
She calm'd its wild hair with a golden comb,
And all around each eye's sepulchral cell
Pointed each fringed lash; the smeared loam
With tears, as chilly as a dripping well,
She drench'd away:and still she comb'd, and kept
Sighing all dayand still she kiss'd, and wept.
LII.
Then in a silken scarf,sweet with the dews
Of precious flowers pluck'd in Araby,
And divine liquids come with odorous ooze
Through the cold serpent pipe refreshfully,
She wrapp'd it up; and for its tomb did choose
A garden-pot, wherein she laid it by,
And cover'd it with mould, and o'er it set
Sweet Basil, which her tears kept ever wet.
LIII.
And she forgot the stars, the moon, and sun,
And she forgot the blue above the trees,
And she forgot the dells where waters run,
And she forgot the chilly autumn breeze;
She had no knowledge when the day was done,
And the new morn she saw not: but in peace
Hung over her sweet Basil evermore,
And moisten'd it with tears unto the core.
LIV.
And so she ever fed it with thin tears,
Whence thick, and green, and beautiful it grew,
So that it smelt more balmy than its peers
Of Basil-tufts in Florence; for it drew
Nurture besides, and life, from human fears,
From the fast mouldering head there shut from view:
So that the jewel, safely casketed,
Came forth, and in perfumed leafits spread.
LV.
O Melancholy, linger here awhile!
O Music, Music, breathe despondingly!
O Echo, Echo, from some sombre isle,
Unknown, Lethean, sigh to usO sigh!
Spirits in grief, lift up your heads, and smile;
Lift up your heads, sweet Spirits, heavily,
And make a pale light in your cypress glooms,
Tinting with silver wan your marble tombs.
LVI.
Moan hither, all ye syllables of woe,
From the deep throat of sad Melpomene!
Through bronzed lyre in tragic order go,
And touch the strings into a mystery;
Sound mournfully upon the winds and low;
For simple Isabel is soon to be
Among the dead: She withers, like a palm
Cut by an Indian for its juicy balm.
LVII.
O leave the palm to wither by itself;
Let not quick Winter chill its dying hour!
It may not bethose Baalites of pelf,
Her brethren, noted the continual shower
From her dead eyes; and many a curious elf,
Among her kindred, wonder'd that such dower
Of youth and beauty should be thrown aside
By one mark'd out to be a Noble's bride.
LVIII.
And, furthermore, her brethren wonder'd much
Why she sat drooping by the Basil green,
And why it flourish'd, as by magic touch;
Greatly they wonder'd what the thing might mean:
They could not surely give belief, that such
A very nothing would have power to wean
Her from her own fair youth, and pleasures gay,
And even remembrance of her love's delay.
LIX.
Therefore they watch'd a time when they might sift
This hidden whim; and long they watch'd in vain;
For seldom did she go to chapel-shrift,
And seldom felt she any hunger-pain;
And when she left, she hurried back, as swift
As bird on wing to breast its eggs again;
And, patient as a hen-bird, sat her there
Beside her Basil, weeping through her hair.
LX.
Yet they contriv'd to steal the Basil-pot,
And to examine it in secret place:
The thing was vile with green and livid spot,
And yet they knew it was Lorenzo's face:
The guerdon of their murder they had got,
And so left Florence in a moment's space,
Never to turn again.Away they went,
With blood upon their heads, to banishment.
LXI.
O Melancholy, turn thine eyes away!
O Music, Music, breathe despondingly!
O Echo, Echo, on some other day,
From isles Lethean, sigh to usO sigh!
Spirits of grief, sing not your "Well-a-way!"
For Isabel, sweet Isabel, will die;
Will die a death too lone and incomplete,
Now they have ta'en away her Basil sweet.
LXII.
Piteous she look'd on dead and senseless things,
Asking for her lost Basil amorously:
And with melodious chuckle in the strings
Of her lorn voice, she oftentimes would cry
After the Pilgrim in his wanderings,
To ask him where her Basil was; and why
'Twas hid from her: "For cruel 'tis," said she,
"To steal my Basil-pot away from me."
LXIII.
And so she pined, and so she died forlorn,
Imploring for her Basil to the last.
No heart was there in Florence but did mourn
In pity of her love, so overcast.
And a sad ditty of this story born
From mouth to mouth through all the country pass'd:
Still is the burthen sung"O cruelty,
"To steal my Basil-pot away from me!"
(stanza XXIV): Leigh Hunt cites the "exquisite metaphor" of lines 3 and 4 as an instance in which Keats "over-informs the occasion or the speaker." But I doubt whether it is fair to class this kind of "over-informing" as an error. If poeple of this kind are to be denied one element of poetry, they must be denied another; and it is scarcely more strange to find the vile brethren of Isabella talking in metaphor than to find them talking in rhyme and metre. For the rest, a common-place Italian, even a villainous Italian, feels so intensely the sunlight of his land, that we need not object to the metaphor even on dramatic grounds.
(stanza XXXIII): For Hinnom's Vale see Second Book of Chronicles of the Kings of Israel, Chapter XXVIII, verse 3: "Moreover he burnt incense in the valley of the son of Hinnom, and burnt his children in the fire, after the abominations of the heathen whom the Lord had cast out before the children of Israel."
(stanza XLVII): The sixth line has been a topic of censure; but I think wrongly. Taken in itself apart from the poem, it might be held to be an inopportune description; but in the context of this most tragic and pathetic story, it has to me a surpassing fitness -- a fitness astonishing in the work of a youth of Keats's age in 1818. The idea of maternity thus connected as it were by chance with the image of this widowed girl on the borders of insanity emphasizes in the most beautiful way the helpless misery of a life wrecked by the wickedness of others, and throws into ghastly contrast the joy of what should have been and the agony of what was.
(stanza XLVIII): Hunt observes here - "It is curious to see how the simple pathos of Boccaccio, or (which is the same thing) the simple intensity of the heroine's feelings, suffices our author more and more, as he gets to the end of his story. And he has related it as happily, as if he had never written any poetry but that of the heart."
(stanza LIV): Whether the "savage and tartarly" assailants of Keats's day availed themselves of the word "leafits" in the 8th line for an accusation of word-coining, I do not know; but as far as I have been able to ascertain this diminutive of "leaf" is peculiar to the present passage.
(stanza LXII): Hunt says - "The passage about the tone of her voice, -- the poor lost-witted coaxing, -- the 'chuckle,' in which she asks after her Pilgrim and her Basil,-- is as true and touching an instance of the effect of a happy familiar word, as any in all poetry." It is difficult to imagine that these sentences of Hunt's were not somehow misprinted; but, as the review occurs only in the original issue of The Indicator, one has no means of testing this passage by comparison with later editions. It can hardly be supposed that Hunt really thought the Pilgrim meant Lorenzo; and it ought not to be necessary to explain that the poor lost girl called after any pilgrim whom chance sent her way, enquiring of him where her Basil was.
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Isabella; Or, The Pot Of Basil - A Story From Boccaccio
,#NFDB
406:A FRAGMENT
PART I
Nec tantum prodere vati,
Quantum scire licet. Venit aetas omnis in unam
Congeriem, miserumque premunt tot saecula pectus.
Lucan, Phars. v. 176.
How wonderful is Death,
Death and his brother Sleep!
One pale as yonder wan and hornd moon,
With lips of lurid blue,
The other glowing like the vital morn,
When throned on ocean's wave
It breathes over the world:
Yet both so passing strange and wonderful!
Hath then the iron-sceptred Skeleton,
Whose reign is in the tainted sepulchres,
To the hell dogs that couch beneath his throne
Cast that fair prey? Must that divinest form,
Which love and admiration cannot view
Without a beating heart, whose azure veins
Steal like dark streams along a field of snow,
Whose outline is as fair as marble clothed
In light of some sublimest mind, decay?
Nor putrefaction's breath
Leave aught of this pure spectacle
But loathsomeness and ruin?
Spare aught but a dark theme,
On which the lightest heart might moralize?
Or is it but that downy-wingd slumbers
Have charmed their nurse coy Silence near her lids
To watch their own repose?
Will they, when morning's beam
Flows through those wells of light,
Seek far from noise and day some western cave,
Where woods and streams with soft and pausing winds
A lulling murmur weave?
Ianthe doth not sleep
The dreamless sleep of death:
Nor in her moonlight chamber silently
Doth Henry hear her regular pulses throb,
Or mark her delicate cheek
With interchange of hues mock the broad moon.
Outwatching weary night,
Without assured reward.
Her dewy eyes are closed;
On their translucent lids, whose texture fine
Scarce hides the dark blue orbs that burn below
With unapparent fire,
The baby Sleep is pillowed:
Her golden tresses shade
The bosom's stainless pride,
Twining like tendrils of the parasite
Around a marble column.
Hark! whence that rushing sound?
'Tis like a wondrous strain that sweeps
Around a lonely ruin
When west winds sigh and evening waves respond
In whispers from the shore:
'Tis wilder than the unmeasured notes
Which from the unseen lyres of dells and groves
The genii of the breezes sweep.
Floating on waves of music and of light,
The chariot of the Daemon of the World
Descends in silent power:
Its shape reposed within: slight as some cloud
That catches but the palest tinge of day
When evening yields to night,
Bright as that fibrous woof when stars indue
Its transitory robe.
Four shapeless shadows bright and beautiful
Draw that strange car of glory, reins of light
Check their unearthly speed; they stop and fold
Their wings of braided air:
The Daemon leaning from the ethereal car
Gazed on the slumbering maid.
Human eye hath ne'er beheld
A shape so wild, so bright, so beautiful,
As that which o'er the maiden's charmd sleep
Waving a starry wand,
Hung like a mist of light.
Such sounds as breathed around like odorous winds
Of wakening spring arose,
Filling the chamber and the moonlight sky.
Maiden, the world's supremest spirit
Beneath the shadow of her wings
Folds all thy memory doth inherit
From ruin of divinest things,
Feelings that lure thee to betray,
And light of thoughts that pass away.
For thou hast earned a mighty boon,
The truths which wisest poets see
Dimly, thy mind may make its own,
Rewarding its own majesty,
Entranced in some diviner mood
Of self-oblivious solitude.
Custom, and Faith, and Power thou spurnest;
From hate and awe thy heart is free;
Ardent and pure as day thou burnest,
For dark and cold mortality
A living light, to cheer it long,
The watch-fires of the world among.
Therefore from nature's inner shrine,
Where gods and fiends in worship bend,
Majestic spirit, be it thine
The flame to seize, the veil to rend,
Where the vast snake Eternity
In charmd sleep doth ever lie.
All that inspires thy voice of love,
Or speaks in thy unclosing eyes,
Or through thy frame doth burn or move,
Or think or feel, awake, arise!
Spirit, leave for mine and me
Earth's unsubstantial mimicry!
It ceased, and from the mute and moveless frame
A radiant spirit arose,
All beautiful in naked purity.
Robed in its human hues it did ascend,
Disparting as it went the silver clouds,
It moved towards the car, and took its seat
Beside the Daemon shape.
Obedient to the sweep of ary song,
The mighty ministers
Unfurled their prismy wings.
The magic car moved on;
The night was fair, innumerable stars
Studded heaven's dark blue vault;
The eastern wave grew pale
With the first smile of morn.
The magic car moved on.
From the swift sweep of wings
The atmosphere in flaming sparkles flew;
And where the burning wheels
Eddied above the mountain's loftiest peak
Was traced a line of lightning.
Now far above a rock the utmost verge
Of the wide earth it flew,
The rival of the Andes, whose dark brow
Frowned o'er the silver sea.
Far, far below the chariot's stormy path,
Calm as a slumbering babe,
Tremendous ocean lay.
Its broad and silent mirror gave to view
The pale and waning stars,
The chariot's fiery track,
And the grey light of morn
Tingeing those fleecy clouds
That cradled in their folds the infant dawn.
The chariot seemed to fly
Through the abyss of an immense concave,
Radiant with million constellations, tinged
With shades of infinite colour,
And semicircled with a belt
Flashing incessant meteors.
As they approached their goal,
The wingd shadows seemed to gather speed.
The sea no longer was distinguished; earth
Appeared a vast and shadowy sphere, suspended
In the black concave of heaven
With the sun's cloudless orb,
Whose rays of rapid light
Parted around the chariot's swifter course,
And fell like ocean's feathery spray
Dashed from the boiling surge
Before a vessel's prow.
The magic car moved on.
Earth's distant orb appeared
The smallest light that twinkles in the heavens,
Whilst round the chariot's way
Innumerable systems widely rolled,
And countless spheres diffused
An ever varying glory.
It was a sight of wonder! Some were horned.
And like the moon's argentine crescent hung
In the dark dome of heaven; some did shed
A clear mild beam like Hesperus, while the sea
Yet glows with fading sunlight; others dashed
Athwart the night with trains of bickering fire,
Like spherd worlds to death and ruin driven;
Some shone like stars, and as the chariot passed
Bedimmed all other light.
Spirit of Nature! here
In this interminable wilderness
Of worlds, at whose involved immensity
Even soaring fancy staggers,
Here is thy fitting temple.
Yet not the lightest leaf
That quivers to the passing breeze
Is less instinct with thee,
Yet not the meanest worm,
That lurks in graves and fattens on the dead,
Less shares thy eternal breath.
Spirit of Nature! thou
Imperishable as this glorious scene,
Here is thy fitting temple.
If solitude hath ever led thy steps
To the shore of the immeasurable sea,
And thou hast lingered there
Until the sun's broad orb
Seemed resting on the fiery line of ocean,
Thou must have marked the braided webs of gold
That without motion hang
Over the sinking sphere:
Thou must have marked the billowy mountain clouds,
Edged with intolerable radiancy,
Towering like rocks of jet
Above the burning deep:
And yet there is a moment
When the sun's highest point
Peers like a star o'er ocean's western edge,
When those far clouds of feathery purple gleam
Like fairy lands girt by some heavenly sea:
Then has thy rapt imagination soared
Where in the midst of all existing things
The temple of the mightiest Daemon stands.
Yet not the golden islands
That gleam amid yon flood of purple light,
Nor the feathery curtains
That canopy the sun's resplendent couch,
Nor the burnished ocean waves
Paving that gorgeous dome,
So fair, so wonderful a sight
As the eternal temple could afford.
The elements of all that human thought
Can frame of lovely or sublime, did join
To rear the fabric of the fane, nor aught
Of earth may image forth its majesty.
Yet likest evening's vault that fary hall,
As heaven low resting on the wave it spread
Its floors of flashing light,
Its vast and azure dome;
And on the verge of that obscure abyss
Where crystal battlements o'erhang the gulf
Of the dark world, ten thousand spheres diffuse
Their lustre through its adamantine gates.
The magic car no longer moved;
The Daemon and the Spirit
Entered the eternal gates.
Those clouds of ary gold
That slept in glittering billows
Beneath the azure canopy,
With the ethereal footsteps trembled not;
While slight and odorous mists
Floated to strains of thrilling melody
Through the vast columns and the pearly shrines.
The Daemon and the Spirit
Approached the overhanging battlement,
Below lay stretched the boundless universe!
There, far as the remotest line
That limits swift imagination's flight,
Unending orbs mingled in mazy motion,
Immutably fulfilling
Eternal Nature's law.
Above, below, around,
The circling systems formed
A wilderness of harmony,
Each with undeviating aim
In eloquent silence through the depths of space
Pursued its wondrous way.
Awhile the Spirit paused in ecstasy.
Yet soon she saw, as the vast spheres swept by,
Strange things within their belted orbs appear.
Like animated frenzies, dimly moved
Shadows, and skeletons, and fiendly shapes,
Thronging round human graves, and o'er the dead
Sculpturing records for each memory
In verse, such as malignant gods pronounce,
Blasting the hopes of men, when heaven and hell
Confounded burst in ruin o'er the world:
And they did build vast trophies, instruments
Of murder, human bones, barbaric gold,
Skins torn from living men, and towers of skulls
With sightless holes gazing on blinder heaven,
Mitres, and crowns, and brazen chariots stained
With blood, and scrolls of mystic wickedness,
The sanguine codes of venerable crime.
The likeness of a thrond king came by,
When these had passed, bearing upon his brow
A threefold crown; his countenance was calm,
His eye severe and cold; but his right hand
Was charged with bloody coin, and he did gnaw
By fits, with secret smiles, a human heart
Concealed beneath his robe; and motley shapes,
A multitudinous throng, around him knelt,
With bosoms bare, and bowed heads, and false looks
Of true submission, as the sphere rolled by.
Brooking no eye to witness their foul shame,
Which human hearts must feel, while human tongues
Tremble to speak, they did rage horribly,
Breathing in self-contempt fierce blasphemies
Against the Daemon of the World, and high
Hurling their armd hands where the pure Spirit,
Serene and inaccessibly secure,
Stood on an isolated pinnacle,
The flood of ages combating below,
The depth of the unbounded universe
Above, and all around
Necessity's unchanging harmony.
PART II
O happy Earth! reality of Heaven!
To which those restless powers that ceaselessly
Throng through the human universe aspire;
Thou consummation of all mortal hope!
Thou glorious prize of blindly-working will!
Whose rays, diffused throughout all space and time,
Verge to one point and blend for ever there:
Of purest spirits thou pure dwelling-place!
Where care and sorrow, impotence and crime,
Languor, disease, and ignorance dare not come:
O happy Earth, reality of Heaven!
Genius has seen thee in her passionate dreams,
And dim forebodings of thy loveliness,
Haunting the human heart, have there entwined
Those rooted hopes, that the proud Power of Evil
Shall not for ever on this fairest world
Shake pestilence and war, or that his slaves
With blasphemy for prayer, and human blood
For sacrifice, before his shrine for ever
In adoration bend, or Erebus
With all its banded fiends shall not uprise
To overwhelm in envy and revenge
The dauntless and the good, who dare to hurl
Defiance at his throne, girt tho' it be
With Death's omnipotence. Thou hast beheld
His empire, o'er the present and the past;
It was a desolate sightnow gaze on mine,
Futurity. Thou hoary giant Time,
Render thou up thy half-devoured babes,
And from the cradles of eternity,
Where millions lie lulled to their portioned sleep
By the deep murmuring stream of passing things,
Tear thou that gloomy shroud.Spirit, behold
Thy glorious destiny!
The Spirit saw
The vast frame of the renovated world
Smile in the lap of Chaos, and the sense
Of hope thro' her fine texture did suffuse
Such varying glow, as summer evening casts
On undulating clouds and deepening lakes.
Like the vague sighings of a wind at even,
That wakes the wavelets of the slumbering sea
And dies on the creation of its breath,
And sinks and rises, fails and swells by fits,
Was the sweet stream of thought that with wild motion
Flowed o'er the Spirit's human sympathies.
The mighty tide of thought had paused awhile,
Which from the Daemon now like Ocean's stream
Again began to pour.
To me is given
The wonders of the human world to keep
Space, matter, time and mindlet the sight
Renew and strengthen all thy failing hope.
All things are recreated, and the flame
Of consentaneous love inspires all life:
The fertile bosom of the earth gives suck
To myriads, who still grow beneath her care,
Rewarding her with their pure perfectness:
The balmy breathings of the wind inhale
Her virtues, and diffuse them all abroad:
Health floats amid the gentle atmosphere,
Glows in the fruits, and mantles on the stream;
No storms deform the beaming brow of heaven,
Nor scatter in the freshness of its pride
The foliage of the undecaying trees;
But fruits are ever ripe, flowers ever fair,
And Autumn proudly bears her matron grace,
Kindling a flush on the fair cheek of Spring,
Whose virgin bloom beneath the ruddy fruit
Reflects its tint and blushes into love.
The habitable earth is full of bliss;
Those wastes of frozen billows that were hurled
By everlasting snow-storms round the poles,
Where matter dared not vegetate nor live,
But ceaseless frost round the vast solitude
Bound its broad zone of stillness, are unloosed;
And fragrant zephyrs there from spicy isles
Ruffle the placid ocean-deep, that rolls
Its broad, bright surges to the sloping sand,
Whose roar is wakened into echoings sweet
To murmur through the heaven-breathing groves
And melodise with man's blest nature there.
The vast tract of the parched and sandy waste
Now teems with countless rills and shady woods,
Corn-fields and pastures and white cottages;
And where the startled wilderness did hear
A savage conqueror stained in kindred blood,
Hymning his victory, or the milder snake
Crushing the bones of some frail antelope
Within his brazen foldsthe dewy lawn,
Offering sweet incense to the sunrise, smiles
To see a babe before his mother's door,
Share with the green and golden basilisk
That comes to lick his feet, his morning's meal.
Those trackless deeps, where many a weary sail
Has seen, above the illimitable plain,
Morning on night and night on morning rise,
Whilst still no land to greet the wanderer spread
Its shadowy mountains on the sunbright sea,
Where the loud roarings of the tempest-waves
So long have mingled with the gusty wind
In melancholy loneliness, and swept
The desert of those ocean solitudes,
But vocal to the sea-bird's harrowing shriek,
The bellowing monster, and the rushing storm.
Now to the sweet and many-mingling sounds
Of kindliest human impulses respond:
Those lonely realms bright garden-isles begem,
With lightsome clouds and shining seas between,
And fertile valleys, resonant with bliss,
Whilst green woods overcanopy the wave,
Which like a toil-worn labourer leaps to shore,
To meet the kisses of the flowerets there.
Man chief perceives the change, his being notes
The gradual renovation, and defines
Each movement of its progress on his mind.
Man, where the gloom of the long polar night
Lowered o'er the snow-clad rocks and frozen soil,
Where scarce the hardiest herb that braves the frost
Basked in the moonlight's ineffectual glow,
Shrank with the plants, and darkened with the night:
Nor where the tropics bound the realms of day
With a broad belt of mingling cloud and flame,
Where blue mists through the unmoving atmosphere
Scattered the seeds of pestilence, and fed
Unnatural vegetation, where the land
Teemed with all earthquake, tempest and disease,
Was man a nobler being; slavery
Had crushed him to his country's blood-stained dust.
Even where the milder zone afforded man
A seeming shelter, yet contagion there,
Blighting his being with unnumbered ills,
Spread like a quenchless fire; nor truth availed
Till late to arrest its progress, or create
That peace which first in bloodless victory waved
Her snowy standard o'er this favoured clime:
There man was long the train-bearer of slaves,
The mimic of surrounding misery,
The jackal of ambition's lion-rage,
The bloodhound of religion's hungry zeal.
Here now the human being stands adorning
This loveliest earth with taintless body and mind:
Blest from his birth with all bland impulses,
Which gently in his noble bosom wake
All kindly passions and all pure desires.
Him, still from hope to hope the bliss pursuing,
Which from the exhaustless lore of human weal
Dawns on the virtuous mind, the thoughts that rise
In time-destroying infiniteness gift
With self-enshrined eternity, that mocks
The unprevailing hoariness of age,
And man, once fleeting o'er the transient scene
Swift as an unremembered vision, stands
Immortal upon earth: no longer now
He slays the beast that sports around his dwelling
And horribly devours its mangled flesh,
Or drinks its vital blood, which like a stream
Of poison thro' his fevered veins did flow
Feeding a plague that secretly consumed
His feeble frame, and kindling in his mind
Hatred, despair, and fear and vain belief,
The germs of misery, death, disease, and crime.
No longer now the wingd habitants,
That in the woods their sweet lives sing away,
Flee from the form of man; but gather round,
And prune their sunny feathers on the hands
Which little children stretch in friendly sport
Towards these dreadless partners of their play.
All things are void of terror: man has lost
His desolating privilege, and stands
An equal amidst equals: happiness
And science dawn though late upon the earth;
Peace cheers the mind, health renovates the frame;
Disease and pleasure cease to mingle here,
Reason and passion cease to combat there;
Whilst mind unfettered o'er the earth extends
Its all-subduing energies, and wields
The sceptre of a vast dominion there.
Mild is the slow necessity of death:
The tranquil spirit fails beneath its grasp,
Without a groan, almost without a fear,
Resigned in peace to the necessity,
Calm as a voyager to some distant land,
And full of wonder, full of hope as he.
The deadly germs of languor and disease
Waste in the human frame, and Nature gifts
With choicest boons her human worshippers.
How vigorous now the athletic form of age!
How clear its open and unwrinkled brow!
Where neither avarice, cunning, pride, or care,
Had stamped the seal of grey deformity
On all the mingling lineaments of time.
How lovely the intrepid front of youth!
How sweet the smiles of taintless infancy.
Within the massy prison's mouldering courts,
Fearless and free the ruddy children play,
Weaving gay chaplets for their innocent brows
With the green ivy and the red wall-flower,
That mock the dungeon's unavailing gloom;
The ponderous chains, and gratings of strong iron,
There rust amid the accumulated ruins
Now mingling slowly with their native earth:
There the broad beam of day, which feebly once
Lighted the cheek of lean captivity
With a pale and sickly glare, now freely shines
On the pure smiles of infant playfulness:
No more the shuddering voice of hoarse despair
Peals through the echoing vaults, but soothing notes
Of ivy-fingered winds and gladsome birds
And merriment are resonant around.
The fanes of Fear and Falsehood hear no more
The voice that once waked multitudes to war
Thundering thro' all their aisles: but now respond
To the death dirge of the melancholy wind:
It were a sight of awfulness to see
The works of faith and slavery, so vast,
So sumptuous, yet withal so perishing!
Even as the corpse that rests beneath their wall.
A thousand mourners deck the pomp of death
To-day, the breathing marble glows above
To decorate its memory, and tongues
Are busy of its life: to-morrow, worms
In silence and in darkness seize their prey.
These ruins soon leave not a wreck behind:
Their elements, wide-scattered o'er the globe,
To happier shapes are moulded, and become
Ministrant to all blissful impulses:
Thus human things are perfected, and earth,
Even as a child beneath its mother's love,
Is strengthened in all excellence, and grows
Fairer and nobler with each passing year.
Now Time his dusky pennons o'er the scene
Closes in steadfast darkness, and the past
Fades from our charmd sight. My task is done:
Thy lore is learned. Earth's wonders are thine own.
With all the fear and all the hope they bring.
My spells are past: the present now recurs.
Ah me! a pathless wilderness remains
Yet unsubdued by man's reclaiming hand.
Yet, human Spirit, bravely hold thy course,
Let virtue teach thee firmly to pursue
The gradual paths of an aspiring change:
For birth and life and death, and that strange state
Before the naked powers that thro' the world
Wander like winds have found a human home,
All tend to perfect happiness, and urge
The restless wheels of being on their way,
Whose flashing spokes, instinct with infinite life,
Bicker and burn to gain their destined goal:
For birth but wakes the universal mind
Whose mighty streams might else in silence flow
Thro' the vast world, to individual sense
Of outward shows, whose unexperienced shape
New modes of passion to its frame may lend;
Life is its state of action, and the store
Of all events is aggregated there
That variegate the eternal universe;
Death is a gate of dreariness and gloom,
That leads to azure isles and beaming skies
And happy regions of eternal hope.
Therefore, O Spirit! fearlessly bear on:
Though storms may break the primrose on its stalk,
Though frosts may blight the freshness of its bloom,
Yet spring's awakening breath will woo the earth,
To feed with kindliest dews its favourite flower,
That blooms in mossy banks and darksome glens,
Lighting the green wood with its sunny smile.
Fear not then, Spirit, death's disrobing hand,
So welcome when the tyrant is awake,
So welcome when the bigot's hell-torch flares;
'Tis but the voyage of a darksome hour,
The transient gulf-dream of a startling sleep.
For what thou art shall perish utterly,
But what is thine may never cease to be;
Death is no foe to virtue: earth has seen
Love's brightest roses on the scaffold bloom,
Mingling with freedom's fadeless laurels there,
And presaging the truth of visioned bliss.
Are there not hopes within thee, which this scene
Of linked and gradual being has confirmed?
Hopes that not vainly thou, and living fires
Of mind as radiant and as pure as thou,
Have shone upon the paths of menreturn,
Surpassing Spirit, to that world, where thou
Art destined an eternal war to wage
With tyranny and falsehood, and uproot
The germs of misery from the human heart.
Thine is the hand whose piety would soothe
The thorny pillow of unhappy crime,
Whose impotence an easy pardon gains,
Watching its wanderings as a friend's disease:
Thine is the brow whose mildness would defy
Its fiercest rage, and brave its sternest will,
When fenced by power and master of the world.
Thou art sincere and good; of resolute mind,
Free from heart-withering custom's cold control,
Of passion lofty, pure and unsubdued.
Earth's pride and meanness could not vanquish thee.
And therefore art thou worthy of the boon
Which thou hast now received: virtue shall keep
Thy footsteps in the path that thou hast trod,
And many days of beaming hope shall bless
Thy spotless life of sweet and sacred love.
Go, happy one, and give that bosom joy
Whose sleepless spirit waits to catch
Light, life and rapture from thy smile.
The Daemon called its wingd ministers.
Speechless with bliss the Spirit mounts the car,
That rolled beside the crystal battlement,
Bending her beamy eyes in thankfulness.
The burning wheels inflame
The steep descent of Heaven's untrodden way.
Fast and far the chariot flew:
The mighty globes that rolled
Around the gate of the Eternal Fane
Lessened by slow degrees, and soon appeared
Such tiny twinklers as the planet orbs
That ministering on the solar power
With borrowed light pursued their narrower way.
Earth floated then below:
The chariot paused a moment;
The Spirit then descended:
And from the earth departing
The shadows with swift wings
Speeded like thought upon the light of Heaven.
The Body and the Soul united then,
A gentle start convulsed Ianthe's frame:
Her veiny eyelids quietly unclosed;
Moveless awhile the dark blue orbs remained:
She looked around in wonder and beheld
Henry, who kneeled in silence by her couch,
Watching her sleep with looks of speechless love,
And the bright beaming stars
That through the casement shone.
~ Percy Bysshe Shelley, The Daemon Of The World
,#NFDB
407:The Ancient Banner
In boundless mercy, the Redeemer left,
The bosom of his Father, and assumed
A servant's form, though he had reigned a king,
In realms of glory, ere the worlds were made,
Or the creating words, 'Let there be light'
In heaven were uttered. But though veiled in flesh,
His Deity and his Omnipotence,
Were manifest in miracles. Disease
Fled at his bidding, and the buried dead
Rose from the sepulchre, reanimate,
At his command, or, on the passing bier
Sat upright, when he touched it. But he came,
Not for this only, but to introduce
A glorious dispensation, in the place
Of types and shadows of the Jewish code.
Upon the mount, and round Jerusalem,
He taught a purer, and a holier law,—
His everlasting Gospel, which is yet
To fill the earth with gladness; for all climes
Shall feel its influence, and shall own its power.
He came to suffer, as a sacrifice
Acceptable to God. The sins of all
Were laid upon Him, when in agony
He bowed upon the cross. The temple's veil
Was rent asunder, and the mighty rocks,
Trembled, as the incarnate Deity,
By his atoning blood, opened that door,
Through which the soul, can have communion with
Its great Creator; and when purified,
From all defilements, find acceptance too,
Where it can finally partake of all
The joys of His salvation.
But the pure Church he planted,—the pure Church
Which his apostles watered,—and for which,
The blood of countless martyrs freely flowed,
In Roman Amphitheatres,—on racks,—
And in the dungeon's gloom,—this blessed Church,
Which grew in suffering, when it overspread
Surrounding nations, lost its purity.
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Its truth was hidden, and its light obscured
By gross corruption, and idolatry.
As things of worship, it had images,
And even painted canvas was adored.
It had a head and bishop, but this head
Was not the Saviour, but the Pope of Rome.
Religion was a traffic. Men defiled,
Professed to pardon sin, and even sell,
The joys of heaven for money,—and to raise
Souls out of darkness to eternal light,
For paltry silver lavished upon them.
And thus thick darkness, overspread the Church
As with a mantle.
At length the midnight of apostacy
Passed by, and in the horizon appeared,
Day dawning upon Christendom. The light,
Grew stronger, as the Reformation spread.
For Luther, and Melancthon, could not be
Silenced by papal bulls, nor by decrees
Of excommunication thundered forth
Out of the Vatican. And yet the light,
Of Luther's reformation, never reached
Beyond the morning's dawn. The noontide blaze
Of Truth's unclouded day, he never saw.
Yet after him, its rising sun displayed
More and more light upon the horizon.
Though thus enlightened, the professing Church,
Was far from many of the precious truths
Of the Redeemer's gospel; and as yet,
Owned not his Spirit's government therein.
But now the time approached, when he would pour
A larger measure of his light below;
And as he chose unlearned fishermen
To spread his gospel when first introduced,
So now he passed mere human learning by,
And chose an instrument, comparable
To the small stone the youthful David used,
To smite the champion who defied the Lord.
Apart from human dwellings, in a green
Rich pasturage of England, sat a youth,
Who seemed a shepherd, for around him there
A flock was feeding, and the sportive lambs
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Gambolled amid the herbage. But his face
Bore evidence of sadness. On his knee
The sacred book lay open, upon which
The youth looked long and earnestly, and then,
Closing the book, gazed upward, in deep thought
This was the instrument by whom the Lord
Designed to spread a clearer light below
And fuller reformation. He appeared,
Like ancient Samuel, to be set apart
For the Lord's service from his very birth.
Even in early childhood, he refrained
From youthful follies, and his mind was turned
To things of highest moment. He was filled
With awful feelings, by the wickedness
He saw around him. As he grew in years,
Horror of sin grew stronger; and his mind
Became so clothed with sadness, and so full
Of soul-felt longings, for the healing streams
Of heavenly consolation, that he left
His earthly kindred, seeking quietude
In solitary places, where he read
The book of inspiration, and in prayer,
Sought heavenly counsel.
In this deep-proving season he was told,
Of priests, whose reputation had spread wide
For sanctity and wisdom; and from these
He sought for consolation,—but in vain.
One of these ministers became enraged,
Because the youth had inadvertently
Misstepped within his garden; and a priest
Of greater reputation, counselled him
To use tobacco, and sing holy psalms!
And the inquirer found a third to be
But as an empty, hollow cask at best.
Finding no help in man, the youthful Fox,
Turned to a higher and a holier source,
For light and knowledge. In his Saviour's school,
He sat a scholar, and was clearly shown
The deep corruption, that had overspread
Professing Christendom. And one by one,
The doctrines of the Gospel, were unveiled,
To the attentive student,—doctrines, which,
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Though clearly written on the sacred page,
Had long been hidden, by the rubbish man's
Perversions and inventions heaped thereon.
He saw that colleges, could not confer,
A saving knowledge of the way of Truth,
Nor qualify a minister to preach
The everlasting Gospel; but that Christ,
Is the true Teacher, and that he alone
Has power to call, anoint, and qualify,
And send a Gospel minister to preach
Glad tidings of salvation. He was shown,
No outward building, made of wood and stone
Could be a holy place,—and that the Church—
The only true and living Church—must be
A holy people gathered to the Lord,
And to his teaching. He was clearly taught,
The nature of baptism, by which souls
Are purified and fitted for this Church;
That this was not, by being dipped into,
Or sprinkled with clear water, but it was
The one baptism of the Holy Ghost.
He saw the Supper was no outward food,
Made and administered by human hands,—
But the Lord's Table was within the heart;
Where in communion with him, holy bread
Was blessed and broken, and the heavenly wine,
Which cheers the fainting spirit, handed forth.
The Saviour showed him that all outward wars,
Are now forbidden,—that the warfare here,
Is to be waged within. Its weapons too,
Though mighty, even to the pulling down,
Of the strong holds of Satan, are yet all
The Spirit's weapons. He was shown, that oaths
Judicial or profane, are banished from
The Christian dispensation, which commands,
'Swear not at all.' He saw the compliments,—
Hat honour, and lip service of the world,
Sprang from pride's evil root, and were opposed
To the pure spirit of Christ's holy law.
And by His inward Light, was clearly seen
The perfect purity of heart and life
For which that Saviour calls, who never asked,
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Things unattainable.
These truths and others, being thus revealed,
Fox was prepared and qualified to preach,
The unveiled Gospel, to the sons of men.
Clothed with divine authority, he went
Abroad through Britain, and proclaimed that Light,
Which Christ's illuminating Spirit sheds,
In the dark heart of man. Some heard of this,
Who seemed prepared and waiting, to receive
His Gospel message, and were turned to Him,
Whose Holy Spirit sealed it on their hearts.
And not a few of these, were called upon,
To take the message, and themselves declare
The way of Truth to others. But the Priests,
Carnal professors, and some magistrates,
Heard of the inward light, and purity,
With indignation, and they seized upon,
And thrust the Preacher within prison walls.
Not once alone, but often was he found,
Amid the very dregs of wickedness—
With robbers, and with blood-stained criminals,
Locked up in loathsome jails. And when abroad
Upon his Master's service, he was still
Reviled and buffeted, and spit upon.
But none of these things moved him, for within
He felt that soul-sustaining evidence,
Which bore his spirit high above the waves,
Of bitter persecution.
But now the time approached, for his release
From suffering and from labour. He had spent,
Long years in travel for the cause of Truth,—
Not all in Britain,—for he preached its light,
And power in Holland,—the West Indian isles,
And North America. Far through the wild,
And trackless wilderness, this faithful man,
Carried his Master's message; he lived,
To see Truth's banner fearlessly displayed
Upon both continents. He lived to see,
Pure hearted men and women gathered to
The inward teaching of the Saviour's will,—
Banded together in the covenant,
Of light and life. But his allotted work,
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Was now accomplished, and his soul prepared,
For an inheritance with saints in light,
And with his loins all girded, he put off
His earthly shackles, triumphing in death,
That the Seed reigned, and Truth was over all!
Where the dark waters of the Delaware,
Roll onward to the ocean, sweeping by,
Primeval forests, where the red man still,
Built his rude wigwam, and the timid deer
Fled for concealment from the Indian's eye,
And the unerring arrow of his bow;
There, in the shadow of these ancient woods,
A sea-worn ship has anchored. On her deck,
Men of grave mien are gathered. One of whom,
Of noble figure, and quick searching eyes,
Surveys the scene, wrapt in the deepest thought.
And this is William Penn. He stands among,
Fellow believers, who have sought a home,
And place of refuge, in this wilderness.
Born of an ancient family, his sire
An English Admiral, the youthful Penn,
Might, with his talents, have soon ranked among
The proudest subjects of the British throne.
He chose the better part—to serve that King
Who is immortal and invisible.
While yet a student within college halls,
He heard Truth's message, and his heart was reached,
And fully owned it, though it came through one
Of that despised and persecuted class,
Called in derision Quakers. Thus convinced,
He left the college worship, to commune
In spirit with his Maker. And for this,
He was expelled from Oxford; and was soon
Maltreated by his father, who, enraged,
Because his only son, had turned away
From brilliant prospects, to pursue the path
Of self-denial, drove him harshly forth
From the paternal roof. But William Penn,
Had still a Father, who supported him,
With strength and courage to perform his will;
And he was called and qualified to preach,
And to bear witness of that blessed Light
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Which shines within. He suffered in the cause,
His share of trial. He was dragged before
Judges and juries, and was shut within
The walls of prisons.
Looking abroad through England, he was filled
With deep commiseration, for the jails—
The loathsome, filthy jails—were crowded with
His brethren in the Truth. For their relief,
He sought the ear of royalty, and plead
Their cruel sufferings; and their innocence;
And thus became the instrument through which
Some prison doors were opened. But he sought
A place of refuge from oppression's power,
That Friends might worship the Creator there,
Free from imprisonment and penalties.
And such a place soon opened to his view,
Far in the Western Wilderness, beyond
The Atlantic's wave.
And here is William Penn, and here a band
Of weary emigrants, who now behold
The promised land before them; but it is
The Indian's country, and the Indian's home.
Penn had indeed, received a royal grant,
To occupy it; but a grant from one
Who had no rightful ownership therein;
He therefore buys it honestly from those
Whose claims are aboriginal, and just.
With these inhabitants, behold, he stands
Beneath an ancient elm, whose spreading limbs
O'erhang the Delaware. The forest chiefs
Sit in grave silence, while the pipe of peace
Goes round the circle. They have made a league
With faithful Onas—a perpetual league,
And treaty of true friendship, to endure
While the sun shines, and while the waters run.
And here was founded in the wilderness,
A refuge from oppression, where all creeds
Found toleration, and where truth and right
Were the foundation of its government,
And its protection. In that early day,
The infant colony sought no defence
But that of justice and of righteousness;
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The only guarantees of peace on earth,
Because they ever breathe, good will to men.
His colony thus planted, William Penn
Sought his old field of labour, and again,
Both through the press and vocally, he plead
The right of conscience, and the rights of man;
And frequently, and forcibly he preached
Christ's universal and inshining Light.
His labour was incessant; and the cares,
And the perplexities connected with
His distant province, which he visited
A second time, bore heavily upon
His burdened spirit, which demanded rest;—
That rest was granted. In the midst of all
His labour and his trials, there was drawn
A veil, in mercy, round his active mind,
Which dimmed all outward things; but he still saw
The beauty and the loveliness of Truth,
And found sweet access to the Source of good.
And thus, shut out from the perplexities
And sorrows of the world, he was prepared
To hear the final summons, to put off
His tattered garments, and be clothed upon
With heavenly raiment.
Scotland, thou hadst a noble citizen,
In him of Ury! Born amid thy hills,
Though educated where enticing scenes,
Crowd giddy Paris, he rejected all
The world's allurements, and unlike the youth
Who talked with Jesus, Barclay turned away
From great possessions, and embraced the Truth.
He early dedicated all the powers
Of a well cultivated intellect
To the Redeemer and His holy cause.
He was a herald, to proclaim aloud,
Glad tidings of salvation; and his life
Preached a loud sermon by its purity.
Not only were his lips made eloquent,
By the live coal that touched them, but his pen,
Moved by a force from the same altar, poured
Light, truth, and wisdom. From it issued forth
The great Apology, which yet remains
285
One of the best expositors of Truth
That man has published, since that sacred book
Anciently written. Seekers are still led
By its direction, to that blessed Light,
And inward Teacher, who is Jesus Christ.
But now, this noble servant of the Lord,
Rests from his faithful labour, while his works
Yet follow him.
Early believers in the light of Truth,
Dwelt not at ease in Zion. They endured
Conflicts and trials, and imprisonments.
Even the humble Penington, whose mind
Seemed purged and purified from all the dross
Of human nature—who appeared as meek
And harmless as an infant—was compelled
To dwell in loathsome prisons. But he had,
Though in the midst of wickedness, sublime
And holy visions of the purity,
And the true nature of Christ's living Church.
While Edmundson, the faithful pioneer
Of Truth in Ireland, was compelled to drink
Deeply of suffering for the blessed cause.
Dragged from his home, half naked, by a mob
Who laid that home in ashes, he endured
Heart-rending cruelties. But all of these,
Stars of the morning, felt oppression's hand,
And some endured it to the closing scene.
Burroughs, a noble servant of the Lord,
Whose lips and pen were eloquent for Truth,
Drew his last breath in prison. Parnel, too,
A young and valiant soldier of the Lamb,
Died, a true martyr in a dungeon's gloom.
Howgill and Hubberthorn, both ministers
Of Christ's ordaining, were released from all
Their earthly trials within prison walls.
And beside these, there was a multitude
Of faithful men, and noble women too,
Who past from scenes of conflict, to the joys
Of the Redeemer's kingdom, within jails,
And some in dungeons. But amid it all,
Light spread in Britain, and a living Church
Was greatly multiplied. The tender minds,
286
Even of children, felt the power of Truth,
And showed the fruit and firmness it affords.
When persecution, rioted within
The town of Bristol, and all older Friends
Were locked in prison, little children met,
Within their place of worship, by themselves,
To offer praises, in the very place
From which their parents had been dragged to jail.
But let us turn from Britain, and look down,
Upon an inland sea whose swelling waves
Encircle Malta. There a cloudless sun,
In Eastern beauty, pours its light upon
The Inquisition. All without its walls
Seems calm and peaceful, let us look within.
There, stretched upon the floor, within a close,
Dark, narrow cell, inhaling from a crack
A breath of purer air, two women lie.
But who are these, and wherefore are they here?
These are two ministers of Christ, who left
Their homes in England, faithfully to bear,
The Saviour's message into eastern lands.
And here at Malta they were seized upon
By bigotted intolerance, and shut
Within this fearful engine of the Pope.
Priests and Inquisitor assail them here,
And urge the claims of popery. The rack,
And cruel deaths are threatened; and again
Sweet liberty is offered, as the price
Of their apostacy. All, all in vain!
For years these tender women have been thus,
Victims of cruelty. At times apart,
Confined in gloomy, solitary cells.
But all these efforts to convert them failed:
The Inquisition had not power enough
To shake their faith and confidence in Him,
Whose holy presence was seen anciently
To save his children from devouring flames;
He, from this furnace of affliction, brought
These persecuted women, who came forth
Out of the burning, with no smell of fire
Upon their garments, and again they trod,
Their native land rejoicing.
287
In Hungary, two ministers of Christ,
Were stretched upon the rack. Their tortured limbs
Were almost torn asunder, but no force
Could tear them from their Master, and they came
Out of the furnace, well refined gold.
Nor were these all who suffered for the cause
Of truth and righteousness, in foreign lands.
For at Mequinez and Algiers, some toiled,
And died in slavery. But nothing could
Discourage faithful messengers of Christ
From his required service. They were found
Preaching repentance where the Israelites
Once toiled in Egypt, and the ancient Nile
Still rolls its waters. And the holy light
Of the eternal Gospel was proclaimed,
Where its great Author had first published it—
Where the rich temple of King Solomon,
Stood in its ancient glory. Even there,
The haughty Musselmen, were told of Him,
The one great Prophet, who now speaks within.
For their refusing to participate
In carnal warfare, many early Friends,
Were made to suffer. On a ship of war
Equipped for battle, Richard Sellers bore,
With a meek, Christian spirit, cruelties
The most atrocious, for obeying Him
Who was his heavenly Captain, and by whom,
War is forbidden. Sellers would not touch,
The instruments of carnage, nor could all
The cruelties inflicted, move his soul
From a reliance on that holy Arm,
Which had sustained him in the midst of all
His complicated trials; and he gained
A peaceful, but a greater victory
Than that of battle, for he wearied out
Oppression, by his constancy, and left
A holy savor, with that vessel's crew.
But let us turn from persecuting scenes,
That stain the annals of the older world,
To young America, whose virgin shores
Offer a refuge from oppression's power.
Here lies a harbour in the noble bay
288
Of Massachusetts. Many little isles
Dot its expanding waters, and Nahant
Spreads its long beach and eminence beyond,
A barrier to the ocean. The whole scene,
Looks beautiful, in the clear northern air,
And loveliness of morning. On the heights
That overlook the harbour, there is seen
An infant settlement. Let us approach,
And anchor where the Puritans have sought,
For liberty of conscience. But there seems,
Disquietude in Boston. Men appear
Urged on by stormy passions, and some wear
A look of unrelenting bitterness.
But what is that now rising into view,
Where crowds are gathered on an eminence?
These are the Puritans. They now surround
A common gallows. On its platform, stands
A lovely woman in the simple garb
Worn by the early Quakers. Of the throng,
She only seems unmoved, although her blood
They madly thirst for.
The first professors of Christ's inward Light,
Who brought this message into Boston bay,
Were inoffensive women. They were searched
For signs of witchcraft, and their books were burned.
The captain who had brought them, was compelled
To carry them away. But others came,
Both men and women, zealous for the Truth.
These were received with varied cruelties—
By frequent whippings and imprisonments.
Law after law was made excluding them;
But all in vain, for still these faithful ones
Carried their Master's message undismayed
Among the Puritans, and still they found
Those who received it, and embraced the Truth,
And steadily maintained it, in the midst
Of whipping posts, and pillories, and jails!
A law was then enacted, by which all
The banished Quakers, who were found again
Within the province, were to suffer death.
But these, though ever ready to obey
All just enactments, when laws trespassed on
289
The rights of conscience, and on God's command,
Could never for a moment hesitate,
Which to obey.—And soon there stood upon
A scaffold of New England, faithful friends,
Who, in obeying Christ, offended man!
Of these was Mary Dyer, who exclaimed,
While passing to this instrument of death,
'No eye can witness, and no ear can hear,
No tongue can utter, nor heart understand
The incomes and refreshings from the Lord
Which now I feel.' And in the spirit which
These words a little pictured, Robinson,
Past to the presence of that Holy One
For whom he laboured, and in whom he died.
Then Stevenson, another faithful steward
And servant of the Lamb, was ushered from
Deep scenes of suffering into scenes of joy.
But Mary Dyer, who was all prepared,
To join these martyrs in their heavenward flight,
Was left a little longer upon earth.
But a few fleeting months had rolled away,
Ere this devoted woman felt constrained,
Again to go among the Puritans,
In Massachusetts, and in Boston too.
And here she stands! the second time, upon
A gallows of New England. No reprieve
Arrests her sentence now. But still she feels
The same sweet incomes, and refreshing streams
From the Lord's Holy Spirit. In the midst
Of that excited multitude, she seems
The most resigned and peaceful.—But the deed
Is now accomplished, and the scene is closed!
Among the faithful martyrs of the Lamb,
Gathered forever round His Holy Throne,
She doubtless wears a pure and spotless robe,
And bears the palm of victory.
The blood of Leddra was soon after shed,
Which closed the scene of martyrdom among
The early Quakers in this colony,
But not the scene of suffering. Women were
Dragged through its towns half-naked, tied to carts,
While the lash fell upon their unclothed backs,
290
And bloody streets, showed where they past along.
And such inhuman treatment was bestowed
On the first female minister of Christ,
Who preached the doctrine of his inward Light.
But in New England, there was really found
A refuge from oppression, justice reigned
Upon Rhode Island. In that early day,
The rights of conscience were held sacred there,
And persecution was a thing unknown.
A bright example, as a governor,
Was William Coddington. He loved the law—
The perfect law of righteousness—and strove
To govern by it; and all faithful Friends
Felt him a brother in the blessed Truth.
In North America, the Puritans
Stood not alone in efforts to prevent
The introduction and the spread of light.
The Dutch plantation of New Amsterdam,
Sustained a measure of the evil work.
The savage cruelties inflicted on
The faithful Hodgson, have few parallels
In any age or country; but the Lord
Was with His servant in the midst of all,
And healed his tortured and his mangled frame.
The early Friends were bright and shining stars,
For they reflected the clear holy light
The Sun of Righteousness bestowed on them.
They followed no deceiving, transient glare—
No ignis fatuus of bewildered minds;
They followed Jesus in the holiness
Of His unchanging Gospel. They endured
Stripes and imprisonment and pillories,
Torture and slavery and banishment,
And even death; but they would not forsake
Their Holy Leader, or His blessed cause.
Their patient suffering, and firm steadfastness,
Secured a rich inheritance for those
Who have succeeded them. Do these now feel
That firm devotion to the cause of Truth—That
singleheartedness their fathers felt?
Do they appreciate the price and worth
Of the great legacy and precious trust
291
Held for their children? The great cruelties
Borne by the fathers, have not been entailed
On their descendants, who now dwell at ease.
The world does not revile them. Do not some
Love it the more for this? and do they not
Make more alliance with it, and partake
More and more freely of its tempting baits,
Its fashions and its spirit? but are these
More pure and holy than they were of old,
When in the light of Truth, their fathers saw
That deep corruption overspread the world?
Other professors latterly have learned
To speak of Quakers with less bitterness
Than when the name reproachfully was cast
In ridicule upon them. Has not this
Drawn watchmen from the citadel of Truth?
Has it not opened doors that had been closed,
And should have been forever? And by these,
Has not an enemy been stealing in,
To spoil the goods of many; to assail,
And strive in secrecy to gather strength,
To overcome the citadel at last?
Is it not thought illiberal to refuse
Alliances with those who now profess
Respect and friendship? Must the Quaker then
Bow in the house of Rimmon, saying, Lord
Pardon in this thy servant? Do not some
Fail to resist encroachments, when they come
Clothed in enticing words, and wear the guise
Of charity and kindness, and are veiled,
Or sweetened to the taste, by courtesy?
But is a snare less certain, when concealed
By some enticing bait? or is a ball
Less sure and fatal, when it flies unheard,
Or, when the hand that sends it is unseen,
Or offers friendship? Did not Joab say,
'Art thou in health my brother?' and appeared
To kiss Amasa, while he thrust his sword
Into his life-blood? And when Jonas fled
From the Lord's service, and the stormy waves
Threatened the ship that bore him, was the cause
Not found within it? Was there not a calm
292
When he, whose disobedience to the Lord
Had raised the tempest, was no longer there?
Truth has a standard openly displayed,
Untorn—unsullied. Man indeed may change,
And may forsake it; but the Standard still
Remains immutable. May all who love
This Holy Banner, rally to it now!
May all whose dwellings are upon the sand,
Seek for a building on that living Rock,
Which stands forever;—for a storm has come—
A storm that tries foundations! Even now,
The flooding rains are falling, and the winds
Rapidly rising to a tempest, beat
Upon all dwellings. They alone can stand
Which have the Rock beneath them, and above
The Omnipresent and Omnipotent
Creator and Defender of His Church!
~ Anonymous Americas,#NFDB
408:Upon Appleton House, To My Lord Fairfax
Within this sober Frame expect
Work of no Forrain Architect;
That unto Caves the Quarries drew,
And Forrests did to Pastures hew;
Who of his great Design in pain
Did for a Model vault his Brain,
Whose Columnes should so high be rais'd
To arch the Brows that on them gaz'd.
Why should of all things Man unrul'd
Such unproportion'd dwellings build?
The Beasts are by their Denns exprest:
And Birds contrive an equal Nest;
The low roof'd Tortoises do dwell
In cases fit of Tortoise-shell:
No Creature loves an empty space;
Their Bodies measure out their Place.
But He, superfluously spread,
Demands more room alive then dead.
And in his hollow Palace goes
Where Winds as he themselves may lose.
What need of all this Marble Crust
T'impark the wanton Mose of Dust,
That thinks by Breadth the World t'unite
Though the first Builders fail'd in Height?
But all things are composed here
Like Nature, orderly and near:
In which we the Dimensions find
Of that more sober Age and Mind,
When larger sized Men did stoop
To enter at a narrow loop;
As practising, in doors so strait,
To strain themselves through Heavens Gate.
And surely when the after Age
Shall hither come in Pilgrimage,
These sacred Places to adore,
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By Vere and Fairfax trod before,
Men will dispute how their Extent
Within such dwarfish Confines went:
And some will smile at this, as well
As Romulus his Bee-like Cell.
Humility alone designs
Those short but admirable Lines,
By which, ungirt and unconstrain'd,
Things greater are in less contain'd.
Let others vainly strive t'immure
The Circle in the Quadrature!
These holy Mathematics can
In ev'ry Figure equal Man.
Yet thus the laden House does sweat,
And scarce indures the Master great:
But where he comes the swelling Hall
Stirs, and the Square grows Spherical;
More by his Magnitude distrest,
Then he is by its straitness prest:
And too officiously it slights
That in it self which him delights.
So Honour better Lowness bears,
Then That unwonted Greatness wears
Height with a certain Grace does bend,
But low Things clownishly ascend.
And yet what needs there here Excuse,
Where ev'ry Thing does answer Use?
Where neatness nothing can condemn,
Nor Pride invent what to contemn?
A Stately Frontispice Of Poor
Adorns without the open Door:
Nor less the Rooms within commends
Daily new Furniture Of Friends.
The House was built upon the Place
Only as for a Mark Of Grace;
And for an Inn to entertain
Its Lord a while, but not remain.
189
Him Bishops-Hill, or Denton may,
Or Bilbrough, better hold then they:
But Nature here hath been so free
As if she said leave this to me.
Art would more neatly have defac'd
What she had laid so sweetly wast;
In fragrant Gardens, shaddy Woods,
Deep Meadows, and transparent Floods.
While with slow Eyes we these survey,
And on each pleasant footstep stay,
We opportunly may relate
The progress of this Houses Fate.
A Nunnery first gave it birth.
For Virgin Buildings oft brought forth.
And all that Neighbour-Ruine shows
The Quarries whence this dwelling rose.
Near to this gloomy Cloysters Gates
There dwelt the blooming Virgin Thwates,
Fair beyond Measure, and an Heir
Which might Deformity make fair.
And oft She spent the Summer Suns
Discoursing with the Suttle Nuns.
Whence in these Words one to her weav'd,
(As 'twere by Chance) Thoughts long conceiv'd.
"Within this holy leisure we
"Live innocently as you see.
"these Walls restrain the World without,
"But hedge our Liberty about.
"These Bars inclose the wider Den
"Of those wild Creatures, called Men.
"The Cloyster outward shuts its Gates,
"And, from us, locks on them the Grates.
"Here we, in shining Armour white,
"Like Virgin Amazons do fight.
"And our chast Lamps we hourly trim,
"Lest the great Bridegroom find them dim.
"Our Orient Breaths perfumed are
"With insense of incessant Pray'r.
190
"And Holy-water of our Tears
"Most strangly our complexion clears.
"Not Tears of Grief; but such as those
"With which calm Pleasure overflows;
"Or Pity, when we look on you
"That live without this happy Vow.
"How should we grieve that must be seen
"Each one a Spouse, and each a Queen;
"And can in Heaven hence behold
"Our brighter Robes and Crowns of Gold?
"When we have prayed all our Beads,
"Some One the holy Legend reads;
"While all the rest with Needles paint
"The Face and Graces of the Saint.
"But what the Linnen can't receive
"They in their Lives do interweave
"This work the Saints best represents;
"That serves for Altar's Ornaments.
"But much it to our work would add
"If here your hand, your Face we had:
"By it we would our Lady touch;
"Yet thus She you resembles much.
"Some of your Features, as we sow'd,
"Through ev'ry Shrine should be bestow'd.
"And in one Beauty we would take
"Enough a thousand Saints to make.
"And (for I dare not quench the Fire
"That me does for your good inspire)
"'Twere Sacriledge a Mant t'admit
"To holy things, for Heaven fit.
"I see the Angels in a Crown
"On you the Lillies show'ring down:
"And round about you Glory breaks,
"That something more then humane speaks.
"All Beauty, when at such a height,
"Is so already consecrate.
"Fairfax I know; and long ere this
191
"Have mark'd the Youth, and what he is.
"But can he such a Rival seem
"For whom you Heav'n should disesteem?
"Ah, no! and 'twould more Honour prove
"He your Devoto were, then Love.
Here live beloved, and obey'd:
Each one your Sister, each your Maid.
"And, if our Rule seem strictly pend,
"The Rule it self to you shall bend.
"Our Abbess too, now far in Age,
"Doth your succession near presage.
"How soft the yoke on us would lye,
"Might such fair Hands as yours it tye!
"Your voice, the sweetest of the Quire,
"Shall draw Heav'n nearer, raise us higher.
"And your Example, if our Head,
"Will soon us to perfection lead.
"Those Virtues to us all so dear,
"Will straight grow Sanctity when here:
"And that, once sprung, increase so fast
"Till Miracles it work at last.
"Nor is our Order yet so nice,
"Delight to banish as a Vice.
"Here Pleasure Piety doth meet;
"One perfecting the other Sweet.
"So through the mortal fruit we boyl
"The Sugars uncorrupting Oyl:
"And that which perisht while we pull,
"Is thus preserved clear and full.
"For such indeed are all our Arts;
"Still handling Natures finest Parts.
"Flow'rs dress the Altars; for the Clothes,
"The Sea-born Amber we compose;
"Balms for the griv'd we draw; and pasts
"We mold, as Baits for curious tasts.
"What need is here of Man? unless
"These as sweet Sins we should confess.
192
"Each Night among us to your side
"Appoint a fresh and Virgin Bride;
"Whom if Our Lord at midnight find,
"Yet Neither should be left behind.
"Where you may lye as chast in Bed,
"As Pearls together billeted.
"All Night embracing Arm in Arm,
"Like Chrystal pure with Cotton warm.
"But what is this to all the store
"Of Joys you see, and may make more!
"Try but a while, if you be wise:
"The Tryal neither Costs, nor Tyes.
Now Fairfax seek her promis'd faith:
Religion that dispensed hath;
Which She hence forward does begin;
The Nuns smooth Tongue has suckt her in.
Oft, though he knew it was in vain,
Yet would he valiantly complain.
"Is this that Sanctity so great,
"An Art by which you finly'r cheat
"Hypocrite Witches, hence Avant,
"Who though in prison yet inchant!
"Death only can such Theeves make fast,
"As rob though in the Dungeon cast.
"Were there but, when this House was made,
"One Stone that a just Hand had laid,
"It must have fall'n upon her Head
"Who first Thee from thy Faith misled.
"And yet, how well soever ment,
"With them 'twould soon grow fraudulent
"For like themselves they alter all,
"And vice infects the very Wall.
"But sure those Buildings last not long,
"Founded by Folly, kept by Wrong.
"I know what Fruit their Gardens yield,
"When they it think by Night conceal'd.
"Fly from their Vices. 'Tis thy state,
"Not Thee, that they would consecrate.
193
"Fly from their Ruine. How I fear
"Though guiltless lest thou perish there.
What should he do? He would respect
Religion, but not Right neglect:
For first Religion taught him Right,
And dazled not but clear'd his sight.
Sometimes resolv'd his Sword he draws,
But reverenceth then the Laws:
"For Justice still that Courage led;
First from a Judge, then Souldier bred.
Small Honour would be in the Storm.
The Court him grants the lawful Form;
Which licens'd either Peace or Force,
To hinder the unjust Divorce.
Yet still the Nuns his Right debar'd,
Standing upon their holy Guard.
Ill-counsell'd Women, do you know
Whom you resist, or what you do?
Is not this he whose Offspring fierce
Shall fight through all the Universe;
And with successive Valour try
France, Poland, either Germany;
Till one, as long since prophecy'd,
His Horse through conquer'd Britain ride?
Yet, against Fate, his Spouse they kept;
And the great Race would intercept.
Some to the Breach against their Foes
Their Wooden Saints in vain oppose
Another bolder stands at push
With their old Holy-Water Brush.
While the disjointed Abbess threads
The gingling Chain-shot of her Beads.
But their lowd'st Cannon were their Lungs;
And sharpest Weapons were their Tongues.
But, waving these aside like Flyes,
Young Fairfax through the Wall does rise.
Then th' unfrequented Vault appear'd,
194
And superstitions vainly fear'd.
The Relicks False were set to view;
Only the Jewels there were true.
But truly bright and holy Thwaites
That weeping at the Altar waites.
But the glad Youth away her bears,
And to the Nuns bequeaths her Tears:
Who guiltily their Prize bemoan,
Like Gipsies that a Child hath stoln.
Thenceforth (as when th' Inchantment ends
The Castle vanishes or rends)
The wasting Cloister with the rest
Was in one instant dispossest.
At the demolishing, this Seat
To Fairfax fell as by Escheat.
And what both Nuns and Founders will'd
'Tis likely better thus fulfill'd,
For if the Virgin prov'd not theirs,
The Cloyster yet remained hers.
Though many a Nun there made her vow,
'Twas no Religious-House till now.
From that blest Bed the Heroe came,
Whom France and Poland yet does fame:
Who, when retired here to Peace,
His warlike Studies could not cease;
But laid these Gardens out in sport
In the just Figure of a Fort;
And with five Bastions it did fence,
As aiming one for ev'ry Sense.
When in the East the Morning Ray
Hangs out the Colours of the Day,
The Bee through these known Allies hums,
Beating the Dian with its Drumms.
Then Flow'rs their drowsie Eylids raise,
Their Silken Ensigns each displayes,
And dries its Pan yet dank with Dew,
And fills its Flask with Odours new.
195
These, as their Governour goes by,
In fragrant Vollyes they let fly;
And to salute their Governess
Again as great a charge they press:
None for the Virgin Nymph; for She
Seems with the Flow'rs a Flow'r to be.
And think so still! though not compare
With Breath so sweet, or Cheek so faire.
Well shot ye Fireman! Oh how sweet,
And round your equal Fires do meet;
Whose shrill report no Ear can tell,
But Ecchoes to the Eye and smell.
See how the Flow'rs, as at Parade,
Under their Colours stand displaid:
Each Regiment in order grows,
That of the Tulip Pinke and Rose.
But when the vigilant Patroul
Of Stars walks round about the Pole,
Their Leaves, that to the stalks are curl'd,
Seem to their Staves the Ensigns furl'd.
Then in some Flow'rs beloved Hut
Each Bee as Sentinel is shut;
And sleeps so too: but, if once stir'd,
She runs you through, or askes The Word.
Oh Thou, that dear and happy Isle
The Garden of the World ere while,
Thou Paradise of four Seas,
Which Heaven planted us to please,
But, to exclude the World, did guard
With watry if not flaming Sword;
What luckless Apple did we tast,
To make us Mortal, and The Wast.
Unhappy! shall we never more
That sweet Milltia restore,
When Gardens only had their Towrs,
And all the Garrisons were Flow'rs,
When Roses only Arms might bear,
And Men did rosie Garlands wear?
196
Tulips, in several Colours barr'd,
Were then the Switzers of our Guard.
The Gardiner had the Souldiers place,
And his more gentle Forts did trace.
The Nursery of all things green
Was then the only Magazeen.
The Winter Quarters were the Stoves,
Where he the tender Plants removes.
But War all this doth overgrow:
We Ord'nance Plant and Powder sow.
And yet their walks one on the Sod
Who, had it pleased him and God,
Might once have made our Gardens spring
Fresh as his own and flourishing.
But he preferr'd to the Cinque Ports
These five imaginary Forts:
And, in those half-dry Trenches, spann'd
Pow'r which the Ocean might command.
For he did, with his utmost Skill,
Ambition weed, but Conscience till.
Conscience, that Heaven-nursed Plant,
Which most our Earthly Gardens want.
A prickling leaf it bears, and such
As that which shrinks at ev'ry touch;
But Flow'rs eternal, and divine,
That in the Crowns of Saints do shine.
The sight does from these Bastions ply,
Th' invisible Artilery;
And at proud Cawood Castle seems
To point the Battery of its Beams.
As if it quarrell'd in the Seat
Th' Ambition of its Prelate great.
But ore the Meads below it plays,
Or innocently seems to gaze.
And now to the Abbyss I pass
Of that unfathomable Grass,
Where Men like Grashoppers appear,
197
But Grashoppers are Gyants there:
They, in there squeking Laugh, contemn
Us as we walk more low then them:
And, from the Precipices tall
Of the green spir's, to us do call.
To see Men through this Meadow Dive,
We wonder how they rise alive.
As, under Water, none does know
Whether he fall through it or go.
But, as the Marriners that sound,
And show upon their Lead the Ground,
They bring up Flow'rs so to be seen,
And prove they've at the Bottom been.
No Scene that turns with Engines strange
Does oftner then these Meadows change,
For when the Sun the Grass hath vext,
The tawny Mowers enter next;
Who seem like Israaliies to be,
Walking on foot through a green Sea.
To them the Grassy Deeps divide,
And crowd a Lane to either Side.
With whistling Sithe, and Elbow strong,
These Massacre the Grass along:
While one, unknowing, carves the Rail,
Whose yet unfeather'd Quils her fail.
The Edge all bloody from its Breast
He draws, and does his stroke detest;
Fearing the Flesh untimely mow'd
To him a Fate as black forebode.
But bloody Thestylis, that waites
To bring the mowing Camp their Cates,
Greedy as Kites has trust it up,
And forthwith means on it to sup:
When on another quick She lights,
And cryes, he call'd us Israelites;
But now, to make his saying true,
Rails rain for Quails, for Manna Dew.
198
Unhappy Birds! what does it boot
To build below the Grasses Root;
When Lowness is unsafe as Hight,
And Chance o'retakes what scapeth spight?
And now your Orphan Parents Call
Sounds your untimely Funeral.
Death-Trumpets creak in such a Note,
And 'tis the Sourdine in their Throat.
Or sooner hatch or higher build:
The Mower now commands the Field;
In whose new Traverse seemeth wrought
A Camp of Battail newly fought:
Where, as the Meads with Hay, the Plain
Lyes quilted ore with Bodies slain:
The Women that with forks it filing,
Do represent the Pillaging.
And now the careless Victors play,
Dancing the Triumphs of the Hay;
Where every Mowers wholesome Heat
Smells like an Alexanders Sweat.
Their Females fragrant as the Mead
Which they in Fairy Circles tread:
When at their Dances End they kiss,
Their new-made Hay not sweeter is.
When after this 'tis pil'd in Cocks,
Like a calm Sea it shews the Rocks:
We wondring in the River near
How Boats among them safely steer.
Or, like the Desert Memphis Sand,
Short Pyramids of Hay do stand.
And such the Roman Camps do rise
In Hills for Soldiers Obsequies.
This Scene again withdrawing brings
A new and empty Face of things;
A levell'd space, as smooth and plain,
As Clothes for Lilly strecht to stain.
The World when first created sure
Was such a Table rase and pure.
199
Or rather such is the Toril
Ere the Bulls enter at Madril.
For to this naked equal Flat,
Which Levellers take Pattern at,
The Villagers in common chase
Their Cattle, which it closer rase;
And what below the Sith increast
Is pincht yet nearer by the Breast.
Such, in the painted World, appear'd
Davenant with th'Universal Heard.
They seem within the polisht Grass
A landskip drawen in Looking-Glass.
And shrunk in the huge Pasture show
As spots, so shap'd, on Faces do.
Such Fleas, ere they approach the Eye,
In Multiplyiug Glasses lye.
They feed so wide, so slowly move,
As Constellatious do above.
Then, to conclude these pleasant Acts,
Denton sets ope its Cataracts;
And makes the Meadow truly be
(What it but seem'd before) a Sea.
For, jealous of its Lords long stay,
It try's t'invite him thus away.
The River in it self is drown'd,
And Isl's th' astonish Cattle round.
Let others tell the Paradox,
How Eels now bellow in the Ox;
How Horses at their Tails do kick,
Turn'd as they hang to Leeches quick;
How Boats can over Bridges sail;
And Fishes do the Stables scale.
How Salmons trespassing are found;
And Pikes are taken in the Pound.
But I, retiring from the Flood,
Take Sanctuary in the Wood;
And, while it lasts, my self imbark
200
In this yet green, yet growing Ark;
Where the first Carpenter might best
Fit Timber for his Keel have Prest.
And where all Creatures might have shares,
Although in Armies, not in Paires.
The double Wood of ancient Stocks
Link'd in so thick, an Union locks,
It like two Pedigrees appears,
On one hand Fairfax, th' other Veres:
Of whom though many fell in War,
Yet more to Heaven shooting are:
And, as they Natures Cradle deckt,
Will in green Age her Hearse expect.
When first the Eye this Forrest sees
It seems indeed as Wood not Trees:
As if their Neighbourhood so old
To one great Trunk them all did mold.
There the huge Bulk takes place, as ment
To thrust up a Fifth Element;
And stretches still so closely wedg'd
As if the Night within were hedg'd.
Dark all without it knits; within
It opens passable and thin;
And in as loose an order grows,
As the Corinthean Porticoes.
The Arching Boughs unite between
The Columnes of the Temple green;
And underneath the winged Quires
Echo about their tuned Fires.
The Nightingale does here make choice
To sing the Tryals of her Voice.
Low Shrubs she sits in, and adorns
With Musick high the squatted Thorns.
But highest Oakes stoop down to hear,
And listning Elders prick the Ear.
The Thorn, lest it should hurt her, draws
Within the Skin its shrunken claws.
201
But I have for my Musick found
A Sadder, yet more pleasing Sound:
The Stock-doves whose fair necks are grac'd
With Nuptial Rings their Ensigns chast;
Yet always, for some Cause unknown,
Sad pair unto the Elms they moan.
O why should such a Couple mourn,
That in so equal Flames do burn!
Then as I carless on the Bed
Of gelid Straw-berryes do tread,
And through the Hazles thick espy
The hatching Thrastles shining Eye,
The Heron from the Ashes top,
The eldest of its young lets drop,
As if it Stork-like did pretend
That Tribute to its Lord to send.
But most the Hewel's wonders are,
Who here has the Holt-felsters care.
He walks still upright from the Root,
Meas'ring the Timber with his Foot;
And all the way, to keep it clean,
Doth from the Bark the Wood-moths glean.
He, with his Beak, examines well
Which fit to stand and which to fell.
The good he numbers up, and hacks;
As if he mark'd them with the Ax.
But where he, tinkling with his Beak,
Does find the hollow Oak to speak,
That for his building he designs,
And through the tainted Side he mines.
Who could have thought the tallest Oak
Should fall by such a feeble Strok'!
Nor would it, had the Tree not fed
A Traitor-worm, within it bred.
(As first our Flesh corrupt within
Tempts impotent and bashful Sin.
And yet that Worm triumphs not long,
But serves to feed the Hewels young.
202
While the Oake seems to fall content,
Viewing the Treason's Punishment.
Thus I, easie Philosopher,
Among the Birds and Trees confer:
And little now to make me, wants
Or of the Fowles, or of the Plants.
Give me but Wings as they, and I
Streight floting on the Air shall fly:
Or turn me but, and you shall see
I was but an inverted Tree.
Already I begin to call
In their most-learned Original:
And where I Language want,my Signs
The Bird upon the Bough divines;
And more attentive there doth sit
Then if She were with Lime-twigs knit.
No Leaf does tremble in the Wind
Which I returning cannot find.
Out of these scatter'd Sibyls Leaves
Strange Prophecies my Phancy weaves:
And in one History consumes,
Like Mexique Paintings, all the Plumes.
What Rome, Greece, Palestine, ere said
I in this light Mosaick read.
Thrice happy he who, not mistook,
Hath read in Natures mystick Book.
And see how Chance's better Wit
Could with a Mask my studies hit!
The Oak-Leaves me embroyder all,
Between which Caterpillars crawl:
And Ivy, with familiar trails,
Me licks, and clasps, and curles, and hales.
Under this antick Cope I move
Like some great Prelate of the Grove,
Then, languishing with ease, I toss
On Pallets swoln of Velvet Moss;
While the Wind, cooling through the Boughs,
203
Flatters with Air my panting Brows.
Thanks for my Rest ye Mossy Banks,
And unto you cool Zephyr's Thanks,
Who, as my Hair, my Thoughts too shed,
And winnow from the Chaff my Head.
How safe, methinks, and strong, behind
These Trees have I incamp'd my Mind;
Where Beauty, aiming at the Heart,
Bends in some Tree its useless Dart;
And where the World no certain Shot
Can make, or me it toucheth not.
But I on it securely play,
And gaul its Horsemen all the Day.
Bind me ye Woodbines in your 'twines,
Curle me about ye gadding Vines,
And Oh so close your Circles lace,
That I may never leave this Place:
But, lest your Fetters prove too weak,
Ere I your Silken Bondage break,
Do you, O Brambles, chain me too,
And courteous Briars nail me though.
Here in the Morning tye my Chain,
Where the two Woods have made a Lane;
While, like a Guard on either side,
The Trees before their Lord divide;
This, like a long and equal Thread,
Betwixt two Labyrinths does lead.
But, where the Floods did lately drown,
There at the Ev'ning stake me down.
For now the Waves are fal'n and dry'd,
And now the Meadows fresher dy'd;
Whose Grass, with moister colour dasht,
Seems as green Silks but newly washt.
No Serpent new nor Crocodile
Remains behind our little Nile;
Unless it self you will mistake,
Among these Meads the only Snake.
204
See in what wanton harmless folds
It ev'ry where the Meadow holds;
And its yet muddy back doth lick,
Till as a Chrystal Mirrour slick;
Where all things gaze themselves, and doubt
If they be in it or without.
And for his shade which therein shines,
Narcissus like, the Sun too pines.
Oh what a Pleasure 'tis to hedge
My Temples here with heavy sedge;
Abandoning my lazy Side,
Stretcht as a Bank unto the Tide;
Or to suspend my sliding Foot
On the Osiers undermined Root,
And in its Branches tough to hang,
While at my Lines the Fishes twang!
But now away my Hooks, my Quills,
And Angles, idle Utensils.
The Young Maria walks to night:
Hide trifling Youth thy Pleasures slight.
'Twere shame that such judicious Eyes
Should with such Toyes a Man surprize;
She that already is the Law
Of all her Sex, her Ages Aw.
See how loose Nature, in respect
To her, it self doth recollect;
And every thing so whisht and fine,
Starts forth with to its Bonne Mine.
The Sun himself, of Her aware,
Seems to descend with greater Care,
And lest She see him go to Bed,
In blushing Clouds conceales his Head.
So when the Shadows laid asleep
From underneath these Banks do creep,
And on the River as it flows
With Eben Shuts begin to close;
The modest Halcyon comes in sight,
Flying betwixt the Day and Night;
205
And such an horror calm and dumb,
Admiring Nature does benum.
The viscous Air, wheres'ere She fly,
Follows and sucks her Azure dy;
The gellying Stream compacts below,
If it might fix her shadow so;
The Stupid Fishes hang, as plain
As Flies in Chrystal overt'ane,
And Men the silent Scene assist,
Charm'd with the saphir-winged Mist.
Maria such, and so doth hush
The World, and through the Ev'ning rush.
No new-born Comet such a Train
Draws through the Skie, nor Star new-slain.
For streight those giddy Rockets fail,
Which from the putrid Earth exhale,
But by her Flames, in Heaven try'd,
Nature is wholly Vitrifi'd.
'Tis She that to these Gardens gave
That wondrous Beauty which they have;
She streightness on the Woods bestows;
To Her the Meadow sweetness owes;
Nothing could make the River be
So Chrystal-pure but only She;
She yet more Pure, Sweet, Streight, and Fair,
Then Gardens, Woods, Meads, Rivers are.
Therefore what first She on them spent,
They gratefully again present.
The Meadow Carpets where to tread;
The Garden Flow'rs to Crown Her Head;
And for a Glass the limpid Brook,
Where She may all her Beautyes look;
But, since She would not have them seen,
The Wood about her draws a Skreen.
For She, to higher Beauties rais'd,
Disdains to be for lesser prais'd.
She counts her Beauty to converse
206
In all the Languages as hers;
Not yet in those her self imployes
But for the Wisdome, not the Noyse;
Nor yet that Wisdome would affect,
But as 'tis Heavens Dialect.
Blest Nymph! that couldst so soon prevent
Those Trains by Youth against thee meant;
Tears (watry Shot that pierce the Mind;)
And Sighs (Loves Cannon charg'd with Wind;)
True Praise (That breaks through all defence;)
And feign'd complying Innocence;
But knowing where this Ambush lay,
She scap'd the safe, but roughest Way.
This 'tis to have been from the first
In a Domestick Heaven nurst,
Under the Discipline severe
Of Fairfax, and the starry Vere;
Where not one object can come nigh
But pure, and spotless as the Eye;
And Goodness doth it self intail
On Females, if there want a Male.
Go now fond Sex that on your Face
Do all your useless Study place,
Nor once at Vice your Brows dare knit
Lest the smooth Forehead wrinkled sit
Yet your own Face shall at you grin,
Thorough the Black-bag of your Skin;
When knowledge only could have fill'd
And Virtue all those Furows till'd.
Hence She with Graces more divine
Supplies beyond her Sex the Line;
And, like a sprig of Misleto,
On the Fairfacian Oak does grow;
Whence, for some universal good,
The Priest shall cut the sacred Bud;
While her glad Parents most rejoice,
And make their Destiny their Choice.
207
Mean time ye Fields, Springs, Bushes, Flow'rs,
Where yet She leads her studious Hours,
(Till Fate her worthily translates,
And find a Fairfax for our Thwaites)
Employ the means you have by Her,
And in your kind your selves preferr;
That, as all Virgins She preceds,
So you all Woods, Streams, Gardens, Meads.
For you Thessalian Tempe's Seat
Shall now be scorn'd as obsolete;
Aranjeuz, as less, disdain'd;
The Bel-Retiro as constrain'd;
But name not the Idalian Grove,
For 'twas the Seat of wanton Love;
Much less the Dead's Elysian Fields,
Yet nor to them your Beauty yields.
'Tis not, what once it was, the World;
But a rude heap together hurl'd;
All negligently overthrown,
Gulfes, Deserts, Precipices, Stone.
Your lesser World contains the same.
But in more decent Order tame;
You Heaven's Center, Nature's Lap.
And Paradice's only Map.
But now the Salmon-Fishers moist
Their Leathern Boats begin to hoist;
And, like Antipodes in Shoes,
Have shod their Heads in their Canoos.
How Tortoise like, but not so slow,
These rational Amphibii go?
Let's in: for the dark Hemisphere
Does now like one of them appear.
~ Andrew Marvell,#NFDB
409:I rode one evening with Count Maddalo
Upon the bank of land which breaks the flow
Of Adria towards Venice: a bare strand
Of hillocks, heaped from ever-shifting sand,
Matted with thistles and amphibious weeds,
Such as from earth's embrace the salt ooze breeds,
Is this; an uninhabited sea-side,
Which the lone fisher, when his nets are dried,
Abandons; and no other object breaks
The waste, but one dwarf tree and some few stakes
Broken and unrepaired, and the tide makes
A narrow space of level sand thereon,
Where 'twas our wont to ride while day went down.
This ride was my delight. I love all waste
And solitary places; where we taste
The pleasure of believing what we see
Is boundless, as we wish our souls to be:
And such was this wide ocean, and this shore
More barren than its billows; and yet more
Than all, with a remembered friend I love
To ride as then I rode;for the winds drove
The living spray along the sunny air
Into our faces; the blue heavens were bare,
Stripped to their depths by the awakening north;
And, from the waves, sound like delight broke forth
Harmonising with solitude, and sent
Into our hearts areal merriment.
So, as we rode, we talked; and the swift thought.
Winging itself with laughter, lingered not,
But flew from brain to brain,such glee was ours.
Charged with light memories of remembered hours.
None slow enough for sadness: till we came
Homeward, which always makes the spirit tame.
This day had been cheerful but cold, and now
The sun was sinking, and the wind also.
Our talk grew somewhat serious, as may be
Talk interrupted with such raillery
As mocks itself, because it cannot scorn
The thoughts it would extinguish:'twas forlorn,
Yet pleasing, such as once, so poets tell,
The devils held within the dales of Hell
Concerning God, freewill and destiny:
Of all that earth has been or yet may be,
All that vain men imagine or believe,
Or hope can paint or suffering may achieve,
We descanted, and I (for ever still
Is it not wise to make the best of ill?)
Argued against despondency, but pride
Made my companion take the darker side.
The sense that he was greater than his kind
Had struck, methinks, his eagle spirit blind
By gazing on its own exceeding light.
Meanwhile the sun paused ere it should alight,
Over the horizon of the mountains;Oh,
How beautiful is sunset, when the glow
Of Heaven descends upon a land like thee,
Thou Paradise of exiles, Italy!
Thy mountains, seas, and vineyards, and the towers
Of cities they encircle!it was ours
To stand on thee, beholding it: and then,
Just where we had dismounted, the Count's men
Were waiting for us with the gondola.
As those who pause on some delightful way
Though bent on pleasant pilgrimage, we stood
Looking upon the evening, and the flood
Which lay between the city and the shore.
Paved with the image of the sky . . . the hoar
And ary Alps towards the North appeared
Through mist, an heaven-sustaining bulwark reared
Between the East and West; and half the sky
Was roofed with clouds of rich emblazonry
Dark purple at the zenith, which still grew
Down the steep West into a wondrous hue
Brighter than burning gold, even to the rent
Where the swift sun yet paused in his descent
Among the many-folded hills: they were
These famous Euganean hills, which bear,
As seen from Lido thro' the harbour piles,
The likeness of a clump of peakd isles
And thenas if the Earth and Sea had been
Dissolved into one lake of fire, were seen
Those mountains towering as from waves of flame
Around the vaporous sun, from which there came
The inmost purple spirit of light, and made
Their very peaks transparent. 'Ere it fade,'
Said my companion, 'I will show you soon
A better station'so, o'er the lagune
We glided; and from that funereal bark
I leaned, and saw the city, and could mark
How from their many isles, in evening's gleam,
Its temples and its palaces did seem
Like fabrics of enchantment piled to Heaven.
I was about to speak, when'We are even
Now at the point I meant,' said Maddalo,
And bade the gondolieri cease to row.
'Look, Julian, on the west, and listen well
If you hear not a deep and heavy bell.'
I looked, and saw between us and the sun
A building on an island; such a one
As age to age might add, for uses vile,
A windowless, deformed and dreary pile;
And on the top an open tower, where hung
A bell, which in the radiance swayed and swung;
We could just hear its hoarse and iron tongue:
The broad sun sunk behind it, and it tolled
In strong and black relief.'What we behold
Shall be the madhouse and its belfry tower,'
Said Maddalo, 'and ever at this hour
Those who may cross the water, hear that bell
Which calls the maniacs, each one from his cell,
To vespers.''As much skill as need to pray
In thanks or hope for their dark lot have they
To their stern maker,' I replied. 'O ho!
You talk as in years past,' said Maddalo.
''Tis strange men change not. You were ever still
Among Christ's flock a perilous infidel,
A wolf for the meek lambsif you can't swim
Beware of Providence.' I looked on him,
But the gay smile had faded in his eye.
'And such,'he cried, 'is our mortality.
And this must be the emblem and the sign
Of what should be eternal and divine!
And like that black and dreary bell, the soul,
Hung in a heaven-illumined tower, must toll
Our thoughts and our desires to meet below
Round the rent heart and prayas madmen do
For what? they know not,till the night of death
As sunset that strange vision, severeth
Our memory from itself, and us from all
We sought and yet were baffled.' I recall
The sense of what he said, although I mar
The force of his expressions. The broad star
Of day meanwhile had sunk behind the hill,
And the black bell became invisible,
And the red tower looked gray, and all between
The churches, ships and palaces were seen
Huddled in gloom;into the purple sea
The orange hues of heaven sunk silently.
We hardly spoke, and soon the gondola
Conveyed me to my lodging by the way.
The following morn was rainy, cold and dim:
Ere Maddalo arose, I called on him,
And whilst I waited with his child I played;
A lovelier toy sweet Nature never made,
A serious, subtle, wild, yet gentle being,
Graceful without design and unforeseeing,
With eyesOh speak not of her eyes!which seem
Twin mirrors of Italian Heaven, yet gleam
With such deep meaning, as we never see
But in the human countenance: with me
She was a special favourite: I had nursed
Her fine and feeble limbs when she came first
To this bleak world; and she yet seemed to know
On second sight her ancient playfellow,
Less changed than she was by six months or so;
For after her first shyness was worn out
We sate there, rolling billiard balls about,
When the Count entered. Salutations past
'The word you spoke last night might well have cast
A darkness on my spiritif man be
The passive thing you say, I should not see
Much harm in the religions and old saws
(Tho' I may never own such leaden laws)
Which break a teachless nature to the yoke:
Mine is another faith'thus much I spoke
And noting he replied not, added: 'See
This lovely child, blithe, innocent and free;
She spends a happy time with little care,
While we to such sick thoughts subjected are
As came on you last nightit is our will
That thus enchains us to permitted ill
We might be otherwisewe might be all
We dream of happy, high, majestical.
Where is the love, beauty, and truth we seek
But in our mind? and if we were not weak
Should we be less in deed than in desire?'
'Ay, if we were not weakand we aspire
How vainly to be strong!' said Maddalo:
'You talk Utopia.' 'It remains to know,'
I then rejoined, 'and those who try may find
How strong the chains are which our spirit bind;
Brittle perchance as straw . . . We are assured
Much may be conquered, much may be endured,
Of what degrades and crushes us. We know
That we have power over ourselves to do
And sufferwhat, we know not till we try;
But something nobler than to live and die
So taught those kings of old philosophy
Who reigned, before Religion made men blind;
And those who suffer with their suffering kind
Yet feel their faith, religion.' 'My dear friend,'
Said Maddalo, 'my judgement will not bend
To your opinion, though I think you might
Make such a system refutation-tight
As far as words go. I knew one like you
Who to this city came some months ago,
With whom I argued in this sort, and he
Is now gone mad,and so he answered me,
Poor fellow! but if you would like to go
We'll visit him, and his wild talk will show
How vain are such aspiring theories.'
'I hope to prove the induction otherwise,
And that a want of that true theory, still,
Which seeks a "soul of goodness" in things ill
Or in himself or others, has thus bowed
His beingthere are some by nature proud,
Who patient in all else demand but this
To love and be beloved with gentleness;
And being scorned, what wonder if they die
Some living death? this is not destiny
But man's own wilful ill.'
As thus I spoke
Servants announced the gondola, and we
Through the fast-falling rain and high-wrought sea
Sailed to the island where the madhouse stands.
We disembarked. The clap of tortured hands,
Fierce yells and howlings and lamentings keen,
And laughter where complaint had merrier been,
Moans, shrieks, and curses, and blaspheming prayers
Accosted us. We climbed the oozy stairs
Into an old courtyard. I heard on high,
Then, fragments of most touching melody,
But looking up saw not the singer there
Through the black bars in the tempestuous air
I saw, like weeds on a wrecked palace growing,
Long tangled locks flung wildly forth, and flowing,
Of those who on a sudden were beguiled
Into strange silence, and looked forth and smiled
Hearing sweet sounds.Then I: 'Methinks there were
A cure of these with patience and kind care,
If music can thus move . . . but what is he
Whom we seek here?' 'Of his sad history
I know but this,' said Maddalo: 'he came
To Venice a dejected man, and fame
Said he was wealthy, or he had been so;
Some thought the loss of fortune wrought him woe;
But he was ever talking in such sort
As you dofar more sadlyhe seemed hurt,
Even as a man with his peculiar wrong,
To hear but of the oppression of the strong,
Or those absurd deceits (I think with you
In some respects, you know) which carry through
The excellent impostors of this earth
When they outface detectionhe had worth,
Poor fellow! but a humourist in his way'
'Alas, what drove him mad?' 'I cannot say:
A lady came with him from France, and when
She left him and returned, he wandered then
About yon lonely isles of desert sand
Till he grew wildhe had no cash or land
Remaining,the police had brought him here
Some fancy took him and he would not bear
Removal; so I fitted up for him
Those rooms beside the sea, to please his whim,
And sent him busts and books and urns for flowers,
Which had adorned his life in happier hours,
And instruments of musicyou may guess
A stranger could do little more or less
For one so gentle and unfortunate:
And those are his sweet strains which charm the weight
From madmen's chains, and make this Hell appear
A heaven of sacred silence, hushed to hear.'
'Nay, this was kind of youhe had no claim,
As the world says''Nonebut the very same
Which I on all mankind were I as he
Fallen to such deep reverse;his melody
Is interruptednow we hear the din
Of madmen, shriek on shriek, again begin;
Let us now visit him; after this strain
He ever communes with himself again,
And sees nor hears not any.' Having said
These words we called the keeper, and he led
To an apartment opening on the sea
There the poor wretch was sitting mournfully
Near a piano, his pale fingers twined
One with the other, and the ooze and wind
Rushed through an open casement, and did sway
His hair, and starred it with the brackish spray;
His head was leaning on a music book,
And he was muttering, and his lean limbs shook;
His lips were pressed against a folded leaf
In hue too beautiful for health, and grief
Smiled in their motions as they lay apart
As one who wrought from his own fervid heart
The eloquence of passion, soon he raised
His sad meek face and eyes lustrous and glazed
And spokesometimes as one who wrote, and thought
His words might move some heart that heeded not,
If sent to distant lands: and then as one
Reproaching deeds never to be undone
With wondering self-compassion; then his speech
Was lost in grief, and then his words came each
Unmodulated, cold, expressionless,
But that from one jarred accent you might guess
It was despair made them so uniform:
And all the while the loud and gusty storm
Hissed through the window, and we stood behind
Stealing his accents from the envious wind
Unseen. I yet remember what he said
Distinctly: such impression his words made.
'Month after month,' he cried, 'to bear this load
And as a jade urged by the whip and goad
To drag life on, which like a heavy chain
Lengthens behind with many a link of pain!
And not to speak my griefO, not to dare
To give a human voice to my despair,
But live and move, and, wretched thing! smile on
As if I never went aside to groan,
And wear this mask of falsehood even to those
Who are most dearnot for my own repose
Alas! no scorn or pain or hate could be
So heavy as that falsehood is to me
But that I cannot bear more altered faces
Than needs must be, more changed and cold embraces,
More misery, disappointment, and mistrust
To own me for their father . . . Would the dust
Were covered in upon my body now!
That the life ceased to toil within my brow!
And then these thoughts would at the least be fled;
Let us not fear such pain can vex the dead.
'What Power delights to torture us? I know
That to myself I do not wholly owe
What now I suffer, though in part I may.
Alas! none strewed sweet flowers upon the way
Where wandering heedlessly, I met pale Pain
My shadow, which will leave me not again
If I have erred, there was no joy in error,
But pain and insult and unrest and terror;
I have not as some do, bought penitence
With pleasure, and a dark yet sweet offence,
For then,if love and tenderness and truth
Had overlived hope's momentary youth,
My creed should have redeemed me from repenting;
But loathd scorn and outrage unrelenting
Met love excited by far other seeming
Until the end was gained . . . as one from dreaming
Of sweetest peace, I woke, and found my state
Such as it is.
'O Thou, my spirit's mate
Who, for thou art compassionate and wise,
Wouldst pity me from thy most gentle eyes
If this sad writing thou shouldst ever see
My secret groans must be unheard by thee,
Thou wouldst weep tears bitter as blood to know
Thy lost friend's incommunicable woe.
'Ye few by whom my nature has been weighed
In friendship, let me not that name degrade
By placing on your hearts the secret load
Which crushes mine to dust. There is one road
To peace and that is truth, which follow ye!
Love sometimes leads astray to misery.
Yet think not though subduedand I may well
Say that I am subduedthat the full Hell
Within me would infect the untainted breast
Of sacred nature with its own unrest;
As some perverted beings think to find
In scorn or hate a medicine for the mind
Which scorn or hate have woundedO how vain!
The dagger heals not but may rend again . . .
Believe that I am ever still the same
In creed as in resolve, and what may tame
My heart, must leave the understanding free,
Or all would sink in this keen agony
Nor dream that I will join the vulgar cry;
Or with my silence sanction tyranny;
Or seek a moment's shelter from my pain
In any madness which the world calls gain,
Ambition or revenge or thoughts as stern
As those which make me what I am; or turn
To avarice or misanthropy or lust . . .
Heap on me soon, O grave, thy welcome dust!
Till then the dungeon may demand its prey,
And Poverty and Shame may meet and say
Halting beside me on the public way
"That love-devoted youth is ourslet's sit
Beside himhe may live some six months yet."
Or the red scaffold, as our country bends,
May ask some willing victim, or ye friends
May fall under some sorrow which this heart
Or hand may share or vanquish or avert;
I am preparedin truth with no proud joy
To do or suffer aught, as when a boy
I did devote to justice and to love
My nature, worthless now! . . .
'I must remove
A veil from my pent mind. 'Tis torn aside!
O, pallid as Death's dedicated bride,
Thou mockery which art sitting by my side,
Am I not wan like thee? at the grave's call
I haste, invited to thy wedding-ball
To greet the ghastly paramour, for whom
Thou hast deserted me . . . and made the tomb
Thy bridal bed . . . But I beside your feet
Will lie and watch ye from my winding sheet
Thus . . . wide awake tho' dead . . . yet stay, O stay!
Go not so soonI know not what I say
Hear but my reasons . . I am mad, I fear,
My fancy is o'erwrought . . thou art not here. . .
Pale art thou, 'tis most true . . but thou art gone,
Thy work is finished . . . I am left alone!
'Nay, was it I who wooed thee to this breast
Which, like a serpent, thou envenomest
As in repayment of the warmth it lent?
Didst thou not seek me for thine own content?
Did not thy love awaken mine? I thought
That thou wert she who said, "You kiss me not
Ever, I fear you do not love me now"
In truth I loved even to my overthrow
Her, who would fain forget these words: but they
Cling to her mind, and cannot pass away.
'You say that I am proudthat when I speak
My lip is tortured with the wrongs which break
The spirit it expresses . . . Never one
Humbled himself before, as I have done!
Even the instinctive worm on which we tread
Turns, though it wound notthen with prostrate head
Sinks in the dusk and writhes like meand dies?
No: wears a living death of agonies!
As the slow shadows of the pointed grass
Mark the eternal periods, his pangs pass
Slow, ever-moving,making moments be
As mine seemeach an immortality!
'That you had never seen menever heard
My voice, and more than all had ne'er endured
The deep pollution of my loathed embrace
That your eyes ne'er had lied love in my face
That, like some maniac monk, I had torn out
The nerves of manhood by their bleeding root
With mine own quivering fingers, so that ne'er
Our hearts had for a moment mingled there
To disunite in horrorthese were not
With thee, like some suppressed and hideous thought
Which flits athwart our musings, but can find
No rest within a pure and gentle mind . . .
Thou sealedst them with many a bare broad word,
And searedst my memory o'er them,for I heard
And can forget not . . . they were ministered
One after one, those curses. Mix them up
Like self-destroying poisons in one cup,
And they will make one blessing which thou ne'er
Didst imprecate for, on me,death.
'It were
A cruel punishment for one most cruel,
If such can love, to make that love the fuel
Of the mind's hell; hate, scorn, remorse, despair:
But mewhose heart a stranger's tear might wear
As water-drops the sandy fountain-stone,
Who loved and pitied all things, and could moan
For woes which others hear not, and could see
The absent with the glance of phantasy,
And with the poor and trampled sit and weep,
Following the captive to his dungeon deep;
Mewho am as a nerve o'er which do creep
The else unfelt oppressions of this earth,
And was to thee the flame upon thy hearth,
When all beside was coldthat thou on me
Shouldst rain these plagues of blistering agony
Such curses are from lips once eloquent
With love's too partial praiselet none relent
Who intend deeds too dreadful for a name
Henceforth, if an example for the same
They seek . . . for thou on me lookedst so, and so
And didst speak thus . . and thus . . . I live to show
How much men bear and die not!
'Thou wilt tell,
With the grimace of hate, how horrible
It was to meet my love when thine grew less;
Thou wilt admire how I could e'er address
Such features to love's work . . . this taunt, though true,
(For indeed Nature nor in form nor hue
Bestowed on me her choicest workmanship)
Shall not be thy defence . . . for since thy lip
Met mine first, years long past, since thine eye kindled
With soft fire under mine, I have not dwindled
Nor changed in mind or body, or in aught
But as love changes what it loveth not
After long years and many trials.
'How vain
Are words! I thought never to speak again,
Not even in secret,not to my own heart
But from my lips the unwilling accents start,
And from my pen the words flow as I write,
Dazzling my eyes with scalding tears . . . my sight
Is dim to see that charactered in vain
On this unfeeling leaf which burns the brain
And eats into it . . . blotting all things fair
And wise and good which time had written there.
'Those who inflict must suffer, for they see
The work of their own hearts, and this must be
Our chastisement or recompenseO child!
I would that thine were like to be more mild
For both our wretched sakes . . . for thine the most
Who feelest already all that thou hast lost
Without the power to wish it thine again;
And as slow years pass, a funereal train
Each with the ghost of some lost hope or friend
Following it like its shadow, wilt thou bend
No thought on my dead memory?
'Alas, love!
Fear me not . . . against thee I would not move
A finger in despite. Do I not live
That thou mayst have less bitter cause to grieve?
I give thee tears for scorn and love for hate;
And that thy lot may be less desolate
Than his on whom thou tramplest, I refrain
From that sweet sleep which medicines all pain.
Then, when thou speakest of me, never say
"He could forgive not." Here I cast away
All human passions, all revenge, all pride;
I think, speak, act no ill; I do but hide
Under these words, like embers, every spark
Of that which has consumed mequick and dark
The grave is yawning . . . as its roof shall cover
My limbs with dust and worms under and over
So let Oblivion hide this grief . . . the air
Closes upon my accents, as despair
Upon my heartlet death upon despair!'
He ceased, and overcome leant back awhile,
Then rising, with a melancholy smile
Went to a sofa, and lay down, and slept
A heavy sleep, and in his dreams he wept
And muttered some familiar name, and we
Wept without shame in his society.
I think I never was impressed so much;
The man who were not, must have lacked a touch
Of human nature . . . then we lingered not,
Although our argument was quite forgot,
But calling the attendants, went to dine
At Maddalo's; yet neither cheer nor wine
Could give us spirits, for we talked of him
And nothing else, till daylight made stars dim;
And we agreed his was some dreadful ill
Wrought on him boldly, yet unspeakable,
By a dear friend; some deadly change in love
Of one vowed deeply which he dreamed not of;
For whose sake he, it seemed, had fixed a blot
Of falsehood on his mind which flourished not
But in the light of all-beholding truth;
And having stamped this canker on his youth
She had abandoned himand how much more
Might be his woe, we guessed nothe had store
Of friends and fortune once, as we could guess
From his nice habits and his gentleness;
These were now lost . . . it were a grief indeed
If he had changed one unsustaining reed
For all that such a man might else adorn.
The colours of his mind seemed yet unworn;
For the wild language of his grief was high,
Such as in measure were called poetry;
And I remember one remark which then
Maddalo made. He said: 'Most wretched men
Are cradled into poetry by wrong,
They learn in suffering what they teach in song.'
If I had been an unconnected man
I, from this moment, should have formed some plan
Never to leave sweet Venice,for to me
It was delight to ride by the lone sea;
And then, the town is silentone may write
Or read in gondolas by day or night,
Having the little brazen lamp alight,
Unseen, uninterrupted; books are there,
Pictures, and casts from all those statues fair
Which were twin-born with poetry, and all
We seek in towns, with little to recall
Regrets for the green country. I might sit
In Maddalo's great palace, and his wit
And subtle talk would cheer the winter night
And make me know myself, and the firelight
Would flash upon our faces, till the day
Might dawn and make me wonder at my stay:
But I had friends in London too: the chief
Attraction here, was that I sought relief
From the deep tenderness that maniac wrought
Within me'twas perhaps an idle thought
But I imagined that if day by day
I watched him, and but seldom went away,
And studied all the beatings of his heart
With zeal, as men study some stubborn art
For their own good, and could by patience find
An entrance to the caverns of his mind,
I might reclaim him from his dark estate:
In friendships I had been most fortunate
Yet never saw I one whom I would call
More willingly my friend; and this was all
Accomplished not; such dreams of baseless good
Oft come and go in crowds or solitude
And leave no tracebut what I now designed
Made for long years impression on my mind.
The following morning, urged by my affairs,
I left bright Venice.
After many years
And many changes I returned; the name
Of Venice, and its aspect, was the same;
But Maddalo was travelling far away
Among the mountains of Armenia.
His dog was dead. His child had now become
A woman; such as it has been my doom
To meet with few,a wonder of this earth,
Where there is little of transcendent worth,
Like one of Shakespeare's women: kindly she,
And, with a manner beyond courtesy,
Received her father's friend; and when I asked
Of the lorn maniac, she her memory tasked,
And told as she had heard the mournful tale:
'That the poor sufferer's health began to fail
Two years from my departure, but that then
The lady who had left him, came again.
Her mien had been imperious, but she now
Looked meekperhaps remorse had brought her low.
Her coming made him better, and they stayed
Together at my father'sfor I played,
As I remember, with the lady's shawl
I might be six years oldbut after all
She left him' . . . 'Why, her heart must have been tough:
How did it end?' 'And was not this enough?
They metthey parted''Child, is there no more?'
'Something within that interval which bore
The stamp of why they parted, how they met:
Yet if thine agd eyes disdain to wet
Those wrinkled cheeks with youth's remembered tears,
Ask me no more, but let the silent years
Be closed and cered over their memory
As yon mute marble where their corpses lie.'
I urged and questioned still, she told me how
All happenedbut the cold world shall not know.
Composed at Este after Shelley's first visit to Venice, 1818 (Autumn); first published in the Posthumous Poems, London, 1824 (ed. Mrs. Shelley). Shelley's original intention had been to print the poem in Leigh Hunt's Examiner; but he changed his mind and, on August 15, 1819, sent the MS. to Hunt to be published anonymously by Ollier. This MS., found by Mr. Townshend Mayer, and by him placed in the hands of Mr. H. Buxton Forman, C.B., is described by him at length in Mr. Forman's Library Edition of the poems (vol. iii., p. 107). The date, 'May, 1819,' affixed to Julian and Maddalo in the P.P., 1824, indicates the time when the text was finally revised by Shelley.
Note by Mrs. Shelley: 'From the Baths of Lucca, in 1818, Shelley visited Venice; and, circumstances rendering it eligible that we should remain a few weeks in the neighbourhood of that city, he accepted the offer of Lord Byron, who lent him the use of a villa he rented near Este; and he sent for his family from Lucca to join him.
I Capuccini was a villa built on the site of a Capuchin convent, demolished when the French suppressed religious houses; it was situated on the very overhanging brow of a low hill at the foot of a range of higher ones. The house was cheerful and pleasant; a vine-trellised walk, a pergola, as it is called in Italian, led from the hall-door to a summer-house at the end of the garden, which Shelley made his study, and in which he began the Prometheus; and here also, as he mentions in a letter, he wrote Julian and Maddalo. A slight ravine, with a road in its depth, divided the garden from the hill, on which stood the ruins of the ancient castle of Este, whose dark massive wall gave forth an echo, and from whose ruined crevices owls and bats flitted forth at night, as the crescent moon sunk behind the black and heavy battlements. We looked from the garden over the wide plain of Lombardy, bounded to the west by the far Apennines, while to the east the horizon was lost in misty distance. After the picturesque but limited view of mountain, ravine, and chestnutwood, at the Baths of Lucca, there was something infinitely gratifying to the eye in the wide range of prospect commanded by our new abode.
~ Percy Bysshe Shelley, Julian and Maddalo - A Conversation
,#NFDB
410:The King's Tragedy
February 1437
James I. Of Scots.—20th
I Catherine am a Douglas born,
A name to all Scots dear;
And Kate Barlass they've called me now
Through many a waning year.
This old arm's withered now. 'Twas once
Most deft 'mong maidens all
To rein the steed, to wing the shaft,
To smite the palm-play ball.
In hall adown the close-linked dance
It has shone most white and fair;
It has been the rest for a true lord's head,
And many a sweet babe's nursing-bed,
And the bar to a King's chambère.
Aye, lasses, draw round Kate Barlass,
And hark with bated breath
How good King James, King Robert's son,
Was foully done to death.
Through all the days of his gallant youth
The princely James was pent,
By his friends at first and then by his foes,
In long imprisonment.
For the elder Prince, the kingdom's heir,
By treason's murderous brood
Was slain; and the father quaked for the child
With the royal mortal blood.
I' the Bass Rock fort, by his father's care,
Was his childhood's life assured;
And Henry the subtle Bolingbroke,
Proud England's King, 'neath the southron yoke
His youth for long years immured.
Yet in all things meet for a kingly man
Himself did he approve;
And the nightingale through his prison-wall
Taught him both lore and love.
For once, when the bird's song drew him close
To the opened window-pane,
In her bower beneath a lady stood,
431
A light of life to his sorrowful mood,
Like a lily amid the rain.
And for her sake, to the sweet bird's note,
He framed a sweeter Song,
More sweet than ever a poet's heart
Gave yet to the English tongue.
She was a lady of royal blood;
And when, past sorrow and teen,
He stood where still through his crownless years
His Scotish realm had been,
At Scone were the happy lovers crowned,
A heart-wed King and Queen.
But the bird may fall from the bough of youth,
And song be turned to moan,
And Love's storm-cloud be the shadow of Hate,
When the tempest-waves of a troubled State
Are beating against a throne.
Yet well they loved; and the god of Love,
Whom well the King had sung,
Might find on the earth no truer hearts
His lowliest swains among.
From the days when first she rode abroad
With Scotish maids in her train,
I Catherine Douglas won the trust
Of my mistress sweet Queen Jane.
And oft she sighed, “To be born a King!”
And oft along the way
When she saw the homely lovers pass
She has said, “Alack the day!”
Years waned,—the loving and toiling years:
Till England's wrong renewed
Drove James, by outrage cast on his crown,
To the open field of feud.
'Twas when the King and his host were met
At the leaguer of Roxbro' hold,
The Queen o' the sudden sought his camp
With a tale of dread to be told.
And she showed him a secret letter writ
That spoke of treasonous strife,
And how a band of his noblest lords
Were sworn to take his life.
“And it may be here or it may be there,
432
In the camp or the court,” she said:
“But for my sake come to your people's arms
And guard your royal head.”
Quoth he, “'Tis the fifteenth day of the siege,
And the castle's nigh to yield.”
“O face your foes on your throne,” she cried,
“And show the power you wield;
And under your Scotish people's love
You shall sit as under your shield.”
At the fair Queen's side I stood that day
When he bade them raise the siege,
And back to his Court he sped to know
How the lords would meet their Liege.
But when he summoned his Parliament,
The louring brows hung round,
Like clouds that circle the mountain-head
Ere the first low thunders sound.
For he had tamed the nobles' lust
And curbed their power and pride,
And reached out an arm to right the poor
Through Scotland far and wide;
And many a lordly wrong-doer
By the headsman's axe had died.
'Twas then upspoke Sir Robert Græme,
The bold o'ermastering man:—
“O King, in the name of your Three Estates
I set you under their ban!
“For, as your lords made oath to you
Of service and fealty,
Even in like wise you pledged your oath
Their faithful sire to be:—
“Yet all we here that are nobly sprung
Have mourned dear kith and kin
Since first for the Scotish Barons' curse
Did your bloody rule begin.”
With that he laid his hands on his King:—
“Is this not so, my lords?”
But of all who had sworn to league with him
Not one spake back to his words.
Quoth the King:—“Thou speak'st but for one Estate,
Nor doth it avow thy gage.
Let my liege lords hale this traitor hence!”
433
The Græme fired dark with rage:—
“Who works for lesser men than himself,
He earns but a witless wage!”
But soon from the dungeon where he lay
He won by privy plots,
And forth he fled with a price on his head
To the country of the Wild Scots.
And word there came from Sir Robert Græme
To the King at Edinbro':—
“No Liege of mine thou art; but I see
From this day forth alone in thee
God's creature, my mortal foe.
“Through thee are my wife and children lost,
My heritage and lands;
And when my God shall show me a way,
Thyself my mortal foe will I slay
With these my proper hands.”
Against the coming of Christmastide
That year the King bade call
I' the Black Friars' Charterhouse of Perth
A solemn festival.
And we of his household rode with him
In a close-ranked company;
But not till the sun had sunk from his throne
Did we reach the Scotish Sea.
That eve was clenched for a boding storm,
'Neath a toilsome moon half seen;
The cloud stooped low and the surf rose high;
And where there was a line of the sky,
Wild wings loomed dark between.
And on a rock of the black beach-side,
By the veiled moon dimly lit,
There was something seemed to heave with life
As the King drew nigh to it.
And was it only the tossing furze
Or brake of the waste sea-wold?
Or was it an eagle bent to the blast?
When near we came, we knew it at last
For a woman tattered and old.
But it seemed as though by a fire within
Her writhen limbs were wrung;
And as soon as the King was close to her,
434
She stood up gaunt and strong.
'Twas then the moon sailed clear of the rack
On high in her hollow dome;
And still as aloft with hoary crest
Each clamorous wave rang home,
Like fire in snow the moonlight blazed
Amid the champing foam.
And the woman held his eyes with her eyes:—
“O King, thou art come at last;
But thy wraith has haunted the Scotish Sea
To my sight for four years past.
“Four years it is since first I met,
'Twixt the Duchray and the Dhu,
A shape whose feet clung close in a shroud,
And that shape for thine I knew.
“A year again, and on Inchkeith Isle
I saw thee pass in the breeze,
With the cerecloth risen above thy feet
And wound about thy knees.
“And yet a year, in the Links of Forth,
As a wanderer without rest,
Thou cam'st with both thine arms i' the shroud
That clung high up thy breast.
“And in this hour I find thee here,
And well mine eyes may note
That the winding-sheet hath passed thy breast
And risen around thy throat.
“And when I meet thee again, O King,
That of death hast such sore drouth,—
Except thou turn again on this shore,—
The winding-sheet shall have moved once more
And covered thine eyes and mouth.
“O King, whom poor men bless for their King,
Of thy fate be not so fain;
But these my words for God's message take,
And turn thy steed, O King, for her sake
Who rides beside thy rein!”
While the woman spoke, the King's horse reared
As if it would breast the sea,
And the Queen turned pale as she heard on the gale
The voice die dolorously.
When the woman ceased, the steed was still,
435
But the King gazed on her yet,
And in silence save for the wail of the sea
His eyes and her eyes met.
At last he said:—“God's ways are His own;
Man is but shadow and dust.
Last night I prayed by His altar-stone;
To-night I wend to the Feast of His Son;
And in Him I set my trust.
“I have held my people in sacred charge,
And have not feared the sting
Of proud men's hate,—to His will resign'd
Who has but one same death for a hind
And one same death for a King.
“And if God in His wisdom have brought close
The day when I must die,
That day by water or fire or air
My feet shall fall in the destined snare
Wherever my road may lie.
“What man can say but the Fiend hath set
Thy sorcery on my path,
My heart with the fear of death to fill,
And turn me against God's very will
To sink in His burning wrath?”
The woman stood as the train rode past,
And moved nor limb nor eye;
And when we were shipped, we saw her there
Still standing against the sky.
As the ship made way, the moon once more
Sank slow in her rising pall;
And I thought of the shrouded wraith of the King,
And I said, “The Heavens know all.”
And now, ye lasses, must ye hear
How my name is Kate Barlass:—
But a little thing, when all the tale
Is told of the weary mass
Of crime and woe which in Scotland's realm
God's will let come to pass.
'Twas in the Charterhouse of Perth
That the King and all his Court
Were met, the Christmas Feast being done,
For solace and disport.
'Twas a wind-wild eve in February,
436
And against the casement-pane
The branches smote like summoning hands,
And muttered the driving rain.
And when the wind swooped over the lift
And made the whole heaven frown,
It seemed a grip was laid on the walls
To tug the housetop down.
And the Queen was there, more stately fair
Than a lily in garden set;
And the King was loth to stir from her side;
For as on the day when she was his bride,
Even so he loved her yet.
And the Earl of Athole, the King's false friend,
Sat with him at the board;
And Robert Stuart the chamberlain
Who had sold his sovereign Lord.
Yet the traitor Christopher Chaumber there
Would fain have told him all,
And vainly four times that night he strove
To reach the King through the hall.
But the wine is bright at the goblet's brim
Though the poison lurk beneath;
And the apples still are red on the tree
Within whose shade may the adder be
That shall turn thy life to death.
There was a knight of the King's fast friends
Whom he called the King of Love;
And to such bright cheer and courtesy
That name might best behove.
And the King and Queen both loved him well
For his gentle knightliness;
And with him the King, as that eve wore on,
Was playing at the chess.
And the King said, (for he thought to jest
And soothe the Queen thereby —
“In a book 'tis writ that this same year
A King shall in Scotland die.
“And I have pondered the matter o'er,
And this have I found, Sir Hugh,—
There are but two Kings on Scotish ground,
And those Kings are I and you.
“And I have a wife and a newborn heir,
437
And you are yourself alone;
So stand you stark at my side with me
To guard our double throne.
“For here sit I and my wife and child,
As well your heart shall approve,
In full surrender and soothfastness,
Beneath your Kingdom of Love.”
And the Knight laughed, and the Queen too smiled;
But I knew her heavy thought,
And I strove to find in the good King's jest
What cheer might thence be wrought.
And I said, “My Liege, for the Queen's dear love
Now sing the song that of old
You made, when a captive Prince you lay,
And the nightingale sang sweet on the spray,
In Windsor's castle-hold.”
Then he smiled the smile I knew so well
When he thought to please the Queen;
The smile which under all bitter frowns
Of fate that rose between
For ever dwelt at the poet's heart
Like the bird of love unseen.
And he kissed her hand and took his harp,
And the music sweetly rang;
And when the song burst forth, it seemed
'Twas the nightingale that sang.
“Worship, ye lovers, on this May:
Of bliss your kalends are begun:
Sing with us, Away, Winter, away!
Come, Summer, the sweet season and sun!
Awake for shame,—your heaven is won,—
And amorously your heads lift all:
Thank Love, that you to his grace doth call!”
But when he bent to the Queen, and sang
The speech whose praise was hers,
It seemed his voice was the voice of the Spring
And the voice of the bygone years.
“The fairest and the freshest flower
That ever I saw before that hour,
The which o' the sudden made to start
The blood of my body to my heart.
Ah sweet, are ye a worldly creature
438
Or heavenly thing in form of nature?”
And the song was long, and richly stored
With wonder and beauteous things;
And the harp was tuned to every change
Of minstrel ministerings;
But when he spoke of the Queen at the last,
Its strings were his own heart-strings.
“Unworthy but only of her grace,
Upon Love's rock that's easy and sure,
In guerdon of all my lovè's space
She took me her humble creäture.
Thus fell my blissful aventure
In youth of love that from day to day
Flowereth aye new, and further I say.
“To reckon all the circumstance
As it happed when lessen gan my sore,
Of my rancour and woful chance,
It were too long,—I have done therefor.
And of this flower I say no more,
But unto my help her heart hath tended
And even from death her man defended.”
“Aye, even from death,” to myself I said;
For I thought of the day when she
Had borne him the news, at Roxbro' siege,
Of the fell confederacy.
But Death even then took aim as he sang
With an arrow deadly bright;
And the grinning skull lurked grimly aloof,
And the wings were spread far over the roof
More dark than the winter night.
Yet truly along the amorous song
Of Love's high pomp and state,
There were words of Fortune's trackless doom
And the dreadful face of Fate.
And oft have I heard again in dreams
The voice of dire appeal
In which the King then sang of the pit
That is under Fortune's wheel.
And under the wheel beheld I there
An ugly Pit as deep as hell,
That to behold I quaked for fear:
And this I heard, that who therein fell
439
Came no more up, tidings to tell:
Whereat, astound of the fearful sight,
I wist not what to do for fright.”
And oft has my thought called up again
These words of the changeful song:—
“Wist thou thy pain and thy travàil
To come, well might'st thou weep and wail!”
And our wail, O God! is long.
But the song's end was all of his love;
And well his heart was grac'd
With her smiling lips and her tear-bright eyes
As his arm went round her waist.
And on the swell of her long fair throat
Close clung the necklet-chain
As he bent her pearl-tir'd head aside,
And in the warmth of his love and pride
He kissed her lips full fain.
And her true face was a rosy red,
The very red of the rose
That, couched on the happy garden-bed,
In the summer sunlight glows.
And all the wondrous things of love
That sang so sweet through the song
Were in the look that met in their eyes,
And the look was deep and long.
'Twas then a knock came at the outer gate,
And the usher sought the King.
“The woman you met by the Scotish Sea,
My Liege, would tell you a thing;
And she says that her present need for speech
Will bear no gainsaying.”
And the King said: “The hour is late;
To-morrow will serve, I ween.”
Then he charged the usher strictly, and said:
“No word of this to the Queen.”
But the usher came again to the King.
“Shall I call her back?” quoth he:
“For as she went on her way, she cried,
‘Woe! Woe! then the thing must be!’”
And the King paused, but he did not speak.
Then he called for the Voidee-cup:
And as we heard the twelfth hour strike,
440
There by true lips and false lips alike
Was the draught of trust drained up.
So with reverence meet to King and Queen,
To bed went all from the board;
And the last to leave of the courtly train
Was Robert Stuart the chamberlain
Who had sold his sovereign lord.
And all the locks of the chamber-door
Had the traitor riven and brast;
And that Fate might win sure way from afar,
He had drawn out every bolt and bar
That made the entrance fast.
And now at midnight he stole his way
To the moat of the outer wall,
And laid strong hurdles closely across
Where the traitors' tread should fall.
But we that were the Queen's bower-maids
Alone were left behind;
And with heed we drew the curtains close
Against the winter wind.
And now that all was still through the hall,
More clearly we heard the rain
That clamoured ever against the glass
And the boughs that beat on the pane.
But the fire was bright in the ingle-nook,
And through empty space around
The shadows cast on the arras'd wall
'Mid the pictured kings stood sudden and tall
Like spectres sprung from the ground.
And the bed was dight in a deep alcove;
And as he stood by the fire
The King was still in talk with the Queen
While he doffed his goodly attire.
And the song had brought the image back
Of many a bygone year;
And many a loving word they said
With hand in hand and head laid to head;
And none of us went anear.
But Love was weeping outside the house,
A child in the piteous rain;
And as he watched the arrow of Death,
He wailed for his own shafts close in the sheath
441
That never should fly again.
And now beneath the window arose
A wild voice suddenly:
And the King reared straight, but the Queen fell back
As for bitter dule to dree;
And all of us knew the woman's voice
Who spoke by the Scotish Sea.
“O King,” she cried, “in an evil hour
They drove me from thy gate;
And yet my voice must rise to thine ears;
But alas! it comes too late!
“Last night at mid-watch, by Aberdour,
When the moon was dead in the skies,
O King, in a death-light of thine own
I saw thy shape arise.
“And in full season, as erst I said,
The doom had gained its growth;
And the shroud had risen above thy neck
And covered thine eyes and mouth.
“And no moon woke, but the pale dawn broke,
And still thy soul stood there;
And I thought its silence cried to my soul
As the first rays crowned its hair.
“Since then have I journeyed fast and fain
In very despite of Fate,
Lest Hope might still be found in God's will:
But they drove me from thy gate.
“For every man on God's ground, O King,
His death grows up from his birth
In a shadow-plant perpetually;
And thine towers high, a black yew-tree,
O'er the Charterhouse of Perth!”
That room was built far out from the house;
And none but we in the room
Might hear the voice that rose beneath,
Nor the tread of the coming doom.
For now there came a torchlight-glare,
And a clang of arms there came;
And not a soul in that space but thought
Of the foe Sir Robert Græme.
Yea, from the country of the Wild Scots,
O'er mountain, valley, and glen,
442
He had brought with him in murderous league
Three hundred armèd men.
The King knew all in an instant's flash;
And like a King did he stand;
But there was no armour in all the room,
Nor weapon lay to his hand.
And all we women flew to the door
And thought to have made it fast;
But the bolts were gone and the bars were gone
And the locks were riven and brast.
And he caught the pale pale Queen in his arms
As the iron footsteps fell,—
Then loosed her, standing alone, and said,
“Our bliss was our farewell!”
And 'twixt his lips he murmured a prayer,
And he crossed his brow and breast;
And proudly in royal hardihood
Even so with folded arms he stood,—
The prize of the bloody quest.
Then on me leaped the Queen like a deer:—
“O Catherine, help!” she cried.
And low at his feet we clasped his knees
Together side by side.
“Oh! even a King, for his people's sake,
From treasonous death must hide!”
“For her sake most!” I cried, and I marked
The pang that my words could wring.
And the iron tongs from the chimney-nook
I snatched and held to the king:—
“Wrench up the plank! and the vault beneath
Shall yield safe harbouring.”
With brows low-bent, from my eager hand
The heavy heft did he take;
And the plank at his feet he wrenched and tore;
And as he frowned through the open floor,
Again I said, “For her sake!”
Then he cried to the Queen, “God's will be done!”
For her hands were clasped in prayer.
And down he sprang to the inner crypt;
And straight we closed the plank he had ripp'd
And toiled to smooth it fair.
(Alas! in that vault a gap once was
443
Wherethro' the King might have fled:
But three days since close-walled had it been
By his will; for the ball would roll therein
When without at the palm he play'd.)
Then the Queen cried, “Catherine, keep the door,
And I to this will suffice!”
At her word I rose all dazed to my feet,
And my heart was fire and ice.
And louder ever the voices grew,
And the tramp of men in mail;
Until to my brain it seemed to be
As though I tossed on a ship at sea
In the teeth of a crashing gale.
Then back I flew to the rest; and hard
We strove with sinews knit
To force the table against the door;
But we might not compass it.
Then my wild gaze sped far down the hall
To the place of the hearthstone-sill;
And the Queen bent ever above the floor,
For the plank was rising still.
And now the rush was heard on the stair,
And “God, what help?” was our cry.
And was I frenzied or was I bold?
I looked at each empty stanchion-hold,
And no bar but my arm had I!
Like iron felt my arm, as through
The staple I made it pass:—
Alack! it was flesh and bone—no more!
'Twas Catherine Douglas sprang to the door,
But I fell back Kate Barlass.
With that they all thronged into the hall,
Half dim to my failing ken;
And the space that was but a void before
Was a crowd of wrathful men.
Behind the door I had fall'n and lay,
Yet my sense was wildly aware,
And for all the pain of my shattered arm
I never fainted there.
Even as I fell, my eyes were cast
Where the King leaped down to the pit;
And lo! the plank was smooth in its place,
444
And the Queen stood far from it.
And under the litters and through the bed
And within the presses all
The traitors sought for the King, and pierced
The arras around the wall.
And through the chamber they ramped and stormed
Like lions loose in the lair,
And scarce could trust to their very eyes,—
For behold! no King was there.
Then one of them seized the Queen, and cried,—
“Now tell us, where is thy lord?”
And he held the sharp point over her heart:
She drooped not her eyes nor did she start,
But she answered never a word.
Then the sword half pierced the true true breast:
But it was the Græme's own son
Cried, “This is a woman,—we seek a man!”
And away from her girdle-zone
He struck the point of the murderous steel;
And that foul deed was not done.
And forth flowed all the throng like a sea
And 'twas empty space once more;
And my eyes sought out the wounded Queen
As I lay behind the door.
And I said: “Dear Lady, leave me here,
For I cannot help you now:
But fly while you may, and none shall reck
Of my place here lying low.”
And she said, “My Catherine, God help thee!”
Then she looked to the distant floor,
And clasping her hands, “O God help him,”
She sobbed, “for we can no more!”
But God He knows what help may mean,
If it mean to live or to die;
And what sore sorrow and mighty moan
On earth it may cost ere yet a throne
Be filled in His house on high.
And now the ladies fled with the Queen;
And through the open door
The night-wind wailed round the empty room
And the rushes shook on the floor.
And the bed drooped low in the dark recess
445
Whence the arras was rent away;
And the firelight still shone over the space
Where our hidden secret lay.
And the rain had ceased, and the moonbeams lit
The window high in the wall,—
Bright beams that on the plank that I knew
Through the painted pane did fall,
And gleamed with the splendour of Scotland's crown
And shield armorial.
But then a great wind swept up the skies
And the climbing moon fell back;
And the royal blazon fled from the floor,
And nought remained on its track;
And high in the darkened window-pane
The shield and the crown were black.
And what I say next I partly saw
And partly I heard in sooth,
And partly since from the murderers' lips
The torture wrung the truth.
For now again came the armèd tread,
And fast through the hall it fell;
But the throng was less; and ere I saw,
By the voice without I could tell
That Robert Stuart had come with them
Who knew that chamber well.
And over the space the Græme strode dark
With his mantle round him flung;
And in his eye was a flaming light
But not a word on his tongue.
And Stuart held a torch to the floor,
And he found the thing he sought;
And they slashed the plank away with their swords;
And O God! I fainted not!
And the traitor held his torch in the gap,
All smoking and smouldering;
And through the vapour and fire, beneath
In the dark crypt's narrow ring,
With a shout that pealed to the room's high roof
They saw their naked King.
Half naked he stood, but stood as one
Who yet could do and dare:
With the crown, the King was stript away,—
446
The Knight was 'reft of his battle-array,—
But still the Man was there.
From the rout then stepped a villain forth,—
Sir John Hall was his name;
With a knife unsheathed he leapt to the vault
Beneath the torchlight-flame.
Of his person and stature was the King
A man right manly strong,
And mightily by the shoulder-blades
His foe to his feet he flung.
Then the traitor's brother, Sir Thomas Hall,
Sprang down to work his worst;
And the King caught the second man by the neck
And flung him above the first.
And he smote and trampled them under him;
And a long month thence they bare
All black their throats with the grip of his hands
When the hangman's hand came there.
And sore he strove to have had their knives,
But the sharp blades gashed his hands.
Oh James! so armed, thou hadst battled there
Till help had come of thy bands;
And oh! once more thou hadst held our throne
And ruled thy Scotish lands!
But while the King o'er his foes still raged
With a heart that nought could tame,
Another man sprang down to the crypt;
And with his sword in his hand hard-gripp'd,
There stood Sir Robert Græme.
(Now shame on the recreant traitor's heart
Who durst not face his King
Till the body unarmed was wearied out
With two-fold combating!
Ah! well might the people sing and say,
As oft ye have heard aright:—
“O Robert Græme, O Robert Græme,
Who slew our King, God give thee shame!”
For he slew him not as a knight.)
And the naked King turned round at bay,
But his strength had passed the goal,
And he could but gasp:—“Mine hour is come;
But oh! to succour thine own soul's doom,
447
Let a priest now shrive my soul!”
And the traitor looked on the King's spent strength,
And said:—“Have I kept my word?—
Yea, King, the mortal pledge that I gave?
No black friar's shrift thy soul shall have,
But the shrift of this red sword!”
With that he smote his King through the breast;
And all they three in that pen
Fell on him and stabbed and stabbed him there
Like merciless murderous men.
Yet seemed it now that Sir Robert Græme,
Ere the King's last breath was o'er,
Turned sick at heart with the deadly sight
And would have done no more.
But a cry came from the troop above:—
“If him thou do not slay,
The price of his life that thou dost spare
Thy forfeit life shall pay!”
O God! what more did I hear or see,
Or how should I tell the rest?
But there at length our King lay slain
With sixteen wounds in his breast.
O God! and now did a bell boom forth,
And the murderers turned and fled;—
Too late, too late, O God, did it sound!—
And I heard the true men mustering round,
And the cries and the coming tread.
But ere they came, to the black death-gap
Somewise did I creep and steal;
And lo! or ever I swooned away,
Through the dusk I saw where the white face lay
In the Pit of Fortune's Wheel.
And now, ye Scotish maids who have heard
Dread things of the days grown old,—
Even at the last, of true Queen Jane
May somewhat yet be told,
And how she dealt for her dear lord's sake
Dire vengeance manifold.
'Twas in the Charterhouse of Perth,
In the fair-lit Death-chapelle,
That the slain King's corpse on bier was laid
With chaunt and requiem-knell.
448
And all with royal wealth of balm
Was the body purified;
And none could trace on the brow and lips
The death that he had died.
In his robes of state he lay asleep
With orb and sceptre in hand;
And by the crown he wore on his throne
Was his kingly forehead spann'd.
And, girls, 'twas a sweet sad thing to see
How the curling golden hair,
As in the day of the poet's youth,
From the King's crown clustered there.
And if all had come to pass in the brain
That throbbed beneath those curls,
Then Scots had said in the days to come
That this their soil was a different home
And a different Scotland, girls!
And the Queen sat by him night and day,
And oft she knelt in prayer,
All wan and pale in the widow's veil
That shrouded her shining hair.
And I had got good help of my hurt:
And only to me some sign
She made; and save the priests that were there,
No face would she see but mine.
And the month of March wore on apace;
And now fresh couriers fared
Still from the country of the Wild Scots
With news of the traitors snared.
And still as I told her day by day,
Her pallor changed to sight,
And the frost grew to a furnace-flame
That burnt her visage white.
And evermore as I brought her word,
She bent to her dead King James,
And in the cold ear with fire-drawn breath
She spoke the traitors' names.
But when the name of Sir Robert Græme
Was the one she had to give,
I ran to hold her up from the floor;
For the froth was on her lips, and sore
I feared that she could not live.
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And the month of March wore nigh to its end,
And still was the death-pall spread;
For she would not bury her slaughtered lord
Till his slayers all were dead.
And now of their dooms dread tidings came,
And of torments fierce and dire;
And nought she spake,—she had ceased to speak,—
But her eyes were a soul on fire.
But when I told her the bitter end
Of the stern and just award,
She leaned o'er the bier, and thrice three times
She kissed the lips of her lord.
And then she said,—“My King, they are dead!”
And she knelt on the chapel-floor,
And whispered low with a strange proud smile,—
“James, James, they suffered more!”
Last she stood up to her queenly height,
But she shook like an autumn leaf,
As though the fire wherein she burned
Then left her body, and all were turned
To winter of life-long grief.
And “O James!” she said,—“My James!” she said,—
“Alas for the woful thing,
That a poet true and a friend of man,
In desperate days of bale and ban,
Should needs be born a King!”
~ Dante Gabriel Rossetti,#NFDB
411:Andromeda
Over the sea, past Crete, on the Syrian shore to the southward,
Dwells in the well-tilled lowland a dark-haired AEthiop people,
Skilful with needle and loom, and the arts of the dyer and carver,
Skilful, but feeble of heart; for they know not the lords of Olympus,
Lovers of men; neither broad-browed Zeus, nor Pallas Athene,
Teacher of wisdom to heroes, bestower of might in the battle;
Share not the cunning of Hermes, nor list to the songs of Apollo.
Fearing the stars of the sky, and the roll of the blue salt water,
Fearing all things that have life in the womb of the seas and the livers,
Eating no fish to this day, nor ploughing the main, like the Phoenics,
Manful with black-beaked ships, they abide in a sorrowful region,
Vexed with the earthquake, and flame, and the sea-floods, scourge of
Poseidon.
Whelming the dwellings of men, and the toils of the slow-footed oxen,
Drowning the barley and flax, and the hard-earned gold of the harvest,
Up to the hillside vines, and the pastures skirting the woodland,
Inland the floods came yearly; and after the waters a monster,
Bred of the slime, like the worms which are bred from the slime of the Nilebank,
Shapeless, a terror to see; and by night it swam out to the seaward,
Daily returning to feed with the dawn, and devoured of the fairest,
Cattle, and children, and maids, till the terrified people fled inland.
Fasting in sackcloth and ashes they came, both the king and his people,
Came to the mountain of oaks, to the house of the terrible sea-gods,
Hard by the gulf in the rocks, where of old the world-wide deluge
Sank to the inner abyss; and the lake where the fish of the goddess,
Holy, undying, abide; whom the priests feed daily with dainties.
There to the mystical fish, high-throned in her chamber of cedar,
Burnt they the fat of the flock; till the flame shone far to the seaward.
Three days fasting they prayed; but the fourth day the priests of the
goddess,
Cunning in spells, cast lots, to discover the crime of the people.
All day long they cast, till the house of the monarch was taken,
Cepheus, king of the land; and the faces of all gathered blackness.
Then once more they cast; and Cassiopoeia was taken,
Deep-bosomed wife of the king, whom oft far-seeing Apollo
Watched well-pleased from the welkin, the fairest of AEthiop women:
Fairest, save only her daughter; for down to the ankle her tresses
Rolled, blue-black as the night, ambrosial, joy to beholders.
18
Awful and fair she arose, most like in her coming to Here,
Queen before whom the Immortals arise, as she comes on Olympus,
Out of the chamber of gold, which her son Hephaestos has wrought her.
Such in her stature and eyes, and the broad white light of her forehead.
Stately she came from her place, and she spoke in the midst of the people.
'Pure are my hands from blood: most pure this heart in my bosom.
Yet one fault I remember this day; one word have I spoken;
Rashly I spoke on the shore, and I dread lest the sea should have heard it.
Watching my child at her bath, as she plunged in the joy of her girlhood,
Fairer I called her in pride than Atergati, queen of the ocean.
Judge ye if this be my sin, for I know none other.' She ended;
Wrapping her head in her mantle she stood, and the people were silent.
Answered the dark-browed priests, 'No word, once spoken, returneth,
Even if uttered unwitting. Shall gods excuse our rashness?
That which is done, that abides; and the wrath of the sea is against us;
Hers, and the wrath of her brother, the Sun-god, lord of the sheepfolds.
Fairer than her hast thou boasted thy daughter? Ah folly! for hateful,
Hateful are they to the gods, whoso, impious, liken a mortal,
Fair though he be, to their glory; and hateful is that which is likened,
Grieving the eyes of their pride, and abominate, doomed to their anger.
What shall be likened to gods? The unknown, who deep in the darkness
Ever abide, twyformed, many-handed, terrible, shapeless.
Woe to the queen; for the land is defiled, and the people accursed.
Take thou her therefore by night, thou ill-starred Cassiopoeia,
Take her with us in the night, when the moon sinks low to the westward;
Bind her aloft for a victim, a prey for the gorge of the monster,
Far on the sea-girt rock, which is washed by the surges for ever;
So may the goddess accept her, and so may the land make atonement,
Purged by her blood from its sin: so obey thou the doom of the rulers.'
Bitter in soul they went out, Cepheus and Cassiopoeia,
Bitter in soul; and their hearts whirled round, as the leaves in the eddy.
Weak was the queen, and rebelled: but the king, like a shepherd of people,
Willed not the land should waste; so he yielded the life of his daughter.
Deep in the wane of the night, as the moon sank low to the westward,
They by the shade of the cliffs, with the horror of darkness around them,
Stole, as ashamed, to a deed which became not the light of the sunshine,
Slowly, the priests, and the queen, and the virgin bound in the galley,
Slowly they rowed to the rocks: but Cepheus far in the palace
Sate in the midst of the hall, on his throne, like a shepherd of people,
Choking his woe, dry-eyed, while the slaves wailed loudly around him.
They on the sea-girt rock, which is washed by the surges for ever,
Set her in silence, the guiltless, aloft with her face to the eastward.
19
Under a crag of the stone, where a ledge sloped down to the water;
There they set Andromeden, most beautiful, shaped like a goddess,
Lifting her long white arms wide-spread to the walls of the basalt,
Chaining them, ruthless, with brass; and they called on the might of the
Rulers.
'Mystical fish of the seas, dread Queen whom AEthiops honour,
Whelming the land in thy wrath, unavoidable, sharp as the sting-ray,
Thou, and thy brother the Sun, brain-smiting, lord of the sheepfold,
Scorching the earth all day, and then resting at night in thy bosom,
Take ye this one life for many, appeased by the blood of a maiden,
Fairest, and born of the fairest, a queen, most priceless of victims.'
Thrice they spat as they went by the maid: but her mother delaying
Fondled her child to the last, heart-crushed; and the warmth of her weeping
Fell on the breast of the maid, as her woe broke forth into wailing.
'Daughter! my daughter! forgive me! Oh curse not the murderess! Curse
not!
How have I sinned, but in love? Do the gods grudge glory to mothers?
Loving I bore thee in vain in the fate-cursed bride-bed of Cepheus,
Loving I fed thee and tended, and loving rejoiced in thy beauty,
Blessing thy limbs as I bathed them, and blessing thy locks as I combed them;
Decking thee, ripening to woman, I blest thee: yet blessing I slew thee!
How have I sinned, but in love? Oh swear to me, swear to thy mother,
Never to haunt me with curse, as I go to the grave in my sorrow,
Childless and lone: may the gods never send me another, to slay it!
See, I embrace thy knees-soft knees, where no babe will be fondledSwear to me never to curse me, the hapless one, not in the death-pang.'
Weeping she clung to the knees of the maid; and the maid low answered'Curse thee! Not in the death-pang!' The heart of the lady was lightened.
Slowly she went by the ledge; and the maid was alone in the darkness.
Watching the pulse of the oars die down, as her own died with them,
Tearless, dumb with amaze she stood, as a storm-stunned nestling
Fallen from bough or from eave lies dumb, which the home-going herdsman
Fancies a stone, till he catches the light of its terrified eyeball.
So through the long long hours the maid stood helpless and hopeless,
Wide-eyed, downward gazing in vain at the black blank darkness.
Feebly at last she began, while wild thoughts bubbled within her'Guiltless I am: why thus, then? Are gods more ruthless than mortals?
Have they no mercy for youth? no love for the souls who have loved them?
Even as I loved thee, dread sea, as I played by thy margin,
Blessing thy wave as it cooled me, thy wind as it breathed on my forehead,
Bowing my head to thy tempest, and opening my heart to thy children,
Silvery fish, wreathed shell, and the strange lithe things of the water,
20
Tenderly casting them back, as they gasped on the beach in the sunshine,
Home to their mother-in vain! for mine sits childless in anguish!
O false sea! false sea! I dreamed what I dreamed of thy goodness;
Dreamed of a smile in thy gleam, of a laugh in the plash of thy ripple:
False and devouring thou art, and the great world dark and despiteful.'
Awed by her own rash words she was still: and her eyes to the seaward
Looked for an answer of wrath: far off, in the heart of the darkness,
Blight white mists rose slowly; beneath them the wandering ocean
Glimmered and glowed to the deepest abyss; and the knees of the maiden
Trembled and sunk in her fear, as afar, like a dawn in the midnight,
Rose from their seaweed chamber the choir of the mystical sea-maids.
Onward toward her they came, and her heart beat loud at their coming,
Watching the bliss of the gods, as they wakened the cliffs with their
laughter.
Onward they came in their joy, and before them the roll of the surges
Sank, as the breeze sank dead, into smooth green foam-flecked marble,
Awed; and the crags of the cliff, and the pines of the mountain were silent.
Onward they came in their joy, and around them the lamps of the sea-nymphs,
Myriad fiery globes, swam panting and heaving; and rainbows
Crimson and azure and emerald, were broken in star-showers, lighting
Far through the wine-dark depths of the crystal, the gardens of Nereus,
Coral and sea-fan and tangle, the blooms and the palms of the ocean.
Onward they came in their joy, more white than the foam which they
scattered,
Laughing and singing, and tossing and twining, while eager, the Tritons
Blinded with kisses their eyes, unreproved, and above them in worship
Hovered the terns, and the seagulls swept past them on silvery pinions
Echoing softly their laughter; around them the wantoning dolphins
Sighed as they plunged, full of love; and the great sea-horses which bore
them
Curved up their crests in their pride to the delicate arms of the maidens,
Pawing the spray into gems, till a fiery rainfall, unharming,
Sparkled and gleamed on the limbs of the nymphs, and the coils of the mermen.
Onward they went in their joy, bathed round with the fiery coolness,
Needing nor sun nor moon, self-lighted, immortal: but others,
Pitiful, floated in silence apart; in their bosoms the sea-boys,
Slain by the wrath of the seas, swept down by the anger of Nereus;
Hapless, whom never again on strand or on quay shall their mothers
Welcome with garlands and vows to the temple, but wearily pining
Gaze over island and bay for the sails of the sunken; they heedless
Sleep in soft bosoms for ever, and dream of the surge and the sea-maids.
Onward they passed in their joy; on their brows neither sorrow nor anger;
21
Self-sufficing, as gods, never heeding the woe of the maiden.
She would have shrieked for their mercy: but shame made her dumb; and their
eyeballs
Stared on her careless and still, like the eyes in the house of the idols.
Seeing they saw not, and passed, like a dream, on the murmuring ripple.
Stunned by the wonder she gazed, wide-eyed, as the glory departed.
'O fair shapes! far fairer than I! Too fair to be ruthless!
Gladden mine eyes once more with your splendour, unlike to my fancies;
You, then, smiled in the sea-gleam, and laughed in the plash of the ripple.
Awful I deemed you and formless; inhuman, monstrous as idols;
Lo, when ye came, ye were women, more loving and lovelier, only;
Like in all else; and I blest you: why blest ye not me for my worship?
Had you no mercy for me, thus guiltless? Ye pitied the sea-boys:
Why not me, then, more hapless by far? Does your sight and your knowledge
End with the marge of the waves? Is the world which ye dwell in not our
world?'
Over the mountain aloft ran a rush and a roll and a roaring;
Downward the breeze came indignant, and leapt with a howl to the water,
Roaring in cranny and crag, till the pillars and clefts of the basalt
Rang like a god-swept lyre, and her brain grew mad with the noises;
Crashing and lapping of waters, and sighing and tossing of weed-beds,
Gurgle and whisper and hiss of the foam, while thundering surges
Boomed in the wave-worn halls, as they champed at the roots of the mountain.
Hour after hour in the darkness the wind rushed fierce to the landward,
Drenching the maiden with spray; she shivering, weary and drooping,
Stood with her heart full of thoughts, till the foam-crests gleamed in the
twilight,
Leaping and laughing around, and the east grew red with the dawning.
Then on the ridge of the hills rose the broad bright sun in his glory,
Hurling his arrows abroad on the glittering crests of the surges,
Gilding the soft round bosoms of wood, and the downs of the coastland;
Gilding the weeds at her feet, and the foam-laced teeth of the ledges,
Showing the maiden her home through the veil of her locks, as they floated
Glistening, damp with the spray, in a long black cloud to the landward.
High in the far-off glens rose thin blue curls from the homesteads;
Softly the low of the herds, and the pipe of the outgoing herdsman,
Slid to her ear on the water, and melted her heart into weeping.
Shuddering, she tried to forget them; and straining her eyes to the seaward,
Watched for her doom, as she wailed, but in vain, to the terrible Sun-god.
'Dost thou not pity me, Sun, though thy wild dark sister be ruthless;
Dost thou not pity me here, as thou seest me desolate, weary,
22
Sickened with shame and despair, like a kid torn young from its mother?
What if my beauty insult thee, then blight it: but me-Oh spare me!
Spare me yet, ere he be here, fierce, tearing, unbearable! See me,
See me, how tender and soft, and thus helpless! See how I shudder,
Fancying only my doom. Wilt thou shine thus bright, when it takes me?
Are there no deaths save this, great Sun? No fiery arrow,
Lightning, or deep-mouthed wave? Why thus? What music in shrieking,
Pleasure in warm live limbs torn slowly? And dar'st thou behold them!
Oh, thou hast watched worse deeds! All sights are alike to thy brightness!
What if thou waken the birds to their song, dost thou waken no sorrow;
Waken no sick to their pain; no captive to wrench at his fetters?
Smile on the garden and fold, and on maidens who sing at the milking;
Flash into tapestried chambers, and peep in the eyelids of lovers,
Showing the blissful their bliss-Dost love, then, the place where thou
smilest?
Lovest thou cities aflame, fierce blows, and the shrieks of the widow?
Lovest thou corpse-strewn fields, as thou lightest the path of the vulture?
Lovest thou these, that thou gazest so gay on my tears, and my mother's,
Laughing alike at the horror of one, and the bliss of another?
What dost thou care, in thy sky, for the joys and the sorrows of mortals?
Colder art thou than the nymphs: in thy broad bright eye is no seeing.
Hadst thou a soul-as much soul as the slaves in the house of my father,
Wouldst thou not save? Poor thralls! they pitied me, clung to me weeping,
Kissing my hands and my feet-What, are gods more ruthless than mortals?
Worse than the souls which they rule? Let me die: they war not with ashes!'
Sudden she ceased, with a shriek: in the spray, like a hovering foam-bow,
Hung, more fair than the foam-bow, a boy in the bloom of his manhood,
Golden-haired, ivory-limbed, ambrosial; over his shoulder
Hung for a veil of his beauty the gold-fringed folds of the goat-skin,
Bearing the brass of his shield, as the sun flashed clear on its clearness.
Curved on his thigh lay a falchion, and under the gleam of his helmet
Eyes more blue than the main shone awful; around him Athene
Shed in her love such grace, such state, and terrible daring.
Hovering over the water he came, upon glittering pinions,
Living, a wonder, outgrown from the tight-laced gold of his sandals;
Bounding from billow to billow, and sweeping the crests like a sea-gull;
Leaping the gulfs of the surge, as he laughed in the joy of his leaping.
Fair and majestic he sprang to the rock; and the maiden in wonder
Gazed for a while, and then hid in the dark-rolling wave of her tresses,
Fearful, the light of her eyes; while the boy (for her sorrow had awed him)
Blushed at her blushes, and vanished, like mist on the cliffs at the sunrise.
Fearful at length she looked forth: he was gone: she, wild with amazement,
23
Wailed for her mother aloud: but the wail of the wind only answered.
Sudden he flashed into sight, by her side; in his pity and anger
Moist were his eyes; and his breath like a rose-bed, as bolder and bolder,
Hovering under her brows, like a swallow that haunts by the house-eaves,
Delicate-handed, he lifted the veil of her hair; while the maiden
Motionless, frozen with fear, wept loud; till his lips unclosing
Poured from their pearl-strung portal the musical wave of his wonder.
'Ah, well spoke she, the wise one, the gray-eyed Pallas Athene,Known to Immortals alone are the prizes which lie for the heroes
Ready prepared at their feet; for requiring a little, the rulers
Pay back the loan tenfold to the man who, careless of pleasure,
Thirsting for honour and toil, fares forth on a perilous errand
Led by the guiding of gods, and strong in the strength of Immortals.
Thus have they led me to thee: from afar, unknowing, I marked thee,
Shining, a snow-white cross on the dark-green walls of the sea-cliff;
Carven in marble I deemed thee, a perfect work of the craftsman.
Likeness of Amphitrite, or far-famed Queen Cythereia.
Curious I came, till I saw how thy tresses streamed in the sea-wind,
Glistening, black as the night, and thy lips moved slow in thy wailing.
Speak again now-Oh speak! For my soul is stirred to avenge thee;
Tell me what barbarous horde, without law, unrighteous and heartless,
Hateful to gods and to men, thus have bound thee, a shame to the sunlight,
Scorn and prize to the sailor: but my prize now; for a coward,
Coward and shameless were he, who so finding a glorious jewel
Cast on the wayside by fools, would not win it and keep it and wear it,
Even as I will thee; for I swear by the head of my father,
Bearing thee over the sea-wave, to wed thee in Argos the fruitful,
Beautiful, meed of my toil no less than this head which I carry,
Hidden here fearful-Oh speak!'
But the maid, still dumb with amazement,
Watered her bosom with weeping, and longed for her home and her mother.
Beautiful, eager, he wooed her, and kissed off her tears as he hovered,
Roving at will, as a bee, on the brows of a rock nymph-haunted,
Garlanded over with vine, and acanthus, and clambering roses,
Cool in the fierce still noon, where streams glance clear in the mossbeds,
Hums on from blossom to blossom, and mingles the sweets as he tastes them.
Beautiful, eager, he kissed her, and clasped her yet closer and closer,
Praying her still to speak'Not cruel nor rough did my mother
Bear me to broad-browed Zeus in the depths of the brass-covered dungeon;
Neither in vain, as I think, have I talked with the cunning of Hermes,
Face unto face, as a friend; or from gray-eyed Pallas Athene
24
Learnt what is fit, and respecting myself, to respect in my dealings
Those whom the gods should love; so fear not; to chaste espousals
Only I woo thee, and swear, that a queen, and alone without rival
By me thou sittest in Argos of Hellas, throne of my fathers,
Worshipped by fair-haired kings: why callest thou still on thy mother?
Why did she leave thee thus here? For no foeman has bound thee; no foeman
Winning with strokes of the sword such a prize, would so leave it behind
him.'
Just as at first some colt, wild-eyed, with quivering nostril,
Plunges in fear of the curb, and the fluttering robes of the rider;
Soon, grown bold by despair, submits to the will of his master,
Tamer and tamer each hour, and at last, in the pride of obedience,
Answers the heel with a curvet, and arches his neck to be fondled,
Cowed by the need that maid grew tame; while the hero indignant
Tore at the fetters which held her: the brass, too cunningly tempered,
Held to the rock by the nails, deep wedged: till the boy, red with anger,
Drew from his ivory thigh, keen flashing, a falchion of diamond'Now let the work of the smith try strength with the arms of Immortals!'
Dazzling it fell; and the blade, as the vine-hook shears off the vine-bough,
Carved through the strength of the brass, till her arms fell soft on his
shoulder.
Once she essayed to escape: but the ring of the water was round her,
Round her the ring of his arms; and despairing she sank on his bosom.
Then, like a fawn when startled, she looked with a shriek to the seaward.
'Touch me not, wretch that I am! For accursed, a shame and a hissing,
Guiltless, accurst no less, I await the revenge of the sea-gods.
Yonder it comes! Ah go! Let me perish unseen, if I perish!
Spare me the shame of thine eyes, when merciless fangs must tear me
Piecemeal! Enough to endure by myself in the light of the sunshine
Guiltless, the death of a kid!'
But the boy still lingered around her,
Loth, like a boy, to forego her, and waken the cliffs with his laughter.
'Yon is the foe, then? A beast of the sea? I had deemed him immortal.
Titan, or Proteus' self, or Nereus, foeman of sailors:
Yet would I fight with them all, but Poseidon, shaker of mountains,
Uncle of mine, whom I fear, as is fit; for he haunts on Olympus,
Holding the third of the world; and the gods all rise at his coming.
Unto none else will I yield, god-helped: how then to a monster,
Child of the earth and of night, unreasoning, shapeless, accursed?'
'Art thou, too, then a god?'
'No god I,' smiling he answered;
'Mortal as thou, yet divine: but mortal the herds of the ocean,
25
Equal to men in that only, and less in all else; for they nourish
Blindly the life of the lips, untaught by the gods, without wisdom:
Shame if I fled before such!'
In her heart new life was enkindled,
Worship and trust, fair parents of love: but she answered him sighing.
'Beautiful, why wilt thou die? Is the light of the sun, then, so
worthless,
Worthless to sport with thy fellows in flowery glades of the forest,
Under the broad green oaks, where never again shall I wander,
Tossing the ball with my maidens, or wreathing the altar in garlands,
Careless, with dances and songs, till the glens rang loud to our laughter.
Too full of death the sad earth is already: the halls full of weepers,
Quarried by tombs all cliffs, and the bones gleam white on the sea-floor,
Numberless, gnawn by the herds who attend on the pitiless sea-gods,
Even as mine will be soon: and yet noble it seems to me, dying,
Giving my life for a people, to save to the arms of their lovers
Maidens and youths for a while: thee, fairest of all, shall I slay thee?
Add not thy bones to the many, thus angering idly the dread ones!
Either the monster will crush, or the sea-queen's self overwhelm thee,
Vengeful, in tempest and foam, and the thundering walls of the surges.
Why wilt thou follow me down? can we love in the black blank darkness?
Love in the realms of the dead, in the land where all is forgotten?
Why wilt thou follow me down? is it joy, on the desolate oozes,
Meagre to flit, gray ghosts in the depths of the gray salt water?
Beautiful! why wilt thou die, and defraud fair girls of thy manhood?
Surely one waits for thee longing, afar in the isles of the ocean.
Go thy way; I mine; for the gods grudge pleasure to mortals.'
Sobbing she ended her moan, as her neck, like a storm-bent lily,
Drooped with the weight of her woe, and her limbs sank, weary with watching,
Soft on the hard-ledged rock: but the boy, with his eye on the monster,
Clasped her, and stood, like a god; and his lips curved proud as he answered'Great are the pitiless sea-gods: but greater the Lords of Olympus;
Greater the AEgis-wielder, and greater is she who attends him.
Clear-eyed Justice her name is, the counsellor, loved of Athene;
Helper of heroes, who dare, in the god-given might of their manhood,
Greatly to do and to suffer, and far in the fens' and the forests
Smite the devourers of men, Heaven-hated, brood of the giants,
Twyformed, strange, without like, who obey not the golden-haired Rulers.
Vainly rebelling they rage, till they die by the swords of the heroes,
Even as this must die; for I burn with the wrath of my father,
Wandering, led by Athene; and dare whatsoever betides me.
Led by Athene I won from the gray-haired terrible sisters
26
Secrets hidden from men, when I found them asleep on the sand-hills,
Keeping their eye and their tooth, till they showed me the perilous pathway
Over the waterless ocean, the valley that led to the Gorgon.
Her too I slew in my craft, Medusa, the beautiful horror;
Taught by Athene I slew her, and saw not herself, but her image,
Watching the mirror of brass, in the shield which a goddess had lent me.
Cleaving her brass-scaled throat, as she lay with her adders around her,
Fearless I bore off her head, in the folds of the mystical goat-skin
Hide of Amaltheie, fair nurse of the AEgis-wielder.
Hither I bear it, a gift to the gods, and a death to my foe-men,
Freezing the seer to stone; to hide thine eyes from the horror.
Kiss me but once, and I go.'
Then lifting her neck, like a sea-bird
Peering up over the wave, from the foam-white swells of her bosom,
Blushing she kissed him: afar, on the topmost Idalian summit
Laughed in the joy of her heart, far-seeing, the queen Aphrodite.
Loosing his arms from her waist he flew upward, awaiting the sea-beast.
Onward it came from the southward, as bulky and black as a galley,
Lazily coasting along, as the fish fled leaping before it;
Lazily breasting the ripple, and watching by sandbar and headland,
Listening for laughter of maidens at bleaching, or song of the fisher,
Children at play on the pebbles, or cattle that pawed on the sand-hills.
Rolling and dripping it came, where bedded in glistening purple
Cold on the cold sea-weeds lay the long white sides of the maiden,
Trembling, her face in her hands, and her tresses afloat on the water.
As when an osprey aloft, dark-eyebrowed, royally crested,
Flags on by creek and by cove, and in scorn of the anger of Nereus
Ranges, the king of the shore; if he see on a glittering shallow,
Chasing the bass and the mullet, the fin of a wallowing dolphin,
Halting, he wheels round slowly, in doubt at the weight of his quarry,
Whether to clutch it alive, or to fall on the wretch like a plummet,
Stunning with terrible talon the life of the brain in the hindhead:
Then rushes up with a scream, and stooping the wrath of his eyebrows
Falls from the sky, like a star, while the wind rattles hoarse in his
pinions.
Over him closes the foam for a moment; and then from the sand-bed
Rolls up the great fish, dead, and his side gleams white in the sunshine.
Thus fell the boy on the beast, unveiling the face of the Gorgon;
Thus fell the boy on the beast; thus rolled up the beast in his horror,
Once, as the dead eyes glared into his; then his sides, death-sharpened,
Stiffened and stood, brown rock, in the wash of the wandering water.
Beautiful, eager, triumphant, he leapt back again to his treasure;
27
Leapt back again, full blest, toward arms spread wide to receive him.
Brimful of honour he clasped her, and brimful of love she caressed him,
Answering lip with lip; while above them the queen Aphrodite
Poured on their foreheads and limbs, unseen, ambrosial odours,
Givers of longing, and rapture, and chaste content in espousals.
Happy whom ere they be wedded anoints she, the Queen Aphrodite!
Laughing she called to her sister, the chaste Tritonid Athene,
'Seest thou yonder thy pupil, thou maid of the AEgis-wielder?
How he has turned himself wholly to love, and caresses a damsel,
Dreaming no longer of honour, or danger, or Pallas Athene?
Sweeter, it seems, to the young my gifts are; so yield me the stripling;
Yield him me now, lest he die in his prime, like hapless Adonis.'
Smiling she answered in turn, that chaste Tritonid Athene:
'Dear unto me, no less than to thee, is the wedlock of heroes;
Dear, who can worthily win him a wife not unworthy; and noble,
Pure with the pure to beget brave children, the like of their father.
Happy, who thus stands linked to the heroes who were, and who shall be;
Girdled with holiest awe, not sparing of self; for his mother
Watches his steps with the eyes of the gods; and his wife and his children
Move him to plan and to do in the farm and the camp and the council.
Thence comes weal to a nation: but woe upon woe, when the people
Mingle in love at their will, like the brutes, not heeding the future.'
Then from her gold-strung loom, where she wrought in her chamber of cedar,
Awful and fair she arose; and she went by the glens of Olympus;
Went by the isles of the sea, and the wind never ruffled her mantle;
Went by the water of Crete, and the black-beaked fleets of the Phoenics;
Came to the sea-girt rock which is washed by the surges for ever,
Bearing the wealth of the gods, for a gift to the bride of a hero.
There she met Andromeden and Persea, shaped like Immortals;
Solemn and sweet was her smile, while their hearts beat loud at her coming;
Solemn and sweet was her smile, as she spoke to the pair in her wisdom.
'Three things hold we, the Rulers, who sit by the founts of Olympus,
Wisdom, and prowess, and beauty; and freely we pour them on mortals;
Pleased at our image in man, as a father at his in his children.
One thing only we grudge to mankind: when a hero, unthankful,
Boasts of our gifts as his own, stiffnecked, and dishonours the givers,
Turning our weapons against us. Him Ate follows avenging;
Slowly she tracks him and sure, as a lyme-hound; sudden she grips him,
Crushing him, blind in his pride, for a sign and a terror to folly.
This we avenge, as is fit; in all else never weary of giving.
Come, then, damsel, and know if the gods grudge pleasure to mortals.'
Loving and gentle she spoke: but the maid stood in awe, as the goddess
28
Plaited with soft swift finger her tresses, and decked her in jewels,
Armlet and anklet and earbell; and over her shoulders a necklace,
Heavy, enamelled, the flower of the gold and the brass of the mountain.
Trembling with joy she gazed, so well Haephaistos had made it,
Deep in the forges of AEtna, while Charis his lady beside him
Mingled her grace in his craft, as he wrought for his sister Athene.
Then on the brows of the maiden a veil bound Pallas Athene;
Ample it fell to her feet, deep-fringed, a wonder of weaving.
Ages and ages agone it was wrought on the heights of Olympus,
Wrought in the gold-strung loom, by the finger of cunning Athene.
In it she wove all creatures that teem in the womb of the ocean;
Nereid, siren, and triton, and dolphin, and arrowy fishes
Glittering round, many-hued, on the flame-red folds of the mantle.
In it she wove, too, a town where gray-haired kings sat in judgment;
Sceptre in hand in the market they sat, doing right by the people,
Wise: while above watched Justice, and near, far-seeing Apollo.
Round it she wove for a fringe all herbs of the earth and the water,
Violet, asphodel, ivy, and vine-leaves, roses and lilies,
Coral and sea-fan and tangle, the blooms and the palms of the ocean:
Now from Olympus she bore it, a dower to the bride of a hero.
Over the limbs of the damsel she wrapt it: the maid still trembled,
Shading her face with her hands; for the eyes of the goddess were awful.
Then, as a pine upon Ida when southwest winds blow landward,
Stately she bent to the damsel, and breathed on her: under her breathing
Taller and fairer she grew; and the goddess spoke in her wisdom.
'Courage I give thee; the heart of a queen, and the mind of Immortals;
Godlike to talk with the gods, and to look on their eyes unshrinking;
Fearing the sun and the stars no more, and the blue salt water;
Fearing us only, the lords of Olympus, friends of the heroes;
Chastely and wisely to govern thyself and thy house and thy people,
Bearing a godlike race to thy spouse, till dying I set thee
High for a star in the heavens, a sign and a hope to the seamen,
Spreading thy long white arms all night in the heights of the aether,
Hard by thy sire and the hero thy spouse, while near thee thy mother
Sits in her ivory chair, as she plaits ambrosial tresses.
All night long thou wilt shine; all day thou wilt feast on Olympus,
Happy, the guest of the gods, by thy husband, the god-begotten.'
Blissful, they turned them to go: but the fair-tressed Pallas Athene
Rose, like a pillar of tall white cloud, toward silver Olympus;
Far above ocean and shore, and the peaks of the isles and the mainland;
Where no frost nor storm is, in clear blue windless abysses,
High in the home of the summer, the seats of the happy Immortals,
29
Shrouded in keen deep blaze, unapproachable; there ever youthful
Hebe, Harmonie, and the daughter of Jove, Aphrodite,
Whirled in the white-linked dance with the gold-crowned Hours and the Graces,
Hand within hand, while clear piped Phoebe, queen of the woodlands.
All day long they rejoiced: but Athene still in her chamber
Bent herself over her loom, as the stars rang loud to her singing,
Chanting of order and right, and of foresight, warden of nations;
Chanting of labour and craft, and of wealth in the port and the garner;
Chanting of valour and fame, and the man who can fall with the foremost,
Fighting for children and wife, and the field which his father bequeathed
him.
Sweetly and solemnly sang she, and planned new lessons for mortals:
Happy, who hearing obey her, the wise unsullied Athene.
Eversley, 1852.
~ Charles Kingsley,#NFDB
412:Jubilate Agno: Fragment B, Part 2
LET PETER rejoice with the MOON FISH who keeps up the life in the waters by
night.
Let Andrew rejoice with the Whale, who is array'd in beauteous blue and is a
combination of bulk and activity.
Let James rejoice with the Skuttle-Fish, who foils his foe by the effusion of his
ink.
Let John rejoice with Nautilus who spreads his sail and plies his oar, and the Lord
is his pilot.
Let Philip rejoice with Boca, which is a fish that can speak.
Let Bartholomew rejoice with the Eel, who is pure in proportion to where he is
found and how he is used.
Let Thomas rejoice with the Sword-Fish, whose aim is perpetual and strength
insuperable.
Let Matthew rejoice with Uranoscopus, whose eyes are lifted up to God.
Let James the less, rejoice with the Haddock, who brought the piece of money for
the Lord and Peter.
Let Jude bless with the Bream, who is of melancholy from his depth and serenity.
Let Simon rejoice with the Sprat, who is pure and innumerable.
Let Matthias rejoice with the Flying-Fish, who has a part with the birds, and is
sublimity in his conceit.
Let Stephen rejoice with Remora -- The Lord remove all obstacles to his glory.
Let Paul rejoice with the Scale, who is pleasant and faithful!, like God's good
ENGLISHMAN.
Let Agrippa, which is Agricola, rejoice with Elops, who is a choice fish.
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Let Joseph rejoice with the Turbut, whose capture makes the poor fisher-man
sing.
Let Mary rejoice with the Maid -- blessed be the name of the immaculate
CONCEPTION.
Let John, the Baptist, rejoice with the Salmon -- blessed be the name of the Lord
Jesus for infant Baptism.
Let Mark rejoice with the Mullet, who is John Dore, God be gracious to him and
his family.
Let Barnabus rejoice with the Herring -- God be gracious to the Lord's fishery.
Let Cleopas rejoice with the Mackerel, who cometh in a shoal after a leader.
Let Abiud of the Lord's line rejoice with Murex, who is good and of a precious
tincture.
Let Eliakim rejoice with the Shad, who is contemned in his abundance.
Let Azor rejoice with the Flounder, who is both of the sea and of the river,
Let Sadoc rejoice with the Bleak, who playeth upon the surface in the Sun.
Let Achim rejoice with the Miller's Thumb, who is a delicious morsel for the water
fowl.
Let Eliud rejoice with Cinaedus, who is a fish yellow all over.
Let Eleazar rejoice with the Grampus, who is a pompous spouter.
Let Matthan rejoice with the Shark, who is supported by multitudes of small
value.
Let Jacob rejoice with the Gold Fish, who is an eye-trap.
Let Jairus rejoice with the Silver Fish, who is bright and lively.
Let Lazarus rejoice with Torpedo, who chills the life of the assailant through his
staff.
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Let Mary Magdalen rejoice with the Place, whose goodness and purity are of the
Lord's making.
Let Simon the leper rejoice with the Eel-pout, who is a rarity on account of his
subtlety.
Let Alpheus rejoice with the Whiting, whom God hath bless'd in multitudes, and
his days are as the days of PURIM.
Let Onesimus rejoice with the Cod -- blessed be the name of the Lord Jesus for a
miraculous draught of men.
Let Joses rejoice with the Sturgeon, who saw his maker in the body and obtained
grace.
Let Theophilus rejoice with the Folio, who hath teeth, like the teeth of a saw.
Let Bartimeus rejoice with the Quaviver -- God be gracious to the eyes of him,
who prayeth for the blind.
Let CHRISTOPHER, who is Simon of Cyrene, rejoice with the Rough -- God be
gracious to the CAM and to DAVID CAM and his seed for ever.
Let Timeus rejoice with the Ling -- God keep the English Sailors clear of French
bribery.
Let Salome rejoice with the Mermaid, who hath the countenance and a portion of
human reason.
Let Zacharias rejoice with the Gudgeon, who improves in his growth till he is
mistaken.
Let Campanus rejoice with the Lobster -- God be gracious to all the CAMPBELLs
especially John.
Let Martha rejoice with the Skallop -- the Lord revive the exercise and excellence
of the Needle.
Let Mary rejoice with the Carp -- the ponds of Fairlawn and the garden bless for
the master.
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Let Zebedee rejoice with the Tench -- God accept the good son for his parents
also.
Let Joseph of Arimathea rejoice with the Barbel -- a good coffin and a tombstone without grudging!
Let Elizabeth rejoice with the Crab -- it is good, at times, to go back.
Let Simeon rejoice with the Oyster, who hath the life without locomotion.
Let Jona rejoice with the Wilk -- Wilks, Wilkie, and Wilkinson bless the name of
the Lord Jesus.
Let Nicodemus rejoice with the Muscle, for so he hath provided for the poor.
Let Gamaliel rejoice with the Cockle -- I will rejoice in the remembrance of
mercy.
Let Agabus rejoice with the Smelt -- The Lord make me serviceable to the
HOWARDS.
Let Rhoda rejoice with the Sea-Cat, who is pleasantry and purity.
Let Elmodam rejoice with the Chubb, who is wary of the bait and thrives in his
circumspection.
Let Jorim rejoice with the Roach -- God bless my throat and keep me from things
stranggled.
Let Addi rejoice with the Dace -- It is good to angle with meditation.
Let Luke rejoice with the Trout -- Blessed be Jesus in Aa, in Dee and in Isis.
Let Cosam rejoice with the Perch, who is a little tyrant, because he is not liable to
that, which he inflicts.
Let Levi rejoice with the Pike -- God be merciful to all dumb creatures in respect
of pain.
Let Melchi rejoice with the Char, who cheweth the cud.
Let Joanna rejoice with the Anchovy -- I beheld and lo! 'a great multitude!
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Let Neri rejoice with the Keeling Fish, who is also called the Stock Fish.
Let Janna rejoice with the Pilchard -- the Lord restore the seed of Abishai.
Let Esli rejoice with the Soal, who is flat and spackles for the increase of motion.
Let Nagge rejoice with the Perriwinkle -- 'for the rain it raineth every day.'
Let Anna rejoice with the Porpus, who is a joyous fish and of good omen.
Let Phanuel rejoice with the Shrimp, which is the childrens fishery.
Let Chuza rejoice with the Sea-Bear, who is full of sagacity and prank.
Let Susanna rejoice with the Lamprey, who is an eel with a title.
Let Candace rejoice with the Craw-fish -- How hath the Christian minister
renowned the Queen.
Let The Eunuch rejoice with the Thorn-Back -- It is good to be discovered reading
the BIBLE.
Let Simon the Pharisee rejoice with the Grigg -- the Lord bring up Issachar and
Dan.
Let Simon the converted Sorcerer rejoice with the Dab quoth Daniel.
Let Joanna, of the Lord's line, rejoice with the Minnow, who is multiplied against
the oppressor.
Let Jonas rejoice with the Sea-Devil, who hath a good name from his Maker.
Let Alexander rejoice with the Tunny -- the worse the time the better the
eternity.
Let Rufus rejoice with the Needle-fish, who is very good in his element.
Let Matthat rejoice with the Trumpet-fish -- God revive the blowing of the
TRUMPETS.
Let Mary, the mother of James, rejoice with the Sea-Mouse -- it is good to be at
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peace.
Let Prochorus rejoice with Epodes, who is a kind of fish with Ovid who is at peace
in the Lord.
Let Timotheus rejoice with the Dolphin, who is of benevolence.
Let Nicanor rejoice with the Skeat -- Blessed be the name of the Lord Jesus in
fish and in the Shewbread, which ought to be continually on the altar, now more
than ever, and the want of it is the Abomination of Desolation spoken of by
Daniel.
Let Timon rejoice with Crusion -- The Shew-Bread in the first place is gratitude to
God to shew who is bread, whence it is, and that there is enough and to spare.
Let Parmenas rejoice with the Mixon -- Secondly it is to prevent the last
extremity, for it is lawful that rejected hunger may take it.
Let Dorcas rejoice with Dracunculus -- blessed be the name of the Lord Jesus in
the Grotto.
Let Tychicus rejoice with Scolopendra, who quits himself of the hook by voiding
his intrails.
Let Trophimus rejoice with the Sea-Horse, who shoud have been to Tychicus the
father of Yorkshiremen.
Let Tryphena rejoice with Fluta -- Saturday is the Sabbath for the mouth of God
hath spoken it.
Let Tryphosa rejoice with Acarne -- With such preparation the Lord's Jubile is
better kept.
Let Simon the Tanner rejoice with Alausa -- Five days are sufficient for the
purposes of husbandry.
Let Simeon Niger rejoice with the Loach -- The blacks are the seed of Cain.
Let Lucius rejoice with Corias -- Some of Cain's seed was preserved in the loins
of Ham at the flood.
Let Manaen rejoice with Donax. My DEGREE is good even here, in the Lord I have
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a better.
Let Sergius Paulus rejoice with Dentex -- Blessed be the name Jesus for my
teeth.
Let Silas rejoice with the Cabot -- the philosophy of the times ev'n now is vain
deceit.
Let Barsabas rejoice with Cammarus -- Newton is ignorant for if a man consult
not the WORD how should he understand the WORK? -Let Lydia rejoice with Attilus -- Blessed be the name of him which eat the fish
and honey comb.
Let Jason rejoice with Alopecias, who is subtlety without offence.
Let Dionysius rejoice with Alabes who is peculiar to the Nile.
Let Damaris rejoice with Anthias -- The fountain of the Nile is known to the
Eastern people who drink it.
Let Apollos rejoice with Astacus, but St Paul is the Agent for England.
Let Justus rejoice with Crispus in a Salmon-Trout -- the Lord look on the soul of
Richard Atwood.
Let Crispus rejoice with Leviathan -- God be gracious to the soul of HOBBES, who
was no atheist, but a servant of Christ, and died in the Lord -- I wronged him
God forgive me.
Let Aquila rejoice with Beemoth who is Enoch no fish but a stupendous creeping
Thing.
Let Priscilla rejoice with Cythera. As earth increases by Beemoth so the sea
likewise enlarges.
Let Tyrannus rejoice with Cephalus who hath a great head.
Let Gaius rejoice with the Water-Tortoise -- Paul and Tychicus were in England
with Agricola my father.
Let Aristarchus rejoice with Cynoglossus -- The Lord was at Glastonbury in the
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body and blessed the thorn.
Let Alexander rejoice with the Sea-Urchin -- The Lord was at Bristol and blessed
the waters there.
Let Sopater rejoice with Elacate -- The waters of Bath were blessed by St
Matthias.
Let Secundus rejoice with Echeneis who is the sea-lamprey.
Let Eutychus rejoice with Cnide -- Fish and honeycomb are blessed to eat after a
recovery. -Let Mnason rejoice with Vulvula a sort of fish -- Good words are of God, the cant
from the Devil.
Let Claudius Lysias rejoice with Coracinus who is black and peculiar to Nile.
Let Bernice rejoice with Corophium which is a kind of crab.
Let Phebe rejoice with Echinometra who is a beautiful shellfish red and green.
Let Epenetus rejoice with Erythrinus who is red with a white belly.
Let Andronicus rejoice with Esox, the Lax, a great fish of the Rhine.
Let Junia rejoice with the Faber-Fish -- Broil'd fish and honeycomb may be taken
for the sacrament.
Let Amplias rejoice with Garus, who is a kind of Lobster.
Let Urbane rejoice with Glanis, who is a crafty fish who bites away the bait and
saves himself.
Let Stachys rejoice with Glauciscus, who is good for Women's milk.
Let Apelles rejoice with Glaucus -- behold the seed of the brave and ingenious
how they are saved!
Let Aristobulus rejoice with Glycymerides who is pure and sweet.
Let Herodion rejoice with Holothuria which are prickly fishes.
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Let Narcissus rejoice with Hordeia -- I will magnify the Lord who multiplied the
fish.
Let Persis rejoice with Liparis -- I will magnify the Lord who multiplied the barley
loaves.
Let Rufus rejoice with Icthyocolla of whose skin a water-glue is made.
Let Asyncritus rejoice with Labrus who is a voracious fish.
Let Phlegon rejoice with the Sea-Lizard -- Bless Jesus THOMAS BOWLBY and all
the seed of Reuben.
Let Hermas rejoice with Lamyrus who is of things creeping in the sea.
Let Patrobas rejoice with Lepas, all shells are precious.
Let Hermes rejoice with Lepus, who is a venomous fish.
Let Philologus rejoice with Ligarius -- shells are all parries to the adversary.
Let Julia rejoice with the Sleeve-Fish -- Blessed be Jesus for all the TAYLERS.
Let Nereus rejoice with the Calamary -- God give success to our fleets.
Let Olympas rejoice with the Sea-Lantern, which glows upon the waters.
Let Sosipater rejoice with Cornuta. There are fish for the Sea-Night-Birds that
glow at bottom.
Let Lucius rejoice with the Cackrel Fish. God be gracious to JMs FLETCHER who
has my tackling.
Let Tertius rejoice with Maia which is a kind of crab.
Let Erastus rejoice with Melandry which is the largest Tunny.
Let Quartus rejoice with Mena. God be gracious to the immortal soul of poor
Carte, who was barbarously and cowardly murder'd -- the Lord prevent the
dealers in clandestine death.
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Let Sosthenes rejoice with the Winkle -- all shells like the parts of the body are
good kept for those parts.
Let Chloe rejoice with the Limpin -- There is a way to the terrestrial Paradise
upon the knees.
Let Carpus rejoice with the Frog-Fish -- A man cannot die upon his knees.
Let Stephanas rejoice with Mormyra who is a fish of divers colours.
Let Fortunatus rejoice with the Burret -- it is good to be born when things are
crossed.
Let Lois rejoice with the Angel-Fish -- There is a fish that swims in the fluid
Empyrean.
Let Achaicus rejoice with the Fat-Back -- The Lord invites his fishers to the WEST
INDIES.
Let Sylvanus rejoice with the Black-Fish -- Oliver Cromwell himself was the
murderer in the Mask.
Let Titus rejoice with Mys -- O Tite siquid ego adjuero curamve levasso!
Let Euodias rejoice with Myrcus -- There is a perfumed fish I will offer him for a
sweet savour to the Lord.
Let Syntyche rejoice with Myax -- There are shells in the earth which were left by
the FLOOD.
Let Clement rejoice with Ophidion -- There are shells again in earth at sympathy
with those in sea.
Let Epaphroditus rejoice with Opthalmias -- The Lord increase the Cambridge
collection of fossils.
Let Epaphras rejoice with Orphus -- God be gracious to the immortal soul of Dr
Woodward.
Let Justus rejoice with Pagrus -- God be gracious to the immortal soul of Dr
Middleton.
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Let Nymphas rejoice with Fagurus -- God bless Charles Mason and all Trinity
College.
Let Archippus rejoice with Nerita whose shell swimmeth.
Let Eunice rejoice with Oculata who is of the Lizard kind.
Let Onesephorus rejoice with Orca, who is a great fish.
Let Eubulus rejoice with Ostrum the scarlet -- God be gracious to Gordon and
Groat.
Let Pudens rejoice with Polypus -- The Lord restore my virgin!
Let Linus rejoice with Ozsena who is a kind of Polype -- God be gracious to Lyne
and Anguish.
Let Claudia rejoice with Pascer -- the purest creatures minister to wantoness by
unthankfulness.
Let Artemas rejoice with Pastinaca who is a fish with a sting.
Let Zenas rejoice with Pecten -- The Lord obliterate the laws of man!
Let Philemon rejoice with Pelagia -- The laws and judgement are impudence and
blindness.
Let Apphia rejoice with Pelamis -- The Lord Jesus is man's judgement.
Let Demetrius rejoice with Peloris, who is greatest of Shell-Fishes.
Let Antipas rejoice with Pentadactylus -- A papist hath no sentiment God bless
CHURCHILL.
***
FOR I pray the Lord JESUS that cured the LUNATICK to be merciful to all my
brethren and sisters in these houses.
For they work me with their harping-irons, which is a barbarous instrument,
because I am more unguarded than others.
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For the blessing of God hath been on my epistles, which I have written for the
benefit of others.
For I bless God that the CHURCH of ENGLAND is one of the SEVEN ev'n the
candlestick of the Lord.
For the ENGLISH TONGUE shall be the language of the WEST.
For I pray Almighty CHRIST to bless the MAGDALEN HOUSE and to forward a
National purification.
For I have the blessing of God in the three POINTS of manhood, of the pen, of
the sword, and of chivalry.
For I am inquisitive in the Lord, and defend the philosophy of the scripture
against vain deceit.
For the nets come down from the eyes of the Lord to fish up men to their
salvation.
For I have a greater compass both of mirth and melancholy than another.
For I bless the Lord JESUS in the innumerables, and for ever and ever.
For I am redoubted, and redoubtable in the Lord, as is THOMAS BECKET my
father.
For I have had the grace to GO BACK, which is my blessing unto prosperity.
For I paid for my seat in St PAUL's, when I was six years old, and took
possession against the evil day.
For I am descended from the steward of the island -- blessed be the name of the
Lord Jesus king of England.
For the poor gentleman is the first object of the Lord's charity and he is the most
pitied who hath lost the most.
For I am in twelve HARDSHIPS, but he that was born of a virgin shall deliver me
out of all.
For I am safe, as to my head, from the female dancer and her admirers.
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For I pray for CHICHISTER to give the glory to God, and to keep the adversary at
bay.
For I am making to the shore day by day, the Lord Jesus take me.
For I bless the Lord JESUS upon RAMSGATE PIER -- the Lord forward the building
of harbours.
For I bless the Lord JESUS for his very seed, which is in my body.
For I pray for R and his family, I pray for Mr Becher, and I bean for the Lord
JESUS.
For I pray to God for Nore, for the Trinity house, for all light-houses, beacons and
buoys.
For I bless God that I am not in a dungeon, but am allowed the light of the Sun.
For I pray God for the PYGMIES against their feathered adversaries, as a deed of
charity.
For I pray God for all those, who have defiled themselves in matters
inconvenient.
For I pray God be gracious to CORNELIUS MATTHEWS name and connection.
For I am under the same accusation with my Saviour -- -for they said, he is
besides himself.
For I pray God for the introduction of new creatures into this island.
For I pray God for the ostriches of Salisbury Plain, the beavers of the Medway
and silver fish of Thames.
For Charity is cold in the multitude of possessions, and the rich are covetous of
their crumbs.
For I pray to be accepted as a dog without offence, which is best of all.
For I wish to God and desire towards the most High, which is my policy.
68
For the tides are the life of God in the ocean, and he sends his angel to trouble
the great DEEP.
For he hath fixed the earth upon arches and pillars, and the flames of hell flow
under it.
For the grosser the particles the nearer to the sink, and the nearer to purity, the
quicker the gravitation.
For MATTER is the dust of the Earth, every atom of which is the life.
For MOTION is as the quantity of life direct, and that which hath not motion, is
resistance.
For Resistance is not of GOD, but he -- hath built his works upon it.
For the Centripetal and Centrifugal forces are GOD SUSTAINING and DIRECTING.
For Elasticity is the temper of matter to recover its place with vehemence.
For Attraction is the earning of parts, which have a similitude in the life.
For the Life of God is in the Loadstone, and there is a magnet, which pointeth
due EAST.
For the Glory of God is always in the East, but cannot be seen for the cloud of the
crucifixion.
For due East is the way to Paradise, which man knoweth not by reason of his fall.
For the Longitude is (nevertheless) attainable by steering angularly
notwithstanding.
For Eternity is a creature and is built upon Eternity ¥ê¥á¥ó¥á¥â¥ï¥ë¥ç ¥å¥g¥é
¥ó¥ç ¥ä¥é¥á¥â¥ï¥ë¥ç .
For Fire is a mixed nature of body and spirit, and the body is fed by that which
hath not life.
For Fire is exasperated by the Adversary, who is Death, unto the detriment of
69
man.
For an happy Conjecture is a miraculous cast by the Lord Jesus.
For a bad Conjecture is a draught of stud and mud.
For there is a Fire which is blandishing, and which is of God direct.
For Fire is a substance and distinct, and purifyeth ev'n in hell.
For the Shears is the first of the mechanical powers, and to be used on the
knees.
For if Adam had used this instrument right, he would not have fallen.
For the power of the Shears Is direct as the life.
For the power of the WEDGE is direct as it's altitude by communication of
Almighty God.
For the Skrew, Axle and Wheel, Pulleys, the Lever and Inclined Plane are known
in the Schools.
For the Centre is not known but by the application of the members to matter.
For I have shown the Vis Inerti©¡ to be false, and such is all nonsense.
For the Centre is the hold of the Spirit upon the matter in hand.
For FRICTION is inevitable because the Universe is FULL of God's works.
For the PERPETUAL MOTION is in all the works of Almighty GOD.
For it is not so in the engines of man, which are made of dead materials, neither
indeed can be.
For the Moment of bodies, as it is used, is a false term -- bless God ye Speakers
on the Fifth of November.
For Time and Weight are by their several estimates.
For I bless GOD in the discovery of the LONGITUDE direct by the means of
70
GLADWICK.
For the motion of the PENDULUM is the longest in that it parries resistance.
For the WEDDING GARMENTS of all men are prepared in the SUN against the day
of acceptation.
For the Wedding Garments of all women are prepared in the MOON against the
day of their purification.
For CHASTITY is the key of knowledge as in Esdras, Sr Isaac Newton and now,
God be praised, in me.
For Newton nevertheless is more of error than of the truth, but I am of the
WORD of GOD.
For WATER, is not of solid constituents, but is dissolved from precious stones
above.
For the life remains in its dissolvent state, and that in great power.
For WATER is condensed by the Lord's FROST, tho' not by the FLORENTINE
experiment.
For GLADWICK is a substance growing on hills in the East, candied by the sun,
and of diverse colours.
For it is neither stone nor metal but a new creature, soft to the ax, but hard to
the hammer.
For it answers sundry uses, but particularly it supplies the place of Glass.
For it giveth a benign light without the fragility, malignity or mischief of Glass.
For it attracteth all the colours of the GREAT BOW which is fixed in the EAST.
For the FOUNTAINS and SPRINGS are the life of the waters working up to God.
For they are in SYMPATHY with the waters above the Heavens, which are solid.
For the Fountains, springs and rivers are all of them from the sea, whose water is
filtrated and purified by the earth.
71
For there is Water above the visible surface in a spiritualizing state, which cannot
be seen but by application of a CAPILLARY TUBE.
For the ASCENT of VAPOURS is the return of thanksgiving from all humid bodies.
For the RAIN WATER kept in a reservoir at any altitude, suppose of a thousand
feet, will make a fountain from a spout of ten feet of the same height.
For it will ascend in a stream two thirds of the way and afterwards prank itself
into ten thousand agreeable forms.
For the SEA is a seventh of the Earth -- the spirit of the Lord by Esdras.
For MERCURY is affected by the AIR because it is of a similar subtlety.
For the rising in the BAROMETER is not effected by pressure but by sympathy.
For it cannot be seperated from the creature with which it is intimately and
eternally connected.
For where it is stinted of air there it will adhere together and stretch on the
reverse.
For it works by ballancing according to the hold of the spirit.
For QUICK-SILVER is spiritual and so is the AIR to all intents and purposes.
For the AIR-PUMP weakens and dispirits but cannot wholly exhaust.
For SUCKTION is the withdrawing of the life, but life will follow as fast as it can.
For there is infinite provision to keep up the life in all the parts of Creation.
For the AIR is contaminated by curses and evil language.
For poysonous creatures catch some of it and retain it or ere it goes to the
adversary.
For IRELAND was without these creatures, till of late, because of the simplicity of
the people.
72
For the AIR. is purified by prayer which is made aloud and with all our might.
For loud prayer is good for weak lungs and for a vitiated throat.
For SOUND is propagated in the spirit and in all directions.
For the VOICE of a figure compleat in all its parts.
For a man speaks HIMSELF from the crown of his head to the sole of his feet.
For a LION roars HIMSELF compleat from head to tail.
For all these things are seen in the spirit which makes the beauty of prayer.
For all whispers and unmusical sounds in general are of the Adversary.
For 'I will hiss saith the Lord' is God's denunciation of death.
For applause or the clapping of the hands is the natural action of a man on the
descent of the glory of God.
For EARTH which is an intelligence hath a voice and a propensity to speak in all
her parts.
For ECHO is the soul of the voice exerting itself in hollow places.
For ECHO cannot act but when she can parry the adversary.
For ECHO is greatest in Churches and where she can assist in prayer.
For a good voice hath its Echo with it and it is attainable by much supplication.
For the FOICE is from the body and the spirit -- and is a a body and a spirit.
For the prayers of good men are therefore visible to second-sighted persons.
For HARPSICHORDS are best strung with gold wire.
For HARPS and VIOLS are best strung with Indian weed.
For the GERMAN FLUTE is an indirect -- the common flute good, bless the Lord
Jesus BENJIMIN HALLET.
73
For the feast of TRUMPETS should be kept up, that being the most direct and
acceptable of all instruments.
For the TRUMPET of God is a blessed intelligence and so are all the instruments
in HEAVEN.
For GOD the father Almighty plays upon the HARP of stupendous magnitude and
melody.
For innumerable Angels fly out at every touch and his tune is a work of creation.
For at that time malignity ceases and the devils themselves are at peace.
For this time is perceptible to man by a remarkable stillness and serenity of soul.
For the ¨¡olian harp is improveable into regularity.
For when it is so improved it will be known to be the SHAWM.
For it woud be better if the LITURGY were musically performed.
For the strings of the SHAWM were upon a cylinder which turned to the wind.
For this was spiritual musick altogether, as the wind is a spirit.
For there is nothing but it may be played upon in delight.
For the flames of fire may lie blown thro musical pipes.
For it is so higher up in the vast empyrean.
For is so real as that which is spiritual.
For an IGNIS FATUUS is either the fool's conceit or a blast from the adversary.
For SHELL-FIRE or ELECTRICAL is the quick air when it is caught.
For GLASS is worked in the fire till it partakes of its nature.
For the electrical fire is easily obtain'd by the working of glass.
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For all spirits are of fire and the air is a very benign one.
For the MAN in VACUO is a flat conceit of preposterous folly.
For the breath of our nostrils is an electrical spirit.
For an electrical spirit may be exasperated into a malignant fire.
For it is good to quicken in paralytic cases being the life applied unto death,
For the method of philosophizing is in a posture of Adoration.
For the School-Doctrine of Thunder and Lightning is a Diabolical Hypothesis.
For it is taking the nitre from the lower regions and directing it against the
Infinite of Heights.
For THUNDER is the voice of God direct in verse and musick.
For LIGHTNING is a glance of the glory of God.
For the Brimstone that is found at the times of thunder and lightning is worked
up by the Adversary.
For the voice is always for infinite good which he strives to impede.
For the Devil can work coals into shapes to afflict the minds of those that will not
pray.
For the coffin and the cradle and the purse are all against a man.
For the coffin is for the dead and death came by disobedience.
For the cradle is for weakness and the child of man was originally strong from the
womb.
For the purse is for money and money is dead matter with the stamp of human
vanity.
For the adversary frequently sends these particular images out of the fire to
those whom they concern.
75
For the coffin is for me because I have nothing to do with it.
For the cradle is for me because the old Dragon attacked me in it and overcame
in Christ.
For the purse is for me because I have neither money nor human friends.
For LIGHT is propagated at all distances in an instant because it is actuated by
the divine conception.
For the Satellites of the planet prove nothing in this matter but the glory of
Almighty God.
For the SHADE is of death and from the adversary.
For Solomon said vanity of vanities, vanity of vanities all is vanity.
For Jesus says verity of verities, verity of verities all is verity.
For Solomon said THOU FOOL in malice from his own vanity.
For the Lord reviled not all in hardship and temptation unutterable.
For Fire hath this property that it reduces a thing till finally it is not.
For all the filth wicked of men shall be done away by fire in Eternity.
For the furnace itself shall come up at the last according to Abraham's vision.
For the Convex Heaven of shall work about on that great event.
For the ANTARTICK POLE is not yet but shall answer in the Consummation.
For the devil hath most power in winter, because darkness prevails.
For the Longing of Women is the operation of the Devil upon their conceptions.
For the marking of their children is from the same cause both of which are to be
parried by prayer.
For the laws of King James the first against Witchcraft were wise, had it been of
man to make laws.
76
For there are witches and wizards even now who are spoken to by their familiars.
For the visitation of their familiars is prevented by the Lord's incarnation.
For to conceive with intense diligence against one's neighbour is a branch of
witchcraft.
For to use pollution, exact and cross things and at the same time to think against
a man is the crime direct.
For prayer with musick is good for persons so exacted upon.
For before the NATIVITY is the dead of the winter and after it the quick.
For the sin against the HOLY GHOST is INGRATITUDE.
For stuff'd guts make no musick; strain them strong and you shall have sweet
melody.
For the SHADOW is of death, which is the Devil, who can make false and faint
images of the works of Almighty God.
For every man beareth death about him ever since the transgression of Adam,
but in perfect light there is no shadow.
For all Wrath is Fire, which the adversary blows upon and exasperates.
For SHADOW is a fair Word from God, which is not returnable till the furnace
comes up.
For the ECLIPSE is of the adversary -- blessed be the name of Jesus for Whisson
of Trinity.
For the shadow is his and the penumbra is his and his the perplexity of the the
phenomenon.
For the eclipses happen at times when the light is defective.
For the more the light is defective, the more the powers of darkness prevail.
77
For deficiencies happen by the luminaries crossing one another.
For the SUN is an intelligence and an angel of the human form.
For the MOON is an intelligence and an angel in shape like a woman.
For they are together in the spirit every night like man and wife.
For Justice is infinitely beneath Mercy in nature and office.
For the Devil himself may be just in accusation and punishment.
For HELL is without eternity from the presence of Almighty God.
For Volcanos and burning mountains are where the adversary hath most power.
For the angel GRATITUDE is my wife -- God bring me to her or her to me.
For the propagation of light is quick as the divine Conception.
For FROST is damp and unwholsome air candied to fall to the best advantage.
For I am the Lord's News-Writer -- the scribe-evangelist -- Widow Mitchel, Gun
and Grange bless the Lord Jesus.
For Adversity above all other is to be deserted of the grace of God.
For in the divine Idea this Eternity is compleat and the Word is a making many
more.
For there is a forlorn hope ev'n for impenitent sinners because the furnace itself
must be the crown of Eternity.
For my hope is beyond Eternity in the bosom of God my saviour.
For by the grace of God I am the Reviver of ADORATION amongst ENGLISH-MEN.
For being desert-ed is to have desert in the sight of God and intitles one to the
Lord's merit.
For things that are not in the sight of men are thro' God of infinite concern.
78
For envious men have exceeding subtlety quippe qui in -- videant.
For avaricious men are exceeding subtle like the soul seperated from the body.
For their attention is on a sinking object which perishes.
For they can go beyond the children of light in matters of their own misery.
For Snow is the dew candied and cherishes.
For TIMES and SEASONS are the Lord's -- Man is no CHRONOLOGER.
For there is a CIRCULATION of the SAP in all vegetables.
For SOOT is the dross of Fire.
For the CLAPPING of the hands is naught unless it be to the glory of God.
For God will descend in visible glory when men begin to applaud him.
For all STAGE-Playing is Hypocrisy and the Devil is the master of their revels.
For the INNATATION of corpuscles is solved by the Gold-beater's hammer -- God
be gracious to Christopher Peacock and to all my God-Children.
For the PRECESSION of the Equinoxes is improving nature -- something being
gained every where for the glory of God perpetually.
For the souls of the departed are embodied in clouds and purged by the Sun.
For the LONGITUDE may be discovered by attending the motions of the Sun.
Way 2d.
For you must consider the Sun as dodging, which he does to parry observation.
For he must be taken with an Astrolabe, and considered respecting the point he
left.
For you must do this upon your knees and that will secure your point.
For I bless God that I dwell within the sound of Success, and that it is well with
79
ENGLAND this blessed day. NATIVITY of our LORD N.S. 1759.
~ Christopher Smart,#NFDB
413:class:Classics
BOOK THE THIRD
The Story of of Cadmus
When now Agenor had his daughter lost,
He sent his son to search on ev'ry coast;
And sternly bid him to his arms restore
The darling maid, or see his face no more,
But live an exile in a foreign clime;
Thus was the father pious to a crime.
The restless youth search'd all the world around;
But how can Jove in his amours be found?
When, tir'd at length with unsuccessful toil,
To shun his angry sire and native soil,
He goes a suppliant to the Delphick dome;
There asks the God what new appointed home
Should end his wand'rings, and his toils relieve.
The Delphick oracles this answer give.
"Behold among the fields a lonely cow,
Unworn with yokes, unbroken to the plow;
Mark well the place where first she lays her down,
There measure out thy walls, and build thy town,
And from thy guide Boeotia call the land,
In which the destin'd walls and town shall stand."
No sooner had he left the dark abode,
Big with the promise of the Delphick God,
When in the fields the fatal cow he view'd,
Nor gall'd with yokes, nor worn with servitude:
Her gently at a distance he pursu'd;
And as he walk'd aloof, in silence pray'd
To the great Pow'r whose counsels he obey'd.
Her way thro' flow'ry Panope she took,
And now, Cephisus, cross'd thy silver brook;
When to the Heav'ns her spacious front she rais'd,
And bellow'd thrice, then backward turning gaz'd
On those behind, 'till on the destin'd place
She stoop'd, and couch'd amid the rising grass.
Cadmus salutes the soil, and gladly hails
The new-found mountains, and the nameless vales,
And thanks the Gods, and turns about his eye
To see his new dominions round him lye;
Then sends his servants to a neighb'ring grove
For living streams, a sacrifice to Jove.
O'er the wide plain there rose a shady wood
Of aged trees; in its dark bosom stood
A bushy thicket, pathless and unworn,
O'er-run with brambles, and perplex'd with thorn:
Amidst the brake a hollow den was found,
With rocks and shelving arches vaulted round.
Deep in the dreary den, conceal'd from day,
Sacred to Mars, a mighty dragon lay,
Bloated with poison to a monstrous size;
Fire broke in flashes when he glanc'd his eyes:
His tow'ring crest was glorious to behold,
His shoulders and his sides were scal'd with gold;
Three tongues he brandish'd when he charg'd his foes;
His teeth stood jaggy in three dreadful rowes.
The Tyrians in the den for water sought,
And with their urns explor'd the hollow vault:
From side to side their empty urns rebound,
And rowse the sleeping serpent with the sound.
Strait he bestirs him, and is seen to rise;
And now with dreadful hissings fills the skies,
And darts his forky tongues, and rowles his glaring eyes.
The Tyrians drop their vessels in the fright,
All pale and trembling at the hideous sight.
Spire above spire uprear'd in air he stood,
And gazing round him over-look'd the wood:
Then floating on the ground in circles rowl'd;
Then leap'd upon them in a mighty fold.
Of such a bulk, and such a monstrous size
The serpent in the polar circle lyes,
That stretches over half the northern skies.
In vain the Tyrians on their arms rely,
In vain attempt to fight, in vain to fly:
All their endeavours and their hopes are vain;
Some die entangled in the winding train;
Some are devour'd, or feel a loathsom death,
Swoln up with blasts of pestilential breath.
And now the scorching sun was mounted high,
In all its lustre, to the noon-day sky;
When, anxious for his friends, and fill'd with cares,
To search the woods th' impatient chief prepares.
A lion's hide around his loins he wore,
The well poiz'd javelin to the field he bore,
Inur'd to blood; the far-destroying dart;
And, the best weapon, an undaunted heart.
Soon as the youth approach'd the fatal place,
He saw his servants breathless on the grass;
The scaly foe amid their corps he view'd,
Basking at ease, and feasting in their blood.
"Such friends," he cries, "deserv'd a longer date;
But Cadmus will revenge or share their fate."
Then heav'd a stone, and rising to the throw,
He sent it in a whirlwind at the foe:
A tow'r, assaulted by so rude a stroke,
With all its lofty battlements had shook;
But nothing here th' unwieldy rock avails,
Rebounding harmless from the plaited scales,
That, firmly join'd, preserv'd him from a wound,
With native armour crusted all around.
With more success, the dart unerring flew,
Which at his back the raging warriour threw;
Amid the plaited scales it took its course,
And in the spinal marrow spent its force.
The monster hiss'd aloud, and rag'd in vain,
And writh'd his body to and fro with pain;
He bit the dart, and wrench'd the wood away;
The point still buried in the marrow lay.
And now his rage, increasing with his pain,
Reddens his eyes, and beats in ev'ry vein;
Churn'd in his teeth the foamy venom rose,
Whilst from his mouth a blast of vapours flows,
Such as th' infernal Stygian waters cast.
The plants around him wither in the blast.
Now in a maze of rings he lies enrowl'd,
Now all unravel'd, and without a fold;
Now, like a torrent, with a mighty force
Bears down the forest in his boist'rous course.
Cadmus gave back, and on the lion's spoil
Sustain'd the shock, then forc'd him to recoil;
The pointed jav'lin warded off his rage:
Mad with his pains, and furious to engage,
The serpent champs the steel, and bites the spear,
'Till blood and venom all the point besmear.
But still the hurt he yet receiv'd was slight;
For, whilst the champion with redoubled might
Strikes home the jav'lin, his retiring foe
Shrinks from the wound, and disappoints the blow.
The dauntless heroe still pursues his stroke,
And presses forward, 'till a knotty oak
Retards his foe, and stops him in the rear;
Full in his throat he plung'd the fatal spear,
That in th' extended neck a passage found,
And pierc'd the solid timber through the wound.
Fix'd to the reeling trunk, with many a stroke
Of his huge tail he lash'd the sturdy oak;
'Till spent with toil, and lab'ring hard for breath,
He now lay twisting in the pangs of death.
Cadmus beheld him wallow in a flood
Of swimming poison, intermix'd with blood;
When suddenly a speech was heard from high
(The speech was heard, nor was the speaker nigh),
"Why dost thou thus with secret pleasure see,
Insulting man! what thou thy self shalt be?"
Astonish'd at the voice, he stood amaz'd,
And all around with inward horror gaz'd:
When Pallas swift descending from the skies,
Pallas, the guardian of the bold and wise,
Bids him plow up the field, and scatter round
The dragon's teeth o'er all the furrow'd ground;
Then tells the youth how to his wond'ring eyes
Embattled armies from the field should rise.
He sows the teeth at Pallas's command,
And flings the future people from his hand.
The clods grow warm, and crumble where he sows;
And now the pointed spears advance in rows;
Now nodding plumes appear, and shining crests,
Now the broad shoulders and the rising breasts;
O'er all the field the breathing harvest swarms,
A growing host, a crop of men and arms.
So through the parting stage a figure rears
Its body up, and limb by limb appears
By just degrees; 'till all the man arise,
And in his full proportion strikes the eyes.
Cadmus surpriz'd, and startled at the sight
Of his new foes, prepar'd himself for fight:
When one cry'd out, "Forbear, fond man, forbear
To mingle in a blind promiscuous war."
This said, he struck his brother to the ground,
Himself expiring by another's wound;
Nor did the third his conquest long survive,
Dying ere scarce he had begun to live.
The dire example ran through all the field,
'Till heaps of brothers were by brothers kill'd;
The furrows swam in blood: and only five
Of all the vast increase were left alive.
Echion one, at Pallas's command,
Let fall the guiltless weapon from his hand,
And with the rest a peaceful treaty makes,
Whom Cadmus as his friends and partners takes;
So founds a city on the promis'd earth,
And gives his new Boeotian empire birth.
Here Cadmus reign'd; and now one would have guess'd
The royal founder in his exile blest:
Long did he live within his new abodes,
Ally'd by marriage to the deathless Gods;
And, in a fruitful wife's embraces old,
A long increase of children's children told:
But no frail man, however great or high,
Can be concluded blest before he die.
Actaeon was the first of all his race,
Who griev'd his grandsire in his borrow'd face;
Condemn'd by stern Diana to bemoan
The branching horns, and visage not his own;
To shun his once lov'd dogs, to bound away,
And from their huntsman to become their prey,
And yet consider why the change was wrought,
You'll find it his misfortune, not his fault;
Or, if a fault, it was the fault of chance:
For how can guilt proceed from ignorance?
The Transformation of Actaeon into a Stag
In a fair chace a shady mountain stood,
Well stor'd with game, and mark'd with trails of blood;
Here did the huntsmen, 'till the heat of day,
Pursue the stag, and load themselves with rey:
When thus Actaeon calling to the rest:
"My friends," said he, "our sport is at the best,
The sun is high advanc'd, and downward sheds
His burning beams directly on our heads;
Then by consent abstain from further spoils,
Call off the dogs, and gather up the toils,
And ere to-morrow's sun begins his race,
Take the cool morning to renew the chace."
They all consent, and in a chearful train
The jolly huntsmen, loaden with the slain,
Return in triumph from the sultry plain.
Down in a vale with pine and cypress clad,
Refresh'd with gentle winds, and brown with shade,
The chaste Diana's private haunt, there stood
Full in the centre of the darksome wood
A spacious grotto, all around o'er-grown
With hoary moss, and arch'd with pumice-stone.
From out its rocky clefts the waters flow,
And trickling swell into a lake below.
Nature had ev'ry where so plaid her part,
That ev'ry where she seem'd to vie with art.
Here the bright Goddess, toil'd and chaf'd with heat,
Was wont to ba the her in the cool retreat.
Here did she now with all her train resort,
Panting with heat, and breathless from the sport;
Her armour-bearer laid her bow aside,
Some loos'd her sandals, some her veil unty'd;
Each busy nymph her proper part undrest;
While Crocale, more handy than the rest,
Gather'd her flowing hair, and in a noose
Bound it together, whilst her own hung loose.
Five of the more ignoble sort by turns
Fetch up the water, and unlade the urns.
Now all undrest the shining Goddess stood,
When young Actaeon, wilder'd in the wood,
To the cool grott by his hard fate betray'd,
The fountains fill'd with naked nymphs survey'd.
The frighted virgins shriek'd at the surprize
(The forest echo'd with their piercing cries).
Then in a huddle round their Goddess prest:
She, proudly eminent above the rest,
With blushes glow'd; such blushes as adorn
The ruddy welkin, or the purple morn;
And tho' the crowding nymphs her body hide,
Half backward shrunk, and view'd him from a side.
Surpriz'd, at first she would have snatch'd her bow,
But sees the circling waters round her flow;
These in the hollow of her hand she took,
And dash'd 'em in his face, while thus she spoke:
"Tell, if thou can'st, the wond'rous sight disclos'd,
A Goddess naked to thy view expos'd."
This said, the man begun to disappear
By slow degrees, and ended in a deer.
A rising horn on either brow he wears,
And stretches out his neck, and pricks his ears;
Rough is his skin, with sudden hairs o'er-grown,
His bosom pants with fears before unknown:
Transform'd at length, he flies away in haste,
And wonders why he flies away so fast.
But as by chance, within a neighb'ring brook,
He saw his branching horns and alter'd look.
Wretched Actaeon! in a doleful tone
He try'd to speak, but only gave a groan;
And as he wept, within the watry glass
He saw the big round drops, with silent pace,
Run trickling down a savage hairy face.
What should he do? Or seek his old abodes,
Or herd among the deer, and sculk in woods!
Here shame dissuades him, there his fear prevails,
And each by turns his aking heart assails.
As he thus ponders, he behind him spies
His op'ning hounds, and now he hears their cries:
A gen'rous pack, or to maintain the chace,
Or snuff the vapour from the scented grass.
He bounded off with fear, and swiftly ran
O'er craggy mountains, and the flow'ry plain;
Through brakes and thickets forc'd his way, and flew
Through many a ring, where once he did pursue.
In vain he oft endeavour'd to proclaim
His new misfortune, and to tell his name;
Nor voice nor words the brutal tongue supplies;
From shouting men, and horns, and dogs he flies,
Deafen'd and stunn'd with their promiscuous cries.
When now the fleetest of the pack, that prest
Close at his heels, and sprung before the rest,
Had fasten'd on him, straight another pair,
Hung on his wounded haunch, and held him there,
'Till all the pack came up, and ev'ry hound
Tore the sad huntsman grov'ling on the ground,
Who now appear'd but one continu'd wound.
With dropping tears his bitter fate he moans,
And fills the mountain with his dying groans.
His servants with a piteous look he spies,
And turns about his supplicating eyes.
His servants, ignorant of what had chanc'd,
With eager haste and joyful shouts advanc'd,
And call'd their lord Actaeon to the game.
He shook his head in answer to the name;
He heard, but wish'd he had indeed been gone,
Or only to have stood a looker-on.
But to his grief he finds himself too near,
And feels his rav'nous dogs with fury tear
Their wretched master panting in a deer.
The Birth of Bacchus
Actaeon's suff'rings, and Diana's rage,
Did all the thoughts of men and Gods engage;
Some call'd the evils which Diana wrought,
Too great, and disproportion'd to the fault:
Others again, esteem'd Actaeon's woes
Fit for a virgin Goddess to impose.
The hearers into diff'rent parts divide,
And reasons are produc'd on either side.
Juno alone, of all that heard the news,
Nor would condemn the Goddess, nor excuse:
She heeded not the justice of the deed,
But joy'd to see the race of Cadmus bleed;
For still she kept Europa in her mind,
And, for her sake, detested all her kind.
Besides, to aggravate her hate, she heard
How Semele, to Jove's embrace preferr'd,
Was now grown big with an immortal load,
And carry'd in her womb a future God.
Thus terribly incens'd, the Goddess broke
To sudden fury, and abruptly spoke.
"Are my reproaches of so small a force?
'Tis time I then pursue another course:
It is decreed the guilty wretch shall die,
If I'm indeed the mistress of the sky,
If rightly styl'd among the Pow'rs above
The wife and sister of the thund'ring Jove
(And none can sure a sister's right deny);
It is decreed the guilty wretch shall die.
She boasts an honour I can hardly claim,
Pregnant she rises to a mother's name;
While proud and vain she triumphs in her Jove,
And shows the glorious tokens of his love:
But if I'm still the mistress of the skies,
By her own lover the fond beauty dies."
This said, descending in a yellow cloud,
Before the gates of Semele she stood.
Old Beroe's decrepit shape she wears,
Her wrinkled visage, and her hoary hairs;
Whilst in her trembling gait she totters on,
And learns to tattle in the nurse's tone.
The Goddess, thus disguis'd in age, beguil'd
With pleasing stories her false foster-child.
Much did she talk of love, and when she came
To mention to the nymph her lover's name,
Fetching a sigh, and holding down her head,
"'Tis well," says she, "if all be true that's said.
But trust me, child, I'm much inclin'd to fear
Some counterfeit in this your Jupiter:
Many an honest well-designing maid
Has been by these pretended Gods betray'd,
But if he be indeed the thund'ring Jove,
Bid him, when next he courts the rites of love,
Descend triumphant from th' etherial sky,
In all the pomp of his divinity,
Encompass'd round by those celestial charms,
With which he fills th' immortal Juno's arms."
Th' unwary nymph, ensnar'd with what she said,
Desir'd of Jove, when next he sought her bed,
To grant a certain gift which she would chuse;
"Fear not," reply'd the God, "that I'll refuse
Whate'er you ask: may Styx confirm my voice,
Chuse what you will, and you shall have your choice."
"Then," says the nymph, "when next you seek my arms,
May you descend in those celestial charms,
With which your Juno's bosom you enflame,
And fill with transport Heav'n's immortal dame."
The God surpriz'd would fain have stopp'd her voice,
But he had sworn, and she had made her choice.
To keep his promise he ascends, and shrowds
His awful brow in whirl-winds and in clouds;
Whilst all around, in terrible array,
His thunders rattle, and his light'nings play.
And yet, the dazling lustre to abate,
He set not out in all his pomp and state,
Clad in the mildest light'ning of the skies,
And arm'd with thunder of the smallest size:
Not those huge bolts, by which the giants slain
Lay overthrown on the Phlegrean plain.
'Twas of a lesser mould, and lighter weight;
They call it thunder of a second-rate,
For the rough Cyclops, who by Jove's comm and
Temper'd the bolt, and turn'd it to his hand,
Work'd up less flame and fury in its make,
And quench'd it sooner in the standing lake.
Thus dreadfully adorn'd, with horror bright,
Th' illustrious God, descending from his height,
Came rushing on her in a storm of light.
The mortal dame, too feeble to engage
The lightning's flashes, and the thunder's rage,
Consum'd amidst the glories she desir'd,
And in the terrible embrace expir'd.
But, to preserve his offspring from the tomb,
Jove took him smoaking from the blasted womb:
And, if on ancient tales we may rely,
Inclos'd th' abortive infant in his thigh.
Here when the babe had all his time fulfill'd,
Ino first took him for her foster-child;
Then the Niseans, in their dark abode,
Nurs'd secretly with milk the thriving God.
The Transformation of Tiresias
'Twas now, while these transactions past on Earth,
And Bacchus thus procur'd a second birth,
When Jove, dispos'd to lay aside the weight
Of publick empire and the cares of state,
As to his queen in nectar bowls he quaff'd,
"In troth," says he, and as he spoke he laugh'd,
"The sense of pleasure in the male is far
More dull and dead, than what you females share."
Juno the truth of what was said deny'd;
Tiresias therefore must the cause decide,
For he the pleasure of each sex had try'd.
It happen'd once, within a shady wood,
Two twisted snakes he in conjunction view'd,
When with his staff their slimy folds he broke,
And lost his manhood at the fatal stroke.
But, after seven revolving years, he view'd
The self-same serpents in the self-same wood:
"And if," says he, "such virtue in you lye,
That he who dares your slimy folds untie
Must change his kind, a second stroke I'll try."
Again he struck the snakes, and stood again
New-sex'd, and strait recover'd into man.
Him therefore both the deities create
The sov'raign umpire, in their grand debate;
And he declar'd for Jove: when Juno fir'd,
More than so trivial an affair requir'd,
Depriv'd him, in her fury, of his sight,
And left him groping round in sudden night.
But Jove (for so it is in Heav'n decreed,
That no one God repeal another's deed)
Irradiates all his soul with inward light,
And with the prophet's art relieves the want of sight.
The Transformation of Echo
Fam'd far and near for knowing things to come,
From him th' enquiring nations sought their doom;
The fair Liriope his answers try'd,
And first th' unerring prophet justify'd.
This nymph the God Cephisus had abus'd,
With all his winding waters circumfus'd,
And on the Nereid got a lovely boy,
Whom the soft maids ev'n then beheld with joy.
The tender dame, sollicitous to know
Whether her child should reach old age or no,
Consults the sage Tiresias, who replies,
"If e'er he knows himself he surely dies."
Long liv'd the dubious mother in suspence,
'Till time unriddled all the prophet's sense.
Narcissus now his sixteenth year began,
Just turn'd of boy, and on the verge of man;
Many a friend the blooming youth caress'd,
Many a love-sick maid her flame confess'd:
Such was his pride, in vain the friend caress'd,
The love-sick maid in vain her flame confess'd.
Once, in the woods, as he pursu'd the chace,
The babbling Echo had descry'd his face;
She, who in others' words her silence breaks,
Nor speaks her self but when another speaks.
Echo was then a maid, of speech bereft,
Of wonted speech; for tho' her voice was left,
Juno a curse did on her tongue impose,
To sport with ev'ry sentence in the close.
Full often when the Goddess might have caught
Jove and her rivals in the very fault,
This nymph with subtle stories would delay
Her coming, 'till the lovers slip'd away.
The Goddess found out the deceit in time,
And then she cry'd, "That tongue, for this thy crime,
Which could so many subtle tales produce,
Shall be hereafter but of little use."
Hence 'tis she prattles in a fainter tone,
With mimick sounds, and accents not her own.
This love-sick virgin, over-joy'd to find
The boy alone, still follow'd him behind:
When glowing warmly at her near approach,
As sulphur blazes at the taper's touch,
She long'd her hidden passion to reveal,
And tell her pains, but had not words to tell:
She can't begin, but waits for the rebound,
To catch his voice, and to return the sound.
The nymph, when nothing could Narcissus move,
Still dash'd with blushes for her slighted love,
Liv'd in the shady covert of the woods,
In solitary caves and dark abodes;
Where pining wander'd the rejected fair,
'Till harrass'd out, and worn away with care,
The sounding skeleton, of blood bereft,
Besides her bones and voice had nothing left.
Her bones are petrify'd, her voice is found
In vaults, where still it doubles ev'ry sound.
The Story of Narcissus
Thus did the nymphs in vain caress the boy,
He still was lovely, but he still was coy;
When one fair virgin of the slighted train
Thus pray'd the Gods, provok'd by his disdain,
"Oh may he love like me, and love like me in vain!"
Rhamnusia pity'd the neglected fair,
And with just vengeance answer'd to her pray'r.
There stands a fountain in a darksom wood,
Nor stain'd with falling leaves nor rising mud;
Untroubled by the breath of winds it rests,
Unsully'd by the touch of men or beasts;
High bow'rs of shady trees above it grow,
And rising grass and chearful greens below.
Pleas'd with the form and coolness of the place,
And over-heated by the morning chace,
Narcissus on the grassie verdure lyes:
But whilst within the chrystal fount he tries
To quench his heat, he feels new heats arise.
For as his own bright image he survey'd,
He fell in love with the fantastick shade;
And o'er the fair resemblance hung unmov'd,
Nor knew, fond youth! it was himself he lov'd.
The well-turn'd neck and shoulders he descries,
The spacious forehead, and the sparkling eyes;
The hands that Bacchus might not scorn to show,
And hair that round Apollo's head might flow;
With all the purple youthfulness of face,
That gently blushes in the wat'ry glass.
By his own flames consum'd the lover lyes,
And gives himself the wound by which he dies.
To the cold water oft he joins his lips,
Oft catching at the beauteous shade he dips
His arms, as often from himself he slips.
Nor knows he who it is his arms pursue
With eager clasps, but loves he knows not who.
What could, fond youth, this helpless passion move?
What kindled in thee this unpity'd love?
Thy own warm blush within the water glows,
With thee the colour'd shadow comes and goes,
Its empty being on thy self relies;
Step thou aside, and the frail charmer dies.
Still o'er the fountain's wat'ry gleam he stood,
Mindless of sleep, and negligent of food;
Still view'd his face, and languish'd as he view'd.
At length he rais'd his head, and thus began
To vent his griefs, and tell the woods his pain.
"You trees," says he, "and thou surrounding grove,
Who oft have been the kindly scenes of love,
Tell me, if e'er within your shades did lye
A youth so tortur'd, so perplex'd as I?
I, who before me see the charming fair,
Whilst there he stands, and yet he stands not there:
In such a maze of love my thoughts are lost:
And yet no bulwark'd town, nor distant coast,
Preserves the beauteous youth from being seen,
No mountains rise, nor oceans flow between.
A shallow water hinders my embrace;
And yet the lovely mimick wears a face
That kindly smiles, and when I bend to join
My lips to his, he fondly bends to mine.
Hear, gentle youth, and pity my complaint,
Come from thy well, thou fair inhabitant.
My charms an easy conquest have obtain'd
O'er other hearts, by thee alone disdain'd.
But why should I despair? I'm sure he burns
With equal flames, and languishes by turns.
When-e'er I stoop, he offers at a kiss,
And when my arms I stretch, he stretches his.
His eye with pleasure on my face he keeps,
He smiles my smiles, and when I weep he weeps.
When e'er I speak, his moving lips appear
To utter something, which I cannot hear.
"Ah wretched me! I now begin too late
To find out all the long-perplex'd deceit;
It is my self I love, my self I see;
The gay delusion is a part of me.
I kindle up the fires by which I burn,
And my own beauties from the well return.
Whom should I court? how utter my complaint?
Enjoyment but produces my restraint,
And too much plenty makes me die for want.
How gladly would I from my self remove!
And at a distance set the thing I love.
My breast is warm'd with such unusual fire,
I wish him absent whom I most desire.
And now I faint with grief; my fate draws nigh;
In all the pride of blooming youth I die.
Death will the sorrows of my heart relieve.
Oh might the visionary youth survive,
I should with joy my latest breath resign!
But oh! I see his fate involv'd in mine."
This said, the weeping youth again return'd
To the clear fountain, where again he burn'd;
His tears defac'd the surface of the well,
With circle after circle, as they fell:
And now the lovely face but half appears,
O'er-run with wrinkles, and deform'd with tears.
"Ah whither," cries Narcissus, "dost thou fly?
Let me still feed the flame by which I die;
Let me still see, tho' I'm no further blest."
Then rends his garment off, and beats his breast:
His naked bosom redden'd with the blow,
In such a blush as purple clusters show,
Ere yet the sun's autumnal heats refine
Their sprightly juice, and mellow it to wine.
The glowing beauties of his breast he spies,
And with a new redoubled passion dies.
As wax dissolves, as ice begins to run,
And trickle into drops before the sun;
So melts the youth, and languishes away,
His beauty withers, and his limbs decay;
And none of those attractive charms remain,
To which the slighted Echo su'd in vain.
She saw him in his present misery,
Whom, spight of all her wrongs, she griev'd to see.
She answer'd sadly to the lover's moan,
Sigh'd back his sighs, and groan'd to ev'ry groan:
"Ah youth! belov'd in vain," Narcissus cries;
"Ah youth! belov'd in vain," the nymph replies.
"Farewel," says he; the parting sound scarce fell
From his faint lips, but she reply'd, "farewel."
Then on th' wholsome earth he gasping lyes,
'Till death shuts up those self-admiring eyes.
To the cold shades his flitting ghost retires,
And in the Stygian waves it self admires.
For him the Naiads and the Dryads mourn,
Whom the sad Echo answers in her turn;
And now the sister-nymphs prepare his urn:
When, looking for his corps, they only found
A rising stalk, with yellow blossoms crown'd.
The Story of Pentheus
This sad event gave blind Tiresias fame,
Through Greece establish'd in a prophet's name.
Th' unhallow'd Pentheus only durst deride
The cheated people, and their eyeless guide.
To whom the prophet in his fury said,
Shaking the hoary honours of his head:
"'Twere well, presumptuous man, 'twere well for thee
If thou wert eyeless too, and blind, like me:
For the time comes, nay, 'tis already here,
When the young God's solemnities appear:
Which, if thou dost not with just rites adorn,
Thy impious carcass, into pieces torn,
Shall strew the woods, and hang on ev'ry thorn.
Then, then, remember what I now foretel,
And own the blind Tiresias saw too well."
Still Pentheus scorns him, and derides his skill;
But time did all the prophet's threats fulfil.
For now through prostrate Greece young Bacchus rode,
Whilst howling matrons celebrate the God:
All ranks and sexes to his Orgies ran,
To mingle in the pomps, and fill the train.
When Pentheus thus his wicked rage express'd:
"What madness, Thebans, has your souls possess'd?
Can hollow timbrels, can a drunken shout,
And the lewd clamours of a beastly rout,
Thus quell your courage; can the weak alarm
Of women's yells those stubborn souls disarm,
Whom nor the sword nor trumpet e'er could fright,
Nor the loud din and horror of a fight?
And you, our sires, who left your old abodes,
And fix'd in foreign earth your country Gods;
Will you without a stroak your city yield,
And poorly quit an undisputed field?
But you, whose youth and vigour should inspire
Heroick warmth, and kindle martial fire,
Whom burnish'd arms and crested helmets grace,
Not flow'ry garlands and a painted face;
Remember him to whom you stand ally'd:
The serpent for his well of waters dy'd.
He fought the strong; do you his courage show,
And gain a conquest o'er a feeble foe.
If Thebes must fall, oh might the fates afford
A nobler doom from famine, fire, or sword.
Then might the Thebans perish with renown:
But now a beardless victor sacks the town;
Whom nor the prancing steed, nor pond'rous shield,
Nor the hack'd helmet, nor the dusty field,
But the soft joys of luxury and ease,
The purple vests, and flow'ry garlands please.
Stand then aside, I'll make the counterfeit
Renounce his god-head, and confess the cheat.
Acrisius from the Grecian walls repell'd
This boasted pow'r; why then should Pentheus yield?
Go quickly drag th' impostor boy to me;
I'll try the force of his divinity."
Thus did th' audacious wretch those rites profane;
His friends dissuade th' audacious wretch in vain:
In vain his grandsire urg'd him to give o'er
His impious threats; the wretch but raves the more.
So have I seen a river gently glide,
In a smooth course, and inoffensive tide;
But if with dams its current we restrain,
It bears down all, and foams along the plain.
But now his servants came besmear'd with blood,
Sent by their haughty prince to seize the God;
The God they found not in the frantick throng,
But dragg'd a zealous votary along.
The Mariners transform'd to Dolphins
Him Pentheus view'd with fury in his look,
And scarce with-held his hands, whilst thus he spoke:
"Vile slave! whom speedy vengeance shall pursue,
And terrify thy base seditious crew:
Thy country and thy parentage reveal,
And, why thou joinest in these mad Orgies, tell."
The captive views him with undaunted eyes,
And, arm'd with inward innocence, replies,
"From high Meonia's rocky shores I came,
Of poor descent, Acoetes is my name:
My sire was meanly born; no oxen plow'd
His fruitful fields, nor in his pastures low'd.
His whole estate within the waters lay;
With lines and hooks he caught the finny prey,
His art was all his livelyhood; which he
Thus with his dying lips bequeath'd to me:
In streams, my boy, and rivers take thy chance;
There swims, said he, thy whole inheritance.
Long did I live on this poor legacy;
'Till tir'd with rocks, and my old native sky,
To arts of navigation I inclin'd;
Observ'd the turns and changes of the wind,
Learn'd the fit havens, and began to note
The stormy Hyades, the rainy Goat,
The bright Taygete, and the shining Bears,
With all the sailor's catalogue of stars.
"Once, as by chance for Delos I design'd,
My vessel, driv'n by a strong gust of wind,
Moor'd in a Chian Creek; a-shore I went,
And all the following night in Chios spent.
When morning rose, I sent my mates to bring
Supplies of water from a neighb'ring spring,
Whilst I the motion of the winds explor'd;
Then summon'd in my crew, and went aboard.
Opheltes heard my summons, and with joy
Brought to the shore a soft and lovely boy,
With more than female sweetness in his look,
Whom straggling in the neighb'ring fields he took.
With fumes of wine the little captive glows,
And nods with sleep, and staggers as he goes.
"I view'd him nicely, and began to trace
Each heav'nly feature, each immortal grace,
And saw divinity in all his face,
I know not who, said I, this God should be;
But that he is a God I plainly see:
And thou, who-e'er thou art, excuse the force
These men have us'd; and oh befriend our course!
Pray not for us, the nimble Dictys cry'd,
Dictys, that could the main-top mast bestride,
And down the ropes with active vigour slide.
To the same purpose old Epopeus spoke,
Who over-look'd the oars, and tim'd the stroke;
The same the pilot, and the same the rest;
Such impious avarice their souls possest.
Nay, Heav'n forbid that I should bear away
Within my vessel so divine a prey,
Said I; and stood to hinder their intent:
When Lycabas, a wretch for murder sent
From Tuscany, to suffer banishment,
With his clench'd fist had struck me over-board,
Had not my hands in falling grasp'd a cord.
"His base confederates the fact approve;
When Bacchus (for 'twas he) begun to move,
Wak'd by the noise and clamours which they rais'd;
And shook his drowsie limbs, and round him gaz'd:
What means this noise? he cries; am I betray'd?
Ah, whither, whither must I be convey'd?
Fear not, said Proreus, child, but tell us where
You wish to land, and trust our friendly care.
To Naxos then direct your course, said he;
Naxos a hospitable port shall be
To each of you, a joyful home to me.
By ev'ry God, that rules the sea or sky,
The perjur'd villains promise to comply,
And bid me hasten to unmoor the ship.
With eager joy I launch into the deep;
And, heedless of the fraud, for Naxos stand.
They whisper oft, and beckon with the hand,
And give me signs, all anxious for their prey,
To tack about, and steer another way.
Then let some other to my post succeed,
Said I, I'm guiltless of so foul a deed.
What, says Ethalion, must the ship's whole crew
Follow your humour, and depend on you?
And strait himself he seated at the prore,
And tack'd about, and sought another shore.
"The beauteous youth now found himself betray'd,
And from the deck the rising waves survey'd,
And seem'd to weep, and as he wept he said:
And do you thus my easy faith beguile?
Thus do you bear me to my native isle?
Will such a multitude of men employ
Their strength against a weak defenceless boy?
"In vain did I the God-like youth deplore,
The more I begg'd, they thwarted me the more.
And now by all the Gods in Heav'n that hear
This solemn oath, by Bacchus' self, I swear,
The mighty miracle that did ensue,
Although it seems beyond belief, is true.
The vessel, fix'd and rooted in the flood,
Unmov'd by all the beating billows stood.
In vain the mariners would plow the main
With sails unfurl'd, and strike their oars in vain;
Around their oars a twining ivy cleaves,
And climbs the mast, and hides the cords in leaves:
The sails are cover'd with a chearful green,
And berries in the fruitful canvass seen.
Amidst the waves a sudden forest rears
Its verdant head, and a new Spring appears.
"The God we now behold with open'd eyes;
A herd of spotted panthers round him lyes
In glaring forms; the grapy clusters spread
On his fair brows, and dangle on his head.
And whilst he frowns, and brandishes his spear,
My mates surpriz'd with madness or with fear,
Leap'd over board; first perjur'd Madon found
Rough scales and fins his stiff'ning sides surround;
Ah what, cries one, has thus transform'd thy look?
Strait his own mouth grew wider as he spoke;
And now himself he views with like surprize.
Still at his oar th' industrious Libys plies;
But, as he plies, each busy arm shrinks in,
And by degrees is fashion'd to a fin.
Another, as he catches at a cord,
Misses his arms, and, tumbling over-board,
With his broad fins and forky tail he laves
The rising surge, and flounces in the waves.
Thus all my crew transform'd around the ship,
Or dive below, or on the surface leap,
And spout the waves, and wanton in the deep.
Full nineteen sailors did the ship convey,
A shole of nineteen dolphins round her play.
I only in my proper shape appear,
Speechless with wonder, and half dead with fear,
'Till Bacchus kindly bid me fear no more.
With him I landed on the Chian shore,
And him shall ever gratefully adore."
"This forging slave," says Pentheus, "would prevail
O'er our just fury by a far-fetch'd tale:
Go, let him feel the whips, the swords, the fire,
And in the tortures of the rack expire."
Th' officious servants hurry him away,
And the poor captive in a dungeon lay.
But, whilst the whips and tortures are prepar'd,
The gates fly open, of themselves unbarr'd;
At liberty th' unfetter'd captive stands,
And flings the loosen'd shackles from his hands.
The Death of Pentheus
But Pentheus, grown more furious than before,
Resolv'd to send his messengers no more,
But went himself to the distracted throng,
Where high Cithaeron echo'd with their song.
And as the fiery war-horse paws the ground,
And snorts and trembles at the trumpet's sound;
Transported thus he heard the frantick rout,
And rav'd and madden'd at the distant shout.
A spacious circuit on the hill there stood.
Level and wide, and skirted round with wood;
Here the rash Pentheus, with unhallow'd eyes,
The howling dames and mystick Orgies spies.
His mother sternly view'd him where he stood,
And kindled into madness as she view'd:
Her leafy jav'lin at her son she cast,
And cries, "The boar that lays our country waste!
The boar, my sisters! Aim the fatal dart,
And strike the brindled monster to the heart."
Pentheus astonish'd heard the dismal sound,
And sees the yelling matrons gath'ring round;
He sees, and weeps at his approaching fate,
And begs for mercy, and repents too late.
"Help, help! my aunt Autonoe," he cry'd;
"Remember, how your own Actaeon dy'd."
Deaf to his cries, the frantick matron crops
One stretch'd-out arm, the other Ino lops.
In vain does Pentheus to his mother sue,
And the raw bleeding stumps presents to view:
His mother howl'd; and, heedless of his pray'r,
Her trembling hand she twisted in his hair,
"And this," she cry'd, "shall be Agave's share,"
When from the neck his struggling head she tore,
And in her hands the ghastly visage bore.
With pleasure all the hideous trunk survey;
Then pull'd and tore the mangled limbs away,
As starting in the pangs of death it lay,
Soon as the wood its leafy honours casts,
Blown off and scatter'd by autumnal blasts,
With such a sudden death lay Pentheus slain,
And in a thousand pieces strow'd the plain.
By so distinguishing a judgment aw'd,
The Thebans tremble, and confess the God.
----------------------------------------------------------------------
~ Ovid, BOOK THE THIRD
,#NFDB
414:DRAMATIS PERSONAE
King Charles I.
Queen Henrietta.
Laud, Archbishop of Canterbury.
Wentworth, Earl of Strafford.
Lord Cottington.
Lord Weston.
Lord Coventry.
Williams, Bishop of Lincoln.
Secretary Lyttelton.
Juxon.
St. John.
Archy, the Court Fool.
Hampden.
Pym.
Cromwell.
Cromwell's Daughter.
Sir Harry Vane the younger.
Leighton.
Bastwick.
Prynne.
Gentlemen of the Inns of Court, Citizens, Pursuivants, Marshalsmen, Law Students, Judges, Clerk.
Scene I.
---The Masque of the Inns of Court.
A Pursuivant.
Place, for the Marshal of the Masque!
First Citizen.
What thinkest thou of this quaint masque which turns,
Like morning from the shadow of the night,
The night to day, and London to a place
Of peace and joy?
Second Citizen.
And Hell to Heaven.
Eight years are gone,
And they seem hours, since in this populous street
I trod on grass made green by summer's rain,
For the red plague kept state within that palace
Where now that vanity reigns. In nine years more
The roots will be refreshed with civil blood;
And thank the mercy of insulted Heaven
That sin and wrongs wound, as an orphan's cry,
The patience of the great Avenger's ear.
A Youth.
Yet, father, 'tis a happy sight to see,
Beautiful, innocent, and unforbidden
By God or man;'tis like the bright procession
Of skiey visions in a solemn dream
From which men wake as from a Paradise,
And draw new strength to tread the thorns of life.
If God be good, wherefore should this be evil?
And if this be not evil, dost thou not draw
Unseasonable poison from the flowers
Which bloom so rarely in this barren world?
Oh, kill these bitter thoughts which make the present
Dark as the future!. . .
When Avarice and Tyranny, vigilant Fear,
And open-eyed Conspiracy lie sleeping
As on Hell's threshold; and all gentle thoughts
Waken to worship Him who giveth joys
With His own gift.
Second Citizen.
How young art thou in this old age of time!
How green in this gray world? Canst thou discern
The signs of seasons, yet perceive no hint
Of change in that stage-scene in which thou art
Not a spectator but an actor? or
Art thou a puppet moved by [enginery]?
The day that dawns in fire will die in storms,
Even though the noon be calm. My travel's done,
Before the whirlwind wakes I shall have found
My inn of lasting rest; but thou must still
Be journeying on in this inclement air.
Wrap thy old cloak about thy back;
Nor leave the broad and plain and beaten road,
Although no flowers smile on the trodden dust,
For the violet paths of pleasure. This Charles the First
Rose like the equinoctial sun, . . .
By vapours, through whose threatening ominous veil
Darting his altered influence he has gained
This height of noonfrom which he must decline
Amid the darkness of conflicting storms,
To dank extinction and to latest night . . .
There goes
The apostate Strafford; he whose titles
whispered aphorisms
From Machiavel and Bacon: and, if Judas
Had been as brazen and as bold as he
First Citizen.
That
Is the Archbishop.
Second Citizen.
Rather say the Pope:
London will be soon his Rome: he walks
As if he trod upon the heads of men:
He looks elate, drunken with blood and gold;
Beside him moves the Babylonian woman
Invisibly, and with her as with his shadow,
Mitred adulterer! he is joined in sin,
Which turns Heaven's milk of mercy to revenge.
Third Citizen
(lifting up his eyes).
Good Lord! rain it down upon him! . . .
Amid her ladies walks the papist queen,
As if her nice feet scorned our English earth.
The Canaanitish Jezebel! I would be
A dog if I might tear her with my teeth!
There's old Sir Henry Vane, the Earl of Pembroke,
Lord Essex, and Lord Keeper Coventry,
And others who make base their English breed
By vile participation of their honours
With papists, atheists, tyrants, and apostates.
When lawyers masque 'tis time for honest men
To strip the vizor from their purposes.
A seasonable time for masquers this!
When Englishmen and Protestants should sit
. . . dust on their dishonoured heads,
To avert the wrath of Him whose scourge is felt
For the great sins which have drawn down from Heaven
. . . and foreign overthrow.
The remnant of the martyred saints in Rochefort
Have been abandoned by their faithless allies
To that idolatrous and adulterous torturer
Lewis of France,the Palatinate is lost Enter Leighton (who has been branded in the face) and Bastwick.
Canst thou be -- art thou? --
Leighton.
I was Leighton: what
I am thou seest. And yet turn thine eyes,
And with thy memory look on thy friend's mind,
Which is unchanged, and where is written deep
The sentence of my judge.
Third Citizen.
Are these the marks with which
Laud thinks to improve the image of his Maker
Stamped on the face of man? Curses upon him,
The impious tyrant!
Second Citizen.
It is said besides
That lewd and papist drunkards may profane
The Sabbath with their...
And has permitted that most heathenish custom
Of dancing round a pole dressed up with wreaths
On May-day.
A man who thus twice crucifies his God
May well...his brother.In my mind, friend,
The root of all this ill is prelacy.
I would cut up the root.
Third Citizen.
And by what means?
Second Citizen.
Smiting each Bishop under the fifth rib.
Third Citizen.
You seem to know the vulnerable place
Of these same crocodiles.
Second Citizen.
I learnt it in
Egyptian bondage, sir. Your worm of Nile
Betrays not with its flattering tears like they;
For, when they cannot kill, they whine and weep.
Nor is it half so greedy of men's bodies
As they of soul and all; nor does it wallow
In slime as they in simony and lies
And close lusts of the flesh.
A Marshalsman.
Give place, give place!
You torch-bearers, advance to the great gate,
And then attend the Marshal of the Masque
Into the Royal presence.
A Law Student.
What thinkest thou
Of this quaint show of ours, my agd friend?
Even now we see the redness of the torches
Inflame the night to the eastward, and the clarions
[Gasp?] to us on the wind's wave. It comes!
And their sounds, floating hither round the pageant,
Rouse up the astonished air.
First Citizen.
I will not think but that our country's wounds
May yet be healed. The king is just and gracious,
Though wicked counsels now pervert his will:
These once cast off
Second Citizen.
As adders cast their skins
And keep their venom, so kings often change;
Councils and counsellors hang on one another,
Hiding the loathsome
Like the base patchwork of a leper's rags.
The Youth.
Oh, still those dissonant thoughts!List how the music
Grows on the enchanted air! And see, the torches
Restlessly flashing, and the crowd divided
Like waves before an admiral's prow!
A Marshalsman.
Give place
To the Marshal of the Masque!
A Pursuivant.
Room for the King!
The Youth.
How glorious! See those thronging chariots
Rolling, like painted clouds before the wind,
Behind their solemn steeds: how some are shaped
Like curved sea-shells dyed by the azure depths
Of Indian seas; some like the new-born moon;
And some like cars in which the Romans climbed
(Canopied by Victory's eagle-wings outspread)
The CapitolianSee how gloriously
The mettled horses in the torchlight stir
Their gallant riders, while they check their pride,
Like shapes of some diviner element
Than English air, and beings nobler than
The envious and admiring multitude.
Second Citizen.
Ay, there they are
Nobles, and sons of nobles, patentees,
Monopolists, and stewards of this poor farm,
On whose lean sheep sit the prophetic crows,
Here is the pomp that strips the houseless orphan,
Here is the pride that breaks the desolate heart.
These are the lilies glorious as Solomon,
Who toil not, neither do they spin,unless
It be the webs they catch poor rogues withal.
Here is the surfeit which to them who earn
The ****rd wages of the earth, scarce leaves
The tithe that will support them till they crawl
Back to her cold hard bosom. Here is health
Followed by grim disease, glory by shame,
Waste by lame famine, wealth by squalid want,
And England's sin by England's punishment.
And, as the effect pursues the cause foregone,
Lo, giving substance to my words, behold
At once the sign and the thing signified
A troop of cripples, beggars, and lean outcasts,
Horsed upon stumbling jades, carted with dung,
Dragged for a day from cellars and low cabins
And rotten hiding-holes, to point the moral
Of this presentment, and bring up the rear
Of painted pomp with misery!
The Youth.
'Tis but
The anti-masque, and serves as discords do
In sweetest music. Who would love May flowers
If they succeeded not to Winter's flaw;
Or day unchanged by night; or joy itself
Without the touch of sorrow?
Second Citizen.
I and thou
A Marshalsman.
Place, give place!
Scene II.
A Chamber in Whitehall. Enter the King, Queen, Laud, Lord Strafford, Lord Cottington, and other Lords;Archy ; also St. John, with some Gentlemen of the Inns of Court.
King.
Thanks, gentlemen. I heartily accept
This token of your service: your gay masque
Was performed gallantly. And it shows well
When subjects twine such flowers of [observance?]
With the sharp thorns that deck the English crown.
A gentle heart enjoys what it confers,
Even as it suffers that which it inflicts,
Though Justice guides the stroke.
Accept my hearty thanks.
Queen.
And gentlemen,
Call your poor Queen your debtor. Your quaint pageant
Rose on me like the figures of past years,
Treading their still path back to infancy,
More beautiful and mild as they draw nearer
The quiet cradle. I could have almost wept
To think I was in Paris, where these shows
Are well devisedsuch as I was ere yet
My young heart shared a portion of the burthen,
The careful weight, of this great monarchy.
There, gentlemen, between the sovereign's pleasure
And that which it regards, no clamour lifts
Its proud interposition.
In Paris ribald censurers dare not move
Their poisonous tongues against these sinless sports;
And his smile
Warms those who bask in it, as ours would do
If...Take my heart's thanks: add them, gentlemen,
To those good words which, were he King of France,
My royal lord would turn to golden deeds.
St. John.
Madam, the love of Englishmen can make
The lightest favour of their lawful king
Outweigh a despot's.We humbly take our leaves,
Enriched by smiles which France can never buy.
[Exeunt St. John and the Gentlemen of the Inns of Court.
King.
My Lord Archbishop,
Mark you what spirit sits in St. John's eyes?
Methinks it is too saucy for this presence.
Archy.
Yes, pray your Grace look: for, like an unsophisticated [eye] sees everything upside down, you who are wise will discern the shadow of an idiot in lawn sleeves and a rochet setting springes to catch woodcocks in haymaking time. Poor Archy, whose owl-eyes are tempered to the error of his age, and because he is a fool, and by special ordinance of God forbidden ever to see himself as he is, sees now in that deep eye a blindfold devil sitting on the ball, and weighing words out between king and subjects. One scale is full of promises, and the other full of protestations: and then another devil creeps behind the first out of the dark windings [of a] pregnant lawyer's brain, and takes the bandage from the other's eyes, and throws a sword into the left-hand scale, for all the world like my Lord Essex's there.
Strafford.
A rod in pickle for the Fool's back!
Archy.
Ay, and some are now smiling whose tears will make the brine; for the Fool sees--
Strafford.
Insolent! You shall have your coat turned and be whipped out of the palace for this.
Archy.
When all the fools are whipped, and all the Protestant writers, while the knaves are whipping the fools ever since a thief was set to catch a thief. If all turncoats were whipped out of palaces, poor Archy would be disgraced in good company. Let the knaves whip the fools, and all the fools laugh at it. [Let the] wise and godly slit each other's noses and ears (having no need of any sense of discernment in their craft); and the knaves, to marshal them, join in a procession to Bedlam, to entreat the madmen to omit their sublime Platonic contemplations, and manage the state of England. Let all the honest men who lie [pinched?] up at the prisons or the pillories, in custody of the pursuivants of the High-Commission Court, marshal them.
Enter Secretary Lyttelton, with papers.
King
(looking over the papers).
These stiff Scots
His Grace of Canterbury must take order
To force under the Church's yoke.You, Wentworth,
Shall be myself in Ireland, and shall add
Your wisdom, gentleness, and energy,
To what in me were wanting.My Lord Weston,
Look that those merchants draw not without loss
Their bullion from the Tower; and, on the payment
Of shipmoney, take fullest compensation
For violation of our royal forests,
Whose limits, from neglect, have been o'ergrown
With cottages and cornfields. The uttermost
Farthing exact from those who claim exemption
From knighthood: that which once was a reward
Shall thus be made a punishment, that subjects
May know how majesty can wear at will
The rugged mood.My Lord of Coventry,
Lay my command upon the Courts below
That bail be not accepted for the prisoners
Under the warrant of the Star Chamber.
The people shall not find the stubbornness
Of Parliament a cheap or easy method
Of dealing with their rightful sovereign:
And doubt not this, my Lord of Coventry,
We will find time and place for fit rebuke.
My Lord of Canterbury.
Archy.
The fool is here.
Laud.
I crave permission of your Majesty
To order that this insolent fellow be
Chastised: he mocks the sacred character,
Scoffs at the state, and--
King.
What, my Archy?
He mocks and mimics all he sees and hears,
Yet with a quaint and graceful licencePrithee
For this once do not as Prynne would, were he
Primate of England. With your Grace's leave,
He lives in his own world; and, like a parrot
Hung in his gilded prison from the window
Of a queen's bower over the public way,
Blasphemes with a bird's mind:his words, like arrows
Which know no aim beyond the archer's wit,
Strike sometimes what eludes philosophy.
(To Archy.)
Go, sirrah, and repent of your offence
Ten minutes in the rain; be it your penance
To bring news how the world goes there.
[Exit Archy.
Poor Archy!
He weaves about himself a world of mirth
Out of the wreck of ours.
Laud.
I take with patience, as my Master did,
All scoffs permitted from above.
King.
My lord,
Pray overlook these papers. Archy's words
Had wings, but these have talons.
Queen.
And the lion
That wears them must be tamed. My dearest lord,
I see the new-born courage in your eye
Armed to strike dead the Spirit of the Time,
Which spurs to rage the many-headed beast.
Do thou persist: for, faint but in resolve,
And it were better thou hadst still remained
The slave of thine own slaves, who tear like curs
The fugitive, and flee from the pursuer;
And Opportunity, that empty wolf,
Flies at his throat who falls. Subdue thy actions
Even to the disposition of thy purpose,
And be that tempered as the Ebro's steel;
And banish weak-eyed Mercy to the weak,
Whence she will greet thee with a gift of peace,
And not betray thee with a traitor's kiss,
As when she keeps the company of rebels,
Who think that she is Fear. This do, lest we
Should fall as from a glorious pinnacle
In a bright dream, and wake as from a dream
Out of our worshipped state.
King.
Belovd friend,
God is my witness that this weight of power,
Which He sets me my earthly task to wield.
Under His law, is my delight and pride
Only because thou lovest that and me.
For a king bears the office of a God
To all the under world; and to his God
Alone he must deliver up his trust,
Unshorn of its permitted attributes.
[It seems] now as the baser elements
Had mutinied against the golden sun
That kindles them to harmony and quells
Their self-destroying rapine. The wild million
Strike at the eye that guides them; like as humours
Of the distempered body that conspire
Against the spirit of life throned in the heart,
And thus become the prey of one another,
And last of death
Strafford.
That which would be ambition in a subject
Is duty in a sovereign; for on him,
As on a keystone, hangs the arch of life,
Whose safety is its strength. Degree and form,
And all that makes the age of reasoning man
More memorable than a beast's, depend on this--
That Right should fence itself inviolably
With Power; in which respect the state of England
From usurpation by the insolent commons
Cries for reform.
Get treason, and spare treasure. Fee with coin
The loudest murmurers; feed with jealousies
Opposing factions,-- be thyself of none;
And borrow gold of many, for those who lend
Will serve thee till thou payest them; and thus
Keep the fierce spirit of the hour at bay,
Till time, and its coming generations
Of nights and days unborn, bring some one chance,...
Or war or pestilence or Nature's self,--
By some distemperature or terrible sign,
Be as an arbiter betwixt themselves.
...Nor let your Majesty
Doubt here the peril of the unseen event.
How did your brother Kings, coheritors
In your high interest in the subject earth,
Rise past such troubles to that height of power
Where now they sit, and awfully serene
Smile on the trembling world? Such popular storms
Philip the Second of Spain, this Lewis of France,
And late the German head of many bodies,
And every petty lord of Italy,
Quelled or by arts or arms. Is England poorer
Or feebler? or art thou who wield'st her power
Tamer than they? or shall this island be--
[Girdled] by its inviolable waters
To the world present and the world to come
Sole pattern of extinguished monarchy?
Not if thou dost as I would have thee do.
King.
Your words shall be my deeds:
You speak the image of my thought. My friend
(If Kings can have a friend, I call thee so),
Beyond the large commission which [belongs]
Under the great seal of the realm, take this:
And, for some obvious reasons, let there be
No seal on it, except my kingly word
And honour as I am a gentleman.
Be -- as thou art within my heart and mind--
Another self, here and in Ireland:
Do what thou judgest well, take amplest licence,
And stick not even at questionable means.
Hear me, Wentworth. My word is as a wall
Between thee and this world thine enemy
That hates thee, for thou lovest me.
Strafford.
I own
No friend but thee, no enemies but thine:
Thy lightest thought is my eternal law.
How weak, how short, is life to pay
King.
Peace, peace.
Thou ow'st me nothing yet.
(To Laud.)
My lord, what say
Those papers?
Laud.
Your Majesty has ever interposed,
In lenity towards your native soil,
Between the heavy vengeance of the Church
And Scotland. Mark the consequence of warming
This brood of northern vipers in your bosom.
The rabble, instructed no doubt
By Loudon, Lindsay, Hume, and false Argyll
(For the waves never menace heaven until
Scourged by the wind's invisible tyranny),
Have in the very temple of the Lord
Done outrage to His chosen ministers.
They scorn the liturgy of the Holy Church,
Refuse to obey her canons, and deny
The apostolic power with which the Spirit
Has filled its elect vessels, even from him
Who held the keys with power to loose and bind,
To him who now pleads in this royal presence.
Let ample powers and new instructions be
Sent to the High Commissioners in Scotland.
To death, imprisonment, and confiscation,
Add torture, add the ruin of the kindred
Of the offender, add the brand of infamy,
Add mutilation: and if this suffice not,
Unleash the sword and fire, that in their thirst
They may lick up that scum of schismatics.
I laugh at those weak rebels who, desiring
What we possess, still prate of Christian peace,
As if those dreadful arbitrating messengers
Which play the part of God 'twixt right and wrong,
Should be let loose against the innocent sleep
Of templed cities and the smiling fields,
For some poor argument of policy
Which touches our own profit or our pride
(Where it indeed were Christian charity
To turn the cheek even to the smiter's hand):
And, when our great Redeemer, when our God,
When He who gave, accepted, and retained
Himself in propitiation of our sins,
Is scorned in His immediate ministry,
With hazard of the inestimable loss
Of all the truth and discipline which is
Salvation to the extremest generation
Of men innumerable, they talk of peace!
Such peace as Canaan found, let Scotland now:
For, by that Christ who came to bring a sword,
Not peace, upon the earth, and gave command
To His disciples at the Passover
That each should sell his robe and buy a sword,
Once strip that minister of naked wrath,
And it shall never sleep in peace again
Till Scotland bend or break.
King.
My Lord Archbishop,
Do what thou wilt and what thou canst in this.
Thy earthly even as thy heavenly King
Gives thee large power in his unquiet realm.
But we want money, and my mind misgives me
That for so great an enterprise, as yet,
We are unfurnished.
Strafford.
Yet it may not long
Rest on our wills.
Cottington.
The expenses
Of gathering shipmoney, and of distraining
For every petty rate (for we encounter
A desperate opposition inch by inch
In every warehouse and on every farm),
Have swallowed up the gross sum of the imposts;
So that, though felt as a most grievous scourge
Upon the land, they stand us in small stead
As touches the receipt.
Strafford.
'Tis a conclusion
Most arithmetical: and thence you infer
Perhaps the assembling of a parliament.
Now, if a man should call his dearest enemies
To sit in licensed judgement on his life,
His Majesty might wisely take that course. [Aside to Cottington.
It is enough to expect from these lean imposts
That they perform the office of a scourge,
Without more profit. (Aloud.)
Fines and confiscations,
And a forced loan from the refractory city,
Will fill our coffers: and the golden love
Of loyal gentlemen and noble friends
For the worshipped father of our common country,
With contributions from the catholics,
Will make Rebellion pale in our excess.
Be these the expedients until time and wisdom
Shall frame a settled state of government.
Laud.
And weak expedients they! Have we not drained
All, till the...which seemed
A mine exhaustless?
Strafford.
And the love which is,
If loyal hearts could turn their blood to gold.
Laud.
Both now grow barren: and I speak it not
As loving parliaments, which, as they have been
In the right hand of bold bad mighty kings
The scourges of the bleeding Church, I hate.
Methinks they scarcely can deserve our fear.
Strafford.
Oh! my dear liege, take back the wealth thou gavest:
With that, take all I held, but as in trust
For thee, of mine inheritance: leave me but
This unprovided body for thy service,
And a mind dedicated to no care
Except thy safety:-- but assemble not
A parliament. Hundreds will bring, like me,
Their fortunes, as they would their blood, before--
King.
No! thou who judgest them art but one. Alas!
We should be too much out of love with Heaven,
Did this vile world show many such as thee,
Thou perfect, just, and honourable man!
Never shall it be said that Charles of England
Stripped those he loved for fear of those he scorns;
Nor will he so much misbecome his throne
As to impoverish those who most adorn
And best defend it. That you urge, dear Strafford,
Inclines me rather--
Queen.
To a parliament?
Is this thy firmness? and thou wilt preside
Over a knot of . . . censurers,
To the unswearing of thy best resolves,
And choose the worst, when the worst comes too soon?
Plight not the worst before the worst must come.
Oh, wilt thou smile whilst our ribald foes,
Dressed in their own usurped authority,
Sharpen their tongues on Henrietta's fame?
It is enough! Thou lovest me no more!
[Weeps.
King.
Oh, Henrietta!
[They talk apart.
Cottington
(to Laud).
Money we have none:
And all the expedients of my Lord of Strafford
Will scarcely meet the arrears.
Laud.
Without delay
An army must be sent into the north;
Followed by a Commission of the Church,
With amplest power to quench in fire and blood,
And tears and terror, and the pity of hell,
The intenser wrath of Heresy. God will give
Victory; and victory over Scotland give
The lion England tamed into our hands.
That will lend power, and power bring gold.
Cottington.
Meanwhile
We must begin first where your Grace leaves off.
Gold must give power, or
Laud.
I am not averse
From the assembling of a parliament.
Strong actions and smooth words might teach them soon
The lesson to obey. And are they not
A bubble fashioned by the monarch's mouth,
The birth of one light breath? If they serve no purpose,
A word dissolves them.
Strafford.
The engine of parliaments
Might be deferred until I can bring over
The Irish regiments: they will serve to assure
The issue of the war against the Scots.
And, this game won -- which if lost, all is lost--
Gather these chosen leaders of the rebels,
And call them, if you will, a parliament.
King.
Oh, be our feet still tardy to shed blood,
Guilty though it may be! I would still spare
The stubborn country of my birth, and ward
From countenances which I loved in youth
The wrathful Church's lacerating hand.
(To Laud.)
Have you o'erlooked the other articles?
[Re-enter Archy.
Laud.
Hazlerig, Hampden, Pym, young Harry Vane,
Cromwell, and other rebels of less note,
Intend to sail with the next favouring wind
For the Plantations.
Archy.
Where they think to found
A commonwealth like Gonzalo's in the play,
Gynaecocoenic and pantisocratic.
King.
What's that, sirrah?
Archy.
New devil's politics.
Hell is the pattern of all commonwealths:
Lucifer was the first republican.
Will you hear Merlin's prophecy, how three [posts?]
'In one brainless skull, when the whitethorn is full,
Shall sail round the world, and come back again:
Shall sail round the world in a brainless skull,
And come back again when the moon is at full:'
When, in spite of the Church,
They will hear homilies of whatever length
Or form they please.
[Cottington?]
So please your Majesty to sign this order
For their detention.
Archy.
If your Majesty were tormented night and day by fever, gout, rheumatism, and stone, and asthma, etc., and you found these diseases had secretly entered into a conspiracy to abandon you, should you think it necessary to lay an embargo on the port by which they meant to dispeople your unquiet kingdom of man?
King.
If fear were made for kings, the Fool mocks wisely; But in this case --(writing.)
Here, my lord, take the warrant, And see it duly executed forthwith.--
That imp of malice and mockery shall be punished.
[Exeunt all but King, Queen, and Archy.
Archy.
Ay, I am the physician of whom Plato prophesied, who was to be accused by the confectioner before a jury of children, who found him guilty without waiting for the summing-up, and hanged him without benefit of clergy. Thus Baby Charles, and the Twelfth-night Queen of Hearts, and the overgrown schoolboy Cottington, and that little urchin Laud who would reduce a verdict of 'guilty, death,' by famine, if it were impregnable by compositionall impannelled against poor Archy for presenting them bitter physic the last day of the holidays.
Queen.
Is the rain over, sirrah?
King.
When it rains
And the sun shines, 'twill rain again to-morrow:
And therefore never smile till you've done crying.
Archy.
But 'tis all over now: like the April anger of woman, the gentle sky has wept itself serene.
Queen.
What news abroad? how looks the world this morning?
Archy.
Gloriously as a grave covered with virgin flowers. There's a rainbow in the sky. Let your Majesty look at it, for
'A rainbow in the morning
Is the shepherd's warning;'
and the flocks of which you are the pastor are scattered among the mountain-tops, where every drop of water is a flake of snow, and the breath of May pierces like a January blast.
King.
The sheep have mistaken the wolf for their shepherd, my poor boy; and the shepherd, the wolves for their watchdogs.
Queen.
But the rainbow was a good sign, Archy: it says that the waters of the deluge are gone, and can return no more.
Archy.
Ay, the salt-water one: but that of tears and blood must yet come down, and that of fire follow, if there be any truth in lies.-- The rainbow hung over the city with all its shops,...and churches, from north to south, like a bridge of congregated lightning pieced by the masonry of heaven like a balance in which the angel that distributes the coming hour was weighing that heavy one whose poise is now felt in the lightest hearts, before it bows the proudest heads under the meanest feet.
Queen.
Who taught you this trash, sirrah?
Archy.
A torn leaf out of an old book trampled in the dirt.--
But for the rainbow.
It moved as the sun moved, and...until the top of the
Tower...of a cloud through its left-hand tip, and
Lambeth Palace look as dark as a rock before the other.
Methought I saw a crown figured upon one tip, and a mitre on the other.
So, as I had heard treasures were found where the rainbow quenches its points upon the earth, I set off, and at the Tower --
But I shall not tell your Majesty what I found close to the closet-window on which the rainbow had glimmered.
King.
Speak: I will make my Fool my conscience.
Archy.
Then conscience is a fool.I saw there a cat caught in a rat-trap. I heard the rats squeak behind the wainscots: it seemed to me that the very mice were consulting on the manner of her death.
Queen.
Archy is shrewd and bitter.
Archy.
Like the season, So blow the winds.But at the other end of the rainbow, where the gray rain was tempered along the grass and leaves by a tender interfusion of violet and gold in the meadows beyond Lambeth, what think you that I found instead of a mitre?
King.
Vane's wits perhaps.
Archy.
Something as vain. I saw a gross vapour hovering in a stinking ditch over the carcass of a dead ****, some rotten rags, and broken dishesthe wrecks of what once administered to the stuffing-out and the ornament of a worm of worms. His Grace of Canterbury expects to enter the New Jerusalem some Palm Sunday in triumph on the ghost of this ****.
Queen.
Enough, enough! Go desire Lady Jane
She place my lute, together with the music
Mari received last week from Italy,
In my boudoir, and
[Exit Archy.
King.
I'll go in.
Queen.
My beloved lord,
Have you not noted that the Fool of late
Has lost his careless mirth, and that his words
Sound like the echoes of our saddest fears?
What can it mean? I should be loth to think
Some factious slave had tutored him.
King.
Oh, no!
He is but Occasion's pupil. Partly 'tis
That our minds piece the vacant intervals
Of his wild words with their own fashioning,
As in the imagery of summer clouds,
Or coals of the winter fire, idlers find
The perfect shadows of their teeming thoughts:
And partly, that the terrors of the time
Are sown by wandering Rumour in all spirits;
And in the lightest and the least, may best
Be seen the current of the coming wind.
Queen.
Your brain is overwrought with these deep thoughts.
Come, I will sing to you; let us go try
These airs from Italy; and, as we pass
The gallery, we'll decide where that Correggio
Shall hangthe Virgin Mother
With her child, born the King of heaven and earth,
Whose reign is men's salvation. And you shall see
A cradled miniature of yourself asleep,
Stamped on the heart by never-erring love;
Liker than any Vandyke ever made,
A pattern to the unborn age of thee,
Over whose sweet beauty I have wept for joy
A thousand times, and now should weep for sorrow,
Did I not think that after we were dead
Our fortunes would spring high in him, and that
The cares we waste upon our heavy crown
Would make it light and glorious as a wreath
Of Heaven's beams for his dear innocent brow.
King.
Dear Henrietta!
Scene III.
The Star Chamber. Laud, Juxon, Strafford, and others, as Judges. Prynne as a Prisoner, and thenBastwick.
Laud.
Bring forth the prisoner Bastwick: let the clerk
Recite his sentence.
Clerk.
'That he pay five thousand
Pounds to the king, lose both his ears, be branded
With red-hot iron on the cheek and forehead,
And be imprisoned within Lancaster Castle
During the pleasure of the Court.'
Laud.
Prisoner,
If you have aught to say wherefore this sentence
Should not be put into effect, now speak.
Juxon.
If you have aught to plead in mitigation,
Speak.
Bastwick.
Thus, my lords. If, like the prelates, I
Were an invader of the royal power,
A public scorner of the word of God,
Profane, idolatrous, popish, superstitious,
Impious in heart and in tyrannic act,
Void of wit, honesty, and temperance;
If Satan were my lord, as theirs,our God
Pattern of all I should avoid to do;
Were I an enemy of my God and King
And of good men, as ye are;I should merit
Your fearful state and gilt prosperity,
Which, when ye wake from the last sleep, shall turn
To cowls and robes of everlasting fire.
But, as I am, I bid ye grudge me not
The only earthly favour ye can yield,
Or I think worth acceptance at your hands,
Scorn, mutilation, and imprisonment.
. . . even as my Master did,
Until Heaven's kingdom shall descend on earth,
Or earth be like a shadow in the light
Of Heaven absorbedsome few tumultuous years
Will pass, and leave no wreck of what opposes
His will whose will is power.
Laud.
Officer, take the prisoner from the bar,
And be his tongue slit for his insolence.
Bastwick.
While this hand holds a pen
Laud.
Be his hands--
Juxon.
Stop!
Forbear, my lord! The tongue, which now can speak
No terror, would interpret, being dumb,
Heaven's thunder to our harm;...
And hands, which now write only their own shame,
With bleeding stumps might sign our blood away.
Laud.
Much more such 'mercy' among men would be,
Did all the ministers of Heaven's revenge
Flinch thus from earthly retribution. I
Could suffer what I would inflict.
[Exit Bastwick guarded.
Bring up
The Lord Bishop of Lincoln.
(To Strafford.)
Know you not
That, in distraining for ten thousand pounds
Upon his books and furniture at Lincoln,
Were found these scandalous and seditious letters
Sent from one Osbaldistone, who is fled?
I speak it not as touching this poor person;
But of the office which should make it holy,
Were it as vile as it was ever spotless.
Mark too, my lord, that this expression strikes
His Majesty, if I misinterpret not.
Enter Bishop Williams guarded.
Strafford.
'Twere politic and just that Williams taste
The bitter fruit of his connection with
The schismatics. But you, my Lord Archbishop,
Who owed your first promotion to his favour,
Who grew beneath his smile
Laud.
Would therefore beg
The office of his judge from this High Court,
That it shall seem, even as it is, that I,
In my assumption of this sacred robe,
Have put aside all worldly preference,
All sense of all distinction of all persons,
All thoughts but of the service of the Church.
Bishop of Lincoln!
Williams.
Peace, proud hierarch!
I know my sentence, and I own it just.
Thou wilt repay me less than I deserve,
In stretching to the utmost. . .
Scene IV.
--Hampden, Pym, Cromwell, his Daughter, and young Sir Harry Vane.
Hampden.
England, farewell! thou, who hast been my cradle,
Shalt never be my dungeon or my grave!
I held what I inherited in thee
As pawn for that inheritance of freedom
Which thou hast sold for thy despoiler's smile:
How can I call thee England, or my country?
Does the wind hold?
Vane.
The vanes sit steady
Upon the Abbey towers. The silver lightnings
Of the evening star, spite of the city's smoke,
Tell that the north wind reigns in the upper air.
Mark too that flock of fleecy-wingd clouds
Sailing athwart St. Margaret's.
Hampden.
Hail, fleet herald
Of tempest! that rude pilot who shall guide
Hearts free as his, to realms as pure as thee,
Beyond the shot of tyranny,
Beyond the webs of that swoln spider . . .
Beyond the curses, calumnies, and [lies?]
Of atheist priests! . . . And thou
Fair star, whose beam lies on the wide Atlantic,
Athwart its zones of tempest and of calm,
Bright as the path to a belovd home,
Oh, light us to the isles of the evening land!
Like floating Edens cradled in the glimmer
Of sunset, through the distant mist of years
Touched by departing hope, they gleam! lone regions,
Where Power's poor dupes and victims yet have never
Propitiated the savage fear of kings
With purest blood of noblest hearts; whose dew
Is yet unstained with tears of those who wake
To weep each day the wrongs on which it dawns;
Whose sacred silent air owns yet no echo
Of formal blasphemies; nor impious rites
Wrest man's free worship, from the God who loves,
To the poor worm who envies us His love!
Receive, thou young....of Paradise,
These exiles from the old and sinful world!....
This glorious clime, this firmament, whose lights
Dart mitigated influence through their veil
Of pale blue atmosphere; whose tears keep green
The pavement of this moist all-feeding earth;
This vaporous horizon, whose dim round
Is bastioned by the circumfluous sea,
Repelling invasion from the sacred towers,
Presses upon me like a dungeon's grate,
A low dark roof, a damp and narrow wall.
The boundless universe
Becomes a cell too narrow for the soul
That owns no master; while the loathliest ward
Of this wide prison, England, is a nest
Of cradling peace built on the mountain tops,
To which the eagle spirits of the free,
Which range through heaven and earth, and scorn the storm
Of time, and gaze upon the light of truth,
Return to brood on thoughts that cannot die
And cannot be repelled.
Like eaglets floating in the heaven of time,
They soar above their quarry, and shall stoop
Through palaces and temples thunderproof.
SCENE V
Archy.
I'll go live under the ivy that overgrows the terrace, and count the tears shed on its old [roots?] as the [wind?] plays the song of
'A widow bird sate mourning
Upon a wintry bough.'
[Sings]
Heigho! the lark and the owl!
One flies the morning, and one lulls the night:--
Only the nightingale, poor fond soul,
Sings like the fool through darkness and light.
'A widow bird sate mourning for her love
Upon a wintry bough;
The frozen wind crept on above,
The freezing stream below.
'There was no leaf upon the forest bare,
No flower upon the ground,
And little motion in the air
Except the mill-wheel's sound.'
Charles the First was designed in 1818, begun towards the close of 1819, resumed in January, and finally laid aside by June, 1822. It was published in part in the Posthumous Poems, 1824, and printed, in its present form (with the addition of some 530 lines), by Mr. William Michael Rossetti, 1870.
1.
Archy, the court fool of Charles I, is
both an unacknowledged prophet and, as King Charles claims, a weaver of "a world of mirth out of the wreck of ours."
~ Percy Bysshe Shelley, Charles The First
,#NFDB
415:Leszko The Bastard
``Why do I bid the rising gale
To waft me from your shore?
Why hail I, as the vultures hail,
The scent of far-off gore?
Why wear I with defiant pride
The Paynim's badge and gear,
Though I am vowed to Christ that died,
And fain would staunch the gaping side
That felt the sceptic spear?
And why doth one in whom there runs
The blood of Sclavic sires and sons,
In those but find a foe,
That onward march with sword and flame,
To vindicate the Sclavic name,
From the fringe of Arctic snows,
To the cradle of the rose,
Where the Sweet Waters flow?
Strange! But 'twere stranger yet if I,
When Turk and Tartar splinters fly,
Lagged far behind the van.
While the wind dallies with my sail,
Listen! and you shall hear my tale;
Then marvel, if you can!
``Nothing but snow! A white waste world,
Far as eye reached, or voice could call!
Motion within itself slept furled;
The earth was dead, and Heaven its pall!
Now nothing lived except the wind,
That, moaning round with restless mind,
Seemed like uncoffined ghost to flit
O'er vacant tracts, that it might find
Some kindred thing to speak with it.
Nothing to break the white expanse!
No far, no near, no high, no low!
Nothing to stop the wandering glance!
One smooth monotony of snow!
I lifted the latch, and I shivered in;
My mother stood by the larch-log blaze,
298
My mother, stately, and tall, and thin,
With the shapely head and the soft white skin,
And the sweetly-sorrowing gaze.
She was younger than you, aye, you who stand
In matron prime by your household fire,
A happy wife in a happy land,
And with all your heart's desire.
But though bred, like you, from the proud and brave,
Her hair was blanched and her voice was grave.
If you knew what it is to be born a slave,
And to feel a despot's ire!
``She turned her round from the hearth like one
That hath waited long, and said,
`Come hither, and sit by me, my son!
For somehow to-night doth remembrance run
Back to the days that are dead.
And you are tall and stalwart now,
And coming manhood o'er your brow
Its shadow 'gins to shed.
Sit by me close!' and as I sate
Close, close as I could sit,
She took my hand and placed it flat
On hers, and fondled it.
Then with the same soft palm she brushed
My wind-tossed locks apart,
And, kissing my bared temples, hushed
The flow of love that else had gushed,
Love-loosened, from my heart.
```Listen! you often have questioned why
Here 'neath this pale Siberian sky,
You scarcely live, I slowly die.
That we dwell on, but exiles here,
In regions barren, sunless, drear,
And have no more the power to fly
To brighter lands and bluer sky,
Than some poor bird whom man's caprice
Hath tethered by a clanking chain,
And leaves upon its perch in pain
To pine for, ne'er to find release,This do you know, and still have known
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Since first I taught your mouth to frame
The syllables of Poland's name,
Even before my own.
But how could I to childhood's ears,
Or boyhood's, tell the tale of tears
That links me with the bygone years?Tale steeped in rapture, drenched with woe,
A tale of wrong, and loss, and love,
That opens in the heavens above,
And ends in worse than hell below?A tale I only could impart
To mind mature and full-grown heart;
A tale to fill your larger life
With hissing waters of distress
And overflowing bitterness,
And set you with yourself at strife?
But you must hear it now. The down
Of manhood fringes lip and cheek;
Your temples take a richer brown,
And on your forehead buds the crown
Of kingly thought that yet will speak.
Listen! and let no faintest word
Of all I utter fall unheard
Upon your ear or heart!
'Twill wring your youth, but nerve it too:And what have I now left to do,
But unveil tyranny to view,
And wing the avenging dart?
```So like to you! The same blue eye,
Same lavish locks, same forehead high,
But of a manlier majesty!
His limbs, like yours, were straight and strong,
Yet supple as the bough in bud;
For tyrants cannot tame the blood,
Or noble lineage lose, through wrong
Its heritage of hardihood.
And maybe since his years were more,
And partly that you needs must bear
In every filial vein and pore
With his pure strain the base alloy
Of that in you which is my share,
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Though you are tall and comely, boy!
Yet he was taller, comelier.
In days that now but live in song,
When Rurik's hinds felt Poland's heel,
And Poland's horsemen, cased in steel,
To Volo's plain were wont to throng,
A hundred thousand manes in strength,
And vowed, if Heaven let fall the sky,
To uphold it on their lance's length
As 'twere a silken canopy;
His sires were there in gallant trim,
Haught of mien and hard of limbVisors up and foreheads gashed,
Swords that poised, and swooped, and flashed,
Like the wings of the flaming Cherubim!
And when Imperial vultures tore
With banded beaks Sarmatia's breast,
And wallowed in Sarmatia's gore,
His fathers by their fathers swore
Ne'er to recede nor rest,
Till they had pushed the watchful points
Of vengeance in between the joints
Of armour dear to tyrants pricked
Of conscience never hushed nor tricked,
And made them feel what they inflict.
Vow sternly kept, but kept in vain!
For ninety hoping, hopeless years,
Poland hath known no couch save pain,
No mate except the dull cold chain,
Hath felt the lash, and fed on jeers,
While Heaven, it seems, no longer hears
The wail of prayers, the drip of tears,
Or the voices of the slain.
Thrice have her sons, despite their gyves,
Essayed to sell their worthless lives
At least against the price
Of ruin on their gaolers brought;
But each brave stroke hath come to nought,
And blood, and wounds, and death, have brought,
Only fresh bootless sacrifice.
No blow was struck they did not share,
No banner raised, but straight they flew
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For one more tussle with despair;
And ever as they fought, they fell,
Waxing still fewer and more few,
Till only one remained to tell
How they had passed away, and dare
With front erect and unquelled stare
Those earthly ministers of hell.
One only of that kindred bandLike some last column gazing lone
Across the bare and brackish sand,
In a depopulated land,
Telling of times and temples flown!
```He loved me. Love in every clime,
Through all vicissitudes of time,
Is life's climacteric and prime.
Matched against it, all boons that bless,
All joys we chase, all good we prize,
All that of tender and sublime
Expands the heart and fills the eyes,
Tastes pitiful and savourless.
It glorifies the common air,
It clothes with light the mountains bare,
And shows the heavens all shining there.
It lifts our feet from off the ground,
It lets us walk along the skies;
It makes the daily silence sound
With transcendental harmonies.
It rules the seasons. Linnets sing
As loud in winter as in spring,
When hearts are leal, and love is king.
Bathed in its light, the distance glows
With all the colours of the rose.
Its vivid gaze blends far and near
In one delicious atmosphere,
Projects the future from the past,
And hugs the faith, without a fear,
Since love is all, that all will last.
The peevish voice of doubt grows dumb;
The demons of dejection flee;
And even sordid cares become
But a divine anxiety.
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Hope sails no more in far-off skies,
But makes its nest upon the ground;
And happiness, coy wing that flies
Too oft when mortal yearning woos,
At love's sweet summons circling round,
Sits on the nearest bough, and coos.
```Yes! such is love in every land,
If blest or curst, enslaved or free.
But how can they whose chainless hand
May stretch towards all they dream or see,
Whose lungs exult, whose lives expand,
In air of bracing liberty,
Feel love's delirium like to those
Who, of all other bliss bereft,
And cooped from each hale wind that blows,
Fondle, amid a world of foes,
The solitary friend that's left?
Through whatso regions freemen roam,
They find a hearth, they make a home.
Their unfenced energies embrace
All realms of thought, all fields of space,
At each fresh step fresh prospects find,
Larger than any left behind,
And mount with still rewarded stress
From happiness to happiness.
E'en love itself for such can bring
To life's tuned lyre but one more string,
Or but with fingers subtly straying
Among the chords, and softly playing,
Make more harmonious everything.
But when to him whose hopes are bound
Within a dismal prison round,
Whose thoughts, suspected, must not soar
Beyond his straitened dungeon floor,
Who may not speak, nor groan, nor sigh,
Nor lend sharp agony a vent,
Lest those should hear him who are nigh,
And catch, perchance, in passing by,
Contagion from his discontent;
Who dwells an exile in his home,
And cannot rest and may not roam;
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Whom even hope doth not delude;
Who vainly lives, in vain would die,
And, hemmed in close, alike would fly,
Society and solitude;Oh! when to such as he love brings
Message of heaven upon its wings,
It fills his heart, it floods his brain,
Riots in every pulse and vein,
And turns to paradise his pain.
Body, and soul, and sense conspire
To feed the rising, rushing fire.
The passions which are wont to share
Love's empire o'er distracted man,
Denied their outlet, in him fan
The exclusive fury of desire.
As one who faints of thirst, he takes
Swiftly what should be slowly quaffed,
With ravenous lips his fever slakes,
Then dies, delirious, of the draught!
```He loved me. Do you ask if I
His love returned? Go, ask the sky
If it in vain pours sun and shower
On herb and leaf, on tree and flower.
Go, ask of echo if it wakes
When voice in lonely places calls;
Ask of the silence if it takes
The sound of plashing waterfalls:
Ask the parched plains if they refuse
The solace of descending dews;
Ask the unrippled lake that lies
Under faint fleecy clouds that flit,
If it reflects with tender eyes
The heavenly forms that gaze on it;
But ask not me if I returned
The love with which his being burned.
His passion such, in any heart
It straight had worked its counterpart,
Woke its own echo, roused a tone
In perfect concert with its own,
And made, the instant that it shone,
Mirror of what it gazed upon.
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```We loved, as few have loved before,
'Chance none; and lo! the hour drew nigh
To ratify the vows we swore
One night beneath the sky,
Before the solemn altar-rails
O'er which He hangs, pierced through with nails,
Who for our sins did die.
Oh! why is woman doomed to bear
The love, or lust, she cannot share;
And hear from alien lips the sighs
She fain herself would waken ne'er,
Save within kindred hearts and eyes?
Never by word, nor glance, nor e'en
That barren courtesy we give
Unto well nigh all things that live,
Did his detested rival glean
That I another's homage should
Not greet, as evil is by good.
But, had my heart been free as air,
Fickle as wind, as quick to take
Impression as some limpid lake
That every wanton breath can stir,
How had it ruffled been by one
Who wore the livery of the brood
By whom, with hands in blood imbrued,
Thrice had my country been undone?
But I, nor free, nor false, nor light,
Bound both to Poland, and to him
Who yearned for Poland's wrongs to fight,
Had rather torn been limb from limb,
Than share with such love's last delight!
I answered softly, not in scorn;
For in what guise soe'er it come,
Because of gentle longings born,
Love should leave indignation dumb.
But he was, like his shifty race,
Disloyal, cunning, vengeful, base,
And when he heard the lips of fate,
Love in him straightway turned to hate,
Even before my face!
He menaced me with vengeance dire.
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He knew my lover, brother, sire,
All rebels to the core.
And in the rush of lustful ire,
By his schismatic saints he swore,
That ruin, exile, death, should fall
With speedy stroke upon them all,
Unless I fed his foul desire.
I knew it was no idle boast;
He had the power to fetter, slay,
Abetted by a servile host,
Perjured, suborned by bribes to say
Whatever falsehood pleased him most.
Yet then I bridled not my scorn,
But poured upon his dastard head
All that by woman can be said,
When she confronts, before her eyes,
Creature created to despise,
And, since of manlier weapons shorn,
Can only wish him dead.
``Beware!'' he croaked, with passion hoarse,
``Within your patriot arms shall lie,
Repelled or welcomed, none but I;
And what you now to love deny,
You yet shall yield to fear or force.''
With scorn yet fiercer than at first
I flashed, and bade him work his worst.
``Before to-morrow's sun hath set,''
He answered, ``I shall pay the debt
Of vengeance, never baffled yet.
Think not to foil me or to fly!
I ever do the thing I would.''
Then laughing loud, he went; and I
Hated the ground where late he stood.
```The Night lay encamped in the summer sky,
And the burning stars kept watch;
All were asleep upon earth save I,
Who had waited the hour and lifted the latch,
And crept out noiselessly.
The air was as silent as love or death,
Except for the beat of my quickened breath,
And once the lonely belated wail
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Of an answered nightingale.
I dared not quicken my steps, for fear
The silence should listening be, and hear.
Slowly, stealthily, foot by foot.
Girding my garments tightly round,
Lest they should touch and tell the ground,
I threaded the laurel-walk and passed
On to the latchet-gate, and put
My hand on the creaking key, aghast
Lest the first stage of flight should prove the last.
Through! and out in the meadows beyond,
With the cooling grass-dews round my feet,
Which would tell the tale of my journey fond,
But too late to hinder its purpose sweet;
Over the narrow and swaying planks
That span the neck of the marish pool
Where the tall spear-lilies close their ranks,
And the water-hens nestle safe and cool.
Then into the gloomy, darksome wood
Where the trunks seemed ghosts, and the big boughs stood
As though they would block my way.
Woman's love is stronger than woman's fright,
And though dogged by dread, yet I faced that night
What I ne'er had faced by day.
O the blessëd break, and the blank without,
From each grinning bole and each staring leaf!
I clutched my temples, and gave a shout;
It was mad, but it brought relief.
And then with a saner fear I stopped
To know if my foolish cry was heard.
But, like to a stream where a stone is dropped,
The silence was only a moment stirred,
And stillness closed over the hazard word.
```I was there! in the garden where first I lent
My ear to the trembling music of love,
And my soul succumbed to its blandishment.
I was there! I could smell the syringa's scent
And the lilac plumes that loomed dark above,
But, like to the heart that keeps alway
True to its friends, when friends betray,
Was lending the night that hid from view
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Its delicate tufts and tender hue,
Odours sweeter than e'en by day.
The laburnum tassels brushed my cheek,
And the tangled clematis clutched my hair;
But I hurried along; though my limbs were weak,
I was strengthened by despair.
A moment more, and I should be
Hard by the window where he slept.
How should I wake him? how should flee,
If another o'erheard my voice? I crept
Softly, silently, over the sward.
The walls were dark, and the windows barred,
All saving-Yes, 'twas he! 'twas he!
Leaning out of his casement, lowly
Singing a love-song, sweetly, slowly,
That he first had sung to me.
He saw me not. He was gazing free
Across the dark, mysterious air,
At the shining stars, at the solemn sky,
At the unattainable far and fair,
The infinite something around, above,
With which, when alone, we identify
The finite thing we love.
I stood, and listened, and drank each note
Of love that came from the yearning throat,
As it rose, as it fell, as it floated and died;
And then with that courage that oft will spring,
When we have not time to think,
And impulse whispers the blessëd thing
From which resolve would shrink,
I with the song replied.
```One instant, and the echoed song,
The night, the dark, the heavens bare,
And all that was of far and fair,
And all that was of sweet and strong,
Seemed gathered into one embrace,
And showered their magic on my face.
His arms were round me, and his breath
As close to mine as life to death.
He murmured things I could not hear,
For I was deaf with bliss and fear.
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Dumb, too; in vain I strove to speak;
I could but lean on breast and cheek,
And prove my passion wildly weak.
He drew me in. I still was dumb,
Panting for words that would not come,
But only tears instead, and sobs,
And broken syllables, and throbs,
With which hearts beat, whom rapture robs
Of all save love's delirium.
``Why hast thou come?'' I heard him say.
``There is no hour of night or day,
The coming of thy worshipped feet
Would not make richer or more sweet.
O come! come! come! Yes, come alway!
Nay, never come, love! rather, stay!
I must or miss you, or not meet;
Absence is long, and presence fleet.
And I am dead, when thou away!
But why to-night, and here?'' I saw
Love's brightness overcast by awe;
And terror in his face o'ercame
The terror in my weakened frame;
Till listening to his voice, I caught
Contagion from his steadier thought,
And found at length the words I sought.
With rapid lips I told him all,
What had befallen-might befallThe hateful lust, the lustful hate,
The threats of one who, well he knew,
If false in love, in wrath was true,
And our impending fate.
``'Twas this alone I came to tell,
And, Leszko! now 'tis told, farewell!''
I murmured with a faltering tongue.
Round me his arms he tightly flung,
And ``Never!'' cried. ``Thy faith shall foil
The base assassins of our soil.
By the harmonious orbs that shine,
To-night, within that dome divine,
What thou hast promised me, must be mine!
Before to-morrow's sun can sink,
May deeds be done I would not name,
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And vengeance wreaked I dare not think.
If thus you went, 'twere vain you came!
To-night is ours, and, seized, will be
Ours, ours, through all eternity.
The dawn shall find us kneeling where
Passion is purified by prayer;
And hands of patriot priest shall bless
And bind our premature caress.
If we are parted then, we part,
One, one in body, breast, and heart.
Hate, lust, and tyranny, in vain
Will strive to snap the cherished chain
That we around ourselves have bound.
Vanda! my love! my wife! my more!
If more be in love's language found,
Let them not baulk the troth we swore!
Wed me with bonds not fiends can sever,
And be thou mine-if once-for ever!''
The winds of the morn began to stir,
And the stars began to pale;
We could feel the chill of the moving air,
And the lifting of the veil
That covers the face of the shrinking night,
Its dreams, its dangers, its delight.
We started up. We listened, heard
The pipe of an awaking bird;
Another-then another stillLouder and longer, and more shrill,
Till every copse began to fill
With music piercing bitter, fell,
The discord of our forced farewell.
We clung one moment, panted, kissed,
Then bravely rending us, he cried``Back through the curling morning mist,
Vanda! my love! my life! my bride!
A few brief hours, and side by side
Before Heaven's altar we shall stand,
As now in heart, then one in hand,
Then-be the future blest or curstLet Poland's tyrants wreak their worst!
One-one more kiss!''
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```We leaned, to give
The richest of all boons that live,
But paused, half given!. . .We each had heard
A sound that was no waking bird,
Nor stealthy footfall of the night,
Scudding the unseen tracks of flight.
The noise of human voices broke
Upon our ears; the words they spoke
Came nearer and more near.
We clung in silence; 'twas too late
To more than bide the feet of fate,
And face them without fear.
Loudest among them I could trace
The voice I hated most on earth;
Another moment, and his face,
Lit with vindictiveness and mirth,
Was gazing on our checked embrace.
His myrmidons were at his heel:
I did not shrink, I did not reel,
But closer clung, to make him feel
I loathed him and his alien race.
I know no more. Unarmed we stood.
I heard the clank of ordered steel,
Then suddenly a blinding hood
Over my head was flung, and I,
Powerless to struggle, see, or cry,
Felt myself wrenched from arms that fain
Had fenced my freedom, but in vain,
And, doubtful did he live or die,
Borne through the chilly morning air,
Bound, stifled, cooped with dumb despair!'
``She paused, and strove for breath, as though
The mere remembrance of that hour,
Though fled and faded long ago,
Retained the never-dying power
To choke and stifle her again,
And leave her dumb and dark, as then.
But mute no less I sate; and she
The horror in my stare could see,
The speechless, open-mouthed suspense,
That kept me gazing there, to know
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If I had heard the worst from woe,
Or if I must prepare my sense
For outrage deeper, more intense,
And from extremity of wrong
Become invulnerably strong.
`O no!' she cried, for swift she guessed
The hell of anguish in my breast;
`O no! not that! My boy! thou art
The child of love and not of hate,
Memento of my only mate!
The birth of heart convulsed on heart
With rapture pure and passionate!
Though never more upon my breast
His breast did beat, his head did rest;
Though I no more beheld his eye
Beaming above me like the sky
When all is bright and all is high,
And by which gazed on, one is blest;
Though ne'er again his touch, his breath,
Was blent with mine, to make me feel
That something betwixt life and death,
When the converging senses reel,
And, through devotedness divine,
Joy knows not what it suffereth;No other hand has soiled the shrine;
And, Leszko lost! though lost, yet mine,
My senses, as my soul, kept thine!'
``She saw the shadow quit my brow;
But, as it crept away, the light
Seemed to desert her temples now.
The hand she had imprisoned tight
In hers, while travelling wildly back
To passion's bourne o'er sorrow's track,
She loosed, and half let go. `Hast heard,
Hast drunk, hast understood, each word,'
Slowly she asked, `my lips have said?
Ours was no sanctioned marriage-bed.
No priestly blessing, altar's rite,
Confirmed the nuptials of that night.
Leszko! thou art-'
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``'Twas not her tongue
That paused upon the bitter word,
But that before the name I heard
I shrink not from, my arms I flung
Around her sainted neck and showered
The love with which my soul was stirred.
I kissed her knees, her hands devoured,
I hushed her mouth, I sealed her eyes,
With kisses blent with broken cries,
Such as from baffled lips arise
When bursting hearts are overpowered
With sense of sublime sacrifice.
`Mother!' I cried, `I'd sooner be
The child of love, and him, and thee,
Than bear or boast the tightest ties
Altars can knit or priests devise!
If love, faith, country cannot bind
Two souls through love already blent,
Where among mortals shall we find
Solemnity or Sacrament?
And were aught wanting to complete
In face of God's just judgment-seat,
Thy snapped-off love and life,
The tyrant's outrage, years of wrong,
Have weaved thee wedlock doubly strong,
And made thee more than wife!'
``She smoothed my hair, caressed my brow;
Consoling tears coursed down her cheek,
Furrowed by sorrow's barren plough:
She stroked my hand, she strove to speak:
`Yes, Leszko! Holier bond was ne'er
Sanctioned by heaven or sealed by prayer.
Let others deem that formal vows
Breathed between kneeling spouse and spouse,
Can sanctify a link where each
Is but the slave of ordered speech;
Where vanity, ambition, greed,
Are the base instincts that precede
The purest of the passions, sent
Life's desolate low steps to lead
Up to the star-thronged firmament;
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Let others fancy, if they will,
That pomp, and compliment, and smile,
Are sacramental bonds, though guile
And calculating coldness fill
The hollows of the heart the while;
Let those, too, scorn me who have knelt
In fancied faithfulness, and sworn
The eternal troth they thought they felt,
But, soon as they were left to mourn
One to whose flesh their flesh they vowed
Not more in marriage-sheet than shroud,
After a few short trappings worn
To silence the censorious crowd,
Have let their facile feelings melt
Unto some second fancy, nursed
In the same lap where burned the first!
Let them!-Nor pomp nor pandars gave
Me unto him! 'Twas love alone
Anointed us; and not the grave,
Not life, not death, shall e'er deprave
The body that remains his own.
Not mine a fault for which to crave
By Heaven or mortal to be shriven.
If I a suppliant need to be
To any, 'tis, my boy, to thee!
And I by thee am all forgiven!
```Yet-yet-that night of shining joy
Its shadow flings athwart thy life;
I am not, I can ne'er be wife,
And thou art no one's son, our boy!
His name I gave thee, and despite
Their jugglery of wrong and right,
It shall thou bear, whate'er betide.
But who can give thee aught beside?
Bastard thou art! and thou canst claim,
It boots not what thy blood, thy fame,
Thy father's features, manly age,
Only a bastard's heritage.
But, Leszko! who would care to boast
All that the rightful covet most;
Who, who would wish to clutch and hold
Honour, or rank, or lands, or gold,
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When lands, and gold, and rank, but be
A brighter badge of slavery?
They who have nothing may excuse
Submission to the tyrant's beck;
Too bare and beggared to refuse
Unsavoury morsel from the hand
That plants the heel upon the neck
Of their assassinated land.
But they who yet have aught to lose,
Base must they be if they can use
What still is left to them, to deck
The mourning of their country's wreck.
Be sure thy sire doth not retain
What would but aggravate his pain.
Of me, of love, when dispossessed,
How would he care to keep the rest?
Robbed of my arms, his arms would find
But emptiness in all behind,
Vacuous air and moaning wind.
Who tore me from him, must have torn
With it long since the worldly dregs
Easy resigned by him who begs
That death at least to him be kind,
And bans the day that he was born!
```Nay, ask not if he lives. I know
Nothing, since that cold dawn of woe.
Once more I had to hear, and bear,
The vengeful menace, lustful prayer,
Of one who sued, but would not spare.
He threatened he would blazen wide
That which he dared to call my shame.
Guess how I answered! I defied,
Exulted, and with patriot pride
Told him that I myself to fame
Would trumpet forth the deed that I
Had done to foil the treachery
Already hatching, and by whom!
He cursed me. That was his reply.
But mine, alas! had sealed my doom.
```'Twas over, quick. I saw no more
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Familiar face, or roof, or floor,
Or anything I knew before.
My eyes were bandaged, limbs were bound,
As through rough distance on we wound,
Aware but of the unseen ground
We traversed ever, day and night.
At length they gave me back my sight;
And lo! there stretched before, around,
The desert steppe, inhuman, bare,
That answered me with stare for stare.
I gazed around me for some face,
Some answering look, some kindred guise,
Some woe that I might recognize
Even in this desert place.
But none of all I saw, I knew;
And never one among them threw
A pitying glance on me.
So desolate it seemed, I should
Have thankful been if there had stood
Before me even he
Who thuswise had my ruin wrought.
I vow to you, his face I sought,
Among the convoy, early, late.
No face, no fiend, my exiled fate
Could now or better make or worse:
And it to me relief had brought
Could I have seen him, but to hate,
And greeted, but to curse!
```A mute and melancholy band,
For days and weeks we journeyed on,
Across a bare and level land,
On which the fierce sun ever shone,
But whence all life and growth were gone,
Utterly, as from salt-steeped strand.
Dawn after dawn, the steppe stretched round:
It seemed to have no halt, no end,
Centre, circumference, nor bound,
No sight, no shade, no scent, no sound;
But ever we appeared to wend
Into eternal exile, doomed
To make the endless track we trod,
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Now over sand, now scanty sod,
Where nought save blight and canker bloomed.
Though on we gasped, no goal was gained;
Further we went, further remained,
As when thought struggles after God:
Save that, instead, we seemed to go
Towards infinity of woe.
Many we were, but each alone.
We durst not with each other speak,
And but exchanged a tear or groan.
The strong might not assist the weak,
And to be child or woman gave
No privilege or power, save
To suffer more and be more brave.
So wretched were we, we could bless
A lighter load of wretchedness;
And when at last the cruel sun
Began to pity us, and leave
In sleep our pain a short reprieve,
We almost felt our griefs were done.
We knew not they had scarce begun.
Into another land we passed,
Drearier and deader than the last,
That knows no future and no past,
But only one fixed present!-land
Where nothing waxeth more or less,
Nothing is born and nothing dies,
And where, 'neath never-changing skies,
E'en frozen time itself doth stand
Immutable and motionless!
A land of snow and snow-fed wind,
Which freeze the blood, congeal the mind,
And harden man against mankind:
Region of death that is not dead,
But ever on its icy bed
Lies dying, and must ever lie,
Forbid to live, forbid to die!
```And, as its doom, such too seemed mine,
The doom of deathlessness in death.
In vain I used to pray and pine
The greedy cold would suck my breath,
317
And leave my empty husk to bleach
On the untrodden waste of white,
And draw the prowling jackal's screech,
Or give the wolf one foul delight.
```One night, as, prostrate in despair
At each unanswered tear and prayer,
I blasphemed God, and wildly sware
That if at least He would not give
Me death, I would no longer live,
But would myself the torture end,
That had nor change, nor hope, nor friend,
Sudden I started, gave a cry;
I seemed as changed to flesh from stone:
Oh! joy! I was no more alone.
And then for worlds I would not die!
'Twas thou! 'twas thou! my babe! my boy!
In joylessness my more than joy!
My more than heaven 'mid more than hell!
Weeping, upon my knees I fell,
And prayed forgiveness for my sin.
What now to me or cold or heat,
My shivering head, my burning feet,
Hunger or ache? I held within
The memory of that midnight sweet.
I had no thought for things without:
Sensation, suffering, struggle, doubt,
Each sense wherewith we feel, hear, see,
Was concentrated inwardly.
My aim was how to feed the root
That in the silence 'gan to shoot,
And pulsed with promise of the fruit.
Sometimes, in fresh access of woe,
Hope veered, and longed that thou and I
Lay underneath the snug, warm snow,
Together, and with none to know;
But swung back ever, true and high,
From desperation's gusty strife,Pointing from love and set towards life!
```You lived!'. . .`O mother!' here I cried,
`Tell me no more! I cannot bear
318
The tale of love, and grief, and pride.
Is't not enough that now we share
Pride, love, and exile, side by side?
And, let what will of wrong betide,
No wrong my youth, at least, shall tear,
From your soft hand and silvery hair!'
```What, Leszko! Leszko's son!' she said,
Her voice was grave, her tears were fled:
`Think you I told this tale of woe,
To stir your love for me, I know,
Will hold you living, haunt you dead?
Not quit my side, luxurious boy!
Share anguish that is almost joy,
To shrink from pain without alloy!
By all my hopes of husband fled,
My interrupted marriage-bed,
I charge you, bid you, not to cling,
To me, to love, to anything!
Not leave me! What is this I hear?
The mawkish kiss, the vapid tear,
Not flashing eye and springing spear!'
She pushed me off. `It cannot be
His patriot seed and mine I see.
Thou art some changeling! Go, then, go!
And hunt the lynx across the snow,
And when the blue-eyed scyllas blow,
Gather thereof a dainty bunch,
To woo some daughter of the foe,
While jackals and hyenas crunch
Thy country's flesh and bones, and bloom
No flowers, of all Spring used to know,
Save such as mourn o'er Poland's tomb!
For Poland, I from him was torn,
For Poland, he from me! But thouThou, thou forsooth, must cling on now,
Like infant that, from threatened hurt
Flies whimpering, to thy mother's skirt,
Dead unto duty as to scorn!
Bastard, indeed, thou doubly wert,
And both are shamed that thou wast born!'
``I knelt me down; towards the ground
319
I bowed my head in lowly guise.
I did not dare to raise my eyes,
But when at last my voice I found,
`Mother!' I cried, `I am not base,
Nor bastard, and his blood is mine;
But gazing on thy holy face,
I all forgot a woe, a wrong,
Sadder, more sacred, e'en than thine.
But now thy strength hath made me strong,
And in my features thou shalt trace,
And in my soul, that I belong
Unto a noble name and race.'
I stood up straight. There was no sign
Of melting in my voice or gaze.
`When shall I go?' I said, `The ways
Are not more ready stretched than I
To start at once, to run, to fly,
Whither thy sharp reproaches point.
Mother, farewell! In every joint
I feel the blood of Poland stir.
She is my mother! I for her
Can lonely live, will lonely die.'
```Kneel then once more!' she said. I knelt,
But this time with unbending brow.
Her face fawned towards me, and I felt
Her lips upon me, tender now.
She took the cross from off her breast,
Passed its cord softly o'er my head:
`I have no sword to give,' she said,
`But you will find one 'mong the dead
That now lie thick-though baffled, blestAmong the forests where, once more,
Poland renews the hopeless strife,
And liberates with lavish gore,
Awhile, the fever of its life.
Listen! There shortly start from hence
Two fresh battalions of the foe,
For Poland bound. They doubtless go
To aid their kindred's violence.
You must march with them o'er the snow.
Nay, start not! must their colours wear,
320
Aye, boy! must false allegiance swear
To their detested Pontiff-Czar!
Such perjuries, I tell thee, are
Not heard at Heaven's just judgment-bar.
And if thy lips abhor the lie,
Poland absolves thee-so do I!'
``The hour had come, and face to face
We stood, my mother, there, and I.
We did not fondle nor embrace;
She did not weep, I did not sigh.
I wore the trappings of the race
That battens upon Poland's heart;
So, well I knew that uncaressed,
Unfolded to her craving breast,
I from her must depart.
`Have you the cross?' she asked. I laid
My hand where 'gainst my heart it lay,
But did not speak. `Both night and day,
Brood on it, as a constant maid
Broods on the face that cannot fade,
When he who loves her is away!
It was the one dumb thing on earth
That spoke to me; the only one,
Dead, that was eloquent of birth;
So have I given it thee, my son!
I have no gift of his, no toy,
No trinket, trifle, leaf, nor flower,
Naught to remind me of my joy.
But it was on my breast that hour,
That night, when it, and it alone,
Was 'twixt his bosom and my own.
Go, now! And I will nightly pray
The Queen of Poland, we may meet,
When bitter has been turned to sweet,
And earthly dark to heavenly day!'
I bent. She raised her hands to bless;
And then I went without caress,
And left her to her loneliness.
``Why tell the rest? Too well you know,
Ah! you, free child of Freedom's shore,
321
That spurred our hopes, but lent no blow
In aid of all our wasted gore,
How Poland, maddened, rose once more,
And blindly struck at friend and foe.
Why should I tell-the tale, too long!Of the weak writhing 'gainst the strong,
Pricked by reiterated wrong?
The orphaned pillows, rifled roofs,
The sudden rush of trampling hoofs,
The reeking village, blazing town;
The perjured charge, the traitor's mesh,
The virgin's lacerated flesh;
The wail of childhood, helpless fair,
Frenzy itself had stopped to spare;
Priests at the altar stricken down,
Mingling their blood with that of Christ,
While sacrificing, sacrificed;
Chaste spouses of the cloister, weaned
From earth, and from Earth's passions screened,
Shrieking beneath the clutch of fiend,
And outraged, less from lust than hate,
In refuges inviolate.Enough! Had Hell broke loose, and sent
Its demons forth, on man to vent
The tortures God's maligners feign
Heaven vents on them, they would in vain
Have striven to paragon the pain
Poland's oppressors knew to wreak
Upon the sensitive and weak,
When we, the strong, their strength defied,
And Freedom, foiling despots, died.
``I was too late. 'Twas nearly o'er;
But straight I sloughed the garb I wore,
And joined one last determined band,
Who to the border forests clung
That sever from the Tartar's hand
That share of our partitioned land
Which owns a rule more just and bland,
Keeping at least its creed and tongue.
We did not think with fate to cope;
No! vengeance was our only hope,
322
And vengeance to me came.
We were pursued by one who gave
No mercy or to faint or brave:
I heard, and knew his name.
'Twas he, whose lust had torn apart
For ever loving heart from heart,
As far as hatred can.
We lay in ambush; they were caught,
And could not fly, so mercy sought.
We slew them, to a man!
He fell to me! One thrust I made,
And at my feet I saw him laid:
I sucked the blood from off my blade:
Christ! it was sweet! aye, sweeter far
Than the smile of home, than the kiss of maid,
Or the glow of the evening star!
``It was the last blow struck. We fled
Across the frontier, each as best
A gap could gain, and left the dead
To stock the unclean raven's nest.
Exile once more, though all the earth
Henceforth lay open to my tread,
All save the one that gave me birth,
I saw no goal except the one
Where, sitting mute in deepest dearth,
The mother waited for the son.
But how? I donned the pedlar's pack,
And started on the trackless track,
Day after day, league after league,
Fatigue slow-linked with slow fatigue,
But ever getting nearer back
Unto the larch-log fire where she
Sat patiently, awaiting me.
And there was yet another sight
Behind, to spur my flagging tread:
The foe, the fiend, I felled in fight,
And gloated over, dead!
Could I have borne his hated head,
And laid it at my mother's feet!
The very thought fresh vigour gave,
And made my final footsteps fleet.
323
I raved. You deem that still I rave.
What think you that they found? Her grave.
``Back, back across the cruel waste,
Her tomb behind, my life before;An ebbing wave that raced and raced,
But ne'er could hope to find a shore,
Not e'en a rock 'gainst which to break:
A vista of unending ache,
Trod and endured for no one's sake!
Rather than live without some end,
Such misery fresh woe will make,
And woo misfortune for a friend.
And I, since it was vain to hope
That I could find, where'er I ran,
Solace or happiness, began
For further wretchedness to grope.
Now other object had I none,
From rise of day to set of sun,
Except to seek my sire;
Though well I knew I should not find,
Or finding, curse the fate unkind
That baulked not my desire.
And fate was ruthless to the last.
Five years of bootless search had passed,
And still I sought. But when on fire,
Her roofs delirious Paris saw,
I found him stretched on sordid straw.
He had not fought for crowd or law:
Sooth, had he wished, he could not draw
A sword from scabbard now, nor lift
His body from its borrowed bed.
His brackish life was ebbing swift.
He who had eaten beggar's bread,
And known each sad and sordid shift
That just sustains the exile's tread,
Needed no more the stranger's gift.
I knelt me down beside his head,
And breathed her name into his ear.
There came no start, no word, no tear:
His brain was deaf; he did not know
The difference now 'twixt joy and woe,
324
'Twixt love and hate, 'twixt friend and foe,
'Twixt me and any other! Vain
My years of search and sought-for pain.
Yet not quite vain. Upon his breast
A silver locket hung; and when
I stretched my hand to it, he pressed
'Gainst it his own, nor loosed again,
Until he passed away to rest.
I took it when his grasp grew cold,
And lo! it was my mother's face!
Not as I knew her, blanched and old,
But in the glow of youth and grace,
With eyes of heaven and hair of gold,
And all the passion of her race.
I wear it and its rusted chain.
I put her cross there in its place:
The iron cross; yes, cross indeed!
And iron, too! the fitting meed
Of those who for wronged Poland bleed,
And ever bleed in vain!
``Rise quick, ye winds! Race swift, ye waves!
And bear me where blue Danube rolls,
Past Orsova's loud-foaming caves,
On 'twixt armed hosts of rival slaves,
To scatter among Euxine shoals.
Now, do you ask why hence I fly
To join the Moslem camp, and hurl
My poor weak life, foredoomed to die,
On those who Freedom's flag unfurl
For Christian boor and Sclavic churl?Out on the sacrilegious lie!
Robbers, assassins, liars, slaves!
Whose feet are fresh from outraged graves!
Let those among you, dupes, or worse,
Sucklings of falsehood, or its nurse,
Believe that Russian arms can bear
To others aught except a share
In chains themselves consent to wear!
Let them! But I! Did Tartar swords
Storm hell, and Turkish steel defend,
I would the infernal Cause befriend
325
Against the worse than demon hordes
Who to the damned would bring fresh curse,
And enter Hell, to make it worse!''
~ Alfred Austin,#NFDB
416:The woods were long austere with snow: at last
Pink leaflets budded on the beech, and fast
Larches, scattered through pine-tree solitudes,
Brightened, "as in the slumbrous heart o' the woods
"Our buried year, a witch, grew young again
"To placid incantations, and that stain
"About were from her cauldron, green smoke blent
"With those black pines"so Eglamor gave vent
To a chance fancy. Whence a just rebuke
From his companion; brother Naddo shook
The solemnest of brows: "Beware," he said,
"Of setting up conceits in nature's stead!"
Forth wandered our Sordello. Nought so sure
As that to-day's adventure will secure
Palma, the visioned ladyonly pass
O'er you damp mound and its exhausted grass,
Under that brake where sundawn feeds the stalks
Of withered fern with gold, into those walks
Of pine and take her! Buoyantly he went.
Again his stooping forehead was besprent
With dew-drops from the skirting ferns. Then wide
Opened the great morass, shot every side
With flashing water through and through; a-shine,
Thick-steaming, all-alive. Whose shape divine,
Quivered i' the farthest rainbow-vapour, glanced
Athwart the flying herons? He advanced,
But warily; though Mincio leaped no more,
Each foot-fall burst up in the marish-floor
A diamond jet: and if he stopped to pick
Rose-lichen, or molest the leeches quick,
And circling blood-worms, minnow, newt or loach,
A sudden pond would silently encroach
This way and that. On Palma passed. The verge
Of a new wood was gained. She will emerge
Flushed, now, and panting,crowds to see,will own
She loves himBoniface to hear, to groan,
To leave his suit! One screen of pine-trees still
Opposes: butthe startling spectacle
Mantua, this time! Under the wallsa crowd
Indeed, real men and women, gay and loud
Round a pavilion. How he stood!
In truth
No prophecy had come to pass: his youth
In its prime nowand where was homage poured
Upon Sordello?born to be adored,
And suddenly discovered weak, scarce made
To cope with any, cast into the shade
By this and this. Yet something seemed to prick
And tingle in his blood; a sleighta trick
And much would be explained. It went for nought
The best of their endowments were ill bought
With his identity: nay, the conceit,
That this day's roving led to Palma's feet
Was not so vainlist! The word, "Palma!" Steal
Aside, and die, Sordello; this is real,
And thisabjure!
What next? The curtains see
Dividing! She is there; and presently
He will be therethe proper You, at length
In your own cherished dress of grace and strength:
Most like, the very Boniface!
Not so.
It was a showy man advanced; but though
A glad cry welcomed him, then every sound
Sank and the crowd disposed themselves around,
"This is not he," Sordello felt; while, "Place
"For the best Troubadour of Boniface!"
Hollaed the Jongleurs,"Eglamor, whose lay
"Concludes his patron's Court of Love to-day!"
Obsequious Naddo strung the master's lute
With the new lute-string, "Elys," named to suit
The song: he stealthily at watch, the while,
Biting his lip to keep down a great smile
Of pride: then up he struck. Sordello's brain
Swam; for he knew a sometime deed again;
So, could supply each foolish gap and chasm
The minstrel left in his enthusiasm,
Mistaking its true versionwas the tale
Not of Apollo? Only, what avail
Luring her down, that Elys an he pleased,
If the man dared no further? Has he ceased
And, lo, the people's frank applause half done,
Sordello was beside him, had begun
(Spite of indignant twitchings from his friend
The Trouvere) the true lay with the true end,
Taking the other's names and time and place
For his. On flew the song, a giddy race,
After the flying story; word made leap
Out word, rhymerhyme; the lay could barely keep
Pace with the action visibly rushing past:
Both ended. Back fell Naddo more aghast
Than some Egyptian from the harassed bull
That wheeled abrupt and, bellowing, fronted full
His plague, who spied a scarab 'neath the tongue,
And found 't was Apis' flank his hasty prong
Insulted. But the peoplebut the cries,
The crowding round, and proffering the prize!
For he had gained some prize. He seemed to shrink
Into a sleepy cloud, just at whose brink
One sight withheld him. There sat Adelaide,
Silent; but at her knees the very maid
Of the North Chamber, her red lips as rich,
The same pure fleecy hair; one weft of which,
Golden and great, quite touched his cheek as o'er
She leant, speaking some six words and no more.
He answered something, anything; and she
Unbound a scarf and laid it heavily
Upon him, her neck's warmth and all. Again
Moved the arrested magic; in his brain
Noises grew, and a light that turned to glare,
And greater glare, until the intense flare
Engulfed him, shut the whole scene from his sense.
And when he woke 't was many a furlong thence,
At home; the sun shining his ruddy wont;
The customary birds'-chirp; but his front
Was crownedwas crowned! Her scented scarf around
His neck! Whose gorgeous vesture heaps the ground?
A prize? He turned, and peeringly on him
Brooded the women-faces, kind and dim,
Ready to talk"The Jongleurs in a troop
"Had brought him back, Naddo and Squarcialupe
"And Tagliafer; how strange! a childhood spent
"In taking, well for him, so brave a bent!
"Since Eglamor," they heard, "was dead with spite,
"And Palma chose him for her minstrel."
Light
Sordello roseto think, now; hitherto
He had perceived. Sure, a discovery grew
Out of it all! Best live from first to last
The transport o'er again. A week he passed,
Sucking the sweet out of each circumstance,
From the bard's outbreak to the luscious trance
Bounding his own achievement. Strange! A man
Recounted an adventure, but began
Imperfectly; his own task was to fill
The frame-work up, sing well what he sung ill,
Supply the necessary points, set loose
As many incidents of little use
More imbecile the other, not to see
Their relative importance clear as he!
But, for a special pleasure in the act
Of singinghad he ever turned, in fact,
From Elys, to sing Elys?from each fit
Of rapture to contrive a song of it?
True, this snatch or the other seemed to wind
Into a treasure, helped himself to find
A beauty in himself; for, see, he soared
By means of that mere snatch, to many a hoard
Of fancies; as some falling cone bears soft
The eye along the fir-tree-spire, aloft
To a dove's nest. Then, how divine the cause
Why such performance should exact applause
From men, if they had fancies too? Did fate
Decree they found a beauty separate
In the poor snatch itself?"Take Elys, there,
"'Her head that 's sharp and perfect like a pear,
"'So close and smooth are laid the few fine locks
"'Coloured like honey oozed from topmost rocks
"'Sun-blanched the livelong summer'if they heard
"Just those two rhymes, assented at my word,
"And loved them as I love them who have run
"These fingers through those pale locks, let the sun
"Into the white cool skinwho first could clutch,
"Then praiseI needs must be a god to such.
"Or what if some, above themselves, and yet
"Beneath me, like their Eglamor, have set
"An impress on our gift? So, men believe
"And worship what they know not, nor receive
"Delight from. Have they fanciesslow, perchance,
"Not at their beck, which indistinctly glance
"Until, by song, each floating part be linked
"To each, and all grow palpable, distinct?"
He pondered this.
Meanwhile, sounds low and drear
Stole on him, and a noise of footsteps, near
And nearer, while the underwood was pushed
Aside, the larches grazed, the dead leaves crushed
At the approach of men. The wind seemed laid;
Only, the trees shrunk slightly and a shade
Came o'er the sky although 't was midday yet:
You saw each half-shut downcast floweret
Flutter"a Roman bride, when they 'd dispart
"Her unbound tresses with the Sabine dart,
"Holding that famous rape in memory still,
"Felt creep into her curls the iron chill,
"And looked thus," Eglamor would sayindeed
'T is Eglamor, no other, these precede
Home hither in the woods. "'T were surely sweet
"Far from the scene of one's forlorn defeat
"To sleep!" judged Naddo, who in person led
Jongleurs and Trouveres, chanting at their head,
A scanty company; for, sooth to say,
Our beaten Troubadour had seen his day.
Old worshippers were something shamed, old friends
Nigh weary; still the death proposed amends.
"Let us but get them safely through my song
"And home again!" quoth Naddo.
All along,
This man (they rest the bier upon the sand)
This calm corpse with the loose flowers in his hand,
Eglamor, lived Sordello's opposite.
For him indeed was Naddo's notion right,
And verse a temple-worship vague and vast,
A ceremony that withdrew the last
Opposing bolt, looped back the lingering veil
Which hid the holy place: should one so frail
Stand there without such effort? or repine
If much was blank, uncertain at the shrine
He knelt before, till, soothed by many a rite,
The power responded, and some sound or sight
Grew up, his own forever, to be fixed,
In rhyme, the beautiful, forever!mixed
With his own life, unloosed when he should please,
Having it safe at hand, ready to ease
All pain, remove all trouble; every time
He loosed that fancy from its bonds of rhyme,
(Like Perseus when he loosed his naked love)
Faltering; so distinct and far above
Himself, these fancies! He, no genius rare,
Transfiguring in fire or wave or air
At will, but a poor gnome that, cloistered up
In some rock-chamber with his agate cup,
His topaz rod, his seed-pearl, in these few
And their arrangement finds enough to do
For his best art. Then, how he loved that art!
The calling marking him a man apart
From menone not to care, take counsel for
Cold hearts, comfortless faces(Eglamor
Was neediest of his tribe)since verse, the gift,
Was his, and men, the whole of them, must shift
Without it, e'en content themselves with wealth
And pomp and power, snatching a life by stealth.
So, Eglamor was not without his pride!
The sorriest bat which cowers throughout noontide
While other birds are jocund, has one time
When moon and stars are blinded, and the prime
Of earth is his to claim, nor find a peer;
And Eglamor was noblest poet here
He well knew, 'mid those April woods he cast
Conceits upon in plenty as he passed,
That Naddo might suppose him not to think
Entirely on the coming triumph: wink
At the one weakness! 'T was a fervid child,
That song of his; no brother of the guild
Had e'er conceived its like. The rest you know,
The exaltation and the overthrow:
Our poet lost his purpose, lost his rank,
His lifeto that it came. Yet envy sank
Within him, as he heard Sordello out,
And, for the first time, shoutedtried to shout
Like others, not from any zeal to show
Pleasure that way: the common sort did so,
What else was Eglamor? who, bending down
As they, placed his beneath Sordello's crown,
Printed a kiss on his successor's hand,
Left one great tear on it, then joined his band
In time; for some were watching at the door:
Who knows what envy may effect? "Give o'er,
"Nor charm his lips, nor craze him!" (here one spied
And disengaged the withered crown)"Beside
"His crown? How prompt and clear those verses rang
"To answer yours! nay, sing them!" And he sang
Them calmly. Home he went; friends used to wait
His coming, zealous to congratulate;
But, to a manso quickly runs report
Could do no less than leave him, and escort
His rival. That eve, then, bred many a thought:
What must his future life be? was he brought
So low, who stood so lofty this Spring morn?
At length he said, "Best sleep now with my scorn,
"And by to-morrow I devise some plain
"Expedient!" So, he slept, nor woke again.
They found as much, those friends, when they returned
O'erflowing with the marvels they had learned
About Sordello's paradise, his roves
Among the hills and vales and plains and groves,
Wherein, no doubt, this lay was roughly cast,
Polished by slow degrees, completed last
To Eglamor's discomfiture and death.
Such form the chanters now, and, out of breath,
They lay the beaten man in his abode,
Naddo reciting that same luckless ode,
Doleful to hear. Sordello could explore
By means of it, however, one step more
In joy; and, mastering the round at length,
Learnt how to live in weakness as in strength,
When from his covert forth he stood, addressed
Eglamor, bade the tender ferns invest,
Primval pines o'ercanopy his couch,
And, most of all, his fame(shall I avouch
Eglamor heard it, dead though he might look,
And laughed as from his brow Sordello took
The crown, and laid on the bard's breast, and said
It was a crown, now, fit for poet's head?)
Continue. Nor the prayer quite fruitless fell.
A plant they have, yielding a three-leaved bell
Which whitens at the heart ere noon, and ails
Till evening; evening gives it to her gales
To clear away with such forgotten things
As are an eyesore to the morn: this brings
Him to their mind, and bears his very name.
So much for Eglamor. My own month came;
'T was a sunrise of blossoming and May.
Beneath a flowering laurel thicket lay
Sordello; each new sprinkle of white stars
That smell fainter of wine than Massic jars
Dug up at Bai, when the south wind shed
The ripest, made him happier; filleted
And robed the same, only a lute beside
Lay on the turf. Before him far and wide
The country stretched: Goito slept behind
The castle and its covert, which confined
Him with his hopes and fears; so fain of old
To leave the story of his birth untold.
At intervals, 'spite the fantastic glow
Of his Apollo-life, a certain low
And wretched whisper, winding through the bliss,
Admonished, no such fortune could be his,
All was quite false and sure to fade one day:
The closelier drew he round him his array
Of brilliance to expel the truth. But when
A reason for his difference from men
Surprised him at the grave, he took no rest
While aught of that old life, superbly dressed
Down to its meanest incident, remained
A mystery: alas, they soon explained
Away Apollo! and the tale amounts
To this: when at Vicenza both her counts
Banished the Vivaresi kith and kin,
Those Maltraversi hung on Ecelin,
Reviled him as he followed; he for spite
Must fire their quarter, though that self-same night
Among the flames young Ecelin was born
Of Adelaide, there too, and barely torn
From the roused populace hard on the rear,
By a poor archer when his chieftain's fear
Grew high; into the thick Elcorte leapt,
Saved her, and died; no creature left except
His child to thank. And when the full escape
Was knownhow men impaled from chine to nape
Unlucky Prata, all to pieces spurned
Bishop Pistore's concubines, and burned
Taurello's entire household, flesh and fell,
Missing the sweeter preysuch courage well
Might claim reward. The orphan, ever since,
Sordello, had been nurtured by his prince
Within a blind retreat where Adelaide
(For, once this notable discovery made,
The past at every point was understood)
Might harbour easily when times were rude,
When Azzo schemed for Palma, to retrieve
That pledge of Agnes Esteloth to leave
Mantua unguarded with a vigilant eye,
While there Taurello bode ambiguously
He who could have no motive now to moil
For his own fortunes since their utter spoil
As it were worth while yet (went the report)
To disengage himself from her. In short,
Apollo vanished; a mean youth, just named
His lady's minstrel, was to be proclaimed
How shall I phrase it?Monarch of the World!
For, on the day when that array was furled
Forever, and in place of one a slave
To longings, wild indeed, but longings save
In dreams as wild, suppressedone daring not
Assume the mastery such dreams allot,
Until a magical equipment, strength,
Grace, wisdom, decked him too,he chose at length,
Content with unproved wits and failing frame,
In virtue of his simple will, to claim
That mastery, no lessto do his best
With means so limited, and let the rest
Go by,the seal was set: never again
Sordello could in his own sight remain
One of the many, one with hopes and cares
And interests nowise distinct from theirs,
Only peculiar in a thriveless store
Of fancies, which were fancies and no more;
Never again for him and for the crowd
A common law was challenged and allowed
If calmly reasoned of, howe'er denied
By a mad impulse nothing justified
Short of Apollo's presence. The divorce
Is clear: why needs Sordello square his course
By any known example? Men no more
Compete with him than tree and flower before.
Himself, inactive, yet is greater far
Than such as act, each stooping to his star,
Acquiring thence his function; he has gained
The same result with meaner mortals trained
To strength or beauty, moulded to express
Each the idea that rules him; since no less
He comprehends that function, but can still
Embrace the others, take of might his fill
With Richard as of grace with Palma, mix
Their qualities, or for a moment fix
On one; abiding free meantime, uncramped
By any partial organ, never stamped
Strong, and to strength turning all energies
Wise, and restricted to becoming wise
That is, he loves not, nor possesses One
Idea that, star-like over, lures him on
To its exclusive purpose. "Fortunate!
"This flesh of mine ne'er strove to emulate
"A soul so varioustook no casual mould
"Of the first fancy and, contracted, cold,
"Clogged her foreversoul averse to change
"As flesh: whereas flesh leaves soul free to range,
"Remains itself a blank, cast into shade,
"Encumbers little, if it cannot aid.
"So, range, free soul!who, by self-consciousness,
"The last drop of all beauty dost express
"The grace of seeing grace, a quintessence
"For thee: while for the world, that can dispense
"Wonder on men who, themselves, wondermake
"A shift to love at second-hand, and take
"For idols those who do but idolize,
"Themselves,the world that counts men strong or wise,
"Who, themselves, court strength, wisdom,it shall bow
"Surely in unexampled worship now,
"Discerning me!"
(Dear monarch, I beseech,
Notice how lamentably wide a breach
Is here: discovering this, discover too
What our poor world has possibly to do
With it! As pigmy natures as you please
So much the better for you; take your ease,
Look on, and laugh; style yourself God alone;
Strangle some day with a cross olive-stone!
All that is right enough: but why want us
To know that you yourself know thus and thus?)
"The world shall bow to me conceiving all
"Man's life, who see its blisses, great and small,
"Afarnot tasting any; no machine
"To exercise my utmost will is mine:
"Be mine mere consciousness! Let men perceive
"What I could do, a mastery believe,
"Asserted and established to the throng
"By their selected evidence of song
"Which now shall prove, whate'er they are, or seek
"To be, I amwhose words, not actions speak,
"Who change no standards of perfection, vex
"With no strange forms created to perplex,
"But just perform their bidding and no more,
"At their own satiating-point give o'er,
"While each shall love in me the love that leads
"His soul to power's perfection." Song, not deeds,
(For we get tired) was chosen. Fate would brook
Mankind no other organ; he would look
For not another channel to dispense
His own volition by, receive men's sense
Of its supremacywould live content,
Obstructed else, with merely verse for vent.
Nor should, for instance, strength an outlet seek
And, striving, be admired: nor grace bespeak
Wonder, displayed in gracious attitudes:
Nor wisdom, poured forth, change unseemly moods;
But he would give and take on song's one point.
Like some huge throbbing stone that, poised a-joint,
Sounds, to affect on its basaltic bed,
Must sue in just one accent; tempests shed
Thunder, and raves the windstorm: only let
That key by any little noise be set
The far benighted hunter's halloo pitch
On that, the hungry curlew chance to scritch
Or serpent hiss it, rustling through the rift,
However loud, however lowall lift
The groaning monster, stricken to the heart.
Lo ye, the world's concernment, for its part,
And this, for his, will hardly interfere!
Its businesses in blood and blaze this year
But wile the hour awaya pastime slight
Till he shall step upon the platform: right!
And, now thus much is settled, cast in rough,
Proved feasible, be counselled! thought enough,
Slumber, Sordello! any day will serve:
Were it a less digested plan! how swerve
To-morrow? Meanwhile eat these sun-dried grapes,
And watch the soaring hawk there! Life escapes
Merrily thus.
He thoroughly read o'er
His truchman Naddo's missive six times more,
Praying him visit Mantua and supply
A famished world.
The evening star was high
When he reached Mantua, but his fame arrived
Before him: friends applauded, foes connived,
And Naddo looked an angel, and the rest
Angels, and all these angels would be blest
Supremely by a songthe thrice-renowned
Goito-manufacture. Then he found
(Casting about to satisfy the crowd)
That happy vehicle, so late allowed,
A sore annoyance; 't was the song's effect
He cared for, scarce the song itself: reflect!
In the past life, what might be singing's use?
Just to delight his Delians, whose profuse
Praise, not the toilsome process which procured
That praise, enticed Apollo: dreams abjured,
No overleaping means for endstake both
For granted or take neither! I am loth
To say the rhymes at last were Eglamor's;
But Naddo, chuckling, bade competitors
Go pine; "the master certes meant to waste
"No effort, cautiously had probed the taste
"He 'd please anon: true bard, in short,disturb
"His title if they could; nor spur nor curb,
"Fancy nor reason, wanting in him; whence
"The staple of his verses, common sense:
"He built on man's broad naturegift of gifts,
"That power to build! The world contented shifts
"With counterfeits enough, a dreary sort
"Of warriors, statesmen, ere it can extort
"Its poet-soulthat 's, after all, a freak
"(The having eyes to see and tongue to speak)
"With our herd's stupid sterling happiness
"So plainly incompatible thatyes
"Yesshould a son of his improve the breed
"And turn out poet, he were cursed indeed!"
"Well, there 's Goito and its woods anon,
"If the worst happen; best go stoutly on
"Now!" thought Sordello.
Ay, and goes on yet!
You pother with your glossaries to get
A notion of the Troubadour's intent
In rondel, tenzon, virlai or sirvent
Much as you study arras how to twirl
His angelot, plaything of page and girl
Once; but you surely reach, at last,or, no!
Never quite reach what struck the people so,
As from the welter of their time he drew
Its elements successively to view,
Followed all actions backward on their course,
And catching up, unmingled at the source,
Such a strength, such a weakness, added then
A touch or two, and turned them into men.
Virtue took form, nor vice refused a shape;
Here heaven opened, there was hell agape,
As Saint this simpered past in sanctity,
Sinner the other flared portentous by
A greedy people. Then why stop, surprised
At his success? The scheme was realized
Too suddenly in one respect: a crowd
Praising, eyes quick to see, and lips as loud
To speak, delicious homage to receive,
The woman's breath to feel upon his sleeve,
Who said, "But Anafestwhy asks he less
"Than Lucio, in your verses? how confess,
"It seemed too much but yestereve!"the youth,
Who bade him earnestly, "Avow the truth!
"You love Bianca, surely, from your song;
"I knew I was unworthy!"soft or strong,
In poured such tributes ere he had arranged
Ethereal ways to take them, sorted, changed,
Digested. Courted thus at unawares,
In spite of his pretensions and his cares,
He caught himself shamefully hankering
After the obvious petty joys that spring
From true life, fain relinquish pedestal
And condescend with pleasuresone and all
To be renounced, no doubt; for, thus to chain
Himself to single joys and so refrain
From tasting their quintessence, frustrates, sure,
His prime design; each joy must he abjure
Even for love of it.
He laughed: what sage
But perishes if from his magic page
He look because, at the first line, a proof
'T was heard salutes him from the cavern roof?
"On! Give yourself, excluding aught beside,
"To the day's task; compel your slave provide
"Its utmost at the soonest; turn the leaf
"Thoroughly conned. These lays of yours, in brief
"Cannot men bear, now, something better?fly
"A pitch beyond this unreal pageantry
"Of essences? the period sure has ceased
"For such: present us with ourselves, at least,
"Not portions of ourselves, mere loves and hates
"Made flesh: wait not!"
Awhile the poet waits
However. The first trial was enough:
He left imagining, to try the stuff
That held the imaged thing, and, let it writhe
Never so fiercely, scarce allowed a tithe
To reach the lighthis Language. How he sought
The cause, conceived a cure, and slow re-wrought
That Language,welding words into the crude
Mass from the new speech round him, till a rude
Armour was hammered out, in time to be
Approved beyond the Roman panoply
Melted to make it,boots not. This obtained
With some ado, no obstacle remained
To using it; accordingly he took
An action with its actors, quite forsook
Himself to live in each, returned anon
With the resulta creature, and, by one
And one, proceeded leisurely to equip
Its limbs in harness of his workmanship.
"Accomplished! Listen, Mantuans!" Fond essay!
Piece after piece that armour broke away,
Because perceptions whole, like that he sought
To clothe, reject so pure a work of thought
As language: thought may take perception's place
But hardly co-exist in any case,
Being its mere presentmentof the whole
By parts, the simultaneous and the sole
By the successive and the many. Lacks
The crowd perception? painfully it tacks
Thought to thought, which Sordello, needing such,
Has rent perception into: it's to clutch
And reconstructhis office to diffuse,
Destroy: as hard, then, to obtain a Muse
As to become Apollo. "For the rest,
"E'en if some wondrous vehicle expressed
"The whole dream, what impertinence in me
"So to express it, who myself can be
"The dream! nor, on the other hand, are those
"I sing to, over-likely to suppose
"A higher than the highest I present
"Now, which they praise already: be content
"Both parties, ratherthey with the old verse,
"And I with the old praisefar go, fare worse!"
A few adhering rivets loosed, upsprings
The angel, sparkles off his mail, which rings
Whirled from each delicatest limb it warps;
So might Apollo from the sudden corpse
Of Hyacinth have cast his luckless quoits.
He set to celebrating the exploits
Of Montfort o'er the Mountaineers.
Then came
The world's revenge: their pleasure, now his aim
Merely,what was it? "Not to play the fool
"So much as learn our lesson in your school!"
Replied the world. He found that, every time
He gained applause by any ballad-rhyme,
His auditory recognized no jot
As he intended, and, mistaking not
Him for his meanest hero, ne'er was dunce
Sufficient to believe himall, at once.
His will . . . conceive it caring for his will!
Mantuans, the main of them, admiring still
How a mere singer, ugly, stunted, weak,
Had Montfort at completely (so to speak)
His fingers' ends; while past the praise-tide swept
To Montfort, either's share distinctly kept:
The true meed for true merit!his abates
Into a sort he most repudiates,
And on them angrily he turns. Who were
The Mantuans, after all, that he should care
About their recognition, ay or no?
In spite of the convention months ago,
(Why blink the truth?) was not he forced to help
This same ungrateful audience, every whelp
Of Naddo's litter, make them pass for peers
With the bright band of old Goito years,
As erst he toiled for flower or tree? Why, there
Sat Palma! Adelaide's funereal hair
Ennobled the next corner. Ay, he strewed
A fairy dust upon that multitude,
Although he feigned to take them by themselves;
His giants dignified those puny elves,
Sublimed their faint applause. In short, he found
Himself still footing a delusive round,
Remote as ever from the self-display
He meant to compass, hampered every way
By what he hoped assistance. Wherefore then
Continue, make believe to find in men
A use he found not?
Weeks, months, years went by
And lo, Sordello vanished utterly,
Sundered in twain; each spectral part at strife
With each; one jarred against another life;
The Poet thwarting hopelessly the Man
Who, fooled no longer, free in fancy ran
Here, there: let slip no opportunities
As pitiful, forsooth, beside the prize
To drop on him some no-time and acquit
His constant faith (the Poet-half's to wit
That waiving any compromise between
No joy and all joy kept the hunger keen
Beyond most methods)of incurring scoff
From the Man-portionnot to be put off
With self-reflectings by the Poet's scheme,
Though ne'er so bright. Who sauntered forth in dream,
Dressed any how, nor waited mystic frames,
Immeasurable gifts, astounding claims,
But just his sorry self?who yet might be
Sorrier for aught he in reality
Achieved, so pinioned Man's the Poet-part,
Fondling, in turn of fancy, verse; the Art
Developing his soul a thousand ways
Potent, by its assistance, to amaze
The multitude with majesties, convince
Each sort of nature that the nature's prince
Accosted it. Language, the makeshift, grew
Into a bravest of expedients, too;
Apollo, seemed it now, perverse had thrown
Quiver and bow away, the lyre alone
Sufficed. While, out of dream, his day's work went
To tune a crazy tenzon or sirvent
So hampered him the Man-part, thrust to judge
Between the bard and the bard's audience, grudge
A minute's toil that missed its due reward!
But the complete Sordello, Man and Bard,
John's cloud-girt angel, this foot on the land,
That on the sea, with, open in his hand,
A bitter-sweetling of a bookwas gone.
Then, if internal struggles to be one,
Which frittered him incessantly piecemeal,
Referred, ne'er so obliquely, to the real
Intruding Mantuans! ever with some call
To action while he pondered, once for all,
Which looked the easier effortto pursue
This course, still leap o'er paltry joys, yearn through
The present ill-appreciated stage
Of self-revealment, and compel the age
Know himor else, forswearing bard-craft, wake
From out his lethargy and nobly shake
Off timid habits of denial, mix
With men, enjoy like men. Ere he could fix
On aught, in rushed the Mantuans; much they cared
For his perplexity! Thus unprepared,
The obvious if not only shelter lay
In deeds, the dull conventions of his day
Prescribed the like of him: why not be glad
'T is settled Palma's minstrel, good or bad,
Submits to this and that established rule?
Let Vidal change, or any other fool,
His murrey-coloured robe for filamot,
And crop his hair; too skin-deep, is it not,
Such vigour? Then, a sorrow to the heart,
His talk! Whatever topics they might start
Had to be groped for in his consciousness
Straight, and as straight delivered them by guess.
Only obliged to ask himself, "What was,"
A speedy answer followed; but, alas,
One of God's large ones, tardy to condense
Itself into a period; answers whence
A tangle of conclusions must be stripped
At any risk ere, trim to pattern clipped,
They matched rare specimens the Mantuan flock
Regaled him with, each talker from his stock
Of sorted-o'er opinions, every stage,
Juicy in youth or desiccate with age,
Fruits like the fig-tree's, rathe-ripe, rotten-rich,
Sweet-sour, all tastes to take: a practice which
He too had not impossibly attained,
Once either of those fancy-flights restrained;
(For, at conjecture how might words appear
To others, playing there what happened here,
And occupied abroad by what he spurned
At home, 't was slipped, the occasion he returned
To seize he 'd strike that lyre adroitlyspeech,
Would but a twenty-cubit plectre reach;
A clever hand, consummate instrument,
Were both brought close; each excellency went
For nothing, else. The question Naddo asked,
Had just a lifetime moderately tasked
To answer, Naddo's fashion. More disgust
And more: why move his soul, since move it must
At minute's notice or as good it failed
To move at all? The end was, he retailed
Some ready-made opinion, put to use
This quip, that maxim, ventured reproduce
Gestures and tonesat any folly caught
Serving to finish with, nor too much sought
If false or true 't was spoken; praise and blame
Of what he said grew pretty nigh the same
Meantime awards to meantime acts: his soul,
Unequal to the compassing a whole,
Saw, in a tenth part, less and less to strive
About. And as for men in turn . . . contrive
Who could to take eternal interest
In them, so hate the worst, so love the best,
Though, in pursuance of his passive plan,
He hailed, decried, the proper way.
As Man
So figured he; and how as Poet? Verse
Came only not to a stand-still. The worse,
That his poor piece of daily work to do
Wasnot sink under any rivals; who
Loudly and long enough, without these qualms,
Turned, from Bocafoli's stark-naked psalms,
To Plara's sonnets spoilt by toying with,
"As knops that stud some almug to the pith
"Prickd for gum, wry thence, and crinkld worse
"Than pursd eyelids of a river-horse
"Sunning himself o' the slime when whirrs the breese"
Gad-fly, that is. He might compete with these!
Butbut
"Observe a pompion-twine afloat;
"Pluck me one cup from off the castle-moat!
"Along with cup you raise leaf, stalk and root,
"The entire surface of the pool to boot.
"So could I pluck a cup, put in one song
"A single sight, did not my hand, too strong,
"Twitch in the least the root-strings of the whole.
"How should externals satisfy my soul?"
"Why that's precise the error Squarcialupe"
(Hazarded Naddo) "finds; 'the man can't stoop
"'To sing us out,' quoth he, 'a mere romance;
"'He'd fain do better than the best, enhance
"'The subjects' rarity, work problems out
"'Therewith.' Now, you 're a bard, a bard past doubt,
"And no philosopher; why introduce
"Crotchets like these? fine, surely, but no use
"In poetrywhich still must be, to strike,
"Based upon common sense; there's nothing like
"Appealing to our nature! what beside
"Was your first poetry? No tricks were tried
"In that, no hollow thrills, affected throes!
"'The man,' said we, 'tells his own joys and woes:
"'We'll trust him.' Would you have your songs endure?
"Build on the human heart!why, to be sure
"Yours is one sort of heartbut I mean theirs,
"Ours, every one's, the healthy heart one cares
"To build on! Central peace, mother of strength,
"That's father of . . . nay, go yourself that length,
"Ask those calm-hearted doers what they do
"When they have got their calm! And is it true,
"Fire rankles at the heart of every globe?
"Perhaps. But these are matters one may probe
"Too deeply for poetic purposes:
"Rather select a theory that . . . yes,
"Laugh! what does that prove?stations you midway
"And saves some little o'er-refining. Nay,
"That's rank injustice done me! I restrict
"The poet? Don't I hold the poet picked
"Out of a host of warriors, statesmen . . . did
"I tell you? Very like! As well you hid
"That sense of power, you have! True bards believe
"All able to achieve what they achieve
"That is, just nothingin one point abide
"Profounder simpletons than all beside.
"Oh, ay! The knowledge that you are a bard
"Must constitute your prime, nay sole, reward!"
So prattled Naddo, busiest of the tribe
Of genius-hauntershow shall I describe
What grubs or nips or rubs or ripsyour louse
For love, your flea for hate, magnanimous,
Malignant, Pappacoda, Tagliafer,
Picking a sustenance from wear and tear
By implements it sedulous employs
To undertake, lay down, mete out, o'er-toise
Sordello? Fifty creepers to elude
At once! They settled staunchly; shame ensued:
Behold the monarch of mankind succumb
To the last fool who turned him round his thumb,
As Naddo styled it! 'T was not worth oppose
The matter of a moment, gainsay those
He aimed at getting rid of; better think
Their thoughts and speak their speech, secure to slink
Back expeditiously to his safe place,
And chew the cudwhat he and what his race
Were really, each of them. Yet even this
Conformity was partial. He would miss
Some point, brought into contact with them ere
Assured in what small segment of the sphere
Of his existence they attended him;
Whence blunders, falsehoods rectifieda grim
Listslur it over! How? If dreams were tried,
His will swayed sicklily from side to side,
Nor merely neutralized his waking act
But tended e'en in fancy to distract
The intermediate will, the choice of means.
He lost the art of dreaming: Mantuan scenes
Supplied a baron, say, he sang before,
Handsomely reckless, full to running-o'er
Of gallantries; "abjure the soul, content
"With body, therefore!" Scarcely had he bent
Himself in dream thus low, when matter fast
Cried out, he found, for spirit to contrast
And task it duly; by advances slight,
The simple stuff becoming composite,
Count Lori grew Apollo: best recall
His fancy! Then would some rough peasant-Paul,
Like those old Ecelin confers with, glance
His gay apparel o'er; that countenance
Gathered his shattered fancies into one,
And, body clean abolished, soul alone
Sufficed the grey Paulician: by and by,
To balance the ethereality,
Passions were needed; foiled he sank again.
Meanwhile the world rejoiced ('t is time explain)
Because a sudden sickness set it free
From Adelaide. Missing the mother-bee,
Her mountain-hive Romano swarmed; at once
A rustle-forth of daughters and of sons
Blackened the valley. "I am sick too, old,
"Half-crazed I think; what good's the Kaiser's gold
"To such an one? God help me! for I catch
"My children's greedy sparkling eyes at watch
"'He bears that double breastplate on,' they say,
"'So many minutes less than yesterday!'
"Beside, Monk Hilary is on his knees
"Now, sworn to kneel and pray till God shall please
"Exact a punishment for many things
"You know, and some you never knew; which brings
"To memory, Azzo's sister Beatrix
"And Richard's Giglia are my Alberic's
"And Ecelin's betrothed; the Count himself
"Must get my Palma: Ghibellin and Guelf
"Mean to embrace each other." So began
Romano's missive to his fighting man
Taurelloon the Tuscan's death, away
With Friedrich sworn to sail from Naples' bay
Next month for Syria. Never thunder-clap
Out of Vesuvius' throat, like this mishap
Startled him. "That accursed Vicenza! I
"Absent, and she selects this time to die!
"Ho, fellows, for Vicenza!" Half a score
Of horses ridden dead, he stood before
Romano in his reeking spurs: too late
"Boniface urged me, Este could not wait,"
The chieftain stammered; "let me die in peace
"Forget me! Was it I who craved increase
"Of rule? Do you and Friedrich plot your worst
"Against the Father: as you found me first
"So leave me now. Forgive me! Palma, sure,
"Is at Goito still. Retain that lure
"Only be pacified!"
The country rung
With such a piece of news: on every tongue,
How Ecelin's great servant, congeed off,
Had done a long day's service, so, might doff
The green and yellow, and recover breath
At Mantua, whither,since Retrude's death,
(The girlish slip of a Sicilian bride
From Otho's house, he carried to reside
At Mantua till the Ferrarese should pile
A structure worthy her imperial style,
The gardens raise, the statues there enshrine,
She never lived to see)although his line
Was ancient in her archives and she took
A pride in him, that city, nor forsook
Her child when he forsook himself and spent
A prowess on Romano surely meant
For his own growthwhither he ne'er resorts
If wholly satisfied (to trust reports)
With Ecelin. So, forward in a trice
Were shows to greet him. "Take a friend's advice,"
Quoth Naddo to Sordello, "nor be rash
"Because your rivals (nothing can abash
"Some folks) demur that we pronounced you best
"To sound the great man's welcome; 't is a test,
"Remember! Strojavacca looks asquint,
"The rough fat sloven; and there 's plenty hint
"Your pinions have received of late a shock
"Outsoar them, cobswan of the silver flock!
"Sing well!" A signal wonder, song 's no whit
Facilitated.
Fast the minutes flit;
Another day, Sordello finds, will bring
The soldier, and he cannot choose but sing;
So, a last shift, quits Mantuaslow, alone:
Out of that aching brain, a very stone,
Song must be struck. What occupies that front?
Just how he was more awkward than his wont
The night before, when Naddo, who had seen
Taurello on his progress, praised the mien
For dignity no crosses could affect
Such was a joy, and might not he detect
A satisfaction if established joys
Were proved imposture? Poetry annoys
Its utmost: wherefore fret? Verses may come
Or keep away! And thus he wandered, dumb
Till evening, when he paused, thoroughly spent,
On a blind hill-top: down the gorge he went,
Yielding himself up as to an embrace.
The moon came out; like features of a face,
A querulous fraternity of pines,
Sad blackthorn clumps, leafless and grovelling vines
Also came out, made gradually up
The picture; 't was Goito's mountain-cup
And castle. He had dropped through one defile
He never dared explore, the Chief erewhile
Had vanished by. Back rushed the dream, enwrapped
Him wholly. 'T was Apollo now they lapped,
Those mountains, not a pettish minstrel meant
To wear his soul away in discontent,
Brooding on fortune's malice. Heart and brain
Swelled; he expanded to himself again,
As some thin seedling spice-tree starved and frail,
Pushing between cat's head and ibis' tail
Crusted into the porphyry pavement smooth,
Suffered remain just as it sprung, to soothe
The Soldan's pining daughter, never yet
Well in her chilly green-glazed minaret,
When rooted up, the sunny day she died,
And flung into the common court beside
Its parent tree. Come home, Sordello! Soon
Was he low muttering, beneath the moon,
Of sorrow saved, of quiet evermore,
Since from the purpose, he maintained before,
Only resulted wailing and hot tears.
Ah, the slim castle! dwindled of late years,
But more mysterious; gone to ruintrails
Of vine through every loop-hole. Nought avails
The night as, torch in hand, he must explore
The maple chamber: did I say, its floor
Was made of intersecting cedar beams?
Worn now with gaps so large, there blew cold streams
Of air quite from the dungeon; lay your ear
Close and 't is like, one after one, you hear
In the blind darkness water drop. The nests
And nooks retain their long ranged vesture-chests
Empty and smelling of the iris root
The Tuscan grated o'er them to recruit
Her wasted wits. Palma was gone that day,
Said the remaining women. Last, he lay
Beside the Carian group reserved and still.
The Body, the Machine for Acting Will,
Had been at the commencement proved unfit;
That for Demonstrating, Reflecting it,
Mankindno fitter: was the Will Itself
In fault?
His forehead pressed the moonlit shelf
Beside the youngest marble maid awhile;
Then, raising it, he thought, with a long smile,
"I shall be king again!" as he withdrew
The envied scarf; into the font he threw
His crown
Next day, no poet! "Wherefore?" asked
Taurello, when the dance of Jongleurs, masked
As devils, ended; "don't a song come next?"
The master of the pageant looked perplexed
Till Naddo's whisper came to his relief.
"His Highness knew what poets were: in brief,
"Had not the tetchy race prescriptive right
"To peevishness, caprice? or, call it spite,
"One must receive their nature in its length
"And breadth, expect the weakness with the strength!"
So phrasing, till, his stock of phrases spent,
The easy-natured soldier smiled assent,
Settled his portly person, smoothed his chin,
And nodded that the bull-bait might begin.
~ Robert Browning, Sordello - Book the Second
,#NFDB
417:There are who lord it o'er their fellow-men
With most prevailing tinsel: who unpen
Their baaing vanities, to browse away
The comfortable green and juicy hay
From human pastures; or, O torturing fact!
Who, through an idiot blink, will see unpack'd
Fire-branded foxes to sear up and singe
Our gold and ripe-ear'd hopes. With not one tinge
Of sanctuary splendour, not a sight
Able to face an owl's, they still are dight
By the blear-eyed nations in empurpled vests,
And crowns, and turbans. With unladen breasts,
Save of blown self-applause, they proudly mount
To their spirit's perch, their being's high account,
Their tiptop nothings, their dull skies, their thrones
Amid the fierce intoxicating tones
Of trumpets, shoutings, and belabour'd drums,
And sudden cannon. Ah! how all this hums,
In wakeful ears, like uproar past and gone
Like thunder clouds that spake to Babylon,
And set those old Chaldeans to their tasks.
Are then regalities all gilded masks?
No, there are throned seats unscalable
But by a patient wing, a constant spell,
Or by ethereal things that, unconfin'd,
Can make a ladder of the eternal wind,
And poise about in cloudy thunder-tents
To watch the abysm-birth of elements.
Aye, 'bove the withering of old-lipp'd Fate
A thousand Powers keep religious state,
In water, fiery realm, and airy bourne;
And, silent as a consecrated urn,
Hold sphery sessions for a season due.
Yet few of these far majesties, ah, few!
Have bared their operations to this globe
Few, who with gorgeous pageantry enrobe
Our piece of heavenwhose benevolence
Shakes hand with our own Ceres; every sense
Filling with spiritual sweets to plenitude,
As bees gorge full their cells. And, by the feud
'Twixt Nothing and Creation, I here swear,
Eterne Apollo! that thy Sister fair
Is of all these the gentlier-mightiest.
When thy gold breath is misting in the west,
She unobserved steals unto her throne,
And there she sits most meek and most alone;
As if she had not pomp subservient;
As if thine eye, high Poet! was not bent
Towards her with the Muses in thine heart;
As if the ministring stars kept not apart,
Waiting for silver-footed messages.
O Moon! the oldest shades 'mong oldest trees
Feel palpitations when thou lookest in:
O Moon! old boughs lisp forth a holier din
The while they feel thine airy fellowship.
Thou dost bless every where, with silver lip
Kissing dead things to life. The sleeping kine,
Couched in thy brightness, dream of fields divine:
Innumerable mountains rise, and rise,
Ambitious for the hallowing of thine eyes;
And yet thy benediction passeth not
One obscure hiding-place, one little spot
Where pleasure may be sent: the nested wren
Has thy fair face within its tranquil ken,
And from beneath a sheltering ivy leaf
Takes glimpses of thee; thou art a relief
To the poor patient oyster, where it sleeps
Within its pearly house.The mighty deeps,
The monstrous sea is thinethe myriad sea!
O Moon! far-spooming Ocean bows to thee,
And Tellus feels his forehead's cumbrous load.
Cynthia! where art thou now? What far abode
Of green or silvery bower doth enshrine
Such utmost beauty? Alas, thou dost pine
For one as sorrowful: thy cheek is pale
For one whose cheek is pale: thou dost bewail
His tears, who weeps for thee. Where dost thou sigh?
Ah! surely that light peeps from Vesper's eye,
Or what a thing is love! 'Tis She, but lo!
How chang'd, how full of ache, how gone in woe!
She dies at the thinnest cloud; her loveliness
Is wan on Neptune's blue: yet there's a stress
Of love-spangles, just off yon cape of trees,
Dancing upon the waves, as if to please
The curly foam with amorous influence.
O, not so idle: for down-glancing thence
She fathoms eddies, and runs wild about
O'erwhelming water-courses; scaring out
The thorny sharks from hiding-holes, and fright'ning
Their savage eyes with unaccustomed lightning.
Where will the splendor be content to reach?
O love! how potent hast thou been to teach
Strange journeyings! Wherever beauty dwells,
In gulf or aerie, mountains or deep dells,
In light, in gloom, in star or blazing sun,
Thou pointest out the way, and straight 'tis won.
Amid his toil thou gav'st Leander breath;
Thou leddest Orpheus through the gleams of death;
Thou madest Pluto bear thin element;
And now, O winged Chieftain! thou hast sent
A moon-beam to the deep, deep water-world,
To find Endymion.
On gold sand impearl'd
With lily shells, and pebbles milky white,
Poor Cynthia greeted him, and sooth'd her light
Against his pallid face: he felt the charm
To breathlessness, and suddenly a warm
Of his heart's blood: 'twas very sweet; he stay'd
His wandering steps, and half-entranced laid
His head upon a tuft of straggling weeds,
To taste the gentle moon, and freshening beads,
Lashed from the crystal roof by fishes' tails.
And so he kept, until the rosy veils
Mantling the east, by Aurora's peering hand
Were lifted from the water's breast, and fann'd
Into sweet air; and sober'd morning came
Meekly through billows:when like taper-flame
Left sudden by a dallying breath of air,
He rose in silence, and once more 'gan fare
Along his fated way.
Far had he roam'd,
With nothing save the hollow vast, that foam'd
Above, around, and at his feet; save things
More dead than Morpheus' imaginings:
Old rusted anchors, helmets, breast-plates large
Of gone sea-warriors; brazen beaks and targe;
Rudders that for a hundred years had lost
The sway of human hand; gold vase emboss'd
With long-forgotten story, and wherein
No reveller had ever dipp'd a chin
But those of Saturn's vintage; mouldering scrolls,
Writ in the tongue of heaven, by those souls
Who first were on the earth; and sculptures rude
In ponderous stone, developing the mood
Of ancient Nox;then skeletons of man,
Of beast, behemoth, and leviathan,
And elephant, and eagle, and huge jaw
Of nameless monster. A cold leaden awe
These secrets struck into him; and unless
Dian had chaced away that heaviness,
He might have died: but now, with cheered feel,
He onward kept; wooing these thoughts to steal
About the labyrinth in his soul of love.
"What is there in thee, Moon! that thou shouldst move
My heart so potently? When yet a child
I oft have dried my tears when thou hast smil'd.
Thou seem'dst my sister: hand in hand we went
From eve to morn across the firmament.
No apples would I gather from the tree,
Till thou hadst cool'd their cheeks deliciously:
No tumbling water ever spake romance,
But when my eyes with thine thereon could dance:
No woods were green enough, no bower divine,
Until thou liftedst up thine eyelids fine:
In sowing time ne'er would I dibble take,
Or drop a seed, till thou wast wide awake;
And, in the summer tide of blossoming,
No one but thee hath heard me blithly sing
And mesh my dewy flowers all the night.
No melody was like a passing spright
If it went not to solemnize thy reign.
Yes, in my boyhood, every joy and pain
By thee were fashion'd to the self-same end;
And as I grew in years, still didst thou blend
With all my ardours: thou wast the deep glen;
Thou wast the mountain-topthe sage's pen
The poet's harpthe voice of friendsthe sun;
Thou wast the riverthou wast glory won;
Thou wast my clarion's blastthou wast my steed
My goblet full of winemy topmost deed:
Thou wast the charm of women, lovely Moon!
O what a wild and harmonized tune
My spirit struck from all the beautiful!
On some bright essence could I lean, and lull
Myself to immortality: I prest
Nature's soft pillow in a wakeful rest.
But, gentle Orb! there came a nearer bliss
My strange love cameFelicity's abyss!
She came, and thou didst fade, and fade away
Yet not entirely; no, thy starry sway
Has been an under-passion to this hour.
Now I begin to feel thine orby power
Is coming fresh upon me: O be kind,
Keep back thine influence, and do not blind
My sovereign vision.Dearest love, forgive
That I can think away from thee and live!
Pardon me, airy planet, that I prize
One thought beyond thine argent luxuries!
How far beyond!" At this a surpris'd start
Frosted the springing verdure of his heart;
For as he lifted up his eyes to swear
How his own goddess was past all things fair,
He saw far in the concave green of the sea
An old man sitting calm and peacefully.
Upon a weeded rock this old man sat,
And his white hair was awful, and a mat
Of weeds were cold beneath his cold thin feet;
And, ample as the largest winding-sheet,
A cloak of blue wrapp'd up his aged bones,
O'erwrought with symbols by the deepest groans
Of ambitious magic: every ocean-form
Was woven in with black distinctness; storm,
And calm, and whispering, and hideous roar
Were emblem'd in the woof; with every shape
That skims, or dives, or sleeps, 'twixt cape and cape.
The gulphing whale was like a dot in the spell,
Yet look upon it, and 'twould size and swell
To its huge self; and the minutest fish
Would pass the very hardest gazer's wish,
And show his little eye's anatomy.
Then there was pictur'd the regality
Of Neptune; and the sea nymphs round his state,
In beauteous vassalage, look up and wait.
Beside this old man lay a pearly wand,
And in his lap a book, the which he conn'd
So stedfastly, that the new denizen
Had time to keep him in amazed ken,
To mark these shadowings, and stand in awe.
The old man rais'd his hoary head and saw
The wilder'd strangerseeming not to see,
His features were so lifeless. Suddenly
He woke as from a trance; his snow-white brows
Went arching up, and like two magic ploughs
Furrow'd deep wrinkles in his forehead large,
Which kept as fixedly as rocky marge,
Till round his wither'd lips had gone a smile.
Then up he rose, like one whose tedious toil
Had watch'd for years in forlorn hermitage,
Who had not from mid-life to utmost age
Eas'd in one accent his o'er-burden'd soul,
Even to the trees. He rose: he grasp'd his stole,
With convuls'd clenches waving it abroad,
And in a voice of solemn joy, that aw'd
Echo into oblivion, he said:
"Thou art the man! Now shall I lay my head
In peace upon my watery pillow: now
Sleep will come smoothly to my weary brow.
O Jove! I shall be young again, be young!
O shell-borne Neptune, I am pierc'd and stung
With new-born life! What shall I do? Where go,
When I have cast this serpent-skin of woe?
I'll swim to the syrens, and one moment listen
Their melodies, and see their long hair glisten;
Anon upon that giant's arm I'll be,
That writhes about the roots of Sicily:
To northern seas I'll in a twinkling sail,
And mount upon the snortings of a whale
To some black cloud; thence down I'll madly sweep
On forked lightning, to the deepest deep,
Where through some sucking pool I will be hurl'd
With rapture to the other side of the world!
O, I am full of gladness! Sisters three,
I bow full hearted to your old decree!
Yes, every god be thank'd, and power benign,
For I no more shall wither, droop, and pine.
Thou art the man!" Endymion started back
Dismay'd; and, like a wretch from whom the rack
Tortures hot breath, and speech of agony,
Mutter'd: "What lonely death am I to die
In this cold region? Will he let me freeze,
And float my brittle limbs o'er polar seas?
Or will he touch me with his searing hand,
And leave a black memorial on the sand?
Or tear me piece-meal with a bony saw,
And keep me as a chosen food to draw
His magian fish through hated fire and flame?
O misery of hell! resistless, tame,
Am I to be burnt up? No, I will shout,
Until the gods through heaven's blue look out!
O Tartarus! but some few days agone
Her soft arms were entwining me, and on
Her voice I hung like fruit among green leaves:
Her lips were all my own, andah, ripe sheaves
Of happiness! ye on the stubble droop,
But never may be garner'd. I must stoop
My head, and kiss death's foot. Love! love, farewel!
Is there no hope from thee? This horrid spell
Would melt at thy sweet breath.By Dian's hind
Feeding from her white fingers, on the wind
I see thy streaming hair! and now, by Pan,
I care not for this old mysterious man!"
He spake, and walking to that aged form,
Look'd high defiance. Lo! his heart 'gan warm
With pity, for the grey-hair'd creature wept.
Had he then wrong'd a heart where sorrow kept?
Had he, though blindly contumelious, brought
Rheum to kind eyes, a sting to human thought,
Convulsion to a mouth of many years?
He had in truth; and he was ripe for tears.
The penitent shower fell, as down he knelt
Before that care-worn sage, who trembling felt
About his large dark locks, and faultering spake:
"Arise, good youth, for sacred Phoebus' sake!
I know thine inmost bosom, and I feel
A very brother's yearning for thee steal
Into mine own: for why? thou openest
The prison gates that have so long opprest
My weary watching. Though thou know'st it not,
Thou art commission'd to this fated spot
For great enfranchisement. O weep no more;
I am a friend to love, to loves of yore:
Aye, hadst thou never lov'd an unknown power
I had been grieving at this joyous hour
But even now most miserable old,
I saw thee, and my blood no longer cold
Gave mighty pulses: in this tottering case
Grew a new heart, which at this moment plays
As dancingly as thine. Be not afraid,
For thou shalt hear this secret all display'd,
Now as we speed towards our joyous task."
So saying, this young soul in age's mask
Went forward with the Carian side by side:
Resuming quickly thus; while ocean's tide
Hung swollen at their backs, and jewel'd sands
Took silently their foot-prints. "My soul stands
Now past the midway from mortality,
And so I can prepare without a sigh
To tell thee briefly all my joy and pain.
I was a fisher once, upon this main,
And my boat danc'd in every creek and bay;
Rough billows were my home by night and day,
The sea-gulls not more constant; for I had
No housing from the storm and tempests mad,
But hollow rocks,and they were palaces
Of silent happiness, of slumberous ease:
Long years of misery have told me so.
Aye, thus it was one thousand years ago.
One thousand years!Is it then possible
To look so plainly through them? to dispel
A thousand years with backward glance sublime?
To breathe away as 'twere all scummy slime
From off a crystal pool, to see its deep,
And one's own image from the bottom peep?
Yes: now I am no longer wretched thrall,
My long captivity and moanings all
Are but a slime, a thin-pervading scum,
The which I breathe away, and thronging come
Like things of yesterday my youthful pleasures.
"I touch'd no lute, I sang not, trod no measures:
I was a lonely youth on desert shores.
My sports were lonely, 'mid continuous roars,
And craggy isles, and sea-mew's plaintive cry
Plaining discrepant between sea and sky.
Dolphins were still my playmates; shapes unseen
Would let me feel their scales of gold and green,
Nor be my desolation; and, full oft,
When a dread waterspout had rear'd aloft
Its hungry hugeness, seeming ready ripe
To burst with hoarsest thunderings, and wipe
My life away like a vast sponge of fate,
Some friendly monster, pitying my sad state,
Has dived to its foundations, gulph'd it down,
And left me tossing safely. But the crown
Of all my life was utmost quietude:
More did I love to lie in cavern rude,
Keeping in wait whole days for Neptune's voice,
And if it came at last, hark, and rejoice!
There blush'd no summer eve but I would steer
My skiff along green shelving coasts, to hear
The shepherd's pipe come clear from aery steep,
Mingled with ceaseless bleatings of his sheep:
And never was a day of summer shine,
But I beheld its birth upon the brine:
For I would watch all night to see unfold
Heaven's gates, and Aethon snort his morning gold
Wide o'er the swelling streams: and constantly
At brim of day-tide, on some grassy lea,
My nets would be spread out, and I at rest.
The poor folk of the sea-country I blest
With daily boon of fish most delicate:
They knew not whence this bounty, and elate
Would strew sweet flowers on a sterile beach.
"Why was I not contented? Wherefore reach
At things which, but for thee, O Latmian!
Had been my dreary death? Fool! I began
To feel distemper'd longings: to desire
The utmost privilege that ocean's sire
Could grant in benediction: to be free
Of all his kingdom. Long in misery
I wasted, ere in one extremest fit
I plung'd for life or death. To interknit
One's senses with so dense a breathing stuff
Might seem a work of pain; so not enough
Can I admire how crystal-smooth it felt,
And buoyant round my limbs. At first I dwelt
Whole days and days in sheer astonishment;
Forgetful utterly of self-intent;
Moving but with the mighty ebb and flow.
Then, like a new fledg'd bird that first doth shew
His spreaded feathers to the morrow chill,
I tried in fear the pinions of my will.
'Twas freedom! and at once I visited
The ceaseless wonders of this ocean-bed.
No need to tell thee of them, for I see
That thou hast been a witnessit must be
For these I know thou canst not feel a drouth,
By the melancholy corners of that mouth.
So I will in my story straightway pass
To more immediate matter. Woe, alas!
That love should be my bane! Ah, Scylla fair!
Why did poor Glaucus everever dare
To sue thee to his heart? Kind stranger-youth!
I lov'd her to the very white of truth,
And she would not conceive it. Timid thing!
She fled me swift as sea-bird on the wing,
Round every isle, and point, and promontory,
From where large Hercules wound up his story
Far as Egyptian Nile. My passion grew
The more, the more I saw her dainty hue
Gleam delicately through the azure clear:
Until 'twas too fierce agony to bear;
And in that agony, across my grief
It flash'd, that Circe might find some relief
Cruel enchantress! So above the water
I rear'd my head, and look'd for Phoebus' daughter.
Aeaea's isle was wondering at the moon:
It seem'd to whirl around me, and a swoon
Left me dead-drifting to that fatal power.
"When I awoke, 'twas in a twilight bower;
Just when the light of morn, with hum of bees,
Stole through its verdurous matting of fresh trees.
How sweet, and sweeter! for I heard a lyre,
And over it a sighing voice expire.
It ceasedI caught light footsteps; and anon
The fairest face that morn e'er look'd upon
Push'd through a screen of roses. Starry Jove!
With tears, and smiles, and honey-words she wove
A net whose thraldom was more bliss than all
The range of flower'd Elysium. Thus did fall
The dew of her rich speech: "Ah! Art awake?
O let me hear thee speak, for Cupid's sake!
I am so oppress'd with joy! Why, I have shed
An urn of tears, as though thou wert cold dead;
And now I find thee living, I will pour
From these devoted eyes their silver store,
Until exhausted of the latest drop,
So it will pleasure thee, and force thee stop
Here, that I too may live: but if beyond
Such cool and sorrowful offerings, thou art fond
Of soothing warmth, of dalliance supreme;
If thou art ripe to taste a long love dream;
If smiles, if dimples, tongues for ardour mute,
Hang in thy vision like a tempting fruit,
O let me pluck it for thee." Thus she link'd
Her charming syllables, till indistinct
Their music came to my o'er-sweeten'd soul;
And then she hover'd over me, and stole
So near, that if no nearer it had been
This furrow'd visage thou hadst never seen.
"Young man of Latmos! thus particular
Am I, that thou may'st plainly see how far
This fierce temptation went: and thou may'st not
Exclaim, How then, was Scylla quite forgot?
"Who could resist? Who in this universe?
She did so breathe ambrosia; so immerse
My fine existence in a golden clime.
She took me like a child of suckling time,
And cradled me in roses. Thus condemn'd,
The current of my former life was stemm'd,
And to this arbitrary queen of sense
I bow'd a tranced vassal: nor would thence
Have mov'd, even though Amphion's harp had woo'd
Me back to Scylla o'er the billows rude.
For as Apollo each eve doth devise
A new appareling for western skies;
So every eve, nay every spendthrift hour
Shed balmy consciousness within that bower.
And I was free of haunts umbrageous;
Could wander in the mazy forest-house
Of squirrels, foxes shy, and antler'd deer,
And birds from coverts innermost and drear
Warbling for very joy mellifluous sorrow
To me new born delights!
"Now let me borrow,
For moments few, a temperament as stern
As Pluto's sceptre, that my words not burn
These uttering lips, while I in calm speech tell
How specious heaven was changed to real hell.
"One morn she left me sleeping: half awake
I sought for her smooth arms and lips, to slake
My greedy thirst with nectarous camel-draughts;
But she was gone. Whereat the barbed shafts
Of disappointment stuck in me so sore,
That out I ran and search'd the forest o'er.
Wandering about in pine and cedar gloom
Damp awe assail'd me; for there 'gan to boom
A sound of moan, an agony of sound,
Sepulchral from the distance all around.
Then came a conquering earth-thunder, and rumbled
That fierce complain to silence: while I stumbled
Down a precipitous path, as if impell'd.
I came to a dark valley.Groanings swell'd
Poisonous about my ears, and louder grew,
The nearer I approach'd a flame's gaunt blue,
That glar'd before me through a thorny brake.
This fire, like the eye of gordian snake,
Bewitch'd me towards; and I soon was near
A sight too fearful for the feel of fear:
In thicket hid I curs'd the haggard scene
The banquet of my arms, my arbour queen,
Seated upon an uptorn forest root;
And all around her shapes, wizard and brute,
Laughing, and wailing, groveling, serpenting,
Shewing tooth, tusk, and venom-bag, and sting!
O such deformities! Old Charon's self,
Should he give up awhile his penny pelf,
And take a dream 'mong rushes Stygian,
It could not be so phantasied. Fierce, wan,
And tyrannizing was the lady's look,
As over them a gnarled staff she shook.
Oft-times upon the sudden she laugh'd out,
And from a basket emptied to the rout
Clusters of grapes, the which they raven'd quick
And roar'd for more; with many a hungry lick
About their shaggy jaws. Avenging, slow,
Anon she took a branch of mistletoe,
And emptied on't a black dull-gurgling phial:
Groan'd one and all, as if some piercing trial
Was sharpening for their pitiable bones.
She lifted up the charm: appealing groans
From their poor breasts went sueing to her ear
In vain; remorseless as an infant's bier
She whisk'd against their eyes the sooty oil.
Whereat was heard a noise of painful toil,
Increasing gradual to a tempest rage,
Shrieks, yells, and groans of torture-pilgrimage;
Until their grieved bodies 'gan to bloat
And puff from the tail's end to stifled throat:
Then was appalling silence: then a sight
More wildering than all that hoarse affright;
For the whole herd, as by a whirlwind writhen,
Went through the dismal air like one huge Python
Antagonizing Boreas,and so vanish'd.
Yet there was not a breath of wind: she banish'd
These phantoms with a nod. Lo! from the dark
Came waggish fauns, and nymphs, and satyrs stark,
With dancing and loud revelry,and went
Swifter than centaurs after rapine bent.
Sighing an elephant appear'd and bow'd
Before the fierce witch, speaking thus aloud
In human accent: "Potent goddess! chief
Of pains resistless! make my being brief,
Or let me from this heavy prison fly:
Or give me to the air, or let me die!
I sue not for my happy crown again;
I sue not for my phalanx on the plain;
I sue not for my lone, my widow'd wife;
I sue not for my ruddy drops of life,
My children fair, my lovely girls and boys!
I will forget them; I will pass these joys;
Ask nought so heavenward, so tootoo high:
Only I pray, as fairest boon, to die,
Or be deliver'd from this cumbrous flesh,
From this gross, detestable, filthy mesh,
And merely given to the cold bleak air.
Have mercy, Goddess! Circe, feel my prayer!"
That curst magician's name fell icy numb
Upon my wild conjecturing: truth had come
Naked and sabre-like against my heart.
I saw a fury whetting a death-dart;
And my slain spirit, overwrought with fright,
Fainted away in that dark lair of night.
Think, my deliverer, how desolate
My waking must have been! disgust, and hate,
And terrors manifold divided me
A spoil amongst them. I prepar'd to flee
Into the dungeon core of that wild wood:
I fled three dayswhen lo! before me stood
Glaring the angry witch. O Dis, even now,
A clammy dew is beading on my brow,
At mere remembering her pale laugh, and curse.
"Ha! ha! Sir Dainty! there must be a nurse
Made of rose leaves and thistledown, express,
To cradle thee my sweet, and lull thee: yes,
I am too flinty-hard for thy nice touch:
My tenderest squeeze is but a giant's clutch.
So, fairy-thing, it shall have lullabies
Unheard of yet; and it shall still its cries
Upon some breast more lily-feminine.
Oh, noit shall not pine, and pine, and pine
More than one pretty, trifling thousand years;
And then 'twere pity, but fate's gentle shears
Cut short its immortality. Sea-flirt!
Young dove of the waters! truly I'll not hurt
One hair of thine: see how I weep and sigh,
That our heart-broken parting is so nigh.
And must we part? Ah, yes, it must be so.
Yet ere thou leavest me in utter woe,
Let me sob over thee my last adieus,
And speak a blessing: Mark me! thou hast thews
Immortal, for thou art of heavenly race:
But such a love is mine, that here I chase
Eternally away from thee all bloom
Of youth, and destine thee towards a tomb.
Hence shalt thou quickly to the watery vast;
And there, ere many days be overpast,
Disabled age shall seize thee; and even then
Thou shalt not go the way of aged men;
But live and wither, cripple and still breathe
Ten hundred years: which gone, I then bequeath
Thy fragile bones to unknown burial.
Adieu, sweet love, adieu!"As shot stars fall,
She fled ere I could groan for mercy. Stung
And poisoned was my spirit: despair sung
A war-song of defiance 'gainst all hell.
A hand was at my shoulder to compel
My sullen steps; another 'fore my eyes
Moved on with pointed finger. In this guise
Enforced, at the last by ocean's foam
I found me; by my fresh, my native home.
Its tempering coolness, to my life akin,
Came salutary as I waded in;
And, with a blind voluptuous rage, I gave
Battle to the swollen billow-ridge, and drave
Large froth before me, while there yet remain'd
Hale strength, nor from my bones all marrow drain'd.
"Young lover, I must weepsuch hellish spite
With dry cheek who can tell? While thus my might
Proving upon this element, dismay'd,
Upon a dead thing's face my hand I laid;
I look'd'twas Scylla! Cursed, cursed Circe!
O vulture-witch, hast never heard of mercy?
Could not thy harshest vengeance be content,
But thou must nip this tender innocent
Because I lov'd her?Cold, O cold indeed
Were her fair limbs, and like a common weed
The sea-swell took her hair. Dead as she was
I clung about her waist, nor ceas'd to pass
Fleet as an arrow through unfathom'd brine,
Until there shone a fabric crystalline,
Ribb'd and inlaid with coral, pebble, and pearl.
Headlong I darted; at one eager swirl
Gain'd its bright portal, enter'd, and behold!
'Twas vast, and desolate, and icy-cold;
And all aroundBut wherefore this to thee
Who in few minutes more thyself shalt see?
I left poor Scylla in a niche and fled.
My fever'd parchings up, my scathing dread
Met palsy half way: soon these limbs became
Gaunt, wither'd, sapless, feeble, cramp'd, and lame.
"Now let me pass a cruel, cruel space,
Without one hope, without one faintest trace
Of mitigation, or redeeming bubble
Of colour'd phantasy; for I fear 'twould trouble
Thy brain to loss of reason: and next tell
How a restoring chance came down to quell
One half of the witch in me. On a day,
Sitting upon a rock above the spray,
I saw grow up from the horizon's brink
A gallant vessel: soon she seem'd to sink
Away from me again, as though her course
Had been resum'd in spite of hindering force
So vanish'd: and not long, before arose
Dark clouds, and muttering of winds morose.
Old Eolus would stifle his mad spleen,
But could not: therefore all the billows green
Toss'd up the silver spume against the clouds.
The tempest came: I saw that vessel's shrouds
In perilous bustle; while upon the deck
Stood trembling creatures. I beheld the wreck;
The final gulphing; the poor struggling souls:
I heard their cries amid loud thunder-rolls.
O they had all been sav'd but crazed eld
Annull'd my vigorous cravings: and thus quell'd
And curb'd, think on't, O Latmian! did I sit
Writhing with pity, and a cursing fit
Against that hell-born Circe. The crew had gone,
By one and one, to pale oblivion;
And I was gazing on the surges prone,
With many a scalding tear and many a groan,
When at my feet emerg'd an old man's hand,
Grasping this scroll, and this same slender wand.
I knelt with painreached out my handhad grasp'd
These treasurestouch'd the knucklesthey unclasp'd
I caught a finger: but the downward weight
O'erpowered meit sank. Then 'gan abate
The storm, and through chill aguish gloom outburst
The comfortable sun. I was athirst
To search the book, and in the warming air
Parted its dripping leaves with eager care.
Strange matters did it treat of, and drew on
My soul page after page, till well-nigh won
Into forgetfulness; when, stupefied,
I read these words, and read again, and tried
My eyes against the heavens, and read again.
O what a load of misery and pain
Each Atlas-line bore off!a shine of hope
Came gold around me, cheering me to cope
Strenuous with hellish tyranny. Attend!
For thou hast brought their promise to an end.
"In the wide sea there lives a forlorn wretch,
Doom'd with enfeebled carcase to outstretch
His loath'd existence through ten centuries,
And then to die alone. Who can devise
A total opposition? No one. So
One million times ocean must ebb and flow,
And he oppressed. Yet he shall not die,
These things accomplish'd:If he utterly
Scans all the depths of magic, and expounds
The meanings of all motions, shapes, and sounds;
If he explores all forms and substances
Straight homeward to their symbol-essences;
He shall not die. Moreover, and in chief,
He must pursue this task of joy and grief
Most piously;all lovers tempest-tost,
And in the savage overwhelming lost,
He shall deposit side by side, until
Time's creeping shall the dreary space fulfil:
Which done, and all these labours ripened,
A youth, by heavenly power lov'd and led,
Shall stand before him; whom he shall direct
How to consummate all. The youth elect
Must do the thing, or both will be destroy'd."
"Then," cried the young Endymion, overjoy'd,
"We are twin brothers in this destiny!
Say, I intreat thee, what achievement high
Is, in this restless world, for me reserv'd.
What! if from thee my wandering feet had swerv'd,
Had we both perish'd?""Look!" the sage replied,
"Dost thou not mark a gleaming through the tide,
Of divers brilliances? 'tis the edifice
I told thee of, where lovely Scylla lies;
And where I have enshrined piously
All lovers, whom fell storms have doom'd to die
Throughout my bondage." Thus discoursing, on
They went till unobscur'd the porches shone;
Which hurryingly they gain'd, and enter'd straight.
Sure never since king Neptune held his state
Was seen such wonder underneath the stars.
Turn to some level plain where haughty Mars
Has legion'd all his battle; and behold
How every soldier, with firm foot, doth hold
His even breast: see, many steeled squares,
And rigid ranks of ironwhence who dares
One step? Imagine further, line by line,
These warrior thousands on the field supine:
So in that crystal place, in silent rows,
Poor lovers lay at rest from joys and woes.
The stranger from the mountains, breathless, trac'd
Such thousands of shut eyes in order plac'd;
Such ranges of white feet, and patient lips
All ruddy,for here death no blossom nips.
He mark'd their brows and foreheads; saw their hair
Put sleekly on one side with nicest care;
And each one's gentle wrists, with reverence,
Put cross-wise to its heart.
"Let us commence,
Whisper'd the guide, stuttering with joy, even now."
He spake, and, trembling like an aspen-bough,
Began to tear his scroll in pieces small,
Uttering the while some mumblings funeral.
He tore it into pieces small as snow
That drifts unfeather'd when bleak northerns blow;
And having done it, took his dark blue cloak
And bound it round Endymion: then struck
His wand against the empty air times nine.
"What more there is to do, young man, is thine:
But first a little patience; first undo
This tangled thread, and wind it to a clue.
Ah, gentle! 'tis as weak as spider's skein;
And shouldst thou break itWhat, is it done so clean?
A power overshadows thee! Oh, brave!
The spite of hell is tumbling to its grave.
Here is a shell; 'tis pearly blank to me,
Nor mark'd with any sign or charactery
Canst thou read aught? O read for pity's sake!
Olympus! we are safe! Now, Carian, break
This wand against yon lyre on the pedestal."
'Twas done: and straight with sudden swell and fall
Sweet music breath'd her soul away, and sigh'd
A lullaby to silence."Youth! now strew
These minced leaves on me, and passing through
Those files of dead, scatter the same around,
And thou wilt see the issue."'Mid the sound
Of flutes and viols, ravishing his heart,
Endymion from Glaucus stood apart,
And scatter'd in his face some fragments light.
How lightning-swift the change! a youthful wight
Smiling beneath a coral diadem,
Out-sparkling sudden like an upturn'd gem,
Appear'd, and, stepping to a beauteous corse,
Kneel'd down beside it, and with tenderest force
Press'd its cold hand, and weptand Scylla sigh'd!
Endymion, with quick hand, the charm applied
The nymph arose: he left them to their joy,
And onward went upon his high employ,
Showering those powerful fragments on the dead.
And, as he pass'd, each lifted up its head,
As doth a flower at Apollo's touch.
Death felt it to his inwards; 'twas too much:
Death fell a weeping in his charnel-house.
The Latmian persever'd along, and thus
All were re-animated. There arose
A noise of harmony, pulses and throes
Of gladness in the airwhile many, who
Had died in mutual arms devout and true,
Sprang to each other madly; and the rest
Felt a high certainty of being blest.
They gaz'd upon Endymion. Enchantment
Grew drunken, and would have its head and bent.
Delicious symphonies, like airy flowers,
Budded, and swell'd, and, full-blown, shed full showers
Of light, soft, unseen leaves of sounds divine.
The two deliverers tasted a pure wine
Of happiness, from fairy-press ooz'd out.
Speechless they eyed each other, and about
The fair assembly wander'd to and fro,
Distracted with the richest overflow
Of joy that ever pour'd from heaven.
"Away!"
Shouted the new-born god; "Follow, and pay
Our piety to Neptunus supreme!"
Then Scylla, blushing sweetly from her dream,
They led on first, bent to her meek surprise,
Through portal columns of a giant size,
Into the vaulted, boundless emerald.
Joyous all follow'd, as the leader call'd,
Down marble steps; pouring as easily
As hour-glass sandand fast, as you might see
Swallows obeying the south summer's call,
Or swans upon a gentle waterfall.
Thus went that beautiful multitude, nor far,
Ere from among some rocks of glittering spar,
Just within ken, they saw descending thick
Another multitude. Whereat more quick
Moved either host. On a wide sand they met,
And of those numbers every eye was wet;
For each their old love found. A murmuring rose,
Like what was never heard in all the throes
Of wind and waters: 'tis past human wit
To tell; 'tis dizziness to think of it.
This mighty consummation made, the host
Mov'd on for many a league; and gain'd, and lost
Huge sea-marks; vanward swelling in array,
And from the rear diminishing away,
Till a faint dawn surpris'd them. Glaucus cried,
"Behold! behold, the palace of his pride!
God Neptune's palaces!" With noise increas'd,
They shoulder'd on towards that brightening east.
At every onward step proud domes arose
In prospect,diamond gleams, and golden glows
Of amber 'gainst their faces levelling.
Joyous, and many as the leaves in spring,
Still onward; still the splendour gradual swell'd.
Rich opal domes were seen, on high upheld
By jasper pillars, letting through their shafts
A blush of coral. Copious wonder-draughts
Each gazer drank; and deeper drank more near:
For what poor mortals fragment up, as mere
As marble was there lavish, to the vast
Of one fair palace, that far far surpass'd,
Even for common bulk, those olden three,
Memphis, and Babylon, and Nineveh.
As large, as bright, as colour'd as the bow
Of Iris, when unfading it doth shew
Beyond a silvery shower, was the arch
Through which this Paphian army took its march,
Into the outer courts of Neptune's state:
Whence could be seen, direct, a golden gate,
To which the leaders sped; but not half raught
Ere it burst open swift as fairy thought,
And made those dazzled thousands veil their eyes
Like callow eagles at the first sunrise.
Soon with an eagle nativeness their gaze
Ripe from hue-golden swoons took all the blaze,
And then, behold! large Neptune on his throne
Of emerald deep: yet not exalt alone;
At his right hand stood winged Love, and on
His left sat smiling Beauty's paragon.
Far as the mariner on highest mast
Can see all round upon the calmed vast,
So wide was Neptune's hall: and as the blue
Doth vault the waters, so the waters drew
Their doming curtains, high, magnificent,
Aw'd from the throne aloof;and when storm-rent
Disclos'd the thunder-gloomings in Jove's air;
But sooth'd as now, flash'd sudden everywhere,
Noiseless, sub-marine cloudlets, glittering
Death to a human eye: for there did spring
From natural west, and east, and south, and north,
A light as of four sunsets, blazing forth
A gold-green zenith 'bove the Sea-God's head.
Of lucid depth the floor, and far outspread
As breezeless lake, on which the slim canoe
Of feather'd Indian darts about, as through
The delicatest air: air verily,
But for the portraiture of clouds and sky:
This palace floor breath-air,but for the amaze
Of deep-seen wonders motionless,and blaze
Of the dome pomp, reflected in extremes,
Globing a golden sphere.
They stood in dreams
Till Triton blew his horn. The palace rang;
The Nereids danc'd; the Syrens faintly sang;
And the great Sea-King bow'd his dripping head.
Then Love took wing, and from his pinions shed
On all the multitude a nectarous dew.
The ooze-born Goddess beckoned and drew
Fair Scylla and her guides to conference;
And when they reach'd the throned eminence
She kist the sea-nymph's cheek,who sat her down
A toying with the doves. Then,"Mighty crown
And sceptre of this kingdom!" Venus said,
"Thy vows were on a time to Nais paid:
Behold!"Two copious tear-drops instant fell
From the God's large eyes; he smil'd delectable,
And over Glaucus held his blessing hands.
"Endymion! Ah! still wandering in the bands
Of love? Now this is cruel. Since the hour
I met thee in earth's bosom, all my power
Have I put forth to serve thee. What, not yet
Escap'd from dull mortality's harsh net?
A little patience, youth! 'twill not be long,
Or I am skilless quite: an idle tongue,
A humid eye, and steps luxurious,
Where these are new and strange, are ominous.
Aye, I have seen these signs in one of heaven,
When others were all blind; and were I given
To utter secrets, haply I might say
Some pleasant words:but Love will have his day.
So wait awhile expectant. Pr'ythee soon,
Even in the passing of thine honey-moon,
Visit my Cytherea: thou wilt find
Cupid well-natured, my Adonis kind;
And pray persuade with theeAh, I have done,
All blisses be upon thee, my sweet son!"
Thus the fair goddess: while Endymion
Knelt to receive those accents halcyon.
Meantime a glorious revelry began
Before the Water-Monarch. Nectar ran
In courteous fountains to all cups outreach'd;
And plunder'd vines, teeming exhaustless, pleach'd
New growth about each shell and pendent lyre;
The which, in disentangling for their fire,
Pull'd down fresh foliage and coverture
For dainty toying. Cupid, empire-sure,
Flutter'd and laugh'd, and oft-times through the throng
Made a delighted way. Then dance, and song,
And garlanding grew wild; and pleasure reign'd.
In harmless tendril they each other chain'd,
And strove who should be smother'd deepest in
Fresh crush of leaves.
O 'tis a very sin
For one so weak to venture his poor verse
In such a place as this. O do not curse,
High Muses! let him hurry to the ending.
All suddenly were silent. A soft blending
Of dulcet instruments came charmingly;
And then a hymn.
"KING of the stormy sea!
Brother of Jove, and co-inheritor
Of elements! Eternally before
Thee the waves awful bow. Fast, stubborn rock,
At thy fear'd trident shrinking, doth unlock
Its deep foundations, hissing into foam.
All mountain-rivers lost, in the wide home
Of thy capacious bosom ever flow.
Thou frownest, and old Eolus thy foe
Skulks to his cavern, 'mid the gruff complaint
Of all his rebel tempests. Dark clouds faint
When, from thy diadem, a silver gleam
Slants over blue dominion. Thy bright team
Gulphs in the morning light, and scuds along
To bring thee nearer to that golden song
Apollo singeth, while his chariot
Waits at the doors of heaven. Thou art not
For scenes like this: an empire stern hast thou;
And it hath furrow'd that large front: yet now,
As newly come of heaven, dost thou sit
To blend and interknit
Subdued majesty with this glad time.
O shell-borne King sublime!
We lay our hearts before thee evermore
We sing, and we adore!
"Breathe softly, flutes;
Be tender of your strings, ye soothing lutes;
Nor be the trumpet heard! O vain, O vain;
Not flowers budding in an April rain,
Nor breath of sleeping dove, nor river's flow,
No, nor the Eolian twang of Love's own bow,
Can mingle music fit for the soft ear
Of goddess Cytherea!
Yet deign, white Queen of Beauty, thy fair eyes
On our souls' sacrifice.
"Bright-winged Child!
Who has another care when thou hast smil'd?
Unfortunates on earth, we see at last
All death-shadows, and glooms that overcast
Our spirits, fann'd away by thy light pinions.
O sweetest essence! sweetest of all minions!
God of warm pulses, and dishevell'd hair,
And panting bosoms bare!
Dear unseen light in darkness! eclipser
Of light in light! delicious poisoner!
Thy venom'd goblet will we quaff until
We fillwe fill!
And by thy Mother's lips"
Was heard no more
For clamour, when the golden palace door
Opened again, and from without, in shone
A new magnificence. On oozy throne
Smooth-moving came Oceanus the old,
To take a latest glimpse at his sheep-fold,
Before he went into his quiet cave
To muse for everThen a lucid wave,
Scoop'd from its trembling sisters of mid-sea,
Afloat, and pillowing up the majesty
Of Doris, and the Egean seer, her spouse
Next, on a dolphin, clad in laurel boughs,
Theban Amphion leaning on his lute:
His fingers went across itAll were mute
To gaze on Amphitrite, queen of pearls,
And Thetis pearly too.
The palace whirls
Around giddy Endymion; seeing he
Was there far strayed from mortality.
He could not bear itshut his eyes in vain;
Imagination gave a dizzier pain.
"O I shall die! sweet Venus, be my stay!
Where is my lovely mistress? Well-away!
I dieI hear her voiceI feel my wing"
At Neptune's feet he sank. A sudden ring
Of Nereids were about him, in kind strife
To usher back his spirit into life:
But still he slept. At last they interwove
Their cradling arms, and purpos'd to convey
Towards a crystal bower far away.
Lo! while slow carried through the pitying crowd,
To his inward senses these words spake aloud;
Written in star-light on the dark above:
Dearest Endymion! my entire love!
How have I dwelt in fear of fate: 'tis done
Immortal bliss for me too hast thou won.
Arise then! for the hen-dove shall not hatch
Her ready eggs, before I'll kissing snatch
Thee into endless heaven. Awake! awake!
The youth at once arose: a placid lake
Came quiet to his eyes; and forest green,
Cooler than all the wonders he had seen,
Lull'd with its simple song his fluttering breast.
How happy once again in grassy nest!
(line 1): Woodhouse notes that "Keats said, with much simplicity, 'It will be easily seen what I think of the present ministers, by the beginning of the third Book.'"
(line 407): Whether the reference is to the Pillars of Hercules, the confluence of the Mediterranean and Atlantic, or to the scene of the Death of Hercules, is not very clear; but probably "wound up his story" refers rather to his last labour than to his death on Mount ta.
(lines 863-65): This simile must surely be a reminiscence of Perrin's Fables Amusantes or some similar book used in Mr. Clarke's School. I remember the Fable of the old eagle and her young stood first in the book I used at school. The draft gives line 860 thus -- 'But soon like eagles natively their gaze...'
At the end of this Book Keats wrote in the draft, "Oxf: Sept. 26."
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Endymion - Book III
,#NFDB
418:BOOK THE SECOND
The Story of Phaeton
The Sun's bright palace, on high columns rais'd,
With burnish'd gold and flaming jewels blaz'd;
The folding gates diffus'd a silver light,
And with a milder gleam refresh'd the sight;
Of polish'd iv'ry was the cov'ring wrought:
The matter vied not with the sculptor's thought,
For in the portal was display'd on high
(The work of Vulcan) a fictitious sky;
A waving sea th' inferiour Earth embrac'd,
And Gods and Goddesses the waters grac'd.
Aegeon here a mighty whale bestrode;
Triton, and Proteus (the deceiving God)
With Doris here were carv'd, and all her train,
Some loosely swimming in the figur'd main,
While some on rocks their dropping hair divide,
And some on fishes through the waters glide:
Tho' various features did the sisters grace,
A sister's likeness was in ev'ry face.
On Earth a diff'rent landskip courts the eyes,
Men, towns, and beasts in distant prospects rise,
And nymphs, and streams, and woods, and rural deities.
O'er all, the Heav'n's refulgent image shines;
On either gate were six engraven signs.
Here Phaeton still gaining on th' ascent,
To his suspected father's palace went,
'Till pressing forward through the bright abode,
He saw at distance the illustrious God:
He saw at distance, or the dazling light
Had flash'd too strongly on his aking sight.
The God sits high, exalted on a throne
Of blazing gems, with purple garments on;
The Hours, in order rang'd on either hand,
And Days, and Months, and Years, and Ages stand.
Here Spring appears with flow'ry chaplets bound;
Here Summer in her wheaten garl and crown'd;
Here Autumn the rich trodden grapes besmear;
And hoary Winter shivers in the reer.
Phoebus beheld the youth from off his throne;
That eye, which looks on all, was fix'd in one.
He saw the boy's confusion in his face,
Surpriz'd at all the wonders of the place;
And cries aloud, "What wants my son? for know
My son thou art, and I must call thee so."
"Light of the world," the trembling youth replies,
"Illustrious parent! since you don't despise
The parent's name, some certain token give,
That I may Clymene's proud boast believe,
Nor longer under false reproaches grieve."
The tender sire was touch'd with what he said,
And flung the blaze of glories from his head,
And bid the youth advance: "My son," said he,
"Come to thy father's arms! for Clymene
Has told thee true; a parent's name I own,
And deem thee worthy to be called my son.
As a sure proof, make some request, and I,
Whate'er it be, with that request comply;
By Styx I swear, whose waves are hid in night,
And roul impervious to my piercing sight."
The youth transported, asks, without delay,
To guide the sun's bright chariot for a day.
The God repented of the oath he took,
For anguish thrice his radiant head he shook;
"My son," says he, "some other proof require,
Rash was my promise, rash is thy desire.
I'd fain deny this wish, which thou hast made,
Or, what I can't deny, wou'd fain disswade.
Too vast and hazardous the task appears,
Nor suited to thy strength, nor to thy years.
Thy lot is mortal, but thy wishes fly
Beyond the province of mortality:
There is not one of all the Gods that dares
(However skill'd in other great affairs)
To mount the burning axle-tree, but I;
Not Jove himself, the ruler of the sky,
That hurles the three-fork'd thunder from above,
Dares try his strength: yet who so strong as Jove?
The steeds climb up the first ascent with pain,
And when the middle firmament they gain,
If downward from the Heav'ns my head I bow,
And see the Earth and Ocean hang below,
Ev'n I am seiz'd with horror and affright,
And my own heart misgives me at the sight.
A mighty downfal steeps the ev'ning stage,
And steddy reins must curb the horses' rage.
Tethys herself has fear'd to see me driv'n
Down headlong from the precipice of Heav'n.
Besides, consider what impetuous force
Turns stars and planets in a diff'rent course.
I steer against their motions; nor am I
Born back by all the current of the sky.
But how cou'd you resist the orbs that roul
In adverse whirls, and stem the rapid pole?
But you perhaps may hope for pleasing woods,
And stately dooms, and cities fill'd with Gods;
While through a thousand snares your progress lies,
Where forms of starry monsters stock the skies:
For, shou'd you hit the doubtful way aright,
The bull with stooping horns stands opposite;
Next him the bright Haemonian bow is strung,
And next, the lion's grinning visage hung:
The scorpion's claws, here clasp a wide extent;
And here the crab's in lesser clasps are bent.
Nor wou'd you find it easie to compose
The mettled steeds, when from their nostrils flows
The scorching fire, that in their entrails glows.
Ev'n I their head-strong fury scarce restrain,
When they grow warm and restif to the rein.
Let not my son a fatal gift require,
But, O! in time, recall your rash desire;
You ask a gift that may your parent tell,
Let these my fears your parentage reveal;
And learn a father from a father's care:
Look on my face; or if my heart lay bare,
Cou'd you but look, you'd read the father there.
Chuse out a gift from seas, or Earth, or skies,
For open to your wish all Nature lies,
Only decline this one unequal task,
For 'tis a mischief, not a gift, you ask.
You ask a real mischief, Phaeton:
Nay hang not thus about my neck, my son:
I grant your wish, and Styx has heard my voice,
Chuse what you will, but make a wiser choice."
Thus did the God th' unwary youth advise;
But he still longs to travel through the skies.
When the fond father (for in vain he pleads)
At length to the Vulcanian Chariot leads.
A golden axle did the work uphold,
Gold was the beam, the wheels were orb'd with gold.
The spokes in rows of silver pleas'd the sight,
The seat with party-colour'd gems was bright;
Apollo shin'd amid the glare of light.
The youth with secret joy the work surveys,
When now the moon disclos'd her purple rays;
The stars were fled, for Lucifer had chased
The stars away, and fled himself at last.
Soon as the father saw the rosy morn,
And the moon shining with a blunter horn,
He bid the nimble Hours, without delay,
Bring forth the steeds; the nimble Hours obey:
From their full racks the gen'rous steeds retire,
Dropping ambrosial foams, and snorting fire.
Still anxious for his son, the God of day,
To make him proof against the burning ray,
His temples with celestial ointment wet,
Of sov'reign virtue to repel the heat;
Then fix'd the beamy circle on his head,
And fetch'd a deep foreboding sigh, and said,
"Take this at least, this last advice, my son,
Keep a stiff rein, and move but gently on:
The coursers of themselves will run too fast,
Your art must be to moderate their haste.
Drive 'em not on directly through the skies,
But where the Zodiac's winding circle lies,
Along the midmost Zone; but sally forth
Nor to the distant south, nor stormy north.
The horses' hoofs a beaten track will show,
But neither mount too high, nor sink too low.
That no new fires, or Heav'n or Earth infest;
Keep the mid way, the middle way is best.
Nor, where in radiant folds the serpent twines,
Direct your course, nor where the altar shines.
Shun both extreams; the rest let Fortune guide,
And better for thee than thy self provide!
See, while I speak, the shades disperse away,
Aurora gives the promise of a day;
I'm call'd, nor can I make a longer stay.
Snatch up the reins; or still th' attempt forsake,
And not my chariot, but my counsel, take,
While yet securely on the Earth you stand;
Nor touch the horses with too rash a hand.
Let me alone to light the world, while you
Enjoy those beams which you may safely view."
He spoke in vain; the youth with active heat
And sprightly vigour vaults into the seat;
And joys to hold the reins, and fondly gives
Those thanks his father with remorse receives.
Mean-while the restless horses neigh'd aloud,
Breathing out fire, and pawing where they stood.
Tethys, not knowing what had past, gave way,
And all the waste of Heav'n before 'em lay.
They spring together out, and swiftly bear
The flying youth thro' clouds and yielding air;
With wingy speed outstrip the eastern wind,
And leave the breezes of the morn behind.
The youth was light, nor cou'd he fill the seat,
Or poise the chariot with its wonted weight:
But as at sea th' unballass'd vessel rides,
Cast to and fro, the sport of winds and tides;
So in the bounding chariot toss'd on high,
The youth is hurry'd headlong through the sky.
Soon as the steeds perceive it, they forsake
Their stated course, and leave the beaten track.
The youth was in a maze, nor did he know
Which way to turn the reins, or where to go;
Nor wou'd the horses, had he known, obey.
Then the sev'n stars first felt Apollo's ray,
And wish'd to dip in the forbidden sea.
The folded serpent next the frozen pole,
Stiff and benum'd before, began to rowle,
And raged with inward heat, and threaten'd war,
And shot a redder light from ev'ry star;
Nay, and 'tis said Bootes too, that fain
Thou woud'st have fled, tho' cumber'd with thy wane.
Th' unhappy youth then, bending down his head,
Saw Earth and Ocean far beneath him spread.
His colour chang'd, he startled at the sight,
And his eyes darken'd by too great a light.
Now cou'd he wish the fiery steeds untry'd,
His birth obscure, and his request deny'd:
Now wou'd he Merops for his father own,
And quit his boasted kindred to the sun.
So fares the pilot, when his ship is tost
In troubled seas, and all its steerage lost,
He gives her to the winds, and in despair
Seeks his last refuge in the Gods and pray'r.
What cou'd he do? his eyes, if backward cast,
Find a long path he had already past;
If forward, still a longer path they find:
Both he compares, and measures in his mind;
And sometimes casts an eye upon the east,
And sometimes looks on the forbidden west,
The horses' names he knew not in the fright,
Nor wou'd he loose the reins, nor cou'd he hold 'em right.
Now all the horrors of the Heav'ns he spies,
And monstrous shadows of prodigious size,
That, deck'd with stars, lye scatter'd o'er the skies.
There is a place above, where Scorpio bent
In tail and arms surrounds a vast extent;
In a wide circuit of the Heav'ns he shines,
And fills the space of two coelestial signs.
Soon as the youth beheld him vex'd with heat
Brandish his sting, and in his poison sweat,
Half dead with sudden fear he dropt the reins;
The horses felt 'em loose upon their mains,
And, flying out through all the plains above,
Ran uncontroul'd where-e're their fury drove;
Rush'd on the stars, and through a pathless way
Of unknown regions hurry'd on the day.
And now above, and now below they flew,
And near the Earth the burning chariot drew.
The clouds disperse in fumes, the wond'ring Moon
Beholds her brother's steeds beneath her own;
The highlands smoak, cleft by the piercing rays,
Or, clad with woods, in their own fewel blaze.
Next o'er the plains, where ripen'd harvests grow,
The running conflagration spreads below.
But these are trivial ills: whole cities burn,
And peopled kingdoms into ashes turn.
The mountains kindle as the car draws near,
Athos and Tmolus red with fires appear;
Oeagrian Haemus (then a single name)
And virgin Helicon increase the flame;
Taurus and Oete glare amid the sky,
And Ida, spight of all her fountains, dry.
Eryx and Othrys, and Cithaeron, glow,
And Rhodope, no longer cloath'd in snow;
High Pindus, Mimas, and Parnassus, sweat,
And Aetna rages with redoubled heat.
Ev'n Scythia, through her hoary regions warm'd,
In vain with all her native frost was arm'd.
Cover'd with flames the tow'ring Appennine,
And Caucasus, and proud Olympus, shine;
And, where the long-extended Alpes aspire,
Now stands a huge continu'd range of fire.
Th' astonisht youth, where-e'er his eyes cou'd turn,
Beheld the universe around him burn:
The world was in a blaze; nor cou'd he bear
The sultry vapours and the scorching air,
Which from below, as from a furnace, flow'd;
And now the axle-tree beneath him glow'd:
Lost in the whirling clouds that round him broke,
And white with ashes, hov'ring in the smoke.
He flew where-e'er the horses drove, nor knew
Whither the horses drove, or where he flew.
'Twas then, they say, the swarthy Moor begun
To change his hue, and blacken in the sun.
Then Libya first, of all her moisture drain'd,
Became a barren waste, a wild of sand.
The water-nymphs lament their empty urns,
Boeotia, robb's of silve Dirce, mourns,
Corinth Pyrene's wasted spring bewails,
And Argos grieves whilst Amymone fails.
The floods are drain'd from ev'ry distant coast,
Ev'n Tanais, tho' fix'd in ice, was lost.
Enrag'd Caicus and Lycormas roar,
And Xanthus, fated to be burnt once more.
The fam'd Maeander, that unweary'd strays
Through mazy windings, smoaks in ev'ry maze.
From his lov'd Babylon Euphrates flies;
The big-swoln Ganges and the Danube rise
In thick'ning fumes, and darken half the skies.
In flames Ismenos and the Phasis roul'd,
And Tagus floating in his melted gold.
The swans, that on Cayster often try'd
Their tuneful songs, now sung their last and dy'd.
The frighted Nile ran off, and under ground
Conceal'd his head, nor can it yet be found:
His sev'n divided currents all are dry,
And where they row'ld, sev'n gaping trenches lye:
No more the Rhine or Rhone their course maintain,
Nor Tiber, of his promis'd empire vain.
The ground, deep-cleft, admits the dazling ray,
And startles Pluto with the flash of day.
The seas shrink in, and to the sight disclose
Wide naked plains, where once their billows rose;
Their rocks are all discover'd, and increase
The number of the scatter'd Cyclades.
The fish in sholes about the bottom creep,
Nor longer dares the crooked dolphin leap
Gasping for breath, th' unshapen Phocae die,
And on the boiling wave extended lye.
Nereus, and Doris with her virgin train,
Seek out the last recesses of the main;
Beneath unfathomable depths they faint,
And secret in their gloomy caverns pant.
Stern Neptune thrice above the waves upheld
His face, and thrice was by the flames repell'd.
The Earth at length, on ev'ry side embrac'd
With scalding seas that floated round her waste,
When now she felt the springs and rivers come,
And crowd within the hollow of her womb,
Up-lifted to the Heav'ns her blasted head,
And clapt her hand upon her brows, and said
(But first, impatient of the sultry heat,
Sunk deeper down, and sought a cooler seat):
"If you, great king of Gods, my death approve,
And I deserve it, let me die by Jove;
If I must perish by the force of fire,
Let me transfix'd with thunder-bolts expire.
See, whilst I speak, my breath the vapours choak
(For now her face lay wrapt in clouds of smoak),
See my singe'd hair, behold my faded eye,
And wither'd face, where heaps of cinders lye!
And does the plow for this my body tear?
This the reward for all the fruits I bear,
Tortur'd with rakes, and harrass'd all the year?
That herbs for cattle daily I renew,
And food for Man, and frankincense for you?
But grant me guilty; what has Neptune done?
Why are his waters boiling in the sun?
The wavy empire, which by lot was giv'n,
Why does it waste, and further shrink from Heav'n?
If I nor he your pity can provoke,
See your own Heav'ns, the Heav'ns begin to smoke!
Shou'd once the sparkles catch those bright abodes,
Destruction seizes on the Heav'ns and Gods;
Atlas becomes unequal to his freight,
And almost faints beneath the glowing weight.
If Heav'n, and Earth, and sea, together burn,
All must again into their chaos turn.
Apply some speedy cure, prevent our fate,
And succour Nature, ere it be too late."
She cea'sd, for choak'd with vapours round her spread,
Down to the deepest shades she sunk her head.
Jove call'd to witness ev'ry Pow'r above,
And ev'n the God, whose son the chariot drove,
That what he acts he is compell'd to do,
Or universal ruin must ensue.
Strait he ascends the high aetherial throne,
From whence he us'd to dart his thunder down,
From whence his show'rs and storms he us'd to pour,
But now cou'd meet with neither storm nor show'r.
Then, aiming at the youth, with lifted hand,
Full at his head he hurl'd the forky brand,
In dreadful thund'rings. Thus th' almighty sire
Suppress'd the raging of the fires with fire.
At once from life and from the chariot driv'n,
Th' ambitious boy fell thunder-struck from Heav'n.
The horses started with a sudden bound,
And flung the reins and chariot to the ground:
The studded harness from their necks they broke,
Here fell a wheel, and here a silver spoke,
Here were the beam and axle torn away;
And, scatter'd o'er the Earth, the shining fragments lay.
The breathless Phaeton, with flaming hair,
Shot from the chariot, like a falling star,
That in a summer's ev'ning from the top
Of Heav'n drops down, or seems at least to drop;
'Till on the Po his blasted corps was hurl'd,
Far from his country, in the western world.
Phaeton's Sisters transform'd into Trees
The Latian nymphs came round him, and, amaz'd,
On the dead youth, transfix'd with thunder, gaz'd;
And, whilst yet smoaking from the bolt he lay,
His shatter'd body to a tomb convey,
And o'er the tomb an epitaph devise:
"Here he, who drove the sun's bright chariot, lies;
His father's fiery steeds he cou'd not guide,
But in the glorious enterprize he dy'd."
Apollo hid his face, and pin'd for grief,
And, if the story may deserve belief,
The space of one whole day is said to run,
From morn to wonted ev'n, without a sun:
The burning ruins, with a fainter ray,
Supply the sun, and counterfeit a day,
A day, that still did Nature's face disclose:
This comfort from the mighty mischief rose.
But Clymene, enrag'd with grief, laments,
And as her grief inspires, her passion vents:
Wild for her son, and frantick in her woes,
With hair dishevel'd round the world she goes,
To seek where-e'er his body might be cast;
'Till, on the borders of the Po, at last
The name inscrib'd on the new tomb appears.
The dear dear name she bathes in flowing tears,
Hangs o'er the tomb, unable to depart,
And hugs the marble to her throbbing heart.
Her daughters too lament, and sigh, and mourn
(A fruitless tri bute to their brother's urn),
And beat their naked bosoms, and complain,
And call aloud for Phaeton in vain:
All the long night their mournful watch they keep,
And all the day stand round the tomb, and weep.
Four times, revolving, the full moon return'd;
So long the mother and the daughters mourn'd:
When now the eldest, Phaethusa, strove
To rest her weary limbs, but could not move;
Lampetia wou'd have help'd her, but she found
Her self with-held, and rooted to the ground:
A third in wild affliction, as she grieves,
Wou'd rend her hair, but fills her hands with leaves;
One sees her thighs transform'd, another views
Her arms shot out, and branching into boughs.
And now their legs, and breasts, and bodies stood
Crusted with bark, and hard'ning into wood;
But still above were female heads display'd,
And mouths, that call'd the mother to their aid.
What cou'd, alas! the weeping mother do?
From this to that with eager haste she flew,
And kiss'd her sprouting daughters as they grew.
She tears the bark that to each body cleaves,
And from their verdant fingers strips the leaves:
The blood came trickling, where she tore away
The leaves and bark: the maids were heard to say,
"Forbear, mistaken parent, oh! forbear;
A wounded daughter in each tree you tear;
Farewell for ever." Here the bark encreas'd,
Clos'd on their faces, and their words suppress'd.
The new-made trees in tears of amber run,
Which, harden'd into value by the sun,
Distill for ever on the streams below:
The limpid streams their radiant treasure show,
Mixt in the sand; whence the rich drops convey'd
Shine in the dress of the bright Latian maid.
The Transformation of Cycnus into a Swan
Cycnus beheld the nymphs transform'd, ally'd
To their dead brother on the mortal side,
In friendship and affection nearer bound;
He left the cities and the realms he own'd,
Thro' pathless fields and lonely shores to range,
And woods made thicker by the sisters' change.
Whilst here, within the dismal gloom, alone,
The melancholy monarch made his moan,
His voice was lessen'd, as he try'd to speak,
And issu'd through a long-extended neck;
His hair transforms to down, his fingers meet
In skinny films, and shape his oary feet;
From both his sides the wings and feathers break;
And from his mouth proceeds a blunted beak:
All Cycnus now into a Swan was turn'd,
Who, still remembring how his kinsman burn'd,
To solitary pools and lakes retires,
And loves the waters as oppos'd to fires.
Mean-while Apollo in a gloomy shade
(The native lustre of his brows decay'd)
Indulging sorrow, sickens at the sight
Of his own sun-shine, and abhors the light;
The hidden griefs, that in his bosom rise,
Sadden his looks and over-cast his eyes,
As when some dusky orb obstructs his ray,
And sullies in a dim eclipse the day.
Now secretly with inward griefs he pin'd,
Now warm resentments to his griefs he joyn'd,
And now renounc'd his office to mankind.
"Ere since the birth of time," said he, "I've born
A long ungrateful toil, without return;
Let now some other manage, if he dare,
The fiery steeds, and mount the burning carr;
Or, if none else, let Jove his fortune try,
And learn to lay his murd'ring thunder by;
Then will he own, perhaps, but own too late,
My son deserv'd not so severe a fate."
The Gods stand round him, as he mourns, and pray
He would resume the conduct of the day,
Nor let the world be lost in endless night:
Jove too himself descending from his height,
Excuses what had happen'd, and intreats,
Majestically mixing pray'rs and threats.
Prevail'd upon at length, again he took
The harness'd steeds, that still with horror shook,
And plies 'em with the lash, and whips 'em on,
And, as he whips, upbraids 'em with his son.
The Story of Calisto
The day was settled in its course; and Jove
Walk'd the wide circuit of the Heavens above,
To search if any cracks or flaws were made;
But all was safe: the Earth he then survey'd,
And cast an eye on ev'ry diff'rent coast,
And ev'ry land; but on Arcadia most.
Her fields he cloath'd, and chear'd her blasted face
With running fountains, and with springing grass.
No tracks of Heav'n's destructive fire remain,
The fields and woods revive, and Nature smiles again.
But as the God walk'd to and fro the Earth,
And rais'd the plants, and gave the spring its birth,
By chance a fair Arcadian nymph he view'd,
And felt the lovely charmer in his blood.
The nymph nor spun, nor dress'd with artful pride,
Her vest was gather'd up, her hair was ty'd;
Now in her hand a slender spear she bore,
Now a light quiver on her shoulders wore;
To chaste Diana from her youth inclin'd,
The sprightly warriors of the wood she joyn'd.
Diana too the gentle huntress lov'd,
Nor was there one of all the nymphs that rov'd
O'er Maenalus, amid the maiden throng,
More favour'd once; but favour lasts not long.
The sun now shone in all its strength, and drove
The heated virgin panting to a grove;
The grove around a grateful shadow cast:
She dropt her arrows, and her bow unbrac'd;
She flung her self on the cool grassy bed;
And on the painted quiver rais'd her head,
Jove saw the charming huntress unprepar'd,
Stretch'd on the verdant turf, without a guard.
"Here I am safe," he cries, "from Juno's eye;
Or shou'd my jealous queen the theft descry,
Yet wou'd I venture on a theft like this,
And stand her rage for such, for such a bliss!"
Diana's shape and habit strait he took,
Soften'd his brows, and smooth'd his awful look,
And mildly in a female accent spoke.
"How fares my girl? How went the morning chase?"
To whom the virgin, starting from the grass,
"All hail, bright deity, whom I prefer
To Jove himself, tho' Jove himself were here."
The God was nearer than she thought, and heard
Well-pleas'd himself before himself preferr'd.
He then salutes her with a warm embrace;
And, e're she half had told the morning chase,
With love enflam'd, and eager on his bliss,
Smother'd her words, and stop'd her with a kiss;
His kisses with unwonted ardour glow'd,
Nor cou'd Diana's shape conceal the God.
The virgin did whate'er a virgin cou'd
(Sure Juno must have pardon'd, had she view'd);
With all her might against his force she strove;
But how can mortal maids contend with Jove?
Possest at length of what his heart desir'd,
Back to his Heav'ns, th' exulting God retir'd.
The lovely huntress, rising from the grass,
With down-cast eyes, and with a blushing face,
By shame confounded, and by fear dismay'd,
Flew from the covert of the guilty shade,
And almost, in the tumult of her mind,
Left her forgotten bow and shafts behind.
But now Diana, with a sprightly train
Of quiver'd virgins, bounding o'er the plain,
Call'd to the nymph; the nymph began to fear
A second fraud, a Jove disguis'd in her;
But, when she saw the sister nymphs, suppress'd
Her rising fears, and mingled with the rest.
How in the look does conscious guilt appear!
Slowly she mov'd, and loiter'd in the rear;
Nor lightly tripp'd, nor by the Goddess ran,
As once she us'd, the foremost of the train.
Her looks were flush'd, and sullen was her mien,
That sure the virgin Goddess (had she been
Aught but a virgin) must the guilt have seen.
'Tis said the nymphs saw all, and guess'd aright:
And now the moon had nine times lost her light,
When Dian, fainting in the mid-day beams,
Found a cool covert, and refreshing streams
That in soft murmurs through the forest flow'd,
And a smooth bed of shining gravel show'd.
A covert so obscure, and streams so clear,
The Goddess prais'd: "And now no spies are near
Let's strip, my gentle maids, and wash," she cries.
Pleas'd with the motion, every maid complies;
Only the blushing huntress stood confus'd,
And form'd delays, and her delays excus'd;
In vain excus'd: her fellows round her press'd,
And the reluctant nymph by force undress'd,
The naked huntress all her shame reveal'd,
In vain her hands the pregnant womb conceal'd;
"Begone!" the Goddess cries with stern disdain,
"Begone! nor dare the hallow'd stream to stain":
She fled, for ever banish'd from the train.
This Juno heard, who long had watch'd her time
To punish the detested rival's crime;
The time was come; for, to enrage her more,
A lovely boy the teeming rival bore.
The Goddess cast a furious look, and cry'd,
"It is enough! I'm fully satisfy'd!
This boy shall stand a living mark, to prove
My husband's baseness and the strumpet's love:
But vengeance shall awake: those guilty charms
That drew the Thunderer from Juno's arms,
No longer shall their wonted force retain,
Nor please the God, nor make the mortal vain."
This said, her hand within her hair she wound,
Swung her to Earth, and drag'd her on the ground:
The prostrate wretch lifts up her arms in pray'r;
Her arms grow shaggy, and deform'd with hair,
Her nails are sharpen'd into pointed claws,
Her hands bear half her weight, and turn to paws;
Her lips, that once cou'd tempt a God, begin
To grow distorted in an ugly grin.
And, lest the supplicating brute might reach
The ears of Jove, she was depriv'd of speech:
Her surly voice thro' a hoarse passage came
In savage sounds: her mind was still the same,
The furry monster fix'd her eyes above,
And heav'd her new unwieldy paws to Jove,
And beg'd his aid with inward groans; and tho'
She could not call him false, she thought him so.
How did she fear to lodge in woods alone,
And haunt the fields and meadows, once her own!
How often wou'd the deep-mouth'd dogs pursue,
Whilst from her hounds the frighted huntress flew!
How did she fear her fellow-brutes, and shun
The shaggy bear, tho' now her self was one!
How from the sight of rugged wolves retire,
Although the grim Lycaon was her sire!
But now her son had fifteen summers told,
Fierce at the chase, and in the forest bold;
When, as he beat the woods in quest of prey,
He chanc'd to rouze his mother where she lay.
She knew her son, and kept him in her sight,
And fondly gaz'd: the boy was in a fright,
And aim'd a pointed arrow at her breast,
And would have slain his mother in the beast;
But Jove forbad, and snatch'd 'em through the air
In whirlwinds up to Heav'n, and fix'd 'em there!
Where the new constellations nightly rise,
And add a lustre to the northern skies.
When Juno saw the rival in her height,
Spangled with stars, and circled round with light,
She sought old Ocean in his deep abodes,
And Tethys, both rever'd among the Gods.
They ask what brings her there: "Ne'er ask," says she,
"What brings me here, Heav'n is no place for me.
You'll see, when night has cover'd all things o'er,
Jove's starry bastard and triumphant whore
Usurp the Heav'ns; you'll see 'em proudly rowle
And who shall now on Juno's altars wait,
When those she hates grow greater by her hate?
I on the nymph a brutal form impress'd,
Jove to a goddess has transform'd the beast;
This, this was all my weak revenge could do:
But let the God his chaste amours pursue,
And, as he acted after Io's rape,
Restore th' adultress to her former shape;
Then may he cast his Juno off, and lead
The great Lycaon's offspring to his bed.
But you, ye venerable Pow'rs, be kind,
And, if my wrongs a due resentment find,
Receive not in your waves their setting beams,
Nor let the glaring strumpet taint your streams."
The Goddess ended, and her wish was giv'n.
Back she return'd in triumph up to Heav'n;
Her gawdy peacocks drew her through the skies.
Their tails were spotted with a thousand eyes;
The eyes of Argus on their tails were rang'd,
At the same time the raven's colour chang'd.
The Story of Coronis, and Birth of Aesculapius
The raven once in snowy plumes was drest,
White as the whitest dove's unsully'd breast,
Fair as the guardian of the Capitol,
Soft as the swan; a large and lovely fowl;
His tongue, his prating tongue had chang'd him quite
To sooty blackness, from the purest white.
The story of his change shall here be told;
In Thessaly there liv'd a nymph of old,
Coronis nam'd; a peerless maid she shin'd,
Confest the fairest of the fairer kind.
Apollo lov'd her, 'till her guilt he knew,
While true she was, or whilst he thought her true.
But his own bird the raven chanc'd to find
The false one with a secret rival joyn'd.
Coronis begg'd him to suppress the tale,
But could not with repeated pray'rs prevail.
His milk-white pinions to the God he ply'd;
The busy daw flew with him, side by side,
And by a thousand teizing questions drew
Th' important secret from him as they flew.
The daw gave honest counsel, tho' despis'd,
And, tedious in her tattle, thus advis'd:
"Stay, silly bird, th' ill-natur'd task refuse,
Nor be the bearer of unwelcome news.
Be warn'd by my example: you discern
What now I am, and what I was shall learn.
My foolish honesty was all my crime;
Then hear my story. Once upon a time,
The two-shap'd Ericthonius had his birth
(Without a mother) from the teeming Earth;
Minerva nurs'd him, and the infant laid
Within a chest, of twining osiers made.
The daughters of king Cecrops undertook
To guard the chest, commanded not to look
On what was hid within. I stood to see
The charge obey'd, perch'd on a neighb'ring tree.
The sisters Pandrosos and Herse keep
The strict command; Aglauros needs would peep,
And saw the monstrous infant, in a fright,
And call'd her sisters to the hideous sight:
A boy's soft shape did to the waste prevail,
But the boy ended in a dragon's tail.
I told the stern Minerva all that pass'd;
But for my pains, discarded and disgrac'd,
The frowning Goddess drove me from her sight,
And for her fav'rite chose the bird of night.
Be then no tell-tale; for I think my wrong
Enough to teach a bird to hold her tongue.
But you, perhaps, may think I was remov'd,
As never by the heav'nly maid belov'd:
But I was lov'd; ask Pallas if I lye;
Tho' Pallas hate me now, she won't deny:
For I, whom in a feather'd shape you view,
Was once a maid (by Heav'n the story's true)
A blooming maid, and a king's daughter too.
A crowd of lovers own'd my beauty's charms;
My beauty was the cause of all my harms;
Neptune, as on his shores I wont to rove,
Observ'd me in my walks, and fell in love.
He made his courtship, he confess'd his pain,
And offer'd force, when all his arts were vain;
Swift he pursu'd: I ran along the strand,
'Till, spent and weary'd on the sinking sand,
I shriek'd aloud, with cries I fill'd the air
To Gods and men; nor God nor man was there:
A virgin Goddess heard a virgin's pray'r.
For, as my arms I lifted to the skies,
I saw black feathers from my fingers rise;
I strove to fling my garment on the ground;
My garment turn'd to plumes, and girt me round:
My hands to beat my naked bosom try;
Nor naked bosom now nor hands had I:
Lightly I tript, nor weary as before
Sunk in the sand, but skim'd along the shore;
'Till, rising on my wings, I was preferr'd
To be the chaste Minerva's virgin bird:
Preferr'd in vain! I am now in disgrace:
Nyctimene the owl enjoys my place.
On her incestuous life I need not dwell
(In Lesbos still the horrid tale they tell),
And of her dire amours you must have heard,
For which she now does penance in a bird,
That conscious of her shame, avoids the light,
And loves the gloomy cov'ring of the night;
The birds, where-e'er she flutters, scare away
The hooting wretch, and drive her from the day."
The raven, urg'd by such impertinence,
Grew passionate, it seems, and took offence,
And curst the harmless daw; the daw withdrew:
The raven to her injur'd patron flew,
And found him out, and told the fatal truth
Of false Coronis and the favour'd youth.
The God was wroth, the colour left his look,
The wreath his head, the harp his hand forsook:
His silver bow and feather'd shafts he took,
And lodg'd an arrow in the tender breast,
That had so often to his own been prest.
Down fell the wounded nymph, and sadly groan'd,
And pull'd his arrow reeking from the wound;
And weltring in her blood, thus faintly cry'd,
"Ah cruel God! tho' I have justly dy'd,
What has, alas! my unborn infant done,
That he should fall, and two expire in one?"
This said, in agonies she fetch'd her breath.
The God dissolves in pity at her death;
He hates the bird that made her falshood known,
And hates himself for what himself had done;
The feather'd shaft, that sent her to the Fates,
And his own hand, that sent the shaft, he hates.
Fain would he heal the wound, and ease her pain,
And tries the compass of his art in vain.
Soon as he saw the lovely nymph expire,
The pile made ready, and the kindling fire.
With sighs and groans her obsequies he kept,
And, if a God could weep, the God had wept.
Her corps he kiss'd, and heav'nly incense brought,
And solemniz'd the death himself had wrought.
But lest his offspring should her fate partake,
Spight of th' immortal mixture in his make,
He ript her womb, and set the child at large,
And gave him to the centaur Chiron's charge:
Then in his fury black'd the raven o'er,
And bid him prate in his white plumes no more.
Ocyrrhoe transform'd into a Mare
Old Chiron took the babe with secret joy,
Proud of the charge of the celestial boy.
His daughter too, whom on the sandy shore
The nymph Charicle to the centaur bore,
With hair dishevel'd on her shoulders, came
To see the child, Ocyrrhoe was her name;
She knew her father's arts, and could rehearse
The depths of prophecy in sounding verse.
Once, as the sacred infant she survey'd,
The God was kindled in the raving maid,
And thus she utter'd her prophetick tale:
"Hail, great physician of the world, all-hail;
Hail, mighty infant, who in years to come
Shalt heal the nations, and defraud the tomb;
Swift be thy growth! thy triumphs unconfin'd!
Make kingdoms thicker, and increase mankind.
Thy daring art shall animate the dead,
And draw the thunder on thy guilty head:
Then shalt thou dye, but from the dark abode
Rise up victorious, and be twice a God.
And thou, my sire, not destin'd by thy birth
To turn to dust, and mix with common earth,
How wilt thou toss, and rave, and long to dye,
And quit thy claim to immortality;
When thou shalt feel, enrag'd with inward pains,
The Hydra's venom rankling in thy veins?
The Gods, in pity, shall contract thy date,
And give thee over to the pow'r of Fate."
Thus entring into destiny, the maid
The secrets of offended Jove betray'd:
More had she still to say; but now appears
Oppress'd with sobs and sighs, and drown'd in tears.
"My voice," says she, "is gone, my language fails;
Through ev'ry limb my kindred shape prevails:
Why did the God this fatal gift impart,
And with prophetick raptures swell my heart!
What new desires are these? I long to pace
O'er flow'ry meadows, and to feed on grass;
I hasten to a brute, a maid no more;
But why, alas! am I transform'd all o'er?
My sire does half a human shape retain,
And in his upper parts preserve the man."
Her tongue no more distinct complaints affords,
But in shrill accents and mis-shapen words
Pours forth such hideous wailings, as declare
The human form confounded in the mare:
'Till by degrees accomplish'd in the beast,
She neigh'd outright, and all the steed exprest.
Her stooping body on her hands is born,
Her hands are turn'd to hoofs, and shod in horn,
Her yellow tresses ruffle in a mane,
And in a flowing tail she frisks her train,
The mare was finish'd in her voice and look,
And a new name from the new figure took.
The Transformation of Battus to a Touch stone
Sore wept the centuar, and to Phoebus pray'd;
But how could Phoebus give the centaur aid?
Degraded of his pow'r by angry Jove,
In Elis then a herd of beeves he drove;
And wielded in his hand a staff of oak,
And o'er his shoulders threw the shepherd's cloak;
On sev'n compacted reeds he us'd to play,
And on his rural pipe to waste the day.
As once attentive to his pipe he play'd,
The crafty Hermes from the God convey'd
A drove, that sep'rate from their fellows stray'd.
The theft an old insidious peasant view'd
(They call'd him Battus in the neighbourhood),
Hir'd by a vealthy Pylian prince to feed
His fav'rite mares, and watch the gen'rous breed.
The thievish God suspected him, and took
The hind aside, and thus in whispers spoke:
"Discover not the theft, whoe'er thou be,
And take that milk-white heifer for thy fee."
"Go, stranger," cries the clown, "securely on,
That stone shall sooner tell," and show'd a stone.
The God withdrew, but strait return'd again,
In speech and habit like a country swain;
And cries out, "Neighbour, hast thou seen a stray
Of bullocks and of heifers pass this way?
In the recov'ry of my cattle join,
A bullock and a heifer shall be thine."
The peasant quick replies, "You'll find 'em there
In yon dark vale"; and in the vale they were.
The double bribe had his false heart beguil'd:
The God, successful in the tryal, smil'd;
"And dost thou thus betray my self to me?
Me to my self dost thou betray?" says he:
Then to a Touch stone turns the faithless spy;
And in his name records his infamy.
The Story of Aglauros, transform'd into a Statue
This done, the God flew up on high, and pass'd
O'er lofty Athens, by Minerva grac'd,
And wide Munichia, whilst his eyes survey
All the vast region that beneath him lay.
'Twas now the feast, when each Athenian maid
Her yearly homage to Minerva paid;
In canisters, with garlands cover'd o'er,
High on their heads, their mystick gifts they bore:
And now, returning in a solemn train,
The troop of shining virgins fill'd the plain.
The God well pleas'd beheld the pompous show,
And saw the bright procession pass below;
Then veer'd about, and took a wheeling flight,
And hover'd o'er them: as the spreading kite,
That smells the slaughter'd victim from on high,
Flies at a distance, if the priests are nigh,
And sails around, and keeps it in her eye:
So kept the God the virgin quire in view,
And in slow winding circles round them flew.
As Lucifer excells the meanest star,
Or, as the full-orb'd Phoebe, Lucifer;
So much did Herse all the rest outvy,
And gave a grace to the solemnity.
Hermes was fir'd, as in the clouds he hung:
So the cold bullet, that with fury slung
From Balearick engines mounts on high,
Glows in the whirl, and burns along the sky.
At length he pitch'd upon the ground, and show'd
The form divine, the features of a God.
He knew their vertue o'er a female heart,
And yet he strives to better them by art.
He hangs his mantle loose, and sets to show
The golden edging on the seam below;
Adjusts his flowing curls, and in his hand
Waves, with an air, the sleep-procuring wand;
The glitt'ring sandals to his feet applies,
And to each heel the well-trim'd pinion ties.
His ornaments with nicest art display'd,
He seeks th' apartment of the royal maid.
The roof was all with polish'd iv'ry lin'd,
That richly mix'd, in clouds of tortoise shin'd.
Three rooms, contiguous, in a range were plac'd,
The midmost by the beauteous Herse grac'd;
Her virgin sisters lodg'd on either side.
Aglauros first th' approaching God descry'd,
And, as he cross'd her chamber, ask'd his name,
And what his business was, and whence he came.
"I come," reply'd the God, "from Heav'n, to woo
Your sister, and to make an aunt of you;
I am the son and messenger of Jove;
My name is Mercury, my bus'ness love;
Do you, kind damsel, take a lover's part,
And gain admittance to your sister's heart."
She star'd him in the face with looks amaz'd,
As when she on Minerva's secret gaz'd,
And asks a mighty treasure for her hire;
And, 'till he brings it, makes the God retire.
Minerva griev'd to see the nymph succeed;
And now remembring the late impious deed,
When, disobedient to her strict command,
She touch'd the chest with an unhallow'd hand;
In big-swoln sighs her inward rage express'd,
That heav'd the rising Aegis on her breast;
Then sought out Envy in her dark abode,
Defil'd with ropy gore and clots of blood:
Shut from the winds, and from the wholesome skies,
In a deep vale the gloomy dungeon lies,
Dismal and cold, where not a beam of light
Invades the winter, or disturbs the night.
Directly to the cave her course she steer'd;
Against the gates her martial lance she rear'd;
The gates flew open, and the fiend appear'd.
A pois'nous morsel in her teeth she chew'd,
And gorg'd the flesh of vipers for her food.
Minerva loathing turn'd away her eye;
The hideous monster, rising heavily,
Came stalking forward with a sullen pace,
And left her mangled offals on the place.
Soon as she saw the goddess gay and bright,
She fetch'd a groan at such a chearful sight.
Livid and meagre were her looks, her eye
In foul distorted glances turn'd awry;
A hoard of gall her inward parts possess'd,
And spread a greenness o'er her canker'd breast;
Her teeth were brown with rust, and from her tongue,
In dangling drops, the stringy poison hung.
She never smiles but when the wretched weep,
Nor lulls her malice with a moment's sleep,
Restless in spite: while watchful to destroy,
She pines and sickens at another's joy;
Foe to her self, distressing and distrest,
She bears her own tormentor in her breast.
The Goddess gave (for she abhorr'd her sight)
A short command: "To Athens speed thy flight;
On curst Aglauros try thy utmost art,
And fix thy rankest venoms in her heart."
This said, her spear she push'd against the ground,
And mounting from it with an active bound,
Flew off to Heav'n: the hag with eyes askew
Look'd up, and mutter'd curses as she flew;
For sore she fretted, and began to grieve
At the success which she her self must give.
Then takes her staff, hung round with wreaths of thorn,
And sails along, in a black whirlwind born,
O'er fields and flow'ry meadows: where she steers
Her baneful course, a mighty blast appears,
Mildews and blights; the meadows are defac'd,
The fields, the flow'rs, and the whole years laid waste:
On mortals next, and peopled towns she falls,
And breathes a burning plague among their walls.
When Athens she beheld, for arts renown'd,
With peace made happy, and with plenty crown'd,
Scarce could the hideous fiend from tears forbear,
To find out nothing that deserv'd a tear.
Th' apartment now she enter'd, where at rest
Aglauros lay, with gentle sleep opprest.
To execute Minerva's dire command,
She stroak'd the virgin with her canker'd hand,
Then prickly thorns into her breast convey'd,
That stung to madness the devoted maid:
Her subtle venom still improves the smart,
Frets in the blood, and festers in the heart.
To make the work more sure, a scene she drew,
And plac'd before the dreaming virgin's view
Her sister's marriage, and her glorious fate:
Th' imaginary bride appears in state;
The bride-groom with unwonted beauty glows:
For envy magnifies what-e'er she shows.
Full of the dream, Aglauros pin'd away
In tears all night, in darkness all the day;
Consum'd like ice, that just begins to run,
When feebly smitten by the distant sun;
Or like unwholsome weeds, that set on fire
Are slowly wasted, and in smoke expire.
Giv'n up to envy (for in ev'ry thought
The thorns, the venom, and the vision wrought)
Oft did she call on death, as oft decreed,
Rather than see her sister's wish succeed,
To tell her awfull father what had past:
At length before the door her self she cast;
And, sitting on the ground with sullen pride,
A passage to the love-sick God deny'd.
The God caress'd, and for admission pray'd,
And sooth'd in softest words th' envenom'd maid.
In vain he sooth'd: "Begone!" the maid replies,
"Or here I keep my seat, and never rise."
"Then keep thy seat for ever," cries the God,
And touch'd the door, wide op'ning to his rod.
Fain would she rise, and stop him, but she found
Her trunk too heavy to forsake the ground;
Her joynts are all benum'd, her hands are pale,
And marble now appears in ev'ry nail.
As when a cancer in the body feeds,
And gradual death from limb to limb proceeds;
So does the chilness to each vital parte
Spread by degrees, and creeps into her heart;
'Till hard'ning ev'ry where, and speechless grown,
She sits unmov'd, and freezes to a stone.
But still her envious hue and sullen mien
Are in the sedentary figure seen.
Europa's Rape
When now the God his fury had allay'd,
And taken vengeance of the stubborn maid,
From where the bright Athenian turrets rise
He mounts aloft, and re-ascends the skies.
Jove saw him enter the sublime abodes,
And, as he mix'd among the crowd of Gods,
Beckon'd him out, and drew him from the rest,
And in soft whispers thus his will exprest.
"My trusty Hermes, by whose ready aid
Thy sire's commands are through the world convey'd.
Resume thy wings, exert their utmost force,
And to the walls of Sidon speed thy course;
There find a herd of heifers wand'ring o'er
The neighb'ring hill, and drive 'em to the shore."
Thus spoke the God, concealing his intent.
The trusty Hermes, on his message went,
And found the herd of heifers wand'ring o'er
A neighb'ring hill, and drove 'em to the shore;
Where the king's daughter, with a lovely train
Of fellow-nymphs, was sporting on the plain.
The dignity of empire laid aside,
(For love but ill agrees with kingly pride)
The ruler of the skies, the thund'ring God,
Who shakes the world's foundations with a nod,
Among a herd of lowing heifers ran,
Frisk'd in a bull, and bellow'd o'er the plain.
Large rowles of fat about his shoulders clung,
And from his neck the double dewlap hung.
His skin was whiter than the snow that lies
Unsully'd by the breath of southern skies;
Small shining horns on his curl'd forehead stand,
As turn'd and polish'd by the work-man's hand;
His eye-balls rowl'd, not formidably bright,
But gaz'd and languish'd with a gentle light.
His ev'ry look was peaceful, and exprest
The softness of the lover in the beast.
Agenor's royal daughter, as she plaid
Among the fields, the milk-white bull survey'd,
And view'd his spotless body with delight,
And at a distance kept him in her sight.
At length she pluck'd the rising flow'rs, and fed
The gentle beast, and fondly stroak'd his head.
He stood well-pleas'd to touch the charming fair,
But hardly could confine his pleasure there.
And now he wantons o'er the neighb'ring strand,
Now rowls his body on the yellow sand;
And, now perceiving all her fears decay'd,
Comes tossing forward to the royal maid;
Gives her his breast to stroke, and downward turns
His grizly brow, and gently stoops his horns.
In flow'ry wreaths the royal virgin drest
His bending horns, and kindly clapt his breast.
'Till now grown wanton and devoid of fear,
Not knowing that she prest the Thunderer,
She plac'd her self upon his back, and rode
O'er fields and meadows, seated on the God.
He gently march'd along, and by degrees
Left the dry meadow, and approach'd the seas;
Where now he dips his hoofs and wets his thighs,
Now plunges in, and carries off the prize.
The frighted nymph looks backward on the shoar,
And hears the tumbling billows round her roar;
But still she holds him fast: one hand is born
Upon his back; the other grasps a horn:
Her train of ruffling garments flies behind,
Swells in the air, and hovers in the wind.
Through storms and tempests he the virgin bore,
And lands her safe on the Dictean shore;
Where now, in his divinest form array'd,
In his true shape he captivates the maid;
Who gazes on him, and with wond'ring eyes
Beholds the new majestick figure rise,
His glowing features, and celestial light,
And all the God discover'd to her sight.
----------------------------------------------------------------------
~ Ovid, BOOK THE SECOND
,#NFDB
419:ROSALIND, HELEN, and her Child.
SCENE. The Shore of the Lake of Como.
HELEN
Come hither, my sweet Rosalind.
'T is long since thou and I have met;
And yet methinks it were unkind
Those moments to forget.
Come, sit by me. I see thee stand
By this lone lake, in this far land,
Thy loose hair in the light wind flying,
Thy sweet voice to each tone of even
United, and thine eyes replying
To the hues of yon fair heaven.
Come, gentle friend! wilt sit by me?
And be as thou wert wont to be
Ere we were disunited?
None doth behold us now; the power
That led us forth at this lone hour
Will be but ill requited
If thou depart in scorn. Oh, come,
And talk of our abandoned home!
Remember, this is Italy,
And we are exiles. Talk with me
Of that our land, whose wilds and floods,
Barren and dark although they be,
Were dearer than these chestnut woods;
Those heathy paths, that inland stream,
And the blue mountains, shapes which seem
Like wrecks of childhood's sunny dream;
Which that we have abandoned now,
Weighs on the heart like that remorse
Which altered friendship leaves. I seek
No more our youthful intercourse.
That cannot be! Rosalind, speak,
Speak to me! Leave me not! When morn did come,
When evening fell upon our common home,
When for one hour we parted,do not frown;
I would not chide thee, though thy faith is broken;
But turn to me. Oh! by this cherished token
Of woven hair, which thou wilt not disown,
Turn, as 't were but the memory of me,
And not my scornd self who prayed to thee!
ROSALIND
Is it a dream, or do I see
And hear frail Helen? I would flee
Thy tainting touch; but former years
Arise, and bring forbidden tears;
And my o'erburdened memory
Seeks yet its lost repose in thee.
I share thy crime. I cannot choose
But weep for thee; mine own strange grief
But seldom stoops to such relief;
Nor ever did I love thee less,
Though mourning o'er thy wickedness
Even with a sister's woe. I knew
What to the evil world is due,
And therefore sternly did refuse
To link me with the infamy
Of one so lost as Helen. Now,
Bewildered by my dire despair,
Wondering I blush, and weep that thou
Shouldst love me stillthou only!There,
Let us sit on that gray stone
Till our mournful talk be done.
HELEN
Alas! not there; I cannot bear
The murmur of this lake to hear.
A sound from there, Rosalind dear,
Which never yet I heard elsewhere
But in our native land, recurs,
Even here where now we meet. It stirs
Too much of suffocating sorrow!
In the dell of yon dark chestnut wood
Is a stone seat, a solitude
Less like our own. The ghost of peace
Will not desert this spot. To-morrow,
If thy kind feelings should not cease,
We may sit here.
ROSALIND
Thou lead, my sweet,
And I will follow.
HENRY
'T is Fenici's seat
Where you are going? This is not the way,
Mamma; it leads behind those trees that grow
Close to the little river.
HELEN
Yes, I know;
I was bewildered. Kiss me and be gay,
Dear boy; why do you sob?
HENRY
I do not know;
But it might break any one's heart to see
You and the lady cry so bitterly.
HELEN
It is a gentle child, my friend. Go home,
Henry, and play with Lilla till I come.
We only cried with joy to see each other;
We are quite merry now. Good night.
The boy
Lifted a sudden look upon his mother,
And, in the gleam of forced and hollow joy
Which lightened o'er her face, laughed with the glee
Of light and unsuspecting infancy,
And whispered in her ear, 'Bring home with you
That sweet strange lady-friend.' Then off he flew,
But stopped, and beckoned with a meaning smile,
Where the road turned. Pale Rosalind the while,
Hiding her face, stood weeping silently.
In silence then they took the way
Beneath the forest's solitude.
It was a vast and antique wood,
Through which they took their way;
And the gray shades of evening
O'er that green wilderness did fling
Still deeper solitude.
Pursuing still the path that wound
The vast and knotted trees around,
Through which slow shades were wandering,
To a deep lawny dell they came,
To a stone seat beside a spring,
O'er which the columned wood did frame
A roofless temple, like the fane
Where, ere new creeds could faith obtain,
Man's early race once knelt beneath
The overhanging deity.
O'er this fair fountain hung the sky,
Now spangled with rare stars. The snake,
The pale snake, that with eager breath
Creeps here his noontide thirst to slake,
Is beaming with many a mingled hue,
Shed from yon dome's eternal blue,
When he floats on that dark and lucid flood
In the light of his own loveliness;
And the birds, that in the fountain dip
Their plumes, with fearless fellowship
Above and round him wheel and hover.
The fitful wind is heard to stir
One solitary leaf on high;
The chirping of the grasshopper
Fills every pause. There is emotion
In all that dwells at noontide here;
Then through the intricate wild wood
A maze of life and light and motion
Is woven. But there is stillness now
Gloom, and the trance of Nature now.
The snake is in his cave asleep;
The birds are on the branches dreaming;
Only the shadows creep;
Only the glow-worm is gleaming;
Only the owls and the nightingales
Wake in this dell when daylight fails,
And gray shades gather in the woods;
And the owls have all fled far away
In a merrier glen to hoot and play,
For the moon is veiled and sleeping now.
The accustomed nightingale still broods
On her accustomed bough,
But she is mute; for her false mate
Has fled and left her desolate.
This silent spot tradition old
Had peopled with the spectral dead.
For the roots of the speaker's hair felt cold
And stiff, as with tremulous lips he told
That a hellish shape at midnight led
The ghost of a youth with hoary hair,
And sate on the seat beside him there,
Till a naked child came wandering by,
When the fiend would change to a lady fair!
A fearful tale! the truth was worse;
For here a sister and a brother
Had solemnized a monstrous curse,
Meeting in this fair solitude;
For beneath yon very sky,
Had they resigned to one another
Body and soul. The multitude,
Tracking them to the secret wood,
Tore limb from limb their innocent child,
And stabbed and trampled on its mother;
But the youth, for God's most holy grace,
A priest saved to burn in the market-place.
Duly at evening Helen came
To this lone silent spot,
From the wrecks of a tale of wilder sorrow
So much of sympathy to borrow
As soothed her own dark lot.
Duly each evening from her home,
With her fair child would Helen come
To sit upon that antique seat,
While the hues of day were pale;
And the bright boy beside her feet
Now lay, lifting at intervals
His broad blue eyes on her;
Now, where some sudden impulse calls,
Following. He was a gentle boy
And in all gentle sorts took joy.
Oft in a dry leaf for a boat,
With a small feather for a sail,
His fancy on that spring would float,
If some invisible breeze might stir
Its marble calm; and Helen smiled
Through tears of awe on the gay child,
To think that a boy as fair as he,
In years which never more may be,
By that same fount, in that same wood,
The like sweet fancies had pursued;
And that a mother, lost like her,
Had mournfully sate watching him.
Then all the scene was wont to swim
Through the mist of a burning tear.
For many months had Helen known
This scene; and now she thither turned
Her footsteps, not alone.
The friend whose falsehood she had mourned
Sate with her on that seat of stone.
Silent they sate; for evening,
And the power its glimpses bring,
Had with one awful shadow quelled
The passion of their grief. They sate
With linkd hands, for unrepelled
Had Helen taken Rosalind's.
Like the autumn wind, when it unbinds
The tangled locks of the nightshade's hair
Which is twined in the sultry summer air
Round the walls of an outworn sepulchre,
Did the voice of Helen, sad and sweet,
And the sound of her heart that ever beat
As with sighs and words she breathed on her,
Unbind the knots of her friend's despair,
Till her thoughts were free to float and flow;
And from her laboring bosom now,
Like the bursting of a prisoned flame,
The voice of a long-pent sorrow came.
ROSALIND
I saw the dark earth fall upon
The coffin; and I saw the stone
Laid over him whom this cold breast
Had pillowed to his nightly rest!
Thou knowest not, thou canst not know
My agony. Oh! I could not weep.
The sources whence such blessings flow
Were not to be approached by me!
But I could smile, and I could sleep,
Though with a self-accusing heart.
In morning's light, in evening's gloom,
I watchedand would not thence depart
My husband's unlamented tomb.
My children knew their sire was gone;
But when I told them, 'He is dead,'
They laughed aloud in frantic glee,
They clapped their hands and leaped about,
Answering each other's ecstasy
With many a prank and merry shout.
But I sate silent and alone,
Wrapped in the mock of mourning weed.
They laughed, for he was dead; but I
Sate with a hard and tearless eye,
And with a heart which would deny
The secret joy it could not quell,
Low muttering o'er his loathd name;
Till from that self-contention came
Remorse where sin was none; a hell
Which in pure spirits should not dwell.
I 'll tell thee truth. He was a man
Hard, selfish, loving only gold,
Yet full of guile; his pale eyes ran
With tears which each some falsehood told,
And oft his smooth and bridled tongue
Would give the lie to his flushing cheek;
He was a coward to the strong;
He was a tyrant to the weak,
On whom his vengeance he would wreak;
For scorn, whose arrows search the heart,
From many a stranger's eye would dart,
And on his memory cling, and follow
His soul to its home so cold and hollow.
He was a tyrant to the weak,
And we were such, alas the day!
Oft, when my little ones at play
Were in youth's natural lightness gay,
Or if they listened to some tale
Of travellers, or of fairyland,
When the light from the wood-fire's dying brand
Flashed on their faces,if they heard
Or thought they heard upon the stair
His footstep, the suspended word
Died on my lips; we all grew pale;
The babe at my bosom was hushed with fear
If it thought it heard its father near;
And my two wild boys would near my knee
Cling, cowed and cowering fearfully.
I 'll tell thee truth: I loved another.
His name in my ear was ever ringing,
His form to my brain was ever clinging;
Yet, if some stranger breathed that name,
My lips turned white, and my heart beat fast.
My nights were once haunted by dreams of flame,
My days were dim in the shadow cast
By the memory of the same!
Day and night, day and night,
He was my breath and life and light,
For three short years, which soon were passed.
On the fourth, my gentle mother
Led me to the shrine, to be
His sworn bride eternally.
And now we stood on the altar stair,
When my father came from a distant land,
And with a loud and fearful cry
Rushed between us suddenly.
I saw the stream of his thin gray hair,
I saw his lean and lifted hand,
And heard his wordsand live! O God!
Wherefore do I live?'Hold, hold!'
He cried, 'I tell thee 't is her brother!
Thy mother, boy, beneath the sod
Of yon churchyard rests in her shroud so cold;
I am now weak, and pale, and old;
We were once dear to one another,
I and that corpse! Thou art our child!'
Then with a laugh both long and wild
The youth upon the pavement fell.
They found him dead! All looked on me,
The spasms of my despair to see;
But I was calm. I went away;
I was clammy-cold like clay.
I did not weep; I did not speak;
But day by day, week after week,
I walked about like a corpse alive.
Alas! sweet friend, you must believe
This heart is stoneit did not break.
My father lived a little while,
But all might see that he was dying,
He smiled with such a woful smile.
When he was in the churchyard lying
Among the worms, we grew quite poor,
So that no one would give us bread;
My mother looked at me, and said
Faint words of cheer, which only meant
That she could die and be content;
So I went forth from the same church door
To another husband's bed.
And this was he who died at last,
When weeks and months and years had passed,
Through which I firmly did fulfil
My duties, a devoted wife,
With the stern step of vanquished will
Walking beneath the night of life,
Whose hours extinguished, like slow rain
Falling forever, pain by pain,
The very hope of death's dear rest;
Which, since the heart within my breast
Of natural life was dispossessed,
Its strange sustainer there had been.
When flowers were dead, and grass was green
Upon my mother's gravethat mother
Whom to outlive, and cheer, and make
My wan eyes glitter for her sake,
Was my vowed task, the single care
Which once gave life to my despair
When she was a thing that did not stir,
And the crawling worms were cradling her
To a sleep more deep and so more sweet
Than a baby's rocked on its nurse's knee,
I lived; a living pulse then beat
Beneath my heart that awakened me.
What was this pulse so warm and free?
Alas! I knew it could not be
My own dull blood. 'T was like a thought
Of liquid love, that spread and wrought
Under my bosom and in my brain,
And crept with the blood through every vein,
And hour by hour, day after day,
The wonder could not charm away
But laid in sleep my wakeful pain,
Until I knew it was a child,
And then I wept. For long, long years
These frozen eyes had shed no tears;
But now't was the season fair and mild
When April has wept itself to May;
I sate through the sweet sunny day
By my window bowered round with leaves,
And down my cheeks the quick tears ran
Like twinkling rain-drops from the eaves,
When warm spring showers are passing o'er.
O Helen, none can ever tell
The joy it was to weep once more!
I wept to think how hard it were
To kill my babe, and take from it
The sense of light, and the warm air,
And my own fond and tender care,
And love and smiles; ere I knew yet
That these for it might, as for me,
Be the masks of a grinning mockery.
And haply, I would dream, 't were sweet
To feed it from my faded breast,
Or mark my own heart's restless beat
And watch the growing soul beneath
Dawn in faint smiles; and hear its breath,
Half interrupted by calm sighs,
And search the depth of its fair eyes
For long departed memories!
And so I lived till that sweet load
Was lightened. Darkly forward flowed
The stream of years, and on it bore
Two shapes of gladness to my sight;
Two other babes, delightful more,
In my lost soul's abandoned night,
Than their own country ships may be
Sailing towards wrecked mariners
Who cling to the rock of a wintry sea.
For each, as it came, brought soothing tears;
And a loosening warmth, as each one lay
Sucking the sullen milk away,
About my frozen heart did play,
And weaned it, oh, how painfully
As they themselves were weaned each one
From that sweet foodeven from the thirst
Of death, and nothingness, and rest,
Strange inmate of a living breast,
Which all that I had undergone
Of grief and shame, since she who first
The gates of that dark refuge closed
Came to my sight, and almost burst
The seal of that Lethean spring
But these fair shadows interposed.
For all delights are shadows now!
And from my brain to my dull brow
The heavy tears gather and flow.
I cannot speakoh, let me weep!
The tears which fell from her wan eyes
Glimmered among the moonlight dew.
Her deep hard sobs and heavy sighs
Their echoes in the darkness threw.
When she grew calm, she thus did keep
The tenor of her tale:
He died;
I know not how; he was not old,
If age be numbered by its years;
But he was bowed and bent with fears,
Pale with the quenchless thirst of gold,
Which, like fierce fever, left him weak;
And his strait lip and bloated cheek
Were warped in spasms by hollow sneers;
And selfish cares with barren plough,
Not age, had lined his narrow brow,
And foul and cruel thoughts, which feed
Upon the withering life within,
Like vipers on some poisonous weed.
Whether his ill were death or sin
None knew, until he died indeed,
And then men owned they were the same.
Seven days within my chamber lay
That corse, and my babes made holiday.
At last, I told them what is death.
The eldest, with a kind of shame,
Came to my knees with silent breath,
And sate awe-stricken at my feet;
And soon the others left their play,
And sate there too. It is unmeet
To shed on the brief flower of youth
The withering knowledge of the grave.
From me remorse then wrung that truth.
I could not bear the joy which gave
Too just a response to mine own.
In vain. I dared not feign a groan;
And in their artless looks I saw,
Between the mists of fear and awe,
That my own thought was theirs; and they
Expressed it not in words, but said,
Each in its heart, how every day
Will pass in happy work and play,
Now he is dead and gone away!
After the funeral all our kin
Assembled, and the will was read.
My friend, I tell thee, even the dead
Have strength, their putrid shrouds within,
To blast and torture. Those who live
Still fear the living, but a corse
Is merciless, and Power doth give
To such pale tyrants half the spoil
He rends from those who groan and toil,
Because they blush not with remorse
Among their crawling worms. Behold,
I have no child! my tale grows old
With grief, and staggers; let it reach
The limits of my feeble speech,
And languidly at length recline
On the brink of its own grave and mine.
Thou knowest what a thing is Poverty
Among the fallen on evil days.
'T is Crime, and Fear, and Infamy,
And houseless Want in frozen ways
Wandering ungarmented, and Pain,
And, worse than all, that inward stain,
Foul Self-contempt, which drowns in sneers
Youth's starlight smile, and makes its tears
First like hot gall, then dry forever!
And well thou knowest a mother never
Could doom her children to this ill,
And well he knew the same. The will
Imported that, if e'er again
I sought my children to behold,
Or in my birthplace did remain
Beyond three days, whose hours were told,
They should inherit nought; and he,
To whom next came their patrimony,
A sallow lawyer, cruel and cold,
Aye watched me, as the will was read,
With eyes askance, which sought to see
The secrets of my agony;
And with close lips and anxious brow
Stood canvassing still to and fro
The chance of my resolve, and all
The dead man's caution just did call;
For in that killing lie 't was said
'She is adulterous, and doth hold
In secret that the Christian creed
Is false, and therefore is much need
That I should have a care to save
My children from eternal fire.'
Friend, he was sheltered by the grave,
And therefore dared to be a liar!
In truth, the Indian on the pyre
Of her dead husband, half consumed,
As well might there be false as I
To those abhorred embraces doomed,
Far worse than fire's brief agony.
As to the Christian creed, if true
Or false, I never questioned it;
I took it as the vulgar do;
Nor my vexed soul had leisure yet
To doubt the things men say, or deem
That they are other than they seem.
All present who those crimes did hear,
In feigned or actual scorn and fear,
Men, women, children, slunk away,
Whispering with self-contented pride
Which half suspects its own base lie.
I spoke to none, nor did abide,
But silently I went my way,
Nor noticed I where joyously
Sate my two younger babes at play
In the courtyard through which I passed;
But went with footsteps firm and fast
Till I came to the brink of the ocean green,
And there, a woman with gray hairs,
Who had my mother's servant been,
Kneeling, with many tears and prayers,
Made me accept a purse of gold,
Half of the earnings she had kept
To refuge her when weak and old.
With woe, which never sleeps or slept,
I wander now. 'T is a vain thought
But on yon Alp, whose snowy head
'Mid the azure air is islanded,
(We see ito'er the flood of cloud,
Which sunrise from its eastern caves
Drives, wrinkling into golden waves,
Hung with its precipices proud
From that gray stone where first we met)
Therenow who knows the dead feel nought?
Should be my grave; for he who yet
Is my soul's soul once said: ''T were sweet
'Mid stars and lightnings to abide,
And winds, and lulling snows that beat
With their soft flakes the mountain wide,
Where weary meteor lamps repose,
And languid storms their pinions close,
And all things strong and bright and pure,
And ever during, aye endure.
Who knows, if one were buried there,
But these things might our spirits make,
Amid the all-surrounding air,
Their own eternity partake?'
Then 't was a wild and playful saying
At which I laughed or seemed to laugh.
They were his wordsnow heed my praying,
And let them be my epitaph.
Thy memory for a term may be
My monument. Wilt remember me?
I know thou wilt; and canst forgive,
Whilst in this erring world to live
My soul disdained not, that I thought
Its lying forms were worthy aught,
And much less thee.
HELEN
Oh, speak not so!
But come to me and pour thy woe
Into this heart, full though it be,
Aye overflowing with its own.
I thought that grief had severed me
From all beside who weep and groan,
Its likeness upon earth to be
Its express image; but thou art
More wretched. Sweet, we will not part
Henceforth, if death be not division;
If so, the dead feel no contrition.
But wilt thou hear, since last we parted,
All that has left me broken-hearted?
ROSALIND
Yes, speak. The faintest stars are scarcely shorn
Of their thin beams by that delusive morn
Which sinks again in darkness, like the light
Of early love, soon lost in total night.
HELEN
Alas! Italian winds are mild,
But my bosom is coldwintry cold;
When the warm air weaves, among the fresh leaves,
Soft music, my poor brain is wild,
And I am weak like a nursling child,
Though my soul with grief is gray and old.
ROSALIND
Weep not at thine own words, though they must make
Me weep. What is thy tale?
HELEN
I fear 't will shake
Thy gentle heart with tears. Thou well
Rememberest when we met no more;
And, though I dwelt with Lionel,
That friendless caution pierced me sore
With grief; a wound my spirit bore
Indignantlybut when he died,
With him lay dead both hope and pride.
Alas! all hope is buried now.
But then men dreamed the aged earth
Was laboring in that mighty birth
Which many a poet and a sage
Has aye foreseenthe happy age
When truth and love shall dwell below
Among the works and ways of men;
Which on this world not power but will
Even now is wanting to fulfil.
Among mankind what thence befell
Of strife, how vain, is known too well;
When Liberty's dear pan fell
'Mid murderous howls. To Lionel,
Though of great wealth and lineage high,
Yet through those dungeon walls there came
Thy thrilling light, O Liberty!
And as the meteor's midnight flame
Startles the dreamer, sun-like truth
Flashed on his visionary youth,
And filled him, not with love, but faith,
And hope, and courage mute in death;
For love and life in him were twins,
Born at one birth. In every other
First life, then love, its course begins,
Though they be children of one mother;
And so through this dark world they fleet
Divided, till in death they meet;
But he loved all things ever. Then
He passed amid the strife of men,
And stood at the throne of armd power
Pleading for a world of woe.
Secure as one on a rock-built tower
O'er the wrecks which the surge trails to and fro,
'Mid the passions wild of humankind
He stood, like a spirit calming them;
For, it was said, his words could bind
Like music the lulled crowd, and stem
That torrent of unquiet dream
Which mortals truth and reason deem,
But is revenge and fear and pride.
Joyous he was; and hope and peace
On all who heard him did abide,
Raining like dew from his sweet talk,
As where the evening star may walk
Along the brink of the gloomy seas,
Liquid mists of splendor quiver.
His very gestures touched to tears
The unpersuaded tyrant, never
So moved before; his presence stung
The torturers with their victim's pain,
And none knew how; and through their ears
The subtle witchcraft of his tongue
Unlocked the hearts of those who keep
Gold, the world's bond of slavery.
Men wondered, and some sneered to see
One sow what he could never reap;
For he is rich, they said, and young,
And might drink from the depths of luxury.
If he seeks fame, fame never crowned
The champion of a trampled creed;
If he seeks power, power is enthroned
'Mid ancient rights and wrongs, to feed
Which hungry wolves with praise and spoil
Those who would sit near power must toil;
And such, there sitting, all may see.
What seeks he? All that others seek
He casts away, like a vile weed
Which the sea casts unreturningly.
That poor and hungry men should break
The laws which wreak them toil and scorn
We understand; but Lionel,
We know, is rich and nobly born.
So wondered they; yet all men loved
Young Lionel, though few approved;
All but the priests, whose hatred fell
Like the unseen blight of a smiling day,
The withering honey-dew which clings
Under the bright green buds of May
Whilst they unfold their emerald wings;
For he made verses wild and queer
On the strange creeds priests hold so dear
Because they bring them land and gold.
Of devils and saints and all such gear
He made tales which whoso heard or read
Would laugh till he were almost dead.
So this grew a proverb: 'Don't get old
Till Lionel's Banquet in Hell you hear,
And then you will laugh yourself young again.'
So the priests hated him, and he
Repaid their hate with cheerful glee.
Ah, smiles and joyance quickly died,
For public hope grew pale and dim
In an altered time and tide,
And in its wasting withered him,
As a summer flower that blows too soon
Droops in the smile of the waning moon,
When it scatters through an April night
The frozen dews of wrinkling blight.
None now hoped more. Gray Power was seated
Safely on her ancestral throne;
And Faith, the Python, undefeated
Even to its blood-stained steps dragged on
Her foul and wounded train; and men
Were trampled and deceived again,
And words and shows again could bind
The wailing tribes of humankind
In scorn and famine. Fire and blood
Raged round the raging multitude,
To fields remote by tyrants sent
To be the scornd instrument
With which they drag from mines of gore
The chains their slaves yet ever wore;
And in the streets men met each other,
And by old altars and in halls,
And smiled again at festivals.
But each man found in his heart's brother
Cold cheer; for all, though half deceived,
The outworn creeds again believed,
And the same round anew began
Which the weary world yet ever ran.
Many then wept, not tears, but gall,
Within their hearts, like drops which fall
Wasting the fountain-stone away.
And in that dark and evil day
Did all desires and thoughts that claim
Men's careambition, friendship, fame,
Love, hope, though hope was now despair
Indue the colors of this change,
As from the all-surrounding air
The earth takes hues obscure and strange,
When storm and earthquake linger there.
And so, my friend, it then befell
To many,most to Lionel,
Whose hope was like the life of youth
Within him, and when dead became
A spirit of unresting flame,
Which goaded him in his distress
Over the world's vast wilderness.
Three years he left his native land,
And on the fourth, when he returned,
None knew him; he was stricken deep
With some disease of mind, and turned
Into aught unlike Lionel.
On himon whom, did he pause in sleep,
Serenest smiles were wont to keep,
And, did he wake, a wingd band
Of bright Persuasions, which had fed
On his sweet lips and liquid eyes,
Kept their swift pinions half outspread
To do on men his least command
On him, whom once 't was paradise
Even to behold, now misery lay.
In his own heart 't was merciless
To all things else none may express
Its innocence and tenderness.
'T was said that he had refuge sought
In love from his unquiet thought
In distant lands, and been deceived
By some strange show; for there were found,
Blotted with tearsas those relieved
By their own words are wont to do
These mournful verses on the ground,
By all who read them blotted too.
'How am I changed! my hopes were once like fire;
I loved, and I believed that life was love.
How am I lost! on wings of swift desire
Among Heaven's winds my spirit once did move.
I slept, and silver dreams did aye inspire
My liquid sleep; I woke, and did approve
All Nature to my heart, and thought to make
A paradise of earth for one sweet sake.
'I love, but I believe in love no more.
I feel desire, but hope not. Oh, from sleep
Most vainly must my weary brain implore
Its long lost flattery now! I wake to weep,
And sit through the long day gnawing the core
Of my bitter heart, and, like a miser, keep
Since none in what I feel take pain or pleasure
To my own soul its self-consuming treasure.'
He dwelt beside me near the sea;
And oft in evening did we meet,
When the waves, beneath the starlight, flee
O'er the yellow sands with silver feet,
And talked. Our talk was sad and sweet,
Till slowly from his mien there passed
The desolation which it spoke;
And smilesas when the lightning's blast
Has parched some heaven-delighting oak,
The next spring shows leaves pale and rare,
But like flowers delicate and fair,
On its rent boughsagain arrayed
His countenance in tender light;
His words grew subtle fire, which made
The air his hearers breathed delight;
His motions, like the winds, were free,
Which bend the bright grass gracefully,
Then fade away in circlets faint;
And wingd Hopeon which upborne
His soul seemed hovering in his eyes,
Like some bright spirit newly born
Floating amid the sunny skies
Sprang forth from his rent heart anew.
Yet o'er his talk, and looks, and mien,
Tempering their loveliness too keen,
Past woe its shadow backward threw;
Till, like an exhalation spread
From flowers half drunk with evening dew,
They did become infectioussweet
And subtle mists of sense and thought,
Which wrapped us soon, when we might meet,
Almost from our own looks and aught
The wild world holds. And so his mind
Was healed, while mine grew sick with fear;
For ever now his health declined,
Like some frail bark which cannot bear
The impulse of an altered wind,
Though prosperous; and my heart grew full,
'Mid its new joy, of a new care;
For his cheek became, not pale, but fair,
As rose-o'ershadowed lilies are;
And soon his deep and sunny hair,
In this alone less beautiful,
Like grass in tombs grew wild and rare.
The blood in his translucent veins
Beat, not like animal life, but love
Seemed now its sullen springs to move,
When life had failed, and all its pains;
And sudden sleep would seize him oft
Like death, so calm,but that a tear,
His pointed eye-lashes between,
Would gather in the light serene
Of smiles whose lustre bright and soft
Beneath lay undulating there.
His breath was like inconstant flame
As eagerly it went and came;
And I hung o'er him in his sleep,
Till, like an image in the lake
Which rains disturb, my tears would break
The shadow of that slumber deep.
Then he would bid me not to weep,
And say, with flattery false yet sweet,
That death and he could never meet,
If I would never part with him.
And so we loved, and did unite
All that in us was yet divided;
For when he said, that many a rite,
By men to bind but once provided,
Could not be shared by him and me,
Or they would kill him in their glee,
I shuddered, and then laughing said
'We will have rites our faith to bind,
But our church shall be the starry night,
Our altar the grassy earth outspread,
And our priest the muttering wind.'
'T was sunset as I spoke. One star
Had scarce burst forth, when from afar
The ministers of misrule sent
Seized upon Lionel, and bore
His chained limbs to a dreary tower,
In the midst of a city vast and wide.
For he, they said, from his mind had bent
Against their gods keen blasphemy,
For which, though his soul must roasted be
In hell's red lakes immortally,
Yet even on earth must he abide
The vengeance of their slaves: a trial,
I think, men call it. What avail
Are prayers and tears, which chase denial
From the fierce savage nursed in hate?
What the knit soul that pleading and pale
Makes wan the quivering cheek which late
It painted with its own delight?
We were divided. As I could,
I stilled the tingling of my blood,
And followed him in their despite,
As a widow follows, pale and wild,
The murderers and corse of her only child;
And when we came to the prison door,
And I prayed to share his dungeon floor
With prayers which rarely have been spurned,
And when men drove me forth, and I
Stared with blank frenzy on the sky,
A farewell look of love he turned,
Half calming me; then gazed awhile,
As if through that black and massy pile,
And through the crowd around him there,
And through the dense and murky air,
And the thronged streets, he did espy
What poets know and prophesy;
And said, with voice that made them shiver
And clung like music in my brain,
And which the mute walls spoke again
Prolonging it with deepened strain
'Fear not the tyrants shall rule forever,
Or the priests of the bloody faith;
They stand on the brink of that mighty river,
Whose waves they have tainted with death;
It is fed from the depths of a thousand dells,
Around them it foams, and rages, and swells,
And their swords and their sceptres I floating see,
Like wrecks, in the surge of eternity.'
I dwelt beside the prison gate;
And the strange crowd that out and in
Passed, some, no doubt, with mine own fate,
Might have fretted me with its ceaseless din,
But the fever of care was louder within.
Soon but too late, in penitence
Or fear, his foes released him thence.
I saw his thin and languid form,
As leaning on the jailor's arm,
Whose hardened eyes grew moist the while
To meet his mute and faded smile
And hear his words of kind farewell,
He tottered forth from his damp cell.
Many had never wept before,
From whom fast tears then gushed and fell;
Many will relent no more,
Who sobbed like infants then; ay, all
Who thronged the prison's stony hall,
The rulers or the slaves of law,
Felt with a new surprise and awe
That they were human, till strong shame
Made them again become the same.
The prison bloodhounds, huge and grim,
From human looks the infection caught,
And fondly crouched and fawned on him;
And men have heard the prisoners say,
Who in their rotting dungeons lay,
That from that hour, throughout one day,
The fierce despair and hate which kept
Their trampled bosoms almost slept,
Where, like twin vultures, they hung feeding
On each heart's wound, wide torn and bleeding,
Because their jailors' rule, they thought,
Grew merciful, like a parent's sway.
I know not how, but we were free;
And Lionel sate alone with me,
As the carriage drove through the streets apace;
And we looked upon each other's face;
And the blood in our fingers intertwined
Ran like the thoughts of a single mind,
As the swift emotions went and came
Through the veins of each united frame.
So through the long, long streets we passed
Of the million-peopled City vast;
Which is that desert, where each one
Seeks his mate yet is alone,
Beloved and sought and mourned of none;
Until the clear blue sky was seen,
And the grassy meadows bright and green.
And then I sunk in his embrace
Enclosing there a mighty space
Of love; and so we travelled on
By woods, and fields of yellow flowers,
And towns, and villages, and towers,
Day after day of happy hours.
It was the azure time of June,
When the skies are deep in the stainless noon,
And the warm and fitful breezes shake
The fresh green leaves of the hedge-row briar;
And there were odors then to make
The very breath we did respire
A liquid element, whereon
Our spirits, like delighted things
That walk the air on subtle wings,
Floated and mingled far away
'Mid the warm winds of the sunny day.
And when the evening star came forth
Above the curve of the new bent moon,
And light and sound ebbed from the earth,
Like the tide of the full and the weary sea
To the depths of its own tranquillity,
Our natures to its own repose
Did the earth's breathless sleep attune;
Like flowers, which on each other close
Their languid leaves when daylight's gone,
We lay, till new emotions came,
Which seemed to make each mortal frame
One soul of interwoven flame,
A life in life, a second birth
In worlds diviner far than earth;
Which, like two strains of harmony
That mingle in the silent sky,
Then slowly disunite, passed by
And left the tenderness of tears,
A soft oblivion of all fears,
A sweet sleep:so we travelled on
Till we came to the home of Lionel,
Among the mountains wild and lone,
Beside the hoary western sea,
Which near the verge of the echoing shore
The massy forest shadowed o'er.
The ancient steward with hair all hoar,
As we alighted, wept to see
His master changed so fearfully;
And the old man's sobs did waken me
From my dream of unremaining gladness;
The truth flashed o'er me like quick madness
When I looked, and saw that there was death
On Lionel. Yet day by day
He lived, till fear grew hope and faith,
And in my soul I dared to say,
Nothing so bright can pass away;
Death is dark, and foul, and dull,
But he isoh, how beautiful!
Yet day by day he grew more weak,
And his sweet voice, when he might speak,
Which ne'er was loud, became more low;
And the light which flashed through his waxen cheek
Grew faint, as the rose-like hues which flow
From sunset o'er the Alpine snow;
And death seemed not like death in him,
For the spirit of life o'er every limb
Lingered, a mist of sense and thought.
When the summer wind faint odors brought
From mountain flowers, even as it passed,
His cheek would change, as the noonday sea
Which the dying breeze sweeps fitfully.
If but a cloud the sky o'ercast,
You might see his color come and go,
And the softest strain of music made
Sweet smiles, yet sad, arise and fade
Amid the dew of his tender eyes;
And the breath, with intermitting flow,
Made his pale lips quiver and part.
You might hear the beatings of his heart,
Quick but not strong; and with my tresses
When oft he playfully would bind
In the bowers of mossy lonelinesses
His neck, and win me so to mingle
In the sweet depth of woven caresses,
And our faint limbs were intertwined,
Alas! the unquiet life did tingle
From mine own heart through every vein,
Like a captive in dreams of liberty,
Who beats the walls of his stony cell.
But his, it seemed already free,
Like the shadow of fire surrounding me!
On my faint eyes and limbs did dwell
That spirit as it passed, till soon
As a frail cloud wandering o'er the moon,
Beneath its light invisible,
Is seen when it folds its gray wings again
To alight on midnight's dusky plain
I lived and saw, and the gathering soul
Passed from beneath that strong control,
And I fell on a life which was sick with fear
Of all the woe that now I bear.
Amid a bloomless myrtle wood,
On a green and sea-girt promontory
Not far from where we dwelt, there stood,
In record of a sweet sad story,
An altar and a temple bright
Circled by steps, and o'er the gate
Was sculptured, 'To Fidelity;'
And in the shrine an image sate
All veiled; but there was seen the light
Of smiles which faintly could express
A mingled pain and tenderness
Through that ethereal drapery.
The left hand held the head, the right
Beyond the veil, beneath the skin,
You might see the nerves quivering within
Was forcing the point of a barbd dart
Into its side-convulsing heart.
An unskilled hand, yet one informed
With genius, had the marble warmed
With that pathetic life. This tale
It told: A dog had from the sea,
When the tide was raging fearfully,
Dragged Lionel's mother, weak and pale,
Then died beside her on the sand,
And she that temple thence had planned;
But it was Lionel's own hand
Had wrought the image. Each new moon
That lady did, in this lone fane,
The rites of a religion sweet
Whose god was in her heart and brain.
The seasons' loveliest flowers were strewn
On the marble floor beneath her feet,
And she brought crowns of sea-buds white
Whose odor is so sweet and faint,
And weeds, like branching chrysolite,
Woven in devices fine and quaint;
And tears from her brown eyes did stain
The altar; need but look upon
That dying statue, fair and wan,
If tears should cease, to weep again;
And rare Arabian odors came,
Through the myrtle copses, steaming thence
From the hissing frankincense,
Whose smoke, wool-white as ocean foam,
Hung in dense flocks beneath the dome
That ivory dome, whose azure night
With golden stars, like heaven, was bright
O'er the split cedar's pointed flame;
And the lady's harp would kindle there
The melody of an old air,
Softer than sleep; the villagers
Mixed their religion up with hers,
And, as they listened round, shed tears.
One eve he led me to this fane.
Daylight on its last purple cloud
Was lingering gray, and soon her strain
The nightingale began; now loud,
Climbing in circles the windless sky,
Now dying music; suddenly
'T is scattered in a thousand notes;
And now to the hushed ear it floats
Like field-smells known in infancy,
Then, failing, soothes the air again.
We sate within that temple lone,
Pavilioned round with Parian stone;
His mother's harp stood near, and oft
I had awakened music soft
Amid its wires; the nightingale
Was pausing in her heaven-taught tale.
'Now drain the cup,' said Lionel,
'Which the poet-bird has crowned so well
With the wine of her bright and liquid song!
Heard'st thou not sweet words among
That heaven-resounding minstrelsy?
Heard'st thou not that those who die
Awake in a world of ecstasy?
That love, when limbs are interwoven,
And sleep, when the night of life is cloven,
And thought, to the world's dim boundaries clinging,
And music, when one beloved is singing,
Is death? Let us drain right joyously
The cup which the sweet bird fills for me.'
He paused, and to my lips he bent
His own; like spirit his words went
Through all my limbs with the speed of fire;
And his keen eyes, glittering through mine,
Filled me with the flame divine
Which in their orbs was burning far,
Like the light of an unmeasured star
In the sky of midnight dark and deep;
Yes, 't was his soul that did inspire
Sounds which my skill could ne'er awaken;
And first, I felt my fingers sweep
The harp, and a long quivering cry
Burst from my lips in symphony;
The dusk and solid air was shaken,
As swift and swifter the notes came
From my touch, that wandered like quick flame,
And from my bosom, laboring
With some unutterable thing.
The awful sound of my own voice made
My faint lips tremble; in some mood
Of wordless thought Lionel stood
So pale, that even beside his cheek
The snowy column from its shade
Caught whiteness; yet his countenance,
Raised upward, burned with radiance
Of spirit-piercing joy whose light,
Like the moon struggling through the night
Of whirlwind-rifted clouds, did break
With beams that might not be confined.
I paused, but soon his gestures kindled
New power, as by the moving wind
The waves are lifted; and my song
To low soft notes now changed and dwindled,
And, from the twinkling wires among,
My languid fingers drew and flung
Circles of life-dissolving sound,
Yet faint; in ary rings they bound
My Lionel, who, as every strain
Grew fainter but more sweet, his mien
Sunk with the sound relaxedly;
And slowly now he turned to me,
As slowly faded from his face
That awful joy; with look serene
He was soon drawn to my embrace,
And my wild song then died away
In murmurs; words I dare not say
We mixed, and on his lips mine fed
Till they methought felt still and cold.
'What is it with thee, love?' I said;
No word, no look, no motion! yes,
There was a change, but spare to guess,
Nor let that moment's hope be told.
I looked,and knew that he was dead;
And fell, as the eagle on the plain
Falls when life deserts her brain,
And the mortal lightning is veiled again.
Oh, that I were now dead! but such
Did they not, love, demand too much,
Those dying murmurs?he forbade.
Oh, that I once again were mad!
And yet, dear Rosalind, not so,
For I would live to share thy woe.
Sweet boy! did I forget thee too?
Alas, we know not what we do
When we speak words.
No memory more
Is in my mind of that sea-shore.
Madness came on me, and a troop
Of misty shapes did seem to sit
Beside me, on a vessel's poop,
And the clear north wind was driving it.
Then I heard strange tongues, and saw strange flowers,
And the stars methought grew unlike ours,
And the azure sky and the stormless sea
Made me believe that I had died
And waked in a world which was to me
Drear hell, though heaven to all beside.
Then a dead sleep fell on my mind,
Whilst animal life many long years
Had rescued from a chasm of tears;
And, when I woke, I wept to find
That the same lady, bright and wise,
With silver locks and quick brown eyes,
The mother of my Lionel,
Had tended me in my distress,
And died some months before. Nor less
Wonder, but far more peace and joy,
Brought in that hour my lovely boy.
For through that trance my soul had well
The impress of thy being kept;
And if I waked or if I slept,
No doubt, though memory faithless be,
Thy image ever dwelt on me;
And thus, O Lionel, like thee
Is our sweet child. 'T is sure most strange
I knew not of so great a change
As that which gave him birth, who now
Is all the solace of my woe.
That Lionel great wealth had left
By will to me, and that of all
The ready lies of law bereft
My child and me,might well befall.
But let me think not of the scorn
Which from the meanest I have borne,
When, for my child's belovd sake,
I mixed with slaves, to vindicate
The very laws themselves do make;
Let me not say scorn is my fate,
Lest I be proud, suffering the same
With those who live in deathless fame.
She ceased.'Lo, where red morning through the woods
Is burning o'er the dew!' said Rosalind.
And with these words they rose, and towards the flood
Of the blue lake, beneath the leaves, now wind
With equal steps and fingers intertwined.
Thence to a lonely dwelling, where the shore
Is shadowed with steep rocks, and cypresses
Cleave with their dark green cones the silent skies
And with their shadows the clear depths below,
And where a little terrace from its bowers
Of blooming myrtle and faint lemon flowers
Scatters its sense-dissolving fragrance o'er
The liquid marble of the windless lake;
And where the aged forest's limbs look hoar
Under the leaves which their green garments make,
They come. 'T is Helen's home, and clean and white,
Like one which tyrants spare on our own land
In some such solitude; its casements bright
Shone through their vine-leaves in the morning sun,
And even within 't was scarce like Italy.
And when she saw how all things there were planned
As in an English home, dim memory
Disturbed poor Rosalind; she stood as one
Whose mind is where his body cannot be,
Till Helen led her where her child yet slept,
And said, 'Observe, that brow was Lionel's,
Those lips were his, and so he ever kept
One arm in sleep, pillowing his head with it.
You cannot see his eyesthey are two wells
Of liquid love. Let us not wake him yet.'
But Rosalind could bear no more, and wept
A shower of burning tears which fell upon
His face, and so his opening lashes shone
With tears unlike his own, as he did leap
In sudden wonder from his innocent sleep.
So Rosalind and Helen lived together
Thenceforthchanged in all else, yet friends again,
Such as they were, when o'er the mountain heather
They wandered in their youth through sun and rain.
And after many years, for human things
Change even like the ocean and the wind,
Her daughter was restored to Rosalind,
And in their circle thence some visitings
Of joy 'mid their new calm would intervene.
A lovely child she was, of looks serene,
And motions which o'er things indifferent shed
The grace and gentleness from whence they came.
And Helen's boy grew with her, and they fed
From the same flowers of thought, until each mind
Like springs which mingle in one flood became;
And in their union soon their parents saw
The shadow of the peace denied to them.
And Rosalindfor when the living stem
Is cankered in its heart, the tree must fall
Died ere her time; and with deep grief and awe
The pale survivors followed her remains
Beyond the region of dissolving rains,
Up the cold mountain she was wont to call
Her tomb; and on Chiavenna's precipice
They raised a pyramid of lasting ice,
Whose polished sides, ere day had yet begun,
Caught the first glow of the unrisen sun,
The last, when it had sunk; and through the night
The charioteers of Arctos wheeld round
Its glittering point, as seen from Helen's home,
Whose sad inhabitants each year would come,
With willing steps climbing that rugged height,
And hang long locks of hair, and garlands bound
With amaranth flowers, which, in the clime's despite,
Filled the frore air with unaccustomed light;
Such flowers as in the wintry memory bloom
Of one friend left adorned that frozen tomb.
Helen, whose spirit was of softer mould,
Whose sufferings too were less, death slowlier led
Into the peace of his dominion cold.
She died among her kindred, being old.
And know, that if love die not in the dead
As in the living, none of mortal kind
Are blessed as now Helen and Rosalind.
Begun at Marlow, 1817 (summer); already in the press, March, 1818; finished at the Baths of Lucca, August, 1818; published with other poems, as the title-piece of a slender volume, by C. & J. Ollier, London, 1819 (spring).
Note by Mrs. Shelley: 'Rosalind and Helen was begun at Marlow, and thrown aside -- till I found it; and, at my request, it was completed. Shelley had no care for any of his poems that did not emanate from the depths of his mind and develop some high or abstruse truth. When he does touch on human life and the human heart, no pictures can be more faithful, more delicate, more subtle, or more pathetic. He never mentioned Love but he shed a grace borrowed from his own nature, that scarcely any other poet has bestowed, on that passion. When he spoke of it as the law of life, which inasmuch as we rebel against we err and injure ourselves and others, he promulgated that which he considered an irrefragable truth. In his eyes it was the essence of our being, and all woe and pain arose from the war made against it by selfishness, or insensibility, or mistake. By reverting in his mind to this first principle, he discovered the source of many emotions, and could disclose the secrets of all hearts; and his delineations of passion and emotion touch the finest chords of our nature.
Rosalind and Helen was finished during the summer of 1818, while we were at the baths of Lucca.'
~ Percy Bysshe Shelley, Rosalind and Helen - a Modern Eclogue
,#NFDB
420:1.
Thou hast made me endless, such is thy pleasure. This frail vessel thou emptiest again and again, and fillest it ever with fresh life.
This little flute of a reed thou hast carried over hills and dales, and hast breathed through it melodies eternally new.
At the immortal touch of thy hands my little heart loses its limits in joy and gives birth to utterance ineffable.
Thy infinite gifts come to me only on these very small hands of mine. Ages pass, and still thou pourest, and still there is room to fill.
2.
When thou commandest me to sing it seems that my heart would break with pride; and I look to thy face, and tears come to my eyes.
All that is harsh and dissonant in my life melts into one sweet harmony - and my adoration spreads wings like a glad bird on its flight across the sea.
I know thou takest pleasure in my singing. I know that only as a singer I come before thy presence.
I touch by the edge of the far-spreading wing of my song thy feet which I could never aspire to reach.
Drunk with the joy of singing I forget myself and call thee friend who art my lord.
3.
I know not how thou singest, my master! I ever listen in silent amazement.
The light of thy music illumines the world. The life breath of thy music runs from sky to sky. The holy stream of thy music breaks through all stony obstacles and rushes on.
My heart longs to join in thy song, but vainly struggles for a voice. I would speak, but speech breaks not into song, and I cry out baffled. Ah, thou hast made my heart captive in the endless meshes of thy music, my master!
4.
Life of my life, I shall ever try to keep my body pure, knowing that thy living touch is upon all my limbs.
I shall ever try to keep all untruths out from my thoughts, knowing that thou art that truth which has kindled the light of reason in my mind.
I shall ever try to drive all evils away from my heart and keep my love in flower, knowing that thou hast thy seat in the inmost shrine of my heart.
And it shall be my endeavour to reveal thee in my actions, knowing it is thy power gives me strength to act.
5.
I ask for a moment's indulgence to sit by thy side. The works that I have in hand I will finish afterwards.
Away from the sight of thy face my heart knows no rest nor respite, and my work becomes an endless toil in a shoreless sea of toil.
Today the summer has come at my window with its sighs and murmurs; and the bees are plying their minstrelsy at the court of the flowering grove.
Now it is time to sit quite, face to face with thee, and to sing dedication of life in this silent and overflowing leisure.
6.
Pluck this little flower and take it, delay not! I fear lest it droop and drop into the dust.
I may not find a place in thy garland, but honour it with a touch of pain from thy hand and pluck it. I fear lest the day end before I am aware, and the time of offering go by.
Though its colour be not deep and its smell be faint, use this flower in thy service and pluck it while there is time.
7.
My song has put off her adornments. She has no pride of dress and decoration. Ornaments would mar our union; they would come between thee and me; their jingling would drown thy whispers.
My poet's vanity dies in shame before thy sight. O master poet, I have sat down at thy feet. Only let me make my life simple and straight, like a flute of reed for thee to fill with music.
8.
The child who is decked with prince's robes and who has jewelled chains round his neck loses all pleasure in his play; his dress hampers him at every step.
In fear that it may be frayed, or stained with dust he keeps himself from the world, and is afraid even to move.
Mother, it is no gain, thy bondage of finery, if it keeps one shut off from the healthful dust of the earth, if it rob one of the right of entrance to the great fair of common human life.
9.
O Fool, try to carry thyself upon thy own shoulders! O beggar, to come beg at thy own door!
Leave all thy burdens on his hands who can bear all, and never look behind in regret.
Thy desire at once puts out the light from the lamp it touches with its breath. It is unholy - take not thy gifts through its unclean hands. Accept only what is offered by sacred love.
10.
Here is thy footstool and there rest thy feet where live the poorest, and lowliest, and lost.
When I try to bow to thee, my obeisance cannot reach down to the depth where thy feet rest among the poorest, and lowliest, and lost.
Pride can never approach to where thou walkest in the clothes of the humble among the poorest, and lowliest, and lost.
My heart can never find its way to where thou keepest company with the companionless among the poorest, the lowliest, and the lost.
11.
Leave this chanting and singing and telling of beads! Whom dost thou worship in this lonely dark corner of a temple with doors all shut? Open thine eyes and see thy God is not before thee!
He is there where the tiller is tilling the hard ground and where the pathmaker is breaking stones. He is with them in sun and in shower, and his garment is covered with dust. Put of thy holy mantle and even like him come down on the dusty soil!
Deliverance? Where is this deliverance to be found? Our master himself has joyfully taken upon him the bonds of creation; he is bound with us all for ever.
Come out of thy meditations and leave aside thy flowers and incense! What harm is there if thy clothes become tattered and stained? Meet him and stand by him in toil and in sweat of thy brow.
12.
The time that my journey takes is long and the way of it long.
I came out on the chariot of the first gleam of light, and pursued my voyage through the wildernesses of worlds leaving my track on many a star and planet.
It is the most distant course that comes nearest to thyself, and that training is the most intricate which leads to the utter simplicity of a tune.
The traveller has to knock at every alien door to come to his own, and one has to wander through all the outer worlds to reach the innermost shrine at the end.
My eyes strayed far and wide before I shut them and said 'Here art thou!'
The question and the cry 'Oh, where?' melt into tears of a thousand streams and deluge the world with the flood of the assurance 'I am!'
13.
The song that I came to sing remains unsung to this day. I have spent my days in stringing and in unstringing my instrument.
The time has not come true, the words have not been rightly set; only there is the agony of wishing in my heart.
The blossom has not opened; only the wind is sighing by. I have not seen his face, nor have I listened to his voice; only I have heard his gentle footsteps from the road before my house.
The livelong day has passed in spreading his seat on the floor; but the lamp has not been lit and I cannot ask him into my house.
I live in the hope of meeting with him; but this meeting is not yet.
14.
My desires are many and my cry is pitiful, but ever didst thou save me by hard refusals; and this strong mercy has been wrought into my life through and through.
Day by day thou art making me worthy of the simple, great gifts that thou gavest to me unasked - this sky and the light, this body and the life and the mind - saving me from perils of overmuch desire.
There are times when I languidly linger and times when I awaken and hurry in search of my goal; but cruelly thou hidest thyself from before me.
Day by day thou art making me worthy of thy full acceptance by refusing me ever and anon, saving me from perils of weak, uncertain desire.
15.
I am here to sing thee songs. In this hall of thine I have a corner seat.
In thy world I have no work to do; my useless life can only break out in tunes without a purpose.
When the hour strikes for thy silent worship at the dark temple of midnight, command me, my master, to stand before thee to sing.
When in the morning air the golden harp is tuned, honour me, commanding my presence.
16.
I have had my invitation to this world's festival, and thus my life has been blessed. My eyes have seen and my ears have heard.
It was my part at this feast to play upon my instrument, and I have done all I could.
Now, I ask, has the time come at last when I may go in and see thy face and offer thee my silent salutation?
17.
I am only waiting for love to give myself up at last into his hands. That is why it is so late and why I have been guilty of such omissions.
They come with their laws and their codes to bind me fast; but I evade them ever, for I am only waiting for love to give myself up at last into his hands.
People blame me and call me heedless; I doubt not they are right in their blame.
The market day is over and work is all done for the busy. Those who came to call me in vain have gone back in anger. I am only waiting for love to give myself up at last into his hands.
18.
Clouds heap upon clouds and it darkens. Ah, love, why dost thou let me wait outside at the door all alone?
In the busy moments of the noontide work I am with the crowd, but on this dark lonely day it is only for thee that I hope.
If thou showest me not thy face, if thou leavest me wholly aside, I know not how I am to pass these long, rainy hours.
I keep gazing on the far-away gloom of the sky, and my heart wanders wailing with the restless wind.
19.
If thou speakest not I will fill my heart with thy silence and endure it. I will keep still and wait like the night with starry vigil and its head bent low with patience.
The morning will surely come, the darkness will vanish, and thy voice pour down in golden streams breaking through the sky.
Then thy words will take wing in songs from every one of my birds' nests, and thy melodies will break forth in flowers in all my forest groves.
20.
On the day when the lotus bloomed, alas, my mind was straying, and I knew it not. My basket was empty and the flower remained unheeded.
Only now and again a sadness fell upon me, and I started up from my dream and felt a sweet trace of a strange fragrance in the south wind.
That vague sweetness made my heart ache with longing and it seemed to me that is was the eager breath of the summer seeking for its completion.
I knew not then that it was so near, that it was mine, and that this perfect sweetness had blossomed in the depth of my own heart.
21.
I must launch out my boat. The languid hours pass by on the shore - Alas for me!
The spring has done its flowering and taken leave. And now with the burden of faded futile flowers I wait and linger.
The waves have become clamorous, and upon the bank in the shady lane the yellow leaves flutter and fall.
What emptiness do you gaze upon! Do you not feel a thrill passing through the air with the notes of the far-away song floating from the other shore?
22.
In the deep shadows of the rainy July, with secret steps, thou walkest, silent as night, eluding all watchers.
Today the morning has closed its eyes, heedless of the insistent calls of the loud east wind, and a thick veil has been drawn over the ever-wakeful blue sky.
The woodlands have hushed their songs, and doors are all shut at every house. Thou art the solitary wayfarer in this deserted street. Oh my only friend, my best beloved, the gates are open in my house - do not pass by like a dream.
23.
Art thou abroad on this stormy night on thy journey of love, my friend? The sky groans like one in despair.
I have no sleep tonight. Ever and again I open my door and look out on the darkness, my friend!
I can see nothing before me. I wonder where lies thy path!
By what dim shore of the ink-black river, by what far edge of the frowning forest, through what mazy depth of gloom art thou threading thy course to come to me, my friend?
24.
If the day is done, if birds sing no more, if the wind has flagged tired, then draw the veil of darkness thick upon me, even as thou hast wrapt the earth with the coverlet of sleep and tenderly closed the petals of the drooping lotus at dusk.
From the traveller, whose sack of provisions is empty before the voyage is ended, whose garment is torn and dustladen, whose strength is exhausted, remove shame and poverty, and renew his life like a flower under the cover of thy kindly night.
25.
In the night of weariness let me give myself up to sleep without struggle, resting my trust upon thee.
Let me not force my flagging spirit into a poor preparation for thy worship.
It is thou who drawest the veil of night upon the tired eyes of the day to renew its sight in a fresher gladness of awakening.
26.
He came and sat by my side but I woke not. What a cursed sleep it was, O miserable me!
He came when the night was still; he had his harp in his hands, and my dreams became resonant with its melodies.
Alas, why are my nights all thus lost? Ah, why do I ever miss his sight whose breath touches my sleep?
27.
Light, oh where is the light? Kindle it with the burning fire of desire!
There is the lamp but never a flicker of a flame - is such thy fate, my heart? Ah, death were better by far for thee!
Misery knocks at thy door, and her message is that thy lord is wakeful, and he calls thee to the love-tryst through the darkness of night.
The sky is overcast with clouds and the rain is ceaseless. I know not what this is that stirs in me - I know not its meaning.
A moment's flash of lightning drags down a deeper gloom on my sight, and my heart gropes for the path to where the music of the night calls me.
Light, oh where is the light! Kindle it with the burning fire of desire! It thunders and the wind rushes screaming through the void. The night is black as a black stone. Let not the hours pass by in the dark. Kindle the lamp of love with thy life.
28.
Obstinate are the trammels, but my heart aches when I try to break them.
Freedom is all I want, but to hope for it I feel ashamed.
I am certain that priceless wealth is in thee, and that thou art my best friend, but I have not the heart to sweep away the tinsel that fills my room.
The shroud that covers me is a shroud of dust and death; I hate it, yet hug it in love.
My debts are large, my failures great, my shame secret and heavy; yet when I come to ask for my good, I quake in fear lest my prayer be granted.
29.
He whom I enclose with my name is weeping in this dungeon. I am ever busy building this wall all around; and as this wall goes up into the sky day by day I lose sight of my true being in its dark shadow.
I take pride in this great wall, and I plaster it with dust and sand lest a least hole should be left in this name; and for all the care I take I lose sight of my true being.
30.
I came out alone on my way to my tryst. But who is this that follows me in the silent dark?
I move aside to avoid his presence but I escape him not.
He makes the dust rise from the earth with his swagger; he adds his loud voice to every word that I utter.
He is my own little self, my lord, he knows no shame; but I am ashamed to come to thy door in his company.
31.
'Prisoner, tell me, who was it that bound you?'
'It was my master,' said the prisoner. 'I thought I could outdo everybody in the world in wealth and power, and I amassed in my own treasure-house the money due to my king. When sleep overcame me I lay upon the bad that was for my lord, and on waking up I found I was a prisoner in my own treasure-house.'
'Prisoner, tell me, who was it that wrought this unbreakable chain?'
'It was I,' said the prisoner, 'who forged this chain very carefully. I thought my invincible power would hold the world captive leaving me in a freedom undisturbed. Thus night and day I worked at the chain with huge fires and cruel hard strokes. When at last the work was done and the links were complete and unbreakable, I found that it held me in its grip.'
32.
By all means they try to hold me secure who love me in this world. But it is otherwise with thy love which is greater than theirs, and thou keepest me free.
Lest I forget them they never venture to leave me alone. But day passes by after day and thou art not seen.
If I call not thee in my prayers, if I keep not thee in my heart, thy love for me still waits for my love.
33.
When it was day they came into my house and said, 'We shall only take the smallest room here.'
They said, 'We shall help you in the worship of your God and humbly accept only our own share in his grace'; and then they took their seat in a corner and they sat quiet and meek.
But in the darkness of night I find they break into my sacred shrine, strong and turbulent, and snatch with unholy greed the offerings from God's altar.
34.
Let only that little be left of me whereby I may name thee my all.
Let only that little be left of my will whereby I may feel thee on every side, and come to thee in everything, and offer to thee my love every moment.
Let only that little be left of me whereby I may never hide thee.
Let only that little of my fetters be left whereby I am bound with thy will, and thy purpose is carried out in my life - and that is the fetter of thy love.
35.
Where the mind is without fear and the head is held high; Where knowledge is free; Where the world has not been broken up into fragments by narrow domestic walls; Where words come out from the depth of truth; Where tireless striving stretches its arms towards perfection; Where the clear stream of reason has not lost its way into the dreary desert sand of dead habit; Where the mind is led forward by thee into ever-widening thought and action- Into that heaven of freedom, my Father, let my country awake.
36.
This is my prayer to thee, my lord - strike, strike at the root of penury in my heart. Give me the strength lightly to bear my joys and sorrows. Give me the strength to make my love fruitful in service. Give me the strength never to disown the poor or bend my knees before insolent might. Give me the strength to raise my mind high above daily trifles. And give me the strength to surrender my strength to thy will with love.
37.
I thought that my voyage had come to its end at the last limit of my power, - that the path before me was closed, that provisions were exhausted and the time come to take shelter in a silent obscurity.
But I find that thy will knows no end in me. And when old words die out on the tongue, new melodies break forth from the heart; and where the old tracks are lost, new country is revealed with its wonders.
38.
That I want thee, only thee - let my heart repeat without end. All desires that distract me, day and night, are false and empty to the core.
As the night keeps hidden in its gloom the petition for light, even thus in the depth of my unconsciousness rings the cry - 'I want thee, only thee'.
As the storm still seeks its end in peace when it strikes against peace with all its might, even thus my rebellion strikes against thy love and still its cry is - 'I want thee, only thee'.
39.
When the heart is hard and parched up, come upon me with a shower of mercy.
When grace is lost from life, come with a burst of song.
When tumultuous work raises its din on all sides shutting me out from beyond, come to me, my lord of silence, with thy peace and rest.
When my beggarly heart sits crouched, shut up in a corner, break open the door, my king, and come with the ceremony of a king.
When desire blinds the mind with delusion and dust, O thou holy one, thou wakeful, come with thy light and thy thunder.
40.
The rain has held back for days and days, my God, in my arid heart. The horizon is fiercely naked - not the thinnest cover of a soft cloud, not the vaguest hint of a distant cool shower.
Send thy angry storm, dark with death, if it is thy wish, and with lashes of lightning startle the sky from end to end.
But call back, my lord, call back this pervading silent heat, still and keen and cruel, burning the heart with dire despair.
Let the cloud of grace bend low from above like the tearful look of the mother on the day of the father's wrath.
41.
Where dost thou stand behind them all, my lover, hiding thyself in the shadows? They push thee and pass thee by on the dusty road, taking thee for naught. I wait here weary hours spreading my offerings for thee, while passers-by come and take my flowers, one by one, and my basket is nearly empty.
The morning time is past, and the noon. In the shade of evening my eyes are drowsy with sleep. Men going home glance at me and smile and fill me with shame. I sit like a beggar maid, drawing my skirt over my face, and when they ask me, what it is I want, I drop my eyes and answer them not.
Oh, how, indeed, could I tell them that for thee I wait, and that thou hast promised to come. How could I utter for shame that I keep for my dowry this poverty. Ah, I hug this pride in the secret of my heart.
I sit on the grass and gaze upon the sky and dream of the sudden splendour of thy coming - all the lights ablaze, golden pennons flying over thy car, and they at the roadside standing agape, when they see thee come down from thy seat to raise me from the dust, and set at thy side this ragged beggar girl a-tremble with shame and pride, like a creeper in a summer breeze.
But time glides on and still no sound of the wheels of thy chariot. Many a procession passes by with noise and shouts and glamour of glory. Is it only thou who wouldst stand in the shadow silent and behind them all? And only I who would wait and weep and wear out my heart in vain longing?
42.
Early in the day it was whispered that we should sail in a boat, only thou and I, and never a soul in the world would know of this our pilgrimage to no country and to no end.
In that shoreless ocean, at thy silently listening smile my songs would swell in melodies, free as waves, free from all bondage of words.
Is the time not come yet? Are there works still to do? Lo, the evening has come down upon the shore and in the fading light the seabirds come flying to their nests.
Who knows when the chains will be off, and the boat, like the last glimmer of sunset, vanish into the night?
43.
The day was when I did not keep myself in readiness for thee; and entering my heart unbidden even as one of the common crowd, unknown to me, my king, thou didst press the signet of eternity upon many a fleeting moment of my life.
And today when by chance I light upon them and see thy signature, I find they have lain scattered in the dust mixed with the memory of joys and sorrows of my trivial days forgotten.
Thou didst not turn in contempt from my childish play among dust, and the steps that I heard in my playroom are the same that are echoing from star to star.
44.
This is my delight, thus to wait and watch at the wayside where shadow chases light and the rain comes in the wake of the summer.
Messengers, with tidings from unknown skies, greet me and speed along the road. My heart is glad within, and the breath of the passing breeze is sweet.
From dawn till dusk I sit here before my door, and I know that of a sudden the happy moment will arrive when I shall see.
In the meanwhile I smile and I sing all alone. In the meanwhile the air is filling with the perfume of promise.
45.
Have you not heard his silent steps? He comes, comes, ever comes.
Every moment and every age, every day and every night he comes, comes, ever comes.
Many a song have I sung in many a mood of mind, but all their notes have always proclaimed, 'He comes, comes, ever comes.'
In the fragrant days of sunny April through the forest path he comes, comes, ever comes.
In the rainy gloom of July nights on the thundering chariot of clouds he comes, comes, ever comes.
In sorrow after sorrow it is his steps that press upon my heart, and it is the golden touch of his feet that makes my joy to shine.
-
46.
I know not from what distant time thou art ever coming nearer to meet me. Thy sun and stars can never keep thee hidden from me for aye.
In many a morning and eve thy footsteps have been heard and thy messenger has come within my heart and called me in secret.
I know not only why today my life is all astir, and a feeling of tremulous joy is passing through my heart.
It is as if the time were come to wind up my work, and I feel in the air a faint smell of thy sweet presence.
47.
The night is nearly spent waiting for him in vain. I fear lest in the morning he suddenly come to my door when I have fallen asleep wearied out. Oh friends, leave the way open to him - forbid him not.
If the sounds of his steps does not wake me, do not try to rouse me, I pray. I wish not to be called from my sleep by the clamorous choir of birds, by the riot of wind at the festival of morning light. Let me sleep undisturbed even if my lord comes of a sudden to my door.
Ah, my sleep, precious sleep, which only waits for his touch to vanish. Ah, my closed eyes that would open their lids only to the light of his smile when he stands before me like a dream emerging from darkness of sleep.
Let him appear before my sight as the first of all lights and all forms. The first thrill of joy to my awakened soul let it come from his glance. And let my return to myself be immediate return to him.
48.
The morning sea of silence broke into ripples of bird songs; and the flowers were all merry by the roadside; and the wealth of gold was scattered through the rift of the clouds while we busily went on our way and paid no heed.
We sang no glad songs nor played; we went not to the village for barter; we spoke not a word nor smiled; we lingered not on the way. We quickened our pave more and more as the time sped by.
The sun rose to the mid sky and doves cooed in the shade. Withered leaves danced and whirled in the hot air of noon. The shepherd boy drowsed and dreamed in the shadow of the banyan tree, and I laid myself down by the water and stretched my tired limbs on the grass.
My companions laughed at me in scorn; they held their heads high and hurried on; they never looked back nor rested; they vanished in the distant blue haze. They crossed many meadows and hills, and passed through strange, far-away countries. All honour to you, heroic host of the interminable path! Mockery and reproach pricked me to rise, but found no response in me. I gave myself up for lost in the depth of a glad humiliation - in the shadow of a dim delight.
The repose of the sun-embroidered green gloom slowly spread over my heart. I forgot for what I had travelled, and I surrendered my mind without struggle to the maze of shadows and songs.
At last, when I woke from my slumber and opened my eyes, I saw thee standing by me, flooding my sleep with thy smile. How I had feared that the path was long and wearisome, and the struggle to reach thee was hard!
49.
You came down from your throne and stood at my cottage door.
I was singing all alone in a corner, and the melody caught your ear. You came down and stood at my cottage door.
Masters are many in your hall, and songs are sung there at all hours. But the simple carol of this novice struck at your love. One plaintive little strain mingled with the great music of the world, and with a flower for a prize you came down and stopped at my cottage door.
50.
I had gone a-begging from door to door in the village path, when thy golden chariot appeared in the distance like a gorgeous dream and I wondered who was this King of all kings!
My hopes rose high and methought my evil days were at an end, and I stood waiting for alms to be given unasked and for wealth scattered on all sides in the dust.
The chariot stopped where I stood. Thy glance fell on me and thou camest down with a smile. I felt that the luck of my life had come at last. Then of a sudden thou didst hold out thy right hand and say 'What hast thou to give to me?'
Ah, what a kingly jest was it to open thy palm to a beggar to beg! I was confused and stood undecided, and then from my wallet I slowly took out the least little grain of corn and gave it to thee.
But how great my surprise when at the day's end I emptied my bag on the floor to find a least little gram of gold among the poor heap. I bitterly wept and wished that I had had the heart to give thee my all.
51.
The night darkened. Our day's works had been done. We thought that the last guest had arrived for the night and the doors in the village were all shut. Only some said the king was to come. We laughed and said 'No, it cannot be!'
It seemed there were knocks at the door and we said it was nothing but the wind. We put out the lamps and lay down to sleep. Only some said, 'It is the messenger!' We laughed and said 'No, it must be the wind!'
There came a sound in the dead of the night. We sleepily thought it was the distant thunder. The earth shook, the walls rocked, and it troubled us in our sleep. Only some said it was the sound of wheels. We said in a drowsy murmur, 'No, it must be the rumbling of clouds!'
The night was still dark when the drum sounded. The voice came 'Wake up! delay not!' We pressed our hands on our hearts and shuddered with fear. Some said, 'Lo, there is the king's flag!' We stood up on our feet and cried 'There is no time for delay!'
The king has come - but where are lights, where are wreaths? Where is the throne to seat him? Oh, shame! Oh utter shame! Where is the hall, the decorations? Someone has said, 'Vain is this cry! Greet him with empty hands, lead him into thy rooms all bare!'
Open the doors, let the conch-shells be sounded! in the depth of the night has come the king of our dark, dreary house. The thunder roars in the sky. The darkness shudders with lightning. Bring out thy tattered piece of mat and spread it in the courtyard. With the storm has come of a sudden our king of the fearful night.
52.
I thought I should ask of thee - but I dared not - the rose wreath thou hadst on thy neck. Thus I waited for the morning, when thou didst depart, to find a few fragments on the bed. And like a beggar I searched in the dawn only for a stray petal or two.
Ah me, what is it I find? What token left of thy love? It is no flower, no spices, no vase of perfumed water. It is thy mighty sword, flashing as a flame, heavy as a bolt of thunder. The young light of morning comes through the window and spread itself upon thy bed. The morning bird twitters and asks, 'Woman, what hast thou got?' No, it is no flower, nor spices, nor vase of perfumed water - it is thy dreadful sword.
I sit and muse in wonder, what gift is this of thine. I can find no place to hide it. I am ashamed to wear it, frail as I am, and it hurts me when press it to my bosom. Yet shall I bear in my heart this honour of the burden of pain, this gift of thine.
From now there shall be no fear left for me in this world, and thou shalt be victorious in all my strife. Thou hast left death for my companion and I shall crown him with my life. Thy sword is with me to cut asunder my bonds, and there shall be no fear left for me in the world.
From now I leave off all petty decorations. Lord of my heart, no more shall there be for me waiting and weeping in corners, no more coyness and sweetness of demeanour. Thou hast given me thy sword for adornment. No more doll's decorations for me!
53.
Beautiful is thy wristlet, decked with stars and cunningly wrought in myriad-coloured jewels. But more beautiful to me thy sword with its curve of lightning like the outspread wings of the divine bird of Vishnu, perfectly poised in the angry red light of the sunset.
It quivers like the one last response of life in ecstasy of pain at the final stroke of death; it shines like the pure flame of being burning up earty sense with one fierce flash.
Beautiful is thy wristlet, decked with starry gems; but thy sword, O lord of thunder, is wrought with uttermost beauty, terrible to behold or think of.
54.
I asked nothing from thee; I uttered not my name to thine ear. When thou took'st thy leave I stood silent. I was alone by the well where the shadow of the tree fell aslant, and the women had gone home with their brown earthen pitchers full to the brim. They called me and shouted, 'Come with us, the morning is wearing on to noon.' But I languidly lingered awhile lost in the midst of vague musings.
I heard not thy steps as thou camest. Thine eyes were sad when they fell on me; thy voice was tired as thou spokest low - 'Ah, I am a thirsty traveller.' I started up from my day-dreams and poured water from my jar on thy joined palms. The leaves rustled overhead; the cuckoo sang from the unseen dark, and perfume of babla flowers came from the bend of the road.
I stood speecess with shame when my name thou didst ask. Indeed, what had I done for thee to keep me in remembrance? But the memory that I could give water to thee to allay thy thirst will cling to my heart and enfold it in sweetness. The morning hour is late, the bird sings in weary notes, neem leaves rustle overhead and I sit and think and think.
55.
Languor is upon your heart and the slumber is still on your eyes.
Has not the word come to you that the flower is reigning in splendour among thorns? Wake, oh awaken! let not the time pass in vain!
At the end of the stony path, in the country of virgin solitude, my friend is sitting all alone. Deceive him not. Wake, oh awaken!
What if the sky pants and trembles with the heat of the midday sun - what if the burning sand spreads its mantle of thirst -
Is there no joy in the deep of your heart? At every footfall of yours, will not the harp of the road break out in sweet music of pain?
56.
Thus it is that thy joy in me is so full. Thus it is that thou hast come down to me. O thou lord of all heavens, where would be thy love if I were not?
Thou hast taken me as thy partner of all this wealth. In my heart is the endless play of thy delight. In my life thy will is ever taking shape.
And for this, thou who art the King of kings hast decked thyself in beauty to captivate my heart. And for this thy love loses itself in the love of thy lover, and there art thou seen in the perfect union of two.
57.
Light, my light, the world-filling light, the eye-kissing light, heart-sweetening light!
Ah, the light dances, my darling, at the centre of my life; the light strikes, my darling, the chords of my love; the sky opens, the wind runs wild, laughter passes over the earth.
The butterflies spread their sails on the sea of light. Lilies and jasmines surge up on the crest of the waves of light.
The light is shattered into gold on every cloud, my darling, and it scatters gems in profusion.
Mirth spreads from leaf to leaf, my darling, and gladness without measure. The heaven's river has drowned its banks and the flood of joy is abroad.
58.
Let all the strains of joy mingle in my last song - the joy that makes the earth flow over in the riotous excess of the grass, the joy that sets the twin brothers, life and death, dancing over the wide world, the joy that sweeps in with the tempest, shaking and waking all life with laughter, the joy that sits still with its tears on the open red lotus of pain, and the joy that throws everything it has upon the dust, and knows not a word.
59.
Yes, I know, this is nothing but thy love, O beloved of my heart - this golden light that dances upon the leaves, these idle clouds sailing across the sky, this passing breeze leaving its coolness upon my forehead.
The morning light has flooded my eyes - this is thy message to my heart. Thy face is bent from above, thy eyes look down on my eyes, and my heart has touched thy feet.
60.
On the seashore of endless worlds children meet. The infinite sky is motionless overhead and the restless water is boisterous. On the seashore of endless worlds the children meet with shouts and dances.
They build their houses with sand and they play with empty shells. With withered leaves they weave their boats and smilingly float them on the vast deep. Children have their play on the seashore of worlds.
They know not how to swim, they know not how to cast nets. Pearl fishers dive for pearls, merchants sail in their ships, while children gather pebbles and scatter them again. they seek not for hidden treasures, they know not how to cast nets.
The sea surges up with laughter and pale gleams the smile of the sea beach. Death-dealing waves sing meaningless ballads to the children, even like a mother while rocking her baby's cradle. The sea plays with children, and pale gleams the smile of the sea beach.
On the seashore of endless worlds children meet. Tempest roams in the patess sky, ships get wrecked in the trackless water, death is abroad and children play. On the seashore of endless worlds is the great meeting of children.
61.
The sleep that flits on baby's eyes - does anybody know from where it comes? Yes, there is a rumour that it has its dwelling where, in the fairy village among shadows of the forest dimly lit with glow-worms, there hang two timid buds of enchantment. From there it comes to kiss baby's eyes.
The smile that flickers on baby's lips when he sleeps - does anybody know where it was born? Yes, there is a rumour that a young pale beam of a crescent moon touched the edge of a vanishing autumn cloud, and there the smile was first born in the dream of a dew-washed morning - the smile that flickers on baby's lips when he sleeps.
The sweet, soft freshness that blooms on baby's limbs - does anybody know where it was hidden so long? Yes, when the mother was a young girl it lay pervading her heart in tender and silent mystery of love - the sweet, soft freshness that has bloomed on baby's limbs.
62.
When I bring to you coloured toys, my child, I understand why there is such a play of colours on clouds, on water, and why flowers are painted in tints - when I give coloured toys to you, my child.
When I sing to make you dance I truly now why there is music in leaves, and why waves send their chorus of voices to the heart of the listening earth - when I sing to make you dance.
When I bring sweet things to your greedy hands I know why there is honey in the cup of the flowers and why fruits are secretly filled with sweet juice - when I bring sweet things to your greedy hands.
When I kiss your face to make you smile, my darling, I surely understand what pleasure streams from the sky in morning light, and what delight that is that is which the summer breeze brings to my body - when I kiss you to make you smile.
63.
Thou hast made me known to friends whom I knew not. Thou hast given me seats in homes not my own. Thou hast brought the distant near and made a brother of the stranger.
I am uneasy at heart when I have to leave my accustomed shelter; I forget that there abides the old in the new, and that there also thou abidest.
Through birth and death, in this world or in others, wherever thou leadest me it is thou, the same, the one companion of my endless life who ever linkest my heart with bonds of joy to the unfamiliar.
When one knows thee, then alien there is none, then no door is shut. Oh, grant me my prayer that I may never lose the bliss of the touch of the one in the play of many.
64.
On the slope of the desolate river among tall grasses I asked her, 'Maiden, where do you go shading your lamp with your mantle? My house is all dark and lonesome - lend me your light!' she raised her dark eyes for a moment and looked at my face through the dusk. 'I have come to the river,' she said, 'to float my lamp on the stream when the daylight wanes in the west.' I stood alone among tall grasses and watched the timid flame of her lamp uselessly drifting in the tide.
In the silence of gathering night I asked her, 'Maiden, your lights are all lit - then where do you go with your lamp? My house is all dark and lonesome - lend me your light.' She raised her dark eyes on my face and stood for a moment doubtful. 'I have come,' she said at last, 'to dedicate my lamp to the sky.' I stood and watched her light uselessly burning in the void.
In the moonless gloom of midnight I ask her, 'Maiden, what is your quest, holding the lamp near your heart? My house is all dark and lonesome- - lend me your light.' She stopped for a minute and thought and gazed at my face in the dark. 'I have brought my light,' she said, 'to join the carnival of lamps.' I stood and watched her little lamp uselessly lost among lights.
65.
What divine drink wouldst thou have, my God, from this overflowing cup of my life?
My poet, is it thy delight to see thy creation through my eyes and to stand at the portals of my ears silently to listen to thine own eternal harmony?
Thy world is weaving words in my mind and thy joy is adding music to them. Thou givest thyself to me in love and then feelest thine own entire sweetness in me.
66.
She who ever had remained in the depth of my being, in the twilight of gleams and of glimpses; she who never opened her veils in the morning light, will be my last gift to thee, my God, folded in my final song.
Words have wooed yet failed to win her; persuasion has stretched to her its eager arms in vain.
I have roamed from country to country keeping her in the core of my heart, and around her have risen and fallen the growth and decay of my life.
Over my thoughts and actions, my slumbers and dreams, she reigned yet dwelled alone and apart.
many a man knocked at my door and asked for her and turned away in despair.
There was none in the world who ever saw her face to face, and she remained in her loneliness waiting for thy recognition.
67.
Thou art the sky and thou art the nest as well.
O thou beautiful, there in the nest is thy love that encloses the soul with colours and sounds and odours.
There comes the morning with the golden basket in her right hand bearing the wreath of beauty, silently to crown the earth.
And there comes the evening over the lonely meadows deserted by herds, through trackless paths, carrying cool draughts of peace in her golden pitcher from the western ocean of rest.
But there, where spreads the infinite sky for the soul to take her flight in, reigns the stainless white radiance. There is no day nor night, nor form nor colour, and never, never a word.
68.
Thy sunbeam comes upon this earth of mine with arms outstretched and stands at my door the livelong day to carry back to thy feet clouds made of my tears and sighs and songs.
With fond delight thou wrappest about thy starry breast that mantle of misty cloud, turning it into numberless shapes and folds and colouring it with hues everchanging.
It is so light and so fleeting, tender and tearful and dark, that is why thou lovest it, O thou spotless and serene. And that is why it may cover thy awful white light with its pathetic shadows.
69.
The same stream of life that runs through my veins night and day runs through the world and dances in rhythmic measures.
It is the same life that shoots in joy through the dust of the earth in numberless blades of grass and breaks into tumultuous waves of leaves and flowers.
It is the same life that is rocked in the ocean-cradle of birth and of death, in ebb and in flow.
I feel my limbs are made glorious by the touch of this world of life. And my pride is from the life-throb of ages dancing in my blood this moment.
70.
Is it beyond thee to be glad with the gladness of this rhythm? to be tossed and lost and broken in the whirl of this fearful joy?
All things rush on, they stop not, they look not behind, no power can hold them back, they rush on.
Keeping steps with that restless, rapid music, seasons come dancing and pass away - colours, tunes, and perfumes pour in endless cascades in the abounding joy that scatters and gives up and dies every moment.
71.
That I should make much of myself and turn it on all sides, thus casting coloured shadows on thy radiance - such is thy maya.
Thou settest a barrier in thine own being and then callest thy severed self in myriad notes. This thy self-separation has taken body in me.
The poignant song is echoed through all the sky in many-coloured tears and smiles, alarms and hopes; waves rise up and sink again, dreams break and form. In me is thy own defeat of self.
This screen that thou hast raised is painted with innumerable figures with the brush of the night and the day. Behind it thy seat is woven in wondrous mysteries of curves, casting away all barren lines of straightness.
The great pageant of thee and me has overspread the sky. With the tune of thee and me all the air is vibrant, and all ages pass with the hiding and seeking of thee and me.
72.
He it is, the innermost one, who awakens my being with his deep hidden touches.
He it is who puts his enchantment upon these eyes and joyfully plays on the chords of my heart in varied cadence of pleasure and pain.
He it is who weaves the web of this maya in evanescent hues of gold and silver, blue and green, and lets peep out through the folds his feet, at whose touch I forget myself.
Days come and ages pass, and it is ever he who moves my heart in many a name, in many a guise, in many a rapture of joy and of sorrow.
73.
Deliverance is not for me in renunciation. I feel the embrace of freedom in a thousand bonds of delight.
Thou ever pourest for me the fresh draught of thy wine of various colours and fragrance, filling this earthen vessel to the brim.
My world will light its hundred different lamps with thy flame and place them before the altar of thy temple.
No, I will never shut the doors of my senses. The delights of sight and hearing and touch will bear thy delight.
Yes, all my illusions will burn into illumination of joy, and all my desires ripen into fruits of love.
74.
The day is no more, the shadow is upon the earth. It is time that I go to the stream to fill my pitcher.
The evening air is eager with the sad music of the water. Ah, it calls me out into the dusk. In the lonely lane there is no passer-by, the wind is up, the ripples are rampant in the river.
I know not if I shall come back home. I know not whom I shall chance to meet. There at the fording in the little boat the unknown man plays upon his lute.
75.
Thy gifts to us mortals fulfil all our needs and yet run back to thee undiminished.
The river has its everyday work to do and hastens through fields and hamlets; yet its incessant stream winds towards the washing of thy feet.
The flower sweetens the air with its perfume; yet its last service is to offer itself to thee.
Thy worship does not impoverish the world.
From the words of the poet men take what meanings please them; yet their last meaning points to thee.
76.
Day after day, O lord of my life, shall I stand before thee face to face. With folded hands, O lord of all worlds, shall I stand before thee face to face.
Under thy great sky in solitude and silence, with humble heart shall I stand before thee face to face.
In this laborious world of thine, tumultuous with toil and with struggle, among hurrying crowds shall I stand before thee face to face.
And when my work shall be done in this world, O King of kings, alone and speecess shall I stand before thee face to face.
77.
I know thee as my God and stand apart - I do not know thee as my own and come closer. I know thee as my father and bow before thy feet- I do not grasp thy hand as my friend's.
I stand not where thou comest down and ownest thyself as mine, there to clasp thee to my heart and take thee as my comrade.
Thou art the Brother amongst my brothers, but I heed them not, I divide not my earnings with them, thus sharing my all with thee.
In pleasure and in pain I stand not by the side of men, and thus stand by thee. I shrink to give up my life, and thus do not plunge into the great waters of life.
78.
When the creation was new and all the stars shone in their first splendour, the gods held their assembly in the sky and sang 'Oh, the picture of perfection! the joy unalloyed!'
But one cried of a sudden - 'It seems that somewhere there is a break in the chain of light and one of the stars has been lost.'
The golden string of their harp snapped, their song stopped, and they cried in dismay - 'Yes, that lost star was the best, she was the glory of all heavens!'
From that day the search is unceasing for her, and the cry goes on from one to the other that in her the world has lost its one joy!
Only in the deepest silence of night the stars smile and whisper among themselves - 'Vain is this seeking! unbroken perfection is over all!'
79.
If it is not my portion to meet thee in this life then let me ever feel that I have missed thy sight - let me not forget for a moment, let me carry the pangs of this sorrow in my dreams and in my wakeful hours.
As my days pass in the crowded market of this world and my hands grow full with the daily profits, let me ever feel that I have gained nothing - let me not forget for a moment, let me carry the pangs of this sorrow in my dreams and in my wakeful hours.
When I sit by the roadside, tired and panting, when I spread my bed low in the dust, let me ever feel that the long journey is still before me - let me not forget a moment, let me carry the pangs of this sorrow in my dreams and in my wakeful hours.
When my rooms have been decked out and the flutes sound and the laughter there is loud, let me ever feel that I have not invited thee to my house - let me not forget for a moment, let me carry the pangs of this sorrow in my dreams and in my wakeful hours.
80.
I am like a remnant of a cloud of autumn uselessly roaming in the sky, O my sun ever-glorious! Thy touch has not yet melted my vapour, making me one with thy light, and thus I count months and years separated from thee.
If this be thy wish and if this be thy play, then take this fleeting emptiness of mine, paint it with colours, gild it with gold, float it on the wanton wind and spread it in varied wonders.
And again when it shall be thy wish to end this play at night, I shall melt and vanish away in the dark, or it may be in a smile of the white morning, in a coolness of purity transparent.
81.
On many an idle day have I grieved over lost time. But it is never lost, my lord. Thou hast taken every moment of my life in thine own hands.
Hidden in the heart of things thou art nourishing seeds into sprouts, buds into blossoms, and ripening flowers into fruitfulness.
I was tired and sleeping on my idle bed and imagined all work had ceased. In the morning I woke up and found my garden full with wonders of flowers.
82.
Time is endless in thy hands, my lord. There is none to count thy minutes.
Days and nights pass and ages bloom and fade like flowers. Thou knowest how to wait.
Thy centuries follow each other perfecting a small wild flower.
We have no time to lose, and having no time we must scramble for a chances. We are too poor to be late.
And thus it is that time goes by while I give it to every querulous man who claims it, and thine altar is empty of all offerings to the last.
At the end of the day I hasten in fear lest thy gate to be shut; but I find that yet there is time.
83.
Mother, I shall weave a chain of pearls for thy neck with my tears of sorrow.
The stars have wrought their anklets of light to deck thy feet, but mine will hang upon thy breast.
Wealth and fame come from thee and it is for thee to give or to withhold them. But this my sorrow is absolutely mine own, and when I bring it to thee as my offering thou rewardest me with thy grace.
84.
It is the pang of separation that spreads throughout the world and gives birth to shapes innumerable in the infinite sky.
It is this sorrow of separation that gazes in silence all nights from star to star and becomes lyric among rustling leaves in rainy darkness of July.
It is this overspreading pain that deepens into loves and desires, into sufferings and joy in human homes; and this it is that ever melts and flows in songs through my poet's heart.
85.
When the warriors came out first from their master's hall, where had they hid their power? Where were their armour and their arms?
They looked poor and helpless, and the arrows were showered upon them on the day they came out from their master's hall.
When the warriors marched back again to their master's hall where did they hide their power?
They had dropped the sword and dropped the bow and the arrow; peace was on their foreheads, and they had left the fruits of their life behind them on the day they marched back again to their master's hall.
86.
Death, thy servant, is at my door. He has crossed the unknown sea and brought thy call to my home.
The night is dark and my heart is fearful - yet I will take up the lamp, open my gates and bow to him my welcome. It is thy messenger who stands at my door.
I will worship him placing at his feet the treasure of my heart.
He will go back with his errand done, leaving a dark shadow on my morning; and in my desolate home only my forlorn self will remain as my last offering to thee.
87.
In desperate hope I go and search for her in all the corners of my room; I find her not.
My house is small and what once has gone from it can never be regained.
But infinite is thy mansion, my lord, and seeking her I have to come to thy door.
I stand under the golden canopy of thine evening sky and I lift my eager eyes to thy face.
I have come to the brink of eternity from which nothing can vanish - no hope, no happiness, no vision of a face seen through tears.
Oh, dip my emptied life into that ocean, plunge it into the deepest fullness. Let me for once feel that lost sweet touch in the allness of the universe.
88.
Deity of the ruined temple! The broken strings of Vina sing no more your praise. The bells in the evening proclaim not your time of worship. The air is still and silent about you.
In your desolate dwelling comes the vagrant spring breeze. It brings the tidings of flowers - the flowers that for your worship are offered no more.
Your worshipper of old wanders ever longing for favour still refused. In the eventide, when fires and shadows mingle with the gloom of dust, he wearily comes back to the ruined temple with hunger in his heart.
Many a festival day comes to you in silence, deity of the ruined temple. Many a night of worship goes away with lamp unlit.
Many new images are built by masters of cunning art and carried to the holy stream of oblivion when their time is come.
Only the deity of the ruined temple remains unworshipped in deatess neglect.
89.
No more noisy, loud words from me - such is my master's will. Henceforth I deal in whispers. The speech of my heart will be carried on in murmurings of a song.
Men hasten to the King's market. All the buyers and sellers are there. But I have my untimely leave in the middle of the day, in the thick of work.
Let then the flowers come out in my garden, though it is not their time; and let the midday bees strike up their lazy hum.
Full many an hour have I spent in the strife of the good and the evil, but now it is the pleasure of my playmate of the empty days to draw my heart on to him; and I know not why is this sudden call to what useless inconsequence!
90.
On the day when death will knock at thy door what wilt thou offer to him?
Oh, I will set before my guest the full vessel of my life - I will never let him go with empty hands.
All the sweet vintage of all my autumn days and summer nights, all the earnings and gleanings of my busy life will I place before him at the close of my days when death will knock at my door.
91.
O thou the last fulfilment of life, Death, my death, come and whisper to me!
Day after day I have kept watch for thee; for thee have I borne the joys and pangs of life.
All that I am, that I have, that I hope and all my love have ever flowed towards thee in depth of secrecy. One final glance from thine eyes and my life will be ever thine own.
The flowers have been woven and the garland is ready for the bridegroom. After the wedding the bride shall leave her home and meet her lord alone in the solitude of night.
92.
I know that the day will come when my sight of this earth shall be lost, and life will take its leave in silence, drawing the last curtain over my eyes.
Yet stars will watch at night, and morning rise as before, and hours heave like sea waves casting up pleasures and pains.
When I think of this end of my moments, the barrier of the moments breaks and I see by the light of death thy world with its careless treasures. Rare is its lowliest seat, rare is its meanest of lives.
Things that I longed for in vain and things that I got - let them pass. Let me but truly possess the things that I ever spurned and overlooked.
93.
I have got my leave. Bid me farewell, my brothers! I bow to you all and take my departure.
Here I give back the keys of my door - and I give up all claims to my house. I only ask for last kind words from you.
We were neighbours for long, but I received more than I could give. Now the day has dawned and the lamp that lit my dark corner is out. A summons has come and I am ready for my journey.
94.
At this time of my parting, wish me good luck, my friends! The sky is flushed with the dawn and my path lies beautiful.
Ask not what I have with me to take there. I start on my journey with empty hands and expectant heart.
I shall put on my wedding garland. Mine is not the red-brown dress of the traveller, and though there are dangers on the way I have no fear in mind.
The evening star will come out when my voyage is done and the plaintive notes of the twilight melodies be struck up from the King's gateway.
95.
I was not aware of the moment when I first crossed the threshold of this life.
What was the power that made me open out into this vast mystery like a bud in the forest at midnight!
When in the morning I looked upon the light I felt in a moment that I was no stranger in this world, that the inscrutable without name and form had taken me in its arms in the form of my own mother.
Even so, in death the same unknown will appear as ever known to me. And because I love this life, I know I shall love death as well.
The child cries out when from the right breast the mother takes it away, in the very next moment to find in the left one its consolation.
96.
When I go from hence let this be my parting word, that what I have seen is unsurpassable.
I have tasted of the hidden honey of this lotus that expands on the ocean of light, and thus am I blessed - let this be my parting word.
In this playhouse of infinite forms I have had my play and here have I caught sight of him that is formless.
My whole body and my limbs have thrilled with his touch who is beyond touch; and if the end comes here, let it come - let this be my parting word.
97.
When my play was with thee I never questioned who thou wert. I knew nor shyness nor fear, my life was boisterous.
In the early morning thou wouldst call me from my sleep like my own comrade and lead me running from glade to glade.
On those days I never cared to know the meaning of songs thou sangest to me. Only my voice took up the tunes, and my heart danced in their cadence.
Now, when the playtime is over, what is this sudden sight that is come upon me? The world with eyes bent upon thy feet stands in awe with all its silent stars.
98.
I will deck thee with trophies, garlands of my defeat. It is never in my power to escape unconquered.
I surely know my pride will go to the wall, my life will burst its bonds in exceeding pain, and my empty heart will sob out in music like a hollow reed, and the stone will melt in tears.
I surely know the hundred petals of a lotus will not remain closed for ever and the secret recess of its honey will be bared.
From the blue sky an eye shall gaze upon me and summon me in silence. Nothing will be left for me, nothing whatever, and utter death shall I receive at thy feet.
99.
When I give up the helm I know that the time has come for thee to take it. What there is to do will be instantly done. Vain is this struggle.
Then take away your hands and silently put up with your defeat, my heart, and think it your good fortune to sit perfectly still where you are placed.
These my lamps are blown out at every little puff of wind, and trying to light them I forget all else again and again.
But I shall be wise this time and wait in the dark, spreading my mat on the floor; and whenever it is thy pleasure, my lord, come silently and take thy seat here.
100.
I dive down into the depth of the ocean of forms, hoping to gain the perfect pearl of the formless.
No more sailing from harbour to harbour with this my weather-beaten boat. The days are long passed when my sport was to be tossed on waves.
And now I am eager to die into the deatess.
Into the audience hall by the fathomless abyss where swells up the music of toneless strings I shall take this harp of my life.
I shall tune it to the notes of forever, and when it has sobbed out its last utterance, lay down my silent harp at the feet of the silent.
101.
Ever in my life have I sought thee with my songs. It was they who led me from door to door, and with them have I felt about me, searching and touching my world.
It was my songs that taught me all the lessons I ever learnt; they showed me secret paths, they brought before my sight many a star on the horizon of my heart.
They guided me all the day long to the mysteries of the country of pleasure and pain, and, at last, to what palace gate have the brought me in the evening at the end of my journey?
102.
I boasted among men that I had known you. They see your pictures in all works of mine. They come and ask me, 'Who is he?' I know not how to answer them. I say, 'Indeed, I cannot tell.' They blame me and they go away in scorn. And you sit there smiling.
I put my tales of you into lasting songs. The secret gushes out from my heart. They come and ask me, 'Tell me all your meanings.' I know not how to answer them. I say, 'Ah, who knows what they mean!' They smile and go away in utter scorn. And you sit there smiling.
103.
In one salutation to thee, my God, let all my senses spread out and touch this world at thy feet.
Like a rain-cloud of July hung low with its burden of unshed showers let all my mind bend down at thy door in one salutation to thee.
Let all my songs gather together their diverse strains into a single current and flow to a sea of silence in one salutation to thee.
Like a flock of homesick cranes flying night and day back to their mountain nests let all my life take its voyage to its eternal home in one salutation to thee.
In the introduction to Gitanjali, W.B Yeats says of Tagores poetry.
At every moment the heart of this poet flows outward to these without derogation or condescension, for it has known that they will understand; and it has filled itself with the circumstance of their lives.
An innocence, a simplicity that one does not find elsewhere in literature makes the birds and the leaves seem as near to him as they are near to children, and the changes of the seasons great events as before our thoughts had arisen between them and us.
~ Rabindranath Tagore, Gitanjali
,#NFDB
421:Ashtaroth: A Dramatic Lyric
Dramatis Personae
HUGO, a Norman Baron and a Scholar.
ERIC, a friend of Hugo's.
THURSTON, |
EUSTACE, |
RALPH, | Followers of Hugo.
HENRY, a Page.
LUKE, |
HUBERT, | Monks living in a Norman Chapel.
BASIL, Abbot of a Convent on the Rhine.
CYRIL, a Monk of the same Convent.
OSRIC, a Norwegian Adventurer, and formerly a Corsair.
RUDOLPH, an Outlawed Count, and the Captain of a Band of Robbers.
DAGOBERT, the Captain of some predatory Soldiers called "Free Lances".
HAROLD, a Danish Knight.
ORION.
THORA,
AGATHA,
ELSPETH, a Nurse of Thora's,
URSULA, Abbess of the Convent on the Rhine, |
NUNS, etc.
| Women.
Men-at-arms, Soldiers, and Robbers; Monks, Friars, and Churchmen, Spirits,
etc.
SCENE — A Castle in Normandy.
A Study in a Tower; HUGO seated at a table covered with maps and charts
of the heavens, astronomical instruments, books, manuscripts,
Enter HENRY, a Page.
Hugo:
Well, boy, what is it?
27
Henry: The feast is spread.
Hugo:
Why tarry the guests for me?
Let Eric sit at the table's head;
Alone I desire to be. [Henry goes out.]
What share have I at their festive board?
Their mirth I can only mar;
To me no pleasure their cups afford,
Their songs on my silence jar.
With an aching eye and a throbbing brain,
And yet with a hopeful heart,
I must toil and strain with the planets again
When the rays of the sun depart;
He who must needs with the topers tope,
And the feasters feast in the hall,
How can he hope with a matter to cope
That is immaterial?
Orion:
He who his appetite stints and curbs,
Shut up in the northern wing,
With his rye-bread flavoured with bitter herbs,
And his draught from the tasteless spring,
Good sooth, he is but a sorry clown.
There are some good things upon earth —
Pleasure and power and fair renown,
And wisdom of worldly worth!
There is wisdom in follies that charm the sense,
In follies that light the eyes,
But the folly to wisdom that makes pretence
Is alone by the fool termed wise.
Hugo:
Thy speech, Orion, is somewhat rude;
Perchance, having jeer'd and scoff'd
To thy fill, thou wilt curb thy jeering mood;
I wot thou hast served me oft.
This plan of the skies seems fairly traced;
What errors canst thou detect?
28
Orion:
Nay, the constellations are misplaced,
And the satellites incorrect;
Leave the plan to me; you have time to seek
An hour of needful rest,
The night is young and the planets are weak;
See, the sun still reddens the west.
Hugo:
I fear I shall sleep too long.
Orion: If you do
It matters not much; the sky
Is cloudy, the stars will be faint and few;
Now, list to my lullaby.
[Hugo reclines on a couch.]
(Sings.)
Still the darkling skies are red,
Though the day-god's course is run;
Heavenly night-lamps overhead
Flash and twinkle one by one.
Idle dreamer — earth-born elf!
Vainly grasping heavenly things,
Wherefore weariest thou thyself
With thy vain imaginings?
From the tree of knowledge first,
Since his parents pluck'd the fruit,
Man, with partial knowledge curs'd,
Of the tree still seeks the root;
Musty volumes crowd thy shelf —
Which of these true knowledge brings?
Wherefore weariest thou thyself
With thy vain imaginings?
Will the stars from heaven descend?
Can the earth-worm soar and rise?
Can the mortal comprehend
Heaven's own hallow'd mysteries?
Greed and glory, power and pelf —
These are won by clowns and kings;
Wherefore weariest thou thyself
29
With thy vain imaginings?
Sow and reap, and toil and spin;
Eat and drink, and dream and die;
Man may strive, yet never win,
And I laugh the while and cry —
Idle dreamer, earth-born elf!
Vainly grasping heavenly things,
Wherefore weariest thou thyself
With thy vain imaginings?
He sleeps, and his sleep appears serene,
Whatever dreams it has brought him —
[Looks at the plans.]
If he knows what those hieroglyphics mean,
He's wiser than one who taught him.
Why does he number the Pole-star thus?
Or the Pleiades why combine?
And what is he doing with Sirius,
In the devil's name or in mine?
Man thinks, discarding the beaten track,
That the sins of his youth are slain,
When he seeks fresh sins, but he soon comes back
To his old pet sins again.
SCENE — The Same.
HUGO waking, ORION seated near him. Daybreak.
Hugo:
Oh, weary spirit! oh, cloudy eyes!
Oh, heavy and misty brain!
Yon riddle that lies 'twixt earth and skies,
Ye seek to explore in vain!
See, the east is grey; put those scrolls away,
And hide them far from my sight;
I will toil and study no more by day,
I will watch no longer by night;
I have labour'd and long'd, and now I seem
No nearer the mystic goal;
30
Orion, I fain would devise some scheme
To quiet this restless soul;
To distant climes I would fain depart —
I would travel by sea or land.
Orion:
Nay, I warn'd you of this, "Short life, long art",
The proverb, though stale, will stand;
Full many a sage from youth to age
Has toil'd to obtain what you
Would master at once. In a pilgrimage,
Forsooth, there is nothing new;
Though virtue, I ween, in change of scene,
And vigour in change of air,
Will always be, and has always been,
And travel is a tonic rare.
Still, the restless, discontented mood
For the time alone is eased;
It will soon return with hunger renew'd,
And appetite unappeased.
Nathless I could teach a shorter plan
To win that wisdom you crave,
That lore that is seldom attain'd by man
From the cradle down to the grave.
Hugo:
Such lore I had rather do without,
It hath nothing mystic nor awful
In my eye. Nay, I despise and doubt
The arts that are term'd unlawful;
'Twixt science and magic the line lies plain,
I shall never wittingly pass it;
There is now no compact between us twain.
Orion: But an understanding tacit.
You have prospered much since the day we met;
You were then a landless knight;
You now have honour and wealth, and yet
I never can serve you right.
Hugo:
Enough; we will start this very day,
31
Thurston, Eric, and I,
And the baffled visions will pass away,
And the restless fires will die.
Orion:
Till the fuel expires that feeds those fires
They smoulder and live unspent;
Give a mortal all that his heart desires,
He is less than ever content.
SCENE — A Cliff on the Breton Coast, Overhanging the Sea.
HUGO.
Hugo:
Down drops the red sun; through the gloaming
They burst — raging waves of the sea,
Foaming out their own shame — ever foaming
Their leprosy up with fierce glee;
Flung back from the stone, snowy fountains
Of feathery flakes, scarcely flag
Where, shock after shock, the green mountains
Explode on the iron-grey crag.
The salt spray with ceaseless commotion
Leaps round me. I sit on the verge
Of the cliff — 'twixt the earth and the ocean —
With feet overhanging the surge.
In thy grandeur, oh, sea! we acknowledge,
In thy fairness, oh, earth! we confess,
Hidden truths that are taught in no college,
Hidden songs that no parchments express.
Were they wise in their own generations,
Those sages and sagas of old?
They have pass'd; o'er their names and their nations
Time's billows have silently roll'd;
They have pass'd, leaving little to their children,
Save histories of a truth far from strict;
Or theories more vague and bewildering,
32
Since three out of four contradict.
Lost labour! vain bookworms have sat in
The halls of dull pedants who teach
Strange tongues, the dead lore of the Latin,
The scroll that is god-like and Greek:
Have wasted life's springtide in learning
Things long ago learnt all in vain;
They are slow, very slow, in discerning
That book lore and wisdom are twain.
Pale shades of a creed that was mythic,
By time or by truth overcome,
Your Delphian temples and Pythic
Are ruins deserted and dumb;
Your Muses are hush'd, and your Graces
Are bruised and defaced; and your gods,
Enshrin'd and enthron'd in high places
No longer, are powerless as clods;
By forest and streamlet, where glisten'd
Fair feet of the Naiads that skimm'd
The shallows; where the Oreads listen'd,
Rose-lipp'd, amber-hair'd, marble-limb'd,
No lithe forms disport in the river,
No sweet faces peer through the boughs,
Elms and beeches wave silent for ever,
Ever silent the bright water flows.
(Were they duller or wiser than we are,
Those heathens of old? Who shall say?
Worse or better? Thy wisdom, O "Thea
Glaucopis", was wise in thy day;
And the false gods alluring to evil,
That sway'd reckless votaries then,
Were slain to no purpose; they revel
Re-crowned in the hearts of us men.)
Dead priests of Osiris and Isis,
And Apis! that mystical lore,
Like a nightmare, conceived in a crisis
Of fever, is studied no more;
33
Dead Magian! yon star-troop that spangles
The arch of yon firmament vast
Looks calm, like a host of white angels,
On dry dust of votaries past.
On seas unexplored can the ship shun
Sunk rocks? Can man fathom life's links,
Past or future, unsolved by Egyptian
Or Theban, unspoken by Sphinx?
The riddle remains still unravell'd
By students consuming night oil.
Oh, earth! we have toil'd, we have travail'd,
How long shall we travail and toil?
How long? The short life that fools reckon
So sweet, by how much is it higher
Than brute life? — the false gods still beckon,
And man, through the dust and the mire,
Toils onward, as toils the dull bullock,
Unreasoning, brutish, and blind,
With Ashtaroth, Mammon, and Moloch
In front, and Alecto behind.
The wise one of earth, the Chaldean,
Serves folly in wisdom's disguise;
And the sensual Epicurean,
Though grosser, is hardly less wise;
'Twixt the former, half pedant, half pagan,
And the latter, half sow and half sloth,
We halt, choose Astarte or Dagon,
Or sacrifice freely to both.
With our reason that seeks to disparage,
Brute instinct it fails to subdue;
With our false illegitimate courage,
Our sophistry, vain and untrue;
Our hopes that ascend so and fall so,
Our passions, fierce hates and hot loves,
We are wise (aye, the snake is wise also) —
Wise as serpents, NOT harmless as doves.
Some flashes, like faint sparks from heaven,
34
Come rarely with rushing of wings;
We are conscious at times we have striven,
Though seldom, to grasp better things;
These pass, leaving hearts that have falter'd,
Good angels with faces estranged,
And the skin of the Ethiop unalter'd,
And the spots of the leopard unchanged.
Oh, earth! pleasant earth! have we hanker'd
To gather thy flowers and thy fruits?
The roses are wither'd, and canker'd
The lilies, and barren the roots
Of the fig-tree, the vine, the wild olive,
Sharp thorns and sad thistles that yield
Fierce harvest — so WE live, and SO live
The perishing beasts of the field.
And withal we are conscious of evil
And good — of the spirit and the clod,
Of the power in our hearts of a devil,
Of the power in our souls of a God,
Whose commandments are graven in no cypher,
But clear as His sun — from our youth
One at least we have cherished — "An eye for
An eye, and a tooth for a tooth."
Oh, man! of thy Maker the image;
To passion, to pride, or to wealth,
Sworn bondsman, from dull youth to dim age,
Thy portion the fire or the filth,
Dross seeking, dead pleasure's death rattle
Thy memories' happiest song,
And thy highest hope — scarce a drawn battle
With dark desperation. How long?
Roar louder! leap higher! ye surf-beds,
And sprinkle your foam on the furze;
Bring the dreams that brought sleep to our turf-beds,
To camps of our long ago years,
With the flashing and sparkling of broadswords,
35
With the tossing of banners and spears,
With the trampling of hard hoofs on hard swards,
With the mingling of trumpets and cheers.
The gale has gone down; yet outlasting
The gale, raging waves of the sea,
Casting up their own foam, ever casting
Their leprosy up with wild glee,
Still storm; so in rashness and rudeness
Man storms through the days of his grace;
Yet man cannot fathom God's goodness,
Exceeding God's infinite space.
And coldly and calmly and purely
Grey rock and green hillock lie white
In star-shine dream-laden — so surely
Night cometh — so cometh the night
When we, too, at peace with our neighbour,
May sleep where God's hillocks are piled,
Thanking HIM for a rest from day's labour,
And a sleep like the sleep of a child!
SCENE — The Castle in Normandy.
THORA working at embroidery, ELSPETH spinning.
Thora (sings):
We severed in autumn early,
Ere the earth was torn by the plough;
The wheat and the oats and the barley
Are ripe for the harvest now.
We sunder'd one misty morning,
Ere the hills were dimm'd by the rain,
Through the flowers those hills adorning —
Thou comest not back again.
My heart is heavy and weary
With the weight of a weary soul;
36
The mid-day glare grows dreary,
And dreary the midnight scroll.
The corn-stalks sigh for the sickle,
'Neath the load of the golden grain;
I sigh for a mate more fickle —
Thou comest not back again.
The warm sun riseth and setteth,
The night bringeth moistening dew,
But the soul that longeth forgetteth
The warmth and the moisture too;
In the hot sun rising and setting
There is naught save feverish pain;
There are tears in the night-dews wetting —
Thou comest not back again.
Thy voice in mine ear still mingles
With the voices of whisp'ring trees;
Thy kiss on my cheek still tingles
At each kiss of the summer breeze;
While dreams of the past are thronging
For substance of shades in vain,
I am waiting, watching, and longing —
Thou comest not back again.
Waiting and watching ever,
Longing and lingering yet,
Leaves rustle and corn-stalks quiver,
Winds murmur and waters fret;
No answer they bring, no greeting,
No speech save that sad refrain,
Nor voice, save an echo repeating —
He cometh not back again.
Elspeth:
Thine eldest sister is wedded to Max;
With Biorn, Hilda hath cast her lot.
If the husbands vanish'd, and left no tracks,
Would the wives have cause for sorrow, I wot?
Thora:
How well I remember that dreary ride;
37
How I sigh'd for the lands of ice and snow,
In the trackless wastes of the desert wide,
With the sun o'erhead and the sand below;
'Neath the scanty shades of the feathery palms,
How I sigh'd for the forest of sheltering firs,
Whose shadows environ'd the Danish farms,
Where I sang and sported in childish years.
On the fourteenth day of our pilgrimage
We stayed at the foot of a sandhill high;
Our fever'd thirst we could scarce assuage
At the brackish well that was nearly dry,
And the hot sun rose, and the hot sun set,
And we rode all the day through a desert land,
And we camp'd where the lake and the river met,
On sedge and shingle and shining sand:
Enfolded in Hugo's cloak I slept,
Or watch'd the stars while I lay awake;
And close to our feet the staghound crept,
And the horses were grazing beside the lake;
Now we own castles and serving men,
Lands and revenues. What of that?
Hugo the Norman was kinder then,
And happier was Thora of Armorat.
Elspeth:
Nay, I warn'd thee, with Norman sails unfurl'd
Above our heads, when we wished thee joy,
That men are the same all over the world,
They will worship only the newest toy;
Yet Hugo is kind and constant too,
Though somewhat given to studies of late;
Biorn is sottish, and Max untrue,
And worse than thine is thy sisters' fate.
But a shadow darkens the chamber door.
Enter THURSTON.
Thurston:
'Tis I, Lady Thora; our lord is near.
My horse being fresher, I rode before;
Both he and Eric will soon be here.
38
Thora:
Good Thurston, give me your hand. You are
Most welcome. What has delayed you thus?
Thurston:
Both by sea and land we have travell'd far,
Yet little of note has happened to us —
We were wreck'd on the shores of Brittany,
Near the coast of Morbihan iron-bound;
The rocks were steep and the surf ran high,
Thy kinsman, Eric, was well-nigh drown'd.
By a swarm of knaves we were next beset,
Who took us for corsairs; then released
By a Breton count, whose name I forget.
Now I go, by your leave, to tend my beast.
[He goes out.]
Elspeth:
That man is rude and froward of speech:
My ears are good, though my sight grows dim.
Thora:
Thurston is faithful. Thou canst not teach
Courtly nor servile manners to him.
SCENE — The Castle Hall.
THURSTON, RALPH, EUSTACE, and other followers of HUGO,
seated at a long table. HAROLD seated apart.
Thurston:
Who is that stranger, dark and tall,
On the wooden settle next to the wall —
Mountebank, pilgrim, or wandering bard?
Eustace:
To define his calling is somewhat hard;
Lady Thora has taken him by the hand
Because he has come from the Holy Land.
39
Pilgrims and palmers are all the rage
With her, since she shared in that pilgrimage
With Hugo. The stranger came yesterday,
And would have gone on, but she bade him stay.
Besides, he sings in the Danish tongue
The songs she has heard in her childhood sung.
That's all I know of him, good or bad;
In my own opinion he's somewhat mad.
You must raise your voice if you speak with him,
And he answers as though his senses were dim.
Thurston (to Harold):
Good-morrow, sir stranger.
Harold: Good-morrow, friend.
Thurston:
Where do you come from? and whither wend?
Harold:
I have travelled of late with the setting sun
At my back; and as soon as my task is done
I purpose to turn my face to the north —
Yet we know not what a day may bring forth.
Thurston:
Indeed we don't.
(To Eustace, aside): Nay, I know him now
By that ugly scar that crosses his brow;
And the less we say to him the better.
Your judgment is right to the very letter —
The man is mad.
Eustace: But harmless, I think;
He eats but little, eschews strong drink,
And only speaks when spoken to first.
Thurston:
Harmless or not, he was once the worst
And bitterest foe Lord Hugo had;
And yet his story is somewhat sad.
40
Eustace:
May I hear it?
Thurston: Nay, I never reveal
What concerns me not. Our lord may conceal
Or divulge at pleasure his own affairs, —
Not even his comrade Eric shares
His secrets; though Eric thinks him wise,
Which is more than I do, for I despise
That foolish science he learnt in Rome.
He dreams and mopes when he sits at home,
And now he's not much better abroad;
'Tis hard to follow so tame a lord.
'Twixt us two, he won't be worth a rush
If he will persist in his studies ——
Eustace: Hush!
Ralph has persuaded our guest to sing.
Thurston:
I have known the day when his voice would ring
Till the rafters echoed.
Eustace: 'Tis pleasant still,
Though far too feeble this hall to fill.
Harold (sings):
On the current, where the wide
Windings of the river
Eddy to the North Sea tide,
Shall I in my shallop glide,
As I have done at her side?
Never! never! never!
In the forest, where the firs,
Pines, and larches quiver
To the northern breeze that stirs,
Shall my lips be press'd to hers,
As they were in by-gone years?
Never! never! never!
41
In the battle on the plain,
Where the lance-shafts shiver,
And the sword-strokes fall like rain,
Shall I bear her scarf again
As I have done — not in vain?
Never! never! never!
In a fairer, brighter land,
Where the saints rest ever,
Shall I once more see her stand,
White, amidst a white-robed band,
Harp and palm-branch in her hand?
Never! never! never!
SCENE — The Same.
EUSTACE, THURSTON, and followers of HUGO. HAROLD.
Enter, by the hall door, HUGO, ERIC, and THORA.
Eustace (and others standing up):
Welcome, Lord Hugo!
Hugo: Welcome or not,
Thanks for your greeting all.
Ha, Eustace! what complaints hast thou got?
What grievances to recall?
Eustace:
Count William came with a numerous band,
Ere the snows began to fall,
And slew a buck on your lordship's land,
Within a league of the wall.
Hugo:
Count William has done to us no more
Than we to him. In his vineyard
Last summer, or later, maybe, a boar
Was slaughter'd by Thurston's whinyard.
42
Thurston:
Aye, Hugo! But William kept the buck,
I will wager marks a score,
Though the tale is new to me; and, worse luck,
You made me give back the boar.
Harold (advancing):
Lord Hugo!
Hugo: What! Art thou living yet?
I scarcely knew thee, Sir Dane!
And 'tis not so very long since we met.
Harold:
'Twill be long ere we meet again. (gives a letter)
This letter was traced by one now dead
In the Holy Land; and I
Must wait till his dying request is read,
And in his name ask the reply.
Thora (aside):
Who is that stranger, Hugo?
Hugo: By birth
He is a countryman of thine,
Thora. What writing is this on earth?
I can scarce decipher a line.
Harold:
The pen in the clutch of death works ill.
Hugo:
Nay, I read now; the letters run
More clearly.
Harold: Wilt grant the request?
Hugo: I will.
Harold:
Enough! Then my task is done. (He holds out his hand.)
Hugo, I go to a far-off land,
43
Wilt thou say, "God speed thee!" now?
Hugo:
Sir Harold, I cannot take thy hand,
Because of my ancient vow.
Harold:
Farewell, then.
Thora: Friend, till the morning wait.
On so wild a night as this
Thou shalt not go from my husband's gate;
The path thou wilt surely miss.
Harold:
I go. Kind lady, some future day
Thy care will requited be.
Thora:
Speak, Hugo, speak.
Hugo: He may go or stay,
It matters little to me.
[Harold goes out.]
Thora:
Husband, that man is ill and weak;
On foot he goes and alone
Through a barren moor in a night-storm bleak.
Eric:
Now I wonder where he has gone!
Hugo:
Indeed, I have not the least idea;
The man is certainly mad.
He wedded my sister, Dorothea,
And used her cruelly bad.
He was once my firmest and surest friend,
And once my deadliest foe;
But hate and friendship both find their end —
Now I heed not where he may go.
44
SCENE — A Chamber in the Castle.
HUGO, THORA, and ERIC.
Hugo:
That letter that came from Palestine,
By the hands of yon wandering Dane,
Will cost me a pilgrimage to the Rhine.
Thora:
Wilt thou travel so soon again?
Hugo:
I can scarce refuse the dying request
Of my comrade, Baldwin, now;
His bones are dust. May his soul find rest
He once made a foolish vow,
That at Englemehr, 'neath the watchful care
Of the Abbess, his child should stay,
For a season at least. To escort her there
I must start at the break of day.
Thora:
Is it Agatha that goes, or Clare?
Hugo:
Nay, Clare is dwelling in Spain
With her spouse.
Thora: 'Tis Agatha. She is fair,
I am told; but giddy and vain.
Eric:
Some musty tales on my memory grow
Concerning Count Baldwin's vow;
Thou knew'st his daughter?
Hugo: Aye, years ago.
I should scarcely know her now.
45
It seems, when her father's vow was made,
She was taken sorely ill;
Then he travell'd, and on his return was stay'd;
He could never his oath fulfil.
Eric:
If rightly I've heard, 'twas Agatha
That fled with some Danish knight —
I forget the name.
Hugo: Nay, she fled not far;
She returned again that night.
Thora:
For a nun, I fear, she is too self-willed.
Hugo:
That is no affair of mine.
My task is over, my word fulfilled,
Should I bring her safe to the Rhine.
Come, Thora, sing.
Thora: Nay, I cannot sing,
Nor would I now if I could.
Sing thou.
Hugo: I will, though my voice should bring
No sound save a discord rude.
(Sings.)
Where the storm in its wrath hath lighted,
The pine lies low in the dust;
And the corn is withered and blighted,
Where the fields are red with the rust;
Falls the black frost, nipping and killing,
Where its petals the violet rears,
And the wind, though tempered, is chilling
To the lamb despoiled by the shears.
The strong in their strength are shaken,
The wise in their wisdom fall;
And the bloom of beauty is taken —
Strength, wisdom, beauty, and all,
46
They vanish, their lot fulfilling,
Their doom approaches and nears,
But the wind, though tempered, is chilling
To the lamb despoiled by the shears.
'Tis the will of a Great Creator,
He is wise, His will must be done,
And it cometh sooner or later;
And one shall be taken, and one
Shall be left here, toiling and tilling,
In this vale of sorrows and tears,
Where the wind, though tempered, is chilling
To the lamb despoiled by the shears.
Tell me, mine own one, tell me,
The shadows of life and the fears
Shall neither daunt me nor quell me,
While I can avert thy tears:
Dost thou shrink, as I shrink, unwilling
To realise lonely years?
Since the wind, though tempered, is chilling
To the lamb despoiled by the shears.
Enter HENRY.
Henry:
My lord, Father Luke craves audience straight,
He has come on foot from the chapel;
Some stranger perished beside his gate
When the dawn began to dapple.
SCENE — A Chapel Not Very Far from Hugo's Castle.
HUGO, ERIC, and two Monks (LUKE and HUBERT). The dead body of HAROLD.
Luke:
When the dawn was breaking,
Came a faint sound, waking
Hubert and myself; we hurried to the door,
Found the stranger lying
47
At the threshold, dying.
Somewhere have I seen a face like his before.
Hugo:
Harold he is hight.
Only yester-night
From our gates he wander'd, in the driving hail;
Well his face I know,
Both as friend and foe;
Of my followers only Thurston knows his tale.
Luke:
Few the words he said,
Faint the signs he made,
Twice or thrice he groaned; quoth Hubert, "Thou hast sinn'd.
This is retribution,
Seek for absolution;
Answer me — then cast thy sorrows to the wind.
Do their voices reach thee,
Friends who failed to teach thee,
In thine earlier days, to sunder right from wrong?
Charges 'gainst thee cited,
Cares all unrequited,
Counsels spurned and slighted — do they press and throng?"
But he shook his head.
"'Tis not so," he said;
"They will scarce reproach me who reproached of yore.
If their counsels good,
Rashly I withstood;
Having suffered longer, I have suffered more."
"Do their curses stun thee?
Foes who failed to shun thee,
Stricken by rash vengeance, in some wild career,
As the barbed arrow
Cleaveth bone and marrow,
From those chambers narrow — do they pierce thine ear?"
And he made reply,
Laughing bitterly,
"Did I fear them living — shall I fear them dead?
Blood that I have spilt
Leaveth little guilt;
48
On the hand it resteth, scarcely on the head."
"Is there one whom thou
May'st have wronged ere now,
Since remorse so sorely weigheth down thine heart?
By some saint in heaven,
Sanctified and shriven,
Would'st thou be forgiven ere thy soul depart?"
Not a word he said,
But he bowed his head
Till his temples rested on the chilly sods
And we heard him groan —
"Ah! mine own, mine own!
If I had thy pardon I might ask for God's."
Hubert raised him slowly,
Sunrise, faint and holy,
Lit the dead face, placid as a child's might be.
May the troubled spirit,
Through Christ's saving merit,
Peace and rest inherit. Thus we sent for thee.
Hugo:
God o'erruleth fate.
I had cause for hate;
In this very chapel, years back, proud and strong,
Joined by priestly vows,
He became the spouse
Of my youngest sister, to her bitter wrong.
And he wrought her woe,
Making me his foe;
Not alone unfaithful — brutal, too, was he.
She had scarce been dead
Three months, ere he fled
With Count Baldwin's daughter, then betrothed to me.
Fortune straight forsook him,
Vengeance overtook him;
Heavy crimes will bring down heavy punishment.
All his strength was shatter'd,
Even his wits were scatter'd,
Half-deranged, half-crippled, wandering he went.
We are unforgiving
49
While our foes are living;
Yet his retribution weigh'd so heavily
That I feel remorse,
Gazing on his corpse,
For my rudeness when he left our gates to die.
And his grave shall be
'Neath the chestnut tree,
Where he met my sister many years ago;
Leave that tress of hair
On his bosom there —
Wrap the cerecloth round him! Eric, let us go.
SCENE — A Room in the Castle.
HUGO and ERIC. Early morning.
Hugo:
The morn is fair, the weary miles
Will shorten 'neath the summer's wiles;
Pomona in the orchard smiles,
And in the meadow, Flora!
And I have roused a chosen band
For escort through the troubled land;
And shaken Elspeth by the hand,
And said farewell to Thora.
Comrade and kinsman — for thou art
Comrade and kin to me — we part
Ere nightfall, if at once we start,
We gain the dead Count's castle.
The roads are fair, the days are fine,
Ere long I hope to reach the Rhine.
Forsooth, no friend to me or mine
Is that same Abbot Basil;
I thought he wronged us by his greed.
My father sign'd a foolish deed
For lack of gold in time of need,
And thus our lands went by us;
Yet wrong on our side may have been:
As far as my will goes, I ween,
'Tis past, the grudge that lay between
50
Us twain. Men call him pious —
And I have prosper'd much since then,
And gain'd for one lost acre ten;
And even the ancient house and glen
Rebought with purchase-money.
He, too, is wealthy; he has got
By churchly rights a fertile spot,
A land of corn and wine, I wot,
A land of milk and honey.
Now, Eric, change thy plans and ride
With us; thou hast no ties, no bride.
Eric:
Nay, ties I have, and time and tide,
Thou knowest, wait for no man;
And I go north; God's blessing shuns
The dwellings of forgetful sons,
That proverb he may read who runs,
In Christian lore or Roman.
My good old mother she hath heard,
For twelve long months, from me no word;
At thought of her my heart is stirr'd,
And even mine eyes grow moister.
Greet Ursula from me; her fame
Is known to all. A nobler dame,
Since days of Clovis, ne'er became
The inmate of a cloister.
Our paths diverge, yet we may go
Together for a league or so;
I, too, will join thy band below
When thou thy bugle windest.
[Eric goes out.]
Hugo:
From weaknesses we stand afar,
On us unpleasantly they jar;
And yet the stoutest-hearted are
The gentlest and the kindest.
My mother loved me tenderly;
Alas! her only son was I.
I shudder'd, but my lids were dry,
By death made orphan newly.
51
A braver man than me, I swear,
Who never comprehended fear,
Scarce names his mother, and the tear,
Unbidden, springs unruly.
SCENE — A Road on the Norman Frontiers.
HUGO, AGATHA, ORION, THURSTON, and armed attendants, riding slowly.
Agatha:
Sir Knight, what makes you so grave and glum?
At times I fear you are deaf or dumb,
Or both.
Hugo: And yet, should I speak the truth,
There is little in common 'twixt us, forsooth;
You would think me duller, and still more vain,
If I uttered the thoughts that fill my brain;
Since the matters with which my mind is laden
Would scarcely serve to amuse a maiden.
Agatha:
I am so foolish and you are so wise,
'Tis the meaning your words so ill disguise.
Alas! my prospects are sad enough:
I had rather listen to speeches rough
Than muse and meditate silently
On the coming loss of my liberty.
Sad hope to me can my future bring,
Yet, while I may, I would prattle and sing,
Though it only were to try and assuage
The dreariness of my pilgrimage.
Hugo:
Prattle and sing to your heart's content,
And none will offer impediment.
Agatha (sings):
We were playmates in childhood, my sister and I,
Whose playtime with childhood is done;
52
Through thickets where briar and bramble grew high,
Barefooted I've oft seen her run.
I've known her, when mists on the moorland hung white,
Bareheaded past nightfall remain;
She has followed a landless and penniless knight
Through battles and sieges in Spain.
But I pulled the flower, and shrank from the thorn,
Sought the sunshine, and fled from the mist;
My sister was born to face hardship with scorn —
I was born to be fondled and kiss'd.
Hugo (aside):
She has a sweet voice.
Orion: And a sweet face, too —
Be candid for once, and give her her due.
Agatha:
Your face grows longer, and still more long,
Sir Scholar! how did you like my song?
Hugo:
I thought it rather a silly one.
Agatha:
You are far from a pleasant companion.
SCENE — An Apartment in a Wayside Inn.
HUGO and AGATHA. Evening.
Hugo:
I will leave you now — we have talked enough,
And for one so tenderly reared and nursed
This journey is wearisome, perhaps, and rough.
Agatha: Will you not finish your story first?
53
Hugo:
I repent me that I began it now,
'Tis a dismal tale for a maiden's ears;
Your cheek is pale already, your brow
Is sad, and your eyes are moist with tears.
Agatha:
It may be thus, I am lightly vexed,
But the tears will lightly come and go;
I can cry one moment and laugh the next,
Yet I have seen terrors, as well you know.
I remember that flight through moss and fern,
The moonlit shadows, the hoofs that rolled
In fierce pursuit, and the ending stern,
And the hawk that left his prey on the wold.
Hugo:
I have sorrowed since that I left you there:
Your friends were close behind on the heath,
Though not so close as I thought they were.
(Aside.) Now I will not tell her of Harold's death.
Agatha:
'Tis true, I was justly punished, and men,
As a rule, of pity have little share;
Had I died you had cared but little then.
Hugo: But little then, yet now I should care
More than you think for. Now, good-night.
Tears still? Ere I leave you, child, alone,
Must I dry your cheeks?
Agatha: Nay, I am not quite
Such a child but what I can dry my own.
[Hugo goes out. Agatha retires.]
Orion (singing outside the window of Agatha's chamber):
'Neath the stems with blossoms laden,
'Neath the tendrils curling,
I, thy servant, sing, oh, maiden!
I, thy slave, oh, darling!
54
Lo! the shaft that slew the red deer,
At the elk may fly too.
Spare them not! The dead are dead, dear,
Let the living die too.
Where the wiles of serpent mingle,
And the looks of dove lie,
Where small hands in strong hands tingle,
Loving eyes meet lovely:
Where the harder natures soften,
And the softer harden —
Certes! such things have been often
Since we left Eve's garden.
Sweeter follies herald sadder
Sins — look not too closely;
Tongue of asp and tooth of adder
Under leaf of rose lie.
Warned, advised in vain, abandon
Warning and advice too,
Let the child lay wilful hand on
Den of cockatrice too.
I, thy servant, or thy master,
One or both — no matter;
If the former — firmer, faster,
Surer still the latter —
Lull thee, soothe thee with my singing,
Bid thee sleep, and ponder
On my lullabies still ringing
Through thy dreamland yonder.
SCENE — A Wooded Rising Ground, Near the Rhine.
HUGO and AGATHA resting under the trees. THURSTON, EUSTACE,
and followers a little apart. ORION. (Noonday.)
The Towers of the Convent in the distance.
Agatha:
I sit on the greensward, and hear the bird sing,
55
'Mid the thickets where scarlet and white blossoms cling;
And beyond the sweet uplands all golden with flower,
It looms in the distance, the grey convent tower.
And the emerald earth and the sapphire-hued sky
Keep telling me ever my spring has gone by;
Ah! spring premature, they are tolling thy knell,
In the wind's soft adieu, in the bird's sweet farewell.
Oh! why is the greensward with garlands so gay,
That I quail at the sight of my prison-house grey?
Oh! why is the bird's note so joyous and clear?
The caged bird must pine in a cage doubly drear.
Hugo:
May the lances of Dagobert harry their house,
If they coax or intimidate thee to take vows;
May the freebooters pillage their shrines, should they dare
Touch with their scissors thy glittering hair.
Our short and sweet journey now draws to an end,
And homeward my sorrowful way I must wend;
Oh, fair one! oh, loved one! I would I were free,
To squander my life in the greenwood with thee.
Orion (aside):
Ho! seeker of knowledge, so grave and so wise,
Touch her soft curl again — look again in her eyes;
Forget for the nonce musty parchments, and learn
How the slow pulse may quicken — the cold blood may burn.
Ho! fair, fickle maiden, so blooming and shy!
The old love is dead, let the old promise die!
Thou dost well, thou dost wise, take the word of Orion,
"A living dog always before a dead lion!"
Thurston:
Ye varlets, I would I knew which of ye burst
Our wine-skin — what, ho! must I perish with thirst!
Go, Henry, thou hast a glib tongue, go and ask
Thy lord to send Ralph to yon inn for a flask.
Henry:
Nay, Thurston, not so; I decline to disturb
56
Our lord for the present; go thou, or else curb
Thy thirst, or drink water, as I do.
Thurston: Thou knave
Of a page, dost thou wish me the colic to have?
Orion (aside):
That clown is a thoroughbred Saxon. He thinks
With pleasure on naught save hard blows and strong drinks;
In hell he will scarce go athirst if once given
An inkling of any good liquors in heaven.
Hugo:
Our Pontiff to manhood at Englemehr grew,
The priests there are many, the nuns are but few.
I love not the Abbot — 'tis needless to tell
My reason; but all of the Abbess speak well.
Agatha:
Through vineyards and cornfields beneath us, the Rhine
Spreads and winds, silver-white, in the merry sunshine;
And the air, overcharged with a subtle perfume,
Grows faint from the essence of manifold bloom.
Hugo:
And the tinkling of bells, and the bleating of sheep,
And the chaunt from the fields, where the labourers reap
The earlier harvest, comes faint on the breeze,
That whispers so faintly in hedgerows and trees.
Orion:
And a waggon wends slow to those turrets and spires,
To feed the fat monks and the corpulent friars;
It carries the corn, and the oil, and the wine,
The honey and milk from the shores of the Rhine.
The oxen are weary and spent with their load,
They pause, but the driver doth recklessly goad;
Up yon steep, flinty rise they have staggered and reeled,
Even devils may pity dumb beasts of the field.
57
Agatha (sings):
Oh! days and years departed,
Vain hopes, vain fears that smarted,
I turn to you sad-hearted —
I turn to you in tears!
Your daily sun shone brightly,
Your happy dreams came nightly,
Flowers bloomed and birds sang lightly,
Through all your hopes and fears!
You halted not, nor tarried,
Your hopes have all miscarried,
And even your fears are buried,
Since fear with hope must die.
You halted not, but hasted,
And flew past, childhood wasted,
And girlhood scarcely tasted,
Now womanhood is nigh.
Yet I forgive your wronging,
Dead seasons round me thronging,
With yearning and with longing,
I call your bitters sweet.
Vain longing, and vain yearning,
There now is no returning;
Oh! beating heart and burning,
Forget to burn and beat!
Oh! childish suns and showers,
Oh! girlish thorns and flowers,
Oh! fruitless days and hours,
Oh! groundless hopes and fears:
The birds still chirp and twitter,
And still the sunbeams glitter:
Oh! barren years and bitter,
Oh! bitter, barren years!
SCENE — The Summit of a Burning Mountain.
Night. A terrific storm. ORION (undisguised).
58
Orion (sings):
From fathomless depths of abysses,
Where fires unquenchable burst,
From the blackness of darkness, where hisses
The brood of the serpent accurs'd;
From shrines where the hymns are the weeping
And wailing and gnashing of teeth,
Where the palm is the pang never sleeping,
Where the worm never dying is the wreath;
Where all fruits save wickedness wither,
Whence naught save despair can be gleaned —
Come hither! come hither! come hither!
Fall'n angel, fell sprite, and foul fiend.
Come hither! the bands are all broken,
And loosed in hell's innermost womb,
When the spell unpronounceable spoken
Divides the unspeakable gloom.
Evil Spirits approach. The storm increases.
Evil Spirits (singing):
We hear thee, we seek thee, on pinions
That darken the shades of the shade;
Oh! Prince of the Air, with dominions
Encompass'd, with powers array'd,
With majesty cloth'd as a garment,
Begirt with a shadowy shine,
Whose feet scorch the hill-tops that are meant
As footstools for thee and for thine.
Orion (sings):
How it swells through each pause of the thunder,
And mounts through each lull of the gust,
Through the crashing of crags torn asunder,
And the hurtling of trees in the dust;
With a chorus of loud lamentations,
With its dreary and hopeless refrain!
'Tis the cry of all tongues and all nations,
That suffer and shudder in vain.
59
Evil Spirits (singing):
'Tis the cry of all tongues and all nations;
Our song shall chime in with their strain;
Lost spirits blend their wild exultations
With the sighing of mortals in pain.
Orion (sings):
With just light enough to see sorrows
In this world, and terrors beyond,
'Twixt the day's bitter pangs and the morrow's
Dread doubts, to despair and despond,
Man lingers through toils unavailing
For blessings that baffle his grasp;
To his cradle he comes with a wailing,
He goes to his grave with a gasp.
Evil Spirits (singing):
His birth is a weeping and wailing,
His death is a groan and a gasp;
O'er the seed of the woman prevailing,
Thus triumphs the seed of the asp.
SCENE — Chamber of a Wayside Inn.
HUGO sitting alone. Evening.
Hugo:
And now the parting is over,
The parting should end the pain;
And the restless heart may recover,
And so may the troubled brain.
I am sitting within the chamber
Whose windows look on the porch,
Where the roses cluster and clamber;
We halted here on our march
With her to the convent going,
And now I go back alone:
Ye roses, budding and blowing,
Ye heed not though she is flown.
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I remember the girlish gesture,
The sportive and childlike grace,
With which she crumpled and pressed your
Rose leaves to her rose-hued face.
Shall I think on her ways hereafter —
On those flashes of mirth and grief,
On that April of tears and laughter,
On our parting, bitterly brief?
I remember the bell at sunrise,
That sounded so solemnly,
Bidding monk, and prelate, and nun rise;
I rose ere the sun was high.
Down the long, dark, dismal passage,
To the door of her resting-place
I went, on a farewell message,
I trod with a stealthy pace.
There was no one there to see us
When she opened her chamber door.
"Miserere, mei Deus",
Rang faint from the convent choir.
I remember the dark and narrow
And scantily-furnished room;
And the gleam, like a golden arrow —
The gleam that lighted the gloom.
One couch, one seat, and one table,
One window, and only one —
It stands in the eastern gable,
It faces the rising sun;
One ray shot through it, and one light
On doorway and threshold played.
She stood within in the sunlight,
I stood without in the shade.
I remember that bright form under
The sheen of that slanting ray.
I spoke — "For life we must sunder,
Let us sunder without delay.
Let us sever without preamble,
As brother and sister part,
For the sake of one pleasant ramble,
61
That will live in at least one heart."
Still the choir in my ears rang faintly,
In the distance dying away,
Sweetly and sadly and saintly,
Through arch and corridor grey!
And thus we parted for ever,
Between the shade and the shine;
Not as brother and sister sever —
I fondled her hands in mine.
Still the choir in my ears rang deaden'd
And dull'd, though audible yet;
And she redden'd, and paled, and redden'd —
Her lashes and lids grew wet.
Not as brother severs from sister,
My lips clung fast to her lips;
She shivered and shrank when I kissed her.
On the sunbeam drooped the eclipse.
I remember little of the parting
With the Abbot, down by the gate,
My men were eager for starting;
I think he pressed me to wait.
From the lands where convent and glebe lie,
From manors, and Church's right,
Where I fought temptation so feebly,
I, too, felt eager for flight.
Alas! the parting is over —
The parting, but not the pain —
Oh! sweet was the purple clover,
And sweet was the yellow grain;
And sweet were the woody hollows
On the summery Rhineward track;
But a winter untimely swallows
All sweets as I travel back.
Yet I feel assured, in some fashion,
Ere the hedges are crisp with rime,
I shall conquer this senseless passion,
'Twill yield to toil and to time.
I will fetter these fancies roaming;
Already the sun has dipped;
62
I will trim the lamps in the gloaming,
I will finish my manuscript.
Through the nightwatch unflagging study
Shall banish regrets perforce;
As soon as the east is ruddy
Our bugle shall sound "To Horse!"
SCENE — Another Wayside House, Near the Norman Frontier.
HUGO and ORION in a chamber. Evening.
Orion:
Your eyes are hollow, your step is slow,
And your cheek is pallid as though from toil,
Watching or fasting, by which I know
That you have been burning the midnight oil.
Hugo:
Aye, three nights running.
Orion: 'Twill never do
To travel all day, and study all night;
Will you join in a gallop through mist and dew,
In a flight that may vie with the eagle's flight?
Hugo:
With all my heart. Shall we saddle "Rollo"?
Orion:
Nay, leave him undisturb'd in his stall;
I have steeds he would hardly care to follow.
Hugo:
Follow, forsooth! he can lead them all.
Orion:
Touching his merits we will not quarrel;
But let me mount you for once; enough
Of work may await your favourite sorrel,
And the paths we must traverse to-night are rough.
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But first let me mix you a beverage,
To invigorate your enfeebled frame.
[He mixes a draught and hands it to Hugo.]
All human ills this draught can assuage.
Hugo:
It hisses and glows like liquid flame;
Say, what quack nostrum is this thou'st brewed?
Speak out; I am learned in the chemist's lore.
Orion:
There is nothing but what will do you good;
And the drugs are simples; 'tis hellebore,
Nepenthe, upas, and dragon's blood,
Absinthe, and mandrake, and mandragore.
Hugo:
I will drink it, although, by mass and rood,
I am just as wise as I was before.
SCENE — A Rough, Hilly Country.
HUGO and ORION riding at speed on black horses.
Mountains in the distance. Night.
Hugo:
See! the sparks that fly from our hoof-strokes make
A fiery track that gleams in our wake;
Like a dream the dim landscape past us shoots,
Our horses fly.
Orion: They are useful brutes,
Though somewhat skittish; the foam is whit'ning
The crest and rein of my courser "Lightning";
He pulls to-night, being short of work,
And takes his head with a sudden jerk;
Still heel and steady hand on the bit,
For that is "Tempest" on which you sit.
Hugo:
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'Tis the bravest steed that ever I back'd;
Did'st mark how he crossed yon cataract?
From hoof to hoof I should like to measure
The space he clear'd.
Orion: He can clear at leisure
A greater distance. Observe the chasm
We are nearing. Ha! did you feel a spasm
As we flew over it?
Hugo: Not at all.
Orion:
Nathless 'twas an ugly place for a fall.
Hugo:
Let us try a race to yon mountain high,
That rears its dusky peak 'gainst the sky.
Orion:
I won't disparage your horsemanship,
But your steed will stand neither spur nor whip,
And is hasty and hard to steer at times.
We must travel far ere the midnight chimes;
We must travel back ere the east is grey.
Ho! "Lightning"! "Tempest"! Away! Away!
[They ride on faster.]
SCENE — A Peak in a Mountainous Country Overhanging a Rocky Pass.
HUGO and ORION on black horses. Midnight.
Hugo:
These steeds are sprung from no common race,
Their vigour seems to annihilate space;
What hast thou brought me here to see?
Orion:
No boisterous scene of unhallow'd glee,
No sabbat of witches coarse and rude,
65
But a mystic and musical interlude;
You have long'd to explore the scrolls of Fate,
Dismount, as I do, and listen and wait.
[They dismount.]
Orion (chanting):
Spirits of earth, and air, and sea,
Spirits unclean, and spirits untrue,
By the symbols three that shall nameless be,
One of your masters calls on you.
Spirits (chanting in the distance):
From the bowels of earth, where gleams the gold;
From the air where the powers of darkness hold
Their court; from the white sea-foam,
Whence the white rose-tinted goddess sprung,
Whom poets of every age have sung,
Ever we come! we come!
Hugo:
How close to our ears the thunder peals!
How the earth beneath us shudders and reels!
A Voice (chanting):
Woe to the earth! Where men give death!
And women give birth!
To the sons of Adam, by Cain or Seth!
Plenty and dearth!
To the daughters of Eve, who toil and spin,
Barren of worth!
Let them sigh, and sicken, and suffer sin!
Woe to the earth!
Hugo:
What is yon phantom large and dim
That over the mountain seems to swim?
Orion:
'Tis the scarlet woman of Babylon!
Hugo:
Whence does she come? Where has she gone?
66
And who is she?
Orion: You would know too much;
These are subjects on which I dare not touch;
And if I were to try and enlighten you,
I should probably fail, and possibly frighten you.
You had better ask some learned divine,
Whose opinion is p'rhaps worth as much as mine,
In his own conceit; and who, besides,
Could tell you the brand of the beast she rides.
What can you see in the valley yonder?
Speak out; I can hear you, for all the thunder.
Hugo:
I see four shadowy altars rise,
They seem to swell and dilate in size;
Larger and clearer now they loom,
Now fires are lighting them through the gloom.
A Voice (chanting):
The first a golden-hued fire shows,
A blood-red flame on the second glows,
The blaze on the third is tinged like the rose,
From the fourth a column of black smoke goes.
Orion:
Can you see all this?
Hugo: I see and hear;
The lights and hues are vivid and clear.
Spirits (sing at the first altar):
Hail, Mammon! while man buys and barters,
Thy kingdom in this world is sure;
Thy prophets thou hast and thy martyrs,
Great things in thy name they endure;
Thy fetters of gold crush the miser,
The usurer bends at thy shrine,
And the wealthier nations and the wiser
Bow with us at this altar of thine.
Spirits (sing at the second altar):
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Hail, Moloch! whose banner floats blood-red,
From pole to equator unfurl'd,
Whose laws redly written have stood red,
And shall stand while standeth this world;
Clad in purple, with thy diadem gory,
Thy sceptre the blood-dripping steel,
Thy subjects with us give thee glory,
With us at thine altar they kneel.
Spirits (sing at the third altar):
Hail, Sovereign! whose fires are kindled
By sparks from the bottomless pit,
Has thy worship diminish'd or dwindled?
Do the yokes of thy slaves lightly sit?
Nay, the men of all climes and all races
Are stirr'd by the flames that now stir us;
Then (as we do) they fall on their faces,
Crying, "Hear us! Oh! Ashtaroth, hear us!"
Spirits (all in chorus):
The vulture her carrion swallows,
Returns to his vomit the dog.
In the slough of uncleanliness wallows
The he-goat, and revels the hog.
Men are wise with their schools and their teachers,
Men are just with their creeds and their priests;
Yet, in spite of their pedants and preachers,
They backslide in footprints of beasts!
Hugo:
From the smoky altar there seems to come
A stifled murmur, a droning hum.
Orion:
With that we have nothing at all to do,
Or, at least, not now, neither I nor you;
Though some day or other, possibly
We may see it closer, both you and I;
Let us visit the nearest altar first,
Whence the yellow fires flicker and burst,
Like the flames from molten ore that spring;
We may stand in the pale of the outer ring,
68
But forbear to trespass within the inner,
Lest the sins of the past should find out the sinner.
[They approach the first altar, and stand within the
outer circle which surrounds it, and near the inner.]
Spirits (sing):
Beneath us it flashes,
The glittering gold,
Though it turneth to ashes
And dross in the hold;
Yet man will endeavour,
By fraud or by strife,
To grasp it and never
To yield it with life.
Orion:
What can you see?
Hugo: Some decrepit shapes,
That are neither dwarfs, nor demons, nor apes;
In the hollow earth they appear to store
And rake together great heaps of ore.
Orion:
These are the gnomes, coarse sprites and rough;
Come on, of these we have seen enough.
[They approach second altar and stand as before.]
Spirits (singing):
Above us it flashes,
The glittering steel,
Though the red blood splashes
Where its victims reel;
Yet man will endeavour
To grapple the hilt,
And to wield the blade ever
Till his life be spilt.
Orion:
What see you now?
Hugo: A rocky glen,
69
A horrid jumble of fighting men,
And a face that somewhere I've seen before.
Orion:
Come on; there is naught worth seeing more,
Except the altar of Ashtaroth.
Hugo:
To visit that altar I am loth.
Orion:
Why so?
Hugo: Nay, I cannot fathom why,
But I feel no curiosity.
Orion:
Come on. Stand close to the inner ring,
And hear how sweetly these spirits sing.
[They approach third altar.]
Spirits (sing):
Around us it flashes,
The cestus of one
Born of white foam, that dashes
Beneath the white sun;
Let the mortal take heart, he
Has nothing to dare;
She is fair, Queen Astarte,
Her subjects are fair!
Orion:
What see you now, friend?
Hugo: Wood and wold,
And forms that look like the nymphs of old.
There is nothing here worth looking at twice.
I have seen enough.
Orion: You are far too nice;
Nevertheless, you must look again.
Those forms will fade.
70
Hugo: They are growing less plain.
They vanish. I see a door that seems
To open; a ray of sunlight gleams
From a window behind; a vision as fair
As the flush of dawn is standing there.
[He gazes earnestly.]
Orion (sings):
Higher and hotter the white flames glow,
And the adamant may be thaw'd like snow,
And the life for a single chance may go,
And the soul for a certainty.
Oh! vain and shallow philosopher,
Dost feel them quicken, dost feel them stir,
The thoughts that have stray'd again to HER
From whom thou hast sought to fly?
Lo! the furnace is heated till sevenfold;
Is thy brain still calm? Is thy blood still cold
To the curls that wander in ripples of gold,
On the shoulders of ivory?
Do the large, dark eyes, and the small, red mouth,
Consume thine heart with a fiery drouth,
Like the fierce sirocco that sweeps from the south,
When the deserts are parch'd and dry?
Aye, start and shiver and catch thy breath,
The sting is certain, the venom is death,
And the scales are flashing the fruit beneath,
And the fang striketh suddenly.
At the core the ashes are bitter and dead,
But the rind is fair and the rind is red,
It has ever been pluck'd since the serpent said,
Thou shalt NOT SURELY die.
[Hugo tries to enter the inner ring;
Orion holds him back; they struggle.]
Hugo:
Unhand me, slave! or quail to the rod!
Agatha! Speak! in the name of God!
71
[The vision disappears; the altars vanish.
Hugo falls insensible.]
SCENE — The Wayside House.
HUGO waking in his chamber. ORION unseen at first. Morning.
Hugo:
Vanish, fair and fatal vision!
Fleeting shade of fever'd sleep,
Chiding one whose indecision
Waking substance failed to keep;
Picture into life half starting,
As in life once seen before,
Parting somewhat sadly, parting
Slowly at the chamber door.
Were my waking senses duller?
Have I seen with mental eye
Light and shade, and warmth and colour,
Plainer than reality?
Sunlight that on tangled tresses
Every ripple gilds and tips;
Balm and bloom, and breath of kisses,
Warm on dewy, scarlet lips.
Dark eyes veiling half their splendour
'Neath their lashes' darker fringe,
Dusky, dreamy, deep and tender,
Passing smile and passing tinge;
Dimpling fast and flushing faster,
Ivory chin and coral cheek,
Pearly strings, by alabaster
Neck and arms made faint and weak;
Drooping, downcast lids enduring
Gaze of man unwillingly;
Sudden, sidelong gleams alluring,
Partly arch and partly shy.
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Do I bless or curse that beauty?
Am I longing, am I loth?
Is it passion, is it duty
That I strive with, one or both?
Round about one fiery centre
Wayward thoughts like moths revolve.
[He sees Orion.]
Ha! Orion, thou didst enter
Unperceived. I pray thee solve
These two questions: Firstly, tell me,
Must I strive for wrong or right?
Secondly, what things befell me —
Facts, or phantasies — last night?
Orion:
First, your strife is all a sham, you
Know as well as I which wins;
Second, waking sins will damn you,
Never mind your sleeping sins;
Both your questions thus I answer;
Listen, ere you seek or shun:
I at least am no romancer,
What you long for may be won.
Turn again and travel Rhineward,
Tread once more the flowery path.
Hugo:
Aye, the flowery path that, sinward
Pointing, ends in sin and wrath.
Orion:
Songs by love-birds lightly caroll'd,
Even the just man may allure.
Hugo:
To his shame; in this wise Harold
Sinn'd, his punishment was sure.
Orion:
Nay, the Dane was worse than you are,
Base and pitiless to boot;
73
Doubtless all are bad, yet few are
Cruel, false, and dissolute.
Hugo:
Some sins foreign to our nature
Seem; we take no credit when
We escape them.
Orion: Yet the creature,
Sin-created, lives to sin.
Hugo:
Be it so; come good, come evil,
Ride we to the Rhine again!
Orion (aside):
'Gainst the logic of the devil
Human logic strives in vain.
SCENE — A Camp Near the Black Forest.
RUDOLPH, OSRIC, DAGOBERT, and followers. ORION disguised as
one of the Free-lances. Mid-day.
Osric:
Now, by axe of Odin, and hammer of Thor,
And by all the gods of the Viking's war,
I swear we have quitted our homes in vain:
We have nothing to look to, glory nor gain.
Will our galley return to Norway's shore
With heavier gold, or with costlier store?
Will our exploits furnish the scald with a song?
We have travell'd too far, we have tarried too long.
Say, captains all, is there ever a village
For miles around that is worth the pillage?
Will it pay the costs of my men or yours
To harry the homesteads of German boors?
Have we cause for pride in our feats of arms
When we plunder the peasants or sack the farms?
I tell thee, Rudolph of Rothenstein,
74
That were thy soldiers willing as mine,
And I sole leader of this array,
I would give Prince Otto battle this day.
Dost thou call thy followers men of war?
Oh, Dagobert! thou whose ancestor
On the neck of the Caesar's offspring trod,
Who was justly surnamed "The Scourge of God".
Yet in flight lies safety. Skirmish and run
To forest and fastness, Teuton and Hun,
From the banks of the Rhine to the Danube's shore,
And back to the banks of the Rhine once more;
Retreat from the face of an armed foe,
Robbing garden and hen-roost where'er you go.
Let the short alliance betwixt us cease,
I and my Norsemen will go in peace!
I wot it never will suit with us,
Such existence, tame and inglorious;
I could live no worse, living single-handed,
And better with half my men disbanded.
Rudolph:
Jarl Osric, what would'st thou have me do?
'Gainst Otto's army our men count few;
With one chance of victory, fight, say I!
But not when defeat is a certainty.
If Rudiger joins us with his free-lances,
Our chance will be equal to many chances;
For Rudiger is both prompt and wary;
And his men are gallant though mercenary;
But the knave refuses to send a lance
Till half the money is paid in advance.
Dagobert:
May his avarice wither him like a curse!
I guess he has heard of our late reverse;
But, Rudolph, whether he goes or stays,
There is reason in what Jarl Osric says;
Of provisions we need a fresh supply,
And our butts and flasks are shallow or dry;
My men are beginning to grumble sadly,
'Tis no wonder, since they must fare so badly.
75
Rudolph:
We have plenty of foragers out, and still
We have plenty of hungry mouths to fill;
And, moreover, by some means, foul or fair,
We must raise money; 'tis little I care,
So long as we raise it, whence it comes.
Osric:
Shall we sit till nightfall biting our thumbs?
The shortest plan is ever the best;
Has anyone here got aught to suggest?
Orion:
The cornfields are golden that skirt the Rhine,
Fat are the oxen, strong is the wine,
In those pleasant pastures, those cellars deep,
That o'erflow with the tears that those vineyards weep;
Is it silver you stand in need of, or gold?
Ingot or coin? There is wealth untold
In the ancient convent of Englemehr;
That is not so very far from here.
The Abbot, esteem'd a holy man,
Will hold what he has and grasp what he can;
The cream of the soil he loves to skim,
Why not levy a contribution on him?
Dagobert:
The stranger speaks well; not far away
That convent lies; and one summer's day
Will suffice for a horseman to reach the gate;
The garrison soon would capitulate,
Since the armed retainers are next to none,
And the walls, I wot, may be quickly won.
Rudolph:
I kept those walls for two months or more,
When they feared the riders of Melchior!
That was little over three years ago.
Their Abbot is thrifty, as well I know;
He haggled sorely about the price
Of our service.
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Dagobert: Rudolph, he paid thee twice.
Rudolph:
Well, what of that? Since then I've tried
To borrow from him; now I know he lied
When he told me he could not spare the sum
I asked. If we to his gates should come,
He could spare it though it were doubled; and still,
This war with the Church I like it ill.
Osric:
The creed of our fathers is well-nigh dead,
And the creed of the Christian reigns in its stead
But the creed of the Christian, too, may die,
For your creeds or your churches what care I!
If there be plunder at Englemehr,
Let us strike our tents and thitherward steer.
SCENE — A Farm-house on the Rhine (About a mile from the Convent).
HUGO in chamber alone. Enter ERIC.
Eric:
What, Hugo, still at the Rhine! I thought
You were home. You have travell'd by stages short.
Hugo (with hesitation):
Our homeward march was labour in vain,
We had to retrace our steps again;
It was here or hereabouts that I lost
Some papers of value; at any cost
I must find them; and which way lies your course?
Eric:
I go to recruit Prince Otto's force.
I cannot study as you do; I
Am wearied with inactivity;
So I carry a blade engrim'd with rust
(That a hand sloth-slacken'd has, I trust,
Not quite forgotten the way to wield),
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To strike once more on the tented field.
Hugo:
Fighting is all a mistake, friend Eric,
And has been so since the age Homeric,
When Greece was shaken and Troy undone,
Ten thousand lives for a worthless one.
Yet I blame you not; you might well do worse;
Better fight and perish than live to curse
The day you were born; and such has been
The lot of many, and shall, I ween,
Be the lot of more. If Thurston chooses
He may go with you. The blockhead abuses
Me and the life I lead.
Enter ORION.
Orion: Great news!
The Englemehr monks will shake in their shoes;
In the soles of their callous feet will shake
The barefooted friars. The nuns will quake.
Hugo: Wherefore?
Orion: The outlaw of Rothenstein
Has come with his soldiers to the Rhine,
Back'd by those hardy adventurers
From the northern forests of pines and firs,
And Dagobert's horse. They march as straight
As the eagle swoops to the convent gate.
Hugo:
We must do something to save the place.
Orion:
They are sure to take it in any case,
Unless the sum that they ask is paid.
Eric:
Some effort on our part must be made.
Hugo:
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'Tis not so much for the monks I care.
Eric:
Nor I; but the Abbess and nuns are there.
Orion:
'Tis not our business; what can we do?
They are too many, and we are too few;
And yet, I suppose, you will save, if you can,
That lady, your ward, or your kinswoman.
Hugo:
She is no kinswoman of mine;
How far is Otto's camp from the Rhine?
Orion:
Too far for help in such time of need
To be brought, though you used your utmost speed.
Eric:
Nay, that I doubt.
Hugo: And how many men
Have they?
Orion: To your one they could muster ten.
Eric:
I know Count Rudolph, and terms may be made
With him, I fancy; for though his trade
Is a rough one now, gainsay it who can,
He was once a knight and a gentleman.
And Dagobert, the chief of the Huns,
Bad as he is, will spare the nuns;
Though neither he nor the Count could check
Those lawless men, should they storm and sack
The convent. Jarl Osric, too, I know;
He is rather a formidable foe,
And will likely enough be troublesome;
But the others, I trust, to terms will come.
Hugo:
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Eric, how many men have you?
I can count a score.
Eric: I have only two.
Hugo:
At every hazard we must try to save
The nuns.
Eric: Count Rudolph shall think we have
A force that almost equals his own,
If I can confer with him alone.
Orion:
He is close at hand; by this time he waits
The Abbot's reply at the convent gates.
Hugo:
We had better send him a herald.
Eric: Nay,
I will go myself. [Eric goes out.]
Hugo: Orion, stay!
So this is the reed on which I've leaned,
These are the hopes thou hast fostered, these
The flames thou hast fanned. Oh, lying fiend!
Is it thus thou dost keep thy promises?
Orion:
Strong language, Hugo, and most unjust;
You will cry out before you are hurt —
You will live to recall your words, I trust.
Fear nothing from Osric or Dagobert,
These are your friends, if you only knew it,
And would take the advice of a friend sincere;
Neglect his counsels and you must rue it,
For I know by a sign the crisis is near.
Accept the terms of these outlaws all,
And be thankful that things have fallen out
Exactly as you would have had them fall —
You may save the one that you care about;
80
Otherwise, how did you hope to gain
Access to her — on what pretence?
What were the schemes that worried your brain
To tempt her there or to lure her thence?
You must have bungled, and raised a scandal
About your ears, that might well have shamed
The rudest Hun, the veriest Vandal,
Long or ever the bird was tamed.
Hugo:
The convent is scarce surrounded yet,
We might reach and hold it against their force
Till another sun has risen and set;
And should I despatch my fleetest horse
To Otto ——
Orion: For Abbot, or Monk, or Friar,
Between ourselves, 'tis little you care
If their halls are harried by steel and fire:
Their avarice left your heritage bare.
Forsake them! Mitres, and cowls, and hoods
Will cover vices while earth endures;
Through the green and gold of the summer woods
Ride out with that pretty bird of yours.
If again you fail to improve your chance,
Why, then, my friend, I can only say
You are duller far than the dullest lance
That rides in Dagobert's troop this day.
"Faemina semper", frown not thus,
The girl was always giddy and wild,
Vain, and foolish, and frivolous,
Since she fled from her father's halls, a child.
I sought to initiate you once
In the mystic lore of the old Chaldean;
But I found you far too stubborn a dunce,
And your tastes are coarser and more plebeian.
Yet mark my words, for I read the stars,
And trace the future in yonder sky;
To the right are wars and rumours of wars,
To the left are peace and prosperity.
Fear naught. The world shall never detect
The cloven hoof, so carefully hid
81
By the scholar so staid and circumspect,
So wise for once to do as he's bid.
Remember what pangs come year by year
For opportunity that has fled;
And Thora in ignorance.
Hugo: Name not her!
I am sorely tempted to strike thee dead!
Orion:
Nay, I hardly think you will take my life,
The angel Michael was once my foe;
He had a little the best of our strife,
Yet he never could deal so stark a blow.
SCENE — A Chamber in the Nuns' Apartments of the Convent.
AGATHA and URSULA.
Agatha:
My sire in my childhood pledged my hand
To Hugo — I know not why —
They were comrades then, 'neath the Duke's command,
In the wars of Lombardy.
I thought, ere my summers had turned sixteen,
That mine was a grievous case;
Save once, for an hour, I had never seen
My intended bridegroom's face;
And maidens vows of their own will plight.
Unknown to my kinsfolk all
My love was vowed to a Danish knight,
A guest in my father's hall.
His foot fell lightest in merry dance,
His shaft never missed the deer;
He could fly a hawk, he could wield a lance,
Our wildest colt he could steer.
His deep voice ringing through hall or glen
Had never its match in song;
And little was known of his past life then,
Or of Dorothea's wrong.
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I loved him — Lady Abbess, I know
That my love was foolish now;
I was but a child five years ago,
And thoughtless as bird on bough.
One evening Hugo the Norman came,
And, to shorten a weary tale,
I fled that night (let me bear the blame)
With Harold by down and dale.
He had mounted me on a dappled steed,
And another of coal-black hue
He rode himself; and away at speed
We fled through mist and dew.
Of miles we had ridden some half a score,
We had halted beside a spring,
When the breeze to our ears through the still night bore
A distant trample and ring;
We listen'd one breathing space, and caught
The clatter of mounted men,
With vigour renewed by their respite short
Our horses dash'd through the glen.
Another league, and we listen'd in vain;
The breeze to our ears came mute;
But we heard them again on the spacious plain,
Faint tidings of hot pursuit.
In the misty light of a moon half hid
By the dark or fleecy rack,
Our shadows over the moorland slid,
Still listening and looking back.
So we fled (with a cheering word to say
At times as we hurried on),
From sounds that at intervals died away,
And at intervals came anon.
Another league, and my lips grew dumb,
And I felt my spirit quailing,
For closer those sounds began to come,
And the speed of my horse was failing.
"The grey is weary and lame to boot,"
Quoth Harold; "the black is strong,
And their steeds are blown with their fierce pursuit,
What wonder! our start was long.
Now, lady, behind me mount the black,
83
The double load he can bear;
We are safe when we reach the forest track,
Fresh horses and friends wait there."
Then I sat behind him and held his waist,
And faster we seemed to go
By moss and moor; but for all our haste
Came the tramp of the nearing foe.
A dyke through the mist before us hover'd,
And, quicken'd by voice and heel,
The black overleap'd it, stagger'd, recover'd;
Still nearer that muffled peal.
And louder on sward the hoof-strokes grew,
And duller, though not less nigh,
On deader sand; and a dark speck drew
On my vision suddenly,
And a single horseman in fleet career,
Like a shadow appear'd to glide
To within six lances' lengths of our rear,
And there for a space to bide.
Quoth Harold, "Speak, has the moon reveal'd
His face?" I replied, "Not so!
Yet 'tis none of my kinsfolk." Then he wheel'd
In the saddle and scanned the foe,
And mutter'd, still gazing in our wake,
"'Tis he; now I will not fight
The brother again, for the sister's sake,
While I can escape by flight."
"Who, Harold?" I asked; but he never spoke.
By the cry of the bittern harsh,
And the bull-frog's dull, discordant croak,
I guess'd that we near'd the marsh;
And the moonbeam flash'd on watery sedge
As it broke from a strip of cloud,
Ragged and jagged about the edge,
And shaped like a dead man's shroud.
And flagg'd and falter'd our gallant steed,
'Neath the weight of his double burden,
As we splash'd through water and crash'd through reed;
Then the soil began to harden,
And again we gain'd, or we seem'd to gain,
With our foe in the deep morass;
But those fleet hoofs thunder'd, and gain'd again,
84
When they trampled the firmer grass,
And I cried, and Harold again look'd back,
And bade me fasten mine eyes on
The forest, that loom'd like a patch of black
Standing out from the faint horizon.
"Courage, sweetheart! we are saved," he said;
"With the moorland our danger ends,
And close to the borders of yonder glade
They tarry, our trusty friends."
Where the mossy uplands rise and dip
On the edge of the leafy dell,
With a lurch, like the lurch of a sinking ship,
The black horse toppled and fell.
Unharm'd we lit on the velvet sward,
And even as I lit I lay,
But Harold uprose, unsheath'd his sword,
And toss'd the scabbard away.
And spake through his teeth, "Good brother-in-law,
Forbearance, at last, is spent;
The strife that thy soul hath lusted for
Thou shalt have to thy soul's content!"
While he spoke, our pursuer past us swept,
Ere he rein'd his war-horse proud,
To his haunches flung, then to the earth he leapt,
And my lover's voice rang loud:
"Thrice welcome! Hugo of Normandy,
Thou hast come at our time of need,
This lady will thank thee, and so will I,
For the loan of thy sorrel steed!"
And never a word Lord Hugo said,
They clos'd 'twixt the wood and the wold,
And the white steel flickered over my head
In the moonlight calm and cold;
'Mid the feathery grasses crouching low,
With face bow'd down to the dust,
I heard the clash of each warded blow,
The click of each parried thrust,
And the shuffling feet that bruis'd the lawn,
As they traversed here and there,
And the breath through the clench'd teeth heavily drawn
When breath there was none to spare;
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Sharp ringing sword play, dull, trampling heel,
Short pause, spent force to regain,
Quick muffled footfall, harsh grating steel,
Sharp ringing rally again;
They seem'd long hours, those moments fleet,
As I counted them one by one,
Till a dead weight toppled across my feet,
And I knew that the strife was done.
When I looked up, after a little space,
As though from a fearful dream,
The moon was flinging on Harold's face
A white and a weird-like gleam;
And I felt mine ankles moist and warm
With the blood that trickled slow
From a spot on the doublet beneath his arm,
From a ghastly gash on his brow;
I heard the tread of the sorrel's hoof
As he bore his lord away;
They passed me slowly, keeping aloof,
Like spectres, misty and grey.
I thought Lord Hugo had left me there
To die, but it was not so;
Yet then for death I had little care,
My soul seem'd numb'd by the blow;
A faintness follow'd, a sickly swoon,
A long and a dreamless sleep,
And I woke to the light of a sultry noon
In my father's castled keep.
And thus, Lady Abbess, it came to pass
That my father vow'd his vow;
Must his daughter espouse the Church? Alas!
Is she better or wiser now?
For some are feeble and others strong,
And feeble am I and frail.
Mother! 'tis not that I love the wrong,
'Tis not that I loathe the veil,
But with heart still ready to go astray,
If assail'd by a fresh temptation,
I could sin again as I sinned that day,
For a girl's infatuation.
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See! Harold, the Dane, thou say'st is dead,
Yet I weep NOT BITTERLY;
As I fled with the Dane, so I might have fled
With Hugo of Normandy.
Ursula:
My child, I advise no hasty vows,
Yet I pray that in life's brief span
Thou may'st learn that our Church is a fairer spouse
Than fickle and erring man;
Though fenced for a time by the Church's pale,
When that time expires thou'rt free;
And we cannot force thee to take the veil,
Nay, we scarce can counsel thee.
Enter the ABBOT hastily.
Basil (the Abbot):
I am sorely stricken with shame and grief,
It has come by the self-same sign,
A summons brief from the outlaw'd chief,
Count Rudolph of Rothenstein.
Lady Abbess, ere worse things come to pass,
I would speak with thee alone;
Alack and alas! for by the rood and mass
I fear we are all undone.
SCENE — A Farm-house Near the Convent.
A Chamber furnished with writing materials. HUGO, ERIC, and THURSTON
on one side; on the other OSRIC, RUDOLPH, and DAGOBERT.
Osric:
We have granted too much, ye ask for more;
I am not skill'd in your clerkly lore,
I scorn your logic; I had rather die
Than live like Hugo of Normandy:
I am a Norseman, frank and plain;
Ye must read the parchment over again.
87
Eric:
Jarl Osric, twice we have read this scroll.
Osric:
Thou hast read a part.
Eric: I have read the whole.
Osric:
Aye, since I attached my signature!
Eric:
Before and since!
Rudolph: Nay, of this be sure,
Thou hast signed; in fairness now let it rest.
Osric:
I had rather have sign'd upon Hugo's crest;
He has argued the question mouth to mouth
With the wordy lore of the subtle south;
Let him or any one of his band
Come and argue the question hand to hand.
With the aid of my battle-axe I will show
That a score of words are not worth one blow.
Thurston:
To the devil with thee and thy battle-axe;
I would send the pair of ye back in your tracks,
With an answer that even to thy boorish brain
Would scarce need repetition again.
Osric:
Thou Saxon slave to a milksop knight,
I will give thy body to raven and kite.
Thurston:
Thou liest; I am a freeborn man,
And thy huge carcase — in cubit and span
Like the giant's of Gath — 'neath Saxon steel,
Shall furnish the kites with a fatter meal.
88
Osric:
Now, by Odin!
Rudolph: Jarl Osric, curb thy wrath;
Our names are sign'd, our words have gone forth.
Hugo:
I blame thee, Thurston.
Thurston: And I, too, blame
Myself, since I follow a knight so tame!
[Thurston goes out.]
Osric:
The Saxon hound, he said I lied!
Rudolph:
I pray thee, good Viking, be pacified.
Osric:
Why do we grant the terms they ask?
To crush them all were an easy task.
Dagobert:
That know'st thou not; if it come to war,
They are stronger, perhaps, than we bargain for.
Eric:
Jarl Osric, thou may'st recall thy words —
Should we meet again.
Osric: Should we meet with swords,
Thou, too, may'st recall them to thy sorrow.
Hugo:
Eric! we dally. Sir Count, good-morrow.
SCENE — The Guest Chamber of the Convent.
HUGO, ERIC, and ORION.
89
Eric:
Hugo, their siege we might have tried;
This place would be easier fortified
Than I thought at first; it is now too late,
They have cut off our access to the gate.
Hugo:
I have weigh'd the chances and counted the cost,
And I know by the stars that all is lost
If we take up this quarrel.
Eric: So let it be!
I yield to one who is wiser than me. (Aside.)
Nevertheless, I have seen the day
When the stars would scarcely have bade us stay.
Enter the ABBOT, CYRIL, and other Monks.
Hugo:
Lord Abbot, we greet thee. Good fathers all,
We bring you greeting.
Orion (aside): And comfort small.
Abbot:
God's benediction on you, my sons.
Hugo:
May He save you, too, from Norsemen and Huns!
Since the gates are beleaguer'd and walls begirt
By the forces of Osric and Dagobert;
'Tis a heavy price that the knaves demand.
Abbot:
Were we to mortgage the Church's land
We never could raise what they would extort.
Orion (aside):
The price is too long and the notice too short.
Eric:
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And you know the stern alternative.
Abbot:
If we die we die, if we live we live;
God's will be done; and our trust is sure
In Him, though His chast'nings we endure.
Two messengers rode from here last night,
To Otto they carry news of our plight;
On my swiftest horses I saw them go.
Orion (aside):
Then his swiftest horses are wondrous slow.
Eric:
One of these is captive and badly hurt;
By the reckless riders of Dagobert
He was overtaken and well-nigh slain,
Not a league from here on the open plain.
Abbot:
But the other escap'd.
Eric: It may be so;
We had no word of him, but we know
That unless you can keep these walls for a day
At least, the Prince is too far away
To afford relief.
Abbot: Then a hopeless case
Is ours, and with death we are face to face.
Eric:
You have arm'd retainers.
Cyril (a Monk): Aye, some half score;
And some few of the brethren, less or more,
Have in youth the brunt of the battle bided,
Yet our armoury is but ill provided.
Hugo:
We have terms of truce from the robbers in chief,
Though the terms are partial, the truce but brief;
91
To Abbess, to nuns, and novices all,
And to every woman within your wall,
We can offer escort, and they shall ride
From hence in safety whate'er betide.
Abbot:
What escort, Hugo, canst thou afford?
Hugo:
Some score of riders who call me lord
Bide at the farm not a mile from here,
Till we rejoin them they will not stir;
My page and armourer wait below,
And all our movements are watch'd by the foe.
Strict stipulation was made, of course,
That, except ourselves, neither man nor horse
Should enter your gates — they were keen to shun
The chance of increasing your garrison.
Eric:
I hold safe conduct here in my hand,
Signed by the chiefs of that lawless band;
See Rudolph's name, no disgrace to a clerk,
And Dagobert's scrawl, and Osric's mark;
Jarl signed sorely against his will,
With a scratch like the print of a raven's bill;
But the foe have muster'd in sight of the gate.
For another hour they will scarcely wait;
Bid Abbess and dame prepare with haste.
Hugo:
Lord Abbot, I tell thee candidly
There is no great love between thou and I,
As well thou know'st; but, nevertheless,
I would we were more, or thy foes were less.
Abbot:
I will summon the Lady Abbess straight.
[The Abbot and Monks go out.]
Eric:
'Tis hard to leave these men to their fate,
92
Norsemen and Hun will never relent;
Their day of grace upon earth is spent.
[Hugo goes out, followed by Orion.]
SCENE — The Corridor Outside the Guest Chamber.
HUGO pacing up and down. ORION leaning against the wall.
Hugo:
My day of grace with theirs is past.
I might have saved them; 'tis too late —
Too late for both. The die is cast,
And I resign me to my fate.
God's vengeance I await.
Orion:
The boundary 'twixt right and wrong
Is not so easy to discern;
And man is weak, and fate is strong,
And destiny man's hopes will spurn,
Man's schemes will overturn.
Hugo:
Thou liest, thou fiend! Not unawares
The sinner swallows Satan's bait,
Nor pits conceal'd nor hidden snares
Seeks blindly; wherefore dost thou prate
Of destiny and fate?
Orion:
Who first named fate? But never mind,
Let that pass by — to Adam's fall
And Adam's curse look back, and find
Iniquity the lot of all,
And sin original.
Hugo:
But I have sinn'd, repented, sinn'd,
Till seven times that sin may be
By seventy multiplied; the wind
93
Is constant when compared with me,
And stable is the sea!
My hopes are sacrificed, for what?
For days of folly, less or more,
For years to see those dead hopes rot,
Like dead weeds scatter'd on the shore,
Beyond the surfs that roar!
Orion:
The wiles of Eve are swift to smite;
Aye, swift to smite and not to spare —
Red lips and round limbs sweet and white,
Dark eyes and sunny, silken hair,
Thy betters may ensnare.
Hugo:
Not so; the strife 'twixt hell and heaven
I felt last night, and well I knew
The crisis; but my aid was given
To hell. Thou'st known the crisis too,
For once thou'st spoken true.
Having foretold it, there remains
For grace no time, for hope no room;
Even now I seem to feel the pains
Of hell, that wait beyond the gloom
Of my dishonour'd tomb.
Thou who hast lived and died to save,
Us sinners, Christ of Galilee!
Thy great love pardon'd and forgave
The dying thief upon the tree,
Thou canst not pardon me!
Dear Lord! hear Thou my latest prayer,
For prayer must die since hope is dead;
Thy Father's vengeance let me bear,
Nor let my guilt be visited
Upon a guiltless head!
Ah! God is just! Full sure I am
94
He never did predestinate
Our souls to hell. Ourselves we damn —
[To Orion, with sudden passion]
Serpent! I know thee now, too late;
Curse thee! Work out thy hate!
Orion:
I hate thee not; thy grievous plight
Would move my pity, but I bear
A curse to which thy curse seems light!
Thy wrong is better than my right,
My day is darker than thy night;
Beside the whitest hope I share
How white is thy despair!
SCENE — The Chapel of the Convent.
URSULA, AGATHA, Nuns and Novices.
(Hymn of the Nuns):
Jehovah! we bless Thee,
All works of Thine hand
Extol Thee, confess Thee;
By sea and by land,
By mountain and river,
By forest and glen,
They praise Thee for ever!
And ever! Amen!
The heathen are raging
Against Thee, O Lord!
The ungodly are waging
Rash war against God!
Arise, and deliver
Us, sheep of Thy pen,
Who praise Thee for ever!
And ever! Amen!
Thou Shepherd of Zion!
95
Thy firstlings didst tear
From jaws of the lion,
From teeth of the bear;
Thy strength to deliver
Is strong now as then.
We praise Thee for ever!
And ever! Amen!
Thine arm hath delivered
Thy servants of old,
Hath scatter'd and shiver'd
The spears of the bold,
Hath emptied the quiver
Of bloodthirsty men.
We praise Thee for ever!
And ever! Amen!
Nathless shall Thy right hand
Those counsels fulfil
Most wise in Thy sight, and
We bow to Thy will;
Thy children quail never
For dungeon or den,
They praise Thee for ever!
And ever! Amen!
Though fierce tribulation
Endure for a space,
Yet God! our salvation!
We gain by Thy grace,
At end of life's fever,
Bliss passing man's ken;
There to praise Thee for ever!
And ever! Amen!
SCENE — The Guest Room of the Convent.
HUGO, ERIC, and ORION. Enter URSULA, AGATHA, and Nuns.
Ursula:
96
Hugo, we reject thine offers,
Not that we can buy
Safety from the Church's coffers,
Neither can we fly.
Far too great the price they seek is,
Let their lawless throng
Come, we wait their coming; weak is
Man, but God is strong.
Eric:
Think again on our proposals:
It will be too late
When the robbers hold carousals
On this side the gate.
Ursula:
For myself I speak and others
Weak and frail as I;
We will not desert our brothers
In adversity.
Hugo (to the Nuns):
Does the Abbess thus advance her
Will before ye all?
A Nun:
We will stay.
Hugo: Is this thine answer,
Agatha? The wall
Is a poor protection truly,
And the gates are weak,
And the Norsemen most unruly.
Come, then.
A Nun (to Agatha): Sister, speak!
Orion (aside to Hugo):
Press her! She her fears dissembling,
Stands irresolute;
She will yield — her limbs are trembling,
Though her lips are mute.
97
[A trumpet is heard without.]
Eric:
Hark! their savage war-horn blowing
Chafes at our delay.
Hugo:
Agatha, we must be going.
Come, girl!
Agatha (clinging to Ursula): Must I stay?
Ursula:
Nay, my child, thou shalt not make me
Judge; I cannot give
Orders to a novice.
Agatha: Take me,
Hugo! Let me live!
Eric (to Nuns):
Foolish women! will ye tarry,
Spite of all we say?
Hugo:
Must we use our strength and carry
You by force away?
Ursula:
Bad enough thou art, Sir Norman,
Yet thou wilt not do
This thing. Shame! — on men make war, man,
Not on women few.
Eric:
Heed her not — her life she barters,
Of her free accord,
For her faith; and, doubtless, martyrs
Have their own reward.
Ursula:
In the Church's cause thy father
98
Never grudged his blade —
Hugo, did he rue it?
Orion: Rather!
He was poorly paid.
Hugo:
Abbess, this is not my doing;
I have said my say;
How can I avert the ruin,
Even for a day,
Since they count two hundred fairly,
While we count a score;
And thine own retainers barely
Count a dozen more?
Agatha (kneeling to Ursula):
Ah! forgive me, Lady Abbess,
Bless me ere I go;
She who under sod and slab is
Lying, cold and low,
Scarce would turn away in anger
From a child so frail;
Not dear life, but deadly danger,
Makes her daughter quail.
Hugo:
Eric, will those faces tearful
To God's judgment seat
Haunt us?
Eric: Death is not so fearful.
Hugo: No, but life is sweet —
Sweet for once, to me, though sinful.
Orion (to Hugo): Earth is scant of bliss;
Wisest he who takes his skinful
When the chance is his.
(To Ursula):
Lady Abbess! stay and welcome
99
Osric's savage crew;
Yet when pains of death and hell come,
Thou thy choice may'st rue.
Ursula (to Orion):
What dost thou 'neath roof-trees sacred?
Man or fiend, depart!
Orion:
Dame, thy tongue is sharp and acrid,
Yet I bear the smart.
Ursula (advancing and raising up a crucifix):
I conjure thee by this symbol
Leave us!
[Orion goes out hastily.]
Hugo: Ha! the knave,
He has made an exit nimble;
Abbess! thou art brave.
Yet once gone, we're past recalling,
Let no blame be mine.
See, thy sisters' tears are falling
Fast, and so are thine.
Ursula:
Fare you well! The teardrop splashes
Vainly on the ice.
Ye will sorrow o'er our ashes
And your cowardice.
Eric:
Sorry am I, yet my sorrow
Cannot alter fate;
Should Prince Otto come to-morrow,
He will come too late.
Hugo:
Nay, old comrade, she hath spoken
Words we must not hear;
Shall we pause for sign or token —
Taunted twice with fear?
100
Yonder, hilt to hilt adjusted,
Stand the swords in which we trusted
Years ago. Their blades have rusted,
So, perchance, have we.
Ursula! thy words may shame us,
Yet we once were counted famous,
Morituri, salutamus,
Aut victuri, te! [They go out.]
SCENE — The Outskirts of Rudolph's Camp.
RUDOLPH, OSRIC, and DAGOBERT. HUGO.
Rudolph:
Lord Hugo! thy speech is madness;
Thou hast tax'd our patience too far;
We offer'd thee peace — with gladness,
We gladly accept thy war.
Dagobert:
And the clemency we extended
To thee and thine we recall;
And the treaty 'twixt us is ended —
We are ready to storm the wall.
Osric:
Now tear yon parchment to tatters;
Thou shalt make no further use
Of our safeguard; the wind that scatters
The scroll shall scatter the truce.
Hugo:
Jarl Osric, to save the spilling
Of blood, and the waste of life,
I am willing, if thou art willing,
With thee to decide this strife;
Let thy comrades draw their force back;
I defy thee to single fight,
I will meet thee on foot or horseback,
And God shall defend the right.
101
Rudolph:
No single combat shall settle
This strife; thou art overbold —
Thou hast put us all on our mettle,
Now the game in our hands we hold.
Dagobert:
Our lances round thee have hover'd,
Have seen where thy fellows bide;
Thy weakness we have discover'd,
Thy nakedness we have spied.
Osric:
And hearken, knight, to my story —
When sack'd are the convent shrines,
When the convent thresholds are gory,
And quaff'd are the convent wines:
When our beasts with pillage are laden,
And the clouds of our black smoke rise
From yon tower, one fair-haired maiden
Is singled as Osric's prize.
I will fit her with chain and collar
Of red gold, studded with pearls;
With bracelet of gold, Sir Scholar,
The queen of my captive girls.
Hugo (savagely):
May the Most High God of battles
The Lord and Ruler of fights,
Who breaketh the shield that rattles,
Who snappeth the sword that smites,
In whose hands are footmen and horsemen,
At whose breath they conquer or flee,
Never show me His mercy, Norseman!
If I show mercy to thee.
Osric:
What, ho! art thou drunk, Sir Norman?
Has the wine made thy pale cheek red?
Now, I swear by Odin and Thor, man,
Already I count thee dead.
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Rudolph:
I crave thy pardon for baulking
The flood of thine eloquence,
But thou canst not scare us with talking,
I therefore pray thee go hence.
Osric:
Though I may not take up thy gauntlet,
Should we meet where the steel strikes fire,
'Twixt thy casque and thy charger's frontlet
The choice will perplex thy squire.
Hugo:
When the Norman rowels are goading,
When glitters the Norman glaive,
Thou shalt call upon Thor and Odin:
They shall not hear thee nor save.
"Should we meet!" Aye, the chance may fall so,
In the furious battle drive,
So may God deal with me — more, also!
If we separate, both alive!
SCENE — The Court-yard of the Old Farm.
EUSTACE and other followers of HUGO and ERIC lounging about.
Enter THURSTON hastily, with swords under his arm.
Thurston:
Now saddle your horses and girth them tight,
And see that your weapons are sharp and bright.
Come, lads, get ready as fast as you can.
Eustace:
Why, what's this bustle about, old man?
Thurston:
Well, it seems Lord Hugo has changed his mind,
As the weathercock veers with the shifting wind;
He has gone in person to Osric's camp,
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To tell him to pack up his tents and tramp!
But I guess he won't.
Eustace: Then I hope he will,
They are plenty to eat us, as well as to kill.
Ralph:
And I hope he won't — I begin to feel
A longing to moisten my thirsty steel.
[They begin to saddle and make preparations
for a skirmish.]
Thurston:
I've a couple of blades to look to here.
In their scabbards I scarcely could make them stir
At first, but I'll sharpen them both ere long.
A Man-at-arms:
Hurrah for a skirmish! Who'll give us a song?
Thurston (sings, cleaning and sharpening):
Hurrah! for the sword! I hold one here,
And I scour at the rust and say,
'Tis the umpire this, and the arbiter,
That settles in the fairest way;
For it stays false tongues and it cools hot blood,
And it lowers the proud one's crest;
And the law of the land is sometimes good,
But the law of the sword is best.
In all disputes 'tis the shortest plan,
The surest and best appeal; —
What else can decide between man and man?
(Chorus of all):
Hurrah! for the bright blue steel!
Thurston (sings):
Hurrah! for the sword of Hugo, our lord!
'Tis a trusty friend and a true;
It has held its own on a grassy sward,
When its blade shone bright and blue,
Though it never has stricken in anger hard,
104
And has scarcely been cleansed from rust,
Since the day when it broke through Harold's guard
With our favourite cut and thrust;
Yet Osric's crown will look somewhat red,
And his brain will be apt to reel,
Should the trenchant blade come down on his head —
(Chorus of all):
Hurrah! for the bright blue steel!
Thurston (sings):
Hurrah! for the sword of our ally bold,
It has done good service to him;
It has held its own on an open wold,
When its edge was in keener trim.
It may baffle the plots of the wisest skull,
It may slacken the strongest limb,
Make the brains full of forethought void and null,
And the eyes full of far-sight dim;
And the hasty hands are content to wait,
And the knees are compelled to kneel,
Where it falls with the weight of a downstroke straight —
(Chorus of all):
Hurrah! for the bright blue steel!
Thurston (sings):
Hurrah! for the sword — I've one of my own;
And I think I may safely say,
Give my enemy his, let us stand alone,
And our quarrel shall end one way;
One way or the other — it matters not much,
So the question be fairly tried.
Oh! peacemaker good, bringing peace with a touch,
Thy clients will be satisfied.
As a judge, thou dost judge — as a witness, attest,
And thou settest thy hand and seal,
And the winner is blest, and the loser at rest —
(Chorus of all):
Hurrah! for the bright blue steel!
[Hugo and Eric enter during the last verse
105
of the song.]
Hugo:
Boot and saddle, old friend,
Their defiance they send;
Time is short — make an end
Of thy song.
Let the sword in this fight
Strike as hard for the right
As it once struck for might
Leagued with wrong.
Ha! Rollo, thou champest
Thy bridle and stampest,
For the rush of the tempest
Dost long?
Ho! the kites will grow fatter
On the corpses we scatter,
In the paths where we shatter
Their throng.
Where Osric, the craven,
Hath reared the black raven
'Gainst monks that are shaven
And cowl'd:
Where the Teuton and Hun sit,
In the track of our onset,
Will the wolves, ere the sunset,
Have howl'd.
Retribution is good,
They have revell'd in blood,
Like the wolves of the wood
They have prowl'd.
Birds of prey they have been,
And of carrion unclean,
And their own nests (I ween)
They have foul'd.
Eric:
Two messengers since
Yestermorn have gone hence,
106
And ere long will the Prince
Bring relief.
Shall we pause? — they are ten
To our one, but their men
Are ill-arm'd, and scarce ken
Their own chief;
And for this we give thanks:
Their disorderly ranks,
If assail'd in the flanks,
Will as lief
Run as fight — loons and lords.
Hugo:
Mount your steeds! draw your swords!
Take your places! My words
Shall be brief:
Ride round by the valley,
Through pass and gorge sally —
The linden trees rally
Beneath.
Then, Eric and Thurston,
Their ranks while we burst on,
Try which will be first on
The heath.
(Aside)
Look again, mother mine,
Through the happy starshine,
For my sins dost thou pine?
With my breath,
See! thy pangs are all done,
For the life of thy son:
Thou shalt never feel one
For his death.
[They all go out but Hugo, who lingers to tighten
his girths. Orion appears suddenly in the gateway.]
Orion:
Stay, friend! I keep guard on
Thy soul's gates; hold hard on
Thy horse. Hope of pardon
107
Hath fled!
Bethink once, I crave thee,
Can recklessness save thee?
Hell sooner will have thee
Instead.
Hugo:
Back! My soul, tempest-toss'd,
Hath her Rubicon cross'd,
She shall fly — saved or lost!
Void of dread!
Sharper pang than the steel,
Thou, oh, serpent! shalt feel,
Should I set the bruised heel
On thy head.
[He rides out.]
SCENE — A Room in the Convent Tower Overlooking the Gate.
URSULA at the window. AGATHA and Nuns crouching or kneeling in a corner.
Ursula:
See, Ellinor! Agatha! Anna!
While yet for the ladders they wait,
Jarl Osric hath rear'd the black banner
Within a few yards of the gate;
It faces our window, the raven,
The badge of the cruel sea-kings,
That has carried to harbour and haven
Destruction and death on its wings.
Beneath us they throng, the fierce Norsemen,
The pikemen of Rudolph behind
Are mustered, and Dagobert's horsemen
With faces to rearward inclined;
Come last, on their coursers broad-chested,
Rough-coated, short-pastern'd and strong,
Their casques with white plumes thickly crested,
Their lances barb-headed and long:
They come through the shades of the linden,
Fleet riders and war-horses hot:
108
The Normans, our friends — we have sinn'd in
Our selfishness, sisters, I wot —
They come to add slaughter to slaughter,
Their handful can ne'er stem the tide
Of our foes, and our fate were but shorter
Without them. How fiercely they ride!
And "Hugo of Normandy!" "Hugo!"
"A rescue! a rescue!" rings loud,
And right on the many the few go!
A sway and a swerve of the crowd!
A springing and sparkling of sword-blades!
A crashing and 'countering of steeds!
And the white feathers fly 'neath their broad blades
Like foam-flakes! the spear-shafts like reeds!
A Nun (to Agatha):
Pray, sister!
Agatha: Alas! I have striven
To pray, but the lips move in vain
When the heart with such terror is riven.
Look again, Lady Abbess! Look again!
Ursula:
As leaves fall by wintry gusts scatter'd,
As fall by the sickle ripe ears,
As the pines by the whirlwind fall shatter'd,
As shatter'd by bolt fall the firs —
To the right hand they fall, to the left hand
They yield! They go down! they give back!
And their ranks are divided and cleft, and
Dispers'd and destroy'd in the track!
Where, stirrup to stirrup, and bridle
To bridle, down-trampling the slain!
Our friends, wielding swords never idle,
Hew bloody and desperate lane
Through pikemen, so crowded together
They scarce for their pikes can find room,
Led by Hugo's gilt crest, the tall feather
Of Thurston, and Eric's black plume!
A Nun (to Agatha):
109
Pray, sister!
Agatha: First pray thou that heaven
Will lift this dull weight from my brain,
That crushes like crime unforgiven.
Look again, Lady Abbess! Look again!
Ursula:
Close under the gates men are fighting
On foot where the raven is rear'd!
'Neath that sword-stroke, through helm and skull smiting,
Jarl Osric falls, cloven to the beard!
And Hugo, the hilt firmly grasping,
His heel on the throat of his foe,
Wrenches back. I can hear the dull rasping,
The steel through the bone grating low!
And the raven rocks! Thurston has landed
Two strokes, well directed and hard,
On the standard pole, wielding, two-handed,
A blade crimson'd up to the guard.
Like the mast cut in two by the lightning,
The black banner topples and falls!
Bewildering! back-scattering! affright'ning!
It clears a wide space next the walls.
A Nun (to Agatha):
Pray, sister!
Agatha: Does the sinner unshriven,
With naught beyond this life to gain,
Pray for mercy on earth or in heaven?
Look again, Lady Abbess! Look again!
Ursula:
The gates are flung open, and straightway,
By Ambrose and Cyril led on,
Our own men rush out through the gateway;
One charge, and the entrance is won!
No! our foes block the gate and endeavour
To force their way in! Oath and yell,
Shout and war-cry wax wilder than ever!
Those children of Odin fight well;
110
And my ears are confused by the crashing,
The jarring, the discord, the din;
And mine eyes are perplex'd by the flashing
Of fierce lights that ceaselessly spin;
So when thunder to thunder is calling,
Quick flash follows flash in the shade,
So leaping and flashing and falling,
Blade flashes and follows on blade!
While the sward, newly plough'd, freshly painted,
Grows purple with blood of the slain,
And slippery! Has Agatha fainted?
Agatha:
Not so, Lady Abbess! Look again!
Ursula:
No more from the window; in the old years
I have look'd upon strife. Now I go
To the court-yard to rally our soldiers
As I may — face to face with the foe.
[She goes out.]
SCENE — A Room in the Convent.
THURSTON seated near a small fire.
Enter EUSTACE.
Eustace:
We have come through this skirmish with hardly a scratch.
Thurston:
And without us, I fancy, they have a full batch
Of sick men to look to. Those robbers accurs'd
Will soon put our soundest on terms with our worst.
Nathless I'd have bartered, with never a frown,
Ten years for those seconds when Osric went down.
Where's Ethelwolf?
Eustace: Dying.
111
Thurston: And Reginald?
Eustace: Dead.
And Ralph is disabled, and Rudolph is sped.
He may last till midnight — not longer. Nor Tyrrel,
Nor Brian will ever see sunrise.
Thurston: That Cyril,
The monk, is a very respectable fighter.
Eustace:
Not bad for a monk. Yet our loss had been lighter
Had he and his fellows thrown open the gate
A little more quickly. And now, spite of fate,
With thirty picked soldiers their siege we might weather,
But the Abbess is worth all the rest put together.
[Enter Ursula.]
Thurston:
Here she comes.
Ursula: Can I speak with your lord?
Eustace: 'Tis too late,
He was dead when we carried him in at the gate.
Thurston:
Nay, he spoke after that, for I heard him myself;
But he won't speak again, he must lie on his shelf.
Ursula:
Alas! is he dead, then?
Thurston: As dead as St. Paul.
And what then? to-morrow we, too, one and all,
Die, to fatten these ravenous carrion birds.
I knelt down by Hugo and heard his last words:
"How heavy the night hangs — how wild the waves dash;
Say a mass for my soul — and give Rollo a mash."
Ursula:
112
Nay, Thurston, thou jestest.
Thurston: Ask Eric. I swear
We listened and caught every syllable clear.
Eustace:
Why, his horse was slain, too.
Thurston: 'Neath the linden trees grey,
Ere the onset, young Henry rode Rollo away;
He will hasten the Prince, and they may reach your gate
To-morrow — though to-morrow for us is too late.
Hugo rode the boy's mare, and she's dead — if you like —
Disembowel'd by the thrust of a freebooter's pike.
Eustace:
Neither Henry nor Rollo we ever shall see.
Ursula:
But we may hold the walls till to-morrow.
Thurston: Not we.
In an hour or less, having rallied their force,
They'll storm your old building — and take it, of course,
Since of us, who alone in war's science are skill'd,
One-third are disabled, and two-thirds are kill'd.
Ursula:
Art thou hurt?
Thurston: At present I feel well enough,
But your water is brackish, unwholesome and rough;
Bring a flask of your wine, dame, for Eustace and I,
Let us gaily give battle and merrily die.
[Enter Eric, with arm in sling.]
Eric:
Thou art safe, Lady Abbess! The convent is safe!
To be robbed of their prey how the ravens will chafe!
The vanguard of Otto is looming in sight!
At the sheen of their spears, see! thy foemen take flight,
Their foremost are scarce half a mile from the wall.
113
Thurston:
Bring the wine, lest those Germans should swallow it all.
SCENE — The Chapel of the Convent.
Dirge of the Monks:
Earth to earth, and dust to dust,
Ashes unto ashes go.
Judge not. He who judgeth just,
Judgeth merciful also.
Earthly penitence hath fled,
Earthly sin hath ceased to be;
Pile the sods on heart and head,
Miserere Domine!
Hominum et angelorum,
Domine! precamur te
Ut immemor sis malorum —
Miserere Domine!
(Miserere!)
Will the fruits of life brought forth,
Pride and greed, and wrath and lust,
Profit in the day of wrath,
When the dust returns to dust?
Evil flower and thorny fruit
Load the wild and worthless tree.
Lo! the axe is at the root,
Miserere Domine!
Spes, fidesque, caritasque,
Frustra fatigant per se,
Frustra virtus, forsque, fasque,
Miserere Domine!
(Miserere!)
Fair without and foul within,
When the honey'd husks are reft
From the bitter sweets of sin,
114
Bitterness alone is left;
Yet the wayward soul hath striven
Mostly hell's ally to be,
In the strife 'twixt hell and heaven,
Miserere Domine!
Heu! heu! herba latet anguis —
Caro herba — carni vae —
Solum purgat, Christi sanguis,
Miserere Domine!
(Miserere!)
Pray that in the doubtful fight
Man may win through sore distress,
By His goodness infinite,
And His mercy fathomless.
Pray for one more of the weary,
Head bow'd down and bended knee,
Swell the requiem, Miserere!
Miserere Domine!
Bonum, malum, qui fecisti
Mali imploramus te,
Salve fratrem, causa Christi,
Miserere Domine!
(Miserere!)
[End of Ashtaroth.]
~ Adam Lindsay Gordon,#NFDB
40 Poetry
15 Integral Yoga
14 Fiction
4 Philosophy
4 Christianity
2 Psychology
2 Mythology
2 Mysticism
1 Philsophy
1 Alchemy
14 Percy Bysshe Shelley
8 Sri Aurobindo
6 William Wordsworth
6 Satprem
6 Nolini Kanta Gupta
4 The Mother
4 John Keats
3 Johann Wolfgang von Goethe
2 Saint Augustine of Hippo
2 Robert Browning
2 Rabindranath Tagore
2 Ovid
2 Jordan Peterson
14 Shelley - Poems
6 Wordsworth - Poems
4 Keats - Poems
3 On the Way to Supermanhood
3 Faust
2 The Bible
2 Tagore - Poems
2 Savitri
2 On Thoughts And Aphorisms
2 Metamorphoses
2 Maps of Meaning
2 City of God
2 Browning - Poems
2 Advanced Dungeons and Dragons 2E
01.09 - William Blake: The Marriage of Heaven and Hell, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
Viewed in this light, Blake's memorable mantra attains a deeper and more momentous significance. For it is not merely Earth the senses and life and Matter that are to be uplifted and affianced to Heaven, but all that remains hidden within the bowels of the Earth, the subterranean regions of man's consciousness, the slimy viscous undergrowths, the darkest horrors and monstrosities that man and nature hide in their subconscient and inconscient dungeons of material existence, all these have to be laid bare to the solar gaze of Heaven, burnt or transmuted as demanded by the law of that Supreme Will. That is the Hell that has to be recognised, not rejected and thrown away, but taken up purified and transubstantiated into the body of Heaven itself. The hand of the Highest Heaven must extend and touch the Lowest of the lowest elements, transmute it and set it in its rightful place of honour. A mortal body reconstituted into an immemorial fossil, a lump of coal revivified into a flashing carat of diamond-that shows something of the process underlying the nuptials of which we are speaking.
The Life Divine
0 1969-12-17, #Agenda Vol 10, #The Mother, #Integral Yoga
232"Nobleness and generosity are the soul's ethereal firmament; without them, one looks at an insect in a dungeon."
***
0 1970-01-07, #Agenda Vol 11, #The Mother, #Integral Yoga
272Fight, while thy hands are free, with thy hands and thy voice and thy brain and all manner of weapons. Art thou chained in the enemys dungeons and have his gags silenced thee? Fight with thy silent all-besieging soul and thy wide-ranging will-power and when thou art dead, fight still with the world-encompassing force that went out from God within thee.
***
04.01 - The Birth and Childhood of the Flame, #Savitri, #Sri Aurobindo, #Integral Yoga
None saw through dank drenched weeks the dungeon sun.
Even when no turmoil vexed air's sombre rest,
07.04 - The Triple Soul-Forces, #Savitri, #Sri Aurobindo, #Integral Yoga
I have lived with the prisoner in his dungeon cell.
Heavy on my shoulders weighs the yoke of Time:
--
And the lone prisoner in his dungeon cell.
Men hail in my coming the Almighty's force
07.32 - The Yogic Centres, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
The centre at the bottom of the spine, which is the basis of the individual consciousness is seen as a serpenta serpent coiled up and asleep, with perhaps just the head sticking up in a very somnolent manner. It represents the normal human consciousness, bottled up, narrow, ignorant, asleep; human energy, too, at this level is obscure and mechanical, extremely limited. The whole energy potential, the consciousness-force is locked up in the physical body consciousness. Now the serpent does not remain asleep forever. It has to wake up, it wakes up. That is to say, man's consciousness awakes, grows and rises upward. The serpent one day shakes its head, lifts it up a little more, begins to sway its hood, as if trying to throw off the sleep and look about. It slowly uncoils itself and rises more and more. It rises and passes through the centres one by one, becomes more and more awake, gathers new light and potency at each centre. Finally, fully awakened, it rises to its full height, erect, straight like a rod, its tail-end at the bottom of the spine and its hood touching the crown of the man's head. The man is then the fully awakened, the perfectly self-conscious man. The movement does not stop there, however; for the serpent presses further on, it strikes with its hood the bottom of the crown and in the end breaks through and passes beyond like a flash of lightning. One need not fear the break through, there is no actual, physical breaking or fracture of the skull. Although it is said that once you have gone over and beyond your head, you are not likely to return, you go for good. In other words, the body does not hold together very long after the experience; it drops and dies. And yet it need not be so, it is not the whole truth. For when you have gone beyond, you can come back too, carrying the superconscient light with you. That is to say, the serpent, now luminous,pure and free energycan enter the body again, this time with its head down and the tail up. It enters blazing, illumining with its superconscient light the centres one by one, giving man richer and richer consciousness, energy and life, transforming the being more and more. The Light comes down easily enough to the heart region; then the difficulty begins, the regions below gradually become darker and denser and it is hard task for the Light to penetrate as it goes further down. If it succeeds in reaching the bottom of the spine, it has achieved something miraculous. But there is a further progress necessary, if man and the world with himis to realise a wholly transformed supraconscient life. In other words, the Light must touch and enter not only the physical stratum of our being but the others too that lie below, the subconscient and inconscient. That has been till now a sealed dungeon, something impossible to approach and tackle.
And yet it is not an impossibility. Not only is it not impossible, we have to make it possible. Not only so, man's destiny demands that it should be inevitable. If man is to be a transformed being, if he is to incarnate here below something of the Divine Reality, if his social life on earth is to be the expression of the light and harmony of the Spirit Consciousness, then he has to descend into these nether regions, break open the nethermost as he has done in regard to the uppermost and unite the two.
1.01 - NIGHT, #Faust, #Johann Wolfgang von Goethe, #Poetry
Ah, me! this dungeon still I see.
This drear, accursed masonry,
1.02 - BOOK THE SECOND, #Metamorphoses, #Ovid, #Poetry
In a deep vale the gloomy dungeon lies,
Dismal and cold, where not a beam of light
1.02 - MAPS OF MEANING - THREE LEVELS OF ANALYSIS, #Maps of Meaning, #Jordan Peterson, #Psychology
in his dungeon or banished to the nether regions of the kingdom. He is the personality of dead heroes (that
is, the action patterns and hierarchies of value established through exploration in the past) organized
1.03 - BOOK THE THIRD, #Metamorphoses, #Ovid, #Poetry
And the poor captive in a dungeon lay.
But, whilst the whips and tortures are prepar'd,
1.03 - The Sephiros, #A Garden of Pomegranates - An Outline of the Qabalah, #Israel Regardie, #Occultism
It was only in the last century that we had the statement of Eliphaz Levi that were a man incarcerated in a dungeon cell in solitary confinement, without books or instructions of any kind, it would still be possible for him to obtain from this set of cards an encyclopaedic knowledge of the essence of all sciences, religions, and philosophies. Ignoring this specimen of typical Levi verbosity, it is only necessary to point out that instead of using the ten digits and the twenty-two letters of the Hebrew Alphabet for the basis of his magical alphabet, Levi adopted as his fundamental framework the twenty-two trump cards of the Book of
Thoth, attri buting to them his knowledge and experience in a way similar to the attri butions of the thirty-two Paths of Wisdom.
1.04 - The Gods of the Veda, #Vedic and Philological Studies, #Sri Aurobindo, #Integral Yoga
We do not find that the Rishi Mahachamasya succeeded in getting his fourth vyahriti accepted by the great body of Vedantic thinkers. With a little reflection we can see the reason why. The vijnana or mahat is superior to reasoning. It sees and knows, hears and knows, remembers & knows by the ideal principles of drishti, sruti and smriti; it does not reason and know.Or withdrawing into the Mahan Atma, it is what it exercises itself upon and therefore knowsas it were, by conscious identity; for that is the nature of the Mahan Atma to be everything separately and collectively & know it as an object of his Knowledge and yet as himself. Always vijnana knows things in the whole & therefore in the part, in the mass & therefore in the particular. But when ideal knowledge, vijnana, looks out on the phenomenal world in its separate details, it then acquires an ambiguous nature. So long as it is not assailed by mind, it is still the pure buddhi and free from liability to errors. The pure buddhi may assign its reasons, but it knows first & reasons afterwards,to explain, not to justify. Assailed by mind, the ideal buddhi ceases to be pure, ceases to be ideal, becomes sensational, emotional, is obliged to found itself on data, ends not in knowledge but in opinion and is obliged to hold doubt with one hand even while it tries to grasp certainty by the other. For it is the nature of mind to be shackled & frightened by its data. It looks at things as entirely outside itself, separate from itself and it approaches them one by one, groups them & thus arrives at knowledge by synthesis; or if [it] looks at things in the mass, it has to appreciate them vaguely and then take its parts and qualities one by one, arriving at knowledge by a process of analysis. But it cannot be sure that the knowledge it acquires, is pure truth; it can never be safe against mixture of truth & error, against one-sided knowledge which leads to serious misconception, against its own sensations, passions, prejudices and false associations. Such truth as it gets can only be correct even so far as it goes, if all the essential data have been collected and scrupulously weighed without any false weights or any unconscious or semi-conscious interference with the balance. A difficult undertaking! So we can form reliable conclusions, and then too always with some reserve of doubt,about the past & the present.Of the future the mind can know nothing except in eternally fixed movements, for it has no data. We try to read the future from the past & present and make the most colossal blunders. The practical man of action who follows there his will, his intuition & his instinct, is far more likely to be correct than the scientific reasoner. Moreover, the mind has to rely for its data on the outer senses or on its own inner sensations & perceptions & it can never be sure that these are informing it correctly or are, even, in their nature anything but lying instruments. Therefore we say we know the objective world on the strength of a perpetual hypothesis. The subjective world we know only as in a dream, sure only of our own inner movements & the little we can learn from them about others, but there too sure only of this objective world & end always in conflict of transitory opinions, a doubt, a perhaps. Yet sure knowledge, indubitable Truth, the Vedic thinkers have held, is not only possible to mankind, but is the goal of our journey. Satyam eva jayate nanritam satyena pantha vitato devayanah yenakramantyrishayo hyaptakama yatra tat satyasya paramam nidhanam. Truth conquers and not falsehood, by truth the path has been extended which the gods follow, by which sages attaining all their desire arrive where is that Supreme Abode of Truth. The very eagerness of man for Truth, his untameable yearning towards an infinite reality, an infinite extension of knowledge, the fact that he has the conception of a fixed & firm truth, nay the very fact that error is possible & persistent, mare indications that pure Truth exists.We follow no chimaera as a supreme good, nor do the Powers of Darkness fight against a mere shadow. The ideal Truth is constantly coming down to us, constantly seeking to deliver us from our slavery to our senses and the magic circle of our limited data. It speaks to our hearts & creates the phenomenon of Faith, but the heart has its lawless & self-regarding emotions & disfigures the message. It speaks to the Imagination, our great intellectual instrument which liberates us from the immediate fact and opens the mind to infinite possibility; but the imagination has her pleasant fictions & her headlong creative impulse and exaggerates the truth & distorts & misplaces circumstances. It speaks to the intellect itself, bids it criticise its instruments by vichara and creates the critical reason, bids it approach the truth directly by a wide passionless & luminous use of the pure judgment, and creates shuddha buddhi or Kants pure reason; bids it divine truth & learn to hold the true divination & reject the counterfeit, and creates the intuitive reason & its guardian, intuitive discrimination or viveka. But the intellect is impatient of error, eager for immediate results and hurries to apply what it receives before it has waited & seen & understood. Therefore error maintains & even extends her reign. At last come the logician & modern rationalist thinker; disgusted with the exaggeration of these movements, seeing their errors, unable to see their indispensable utility, he sets about sweeping them away as intellectual rubbish, gets rid of faith, gets rid of flexibility of mind, gets rid of sympathy, pure reason & intuition, puts critical reason into an ill lightened dungeon & thinks now, delivered from these false issues, to compass truth by laborious observation & a rigid logic. To live on these dry & insufficient husks is the last fate of impure vijnanam or buddhi confined in the data of the mind & sensesuntil man wronged in his nature, cabined in his possibilities revolts & either prefers a luminous error or resumes his broadening & upward march.
It was this aspect of impure mahas, vijnanam working not in its own home, swe dame but in the house of a stranger, as a servant of an inferior faculty, reason as we call it, which led the Rishi Mahachamasya to include mahas among the vyahritis. But vijnana itself is an integral part of the supreme movement, it is divine thought in divine being,therefore not a vyahriti. The Veda uses to express this pure Truth &ideal knowledge another word, equivalent in meaning to mahat,the word brihat and couples with it two other significant expressions, satyam & ritam. This trinity of satyam ritam brihatSacchidananda objectivisedis the Mahan Atma. Satyam is Truth, the principle of infinite & divine Being, Sat objectivised to Knowledge as the Truth of things self-manifested; Ritam is Law, the motion of things thought out, the principle of divine self-aware energy, Chit-shakti objectivised to knowledge as the Truth of things selfarranged; Brihat is full content & fullness, satisfaction, Nature, the principle of divine Bliss objectivised to knowledge as the Truth of things contented with its own manifestation in law of being & law of action. For, as the Vedanta tells us, there is no lasting satisfaction in the little, in the unillumined or half-illumined things of mind & sense, satisfaction there is only in the large, the self-true & self-existent. Nalpe sukham asti bhumaiva sukham. Bhuma, brihat, mahat, that is God. It is Ananda therefore that insists on largeness & constitutes the mahat or brihat. Ananda is the soul of Nature, its essentiality, creative power & peace. The harmony of creative power & peace, pravritti & nivritti, jana & shama, is the divine state which we feelas Wordsworth felt itwhen we go back to the brihat, the wide & infinite which, containing & contented with its works, says of it Sukritam, What I have made, is good. Whoever enters this kingdom of Mahat, this Maho Arnas or great sea of ideal knowledge, comes into possession of his true being, true knowledge, true bliss. He attains the ideal powers of drishti, sruti, smritisees truth face to face, hears her unerring voice or knows her by immediate recognising memoryjust as we say of a friend This is he and need no reasoning of observation, comparison, induction or deduction to tell us who he is or to explain our knowledge to ourselvesthough we may, already knowing the truth, use a self-evident reasoning masterfully in order to convince others. The characteristic of ideal knowledge is first that it is direct in its approach, secondly, that it is self-evident in its revelation, swayamprakasha, thirdly, that it is unerring fact of being, sat, satyam in its substance. Moreover, it is always perfectly satisfied & divinely pleasurable; it is atmarati & atmastha, confines itself to itself & does not reach out beyond itself to grasp at error or grope within itself to stumble over ignorance. It is, too, perfectly effective whether for knowledge, speech or action, satyakarma, satyapratijna, satyavadi. The man who rising beyond the state of the manu, manishi or thinker which men are now, becomes the kavi or direct seer, containing what he sees,he who draws the manomaya purusha up into the vijnanamaya,is in all things true. Truth is his characteristic, his law of being, the stamp that God has put upon him. But even for the manishi ideal Truth has its bounties. For from thence come the intuitions of the poet, the thinker, the artist, scientist, man of action, merchant, craftsman, labourer each in his sphere, the seed of the great thoughts, discoveries, faiths that help the world and save our human works & destinies from decay & dissolution. But in utilising these messages from our higher selves for the world, in giving them a form or a practical tendency, we use our intellects, feelings or imaginations and alter to their moulds or colour with their pigments the Truth. That alloy seems to be needed to make this gold from the mines above run current among men. This then is Maho Arnas.The psychological conceptions of our remote forefa thers concerning it have so long been alien to our thought & experience that they may be a little difficult to follow & more difficult to accept mentally. But we must understand & grasp them in their fullness if we have any desire to know the meaning of the Veda. For they are the very centre & keystone of Vedic psychology. Maho Arnas, the Great Ocean, is the stream of our being which at once divides & connects the human in us from the divine, & to cross over from the human to the divine, from this small & divided finite to that one, great & infinite, from this death to that immortality, leaving Diti for Aditi, alpam for bhuma, martyam for amritam is the great preoccupation & final aim of Veda & Vedanta.
1.05 - THE HOSTILE BROTHERS - ARCHETYPES OF RESPONSE TO THE UNKNOWN, #Maps of Meaning, #Jordan Peterson, #Psychology
A dungeon horrible, on all sides round,
As one great furnace flamed, yet from these flames
1.08 - Independence from the Physical, #Sri Aurobindo or the Adventure of Consciousness, #Satprem, #Integral Yoga
with the added advantage that consciousness does not deceive. Even with a wooden stick as its only method, consciousness would eventually turn this stick into a magic wand, but the merit would not rest with either the stick or the method. Even if consciousness were imprisoned in a dungeon, it would find a way out. Such, in fact, is the whole story of the evolution of consciousness in Matter.
For the integral seeker, the work on the body has been added naturally to his work on the mind and the vital. For convenience, we have described the various levels of being one after another, but everything works as a whole, and each victory, each discovery at any level has its repercussions on all the other levels. When we worked on establishing mental silence, we observed that several mental layers had to be silenced: a thinking mind, which makes up our regular reasoning process; a vital mind, which justifies our desires, feelings and impulses; there is also a far more troublesome physical mind,
1.10 - Harmony, #On the Way to Supermanhood, #Satprem, #Integral Yoga
And the Rhythm, the great Rhythm, was scattered, broken up, pulverized to enter the heart of its world and make itself the size of the millipede or a little leaf quivering in the wind, to make itself understood by a brain, loved by a passerby. We have drawn from it syncopated music, multicolored pictures, joys, sorrows, since we could no longer contain its whole, unbroken flow. We have made it into equations, poems, architecture; we have trapped it in our machines, locked it in an amulet or a thought, since we could no longer bear the pressure of its great direct flow. And we have made dungeons, hells, which were the absence of that rhythm, the lack of a lungful of eternal air, the suffocation of a little man who believes only in his suffering, only in the push buttons of his machine and the walls of his intelligence. We have graphed, multiplied, broken down, atomized to infinity; and we could no longer make out or understand anything, since we had lost the one little breath of the great breath, the one little sign of the great Direction, the little note that loves and understands all. And since we had closed everything around us, locked ourselves in a shell, armor-plated ourselves in our thinking logic, equipped ourselves with irrefutable helmets and antennas, we have declared that that Harmony, that Rhythm, did not exist, that it was far, far above, the paradise of our virtues, the crackling of our little antennas, the dream of a collective unconscious, the product of the evolved earthworm, the meeting of two enamored molecules like the savage of old who used to cut up the unknown lands, we have cut up space and time, thrown back into another geography the Ganges and El Dorados we have not yet crossed, the pretty fords of that little river. But that Ganges and that El Dorado are here, as well as many other marvels, many other currents of the great Current. All is here, under our feet, if we will only open the little shell and stop putting off until heaven or doomsday what sings in each minute of time and each pebble of space.
This is the Harmony of the new world, the joy of the greater Self. It is here, instantly, if we want. All it takes is removing our blinders. All it takes is a true look, a simple look at the great world. All it takes is a little fire inside to consume all the shells and sufferings and bubbles for the only suffering is to be confined there.
11.14 - Our Finest Hour, #Collected Works of Nolini Kanta Gupta - Vol 04, #Nolini Kanta Gupta, #Integral Yoga
The individual seems always to precede the society. What begins in and with the individual is spread abroad and established in wide commonalty. But this individual self-concentration does not mean that one should withdraw from the world and its activities and sit and settle within oneself, apart and aloof. It does not mean while you are in prison, to accept imprisonment, dig a cave there and go into mere meditation. In other words, to find the inner solution it is not necessary to escape from the world, go into the solitude of mountain-tops or into the depths of the forests, take to the path of total renunciation till you attain perfect siddhi and then turn back and share your light and leading with humanity. Some great souls have done thisBuddha and Christ and Vivekananda. And it is not for every man to try that path in the way they did. But even if the path is not easy, to some extent at least every one of us has to follow it; for we must remember our aim is not easy either. The pioneers have to accept the difficulty of the path. Pursuing the figure of the prison, of the dungeon, we may say, instead of trying to break it down because of the hopelessness of the attempt, or as the alternative: sit down quiet for the inner illumination to come; instead of that one may cut a tunnel under the wall. That should be the nature of our activity in our present situation.
The new truth, the new capacity you have to acquire in and through the activities of the normal life. It was what Sri Krishna taught to Arjuna. Arjuna was a representative of the common man, Arjuna was thought to be always in the yogic consciousness even while he was engaged in battle.
1.11 - The Change of Power, #On the Way to Supermanhood, #Satprem, #Integral Yoga
This subconscious resistance is very difficult to describe. It has a thousand faces, as many as there are individuals, and for each the color is different, the syndrome, so to say, is different. Each one of us has his particular drama, with its staging, preferred situations, puppetry of Grand Guignol. But it is one and the same puppet show under all colors, one and the same story behind all the words and the same resistance everywhere. It is the resistance, the point that says no. It does not reveal itself immediately; it is elusive, cunning. In fact, we really believe it loves drama. It is its raison d'tre and the salt of its life, and, if it no longer had any drama to grind out, it would make up some it is the dramatist of all excellence. It is perhaps even the great dramatist of all this chaotic and painful life that we see. But each of us harbors his little man of the big man of sorrow,27 as Sri Aurobindo used to call him. The drama of the world will stop when we begin to put a stop to our own little drama. But the clever puppet slips between our fingers. Driven off the mental stage where it ran its explanatory and questioning machinery it is a tireless questioner; it asks questions for the pleasure of asking, and if all its questions were answered, it would come up with more, for it is also a great doubter ousted from the mind, it sinks down one degree further to play its number on the vital stage. There it is on more solid ground. (The further it descends, the stronger it becomes, and all the way down at the bottom, it is the very image of strength, the knot par excellence, the irreducible point, the absolute NO.) We are all more or less familiar with its tricks on the vital stage: its great game of passion and desire, sympathy and antipathy, hate and love but in fact they are the two faces of the same food, and it savors evil as much as good, suffering as much as joy; it is just a way of swallowing in one direction or another. Even charity and philanthropy serves its purpose. It grows fatter either way. The more virtuous it is, the harder it is. Idealism and patriotism, sacred or less sacred causes are its clever victuals. It has mastered the art of dressing itself in superb motives; it can be found at the parties of charity volunteers and Peace conferences but of course Peace never comes, for if by some miracle Peace ever came, or the eradication of all poverty on earth, what would it do for a living? Driven off that stage, it sinks one degree lower and disappears into the dungeons of the subconscious. Not for long. There it begins to become clear, so to say, and show its real face. It has grown very small, very hard, a sort of grinning caricature: the grisly Elf, as Sri Aurobindo calls it.
Man] harbours within him a grisly Elf
1.14 - The Victory Over Death, #On the Way to Supermanhood, #Satprem, #Integral Yoga
The seeker has followed step by step the process of demechanization. Degree after degree, he has unraveled and cleared the various levels of entanglement that prevented the free flow of Harmony. He is no longer caught up in the mental machinery or the vital machinery; to a certain extent, he is no longer caught up in the subconscious machinery. The gray elf is still there, but like a shadow on a movie screen, a lingering memory of pain, a sort of old but still sensitive wound. It really no longer has any hold, except through that shadow, which taints joy and leaves a dull feeling of uneasiness in the depths, an unfathomable something still unhealed, a sort of lurking Threat without a face or a name something is still there, like the memory of a catastrophe that can unleash catastrophe at any moment as if everything were in fact terribly precarious and one forgetful second were enough to tip everything over into the old mortal habit again. There remains a point, a formidable point, and so long as that point has not been conquered, nothing is conquered, nothing is definitively certain. One does not quite know what triggers that sudden swing to the other side, the mortal and painful side, the old, anguish-laden and threatening side. (It is a state of threat, a threat in everything, the instantaneous mantle of lead, the old nameless and throat-constricting thing, as though in one second one suffocating little second millennia of night and suffering and shame came bursting into the setting and everything suddenly looked like a brilliant picture plastered on that black, untouched density, which sucks one into its destructive dizziness.) That dark swing sweeps down on you abruptly, without reason, strips you of all your suns, and leaves you naked, as at the beginning of time, before the old Enemy perhaps the foremost enemy of man and life upon earth, an ineffable mystery that wraps you in its embrace, a dreadful vertical fall that is as if tinged with love and the great Fear. You do not know what provokes it apparently no error, no slackening of tension, no wrong movement of consciousness that would reopen that forgotten dungeon but it is wide open. And indeed something has been forgotten; and so long as that forgetting has not been unforgotten, the great golden Memory of Truth will be unable to shine its entire Sun over our entire being. And that Enemy, that shadow, is perhaps the disguised Lover who lures us into his supreme pursuit, his ultimate discovery. We are guided each step of the way. An infallible Hand outlines its meanders in order to take us directly, through a thousand detours, to its happy totality:
The one inevitable supreme result
--
In short, we must replace the program automatically fed into the cells and the whole inexorable ribonucleic code that keeps secreting its little distress signals and glandular calls with a conscious program, a call for light, a solar code in that rattle of valves and pistons and wandering enzymes which, while they make up for our weaknesses and plug the holes of our incapability to absorb directly the great current of restorative Harmony, lock us up in a dungeon of microscopic energy that is soon exhausted and decomposed.
A new spiritual training of the body has to be invented.
1.23 - DREARY DAY, #Faust, #Johann Wolfgang von Goethe, #Poetry
creature shut in a dungeon as a criminal, and given
up to fearful torments! To this has it come! to this!Treacherous,
1.25 - DUNGEON, #Faust, #Johann Wolfgang von Goethe, #Poetry
object:1.25 - dungeon
author class:Johann Wolfgang von Goethe
--
jwvgV - dungeon
FAUST
--
The anguish of the dungeon, and the chain?
'Tis thou! Thou comest to save me,
1.25 - The Knot of Matter, #The Life Divine, #Sri Aurobindo, #Integral Yoga
13:Now it is true that the principle of division in Matter can be only a creation of the divided Mind which has precipitated itself into material existence; for that material existence has no selfbeing, is not the original phenomenon but only a form created by an all-dividing Life-force which works out the conceptions of an all-dividing Mind. By working out being into these appearances of the ignorance, inertia and division of Matter the dividing Mind has lost and imprisoned itself in a dungeon of its own building, is bound with chains which it has itself forged. And if it be true that the dividing Mind is the first principle of creation, then it must be also the ultimate attainment possible in the creation, and the mental being struggling vainly with Life and Matter, overpowering them only to be overpowered by them, repeating eternally a fruitless cycle must be the last and highest word of cosmic existence. But no such consequence ensues if, on the contrary, it is the immortal and infinite Spirit that has veiled itself in the dense robe of material substance and works there by the supreme creative power of Supermind, permitting the divisions of Mind and the reign of the lowest or material principle only as initial conditions for a certain evolutionary play of the One in the Many. If, in other words, it is not merely a mental being who is hidden in the forms of the universe, but the infinite Being, Knowledge, Will which emerges out of Matter first as Life, then as Mind, with the rest of it still unrevealed, then the emergence of consciousness out of the apparently Inconscient must have another and completer term; the appearance of a supramental spiritual being who shall impose on his mental, vital, bodily workings a higher law than that of the dividing Mind is no longer impossible. On the contrary, it is the natural and inevitable conclusion of the nature of cosmic existence.
14:Such a supramental being would, as we have seen, liberate the mind from the knot of its divided existence and use the individualisation of mind as merely a useful subordinate action of the all-embracing Supermind; and he would liberate the life also from the knot of its divided existence and use the individualisation of life as merely a useful subordinate action of the one Conscious-Force fulfilling its being and joy in a diversified unity. Is there any reason why he should not also liberate the bodily existence from the present law of death, division and mutual devouring and use individualisation of body as merely a useful subordinate term of the one divine Conscious-Existence made serviceable for the joy of the Infinite in the finite? or why this spirit should not be free in a sovereign occupation of form, consciously immortal even in the changing of his robe of Matter, possessed of his self-delight in a world subjected to the law of unity and love and beauty? And if man be the inhabitant of terrestrial existence through whom that transformation of the mental into the supramental can at last be operated, is it not possible that he may develop, as well as a divine mind and a divine life, also a divine body? or, if the phrase seem to be too startling to our present limited conceptions of human potentiality, may he not in his development of his true being and its light and joy and power arrive at a divine use of mind and life and body by which the descent of Spirit into form shall be at once humanly and divinely justified?
1.34 - Fourth Division of the Ninth Circle, the Judecca Traitors to their Lords and Benefactors. Lucifer, Judas Iscariot, Brutus, and Cassius. The Chasm of Lethe. The Ascent., #The Divine Comedy, #Dante Alighieri, #Christianity
There where we were, but dungeon natural,
With floor uneven and unease of light.
18.02 - Ramprasad, #Collected Works of Nolini Kanta Gupta - Vol 05, #Nolini Kanta Gupta, #Integral Yoga
O insane that you are dwelling in a dark dungeon!
That is the very object of love, how can one
1969 12 15, #On Thoughts And Aphorisms, #The Mother, #Integral Yoga
233Nobleness and generosity are the souls ethereal firmament; without them, one looks at an insect in a dungeon.
234Let not thy virtues be such as men praise or reward, but such as make for thy perfection and God in thy nature demands of thee.
1970 01 06, #On Thoughts And Aphorisms, #The Mother, #Integral Yoga
273Fight, while thy hands are free, with thy hands and thy voice and thy brain and all manner of weapons. Art thou chained in the enemys dungeons and have his gags silenced thee? Fight with thy silent all besieging soul and thy wide-ranging will-power and when thou art dead, fight still with the world-encompassing force that went out from God within thee.
Truth is a difficult and strenuous conquest. One must be a true warrior to make this conquest, a warrior who fears nothing, neither enemies nor death, for, against the whole world, with or without a body, the struggle continues and will end in Victory.
1.fs - The Ideal And The Actual Life, #Schiller - Poems, #Friedrich Schiller, #Poetry
High from this cramped and dungeon being, spring
Into the realm of the ideal!
1.jk - Endymion - Book I, #Keats - Poems, #John Keats, #Poetry
Were deepest dungeons; heaths and sunny glades
Were full of pestilent light; our taintless rills
1.jk - Endymion - Book III, #Keats - Poems, #John Keats, #Poetry
Into the dungeon core of that wild wood:
I fled three dayswhen lo! before me stood
1.jk - Isabella; Or, The Pot Of Basil - A Story From Boccaccio, #Keats - Poems, #John Keats, #Poetry
Striving to be itself, what dungeon climes
Could keep him off so long? They spake a tale
1.jk - Otho The Great - Act I, #Keats - Poems, #John Keats, #Poetry
For when the conquered lion is once dungeon'd,
Who lets him forth again? or dares to give
1.pbs - Charles The First, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
Shalt never be my dungeon or my grave!
I held what I inherited in thee
--
Presses upon me like a dungeon's grate,
A low dark roof, a damp and narrow wall.
1.pbs - Epipsychidion - Passages Of The Poem, Or Connected Therewith, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
Shining within the dungeon and the tomb;
Whose coming is as light and music are
1.pbs - Hymn To Mercury, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
The bars of that black dungeonutterly
You shall be cast out from the light of day,
1.pbs - Julian and Maddalo - A Conversation, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
Till then the dungeon may demand its prey,
And Poverty and Shame may meet and say
--
Following the captive to his dungeon deep;
Mewho am as a nerve o'er which do creep
1.pbs - Lines Written Among The Euganean Hills, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
All the keys of dungeons cold,
Where a hundred cities lie
--
All the keys of dungeons cold,
Where a hundred cities lie
1.pbs - Marenghi, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
(Which to the martyr makes his dungeon...
More joyous than free heavens majestic cope
1.pbs - Queen Mab - Part III., #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
In penury and dungeons? Wherefore lurkest
With danger, death, and solitude; yet shun'st
--
And stands amid the silent dungeon-depths
More free and fearless than the trembling judge
1.pbs - Queen Mab - Part IX., #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
That mock the dungeon's unavailing gloom;
The ponderous chains and gratings of strong iron
1.pbs - Queen Mab - Part V., #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
Deserts not virtue in the dungeon's gloom,
And in the precincts of the palace guides
1.pbs - Rosalind and Helen - a Modern Eclogue, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
Yet through those dungeon walls there came
Thy thrilling light, O Liberty!
--
And I prayed to share his dungeon floor
With prayers which rarely have been spurned,
--
Who in their rotting dungeons lay,
That from that hour, throughout one day,
1.pbs - The Cenci - A Tragedy In Five Acts, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
Of how I might be dungeoned as a madman;
Or be condemned to death for some offence,
--
Its dungeons underground, and its thick towers
Never told tales; though they have heard and seen
1.pbs - The Daemon Of The World, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
That mock the dungeon's unavailing gloom;
The ponderous chains, and gratings of strong iron,
1.pbs - The Revolt Of Islam - Canto I-XII, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
From his dim dungeon, and my spirit sprung
To meet thee from the woes which had begirt it long!
--
Was as a dungeon to my blasted kind;
All that despair from murdered hope inherits
--
Millions of slaves from many a dungeon damp
Shall leap in joy, as the benumbing cramp
--
From their luxurious dungeons, from the dust
Of meaner thralls, from the oppressor's wrath,
--
Of that strange dungeon; as a friend whose smile
Like light and rest at morn and even is sought
--
dungeons wherein the high resolve is found,
Racks which degraded woman's greatness tell,
--
dungeons and palaces are transitory
High temples fade like vapourMan alone
--
The Tyrant peoples dungeons with his prey,
Pale victims on the guarded scaffold smile
1.pbs - Ugolino, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
Now had the loophole of that dungeon, still
Which bears the name of Famine's Tower from me,
1.rb - Pippa Passes - Part III - Evening, #Browning - Poems, #Robert Browning, #Poetry
Pier from his dungeon, Gualtier from his grave!
Mother
1.rb - Sordello - Book the Second, #Browning - Poems, #Robert Browning, #Poetry
Of air quite from the dungeon; lay your ear
Close and 't is like, one after one, you hear
1.rmr - Fear of the Inexplicable, #Rilke - Poems, #Rainer Maria Rilke, #Poetry
Poe's stories to feel out the shapes of their horrible dungeons
and not be strangers to the unspeakable terror of their abode.
1.rt - Dungeon, #Tagore - Poems, #Rabindranath Tagore, #Poetry
object:1.rt - dungeon
author class:Rabindranath Tagore
--
He whom I enclose with my name is weeping in this dungeon.
I am ever busy building this wall all around; and as this wall goes up into
1.rt - Gitanjali, #Tagore - Poems, #Rabindranath Tagore, #Poetry
He whom I enclose with my name is weeping in this dungeon. I am ever busy building this wall all around; and as this wall goes up into the sky day by day I lose sight of my true being in its dark shadow.
I take pride in this great wall, and I plaster it with dust and sand lest a least hole should be left in this name; and for all the care I take I lose sight of my true being.
1.rwe - May-Day, #Emerson - Poems, #Ralph Waldo Emerson, #Philosophy
Pent in a dungeon made of air,--
And some attain his voice to hear,
1.ww - Book Tenth {Residence in France continued], #Wordsworth - Poems, #unset, #Zen
And levity in dungeons, where the dust
Was laid with tears. Then suddenly the scene
1.ww - Is There A Power That Can Sustain And Cheer, #Wordsworth - Poems, #unset, #Zen
A dungeon dark! where he must waste the year,
And lie cut off from all his heart holds dear;
1.ww - The Affliction Of Margaret, #Wordsworth - Poems, #unset, #Zen
Perhaps some dungeon hears thee groan,
Maimed, mangled by inhuman men;
1.ww - The Horn Of Egremont Castle, #Wordsworth - Poems, #unset, #Zen
Thou hast a dungeon, speak the word!
And there he may be lodged, and thou be Lord.
1.ww - The Idle Shepherd Boys, #Wordsworth - Poems, #unset, #Zen
Comes from the depth of dungeon-Ghyll.
Said Walter, leaping from the ground,
--
Right opposite to dungeon-Ghyll,
Seeing that he should lose the prize,
1.ww - To Toussaint LOuverture, #Wordsworth - Poems, #unset, #Zen
Pillowed in some deep dungeon's earless den;--
O miserable Chieftain! where and when
2.02 - The Ishavasyopanishad with a commentary in English, #Isha Upanishad, #unset, #Zen
agony that steams up thro' history from the dungeons of the
Holy Office - nay, there are wise men who find an apology for
2.20 - ON REDEMPTION, #Thus Spoke Zarathustra, #Friedrich Nietzsche, #Philosophy
his dungeon? Alas, every prisoner becomes a fool; and
the imprisoned will redeems himself foolishly. That time
3.05 - Cerberus And Furies, And That Lack Of Light, #Of The Nature Of Things, #Lucretius, #Poetry
For evil acts: the dungeon and the leap
From that dread rock of infamy, the stripes,
3.1.05 - A Vision of Science, #Collected Poems, #Sri Aurobindo, #Integral Yoga
Who thou art in this dungeon labouring."
And Science confidently, "Nothing am I but earth,
31.09 - The Cause of Indias Decline, #Collected Works of Nolini Kanta Gupta - Vol 07, #Nolini Kanta Gupta, #Integral Yoga
Many people hold that this rigid discipline saved Hinduism and the characteristic features of India during the periods of foreign incursions. But it cannot be admitted that if India had followed her own normal bent of life she would not have been able to save herself, assimilate the foreigners, the members of other religions and cast away what was not worthy of assimilation. On the whole, this austere discipline, the attempt at it which had, as it were, enfeebled and confined the life-energy within a dungeon, has done more harm than good. This is the second cause that robbed India of her vitality.
***
3.11 - Spells, #Advanced Dungeons and Dragons 2E, #unset, #Zen
Placing an extradimensional space inside another such space, such as placing a bag of holding inside a portable hole (see the dungeon Master's Guide), is a dangerous undertaking. Extradimensional manipulation may be cast for the purpose of removing this danger. When used in this manner, the size of the space cannot be affected. However, while this version is in effect, the affected extradimensional space can be placed within another such space (or another extradimensional space may be placed within the affected space) with no adverse consequences. If one space is within the other when the spell expires, the usual consequences ensue immediately.
If the space to be affected is being maintained by a spellcaster, as in the case of a rope trick, that spellcaster receives a saving throw to resist the manipulation. If the space is created by a magical item, however, no saving throw is allowed.
--
Creatures receiving the impulse automatically know who sent it (even if they have never met the priest before) and gain a clear indication of the mood and situation of the caster. Recipients also intuitively know the general source of the spell, although they are unable to pinpoint rooms, dungeon levels, or landmarks. For example, a fighter could suddenly be struck by an image of Father Rastibon, who is injured and in great pain somewhere along the forest road. A priest might suddenly sense that his patriarch is being tortured in the dungeons of Castle Varrack.
The spell can also be cast by more than one priest, allowing them to either contact greater numbers of individuals or increase the intensity of the message. If greater numbers are desired, ten characters are contacted per priest involved in the casting.
4.2 - Karma, #Essays Divine And Human, #Sri Aurobindo, #Integral Yoga
232. Nobleness and generosity are the soul's ethereal firmament; without them, one looks at an insect in a dungeon.
233. Let not thy virtues be such as men praise or reward, but such as make for thy perfection and God in thy nature demands of thee.
--
272. Fight, while thy hands are free, with thy hands and thy voice and thy brain and all manner of weapons. Art thou chained in the enemy's dungeons and have his gags silenced thee? Fight with thy silent all-besieging soul and thy wideranging will-power and when thou art dead, fight still with the world-encompassing force that went out from God within thee.
273. Thou thinkest the ascetic in his cave or on his mountaintop a stone and a do-nothing? What dost thou know? He may be filling the world with the mighty currents of his will & changing it by the pressure of his soul-state.
7 - Yoga of Sri Aurobindo, #unset, #Arthur C Clarke, #Fiction
inconscient. That has been till now a sealed dungeon,
something impossible to approach and tackle.
Aeneid, #unset, #Arthur C Clarke, #Fiction
they are dungeoned in their darkness and blind prison.
And when the final day of life deserts them,
Appendix 4 - Priest Spells, #Advanced Dungeons and Dragons 2E, #unset, #Zen
This spell can be used to secure a consecrated area (see the dungeon Master Guide).
The spell seals the area from teleportation, plane shifting, and ethereal penetration. At the option of the caster, the ward can be locked by a password, in which case it can be entered only by those speaking the proper words. Otherwise, the effect on those entering the enchanted area is based on their alignment, relative to the caster's. The most severe penalty is used.
--
Thus a 14th-level caster could create a wall of thorns up to 70 feet long by 20 feet high (or deep) by 10 feet deep (or high), a 10-foot-high by 10-foot-wide by 140-foot-long wall to block a dungeon passage, or any other sort of shape that suited his needs. The caster can also create a wall of 5-foot thickness, which inflicts half damage but can be doubled in one of the other dimensions. Note that those with the ability to pass through overgrown areas are not hindered by this barrier. The caster can dismiss the barrier on command.
SPELL - Weather Summoning (Conjuration/Summoning)
Book of Exodus, #The Bible, #Anonymous, #Various
29 And it came to pass, that at midnight the LORD smote all the firstborn in the land of Egypt, from the firstborn of Pharaoh that sat on his throne unto the firstborn of the captive that was in the dungeon; and all the firstborn of cattle. 30 And Pharaoh rose up in the night, he, and all his servants, and all the Egyptians; and there was a great cry in Egypt; for there was not a house where there was not one dead.
Permission to Depart
Book of Genesis, #The Bible, #Anonymous, #Various
9 And the chief butler told his dream to Joseph, and said to him, In my dream, behold, a vine was before me; 10 And in the vine were three branches: and it was as though it budded, and her blossoms shot forth; and the clusters thereof brought forth ripe grapes: 11 And Pharaoh's cup was in my hand: and I took the grapes, and pressed them into Pharaoh's cup, and I gave the cup into Pharaoh's hand. 12 And Joseph said unto him, This is the interpretation of it: The three branches are three days: 13 Yet within three days shall Pharaoh lift up thine head, and restore thee unto thy place: and thou shalt deliver Pharaoh's cup into his hand, after the former manner when thou wast his butler. 14 But think on me when it shall be well with thee, and shew kindness, I pray thee, unto me, and make mention of me unto Pharaoh, and bring me out of this house: 15 For indeed I was stolen away out of the land of the Hebrews: and here also have I done nothing that they should put me into the dungeon.
16 When the chief baker saw that the interpretation was good, he said unto Joseph, I also was in my dream, and, behold, I had three white baskets on my head: 17 And in the uppermost basket there was of all manner of bakemeats for Pharaoh; and the birds did eat them out of the basket upon my head. 18 And Joseph answered and said, This is the interpretation thereof: The three baskets are three days: 19 Yet within three days shall Pharaoh lift up thy head from off thee, and shall hang thee on a tree; and the birds shall eat thy flesh from off thee. 20 And it came to pass the third day, which was Pharaoh's birthday, that he made a feast unto all his servants: and he lifted up the head of the chief butler and of the chief baker among his servants. 21 And he restored the chief butler unto his butlership again; and he gave the cup into Pharaoh's hand: 22 But he hanged the chief baker: as Joseph had interpreted to them. 23 Yet did not the chief butler remember Joseph, but forgat him.
--
14 Then Pharaoh sent and called Joseph, and they brought him hastily out of the dungeon: and he shaved himself, and changed his raiment, and came in unto Pharaoh. 15 And Pharaoh said unto Joseph, I have dreamed a dream, and there is none that can interpret it: and I have heard say of thee, that thou canst understand a dream to interpret it. 16 And Joseph answered Pharaoh, saying, It is not in me: God shall give Pharaoh an answer of peace. 17 And Pharaoh said unto Joseph, In my dream, behold, I stood upon the bank of the river: 18 And, behold, there came up out of the river seven kine, fatfleshed and well favoured; and they fed in a meadow: 19 And, behold, seven other kine came up after them, poor and very ill favoured and leanfleshed, such as I never saw in all the land of Egypt for badness: 20 And the lean and the ill favoured kine did eat up the first seven fat kine: 21 And when they had eaten them up, it could not be known that they had eaten them; but they were still ill favoured, as at the beginning. So I awoke. 22 And I saw in my dream, and, behold, seven ears came up in one stalk, full and good: 23 And, behold, seven ears, withered, thin, and blasted with the east wind, sprung up after them: 24 And the thin ears devoured the seven good ears: and I told this unto the magicians; but there was none that could declare it to me.
25 And Joseph said unto Pharaoh, The dream of Pharaoh is one: God hath shewed Pharaoh what he is about to do. 26 The seven good kine are seven years; and the seven good ears are seven years: the dream is one. 27 And the seven thin and ill favoured kine that came up after them are seven years; and the seven empty ears blasted with the east wind shall be seven years of famine. 28 This is the thing which I have spoken unto Pharaoh: What God is about to do he sheweth unto Pharaoh. 29 Behold, there come seven years of great plenty throughout all the land of Egypt: 30 And there shall arise after them seven years of famine; and all the plenty shall be forgotten in the land of Egypt; and the famine shall consume the land; 31 And the plenty shall not be known in the land by reason of that famine following; for it shall be very grievous. 32 And for that the dream was doubled unto Pharaoh twice; it is because the thing is established by God, and God will shortly bring it to pass. 33 Now therefore let Pharaoh look out a man discreet and wise, and set him over the land of Egypt. 34 Let Pharaoh do this, and let him appoint officers over the land, and take up the fifth part of the land of Egypt in the seven plenteous years. 35 And let them gather all the food of those good years that come, and lay up corn under the hand of Pharaoh, and let them keep food in the cities. 36 And that food shall be for store to the land against the seven years of famine, which shall be in the land of Egypt; that the land perish not through the famine.
BOOK XIV. - Of the punishment and results of mans first sin, and of the propagation of man without lust, #City of God, #Saint Augustine of Hippo, #Christianity
"Hence wild desires and grovelling fears, And human laughter, human tears, Immured in dungeon-seeming night, They look abroad, yet see no light,"[13]
yet we believe quite otherwise. For the corruption of the body, which weighs down the soul, is not the cause but the punishment of the first sin; and it was not the corruptible flesh that made the soul sinful, but the sinful soul that made the flesh corruptible. And though from this corruption of the flesh there arise certain incitements to vice, and indeed vicious desires, yet we must not attri bute to the flesh all the vices of a wicked life, in case we thereby clear the devil of all these, for he has no flesh. For though we cannot call the devil a fornicator or drunkard, or ascribe to him any sensual indulgence (though he is the secret instigator and prompter of those who sin in these ways), yet he is exceedingly proud and envious. And this viciousness has so possessed him, that on account of it he is reserved in chains of darkness to everlasting punishment.[14] Now these vices, which have dominion over the devil, the apostle attri butes to the flesh, which certainly the devil has not. For he says "hatred, variance, emulations, strife, envying" are the works of the flesh; and of all these evils pride is the origin and head, and it rules in the devil though he has no flesh. For who shows more hatred to the saints? who is more at[Pg 6] variance with them? who more envious, bitter, and jealous? And since he exhibits all these works, though he has no flesh, how are they works of the flesh, unless because they are the works of man, who is, as I said, spoken of under the name of flesh? For it is not by having flesh, which the devil has not, but by living according to himself,that is, according to man,that man became like the devil. For the devil too, wished to live according to himself when he did not abide in the truth; so that when he lied, this was not of God, but of himself, who is not only a liar, but the father of lies, he being the first who lied, and the originator of lying as of sin.
BOOK XXI. - Of the eternal punishment of the wicked in hell, and of the various objections urged against it, #City of God, #Saint Augustine of Hippo, #Christianity
"Hence wild desires and grovelling fears, And human laughter, human tears; Immured in dungeon-seeming night, They look abroad, yet see no light,"
goes on to say:
I. THE ATTRACTIVE POWER OF GOD, #unset, #Arthur C Clarke, #Fiction
Therefore deadly sin is a breach of nature, a death of the soul, a disquiet of the heart, a weakening of power, a blindness of the sense, a sorrow of the spirit, a death of grace, a death of virtue, a death of good works, an aberration of the spirit, a fellowship with the devil, an expulsion of Christianity, a dungeon of hell, a banquet of hell, an eternity of hell. Therefore, if thou committest a deadly sin thou art guilty of all these and incurrest their consequences. Regarding the first point: Deadly sin is a breach of nature, for every man's nature is an image and likeness and mirror of the Trinity, of Godhead and of eternity. All these together are marred by a deadly sin; therefore, it is a breach of nature.
Such sin is also the death of the soul, for death is to lose life. Now God is the life of the soul, and deadly sin separates from God; therefore it is a death of the soul. Deadly sin is also a disquiet of the heart, for everything rests nowhere except in its own proper place; and the proper resting-place of the soul is nowhere except in God as St Augustine saith, "Lord! Thou hast made us for Thyself, therefore we may not rest anywhere save in Thee."
--
It is also a fellowship with the Devil, for everything hath fellowship with its like; and sin maketh the soul and Satan resemble each other. It is also an expulsion of Christianity, for it depriveth the sinner of all the profit that comes from Christianity. It is also a dungeon of hell, for if the soul remain in the purity in which God created her, neither angel nor devil may rob her of her freedom. But sin confines it in hell. Sin is also an eternity of hell, for eternity is in the will, and were it not in the will, it would not be in the consciousness.
Now, people say when they commit sin, that they do not intend to do so always; they intend to turn away from sin. That is just as though a man were to kill himself and suppose that he could make himself alive again by his own strength. That is, however, impossible; but to turn from sin by one's own power and come to God is still much more impossible. Therefore, whosoever is to turn from sin and come to God in His heavenly kingdom, must be drawn by the heavenly Father with the might of His divine power. The Father also draws the Son who comes to help us with His grace, by stimulating our free will to turn away from, and hate sin, which has drawn us aside from God, and from the immutable goodness of the Godhead. Then, if she is willing, He pours the gift of His grace into the soul, which renounces all her misery and sin, and all her works become living. Now, this grace springs from the centre of Godhead and the Father's heart, and flows perpetually, nor ever ceases, if the soul obeys His everlasting love. Therefore He saith in the prophets: "I have loved thee with an everlasting love, therefore with loving kindness have I drawn thee." Out of the overflow of His universal love He desires to draw all to Himself, and to His Only-begotten Son, and to the Holy Ghost in the joy of the heavenly kingdom. Now, we should know that before our Lord Jesus Christ was born, the Heavenly Father drew men with all His might for five thousand, two hundred years; and yet, as far as we know, brought not one into the heavenly kingdom. So, when the Son saw that the Father had thus strongly drawn men and even wearied Himself, and yet not succeeded, He said to the Father: "I will draw them with the cords of a man." It was as though He said, "I see well, Father, that Thou with all Thy might, canst not succeed, therefore will I myself draw them with the cords of a man."
The Dwellings of the Philosophers, #unset, #Arthur C Clarke, #Fiction
be observed in the castle of Coucy (the tympanum of the dungeon gate) and on one of the bas-
reliefs of the golden Carroir (14) in Romorantin (Plate XIX).
The Pilgrims Progress, #unset, #Arthur C Clarke, #Fiction
{283} Neither could they, with all the skill they had, get again to the stile that night. Wherefore, at last, lighting under a little shelter, they sat down there until the daybreak; but, being weary, they fell asleep. Now there was, not far from the place where they lay, a castle called Doubting Castle, the owner whereof was Giant Despair; and it was in his grounds they now were sleeping: wherefore he, getting up in the morning early, and walking up and down in his fields, caught Christian and Hopeful asleep in his grounds. Then, with a grim and surly voice, he bid them awake; and asked them whence they were, and what they did in his grounds. They told him they were pilgrims, and that they had lost their way. Then said the Giant, You have this night trespassed on me, by trampling in and lying on my grounds, and therefore you must go along with me. So they were forced to go, because he was stronger than they. They also had but little to say, for they knew themselves in a fault. The Giant, therefore, drove them before him, and put them into his castle, into a very dark dungeon, nasty and stinking to the spirits of these two men. [Ps. 88:18] Here, then, they lay from Wednesday morning till Saturday night, without one bit of bread, or drop of drink, or light, or any to ask how they did; they were, therefore, here in evil case, and were far from friends and acquaintance. Now in this place Christian had double sorrow, because it was through his unadvised counsel that they were brought into this distress.
The pilgrims now, to gratify the flesh,
--
{284} Now, Giant Despair had a wife, and her name was Diffidence. So when he was gone to bed, he told his wife what he had done; to wit, that he had taken a couple of prisoners and cast them into his dungeon, for trespassing on his grounds. Then he asked her also what he had best to do further to them. So she asked him what they were, whence they came, and whither they were bound; and he told her. Then she counselled him that when he arose in the morning he should beat them without any mercy. So, when he arose, he getteth him a grievous crab-tree cudgel, and goes down into the dungeon to them, and there first falls to rating of them as if they were dogs, although they never gave him a word of distaste. Then he falls upon them, and beats them fearfully, in such sort that they were not able to help themselves, or to turn them upon the floor. This done, he withdraws and leaves them there to condole their misery and to mourn under their distress. So all that day they spent the time in nothing but sighs and bitter lamentations. The next night, she, talking with her husb and about them further, and understanding they were yet alive, did advise him to counsel them to make away themselves. So when morning was come, he goes to them in a surly manner as before, and perceiving them to be very sore with the stripes that he had given them the day before, he told them, that since they were never like to come out of that place, their only way would be forthwith to make an end of themselves, either with knife, halter, or poison, for why, said he, should you choose life, seeing it is attended with so much bitterness? But they desired him to let them go. With that he looked ugly upon them, and, rushing to them, had doubtless made an end of them himself, but that he fell into one of his fits, (for he sometimes, in sunshiny weather, fell into fits), and lost for a time the use of his hand; wherefore he withdrew, and left them as before, to consider what to do. Then did the prisoners consult between themselves whether it was best to take his counsel or no; and thus they began to discourse:--
{285} CHR. Brother, said Christian, what shall we do? The life that we now live is miserable. For my part I know not whether is best, to live thus, or to die out of hand. "My soul chooseth strangling rather than life", and the grave is more easy for me than this dungeon. [Job 7:15] Shall we be ruled by the Giant?
{286} HOPE. Indeed, our present condition is dreadful, and death would be far more welcome to me than thus for ever to abide; but yet, let us consider, the Lord of the country to which we are going hath said, Thou shalt do no murder: no, not to another man's person; much more, then, are we forbidden to take his counsel to kill ourselves. Besides, he that kills another, can but commit murder upon his body; but for one to kill himself is to kill body and soul at once. And, moreover, my brother, thou talkest of ease in the grave; but hast thou forgotten the hell, for certain the murderers go? "For no murderer hath eternal life," &c. And let us consider, again, that all the law is not in the hand of Giant Despair. Others, so far as I can understand, have been taken by him, as well as we; and yet have escaped out of his hand. Who knows, but the God that made the world may cause that Giant Despair may die? or that, at some time or other, he may forget to lock us in? or that he may, in a short time, have another of his fits before us, and may lose the use of his limbs? and if ever that should come to pass again, for my part, I am resolved to pluck up the heart of a man, and to try my utmost to get from under his hand. I was a fool that I did not try to do it before; but, however, my brother, let us be patient, and endure a while. The time may come that may give us a happy release; but let us not be our own murderers. With these words Hopeful at present did moderate the mind of his brother; so they continued together (in the dark) that day, in their sad and doleful condition.
{287} Well, towards evening, the Giant goes down into the dungeon again, to see if his prisoners had taken his counsel; but when he came there he found them alive; and truly, alive was all; for now, what for want of bread and water, and by reason of the wounds they received when he beat them, they could do little but breathe. But, I say, he found them alive; at which he fell into a grievous rage, and told them that, seeing they had disobeyed his counsel, it should be worse with them than if they had never been born.
{288} At this they trembled greatly, and I think that Christian fell into a swoon; but, coming a little to himself again, they renewed their discourse about the Giant's counsel; and whether yet they had best to take it or no. Now Christian again seemed to be for doing it, but Hopeful made his second reply as followeth:--
{289} HOPE. My brother, said he, rememberest thou not how valiant thou hast been heretofore? Apollyon could not crush thee, nor could all that thou didst hear, or see, or feel, in the Valley of the Shadow of Death. What hardship, terror, and amazement hast thou already gone through! And art thou now nothing but fear! Thou seest that I am in the dungeon with thee, a far weaker man by nature than thou art; also, this Giant has wounded me as well as thee, and hath also cut off the bread and water from my mouth; and with thee I mourn without the light. But let us exercise a little more patience; remember how thou playedst the man at Vanity Fair, and wast neither afraid of the chain, nor cage, nor yet of bloody death. Wherefore let us (at least to avoid the shame, that becomes not a Christian to be found in) bear up with patience as well as we can.
{290} Now, night being come again, and the Giant and his wife being in bed, she asked him concerning the prisoners, and if they had taken his counsel. To which he replied, They are sturdy rogues, they choose rather to bear all hardship, than to make away themselves. Then said she, Take them into the castle-yard to-morrow, and show them the bones and skulls of those that thou hast already despatched, and make them believe, ere a week comes to an end, thou also wilt tear them in pieces, as thou hast done their fellows before them.
--
Now a little before it was day, good Christian, as one half amazed, brake out in passionate speech: What a fool, quoth he, am I, thus to lie in a stinking dungeon, when I may as well walk at liberty. I have a Key in my bosom called Promise, that will, I am persuaded, open any Lock in Doubting Castle. Then said Hopeful, That's good news; good Brother pluck it out of thy bosom and try.
A key in Christian's bosom, called Promise, opens any lock in Doubting Castle
Then Christian pulled it out of his bosom, and began to try at the dungeon door, whose bolt (as he turned the Key) gave back, and the door flew open with ease, and Christian and Hopeful both came out. Then he went to the outward door that leads into the Castle-yard, and with his Key opened that door also. After he went to the iron Gate, for that must be opened too, but that Lock went damnable hard, yet the Key did open it. Then they thrust open the Gate to make their escape with speed; but that Gate as it opened made such a creaking, that it waked Giant Despair, who hastily rising to pursue his Prisoners, felt his limbs to fail, for his Fits took him again, so that he could by no means go after them. Then they went on, and came to the King's High-way again, and so were safe, because they were out of his jurisdiction
{294} Now, when they were over the stile, they began to contrive with themselves what they should do at that stile to prevent those that should come after from falling into the hands of Giant Despair. So they consented to erect there a pillar, and to engrave upon the side thereof this sentence--"Over this stile is the way to Doubting Castle, which is kept by Giant Despair, who despiseth the King of the Celestial Country, and seeks to destroy his holy pilgrims." Many, therefore, that followed after read what was written, and escaped the danger. This done, they sang as follows:--
--
{301} The Shepherds then answered, Did you not see a little below these mountains a stile, that led into a meadow, on the left hand of this way? They answered, Yes. Then said the Shepherds, From that stile there goes a path that leads directly to Doubting Castle, which is kept by Giant Despair, and these, pointing to them among the tombs, came once on pilgrimage, as you do now, even till they came to that same stile; and because the right way was rough in that place, they chose to go out of it into that meadow, and there were taken by Giant Despair, and cast into Doubting Castle; where, after they had been a while kept in the dungeon, he at last did put out their eyes, and led them among those tombs, where he has left them to wander to this very day, that the saying of the wise man might be fulfilled, "He that wandereth out of the way of understanding, shall remain in the congregation of the dead." [Pro. 21:16] Then Christian and Hopeful looked upon one another, with tears gushing out, but yet said nothing to the Shepherds.
{302} Then I saw in my dream, that the Shepherds had them to another place, in a bottom, where was a door in the side of a hill, and they opened the door, and bid them look in. They looked in, therefore, and saw that within it was very dark and smoky; they also thought that they heard there a rumbling noise as of fire, and a cry of some tormented, and that they smelt the scent of brimstone. Then said Christian, What means this? The Shepherds told them, This is a by-way to hell, a way that hypocrites go in at; namely, such as sell their birthright, with Esau; such as sell their master, with Judas; such as blaspheme the gospel, with Alexander; and that lie and dissemble, with Ananias and Sapphira his wife. Then said Hopeful to the Shepherds, I perceive that these had on them, even every one, a show of pilgrimage, as we have now; had they not?
--- Overview of noun dungeon
The noun dungeon has 2 senses (first 1 from tagged texts)
1. (3) keep, donjon, dungeon ::: (the main tower within the walls of a medieval castle or fortress)
2. dungeon ::: (a dark cell (usually underground) where prisoners can be confined)
--- Synonyms/Hypernyms (Ordered by Estimated Frequency) of noun dungeon
2 senses of dungeon
Sense 1
keep, donjon, dungeon
=> stronghold, fastness
=> defensive structure, defense, defence
=> structure, construction
=> artifact, artefact
=> whole, unit
=> object, physical object
=> physical entity
=> entity
Sense 2
dungeon
=> cell, jail cell, prison cell
=> room
=> area
=> structure, construction
=> artifact, artefact
=> whole, unit
=> object, physical object
=> physical entity
=> entity
--- Hyponyms of noun dungeon
2 senses of dungeon
Sense 1
keep, donjon, dungeon
HAS INSTANCE=> Black Hole of Calcutta
Sense 2
dungeon
=> oubliette
--- Synonyms/Hypernyms (Ordered by Estimated Frequency) of noun dungeon
2 senses of dungeon
Sense 1
keep, donjon, dungeon
=> stronghold, fastness
Sense 2
dungeon
=> cell, jail cell, prison cell
--- Coordinate Terms (sisters) of noun dungeon
2 senses of dungeon
Sense 1
keep, donjon, dungeon
-> stronghold, fastness
=> bastion, citadel
=> blockhouse
=> hold
=> keep, donjon, dungeon
=> redoubt
Sense 2
dungeon
-> cell, jail cell, prison cell
=> bullpen, detention cell, detention centre
=> cooler, tank
=> dungeon
=> guardroom
=> hold, keep
=> sweatbox
--- Grep of noun dungeon
dungeon
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https://tvtropes.org/pmwiki/pmwiki.php/Film/DungeonsAndDragonsWrathOfTheDragonGod
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https://tvtropes.org/pmwiki/pmwiki.php/Franchise/DungeonsAndDragons
https://tvtropes.org/pmwiki/pmwiki.php/Franchise/IsItWrongToTryToPickUpGirlsInADungeon
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https://tvtropes.org/pmwiki/pmwiki.php/Laconic/ADungeonIsYou
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https://tvtropes.org/pmwiki/pmwiki.php/LightNovel/HowToBuildADungeonBookOfTheDemonKing
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https://tvtropes.org/pmwiki/pmwiki.php/LightNovel/IsItWrongToTryToPickUpGirlsInADungeon
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https://tvtropes.org/pmwiki/pmwiki.php/Literature/TheMisplacedDungeon
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https://tvtropes.org/pmwiki/pmwiki.php/Main/ADungeonIsYou
https://tvtropes.org/pmwiki/pmwiki.php/Main/BonusDungeon
https://tvtropes.org/pmwiki/pmwiki.php/Main/BonusDungeons
https://tvtropes.org/pmwiki/pmwiki.php/Main/DefinitelyFinalDungeon
https://tvtropes.org/pmwiki/pmwiki.php/Main/DiscOneFinalDungeon
https://tvtropes.org/pmwiki/pmwiki.php/Main/Dungeon
https://tvtropes.org/pmwiki/pmwiki.php/Main/DungeonBasedEconomy
https://tvtropes.org/pmwiki/pmwiki.php/Main/DungeonBypass
https://tvtropes.org/pmwiki/pmwiki.php/Main/DungeonCrawl
https://tvtropes.org/pmwiki/pmwiki.php/Main/DungeonCrawler
https://tvtropes.org/pmwiki/pmwiki.php/Main/DungeonCrawling
https://tvtropes.org/pmwiki/pmwiki.php/Main/DungeonMaintenance
https://tvtropes.org/pmwiki/pmwiki.php/Main/DungeonMaster
https://tvtropes.org/pmwiki/pmwiki.php/Main/DungeonMastersGirlfriend
https://tvtropes.org/pmwiki/pmwiki.php/Main/DungeonmastersGirlfriend
https://tvtropes.org/pmwiki/pmwiki.php/Main/DungeonPunk
https://tvtropes.org/pmwiki/pmwiki.php/Main/DungeonShop
https://tvtropes.org/pmwiki/pmwiki.php/Main/DungeonTown
https://tvtropes.org/pmwiki/pmwiki.php/Main/EvidenceDungeon
https://tvtropes.org/pmwiki/pmwiki.php/Main/FinalDungeon
https://tvtropes.org/pmwiki/pmwiki.php/Main/InexplicablyPreservedDungeonMeat
https://tvtropes.org/pmwiki/pmwiki.php/Main/LockedInTheDungeon
https://tvtropes.org/pmwiki/pmwiki.php/Main/MegaDungeon
https://tvtropes.org/pmwiki/pmwiki.php/Main/MiniDungeon
https://tvtropes.org/pmwiki/pmwiki.php/Main/MultiUserDungeon
https://tvtropes.org/pmwiki/pmwiki.php/Main/OneTimeDungeon
https://tvtropes.org/pmwiki/pmwiki.php/Main/TheVeryDefinitelyFinalDungeon
https://tvtropes.org/pmwiki/pmwiki.php/Main/VeryDefinitelyFinalDungeon
https://tvtropes.org/pmwiki/pmwiki.php/Main/VeryDefinitelyFnalDungeon
https://tvtropes.org/pmwiki/pmwiki.php/Manga/DeliciousInDungeon
https://tvtropes.org/pmwiki/pmwiki.php/Manga/PokemonMysteryDungeonGinjisRescueTeam
https://tvtropes.org/pmwiki/pmwiki.php/Monster/DungeonsAndDragons
https://tvtropes.org/pmwiki/pmwiki.php/NightmareFuel/DungeonsAndDragons
https://tvtropes.org/pmwiki/pmwiki.php/Pinball/DungeonsAndDragons
https://tvtropes.org/pmwiki/pmwiki.php/Podcast/DungeonsAndDaddies
https://tvtropes.org/pmwiki/pmwiki.php/Podcast/DungeonsAndDragonWagon
https://tvtropes.org/pmwiki/pmwiki.php/Podcast/DungeonsAndRandomness
https://tvtropes.org/pmwiki/pmwiki.php/Recap/CommunityS2E14AdvancedDungeonsAndDragons
https://tvtropes.org/pmwiki/pmwiki.php/Recap/DungeonsAndDragons
https://tvtropes.org/pmwiki/pmwiki.php/Recap/GravityFallsS2E13DungeonsDungeonsAndMoreDungeons
https://tvtropes.org/pmwiki/pmwiki.php/TabletopGame/Dungeon
https://tvtropes.org/pmwiki/pmwiki.php/TabletopGame/DungeonCrawlClassics
https://tvtropes.org/pmwiki/pmwiki.php/TabletopGame/Dungeoneer
https://tvtropes.org/pmwiki/pmwiki.php/TabletopGame/Dungeonquest
https://tvtropes.org/pmwiki/pmwiki.php/TabletopGame/DungeonSaga
https://tvtropes.org/pmwiki/pmwiki.php/TableTopGame/DungeonsAndDragons
https://tvtropes.org/pmwiki/pmwiki.php/TabletopGame/DungeonsAndDragons
https://tvtropes.org/pmwiki/pmwiki.php/TabletopGame/DungeonsandDragons
https://tvtropes.org/pmwiki/pmwiki.php/Tabletopgame/DungeonsAndDragons
https://tvtropes.org/pmwiki/pmwiki.php/TabletopGame/DungeonsAndDragonsEncounters
https://tvtropes.org/pmwiki/pmwiki.php/TabletopGame/DungeonsTheDragoning
https://tvtropes.org/pmwiki/pmwiki.php/TabletopGame/DungeonWorld
https://tvtropes.org/pmwiki/pmwiki.php/TabletopGame/SuperDungeonExplore
https://tvtropes.org/pmwiki/pmwiki.php/TabletopGame/YuGiOhDungeonDiceMonsters
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/AIDungeon2
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/AlmostEpicAdventuresNeverlootedDungeon
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/BraveDungeon
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/ChocobosDungeon
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/DandyDungeon
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/DarkestDungeon
https://tvtropes.org/pmwiki/pmwiki.php/Videogame/DarkestDungeon
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/DarkestDungeon2
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/DeathtrapDungeon
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/DesktopDungeons
https://tvtropes.org/pmwiki/pmwiki.php/Videogame/DesktopDungeons
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/DiceyDungeons
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/Dungeon
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/DungeonCrawl
https://tvtropes.org/pmwiki/pmwiki.php/Videogame/DungeonCrawl
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/DungeonDefenders
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/DungeonDogs
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/DungeonExplorer
https://tvtropes.org/pmwiki/pmwiki.php/VideoGAme/DungeonExplorer1989
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/DungeonFighterOnline
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/DungeonKeeper
https://tvtropes.org/pmwiki/pmwiki.php/Videogame/DungeonKeeper
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/Dungeonland
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/DungeonMakerIITheHiddenWar
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/DungeonMaster
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/DungeonMunchies
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/DungeonOfTheEndless
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/Dungeons
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/Dungeons3
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/DungeonsAndDragons
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/DungeonsAndDragonsChroniclesOfMystara
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/DungeonsAndDragonsOnline
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/DungeonSiege
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/DungeonsOfDredmor
https://tvtropes.org/pmwiki/pmwiki.php/Videogame/DungeonsOfDredmor
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/GuildOfDungeoneering
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/MinecraftDungeons
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/MultiUserDungeon
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/PixelDungeon
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/PokemonMysteryDungeon
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/PokemonMysteryDungeonExplorers
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/PokemonMysteryDungeonGatesToInfinity
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/PokemonMysteryDungeonRescueTeam
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/PokemonSuperMysteryDungeon
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/Redungeon
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/SakuraDungeon
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/TheDungeonOfDoom
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/TheGuildOfDungeoneering
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/ThyDungeonman
https://tvtropes.org/pmwiki/pmwiki.php/WebAnimation/DungeonDynamite
https://tvtropes.org/pmwiki/pmwiki.php/Webcomic/AnthrosAndDungeons
https://tvtropes.org/pmwiki/pmwiki.php/Webcomic/DungeonDamage
https://tvtropes.org/pmwiki/pmwiki.php/Webcomic/Dungeoneer
https://tvtropes.org/pmwiki/pmwiki.php/Webcomic/DungeonLegacy
https://tvtropes.org/pmwiki/pmwiki.php/Webcomic/DungeonReset
https://tvtropes.org/pmwiki/pmwiki.php/Webcomic/DungeonsAndDenizens
https://tvtropes.org/pmwiki/pmwiki.php/Webcomic/PokemonMysteryDungeonGleamingHearts
https://tvtropes.org/pmwiki/pmwiki.php/Webcomic/PokemonMysteryDungeonStrongHearts
https://tvtropes.org/pmwiki/pmwiki.php/WebComic/PokemonMysteryDungeonVictoryFire
https://tvtropes.org/pmwiki/pmwiki.php/WebVideo/DarkDungeons
https://tvtropes.org/pmwiki/pmwiki.php/WebVideo/PokemonMysteryDungeonDAndDExplorersOfTheHeart
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https://tvtropes.org/pmwiki/pmwiki.php/WebVideo/RosssGameDungeon
https://tvtropes.org/pmwiki/pmwiki.php/WesternAnimation/DungeonsAndDragons
https://tvtropes.org/pmwiki/pmwiki.php/Wrestling/DungeonOfDoom
http://tvtropes.org/pmwiki/pmwiki.php/Tropers/BlitzDungeoneer
https://en.wikiquote.org/wiki/Dungeon
https://en.wikiquote.org/wiki/Dungeon_of_Harrow
https://en.wikiquote.org/wiki/Dungeons_&_Dragons
https://en.wikiquote.org/wiki/Dungeons_&_Dragons_(TV_series)
Dungeons and Dragons (1983 - 1985) - Based on the popular roleplaying game, a group of children are sucked into the world of Dungeons and Dragons, and given magical equipment by the gnomish Dungeon Master. With their new magical equipment and weapons, they help defend the world of Dungeons and Dragons from the evil Venger, all the whi...
Knightmare (1987 - 1994) - Groups of 3 advisors and 1 dungeoneer join Treguard, the dungeon master, and traverse his dungeon to seek the ultimate prize of Knighthood.
Record of the Lodoss War/Record of the Lodoss War: Chronicles of the Heroic Knight (1990 - 1998) - Record of the Lodoss War is a fantasy anime OVA series based on a popular series of books in Japan called Replays (these books were transcripts of Dungeons & Dragons role-playing games sessions headed by Ryo Mizuno). These Replays would include other spin offs into regular novels, manga and various...
Ragewar(1985) - A computer programmer/enthusiast Paul Bradford (Jeffery Byron), and his girlfriend Gwen (Leslie Wing), get sucked into another world where a sorcerer named Mestema, known as "The Dungeonmaster" (Richard Moll), has them interact in seven different scenarios/riddles to see who can survive. They must f...
The Flight Of Dragons(1982) - A wondrous tale of action and suspense, damsels and ogres, dungeons and dragons, questing knights and evi
Ladyhawke(1985) - The film is set in medieval Europe. Phillipe "The Mouse" Gaston (Matthew Broderick), a peasant thief, is imprisoned in the dungeons of Aquila and set for execution for his petty crimes - but he escapes by crawling through the prison sewers to freedom. He makes a run for it into the countryside away...
Invitation To Ruin(1968) - Pick-up artist Jerry Sloane is hired by mobster Ernie Pulaski to lure girls for his white slavery ring. Once Ernie gets his claws on them, the victims are turned over to mute Mama Lupo (she lost her tongue after tattling on some fellow schoolgirls), who tortures them in her dungeon and addicts them...
https://myanimelist.net/anime/11773/To_Heart_2__Dungeon_Travelers -- Adventure, Comedy, Ecchi, Fantasy, Magic, Seinen
https://myanimelist.net/anime/28121/Dungeon_ni_Deai_wo_Motomeru_no_wa_Machigatteiru_Darou_ka --
https://myanimelist.net/anime/2842/Pokemon_Fushigi_no_Dungeon__Shutsudou_Pokemon_Kyuujotai_Ganbaruzu --
https://myanimelist.net/anime/3065/Ozanari_Dungeon__Kaze_no_Tou -- Action, Adventure, Fantasy, Comedy
https://myanimelist.net/anime/31911/Pokemon_Fushigi_no_Dungeon__Magnagate_to_Mugendai_Meikyu -- Adventure, Fantasy, Kids
https://myanimelist.net/anime/32801/Dungeon_ni_Deai_wo_Motomeru_no_wa_Machigatteiru_Darou_ka_OVA -- Action, Adventure, Comedy, Fantasy, Romance
https://myanimelist.net/anime/32887/Dungeon_ni_Deai_wo_Motomeru_no_wa_Machigatteiru_Darou_ka_Gaiden__Sword_Oratoria -- Action, Adventure, Fantasy
https://myanimelist.net/anime/36577/Dungeon_Meshi -- Fantasy
https://myanimelist.net/anime/37347/Dungeon_ni_Deai_wo_Motomeru_no_wa_Machigatteiru_Darou_ka_II -- Action, Adventure, Comedy, Romance, Fantasy
https://myanimelist.net/anime/37348/Dungeon_ni_Deai_wo_Motomeru_no_wa_Machigatteiru_Darou_ka_Movie__Orion_no_Ya -- Action, Adventure, Comedy, Fantasy, Romance
https://myanimelist.net/anime/40064/Dungeon_ni_Deai_wo_Motomeru_no_wa_Machigatteiru_Darou_ka_II__Past___Future -- Action, Adventure, Comedy, Fantasy
https://myanimelist.net/anime/40453/Dungeon_ni_Deai_wo_Motomeru_no_wa_Machigatteiru_Darou_ka_II_OVA -- Adventure, Comedy, Romance, Ecchi, Fantasy
https://myanimelist.net/anime/40454/Dungeon_ni_Deai_wo_Motomeru_no_wa_Machigatteiru_Darou_ka_III -- Action, Adventure, Comedy, Romance, Fantasy
https://myanimelist.net/anime/40594/Tatoeba_Last_Dungeon_Mae_no_Mura_no_Shounen_ga_Joban_no_Machi_de_Kurasu_Youna_Monogatari -- Adventure, Fantasy
https://myanimelist.net/anime/41899/Ore_dake_Haireru_Kakushi_Dungeon -- Action, Adventure, Harem, Ecchi, Fantasy
https://myanimelist.net/anime/45658/Doki_Doki_Mini_Mini_Kakushi_Dungeon_Gekijou -- Comedy, Fantasy
https://myanimelist.net/anime/5256/Pokemon_Fushigi_no_Dungeon__Toki_no_Tankentai_Yami_no_Tankentai -- Adventure, Fantasy
https://myanimelist.net/anime/6275/Pokemon_Fushigi_no_Dungeon__Sora_no_Tankentai_-_Toki_to_Yami_wo_Meguru_Saigo_no_Bouken -- Adventure, Fantasy, Kids
https://myanimelist.net/manga/102419/Maou-sama_no_Machizukuri__Saikyou_no_Dungeon_wa_Kindai_Toshi
https://myanimelist.net/manga/102737/Live_Dungeon
https://myanimelist.net/manga/103045/Dungeon_ni_Deai_wo_Motomeru_no_wa_Machigatteiru_Darou_ka__Familiar_Chronicle_-_Episode_Ryu
https://myanimelist.net/manga/103176/Tatoeba_Last_Dungeon_Mae_no_Mura_no_Shounen_ga_Joban_no_Machi_de_Kurasu_Youna_Monogatari
https://myanimelist.net/manga/103969/Boku_no_Heya_ga_Dungeon_no_Kyuukeijo_ni_Natteshimatta_Ken
https://myanimelist.net/manga/104897/Dungeon_ni_Deai_wo_Motomeru_no_wa_Machigatteiru_Darou_ka__Familiar_Chronicle_-_Episode_Ryu
https://myanimelist.net/manga/107567/Jishou_Heibon_Mazoku_no_Eiyuu_Life__B-kyuu_Mazoku_nanoni_Cheat_Dungeon_wo_Tsukutteshimatta_Kekka
https://myanimelist.net/manga/109906/Tatoeba_Last_Dungeon_Mae_no_Mura_no_Shounen_ga_Joban_no_Machi_de_Kurasu_Youna_Monogatari
https://myanimelist.net/manga/110329/Maou_ni_Natta_node_Dungeon_Tsukutte_Jingai_Musume_to_Honobono_suru
https://myanimelist.net/manga/115200/Maou_ni_Natta_node_Dungeon_Tsukutte_Jingai_Musume_to_Honobono_suru
https://myanimelist.net/manga/125348/Live_Dungeon
https://myanimelist.net/manga/56743/Dungeon_ni_Deai_wo_Motomeru_no_wa_Machigatteiru_Darou_ka
https://myanimelist.net/manga/57239/Dungeon_ni_Deai_wo_Motomeru_no_wa_Machigatteiru_Darou_ka
https://myanimelist.net/manga/66433/Dungeon_ni_Deai_wo_Motomeru_no_wa_Machigatteiru_Darou_ka_Gaiden__Sword_Oratoria
https://myanimelist.net/manga/71253/Dungeon_ni_Deai_wo_Motomeru_no_wa_Machigatteiru_Darou_ka_Gaiden__Sword_Oratoria
https://myanimelist.net/manga/78475/Dungeon_ni_Deai_wo_Motomeru_no_wa_Machigatteiru_Darou_ka_4-koma
https://myanimelist.net/manga/85781/Dungeon_Meshi
https://myanimelist.net/manga/90180/DanMachi_4-koma__Somosomo_Dungeon_ni_Moguru_no_ga_Machigai_de_wa_Nai_Darou_ka
https://myanimelist.net/manga/97871/Zettai_ni_Hatarakitakunai_Dungeon_Master_ga_Damin_wo_Musaboru_made
https://myanimelist.net/manga/98821/Dungeon_Seeker
Critical Role ::: TV-14 | 3h | Adventure, Fantasy | TV Series (2015 ) A live weekly show, where a band of professional voice actors improvise, role-play and roll their way through an epic Dungeons & Dragons campaign. Stars: Liam O'Brien, Taliesin Jaffe, Marisha Ray
Critical Role ::: TV-14 | 3h | Adventure, Fantasy | TV Series (2015- ) Episode Guide 273 episodes Critical Role Poster A live weekly show, where a band of professional voice actors improvise, role-play and roll their way through an epic Dungeons & Dragons campaign. Stars: Liam O'Brien, Taliesin Jaffe, Marisha Ray
DanMachi: Is It Wrong to Try to Pick Up Girls in a Dungeon? On the Side - ::: Sword Oratoria: Dungeon ni deai o motomeru no wa machigatteiru no dar ka? Gaiden (original tit ::: TV-14 | 25min | Animation, Action, Adventure | TV Series (2017- ) Episode Guide 12 episodes DanMachi: Is It Wrong to Try to Pick Up Girls in a Dungeon? On the Side - Sword Oratoria Poster Sword princess Aiz Wallenstein. Today, once again, the strongest female swordsman heads to the giant labyrinth known as the "Dungeon" along with her allies. On the 50th floor where ... S Stars:
Dungeons & Dragons ::: TV-Y7 | 30min | Animation, Adventure, Comedy | TV Series (1983-1985) Episode Guide 28 episodes Dungeons & Dragons Poster A group of kids are thrown into a fantasy world where they must search for a way home, armed with magic weapons that an evil tyrant wants. Stars: Katie Leigh, Frank Welker, Willie Aames Available on Amazon
Is It Wrong to Try to Pick Up Girls in a Dungeon? ::: Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka (original tit ::: TV-14 | 24min | Animation, Action, Adventure | TV Series (2015 ) -- Commonly known as the "Dungeon," the city of Orario possesses a huge labyrinth in the underground. Its strange name attracts excitement, illusions of honor, and hopes of romance with a ... S
Is It Wrong to Try to Pick Up Girls in a Dungeon? ::: Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka (original tit ::: TV-14 | 24min | Animation, Action, Adventure | TV Series (2015- ) Episode Guide 41 episodes Is It Wrong to Try to Pick Up Girls in a Dungeon? Poster -- Commonly known as the "Dungeon," the city of Orario possesses a huge labyrinth in the underground. Its strange name attracts excitement, illusions of honor, and hopes of romance with a ... S
Ladyhawke (1985) ::: 7.0/10 -- PG-13 | 2h 1min | Adventure, Comedy, Drama | 12 April 1985 (USA) -- The thief Gaston escapes the dungeon of medieval Aquila through the latrine. Soldiers are about to kill him when Navarre saves him. Navarre, traveling with his spirited hawk, plans to kill the bishop of Aquila with help from Gaston. Director: Richard Donner Writers:
Suppose a Kid from the Last Dungeon Boonies moved to a starter town? ::: Tatoeba Last Dungeon Mae no Mura no Shounen ga Joban no Machi de Kurasu Youna Monogatari (original title) Animation, Adventure, Fantasy | TV Series (2021- ) Episode Guide 10 episodes Suppose a Kid from the Last Dungeon Boonies moved to a starter town? Poster Considered a weakling his entire life, novice adventurer Lloyd leaves his village located at the fringe of the mortal world to fulfill his dream of becoming a soldier. Stars:
The 5,000 Fingers of Dr. T. (1953) ::: 6.8/10 -- G | 1h 29min | Family, Fantasy, Music | 1 July 1953 (USA) -- A young boy dreams that he is in an imaginary world where, assisted by his family's plumber, he must save other piano-playing kids like himself from the dungeons of his dictatorial piano teacher who also mind-controls his mother. Director: Roy Rowland Writers:
The Hidden Dungeon Only I Can Enter ::: Ore dake Haireru Kakushi Dungeon (original title) 24min | Animation, Action, Adventure | TV Series (2021- ) Episode Guide 9 episodes The Hidden Dungeon Only I Can Enter Poster The Hidden Dungeon is a place of legend where rare treasures and items are hidden. Nor, the third son of an impoverished noble family who's lost the one job offer he had, was lucky enough to hear about this dungeon. Stars: Ryta saka, Miyu Tomita, Rumi Okubo
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Bikini Warriors -- -- feel. -- 12 eps -- Other -- Comedy Ecchi Fantasy Parody -- Bikini Warriors Bikini Warriors -- When darkness threatens the world, four heroines hold the only hope for salvation—if they can even manage to get out of the first town, that is. Bikini Warriors follows a party of beautiful adventurers in revealing armor: courageous Fighter, airheaded Paladin, timid Mage, and alluring Darkelf. But can you really be an adventurer if you don't get going on an adventure? -- -- Our heroines are eternally broke, insufferably vain, and frequently outmatched by the dangers of their world. Between fleeing dungeons and robbing peasants, the unlikely heroes will have to learn to live with each other before they can survive a battle with ultimate evil! -- -- Licensor: -- Funimation -- 69,772 5.15
Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka -- -- J.C.Staff -- 13 eps -- Light novel -- Action Adventure Comedy Romance Fantasy -- Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka -- Life in the bustling city of Orario is never dull, especially for Bell Cranel, a naïve young man who hopes to become the greatest adventurer in the land. After a chance encounter with the lonely goddess, Hestia, his dreams become a little closer to reality. With her support, Bell embarks on a fantastic quest as he ventures deep within the city's monster-filled catacombs, known only as the "Dungeon." Death lurks around every corner in the cavernous depths of this terrifying labyrinth, and a mysterious power moves amidst the shadows. -- -- Even on the surface, survival is a hard-earned privilege. Indeed, nothing is ever certain in a world where gods and humans live and work together, especially when they often struggle to get along. One thing is for sure, though: a myriad of blunders, triumphs and friendships awaits the dauntlessly optimistic protagonist of this herculean tale. -- -- -- Licensor: -- Sentai Filmworks -- 1,138,573 7.61
Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka Gaiden: Sword Oratoria -- -- J.C.Staff -- 12 eps -- Light novel -- Action Adventure Fantasy -- Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka Gaiden: Sword Oratoria Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka Gaiden: Sword Oratoria -- After having descended upon this world, the gods have created guilds where adventurers can test their mettle. These guilds, known as "familia," grant adventurers the chance to explore, gather, hunt, or simply enjoy themselves. -- -- Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka Gaiden: Sword Oratoria begins in Orario, the lively city of adventures. The Sword Princess, Ais Wallenstein, and the novice mage, Lefiya Viridis, are members of the Loki Familia, who are experts at monster hunting. With the rest of their group, they journey to the tower of Babel in hopes of exploring the dungeon underneath. Home to powerful monsters, the dungeon will fulfill Ais's desire to master her sword skills, while bringing Lefiya closer to her dream of succeeding Riveria Ljos Alf, vice-captain of the Loki Familia, as the most powerful mage in the land. -- -- 331,637 7.05
Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka Gaiden: Sword Oratoria -- -- J.C.Staff -- 12 eps -- Light novel -- Action Adventure Fantasy -- Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka Gaiden: Sword Oratoria Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka Gaiden: Sword Oratoria -- After having descended upon this world, the gods have created guilds where adventurers can test their mettle. These guilds, known as "familia," grant adventurers the chance to explore, gather, hunt, or simply enjoy themselves. -- -- Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka Gaiden: Sword Oratoria begins in Orario, the lively city of adventures. The Sword Princess, Ais Wallenstein, and the novice mage, Lefiya Viridis, are members of the Loki Familia, who are experts at monster hunting. With the rest of their group, they journey to the tower of Babel in hopes of exploring the dungeon underneath. Home to powerful monsters, the dungeon will fulfill Ais's desire to master her sword skills, while bringing Lefiya closer to her dream of succeeding Riveria Ljos Alf, vice-captain of the Loki Familia, as the most powerful mage in the land. -- -- -- Licensor: -- Sentai Filmworks -- 331,637 7.05
Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka II -- -- J.C.Staff -- 12 eps -- Light novel -- Action Adventure Comedy Romance Fantasy -- Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka II Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka II -- It is business as usual in the massive city of Orario, where legions of adventurers gather to explore the monster-infested "Dungeon." Among them is the easily flustered yet brave Bell Cranel, the sole member of the Hestia Familia. With the help of his demi-human supporter Liliruca Arde and competent blacksmith Welf Crozzo, Bell has earned the title of Little Rookie by becoming Orario's fastest-growing adventurer thanks to his endeavors within the deeper levels of the Dungeon. -- -- Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka II continues Bell's adventures as he tries to bring glory to his goddess and protect those he cares about. However, various familias and gods across the city begin to take notice of his achievements and attempt to add him to their ranks. -- -- -- Licensor: -- Sentai Filmworks -- 537,542 7.23
Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka III -- -- J.C.Staff -- 12 eps -- Light novel -- Action Adventure Comedy Romance Fantasy -- Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka III Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka III -- The third season of Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka. -- -- When Bell encounters a frightened little girl in the dungeon, he doesn’t think twice to help. But this simple act of kindness has consequences. The girl is a monster and proof that monsters can be eerily human. And not everyone can accept this... -- -- (Source: HIDIVE) -- 339,465 7.46
Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka III -- -- J.C.Staff -- 12 eps -- Light novel -- Action Adventure Comedy Romance Fantasy -- Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka III Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka III -- The third season of Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka. -- -- When Bell encounters a frightened little girl in the dungeon, he doesn’t think twice to help. But this simple act of kindness has consequences. The girl is a monster and proof that monsters can be eerily human. And not everyone can accept this... -- -- (Source: HIDIVE) -- -- Licensor: -- Sentai Filmworks -- 339,465 7.46
Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka III OVA -- -- J.C.Staff -- 1 ep -- Light novel -- Adventure Comedy Romance Ecchi Fantasy -- Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka III OVA Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka III OVA -- (No synopsis yet.) -- OVA - Apr 28, 2021 -- 31,040 N/A -- -- Nil Admirari no Tenbin -- -- Zero-G -- 12 eps -- Visual novel -- Harem Historical Romance Fantasy Josei -- Nil Admirari no Tenbin Nil Admirari no Tenbin -- The Taishou era didn't end in 15 years, but went on for another 25. In order to protect her waning family, a girl resolves to marry a man she doesn't even know the name of. However, just before the marriage was to take place, the girl's younger brother mysteriously committed suicide by self-immolation and was found holding an old book in his hands. Appearing before the bewildered young girl was the "Imperial Library Intelligence Asset Management Bureau," more commonly referred to as "Fukurou." According to these men, there exists "Maremono," which are books that greatly affect their readers. On top of that, ever since the incident involving the girl's younger brother, she unwittingly gains the ability to see "Auras" (the sentiments of the Maremono which manifest as bright lights and are usually invisible to humans). It was as though fate were trying to drag the young girl in its flames. And then, even though apprehensive, the girl chooses to venture outside her bird cage. Jealousy, hatred, scorn, compassion, and love. What awaited the girl was the darkness of betrayal that had already begun to bewitchingly inlay the imperial capital. Toyed by and swayed within that darkness, will the young girl finally reach the truth after her struggles, or...? -- -- (Source: MAL News) -- 30,986 6.61
Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka II OVA -- -- J.C.Staff -- 1 ep -- Light novel -- Adventure Comedy Romance Ecchi Fantasy -- Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka II OVA Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka II OVA -- (No synopsis yet.) -- -- Licensor: -- Sentai Filmworks -- OVA - Jan 29, 2020 -- 58,053 6.33
Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka II: Past & Future -- -- J.C.Staff -- 1 ep -- Light novel -- Action Adventure Comedy Fantasy -- Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka II: Past & Future Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka II: Past & Future -- Recap of the first season of Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka. -- Special - Jul 6, 2019 -- 37,411 6.74
Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka IV -- -- - -- ? eps -- Light novel -- Action Adventure Comedy Romance Fantasy -- Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka IV Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka IV -- Fourth season of Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka. -- TV - ??? ??, 2022 -- 55,073 N/A -- -- Break Blade 3: Kyoujin no Ato -- -- Production I.G, Xebec -- 1 ep -- Manga -- Action Military Fantasy Mecha Shounen -- Break Blade 3: Kyoujin no Ato Break Blade 3: Kyoujin no Ato -- Third Break Blade movie. -- -- Licensor: -- Sentai Filmworks -- Movie - Sep 25, 2010 -- 54,958 7.81
Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka IV -- -- - -- ? eps -- Light novel -- Action Adventure Comedy Romance Fantasy -- Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka IV Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka IV -- Fourth season of Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka. -- TV - ??? ??, 2022 -- 55,073 N/A -- -- Maou Gakuin no Futekigousha: Shijou Saikyou no Maou no Shiso, Tensei shite Shison-tachi no Gakkou e -- -- SILVER LINK. -- ? eps -- Light novel -- Magic Fantasy School -- Maou Gakuin no Futekigousha: Shijou Saikyou no Maou no Shiso, Tensei shite Shison-tachi no Gakkou e Maou Gakuin no Futekigousha: Shijou Saikyou no Maou no Shiso, Tensei shite Shison-tachi no Gakkou e -- Second season of Maou Gakuin no Futekigousha: Shijou Saikyou no Maou no Shiso, Tensei shite Shison-tachi no Gakkou e Kayou. -- TV - ??? ??, ???? -- 55,065 N/A -- -- Tegamibachi Reverse -- -- Studio Pierrot -- 25 eps -- Manga -- Adventure Supernatural Fantasy Shounen -- Tegamibachi Reverse Tegamibachi Reverse -- After Niche carries the wounded and stunned Lag back to the Bee Hive, the Letter Bee finally begins to piece the puzzle together. Now he knows what's happened to Gauche, why the Marauders are so focused on stealing mail and the actual intent of the group controlling both, Reverse. However, when he's forbidden to reveal the truth, Lag is soon forced out of the artificial sunlight and back into the world of perpetual night. And soon Reverse's plot to take down the Letter Bees and overthrow the Amberground government begins to accelerate. If things weren't already bad enough, the giant insect creatures called gaichuu are apparently evolving into something new; there may be traitors working within the Hive; and Niche's sister, who's definitely not human friendly, shows up to turn family drama into a full-scale siege! It all spells serious trouble for the Letter Bees, but if anyone can weather the storms and gloom of night, Lag and his team are the ones who'll deliver. -- -- (Source: FUNimation) -- -- Licensor: -- Sentai Filmworks -- 55,008 7.77
Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka Movie: Orion no Ya -- -- J.C.Staff -- 1 ep -- Light novel -- Action Adventure Comedy Fantasy Romance -- Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka Movie: Orion no Ya Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka Movie: Orion no Ya -- Continuing his adventure to get stronger in order to traverse deeper into the "Dungeon," Bell Cranel wanders the Orario city streets with his friends and the goddess Hestia. That evening, the city is filled with stalls and games as it celebrates the Holy Moon Festival. -- -- Hermes, a god, hosts one such activity where participants are asked to pull a spear embedded in a crystal boulder; those who succeed will receive a special gift: a trip around the world and a divine blessing from the gods! Bell and his merry group challenge one another to claim the prize. But behind the facade of an innocent party game lies a preface for a daring quest ahead. -- -- -- Licensor: -- Sentai Filmworks -- Movie - Feb 15, 2019 -- 147,084 7.43
Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka OVA -- -- J.C.Staff -- 1 ep -- Light novel -- Action Adventure Comedy Fantasy Romance -- Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka OVA Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka OVA -- On their way back from the 18th floor, Hestia, Bell, and the others accidentally uncover a hidden, mystical hot spring, and they decide to stop by to refresh themselves until creatures lurking in the dark appear to attack them. -- -- Licensor: -- Sentai Filmworks -- OVA - Dec 7, 2016 -- 135,175 7.07
Gin no Guardian -- -- Haoliners Animation League -- 12 eps -- Web manga -- Adventure Fantasy -- Gin no Guardian Gin no Guardian -- High school student and gamer Suigin Riku attends the prestigious Shinryou Private Academy, a school for the elite and the children of the wealthy. But rich or wealthy are not words that describe Suigin; in fact, he is dirt poor and must work many part time jobs to pay for his tuition. During one such job, he dives into a pool to save his pet cat, fully aware that he cannot swim. Luckily, he is saved by Rei Riku, the beautiful and popular daughter of a game developer, and he falls in love with her. -- -- He is also drawn to another girl: a new friend he meets in Dungeon Century, his favorite online RPG. But when the game is scheduled to shut down, he knows his adventures with her will soon end. However, the day after the game is shut down, he finds out that Rei and the online girl are one and the same. Soon after, Rei gives Suigin a new game meant to replace Dungeon Century—a tomb raiding game called Grave Buster. But when Rei is suddenly kidnapped, Suigin is pulled inside Grave Buster to save her. -- -- Gin no Guardian follows Suigin as he plays through Grave Buster to save Rei, while uncovering the secrets hidden within the game. -- -- -- Licensor: -- Funimation -- 90,940 6.24
Gin no Guardian II -- -- Blade, Emon -- 6 eps -- Web manga -- Adventure Fantasy -- Gin no Guardian II Gin no Guardian II -- At Shinryou Private Academy—an expensive school for wealthy students—one would never expect to find the poverty-stricken Suigin Riku. When he is not working on one of his many part-time jobs to pay his tuition, he can often be found playing the RPG game Dungeon Century, where he has cultivated a relationship with an online friend. However, when Dungeon Century shuts down, he finds out that his crush, the kind-hearted Rei Riku, and his online friend are the same person. -- -- But in the aftermath of this revelation, Rei gets kidnapped and taken into Grave Buster, which is a new online game from the creators of Dungeon Century, forcing Suigin to enter the harsh new world of a pay-to-win game in order to save her. Gin no Guardian 2nd Season continues Suigin's quest to rescue Rei, while attempting to solve the mysteries of this strange game. -- -- -- Licensor: -- Funimation -- 46,176 6.58
.hack//Intermezzo -- -- Bee Train -- 1 ep -- Original -- Adventure Fantasy Game Magic Mystery Sci-Fi -- .hack//Intermezzo .hack//Intermezzo -- A virtual multiplayer online role-playing game exists, known as "The World." In "The World," there is an event held in the Dungeon of Nankoflank that Mimiru, a character in the game, undertakes with Bear, another character of the game. Mimiru confesses to Bear that she's not doing the event for the treasures or experiences, but for the memories and experiences of when she had first started playing. The two later meet a certain character named Mimika and together, the three proceed through quests and events as Mimiru learns the meaning of the game. -- -- -- Licensor: -- Bandai Entertainment -- Special - Mar 28, 2003 -- 21,341 6.56
.hack//Intermezzo -- -- Bee Train -- 1 ep -- Original -- Adventure Fantasy Game Magic Mystery Sci-Fi -- .hack//Intermezzo .hack//Intermezzo -- A virtual multiplayer online role-playing game exists, known as "The World." In "The World," there is an event held in the Dungeon of Nankoflank that Mimiru, a character in the game, undertakes with Bear, another character of the game. Mimiru confesses to Bear that she's not doing the event for the treasures or experiences, but for the memories and experiences of when she had first started playing. The two later meet a certain character named Mimika and together, the three proceed through quests and events as Mimiru learns the meaning of the game. -- -- Special - Mar 28, 2003 -- 21,341 6.56
Magi: Sinbad no Bouken -- -- Lay-duce -- 5 eps -- Manga -- Action Adventure Fantasy Magic Shounen -- Magi: Sinbad no Bouken Magi: Sinbad no Bouken -- Not so long ago, mysterious structures called Dungeons began appearing all over the world. No one knows what they are or how they came to be, but adventurers and armies around the world instantly took interest in them. Thousands set out to explore the Dungeons, but so far, not a single person has returned. -- -- In a Parthevian port, a young boy is about to make a name for himself. Sinbad is good-natured, strong, and craving adventure. A kind deed leads to his meeting with Yunan, an enigmatic traveler who is far more powerful than his frivolous personality lets on. Yunan instructs Sinbad to attain the "power of the king" and change the world—by conquering a Dungeon. The eager boy readily accepts, setting out on the grand adventure he so craved. -- -- Taking place 15 years before the events of the original series, Magi: Sinbad no Bouken chronicles Sinbad's youth as a Dungeon conqueror. Along the way, the budding adventurer and merchant will have to face many obstacles, but anything is possible with the power of a king. -- -- OVA - May 14, 2014 -- 105,576 7.83
Magi: Sinbad no Bouken (TV) -- -- Lay-duce -- 13 eps -- Manga -- Action Adventure Fantasy Magic Shounen -- Magi: Sinbad no Bouken (TV) Magi: Sinbad no Bouken (TV) -- In the small, impoverished Tison Village of the Parthevia Empire, a boy, Sinbad, is born to the jaded ex-soldier Badr and his kind-hearted wife Esra. His birth creates a radiant surge throughout the rukh, a declaration of a singularity to those who stand at the pinnacle of magical might: the "Child of Destiny" is here. Despite his country being plagued by economic instability and the repercussions of war, Sinbad leads a cheerful life—until a stranger's arrival shatters his peaceful world, and tragedy soon befalls him. -- -- Years later, mysterious edifices called "dungeons" have been erected all over the world. Rumored to contain great power and treasures, these dungeons piqued the interest of adventurers and armies alike; though to this day, none have returned therefrom. Sinbad, now 14, has grown into a charming and talented young boy. Inspired by the shocking events of his childhood and by his father's words, he yearns to begin exploring the world beyond his village. As though orchestrated by fate, Sinbad meets an enigmatic traveler named Yunan. Stirred by Sinbad's story and ambitions, Yunan directs him to a dungeon which he claims holds the power Sinbad needs to achieve his goals—the "power of a king." -- -- Magi: Sinbad no Bouken tells the epic saga of Sinbad's early life as he travels the world, honing his skill and influence, while gathering allies and power to become the High King of the Seven Seas. -- -- 364,891 7.89
Magi: The Labyrinth of Magic -- -- A-1 Pictures -- 25 eps -- Manga -- Action Adventure Fantasy Magic Shounen -- Magi: The Labyrinth of Magic Magi: The Labyrinth of Magic -- Dispersed around the world, there are several bizarre labyrinths hiding incredible treasures within them. These mysterious places, known as "Dungeons," are said to be the work of Magi, a class of rare magicians, who also help people build their empires by guiding them to a dungeon. Djinns, supernatural beings that rule over the labyrinths, grant successful conquerors access to their immense power and choose them as potential king candidates to rule the world. -- -- Having spent life in isolation, Aladdin, a kind and young magician, is eager to explore the world upon finally leaving his home behind. He begins his journey only accompanied by his mentor Ugo—a djinn that Aladdin can summon with his flute. However, Aladdin soon becomes friends with the courageous Alibaba Saluja after causing the destruction of a local merchant's supply cart. In order to pay for the damages, Alibaba suggests that they attempt to conquer the nearest dungeon, taking the first step in an epic adventure that will decide the fate of the world itself. -- -- -- Licensor: -- Aniplex of America -- 807,447 8.06
Ore dake Haireru Kakushi Dungeon -- -- Okuruto Noboru -- 12 eps -- Light novel -- Action Adventure Harem Ecchi Fantasy -- Ore dake Haireru Kakushi Dungeon Ore dake Haireru Kakushi Dungeon -- Despite his noble title, Noir Starga is at the bottom of the social hierarchy. Because of this, his fellow nobles oppress him and treat him like garbage. However, he possesses a rare yet powerful ability to communicate with the Great Sage, an oracle who grants Noir the answer to absolutely anything. -- -- After failing to secure a job as a librarian, Noir decides to join the Hero Academy. He knows he must become stronger to enter the institution. The Great Sage advises him to explore a hidden dungeon deep within the mountains. There, Noir meets Olivia Servant, a beautiful yet enchained maiden trapped within the labyrinth. Olivia bestows upon Noir a set of ridiculously powerful skills that grants him virtually total control over reality. Naturally, there is a catch—every time Noir attempts to use his powers, his life points decrease, putting his life at risk. To replenish his energy, he must give in to worldly pleasures such as kissing his childhood friend! -- -- With his newfound powers, Noir begins his journey as a student in the Hero Academy, meeting new acquaintances and helping them through the dire situations ahead. -- -- 189,648 6.26
Phantom of the Kill: Zero kara no Hangyaku -- -- Production I.G -- 1 ep -- Game -- Action Adventure Fantasy -- Phantom of the Kill: Zero kara no Hangyaku Phantom of the Kill: Zero kara no Hangyaku -- Game producer Jun Imaizumi announced six new projects related to the smartphone game "Phantom of the Kill" during a Niconico live broadcast celebrating the game's one-year anniversary on Friday. One of the new projects is a 15-minute anime concept film. -- -- Naoyoshi Shiotani (Psycho-Pass, Blood-C: The Last Dark) will direct the concept film at Production I.G -- -- Fuji & Gumi Games' strategy drama RPG follows mysterious girls who carry the names of legendary weapons (such as "Masamune") as they search for their lost memories. The game allows players to collect characters and weapons, and enter dungeons to engage in turn-based tactical battles. -- -- (Source: ANN) -- Movie - Apr 7, 2016 -- 9,365 6.19
Shachou, Battle no Jikan Desu! -- -- C2C -- 12 eps -- Game -- Action Adventure Fantasy -- Shachou, Battle no Jikan Desu! Shachou, Battle no Jikan Desu! -- Long ago, a goddess descended from Heaven and blessed the desolate land of Gatepia. As a result, gigantic gates appeared, leading to dungeons abundant in "kirakuri," crystals containing the energy needed for the foundation of the world. This led to the formation of various companies of adventurers who would harvest kirakuri from the dungeons. -- -- Following his father's disappearance inside one of the biggest gates in Gatepia, Minato is urged by his childhood friend Yutoria to become the president of his father's treasure-hunting company—the Kibou Company. He reluctantly agrees and meets with the other employees: the priest Makoto, the soldier Akari, and the accountant Guide. -- -- Thus, Makoto begins his tenure as president. As he and his comrades strive to fulfill various missions and other assorted tasks in order to keep their small company alive, they will uncover the mystery behind their former leader's sudden departure. -- -- -- Licensor: -- Funimation -- 28,167 5.86
Tatoeba Last Dungeon Mae no Mura no Shounen ga Joban no Machi de Kurasu Youna Monogatari -- -- LIDENFILMS -- 12 eps -- Light novel -- Adventure Fantasy -- Tatoeba Last Dungeon Mae no Mura no Shounen ga Joban no Machi de Kurasu Youna Monogatari Tatoeba Last Dungeon Mae no Mura no Shounen ga Joban no Machi de Kurasu Youna Monogatari -- A long time ago, the ancient saviors of humanity founded a village as their haven, with their descendants said to assist humanity in times of extreme chaos. This village, Kunlun, is located just beside the infamous "Last Dungeon"—a place where monsters of unimaginable strength reside and which serves as the hunting grounds for Kunlun residents. -- -- Despite being accustomed to defeating powerful enemies since childhood, Lloyd Belladonna regards himself as the weakest in his village in terms of magic, strength, and intelligence. Even so, to fulfill his desire of becoming a soldier, he goes to the Kingdom of Azami to enroll in its military academy. However, as someone whose upbringing defies common sense, Lloyd's innate power might just prove to be the key to end the crises enveloping the kingdom! -- -- -- Licensor: -- Funimation -- 151,585 6.35
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