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now begins generated list of local instances, definitions, quotes, instances in chapters, wordnet info if available and instances among weblinks


OBJECT INSTANCES [0] - TOPICS - AUTHORS - BOOKS - CHAPTERS - CLASSES - SEE ALSO - SIMILAR TITLES

TOPICS
SEE ALSO


AUTH

BOOKS
City_of_God
Epigrams_from_Savitri
General_Principles_of_Kabbalah
Know_Yourself
Liber_157_-_The_Tao_Teh_King
Life_without_Death
Modern_Man_in_Search_of_a_Soul
Process_and_Reality
Savitri
The_Divine_Companion
The_Divine_Milieu
The_Imitation_of_Christ
The_Republic
The_Seals_of_Wisdom
The_Tarot_of_Paul_Christian
The_Use_and_Abuse_of_History
The_Way_of_Perfection
The_Yoga_Sutras
Three_Books_on_Occult_Philosophy
Toward_the_Future

IN CHAPTERS TITLE

IN CHAPTERS CLASSNAME

IN CHAPTERS TEXT
0.00_-_INTRODUCTION
0.00_-_The_Book_of_Lies_Text
0.01f_-_FOREWARD
0.02_-_Letters_to_a_Sadhak
0.03_-_Letters_to_My_little_smile
0.03_-_The_Threefold_Life
0.04_-_The_Systems_of_Yoga
0.05_-_The_Synthesis_of_the_Systems
0.06_-_INTRODUCTION
0.06_-_Letters_to_a_Young_Sadhak
0.07_-_DARK_NIGHT_OF_THE_SOUL
01.02_-_Natures_Own_Yoga
01.02_-_The_Issue
01.03_-_Mystic_Poetry
01.03_-_The_Yoga_of_the_King_-_The_Yoga_of_the_Souls_Release
01.04_-_The_Secret_Knowledge
01.05_-_The_Yoga_of_the_King_-_The_Yoga_of_the_Spirits_Freedom_and_Greatness
01.08_-_A_Theory_of_Yoga
0.11_-_Letters_to_a_Sadhak
0_1961-01-17
0_1961-01-22
0_1961-01-24
0_1961-03-21
0_1961-10-30
0_1961-11-07
0_1962-01-21
0_1962-06-09
0_1965-09-25
0_1966-04-24
0_1967-07-22
0_1968-04-24
0_1969-07-23
0_1970-02-07
0_1970-04-22
0_1971-10-27
0_1972-07-22
02.01_-_Our_Ideal
02.01_-_The_World-Stair
02.02_-_The_Kingdom_of_Subtle_Matter
02.04_-_The_Kingdoms_of_the_Little_Life
02.05_-_The_Godheads_of_the_Little_Life
02.06_-_The_Kingdoms_and_Godheads_of_the_Greater_Life
02.10_-_The_Kingdoms_and_Godheads_of_the_Little_Mind
02.11_-_The_Kingdoms_and_Godheads_of_the_Greater_Mind
03.02_-_The_Adoration_of_the_Divine_Mother
03.03_-_The_House_of_the_Spirit_and_the_New_Creation
03.03_-_The_Inner_Being_and_the_Outer_Being
03.04_-_The_Vision_and_the_Boon
04.03_-_The_Call_to_the_Quest
04.03_-_The_Eternal_East_and_West
05.34_-_Light,_more_Light
06.02_-_The_Way_of_Fate_and_the_Problem_of_Pain
07.02_-_The_Parable_of_the_Search_for_the_Soul
07.03_-_The_Entry_into_the_Inner_Countries
07.06_-_Nirvana_and_the_Discovery_of_the_All-Negating_Absolute
10.02_-_The_Gospel_of_Death_and_Vanity_of_the_Ideal
10.03_-_The_Debate_of_Love_and_Death
10.04_-_The_Dream_Twilight_of_the_Earthly_Real
1.00a_-_DIVISION_A_-_THE_INTERNAL_FIRES_OF_THE_SHEATHS.
1.00e_-_DIVISION_E_-_MOTION_ON_THE_PHYSICAL_AND_ASTRAL_PLANES
1.00_-_Main
1.013_-_Defence_Mechanisms_of_the_Mind
10.19_-_Short_Notes_-_2-_God_Above_and_God_Within
1.01_-_Adam_Kadmon_and_the_Evolution
1.01_-_Economy
1.01_-_Foreward
1.01_-_Fundamental_Considerations
1.01_-_Historical_Survey
1.01_-_How_is_Knowledge_Of_The_Higher_Worlds_Attained?
1.01_-_Introduction
1.01_-_NIGHT
1.01_-_On_knowledge_of_the_soul,_and_how_knowledge_of_the_soul_is_the_key_to_the_knowledge_of_God.
1.01_-_Proem
1.01_-_Seeing
1.01_-_The_Four_Aids
1.01_-_The_Mental_Fortress
1.01_-_The_Rape_of_the_Lock
1.01_-_To_Watanabe_Sukefusa
1.02.4.1_-_The_Worlds_-_Surya
1.02.4.2_-_Action_and_the_Divine_Will
1.02_-_BOOK_THE_SECOND
1.02_-_MAPS_OF_MEANING_-_THREE_LEVELS_OF_ANALYSIS
1.02_-_The_Doctrine_of_the_Mystics
1.02_-_The_Great_Process
1.02_-_THE_NATURE_OF_THE_GROUND
1.02_-_THE_PROBLEM_OF_SOCRATES
1.02_-_The_Stages_of_Initiation
1.02_-_The_Two_Negations_1_-_The_Materialist_Denial
1.02_-_Where_I_Lived,_and_What_I_Lived_For
1.03_-_A_Parable
1.03_-_BOOK_THE_THIRD
1.03_-_Man_-_Slave_or_Free?
1.03_-_On_Knowledge_of_the_World.
1.03_-_ON_THE_AFTERWORLDLY
1.03_-_Questions_and_Answers
1.03_-_Self-Surrender_in_Works_-_The_Way_of_The_Gita
1.03_-_Some_Practical_Aspects
1.03_-_Sympathetic_Magic
1.03_-_The_Principle_of_Water
1.03_-_The_Uncreated
1.03_-_YIBHOOTI_PADA
1.04_-_A_Leader
1.04_-_BOOK_THE_FOURTH
1.04_-_On_Knowledge_of_the_Future_World.
1.04_-_Sounds
1.04_-_THE_APPEARANCE_OF_ANOMALY_-_CHALLENGE_TO_THE_SHARED_MAP
1.04_-_The_Crossing_of_the_First_Threshold
1.04_-_The_Divine_Mother_-_This_Is_She
1.04_-_The_Paths
1.04_-_The_Sacrifice_the_Triune_Path_and_the_Lord_of_the_Sacrifice
1.04_-_Wherefore_of_World?
1.05_-_Problems_of_Modern_Psycho_therapy
1.05_-_The_Ascent_of_the_Sacrifice_-_The_Psychic_Being
1.05_-_THE_HOSTILE_BROTHERS_-_ARCHETYPES_OF_RESPONSE_TO_THE_UNKNOWN
1.05_-_The_Magical_Control_of_the_Weather
1.05_-_The_New_Consciousness
1.05_-_The_Universe__The_0_=_2_Equation
1.05_-_Vishnu_as_Brahma_creates_the_world
1.06_-_Being_Human_and_the_Copernican_Principle
1.06_-_BOOK_THE_SIXTH
1.06_-_LIFE_AND_THE_PLANETS
1.06_-_Man_in_the_Universe
1.06_-_MORTIFICATION,_NON-ATTACHMENT,_RIGHT_LIVELIHOOD
1.06_-_Of_imperfections_with_respect_to_spiritual_gluttony.
1.06_-_On_Thought
1.06_-_Psychic_Education
1.06_-_Psycho_therapy_and_a_Philosophy_of_Life
1.06_-_Quieting_the_Vital
1.06_-_The_Ascent_of_the_Sacrifice_2_The_Works_of_Love_-_The_Works_of_Life
1.06_-_The_Desire_to_be
1.06_-_THE_FOUR_GREAT_ERRORS
1.06_-_The_Sign_of_the_Fishes
1.06_-_The_Three_Schools_of_Magick_1
1.06_-_WITCHES_KITCHEN
1.07_-_BOOK_THE_SEVENTH
1.07_-_Incarnate_Human_Gods
1.07_-_Medicine_and_Psycho_therapy
1.07_-_Note_on_the_word_Go
1.07_-_On_Dreams
1.07_-_Standards_of_Conduct_and_Spiritual_Freedom
1.07_-_The_Continuity_of_Consciousness
1.07_-_THE_.IMPROVERS._OF_MANKIND
1.07_-_THE_MASTER_AND_VIJAY_GOSWAMI
1.07_-_The_Psychic_Center
1.08_-_BOOK_THE_EIGHTH
1.08_-_Civilisation_and_Barbarism
1.08_-_Phlegyas._Philippo_Argenti._The_Gate_of_the_City_of_Dis.
1.08_-_Psycho_therapy_Today
1.08_-_The_Change_of_Vision
1.08_-_The_Four_Austerities_and_the_Four_Liberations
1.08_-_The_Gods_of_the_Veda_-_The_Secret_of_the_Veda
1.08_-_The_Historical_Significance_of_the_Fish
1.08_-_The_Methods_of_Vedantic_Knowledge
1.08_-_The_Splitting_of_the_Human_Personality_during_Spiritual_Training
1.08_-_The_Supreme_Discovery
1.08_-_The_Three_Schools_of_Magick_3
1.09_-_A_System_of_Vedic_Psychology
1.09_-_BOOK_THE_NINTH
1.09_-_Equality_and_the_Annihilation_of_Ego
1.09_-_SKIRMISHES_IN_A_WAY_WITH_THE_AGE
1.09_-_The_Furies_and_Medusa._The_Angel._The_City_of_Dis._The_Sixth_Circle__Heresiarchs.
1.09_-_The_Guardian_of_the_Threshold
1.09_-_The_Secret_Chiefs
1.1.01_-_The_Divine_and_Its_Aspects
11.01_-_The_Eternal_Day__The_Souls_Choice_and_the_Supreme_Consummation
1.1.02_-_Sachchidananda
1.1.02_-_The_Aim_of_the_Integral_Yoga
1.10_-_BOOK_THE_TENTH
1.10_-_Conscious_Force
1.10_-_Farinata_and_Cavalcante_de'_Cavalcanti._Discourse_on_the_Knowledge_of_the_Damned.
1.10_-_Harmony
1.10_-_ON_WAR_AND_WARRIORS
1.10_-_Relics_of_Tree_Worship_in_Modern_Europe
1.10_-_The_Image_of_the_Oceans_and_the_Rivers
1.10_-_The_Secret_of_the_Veda
1.11_-_BOOK_THE_ELEVENTH
1.11_-_Delight_of_Existence_-_The_Problem
1.11_-_Oneness
1.11_-_Powers
1.11_-_The_Master_of_the_Work
1.11_-_The_Reason_as_Governor_of_Life
1.11_-_The_Second_Genesis
1.11_-_The_Seven_Rivers
1.1.2_-_Commentary
1.12_-_Delight_of_Existence_-_The_Solution
1.12_-_THE_FESTIVAL_AT_PNIHTI
1.12_-_The_Herds_of_the_Dawn
1.12_-_The_Office_and_Limitations_of_the_Reason
1.12_-_The_Superconscient
1.13_-_A_GARDEN-ARBOR
1.13_-_BOOK_THE_THIRTEENTH
1.13_-_The_Divine_Maya
1.13_-_The_Wood_of_Thorns._The_Harpies._The_Violent_against_themselves._Suicides._Pier_della_Vigna._Lano_and_Jacopo_da_Sant'_Andrea.
1.14_-_FOREST_AND_CAVERN
1.14_-_ON_THE_FRIEND
1.14_-_The_Sand_Waste_and_the_Rain_of_Fire._The_Violent_against_God._Capaneus._The_Statue_of_Time,_and_the_Four_Infernal_Rivers.
1.14_-_The_Secret
1.14_-_The_Stress_of_the_Hidden_Spirit
1.14_-_The_Supermind_as_Creator
1.15_-_On_incorruptible_purity_and_chastity_to_which_the_corruptible_attain_by_toil_and_sweat.
1.15_-_The_Possibility_and_Purpose_of_Avatarhood
1.15_-_The_Suprarational_Good
1.15_-_The_Supreme_Truth-Consciousness
1.16_-_Man,_A_Transitional_Being
1.16_-_The_Process_of_Avatarhood
1.16_-_The_Suprarational_Ultimate_of_Life
1.16_-_The_Triple_Status_of_Supermind
1.17_-_DOES_MANKIND_MOVE_BIOLOGICALLY_UPON_ITSELF?
1.17_-_The_Seven-Headed_Thought,_Swar_and_the_Dashagwas
1.17_-_The_Transformation
1.18_-_ON_LITTLE_OLD_AND_YOUNG_WOMEN
1.18_-_The_Human_Fathers
1.19_-_ON_THE_PROBABLE_EXISTENCE_AHEAD_OF_US_OF_AN_ULTRA-HUMAN
1.19_-_Tabooed_Acts
1.19_-_The_Victory_of_the_Fathers
1.2.03_-_The_Interpretation_of_Scripture
1.2.07_-_Surrender
1.2.08_-_Faith
1.20_-_Death,_Desire_and_Incapacity
1.20_-_Equality_and_Knowledge
1.20_-_RULES_FOR_HOUSEHOLDERS_AND_MONKS
1.20_-_Tabooed_Persons
1.20_-_The_Hound_of_Heaven
1.21_-_Tabooed_Things
1.21_-_The_Ascent_of_Life
1.22_-_ADVICE_TO_AN_ACTOR
1.22_-_Ciampolo,_Friar_Gomita,_and_Michael_Zanche._The_Malabranche_quarrel.
1.22__-_Dominion_over_different_provinces_of_creation_assigned_to_different_beings
1.22_-_Tabooed_Words
1.22_-_The_Necessity_of_the_Spiritual_Transformation
1.22_-_The_Problem_of_Life
1.23_-_Conditions_for_the_Coming_of_a_Spiritual_Age
1.23_-_DREARY_DAY
1.23_-_The_Double_Soul_in_Man
1.240_-_Talks_2
1.24_-_Matter
1.2.4_-_Speech_and_Yoga
1.24_-_The_Advent_and_Progress_of_the_Spiritual_Age
1.24_-_The_Killing_of_the_Divine_King
1.25_-_On_the_destroyer_of_the_passions,_most_sublime_humility,_which_is_rooted_in_spiritual_feeling.
1.25_-_SPIRITUAL_EXERCISES
1.25_-_The_Knot_of_Matter
1.25_-_Vanni_Fucci's_Punishment._Agnello_Brunelleschi,_Buoso_degli_Abati,_Puccio_Sciancato,_Cianfa_de'_Donati,_and_Guercio_Cavalcanti.
1.26_-_Mental_Processes_-_Two_Only_are_Possible
1.26_-_The_Eighth_Bolgia__Evil_Counsellors._Ulysses_and_Diomed._Ulysses'_Last_Voyage.
1.27_-_AT_DAKSHINESWAR
1.27_-_Describes_the_great_love_shown_us_by_the_Lord_in_the_first_words_of_the_Paternoster_and_the_great_importance_of_our_making_no_account_of_good_birth_if_we_truly_desire_to_be_the_daughters_of_God.
1.27_-_Guido_da_Montefeltro._His_deception_by_Pope_Boniface_VIII.
1.27_-_The_Sevenfold_Chord_of_Being
1.28_-_Supermind,_Mind_and_the_Overmind_Maya
1.2_-_Katha_Upanishads
1.300_-_1.400_Talks
1.3.04_-_Peace
1.3.1.02_-_The_Object_of_Our_Yoga
1.31_-_The_Giants,_Nimrod,_Ephialtes,_and_Antaeus._Descent_to_Cocytus.
1.3.2.01_-_I._The_Entire_Purpose_of_Yoga
1.35_-_The_Tao_2
1.39_-_Continues_the_same_subject_and_gives_counsels_concerning_different_kinds_of_temptation._Suggests_two_remedies_by_which_we_may_be_freed_from_temptations.135
1.39_-_Prophecy
1.39_-_The_Ritual_of_Osiris
1.4.03_-_The_Guru
1.40_-_Describes_how,_by_striving_always_to_walk_in_the_love_and_fear_of_God,_we_shall_travel_safely_amid_all_these_temptations.
1.44_-_Serious_Style_of_A.C.,_or_the_Apparent_Frivolity_of_Some_of_my_Remarks
1.46_-_Selfishness
1.53_-_The_Propitation_of_Wild_Animals_By_Hunters
1.60_-_Between_Heaven_and_Earth
1.62_-_The_Fire-Festivals_of_Europe
1.64_-_The_Burning_of_Human_Beings_in_the_Fires
1.66_-_The_External_Soul_in_Folk-Tales
1.67_-_The_External_Soul_in_Folk-Custom
1.68_-_The_Golden_Bough
1.78_-_Sore_Spots
1.83_-_Epistola_Ultima
1929-04-14_-_Dangers_of_Yoga_-_Two_paths,_tapasya_and_surrender_-_Impulses,_desires_and_Yoga_-_Difficulties_-_Unification_around_the_psychic_being_-_Ambition,_undoing_of_many_Yogis_-_Powers,_misuse_and_right_use_of_-_How_to_recognise_the_Divine_Will_-_Accept_things_that_come_from_Divine_-_Vital_devotion_-_Need_of_strong_body_and_nerves_-_Inner_being,_invariable
1953-04-08
1953-06-24
1954-11-24_-_Aspiration_mixed_with_desire_-_Willing_and_desiring_-_Children_and_desires_-_Supermind_and_the_higher_ranges_of_mind_-_Stages_in_the_supramental_manifestation
1955-10-19_-_The_rhythms_of_time_-_The_lotus_of_knowledge_and_perfection_-_Potential_knowledge_-_The_teguments_of_the_soul_-_Shastra_and_the_Gurus_direct_teaching_-_He_who_chooses_the_Infinite...
1956-07-18_-_Unlived_dreams_-_Radha-consciousness_-_Separation_and_identification_-_Ananda_of_identity_and_Ananda_of_union_-_Sincerity,_meditation_and_prayer_-_Enemies_of_the_Divine_-_The_universe_is_progressive
1956-09-12_-_Questions,_practice_and_progress
1956-10-10_-_The_supramental_race__in_a_few_centuries_-_Condition_for_new_realisation_-_Everyone_must_follow_his_own_path_-_Progress,_no_two_paths_alike
1957-04-24_-_Perfection,_lower_and_higher
1957-07-24_-_The_involved_supermind_-_The_new_world_and_the_old_-_Will_for_progress_indispensable
1957-10-23_-_The_central_motive_of_terrestrial_existence_-_Evolution
1957-10-30_-_Double_movement_of_evolution_-_Disappearance_of_a_species
1957-12-04_-_The_method_of_The_Life_Divine_-_Problem_of_emergence_of_a_new_species
1958-03-12_-_The_key_of_past_transformations
1958-03-19_-_General_tension_in_humanity_-_Peace_and_progress_-_Perversion_and_vision_of_transformation
1958-04-16_-_The_superman_-_New_realisation
1958-09-10_-_Magic,_occultism,_physical_science
1958-11-12_-_The_aim_of_the_Supreme_-_Trust_in_the_Grace
1960_02_10
1960_11_14?_-_51
1961_05_21?_-_62
1965_09_25
1966_09_14
1969_09_14
1970_01_23
1970_02_05
1970_04_19_-_484
1970_04_28
1970_05_23
1970_06_02
1970_06_03
1.ami_-_Bright_are_Thy_tresses,_brighten_them_even_more_(from_Baal-i-Jibreel)
1.ami_-_To_the_Saqi_(from_Baal-i-Jibreel)
1.anon_-_But_little_better
1.anon_-_The_Poem_of_Imru-Ul-Quais
1f.lovecraft_-_A_Reminiscence_of_Dr._Samuel_Johnson
1f.lovecraft_-_At_the_Mountains_of_Madness
1f.lovecraft_-_Beyond_the_Wall_of_Sleep
1f.lovecraft_-_Deaf,_Dumb,_and_Blind
1f.lovecraft_-_Herbert_West-Reanimator
1f.lovecraft_-_Poetry_and_the_Gods
1f.lovecraft_-_The_Case_of_Charles_Dexter_Ward
1f.lovecraft_-_The_Crawling_Chaos
1f.lovecraft_-_The_Diary_of_Alonzo_Typer
1f.lovecraft_-_The_Disinterment
1f.lovecraft_-_The_Doom_That_Came_to_Sarnath
1f.lovecraft_-_The_Dreams_in_the_Witch_House
1f.lovecraft_-_The_Dunwich_Horror
1f.lovecraft_-_The_Evil_Clergyman
1f.lovecraft_-_The_Festival
1f.lovecraft_-_The_Ghost-Eater
1f.lovecraft_-_The_Hoard_of_the_Wizard-Beast
1f.lovecraft_-_The_Horror_at_Red_Hook
1f.lovecraft_-_The_Horror_in_the_Museum
1f.lovecraft_-_The_Last_Test
1f.lovecraft_-_The_Loved_Dead
1f.lovecraft_-_The_Lurking_Fear
1f.lovecraft_-_The_Mound
1f.lovecraft_-_The_Nameless_City
1f.lovecraft_-_The_Night_Ocean
1f.lovecraft_-_The_Picture_in_the_House
1f.lovecraft_-_The_Shadow_out_of_Time
1f.lovecraft_-_The_Shadow_over_Innsmouth
1f.lovecraft_-_The_Statement_of_Randolph_Carter
1f.lovecraft_-_The_Street
1f.lovecraft_-_The_Thing_on_the_Doorstep
1f.lovecraft_-_The_Trap
1f.lovecraft_-_The_Tree
1f.lovecraft_-_The_Whisperer_in_Darkness
1f.lovecraft_-_Through_the_Gates_of_the_Silver_Key
1f.lovecraft_-_Two_Black_Bottles
1f.lovecraft_-_Under_the_Pyramids
1f.lovecraft_-_Winged_Death
1.fs_-_A_Funeral_Fantasie
1.fs_-_Breadth_And_Depth
1.fs_-_Dithyramb
1.fs_-_Fridolin_(The_Walk_To_The_Iron_Factory)
1.fs_-_Genius
1.fs_-_Honor_To_Woman
1.fs_-_Resignation
1.fs_-_The_Artists
1.fs_-_The_Count_Of_Hapsburg
1.fs_-_The_Cranes_Of_Ibycus
1.fs_-_The_Driver
1.fs_-_The_Eleusinian_Festival
1.fs_-_The_Infanticide
1.fs_-_The_Pilgrim
1.fs_-_The_Secret
1.fs_-_The_Veiled_Statue_At_Sais
1.hs_-_The_Secret_Draught_Of_Wine
1.ia_-_An_Ocean_Without_Shore
1.ia_-_Modification_Of_The_R_Poem
1.jk_-_Endymion_-_Book_II
1.jk_-_Endymion_-_Book_IV
1.jk_-_Otho_The_Great_-_Act_IV
1.jk_-_Sonnet_XVI._To_Kosciusko
1.jr_-_By_the_God_who_was_in_pre-eternity_living_and_moving_and_omnipotent,_everlasting
1.jr_-_Last_Night_My_Soul_Cried_O_Exalted_Sphere_Of_Heaven
1.jr_-_Let_Go_Of_Your_Worries
1.jwvg_-_Living_Remembrance
1.jwvg_-_The_Friendly_Meeting
1.lovecraft_-_Nathicana
1.lovecraft_-_Providence
1.mbn_-_From_the_beginning,_before_the_world_ever_was_(from_Before_the_World_Ever_Was)
1.mbn_-_Prayers_for_the_Protection_and_Opening_of_the_Heart
1.mdl_-_Inside_the_hidden_nexus_(from_Jacobs_Journey)
1.mdl_-_The_Creation_of_Elohim
1.mdl_-_The_Gates_(from_Openings)
1.pbs_-_A_Dialogue
1.pbs_-_Alastor_-_or,_the_Spirit_of_Solitude
1.pbs_-_Epipsychidion
1.pbs_-_Hellas_-_A_Lyrical_Drama
1.pbs_-_Homers_Hymn_To_Venus
1.pbs_-_Matilda_Gathering_Flowers
1.pbs_-_Ode_To_Liberty
1.pbs_-_Peter_Bell_The_Third
1.pbs_-_Saint_Edmonds_Eve
1.pbs_-_St._Irvynes_Tower
1.pbs_-_The_Cenci_-_A_Tragedy_In_Five_Acts
1.pbs_-_The_Cyclops
1.pbs_-_The_Daemon_Of_The_World
1.pbs_-_The_Devils_Walk._A_Ballad
1.pbs_-_The_Revolt_Of_Islam_-_Canto_I-XII
1.pbs_-_The_Sensitive_Plant
1.pbs_-_The_Witch_Of_Atlas
1.pbs_-_To_Mary_Who_Died_In_This_Opinion
1.poe_-_An_Enigma
1.poe_-_Eureka_-_A_Prose_Poem
1.poe_-_Hymn_To_Aristogeiton_And_Harmodius
1.rb_-_Paracelsus_-_Part_II_-_Paracelsus_Attains
1.rb_-_Pauline,_A_Fragment_of_a_Question
1.rb_-_Sordello_-_Book_the_First
1.rb_-_Sordello_-_Book_the_Sixth
1.rb_-_Sordello_-_Book_the_Third
1.rb_-_Waring
1.rmr_-_Elegy_X
1.rmr_-_The_Song_Of_The_Beggar
1.rt_-_Ungrateful_Sorrow
1.rwe_-_May-Day
1.rwe_-_Merlin_I
1.rwe_-_Saadi
1.rwe_-_The_Sphinx
1.sk_-_Is_there_anyone_in_the_universe
1.stl_-_The_Divine_Dew
1.tm_-_Night-Flowering_Cactus
1.whitman_-_As_I_Sat_Alone_By_Blue_Ontarios_Shores
1.whitman_-_Carol_Of_Words
1.whitman_-_From_Far_Dakotas_Canons
1.whitman_-_I_Sing_The_Body_Electric
1.whitman_-_Longings_For_Home
1.whitman_-_Scented_Herbage_Of_My_Breast
1.whitman_-_Song_Of_The_Broad-Axe
1.whitman_-_Song_Of_The_Redwood-Tree
1.whitman_-_Song_Of_The_Universal
1.whitman_-_The_Artillerymans_Vision
1.whitman_-_Trickle,_Drops
1.whitman_-_Visord
1.ww_-_1-_The_White_Doe_Of_Rylstone,_Or,_The_Fate_Of_The_Nortons
1.ww_-_2-_The_White_Doe_Of_Rylstone,_Or,_The_Fate_Of_The_Nortons
1.ww_-_3-_The_White_Doe_Of_Rylstone,_Or,_The_Fate_Of_The_Nortons
1.ww_-_4-_The_White_Doe_Of_Rylstone,_Or,_The_Fate_Of_The_Nortons
1.ww_-_An_Evening_Walk
1.ww_-_Artegal_And_Elidure
1.ww_-_A_Whirl-Blast_From_Behind_The_Hill
1.ww_-_A_Wren's_Nest
1.ww_-_Guilt_And_Sorrow,_Or,_Incidents_Upon_Salisbury_Plain
1.ww_-_Hart-Leap_Well
1.ww_-_I_Travelled_among_Unknown_Men
1.ww_-_The_Excursion-_IV-_Book_Third-_Despondency
1.ww_-_The_Excursion-_IX-_Book_Eighth-_The_Parsonage
1.ww_-_The_Excursion-_VII-_Book_Sixth-_The_Churchyard_Among_the_Mountains
1.ww_-_The_Recluse_-_Book_First
1.ww_-_The_Waggoner_-_Canto_Fourth
1.ww_-_To_Sir_George_Howland_Beaumont,_Bart_From_the_South-West_Coast_Or_Cumberland_1811
1.ww_-_Vaudracour_And_Julia
1.ww_-_Written_With_A_Slate_Pencil_On_A_Stone,_On_The_Side_Of_The_Mountain_Of_Black_Comb
2.01_-_Indeterminates,_Cosmic_Determinations_and_the_Indeterminable
2.01_-_Mandala_One
2.01_-_THE_ADVENT_OF_LIFE
2.01_-_The_Object_of_Knowledge
2.01_-_The_Sefirot
2.01_-_The_Temple
2.01_-_The_Two_Natures
2.01_-_The_Yoga_and_Its_Objects
2.02_-_Brahman,_Purusha,_Ishwara_-_Maya,_Prakriti,_Shakti
2.02_-_Indra,_Giver_of_Light
2.02_-_THE_EXPANSION_OF_LIFE
2.02_-_The_Ishavasyopanishad_with_a_commentary_in_English
2.02_-_The_Status_of_Knowledge
2.03_-_Indra_and_the_Thought-Forces
2.03_-_Karmayogin__A_Commentary_on_the_Isha_Upanishad
2.03_-_THE_ENIGMA_OF_BOLOGNA
2.03_-_The_Eternal_and_the_Individual
2.03_-_The_Supreme_Divine
2.03_-_The_Worlds
2.04_-_Agni,_the_Illumined_Will
2.04_-_Concentration
2.04_-_The_Divine_and_the_Undivine
2.05_-_Renunciation
2.05_-_The_Cosmic_Illusion;_Mind,_Dream_and_Hallucination
2.05_-_The_Divine_Truth_and_Way
2.05_-_The_Tale_of_the_Vampires_Kingdom
2.06_-_Two_Tales_of_Seeking_and_Losing
2.06_-_Union_with_the_Divine_Consciousness_and_Will
2.07_-_Ten_Internal_and_Ten_External_Sefirot
2.07_-_The_Knowledge_and_the_Ignorance
2.08_-_God_in_Power_of_Becoming
2.08_-_The_Branches_of_The_Archetypal_Man
2.08_-_The_Release_from_the_Heart_and_the_Mind
2.08_-_The_Sword
2.08_-_Three_Tales_of_Madness_and_Destruction
2.09_-_On_Sadhana
2.09_-_The_World_of_Points
2.0_-_THE_ANTICHRIST
2.1.02_-_Love_and_Death
2.1.02_-_Nature_The_World-Manifestation
2.1.03_-_Man_and_Superman
2.10_-_Knowledge_by_Identity_and_Separative_Knowledge
2.10_-_The_Primordial_Kings__Their_Shattering
2.10_-_The_Vision_of_the_World-Spirit_-_Time_the_Destroyer
2.11_-_The_Boundaries_of_the_Ignorance
2.11_-_The_Crown
2.1.1_-_The_Nature_of_the_Vital
2.11_-_The_Vision_of_the_World-Spirit_-_The_Double_Aspect
2.12_-_The_Origin_of_the_Ignorance
2.12_-_The_Robe
2.13_-_Exclusive_Concentration_of_Consciousness-Force_and_the_Ignorance
2.14_-_ON_THE_LAND_OF_EDUCATION
2.1.4_-_The_Lower_Vital_Being
2.14_-_The_Origin_and_Remedy_of_Falsehood,_Error,_Wrong_and_Evil
2.14_-_The_Two_Hundred_and_Eighty-Eight_Sparks
2.15_-_ON_IMMACULATE_PERCEPTION
2.16_-_The_Integral_Knowledge_and_the_Aim_of_Life;_Four_Theories_of_Existence
2.1.7.08_-_Comments_on_Specific_Lines_and_Passages_of_the_Poem
2.17_-_The_Progress_to_Knowledge_-_God,_Man_and_Nature
2.17_-_The_Soul_and_Nature
2.18_-_January_1939
2.18_-_The_Evolutionary_Process_-_Ascent_and_Integration
2.19_-_Out_of_the_Sevenfold_Ignorance_towards_the_Sevenfold_Knowledge
2.19_-_THE_SOOTHSAYER
2.19_-_Union,_Gestation,_Birth
2.2.01_-_The_Outer_Being_and_the_Inner_Being
2.2.01_-_The_Problem_of_Consciousness
2.2.02_-_Consciousness_and_the_Inconscient
2.2.03_-_The_Psychic_Being
2.20_-_The_Infancy_and_Maturity_of_ZO,_Father_and_Mother,_Israel_The_Ancient_and_Understanding
2.20_-_The_Philosophy_of_Rebirth
2.21_-_The_Ladder_of_Self-transcendence
2.21_-_The_Order_of_the_Worlds
2.2.1_-_The_Prusna_Upanishads
2.21_-_The_Three_Heads,_The_Beard_and_The_Mazela
2.22_-_Rebirth_and_Other_Worlds;_Karma,_the_Soul_and_Immortality
2.22_-_The_Supreme_Secret
2.2.3_-_Depression_and_Despondency
2.23_-_Man_and_the_Evolution
2.24_-_The_Evolution_of_the_Spiritual_Man
2.24_-_The_Message_of_the_Gita
2.25_-_AFTER_THE_PASSING_AWAY
2.25_-_The_Triple_Transformation
2.26_-_The_Ascent_towards_Supermind
2.27_-_The_Gnostic_Being
2.28_-_Rajayoga
2.28_-_The_Divine_Life
2.28_-_The_Two_Feminine_Polarities__Leah_and_Rachel
2.3.01_-_Concentration_and_Meditation
2.3.02_-_Opening,_Sincerity_and_the_Mother's_Grace
2.3.03_-_Integral_Yoga
2.3.06_-_The_Mother's_Lights
2.3.07_-_The_Vital_Being_and_Vital_Consciousness
2.3.08_-_The_Physical_Consciousness
2.30_-_The_Uniting_of_the_Names_45_and_52
2.3.10_-_The_Subconscient_and_the_Inconscient
2.3.1_-_Ego_and_Its_Forms
24.02_-_Notes_on_Savitri_I
2.4.2_-_Interactions_with_Others_and_the_Practice_of_Yoga
2_-_Other_Hymns_to_Agni
30.01_-_World-Literature
30.08_-_Poetry_and_Mantra
30.18_-_Boris_Pasternak
3.01_-_Towards_the_Future
3.02_-_King_and_Queen
3.02_-_The_Practice_Use_of_Dream-Analysis
3.03_-_On_Thought_-_II
3.03_-_The_Consummation_of_Mysticism
3.04_-_BEFORE_SUNRISE
3.04_-_LUNA
3.04_-_The_Formula_of_ALHIM
3.05_-_SAL
3.05_-_The_Divine_Personality
3.05_-_The_Formula_of_I.A.O.
3.06_-_UPON_THE_MOUNT_OF_OLIVES
3.08_-_The_Mystery_of_Love
3.09_-_THE_RETURN_HOME
3.09_-_The_Return_of_the_Soul
3.1.01_-_Distinctive_Features_of_the_Integral_Yoga
3.1.01_-_The_Problem_of_Suffering_and_Evil
3.1.02_-_Spiritual_Evolution_and_the_Supramental
3.1.05_-_A_Vision_of_Science
31.05_-_Vivekananda
31.06_-_Jagadish_Chandra_Bose
3.1.19_-_Parabrahman
3.11_-_ON_THE_SPIRIT_OF_GRAVITY
3.11_-_Spells
3.1.23_-_The_Rishi
3.12_-_Of_the_Bloody_Sacrifice
3.14_-_Of_the_Consecrations
3.18_-_Of_Clairvoyance_and_the_Body_of_Light
31_Hymns_to_the_Star_Goddess
3.2.01_-_The_Newness_of_the_Integral_Yoga
3.2.04_-_Sankhya_and_Yoga
3.2.04_-_The_Conservative_Mind_and_Eastern_Progress
3.2.09_-_The_Teachings_of_Some_Modern_Indian_Yogis
3.20_-_Of_the_Eucharist
3.2.4_-_Sex
3.3.02_-_All-Will_and_Free-Will
33.11_-_Pondicherry_II
33.15_-_My_Athletics
3.3.1_-_Agni,_the_Divine_Will-Force
3.4.02_-_The_Inconscient
3.4.1.01_-_Poetry_and_Sadhana
3.4.1_-_The_Subconscient_and_the_Integral_Yoga
3-5_Full_Circle
3.6.01_-_Heraclitus
37.01_-_Yama_-_Nachiketa_(Katha_Upanishad)
3.7.1.01_-_Rebirth
3.7.1.06_-_The_Ascending_Unity
3.7.1.07_-_Involution_and_Evolution
3.7.1.09_-_Karma_and_Freedom
3.7.1.10_-_Karma,_Will_and_Consequence
3.7.2.02_-_The_Terrestial_Law
3.8.1.02_-_Arya_-_Its_Significance
3_-_Commentaries_and_Annotated_Translations
4.01_-_The_Principle_of_the_Integral_Yoga
4.02_-_THE_CRY_OF_DISTRESS
4.03_-_The_Psychology_of_Self-Perfection
4.03_-_THE_TRANSFORMATION_OF_THE_KING
4.04_-_In_the_Total_Christ
4.04_-_THE_LEECH
4.04_-_THE_REGENERATION_OF_THE_KING
4.05_-_The_Passion_Of_Love
4.06_-_RETIRED
4.06_-_THE_KING_AS_ANTHROPOS
4.07_-_THE_UGLIEST_MAN
4.08_-_The_Liberation_of_the_Spirit
4.08_-_THE_RELIGIOUS_PROBLEM_OF_THE_KINGS_RENEWAL
4.09_-_The_Liberation_of_the_Nature
4.1.01_-_The_Intellect_and_Yoga
4.1.2_-_The_Difficulties_of_Human_Nature
4.12_-_The_Way_of_Equality
4.1.3_-_Imperfections_and_Periods_of_Arrest
4.1.4_-_Resistances,_Sufferings_and_Falls
4.16_-_The_Divine_Shakti
4.19_-_The_Nature_of_the_supermind
4.1_-_Jnana
4.20_-_The_Intuitive_Mind
4.2.1.01_-_The_Importance_of_the_Psychic_Change
4.2.2_-_Steps_towards_Overcoming_Difficulties
4.2.3.01_-_The_Meaning_of_Coming_to_the_Front
4.2.3.02_-_Signs_of_the_Psychic's_Coming_Forward
4.23_-_The_supramental_Instruments_--_Thought-process
4.24_-_The_supramental_Sense
4.2.5_-_Dealing_with_Depression_and_Despondency
4.25_-_Towards_the_supramental_Time_Vision
4.2_-_Karma
4.3_-_Bhakti
4.41_-_Chapter_One
4.42_-_Chapter_Two
4.43_-_Chapter_Three
5.02_-_Perfection_of_the_Body
5.03_-_The_Divine_Body
5.04_-_Supermind_and_the_Life_Divine
5.07_-_Mind_of_Light
5.08_-_Supermind_and_Mind_of_Light
5.1.01.3_-_The_Book_of_the_Assembly
5.4.01_-_Notes_on_Root-Sounds
5.4.02_-_Occult_Powers_or_Siddhis
6.07_-_THE_MONOCOLUS
6.0_-_Conscious,_Unconscious,_and_Individuation
7.08_-_Sincerity
7.3.10_-_The_Lost_Boat
Aeneid
Apology
Appendix_4_-_Priest_Spells
A_Secret_Miracle
Blazing_P3_-_Explore_the_Stages_of_Postconventional_Consciousness
BOOK_II._-_A_review_of_the_calamities_suffered_by_the_Romans_before_the_time_of_Christ,_showing_that_their_gods_had_plunged_them_into_corruption_and_vice
BOOK_II._--_PART_I._ANTHROPOGENESIS.
BOOK_II._--_PART_III._ADDENDA._SCIENCE_AND_THE_SECRET_DOCTRINE_CONTRASTED
BOOK_II._--_PART_II._THE_ARCHAIC_SYMBOLISM_OF_THE_WORLD-RELIGIONS
BOOK_I._--_PART_I._COSMIC_EVOLUTION
BOOK_I._--_PART_III._SCIENCE_AND_THE_SECRET_DOCTRINE_CONTRASTED
BOOK_I._--_PART_II._THE_EVOLUTION_OF_SYMBOLISM_IN_ITS_APPROXIMATE_ORDER
Book_of_Genesis
Book_of_Imaginary_Beings_(text)
Book_of_Proverbs
BOOK_VIII._-_Some_account_of_the_Socratic_and_Platonic_philosophy,_and_a_refutation_of_the_doctrine_of_Apuleius_that_the_demons_should_be_worshipped_as_mediators_between_gods_and_men
BOOK_VII._-_Of_the_select_gods_of_the_civil_theology,_and_that_eternal_life_is_not_obtained_by_worshipping_them
BOOK_VI._-_Of_Varros_threefold_division_of_theology,_and_of_the_inability_of_the_gods_to_contri_bute_anything_to_the_happiness_of_the_future_life
BOOK_V._-_Of_fate,_freewill,_and_God's_prescience,_and_of_the_source_of_the_virtues_of_the_ancient_Romans
BOOK_XI._-_Augustine_passes_to_the_second_part_of_the_work,_in_which_the_origin,_progress,_and_destinies_of_the_earthly_and_heavenly_cities_are_discussed.Speculations_regarding_the_creation_of_the_world
BOOK_XII._-_Of_the_creation_of_angels_and_men,_and_of_the_origin_of_evil
BOOK_XIX._-_A_review_of_the_philosophical_opinions_regarding_the_Supreme_Good,_and_a_comparison_of_these_opinions_with_the_Christian_belief_regarding_happiness
BOOK_XVIII._-_A_parallel_history_of_the_earthly_and_heavenly_cities_from_the_time_of_Abraham_to_the_end_of_the_world
BOOK_XVI._-_The_history_of_the_city_of_God_from_Noah_to_the_time_of_the_kings_of_Israel
BOOK_XV._-_The_progress_of_the_earthly_and_heavenly_cities_traced_by_the_sacred_history
BOOK_XXII._-_Of_the_eternal_happiness_of_the_saints,_the_resurrection_of_the_body,_and_the_miracles_of_the_early_Church
BOOK_XXI._-_Of_the_eternal_punishment_of_the_wicked_in_hell,_and_of_the_various_objections_urged_against_it
BOOK_XX._-_Of_the_last_judgment,_and_the_declarations_regarding_it_in_the_Old_and_New_Testaments
Conversations_with_Sri_Aurobindo
COSA_-_BOOK_VIII
COSA_-_BOOK_XII
DS2
Emma_Zunz
Gods_Script
Gorgias
IS_-_Chapter_1
Liber_111_-_The_Book_of_Wisdom_-_LIBER_ALEPH_VEL_CXI
Liber_46_-_The_Key_of_the_Mysteries
Liber_71_-_The_Voice_of_the_Silence_-_The_Two_Paths_-_The_Seven_Portals
P.11_-_MAGICAL_WEAPONS
Phaedo
Prayers_and_Meditations_by_Baha_u_llah_text
r1912_12_16
r1913_01_31
r1913_02_12
r1913_12_25
r1913_12_28
r1914_07_27
r1914_08_21
r1914_11_18
r1914_11_30
r1915_01_05a
r1915_01_05b
r1915_01_09
r1915_01_10
r1915_05_30
r1915_07_13
r1917_03_04
Sayings_of_Sri_Ramakrishna_(text)
Symposium_translated_by_B_Jowett
Tablets_of_Baha_u_llah_text
Talks_With_Sri_Aurobindo_1
The_Act_of_Creation_text
Theaetetus
The_Book_of_Certitude_-_P1
The_Book_of_Certitude_-_P2
The_Book_of_Job
The_Book_of_Wisdom
The_Circular_Ruins
The_Coming_Race_Contents
The_Dream_of_a_Ridiculous_Man
The_Dwellings_of_the_Philosophers
the_Eternal_Wisdom
The_Gold_Bug
The_Gospel_of_Thomas
The_Hidden_Words_text
The_Pilgrims_Progress
The_Pythagorean_Sentences_of_Demophilus
The_Riddle_of_this_World
The_Shadow_Out_Of_Time
The_Theologians
Timaeus
Verses_of_Vemana

PRIMARY CLASS

SIMILAR TITLES
conceal

DEFINITIONS


TERMS STARTING WITH

concealable ::: a. --> Capable of being concealed.

concealed ::: imp. & p. p. --> of Conceal ::: a. --> Hidden; kept from sight; secreted.

concealed ::: kept from being seen, found, observed, or discovered; hidden. conceals, concealing, all-concealing, deep-concealed.

concealer ::: n. --> One who conceals.

concealing ::: p. pr. & vb. n. --> of Conceal

concealment ::: n. --> The act of concealing; the state of being concealed.
A place of hiding; a secret place; a retreat frem observation.
A secret; out of the way knowledge.
Suppression of such facts and circumstances as in justice ought to be made known.


conceal ::: v. t. --> To hide or withdraw from observation; to cover; to cover or keep from sight; to prevent the discovery of; to withhold knowledge of.


TERMS ANYWHERE

10 ordinary dreams) are usually in the great mass experiences of the vital plane, a world of supraphysical life, full of variety and interest, with many provinces, luminous or obscure, beauti- ful or perilous, often extremely attractive, where we can get much knowledge loo both of our concealed pans of nature and of things happening to us behind the veil and of others which are of concern for the development of our parts of nature. The vital being in us then may get very much attracted to this range of experience, may want to live more in it and less in the outer life.

1. Wearing or covered with or as if with a hood, having a hood on. 2.* Fig.* Covered up, concealed.

abhvapihita (tucchyena abhwapihita) ::: universal being (abhu) concealed by fragmentation or littleness. [R.g Veda 10.129.3]

aboveboard ::: adv. --> Above the board or table. Hence: in open sight; without trick, concealment, or deception.

abscondence ::: n. --> Fugitive concealment; secret retirement; hiding.

abscond ::: v. i. --> To hide, withdraw, or be concealed.
To depart clandestinely; to steal off and secrete one&


abstruse ::: 1. Concealed, hidden, secret. 2. Hard to understand; difficult, recondite.

abstruse ::: a. --> Concealed or hidden out of the way.
Remote from apprehension; difficult to be comprehended or understood; recondite; as, abstruse learning.


acaulescent ::: a. --> Having no stem or caulis, or only a very short one concealed in the ground.

acchanna ::: covered, concealed.

Al-Gaffar ::: The One who, as requisites of divine power or wisdom, ‘conceals’ the inadequacies of   those who recognize their shortcomings and wish to be freed from their consequences. The One who forgives.

Al-Khafid ::: The One who abases. The One who capacitates a state of existence which is far from reality. The creator of the ‘asfali safileen’ (the lower state of existence). The former of the vision of ‘multiplicity’ to conceal the reality.

"All intuitive knowledge comes more or less directly from the light of the self-aware spirit entering into the mind, the spirit concealed behind mind and conscious of all in itself and in all its selves, omniscient and capable of illumining the ignorant or the self-forgetful mind whether by rare or constant flashes or by a steady instreaming light, out of its omniscience.” The Synthesis of Yoga*

“All intuitive knowledge comes more or less directly from the light of the self-aware spirit entering into the mind, the spirit concealed behind mind and conscious of all in itself and in all its selves, omniscient and capable of illumining the ignorant or the self-forgetful mind whether by rare or constant flashes or by a steady instreaming light, out of its omniscience.” The Synthesis of Yoga

all- ::: prefix: Wholly, altogether, infinitely. Since 1600, the number of these [combinations] has been enormously extended, all-** having become a possible prefix, in poetry at least, to almost any adjective of quality. all-affirming, All-Beautiful, All-Beautiful"s, All-Bliss, All-Blissful, All-causing, all-concealing, all-conquering, All-Conscient, All-Conscious, all-containing, All-containing, all-creating, all-defeating, All-Delight, all-discovering, all-embracing, all-fulfilling, all-harbouring, all-inhabiting, all-knowing, All-knowing, All-Knowledge, all-levelling, All-Life, All-love, All-Love, all-negating, all-powerful, all-revealing, All-ruler, all-ruling, all-seeing, All-seeing, all-seeking, all-shaping, all-supporting, all-sustaining, all-swallowing, All-Truth, All-vision, All-Wisdom, all-wise, All-Wise, all-witnessing, All-Wonderful, All-Wonderful"s.**

almighty ::: ”See God everywhere and be not frightened by masks. Believe that all falsehood is truth in the making or truth in the breaking, all failure an effectuality concealed, all weakness strength hiding itself from its own vision, all pain a secret & violent ecstasy. If thou believest firmly & unweariedly, in the end thou wilt see & experience the All-true, Almighty & All-blissful.” Essays Divine and Human

Al-Mutakabbir ::: The One to whom the word ‘I’ exclusively belongs. Absolute ‘I’ness belongs only to Him. Whoever, with the word ‘I’, accredits a portion of this Absolute ‘I’ness to himself, thereby concealing the ‘I’ness comprising his essence and fortifying his own relative ‘I’ness, will pay its consequence with ‘burning’ (suffering). Majesty (Absolute ‘I’ness) is His attribute alone.

Amal: “On the plane described, we find what is concealed on earth by the form of things. A wonder is revealed.”“By the way, the word ‘Here’ in the line: Here sheltered behind form’s insensible screen does not refer to the plane described but to our earth.”

Amaltheia, Amalthea (Greek) In Greek mythology a nymph who cared for the infant Zeus when his mother Rhea concealed him in a cave in Crete to keep him from being devoured by his father Kronos. Another legend credits the nymphs Ida and Adrastea with his care, but names the goat which suckled him Amaltheia. Amaltheia is associated with the cornucopis, the broken-off horn of the goat. As the horn of Amaltheia it became a symbol of inexhaustible abundance and was adopted as a favored attribute by various divinities, among them Hermes, Demeter, Gaia, Pluto, and Cybele.

ambuscade ::: v. t. --> A lying in a wood, concealed, for the purpose of attacking an enemy by surprise. Hence: A lying in wait, and concealed in any situation, for a like purpose; a snare laid for an enemy; an ambush.
A place in which troops lie hid, to attack an enemy unexpectedly.
The body of troops lying in ambush.
To post or conceal in ambush; to ambush.


ambush ::: 1. An act or instance of lying concealed so as to attack by surprise. 2. The concealed position itself. ambushes.

ambushed ::: concealed so as suddenly to burst forth, come in view, or take by surprise.

ambush ::: v. t. --> A disposition or arrangement of troops for attacking an enemy unexpectedly from a concealed station. Hence: Unseen peril; a device to entrap; a snare.
A concealed station, where troops or enemies lie in wait to attack by surprise.
The troops posted in a concealed place, for attacking by surprise; liers in wait.
To station in ambush with a view to surprise an enemy.


Amen: A Hebrew word, used nowadays in the meaning “verily,” but considered by occultists to have originally been a mystic word, related to the Sanskrit om. In theosophical and related esoteric parlance, amen means “the concealed.”

antefix ::: n. --> An ornament fixed upon a frieze.
An ornament at the eaves, concealing the ends of the joint tiles of the roof.
An ornament of the cymatium of a classic cornice, sometimes pierced for the escape of water.


Anu (Chaldean) Supreme god of the Babylonian pantheon, king of angels and spirits, ruler of destiny, lord of the city of Erech or Uruk — later Ur. One of the loftiest of Babylonian divinities, part of a trinity with Enlil and Ea, he was especially the god of heaven, creator of star spirits and of the demons of cold, rain, and darkness. His consort Antum or Anatum was mother of the gods. Anu was the concealed deity; in the Chaldean account of Genesis, he is the passive deity, however, “the primordial chaos, the god time and world at once, chronos, and kosmos, the uncreated matter issued from the one and fundamental principle of all things” (IU 2:423).

a person who professes beliefs and opinions that he or she does not hold in order to conceal his or her real feelings or motives; one who pretends to be what he is not. (Sri Aurobindo also uses the term as an adjective.) hypocrite"s.

appear ::: 1. To come into sight; become visible; come into view, as from a place or state of concealment, or from a distance; esp. of angels, spirits, visions. 2. To come into existence; be created. 3. To be clear to the understanding. 4. To seem or look to be. appears, appeared, appearing.

  “As Kamaloka is on the earth plane and differs from its degree of materiality only in the degree of its plane of consciousness, for which reason it is concealed from our normal sight, the occasional apparition of such shells is as natural as that of electric balls and other atmospheric phenomena. Electricity as a fluid, or atomic matter (for Theosophists hold with Maxwell that it is atomic), though invisible, is ever present in the air, and manifests under various shapes, but only when certain conditions are there to ‘materialize’ the fluid, when it passes from its own on to our plane and makes itself objective. Similarly with the eidola of the dead. They are present, around us, but being on another plane do not see us any more than we see them. But whenever the strong desires of living men and the conditions furnished by the abnormal constitutions of mediums are combined together, these eidola are drawn — nay, pulled down from their plane on to ours and made objective. This is Necromancy; it does no good to the dead, and great harm to the living, in addition to the fact that it interferes with a law of nature. The occasional materialization of the ‘astral bodies’ or doubles of living persons is quite another matter. These ‘astrals’ are often mistaken for the apparitions of the dead, since, chameleon-like, our own ‘Elementaries,’ along with those of the disembodied and cosmic Elementals, will often assume the appearance of those images which are strongest in our thoughts. In short, at the so-called ‘materialization’ séances it is those present and the medium, who create the peculiar likeness of the apparitions. Independent ‘apparitions’ belong to another kind of psychic phenomena. Materializations are also called ‘form-manifestations’ and ‘portrait statues.’ To call them materialized spirits is inadmissible, for they are not spirits but animated portrait-statues, indeed” (TG 210).

"A SPIRITUAL evolution, an evolution of consciousness in Matter in a constant developing self-formation till the form can reveal the indwelling Spirit, is then the keynote, the central significant motive of the terrestrial existence. This significance is concealed at the outset by the involution of the Spirit, the Divine Reality, in a dense material Inconscience; a veil of Inconscience, a veil of insensibility of Matter hides the universal Consciousness-Force which works within it, so that the Energy, which is the first form the Force of creation assumes in the physical universe, appears to be itself inconscient and yet does the works of a vast occult Intelligence.” The Life Divine

“A SPIRITUAL evolution, an evolution of consciousness in Matter in a constant developing self-formation till the form can reveal the indwelling Spirit, is then the keynote, the central significant motive of the terrestrial existence. This significance is concealed at the outset by the involution of the Spirit, the Divine Reality, in a dense material Inconscience; a veil of Inconscience, a veil of insensibility of Matter hides the universal Consciousness-Force which works within it, so that the Energy, which is the first form the Force of creation assumes in the physical universe, appears to be itself inconscient and yet does the works of a vast occult Intelligence.” The Life Divine

Asvins, Asvinau (Sanskrit) Asvin-s, Asvinau The two horsemen; two Vedic divinities which in some respects parallel the Greek Dioscuri, Pollux and Castor. Harbingers of Ushas (the dawn), they are represented as twin horsemen, appearing in the sky in a golden chariot drawn by horses or birds. One myth gives their origin as children of the sun by a nymph, Asvini, who concealed herself in the form of a mare; another myth makes Asvini their wife. Since they precede the sun’s rising they are called the parents of the sun’s form, Pushan. They are also the parents of Nakula and Sahadeva, Arjuna’s brothers by Madri. Many Vedic hymns are addressed to them; their attributes pertain to youth and beauty, to speed, and to duality. They bring treasures to mankind, averting misfortune and sickness, for they are the two physicians of heaven (svar-vaidyau). Yaska, the earliest known commentator on the Vedas, in his Nirukta writes that the Asvinau represent the transition from darkness to light and are identified with heaven and earth.

Attacks of illnesses ::: These forces, when thronm out, retreat into the environmental consciousness and remain there concealed and at any opportunity make an attack on the centres accustomed to receive them (external mind and the external emotional) and get in. This happens with most sadbakas. Two things are neces- sary — (1) to open fully the physical to the higher forces, (2) to reach the stage when even if the forces attack they cannot come fully in, the inner being remaining calm and free. Then even if there is still a surface dIfiBcuIty, there will not be these overpowerings.

Avalokitesvara (Sanskrit) Avalokiteśvara [from ava down, away from + the verbal root lok to look at, contemplate + īśvara lord] The lord who is perceived; the divinity or lord seen or contemplated in its inferior or “downward-seen” aspect. The essential meaning in theosophy is the Logos, whether considered in its kosmic aspect or in its function in an entity dwelling in such kosmos. “Simultaneously with the evolution of the Universal Mind, the concealed Wisdom of Adi-Buddha — the One Supreme and eternal — manifests itself as Avalokiteshwara (or manifested Iswara), which is the Osiris of the Egyptians, the Ahura-Mazda of the Zoroastrians, the Heavenly Man of the Hermetic philosopher, the Logos of the Platonists, and the Atman of the Vedantins” (SD 1:110).

Avarana (Sanskrit) Āvaraṇa [from a-vṛ to conceal, surround] Covering, hiding, concealing, enclosing; as a noun, the act of enclosing or concealing, also anything that conceals, encloses, or protects, as a wall, shield, or garment. In philosophy, intellectual blindness.

avarana&

avyakta parardha ::: concealed higher hemisphere.

avyakta ::: unmanifest, latent, concealed; the unmanifestation, unmanifest principle; [in samkhya]: the primary unmanifest seed-state of the manifest active eightfold nature of things; [in vedanta]: the power involved or inherent in unmanifest Spirit or Self out of which cosmos comes and into which it returns.

axillars ::: n. pl. --> Feathers connecting the under surface of the wing and the body, and concealed by the closed wing.

backdoor ::: a. --> Acting from behind and in concealment; as, backdoor intrigues.

bare ::: a. --> Without clothes or covering; stripped of the usual covering; naked; as, his body is bare; the trees are bare.
With head uncovered; bareheaded.
Without anything to cover up or conceal one&


barefaced ::: a. --> With the face uncovered; not masked.
Without concealment; undisguised. Hence: Shameless; audacious.


barely ::: adv. --> Without covering; nakedly.
Without concealment or disguise.
Merely; only.
But just; without any excess; with nothing to spare ( of quantity, time, etc.); hence, scarcely; hardly; as, there was barely enough for all; he barely escaped.


concealable ::: a. --> Capable of being concealed.

concealed ::: imp. & p. p. --> of Conceal ::: a. --> Hidden; kept from sight; secreted.

concealed ::: kept from being seen, found, observed, or discovered; hidden. conceals, concealing, all-concealing, deep-concealed.

concealer ::: n. --> One who conceals.

concealing ::: p. pr. & vb. n. --> of Conceal

concealment ::: n. --> The act of concealing; the state of being concealed.
A place of hiding; a secret place; a retreat frem observation.
A secret; out of the way knowledge.
Suppression of such facts and circumstances as in justice ought to be made known.


conceal ::: v. t. --> To hide or withdraw from observation; to cover; to cover or keep from sight; to prevent the discovery of; to withhold knowledge of.

bemask ::: v. t. --> To mask; to conceal.

bescreen ::: v. t. --> To cover with a screen, or as with a screen; to shelter; to conceal.

blaze of intimate truth-perception is lit in its depths. This close perception is more than sight, more than conception: it is the result of a penetrating and revealing touch which carries in it sight and conception as part of itself or as its natural consequence. A concealed or slumbering identity, not yet recovering itself, still remembers or conveys by the intuition its own contents and the intimacy of its self-feeling and self-vision of things, its light of truth, its overwhelming and automatic certitude.” The Life Divine

blind ::: adj. 1. Unable to see; lacking the sense of sight; sightless. Also fig. 2. Unwilling or unable to perceive or understand. 3. Lacking all consciousness or awareness. 4. Not having or based on reason or intelligence; absolute and unquestioning. 5. Not characterized or determined by reason or control. 6. Purposeless; fortuitous, random. 7. Undiscriminating; heedless; reckless. 8. Enveloped in darkness; dark, dim, obscure. 9. Dense enough to form a screen. 10. Covered or concealed from sight; hidden from immediate view. 11. Having no openings or passages for light; (a window or door) walled up. blindest, half-blind. v. 12. To deprive of sight permanently or temporarily. 13. To make sightless momentarily; dazzle. blinded.* n. 14. A blind person, esp. as pl., those who are blind. 15. Fig.* Any thing or action intended to conceal one"s real intention; a pretence, a pretext; subterfuge.

Book of Concealed Mystery. See SIPHRA DI-TSENI‘UTHA’

Both Yah and Yaho were Hebrew mystery-names; Yah is “a later abbreviation [of Yaho] which, from containing an abstract ideal, became finally applied to, and connected with, a phallic symbol — the lingham of creation” (TG 374). Thus Yaho and Yah are two forms of the same original Shemitic god-name found throughout Asia Minor, and which appeared in its Greek form as Iao. The Gnostics revived the Chaldean and Phoenician mystery-god Iao, placing it above the seven heavens as representing spiritual light. Its ray was nous, standing for the Demiurge as well as the divine manas. “Y-ha-ho was a sacred word in the Egyptian mysteries, which signified ‘the one eternal and concealed deity’ in nature and in man; i.e., the ‘universal Divine Ideation,’ and the human Manas, or the higher Ego” (TG 375). Yaho in consequence must not be confused with Yehowah or Jehovah, for Jehovah was merely the inferior reflection in the higher material worlds of the spiritual light called Yaho. Yaho, therefore, is equivalent in type, standing, and character to atman, the universal, of theosophical literature.

Boundless, The The infinitude of living space and unconditioned time, termed parabrahman, parabrahman-mulaprakriti, tat, or Aditi in Sanskrit; in the Chaldean Qabbalah, ’eyn soph; and with the Greeks, to apeyron. The non-existent, because nonmanifested, and therefore the concealed unity; sometimes called darkness in a mystic sense, no-number because not subject to computation, also the rootless root. Having no relation to the bounded and conditioned which are contained within it, it is the unknown and unknowable cosmic motion, absolute consciousness, and absolute motion, and therefore to our limited minds unconsciousness and immobility. Its symbol is the circle or zero, denoting the absence of everything that can be predicated as imbodying limitation.

braccate ::: a. --> Furnished with feathers which conceal the feet.

breaks out or from ::: bursts or springs out from restraint, confinement, or concealment. Said of persons and things material, also of fire, light, etc.

bury ::: n. --> A borough; a manor; as, the Bury of St. Edmond&

cache ::: n. --> A hole in the ground, or hiding place, for concealing and preserving provisions which it is inconvenient to carry.

camouflage ::: concealment by some means that alters or obscures the appearance.

catch ::: n. 1. A concealed, unexpected, or unforeseen drawback or handicap. 2. Anything that is caught, esp. something worth catching. v. **3. To take, seize, or capture, esp. after pursuit. 4. To become cognizant or aware of suddenly. 5. To receive. 6. catches, caught, catching.**

chance ::: “Chance is not in this universe; the idea of illusion is itself an illusion. There was never illusion yet in the human mind that was not the concealing [?shape] and disfigurement of a truth.” Essays Divine and Human

Chandragupta (Sanskrit) Candragupta The invisible moon, the secret or concealed moon, moon-protected. The name of a celebrated king regarded as the founder of the Maurya dynasty of Magadha, and grandfather of the famous Buddhist king Asoka.

characterized by an attitude of ready accessibility (especially about one"s actions or purposes); without concealment; not secretive.

clancular ::: a. --> Conducted with secrecy; clandestine; concealed.

cloak ::: 1. A loose outer garment, such as a cape. 2. Anything that covers or conceals. 3. Something that covers or conceals; a disguise. world-cloak.

cloakedly ::: adv. --> In a concealed manner.

cloaking ::: p. pr. & vb. n. --> of Cloak ::: n. --> The act of covering with a cloak; the act of concealing anything.
The material of which of which cloaks are made.


cloak ::: n. --> A loose outer garment, extending from the neck downwards, and commonly without sleeves. It is longer than a cape, and is worn both by men and by women.
That which conceals; a disguise or pretext; an excuse; a fair pretense; a mask; a cover. ::: v. t.


Closely associated with her was the tenth goddess Vor, she who is wise and of a searching spirit; none can conceal anything from her. Both are classed as handmaidens of the goddess Freya (Venus).

closet ::: n. --> A small room or apartment for retirement; a room for privacy.
A small apartment, or recess in the side of a room, for household utensils, clothing, etc. ::: v. t. --> To shut up in, or as in, a closet; to conceal.


CONCENTRATION ::: Fixing the consciousness in one place or on one object and in a single condition.

A gathering together of the consciousness and either centralising at one point or turning on a single object, e.g. the Divine; there can also be a gathered condition throughout the whole being, not at a point.

Concentration is necessary, first to turn the whole will and mind from the discursive divagation natural to them, following a dispersed movement of the thoughts, running after many-branching desires, led away in the track of the senses and the outward mental response to phenomena; we have to fix the will and the thought on the eternal and real behind all, and this demands an immense effort, a one-pointed concentration. Secondly, it is necessary in order to break down the veil which is erected by our ordinary mentality between ourselves and the truth; for outer knowledge can be picked up by the way, by ordinary attention and reception, but the inner, hidden and higher truth can only be seized by an absolute concentration of the mind on its object, an absolute concentration of the will to attain it and, once attained, to hold it habitually and securely unite oneself with it.

Centre of Concentration: The two main places where one can centre the consciousness for yoga are in the head and in the heart - the mind-centre and the soul-centre.

Brain concentration is always a tapasyā and necessarily brings a strain. It is only if one is lifted out of the brain mind altogether that the strain of mental concentration disappears.

At the top of the head or above it is the right place for yogic concentration in reading or thinking.

In whatever centre the concentration takes place, the yoga force generated extends to the others and produces concentration or workings there.

Modes of Concentration: There is no harm in concentrating sometimes in the heart and sometimes above the head. But concentration in either place does not mean keeping the attention fixed on a particular spot; you have to take your station of consciousness in either place and concentrate there not on the place, but on the Divine. This can be done with eyes shut or with eyes open, according as it best suits.

If one concentrates on a thought or a word, one has to dwell on the essential idea contained in the word with the aspiration to feel the thing which it expresses.

There is no method in this yoga except to concentrate, preferably in the heart, and call the presence and power of the Mother to take up the being and by the workings of her force to transform the consciousness; one can concentrate also in the head or between the eye-brows, but for many this is a too difficult opening. When the mind falls quiet and the concentration becomes strong and the aspiration intense, then there is a beginning of experience. The more the faith, the more rapid the result is likely to be.

Powers (three) of Concentration ::: By concentration on anything whatsoever we are able to know that thing, to make it deliver up its concealed secrets; we must use this power to know not things, but the one Thing-in-itself. By concentration again the whole will can be gathered up for the acquisition of that which is still ungrasped, still beyond us; this power, if it is sufficiently trained, sufficiently single-minded, sufficiently sincere, sure of itself, faithful to itself alone, absolute in faith, we can use for the acquisition of any object whatsoever; but we ought to use it not for the acquisition of the many objects which the world offers to us, but to grasp spiritually that one object worthy of pursuit which is also the one subject worthy of knowledge. By concentration of our whole being on one status of itself we can become whatever we choose ; we can become, for instance, even if we were before a mass of weaknesses and fears, a mass instead of strength and courage, or we can become all a great purity, holiness and peace or a single universal soul of Love ; but we ought, it is said, to use this power to become not even these things, high as they may be in comparison with what we now are, but rather to become that which is above all things and free from all action and attributes, the pure and absolute Being. All else, all other concentration can only be valuable for preparation, for previous steps, for a gradual training of the dissolute and self-dissipating thought, will and being towards their grand and unique object.

Stages in Concentration (Rajayogic) ::: that in which the object is seized, that in which it is held, that in which the mind is lost in the status which the object represents or to which the concentration leads.

Concentration and Meditation ::: Concentration means fixing the consciousness in one place or one object and in a single condition Meditation can be diffusive,e.g. thinking about the Divine, receiving impressions and discriminating, watching what goes on in the nature and acting upon it etc. Meditation is when the inner mind is looking at things to get the right knowledge.

vide Dhyāna.


confess ::: v. t. --> To make acknowledgment or avowal in a matter pertaining to one&

couch ::: v. t. --> To lay upon a bed or other resting place.
To arrange or dispose as in a bed; -- sometimes followed by the reflexive pronoun.
To lay or deposit in a bed or layer; to bed.
To transfer (as sheets of partly dried pulp) from the wire cloth mold to a felt blanket, for further drying.
To conceal; to include or involve darkly.
To arrange; to place; to inlay.


covering ::: p. pr. & vb. n. --> of Cover ::: n. --> Anything which covers or conceals, as a roof, a screen, a wrapper, clothing, etc.

cover ::: n. 1. Fig. Something, such as darkness, that screens, conceals, or disguises. v. 2. To spread over a surface to protect or conceal or warm something. 3. To hide from view or knowledge; conceal. covers, covered, covering.

cover-shame ::: n. --> Something used to conceal infamy.

covert ::: 1. Secret or hidden from view or knowledge; not openly practiced or engaged in, shown or avowed. 2. Concealment; secrecy. 3. A covered place or shelter; hiding place.

cover ::: v. t. --> To overspread the surface of (one thing) with another; as, to cover wood with paint or lacquer; to cover a table with a cloth.
To envelop; to clothe, as with a mantle or cloak.
To invest (one&


cryptobranchiate ::: a. --> Having concealed or rudimentary gills.

cunning ::: 1. Skill or adeptness in execution or performance; dexterity. 2. Artfully subtle or shrewd. 3. Cunning implies a shrewd, often instinctive skill in concealing or disguising the real purposes of one"s actions. cunningly.

curtained ::: shut off or concealed with or as if with a curtain.

dark ::: adj. 1. Lacking or having very little light. 2. Concealed or secret; mysterious. 3. Difficult to understand; obscure. 4. Characterized by gloom; dismal. 5. Fig. Sinister; evil; absent moral or spiritual values. 6. (used of color) Having a dark hue; almost black. 7. Showing a brooding ill humor. 8. Having a complexion that is not fair; swarthy. darker, darkest, dark-browed, dark-robed.* n. 9. Absence of light; dark state or condition; darkness, esp. that of night. 10. A dark place: a place of darkness. 11. The condition of being hidden from view, obscure, or unknown; obscurity. *in the dark: in concealment or secrecy.

daub ::: v. t. --> To smear with soft, adhesive matter, as pitch, slime, mud, etc.; to plaster; to bedaub; to besmear.
To paint in a coarse or unskillful manner.
To cover with a specious or deceitful exterior; to disguise; to conceal.
To flatter excessively or glossy.
To put on without taste; to deck gaudily.


deceit ::: the act or practice of deceiving; concealment or distortion of the truth for the purpose of misleading; duplicity; fraud; cheating.

deep ::: n. 1. A vast extent, as of space or time; an abyss. 2. Fig. Difficult to penetrate; incomprehensible to one of ordinary understanding or knowledge; as an unfathomable thought, idea, esp. poetic. Deep, deep"s, deeps. adj. 3. Extending far downward below a surface. 4. Having great spatial extension or penetration downward or inward from an outer surface or backward or laterally or outward from a center; sometimes used in combination. 5. Coming from or penetrating to a great depth. 6. Situated far down, in, or back. 7. Lying below the surface; not superficial; profound. 8. Of great intensity; as extreme deep happiness, deep trouble. 9. Absorbing; engrossing. 10. Grave or serious. 11. Profoundly or intensely. 12. Mysterious; obscure; difficult to penetrate or understand. 13. Low in pitch or tone. 14. Profoundly cunning, crafty or artful. 15. The central and most intense or profound part; "in the deep of night”; "in the deep of winter”. deeper, deepest, deep-browed, deep-caved, deep-concealed, deep-etched, deep-fraught, deep-guarded, deep-hid, deep-honied, deep-pooled, deep-thoughted. *adv. *16. to a great depth psychologically or profoundly.

delitescence ::: n. --> Concealment; seclusion; retirement.
The sudden disappearance of inflammation.


delitescency ::: n. --> Concealment; seclusion.

delitescent ::: a. --> Lying hid; concealed.

den ::: 1. The shelter or retreat of a wild animal; a lair. 2. A cave used as a place of shelter or concealment. 3. A squalid or vile abode or place.

den ::: n. --> A small cavern or hollow place in the side of a hill, or among rocks; esp., a cave used by a wild beast for shelter or concealment; as, a lion&

dern ::: n. --> A gatepost or doorpost. ::: a. --> Hidden; concealed; secret.
Solitary; sad.


detecter ::: n. --> One who, or that which, detects or brings to light; one who finds out what another attempts to conceal; a detector.

detection ::: n. --> The act of detecting; the laying open what was concealed or hidden; discovery; as, the detection of a thief; the detection of fraud, forgery, or a plot.

disguise ::: n. 1. A mask, costume, or manner that conceals the identity of. 2. Something that serves or is intended for concealment of identity, character, or quality; a deceptive covering, condition, manner, etc. 3. The state of being disguised; masquerade. disguises, self-disguise. v. 4. To hide under a false appearance. disguised.

disguise ::: v. t. --> To change the guise or appearance of; especially, to conceal by an unusual dress, or one intended to mislead or deceive.
To hide by a counterfeit appearance; to cloak by a false show; to mask; as, to disguise anger; to disguise one&


dissembler ::: n. --> One who dissembles; one who conceals his opinions or dispositions under a false appearance; a hypocrite.

dissimulation ::: n. --> The act of dissembling; a hiding under a false appearance; concealment by feigning; false pretension; hypocrisy.

Divine creates the temporal world out of the timeless existence and conceals its reality behind its phenomena.

domino ::: n. --> A kind of hood worn by the canons of a cathedral church; a sort of amice.
A mourning veil formerly worn by women.
A kind of mask; particularly, a half mask worn at masquerades, to conceal the upper part of the face. Dominos were formerly worn by ladies in traveling.
A costume worn as a disguise at masquerades, consisting of a robe with a hood adjustable at pleasure.


"Each form is a symbol of some divine power, vibhûti, concealed in it and to the seeing eye each finite carries in it its own revelation of the infinite.” Essays on the Gita

“Each form is a symbol of some divine power, vibhûti, concealed in it and to the seeing eye each finite carries in it its own revelation of the infinite.” Essays on the Gita

"Each is the whole Eternal concealed.” The Life Divine

“Each is the whole Eternal concealed.” The Life Divine

effervesce ::: v. i. --> To be in a state of natural ebullition; to bubble and hiss, as fermenting liquors, or any fluid, when some part escapes in a gaseous form.
To exhibit, in lively natural expression, feelings that can not be repressed or concealed; as, to effervesce with joy or merriment.


Egoism, Ethical: The view that each individual should seek as an end only his own welfare. This principle is sometimes advanced as a separate intuition, sometimes on the ground that an individual's own welfare is the only thing that is ultimately valuable (for him). -- C.A.B Egoism, Psychological: The doctrine that the determining, though perhaps concealed, motive of every voluntary action is a desire for one's own welfare. Often combined with Psychological Hedonism. -- C.A.B.

eloign ::: v. t. --> To remove afar off; to withdraw.
To convey to a distance, or beyond the jurisdiction, or to conceal, as goods liable to distress.


emboss ::: v. t. --> To arise the surface of into bosses or protuberances; particularly, to ornament with raised work.
To raise in relief from a surface, as an ornament, a head on a coin, or the like.
To make to foam at the mouth, like a hunted animal.
To hide or conceal in a thicket; to imbosk; to inclose, shelter, or shroud in a wood.
To surround; to ensheath; to immerse; to beset.


emerge ::: 1. To come forth into view or notice, as from concealment, or obscurity. 2. To rise or come forth from or as if from water or other liquid. 3. To come into existence; develop. 4. To rise, as from an inferior or unfortunate state or condition. emerges, emerged, emerging.

emergence ::: n. --> The act of rising out of a fluid, or coming forth from envelopment or concealment, or of rising into view; sudden uprisal or appearance.

emergent ::: a. --> Rising or emerging out of a fluid or anything that covers or conceals; issuing; coming to light.
Suddenly appearing; arising unexpectedly; calling for prompt action; urgent.


emerge ::: v. i. --> To rise out of a fluid; to come forth from that in which anything has been plunged, enveloped, or concealed; to issue and appear; as, to emerge from the water or the ocean; the sun emerges from behind the moon in an eclipse; to emerge from poverty or obscurity.

enigma ::: 1. A puzzling or mystifying saying, in which some known thing is concealed under obscure language; an obscure question; a riddle. 2. Something seemingly having no explanation; a puzzling or inexplicable occurrence or situation. enigma"s, Enigma, Enigma"s, enigmaed.

ensconce ::: v. t. --> To cover or shelter, as with a sconce or fort; to place or hide securely; to conceal.

espy ::: v. t. --> To catch sight of; to perceive with the eyes; to discover, as a distant object partly concealed, or not obvious to notice; to see at a glance; to discern unexpectedly; to spy; as, to espy land; to espy a man in a crowd.
To inspect narrowly; to examine and keep watch upon; to watch; to observe. ::: v. i.


Exponible: Employed as a noun and as an adjective, applied to an obscure proposition which needs an exposition or explanation owing to a hidden composition. Kant applied it to propositions including an affirmation and a concealed negation, which an exposition makes apparent. -- J.J.R.

exposure ::: n. --> The act of exposing or laying open, setting forth, laying bare of protection, depriving of care or concealment, or setting out to reprobation or contempt.
The state of being exposed or laid open or bare; openness to danger; accessibility to anything that may affect, especially detrimentally; as, exposure to observation, to cold, to inconvenience.
Position as to points of compass, or to influences of climate, etc.


feign ::: v. t. --> To give a mental existence to, as to something not real or actual; to imagine; to invent; hence, to pretend; to form and relate as if true.
To represent by a false appearance of; to pretend; to counterfeit; as, to feign a sickness.
To dissemble; to conceal.


Fire is the active, energic, vitalizing, quickening principle on all planes. It is often paired with water as spirit and form; contrasted with earth, as celestial and terrestrial; air is spoken of as its vehicle, as is also aether, because the root of cosmic aether is the celestial fire. The order of the elements varies, from different points of view and on different planes of manifestation. The Secret Doctrine states that from primordial chaos came forth a fire that was cold, formless, and luminous — essential consciousness-substance. The first manifested hot fires and flames issued at a much later stage in manifestation. Concealed within the central sun is the triple formless invisible fire, which precedes the septenary manifested fire of cosmos. Fire, whether heavenly or terrestrial, is the most perfect and pure reflection of the one universal flame; it is life and death, creator and recreator; the origin and end of every material thing — divine consciousness-substance. From one flame all lamps can be kindled: fire imparts infinitely without loss. Fire alone is One, on the plane of the one reality; and on the plane of illusion, its particles are fiery lives.

flame ::: “The true soul secret in us,—subliminal, we have said, but the word is misleading, for this presence is not situated below the threshold of waking mind, but rather burns in the temple of the inmost heart behind the thick screen of an ignorant mind, life and body, not subliminal but behind the veil,—this veiled psychic entity is the flame of the Godhead always alight within us, inextinguishable even by that dense unconsciousness of any spiritual self within which obscures our outward nature. It is a flame born out of the Divine and, luminous inhabitant of the Ignorance, grows in it till it is able to turn it towards the Knowledge. It is the concealed Witness and Control, the hidden Guide, the Daemon of Socrates, the inner light or inner voice of the mystic. It is that which endures and is imperishable in us from birth to birth, untouched by death, decay or corruption, an indestructible spark of the Divine.” The Life Divine

fold ::: v. t. --> To lap or lay in plaits or folds; to lay one part over another part of; to double; as, to fold cloth; to fold a letter.
To double or lay together, as the arms or the hands; as, he folds his arms in despair.
To inclose within folds or plaitings; to envelop; to infold; to clasp; to embrace.
To cover or wrap up; to conceal.
To confine in a fold, as sheep.


forth ::: 1. Onward or outward in place or space; forward. 2. Out, as from concealment or inaction; into view or consideration. 3. Out of; forth from a place or source.

forth ::: adv. --> Forward; onward in time, place, or order; in advance from a given point; on to end; as, from that day forth; one, two, three, and so forth.
Out, as from a state of concealment, retirement, confinement, nondevelopment, or the like; out into notice or view; as, the plants in spring put forth leaves.
Beyond a (certain) boundary; away; abroad; out.
Throughly; from beginning to end.


forwrap ::: v. t. --> To wrap up; to conceal.

“From our ascending point of view we may say that the Real is behind all that exists; it expresses itself intermediately in an Ideal which is a harmonised truth of itself; the Ideal throws out a phenomenal reality of variable conscious-being which, inevitably drawn towards its own essential Reality, tries at last to recover it entirely whether by a violent leap or normally through the Ideal which put it forth. It is this that explains the imperfect reality of human existence as seen by the Mind, the instinctive aspiration in the mental being towards a perfectibility ever beyond itself, towards the concealed harmony of the Ideal, and the supreme surge of the spirit beyond the ideal to the transcendental.” The Life Divine

Guhya-vidya (Sanskrit) Guhyavidyā [from guhya secret from the verbal root guh to conceal, keep secret + vidyā knowledge, wisdom.] Secret knowledge, esoteric wisdom; in India, especially, the esoteric knowledge and science of the mantras and their true rhythm in chanting. Equivalent in grammatical meaning to gupta-vidya.

Guiding Unv of experience ::: The guiding law of spiritual experience can only come by an opening of human conscious~ ness to the Divine Consciousness ; there must be the power to receive in us the working and command and dynamic presence of the Divine Shakti and surrender ourselves to her control ; it is that surrender and that control which bring tbs guidance. But the surrender is not sure, there is so absolute certitude of the guidance so long as we are besieged by mind fonnaljons and life impulses and instigations of ego which may easily betray us into the bands of a false experience. This danger can only be countered by the opening of a now nine^tenths concealed inmost soul or psychic being that is already there but not commonly active within. That is the inner light we must Uberate ; for the light of thb inmost soul is our one sure illumioation so long as we walk still amidst the siege of the Ignorance and the Truth-

guile ::: n. --> Craft; deceitful cunning; artifice; duplicity; wile; deceit; treachery.
To disguise or conceal; to deceive or delude.


Gupta-vidya (Sanskrit) Gupta-vidyā [from gupta from the verbal root gup to conceal, preserve + vidyā knowledge, wisdom] Secret knowledge, secret wisdom; the source of all religions and philosophies known to the world: theosophy, the ancient wisdom-religion, the esoteric philosophy. See also THEOSOPHY

hammer-less ::: a. --> Without a visible hammer; -- said of a gun having a cock or striker concealed from sight, and out of the way of an accidental touch.

handle 1. "programming, operating system" A simple item of data that identifies a resource. For example, a {Unix} file handle identifies an open file and associated data such as whether it was opened for read or write and the current read/write position. On the {Macintosh}, a handle is a pointer to a pointer to some dynamically-allocated memory. The extra level of indirection allows on-the-fly {memory compaction} or {garbage collection} without invalidating application program references to the allocated memory. 2. "jargon" An alias used intended to conceal a user's true identity in an electronic message. The term is common on Citizen's Band and other amateur radio but, in that context usually means the user's real name as {FCC} rules forbid concealing one's identity. Use of grandiose handles is characteristic of {crackers}, {weenies}, {spods}, and other lower forms of network life; true hackers travel on their own reputations. Compare {nick}. [{Jargon File}] 3. "networking" {domain handle}. (2004-07-20)

Haunted Houses Physicho-astral remains of the deceased tend to haunt the places where they dwelt in life; and in cases which are relatively rare, though numerous absolutely, conditions may bring about a connection between the lower astral plane and the physical so that visible images are seen, voices or footsteps heard, and objects may be moved. In some cases the astral image or reliquiae may persist for centuries, making what is called a ghost; it is an astral corpse or relic, automatically repeating acts or words. Often bones have been found under a house, and popular belief has it that the haunting has ceased after they were ceremonially interred. Sometimes there is an evident desire on the part of the kama-rupa to communicate information of some sort, as of a hidden document or buried treasure, and this is not because the kama-rupa is the spirit desiring to communicate its information, but because the kama-rupa has stamped upon it photographically, as it were, the intense desire of the person during life to guard the treasure and conceal it, and even to reveal it to some individual.

Head of all Heads [from Chaldean Reisha’ dechol Reisha’] Qabbalistic term also referred to as the Ancient of Ancients (‘Attiqa’ De‘Attiqin), the Concealed of the Concealed, or the Hid of the Hid.

Hermes was the Greek god of mystical thinking and interpretations, corresponding to the Egyptian Thoth, both divinities being overseers or hierophants of works of initiation concealing the archaic secrets of the god-wisdom. Thus the ascription to Hermes of profoundly mystical allegories is properly assigned, whoever their actual writers may have been.

HHART. ::: The scat of tuo pouers, in front the hicher vital or emotional beinc. behind and concealed the soul or psychic being.

hidden ::: p. p. & a. --> from Hide. Concealed; put out of view; secret; not known; mysterious. ::: p. p. --> of Hide

hider ::: n. --> One who hides or conceals.

hide ::: v. t. --> To conceal, or withdraw from sight; to put out of view; to secrete.
To withhold from knowledge; to keep secret; to refrain from avowing or confessing.
To remove from danger; to shelter.
To flog; to whip. ::: v. i.


hiding ::: p. pr. & vb. n. --> of Hide
of Hide ::: n. --> The act of hiding or concealing, or of withholding from view or knowledge; concealment.
A flogging.


hoarding ::: p. pr. & vb. n. --> of Hoard ::: n. --> A screen of boards inclosing a house and materials while builders are at work.
A fence, barrier, or cover, inclosing, surrounding, or concealing something.


holocryptic ::: a. --> Wholly or completely concealing; incapable of being deciphered.

hugger ::: n. --> One who hugs or embraces. ::: v. t. & i. --> To conceal; to lurk ambush.

Hu’ (Hebrew) Hū’ The pronoun he or it; used in the Qabbalah to represent the Macroprosopus or macrocosm because Macroprosopus is not so closely known as to be addressed in the second person, but is called in the third person Hu’. “That, from which proceeds Ab, the ‘Father’; therefore the Concealed Logos” (TG 143).

hypocrisy ::: n. --> The act or practice of a hypocrite; a feigning to be what one is not, or to feel what one does not feel; a dissimulation, or a concealment of one&

ihalokadr.s.t.i (ihalokadrishti) ::: vision of this world by means other ihalokadrsti than the physical senses, a form of lokadr.s.t.i; it includes the knowledge, by direct perception or through symbolic images, of "things concealed from the limited receptivity or beyond the range of the physical organs, distant forms, scenes and happenings, things that have passed out of physical existence or that are not yet in physical existence"...70

imbosk ::: v. t. --> To conceal, as in bushes; to hide. ::: v. i. --> To be concealed.

immask ::: v. t. --> To cover, as with a mask; to disguise or conceal.

inconcealable ::: a. --> Not concealable.

In Biblical genealogy, the line of Cain is Enoch, Irad, Mehujael, Methusael, and Lemech, whose sons were Jubal, Jabal, and Tubal-cain; the line of Seth, the third son of Adam and Eve, is Enos (Enoch), Cainan, Mehalaleel, Jarad (or Irad), Enoch, Methuselah, Lamech, and Noah (Genesis 4-5). Blavatsky calls it “fruitless [to] attempt to disconnect the genealogies of Cain and of Seth, or to conceal the identity of names under a different spelling. . . . all these are symbols (Kabalistically) of solar and lunar years, of astronomical periods, and of physiological (phallic) functions, just as in any other pagan symbolical creed” (SD 2:391n). See also ABEL

incognito ::: a concealed identity.

In legend, the seven daughters of Atlas (Maia, Electra, Taygeta, Asterope, Merope, Alcyone, and Celaeno), who complained to the gods because they were pursued by Orion and were then changed into pigeons or doves and made into a constellation. Atlas represents the Atlantean root-race, and the daughters are the seven subraces. They married gods and became the mothers of heroes and the founders of city-states. They are connected with the destiny of nations, which is shaped by the events of their past lives, so that truly our destiny is written in the stars. In India, as the Krittikas, they were the wives of the seven rishis, six visible, one concealed; and the function of the rishis is concerned with times and events.

insuppressible ::: a. --> That can not be suppressed or concealed; irrepressible.

In tabulating the Gnostic names into triads, Blavatsky places Ferho heading the first trinity of Ferho, Chaos, and Fetahil, equivalent to Father, Mother, and Son of the Christian system (IU 2:227). This is the concealed or nonmanifested trinity, equivalent to the unmanifested or First Logos of theosophical literature. At the same time Ferho is “the Life which is no Life — the Supreme God. The Cause which produces the Light, or the Logos in abscondito” (IU 2:295). Ferho, therefore, was at one time viewed as is the Hindu Brahma, the formative and creative cosmic power, and at another time as is the Hindu Brahman. Cosmic life has the same double significance: it is either the root-life or unmanifest source of all, or again the life manifest, the producer and former of the worlds.

  “In that Atteekah [‘Attiqa’] nothing is revealed except the Head alone, because it is the Head of all Heads . . . The Wisdom above, which is the Head, is hidden in it, the Brain which is tranquil and quiet, and none knows it but Itself. . . . And this Hidden Wisdom . . . the Concealed of the Concealed, the Head of all Heads, a Head which is not a Head, nor does any one know, nor is it ever known, what is in that Head which Wisdom and Reason cannot comprehend” (Zohar iii 288a).

In the book of symbology given at the beginning of The Secret Doctrine a point appears in a circle as the first differentiation in the periodical manifestations of the ever-eternal nature. From the unknowable and concealed point emerged the creative cosmic triad of Eros, Chaos, and Chronos.

In the Qabbalah it is said that creation was accomplished during the twelve hours of a day: “The ‘twelve hours of the day’ are again the dwarfed copy, the faint, yet faithful, echo of primitive Wisdom. They are like the 12,000 divine years of the gods, a cyclic blind. Every ‘Day of Brahma’ has 14 Manus, which the Hebrew Kabalists, following, however, in this the Chaldeans, have disguised into 12 ‘Hours.’ The Nuctameron of Apollonius of Tyana is the same thing. ‘The Dodecahedron lies concealed in the perfect Cube,’ say the Kabalists. The mystic meaning of this is, that the twelve great transformations of Spirit into matter (the 12,000 divine years) take place during the four great ages, or the first Mahayuga” (SD 1:450).

In the subconscient the intuition manifests itself in the action, in effectivity, and the knowledge or conscious identity is either entirely or more or less concealed in the action. In the superconscient, on the contrary, Light being the law and the principle, the intuition manifests itself in its true nature as knowledge emerging out of conscious identity, and effectivity of action is rather the accompaniment or necessary consequent and no longer masks as the primary fact. Between these two states reason and mind act as intermediaries which enable the being to liberate knowledge out of its imprisonment in the act and prepare it to resume its essential primacy. When the selfawareness in the mind applied both to continent and content, to own-self and other-self, exalts itself into the luminous selfmanifest identity, the reason also converts itself into the form of the self-luminous intuitional3 knowledge. This is the highest possible state of our knowledge when mind fulfils itself in the supramental.
   Ref: CWSA Vol. 21-22, Page: 72


intuition ::: direct perception of truth, fact, etc., independent of any reasoning process. intuition"s, intuitions, half-intuition.

Sri Aurobindo: "Intuition is a power of consciousness nearer and more intimate to the original knowledge by identity; for it is always something that leaps out direct from a concealed identity. It is when the consciousness of the subject meets with the consciousness in the object, penetrates it and sees, feels or vibrates with the truth of what it contacts, that the intuition leaps out like a spark or lightning-flash from the shock of the meeting; or when the consciousness, even without any such meeting, looks into itself and feels directly and intimately the truth or the truths that are there or so contacts the hidden forces behind appearances, then also there is the outbreak of an intuitive light; or, again, when the consciousness meets the Supreme Reality or the spiritual reality of things and beings and has a contactual union with it, then the spark, the flash or the blaze of intimate truth-perception is lit in its depths. This close perception is more than sight, more than conception: it is the result of a penetrating and revealing touch which carries in it sight and conception as part of itself or as its natural consequence. A concealed or slumbering identity, not yet recovering itself, still remembers or conveys by the intuition its own contents and the intimacy of its self-feeling and self-vision of things, its light of truth, its overwhelming and automatic certitude.” *The Life Divine

   "Intuition is always an edge or ray or outleap of a superior light; it is in us a projecting blade, edge or point of a far-off supermind light entering into and modified by some intermediate truth-mind substance above us and, so modified, again entering into and very much blinded by our ordinary or ignorant mind-substance; but on that higher level to which it is native its light is unmixed and therefore entirely and purely veridical, and its rays are not separated but connected or massed together in a play of waves of what might almost be called in the Sanskrit poetic figure a sea or mass of ``stable lightnings"". When this original or native Intuition begins to descend into us in answer to an ascension of our consciousness to its level or as a result of our finding of a clear way of communication with it, it may continue to come as a play of lightning-flashes, isolated or in constant action; but at this stage the judgment of reason becomes quite inapplicable, it can only act as an observer or registrar understanding or recording the more luminous intimations, judgments and discriminations of the higher power. To complete or verify an isolated intuition or discriminate its nature, its application, its limitations, the receiving consciousness must rely on another completing intuition or be able to call down a massed intuition capable of putting all in place. For once the process of the change has begun, a complete transmutation of the stuff and activities of the mind into the substance, form and power of Intuition is imperative; until then, so long as the process of consciousness depends upon the lower intelligence serving or helping out or using the intuition, the result can only be a survival of the mixed Knowledge-Ignorance uplifted or relieved by a higher light and force acting in its parts of Knowledge.” *The Life Divine

  "I use the word ‘intuition" for want of a better. In truth, it is a makeshift and inadequate to the connotation demanded of it. The same has to be said of the word ‘consciousness" and many others which our poverty compels us to extend illegitimately in their significance.” *The Life Divine - Sri Aurobindo"s footnote.

"For intuition is an edge of light thrust out by the secret Supermind. . . .” The Life Divine

". . . intuition is born of a direct awareness while intellect is an indirect action of a knowledge which constructs itself with difficulty out of the unknown from signs and indications and gathered data.” The Life Divine

"Intuition is above illumined Mind which is simply higher Mind raised to a great luminosity and more open to modified forms of intuition and inspiration.” Letters on Yoga

"Intuition sees the truth of things by a direct inner contact, not like the ordinary mental intelligence by seeking and reaching out for indirect contacts through the senses etc. But the limitation of the Intuition as compared with the supermind is that it sees things by flashes, point by point, not as a whole. Also in coming into the mind it gets mixed with the mental movement and forms a kind of intuitive mind activity which is not the pure truth, but something in between the higher Truth and the mental seeking. It can lead the consciousness through a sort of transitional stage and that is practically its function.” Letters on Yoga


intuition ::: “Intuition is a power of consciousness nearer and more intimate to the original knowledge by identity; for it is always something that leaps out direct from a concealed identity. It is when the consciousness of the subject meets with the consciousness in the object, penetrates it and sees, feels or vibrates with the truth of what it contacts, that the intuition leaps out like a spark or lightning-flash from the shock of the meeting; or when the consciousness, even without any such meeting, looks into itself and feels directly and intimately the truth or the truths that are there or so contacts the hidden forces behind appearances, then also there is the outbreak of an intuitive light; or, again, when the consciousness meets the Supreme Reality or the spiritual reality of things and beings and has a contactual union with it, then the spark, the flash or the

intuitive knowledge ::: Sri Aurobindo: " For the highest intuitive Knowledge sees things in the whole, in the large and details only as sides of the indivisible whole; its tendency is towards immediate synthesis and the unity of knowledge.” *The Life Divine

"The intuitive knowledge on the contrary, however limited it may be in its field or application, is within that scope sure with an immediate, a durable and especially a self-existent certitude.” The Synthesis of Yoga

"All intuitive knowledge comes more or less directly from the light of the self-aware spirit entering into the mind, the spirit concealed behind mind and conscious of all in itself and in all its selves, omniscient and capable of illumining the ignorant or the self-forgetful mind whether by rare or constant flashes or by a steady instreaming light, out of its omniscience.” The Synthesis of Yoga*


In Vedanta philosophy, avarana-sakti is the power of illusion, that which veils, conceals, or surrounds the real nature of beings or things.

It is the cryptic verses of the Veda that help us here; for they contain, though concealed, the gospel of the divine and immortal Supermind and through the veil some illumining flashes come to us. We can see through these utterances the conception of this Supermind as a vastness beyond the ordinary firmaments of our consciousness in which truth of being is luminously one with all that expresses it and assures inevitably truth of vision, formulation, arrangement, word, act and movement and therefore truth also of result of movement, result of action and expression, infallible ordinance or law. Vast all-comprehensiveness; luminous truth and harmony of being in that vastness and not a vague chaos or self-lost obscurity; truth of law and act and knowledge expressive of that harmonious truth of being: these seem to be the essential terms of the Vedic description.” *The Life Divine

It is the cryptic verses of the Veda that help us here; for they contain, though concealed, the gospel of the divine and immortal Supermind and through the veil some illumining flashes come to us. We can see through these utterances the conception of this Supermind as a vastness beyond the ordinary firmaments of our consciousness in which truth of being is luminously one with all that expresses it and assures inevitably truth of vision, formulation, arrangement, word, act and movement and therefore truth also of result of movement, result of action and expression, infallible ordinance or law. Vast all-comprehensiveness; luminous truth and harmony of being in that vastness and not a vague chaos or self-lost obscurity; truth of law and act and knowledge expressive of that harmonious truth of being: these seem to be the essential terms of the Vedic description.” The Life Divine

  ". . . it is the seat of two powers, in front the higher vital or emotional being, behind and concealed the soul or psychic being.” *Letters on Yoga

“… it is the seat of two powers, in front the higher vital or emotional being, behind and concealed the soul or psychic being.” Letters on Yoga

:::   "Knowledge is a child with its achievements; for when it has found out something, it runs about the streets whooping and shouting; Wisdom conceals hers for a long time in a thoughtful and mighty silence.” *Essays Divine and Human

“Knowledge is a child with its achievements; for when it has found out something, it runs about the streets whooping and shouting; Wisdom conceals hers for a long time in a thoughtful and mighty silence.” Essays Divine and Human

Koran al-Qur’ān (Arabic) [from qārā to read] Book, reading; the holy scripture of Islam, regarded by Moslems as the word of God (Allah) as delivered to his prophet Mohammed. The Koran explains that in heaven there is the mother of the book, well concealed. Piece by piece it was sent down to the prophet by means of an angel, spirit, or the angel Gabriel. Mohammed issued these revelations serially, each one being called a reading (qur’an) or a writing (kitab), and each particular one was also called a sura (a series) — a word now used for each section or chapter, of which there are 114.

Kosa: Sanskrit for sheath. One of the envelopes of the soul or self concealing its real nature, which is pure consciousness. The Vedanta knows three: the anandamaya, vijnanamaya, and annamaya kosas, i.e., the sheaths of pleasure, intellect, and food, composing respectively the karana, suksma, and sthula sharira, meaning the causal, subtle, and gross frame or body.

Kosa: (Skr.) "Sheath", one of the envelopes of the soul or self concealing its real nature, which is pure consciousness. The Vedanta knows three: the anandamaya, vijnanamaya, and annamaya koias, i.e., the sheaths of pleasure, intellect, and food, composing respectively the karana, suksma, and sthula larira, meaning the causal, subtile, and gross frame or body. -- K.F.L.

latent ::: hidden or undeveloped, but capable of being developed; not as yet manifested; concealed.

latently ::: adv. --> In a secret or concealed manner; invisibly.

latibulum ::: n. --> A concealed hiding place; a burrow; a lair; a hole.

latitant ::: a. --> Lying hid; concealed; latent.

latitation ::: n. --> A lying in concealment; hiding.

lean ::: v. t. --> To conceal. ::: v. i. --> To incline, deviate, or bend, from a vertical position; to be in a position thus inclining or deviating; as, she leaned out at the window; a leaning column.
To incline in opinion or desire; to conform in conduct; --


lier ::: n. --> One who lies down; one who rests or remains, as in concealment.

Lif and Lifthrasir (Icelandic) [from lif to live, live on, remain (when others are gone on); lifthrasir tough, hard to kill from thrasir sturdy one] Life, and survival; in the Norse Edda, the enduring life principles of the human race which live on after the end of the world, “concealed in the memory hoard of the sun (Hoddmimir’s holt): morning dew is their food, and from them will be born ages to come” — when the world is reborn.

"Life [is] not only a play of forces or a mental experience, but a field for the evolution of the concealed spirit.” Letters on Yoga

“Life [is] not only a play of forces or a mental experience, but a field for the evolution of the concealed spirit.” Letters on Yoga

Madhav: “The universe is always seen and experienced as concealed by a coloured veil. The veil is a deceptive veil.” The Book of the Divine Mother

mantle ::: 1. A loose, always sleeveless cloak or cape of varying length. 2. Something that covers, envelopes, or conceals.

mantle ::: n. --> A loose garment to be worn over other garments; an enveloping robe; a cloak. Hence, figuratively, a covering or concealing envelope.
Same as Mantling.
The external fold, or folds, of the soft, exterior membrane of the body of a mollusk. It usually forms a cavity inclosing the gills. See Illusts. of Buccinum, and Byssus.
Any free, outer membrane.


masked ::: disguised; concealed; hidden.

mask ::: n. 1. A covering for all or part of the face, worn to conceal one"s identity. 2. Anything that disguises, conceals, or hides from view. Mask, masks. v. 3. To disguise or conceal; hide, veil, screen, cloak. **masked, masking.

masquerade ::: n. --> An assembly of persons wearing masks, and amusing themselves with dancing, conversation, or other diversions.
A dramatic performance by actors in masks; a mask. See 1st Mask, 4.
Acting or living under false pretenses; concealment of something by a false or unreal show; pretentious show; disguise.
A Spanish diversion on horseback.


math-out (Possibly from "white-out", the blizzard variety) A paper or presentation so encrusted with mathematical or other formal notation as to be incomprehensible. This may be a device for concealing the fact that it is actually {content-free}. See also {numbers}, {social science number}. [{Jargon File}] (1994-12-14)

Matter, and, as mind, life and Matter have manifested on the earth, so too must Supermind in the inevitable course of things manifest in this world of Matter. In fact, a supermind Is already here but it is involved, concealed behind this manifest mind, life and Matter and not yet acting overtly or in its own power ; if it acts it is through these Werior powers and modified by their characters and so not yet recognisable. It is only by the approach and arri- val of the descendiag Supermind that it can be liberated upon earth and reveal Itself in the action of our material, vital and mental parts so that these lower powers can become portions of a total divinised activity of our whole being ::: it is that that will bring to us a completely realised divinity or the divine life. It is indeed so that life and mind involved In Matter have realised themselves here ; for only what is involved can evolve, otherwise there could be no emergence. ■■

maya. ::: "that which is not"; "that which does not exist"; the superimposition without beginning; the illusion; the illusive power of Brahman that makes the false appearance of the unreal world appear to be real; illusory creation; the veiling and the projecting power of the universe; time and space; doubt; the sense-world of manifold phenomena which conceals the unity of absolute being &

Michael (Hebrew) Mīkhā’ēl Who is as God; one of the seven archangels, in the Old Testament one of the chiefs of the heavenly host, regarded as the guardian angel or celestial patron of Israel. According to one legend, Michael was chief of the four or seven angels who surrounded the heavenly throne. The Roman Catholic Church regards Michael in much the same light, his festival, Michaelmas, being held on September 29. With the Gnostics, the first of the Aeons, called the savior. In the New Testament Michael leads the angelic host against the Apocalyptic Dragon, repeating the familiar tale of many ancient mythologies. Again, he is the chief opponent of Samael, the principal antagonist of the heavenly host. Originally, however, both Michael and Samael were as one, both proceeding from ruah (soul), neshamah (spirit), and nephesh (vitality) — as taught in the Qabbalah (in the Chaldean Book of Numbers). “Samael is the concealed (occult) Wisdom, and Michael the higher terrestrial Wisdom, both emanating from the same source but diverging after their issue from the mundane soul, which on Earth is Mahat (intellectual understanding), or Manas (the seat of Intellect). They diverge, because one (Michael) is influenced by Neschamah, while the other (Isamael) remains uninfluenced. This tenet was perverted by the dogmatic spirit of the Church; which . . . made of Samael-Satan (the most wise and spiritual spirit of all) — the adversary of its anthropomorphic God and sensual physical man, the devil!” (SD 2:378).

muffle ::: n. --> The bare end of the nose between the nostrils; -- used esp. of ruminants. ::: v. t. --> To wrap up in something that conceals or protects; to wrap, as the face and neck, in thick and disguising folds; hence, to conceal or cover the face of; to envelop; to inclose; -- often with up.

muskrat ::: n. --> A North American aquatic fur-bearing rodent (Fiber zibethicus). It resembles a rat in color and having a long scaly tail, but the tail is compressed, the bind feet are webbed, and the ears are concealed in the fur. It has scent glands which secrete a substance having a strong odor of musk. Called also musquash, musk beaver, and ondatra.
The musk shrew.
The desman.


mystery ::: a. --> A profound secret; something wholly unknown, or something kept cautiously concealed, and therefore exciting curiosity or wonder; something which has not been or can not be explained; hence, specifically, that which is beyond human comprehension.
A kind of secret religious celebration, to which none were admitted except those who had been initiated by certain preparatory ceremonies; -- usually plural; as, the Eleusinian mysteries.
The consecrated elements in the eucharist.


Mystery-gods Several different groups of cosmogonic entities, among them the regents of the seven sacred planets, whose chief is the sun exoterically and the Second Logos esoterically; and in a limited sense, mystery-gods is used for two secret planets for which the sun and moon were used as substitutes. Also, in speaking of the dual nature of the Egyptian deities, the concealed or esoteric aspects of them are spoken of as mystery-gods. Again, the name is given to the kabiri or kabeiroi.

naked ::: 1. Having no clothing on the body; nude. 2. Being without addition, concealment, disguise, or embellishment. 3. Exposed to harm; vulnerable. 4. Plain, simple, unadorned. 5. Not accompanied or supplemented by anything else. 6. Devoid of a specified quality, characteristic, or element. 7. With no qualification or concealment; stark, plain. 8. Unsupported by authority or financial or other consideration. World-naked.

naked ::: a. --> Having no clothes on; uncovered; nude; bare; as, a naked body; a naked limb; a naked sword.
Having no means of defense or protection; open; unarmed; defenseless.
Unprovided with needful or desirable accessories, means of sustenance, etc.; destitute; unaided; bare.
Without addition, exaggeration, or excuses; not concealed or disguised; open to view; manifest; plain.


Name, Sacred Most names are labels, and according to ancient occult theory to disclose the real name of a being is to evoke the presence of that being, a knowledge which is made use of in magical evocations. To name the Deity would be an initiation, a revelation, fit only for ears prepared to receive it. Supreme deities are said to be ineffable — their names cannot or may not be spoken — as was the case with the Hebrew Tetragrammaton, IHVH, often written Jehovah, Jahveh, etc., but whose real pronunciation was secret and sacred. Qabbalists, in order to screen the real mystery-name of ’eyn soph (the boundless), substituted the name of one of the personal creative ’elohim, the hermaphrodite Jah-Eve; and the name was made sacred in order to conceal the deception (SD 2:126). As a substitute for Jehovah the name ’Adonai (my Lords), was afterwards used when reading the ancient Hebrew scriptures aloud for and instead of the characters, which appeared written on the manuscript, because YHVH was considered too holy for utterance.

night ::: n. --> That part of the natural day when the sun is beneath the horizon, or the time from sunset to sunrise; esp., the time between dusk and dawn, when there is no light of the sun, but only moonlight, starlight, or artificial light.
Darkness; obscurity; concealment.
Intellectual and moral darkness; ignorance.
A state of affliction; adversity; as, a dreary night of sorrow.


not concealed, covered, hidden.

  “nowhere shows Yama ‘as having anything to do with the punishment of the wicked.’ As king and judge of the dead, a Pluto in short, Yama is a far later creation. One has to study the true character of Yama-Yami throughout more than one hymn and epic poem, and collect the various accounts scattered in dozens of ancient works, and then he will obtain a consensus of allegorical statements which will be found to corroborate and justify the Esoteric teaching, that Yama-Yami is the symbol of the dual Manas, in one of its mystical meanings. For instance, Yama-Yami is always represented of a green colour and clothed with red, and as dwelling in a palace of copper and iron. Students of Occultism know to which of the human ‘principles’ the green and the red colours, and by correspondence the iron and copper, are to be applied. The ‘twofold-ruler’ — the epithet of Yama-Yami — is regarded in the exoteric teachings of the Chino-Buddhists as both judge and criminal, the restrainer of his own evil doings and the evil-doer himself. In the Hindu epic poems Yama-Yami is the twin-child of the Sun (the deity) by Sanjna (spiritual consciousness); but while Yama is the Aryan ‘lord of the day,’ appearing as the symbol of spirit in the East, Yami is the queen of the night (darkness, ignorance) ‘who opens to mortals the path to the West’ — the emblem of evil and matter. In the Puranas Yama has many wives (many Yamis) who force him to dwell in the lower world (Patala, Myalba, etc., etc.); and an allegory represents him with his foot lifted, to kick Chhaya, the handmaiden of his father (the astral body of his mother, Sanjna, a metaphysical aspect of Buddhi or Alaya). As stated in the Hindu Scriptures, a soul when it quits its mortal frame, repairs to its abode in the lower regions (Kamaloka or Hades). Once there, the Recorder, the Karmic messenger called Chitragupta (hidden or concealed brightness), reads out his account from the Great Register, wherein during the life of the human being, every deed and thought are indelibly impressed — and, according to the sentence pronounced, the ‘soul’ either ascends to the abode of the Pitris (Devachan), descends to a ‘hell’ (Kamaloka), or is reborn on earth in another human form” (TG 376).

obreptitious ::: a. --> Done or obtained by surprise; with secrecy, or by concealment of the truth.

obscured ::: adj. **1. Made unclear, vague, or hidden to the sight. v. 2. Made less visible or unclear; concealed. obscuring.**

occult ::: 1. Hidden from view; concealed. 2. Beyond the realm of human comprehension; inscrutable. 3. Available only to the initiate; secret.

occult ::: a. --> Hidden from the eye or the understanding; inviable; secret; concealed; unknown. ::: v. t. --> To eclipse; to hide from sight.

occulted ::: a. --> Hidden; secret.
Concealed by the intervention of some other heavenly body, as a star by the moon.


‘Olam (Hebrew) ‘Ōlām Ulom (Phoenician) [from ‘ālam to hide, conceal] Also oulom. Long duration, long past time, great antiquity, hence occasionally used for the future; again, the world. Parallel to the Gnostic Aeon, which signifies a time period, something secret and esoteric, and the world which exists in the time period; also parallels the Sanskrit kala. Sometimes mistranslated as eternity. Frequently used in the plural (‘olamin).

“One must have faith in the Master of our life and works, even if for a long time He conceals Himself, and then in His own right time He will reveal His Presence.” Letters on Yoga

Oomancy [from Greek oon egg + manteia divination] The ancient art of divination by eggs was taught to mankind by Orpheus (SD 1:362); and the diviner was able by inspecting the contents of the egg to perceive whatever the bird born from it would have seen, had it ever been born. The possibility of divination is a logical deduction from the principle of universal correspondences and the interrelation and interpenetration of all parts of the universe. It is therefore only a question of esoteric knowledge and skill. The germ of the future lies concealed in the present, making prediction possible by one whose spiritual faculties have been awakened.

opertaneous ::: a. --> Concealed; private.

Originally it was described as the abode of the night-sun, through which the sun god Ra passed during the night, only to arise renewed in the morning. “What is the Tiaou The frequent allusion to it in the ‘Book of the Dead’ contains a mystery. Tiaou is the path of the Night Sun, the inferior hemisphere, or the infernal region of the Egyptians, placed by them on the concealed side of the moon. The human being, in their exotericism, came out from the moon (a triple mystery — astronomical, physiological, and psychical at once); he crossed the whole cycle of existence and then returned to his birth-place before issuing from it again. Thus the defunct is shown arriving in the West, receiving his judgment before Osiris, resurrecting as the god Horus, and circling round the sidereal heavens, which is an allegorical assimilation to Ra, the Sun; then having crossed the Noot (the celestial abyss), returning once more to Tiaou: an assimilation to Osiris, who, as the God of life and reproduction, inhabits the moon” (SD 1:227-8).

Our subliminal self is not, like our surface physical being, an outcome of the energy of the Inconscient; it is a meeting-place of the consciousness that emerges from below by evolution and the consciousness that has descended from above for involution. There is in it an inner mind, an inner vital being of ourselves, an inner or subtle-physical being larger than our outer being and nature. This inner existence is the concealed origin of almost all in our surface self that is not a construction of the first inconscient World-Energy or a natural developed functioning of our surface consciousness or a reaction of it to impacts from the outside universal Nature,—and even in this construction, these functionings, these reactions the subliminal takes part and exercises on them a considerable influence. There is here a consciousness which has a power of direct contact with the universal unlike the mostly indirect contacts which our surface being maintains with the universe through the sense-mind and the senses. There are here inner senses, a subliminal sight, touch, hearing; but these subtle senses are rather channels of the inner being’s direct consciousness of things than its informants: the subliminal is not dependent on its senses for its knowledge, they only give a form to its direct experience of objects; they do not, so much as in waking mind, convey forms of objects for the mind’s documentation or as the starting-point or basis for an indirect constructive experience. The subliminal has the right of entry into the mental and vital and subtle-physical planes of the universal consciousness, it is not confined to the material plane and the physical world; it possesses means of communication with the worlds of being which the descent towards involution created in its passage and with all corresponding planes or worlds that may have arisen or been constructed to serve the purpose of the re-ascent from Inconscience to Superconscience. It is into this large realm of interior existence that our mind and vital being retire when they withdraw from the surface activities whether by sleep or inward-drawn concentration or by the inner plunge of trance. Our waking state is unaware of its connection with the subliminal being, although it receives from it—but without any knowledge of the place of origin—the inspirations, intuitions, ideas, will-suggestions, sense-suggestions, urges to action that rise from below or from behind our limited surface existence. Sleep like trance opens the gate of the subliminal to us; for in sleep, as in trance, we retire behind the veil of the limited waking personality and it is behind this veil that the subliminal has its existence. But we receive the records of our sleep experience through dream and in dream figures and not in that condition which might be called an inner waking and which is the most accessible form of the trance state, nor through the supernormal clarities of vision and other more luminous and concrete ways of communication developed by the inner subliminal cognition when it gets into habitual or occasional conscious connection with our waking self. The subliminal, with the subconscious as an annexe of itself,—for the subconscious is also part of the behind-the-veil entity,—is the seer of inner things and of supraphysical experiences; the surface subconscious is only a transcriber. It is for this reason that the Upanishad describes the subliminal being as the Dream Self because it is normally in dreams, visions, absorbed states of inner experience that we enter into and are part of its experiences...
   Ref: CWSA Vol. 21-22, Page: 236


overscented ::: a. --> Scented excessively.
Covered or concealed by a different odor.


overt ::: open and observable; not hidden, concealed, or secret.

pall ::: 1. A covering that darkens, conceals, or obscures, as a cloud, etc. palls.

palliate ::: a. --> Covered with a mant/e; cloaked; disguised.
Eased; mitigated; alleviated. ::: v. t. --> To cover with a mantle or cloak; to cover up; to hide.
To cover with excuses; to conceal the enormity of, by excuses and apologies; to extenuate; as, to palliate faults.


pan.i ::: a class of Vedic demons whose chief is Vala; "traffickers in the pani sense-life, stealers and concealers of the higher Light and its illuminations".

Parardha and Aparardha [Higher and Lower Halves] ::: A separation, acute in practice though unreal in essence, divides the total being of man, the microcosm, as it divides also the world-being, the macrocosm. Both have a higher and a lower hemisphere, the parardha and aparardha of the ancient wisdom. The higher hemisphere is the perfect and eternal reign of the Spirit; for there it manifestswithout cessation or diminution its infinities, deploys the unconcealed glories of its illimitable existence, its illimitable consciousness and knowledge, its illimitable force and power, its illimitable beatitude. The lower hemisphere belongs equally to the Spirit; but here it is veiled, closely, thickly, by its inferior self-expression of limiting mind, confined life and dividing body.
   Ref: CWSA Vol. 23-24, Page: 465


pastie /pay'stee/ An adhesive label designed to be attached to a key on a keyboard to indicate some non-standard character which can be accessed through that key. Pasties are likely to be used in APL environments, where almost every key is associated with a special character. A pastie on the R key, for example, might remind the user that it is used to generate the rho character. The term properly refers to nipple-concealing devices formerly worn by strippers in concession to indecent-exposure laws; compare {tits on a keyboard}. [{Jargon File}]

patent ::: a. --> Open; expanded; evident; apparent; unconcealed; manifest; public; conspicuous.
Open to public perusal; -- said of a document conferring some right or privilege; as, letters patent. See Letters patent, under 3d Letter.
Appropriated or protected by letters patent; secured by official authority to the exclusive possession, control, and disposal of some person or party; patented; as, a patent right; patent


pavesade ::: n. --> A canvas screen, formerly sometimes extended along the side of a vessel in a naval engagement, to conceal from the enemy the operations on board.

peep ::: v. i. --> To cry, as a chicken hatching or newly hatched; to chirp; to cheep.
To begin to appear; to look forth from concealment; to make the first appearance.
To look cautiously or slyly; to peer, as through a crevice; to pry. ::: n.


People have concealed their names; others refrain from speaking theirs. The name becomes much more potent when spoken, for then is added the power of vibration. Most names of things are counters, for they differ in different languages; yet even these names acquire power by familiarity. But there are real natural vibrational names for things; to know the real name of a power gives one mastery over it and enables one thus to evoke that power. For this reason great secrecy throughout all past time among initiates has been preserved as to the real names of powers, deities, etc. The four-letter name of Jehovah is popularly described as ineffable and incommunicable, although the four letters are merely human makeshift for the vibrational energy of which the Tetragrammaton is a mere symbol. These epithets may mean that it cannot be spoken and communicated, or that it must not. If it cannot be spoken, then it has to be discovered by each one for himself.

perdue ::: a. --> Lost to view; in concealment or ambush; close.
Accustomed to, or employed in, desperate enterprises; hence, reckless; hopeless.


"Perishable and transitory delight is always the symbol of the eternal Ananda, revealed and rapidly concealed, which seeks by increasing recurrence to attach itself to some typal form of experience in material consciousness. When the particular form has been perfected to express God in the type, its delight will no longer be perishable but an eternally recurrent possession of mental beings in matter manifest in their periods & often in their moments of felicity.” Essays Divine and Human*

“Perishable and transitory delight is always the symbol of the eternal Ananda, revealed and rapidly concealed, which seeks by increasing recurrence to attach itself to some typal form of experience in material consciousness. When the particular form has been perfected to express God in the type, its delight will no longer be perishable but an eternally recurrent possession of mental beings in matter manifest in their periods & often in their moments of felicity.” Essays Divine and Human

pin-eyed ::: a. --> Having the stigma visible at the throad of a gamopetalous corolla, while the stamens are concealed in the tube; -- said of dimorphous flowers. The opposite of thrum-eyed.

presence ::: 1. The state or fact of being present; current existence or occurrence. 2. A divine, spiritual, or supernatural spirit or influence felt or conceived as present. 3. The immediate proximity of someone or something.

Sri Aurobindo: "It is intended by the word Presence to indicate the sense and perception of the Divine as a Being, felt as present in one"s existence and consciousness or in relation with it, without the necessity of any further qualification or description. Thus, of the ‘ineffable Presence" it can only be said that it is there and nothing more can or need be said about it, although at the same time one knows that all is there, personality and impersonality, Power and Light and Ananda and everything else, and that all these flow from that indescribable Presence. The word may be used sometimes in a less absolute sense, but that is always the fundamental significance, — the essential perception of the essential Presence supporting everything else.” *Letters on Yoga

"Beyond mind on spiritual and supramental levels dwells the Presence, the Truth, the Power, the Bliss that can alone deliver us from these illusions, display the Light of which our ideals are tarnished disguises and impose the harmony that shall at once transfigure and reconcile all the parts of our nature.” Essays Divine and Human

"But if we learn to live within, we infallibly awaken to this presence within us which is our more real self, a presence profound, calm, joyous and puissant of which the world is not the master — a presence which, if it is not the Lord Himself, is the radiation of the Lord within.” *The Life Divine

"The true soul secret in us, — subliminal, we have said, but the word is misleading, for this presence is not situated below the threshold of waking mind, but rather burns in the temple of the inmost heart behind the thick screen of an ignorant mind, life and body, not subliminal but behind the veil, — this veiled psychic entity is the flame of the Godhead always alight within us, inextinguishable even by that dense unconsciousness of any spiritual self within which obscures our outward nature. It is a flame born out of the Divine and, luminous inhabitant of the Ignorance, grows in it till it is able to turn it towards the Knowledge. It is the concealed Witness and Control, the hidden Guide, the Daemon of Socrates, the inner light or inner voice of the mystic. It is that which endures and is imperishable in us from birth to birth, untouched by death, decay or corruption, an indestructible spark of the Divine.” *The Life Divine

"If we need any personal and inner witness to this indivisible All-Consciousness behind the ignorance, — all Nature is its external proof, — we can get it with any completeness only in our deeper inner being or larger and higher spiritual state when we draw back behind the veil of our own surface ignorance and come into contact with the divine Idea and Will behind it. Then we see clearly enough that what we have done by ourselves in our ignorance was yet overseen and guided in its result by the invisible Omniscience; we discover a greater working behind our ignorant working and begin to glimpse its purpose in us: then only can we see and know what now we worship in faith, recognise wholly the pure and universal Presence, meet the Lord of all being and all Nature.” *The Life Divine

"The presence of the Spirit is there in every living being, on every level, in all things, and because it is there, the experience of Sachchidananda, of the pure spiritual existence and consciousness, of the delight of a divine presence, closeness, contact can be acquired through the mind or the heart or the life-sense or even through the physical consciousness; if the inner doors are flung sufficiently open, the light from the sanctuary can suffuse the nearest and the farthest chambers of the outer being.” *The Life Divine

"There is a secret divine Will, eternal and infinite, omniscient and omnipotent, that expresses itself in the universality and in each particular of all these apparently temporal and finite inconscient or half-conscient things. This is the Power or Presence meant by the Gita when it speaks of the Lord within the heart of all existences who turns all creatures as if mounted on a machine by the illusion of Nature.” *The Synthesis of Yoga

"For what Yoga searches after is not truth of thought alone or truth of mind alone, but the dynamic truth of a living and revealing spiritual experience. There must awake in us a constant indwelling and enveloping nearness, a vivid perception, a close feeling and communion, a concrete sense and contact of a true and infinite Presence always and everywhere. That Presence must remain with us as the living, pervading Reality in which we and all things exist and move and act, and we must feel it always and everywhere, concrete, visible, inhabiting all things; it must be patent to us as their true Self, tangible as their imperishable Essence, met by us closely as their inmost Spirit. To see, to feel, to sense, to contact in every way and not merely to conceive this Self and Spirit here in all existences and to feel with the same vividness all existences in this Self and Spirit, is the fundamental experience which must englobe all other knowledge.” *The Synthesis of Yoga

"One must have faith in the Master of our life and works, even if for a long time He conceals Himself, and then in His own right time He will reveal His Presence.” *Letters on Yoga

"They [the psychic being and the Divine Presence in the heart] are quite different things. The psychic being is one"s own individual soul-being. It is not the Divine, though it has come from the Divine and develops towards the Divine.” *Letters on Yoga

"For it is quietness and inwardness that enable one to feel the Presence.” *Letters on Yoga

"Beyond mind on spiritual and supramental levels dwells the Presence, the Truth, the Power, the Bliss that can alone deliver us from these illusions, display the Light of which our ideals are tarnished disguises and impose the harmony that shall at once transfigure and reconcile all the parts of our nature.” *Essays Divine and Human

The Mother: "For, in human beings, here is a presence, the most marvellous Presence on earth, and except in a few very rare cases which I need not mention here, this presence lies asleep in the heart — not in the physical heart but the psychic centre — of all beings. And when this Splendour is manifested with enough purity, it will awaken in all beings the echo of his Presence.” Words of the Mother, MCW, Vol. 15.


privacy ::: n. --> The state of being in retirement from the company or observation of others; seclusion.
A place of seclusion from company or observation; retreat; solitude; retirement.
Concealment of what is said or done.
A private matter; a secret.
See Privity, 2.


pseudo "jargon" /soo'doh/ ({Usenet}) Pseudonym. 1. An {electronic-mail} or {Usenet} persona adopted by a human for amusement value or as a means of avoiding negative repercussions of one's net.behaviour; a "nom de {Usenet}", often associated with forged postings designed to conceal message origins. Perhaps the best-known and funniest hoax of this type is {BIFF}. 2. Notionally, a {flamage}-generating {AI} program simulating a {Usenet} user. Many flamers have been accused of actually being such entities, despite the fact that no AI program of the required sophistication yet exists. However, in 1989 there was a famous series of forged postings that used a phrase-frequency-based travesty generator to simulate the styles of several well-known flamers; it was based on large samples of their back postings (compare {Dissociated Press}). A significant number of people were fooled by the forgeries, and the debate over their authenticity was settled only when the perpetrator came forward to publicly admit the hoax. [{Jargon File}] (1995-03-13)

publicly ::: adv. --> With exposure to popular view or notice; without concealment; openly; as, property publicly offered for sale; an opinion publicly avowed; a declaration publicly made.
In the name of the community.


real, the ::: Sri Aurobindo: " From our ascending point of view we may say that the Real is behind all that exists; it expresses itself intermediately in an Ideal which is a harmonised truth of itself; the Ideal throws out a phenomenal reality of variable conscious-being which, inevitably drawn towards its own essential Reality, tries at last to recover it entirely whether by a violent leap or normally through the Ideal which put it forth. It is this that explains the imperfect reality of human existence as seen by the Mind, the instinctive aspiration in the mental being towards a perfectibility ever beyond itself, towards the concealed harmony of the Ideal, and the supreme surge of the spirit beyond the ideal to the transcendental.” *The Life Divine

reason ::: “The reason itself is only a special kind of application, made by a surface regulating intelligence, of suggestions which actually come from a concealed, but sometimes partially overt and active power of the intuitive spirit.” The Synthesis of Yoga

recondite ::: 1. Concealed; hidden. 2. Difficult to penetrate; incomprehensible to one of ordinary understanding or knowledge; not easily understood.

reservation ::: n. --> The act of reserving, or keeping back; concealment, or withholding from disclosure; reserve.
Something withheld, either not expressed or disclosed, or not given up or brought forward.
A tract of the public land reserved for some special use, as for schools, for the use of Indians, etc.
The state of being reserved, or kept in store.
A clause in an instrument by which some new thing is


resetter ::: n. --> One who receives or conceals, as stolen goods or criminal.
One who resets, or sets again.


Re’sh Hiwwar (Hebrew) Rē’sh Ḥiwwār Reisha’ Hiwwara’ (Aramaic) Rēishā’ Ḥiwwārā’ [from Hebrew rē’sh head, beginning, chief, supremacy + ḥiwwār white, colorless purity, the colorless compound glory emanating forth from the Rootless Root, the Qabbalistic Concealed of the Concealed] Beginning of purity, head of purity, White Head; a Qabbalistic term applied to the first emanation of the Sephirothal Tree, Kether (the Crown). Through this first Sephirah or Head flows the white hid fire (or colorless glory of the spirit) in 370 streams in all directions of the universe. This number means the 360 occult points of consciousness each emanating its own fiery energy, in addition to the ten basic hierarchical roots or fountains, thus forming 370. “But indeed it is not fire, but that splendor which is included in the subtile air” (Zohar, ’Idra’ Rabba’, col. 256). This fire is termed the Living Fire or Spirit of Light (SD 1:338). It is the full aggregate of the entire stream of consciousness-life-substance emanating from the ever Concealed of the Concealed and flowing forth in 360 streams, from ten hierarchical fountains or roots, and thus building up the full hierarchical structure of our universe. See also ANCIENT OF THE ANCIENT; FACE; HEAD OF ALL HEADS

retection ::: n. --> Act of disclosing or uncovering something concealed.

reveal ::: 1. To make known (something concealed or secret) 2. To lay open to view; to uncover as if drawing away a veil. reveals, revealed, revealing, all-revealing, new-revealed, self-revealed, self-revealing.

reveal ::: v. t. --> To make known (that which has been concealed or kept secret); to unveil; to disclose; to show.
Specifically, to communicate (that which could not be known or discovered without divine or supernatural instruction or agency). ::: n.


Samvriti-Satya (Sanskrit) Saṃvṛti-satya [from saṃvṛti concealment, covering + satya truth] The congnizance of minor or relative truths. The student-initiate’s enlarging consciousness progressively demonstrates to itself the illusive character or mayavi emptiness of all mere things. Samvriti-satya is relative truth in contrast with Paramartha-satya, the Absolute Reality or Truth.

saṁvr.ta (sanvrita) ::: covered, concealed. samvrta

Sangbai Dag-po (Tibetan) [from sang ba to remove (impurity), cleanse, be freed from (or sang sbad hidden, concealed) + bdag po (dak-po) lord] The concealed lord; applied to one who has entered nirvana; a title of “those who have merged into, and identified themselves with, the Absolute” (TG 289). Equivalent to the Sanskrit jivanmukta and nirvani.

Saraph (Hebrew) Śārāf Fiery, burning, glowing, filled with light and warmth; also serpent. In the Old Testament, the serpent that Moses is ordered to make is the mystical Saraph, and in this almost purely physiological connection it represents Jehovah, the chief of the fiery serpents (SD 2:387). Flying serpent is the generally accepted translation of saraph me‘opheph (Isaiah 30:6) — commonly connected in Christian theology with the Devil; but the expression is metaphorical and has nothing to do with the Evil One. This curious, significant phrase more accurately means both covered or enwrapped flame or fire, or flying fire. And as saraph also signifies serpent, it could equally mean covered or concealed serpent, or flying serpent.

screened ::: 1. Concealed, hidden. 2. Sifted or filtered by means of a frame holding a mesh of wire, cloth, etc. half-screened, thought-screened.

screening ::: that conceals the existence of something by hiding it from view.

screen ::: n. 1. A moveable or fixed device, usually consisting of a covered frame, that provides shelter, serves as a partition, etc. 2. Something interposed as a partition so as to conceal from view. 3. A window or door insertion or framed wire or plastic mesh used to keep out insects and permit air flow. 4. A specially prepared, light reflecting, flat vertical surface for the reception of images as from a slide or motion picture projector. screens. v. 5. To conceal from view with or as if with a screen. screens, screened.

screen ::: n. --> Anything that separates or cuts off inconvenience, injury, or danger; that which shelters or conceals from view; a shield or protection; as, a fire screen.
A dwarf wall or partition carried up to a certain height for separation and protection, as in a church, to separate the aisle from the choir, or the like.
A surface, as that afforded by a curtain, sheet, wall, etc., upon which an image, as a picture, is thrown by a magic lantern,


scyle ::: v. t. --> To hide; to secrete; to conceal.

secrecy ::: 1. The state or condition of being secret, hidden, or concealed. 2. Privacy; retirement; seclusion. 3. The ability or tendency to keep things secret; the state or quality of being secret. Secrecy, secrecies.

secrecy ::: n. --> The state or quality of being hidden; as, his movements were detected in spite of their secrecy.
That which is concealed; a secret.
Seclusion; privacy; retirement.
The quality of being secretive; fidelity to a secret; forbearance of disclosure or discovery.


secret ::: a. --> Hidden; concealed; as, secret treasure; secret plans; a secret vow.
Withdraw from general intercourse or notice; in retirement or secrecy; secluded.
Faithful to a secret; not inclined to divulge or betray confidence; secretive.
Separate; distinct.
Something studiously concealed; a thing kept from general


secrete ::: v. t. --> To deposit in a place of hiding; to hide; to conceal; as, to secrete stolen goods; to secrete one&

secretion ::: n. --> The act of secreting or concealing; as, the secretion of dutiable goods.
The act of secreting; the process by which material is separated from the blood through the agency of the cells of the various glands and elaborated by the cells into new substances so as to form the various secretions, as the saliva, bile, and other digestive fluids. The process varies in the different glands, and hence are formed the various secretions.


secretiveness ::: n. --> The quality of being secretive; disposition or tendency to conceal.
The faculty or propensity which impels to reserve, secrecy, or concealment.


secret ::: n. 1. Something unknown or kept hidden from others or is beyond understanding or explanation; a mystery. 2. A reason or explanation not immediately or generally apparent. secrets. adj. **3. Kept from knowledge or observation; hidden, concealed. 4. Kept from the knowledge of any but the initiated and privileged. 5. Beyond ordinary human understanding; esoteric. 6.** Secluded, remote, sheltered, or withdrawn.

secretness ::: n. --> The state or quality of being secret, hid, or concealed.
Secretiveness; concealment.


::: **"See God everywhere and be not frightened by masks. Believe that all falsehood is truth in the making or truth in the breaking, all failure an effectuality concealed, all weakness strength hiding itself from its own vision, all pain a secret & violent ecstasy.” Essays Divine and Human

“See God everywhere and be not frightened by masks. Believe that all falsehood is truth in the making or truth in the breaking, all failure an effectuality concealed, all weakness strength hiding itself from its own vision, all pain a secret & violent ecstasy.” Essays Divine and Human

shame ::: n. --> A painful sensation excited by a consciousness of guilt or impropriety, or of having done something which injures reputation, or of the exposure of that which nature or modesty prompts us to conceal.
Reproach incurred or suffered; dishonor; ignominy; derision; contempt.
The cause or reason of shame; that which brings reproach, and degrades a person in the estimation of others; disgrace.
The parts which modesty requires to be covered; the private


shell ::: n. --> A hard outside covering, as of a fruit or an animal.
The covering, or outside part, of a nut; as, a hazelnut shell.
A pod.
The hard covering of an egg.
The hard calcareous or chitinous external covering of mollusks, crustaceans, and some other invertebrates. In some mollusks, as the cuttlefishes, it is internal, or concealed by the mantle. Also,


shield ::: n. 1. A broad piece of armour made of rigid material and strapped to the arm or carried in the hand for protection against hurled or thrusted weapons. 2. Something or someone that protects against injury. v. 3. To protect; shield; hide or conceal someone or something from danger. 4. To hide or conceal. shields.

shrouded ::: concealed, veiled or enveloped in something that covers or conceals like a garment. thought-shrouded.

shroud ::: n. 1. A cloth used to wrap a body for burial; a winding sheet. Also fig. v. 2. To cover so as to conceal; screen; veil.

shroud ::: n. --> That which clothes, covers, conceals, or protects; a garment.
Especially, the dress for the dead; a winding sheet.
That which covers or shelters like a shroud.
A covered place used as a retreat or shelter, as a cave or den; also, a vault or crypt.
The branching top of a tree; foliage.
A set of ropes serving as stays to support the masts. The


simulation ::: n. --> The act of simulating, or assuming an appearance which is feigned, or not true; -- distinguished from dissimulation, which disguises or conceals what is true.

Since the Consciousness-Force of the eternal Existence is the universal creatrix, the nature of a given world will depend on whatever self-formulation of that Consciousness expresses itself in that world. Equally, for each individual being, his seeing or representation to himself of the world he lives in will depend on the poise or make which that Consciousness has assumed in him. Our human mental consciousness sees the world in sections cut by the reason and sense and put together in a formation which is also sectional; the house it builds is planned to accommodate one or another generalised formulation of Truth, but excludes the rest or admits some only as guests or dependents in the house. Overmind Consciousness is global in its cognition and can hold any number of seemingly fundamental differences together in a reconciling vision. Thus the mental reason sees Person and the Impersonal as opposites: it conceives an impersonal Existence in which person and personality are fictions of the Ignorance or temporary constructions; or, on the contrary, it can see Person as the primary reality and the impersonal as a mental abstraction or only stuff or means of manifestation. To the Overmind intelligence these are separable Powers of the one Existence which can pursue their independent self-affirmation and can also unite together their different modes of action, creating both in their independence and in their union different states of consciousness and being which can be all of them valid and all capable of coexistence. A purely impersonal existence and consciousness is true and possible, but also an entirely personal consciousness and existence; the Impersonal Divine, Nirguna Brahman, and the Personal Divine, Saguna Brahman, are here equal and coexistent aspects of the Eternal. Impersonality can manifest with person subordinated to it as a mode of expression; but, equally, Person can be the reality with impersonality as a mode of its nature: both aspects of manifestation face each other in the infinite variety of conscious Existence. What to the mental reason are irreconcilable differences present themselves to the Overmind intelligence as coexistent correlatives; what to the mental reason are contraries are to the Overmind intelligence complementaries. Our mind sees that all things are born from Matter or material Energy, exist by it, go back into it; it concludes that Matter is the eternal factor, the primary and ultimate reality, Brahman. Or it sees all as born of Life-Force or Mind, existing by Life or by Mind, going back into the universal Life or Mind, and it concludes that this world is a creation of the cosmic Life-Force or of a cosmic Mind or Logos. Or again it sees the world and all things as born of, existing by and going back to the Real-Idea or Knowledge-Will of the Spirit or to the Spirit itself and it concludes on an idealistic or spiritual view of the universe. It can fix on any of these ways of seeing, but to its normal separative vision each way excludes the others. Overmind consciousness perceives that each view is true of the action of the principle it erects; it can see that there is a material world-formula, a vital world-formula, a mental world-formula, a spiritual world-formula, and each can predominate in a world of its own and at the same time all can combine in one world as its constituent powers. The self-formulation of Conscious Force on which our world is based as an apparent Inconscience that conceals in itself a supreme Conscious-Existence and holds all the powers of Being together in its inconscient secrecy, a world of universal Matter realising in itself Life, Mind, Overmind, Supermind, Spirit, each of them in its turn taking up the others as means of its self-expression, Matter proving in the spiritual vision to have been always itself a manifestation of the Spirit, is to the Overmind view a normal and easily realisable creation. In its power of origination and in the process of its executive dynamis Overmind is an organiser of many potentialities of Existence, each affirming its separate reality but all capable of linking themselves together in many different but simultaneous ways, a magician craftsman empowered to weave the multicoloured warp and woof of manifestation of a single entity in a complex universe. …

Siphra’ di-Tseni‘utha’ (Aramaic) Sifrā’ di-Tsĕnī‘ūthā’. “Their counting or telling of the concealed mysteries,” the Book of Secrets or Mysteries; one of the principal books of the Zohar (Light); the secrets or mysteries dealt with are those relating to cosmogony and to the inhabitants of those worlds, thus forming the basis of the Hebrew Qabbalah. The work opens with the statement: “The book of the concealed mystery is the book of the equilibrium of balance,” and proceeds to expound this thesis in Qabbalistic terminology.

slug ::: n. --> A drone; a slow, lazy fellow; a sluggard.
A hindrance; an obstruction.
Any one of numerous species of terrestrial pulmonate mollusks belonging to Limax and several related genera, in which the shell is either small and concealed in the mantle, or altogether wanting. They are closely allied to the land snails.
Any smooth, soft larva of a sawfly or moth which creeps like a mollusk; as, the pear slug; rose slug.


slur ::: v. t. --> To soil; to sully; to contaminate; to disgrace.
To disparage; to traduce.
To cover over; to disguise; to conceal; to pass over lightly or with little notice.
To cheat, as by sliding a die; to trick.
To pronounce indistinctly; as, to slur syllables.
To sing or perform in a smooth, gliding style; to connect smoothly in performing, as several notes or tones.


smothering ::: concealing; suppressing; covering. Also fig.

smother ::: v. t. --> To destroy the life of by suffocation; to deprive of the air necessary for life; to cover up closely so as to prevent breathing; to suffocate; as, to smother a child.
To affect as by suffocation; to stife; to deprive of air by a thick covering, as of ashes, of smoke, or the like; as, to smother a fire.
Hence, to repress the action of; to cover from public view; to suppress; to conceal; as, to smother one&


sneaking ::: p. pr. & vb. n. --> of Sneak ::: a. --> Marked by cowardly concealment; deficient in openness and courage; underhand; mean; crouching.

snug ::: superl. --> Close and warm; as, an infant lies snug.
Close; concealed; not exposed to notice.
Compact, convenient, and comfortable; as, a snug farm, house, or property. ::: n. --> Same as Lug, n., 3.


soil ::: “I think you said in a letter that in the line light falling upon the lower levels of the earth, not on the soul. No doubt, the whole thing is symbolic, but the symbol has to be kept in the front and the thing symbolised has to be concealed or only peep out from behind, it cannot come openly into the front and push aside the symbol.” Letters on Savitri—1946

‘soil" was an error for ‘soul". But ‘soil" is correct; for I am describing the revealing light falling upon the lower levels of the earth, not on the soul. No doubt, the whole thing is symbolic, but the symbol has to be kept in the front and the thing symbolised has to be concealed or only peep out from behind, it cannot come openly into the front and push aside the symbol.” Letters on Savitri — 1946

soul ::: Sri Aurobindo: "The word ‘soul", as also the word ‘psychic", is used very vaguely and in many different senses in the English language. More often than not, in ordinary parlance, no clear distinction is made between mind and soul and often there is an even more serious confusion, for the vital being of desire — the false soul or desire-soul — is intended by the words ‘soul" and ‘psychic" and not the true soul, the psychic being.” *Letters on Yoga

  "The word soul is very vaguely used in English — as it often refers to the whole non-physical consciousness including even the vital with all its desires and passions. That was why the word psychic being has to be used so as to distinguish this divine portion from the instrumental parts of the nature.” *Letters on Yoga

  "The word soul has various meanings according to the context; it may mean the Purusha supporting the formation of Prakriti, which we call a being, though the proper word would be rather a becoming; it may mean, on the other hand, specifically the psychic being in an evolutionary creature like man; it may mean the spark of the Divine which has been put into Matter by the descent of the Divine into the material world and which upholds all evolving formations here.” *Letters on Yoga

  "A distinction has to be made between the soul in its essence and the psychic being. Behind each and all there is the soul which is the spark of the Divine — none could exist without that. But it is quite possible to have a vital and physical being supported by such a soul essence but without a clearly evolved psychic being behind it.” *Letters on Yoga

  "The soul and the psychic being are practically the same, except that even in things which have not developed a psychic being, there is still a spark of the Divine which can be called the soul. The psychic being is called in Sanskrit the Purusha in the heart or the Chaitya Purusha. (The psychic being is the soul developing in the evolution.)” *Letters on Yoga

  "The soul or spark is there before the development of an organised vital and mind. The soul is something of the Divine that descends into the evolution as a divine Principle within it to support the evolution of the individual out of the Ignorance into the Light. It develops in the course of the evolution a psychic individual or soul individuality which grows from life to life, using the evolving mind, vital and body as its instruments. It is the soul that is immortal while the rest disintegrates; it passes from life to life carrying its experience in essence and the continuity of the evolution of the individual.” *Letters on Yoga

  ". . . for the soul is seated within and impervious to the shocks of external events. . . .” *Essays on the Gita

  ". . . the soul is at first but a spark and then a little flame of godhead burning in the midst of a great darkness; for the most part it is veiled in its inner sanctum and to reveal itself it has to call on the mind, the life-force and the physical consciousness and persuade them, as best they can, to express it; ordinarily, it succeeds at most in suffusing their outwardness with its inner light and modifying with its purifying fineness their dark obscurities or their coarser mixture. Even when there is a formed psychic being able to express itself with some directness in life, it is still in all but a few a smaller portion of the being — ‘no bigger in the mass of the body than the thumb of a man" was the image used by the ancient seers — and it is not always able to prevail against the obscurity or ignorant smallness of the physical consciousness, the mistaken surenesses of the mind or the arrogance and vehemence of the vital nature.” *The Synthesis of Yoga

". . . the soul is an eternal portion of the Supreme and not a fraction of Nature.” The Life Divine

"The true soul secret in us, — subliminal, we have said, but the word is misleading, for this presence is not situated below the threshold of waking mind, but rather burns in the temple of the inmost heart behind the thick screen of an ignorant mind, life and body, not subliminal but behind the veil, — this veiled psychic entity is the flame of the Godhead always alight within us, inextinguishable even by that dense unconsciousness of any spiritual self within which obscures our outward nature. It is a flame born out of the Divine and, luminous inhabitant of the Ignorance, grows in it till it is able to turn it towards the Knowledge. It is the concealed Witness and Control, the hidden Guide, the Daemon of Socrates, the inner light or inner voice of the mystic. It is that which endures and is imperishable in us from birth to birth, untouched by death, decay or corruption, an indestructible spark of the Divine.” The Life Divine

*Soul, soul"s, Soul"s, souls, soulless, soul-bridals, soul-change, soul-force, Soul-Forces, soul-ground, soul-joy, soul-nature, soul-range, soul-ray, soul-scapes, soul-scene, soul-sense, soul-severance, soul-sight, soul-slaying, soul-space,, soul-spaces, soul-strength, soul-stuff, soul-truth, soul-vision, soul-wings, world-soul, World-Soul.



"Spirit is the crown of universal existence; Matter is its basis; Mind is the link between the two. Spirit is that which is eternal; Mind and Matter are its workings. Spirit is that which is concealed and has to be revealed; mind and body are the means by which it seeks to reveal itself.” The Synthesis of Yoga

“Spirit is the crown of universal existence; Matter is its basis; Mind is the link between the two. Spirit is that which is eternal; Mind and Matter are its workings. Spirit is that which is concealed and has to be revealed; mind and body are the means by which it seeks to reveal itself.” The Synthesis of Yoga

..[Spiritual planes above the normal range of Mind, the Higher Mind and the Illumined Mind] of the ascent enjoy their authority and can get their own united completeness only by a
   reference to a third level; for it is from the higher summits where dwells the intuitional being that they derive the knowledge which they turn into thought or sight and bring down to us for the mind’s transmutation. Intuition is a power of consciousness nearer and more intimate to the original knowledge by identity; for it is always something that leaps out direct from a concealed identity. It is when the consciousness of the subject meets with the consciousness in the object, penetrates it and sees, feels or vibrateswith the truth of what it contacts, that the intuition leaps out like a spark or lightning-flash from the shock of the meeting; or when the consciousness, even without any such meeting, looks into itself and feels directly and intimately the truth or the truths that are there or so contacts the hidden forces behind appearances, then also there is the outbreak of an intuitive light; or, again, when the consciousness meets the Supreme Reality or the spiritual reality of things and beings and has a contactual union with it, then the spark, the flash or the blaze of intimate truth-perception is lit in its depths. This close perception is more than sight, more than conception: it is the result of a penetrating and revealing touch which carries in it sight and conception as part of itself or as its natural consequence. A concealed or slumbering identity, not yet recovering itself, still remembers or conveys by the intuition its own contents and the intimacy of its self-feeling and self-vision of things, its light of truth, its overwhelming and automatic certitude.
   Ref: CWSA Vol. 21-22, Page: 981-982


spoiler 1. A remark which reveals important plot elements from books or movies, thus denying the reader (of the article) the proper suspense when reading the book or watching the movie. 2. Any remark which telegraphs the solution of a problem or puzzle, thus denying the reader the pleasure of working out the correct answer (see also {interesting}). Either sense readily forms compounds like "total spoiler", "quasi-spoiler" and even "pseudo-spoiler". By convention, {Usenet} news articles which are spoilers in either sense should contain the word "spoiler" in the Subject: line, or guarantee via various tricks that the answer appears only after several screens-full of warning, or conceal the sensitive information via {rot13}, or some combination of these techniques. [{Jargon File}] (1995-01-18)

spy ::: v. t. --> To gain sight of; to discover at a distance, or in a state of concealment; to espy; to see.
To discover by close search or examination.
To explore; to view; inspect; and examine secretly, as a country; -- usually with out. ::: v. i.


Sri Aurobindo: A symbol, as I understand it, is the form on one plane that represents a truth of another. For instance, a flag is the symbol of a nation…. But generally all forms are symbols. This body of ours is a symbol of our real being and everything is a symbol of some higher reality. There are, however, different kinds of symbols: 1. Conventional symbols, such as the Vedic Rishis formed with objects taken from their surroundings. The cow stood for light because the same word `go ‘ meant both ray and cow, and because the cow was their most precious possession which maintained their life and was constantly in danger of being robbed and concealed. But once created, such a symbol becomes alive. The Rishis vitalised it and it became a part of their realisation. It appeared in their visions as an image of spiritual light. The horse also was one of their favourite symbols, and a more easily adaptable one, since its force and energy were quite evident. 2. What we might call Life-symbols, such as are not artificially chosen or mentally interpreted in a conscious deliberate way, but derive naturally from our day-to-day life and grow out of the surroundings which condition our normal path of living. To the ancients the mountain was a symbol of the path of yoga, level above level, peak upon peak. A journey, involving the crossing of rivers and the facing of lurking enemies, both animal and human, conveyed a similar idea. Nowadays I dare say we would liken yoga to a motor-ride or a railway-trip. 3. Symbols that have an inherent appositeness and power of their own. Akasha or etheric space is a symbol of the infinite all-pervading eternal Brahman. In any nationality it would convey the same meaning. Also, the Sun stands universally for the supramental Light, the divine Gnosis. 4.* Mental symbols, instances of which are numbers or alphabets. Once they are accepted, they too become active and may be useful. Thus geometrical figures have been variously interpreted. In my experience the square symbolises the supermind. I cannot say how it came to do so. Somebody or some force may have built it before it came to my mind. Of the triangle, too, there are different explanations. In one position it can symbolise the three lower planes, in another the symbol is of the three higher ones: so both can be combined together in a single sign. The ancients liked to indulge in similar speculations concerning numbers, but their systems were mostly mental. It is no doubt true that supramental realities exist which we translate into mental formulas such as Karma, Psychic evolution, etc. But they are, so to speak, infinite realities which cannot be limited by these symbolic forms, though they may be somewhat expressed by them; they might be expressed as well by other symbols, and the same symbol may also express many different ideas. Letters on Yoga

Sri Aurobindo: "Chance is not *in this universe; the idea of illusion is itself an illusion. There was never illusion yet in the human mind that was not the concealing [?shape] and disfigurement of a truth.” Essays Divine and Human

Sri Aurobindo: ” See God everywhere and be not frightened by masks. Believe that all falsehood is truth in the making or truth in the breaking, all failure an effectuality concealed, all weakness strength hiding itself from its own vision, all pain a secret & violent ecstasy. If thou believest firmly & unweariedly, in the end thou wilt see & experience the All-true, Almighty & All-blissful.” Essays Divine and Human*

Sri Aurobindo: "The reason itself is only a special kind of application, made by a surface regulating intelligence, of suggestions which actually come from a concealed, but sometimes partially overt and active power of the intuitive spirit.” The Synthesis of Yoga

Sri Aurobindo: "The true soul secret in us, — subliminal, we have said, but the word is misleading, for this presence is not situated below the threshold of waking mind, but rather burns in the temple of the inmost heart behind the thick screen of an ignorant mind, life and body, not subliminal but behind the veil, — this veiled psychic entity is the flame of the Godhead always alight within us, inextinguishable even by that dense unconsciousness of any spiritual self within which obscures our outward nature. It is a flame born out of the Divine and, luminous inhabitant of the Ignorance, grows in it till it is able to turn it towards the Knowledge. It is the concealed Witness and Control, the hidden Guide, the Daemon of Socrates, the inner light or inner voice of the mystic. It is that which endures and is imperishable in us from birth to birth, untouched by death, decay or corruption, an indestructible spark of the Divine.” *The Life Divine

stalking-horse ::: n. --> A horse, or a figure resembling a horse, behind which a hunter conceals himself from the game he is aiming to kill.
Fig.: Something used to cover up a secret project; a mask; a pretense.


State: (Lat. status, Ital. stato; the term introduced by Machiavelli) A political organization based upon a common territory and exercising control over the inhabitants of that territory. Essential for a state is the existence of a government, and in the "legal state", a written or unwritten constitution. By the pure theory of law (Kelsen), the state is identified with law. By others (Duguit) considered a mere fiction, devised to conceal the matter of fact preponderance of particular persons or groups. The state is sometimes explained as the positive or actual organization of the legislative or judicial powers. (In America also: one of the commonwealths which form the United States of America, Brazil, Mexico). -- W.E.

stealth ::: v. t. --> The act of stealing; theft.
The thing stolen; stolen property.
The bringing to pass anything in a secret or concealed manner; a secret procedure; a clandestine practice or action; -- in either a good or a bad sense.


stowaway ::: n. --> One who conceals himself board of a vessel about to leave port, or on a railway train, in order to obtain a free passage.

straight-out ::: a. --> Acting without concealment, obliquity, or compromise; hence, unqualified; thoroughgoing.

subconscient ::: Sri Aurobindo: "In our yoga we mean by the subconscient that quite submerged part of our being in which there is no wakingly conscious and coherent thought, will or feeling or organised reaction, but which yet receives obscurely the impressions of all things and stores them up in itself and from it too all sorts of stimuli, of persistent habitual movements, crudely repeated or disguised in strange forms can surge up into dream or into the waking nature. No, subliminal is a general term used for all parts of the being which are not on the waking surface. Subconscient is very often used in the same sense by European psychologists because they do not know the difference. But when I use the word, I mean always what is below the ordinary physical consciousness, not what is behind it. The inner mental, vital, physical, the psychic are not subconscious in this sense, but they can be spoken of as subliminal.” *The Synthesis of Yoga.

"The subconscient is a concealed and unexpressed inarticulate consciousness which works below all our conscious physical activities. Just as what we call the superconscient is really a higher consciousness above from which things descend into the being, so the subconscient is below the body-consciousness and things come up into the physical, the vital and the mind-nature from there.

Just as the higher consciousness is superconscient to us and supports all our spiritual possibilities and nature, so the subconscient is the basis of our material being and supports all that comes up in the physical nature.” Letters on Yoga

  "That part of us which we can strictly call subconscient because it is below the level of mind and conscious life, inferior and obscure, covers the purely physical and vital elements of our constitution of bodily being, unmentalised, unobserved by the mind, uncontrolled by it in their action. It can be held to include the dumb occult consciousness, dynamic but not sensed by us, which operates in the cells and nerves and all the corporeal stuff and adjusts their life process and automatic responses. It covers also those lowest functionings of submerged sense-mind which are more operative in the animal and in plant life.” *The Life Divine

"The subconscient is a thing of habits and memories and repeats persistently or whenever it can old suppressed reactions, reflexes, mental, vital or physical responses. It must be trained by a still more persistent insistence of the higher parts of the being to give up its old responses and take on the new and true ones.” Letters on Yoga

"About the subconscient — it is the sub-mental base of the being and is made up of impressions, instincts, habitual movements that are stored there. Whatever movement is impressed in it, it keeps. If one impresses the right movement in it, it will keep and send up that. That is why it has to be cleared of old movements before there can be a permanent and total change in the nature. When the higher consciousness is once established in the waking parts, it goes down into the subconscient and changes that also, makes a bedrock of itself there also.” Letters on Yoga

"The sub-conscious is the evolutionary basis in us, it is not the whole of our hidden nature, nor is it the whole origin of what we are. But things can rise from the subconscient and take shape in the conscious parts and much of our smaller vital and physical instincts, movements, habits, character-forms has this source.” Letters on Yoga

"The subconscient is the support of habitual action — it can support good habits as well as bad.” Letters on Yoga

"For the subconscient is the Inconscient in the process of becoming conscious; it is a support and even a root of our inferior parts of being and their movements.” The Life Divine *subconscient"s.


subterranean ::: fig. Existing or operating in concealment or secretly.

"Supermind is the grade of existence beyond mind, life and Matter and, as mind, life and Matter have manifested on the earth, so too must Supermind in the inevitable course of things manifest in this world of Matter. In fact, a supermind is already here but it is involved, concealed behind this manifest mind, life and Matter and not yet acting overtly or in its own power: if it acts, it is through these inferior powers and modified by their characters and so not yet recognisable. It is only by the approach and arrival of the descending Supermind that it can be liberated upon earth and reveal itself in the action of our material, vital and mental parts so that these lower powers can become portions of a total divinised activity of our whole being: it is that that will bring to us a completely realised divinity or the divine life.” Essays in Philosophy and Yoga

“Supermind is the grade of existence beyond mind, life and Matter and, as mind, life and Matter have manifested on the earth, so too must Supermind in the inevitable course of things manifest in this world of Matter. In fact, a supermind is already here but it is involved, concealed behind this manifest mind, life and Matter and not yet acting overtly or in its own power: if it acts, it is through these inferior powers and modified by their characters and so not yet recognisable. It is only by the approach and arrival of the descending Supermind that it can be liberated upon earth and reveal itself in the action of our material, vital and mental parts so that these lower powers can become portions of a total divinised activity of our whole being: it is that that will bring to us a completely realised divinity or the divine life.” Essays in Philosophy and Yoga

Supermind ::: The Supermind [Supramental consciousness] is in its very essence a truth-consciousness, a consciousness always free from the Ignorance which is the foundation of our present natural or evolutionary existence and from which nature in us is trying to arrive at self-knowledge and world-knowledge and a right consciousness and the right use of our existence in the universe. The Supermind, because it is a truth-consciousness, has this knowledge inherent in it and this power of true existence; its course is straight and can go direct to its aim, its field is wide and can even be made illimitable. This is because its very nature is knowledge: it has not to acquire knowledge but possesses it in its own right; its steps are not from nescience or ignorance into some imperfect light, but from truth to greater truth, from right perception to deeper perception, from intuition to intuition, from illumination to utter and boundless luminousness, from growing widenesses to the utter vasts and to very infinitude. On its summits it possesses the divine omniscience and omnipotence, but even in an evolutionary movement of its own graded self-manifestation by which it would eventually reveal its own highest heights, it must be in its very nature essentially free from ignorance and error: it starts from truth and light and moves always in truth and light. As its knowledge is always true, so too its will is always true; it does not fumble in its handling of things or stumble in its paces. In the Supermind feeling and emotion do not depart from their truth, make no slips or mistakes, do not swerve from the right and the real, cannot misuse beauty and delight or twist away from a divine rectitude. In the Supermind sense cannot mislead or deviate into the grossnesses which are here its natural imperfections and the cause of reproach, distrust and misuse by our ignorance. Even an incomplete statement made by the Supermind is a truth leading to a further truth, its incomplete action a step towards completeness. All the life and action and leading of the Supermind is guarded in its very nature from the falsehoods and uncertainties that are our lot; it moves in safety towards its perfection. Once the truth-consciousness was established here on its own sure foundation, the evolution of divine life would be a progress in felicity, a march through light to Ananda. Supermind is an eternal reality of the divine Being and the divine Nature. In its own plane it already and always exists and possesses its own essential law of being; it has not to be created or to emerge or evolve into existence out of involution in Matter or out of non-existence, as it might seem to the view of mind which itself seems to its own view to have so emerged from life and Matter or to have evolved out of an involution in life and Matter. The nature of Supermind is always the same, a being of knowledge, proceeding from truth to truth, creating or rather manifesting what has to be manifested by the power of a pre-existent knowledge, not by hazard but by a self-existent destiny in the being itself, a necessity of the thing in itself and th
   refore inevitable. Its -manifestation of the divine life will also be inevitable; its own life on its own plane is divine and, if Supermind descends upon the earth, it will bring necessarily the divine life with it and establish it here. Supermind is the grade of existence beyond mind, life and Matter and, as mind, life and Matter have manifested on the earth, so too must Supermind in the inevitable course of things manifest in this world of Matter. In fact, a supermind is already here but it is involved, concealed behind this manifest mind, life and Matter and not yet acting overtly or in its own power: if it acts, it is through these inferior powers and modified by their characters and so not yet recognisable. It is only by the approach and arrival of the descending Supermind that it can be liberated upon earth and reveal itself in the action of our material, vital and mental parts so that these lower powers can become portions of a total divinised activity of our whole being: it is that that will bring to us a completely realised divinity or the divine life. It is indeed so that life and mind involved in Matter have realised themselves here; for only what is involved can evolve, otherwise there could be no emergence. The manifestation of a supramental truth-consciousness is th
   refore the capital reality that will make the divine life possible. It is when all the movements of thought, impulse and action are governed and directed by a self-existent and luminously automatic truth-consciousness and our whole nature comes to be constituted by it and made of its stuff that the life divine will be complete and absolute. Even as it is, in reality though not in the appearance of things, it is a secret self-existent knowledge and truth that is working to manifest itself in the creation here. The Divine is already there immanent within us, ourselves are that in our inmost reality and it is this reality that we have to manifest; it is that which constitutes the urge towards the divine living and makes necessary the creation of the life divine even in this material existence. A manifestation of the Supermind and its truth-consciousness is then inevitable; it must happen in this world sooner or later. But it has two aspects, a descent from above, an ascent from below, a self-revelation of the Spirit, an evolution in Nature. The ascent is necessarily an effort, a working of Nature, an urge or nisus on her side to raise her lower parts by an evolutionary or revolutionary change, conversion or transformation into the divine reality and it may happen by a process and progress or by a rapid miracle. The descent or self-revelation of the Spirit is an act of the supreme Reality from above which makes the realisation possible and it can appear either as the divine aid which brings about the fulfilment of the progress and process or as the sanction of the miracle. Evolution, as we see it in this world, is a slow and difficult process and, indeed, needs usually ages to reach abiding results; but this is because it is in its nature an emergence from inconscient beginnings, a start from nescience and a working in the ignorance of natural beings by what seems to be an unconscious force. There can be, on the contrary, an evolution in the light and no longer in the darkness, in which the evolving being is a conscious participant and cooperator, and this is precisely what must take place here. Even in the effort and progress from the Ignorance to Knowledge this must be in part if not wholly the endeavour to be made on the heights of the nature, and it must be wholly that in the final movement towards the spiritual change, realisation, transformation. It must be still more so when there is a transition across the dividing line between the Ignorance and the Knowledge and the evolution is from knowledge to greater knowledge, from consciousness to greater consciousness, from being to greater being. There is then no longer any necessity for the slow pace of the ordinary evolution; there can be rapid conversion, quick transformation after transformation, what would seem to our normal present mind a succession of miracles. An evolution on the supramental levels could well be of that nature; it could be equally, if the being so chose, a more leisurely passage of one supramental state or condition of things to something beyond but still supramental, from level to divine level, a building up of divine gradations, a free growth to the supreme Supermind or beyond it to yet undreamed levels of being, consciousness and Ananda.
   Ref: CWSA Vol. 13, Page: 558-62


Surya is only the appearance on this cosmic plane of the solar heart or central spiritual sun; although in a more mystical sense, Surya, our sun, is one of the reflections of a galactic center, which astronomically is the prototype, albeit far more advanced in cosmic evolution than is the sun itself. The visible reflection of the sun is composed of highly ethereal matter belonging to the fifth, sixth, and seventh substrates of the lowest cosmic plane or prithivi. Within and above all these rise in ever more sublime steps six other cosmic planes, on and in which are the other globes of the solar chain. The sun’s primary essence belongs to the highest division of the seventh state of mother-substance (adi-tattva). This primary sun, of which our visible sun is the reflection, is concealed from the gaze of all but the very highest dhyani-chohans.

symbol ::: A symbol, as I understand it, is the form on one plane that represents a truth of another. For instance, a flag is the symbol of a nation…. But generally all forms are symbols. This body of ours is a symbol of our real being and everything is a symbol of some higher reality. There are, however, different kinds of symbols: 1. Conventional symbols, such as the Vedic Rishis formed with objects taken from their surroundings. The cow stood for light because the same word `go ‘ meant both ray and cow, and because the cow was their most precious possession which maintained their life and was constantly in danger of being robbed and concealed. But once created, such a symbol becomes alive. The Rishis vitalised it and it became a part of their realisation. It appeared in their visions as an image of spiritual light. The horse also was one of their favourite symbols, and a more easily adaptable one, since its force and energy were quite evident. 2. What we might call Life-symbols, such as are not artificially chosen or mentally interpreted in a conscious deliberate way, but derive naturally from our day-to-day life and grow out of the surroundings which condition our normal path of living. To the ancients the mountain was a symbol of the path of yoga, level above level, peak upon peak. A journey, involving the crossing of rivers and the facing of lurking enemies, both animal and human, conveyed a similar idea. Nowadays I dare say we would liken yoga to a motor-ride or a railway-trip. 3. Symbols that have an inherent appositeness and power of their own. Akasha or etheric space is a symbol of the infinite all-pervading eternal Brahman. In any nationality it would convey the same meaning. Also, the Sun stands universally for the supramental Light, the divine Gnosis. 4. Mental symbols, instances of which are numbers or alphabets. Once they are accepted, they too become active and may be useful. Thus geometrical figures have been variously interpreted. In my experience the square symbolises the supermind. I cannot say how it came to do so. Somebody or some force may have built it before it came to my mind. Of the triangle, too, there are different explanations. In one position it can symbolise the three lower planes, in another the symbol is of the three higher ones: so both can be combined together in a single sign. The ancients liked to indulge in similar speculations concerning numbers, but their systems were mostly mental. It is no doubt true that supramental realities exist which we translate into mental formulas such as Karma, Psychic evolution, etc. But they are, so to speak, infinite realities which cannot be limited by these symbolic forms, though they may be somewhat expressed by them; they might be expressed as well by other symbols, and the same symbol may also express many different ideas. Letters on Yoga

tapish ::: v. i. --> To lie close to the ground, so as to be concealed; to squat; to crouch; hence, to hide one&

Tathagata-gupta (Sanskrit) Tathāgata-gupta [from tathāgata thus gone, thus come, a name applied to Buddha + gupta secret, concealed] The secret or concealed tathagata; “the ‘guardian’ protecting Buddhas” (TG 322), used of the nirmanakayas.

tat satyam suryam tamasi ksiyantam ::: that Truth, the Sun Iying concealed in the darkness. [cf. RV 3.39.5]

testicond ::: a. --> Having the testicles naturally concealed, as in the case of the cetaceans.

Teth (Hebrew) Ṭēith The ninth letter of the Hebrew alphabet, standing for the number nine. In the Qabbalah, used as a symbolic device for the cosmic intelligent electric force, in theosophy called fohat, “whose symbol is the serpent which played such a prominent part in the Mysteries. Its universal value is nine, . . . and the ninth door of the fifty portals or gateways that lead to the concealed mysteries of being” (SD 1:76).

  “The Akasa is the eternal divine consciousness which cannot differentiate, have qualities, or act; action belongs to that which is reflected or mirrored from it. The unconditioned and infinite can have no relation with the finite and conditioned. . . . We may compare the Akasa and the Astral Light . . . to the germ in the acorn. The latter, besides containing in itself the astral form of the future oak, conceals the germ from which grows a tree containing millions of forms. These forms are contained in the acorn potentially, yet the development of each particular acorn depends upon extraneous circumstances, physical forces, etc.” (TBL 75-6; also IU 1:197).

thecodactyl ::: n. --> Any one of a group of lizards of the Gecko tribe, having the toes broad, and furnished with a groove in which the claws can be concealed.

"The Divine Force concealed in the subconscient is that which has originated and built up the worlds. At the other end in the superconscient it reveals itself as the Divine Being, Lord and Knower who has manifested Himself out of the Brahman.” The Upanishads ::: See also divine Force for additional definitions.

“The Divine Force concealed in the subconscient is that which has originated and built up the worlds. At the other end in the superconscient it reveals itself as the Divine Being, Lord and Knower who has manifested Himself out of the Brahman.” The Upanishads

  “The double triangle — the Satkiri Chakram of Vishnu — or the six-pointed star, is the perfect seven. In all the old Sanskrit works — Vedic and Tantrik — you find the number 6 mentioned more often than the 7 — this last figure, the central point being implied, for it is the germ of the six and their matrix. . . . the central point standing for seventh, and the circle, the Mahakasha — endless space — for the seventh Universal Principle. In one sense, both are viewed as Avalokitesvara, for they are respectively the Macrocosm and the microcosm. The interlaced triangles — the upper pointing one — is Wisdom concealed, and the downward pointing one — Wisdom revealed (in the phenomenal world). The circle indicates the bounding, circumscribing quality of the All, the Universal Principle which, from any given point expands so as to embrace all things, while embodying the potentiality of every action in the Cosmos. As the point then is the centre round which the circle is traced — they are identical and one, and though from the standpoint of Maya and Avidya — (illusion and ignorance) — one is separated from the other by the manifested triangle, the 3 sides of which represent the three gunas — finite attributes. In symbology the central point is Jivatma (the 7th principle), and hence Avalokitesvara, the Kwan-Shai-yin, the manifested ‘Voice’ (or Logos), the germ point of manifested activity; — hence — in the phraseology of the Christian Kabalists ‘the Son of the Father and Mother,’ and agreeably to ours — ‘the Self manifested in Self’ — Yih-sin, the ‘one form of existence,’ the child of Dharmakaya (the universally diffused Essence), both male and female. Parabrahm or ‘Adi-Buddha’ while acting through that germ point outwardly as an active force, reacts from the circumference inwardly as the Supreme but latent Potency. The double triangles symbolize the Great Passive and the Great Active; the male and female; Purusha and Prakriti. Each triangle is a Trinity because presenting a triple aspect. The white represents in its straight lines: Gnanam — (Knowledge); Gnata — (the Knower); and Gnayam — (that which is known). The black — form, colour, and substance, also the creative, preservative, and destructive forces and are mutually correlating . . .” (ML 345-6).

The first Gnostic trinity, equivalent to Father-Mother-Son is composed of Ferho, Chaos, and Fetahil — this first triad is concealed or nonmanifest — a pure abstraction to us (IU 2:227).

The fourth order of celestial beings, the highest group among those monads invested with their appropriate forms for that plane, is the nursery of the human, conscious, spiritual souls, and they constitute, through the next lower order “the first group of the first septenary host — the great mystery of human conscious and intellectual Being. For the latter are the field wherein lies concealed in its privation the germ that will fall into generation. That germ will become the spiritual potency in the physical cell that guides the development of the embryo, and which is the cause of the hereditary transmission of faculties and all the inherent qualities in man” (SD 1:218-19). See also BACTERIA

The gunas affect every part of our natural being. They have indeed their strongest relative hold in the three different members of it, mind, life and body. Tamas, the principle of inertia, is strongest in material nature and in our physical being. The action of this principle is of two kinds, inertia of force and inertia of knowledge. Whatever is predominantly governed by Tamas, tends in its force to a sluggish inaction and immobility or else to a mechanical action which it does not possess, but is possessed by obscure forces which drive it in a mechanical round of energy; equally in its consciousness it turns to an inconscience or enveloped subconscience or to a reluctant, sluggish or in some way mechanical conscious action which does not possess the idea of its own energy, but is guided by an idea which seems external to it or at least concealed from its active awareness. Thus the principle of our body is in its nature inert, subconscient, incapable of anything but a mechanical and habitual self-guidance and action: though it has like everything else a principle of kinesis and a principle of equilibrium of its state and action, an inherent principle of response and a secret consciousness, the greatest portion of its rajasic motions are contributed by the lifepower and all the overt consciousness by the mental being. The principle of rajas has its strongest hold on the vital nature. It is the Life within us that is the strongest kinetic motor power, but the life-power in earthly beings is possessed by the force of desire, th
   refore rajas turns always to action and desire; desire is the strongest human and animal initiator of most kinesis and action, predominant to such an extent that many consider it the father of all action and even the originator of our being. Moreover, rajas finding itself in a world of matter which starts from the principle of inconscience and a mechanical driven inertia, has to work against an immense contrary force; th
   refore its whole action takes on the nature of an effort, a struggle, a besieged and an impeded conflict for possession which is distressed in its every step by a limiting incapacity, disappointment and suffering: even its gains are precarious and limited and marred by the reaction of the effort and an aftertaste of insufficiency and transience. The principle of sattwa has its strongest hold in the mind; not so much in the lower parts of the mind which are dominated by the rajasic life-power, but mostly in the intelligence and the will of the reason. Intelligence, reason, rational will are moved by the nature of their predominant principle towards a constant effort of assimilation, assimilation by knowledge, assimilation by a power of understanding will, a constant effort towards equilibrium, some stability, rule, harmony of the conflicting elements of natural happening and experience. This satisfaction it gets in various ways and in various degrees of acquisition. The attainment of assimilation, equilibrium and harmony brings with it always a relative but more or less intense and satisfying sense of ease, happiness, mastery, security, which is other than the troubled and vehement pleasures insecurely bestowed by the satisfaction of rajasic desire and passion. Light and happiness are the characteristics of the sattwic guna. The whole nature of the embodied living mental being is determined by these three gunas.
   Ref: CWSA Vol. 23-24, Page: 684-685


The Inconscience is an inverse reproduction of the supreme superconscience: it has the same absoluteness of being and automatic action, but in a vast involved trance; it is being lost in itself, plunged in its own abyss of infinity. Instead of a luminous absorption in self-existence there is a tenebrous involution in it, the darkness veiled within darkness of the Rig Veda, tamaasit tamasa gudham, which makes it look like Non-Existence; instead of a luminous inherent self-awareness there is a consciousness plunged into an abyss of self-oblivion, inherent in being but not awake in being. Yet is this involved consciousness still a concealed knowledge by identity; it carries in it the awareness of all the truths of existence hidden in its dark infinite and, when it acts and creates,—but it acts first as Energy and not as Consciousness,—everything is arranged with the precision and perfection of an intrinsic knowledge. In all material things reside a mute and involved Real-Idea, a substantial and self-effective intuition, an eyeless exact perception, an automatic intelligence working out its unexpressed and unthought conceptions, a blindly seeing sureness of sight, a dumb infallible sureness of suppressed feeling coated in insensibility, which effectuate all that has to be effected. All this state and action of the Inconscient corresponds very evidently with the same state and action of the pure Superconscience, but translated into terms of self-darkness in place of the original self-light. Intrinsic in the material form, these powers are not possessed by the form, but yet work in its mute subconscience.
   Ref: CWSA Vol. 21-22, Page: 570


The life-atoms of the lower human principles are drawn again to us when we reimbody so that both the soul and the life-atoms of its bodies are essentially the same from life to life. The cause of heredity is a certain class of dhyani-chohans spoken of as the fourth order of angelic beings. They “are the field wherein lies concealed in its privation the germ that will fall into generation. That germ will become the spiritual potency in the physical cell that guides the development of the embryo, and which is the cause of the hereditary transmission of faculties and all the inherent qualities in man. . . . This inner soul of the physical cell — this ‘spiritual plasm’ that dominates the germinal plasm — is the key that must open one day the gates of the terra incognita of the Biologist, now called the dark mystery of Embryology” (SD 1:219).

The most important thing for this purifiration of the heart is an absolute sincerity. No pretence with oneself, no conceal- ment from the Divine, or oneself, or the Guru, a straight look at one’s movements, a straight will to make them strai^t.

The ordinary man is aware only of his surface self and quite unaware of all that is concealed by the surface. And yet what is on the surface, what we know or think W’c know of ourselves and even believe that that is all we are. Is only a small part of our being and far the larger part of us is below the surface.

Theosophy or the wisdom-religion is the study of the ancient wisdom of the gods, and comprises in any one period that particular portion of knowledge which has been delivered to those who study it; whereas occultism in any age is that portion of the ancient wisdom dealing with matters which at such time are secret, hid, and unknown to the multitude. Thus occultism is that portion of theosophy which has not yet been openly and publicly promulgated. Occultism is founded on the principle that Divinity is concealed — transcendent yet immanent — within every living being. As a spiritual discipline occultism is the renunciation of selfishness; it is the “still small path” which leads to wisdom, to the right discrimination between good and evil, and the practice of altruism.

The parabrahman of the Vedantists is likewise conceived of as an eternal and periodical law which causes an active and creative force to emanate from the ever-concealed and incomprehensible one principle at the beginning of every mahamanvantara or new cycle of cosmic life.

". . . the proper function of the thought-mind is to observe, understand, judge with a dispassionate delight in knowledge and open itself to messages and illuminations playing upon all that it observes and upon all that is yet hidden from it but must progressively be revealed, messages and illuminations that secretly flash down to us from the divine Oracle concealed in light above our mentality whether they seem to descend through the intuitive mind or arise from the seeing heart.” The Synthesis of Yoga*

“… the proper function of the thought-mind is to observe, understand, judge with a dispassionate delight in knowledge and open itself to messages and illuminations playing upon all that it observes and upon all that is yet hidden from it but must progressively be revealed, messages and illuminations that secretly flash down to us from the divine Oracle concealed in light above our mentality whether they seem to descend through the intuitive mind or arise from the seeing heart.” The Synthesis of Yoga

The Puranas ingeniously interweave allegory with cosmic facts and far later human events. “Puranic astronomy, with all its deliberate concealment and confusion for the purpose of leading the profane off the real track, was shown even by Bentley to be a real science; and those who are versed in the mysteries of Hindu astronomical treatises, will prove that the modern theories of the progressive condensation of nebulae, nebulous stars and sun, with the most minute details about the cyclic progress of asterisms — far more correct than Europeans have even now — for chronological and other purposes, were known in India to perfection.

There is a conceptive self-extension of being which works itself out in the universe as substance or object of consciousness and which cosmic Mind and Life in their creative action represent through atomic division and aggregation as the thing we call Matter. But this Matter, like Mind and Life, is still Being or Brahman in its self-creative action. It is a form of the force of conscious Being, a form given by Mind and realised by Life. It holds within it as its own reality consciousness concealed from itself, involved and absorbed in the result of its own self-formation and th
   refore self-oblivious. And, however brute and void of sense it seems to us, it is yet, to the secret experience of the consciousness hidden within it, delight of being offering itself to this secret consciousness as object of sensation in order to tempt that hidden godhead out of its secrecy. Being manifest as substance, force of Being cast into form, into a figured selfrepresentation of the secret self-consciousness, delight offering itself to its own consciousness as an object,—what is this but Sachchidananda? Matter is Sachchidananda represented to His ownmental experience as a formal basis of objective knowledge, action and delight of existence.
   Ref: CWSA Vol. 21-22, Page: 253


There is a mystic science attached to the caduceus, the classical emblem of medicine. To the priest-physicians in the temples, this symbol was sacred not only to the god of wisdom and healing, but stood for profound cosmic truths, knowledge of which was held in common by all initiates. It symbolized the tree of life and being. Cosmically this symbol stood for the concealed root or origin of universal duality which manifests as positive and negative, good and evil, subjective and objective, light and darkness, male and female, health and sickness, life and death.

these openings in one’s nature and ieam to close them perma- nently to such attacks or to throw out the intruders at once or as soon as possible. The recurrence is no proof of a funda- mental incapacity ; if one takes the right inner attitude, it can and will be overcome. One must have faith in the Master of our life and works, even if for a long time He conceals Himself, and then in His own right lime He will reveal His Presence.

The subconscient is a concealed and unexpected inarticulate consciousness which works below all our conscious physical activities. Just as what we call the superconscient is really a higher consciousness above from which things descend into the being, so the subconscient is below the body consciousness and things come up into the physical, the vital and the miod>oature from there. Just as the higher consciousness is superconscient to us and supports all our spiritual possibilities and nature, so the subconscient is the basis of our material being and supports all that comes up In (he physical nature..

The subconscient is a concealed and unexpressed inarticulate consciousness which works below all our conscious physical activities. Just as what we call the superconscient is really a higher consciousness above from which things descend into the being, so the subconscient is below the body-consciousness and things come up into the physical, the vital and the mind-nature from there.Just as the higher consciousness is superconscient to us and supports all our spiritual possibilities and nature, so the subconscient is the basis of our material being and supports all that comes up in the physical nature.Men are not ordinarily conscious of either of these planes of their own being, but by sadhana they can become aware.The subconscient retains the impressions of all our past experiences of life and they can come up from there in dream forms: most dreams in ordinary sleep are formations made from subconscient impressions.The habit of strong recurrence of the same things in our physical consciousness, so that it is difficult to get rid of its habits, is largely due to a subconscient support. The subconscient is full of irrational habits.When things are rejected from all other parts of the nature, they go either into the environmental consciousness around us through which we communicate with others and with universal Nature and try to return from there or they sink into the subconscient and can come up from there even after lying long quiescent so that we think they are gone.When the physical consciousness is being changed, the chief resistance comes from the subconscient. It is constantly maintaining or bringing back the inertia, weakness, obscurity, lack of intelligence which afflict the physical mind and vital or the obscure fears, desires, angers, lusts of the physical vital, or the illnesses, dullnesses, pains, incapabilities to which the body-nature is prone.If light, strength, the Mother's Consciousness is brought down into the body, it can penetrate the subconscient also and convert its obscurity and resistance.When something is erased from the subconscient so completely that it leaves no seed and thrown out of the circumconscient so completely that it can return no more, then only can we be sure that we have finished with it for ever.
   Ref: SABCL Vol. 22-23-24, Page: 356-57


“The subconscient is a concealed and unexpressed inarticulate consciousness which works below all our conscious physical activities. Just as what we call the superconscient is really a higher consciousness above from which things descend into the being, so the subconscient is below the body-consciousness and things come up into the physical, the vital and the mind-nature from there.

“The Sun was always called by the Egyptians ‘the eye of Osiris,’ and was himself the Logos, the first-begotten, or light made manifest to the world, ‘which is the Mind and divine intellect of the Concealed’ ” (SD 2:25). This symbol connects Horus with the characteristic nature and functions of the manifest Logos which spiritually surveys all, guides all, and watches over all; and as the Logos contains in itself all that is, both of spirit and matter when they are manifested, the reason is seen for the more detailed ascription to sun or moon of this or that function or activity of the Logos.

The term occult has noble, but largely forgotten origins. It properly defines anything which is undisclosed, concealed, or not easily perceived. Early theologians, for example, spoke of “the occult judgment of God,” while “occult philosopher” was a designation for the pre-Renaissance scientist who sought the unseen causes regulating nature’s phenomena. In astronomy, the term is still used when one stellar body “occults” another by passing in front of it, temporarily hiding it from view. Writing a century ago, when the word had not acquired today’s mixed connotations, H.P. Blavatsky defined occultism as “altruism pure and simple” — the divine wisdom or hidden theosophy within all religions.

“The true soul secret in us,—subliminal, we have said, but the word is misleading, for this presence is not situated below the threshold of waking mind, but rather burns in the temple of the inmost heart behind the thick screen of an ignorant mind, life and body, not subliminal but behind the veil,—this veiled psychic entity is the flame of the Godhead always alight within us, inextinguishable even by that dense unconsciousness of any spiritual self within which obscures our outward nature. It is a flame born out of the Divine and, luminous inhabitant of the Ignorance, grows in it till it is able to turn it towards the Knowledge. It is the concealed Witness and Control, the hidden Guide, the Daemon of Socrates, the inner light or inner voice of the mystic. It is that which endures and is imperishable in us from birth to birth, untouched by death, decay or corruption, an indestructible spark of the Divine.” The Life Divine

This first Sephirah contains involved within itself all the other nine Sephiroth, which it proceeds in regular serial order to emanate forth. It is considered in the Qabbalah as a sexless yet androgynous potency. Kether is original spiritual Light in comparison with divine Darkness or the absolute Light of ’eyn soph, this divine Darkness being beyond human conception and hence termed the Concealed of the Concealed — a title also applicable to Kether itself. Being the oldest or first of the Sephiroth it is termed the Most Holy Ancient One (‘Attiqa’ Qaddisha’), the Ancient of Days (‘Attiq Yomin), and the White Head (Reisha’ Hiwwara’) as containing within itself all colors. As head of the Sephirothal Tree, Kether is termed the Great Aspect, Macroprosopus, or Long Face (’Arich ’Anpin) as it contains all the attributes of the other nine Sephiroth. Its Divine Name is ’Ehyeh (I am), the first manifested existence or cosmic being. Applied to man, Kether is represented by the head. Its first emanation became the second Sephirah, Hochmah.

Thought-mind ::: The proper function of the thought-mind is to observe, understand, judge with a dispassionate delight in knowledge and open itself to messages and illuminations playing upon all that it observes and upon all that is yet hidden from it but must progressively be revealed, messages and illuminations that secretly flash down to us from the divine Oracle concealed in light above our mentality whether they seem to descend through the intuitive mind or arise from the seeing heart.
   Ref: CWSA Vol. 23-24, Page: 351-52


Thus Samael, “the dark aspect of the Logos — occupies only the rind of that tree, and has the knowledge of EVIL alone” (SD 2:216n), i.e., the Tree of Knowledge of Good and Evil. In Explaining the Hebrew terms as applied to the theosophical sevenfold classification of the human principles, Blavatsky makes Samael equivalent to kama, the seat of desire and emotional energy (SD 2:378). Yet there is another aspect to Samael: “In the ‘Chaldean Book of Numbers’ Samael is the concealed (occult) Wisdom, and Michael the higher terrestrial Wisdom, both emanating from the same source but diverging after their issue from the mundane soul, which on Earth is Mahat (intellectual understanding), or Manas (the seat of Intellect). They diverge, because one (Michael) is influenced by Meschamah, while the other (Samael) remains uninfluenced. This tenet was perverted by the dogmatic spirit of the Church; which, loathing independent Spirit, uninfluenced by the external form (hence by dogma), forthwith made of Samael-Satan (the most wise and spiritual spirit of all) — the adversary of its anthropomorphic God and sensual physical man, the DEVIL!” (SD 2:378).

tions; but here there comes in the Overmind law of each Force working out its own possibilities. The natural possibilities of a world in which an original Inconscience and a division of consciousness are the main principles, would be the emergence of Forces of Darkness impelled to maintain the Ignorance by which they live, an ignorant struggle to know originative of falsehood and error, an ignorant struggle to live engendering wrong and evil, an egoistic struggle to enjoy, parent of fragmentary joys and pains and sufferings; these are therefore the inevitable first-imprinted characters, though not the sole possibilities of our evolutionary existence. Still, because the Non-Existence is a concealed Existence, the Inconscience a concealed Consciousness, the insensibility a masked and dormant Ananda, these secret realities must emerge; the hidden Overmind and Supermind too must in the end fulfil themselves in this apparently opposite organisation from a dark Infinite. …

" To become ourselves by exceeding ourselves, — so we may turn the inspired phrases of a half-blind seer who knew not the self of which he spoke, — is the difficult and dangerous necessity, the cross surmounted by an invisible crown which is imposed on us, the riddle of the true nature of his being proposed to man by the dark Sphinx of the Inconscience below and from within and above by the luminous veiled Sphinx of the infinite Consciousness and eternal Wisdom confronting him as an inscrutable divine Maya. To exceed ego and be our true self, to be aware of our real being, to possess it, to possess a real delight of being, is therefore the ultimate meaning of our life here; it is the concealed sense of our individual and terrestrial existence.” The Life Divine*

“ To become ourselves by exceeding ourselves,—so we may turn the inspired phrases of a half-blind seer who knew not the self of which he spoke,—is the difficult and dangerous necessity, the cross surmounted by an invisible crown which is imposed on us, the riddle of the true nature of his being proposed to man by the dark Sphinx of the Inconscience below and from within and above by the luminous veiled Sphinx of the infinite Consciousness and eternal Wisdom confronting him as an inscrutable divine Maya. To exceed ego and be our true self, to be aware of our real being, to possess it, to possess a real delight of being, is therefore the ultimate meaning of our life here; it is the concealed sense of our individual and terrestrial existence.” The Life Divine

“To become ourselves by exceeding ourselves,—so we may turn the inspired phrases of a half-blind seer who knew not the self of which he spoke,—is the difficult and dangerous necessity, the cross surmounted by an invisible crown which is imposed on us, the riddle of the true nature of his being proposed to man by the dark Sphinx of the Inconscience below and from within and above by the luminous veiled Sphinx of the infinite Consciousness and eternal Wisdom confronting him as an inscrutable divine Maya. To exceed ego and be our true self, to be aware of our real being, to possess it, to possess a real delight of being, is therefore the ultimate meaning of our life here; it is the concealed sense of our individual and terrestrial existence.” The Life Divine

trunkwork ::: n. --> Work or devices suitable to be concealed; a secret stratagem.

tucchyendbhvapihitam ::: universal being concealed by fragmentation. [RV 10.129.3]

Two things render that culmination more facile than it would otherwise be. Overmind in the descent towards material creation has originated modifications of itself,—Intuition especially with its penetrative lightning flashes of truth lighting up local points and stretches of country in our consciousness,—which can bring the concealed truth of things nearer to our comprehension, and, by opening ourselves more widely first in the inner being and then as a result in the outer surface self also to the messages of these higher ranges of consciousness, by growing into them, we can become ourselves also intuitive and overmental beings, not limited by the intellect and sense, but capable of a more universal comprehension and a direct touch of truth in its very self and body. In fact flashes of enlightenment from these higher ranges already come to us, but this intervention is mostly fragmentary, casual or partial; we have still to begin to enlarge ourselves into their likeness and organise in us the greater Truth activities of which we are potentially capable. But, secondly, Overmind, Intuition, even Supermind not only must be, as we have seen, principles inherent and involved in the Inconscience from which we arise in the evolution and inevitably destined to evolve, but are secretly present, occult actively with flashes of intuitive emergence in the cosmic activity of Mind, Life and Matter. It is true that their action is concealed and, even when they emerge, it is modified by the medium, material, vital, mental in which they work and not easily recognisable. Supermind cannot manifest itself as the Creator Power in the universe from the beginning, for if it did, the Ignorance and Inconscience would be impossible or else the slow evolution necessary would change into a rapid transformation scene. Yet at every step of the material energy we can see the stamp of inevitability given by a supramental creator, in all the development of life and mind the play of the lines of possibility and their combination which is the stamp of Overmind intervention. As Life and Mind have been released in Matter, so too must in their time these greater powers of the concealed Godhead emerge from the involution and their supreme Light descend into us from above. …

Tzyphon (Hebrew) Tsāfōn [from the verbal root tsāfan to conceal, hide, hold back, treasure] The north or northern quarter, hence the north wind and, because the north was regarded among the ancients as a land of darkness and obscurity, this word came to mean whatever is hid or concealed, hence treasured up or held back. Thus it has come to signify among certain Shemitic mystics a doctrine which is concealed or secret — esotericism.

Ulom (Phoenician) The intelligible deity, the intellectual reflection of the ever-concealed divine; and in the theogony of Mochus also the intellectual universe expressing itself in the objective or material universe. Equivalent to the pleroma of the Gnostics. In the theogony of Mochus, aether or cosmic space is manifested first, followed by air (cosmic spirit) from which Ulom is born out of the mundane egg. Identical with the Hebrew ‘olam, meaning both hid or occult, the duration or perpetuity of cosmic time, and the universe or world in general. Thus ‘olam and ulom both are connected with the physical and metaphysical cosmos and all that is in these. See also ‘OLAM

undercoat ::: n. --> A coat worn under another; a light coat, as distinguished from an overcoat, or a greatcoat.
A growth of short hair or fur partially concealed by a longer growth; as, a dog&


undermirth ::: n. --> Suppressed or concealed mirth.

unearth ::: v. t. --> To drive or draw from the earth; hence, to uncover; to bring out from concealment; to bring to light; to disclose; as, to unearth a secret.

unhide ::: v. t. --> To bring out from concealment; to discover.

untappice ::: v. i. --> to come out of concealment.

up ::: adv. --> Aloft; on high; in a direction contrary to that of gravity; toward or in a higher place or position; above; -- the opposite of down.
From a lower to a higher position, literally or figuratively; as, from a recumbent or sitting position; from the mouth, toward the source, of a river; from a dependent or inferior condition; from concealment; from younger age; from a quiet state, or the like; -- used with verbs of motion expressed or implied.


vavra ::: concealing prison. [Ved.]

veil ::: n. 1. A length of cloth worn by women over the head, shoulders, and often the face. 2. Fig. Something that conceals, separates, or screens like a curtain. Veil, veils, cloud-veils, sun-veil. *v. 3. Fig. To conceal or disguise. *veils, veiled, veilst.

vis.ayadr.s.t.i (vishayadrishti) ::: subtle sense-perception (sūks.ma dr.s.t.i) visayadrsti .. in general or any particular form of such perception, especially perception of the sūks.ma vis.ayas of sound, touch, smell and taste (sabda, sparsa, gandha and rasa), with vision of rūpa often mentioned separately; the faculty or faculties constituting the instrumentation of saṁjñana or "sense in its purity", which "exists behind and beyond the mind it uses and is a movement of the self, a direct and original activity of the infinite power of its consciousness", capable of presenting to us "things concealed from the limited receptivity or beyond the range of the physical organs, . . . scenes, forms, happenings, symbols of the vital, psychical, mental, supramental, spiritual worlds".

vr.tratva (vritratwa) ::: state of being concealed by Vr.tra; obscuration.

*What is meant here is the Divine in its essential manifestation which reveals itself to us as Light and Consciousness, Power, Love and Beauty. But in its actual cosmic manifestation the Supreme, being the Infinite and not bound by any limitation, can manifest in itself, in its consciousness of innumerable possibilities, something that seems to be the opposite of itself, something in which there can be Darkness, Inconscience, Inertia, Insensibility, Disharmony and Disintegration. It is this that we see at the basis of the material world and speak of nowadays as the Inconscient—the inconscient Ocean of the Rigveda in which the One was hidden and arose in the form of this Universe,— or, as it is sometimes called, the non-being, Asat. The Ignorance which is the characteristic of our mind and life is the result of this origin in the Inconscience. Moreover, in the evolution out of inconscient existence there rise up naturally powers and beings which are interested in the maintenance of all negations of the Divine, error and unconsciousness, pain, suffering, obscurity, death, weakness, illness, disharmony, evil. Hence the perversion of the manifestation here, its inability to reveal the true essence of the Divine. Yet in the very base of this evolution all that is divine is there involved and pressing to evolve, Light, Consciousness, Power, Perfection, Beauty, Love. For in the Inconscient itself and behind the perversions of the Ignorance Divine Consciousness lies concealed and works and must more and more appear, throwing off in the end its disguises. That is why it is said that the world is called to express the Divine.

When the human ego realises that its will is a tool, its wisdom ignorance and childishness, its power an infant’s groping, its virtue a pretentious impurity, and learns to trust itself to that which transcends it, that is its salvation. The apparent freedom and self-assertion of our personal being to which we arc so profoundly attached, conceal a most pitiable subjection to a thousand suggestions, impulsions, forces which we have made extraneous to our little person. Our ego, boasting of freedom, is at every moment the slave, toy and puppet of countless beings, powers, forces, influences in uniwrsal Nature. The self-abnega- tion of the ego in the Divine is its self-fulfilment ; its surrender to that which transcends it is its liberation from bonds and limits and its perfect freedom.

When the human ego realises that its will is a tool, its wisdom ignorance and childishness, its power an infant’s groping, its virtue a pretentious impurity, and learns to trust itself to that which transcends it, that is its salvation. The apparent freedom and self-assertion of our personal being to which we are so profoundly attached, conceal a most pitiable subjection to a thousand suggestions, impulsions, forces which we have made extraneous to our little person. Our ego, boasting of freedom, is at every moment the slave, toy and puppet of countless beings, powers, forces, influences in universal Nature. The self-abnegation of the ego in the Divine is its self-fulfilment; its surrender to that which transcends it is its liberation from bonds and limits and its perfect freedom.
   Ref: CWSA Vol. 23-24, Page: 59-60


Within the large circle formed by the serpent are two interlaced triangles (called in India the seal of Vishnu, in the West the seal of Solomon). The white triangle pointing upwards denotes the spiritual fire of consciousness, concealed wisdom, or spirit. The downward-pointing black triangle, sometimes colored blue or red, refers to the manifested worlds of matter, or to wisdom revealed in the worlds of manifestation. The two triangles interlaced form a six-pointed star, which means the manifested Logos, or the third cosmic emanation of the ineffable One. Again, the six-pointed star refers to the six general forces or powers of nature, the six principles, the six planes — which are represented as being all synthesized by their origin, the seventh, when a point or dot is placed within the star, for this point is what Pythagoras called the Monas monadum (the monad of monads).

Word In religious and philosophical usage, a translation of the Greek logos or Latin verbum. Its meaning here is that of reason manifested, employed mainly in a cosmogonic sense. “The esoteric meaning of the word Logos (speech or word, Verbum) is the rendering in objective expression, as in a photograph, of the concealed thought. The Logos is the mirror reflecting divine mind, and the Universe is the mirror of the Logos, though the latter is the esse of that Universe. As the Logos reflects all in the Universe of Pleroma, so man reflects in himself all that he sees and finds in his Universe, the Earth” (SD 2:25). This word was chosen because human thought, or immanent conscious intelligence or mind, manifests itself through words. It is familiar to Christians through the opening verse of John: “In the beginning was the Word, and the Word was with God, and the Word was God”; “And the Word was made flesh, and dwelt among us” (1:1, 14). In the former quotation the meaning is entirely cosmogonic; in the latter, it has been diminished to signify the innate Word or divinity in man, which when in full control of the human adept can, by a stretch of metaphor, mean that the innate Christ, Buddha, or god in man so controls the human personality as to have become the latter, and thus to manifest among men.

wrap ::: v. t. --> To snatch up; transport; -- chiefly used in the p. p. wrapt.
To wind or fold together; to arrange in folds.
To cover by winding or folding; to envelop completely; to involve; to infold; -- often with up.
To conceal by enveloping or infolding; to hide; hence, to involve, as an effect or consequence; to be followed by.


"Yet there is still the unknown underlying Oneness which compels us to strive slowly towards some form of harmony, of interdependence, of concording of discords, of a difficult unity. But it is only by the evolution in us of the concealed superconscient powers of cosmic Truth and of the Reality in which they are one that the harmony and unity we strive for can be dynamically realised in the very fibre of our being and all its self-expression and not merely in imperfect attempts, incomplete constructions, ever-changing approximations.” The Life Divine*

“Yet there is still the unknown underlying Oneness which compels us to strive slowly towards some form of harmony, of interdependence, of concording of discords, of a difficult unity. But it is only by the evolution in us of the concealed superconscient powers of cosmic Truth and of the Reality in which they are one that the harmony and unity we strive for can be dynamically realised in the very fibre of our being and all its self-expression and not merely in imperfect attempts, incomplete constructions, ever-changing approximations.” The Life Divine

Ze‘eir ’Anpin (Aramaic) Zĕ‘ēir ’Anpīn. Ze‘eir ’Appayim (Hebrew) Zĕ‘ēir Āppayim [zĕ‘ēir small, short + ’apīn face, countenance] Short face, the less visage; its Greek equivalent is Microprosopus. A Qabbalistic term applied to the lower nine Sephiroth, emanating from the first Sephirah (Kether the Crown) or the Long Face (’Arich ’Anpin). The nine lower Sephiroth are not able to envisage or express the full Sephirothal Tree or scheme nor the full radiance of the Concealed of the Concealed. The Short Face is the union of the nine Sephiroth considered as a composite individual, corresponding to the Qabbalistic ’Adam Qadmon, the Heavenly Man or the manifest or Third Logos. See also YESOD



QUOTES [9 / 9 - 1211 / 1211]


KEYS (10k)

   6 Sri Aurobindo
   1 Saint Jerome
   1 Phaedrus
   1 François de La Rochefoucauld

NEW FULL DB (2.4M)

   24 Sri Aurobindo
   19 Friedrich Nietzsche
   17 Anonymous
   15 Mark Twain
   12 Jane Austen
   12 Francois de La Rochefoucauld
   11 Horace
   10 F Scott Fitzgerald
   9 Seneca the Younger
   9 Eckhart Tolle
   8 Ovid
   7 Sun Tzu
   7 Blaise Pascal
   6 Ralph Waldo Emerson
   6 Kate Morton
   6 Albert Einstein
   5 Voltaire
   5 Marcus Tullius Cicero
   5 Lord Chesterfield
   5 Khalil Gibran

1:True friendship ought never to conceal what it thinks.
   ~ Saint Jerome,
2:It takes a great talent and skill to conceal one's talent and skill. ~ François de La Rochefoucauld, Reflections; or Sentences and Moral Mixims,
3:To call up a demon you must learn its name. Men dreamed that, once, but now it is real in another way. You know that, Case. Your business is to learn the names of programs, the long formal names, names the owners seek to conceal. True names...
   ~ William Gibson, Neuromancer,
4:It is manifest that behind the so-called curtain which is supposed to conceal the inner world, there is nothing to be seen unless we go behind it ourselves, as much in order that we may see, as that there may be something behind there which can be seen. ~ Georg Wilhelm Friedrich Hegel,
5:Masturbation is not the happiest form of sexuality, but the most advisable for him who wants to be alone and think. I detect the aroma of this pleasant vice in most philosophers, and a happily married logicians is almost a contradiction in terms. So many sages have regarded Woman as temptress because fornication often leads to marriage, which usually leads to children, which always leads to a respectable job and pretending to believe the idiocies your neighbors believe. The hypocrisy of the sages has been to conceal their timid onanism and call it celibacy. ~ Robert Anton Wilson,
6:The black magician is one who learns to manipulate these forces for selfish and destructive purposes, his own aggrandizement of the fulfillment of desire, while the white magician prays that he may learn to manipulate them as God would have them manipulated - for the salvation of the divine creation. The powers are in the hands of those capable of invoking them; it makes no difference whether for good or ill. For this reason, the schools of white magic conceal these powers from man until, through growth, purification, and unfoldment, he gains the proper incentive for using them. ~ Manly P Hall, Magic: A Treatise on Esoteric Ethics,
7:I have seen the truth; I have seen and I know that people can be beautiful and happy without losing the power of living on earth. I will not and cannot believe that evil is the normal condition of mankind. And it is just this faith of mine that they laugh at. But how can I help believing it? I have seen the truth ~ it is not as though I had invented it with my mind, I have seen it, seen it, and the living image of it has filled my soul for ever. I have seen it in such full perfection that I cannot believe that it is impossible for people to have it. And so how can I go wrong? I shall make some slips no doubt, and shall perhaps talk in second-hand language, but not for long: the living image of what I saw will always be with me and will always correct and guide me. Oh, I am full of courage and freshness, and I will go on and on if it were for a thousand years! Do you know, at first I meant to conceal the fact that I corrupted them, but that was a mistake ~ that was my first mistake! But truth whispered to me that I was lying, and preserved me and corrected me. But how establish paradise ~ I don't know, because I do not know how to put it into words. After my dream I lost command of words. All the chief words, anyway, the most necessary ones. But never mind, I shall go and I shall keep talking, I won't leave off, for anyway I have seen it with my own eyes, though I cannot describe what I saw. But the scoffers do not understand that. It was a dream, they say, delirium, hallucination. Oh! As though that meant so much! And they are so proud! A dream! What is a dream? And is not our life a dream? I will say more. Suppose that this paradise will never come to pass (that I understand), yet I shall go on preaching it. And yet how simple it is: in one day, in one hour everything could be arranged at once! The chief thing is to love others like yourself, that's the chief thing, and that's everything; nothing else is wanted ~ you will find out at once how to arrange it all. And yet it's an old truth which has been told and retold a billion times ~ but it has not formed part of our lives! The consciousness of life is higher than life, the knowledge of the laws of happiness is higher than happiness ~ that is what one must contend against. And I shall. If only everyone wants it, it can be arranged at once. ~ Fyodor Dostoevsky in The Dream of a Ridiculous Man,
8:Satya Sattva - "Sri Yukteswar's intuition was penetrating; heedless of remarks, he often replied to one's unexpressed thoughts. The words a person uses, and the actual thoughts behind them, may be poles apart. 'By calmness,' my guru said, 'try to feel the thoughts behind the confusion of men's verbiage.' [...]

Many teachers talked of miracles but could manifest nothing. Sri Yukteswar seldom mentioned the subtle laws but secretly operated them at will. 'A man of realization doesn't perform any miracle until he receives an inward sanction', master explained. 'God does not wish the secrets of His creation revealed promiscuously. Also, every individual in the world has an inalienable right to his free will. A saint will not encroach on that independence.'

The silence habitual to Sri Yukteswar was caused by his deep perceptions of the Infinite. [...] Because of my guru's unspectacular guise, only a few of his contemporaries recognized him as a superman. The adage: 'He is a fool that cannot conceal his wisdom,' could never be applied to my profound and quiet master. Though born a mortal like all others, Sri Yukteswar achieved identity with the Ruler of time and space. Master found no insuperable obstacles to the mergence of human and Divine. No such barrier exists, I came to understand. [...]

Though my guru's undissembling speech prevented a large following during his years on Earth, nevertheless, through an ever-growing number of sincere students of his teachings, his spirit lives on in the world today. [...]

The disclosures of the Divine insight are often painful to worldly ears. Master was not popular with superficial students. The wise, always few in number, deeply revered him. I daresay Sri Yukteswar would have been the most sought-after guru in India had his speech not been so candid and so censorious. [...]

He added, 'You will go to foreign lands, where blunt assaults on the ego are not appreciated. A teacher could not spread India's message in the West without an ample fund of accommodative patience and forbearance.' [...]

I am immeasurably grateful for the humbling blows he dealt my vanity. I sometimes felt that, metaphorically, he was discovering and uprooting every diseased tooth in my jaw. The hard core of egotism is difficult to dislodge except rudely. With its departure, the Divine finds at last un unobstructed channel. In vain It seeks to percolate through flinty hearts of selfishness. ~ Paramahansa Yogananda, Autobiography of a Yogi,
9:In our world error is continually the handmaid and pathfinder of Truth; for error is really a half-truth that stumbles because of its limitations; often it is Truth that wears a disguise in order to arrive unobserved near to its goal. Well, if it could always be, as it has been in the great period we are leaving, the faithful handmaid, severe, conscientious, clean-handed, luminous within its limits, a half-truth and not a reckless and presumptuous aberration.
   A certain kind of Agnosticism is the final truth of all knowledge. For when we come to the end of whatever path, the universe appears as only a symbol or an appearance of an unknowable Reality which translates itself here into different systems of values, physical values, vital and sensational values, intellectual, ideal and spiritual values. The more That becomes real to us, the more it is seen to be always beyond defining thought and beyond formulating expression. "Mind attains not there, nor speech."3 And yet as it is possible to exaggerate, with the Illusionists, the unreality of the appearance, so it is possible to exaggerate the unknowableness of the Unknowable. When we speak of It as unknowable, we mean, really, that It escapes the grasp of our thought and speech, instruments which proceed always by the sense of difference and express by the way of definition; but if not knowable by thought, It is attainable by a supreme effort of consciousness. There is even a kind of Knowledge which is one with Identity and by which, in a sense, It can be known. Certainly, that Knowledge cannot be reproduced successfully in the terms of thought and speech, but when we have attained to it, the result is a revaluation of That in the symbols of our cosmic consciousness, not only in one but in all the ranges of symbols, which results in a revolution of our internal being and, through the internal, of our external life. Moreover, there is also a kind of Knowledge through which That does reveal itself by all these names and forms of phenomenal existence which to the ordinary intelligence only conceal It. It is this higher but not highest process of Knowledge to which we can attain by passing the limits of the materialistic formula and scrutinising Life, Mind and Supermind in the phenomena that are characteristic of them and not merely in those subordinate movements by which they link themselves to Matter.
   The Unknown is not the Unknowable; it need not remain the unknown for us, unless we choose ignorance or persist in our first limitations. For to all things that are not unknowable, all things in the universe, there correspond in that universe faculties which can take cognisance of them, and in man, the microcosm, these faculties are always existent and at a certain stage capable of development. We may choose not to develop them; where they are partially developed, we may discourage and impose on them a kind of atrophy. But, fundamentally, all possible knowledge is knowledge within the power of humanity. And since in man there is the inalienable impulse of Nature towards self-realisation, no struggle of the intellect to limit the action of our capacities within a determined area can for ever prevail. When we have proved Matter and realised its secret capacities, the very knowledge which has found its convenience in that temporary limitation, must cry to us, like the Vedic Restrainers, 'Forth now and push forward also in other fields.'
   ~ Sri Aurobindo, The Life Divine,

*** WISDOM TROVE ***

1:It is art to conceal art. -Ars est celare artem ~ ovid, @wisdomtrove
2:Fools through false shame, conceal their open wounds. ~ horace, @wisdomtrove
3:He's a fool who cannot conceal his wisdom. ~ benjamin-franklin, @wisdomtrove
4:It is better to conceal ignorance than to expose it. ~ heraclitus, @wisdomtrove
5:Fate tried to conceal him by naming him Smith. ~ oliver-wendell-holmes-jr, @wisdomtrove
6:The same words conceal and declare the thoughts of men. ~ alfred-lord-tennyson, @wisdomtrove
7:Sometimes the jobs no one wants conceal big opportunities. ~ h-jackson-brown-jr, @wisdomtrove
8:It is the false shame of fools to try to conceal wounds that have not healed. ~ horace, @wisdomtrove
9:It is the merit of a general to impart good news, and to conceal the truth. ~ sophocles, @wisdomtrove
10:No affectation of peculiarity can conceal a commonplace mind. ~ william-somerset-maugham, @wisdomtrove
11:Words, like nature, half reveal and half conceal the soul within. ~ alfred-lord-tennyson, @wisdomtrove
12:Debates conceal rather than reveal the truth. Truth is revealed in solitude. ~ leo-tolstoy, @wisdomtrove
13:In making tactical dispositions, the highest pitch you can attain is to conceal them. ~ sun-tzu, @wisdomtrove
14:Nobody agrees with anybody else anyhow, but adults conceal it and infants show it. ~ ogden-nash, @wisdomtrove
15:When we try to conceal our innermost drives, the entire being screams betrayal. ~ frank-herbert, @wisdomtrove
16:The true use of speech is not so much to express our wants as to conceal them. ~ oliver-goldsmith, @wisdomtrove
17:People who truly follow the Way would do well to conceal the fact that they are Buddhists. ~ dogen, @wisdomtrove
18:A bad artist almost always tries to conceal his incompetence by whooping up a new formula. ~ h-l-mencken, @wisdomtrove
19:Most affectations conceal something eventually, even though they don't in the beginning. ~ f-scott-fitzgerald, @wisdomtrove
20:When you got nothing, you got nothin' to lose You're invisible now, you got no secrets to conceal. ~ bob-dylan, @wisdomtrove
21:Don't think you are going to conceal thoughts by concealing evidence that they ever existed. ~ dwight-eisenhower, @wisdomtrove
22:Nor does night conceal men's deeds of ill, but whatsoe'er thou dost, think that some God beholds it. ~ aeschylus, @wisdomtrove
23:The external forces conceal from the eyes the deep meaning of existence; True faith resides in the heart. ~ kabir, @wisdomtrove
24:Time will bring to light whatever is hidden it will cover up and conceal what is now shining in splendor. ~ horace, @wisdomtrove
25:Men use thought only as authority for their injustice, and employ speech only to conceal their thoughts. ~ voltaire, @wisdomtrove
26:If a woman is partial to a man, and does not endeavour to conceal it, he must find it out." -Elizabeth ~ jane-austen, @wisdomtrove
27:A woman, especially if she has the misfortune of knowing anything, should conceal it as well as she can. ~ jane-austen, @wisdomtrove
28:We are only falsehood, duplicity, contradiction; we both conceal and disguise ourselves from ourselves. ~ blaise-pascal, @wisdomtrove
29:A woman, especially, if she have the misfortune of knowing anything, should conceal it as well as she can. ~ jane-austen, @wisdomtrove
30:Choose silence of all virtues, for by it you hear other men's imperfections, and conceal your own. ~ george-bernard-shaw, @wisdomtrove
31:Here Jove with Hermes came; but in disguise Of mortal men conceal'd their deities; One laid aside his thunder, one his rod ~ ovid, @wisdomtrove
32:See a person's means ... Observe his motives. Examine that in which he rests. How can a person conceal his character? ~ confucius, @wisdomtrove
33:Look at the means which a man employs, consider his motives, observe his pleasures. A man simply cannot conceal himself! ~ confucius, @wisdomtrove
34:Be scrupulously truthful, even if the truth is inconvenient, for it is more inconvenient when you try to conceal it. ~ bertrand-russell, @wisdomtrove
35:Don't join the book burners. Don't think you are going to conceal faults by concealing evidence that they ever existed. ~ dwight-eisenhower, @wisdomtrove
36:Don't join the book burners. Do not think you are going to conceal thoughts by concealing evidence that they ever existed. ~ dwight-eisenhower, @wisdomtrove
37:Frank and explicit - that is the right line to take when you wish to conceal your own mind and confuse the minds of others. ~ benjamin-disraeli, @wisdomtrove
38:L'on a beau se cacher a' soi-me"  me, l'on aime toujours. We vainly conceal from ourselves the fact that we are always in love. ~ blaise-pascal, @wisdomtrove
39:If I am able to determine the enemy's dispositions while at the same time I conceal my own, then I can concentrate and he must divide. ~ sun-tzu, @wisdomtrove
40:Never inquire into another man's secret; bur conceal that which is intrusted to you, though pressed both be wine and anger to reveal it. ~ horace, @wisdomtrove
41:To conceal anything from those to whom I am attached, is not in my nature. I can never close my lips where I have opened my heart. ~ charles-dickens, @wisdomtrove
42:Speech is too often not the art of concealing thought, but of quite stifling and suspending thought, so that there is none to conceal. ~ thomas-carlyle, @wisdomtrove
43:The turtle lives &
44:If you need to conceal your true nature to get in the door, understand that you'll probably have to conceal your true nature to keep that job. ~ seth-godin, @wisdomtrove
45:I sometimes find it half a sin, To put to words the grief I feel, For words like nature, half reveal, and half conceal the soul within. ~ alfred-lord-tennyson, @wisdomtrove
46:The humorous story is told gravely; the teller does his best to conceal the fact that he even dimly suspects that there is anything funny about it. ~ mark-twain, @wisdomtrove
47:Just as some people may conceal their own sinfulness thus seeming better than the norm, others expose their own sinfulness thus seeming worse than the norm. ~ criss-jami, @wisdomtrove
48:The Northern onslaught upon slavery was no more than a piece of specious humbug designed to conceal its desire for economic control of the Southern states. ~ charles-dickens, @wisdomtrove
49:Wealth makes an ugly person beautiful to look on and an incoherent speech eloquent; and wealth alone can enjoy pleasure even in sickness and can conceal its miseries. ~ sophocles, @wisdomtrove
50:Ours is a society in which secrets of private life that, formerly, you would have given nearly anything to conceal, you now clamor to get on a television show to reveal. ~ susan-sontag, @wisdomtrove
51:The epitaph that I would write for history would say: I conceal nothing. It is not enough not to lie. One should strive not to lie in a negative sense by remaining silent. ~ leo-tolstoy, @wisdomtrove
52:Most people tend to think the best of those who are blessed with beauty; we have difficulty imagining that physical perfection can conceal twisted emotions or a damaged mind. ~ dean-koontz, @wisdomtrove
53:Conditions in the [movie] industry somehow propose the paradox: "We brought you here for your individuality but while you're here we insist that you do everything to conceal it. ~ f-scott-fitzgerald, @wisdomtrove
54:When pressure mounts and strain increases everyone begins to show the weaknesses in his makeup. It is up to the Commander to conceal his: above all to conceal doubt, fear, and distrust. ~ dwight-eisenhower, @wisdomtrove
55:Our words tend to conceal what is private and particular in our impressions, and to make us believe that different people live in a common world to a greater extent than is in fact the case. ~ bertrand-russell, @wisdomtrove
56:We conceal it from ourselves in vain - we must always love something. In those matters seemingly removed from love, the feeling is secretly to be found, and man cannot possibly live for a moment without it. ~ blaise-pascal, @wisdomtrove
57:If your morals make you dreary, depend upon it they are wrong. I do not say "give them up," for they may be all you have; but conceal them like a vice, lest they should spoil the lives of better and simpler people. ~ robert-louis-stevenson, @wisdomtrove
58:Mental pain is less dramatic than physical pain, but it is more common and also more hard to bear. The frequent attempt to conceal mental pain increases the burden: it is easier to say “My tooth is aching” than to say “My heart is broken. ~ c-s-lewis, @wisdomtrove
59:Among the arts of conversation no one pleases more than mutual deference or civility, which leads us to resign our own inclinations to those of our companions, and to curb and conceal that presumption and arrogance so natural to the human mind. ~ david-hume, @wisdomtrove
60:Nothing more powerfully excites any affection than to conceal some part of its object, by throwing it into a kind of shade, whichat the same time that it shows enough to prepossess us in favour of the object, leaves still some work for the imagination. ~ david-hume, @wisdomtrove
61:It is through the dispositions of an army that its condition may be discovered. Conceal your dispositions, and your condition will remain secret, which leads to victory,; show your dispositions, and your condition will become patent, which leads to defeat. ~ sun-tzu, @wisdomtrove
62:Communication is truth; communication is happiness. To share is our duty; to go down boldly and bring to light those hidden thoughts which are the most diseased; to conceal nothing; to pretend nothing; if we are ignorant to say so; if we love our friends to let them know it. ~ virginia-woolf, @wisdomtrove
63:I have learned that in any significant or continuing relationship, feelings which are persistent had best be expressed. If they are expressed as feelings owned by me, the result may be temporarily upsetting but ultimately far more rewarding than any attempt to deny or conceal them. ~ carl-rogers, @wisdomtrove
64:I was born to fight devils and factions. It is my business to remove obstacles, to cut down thorns, to fill up quagmires and to open and make straight paths.  If I must have some failing let me rather speak the truth with too great sincerity than once to act the hypocrite and conceal the truth. ~ martin-luther, @wisdomtrove
65:It is useless to deny, and impossible to conceal, that a great part of Europe, the whole of Italy and France, and a great portion of Germany, to say nothing of other countries - is covered with a network of these secret societies, just as the superfices of the Earth are being covered with railroads. ~ benjamin-disraeli, @wisdomtrove
66:Beware of the truth, gentle Sister. Although much sought after, truth can be dangerous to the seeker. Myths and reassuring lies are much easier to find and believe. If you find a truth, even a temporary one, it can demand that you make painful changes. Conceal your truths within words. Natural ambiguity will protect you then. ~ frank-herbert, @wisdomtrove
67:We have got to fight it [Communism] with something better, not try to conceal the thinking of our own people. They are part of America. And even if they think ideas that are contrary to ours, their right to say them, their right to record them, and their right to have them at places where they are accessible to others is unquestioned, or it isn't America. ~ dwight-eisenhower, @wisdomtrove
68:One can tell a child everything, anything. I have often been struck by the fact that parents know their children so little. They should not conceal so much from them. How well even little children understand that their parents conceal things from them, because they consider them too young to understand! Children are capable of giving advice in the most important matters. ~ fyodor-dostoevsky, @wisdomtrove
69:She was heartily ashamed of her ignorance - a misplaced shame. Where people wish to attach, they should always be ignorant. To come with a well−informed mind is to come with an inability of administering to the vanity of others, which a sensible person would always wish to avoid. A woman especially, if she have the misfortune of knowing anything, should conceal it as well as she can. ~ jane-austen, @wisdomtrove
70:One can tell a child everything, anything. I have often been struck by the fact that parents know their children so little. They should not conceal so much from them. How well even little children understand that their parents conceal things from them, because they consider them too young to understand! Children are capable of giving advice in the most important matters. How can one deceive these dear little birds, when they look at one so sweetly and confidingly? I call them birds because there is nothing in the world better than birds! ~ fyodor-dostoevsky, @wisdomtrove
71:We do not seek the unanimity that comes to those who water down all issues to the lowest common denominator - or to those who conceal their differences behind fixed smiles - or to those who measure unity by standards of popularity and affection, instead of trust and respect. We are allies. This is a partnership, not an empire. We are bound to have differences and disappointments - and we are equally bound to bring them out into the open, to settle them where they can be settled, and to respect each other's views when they cannot be settled. ~ john-f-kennedy, @wisdomtrove
72:As parents, we can have no joy, knowing that this government is not sufficiently lasting to ensure any thing which we may bequeath to posterity: And by a plain method of argument, as we are running the next generation into debt, we ought to do the work of it, otherwise we use them meanly and pitifully. In order to discover the line of our duty rightly, we should take our children in our hand, and fix our station a few years farther into life; that eminence will present a prospect, which a few present fears and prejudices conceal from our sight. ~ thomas-paine, @wisdomtrove
73:In one of his traditional sermons transmitted by his disciples, is the following apologue on the subject of charity : " When God created the earth it shook and trembled, until he put mountains upon it, to make it firm. Then the angels asked, &

*** NEWFULLDB 2.4M ***

1:Conceal thy domestic ills. ~ Thales,
2:It is better to conceal ignorance. ~ Heraclitus,
3:Reveal art; conceal the artist. ~ Gustave Flaubert,
4:Everybody has something to conceal. ~ Humphrey Bogart,
5:I try to conceal art with art. ~ Jean Philippe Rameau,
6:The perfection of art is to conceal art. ~ Quintilian,
7:It is art to conceal art. -Ars est celare artem ~ Ovid,
8:Men conceal the past scenes of their lives. ~ Lucretius,
9:To miniaturize is also to conceal. ~ Enrique Vila Matas,
10:Silence hides nothing. Words conceal. ~ August Strindberg,
11:How do you conceal a secret? With openness. ~ Harry Bingham,
12:Lovers die inward that their flames conceal. ~ John Webster,
13:The hand of God creates; it does not conceal. ~ Umberto Eco,
14:addresses are given to us to conceal our whereabouts. ~ Saki,
15:Men employ speech only to conceal their thoughts. ~ Voltaire,
16:Nature does not deceive or conceal, but reveals. ~ Carl Jung,
17:Fools through false shame, conceal their open wounds. ~ Horace,
18:He's a fool who cannot conceal his wisdom. ~ Benjamin Franklin,
19:Conceal a flaw, and the world will imagine the worst. ~ Martial,
20:He’s a Fool that cannot conceal his Wisdom. ~ Benjamin Franklin,
21:In politics all abstract terms conceal treachery. ~ C L R James,
22:Crime requires further crime to conceal it. ~ Seneca the Younger,
23:Juliette trusted the darkness to conceal her smile. ~ Hugh Howey,
24:Why do trees conceal the splendor of their roots? ~ Pablo Neruda,
25:It is better to conceal ignorance than to expose it. ~ Heraclitus,
26:Surfaces simultaneously reveal and conceal. ~ John Paul Caponigro,
27:Asceticism and celibacy can conceal many incapacities. ~ Mason Cooley,
28:Our deepest truths are usually the hardest to conceal. ~ Ren e Ahdieh,
29:True friendship ought never to conceal what it thinks. ~ Saint Jerome,
30:We reveal our joys and successes, we conceal our pain. ~ Jesse Jackson,
31:Diplomats make it their business to conceal the facts. ~ Margaret Sanger,
32:True friendship ought never to conceal what it thinks.
   ~ Saint Jerome,
33:Addresses are given to us to conceal our whereabouts. ~ Hector Hugh Munro,
34:Fate tried to conceal him by naming him Smith. ~ Oliver Wendell Holmes Jr,
35:Writer? A complimentary term to conceal one’s insanities. ~ Coco J Ginger,
36:It requires as much to tell the truth as to conceal it. ~ Baltasar Gracian,
37:Clouds cannot cover secret places, nor denials conceal truth. ~ Demosthenes,
38:I TEGO ARCANA DEI (BEGONE! I CONCEAL THE SECRETS OF GOD.) ~ Michael Baigent,
39:who are we, that we so conceal ourselves from ourselves? ~ Whitley Strieber,
40:Words were not given to man in order to conceal his thoughts ~ Jos Saramago,
41:Euphemism is a human device to conceal the horrors of reality. ~ Paul Johnson,
42:Was he pretending to be jealous to conceal the fact that he was? ~ Ian McEwan,
43:One can ever assume to be what he is not, and to conceal what he is. ~ Sallust,
44:The same words conceal and declare the thoughts of men. ~ Alfred Lord Tennyson,
45:Folded hands may conceal a dagger --
Likewise a foe's tears. ~ Thiruvalluvar,
46:His gaze drank me in and he made no attempt to conceal that fact. ~ Kenya Wright,
47:Words, like Nature, half reveal And half conceal the soul within. ~ Mark Forsyth,
48:It's not about what you tell the reader, it's about what you conceal. ~ Dan Brown,
49:It requires as much caution to tell the truth as to conceal it. ~ Baltasar Graci n,
50:No affectation of peculiarity can conceal a commonplace mind. ~ W Somerset Maugham,
51:The gods conceal from men the happiness of death, that they may endure life ~ Lucan,
52:Trying to conceal a crime is like burying a seed in the ground. ~ Franz Grillparzer,
53:Words, like nature, half reveal and half conceal the soul within. ~ Alfred Tennyson,
54:Really,” “really and truly,” those code words which barely conceal a lie.) ~ Amos Oz,
55:The height of cleverness is to be able to conceal it. ~ Francois de La Rochefoucauld,
56:The height of cleverness is to be able to conceal it. ~ Fran ois de La Rochefoucauld,
57:509. A word uncovers the truth; it can also be used to conceal it. ~ Alija Izetbegovi,
58:I am the slave of what I have spoken, but the master of what I conceal. ~ Ramsay Wood,
59:Creeps and idiots cannot conceal themselves for long on a fishing trip. ~ John Gierach,
60:explored.” “It is the glory of God to conceal a matter,” says the book ~ John Eldredge,
61:It is the false shame of fools to try to conceal wounds that have not healed. ~ Horace,
62:Shadows are wonderful things. They hide pain and conceal motives. ~ Karen Marie Moning,
63:It is the merit of a general to impart good news, and to conceal the truth. ~ Sophocles,
64:Talking much about oneself can also be a means to conceal oneself. ~ Friedrich Nietzsche,
65:We conceal, but God wants to heal, and to do that, He must first expose. ~ Gary L Thomas,
66:Words, like nature, half reveal and half conceal the soul within. ~ Alfred Lord Tennyson,
67:Compassion for the friend should conceal itself under a hard shell. ~ Friedrich Nietzsche,
68:For words, like Nature, half reveal And half conceal the Soul within. ~ Michael Oakeshott,
69:It is a great ability to be able to conceal one's ability. ~ Fran ois de La Rochefoucauld,
70:Shrewd is the one that has seen the calamity and proceeds to conceal himself. ~ Anonymous,
71:Was it doubted that those who corrupt their own bodies conceal themselves? ~ Walt Whitman,
72:Debates conceal rather than reveal the truth. Truth is revealed in solitude. ~ Leo Tolstoy,
73:For words, like Nature, half reveal
And half conceal the Soul within. ~ Alfred Tennyson,
74:There is great skill in knowing how to conceal one's skill. ~ Francois de La Rochefoucauld,
75:Sometimes the plainest of things conceal the most unimaginable wonders, ~ Carrie Anne Noble,
76:Every beautiful facade seemed to conceal rot and ruin that I could almost see. ~ Dean Koontz,
77:Hatred is like blood, it’s impossible to conceal and it stains everything. ~ Marcela Serrano,
78:The more identities a man has, the more they express the person they conceal. ~ John le Carr,
79:Your clothes conceal much of your beauty, yet they hide not the unbeautiful. ~ Khalil Gibran,
80:It is a great act of cleverness to conceal one's being clever. ~ Fran ois de La Rochefoucauld,
81:The more identities a man has, the more they express the person they conceal. ~ John le Carre,
82:The truths we conceal don't disappear Raheen, they appear in different forms ~ Kamila Shamsie,
83:We endeavor to conceal our vices under the disguise of the opposite virtues. ~ Henry Fielding,
84:Dramatically it's always more interesting to conceal rather than reveal things. ~ Damian Lewis,
85:In making tactical dispositions, the highest pitch you can attain is to conceal them ~ Sun Tzu,
86:To try to conceal our own heart is a bad means to read that of others. ~ Jean Jacques Rousseau,
87:you assume the vices you have not, and conceal the virtues you possess.” “My ~ Alexandre Dumas,
88:He who can conceal his joys, is greater than he who can hide his griefs ~ Johann Kaspar Lavater,
89:In making tactical dispositions, the highest pitch you can attain is to conceal them. ~ Sun Tzu,
90:Nobody agrees with anybody else anyhow, but adults conceal it and infants show it. ~ Ogden Nash,
91:When we try to conceal our innermost drives, our entire being screams betrayal. ~ Brian Herbert,
92:When we try to conceal our innermost drives, the entire being screams betrayal. ~ Frank Herbert,
93:You are in a pitiable condition if you have to conceal what you wish to tell. ~ Publilius Syrus,
94:Do not do, say or think anything which you would want to conceal from the Mother. ~ Sri Aurobindo,
95:The true use of speech is not so much to express our wants as to conceal them. ~ Oliver Goldsmith,
96:I desire no honour if I have to conceal my religious beliefs in order to have it. ~ Mahatma Gandhi,
97:People who truly follow the Way would do well to conceal the fact that they are Buddhists. ~ Dogen,
98:Success has a great tendency to conceal and throw a veil over the evil deeds of men. ~ Demosthenes,
99:Besides, it is often wise to conceal one’s full capabilities from potential enemies. ~ Timothy Zahn,
100:From aquaintances we conceal our real selves. To our friends we reveal our weaknesses. ~ Basil Hume,
101:i thought about the miseries people conceal and how they manage to survive. ~ Jane Stanton Hitchcock,
102:The symbol in the dream has more the value of a parable: it does not conceal, it teaches. ~ Carl Jung,
103:All words are masks and the lovelier they are, the more they are meant to conceal. ~ Steven Millhauser,
104:It is the glory of God to conceal a thing: but the honour of kings is to search out a matter. ~ Solomon,
105:A bad artist almost always tries to conceal his incompetence by whooping up a new formula. ~ H L Mencken,
106:affectations conceal something eventually, even though they don't in the beginning. ~ F Scott Fitzgerald,
107:It is a great act of cleverness to be able to conceal one's being clever. ~ Francois de La Rochefoucauld,
108:Listen to a man's words and look at the pupil of his eye. How can a man conceal his character? ~ Mencius,
109:That practis'd falsehood under saintly shew, Deep malice to conceal, couch'd with revenge. ~ John Milton,
110:A man you’ve had to conceal in some unsatisfactory hiding place, who then begins to snore. ~ Sei Sh nagon,
111:(He was a psychologist, and degrees in psychology, I find, often conceal deviant tendencies. ~ Rick Moody,
112:My experience has been that altruism is invariably a means to conceal one’s personal failures. ~ Ron Rash,
113:In those first moments it was easier to conceal a confusion of feeling behind a motherly tone ~ Ian McEwan,
114:It is always a poor way of reading the hearts of others to try to conceal our own. ~ Jean Jacques Rousseau,
115:Mediocrities can tolerate being surrounded only by flatterers who conceal their mediocrity. ~ Maurice Druon,
116:To grow up at all is to conceal the mass of internal scar tissue that throbs in our dreams. ~ Ernest Becker,
117:It requires no small degree of ability to know when to conceal one's ability. ~ Francois de La Rochefoucauld,
118:Most of our faults are more pardonable than the means we use to conceal them. ~ Francois de La Rochefoucauld,
119:O, what nowadays does science not conceal! How much, at least, it is meant to conceal! ~ Friedrich Nietzsche,
120:The spine, and I do not attempt to conceal the fact, had become soluble, in the last degree. ~ P G Wodehouse,
121:This is…it’s what you call lingerie encryption. Looks sexy, doesn’t conceal anything at all. ~ Nick Harkaway,
122:Let him that hath done the good office conceal it; let him that received it disclose it. ~ Seneca the Younger,
123:Most affectations conceal something eventually, even though they don't in the beginning. ~ F Scott Fitzgerald,
124:Some women wear a miniskirt to reveal their thighs; some wear one to conceal their age. ~ Mokokoma Mokhonoana,
125:All schools, all colleges have two great functions: to confer, and to conceal valuable knowledge. ~ Mark Twain,
126:Look at what people are trying to conceal, and you’ll see that they’re revealing everything. ~ William Monahan,
127:When you got nothing, you got nothin' to lose You're invisible now, you got no secrets to conceal. ~ Bob Dylan,
128:God gave humans language so they could conceal their thoughts from one another. ~ Charles Maurice de Talleyrand,
129:I’d always been suspicious of unrelenting sunniness, what it must be working so hard to conceal. ~ Leah Stewart,
130:The artist is the creator of beautiful things. To reveal art and conceal the artist is art's aim. ~ Oscar Wilde,
131:You know, it is not God's desire to conceal but to reveal. The word revelation means "unveiling." ~ Greg Laurie,
132:He did not like me and I did not like him, though I tried harder than he to conceal my dislike. ~ Richard Wright,
133:It takes the glory of God to conceal a matter. It takes the honor of the king to seek out for it. ~ Tommy Tenney,
134:Men use thought only to justify their wrong doings, and employ speech only to conceal their thoughts. ~ Voltaire,
135:Nor does night conceal men's deeds of ill, but whatsoe'er thou dost, think that some God beholds it. ~ Aeschylus,
136:A man is crazy who writes a secret in any other way than one which will conceal it from the vulgar. ~ Roger Bacon,
137:How many friends would you have if you went from one to another asking them to conceal a dead body? ~ Idries Shah,
138:The external forces conceal from the eyes the deep meaning of existence; True faith resides in the heart. ~ Kabir,
139:The secrets a house is desperate to conceal will, sooner or later, be shouted from the rooftops. ~ Yasmina Khadra,
140:If language was given to men to conceal their thoughts, then gesture's purpose was to disclose them. ~ John Napier,
141:...if you do not even understand what words say, how can you expect to pass judgement on what words conceal? ~ H D,
142:Time will bring to light whatever is hidden it will cover up and conceal what is now shining in splendor. ~ Horace,
143:Men use thought only as authority for their injustice, and employ speech only to conceal their thoughts. ~ Voltaire,
144:What we conceal Is always more than what we dare confide. Think of the letters that we write our dead. ~ Dana Gioia,
145:You're an Attorney. It's your duty to lie, conceal, and distort everything, and slander everybody. ~ Jean Giraudoux,
146:If a woman is partial to a man, and does not endeavour to conceal it, he must find it out." -Elizabeth ~ Jane Austen,
147:Like other secret lovers, many speak mockingly about popular culture to conceal their passion for it. ~ Mason Cooley,
148:The omitting the Word will be regarded as an Endeavour to conceal a principle of which we are ashamed. ~ Jill Lepore,
149:Hornblower worked as hard to conceal his human weaknesses as some men worked to conceal ignoble birth. ~ C S Forester,
150:I drew the curtains to conceal the sight of my father's farewell; my spite was sharp as broken glass. ~ Angela Carter,
151:In common honesty, we must not conceal the fact that free forgiveness in one sense will cost everything. ~ J I Packer,
152:Man creates what he calls history as a screen to conceal the workings of the apocalypse from himself. ~ Northrop Frye,
153:When your opponent sees into your reasoning like a lynx, conceal your thoughts like an inky squid. ~ Baltasar Graci n,
154:woman especially, if she have the misfortune of knowing anything, should conceal it as well as she can. ~ Jane Austen,
155:And must I not conceal myself like one who has swallowed gold- lest my soul should be ripped up? ~ Friedrich Nietzsche,
156:Difficulty is a coin the learned make use of like jugglers, to conceal the inanity of their art. ~ Michel de Montaigne,
157:If words were invented to conceal thought, newspapers are a great improvement of a bad invention ~ Henry David Thoreau,
158:A woman, especially if she have the misfortune of knowing anything, should conceal it as well as she can. ~ Jane Austen,
159:If a woman is partial to a man, and does not endeavour to conceal it, he must find it out."
-Elizabeth ~ Jane Austen,
160:In every American there is an air of incorrigible innocence, which seems to conceal a diabolical cunning. ~ A E Housman,
161:Liquor is the kiss of the angels as well as the curse of the devil. It can conceal but also can reveal ~ Thrity Umrigar,
162:Perhaps we reveal ourselves too much in small things because we have so little of the great to conceal. ~ Kakuz Okakura,
163:We are only falsehood, duplicity, contradiction; we both conceal and disguise ourselves from ourselves. ~ Blaise Pascal,
164:A woman especially, if she have the misfortune of knowing any thing, should conceal it as well as she can. ~ Jane Austen,
165:A woman, especially, if she have the misfortune of knowing anything, should conceal it as well as she can. ~ Jane Austen,
166:Choose silence of all virtues, for by it you hear other men's imperfections, and conceal your own. ~ George Bernard Shaw,
167:Conceal me what I am, and be my aid for such disguise as haply shall become the form of my intent. ~ William Shakespeare,
168:...if you do not even understand what words say,
how can you expect to pass judgement
on what words conceal? ~ H D,
169:It takes great talent and skill to conceal one’s talent and skill. LA ROCHEFOUCAULD, 1613–1680 Halliwell ~ Robert Greene,
170:All novels tell you something about their authors, no matter how cleverly they try to conceal themselves. ~ Sascha Arango,
171:Her incapacity to recognise change made her children conceal their views from her as Archer concealed his; ~ Edith Wharton,
172:Looking so cool, his greed is hard to conceal, he's fresh out of law school, you gave him a license to steal. ~ Al Stewart,
173:Statistics are like a bikini. What they reveal is suggestive, but what they conceal is vital. Aaron Levenstein ~ Anonymous,
174:The men wore loose loincloths that did little to conceal penes like pendulums on grandfather clocks. There ~ Kurt Vonnegut,
175:A man may manifest and communicate his joy, but he should conceal and smother his grief as much as possible. ~ Robert E Lee,
176:As she never wanted me to be the way I really was, I had to actively conceal my authentic feelings from her. ~ Alice Miller,
177:If my opinions are wrong, I must correct them—if they are above my station, I must endeavour to conceal them. ~ Jane Austen,
178:It is precisely in relationships of intimacy that your craziness (and mine) will be hardest to conceal. ~ Stephanie Dowrick,
179:The writing of headline is one of the great journalistic arts. They either conceal or reveal am interest ~ Claude C Hopkins,
180:To think is to take a cunning revenge in which we camouflage our baseness and conceal our lower instincts. ~ Emile M Cioran,
181:He was always acting, always enveloping himself in artificiality, perhaps to conceal the volcano within. ~ Barbara W Tuchman,
182:I know she’s rather plain, but every girl has a right to conceal that fact from people who haven’t seen her. ~ Hilary Mantel,
183:A literally perfect style should conceal itself so completely behind what it expresses that it goes unnoticed. ~ Julien Torma,
184:All charming people have something to conceal, usually their total dependence on the appreciation of others. ~ Cyril Connolly,
185:If my opinions are wrong, I must correct them; if they are above my situation, I must endeavor to conceal them; ~ Jane Austen,
186:Masks reveal. They don’t conceal. Masks reveal your cravings, your passion, your deepest most secret desires. ~ Chloe Thurlow,
187:sunshade he wore to the ring failed to conceal the freshets of tears that coursed from his small, cruel eyes. ~ Jennifer Egan,
188:...if you do not even understand what words say, how can you expect to pass judgement on what words conceal? ~ Hilda Doolittle,
189:I simply believe that you should never tell a friend anything you would conceal from an enemy,’ said Blume. ~ Conor Fitzgerald,
190:To conceal resentment against a person, and appear friendly with him;— Tso Ch'iu-ming was ashamed of such conduct. ~ Confucius,
191:Where Nature’s end of language is declin’d,  And men talk only to conceal the mind. ~ Edward Young, Love of Fame (1725-1728),
192:Many men nourish a pride which urges them to conceal their struggles and show themselves only as conquerors. ~ Honore de Balzac,
193:We are the sum of all the moments in our lives - all that is ours is in them: we cannot escape it or conceal it. ~ Thomas Wolfe,
194:People liked stasis, and he could maintain the illusion of it. They were afraid of change, and he could conceal it. ~ Hugh Howey,
195:He has to conceal what he would most wish to make public, and make public what he would most wish to conceal. ~ Winston Churchill,
196:See a person's means ... Observe his motives. Examine that in which he rests. How can a person conceal his character? ~ Confucius,
197:The tales told by the dead are fundamentally different, because their stories are not told to conceal their wounds. ~ Y ko Tawada,
198:What woman of honour, besides, would resolve on doing what she knows she will be obliged to conceal? ~ Pierre Choderlos de Laclos,
199:Culture is a sham,’ he said simply. ‘It’s a cosmetic painted on life by rich people to conceal its ugliness.’ Fleury ~ J G Farrell,
200:My painting is visible images that conceal nothing... they evoke mystery. Mystery means nothing. It is unknowable. ~ Rene Magritte,
201:... Some people, under a nervous and self-effacing manner, conceal a great deal of vanity and self-satisfaction. ~ Agatha Christie,
202:We attempt to conceal ourselves, Emily, but the truth is we do not entirely want to be concealed. We want to be found. ~ Max Barry,
203:It is partly because we are so willing to blame others for their mistakes that we are so keen to conceal our own. We ~ Matthew Syed,
204:One must meet in the middle of the village green for all to attest to one's lack of guile or conceal it absolutely. ~ Linda Berdoll,
205:Traitor,” said Amel. “Slut.” I tried to conceal my smile. I just love being called a slut. I don't know why. I just do. ~ Anne Rice,
206:Look at the means which a man employs, consider his motives, observe his pleasures. A man simply cannot conceal himself! ~ Confucius,
207:13 People who conceal their sins will not prosper,       but if they confess and turn from them, they will receive mercy. ~ Anonymous,
208:As a rule, we go about with masks, we go about looking honest, and we are able to conceal ourselves all through the day. ~ Mark Twain,
209:However we may conceal our passions under the veil ... there is always some place where they peep out. ~ Francois de La Rochefoucauld,
210:The damnable thing about Damerell, thought Zacharias, was that he never failed to observe precisely what you would conceal. ~ Zen Cho,
211:If Miss Debenham is innocent, why did she conceal that fact? Why did she tell me that she had never been in America? ~ Agatha Christie,
212:Be scrupulously truthful, even if the truth is inconvenient, for it is more inconvenient when you try to conceal it. ~ Bertrand Russell,
213:Where would dictators be without our compliant amnesia? Make the collective lose its memory, you can conceal anything. ~ Charles Stross,
214:It is our birthright to uncover the soul—to remove the layers of fear or shame or apathy or cynicism that conceal it. ~ Elizabeth Lesser,
215:your game is to attack on whichever flank you can best conceal your advance, or, still better, on both flanks simultaneously; ~ Xenophon,
216:No person conceals (the faults of) another in this world but Allah will conceal him (his faults) on the Day of Resurrection. ~ Darussalam,
217:Sometimes it was hell to conceal her impatience over the male of the species' general ineptness, and Lane's in particular. ~ J D Salinger,
218:Laughter may instruct but it may also conceal, defending the joker against anger and retaliation: a game is only a game. ~ Margaret Atwood,
219:Not all the harps above     Can make a heavenly place, If God His residence remove,     Or but conceal His face. ~ Charles Haddon Spurgeon,
220:We are only falsehood, duplicity, and contradiction; we both conceal and disguise ourselves from ourselves.” —BLAISE PASCAL ~ Sara Shepard,
221:Narratives of dependency conceal the uneven distribution of wealth that haunts Appalachia and indeed, much of the nation. ~ Elizabeth Catte,
222:The greatest part of our faults are more excusable than the methods that are commonly taken to conceal them. ~ Francois de La Rochefoucauld,
223:A government or an administration, who means and acts honestly, has nothing to fear, and consequently has nothing to conceal; ~ Thomas Paine,
224:He looked older, too, like a man sucking it up, wrestling with problems he had been trying to conceal. This Norm saw as progress ~ Jim Lynch,
225:It is not necessary to conceal anything from a public insensible to contradiction and narcotized by technological diversions. ~ Neil Postman,
226:The idol from which we strive to get life determines what behaviors we must display and what realities we must conceal. The ~ Gregory A Boyd,
227:We are never half so interesting when we have learned that language is given us to enable us to conceal our thoughts. ~ Lucy Maud Montgomery,
228:Margery Kempe was obviously an uncomfortable neighbor to have, like all those who cannot conceal the painfulness of life. ~ Barbara W Tuchman,
229:Tell me that you will conceal my story, that I shall remain your Friend and your Companion, or this poignard drinks my blood! ~ Matthew Lewis,
230:It is much wiser to let your inner beauty shine through a drab gown than to attempt to conceal it with physical accoutrements. ~ Marissa Meyer,
231:it is technically a Category Two SoulCrime to remove or conceal a Ministry of Pain–assigned famulus from your immediate person. ~ Ian McDonald,
232:All words are masks, and the lovelier they are, the more they are meant to conceal. —Steven Millhauser, “August Eschenburg ~ Matthew J Sullivan,
233:Diplomats make it their business to conceal the facts, and politicians violently denounce the politicians of other countries. ~ Margaret Sanger,
234:Divination is one of the most imprecise branches of magic. I shall not conceal from you that I have very little patience with it. ~ J K Rowling,
235:Frank and explicit - that is the right line to take when you wish to conceal your own mind and confuse the minds of others. ~ Benjamin Disraeli,
236:He looked the way I felt around Delia: as if a second sun was growing underneath my breastbone, a secret I could barely conceal. ~ Jodi Picoult,
237:Don't join the book burners. Do not think you are going to conceal thoughts by concealing evidence that they ever existed. ~ Dwight D Eisenhower,
238:If I am able to determine the enemy's dispositions while at the same time I conceal my own, then I can concentrate and he must divide. ~ Sun Tzu,
239:It takes a great talent and skill to conceal one's talent and skill. ~ François de La Rochefoucauld, Reflections; or Sentences and Moral Mixims,
240:The adage: “He is a fool that cannot conceal his wisdom,” could never be applied to my profound and quiet master. Though ~ Paramahansa Yogananda,
241:L'on a beau se cacher a' soi-me" me, l'on aime toujours. We vainly conceal from ourselves the fact that we are always in love. ~ Blaise Pascal,
242:Never inquire into another man's secret; bur conceal that which is intrusted to you, though pressed both be wine and anger to reveal it. ~ Horace,
243:Realistic, naturalistic art had dissembled the medium, using art to conceal art; Modernism used art to call attention to art. ~ Clement Greenberg,
244:The right to search for the truth implies also a duty; one must not conceal any part of what one has recognized to be the truth. ~ Albert Einstein,
245:All words are masks, and the lovelier they are, the more they are meant to conceal. —Steven Millhauser, “August Eschenburg” As ~ Matthew J Sullivan,
246:I knew the mass of men conceal'd Their thoughts, for fear that if reveal'd They would by other men be met With blank indifference. ~ Matthew Arnold,
247:Once they have been to bed together, they will have to find something else to conceal the enormous absurdity of their existence. ~ Jean Paul Sartre,
248:The turtle lives 'twixt plated decks Which practically conceal its sex I think it clever of the turtle In such a fix to be so fertile. ~ Ogden Nash,
249:The bad thing about all religions is that, instead of being able to confess their allegorical nature, they have to conceal it. ~ Arthur Schopenhauer,
250:The mind of a wise man is the safest custody of secrets; cheerfulness is the key to friendship; patience and forbearance will conceal many defects ~,
251:To conceal anything from those to whom I am attached, is not in my nature. I can never close my lips where I have opened my heart. ~ Charles Dickens,
252:You who conceal your strongest feelings must think me a shameless little idiot for throwing open my poor bruised heart like this. ~ Vladimir Nabokov,
253:It is the test of a novel writer's art that he conceal his snake-in-the-grass; but the reader may be sure that it is always there. ~ Anthony Trollope,
254:What is reality? Is it not merely a term for the philosopher to conjure with, behind which he may craftily conceal his ignorance? ~ John Grier Hibben,
255:Fire is to represent truth because it destroys all sophistry and lies; and the mask is for lying and falsehood which conceal truth. ~ Leonardo da Vinci,
256:It is often more necessary to conceal contempt than resentment; the former is never forgiven, but the later is sometimes forgotten. ~ Lord Chesterfield,
257:Speech is too often not the art of concealing thought, but of quite stifling and suspending thought, so that there is none to conceal. ~ Thomas Carlyle,
258:The purpose of myth, therefore, is to both reveal and conceal. To tell what we have seen and disguise it, to mask God's forked tongue. ~ Rikki Ducornet,
259:We all have handicaps. The difference is that some of us must reveal ours, while others must conceal theirs, to be treated with mercy. ~ Yahia Lababidi,
260:We have a continual desire to communicate our feelings and yet at the same time the need to conceal them for proper social functioning. ~ Robert Greene,
261:Shadow conceals—light reveals. To know what to reveal and what to conceal, and in what degrees to do this, is all there is to art. ~ Josef von Sternberg,
262:Walther PPK from the pocket of his overcoat and gave it to Gabriel. “Thank you, Mr. Bond.” “It’s easy to conceal and packs quite a punch. ~ Daniel Silva,
263:Believe nothing against another but upon good Authority: Nor report what may hurt another, unless it be a greater hurt to others to conceal it. ~ Various,
264:Charles Spurgeon's words: “You may conceal your infirmity, even from your dearest friend, but you will not conceal it from your worst enemy. ~ Beth Moore,
265:he is afraid of being falsely accused. Worried that if he looks afraid people will think he is a liar, he may try to conceal his fear so that ~ Paul Ekman,
266:It's not that Michelle Obama is trying to conceal her true feelings, it's that she does not want to be a political liability to her husband. ~ Jodi Kantor,
267:Water is the one substance from which the earth can conceal nothing; it sucks out its innermost secrets and brings them to our very lips. ~ Jean Giraudoux,
268:Fashion has nothing to do with style," said Colette in her husky voice. "It all depends on whether you want to conceal or reveal who you are. ~ Nina George,
269:God is behind all things, but all things conceal God. Objects are black and humans are opaque. To love a person is to render them transparent ~ Victor Hugo,
270:If you need to conceal your true nature to get in the door, understand that you'll probably have to conceal your true nature to keep that job. ~ Seth Godin,
271:Impoliteness is frequently the sign of an awkward modesty that loses its head when surprised and hopes to conceal this with rudeness. ~ Friedrich Nietzsche,
272:I sometimes find it half a sin, To put to words the grief i feel, For words like nature,half reveal, and half conceal the soul within. ~ Alfred Lord Tennyson,
273:LAURA. There are some circumstances in a family which through honor and conscience one is forced to conceal from the whole world—— DOCTOR. ~ August Strindberg,
274:Obama's rhetorical overtures to democracy, it turned out, were just a decoy to conceal his unwavering determination to govern from the far left. ~ Sean Hannity,
275:...the best things in science are both beautiful and simple, a fact that all too many teacher conceal from their students, by accident or design. ~ John Gribbin,
276:The humorous story is told gravely; the teller does his best to conceal the fact that he even dimly suspects that there is anything funny about it. ~ Mark Twain,
277:The thing that bugs me is the average woman's complete ignorance of the functional purpose of cosmetics, which is to supplement, not conceal. ~ Montgomery Clift,
278:We must put up with clothes as they are they have their reason for existing. They are on us to expose us to advertise what we wear them to conceal. ~ Mark Twain,
279:And often with our love we want merely to overleap envy. And often we attack and make ourselves enemies, to conceal that we are vulnerable. ~ Friedrich Nietzsche,
280:I sometimes find it half a sin,
To put to words the grief i feel,
For words like nature,half reveal,
and half conceal the soul within, ~ Alfred Tennyson,
281:Hamilton’s besetting fear was that American democracy would be spoiled by demagogues who would mouth populist shibboleths to conceal their despotism. ~ Ron Chernow,
282:Every human being has had their heart broken, every person you'll ever meet lives on a daily basis with a private pain they work hard to conceal. ~ Patricia V Davis,
283:I have been in the scholastic profession long enough to know that nobody enters it unless he has some very good reason that he is anxious to conceal. ~ Evelyn Waugh,
284:I’ve come to the conclusion that nothing in this world can be hidden or suppressed. All such attempts are like holding an umbrella to conceal the sun. ~ R K Narayan,
285:That's the way progress works: the more we build up these vast repertoires of scientific and technological understanding, the more we conceal them. ~ Steven Johnson,
286:To conceal ignorance is to increase it. An honest confession of it, however, gives ground for the hope that it will diminish some day or the other. ~ Mahatma Gandhi,
287:For a time Emerson politely endeavored to conceal his boredom - like most men, he is profoundly disinterested in all children except his own - ... ~ Elizabeth Peters,
288:From the marriage had come only one child; he had wanted a son and had got a girl, and that was another disappointment he hardly bothered to conceal. ~ John Williams,
289:If a teacher have any opinion which he wishes to conceal, his pupils will become as fully indoctrinated into that as into any which he publishes. ~ Ralph Waldo Emerson,
290:It is marvelous to see the raw play of emotions on the face of a child. No trying to conceal any feeling or disguise one emotion as something else. ~ Jessica Brockmole,
291:The dictum that human nature cannot be changed is one of those tiresome platitudes that conceal from the ignorant the depths of their own ignorance. ~ Bertrand Russell,
292:The more pains you take with a thing, the more should you conceal them, so that it may appear to arise spontaneously from your own natural character. ~ Baltasar Graci n,
293:There is a wonderful expression in Persian, war nam nihadan, which means "to murder somebody, bury his body, then grow flowers over the body to conceal it ~ Slavoj i ek,
294:Just as some people may conceal their own sinfulness thus seeming better than the norm, others expose their own sinfulness thus seeming worse than the norm. ~ Criss Jami,
295:Our schoolbooks glorify war and conceal its horrors. They indoctrinate children with hatred. I would teach peace rather than war, love rather than hate. ~ Albert Einstein,
296:A fine woman shews her charms to most advantage when she seems most to conceal them. The finest bosom in nature is not so fine as what imagination forms. ~ Richard Gregory,
297:The poor man wishes to conceal his poverty, and the rich man his wealth: the former fears lest he be despised, the latter lest he be plundered. ~ Marie von Ebner Eschenbach,
298:Words are nothing but clothes.....The body in love has always been clothed by words that try to conceal. You can't suppress or conceal by concealing, he said. ~ Sarah Blake,
299:No mature style of art in any culture has ever been simple. In certain cultures, an overall symmetry may conceal the complexity of the work at first glance. ~ Rudolf Arnheim,
300:The Northern onslaught upon slavery was no more than a piece of specious humbug designed to conceal its desire for economic control of the Southern states. ~ Charles Dickens,
301:Beauty had a horrible power. It did not conceal faults so much as it persuaded the viewer to ignore them, and to disregard the instinct that screamed danger. ~ Meredith Duran,
302:It was secret that with greatest determination , was very hard to conceal - for it affected one's attitude, one's voice ,one's total outlook on the universe ~ Arthur C Clarke,
303:Russia, Russia - unwashed, backward, appealing Russia, so ashamed of your own backwardness, so orientally determined to conceal it from us by clever deceit. ~ George F Kennan,
304:Some manufacturers illustrate their advertisements with abstract paintings. I would only do this if I wished to conceal from the reader what I was advertising. ~ David Ogilvy,
305:The first step towards vice is to shroud innocent actions in mystery, and whoever likes to conceal something sooner or later has reason to conceal it. ~ Jean Jacques Rousseau,
306:I remember reading once that some fellows use language to conceal thought; but it's been my experience that a good many more use it instead of thought. ~ George Horace Lorimer,
307:There are some occasions in which a man must tell half his secret, in order to conceal the rest: but there is seldom one in which a man should tell it all. ~ Lord Chesterfield,
308:It is not in the power of even the most crafty dissimulation to conceal love long, where it really is, nor to counterfeit it long where it is not. ~ Francois de La Rochefoucauld,
309:But the gates of my happy childhood had clanged shut behind me; I had become adult enough to recognize the need to conceal unbearable emotions for the sake of others. ~ Eva Figes,
310:Wealth makes an ugly person beautiful to look on and an incoherent speech eloquent; and wealth alone can enjoy pleasure even in sickness and can conceal its miseries. ~ Sophocles,
311:being able to conceal from himself the ridiculous appearance that such a steed gave him, good horseman as he was. He had sighed deeply, therefore, when accepting ~ Alexandre Dumas,
312:He shifted his weight to conceal his discomfit, as the woman worked on him in ways he could not have anticipated, and his Jolly Roger had just run up the colors.  ~ Barbara Devlin,
313:So much are the modes of excellence settled by time and place, that men may be heard boasting in one street of that which they would anxiously conceal in another. ~ Samuel Johnson,
314:Those to whom We have given the Scripture know him (i.e., the prophet) as they know their own sons. But indeed, a party of them conceal the truth while they know [it]. ~ Anonymous,
315:Do people ever reflect, one wonders, that the best way to protect against the penetration of one's secrets by others is to have the minimum of secrets to conceal? ~ George F Kennan,
316:She struggled with her sadness, but tried to conceal it, to divide it into smaller and smaller parts and scatter these in places she thought no one would find them. ~ Nicole Krauss,
317:The Northern onslaught upon slavery was no more than a piece of
specious humbug designed to conceal it's desire for economic control of
the Southern states. ~ Charles Dickens,
318:When police or prosecutors conceal significant exculpatory or impeaching material, we hold, it is ordinarily incumbent on the state to set the record straight. ~ Ruth Bader Ginsburg,
319:Practise in everything a certain nonchalance that shall conceal design and show that what is done and said is done without effort and almost without thought. ~ Baldassare Castiglione,
320:With Theo’s help and Nora’s acquiescence she had begun, oysterlike, to coat over, to conceal what could not be borne as it was. The letter was not mentioned again. ~ Elizabeth Taylor,
321:Don't you know that you're blowing my mind? What you do to me I can't describe. Baby, I can't hold back anymore. I just can't conceal it. You're the one I really adore. ~ Mariah Carey,
322:Intelligence gathered by this and other governments leaves no doubt that the Iraq regime continues to possess and conceal some of the most lethal weapons ever devised. ~ George W Bush,
323:Show me your flowcharts and conceal your tables, and I shall continue to be mystified. Show me your tables, and I won't usually need your flowcharts; they'll be obvious. ~ Fred Brooks,
324:The bored haughty face that she turned to the world concealed something--most affectations conceal something eventually, even though they don't in the beginning-- ~ F Scott Fitzgerald,
325:Ours is a society in which secrets of private life that, formerly, you would have given nearly anything to conceal, you now clamor to get on a television show to reveal. ~ Susan Sontag,
326:But, as C.S. Lewis once put it, ‘The frequent attempt to conceal mental pain increases the burden: it is easier to say “My tooth is aching” than to say “My heart is broken”. ~ Matt Haig,
327:The epitaph that I would write for history would say: I conceal nothing. It is not enough not to lie. One should strive not to lie in a negative sense by remaining silent. ~ Leo Tolstoy,
328:16 As God's •slaves, o live as free people, but don't use your freedom as a way to conceal evil. p 17 Honor everyone. Love q the brotherhood. r Fear God. s Honor the Emperor. ~ Anonymous,
329:Conceal your dispositions, and your condition will remain secret, which leads to victory;  show your dispositions, and your condition will become patent, which leads to defeat. ~ Sun Tzu,
330:If people base their identity on identifying with authority, freedom causes anxiety. They must then conceal the victim in themselves by resorting to violence against others. ~ Arno Gruen,
331:Not every poor or unemployed person who has one wears a political party’s t-shirt to reveal their political affiliation; some use it merely to conceal their nipples. ~ Mokokoma Mokhonoana,
332:Most people tend to think the best of those who are blessed with beauty; we have difficulty imagining that physical perfection can conceal twisted emotions or a damaged mind. ~ Dean Koontz,
333:Your boldness confounds me! Shall I conceal your crime, I whom you have deceived by your feigned confession? No, Daughter, no! I will render you a more essential service. I ~ Matthew Lewis,
334:Even when the underlying motive of purchase is mere speculative greed, human nature desires to conceal this unlovely impulse behind a screen of apparent logic and good sense ~ Benjamin Graham,
335:We priests are the surgeons of souls, and it is our duty to deliver them of shameful secrets they would fain conceal, with hands careful to neither wound no pollute. ~ Jules Barbey d Aurevilly,
336:A mystic is anyone who has a gnawing suspicion that the apparent discord, brokenness, contradiction, and discontinuities that assault us every day might conceal a hidden unity. ~ Krista Tippett,
337:it involved the idea that people who were genuinely dangerous might not need to exhibit the fact at all, and that the ability to conceal a threat made them even more dangerous. ~ William Gibson,
338:The immense majority of intellectually eminent men disbelieve in the Christian religion, but they conceal the fact in public, because they are afraid of losing their incomes. ~ Bertrand Russell,
339:For the first time, I appeared healthy on the outside. I wanted so badly to conceal the fact that, despite a radical transformation, I remained as screwed up as I had ever been. ~ Andie Mitchell,
340:She wore so much thick white makeup in order to conceal her naturally rosy complexion that if she turned around suddenly her face would probably end up on the back of her head. ~ Terry Pratchett,
341:Such extreme and perpetual cautiousness of word and manner, such a dread of giving a distinct idea about any body, is apt to suggest suspicions of there being something to conceal. ~ Jane Austen,
342:It was one of those feminine faces whose every line has its own particular charm, and seems to possess a meaning, whose every movement seems to reveal or to conceal something. ~ Guy de Maupassant,
343:On the other hand I won't conceal the fact from anyone that once upon a time a little something happened to me. I saw a little something. But never except just that once. ~ Halld r Kiljan Laxness,
344:Because everyone liked him, I had to say I liked him too. I was like men who openly declare other men irresistibly handsome the better to conceal that they’re aching to embrace them. ~ Andr Aciman,
345:For the criminal who is weak and poor the narrow cell of death awaits; but honor and glory await the rich who conceal their crimes behind their gold and silver and inherited glory. ~ Khalil Gibran,
346:So what I'd really like is to try and conceal him somewhere safe, then go hunt, and come back and collect him. But I have a feeling his ego isn't going to go for that suggestion. ~ Suzanne Collins,
347:But it was like hiding a corpse. I’ve come to the conclusion that nothing in this world can be hidden or suppressed. All such attempts are like holding an umbrella to conceal the sun. ~ R K Narayan,
348:A prudent chief not always must display
His pow'rs in equal ranks, and fair array,
But with th' occasion and the place comply,
Conceal his force, nay seem sometimes to fly. ~ Alexander Pope,
349:Conditions in the [movie] industry somehow propose the paradox: "We brought you here for your individuality but while you're here we insist that you do everything to conceal it. ~ F Scott Fitzgerald,
350:Kitty felt that Anna was perfectly unaffected and was not trying to conceal anything, but that she lived in another, higher world full of complex poetic interests beyond Kitty’s reach. ~ Leo Tolstoy,
351:We carefully conceal our abundant vices from others—and we pretend they’re small and insignificant. In fact, we so delude ourselves that we sometimes embrace our vices as virtues. When ~ John Calvin,
352:We priests are the surgeons of souls, and it is our duty to deliver them of shameful secrets they would fain conceal, with hands careful to neither wound no pollute. ~ Jules Amedee Barbey d Aurevilly,
353:He had therefore begun to think it not unwise in us to cover our bodies, and by that invention conceal many of our deformities from each other, which would else be hardly supportable. ~ Jonathan Swift,
354:You instinctively display the greatest virtue, or rather the chief defect, of us eccentric Parisians- that is, you assume the vices you have not, and conceal the virtues you possess. ~ Alexandre Dumas,
355:Don't join the book burners. Don't think you're going to conceal faults by concealing evidence that they ever existed. Don't be afraid to go in your library and read every book... ~ Dwight D Eisenhower,
356:There's a kind of magic in masks. Masks conceal one face, but they reveal another. The one that only comes out in darkness. I bet you could do just what you liked, behind a mask ... ? ~ Terry Pratchett,
357:What could he and she really know of each other, since it was his duty, as a "decent" fellow, to conceal his past from her, and hers, as a marriageable girl, to have no past to conceal. ~ Edith Wharton,
358:What could he and she really know of each other, since it was his duty, as a "decent" fellow, to conceal his past from her, and hers, as a marriageable girl, to have no past to conceal? ~ Edith Wharton,
359:Like many modern poets, I tend to conceal rhymes by placing them in the middle of lines, and to avoid immediate alliteration and assonance in favor of echoes placed later in the poems. ~ Margaret Atwood,
360:Practicing deception to conceal one’s true goals and regarding moral principles and laws as applicable to others but not to oneself are the core concepts of Alinsky’s Rules for Radicals. ~ David Horowitz,
361:The analysts try in vain to conceal the fact that they do not deduce: they combine, they compose ... when they do arrive at the truth they stumble over it after groping their way along. ~ Evariste Galois,
362:This self-love is the instrument of our preservation; it resembles the provision for the perpetuity of mankind: it is necessary, it is dear to us, it gives us pleasure, and we must conceal it. ~ Voltaire,
363:Similarly, the people actually causing the the harm directly don't want us to be reminded of the their practices--in fact, they often make very determined efforts to conceal their cruelty. ~ Wayne Pacelle,
364:It is the care of a very great part of mankind to conceal their indigence from the rest. They support themselves by temporary expedients, and every day is lost in contriving for to-morrow. ~ Samuel Johnson,
365:Best if you think of this room as a minefield. Tread carefully or get exploded, she advised Jared, and then said aloud, “Hideous brats! We have a guest. Conceal evidence of your crimes. ~ Sarah Rees Brennan,
366:Logic is something the mind has created to conceal its timidity, a hocus-pocus designed to give formal validity to conclusions we are willing to accept if everybody else in our set will too. ~ Carl L Becker,
367:The youngest, aged twelve, could not conceal her disappointment, and turned away, feeling as so many of us have felt when we discover that our idols are very extraordinary men and women. ~ Louisa May Alcott,
368:When pressure mounts and strain increases everyone begins to show the weaknesses in his makeup. It is up to the Commander to conceal his: above all to conceal doubt, fear, and distrust. ~ Dwight D Eisenhower,
369:If I could conceal from myself the impression that the life had been drained out of me like blood and saliva and mucus from a patient during an operation, maybe I could deceive Mario as well. ~ Elena Ferrante,
370:Men’s minds need a simple truth, an answer which delivers them from their questions, a gospel, a tomb. The moments of refinement conceal a death-principle: nothing is more fragile than subtlety. ~ Emil M Cioran,
371:These flattering mirrors reflect imperfectly what is within; the countenance is often a gay deceiver. What defects of mind lie hidden under its beauty! What fair exteriors conceal base souls! ~ Pierre Corneille,
372:And if, to be sure, sometimes you need to conceal a fact with words, do it in such a way that it does not become known, or, if it does become known, that you have a ready and quick defense. ~ Niccolo Machiavelli,
373:It is possible that his curiosity was piqued, for with the exception of a hen-turkey, a boy of nineteen is the most openly curious biped alive. From twenty until death he tries to conceal it. ~ Robert W Chambers,
374:Not all the harps above Can make a heavenly place, If God His residence remove, Or but conceal His face. All thou needest to make thee blessed, supremely blessed, is "to be with Christ. ~ Charles Haddon Spurgeon,
375:We must begin to inculcate our children against militarism by educating them in the spirit of pacifism. Our schoolbooks glorify war and conceal it's horror. I would teach peace rather than war. ~ Albert Einstein,
376:Who cannot recall, as I can, the reading they did in the holidays, which one would conceal successively in all those hours of the day peaceful and inviolable enough to be able to afford it refuge? ~ Marcel Proust,
377:I don't know if I've ever played a character who's close to me. There have been some elements of myself in different roles. Sometimes, I show one side of myself and then completely conceal the other. ~ Karen Allen,
378:I don’t think it’s a coincidence that my baby’s eyes glow like the devil’s on the video monitor. He thinks we can’t see him and he’s like muahahahahaha, I don’t have to conceal my real identity now! ~ Karen Alpert,
379:Theo failed to conceal his surprise and the man caught his look. “Poetry isn’t just for city folks, Professor. In fact, a case of beer and reading poetry in the woods go together quite nicely. ~ Robert Chazz Chute,
380:... I felt that I was not penetrating to the full depth of my impression, that something more lay behind that mobility, that luminosity, something which they seemed at once to contain and to conceal. ~ Marcel Proust,
381:It is impossible for a man to conceal himself. In every act, word or gesture he stands revealed as he is, and not as he would have himself appear to be. From the Universe, nothing is or an be hidden. ~ Ernest Holmes,
382:Here's what I think: the five most unattractive traits in people are cheapness, clinginess, neediness, unwillingness to change and jealousy. Jealousy is the worst, and by far the hardest to conceal. ~ Douglas Coupland,
383:No one who has read official documents needs to be told how easy it is to conceal the essential truth under the apparently candid and all- disclosing phrases of a voluminous and particularizing report. ~ Woodrow Wilson,
384:Our major universities are now stuck with an army of pedestrian, toadying careerists, Fifties types who wave around Sixties banners to conceal their record of ruthless, beaver-like tunneling to the top. ~ Camille Paglia,
385:Spectacle and entertainment, clearly, are excellent devices to conceal your intentions, but they cannot be used indefinitely. The public grows tired and suspicious, and eventually catches on to the trick. ~ Robert Greene,
386:The artist is the creator of beautiful things. To reveal art and conceal the artist is art's aim. The critic is he who can translate into another manner or a new material his impression of beautiful things. ~ Oscar Wilde,
387:I endeavor not to conceal that I believe there is a great mixture of desire in the passion which is called love--or rather, without any far-fetched strain on words, it may be called the companion of love. ~ Sarah Fielding,
388:I'm finding it increasingly difficult to simply walk down the street. In New York, I dashed in to buy a big pair of sunglasses to conceal myself, but the guy behind the counter shouted 'Hey! It's Dr. House.' ~ Hugh Laurie,
389:You must therefore conceal from the patient the true end of humility. Let him think of it not as self-forgetfulness but as a certain kind of opinion (namely, a little opinion) of his own talents and character. ~ C S Lewis,
390:We conceal it from ourselves in vain - we must always love something. In those matters seemingly removed from love, the feeling is secretly to be found, and man cannot possibly live for a moment without it. ~ Blaise Pascal,
391:What can I do with my happiness? How can I keep it, conceal it, bury it where I may never lose it? I want to kneel as it falls over me like rain, gather it up with lace and silk, and press it over myself again. ~ Anais Nin,
392:What can I do with my happiness? How can I keep it, conceal it, bury it where I may never lose it? I want to kneel as it falls over me like rain, gather it up with lace and silk, and press it over myself again. ~ Ana s Nin,
393:Here's what I think: the five most
unattractive traits in people are cheapness, clinginess, neediness, unwillingness to change and
jealousy. Jealousy is the worst, and by far the hardest to conceal. ~ Douglas Coupland,
394:Between a Man and his Wife nothing ought to rule but Love. Believe nothing against another but on good authority; and never report what may hurt another, unless it be a greater hurt to some other to conceal it. ~ William Penn,
395:The arts of power and its minions are the same in all countries and in all ages. It marks its victim; denounces it; and excites the public odium and the public hatred, to conceal its own abuses and encroachments. ~ Henry Clay,
396:In a futile attempt to erase our past, we deprive the community of our healing gift. If we conceal our wounds out of fear and shame, our inner darkness can neither be illuminated nor become a light for others. ~ Brennan Manning,
397:Baylon wasn't sure he could conceal his craving for her, the need that clawed and ripped through him to declare Jordyn as his. It would be a death sentence, but to live without her... that was also a death sentence. ~ Donna Grant,
398:Everybody must have projects all the time. The maximum must be extracted from leisure ... The whole of life must look like a job, and by this resemblance conceal what is not yet directly devoted to pecuniary gain. ~ Theodor Adorno,
399:Gloom and solemnity are entirely out of place in even the most rigorous study of an art originally intended to make glad the heart of man. Gravity, a mysterious carriage of the body to conceal the defects of the mind. ~ Ezra Pound,
400:I can recognize any one by the teeth, with whom I have talked. I always watch the lips and mouth: they tell what the tongue and eyes try to conceal. [at the funeral of Percy Bysshe Shelley, according to E.J. Trelawny] ~ Lord Byron,
401:It didn't seem the right time to tell him where the worst monsters hide. They conceal themselves cleverly inside our heads and wait for the moments we're at our most vulnerable - bedtime, or when we're sick or anxious. ~ Helen Brown,
402:While Janner pulled the tired donkey to its feet, Nia pushed the dirt into the hole where Peet had stashed his precious journals. She threw a pile of leaves atop the fresh dirt and spread them around to conceal it. ~ Andrew Peterson,
403:By academic freedom I understand the right to search for truth and to publish and teach what one holds to be true. This right also implies a duty: one must not conceal any part of what one has recognized to be true. ~ Albert Einstein,
404:Elm Street was the dividing line between the two worlds. On either side of this line there were families who had trouble making both ends meet, but those who lived below the intersection didn't bother to conceal it. ~ William Maxwell,
405:The subject had reference to secret sin and those sad mysteries which we hide from our nearest and dearest, and would fain conceal from our own consciousness, even forgetting that the Omniscient can detect them. ~ Nathaniel Hawthorne,
406:Hatem said: You are not safe in this world unless you possess four characteristics - (1) overlook the ignorance of man (2) conceal your ignorance from them, (3) seek their good (4) don't seek anything from them. ~ Abu Hamid al-Ghazali,
407:We sleepwalkers of the day! We artists! We who conceal naturalness! We who are moon- and God-struck! We untiring wanderers, silent as death, on heights that we see not as heights but as our plains, as our safety. ~ Friedrich Nietzsche,
408:As for the sins committed during his revolution, there are always criminals who conceal themselves among the restless masses to launch their malicious acts of mayhem" said Isis
~ Naguib Mahfouz Before the Throne ~ Naguib Mahfouz,
409:THE ARGUMENT FROM ADMIRED RELIGIOUS SCIENTISTS The immense majority of intellectually eminent men disbelieve in Christian religion, but they conceal the fact in public, because they are afraid of losing their incomes. ~ Richard Dawkins,
410:There are some occasions in which a man must tell half his secret, in order to conceal the rest; but there is seldom one in which a man should tell all. Great skill is necessary to know how far to go, and where to stop. ~ Doug Stanhope,
411:A lesser mind might try to hide its brilliance behind a mask of stupidity. He chooses, instead, to conceal his true wisdom under a flamboyant pretense of erudition that he is pleased to let people think is the best of him. ~ Dean Koontz,
412:If people only knew what lies at the heart of my novels! What a tumult of desires these carefully written pages conceal! I sometimes have a loathing for the furious cravings that give me no peace except when I am working. ~ Julien Green,
413:Why must we all conceal
What we think, how we feel?
Must there be a secret me
I'm forced to hide?
I won't pretend that I'm
Someone else for all time
When will my reflection show
Who I am inside? ~ Christina Aguilera,
414:He wants their sexuality to be an equalizer; he wants to focus on the discrimination they face in common. But Simon can conceal his sexuality. Robert can’t conceal his blackness, and almost everyone in the Castro is white. ~ Chloe Benjamin,
415:If your morals make you dreary, depend upon it they are wrong. I do not say "give them up," for they may be all you have; but conceal them like a vice, lest they should spoil the lives of better and simpler people. ~ Robert Louis Stevenson,
416:The Western bourgeois insistence on always appearing fair, kind, and unprejudiced turns out to be mere camouflage, just as the narrator’s quick-witted, relentlessly ingratiating monologue serves to conceal his monstrous egotism. ~ Anonymous,
417:Characters on stage, like people in what we refer to as "real life," do not speak to reveal themselves. They do not speak to conceal themselves. They speak to get whatever it is that they want. It is the only reason they speak. ~ David Mamet,
418:Sick I am of idle words, past all reconciling, Words that weary and perplex and pander and conceal, Wake the sounds that cannot lie, for all their sweet beguiling; The language one need fathom not, but only hear and feel. ~ George du Maurier,
419:Tell me, is the rose naked or is that her only dress? Why do trees conceal the splendor of their roots? Who hears the regrets of the thieving automobile? Is there anything in the world sadder than a train standing in the rain? ~ Pablo Neruda,
420:The buttocks are the most aesthetically pleasing part of the body because they are non-functional. Although they conceal an essential orifice, these pointless globes are as near as the human form can ever come to abstract art. ~ Kenneth Tynan,
421:Sane and intelligent human beings are like all other human beings, and carefully and cautiously and diligently conceal their private real opinions from the world and give out fictitious ones in their stead for general consumption. ~ Mark Twain,
422:Perhaps we reveal ourselves too much in small things because we have so little of the great to conceal. The tiny incidents of daily routine are as much a commentary of racial ideals as the highest flight of philosophy or poetry. ~ Kakuz Okakura,
423:My formula for greatness in a human being is amor fati: that one wants nothing to be different, not forward, not backward, not in all eternity. Not merely bear what is necessary, still less conceal it . . . but love it. —NIETZSCHE ~ Ryan Holiday,
424:In science one must search for ideas. If there are no ideas, there is no science. A knowledge of facts is only valuable in so far as facts conceal ideas: facts without ideas are just the sweepings of the brain and the memory. ~ Vissarion Belinsky,
425:We have continuity in our bodies, which hold experiences that never leave us, experiences our bodies conceal so we can keep going. They hold tightly to them - until we have confidence to trust our bodies again, to loosen their grasp. ~ Janet Mock,
426:Her exceptional beauty also helps her to keep her secrets. Most people tend to think the best of those who are blessed with beauty; we have difficulty imagining that physical perfection can conceal twisted emotions or a damaged mind. ~ Dean Koontz,
427:it is technically a Category Two SoulCrime to remove or conceal a Ministry of Pain–assigned famulus from your immediate person.” Lightning flared again as, muttering and mouthing, Benji Dog was stuffed back into Courtney Hall’s bag. ~ Ian McDonald,
428:I wasn't actually in love, but I felt a sort of tender curiosity. The bored haughty face that she turned to the world concealed something- most affectations conceal something eventually, even though they don't in the beginning ~ F Scott Fitzgerald,
429:The negative way [of describing God] is a cardboard prop of Christianity to conceal its unknowable God. When this prop collapses, theistic agnosticism emerges, complete with its package of contradictions and non-sensical utterances. ~ George H Smith,
430:They say the eyes are the windows to our soul; glass gateways that do little to conceal our true self. Yet, for me, they're also the narrators of our heart and give insight to our well-kept secrets... secrets I wanted to remain hidden. ~ K M Golland,
431:Mental pain is less dramatic than physical pain, but it is more common and also more hard to bear. The frequent attempt to conceal mental pain increases the burden: it is easier to say “My tooth is aching” than to say “My heart is broken. ~ C S Lewis,
432:Under the Bush administration, openness and accountability have been replaced by secrecy and evasion of responsibility. They abuse their power, conceal their actions from the American people, and refuse to hold officials accountable. ~ Edward Kennedy,
433:At this point Jordan and I tried to go, but Tom and Gatsby insisted with competitive firmness that we remain - as though neither of them had anything to conceal and it would be a privilege to partake vicariously of their emotions. ~ F Scott Fitzgerald,
434:It would be necessary to use ambiguous and misleading names, obscure the true agenda, and conceal the means of control. This is the method that Charles Koch would soon practice in his charitable giving, and later in his political actions. ~ Jane Mayer,
435:We are animals, yet are expected to be so much more. Although honor requires us to make altruistic decisions, even acting for the benefit of other people keeps coming back to self-interest, no matter how much one attempts to conceal it. ~ Brian Herbert,
436:At one time or another, almost every politician needs an honest man so badly that, like a ravenous wolf, he breaks into a sheep-fold: not to devour the ram he has stolen, however, but rather to conceal himself behind its wooly back. ~ Friedrich Nietzsche,
437:Paradoxically, we fail to disclose ourselves to other people because we want so much to be loved. Because we feel that way, we present ourselves as someone we think can be loved and accepted, and we conceal whatever would mar that image. ~ Sidney Jourard,
438:While boasting of our noble deeds we're careful to conceal the ugly fact that by an iniquitous money system we have nationalized a system of oppression which, though more refined, is not less cruel than the old system of chattel slavery. ~ Horace Greeley,
439:It is my image that I want to multiply, but not out of narcissism or megalomania, as could all too easily be believed: on the contrary, I want to conceal, in the midst of so many illusory ghosts of myself, the true me, who makes them move. ~ Italo Calvino,
440:Oneiromancy
I fell asleep and dreamed that I
Was flung, like Vulcan, from the sky;
Like him was lamed-another part:
His leg was crippled and my heart.
I woke in time to see my love
Conceal a letter in her glove
~ Ambrose Bierce,
441:For life is an expression, our unconscious actions the constant betrayal of our innermost thought. Confucius said that "man hideth not." Perhaps we reveal ourselves too much in small things because we have so little of the great to conceal. ~ Kakuz Okakura,
442:Among the arts of conversation no one pleases more than mutual deference or civility, which leads us to resign our own inclinations to those of our companions, and to curb and conceal that presumption and arrogance so natural to the human mind. ~ David Hume,
443:Love may be likened to a disease in this respect, that when it is denied a vent in one part, it will certainly break out in another; hence what a woman's lips often conceal, her eyes, her blushes, and many little involuntary actions betray. ~ Henry Fielding,
444:When by an increase in the effectual demand, the market price of some particular commodity happens to rise a good deal above the natural price, those who employ their stocks in supplying that market are generally careful to conceal this change. ~ Adam Smith,
445:May every young scientist remember and not fail to keep his eyes open for the possibility that an irritating failure of his apparatus to give consistent results may once or twice in a lifetime conceal an important discovery. ~ Patrick Blackett Baron Blackett,
446:And middle-class women, although taught to value established forms, are in the same position as the working class: neither can use established forms to express what the forms were never intended to express (and may very well operate to conceal). ~ Joanna Russ,
447:Combien de gens se font abstraits pour para?tre profonds! La plupart des termes abstraits sont des ombres qui cachent des vides. How many people become abstract in order to appear profound! Most abstract terms are shadows that conceal a void. ~ Joseph Joubert,
448:If you run on lies long enough, they become your truth.
Such delicate fabric we conceal our motives in.
Colors to obscure the truth of our hearts.
No one is a bad person in his or her own mind.
We are all noble protagonists. ~ Rick Remender,
449:Poverty is often concealed in splendor, and often in extravagance. It is the task of many people to conceal their neediness from others. Consequently they support themselves by temporary means, and everyday is lost in contriving for tomorrow. ~ Samuel Johnson,
450:The mind is good at hiding things, but there's something it cannot do: It can't erase. It can only conceal, and concealed things are not gone. They rot. They fester, they leak poisons. They ache and stink. They hiss like serpents in tall grass. ~ Laini Taylor,
451:We try to conceal our defects and say the things we think the other one wants to hear. We pretend that we’re always lovely and sweet-tempered and that we don’t mind the other’s nasty little habits. And then after the wedding, we lower the boom. ~ Lisa Kleypas,
452:As a social good, I think privacy is greatly overrated because privacy basically means concealment. People conceal things in order to fool other people about them. They want to appear healthier than they are, smarter, more honest and so forth. ~ Richard Posner,
453:Ms. Grant displays strong anti-establishment sentiments and has an awkward habit of questioning authority figures at all the wrong moments. This, combined with the intelligence she tries to so hard to conceal, makes her something of a liability. ~ Amie Kaufman,
454:THERE WERE MORNINGS WHEN VINCENT FELT LIKE THE last hippie in the world. The Last Hippie. The phrase assumed a kind of tragic grandeur as he stood in the bathroom of his Oak Street flat, fluffing his amber mane to conceal his missing ear. If ~ Armistead Maupin,
455:All confidence placed in another is dangerous if it is not perfect, for on almost all occasions we ought to tell everything or to conceal everything. We have already told too much of our secret, if one single circumstance is to be kept back. ~ Jean de la Bruyere,
456:An under-window HVAC unit could be opened up, and nine times out of ten there was a plastic pocket expressly designed to hold paperwork, often an instruction manual or a warranty card, among which an enterprising person could conceal dozens of pages. ~ Lee Child,
457:The Union, and the Constitution, are the picture of silver, subsequently framed around it. The picture was not made to conceal or destroy the apple, but to adorn and preserve it. The picture was made for the apple-not the apple for the picture. ~ Abraham Lincoln,
458:Would a musician feel flattered by the loud applause of an audience if he knew that they were nearly all deaf, and that, to conceal their infirmity, they set to work to clap vigorously as soon as ever they saw one or two persons applauding? ~ Arthur Schopenhauer,
459:In youth our most bitter disappointments, our brightest hopes and ambitions, are known only to ourselves. Even our friendship and love we never fully share with another; there is something of every passion, in every situation, we conceal. ~ Elizabeth Cady Stanton,
460:To call up a demon you must learn its name. Men dreamed that, once, but now it is real in another way. You know that, Case. Your business is to learn the names of programs, the long formal names, names the owners seek to conceal. True names . . . ~ William Gibson,
461:Nudity is fun, especially out of doors, but it is far more erotic when the wrappings are only partly removed from the treasures they conceal. When you undress a woman you are opening the drapes in a darkened room to gaze upon a glimpse of paradise. ~ Chloe Thurlow,
462:Nothing more powerfully excites any affection than to conceal some part of its object, by throwing it into a kind of shade, whichat the same time that it shows enough to prepossess us in favour of the object, leaves still some work for the imagination. ~ David Hume,
463:The image a society evolves of the relationship between the living and the dead is, in the final analysis, an attempt, on the level of religious thought, to conceal, embellish or justify the actual relationships which prevail among the living. ~ Claude Levi Strauss,
464:Connubial Because with alarming accuracy she’d been identifying patterns I was unaware of—this tic, that tendency, like the way I've mastered the language of intimacy in order to conceal how I felt— I knew I was in danger of being terribly understood. ~ Stephen Dunn,
465:I noted he had no place to conceal a weapon or transmitter. I wondered whether the attire had been chosen deliberately, to reassure me. Dox liked to play the hick, and a lot of people bought the act, but I knew he could be subtle when he wanted to be. ~ Barry Eisler,
466:I read the novel I had been writing for several months with an odd sense that it was the work of a stranger. I usually work in the dead hours of night and surprising the manuscript mid-morning revealed the flaws and excesses it was trying to conceal. ~ Chloe Thurlow,
467:It is through the dispositions of an army that its condition may be discovered. Conceal your dispositions, and your condition will remain secret, which leads to victory,; show your dispositions, and your condition will become patent, which leads to defeat. ~ Sun Tzu,
468:English life is nothing but a huge masquerade ball in which the participants contrive to conceal their feelings, their addresses, their hobbies, their incomes, their decorations, their sorrows, their talents, their achievements, and even their names. ~ Pierre Daninos,
469:right,” he cried; “I am the King. Why should I attempt to conceal it?” “Why, indeed?” murmured Holmes. “Your Majesty had not spoken before I was aware that I was addressing Wilhelm Gottsreich Sigismond von Ormstein, Grand Duke of Cassel-Felstein, ~ Arthur Conan Doyle,
470:Show yourself!” Snape said, tapping the map sharply. It stayed blank. Harry was taking deep, calming breaths. “Professor Severus Snape, master of this school, commands you to yield the information you conceal!” Snape said, hitting the map with his wand. ~ J K Rowling,
471:Private and public life are subject to the same rules-truth and manliness are two qualities that will carry you through this world much better than policy or tact of expediency or other words that were devised to conceal a deviation from a straight line. ~ Robert E Lee,
472:A woman questions the man who loves exactly as a judge questions a criminal. This being so, a flash of the eye, a mere word, an inflection of the voice or a moment's hesitation suffice to expose the fact, betrayal or crime he is attempting to conceal. ~ Honore de Balzac,
473:Faith is the readiness to reveal whatever is concealed. You don't have to conceal doubts by putting on patches of self-confirmation. The readiness to be exposed seems to make the difference between ego's approach to spirituality and an enlightened one. ~ Chogyam Trungpa,
474:I hated them horribly, though perhaps I was worse than any of them. They repaid me in the same way, and did not conceal their aversion for me. But by then I did not desire their affection: on the contrary, I continually longed for their humiliation. ~ Fyodor Dostoyevsky,
475:I have sharp teeth inside my mouth,
Inside my dark red lips,
And lacquer slickly hides the claws
In my red fingertips.

So I conceal my armoury.
Yours is all on view.
You think you are possessing me-
But I've got my teeth in you. ~ Angela Carter,
476:I must warn you, my dearest Catherine, that such an endeavour to capture attention could lead to lifelong arrogance and vanity. It is much wiser to let your inner beauty shine through a drab gown than to attempt to conceal it with physical accoutrements. ~ Marissa Meyer,
477:The facile delusions which conceal from us our true situation all amount to this: that we are, or can be, wiser than the wisest men of the past. We are thus induced to play the part, not of attentive and docile listeners, but of impresarios and lion-tamers. ~ Leo Strauss,
478:Behind her warm facade radiating empathy and understanding, there was an aggressive, bad- tempered bitch, putting up endless walls of goodness to conceal her rage and resentment toward the entire world. She was like an alligator in a velvet jumpsuit. ~ Zygmunt Miloszewski,
479:flanks. The pocket scope penetrated the dark shadows that his eyes could not. He paid particular attention to the base of the trees that bordered the path. He was looking for the telltale shoe of someone who was seeking to conceal himself. After five minutes ~ Vince Flynn,
480:This was the dream: to have a house of your own, to fill it with furniture and paint the shutters whatever color you chose. But a fine-looking house could conceal so many horrors. It seemed they spent half their lives just trying to hold it together. ~ J Courtney Sullivan,
481:Actually I am having so much fun, it has been the most fun time now that it has been announced and I don't have to, you know, it was really difficult to conceal, but now that I can be proud and excited about it I'm having so much fun shopping - it's great. ~ Beyonce Knowles,
482:In all ages one has wanted to ‘improve’ men: this above all is what morality has meant. But one word can conceal the most divergent tendencies. Both the taming of the beast man and the breeding of a certain species of man has been called ‘improvement’: ~ Friedrich Nietzsche,
483:And strangely enoughthe only emotion I ever feel, is what the beaver must feel, as he bears each stick to his hidden construction, which creates the tranquil pond and gives the mallards somewhere to paddle, and the pair of swans a place to conceal their young ~ Billy Collins,
484:The very second he thinks he has to explain himself to you, he’ll feel as though he is losing his freedom. Then he’ll make up a story to conceal something that didn’t need to be concealed, just to protect his “territory” or his “turf.” And he’ll feel cornered. ~ Sherry Argov,
485:But I lie. I embellish. My words are not deep enough. They disguise, they conceal. I will not rest until I have told of my descent into a sensuality which was as dark, as magnificent, as wild, as my moments of mystic creation have been dazzling, ecstatic, exalted. ~ Anais Nin,
486:But I lie. I embellish. My words are not deep enough. They disguise, they conceal. I will not rest until I have told of my descent into a sensuality which was as dark, as magnificent, as wild, as my moments of mystic creation have been dazzling, ecstatic, exalted. ~ Ana s Nin,
487:Sapping the foundations of civilisation, of authority, of other people’s altars, spattering them with filth, winking jocosely at them only to justify and conceal one’s own rottenness and moral poverty is only possible for a very vain, base, and nasty creature. ~ Anton Chekhov,
488:Though we sometimes suspect that people are hiding things from us, it is not until we are in love that we feel an urgency to press our inquiries, and in seeking answers, we are apt to discover the extent to which people disguise and conceal their real lives. ~ Alain de Botton,
489:To call up a demon you must learn its name. Men dreamed that, once, but now it is real in another way. You know that, Case. Your business is to learn the names of programs, the long formal names, names the owners seek to conceal. True names...
   ~ William Gibson, Neuromancer,
490:To come with a well-informed mind is to come with an inability of administering to the vanity of others, which a sensible person would always wish to avoid. A woman especially, if she have the misfortune of knowing anything, should conceal it as well as she can. ~ Jane Austen,
491:Our faith in others betrays that we would rather have faith in ourselves. Our longing for a friend is our betrayer. And often with our love we want merely to overcome envy. And often we attack and make ourselves enemies, to conceal that we are vulnerable. ~ Friedrich Nietzsche,
492:Though we sometimes suspect that people are hiding things from us, it is not until we are in love that we feel an urgency to press our inquiries, and in seeking answers, we are apt to discover the extent to which people disguise and conceal their real selves. ~ Alain de Botton,
493:I think that Françoise disbelieved me, for, like those primitive men whose senses were so much keener than our own, she could immediately detect, by signs imperceptible by the rest of us, the truth or falsehood of anything that we might wish to conceal from her. ~ Marcel Proust,
494:My painting is visible images which conceal nothing... they evoke mystery and indeed when one sees one of my pictures, one asks oneself this simple question 'What does that mean'? It does not mean anything, because mystery means nothing either, it is unknowable. ~ Rene Magritte,
495:Then it was something more. I wasn’t actually in love, but I felt a sort of tender curiosity. The bored haughty face that she turned to the world concealed something—most affectations conceal something eventually, even though they don’t in the beginning—and ~ F Scott Fitzgerald,
496:Within my own lifetime, I have seen the most ferocious assaults on Christian faith and morals; first on the part of the intellectual community, and then on the part of the government... the federal government has not even tried to conceal its hostility to religion. ~ Jesse Helms,
497:There is no moment in which we say good-bye, there is no finality as he slips into peacefulness, he simply leaves us, and though I seek courage when he passes I am weakened by tears, but I must hide them for he leaves us a lie to conceal, a lie he sent to save us. ~ Lisa O Donnell,
498:All government, without exception, conceal from the people everything that might further their emancipation, and encourage all that degrades and demoralizes them: all manner of amusements of the senses, even physical means of stupefaction, such as tabacco and alcohol. ~ Leo Tolstoy,
499:She had all the sentimentality of her generation, and this sentimentality, growing like a green moss over her spirit, helped to conceal its texture of stone, if not from others, at any rate from herself. She was convinced that she was a woman of profound sensibility. ~ Nancy Mitford,
500:He also discovered that he was bitter and full of resentment, that he oozed resentment, and that he might easily kill someone, anyone, if it would provide a respite from the loneliness and rain and cold of Madrid, but this was a discovery that he preferred to conceal. ~ Roberto Bola o,
501:Is it possible, after all, that spite of bricks and shaven faces, this world we live in is brimmed with wonders, and I and all mankind, beneath our garbs of common-placeness, conceal enigmas that the stars themselves, and perhaps the highest seraphim can not resolve? ~ Herman Melville,
502:One scandalized British soldier complained that the American riflemen “conceal themselves behind trees etc. till an opportunity presents itself of taking a shot at our advance sentries, which done, they immediately retreat. What an unfair method of carrying on a war!” 16 ~ Ron Chernow,
503:I love being a conservative. We conservatives are proud of our philosophy. Unlike our liberal friends, who are constantly looking for new words to conceal their true beliefs and are in a perpetual state of reinvention, we conservatives are unapologetic about our ideals. ~ Rush Limbaugh,
504:Is it possible, after all, that in spite of bricks and shaven faces, this world we live in is brimmed with wonders, and I and all mankind, beneath our garbs of commonplaceness, conceal enigmas that the stars themselves, and perhaps the highest seraphim, can not resolve? ~ Herman Melville,
505:Your clothes conceal much of your beauty, yet they hide not the unbeautiful. And though you seek in garments the freedom of privacy, you may find in them a harness and a chain. Would that you could meet the sun and the wind with more of your body and less of your raiment. ~ Khalil Gibran,
506:Communication is truth; communication is happiness. To share is our duty; to go down boldly and bring to light those hidden thoughts which are the most diseased; to conceal nothing; to pretend nothing; if we are ignorant to say so; if we love our friends to let them know it. ~ Virginia Woolf,
507:The music came through clearly. The new instrument had a much purer tone, she thought, than the old one. She decided that tone was most important and that she could conceal the cabinet behind a sofa. But as soon as she had made her peace with the radio, the interference began. ~ John Cheever,
508:Some we know about ourselves, and they are obvious to others too. Then we have faults that we are blind to ourselves, but are plain to everyone else. Some weaknesses we deliberately conceal from others. But the most rare are the ones that are both invisible to us and to others. ~ Jeff Wheeler,
509:They are young and well built, they have another thirty years ahead of them. So they don't hurry, they take their time, and they are quite right. Once they have been to bed together, they will have to find something else to conceal the enormous absurdity of their existence. ~ Jean Paul Sartre,
510:It frightened me, how close violence is to the civilized surface of a human being. It wasn’t the violence itself that was the worry, it was the amount of effort they’d gone to conceal it. A Homo sapiens was a primitive hunter who had woken each day with the knowledge he could kill. ~ Matt Haig,
511:Of all the female sins, hunger is the least forgivable; hunger for anything, for food, sex, power, education, even love. If we have desires, we are expected to conceal them, to control them, to keep ourselves in check. We are supposed to be objects of desire, not desiring beings. ~ Laurie Penny,
512:I have learned that in any significant or continuing relationship, feelings which are persistent had best be expressed. If they are expressed as feelings owned by me, the result may be temporarily upsetting but ultimately far more rewarding than any attempt to deny or conceal them. ~ Carl Rogers,
513:Never hope to conceal any shameful thing which you have done; for even if you do conceal it from others, your own heart will know. … Pursue the enjoyments which are of good repute; for pleasure attended by honor is the best thing in the world, but pleasure without honor is the worst. ~ Isocrates,
514:But I loved them. I loved the truth they conveyed: that kids aren’t yet able to fake it. Or they aren’t yet able to conceal their disingenuousness. They’re wonderful smilers, the best; but they’re the very worst fake smilers. The inability to fake a smile defines childhood. ~ Jonathan Safran Foer,
515:He said, “my discourse was all very strange, but especially the last part; for he could not understand, why nature should teach us to conceal what nature had given; that neither himself nor family were ashamed of any parts of their bodies; but, however, I might do as I pleased.”  ~ Jonathan Swift,
516:It is ludicrous why we human beings try so hard to conceal our tear. We fail to fathom that the more we camouflage our tears, the more we escalate the burden of grief in our heart. It is simple and wise to let the burden of grief metamorphose into tears and flow from our eyes. ~ Purba Chakraborty,
517:Me!" returned Elinor in some confusion; "indeed, Marianne, I have nothing to tell."

"Nor I," answered Marianne with energy, "our situations then are alike. We have neither of us anything to tell; you, because you do not communicate, and I, because I conceal nothing." (27.17) ~ Jane Austen,
518:It’ll be symbolic. Let the women dress the way savages dress everywhere—bedeck themselves in old dead parts of birds and animals, smear their faces with colored clay, mash flowers over themselves to conceal their natural stench. The same way they always dress. Now, for Chrissake! ~ Arthur C Clarke,
519:My formula for greatness in a human being is amor fati: that one wants nothing to be different, not forward, not backward, not in all eternity. Not merely bear what is necessary, still less conceal it—all idealism is mendaciousness in the face of what is necessary—but love it ~ Friedrich Nietzsche,
520:But when I was an energetic self-important 10-year-old and found myself in a roomful of grownups, I felt guilty, and thought it only polite to conceal the fun I was having elsewhere. When an aged figure addressed me – they were all aged – I worried that what showed in my face was pity. ~ Ian McEwan,
521:I have always been unsatisfied with life as most people live it. Always I want to live more intensely and richly. why muck and conceal one's true longings and loves, when by speaking of them one might find someone to understand them, and by acting on them one might discover oneself? ~ Everett Ruess,
522:Wartime lipstick is necessarily cobbled together from whatever tailings and gristle were left over once all the good stuff was use to grease propeller shafts. A florid and cloying scent is needed to conceal its unspeakable mineral and animal origins.

It is the smell of War. ~ Neal Stephenson,
523:Folly consists not in committing Folly, but in being incapable of concealing it. All men make mistakes, but the wise conceal the blunders they have made, while fools make them public. Reputation depends more on what is hidden than on what is seen. If you can’t be good, be careful. ~ Baltasar Gracian,
524:Folly consists not in committing Folly, but in being incapable of concealing it. All men make mistakes, but the wise conceal the blunders they have made, while fools make them public. Reputation depends more on what is hidden than on what is seen. If you can’t be good, be careful. ~ Baltasar Graci n,
525:Symbolic power is a power of creating things with words. It is only if it is true, that is, adequate to things, that a description can create things. In this sense, symbolic power is a power of consecration or revelation, a power to conceal or reveal things which are already there. ~ Pierre Bourdieu,
526:Unsaid
So much of what we live goes on inside–
The diaries of grief, the tongue-tied aches
Of unacknowledged love are no less real
For having passed unsaid. What we conceal
Is always more than what we dare confide.
Think of the letters that we write our dead.
~ Dana Gioia,
527:Ask a scientist what he conceives the scientific method to be and he will adopt an expression that is at once solemn and shifty-eyed: solemn, because he feels he ought to declare an opinion; shifty-eyed, because he is wondering how to conceal the fact that he has no opinion to declare. ~ Peter Medawar,
528:My formula for human greatness is amor fati: that one wants nothing to be different, not in the future, not in the past, not for all eternity. Not only to endure what is necessary, still less to conceal it — all idealism is falseness in the face of necessity — , but to love it... ~ Friedrich Nietzsche,
529:My formula for greatness in a human being is amor fati: that one wants nothing to be different, not forward, not backward, not in all eternity. Not merely bear what is necessary, still less conceal it — all idealism is mendaciousness in the face of what is necessary — but love it. ~ Friedrich Nietzsche,
530:When, in the street, I see a mother walking with her grown-up daughter, I can hardly bear to witness the mother’s pride, the softening of her face, her incredulous joy at being granted her daughter’s company; and the iron discipline she imposes on herself, to muffle and conceal this joy. ~ Helen Garner,
531:Since the primary motive of the evil is disguise, one of the places evil people are most likely to be found is within the church. What better way to conceal one's evil from oneself as well as from others than to be a deacon or some other highly visible form of Christian within our culture ~ M Scott Peck,
532:Connubial

Because with alarming accuracy
she’d been identifying patterns
I was unaware of—this tic, that
tendency, like the way I've mastered
the language of intimacy
in order to conceal how I felt—

I knew I was in danger
of being terribly understood. ~ Stephen Dunn,
533:However I pretended I could conceal my thoughts as well as he, I knew it was not true. He would see down to my bones. He would gather my weaknesses up and set them with the rest of his collection, alongside Achilles’ and Ajax’s. He kept them on his person as other men keep their knives. ~ Madeline Miller,
534:The ceiling angled down right over me and I raised my arm and touched it with my fingertips. All children, I thought, should be permitted to sleep in such a room; the child loves nooks and odd angles and is frightened into nightmare by equidistance, by parallel planes which conceal nothing. ~ Don DeLillo,
535:The judgment: You are now before Yama, King of the Dead. In vain will you try to...deny or conceal the evil deeds you have done. ... the mirror in which Yama seems to read your past is your own memory, and also his judgment is your own. It is you yourself who pronounce your own judgment. ~ Gautama Buddha,
536:As she took Liam, she whispered to Dragos, “You win all the good Daddy points.”
His eyes glinted with wicked sensuality, and his eyelids lowered to conceal it. Ever the opportunist, he murmured, “And what will that get me?”
“If you play your cards right, it might get you lucky later. ~ Thea Harrison,
537:I felt like the most despicable woman in the world for allowing my mother to be a vagabond and not lifting a finger to rescue her. Other nights I cried from rage, from pure hatred, and I couldn’t rid myself of it. Hatred is like blood, it’s impossible to conceal and it stains everything. ~ Marcela Serrano,
538:That disillusionment, moreover, like all other vogues, having had its beginning in the higher strata of society, had descended to the lower, where it was being worn threadbare, and that, now, those who were really and truly bored strove to conceal their misfortune as if it were a vice. ~ Mikhail Lermontov,
539:Lenin only believes in the revolution and in the virtue of expediency.'One must be prepared for every sacrifice, to use, if necessary, every stratagem, ruse, illegal method, to be determined to conceal the truth, for the sole purpose of accomplishing, despite everything, the communist task'. ~ Albert Camus,
540:Don’t join the book burners,” he said. “Don’t think you are going to conceal faults by concealing evidence that they ever existed. Don’t be afraid to go into your library and read every book, as long as that document does not offend our own ideas of decency. That should be the only censorship. ~ Jon Meacham,
541:Everybody has same or the other weakness. This eis also a a general tendency to conceal theee weaknesses. For people may not harm for these, but they will surely ridicule or make fun of. Friendship, of course feigned should be retained with enemy till his weakness is known. Let him remain elated. ~ Chanakya,
542:And Bobby was working on a new theory of personal deportment; he didn’t quite have the whole thing yet, but part of it involved the idea that people who were genuinely dangerous might not need to exhibit the fact at all, and that the ability to conceal a threat made them even more dangerous. ~ William Gibson,
543:For a moment, without thinking of anything else, Jenny was simply proud of him. Fiercely, passionately proud that a human, a seventeen-year-old who hadn't even heard of the Shadow Men until a month ago, could stand up to them like this. Could conceal his terror and smile that way and offer to die. ~ L J Smith,
544:The intellectual is called on the carpet... Don't you conceal something? You talk a language which is suspect. You don't talk like the rest of us, like the man in the street, but rather like a foreigner who does not belong here. We have to cut you down to size, expose your tricks, purge you. ~ Herbert Marcuse,
545:If we suppress them, feelings can indeed hide themselves from the conscious mind, but they frequently resurface in the form of bodily symptoms, which conceal their real content and intensity, making it much more difficult to deal with them than it would be if they were admitted to consciousness. ~ Alice Miller,
546:Some cities, like wrapped boxes under Christmas trees, conceal unexpected gifts, secret delights. Some cities will always remain wrapped boxes, containers of riddles never to be solved, nor even to be seen by vacationing visitors, or, for that matter, the most inquisitive, persistent travelers. ~ Truman Capote,
547:I was born to fight devils and factions. It is my business to remove obstacles, to cut down thorns, to fill up quagmires and to open and make straight paths. If I must have some failing let me rather speak the truth with too great sincerity than once to act the hypocrite and conceal the truth. ~ Martin Luther,
548:Mind not only what people say, but how they say it; and if you have any sagacity, you may discover more truth by your eyes than by your ears. People can say what they will, but they cannot look just as they will; and their looks frequently (reveal) what their words are calculated to conceal. ~ Lord Chesterfield,
549:Since the primary motive of the evil is disguise, one of the places evil people are most likely to be found is within the church. What better way to conceal one’s evil from oneself, as well as from others, than to be a deacon or some other highly visible form of Christian within our culture?”[9 ~ Gregory A Boyd,
550:When I hear a man proclaiming himself an "average, honest, open fellow," I feel pretty sure that he has some definite and perhaps terrible abnormality which he has agreed to conceal--and his protestation of being average and honest and open is his way of reminding himself of his misprision. ~ F Scott Fitzgerald,
551:And she wished she was naturally skinny, like Diamanda, but if you can’t be skinny you can at least look unhealthy. So she wore so much thick white makeup in order to conceal her naturally rosy complexion that if she turned around suddenly her face would probably end up on the back of her head. ~ Terry Pratchett,
552:Beer, well respected and rightly consumed, can be a gift of God. It is one of his mysteries, which it was his delight to conceal and the glory of kings to search out. And men enjoy it to mark their days and celebrate their moments and stand with their brothers in the face of what life brings. ~ Stephen Mansfield,
553:The role of the intellectual, so it is said, is to speak truth to power. Noam Chomsky has dismissed this pious tag on two grounds. For one thing, power knows the truth already; it is just busy trying to conceal it. For another, it is not those in power who need the truth, but those they oppress. ~ Terry Eagleton,
554:The trouble is that once upon a time they all began like that, all novels. There was somebody who went along a lonely street and saw something that attracted his attention, something that seemed to conceal a mystery, or a premonition; then he asked for explanations and they told him a long story… ~ Italo Calvino,
555:Failure on the other hand is infectious. The world is full of charming failures (for all charming people have something to conceal, usually their total dependence on the appreciation of others) and unless the writer is quite ruthless with these amiable footlers, they will drag him down with them. ~ Cyril Connolly,
556:The childless experts on child raising also bring tears of laughter to my eyes when they say, I love children because they're so honest. There is not an agent in the CIA or the KGB who knows how to conceal the theft of food, how to fake being asleep, or how to forge a parent's signature like a child. ~ Bill Cosby,
557:Nothing so clearly and inevitably reveals the inner man than movement and gesture. It is quite possible, if one chooses, to conceal and dissimulate behind words or paintings or statues or other forms of human expression, but the moment you move you stand revealed, for good or ill, for what you are. ~ Doris Humphrey,
558:A Christian mother's first duty is to soil her child's mind, and she does not neglect it. Her lad grows up to be a missionary, and goes to the innocent savage and to the civilized Japanese, and soils their minds. Whereupon they adopt immodesty, they conceal their bodies, they stop bathing naked together. ~ Mark Twain,
559:What a disgrace! They were afraid...ashamed...they chose to conceal it...they buried the roots of a Great Civilization...they lacked the courage to go further...and turned their backs on what science had to offer them...and tried to seal away forever the hole they had torn open with their own hands. ~ Katsuhiro Otomo,
560:Francis Crozier now understood that the most desirable and erotic thing a woman could wear were the many modest layers such as Sophia Cracroft wore to dinner in the governor's house, enough silken fabric to conceal the lines of her body, allowing a man to concentrate on the exciting loveliness of her wit ~ Dan Simmons,
561:Healer Myrim made no attempt to conceal the fact that Orthallen's treachery had not surprised her. Nor did she conceal that his demise gave her a certain grim satisfaction. But then, she might well be forgiven such uncharitable thoughts; she was one of the four Healers who were tending Talia's wounds. ~ Mercedes Lackey,
562:It is useless to deny, and impossible to conceal, that a great part of Europe, the whole of Italy and France, and a great portion of Germany, to say nothing of other countries - is covered with a network of these secret societies, just as the superfices of the Earth are being covered with railroads. ~ Benjamin Disraeli,
563:The FBI also discovered several thousand work-related e-mails that were not in the group of 30,000 that were returned by Secretary Clinton to State in 2014... I should add here that we found no evidence that any of the additional work-related e-mails were intentionally deleted in an effort to conceal them. ~ James Comey,
564:Wrongs are often forgiven, but contempt never is. Our pride remembers it forever. It implies a discovery of weakness, which we are more careful to conceal than a crime. Many a man will confess his crimes to a friend; but I never knew a man that would tell his silly weaknesses to his most intimate one. ~ Lord Chesterfield,
565:To conceal a want of real ideas, many make for themselves an imposing apparatus of long compound words, intricate flourishes and phrases, new and unheard-of expressions, all of which together furnish an extremely difficult jargon that sounds very learned. Yet with all this they say-precisely nothing. ~ Arthur Schopenhauer,
566:It is wise to conceal the past even if there is nothing to conceal. A man’s power is in the half-light, in the half-seen movements of his hand and the unguessed-at expression of his face. It is the absence of facts that frightens people: the gap you open, into which they pour their fears, fantasies, desires. ~ Hilary Mantel,
567:Out in the palace gardens, groundskeepers buried statues in the dirt. As Justice and Peace were entombed together, a workman wrote on one flank "We'll come back for you." The grave was covered with leaves to conceal it.

- Symphony for the City of the Dead: Dmitri Shostakovich and the Siege of Leningrad ~ M T Anderson,
568:him. “This isn’t the only item I questioned,” he said. “I want to taste the others, too.” “Try this first,” she said, making no effort to conceal her certainty. “Taste it and weep. I’m going to step back a little so you’ll have room to come crawling to me.” Yeah, right. She’d served fish and chips. How good could ~ Susan Mallery,
569:This mannerism of what he'd seen of society struck Homer Wells quite forcefully; people, even nice people—because, surely, Wally was nice—would say a host of critical things about someone to whom they would then be perfectly pleasant. At. St. Cloud's, criticism was plainer—and harder, if not impossible, to conceal. ~ John Irving,
570:White people in his experience were far more transparent. The most hateful rarely bothered to conceal their hostility, and when for some reason they did try to hide their feelings, they generally exhibited all the guile of five-year-olds, who cannot imagine that the world sees them other than as they wish to be seen. ~ Matt Ruff,
571:You needn't worry about me. I know enough to do what every man ought to do in wartime when he's watched and threatened by bullies. I conceal my feelings; lie whenever necessary; pretend to admire the rascals who've ruined our city and our country; cheer dolts, bullies and knaves and damn all wise temperate men! ~ Kenneth Roberts,
572:The point in all this is that language is a handy whipping boy to summon and belabor when we have failed in some serious way. In other words, we play politics with language, and in so doing conceal the reality and the complexity of our situation from ourselves and from those foolish enough to put their trust in us. ~ Chinua Achebe,
573:2. Fear comes from our concealing. Any time we conceal something major under the hood of our lives, fear is allowed to flourish. This is the pattern: We make mistakes. We sin. But we don’t confess. Mostly because we feel embarrassed. Or we feel ashamed. Or we don’t want to be thought of as anything less than perfect. ~ Louie Giglio,
574:Are you suggesting I’m not normal? (Nykyrian) Oh yeah, baby, you ooze normality. From the top of that assassin’s braid to the tip of those boots that I’m pretty sure conceal retractable blades. You’re just an average joe. No doubt about it. Cause, you know, everyone sits for hours doing nothing but typing. (Kiara) ~ Sherrilyn Kenyon,
575:If you only notice human proceedings, you may observe that all who attain great power and riches, make use of either force or fraud; and what they have acquired either by deceit or violence, in order to conceal the disgraceful methods of attainment, they endeavor to sanctify with the false title of honest gains. ~ Niccolo Machiavelli,
576:I have attempted to tear asunder the veil you have hung to conceal from us the pain of life, and I have been wounded by the mystery...Oedipus, half way to finding the word of the enigma, young Faust, regretting already the simple life, the life of the heart, I come back to you repentant, reconciled, O gentle deceiver! ~ Joseph Conrad,
577:Are you suggesting I’m not normal? (Nykyrian)
Oh yeah, baby, you ooze normality. From the top of that assassin’s braid to the tip of those boots that I’m pretty sure conceal retractable blades. You’re just an average joe. No doubt about it. Cause, you know, everyone sits for hours doing nothing but typing. (Kiara) ~ Sherrilyn Kenyon,
578:But this aura of an artificial menace was still necessary to conceal that they [Presidents] were no longer anything but the mannequins of power. Formerly, the king (also the god) had to die, therein lay his power. Today, he is miserably forced to feign death, in order to preserve the blessing of power. But it is lost. ~ Jean Baudrillard,
579:Elizabeth told her the motives of her secrecy. She had been unwilling to mention Bingley; and the unsettled state of her own feelings had made her equally avoid the name of his friend. But now she would no longer conceal from her his share in Lydia's marriage. All was acknowledged, and half the night spent in conversation. ~ Jane Austen,
580:But hidden drawers, lockable diaries and cryptographic systems could not conceal from Briony the simple truth: she had no secrets. Her wish for a harmonious, organized world denied her the reckless possibilities of wrongdoing. Mayhem and destruction were too chaotic for her tastes, and she did not have it in her to be cruel. ~ Ian McEwan,
581:The Superclass tries to promote its values. Ordinary people complain of divine injustice, they envy power, and it pains them to see others having fun. They don’t understand that no one is having fun, that everyone is worried and insecure, and that what the jewels, cars, and fat wallets conceal is a huge inferiority complex. ~ Paulo Coelho,
582:While I’m reading a story I want to be able to suspend disbelief; the more questions of authorial reliability force themselves on me, the weaker the hold of the narrative. This is a naïve approach to fiction, granted, but a tough one, since intellect, cleverness, charm, wit, tact, even fact cannot conceal incredibility. ~ Ursula K Le Guin,
583:The bad thing about all religions is that, instead of being able to confess their allegorical nature, they have to conceal it; accordingly, they parade their doctrines in all seriousness as true sensu proprio, and as absurdities form an essential part of these doctrines we have the great mischief of a continual fraud. ~ Arthur Schopenhauer,
584:There were always in me, two women at least, one woman desperate and bewildered, who felt she was drowning and another who would leap into a scene, as upon a stage, conceal her true emotions because they were weaknesses, helplessness, despair, and present to the world only a smile, an eagerness, curiosity, enthusiasm, interest. ~ Anais Nin,
585:There were always in me, two women at least, one woman desperate and bewildered, who felt she was drowning and another who would leap into a scene, as upon a stage, conceal her true emotions because they were weaknesses, helplessness, despair, and present to the world only a smile, an eagerness, curiosity, enthusiasm, interest. ~ Ana s Nin,
586:We Communists never conceal our political views. Definitely and beyond all doubt, our future or maximum program is to carry China forward to socialism and communism. Both the name of our Party and our Marxist world outlook unequivocally point to this supreme ideal of the future, a future of incomparable brightness and splendor. ~ Mao Zedong,
587:Would it help,” he asked gently, “to have a shoulder to cry on?”
She fought to conceal how much the question unnerved her. “Thank you, but no.” Carefully she dropped the herbs into the kettle. “Crying is a waste of time.”
“‘ To weep is to make less the depth of grief.’”
“Is that a Romany saying?”
“Shakespeare. ~ Lisa Kleypas,
588:Beware of the truth, gentle Sister. Although much sought after, truth can be dangerous to the seeker. Myths and reassuring lies are much easier to find and believe. If you find a truth, even a temporary one, it can demand that you make painful changes. Conceal your truths within words. Natural ambiguity will protect you then. ~ Frank Herbert,
589:Irresponsible as a tourist, I wandered around in my universe forgetting what I'd said about it the last time, and then trying to conceal discrepancies with implausibilities, or with silence. If, as some think, God is no longer speaking, maybe it is because he looked at what he'd made and found himself unable to believe it. ~ Ursula K Le Guin,
590:For life is an expression, our unconscious actions the constant betrayal of our innermost thought. Perhaps we reveal ourselves too much in small things because we have so little of the great to conceal. The tiny incidents of daily rouitine are as much a commentary of racial ideas as the highest flight of philosophy or poetry. ~ Okakura Kakuzo,
591:How Can You Be Modest
People,
male and female,
blush when a cloth covering their shame
comes loose
When the lord of lives
lives drowned without a face
in the world, how can you be modest?
When all the world is the eye of the lord,
onlooking everywhere, what can you
cover and conceal?
~ Akka Mahadevi,
592:A lot of the things that involve power on the highest levels sometimes involve the darker side of human psychology. People can be very passive aggressive or they can be aggressive and they can conceal their intentions. There's this world that exists that nobody writes about or describes it's like a dirty little secret or taboo. ~ Robert Greene,
593:If I had the choice now, I'd make New Jersey a state where you can have a shall issue on conceal and carry. Now our legislature won't do that, but I have done recently is to make sure that we're making it easier for folks to be able to get a permit in New Jersey because they deserve the right to do that as law-abiding citizens. ~ Chris Christie,
594:A well-loved child is set a challenging precedent. In its very nature, parental love works to conceal the effort which went into generating it. It shields the recipient from the donor's complexity and sadness - and from an awareness of how many other interests, friends and concerns the parent has sacrificed in the name of love. ~ Alain de Botton,
595:Men who are ill-natured and quarrelsome when drunk are very worthy persons when sober. For drink in reality doth not reverse nature or create passions in men which did not exist in them before. It takes away the guard of reason and consequently forces us to produce those symptoms which many when sober have art enough to conceal. ~ Henry Fielding,
596:The courage we need is not the fortitude to be obedient in the service of an unjust war, to help conceal lies, to do our job for a boss who has usurped power and is acting as an outlaw government. It is the courage at last to face honestly the truth and reality of what we are doing in the world and act responsibly to change it. ~ Daniel Ellsberg,
597:The relevant framework is not one of morality but of survival. At every level, from brute camouflage to poetic vision, the linguistic capacity to conceal, misinform, leave ambiguous, hypothesize, invent is indispensable to the equilibrium of human consciousness and to the development of man in society....—George Steiner, After Babel ~ Paul Ekman,
598:All schools, all colleges, have two great functions: to confer, and to conceal, valuable knowledge. The theological knowledge which they conceal cannot justly be regarded as less valuable than that which they reveal. That is, when a man is buying a basket of strawberries it can profit him to know that the bottom half of it is rotten. ~ Mark Twain,
599:Most will tell you what they believe to be fact because it is much harder to conceal it. It takes effort to suppress the truth. It usually eats you up from the inside out if you try to contain it in silence. In the end you have to decide what truth resides best within you... even if your point of view does not agree with others. ~ Tony DiTerlizzi,
600:Consequently, the degrowth movement has attempted to conceal its paganlike militant opposition to fossil fuels and carbon dioxide by mainstreaming its agenda with politically generated and well-funded campaigns promoting what was once called “man-made global cooling,” then “man-made global warming,” and now “man-made climate change. ~ Mark R Levin,
601:The properties of ink are peculiar and contradictory: it may be used to make reputations and unmake them; to blacken them and to make them white; but it is most generally and acceptably employed as a mortar to bind together the stones of an edifice of fame, and as a whitewash to conceal afterward the rascal quality of the material. ~ Ambrose Bierce,
602:The Superclass tries to promote its values. Ordinary people complain
of divine injustice, they envy power, and it pains them to see
others having fun. They don’t understand that no one is having fun,
that everyone is worried and insecure, and that what the jewels, cars,
and fat wallets conceal is a huge inferiority complex. ~ Paulo Coelho,
603:Lies, so often misleading and which form the substance of all conversations, are less effective in covering up a feeling of dislike or of self-interest, or a visit one would rather people did not know about, or a one-day fling one wants to conceal from one's wife - than a good reputation is in utterly overshadowing disreputable habits. ~ Marcel Proust,
604:The conception of duty, speaking historically, has been a means used by the holders of power to induce others to live for the interests of their masters rather than for their own. Of course the holders of power conceal this fact from themselves by managing to believe that their interests are identical with the larger interests of humanity. ~ Anonymous,
605:I think that collectivization was an erroneous and unsuccessful measure and it was impossible to admit the error. To conceal the failure people had to be cured, by every means of terrorism, of the habit of thinking and judging for themselves, and forced to see what didn't exist, to assert the very opposite of what their eyes told them. ~ Boris Pasternak,
606:Mine—by The Right Of The White Election!
528
Mine—by the Right of the White Election!
Mine—by the Royal Seal!
Mine—by the Sign in the Scarlet prison—
Bars—cannot conceal!
Mine—here—in Vision—and in Veto!
Mine—by the Grave's Repeal—
Tilted—Confirmed—
Delirious Charter!
Mine—long as Ages steal!
~ Emily Dickinson,
607:As a young woman, when she had been beautiful and had worn her hair short and her clothes loose to conceal that fact, she had known all the signs of men and read them well enough that she had been successfully robbed only three times and raped once; but none of those had burned from her the hunger for empty spaces, strange cities, new oceans. ~ Kij Johnson,
608:I bite the inside of my lip to conceal the smile forming. All right, so this is cool. Very cool. I’m well aware that I’m barely seventeen and in a bar because I’m hiding from the police, and the guy across from me is my opposite in more ways than I can calculate, but I can’t help but feel like a princess who has a knight pledging his loyalty. ~ Katie McGarry,
609:I'm a strong opponent of all religious belief.

...And supposedly 95% of Americans say they believe in God - that's worrying.

...Religions are Trojan horses which conceal profoundly strange psychopathy strains. There's no other explanation for them. The sheer fear of death has been the main engine of religions for a very long time. ~ J G Ballard,
610:Can you feel the falseness that prevails in Babylon? Babylon is always religious and knows how to keep up appearances, but that only serves to conceal the idols Babylon really worships. Money and Power. Economy and Military. The falseness is the phony assumption that the pursuit of money and power is sustainable and leads to a life worth living. ~ Brian Zahnd,
611:In M. Emanuel's soul rankled a chronic suspicion that I knew both Greek and Latin. As monkeys are said to have the power of speech if they would but use it, and are reported to conceal this faculty in fear of its being turned to their detriment, so to me was ascribed a fund of knowledge which I was supposed criminally and craftily to conceal. ~ Charlotte Bront,
612:Silence is the element in which great things fashion themselves together ... Speech is too often ... the act of quite stifling and suspending thought, so that there is none to conceal ... Speech is of Time, silence is of Eternity ... It is idle to think that, by means of words, any real communication can ever pass from one man to another. ~ Maurice Maeterlinck,
613:The Communists disdain to conceal their views and aims. They open declare that their ends can be attained only by the forcible overthrow of all existing social conditions. Let the ruling classes tremble at a Communistic revolution. The proletarians have nothing to lose but their chains. They have a world to win. WORKING MEN OF ALL COUNTRIES, UNITE! ~ Karl Marx,
614:The point here is not just that an image represents God as having body and parts, whereas in reality he has neither. But the point really goes much deeper. The heart of the objection to pictures and images is that they inevitably conceal most, if not all, of the truth about the personal nature and character of the divine Being whom they represent. ~ J I Packer,
615:before getting shot, he would never nail both of the armed men from thirty yards away. He could also duck into the water and swim downstream, but he didn’t think he could hold his breath long enough to get out of range. That was assuming the rapids ahead were even deep enough to conceal him. “What do you want?” DeVontay said, stalling for time. ~ Scott Nicholson,
616:Silence is the element in which great things fashion themselves together ... Speech is too often ... the act of quite stifling and suspending thought, so that there is none to conceal ... Speech is of Time, silence is of Eternity ... It is idle to think that, by means of words, any real communication can ever pass from one man to another ... ~ Maurice Maeterlinck,
617:There is nothing more poetic and terrible than the skyscrapers' battle with the heavens that cover them. Snow, rain, and mist highlight, drench, or conceal the vast towers, but those towers, hostile to mystery and blind to any sort of play, shear off the rain's tresses and shine their three thousand swords through the soft swan of the fog. ~ Federico Garcia Lorca,
618:Tolstoy isn’t the only reason I don’t wish to marry,” Pandora said. “Whatever your reasons, they are unsound. I will explain to you later why you do wish to marry. Furthermore, you are an unconventional girl, and you must learn to conceal it. There is no happiness for any individual, man or woman, who does not dwell within the broad zone of average. ~ Lisa Kleypas,
619:I discovered that I am not disciplined out of virtue but as a reaction to my negligence, that I am generous to conceal my meanness, that I pass myself off as prudent because I am evil-minded, that I am conciliatory in order not to succumb to my suppressed rage, that I am punctual only only to hide how little I care about other peoples time. ~ Gabriel Garc a M rquez,
620:There was silence between them for moment, and she wondered if all women, when in love, were torn between two impulses, a longing to throw modesty and reserve to the winds and confess everything, and an equal determination to conceal the love forever, to be cool, aloof, utterly detached, to die rather than admit a thing so personal, so intimate. ~ Daphne du Maurier,
621:It is easy to conceal an emotion no longer felt, much harder to conceal an emotion felt at the moment, especially if the feeling is strong. Terror is harder to conceal than worry, just as rage is harder to conceal than annoyance. The stronger the emotion, the more likely it is that some sign of it will leak despite the liar's best attempt to conceal it. ~ Paul Ekman,
622:the unhappy person is expected to conceal negative feelings, putting on a polite smile to accompany the “Just fine, thank you, and how are you?” reply to the “How are you today?” The true feelings will probably go undetected, not because the smile is such a good mask but because in polite exchanges people rarely care how the other person actually feels. ~ Paul Ekman,
623:Chang nodded sagely. “My father insisted on it. He said, ‘You may be proud of being a scanner. I am sorry you are not a man. Conceal your defects.’ So I tried. I wanted to tell the old boy about the up-and-out, and what we did there, but it did not matter. He said, ‘Airplanes were good enough for Confucius, and they are for me too.’ The old humbug! ~ Cordwainer Smith,
624:I haven't any right to criticize books, and I don't do it except when I hate them. I often want to criticize Jane Austen, but her books madden me so that I can't conceal my frenzy from the reader; and therefore I have to stop every time I begin. Every time I read Pride and Prejudice I want to dig her up and beat her over the skull with her own shin-bone. ~ Mark Twain,
625:Masonry, like all the Religions, all the Mysteries, Hermeticism and Alchemy, conceals its secrets from all except the Adepts and Sages, or the Elect, and uses false explanations and misinterpretations of its symbols to mislead those who deserve only to be misled; to conceal the Truth, which it calls Light from them and to draw them away from it. p.104-5 ~ Albert Pike,
626:here was a silence between them for a moment, and she wondered if all women, when in love, were torn between two impulses, a longing to throw modesty and reserve to the winds and confess everything, and an equal determination to conceal the love forever, to be cool, aloof, utterly detached, to die rather than admit a thing so personal, so intimate. ~ Daphne du Maurier,
627:People tell you to keep your "courage" up. But the time for courage is when she was sick, when I took care of her and saw her suffering, her sadness, and when I had to conceal my tears. Constantly one had to make a decision, put on a mask and that was courage.

--Now, courage means the will to live and there's all too much of that. ~ Roland Barthes,
628:We have continuity in our bodies, which hold experiences that never leave us, experiences our bodies conceal so we can keep going. They hold tightly to them—until we have confidence to trust our bodies again, to loosen their grasp. This relaxation never came to me. My body did not rest. It did not yield. It remained clenched for nearly all of my twenties. ~ Janet Mock,
629:For he will  p hide me in his shelter         in the day of trouble;     he will conceal me under the cover of his tent;         he will  q lift me high upon a rock.     6 And now my  r head shall be lifted up         above my enemies all around me,     and I will offer in his tent         sacrifices with shouts of  s joy;      t I will sing and make melody ~ Anonymous,
630:He did his best to conceal this antipathy, because the one thing he hated, more than constituted authority itself, was to hear constituted authority questioned by anyone but himself. This is perhaps an endemic trait in all who love power, and my father had an absolute passion for power, although he was never in a position to wield it on a notable scale. ~ Anthony Powell,
631:We must put up with our clothes as they are - they have their reason for existing. They are on us to expose us - to advertise what we wear them to conceal. They are a sign; a sign of insincerity; a sign of suppressed vanity; a pretense that we desire gorgeous colors and the graces of harmony and form; and we put them on to propagate that lie and back it up. ~ Mark Twain,
632:making no attempt to conceal his hope that he, a son of the Russian people, might also be cured by this simple Russian folk remedy. He spoke with no trace of hostility—he didn’t want to irritate Bone-chewer—yet there was a reminder in his voice. “But is this method officially recognized?” he asked. “Has it been approved by a government department? ~ Aleksandr Solzhenitsyn,
633:They all knew the adults were compelled to wear disguises in public. For a secret agent like Milligan, disguises were run-of-the-mill—the children were rather used to seeing him transform into a stranger—but it was comical to imagine dear old Mrs. Perumal, for instance, or the burly, mustachioed Moocho Brazos, dressing up to conceal their identities. ~ Trenton Lee Stewart,
634:men and women have two ages: a chronological age, and an emotional age they feel inside. (I’ll explore this subject in more detail in a later chapter.) Men typically conceal evidence of their younger selves in drawers, or buried inside online folders, whereas women are less embarrassed about publicly showcasing their younger selves, and express it openly ~ Martin Lindstrom,
635:We now self-righteously condemn the sexually abusive male. Feminist critics find a lot of hypocrisy in this stance. It allows us to conceal from ourselves that the man's behavior is only an extreme form of a more commonplace aggression toward women and children that is condoned and even encouraged, both in popular media and within the economic power structure. ~ Ian Hacking,
636:The people resemble a wild beast, which, naturally fierce and accustomed to live in the woods, has been brought up, as it were, in a prison and in servitude, and having by accident got its liberty, not being accustomed to search for its food, and not knowing where to conceal itself, easily becomes the prey of the first who seeks to incarcerate it again. ~ Niccolo Machiavelli,
637:He said, he knew no reason why those who entertain opinions prejudicial to the public should be obliged to change, or should not be obliged to conceal them. And as it was tyranny in any government to require the first, so it was weakness not to enforce the second: for a man may be allowed to keep poisons in his closet, but not to vend them about for cordials. ~ Jonathan Swift,
638:It frightened me, how close violence is to the civilized surface of a human being. It wasn't the violence itself that was the worry, it was the amount of effort they'd gone to conceal it. A Homo sapiens was a primitive hunter who had woken each day with the knowledge he could kill. And now, the equivalent knowledge was only that he would wake up and buy something. ~ Matt Haig,
639:Incidentally, in 1951, a close relative of the Mufti named Rahman Abdul Rauf el-Qudwa el-Husseini began study at the University of Cairo. The student decided to conceal his true identity and enlisted under the invented name—Yasser Arafat.” Alex, stunned by what he was hearing, finished the story. “Who went on to found the Palestine Liberation Organization, the PLO. ~ Dan Eaton,
640:We have got to fight it [Communism] with something better, not try to conceal the thinking of our own people. They are part of America. And even if they think ideas that are contrary to ours, their right to say them, their right to record them, and their right to have them at places where they are accessible to others is unquestioned, or it isn't America. ~ Dwight D Eisenhower,
641:Everything I have learned about love, I learned from my mother. For it is mothers who bend, twist, flex, and break most dramatically before our uninitiated eyes. Fathers bear, conceal, inflict, sometimes vanish, so the mythology of domestic union tells us. But mothers absorb, accept, give in, all to tutor daughters in the syntax, the grammar of yearning and love. ~ Marita Golden,
642:We need to be virtually bludgeoned into detachment from our daily lives, our habits and mental laziness, which conceal from us the strangeness of the world. Without a fresh virginity of mind, without a new and healthy awareness of existential reality, there can be no theatre and no art either; the real must be in a way dislocated, before it can be re-integrated. ~ Eug ne Ionesco,
643:In the nineteen years since then, I had learned eleven languages and 713 songs. I had found ways to conceal what I was—even, I was fairly sure, from the Lord of the Radch herself. I had worked as a cook, a janitor, a pilot. I had settled on a plan of action. I had joined a religious order, and made a great deal of money. In all that time I only killed a dozen people. ~ Ann Leckie,
644:Like Jay Rosen, I much prefer transparency to pseudo-objectivity, and I hope he's correct that the industry is shifting in that direction. For journalists and laypeople alike, I believe it's better to be up front about your biases than try- inevitably in vain to conceal them. And when confronted with the inescapable fact you fucked up, apologizing goes a long way. ~ Kate Harding,
645:The only clue to what is in people's minds is in their behavior. If a man behaves strangely, oddly, is not himself--

Then you suspect him?

No. That is just what I mean. A man whose mind is evil and whose intentions are evil is conscious of that fact and he knows that he must conceal it all costs. He dare not, therefore, afford any unusual behavior. ~ Agatha Christie,
646:We all have weaknesses. Some we know about ourselves, and they are obvious to others too. Then we have faults that we are blind to ourselves, but are plain to everyone else. Some weaknesses we deliberately conceal from others. But the most rare are the ones that are both invisible to us and to others. Those we are blind to. They may be our greatest weakness of all. ~ Jeff Wheeler,
647:Her incapacity to recognize change made her children conceal their views from her as Archer concealed his; there had been, from the first, a joint pretense of sameness, a kind of innocent family hypocrisy, in which father and children had unconsciously collaborated. And she died thinking the world a good place, full of loving and harmonious households like her own. ~ Edith Wharton,
648:Ask no one to speak of you, not even contemptuously. And when time passes and you notice how your name is spreading around among people, don't take it more seriously than any of the other things you find on their lips. Think: your name has turned bad, and get rid of it. Take on another, any other, so that God can call you in the night. And conceal it from everyone. ~ Rainer Maria Rilke,
649:Nowhere do the words “slave” or “slavery” appear in the final document. “What will be said of this new principle of founding a right to govern Freemen on a power derived from slaves,” Pennsylvania’s John Dickinson wondered—correctly, as it would turn out. He predicted: “The omitting the Word will be regarded as an Endeavour to conceal a principle of which we are ashamed.”49 ~ Jill Lepore,
650:One may call the world a myth , in which bodies and things are visible, but souls and minds hidden. Besides, to wish to teach the whole truth about the Gods to all produces contempt in the foolish, because they cannot understand, and lack of zeal in the good, whereas to conceal the truth by myths prevents the contempt of the foolish, and compels the good to practice philosophy. ~ Sallust,
651:The aspects of things that are most important to us are hidden because of their simplicity and familiarity,” Wittgenstein says. Thus it may take an outside view to show the native users of a language that their own utterances, which appear so simple and transparent to themselves, are, in fact, enormously complex and contain and conceal the vast apparatus of a true language ~ Oliver Sacks,
652:When you conceal inner reality, this pressure builds. You often don't expose yourself until it reaches extremity, a breaking point, and what emerges is a dramatic shift - at least in the eyes of others, from whom you've hidden the truth. So, dropping out of high school was like that for me. I was fine, I got straight As, I had friends, and then boom, I was like, I'm done. ~ Melissa Febos,
653:One can tell a child everything, anything. I have often been struck by the fact that parents know their children so little. They should not conceal so much from them. How well even little children understand that their parents conceal things from them, because they consider them too young to understand! Children are capable of giving advice in the most important matters. ~ Fyodor Dostoevsky,
654:Advice to Young Journal Keepers. Be lenient with yourself. Conceal your worst faults, leave out your most shameful thoughts, actions, and temptations. Give yourself all the good and interesting qualities you want and haven't got. If you should die young, what comfort would it be to your relatives to read the truth and have to say: It is not a pearl we have lost, but a swine? ~ Rosamond Lehmann,
655:We live this life by a kind of conspiracy of grace: the common assumption, or pretense, that human existence is 'good' or 'matters' or has 'meaning,' a glaze of charm or humor by which we conceal from one another and perhaps even ourselves the suspicion that it does not, and our conviction in times of trouble that it is overpriced - something to be endured rather than enjoyed. ~ Peter De Vries,
656:We attribute to ourselves qualities that we do not possess because if we possessed them, our lives would exactly mirror our image of ourselves. Our lies about what is really happening in our lives are what we use to "patch up" our ego with rationalizations and justifications, all of which conceal from us the fact that we cannot really do anything because we have no Being. ~ Laura Knight Jadczyk,
657:When people say they don't want to get into a relationship, it should never be taken into face value because it is never really the whole truth. It is usually a vast collection of issues and fears and complications, forced to conceal one tiny hope lurking underneath it all: that someday, somebody will come along to discover, accept and understand and strengthen that feeble hope. ~ Marla Miniano,
658:I'd never been this close to the Obscure Object before. It was hard on my organism. My nervous system launched into "Flight of the Bumblebee." The violins were sawing away in my spine. The timpani were banging in my chest. At the same time, trying to conceal all of this, I didn't move a muscle. I heardly breathed. That was the deal basically: catatonia without; frenzy within. ~ Jeffrey Eugenides,
659:She was heartily ashamed of her ignorance. A misplaced shame. Where people wish to attach, they should always be ignorant. To come with a well-informed mind is to come with an inability of administering to the vanity of others, which a sensible person would always wish to avoid. A woman especially, if she have the misfortune of knowing anything, should conceal it as well as she can. ~ Jane Austen,
660:When I got back to Marceline, I did not conceal from her how tedious I found all these acquaintances.
"They are all alike," I said to her. "When I talk to one, I feel as if I were talking to the whole lot."
"But, my dear," said Marceline, "you can't expect each of them to be different from the others."
"The greater their likeness to each other, the more unlike they are to me. ~ Andr Gide,
661:She was heartily ashamed of her ignorance - a misplaced shame. Where people wish to attach, they should always be ignorant. To come with a well−informed mind is to come with an inability of administering to the vanity of others, which a sensible person would always wish to avoid. A woman especially, if she have the misfortune of knowing anything, should conceal it as well as she can. ~ Jane Austen,
662:I think you are a liar because you think you know what is true. You think you feel what is true. But you do not yet know what you do feel and what you do know. Your desire and do not take; you love and are too afraid to feel your love; you conceal your vanity and pettiness from yourself; you are afraid to look into your soul and see what you are. That iis why i think you are a liar. ~ Alison Croggon,
663:The first known European book to describe the use of cryptography was written in the thirteenth century by the English Franciscan monk and polymath Roger Bacon. Epistle on the Secret Works of Art and the Nullity of Magic included seven methods for keeping messages secret, and cautioned: “A man is crazy who writes a secret in any other way than one which will conceal it from the vulgar. ~ Simon Singh,
664:Yes.” Edward rolled his eyes. “It’s a terrible secret, that. I am trying dreadfully to conceal it. I openly altered my life for weeks on end for your sister. I single-handedly stopped an arsonist from setting fire to her business. When confronted with that evidence, it took you a mere three hours to determine that I harbored an affection for her. Truly, you have a massive intellect. ~ Courtney Milan,
665:Advice to Young Journal Keepers. Be lenient with yourself. Conceal your worst faults, leave out your most shameful thoughts, actions, and temptations. Give yourself all the good and interesting qualities you want and haven't got. If you should die young, what comfort would it be to your relatives to read the truth and have to say: It is not a pearl we have lost, but a swine? ~ Rosamond Lehmann,
666:For example, the insurance industries and the big banks are absolutely euphoric now - on the business pages they don't even conceal it - because they've succeeded in coming out of the crisis even stronger than they were before, and in a better position to lay the basis for the next crisis. But they don't care, because they'll get bailed out again. That's class consciousness with a vengeance. ~ Noam Chomsky,
667:There is a pleasure in the pathless woods,
There is a rapture on the lonely shore,
There is society, where none intrudes,
By the deep Sea, and music in its roar:
I love not Man the less, but Nature more,
From these our interviews, in which I steal
From all I may be, or have been before,
To mingle with the Universe, and feel
What I can ne’er express, yet cannot all conceal. ~ Lord Byron,
668:The role of capitalist ideology is not to make an explicit case for something in the way that propaganda does, but to conceal the fact that the operations of capital do not depend on any sort of subjectively assumed belief. It is impossible to conceive of fascism or Stalinism without propaganda - but capitalism can proceed perfectly well, in some ways better, without anyone making a case for it. ~ Mark Fisher,
669:He had always told her that there was only one existence, one science, one religion, that the external world was but a variegated shadow which might either conceal or reveal the truth; and now she believed. He had shewn her that bodily rapture might be the ritual and expression of the ineffable mysteries, of the world beyond sense, that must be entered by the way of sense; and now she believed. ~ Arthur Machen,
670:Indulgence is emptiness. I have proved the limits of food and frivolity. There is no real fulfillment in meaningless rushes of pleasure. You try to conceal the emptiness with more extravagance, only to find the thrills becoming less satisfying and more fleeting. Most pleasures are best as a seasoning, not the main course. However you try to disguise it, you end up feeding without being nourished. ~ Brandon Mull,
671:Do you solemnly swear never to conceal a vital clue from the reader? Do you promise to observe seemly moderation in the use of gangs, conspiracies, Super Criminals and Lunatics and utterly and forever to forswear Mysterious Poisons unknown to science? Will you honor the King's English? ... If you fail to keep your promise, may other writers steal your plots and your pages swarm with misprints. ~ Dorothy L Sayers,
672:What's your favorite sport, Zack?"

Zack tipped her chin up. "My favorite sport," he said in an aching, husky voice he scarcely recognized as his own, "is making love to you."

Her eyes darkened with a love she wasn't trying to conceal from him anymore. "What's your favorite food?" she asked shakily.

In answer, Zack bent his head and touched her lips in a soft kiss. "You are. ~ Judith McNaught,
673:As I stand over the insect crawling amid the pine needles on the forest floor, and endeavoring to conceal itself from my sight, and ask myself why it will cherish those humble thoughts, and hide its head from me who might, perhaps, be its benefactor, and impart to its race some cheering information, I am reminded of the greater Benefactor and Intelligence that stands over me the human insect. ~ Henry David Thoreau,
674:But it is no use to justify yourself. It is no good to explain. It is weak to be anecdotal. It is wise to conceal the past even if there is nothing to conceal. A man's power is in the half-light, in the half-seen movements of his hand and the unguessed-at expression of his face. It is the absence of facts that frightens people: the gap you open, into which they pour their fears, fantasies, desires. ~ Hilary Mantel,
675:But it is no use to justify yourself. It is no good to explain. It is weak to be anecdotal. It is wise to conceal the past even if there is nothing to conceal. A man’s power is in the half-light, in the half-seen movements of his hand and the unguessed-at expression of his face. It is the absence of facts that frightens people: the gap you open, into which they pour their fears, fantasies, desires. ~ Hilary Mantel,
676:By academic freedom I understand the right to search for truth and to publish and teach what one holds to be true. This right implies also a duty: one must not conceal any part of what on has recognized to be true. It is evident that any restriction on academic freedom acts in such a way as to hamper the dissemination of knowledge among the people and thereby impedes national judgment and action. ~ Albert Einstein,
677:The British were unhinged by the colonists' unorthodox fighting style and shocking failure to abide by gentlemanly rules of engagement. One scandalized British soldier complained that the American riflemen 'conceal themselves behind trees etc. till an opportunity presents itself of taking a shot at our advance sentries, which done, they immediately retreat. What an unfair method of carrying on a war! ~ Ron Chernow,
678:Every woman who loves a man and is anxious about him is sure that if she can be alone with him for a moment, he will tell her the truth about his condition. The experience of thousands of years has not taught women that if there is one person in the world from whom a man will try to conceal his ills and aches, it is the woman he loves, because he would rather suffer everything than give her pain ~ F Marion Crawford,
679:The Truth, but not the whole Truth. Nothing demands more caution than the truth: ’tis the lancet of the heart. It requires as much to tell the truth as to conceal it. A single lie destroys a whole reputation for integrity. The deceit is regarded as treason and the deceiver as a traitor, which is worse. Yet not all truths can be spoken: some for our own sake, others for the sake of others. clxxxii ~ Baltasar Graci n,
680:When the truth is ugly, people try to keep it hidden, because they know if revealed, the damage it will do. So they conceal it within sturdy walls or they place it behind closed doors or they obscure it with clever disguises but truth, no matter how ugly, always emerges. And someone we care about always ends up getting hurt. And someone else will revel in their pain and that's the ugliest truth of all. ~ Mary Alice,
681:Imitation becomes intensified at the heart of the hostility, but the rivals do all they can to conceal from each other and from themselves the cause of this intensification. Unfortunately, concealment doesn't work. In imitating my rival's desire I give him the impression that he has good reasons to desire what he desires, to possess what he possesses, and so the intensity of his desire keeps increasing. ~ Ren Girard,
682:Now I recognized the greatness of spirit that had made us choose to disappear rather than live in a world no longer suited to us. If I survived it was only so that one of us could continue to feel himself a Dinosaur in the midst of these wretches who tried to conceal, with stupid teasing, the fear that still dominated them. And what choice did the New Ones have, beyond the choice between mockery and fear? ~ Anonymous,
683:On some days I think it would be better if there were no religions. All religions and all scriptures conceal the potential for violence. That is why we need secular ethics beyond all religions. It is more important for schools to have classes on ethics than religion. Why? Because it’s more important for humanity’s survival to be aware of our commonalities than to constantly emphasize what divides us. ~ Dalai Lama XIV,
684:You think too much of your "toilette", Adele; but you may have a flower." I took a rose from a vase and fastened it in her sash. She sighed a sign of ineffable satisfaction, as if her cup of happiness were now full. I turned my face away to conceal a smile I could not suppress; there was something ludicrous as well as painful in the little Parisienne's earnest and innate devotion to matters of dress. ~ Charlotte Bront,
685:All that is proper to man, however, is faith in the attainable truth, in the ever approaching, confidence-inspiring illusion. Does he not in fact live by constant deception? Doesn’t nature conceal virtually everything from him, even what is nearest, for example, his own body, of which he has only a spurious “consciousness"? He is locked up in this consciousness, and nature has thrown away the key. ~ Friedrich Nietzsche,
686:Nor do piecemeal steps however well intended, even partially resolve problems that have reached a universal, global and catastrophic character. If anything, partial 'solutions' serve merely as cosmetics to conceal the deep seated nature of the ecological crisis. They thereby deflect public attention and theoretical insight from an adequate understanding of the depth and scope of the necessary changes. ~ Murray Bookchin,
687:The man who partakes in the breaking of the bread dares to build his house on the very core of love. He becomes, as it were, Godlike, but regardless of the strength he derives from it, his free will remains. We are always free to disown this immense grace, to abuse it. The Greatest Love may be betrayed. Fed on the Living Bread, we nevertheless conceal a part of ourselves which longs for swine's food. ~ Francois Mauriac,
688:Intellectual cowardice is only one of the problems of the academic community. Fort rubbed their
noses in the swill generated by their gibberish and illiteracy. It was no secret then or now that
academic publications are designed to protect the inept and to conceal ignorance. People with
nothing to say, who even lack the ability to say nothing, can hide behind the academic method for a
lifetime. ~ John A Keel,
689:When the Federal Reserve Act was passed, the people of these United States did not perceive that a world banking system was being set up here. A super-state controlled by international bankers and international industrialists acting together to enslave the world for their own pleasure. Every effort has been made by the Fed to conceal its powers but the truth is - The Fed has usurped the government!! ~ Louis Thomas McFadden,
690:I know I must conceal my sentiments: I must smother hope; I must remember that he cannot care much for me. For when I say that I am of his kind, I do not mean that I have his force to influence, and his spell to attract: I mean only that I have certain tastes and feelings in common with him.I must, then, repeat continually that we are forever sundered: - and yet, while I breathe and think, I must love him. ~ Charlotte Bront,
691:Lately I have come to believe that an as yet undiscovered human need and even a property of matter is the desire for revelation. The truth within us has a way of coming out despite all conscious efforts to conceal it. I have heard stories from those in the generation after the war, all speaking of the same struggle to ferret truth from the silence of their parents so that they themselves could begin to live. ~ Susan Griffin,
692:When your Super Bowl guests arrive, they should find a mound of potato chips large enough to conceal a pony sitting in front of the television. For nutritional balance, you should also put out a bowl of carrot sticks. If you have no carrot sticks, you can use pinecones, or used electrical fuses, because nobody will eat them anyway. This is no time for nutritional balance: This is the Super Bowl, for God's sake. ~ Dave Barry,
693:I know I must conceal my sentiments: I must smother hope; I must remember that he cannot care much for me. For when I say that I am of his kind, I do not mean that I have his force to influence, and his spell to attract: I mean only that I have certain tastes and feelings in common with him.I must, then, repeat continually that we are forever sundered: - and yet, while I breathe and think, I must love him. ~ Charlotte Bronte,
694:Rakitin doesn’t like God, oof, how he doesn’t! That’s the sore spot in all of them! But they conceal it. They lie. They pretend. ‘What, are you going to push for that in the department of criticism?’ I asked. ‘Well, they won’t let me do it openly,’ he said, and laughed. ‘But,’ I asked, ‘how will man be after that? Without God and the future life? It means everything is permitted now, one can do anything? ~ Fyodor Dostoyevsky,
695:Devil does not bring sinners to Hell with their eyes open: he first blinds them with the malice of their own sins. He thus leads them to eternal perdition. Before we fall into sin, the enemy labours to blind us, that we may not see the evil we do, and the ruin we bring upon ourselves by offending God. After we commit sin, he seeks to make us dumb, that, through shame, we may conceal our guilt in confession. ~ Alphonsus Liguori,
696:the Wall Street Journal brilliantly quoted President Eisenhower: “Don’t join the book burners. Don’t think you are going to conceal thoughts by concealing the fact that they ever existed. Even if they think ideas that are contrary to ours, their right to say them, their right to record them, and their right to have them at places where they are accessible to others is unquestioned, or it isn’t American.”160 ~ Milo Yiannopoulos,
697:I sometimes hold it half a sin To put in words the grief I feel For words, like nature, half reveal And half conceal the soul within. But, for the unquiet heart and brain A use measured language lie's The sad mechanic exercise Like dull narcotic's, numbing pain In words, like weeds, I'll wrap me o'er Like coarsest clothes against the cold But large grief which these enfold Is given in outline and no more. ~ Alfred Lord Tennyson,
698:Within every man and woman a secret is hidden, and as a photographer it is my task to reveal it if I can. The revelation, if it comes at all, will come in a small fraction of a second with an unconscious gesture, a gleam of the eye, a brief lifting of the mask that all humans wear to conceal their innermost selves from the world. In that fleeting interval of opportunity the photographer must act or lose his prize. ~ Yousuf Karsh,
699:Besides, the woman who strengthens her body and exercises her mind will, by managing her family and practising various virtues, become the friend, and not the humble dependent of her husband; and if she deserves his regard by possessing such substantial qualities, she will not find it necessary to conceal her affection, nor to pretend to an unnatural coldness of constitution to excite her husband's passions. ~ Mary Wollstonecraft,
700:Even the best-conducted women [...] have an aversion for the impotent,” [...] so one should conceal one’s wounds and hide the crippling deficiencies of life – poverty, misfortune, sickness, ill-success. People begin by being touched and moved to tenderness by their friends’ distress; presently this changes to pity, which has something humiliating about it; then to a masterful giving of advice; and then to scorn. ~ Patrick O Brian,
701:If we were all given by magic the power to read each other’s thoughts, I suppose the first effect would be almost all friendships would be dissolved; the second effect, however, might be excellent, for a world without any friends would be felt to be intolerable, and we should learn to like each other without needing a veil of illusion to conceal from ourselves that we did not think each other absolutely perfect. ~ Bertrand Russell,
702:SGTCWGC GUIDELINES HOW TO GET CAUGTH 1. Text and read texts openly in class. 2. Look at your phone and laugh. 3. Wear clothing without pockets. 4. Forget to silence your phone. HOW NOT TO GET CAUGTH 1. Text without looking at your phone. 2. Sneak a peek at your phone and respond later. 3. Wear a sweatshirt with a front pocket or carry a purse to conceal your phone. 4. Know where your teacher is at all times. ~ Rachel Ren e Russell,
703:Devil does not bring sinners to Hell with their eyes open: he first blinds them with the malice of their own sins. He thus leads them to eternal perdition. Before we fall into sin, the enemy labours to blind us, that we may not see the evil we do, and the ruin we bring upon ourselves by offending God. After we commit sin, he seeks to make us dumb, that, through shame, we may conceal our guilt in confession. ~ Saint Alphonsus Liguori,
704:It had been too long since he had bedded a woman.
Sir Ross Cannon could think of no other explanation for his reaction to Sophia Sydney... a response so powerful that he was forced to sit behind his desk to conceal a sudden, uncontrollable erection. Perplexed, he stared intently at the woman, wondering why her mere presence was enough to ignite such raging heat inside him. No one ever caught him off guard this way. ~ Lisa Kleypas,
705:Thanks for the blue balls.”
He fits his earpiece in. “You’ll thank me more when I take all of you in my mouth.”
My muscles clench, blood heating at the visual. I look back at Farrow.
His lips rise. “You’re easily hot and bothered.”
“And you’re not?” I combat.
“I conceal mine better. Comes with the territory.” He motions to his radio. “Don’t look so sad, wolf scout. You can’t be the best at everything. ~ Krista Ritchie,
706:They should own who can administer, not they who hoard and conceal; not they who, the greater proprietors they are, are only the greater beggars, but they whose work carves out work for more, opens a path for all. For he is the rich man in whom the people are rich, and he is the poor man in whom the people are poor; and how to give all access to the masterpieces of art and nature is the problem of civilization. ~ Ralph Waldo Emerson,
707:Call me Mac," he said.
Mackadocious is more like it.
"For the next month, I will be your writing instructor..."
Lip Macking Good.
"It was Alfred, Lord Tennyson, who said, 'Words, like Nature, half reveal and half conceal the Soul within...'"
Big Mac Attack.
"Here, in the next five weeks, I hope you do more revealing than concealing..."
Oh, I'll reveal more than that if you want me to, Mac Daddy. ~ Megan McCafferty,
708:In the work environment the stakes are suddenly raised. People are no longer struggling for good grades or social approval, but for survival. Under such pressure, they reveal qualities of their characters that they normally try to conceal. They manipulate, compete, and think of themselves first. We are blindsided by this behavior and our emotions are churned up even more than before, locking us into the Naïve Perspective. ~ Robert Greene,
709:When I first met you, I thought: There is a girl in a million. She isn't like these other silly little fools who believe everything their mammas tell them and act on it, no matter how they feel. And conceal all their feelings and desires and little heartbreaks behind a lot of sweet words. I thought: Miss O'Hara is a girl of rare spirit. She knows what she wants and she doesn't mind speaking her mind–or throwing vases. ~ Margaret Mitchell,
710:Advice is offensive, not because it lays us open to unexpected regret, or convicts us of any fault which had escaped our notice, but because it shows us that we are known to others as well as to ourselves; and the officious monitor is persecuted with hatred, not because his accusation is false, but because he assumes that superiority which we are not willing to grant him, and has dared to detect what we desired to conceal. ~ Samuel Johnson,
711:And, looking out of the sculptor’s great window, upon the marble mountains, all red and glowing in the decline of day, but stern and solemn to the last, I thought, my God! how many quarries of human hearts and souls, capable of far more beautiful results, are left shut up and mouldering away: while pleasure-travellers through life, avert their faces, as they pass, and shudder at the gloom and ruggedness that conceal them! ~ Charles Dickens,
712:And there are other dangers potentially more dangerous than even nuclear war. There is AIDS. There is terrorism. There are drugs and more to the point the darkness of our time that makes people seek escape in drugs. There is the slow poisoning of what we call "the environment" of all things as if with that absurdly antiseptic phrase we can conceal from ourselves that what we are really poisoning is home, is here, is us. ~ Frederick Buechner,
713:The facts are always frightening, and in all of us fear of the facts is constantly at work, constantly being fuelled; but this morbid fear must not lead us to conceal the facts and so to falsify the whole of human history -- which is of course part of natural history -- and pass it on in falsified form just because it is customary to do so, when we know that all history is falsified and always transmitted in falsified form. ~ Thomas Bernhard,
714:When I came on board, it was halfway through his [Frank Sinatra] 72nd year, and when he did his last show he was gaining on 80. He knew it, the audience knew it, and there was never any attempt to conceal such a thing. His vision wasn't what it had once been. His hearing wasn't. His memory was fading. He knew these things. He was very much in need of help, and I was so happy to be able, in a small way, to render that help. ~ Frank Sinatra Jr,
715:SECTION 11: Truth of Divine Revelation 91  And they honour not Allah with the honour due to Him, when they say: Allah has not revealed anything to a mortal.a Say: Who revealed the Book which Moses brought, a light and a guidance to men — you make it into (scattered) papers,b which you show and you conceal much? And you are taught that which neither you nor your fathers knew. Say: Allah. Then leave them sporting in their idle talk. ~ Anonymous,
716:I had to come here to realise the full stature of men: here outside a grass hut, on a rough wooden bench, with no noise, no crowds, no appointments, no axe to grind, no secret to conceal, all the space and time in the world, and my heart as translucent as the glass of tea in my hand. The sense of affinity with these men is so strong that I would tear down every building in the West if I thought it would bring us together like this. ~ Ted Simon,
717:Whereas, according to the declaration of that true man of the world Talleyrand, the use of language is to conceal the thoughts; this is to declare in the present instance, when I say I am not able to bear much talking, it means really, and without any mistake, or equivocation, or oblique meaning, or implication, or subterfuge, or omission, that I am not able; being at present rather weak in the head, and able to work no more. ~ Michael Faraday,
718:As a child, I survived by forgetting. Later, the amnesia became a problem as large as the one it was meant to conceal. However, I did not remember my past until the homemade bomb was defused, until the evil was contained, until I was stable enough and happy enough that sorrow or anger or regret or pain was overwhelmed by joy at my release. To reach this state, I needed the help of friends and healers. This I had in abundance. (252) ~ Sylvia Fraser,
719:Power corrupts—that has been said and written so often that it has become a cliché. But what is never said, but is just as true, is that power reveals. When a man is climbing, trying to persuade others to give him power, he must conceal those traits that might make others reluctant to give it to him, that might even make them refuse to give it to him. Once the man has power, it is no longer necessary for him to hide those traits. In ~ Robert A Caro,
720:Paul was the only scholar among the apostles. He never displays his learning, considering it of no account as compared with the excellency of the knowledge of Christ, for whom he suffered the loss of all things, but he could not conceal it, and turned it to the best use after his conversion. Peter and John had natural genius, but no scholastic education; Paul had both, and thus became the founder of Christian theology and philosophy. ~ Philip Schaff,
721:What does man actually know about himself? Is he, indeed, ever able to perceive himself completely, as if laid out in a lighted display case? Does nature not conceal most things from him - even concerning his own body - in order to confine and lock him within a proud, deceptive consciousness, aloof from the coils of the bowels, the rapid flow of the blood stream, and the intricate quivering of the fibers! She threw away the key. ~ Friedrich Nietzsche,
722:What does man actually know about himself? Is he, indeed, ever able to perceive himself completely, as if laid out in a lighted display case? Does nature not conceal most things from him — even concerning his own body — in order to confine and lock him within a proud, deceptive consciousness, aloof from the coils of the bowels, the rapid flow of the blood stream, and the intricate quivering of the fibers! She threw away the key. ~ Friedrich Nietzsche,
723:I understood very clearly that something was required of me, but could not guess what I was expected to do. Some persons, knowing that they were later going to ask a favour, would have made themselves more agreeable when a favour was being asked of them. That was not Widmerpool’s way. I almost admired him for making so little effort to conceal his lack of interest in my own affairs, while waiting his time to demand something of myself. ~ Anthony Powell,
724:As he went about to the other workrooms he realised that every painting was a self-portrait even when it was a still life or a scene over the roofs of Paris; for no man ever pictured anything but himself, his core, the things that he was basically. With every brush stroke the artist was mercilessly exposed: he could not conceal nothing, he could pretend to be another person, to believe in other values, but in the end he would fool no one. ~ Irving Stone,
725:"Blessed are the pure in heart, for they shall see God." Blessed are those who have preserved internal sanctity of soul; who are conscious of no secret deceit; who are the same in act as they are in desire; who conceal no thought, no tendencies of thought, from their own conscience; who are faithful and sincere witnesses, before the tribunal of their own judgments, of all that passes within their mind. Such as these shall see God. ~ Percy Bysshe Shelley,
726:If words had cost money, Tom couldn't have used them more sparingly. The adjectives were purely descriptive, relating to form and colour, and were used to present the objects under consideration, not the young explorer's emotions. Yet through this austerity one felt the kindling imagination, the ardour and excitement of the boy, like the vibration in a voice when the speaker strives to conceal his emotion by using only the conventional phrases. ~ Willa Cather,
727:We all tend to judge others by ourselves; that’s human nature. Edward Said, a Palestinian born in Jerusalem and an English professor, was bitterly and viciously anti-British. He assumed that an Englishman who was a professor of Arabic would have the same attitude to his subject as he had to his. [Explaining why he, as a Jewish and British, was accused of barely conceal disdain for subject matter of his scholarship in Edward Said's 'Orientalism'] ~ Bernard Lewis,
728:The Romans learn Art from their Greek slaves, but they learn reluctantly. They are almost Modern in their reluctance; they are almost ready to say that a killing machine is beautiful if it works. They are not quite that modern, and they let Greek craftsmen conceal the brutal militarism with Architecture, Sculpture and Painting. They learn Aesthetics, that strange ability to see in blood gushing from a wound only the beauty of the shape and color. ~ Fredy Perlman,
729:We turned onto the last landing. Going out with this guy, I thought, would involve a lot of silly laughter, some wit--the buzz of his whispered wisecracks in my ear. But there would be as well his willingness to reveal, or more his inability to conceal, that he had been silently rehearsing my name as he climbed the stairs behind me. There would be his willingness to bestow upon me the power to reassure him. He would trust me with his happiness. ~ Alice McDermott,
730:That philosopher who orders us to conceal ourselves and to care for no one but ourselves and who wishes us to remain unknown to others, wants us even less to be held in honour and glory by them. He also advised Idomeneus in no wise to govern his actions by reputation or by common opinion, except to avoid such incidental disadvantages as the contempt of men might bring him.10 Those words are infinitely true, in my opinion, and are reasonable. ~ Michel de Montaigne,
731:The tongue can conceal the truth, but the eyes never! You're asked an unexpected question, you don't even flinch, it takes just a second to get yourself under control, you know just what you have to say to hide the truth, and you speak very convincingly, and nothing in your face twitches to give you away. But the truth, alas, has been disturbed by the question, and it rises up from the depths of your soul to flicker in your eyes and all is lost. ~ Mikhail Bulgakov,
732:We must not conceal from ourselves that no improvement in the present depressing situation is possible without a severe struggle; for the handful of those who are really determined to do something is minute in comparison with the mass of the lukewarm and the misguided. And those who have an interest in keeping the machinery of war going are a very powerful body; they will stop at nothing to make public opinion subservient to their murderous ends. ~ Albert Einstein,
733:I speak now, Harry Potter, directly to you. You have permitted your friends to die for you rather than face me yourself. I shall wait for one hour in the Forbidden Forest. If, at the end of that hour, you have not come to me, have not given yourself up, then battle recommences. This time, I shall enter the fray myself, Harry Potter, and I shall find you, and I shall punish every last man, woman, and child who has tried to conceal you from me. One hour. ~ J K Rowling,
734:have no way of knowing what combination of external pressures and personal failings led that physician to conceal a less costly cure from my friend and keep her on expensive and ineffective drugs with a gallery of noxious side effects instead, but from outside the walls of the office, it certainly looked like a callous betrayal of whatever ethics the medical profession might still have left—and again, the view from outside is the one that counts. ~ John Michael Greer,
735:The convoluted wording of legalisms grew up around the necessity to hide from ourselves the violence we intend toward each other. Between depriving a man of one hour from his life and depriving him of his life there exists only a difference of degree. You have done violence to him, consumed his energy. Elaborate euphemisms may conceal your intent to kill, but behind any use of power over another the ultimate assumption remains: "I feed on your energy. ~ Frank Herbert,
736:The convoluted wording of legalisms grew up around the necessity to hide from ourselves the violence we intend toward each other. Between depriving a man of one hour from his life and depriving him of his life there exists only a difference of degree. You have done violence to him, consumed his energy. Elaborate euphemisms may conceal your intent to kill, but behind any use of power over another the ultimate assumption remains: “I feed on your energy. ~ Frank Herbert,
737:Narcissists gaslight you so you begin to gaslight yourself into thinking what you are feeling, hearing, seeing and experiencing isn’t true. A narcissistic partner can manipulate you into thinking that perhaps that hurtful comment really was just a joke and that their infidelity was just a one-time thing. Many of these partners engage in pathological lying and rewrite reality on a daily basis to suit their needs and to conceal their manipulative agenda. ~ Shahida Arabi,
738:This is a world of lies and always has been. We live in a time of even greater deceptions than in centuries past. So much of what we're told, what we see on TV, what we read in the newspapers or on the Internet, is invented to conceal the truth, protect the wicked, increase the power of those who already have more power than all the kings of history combined."

"I don't disagree," she said. "But what does that have to do with the price of a pistol? ~ Dean Koontz,
739:Try flying any plane with a baby if you want a sense of what it must have been like to be a leper in the fourteenth century, but try the shuttle for the ultimate in shunning. All those men in suits, looking at you as if your baby is going to throw up over their speech drafts; all those men in suits who used to look at me with respect when I pulled out my American Express gold card, now barely able to conceal their contempt for me and my portable Wet Ones. ~ Nora Ephron,
740:We very often express in a categorical form a judgment of which we do not feel assured, we even lay stress on its absolute validity. We want to see what opposition it will arouse, and this can be achieved only by stating our assumption not as a tentative suggestion, which no one will consider, but as an irrefutable, all-important truth. The greater the value of the assumption has for us, the more carefully do we conceal any suggestion of its improbability. ~ Lev Shestov,
741:Such are the limitations of the common mind, and so thoroughly engrossing are the cares of common life, that only the few among men can discern through the glitter and dazzle of present prosperity the dark outlines of approaching disasters, even though they may have come up to our very gates, and are already within striking distance. The yawning seam and corroded bolt conceal their defects from the mariner until the storm calls all hands to the pumps. ~ Frederick Douglass,
742:The darkness is thick enough to conceal the worst crimes, leaving behind nothing but the fading stench of burning flesh that creeps into our nose and dies inside our veins. I open the window a tiny bit, finding little comfort in the thought that the distant screams of pain would awake me. I would be strong enough to lull myself into believing it was just a dream. The blissful dream of a lonely heart that finds succor in the everlasting arms of a fantasy. ~ Ingrid Nickelsen,
743:If a person feels terrible, it usually should not be shown or acknowledged during a greeting exchange. Instead, the unhappy person is expected to conceal negative feelings, putting on a polite smile to accompany the “Just fine, thank you, and how are you?” reply to the “How are you today?” The true feelings will probably go undetected, not because the smile is such a good mask but because in polite exchanges people rarely care how the other person actually feels. ~ Paul Ekman,
744:[In reference to King John] "But his moods are fickle and he trusts no one. He wants others to love him and he tries to make them do it, but he's watching them all the time."
She moved round to face him and caught the bleak misery in his expression that he hadn't been swift enough to conceal.
"He surrounds himself with mercenaries and paid men who will do whatever he commands and agree with him whatever he says or does," Will said, dropping his gaze. ~ Elizabeth Chadwick,
745:Old Marcus still managed to function with disquieting resilience. Some never-atrophying instinct warned hi of danger, of gangings up against him--he was never so dangerous himself as when others considered him surrounded. His grey face had attained such immobility that even those who were accustomed to watch the reflex of the inner corner of his eye could no longer see it. Nature had grown a little white whisker there to conceal it; his armor was complete. ~ F Scott Fitzgerald,
746:To put it more precisely, since language is by definition the expression of civilised man, violence is silent. Civilisation and language grew as though violence was something outside. But silence cannot do away with things that language cannot state. Violence is as stubbornly there just as much as death, and if language cheats to conceal universal annihilation, the placid work of time, language alone suffers, language is the poorer, not time and not violence. ~ Georges Bataille,
747:I have never conceived that having been in public life required me to belie my sentiments, or to conceal them. Opinion and the just maintenance of it shall never be a crime in my view, nor bring injury on the individual. I never will by any word or act, bow to the shrine of intolerance. I never had an opinion in politics or religion which I was afraid to own; a reserve on these subjects might have procured me more esteem from some people, but less from myself. ~ Thomas Jefferson,
748:A personal over-concentration upon power as an end in itself is always suspect to the psychologist: he reads into it an attempt to conceal inferiority, impotence, anxiety. When this tendency is combined with inordinate ambitions, uncontrolled hostility and suspicion, and a loss of any sense of the subject's own limitations, leading to 'delusions of grandeur,' this becomes the typical syndrome of paranoia: one of the most difficult psychological states to exorcise. ~ Lewis Mumford,
749:Rare almost as great poets, rarer, perhaps, than veritable saints and martyrs; are consummate men of business. A man, to be excellent in this way, requires a great knowledge of character, with that exquisite tact which feels unerringly the right moment when to act. A discreet rapidity must pervade all the movements of his thought and action. He must be singularly free from vanity, and is generally found to be an enthusiast who has the art to conceal his enthusiasm. ~ Arthur Helps,
750:A word on the display of emotions. Almost no one can conceal his emotions. Behavioral scientists believe that one of the main reasons why people become leaders is not from what skills they seem to possess, but rather from what extremely superficial impression they make on others through hardly perceptible physical signals—what we call today “charisma,” for example. The biology of the phenomenon is now well studied under the subject heading “social emotions. ~ Nassim Nicholas Taleb,
751:But mostly it was justice. If they would do it to him, they would do it to anyone. Darling picked the mask up that he’d made for himself, and covered his face with it. Shaped from solid gold, it held a blank expression—justice took neither pleasure nor pain from punishment. It just was. Frigid, unfeeling, and swift. The only part of him the mask didn’t conceal was his scarred mouth and his eyes. Eyes that were now as cold as the rest of him. I am retribution. For ~ Sherrilyn Kenyon,
752:Criticism is above all a gift, an intuition, a matter of tact and flair; it cannot be taught or demonstrated--it is an art. Critical genius means an aptitude for discerning truth under appearances or in disguises which conceal it; for discovering it in spite of the errors of testimony, the frauds of tradition, the dust of time, the loss or alteration of texts. It is the sagacity of the hunter whom nothing deceives for long, and whom no ruse can throw off the trail. ~ Henri Frederic Amiel,
753:ALICE GREEN WAS DRESSED in green when Lucas arrived: a green blouse the color of her eyes, a much darker green jacket in a kind of knobby fabric, and black slacks that appeared to be form-fitting until you looked closely. She was paying for a cup of coffee, and Lucas looked closely, and realized that everything she wore was functional, nice-looking but tough, rather than luxurious, and well suited to a fight; the jacket was long enough and loose enough to conceal a pistol. ~ John Sandford,
754:All the beauty and sublimity we have bestowed upon real and imaginary things I will reclaim as the property and product of man: as his fairest apology. Man as poet, as thinker, as God, as love, as power: with what regal liberality he has lavished gifts upon things so as to impoverish himself and make himself feel wretched! His most unselfish act hitherto has been to admire and worship and to know how to conceal from himself that it was he who created what he admired. ~ Friedrich Nietzsche,
755:Vain men delight in telling what Honours have been done them, what great Company they have kept, and the like; by which they plainly confess, that these Honours were more than their Due, and such as their Friends would not believe if they had not been told: Whereas a Man truly proud, thinks the greatest Honours below his Merit, and consequently scorns to boast. I therefore deliver it as a Maxim that whoever desires the Character of a proud Man, ought to conceal his Vanity. ~ Jonathan Swift,
756:The ocean, whose tides respond, like women's menses, to the pull of the moon, the ocean which corresponds to the amniotic fluid in which human life begins, the ocean on whose surface vessels (personified as female) can ride but in whose depth sailors meet their death and monsters conceal themselves... it is unstable and threatening as the earth is not; it spawns new life daily, yet swallows up lives; it is changeable like the moon, unregulated, yet indestructible and eternal. ~ Adrienne Rich,
757:Most of us live our lives desperately trying to conceal the anguishing gap between our polished, aspirational, representational selves and our real, human, deeply flawed selves. Dunham lives hers in that gap, welcomes the rest of the world into it with boundless openheartedness, and writes about it with the kind of profound self-awareness and self-compassion that invite us to inhabit our own gaps and maybe even embrace them a little bit more, anguish over them a little bit less. ~ Maria Popova,
758:The colours of insects and many smaller animals contribute to conceal them from the larger ones which prey upon them. Caterpillars which feed on leaves are generally green; and earth-worms the colour of the earth which they inhabit; butter-flies, which frequent flowers, are coloured like them; small birds which frequent hedges have greenish backs like the leaves, and light-coloured bellies like the sky, and are hence less visible to the hawk who passes under them or over them. ~ Erasmus Darwin,
759:Christ had no interest in gathering vast crowds of professed adherents who would melt away as soon as they found out what following Him actually demanded of them. In our own presentation of Christ's gospel, therefore, we need to lay a similar stress on the cost of following Christ and make sinners face it soberly before we urge them to respond to the message of free forgiveness. In common honesty, we must not conceal the fact that free forgiveness in one sense will cost everything. ~ J I Packer,
760:Every good, true, vigorous feeling I have gathers impulsively round him. I know I must conceal my sentiments: I must smother hope; I must remember that he cannot care much for me. For when I say that I am of his kind, I do not mean that I have his force to influence, and his spell to attract; I mean only that I have certain tastes and feelings in common with him. I must, then, repeat continually that we are for ever sundered- and yet, while I breath and think, I must love him. ~ Charlotte Bront,
761:A collection of bad love songs, tattered from overuse, has to touch us like a cemetery or a village. So what if the houses have no style, if the graves are vanishing under tasteless ornaments and inscriptions? Before an imagination sympathetic and respectful enough to conceal momentarily its aesthetic disdain, that dust may release a flock of souls, their beaks holding the still verdant dreams that gave them an inkling of the next world and let them rejoice or weep in this world. ~ Marcel Proust,
762:Let us rather confine ourselves to studying those sublime rules which our divine Saviour has left for our guidance here below. Let us try to conform to them and follow them, and let us be persuaded that the less we let our feeble human minds roam, the better we shall please God, who rejects all knowledge that does not come from Him; and the less we seek to fathom what He has been pleased to conceal from us, the sooner will He vouchsafe its revelation to us through His divine Spirit. ~ Leo Tolstoy,
763:Cam?” Luc stood at the top of the stairs. “Why are you standing there staring at the door?” He started down the steps. “You look wretched.”
“Thanks, coz. I feel splendid. By the by, that scar across your face is dreadfully red lately. Might want to consider a larger piece of fabric to conceal it. Or perhaps a bag to cover the entire head.”
Luc leveled an implacable stare. “I assume you have come here with a purpose?”
“I may be reconsidering that.”

-Luc & Cam ~ Katharine Ashe,
764:When the Turkish authorities gave the orders for these deportations, they were merely giving the death warrant to a whole race; they understood this well, and, in their conversations with me, they made no particular attempt to conceal the fact… I am confident that the whole history of the human race contains no such horrible episode as this. The great massacres and persecutions of the past seem almost insignificant when compared to the sufferings of the Armenian race in 1915. ~ Henry Morgenthau Sr,
765:14    For God  y speaks in one way,          z and in two, though man  a does not perceive it. 15    In  b a dream, in  c a vision of  d the night,         when  c deep sleep falls on men,         while they slumber on their beds, 16    then he  e opens the ears of men         and terrifies them with warnings, 17    that he may turn man aside from his  f deed         and conceal pride from a man; 18    he keeps back his soul from the pit,         his life from  g perishing by the sword. ~ Anonymous,
766:Lady Warminster represented to a high degree that characteristic of her own generation that everything may be said, though nothing indecorous discussed openly. Layer upon layer of wrapping, box after box revealing in the Chinese manner yet another box, must conceal all doubtful secrets; only the discipline of infinite obliquity made it lawful to examine the seamy side of life. If these mysteries were observed everything might be contemplated: however unsavoury: however unspeakable. ~ Anthony Powell,
767:Depending on which frothy-mouthed Internet pulpit-beater I chose to believe, Holzter Point might conceal anything from alien artifacts to Bigfoot’s sperm samples, plus a few pickled flipper babies from Three Mile Island and Jimmy Hoffa’s stomach contents. I’d like to make fun of those guys, but I had information from a blind vampire that the storage facility held details of medical experiments conducted by the military on the unwilling undead. So far be it from me to call anyone nuts. ~ Cherie Priest,
768:Let us consider how great a commodity of doctrine exists in books; how easily, how secretly, how safely they expose the nakedness of human ignorance without putting it to shame. These are the masters who instruct us without rods and ferules, without hard words and anger, without clothes or money. If you approach them, they are not asleep; if investigating you interrogate them, they conceal nothing; if you mistake them, they never grumble; if you are ignorant, they cannot laugh at you. ~ Richard de Bury,
769:It was part of war; men died, more would die, that was past, and what mattered now was the business in hand; those who lived would get on with it. Whatever sorrow was felt, there was no point in talking or brooding about it, much less in making, for form's sake, a parade of it. Better and healthier to forget it, and look to tomorrow.The celebrated British stiff upper lip, the resolve to conceal emotion which is not only embarrassing and useless, but harmful, is just plain commons sense ~ George MacDonald,
770:During this time I began to write out of vanity, self-interest, and pride. I did the same thing in my writing that I did in my life. In order to acquire the fame and money I was writing for, it was necessary to conceal what was good and flaunt what was bad. And this is what I did. Time after time I would scheme in my writings to conceal under the mask of indifference and even pleasantry those yearnings for something good which gave meaning to my life. And I succeeded in this and was praised. ~ Leo Tolstoy,
771:Apathy. Pretending to be happy, pretending to be sad, pretending to have an orgasm, pretending to be having fun, pretending that you’ve slept well, pretending that you’re alive. Until there comes a point where you reach an imaginary red line and realize that if you cross it, there will be no turning back. Then you stop complaining, because complaining means that you are at least still battling something. You accept the vegetative state and try to conceal it from everyone. And that’s hard work. ~ Paulo Coelho,
772:I guess the main thing that came out of the Panama Papers was that Ukrainian President Poroshenko had promised to divest of his chocolate company and instead, he simply moved it into an offshore account. And on the very day that he was increasing the attacks on the eastern Donbass region of Ukraine, the export sector, he was signing documents to conceal his own money offshore. So the exposé of the Panama money laundering has hit some of the dictators that America is protecting and promoting. ~ Michael Hudson,
773:A bit of theory as we settle down for lunch: the waiter's treatment of Kitty is actually a kind of sandwich, with the bottom bread being the bored and slightly effete way he normally acts with customers, the middle being the crazed and abnormal way he feels around this famous nineteen-year-old girl, and the top bread being his attempt to contain and conceal this alien middle layer with some mode of behavior that at least approximates the bottom layer of boredom and effeteness that is his norm. ~ Jennifer Egan,
774:And this feeling had been more painfully perceived by young d'Artagnan—for so was the Don Quixote of this second Rosinante named—from his not being able to conceal from himself the ridiculous appearance that such a steed gave him, good horseman as he was. He had sighed deeply, therefore, when accepting the gift of the pony from M. d'Artagnan the elder. He was not ignorant that such a beast was worth at least twenty livres; and the words which had accompanied the present were above all price. ~ Alexandre Dumas,
775:Sometimes an uncontrollable feeling of sadness grips us, he said. We recognize that the magic moment of the day has passed and that we’ve done nothing about it. Life begins to conceal its magic and its art.

We have to listen to the child we once were, the child who still exists inside us. That child understands magic moments. We can stifle its cries, but we cannot silence its voice.

The child we once were is still there. Blessed are the children, for theirs is the kingdom of heaven. ~ Paulo Coelho,
776:It was part of war; men died, more would die, that was past, and what mattered now was the business in hand; those who lived would get on with it. Whatever sorrow was felt, there was no point in talking or brooding about it, much less in making, for form’s sake, a parade of it. Better and healthier to forget it, and look to tomorrow.
The celebrated British stiff upper lip, the resolve to conceal emotion which is not only embarrassing and useless, but harmful, is just plain commons sense ~ George MacDonald Fraser,
777:She comes further into the room and even the billowing layers of curtains cannot conceal her great beauty or youth. Certainly, she is far too young for her dining companion who has just barged in with all the grace of a retired rugby player. I recognize his swollen head instantly. Rupert Lothian. An over-privileged, nerve gratingly colossal ass. He is one of the bank’s high profile private customers. The bank never does business with anyone they do not check out first and his report was sickening ~ Georgia Le Carre,
778:In the heart of every writer there lies a murderer.
Writers spend their lives struggling to conceal this murderous desire from other mortals.
Like God, they ruthlessly destroy the people of their own creation, drag them from one cruelty to another, meting out punishment, and with the callous indifference of a serial killer. And no one knows when he has taken a life from the solitude of his room. But when a writer is enraged the walls of his refuge come crumbling down, revealing his true identity. ~ Ahmet Altan,
779:In Memoriam A.H.H. Section 5

I sometimes hold it half a sin
To put in words the grief I feel;
For words, like Nature, half reveal
And half conceal the Soul within.

But, for the unquiet heart and brain,
A use in measured language lies;
The sad mechanic exercise,
Like dull narcotics, numbing pain.

In words, like weeds, I'll wrap me o'er,
Like coarsest clothes against the cold:
But that large grief which these enfold
Is given in outline and no more. ~ Alfred Tennyson,
780:Like the absence of gender-specific terms such as glyany and androcracy from the vocabulary of historians, the systematic omission of women from accounts of our past serves to maintain a system founded on male-female thinking. It reinforces the central tenet of male dominance: women are not as important as men. By omitting any hint that "women's issues" are central to our social and ideological organization, it also effectively serves to conceal the social alternatives described by gylany and androcracy. ~ Riane Eisler,
781:Betty, having returned from the kitchen, had once more seated herself on the carpet. How attractive, Robert Childan thought again. The slender body. Their figures are so superior; not fat, not bulbous. No bra or girdle needed. I must conceal my longing; that at all costs. And yet now and then he let himself steal a glance at her. Lovely dark colors of her skin, hair, and eyes. We are half-baked compared to them. Allowed out of the kiln before we were fully done. The old aboriginal myth; the truth, there. ~ Philip K Dick,
782:Russia, Russia - unwashed, backward, appealing Russia, so ashamed of your own backwardness, so orientally determined to conceal it from us by clever deceit. So sensitive and so suspicious in the face of the wicked, civilized west. I shall always remember you slyly, touchingly, but with great shouting and confusion - pumping hot water into our sleeping car in the frosty darkness of a December morning in order that we might not know, in order that we might never realize, to how primitive a land we had come. ~ George F Kennan,
783:Don't imagine that the art of poetry is any simpler than the art of music, or that you can please the expert before you have spent at least as much effort on the art of verse as the average piano teacher spends on the art of music.
Be influenced by as many great artists as you can, but have the decency either to acknowledge the debt outright, or try to conceal it.
Don't allow "influence" to mean merely that you mop up the particular decorative vocabulary of some one or two poets who you happen to admire. ~ Ezra Pound,
784:Almost every product promises to change your life: it will make you more beautiful, cleaner, more sexually alluring, and more successful. Born again, as it were. The messages contain promises about the future, unfailingly optimistic, exaggerating, miracle-promising—the same ideology that invites corporate executives to exaggerate profits and conceal losses, but always with a sunny face. The virtual reality of the advertiser and the “good news” of the evangelist complement each other, a match made in heaven. ~ Sheldon S Wolin,
785:If anyone removes (one of the) anxieties of this world from a believer, God will remove (one of the) anxieties from him on the Day of Resurrection; if one smoothes the way for one who is destitute, God will smooth the way for him in this world and the next; and if anyone conceals the faults of a Muslim, God will conceal his faults in this world and the next. God helps a man as long as he helps his brother. If anyone pursues a path in search of knowledge God will thereby make easy for him a path to paradise. ~ Elijah Muhammad,
786:Esti now discovered for the first time what intellectually fertile soil a railway compartment is. Here the lives of strangers appear before us in, as it were, cross section — suddenly and condensed — as in a novel opened haphazardly in the middle. Our curiosity, which otherwise we conceal by false modesty, can be satisfied under the constraint of our being enclosed together in a moving room, and we can peep into those lives and speculate on what the beginning of the novel must have been and how it will end. ~ Dezs Kosztol nyi,
787:The division was shaken by the shock of battle. Even its commander was thought to be close to cracking up under the strain, and officers seemed unable to control their men. After bitter fighting to take the ruins of Chenogne on 1 January, about sixty German prisoners were shot. ‘There were some unfortunate incidents in the shooting of prisoners,’ Patton wrote in his diary. ‘I hope we can conceal this.’ It would indeed have been embarrassing after all the American fulminations over the Malmédy–Baugnez massacre. ~ Antony Beevor,
788:The convoluted wording of legalisms grew up around the necessity to hide from ourselves the violence we intend toward each other. Between depriving a man of one hour from his life and depriving him of his life there exists only a difference of degree. You have done violence to him, consumed his energy. Elaborate euphemisms may conceal your intent to kill, but behind any use of power over another the ultimate assumption remains: “I feed on your energy.” —Addenda to Orders in Council The Emperor Paul Muad’Dib First ~ Frank Herbert,
789:The great shift... is the movement away from the value-laden languages of... the "humanities," and toward the ostensibly value-neutral languages of the "sciences." This attempt to escape from, or to deny, valuation is... especially important in psychology... and the so-called social sciences. Indeed, one could go so far as to say that the specialized languages of these disciplines serve virtually no other purpose than to conceal valuation behind an ostensibly scientific and therefore nonvaluational semantic screen. ~ Thomas Szasz,
790:Any beautiful mind, full of ideas, would always express itself in the most natural, simple and straightforward way, anxious to communicate its thoughts to others (if this is at all possible) and thus relieve the solitude that he must experience in a world such as this: but conversely, intellectual poverty, confusion and wrong-headedness, clothe themselves in the most laboured expressions and obscure turns of phrase in order to conceal petty, trivial, bland or trite thoughts in difficult and pompous expressions. ~ Arthur Schopenhauer,
791:It is true that the path of human destiny cannot but appal him who surveys a section of it. But he will do well to keep his small personal commentarie to himself, as one does at the sight of the sea or of majestic mountains, unless he knows himself to be called and gifted to give them expression in artistic or prophetic form. In most other cases, the voluminous talk about intuition does nothing but conceal a lack of perspective toward the object, which merits the same judgement as a similar lack of perspective toward men. ~ Max Weber,
792:Marcuse's own highhanded scorn about those whom he criticizes makes it not inapposite to remark that the arguments which I have been deploying are very elementary ones, familiar to every student with the barest knowledge of logic. The suspicion is thus engendered that not only Marcuse but also Adorno and Horkheimer actually do not know any logic, and it is certainly the case that, if they do know any, all three have taken some pains to conceal their knowledge of the subject which they are professedly criticizing. ~ Alasdair MacIntyre,
793:He who is alone with his sins is utterly alone. It may be that Christians, notwithstanding corporate worship, common prayer, and all their fellowship in service, may still be left to their loneliness. The final breakthrough to fellowship does not occur because, though they have fellowship with one another as believers and as devout people, they do not have fellowship as the undevout, as sinners. The pious fellowship permits no one to be a sinner. So everyone must conceal his sin from himself and from their fellowship. ~ Brennan Manning,
794:He tilted his head back like she’d slapped him. “Are you suggesting I’m not normal?” She held her hands up in mock surrender. “Oh yeah, baby, you ooze normality. From the top of that assassin’s braid to the tip of those boots that I’m pretty sure conceal retractable blades. You’re just an average joe. No doubt about it. Cause, you know, everyone sits for hours doing nothing but typing…” Nykyrian felt another peculiar urge to smile at her sarcasm. He had no idea why she charmed him, especially given the implied insult. ~ Sherrilyn Kenyon,
795:Toxic' was actually an accurate description of the feelings Clementine had so often felt in Erika's presence: the intense aggravation she had to work so hard to resist and conceal, the disappointment with herself, because Erika wasn't evil or cruel or stupid, she was simply annoying, and Clementine's response to her annoyingness was so completely disporportionate, it embarassed and confounded her. Erika loved Clementine. She'd do anything for her. So why did she inflame Clementine so? It was like she was allergic to her. ~ Liane Moriarty,
796:Know that the figures employed by prophets are of two kinds: first, where every word which occurs in the simile represents a certain idea: and secondly, where the simile, as a whole, represents a general idea, but has a great many points which have no reference whatever to that idea: they are simply required to give to the simile its proper form and order, or better to conceal the idea: the simile is therefore continued as far as necessary, according to its literal sense. Consider this well. ~ Maimonides, Guide for the Perplexed (c. 1190),
797:Most people, if they know they have done wrong, foolishly suppose they can conceal their error by defending it, and finding a justification for it; but in my belief there is only one medicine for an evil deed, and that is for the guilty man to admit his guilt and show that he is sorry for it. Such an admission will make the consequences easier for the victim to bear, and the guilty man himself, by plainly showing his distress at former transgressions, will find good grounds of hope for avoiding similar transgressions in the future. ~ Arrian,
798:Yes, it was true that Franny had gotten thicker in the last decade, but that was what happened unless you were a high-functioning psychotic, and she had other things to think about. Franny knew plenty of women who had chosen to prioritize the eternal youth of their bodies, and they were all miserable creatures, their taut triceps unable to conceal their dissatisfaction with their empty stomachs and unfulfilling lives. Franny liked to eat, and to feed people, and she wasn’t embarrassed that her body displayed such proclivities. ~ Emma Straub,
799:You've got to shake your fists at lightning now, you've got to roar like forest fire You've got to spread your light like blazes all across the sky They're going to aim the hoses on you, show 'em you won't expire Not till you burn up every passion, not even when you die Come on now, you've got to try, if you're feeling contempt, well then you tell it If you're tired of the silent night, Jesus, well then you yell it Condemned to wires and hammers, strike every chord that you feel That broken trees and elephant ivories conceal ~ Joni Mitchell,
800:So if I may give a word of advice to any young writer who, despite the odds, wants to take a shot at being funny, it is this: Steal. Steal an idea that you know is good, and try to reproduce it in a setting that you know and understand. It will become sufficiently different from the original because you are writing it, and by basing it on something good, you will be learning some of the rules of good writing as you go along. Great artists may merely be “influenced by” other artists, but comics “steal” and then conceal their loot. ~ John Cleese,
801:If you have reason to suspect that a person is telling you a lie, look as though you believed every world he said. This will give him courage to go on; he will become vehement in his assertions, and in the end betray himself.

Again, if you perceive that a person is trying to conceal something from you, but with only partial success, look at though you did not believe him, this opposition on you part will provoke him into leading out his reserve of truth and bringing the whole force of it to bear upon your incredulity. ~ Arthur Schopenhauer,
802:APOSIOPESIS  (APOSIOPE'SIS)   n.s.[   from    after, and rixp  to be silent.] A form of speech, by which the speaker, through some affection, as sorrow, bashfulness, fear, anger, or vehemency, breaks off his speech before it be all ended. A figure, when, speaking of a thing, we yet seem to conceal it, though indeed we aggravate it; or when the course of the sentence begun is so stayed, as thereby some part of the sentence not being uttered, may be understood; as, I might say much more, but modesty commands silence.Smith’sRhetorick. ~ Samuel Johnson,
803:From Man or Angel the great Architect Did wisely to conceal, and not divulge, His secrets, to be scanned by them who ought Rather admire. Or, if they list to try Conjecture, he his fabric of the Heavens Hath left to their disputes - perhaps to move His laughter at their quaint opinions wide Hereafter, when they come to model Heaven And calculate the stars: how they will wield The mighty frame: how build, unbuild, contrive To save appearances; how gird the Sphere With Centric and Eccentric scribbled o'er, Cycle and Epicycle, Orb in Orb. ~ John Milton,
804:Karl Popper urges us to be constantly on our guard against the fashionable disease of our time: the assumption that things cannot be taken at their face value, that an apparent syllogism must be the rationale of an irrational motive, that a human avowal must conceal some self-seeking baseness. (Freud assures us that Leonardo’s John the Baptist is a homosexual symbol, his upward-pointing index finger seeking to penetrate the fundament of the universe; art historians know that it is a centuries-old cliché of Christian iconography.) ~ Kyril Bonfiglioli,
805:In Memoriam A. H. H.: 5. Sometimes I Hold It Half A
Sin
I sometimes hold it half a sin
To put in words the grief I feel;
For words, like Nature, half reveal
And half conceal the Soul within.
But, for the unquiet heart and brain,
A use in measured language lies;
The sad mechanic exercise,
Like dull narcotics, numbing pain.
In words, like weeds, I'll wrap me o'er,
Like coarsest clothes against the cold;
But that large grief which these enfold
Is given in outline and no more.
~ Alfred Lord Tennyson,
806:If we grant that our evolutionary history did not prepare us to detect lies from demeanor, why do we not learn how to do so in the course of growing up? One possibility, and my second explanation, is that our parents teach us not to identify their lies. Their privacy may often require that they mislead their children about just what they are doing, when they are doing it, and why they are doing it. While sexual activity is one obvious focus of such lies, there might well be other activities that parents want to conceal from their children. ~ Paul Ekman,
807:THE WOOKIEE SIGHED, a low rumble, and gazed at the medal in his palm. On the humans it looked substantial and solid, fit to be worn around the neck. In his hand the scale was altered, and if he brought his fingers together he could conceal it entirely. A pretty thing, hastily engraved in a stylized flower meant perhaps to recall the emblem of the Republic. At its heart a rising sun, halfway above the horizon, both symbolized the dawn of a new hope in the wake of this victory over the Galactic Empire and recalled the Death Star’s destruction. ~ Greg Rucka,
808:We do not seek the unanimity that comes to those who water down all issues to the lowest common denominator - or to those who conceal their differences behind fixed smiles - or to those who measure unity by standards of popularity and affection, instead of trust and respect. We are allies. This is a partnership, not an empire. We are bound to have differences and disappointments - and we are equally bound to bring them out into the open, to settle them where they can be settled, and to respect each other's views when they cannot be settled. ~ John F Kennedy,
809:One can tell a child everything, anything. I have often been struck by the fact that parents know their children so little. They should not conceal so much from them. How well even little children understand that their parents conceal things from them, because they consider them too young to understand! Children are capable of giving advice in the most important matters. How can one deceive these dear little birds, when they look at one so sweetly and confidingly? I call them birds because there is nothing in the world better than birds! ~ Fyodor Dostoyevsky,
810:The reader tries to uncover the skeleton that the book conceals. The author starts with the skeleton and tries to cover it up. His aim is to conceal the skeleton artistically or, in other words, to put flesh on the bare bones. If he is a good writer, he does not bury a puny skeleton under a mass of fat; on the other hand, neither should the flesh be too thin, so that the bones show through. If the flesh is thick enough, and if the flabbiness is avoided, the joints will be detectable and the motion of the parts will reveal the articulation. ~ Mortimer J Adler,
811:As parents, we can have no joy, knowing that this government is not sufficiently lasting to ensure any thing which we may bequeath to posterity: And by a plain method of argument, as we are running the next generation into debt, we ought to do the work of it, otherwise we use them meanly and pitifully. In order to discover the line of our duty rightly, we should take our children in our hand, and fix our station a few years farther into life; that eminence will present a prospect, which a few present fears and prejudices conceal from our sight. ~ Thomas Paine,
812:To what extent did Castro at this point conceal secret communist purposes? He later said that he hid radical views in order to hold the anti-Batista coalition together, and this was probably true. But, though a radical, there is no conclusive evidence that he was then a Communist or even a Marxist-Leninist. Whatever he later became, he began as a romantic, left-wing nationalist—in his own phrase, a “utopian Socialist.” He had tried to read Das Kapital at the University of Havana but, according to his own account, bogged down on page 370. ~ Arthur M Schlesinger Jr,
813:Frozen by Elsa Song -Let 'em burn The fire glows on the mountain tonight not a footprint to be seen A kingdom of isolation and it look like I'm a queen The wind is howling like the swirling storms inside couldn't keep it in HELL knows I've tried Don't let them in Don't let see Be the good girl you always have to be Conceal don't feel Don't let them know well now they know CHORUS Let em burn Let em burn They're none of my concern Let em burn Let em burn Slam the door I don't care what you're going to say let the fire rejoice Cold never bothered me anyway ~ Anonymous,
814:It is a durable, ubiquitous, specious metaphor, that one about veneer (or paint, or pliofilm, or whatever) hiding the nobler reality beneath. It can conceal a dozen fallacies at once. One of the most dangerous is the implication that civilization, being artificial, is unnatural: that is is the opposite of primitiveness... Of course there is no veneer, the process is one of growth, and primitiveness and civilization are degrees of the same thing. If civilization has an opposite, it is war. Of those two things, you have either one, or the other. Not both. ~ Ursula K Le Guin,
815:...curse them with dirty looks for the next hour or so,
... I`m funny when I want to be funny. Damn it, I`m hilarious.
.... there on that boulevard, one hand in my inside pocket and another resting on the cab door, the world froze and went mute in a kind of revese deja vu, in which I saw Stella for the first time.
...the torn T-shirt which hardly covered her slowly freezing nakedness
... or perhaps those were the sizes of the holes in your soul, Artist, which you try to conceal with that buckets of paint?..
.. God let me find myself . ~ Zachary Karabashliev,
816:They had got an English Bible, and to conceal and secure it, it was fastened open with tapes under and within the cover of a joint-stool. When my great-great-grandfather read it to his family, he turned up the joint-stool upon his knees, turning over the leaves then under the tapes. One of the children stood at the door to give notice if he saw the apparitor coming, who was an officer of the spiritual court. In that case the stool was turned down again upon its feet, when the Bible remained concealed under it as before. This anecdote I had from my uncle Benjamin. ~ Anonymous,
817:DON’T LOOK LIKE a midwife,” Brother Gregory interrupted, as he blew on a page to make it dry. His face was averted to conceal his distaste. It is one thing to describe, say, the Virgin with angel attendants, but this woman had no discretion at all. “I’m not one anymore,” replied Margaret, looking at him coldly. “That is self-evident; it’s not an art practiced by women in respectable circumstances,” said Brother Gregory, looking around. “It ought to be the most respected profession in the world—midwives witness how God makes the world new,” said Margaret; ~ Judith Merkle Riley,
818:A true aphorism legitimates itself; whoever feels the need to legitimate an aphorism, admits that it is illegal. The surface of an aphorism should conceal profound truth. The claim that everybody can learn everything is superficial, but is as wrong as it can be. As a matter of fact, it is no aphorism but an advertising slogan, and the excuse that it is an aphorism, is a mere wink: in advertising you cannot do without exaggerating. But even as a wink it does not become more true. ~ Hans Freudenthal (1977), Weeding and Sowing: Preface to a Science of Mathematical Education, p. 56,
819:It is a durable, ubiquitous, specious metaphor, that one about veneer (or paint, or pliofilm, or whatever) hiding the nobler reality beneath. It can conceal a dozen fallacies at once. One of the most dangerous is the implication that civilization, being artificial, is unnatural: that it is the opposite of primitiveness. . . . Of course there is no veneer, the process is one of growth, and primitiveness and civilization are degrees of the same thing. If civilization has an opposite, it is war. Of those two things, you have either one, or the other. Not both. It ~ Ursula K Le Guin,
820:Masturbation is not the happiest form of sexuality, but the most advisable for him who wants to be alone and think. I detect the aroma of this pleasant vice in most philosophers, and a happily married logicians is almost a contradiction in terms. So many sages have regarded Woman as temptress because fornication often leads to marriage, which usually leads to children, which always leads to a respectable job and pretending to believe the idiocies your neighbors believe. The hypocrisy of the sages has been to conceal their timid onanism and call it celibacy. ~ Robert Anton Wilson,
821:Masturbation is not the happiest form of sexuality, but the most advisable for him who wants to be alone and think. I detect the aroma of this pleasant vice in most philosophers, and a happily married logicians is almost a contradiction in terms. So many sages have regarded Woman as temptress because fornication often leads to marriage, which usually leads to children, which always leads to a respectable job and pretending to believe the idiocies your neighbors believe. The hypocrisy of the sages has been to conceal their timid onanism and call it celibacy. ~ Robert Anton Wilson,
822:The ordinary writer has an unmistakable preference for this style, because it causes the reader to spend time and trouble in understanding that which he would have understood in a moment without it; and this makes it look as though the writer had more depth and intelligence than the reader. This is, indeed, one of those artifices referred to above, by means of which mediocre authors unconsciously, and as it were by instinct, strive to conceal their poverty of thought and give an appearance of the opposite. their ingenuity in this respect is really astounding. ~ Arthur Schopenhauer,
823:Great institutions have leaders who are proud of what they do, and who engage with everyone who makes up those institutions, so each person understands their role. But our jailers are generally granted near-total anonymity, like the cartoon executioner who wears a hood to conceal his identity. What is the point, what is the reason, to lock people away for years, when it seems to mean so very little, even to the jailers who hold the key? How can a prisoner understand their punishment to have been worthwhile to anyone, when it's dealt in a way so offhand and indifferent? ~ Piper Kerman,
824:Great institutions have leaders who are proud of what they do, and who engage with everyone who makes up those institutions, so each person understands their role. But our jailers are generally granted near-total anonymity, like the cartoon executioner who wears a hood to conceal his identity. What is the point, what is the reason, to lock people away for years, when it seems to mean so very little, even to the jailers who hold the key? How can a prisoner understand their punishment to have been worthwhile to anyone, when it’s dealt in a way so offhand and indifferent? ~ Piper Kerman,
825:When you suddenly command some unusual, unexpected course of action, then even if it is something you have hitherto forbidden, even if for the time being you conceal the reason for your behest, and even if it contravenes the accepted norms of a human society, can we doubt that it is right to obey, seeing that a human society is just precisely insofar as it serves you? Blessed are they who know that you have commanded them. Everything that is done by your servants is done either to make plain what needs to be revealed at present, or to foreshadow the future. ~ Saint Augustine of Hippo,
826:Since the primary motive of the evil is disguise, one of the places evil people are most likely to be found is within the church. What better way to conceal one's evil from oneself, as well as from others, than to be a deacon or some other highly visible form of Christian within our culture? ... I do not mean to imply that the evil are anything other than a small minority among the religious or that the religious motives of most people are in any way spurious. I mean only that evil people tend to gravitate toward piety for the disguise and concealment it can offer them. ~ Martin Buber,
827:As for me, I lived for more than three months in one of the cheapest of those spy-hole-ridden bedrooms. I completed my education there. Through three or four tiny holes, which must have been bored by some neglected genius of espionage, I watched people when they thought they were alone. I saw things which walls and the darkness were made to conceal; I heard things which no man was supposed to hear. It was degrading, but impossible to resist. I stooped. I stooped to the keyhole of hell, and I learned the secrets of the damned. - from "The Devil that Troubled the Chessboard ~ Gerald Kersh,
828:Begin with an individual, and before you know it you find that you have created a type; begin with a type, and you find that you have created—nothing. That is because we are all queer fish, queerer behind our faces and voices than we want any one to know or than we know ourselves. When I hear a man proclaiming himself an "average, honest, open fellow," I feel pretty sure that he has some definite and perhaps terrible abnormality which he has agreed to conceal—and his protestation of being average and honest and open is his way of reminding himself of his misprision. ~ F Scott Fitzgerald,
829:The Director looked at Mr. Jones. His beard did not conceal the smile. Fair man? His delusion knows no bounds. The program thrived from the self-centeredness of these old men, the infection of false entitlements that comes from money and power. Their universe revolved around their petty concerns and anything that affected them. They couldn’t see the bigger picture, they couldn’t see opportunity when they looked in only one direction. Stay open to life, gentlemen. Let it unfold and the universe will provide you with endless paths on your journey. Fact is, they got lucky. ~ Tony Bertauski,
830:July 5, Comey “announced his own conclusions about the nation’s most sensitive criminal investigation,” which was Hillary Clinton’s emails, preempting the decision of the prosecutor and offering “derogatory information” by calling Clinton’s conduct “extremely careless.” Then, 11 days before the election, he announced he was reopening the Clinton investigation because he believed it was a question of “speak” or “conceal.” This misstated the issue, Rosenstein said. He quoted five former attorneys general or deputy attorneys general agreeing that Comey had violated the rules. ~ Bob Woodward,
831:I climb into the incredible sadness of silence. Wrap its slowness around my shoulders, conceal its shame within the folds of my sari. Make it a vow, as if my life hinged upon it, as if I was not a wife in Mangalore but a nun elsewhere, cloistered and clinging to her silence to make sense of the world.
To stay silent it to censor all conversation. To stay silent is to erase individuality. To stay silent is an act of self-flagellation because this is when the words visit me, flooding me with their presence, kissing my lips, refusing to dislodge themselves from my tongue. ~ Meena Kandasamy,
832:Often, we try to repair broken things in such a way as to conceal the repair and make it “good as new.” But the tea masters understood that by repairing the broken bowl with the distinct beauty of radiant gold, they could create an alternative to “good as new” and instead employ a “better than new” aesthetic. They understood that a conspicuous, artful repair actually adds value. Because after mending, the bowl's unique fault lines were transformed into little rivers of gold that post repair were even more special because the bowl could then resemble nothing but itself. ~ Teresita Fernandez,
833:Some people think the Federal Reserve Banks are US government institutions. They are not... they are private credit monopolies which prey upon the people of the US for the benefit of themselves and their foreign and domestic swindlers, and rich and predatory money lenders. The sack of the United States by the Fed is the greatest crime in history. Every effort has been made by the Fed to conceal its powers, but the truth is the Fed has usurped the government. It controls everything here and it controls all our foreign relations. It makes and breaks governments at will. ~ Louis Thomas McFadden,
834:To anyone who will take the trouble to become attached to her she will immediately give a devoted, generous, imaginative and completely uncapricious attention, which is still a calculated avoidance of self-surrender. This is no doubt another reason why she never went into films; her private life must be an almost full-time activity. This has the sad result too that her existence is one long act of disloyalty; and when I knew her she was constantly involved in secrecy and lying in order to conceal from each of her friends the fact that she was so closely bound to all the others. ~ Iris Murdoch,
835:Poet, if you can't grow up, at least grow down. Become a carrot, a parsnip. Even a potato. Let the earth conceal your shame. You mistook the mushrooms in your head for truth. Celebrate the actual beauty of mushrooms. Rejoice in their improbabilities. Accept the shortness of the season. Accept the shortness of your own breath. If you cannot suffer light, learn to engender the dark. The poem as hacking cough, as a croaking in the larynx, as a green discharge from blackened lungs. Poet, if you propose to make poems out of your halloween existence, you must learn to shit pumpkins. ~ Robert Kroetsch,
836:Stephen Dorsey
Fly, heedless stranger, from this spot accurst,
Where rests in Satan an offender first
In point of greatness, as in point of time,
Of new-school rascals who proclaim their crime.
Skilled with a frank loquacity to blab
The dark arcana of each mighty grab,
And famed for lying from his early youth,
He sinned secure behind a veil of truth.
Some lock their lips upon their deeds; some write
A damning record and conceal from sight;
Some, with a lust of speaking, die to quell it.
His way to keep a secret was to tell it.
~ Ambrose Bierce,
837:Old Age
The seas are quiet when the winds give o'er;
So calm are we when passions are no more.
For then we know how vain it was to boast
Of fleeting things, so certain to be lost.
Clouds of affection from our younger eyes
Conceal that emptiness which age descries.
The soul's dark cottage, batter'd and decay'd,
Lets in new light through chinks that Time hath made:
Stronger by weakness, wiser men become
As they draw near to their eternal home.
Leaving the old, both worlds at once they view
That stand upon the threshold of the new.
~ Edmund Waller,
838:Attraction
The meadow and the mountain with desire
Gazed on each other, till a fierce unrest
Surged ‘neath the meadow’s seemingly calm breast,
And all the mountain’s fissures ran with fire.
A mighty river rolled between them there.
What could the mountain do but gaze and burn?
What could the meadow do but look and yearn,
And gem its bosom to conceal despair?
Their seething passion agitated space,
Till lo! the lands a sudden earthquake shook,
The river fled: the meadow leaped, and took
The leaning mountain in a close embrace.
~ Ella Wheeler Wilcox,
839:When people can’t handle their partner’s periodic requests for privacy or their random bursts of anger and anxiety, they resort to extreme measures (aggression, breaking up) instead of working through normal relationship snafus. When you try to stop your partner from doing things you don’t approve of, when you start prying and spying on your partner, when you start avoiding things that make you uncomfortable, then you prevent them from being free and autonomous. Partners learn that it’s better to hide and conceal than pay the price of revealing things that might make you uncomfortable. ~ Todd Kashdan,
840:The assumption soon proved wrong. Instead, as critics had warned, more and more of the money flooding into elections was spent by secretive nonprofit organizations that claimed the right to conceal their donors’ identities. Rich activists such as Scaife and the Kochs had already paved the way to weaponize philanthropy. Now they and other allied donors gave what came to be called dark money to nonprofit “social welfare” groups that claimed the right to spend on elections without disclosing their donors. As a result, the American political system became awash in unlimited, untraceable cash. ~ Jane Mayer,
841:contained a designer virus engineered to access NCTC's computer network. The virus would install a backdoor into the system for the waiting cyber-ops team, while covering its own tracks with the latest generation rootkit software. Once the team had access to the system, they would download a more sophisticated and robust kernel-mode rootkit to conceal their direct access to the operating system. Since kernel-mode rootkits operated at the same security level as the operating system itself, they were difficult to detect and nearly impossible to remove without rebooting the entire system. ~ Steven Konkoly,
842:To disguise nothing, to conceal nothing, to write about those things that are closest to our pain, our happiness; to write about our sexual clumsiness, the agonies of Tantalus, the depth of our discouragement-what we glimpse in our dreams-our despair. To write about the foolish agonies of anxiety, the refreshment of our strength when these are ended; to write about our painful search for self, jeopardized by a stranger in the post office, a half-seen face in a train window, to write about the continents and populations of our dreams, about love and death, good and evil, the end of the world. ~ John Cheever,
843:To disguise nothing, to conceal nothing, to write about those things that are closest to our pain, our happiness; to write about our sexual clumsiness, the agonies of Tantalus, the depth of our discouragement—what we glimpse in our dreams—our despair. To write about the foolish agonies of anxiety, the refreshment of our strength when these are ended; to write about our painful search for self, jeopardized by a stranger in the post office, a half-seen face in a train window, to write about the continents and populations of our dreams, about love and death, good and evil, the end of the world. ~ John Cheever,
844:There is a relation between persons and role. But the relationship answers to the interactive system—to the frame—in which the role is performed and the self of the performer is glimpsed. Self, then, is not an entity half-concealed behind events, but a changeable formula for managing oneself during them. Just as the current situation prescribes the official guise behind which we will conceal ourselves, so it provides where and how we will show through, the culture itself prescribing what sort of entity we must believe ourselves to be in order to have something to show through in this manner. ~ Erving Goffman,
845:Our personalities are often molded by how we are treated: if a parent or spouse is defensive or argumentative in dealing with us, we tend to respond the same way. Never mistake people’s exterior characteristics for reality, for the character they show on the surface may be merely a reflection of the people with whom they have been most in contact, or a front disguising its own opposite. A gruff exterior may hide a person dying for warmth; a repressed, sober-looking type may actually be struggling to conceal uncontrollable emotions. That is the key to charm—feeding what has been repressed or denied. ~ Anonymous,
846:Therefore, according to the disposition of the state and the liberty Fortune allows us, we shall either extend or contract our activities; but at all events we shall stir ourselves and not be gripped and paralyzed by fear. He indeed will prove a man who, threatened by dangers on all sides, with arms and chains clattering around him, will neither endanger nor conceal his courage: for self-preservation does not entail suppressing onself. Truly, I believe, Curius Dentatus used to say that he preferred real death to living death; for the ultimate horror is to leave the number of the living before you die. ~ Seneca,
847:Now he had chanced on one of he standard hard-on sessions of the shower, as on both sides of him and across the room three queens sported horizontal members which they turned around from time to time to conceal or display, barely exchanging looks as they resolved. The old men took no interest in this activity, knowing perhaps from long experience that it rarely meant anything or led anywhere, was a brief and helpless surrender to the forcing-house of the shower. In a few seconds the hard-on might pass from one end of the room to the other with the foolish perfection of a Busby Berkeley routine. ~ Alan Hollinghurst,
848:He approaches a cockroach in only one respect: his coloration is brown. That is all. Apart from this he has a tremendous convex belly divided into segments and a hard rounded back suggestive of wing cases. In beetles these cases conceal flimsy little wings that can be expanded and then may carry the beetle for miles and miles in a blundering flight. Curiously enough, Gregor the beetle never found out that he had wings under the hard covering of his back. (This is a very nice observation on my part to be treasured all your lives. Some Gregors, some Joes and Janes, do not know that they have wings.) ~ Vladimir Nabokov,
849:He talked a great deal about Truth also, for he was, he said, “cutting down beneath the veneer of civilization.” It is a durable, ubiquitous, specious metaphor, that one about veneer (or paint, or pliofilm, or whatever) hiding the nobler reality beneath. It can conceal a dozen fallacies at once. One of the most dangerous is the implication that civilization, being artificial, is unnatural: that it is the opposite of primitiveness… Of course there is no veneer, the process is one of growth, and primitiveness and civilization are degrees of the same thing. If civilization has an opposite, it is war. ~ Ursula K Le Guin,
850:74. Crisis = Danger + Opportunity

President John F. Kennedy once gave a speech where he said that when written in Chinese the word ‘crisis’ was formed from two characters - one represents danger, the other represents opportunity.

It’s a great perspective, because so often we see a crisis as something to be avoided, when in reality it can conceal both adventure and advantage.

I am not saying we should seek out a drama, but rather, when crisis strikes, we should use it.

Opportunity will be hidden among the chaos.

Storms clean the oceans, winds carry the seeds. ~ Bear Grylls,
851:As with communism in general, so with communist morality one can only guess at its detailed content. Communism would differ from all previous societies in that there would be no false consciousness. False consciousness involves failing to see things as they really are. It comes about because a society’s superstructure can conceal the real basis of the society – as the legal freedom of the worker to sell his labour to whomever he likes on whatever terms he likes conceals the fact that he is really no more able to avoid exploitation by capitalists than the feudal serf is free to avoid working on the land of his lord. ~ Anonymous,
852:pad (also launch·ing pad ) n. the area on which a rocket stands for launching, typically consisting of a platform with a supporting structure. launch ve·hi·cle n. a rocket-powered vehicle used to send artificial satellites or spacecraft into space. laun·der v. [trans.] wash, or wash and iron, (clothes or linens): he wasn't used to laundering his own bed linens | [as adj., with submodifier] (laundered) freshly laundered sheets. - conceal the origins of (money obtained illegally) by transfers involving foreign banks or legitimate businesses. - alter (information) to make it appear more acceptable: we began to notice ~ Erin McKean,
853:The black magician is one who learns to manipulate these forces for selfish and destructive purposes, his own aggrandizement of the fulfillment of desire, while the white magician prays that he may learn to manipulate them as God would have them manipulated - for the salvation of the divine creation. The powers are in the hands of those capable of invoking them; it makes no difference whether for good or ill. For this reason, the schools of white magic conceal these powers from man until, through growth, purification, and unfoldment, he gains the proper incentive for using them. ~ Manly P Hall, Magic: A Treatise on Esoteric Ethics,
854:The black magician is one who learns to manipulate these forces for selfish and destructive purposes, his own aggrandizement of the fulfillment of desire, while the white magician prays that he may learn to manipulate them as God would have them manipulated - for the salvation of the divine creation. The powers are in the hands of those capable of invoking them; it makes no difference whether for good or ill. For this reason, the schools of white magic conceal these powers from man until, through growth, purification, and unfoldment, he gains the proper incentive for using them. ~ Manly P Hall, Magic: A Treatise on Esoteric Ethics,
855:My body
Healed quickly. But the wound
to my psyche was deep.
Wide. First aid, too little, too late,
left me hemorrhaging inside,
the blood unstaunched by psychological
bandage or love's healing magic.

Eventually it scabbed over,
a thick, ugly welt of memory.
I work to conceal it, but no matter
how hard I try, once in a while
something makes me pick at it
until the scarring bleeds.

In my arms, Ashante cries,
innocence ripped apart
by circumstance. Bloodied by
inhuman will. Time will prove
a tourniquet. But she will always
be at risk of infection. (124) ~ Ellen Hopkins,
856:Birds keep chirping and music keeps playing. Life continues as another life ebbs away.

We have seen death before, Marnie and I, a mountain of ice melting over time, drops of water freezing at your core reminding you every day of that which has vanished, but the despair we know today is a sadness sailing sorrow through every bone and knuckle.

There is no moment in which we say good-bye, there is no finality as he slips into peacefulness, he simply leaves us, and though I seek courage when he passes I am weakened by tears, but I must hide them for he leaves us a lie to conceal, a lie he sent to save us. ~ Lisa O Donnell,
857:If by force you make a creature live and work like a beast, you must think of him as a beast, else empathy would drive you mad. Once you have classified him in your mind, your feelings are safe. And if your heart has human vestiges of courage and anger, which in a man are virtues, then you have fear of a dangerous beast, and since your heart has intelligence and inventiveness and the ability to conceal them, you live with terror. Then you must crush his manlike tendencies and make of him the docile beast you want. And if you can teach your child from the beginning about the beast, he will not share your bewilderment. ~ John Steinbeck,
858:Fortunately, the British security service had captured all German agents in Britain. Most of them had been ‘turned’ to send back misleading information to their controllers. This ‘Double Cross’ system, supervised by the XX Committee, was designed to produce a great deal of confusing ‘noise’ as a key part of Plan Fortitude. Fortitude was the most ambitious deception in the history of warfare, a project even greater than the maskirovka then being prepared by the Red Army to conceal the true target of Operation Bagration, Stalin’s summer offensive to encircle and smash the Wehrmacht’s Army Group Centre in Belorussia. Plan ~ Antony Beevor,
859:Nay, the same Solomon the king, although he excelled in the glory of treasure and magnificent buildings, of shipping and navigation, of service and attendance, of fame and renown, and the like, yet he maketh no claim to any of those glories, but only to the glory of inquisition of truth; for so he saith expressly, "The glory of God is to conceal a thing, but the glory of the king is to find it out;" as if, according to the innocent play of children, the Divine Majesty took delight to hide His works, to the end to have them found out; and as if kings could not obtain a greater honour than to be God's playfellows in that game ~ Francis Bacon,
860:One can live with the idea of distorted truth. But their metaphysical despair came from the idea that the image didn't conceal anything at all, and that these images were in essence not images, such as an original model would have made them, but perfect simulacra, forever radiant with their
own fascination. Thus this death of the divine referential must be exorcised at all costs. One can see that the iconoclasts, whom one accuses of disdaining and negating images, were those who accorded them their true value, in contrast to the iconolaters who only saw reflections in them and were content to venerate a filigree God. ~ Jean Baudrillard,
861:Extraordinarily often the clever wife knows how to conceal her dictatorship from the eyes of the world, and certainly from those of her husband. For the more patriarchal and tyrannical her husband's persona is, the more he is ruled from within by his anima. In the patriarchate, whenever a woman other than the wife carries the anima projection that rules the man — and if this woman cannot be included within the fundamentally polygamous both officially and unofficially — dissolution of the stable patriarchal marriage ensues, along with a transition into a later, more complicated, and conscious stage of the man-woman relationship. ~ Erich Neumann,
862:He didn’t need to get up and look in the ornate, gilt-edged mirror over the massive fireplace to know that calamitous was the accurate word for his face. His right eye drooped, and the right half of his face was a gnarled mess of scar tissue. He was missing a small chunk of his nose on the right side, and he wore his hair shaggy to conceal the scar where his right ear used to be. But no amount of hairstyling could conceal the fact that his right arm was missing below the elbow. And his right leg, also injured in the blast, would always cause him to walk with a slight limp. Once a handsome young man, he was now a monster. A beast. ~ Katy Regnery,
863:Of Dixie Doyle it is said that she could convince grown men of anything. While she is only a mediocre student and a wholly untalented tennis player, she possesses a quality of performed girlishness that turns sex into a ragged paradox for men beyond the age of thirty. She speaks with the hint of a babyish lisp, the pink end of her tongue frequently peeking out from between her teeth, but her eyes are implacable fields of gray that at any moment could conceal everything you imagine - or nothing at all. She might be an X-ray registering the skeleton of your soul, or, like Oscar Wilde's women, she might be a sphinx without a secret. ~ Joshua Gaylord,
864:What is it that wells up so suddenly and menacingly under my heart, swallowing the soft air of melancholy? Are you pleased with us, dark night? What is it you conceal under your mantle, that grabs invisibly and powerfully at my soul? A rich balm drips off your fingers from a bundle of poppies. You raise up the heavy wings of the soul – darkly and inexpressibly we are moved. I see an earnest face startled with joy – softly and reverently it inclines toward me, and under endlessly entangled locks
appears the cherished face of our Mother. How poor and childish the light seems to me now − how welcome and
blessed is the day’s departure. ~ Novalis,
865:He completely lacked any ardent interest that might have occupied his mind. His interior life was impoverished, had undergone a deterioration so severe that it was like the almost constant burden of some vague grief. And bound up with it all was an implacable sense of personal duty and the grim determination to present himself at his best, to conceal his frailties by any means possible, and to keep up appearances. It had all contributed to making his existence what it was: artificial, self-conscious, and forced—until every word, every gesture, the slightest deed in the presence of others had become a taxing and grueling part in a play. ~ Thomas Mann,
866:The door of the jail being flung open, the young woman stood fully revealed before the crowd. It seemed to be her first impulse to clasp the infant closely to her bosom that she might conceal a certain token which was wrought or fastened to her dress. In a moment, however, wisely judging that one token of her shame would but poorly serve to hide another, she took the baby on her arm, and, with a burning blush and yet a haughty smile, looked around at her townspeople and neighbors. On the breast of her gown, in fine red cloth, surrounded with an elaborate embroidery and fantastic flourishes of gold thread, appeared the letter A. ~ Nathaniel Hawthorne,
867:But, but, but here lies the difficulty. Precisely what the New Testament understands by Christianity and by being a Christian is-and this the New Testament makes no effort to conceal but emphasizes decisively-what most of all is repugnant to the natural man, is an offense to him, against which with wild passion and defiance he must revolt, or else cunningly try at any price to be rid of it, as for example by the help of a knavish trick, calling Christianity what is the exact opposite of Christianity, and then thanking God for Christianity and for the great and inestimable privilege of being a Christian. Attack On Christendom pp 150-3 ~ S ren Kierkegaard,
868:I am always going from door to door,
whether in rain or heat,
and sometimes I will lay my right ear in
the palm of my right hand.
And as I speak my voice seems strange as if
it were alien to me,

for I'm not certain whose voice is crying:
mine or someone else's.
I cry for a pittance to sustain me.
The poets cry for more.

In the end I conceal my entire face
and cover both my eyes;
there it lies in my hands with all its weight
and looks as if at rest,
so no one may think I had no place where-
upon to lay my head.
Translated by Albert Ernest Flemming

~ Rainer Maria Rilke, The Song Of The Beggar
,
869:The reason I withdrew from formal, regular, scheduled community was that I failed to experience the two things my doctoral thesis revealed men absolutely must experience to remain in community. First, men need confidentiality. They have to believe that what they disclose will remain in that room and never be shared with anyone—not a spouse, not a cousin in a far country, no one. Second, men need to experience mutuality. Men need to know that if they bring you in on whatever battles they have kept secret, you won’t “leave them hanging,” or pridefully conceal the truth about yourself. They need you to quickly match their personal disclosure. ~ James MacDonald,
870:Now let me say this: when you're traveling a good cloak is worth more than all of your other possessions put together. If you've nowhere to sleep, it can be your bed and blanket. It will keep the rain off your back and the sun from your eyes. You can conceal all manner of interesting weaponry beneath it if you are clever, and a smaller assortment if you are not.

But beyond all that, two facts remain to recommend a cloak. First, very little is as striking as well-worn cloak, billowing lightly about you in the breeze. And second, the best cloaks have innumerable little pockets that I have an irrational and overpowering attraction toward. ~ Patrick Rothfuss,
871:Again and again workers told me that they are under tremendous pressure not to report injuries. The annual bonuses of plant foremen and supervisors are often based in part on the injury rate of their workers. Instead of crating a safer workplace, these bonus schemes encourage slaughterhouse managers to make sure that accidents and injuries go unreported. Missing fingers, broken bones, deep lacerations and amputated limbs are difficult to conceal from authorities. But the dramatic and catastrophic injuries in a slaughterhouse are greatly outnumbered by less visible, though no less debilitating, ailments: torn muscles, slipped disks, pinched nerves. ~ Eric Schlosser,
872:she glimpsed Levi cutting through the crowd to get to her. Smoothing her hair and finding a smile, she greeted him as if nothing out of the ordinary had happened. “Would you like a piece of cake?” Levi peered down at her, concern lining his face. “Are you all right?” “Yes, of course. I’m fine.” She tugged on her sleeve as if it could conceal the evidence of the sheriff’s touch and reached for a clean plate. “You should try some of Chloe’s lemon pound cake. It’s delicious.” Levi stroked her arm, his caress a soothing balm after the sheriff’s manhandling. “Eden, look at me.” She did, and all pretense fell away. “Did he hurt you?” “No.” Eden sighed. ~ Karen Witemeyer,
873:She struggled with her sadness, but tried to conceal it, to divide it into smaller and smaller parts and scatter these in places she thought no one would find them. But often I did - with time I learned where to look - and tried to fit them together. It pained me that she felt she couldn't come to me with it, but I knew it would hurt her more to know that I'd uncovered what she hadn't intended for me to find. In some fundamental way I think she objected to being known. Or resented it even as she longed for it. It offended her sense of freedom. But it isn't possible to simply look upon a person one loves in tranquility, content to regard her in bafflement. ~ Nicole Krauss,
874:First Snow
Outside the snowstorm spins, and hides
The world beneath a pall.
Snowed under are the paper-girl,
The papers and the stall.
Quite often our experience
Has led us to believe
That snow falls out of reticence,
In order to deceive.
Concealing unrepentantly
And trimming you in white,
How often he has brought you home
Into the town at night!
While snowflakes blind and blanket out
The distance more and more,
A tipsy shadow gropes his way
And staggers to the door.
And then he enters hastily…
Again, for all I know,
Someone has something sinful to
Conceal in all this snow!
~ Boris Pasternak,
875:But hidden drawers, lockable diaries and cryptographic systems could not conceal from Briony the simple truth: she had no secrets. Her wish for a harmonious, organised world denied her the reckless possibilities of wrongdoing. Mayhem and destruction were too chaotic for her tastes, and she did not have it in her to be cruel. Her effective status as an only child, as well as the relative isolation of the Tallis house, kept her, at least during the long summer holidays, from girlish intrigues with friends. Nothing in her life was sufficiently interesting or shameful to merit hiding; no one knew about the squirrel's skull beneath her bed, but no one wanted to know. ~ Ian McEwan,
876:What offends a great intellect in society is the equality of rights, leading to equality of pretensions, which everyone enjoys; while at the same time, inequality of capacity means a corresponding disparity of social power. So-called good society recognizes every kind of claim but that of intellect, which is a contraband article; and people are expected to exhibit an unlimited amount of patience towards every form of folly and stupidity, perversity and dullness; whilst personal merit has to beg pardon, as it were, for being present, or else conceal itself altogether. Intellectual superiority offends by its very existence, without any desire to do so. The ~ Arthur Schopenhauer,
877:was emotionally true because I had already grown to feel that there existed men against whom I was powerless, men who could violate my life at will. I resolved that I would emulate the black woman if I were ever faced with a white mob; I would conceal a weapon, pretend that I had been crushed by the wrong done to one of my loved ones; then, just when they thought I had accepted their cruelty as the law of my life, I would let go with my gun and kill as many of them as possible before they killed me. The story of the woman’s deception gave form and meaning to confused defensive feelings that had long been sleeping in me. My imaginings, of course, had no objective ~ Richard Wright,
878:Amaryllis
A flower needs to be this size
to conceal the winter window,
and this color, the red
of a Fiat with the top down,
to impress us, dull as we've grown.
Months ago the gigantic onion of a bulb
half above the soil
stuck out its green tongue
and slowly, day by day,
the flower itself entered our world,
closed, like hands that captured a moth,
then open, as eyes open,
and the amaryllis, seeing us,
was somehow undiscouraged.
It stands before us now
as we eat our soup;
you pour a little of your drinking water
into its saucer, and a few crumbs
of fragrant earth fall
onto the tabletop.
~ Connie Wanek,
879:"Me Thinks This Heart..."
Me thinks this heart should rest awhile
So stilly round the evening falls
The veiled sun sheds no parting smile
Nor mirth nor music wakes my Halls
I have sat lonely all the day
Watching the drizzly mist descend
And first conceal the hills in grey
And then along the valleys wend
And I have sat and watched the trees
And the sad flowers how drear they blow
Those flowers were formed to feel the breeze
Wave their light leaves in summer's glow
Yet their lives passed in gloomy woe
And hopeless comes its dark decline
And I lament because I know
That cold departure pictures mine
~ Emily Jane Brontë,
880:Red leaned so close his lips brushed against her ear. “ ’Cuz, I knew when I married you, you were gonna be trouble.” Cassie pulled away slightly, trying to conceal her hurt. Red caught her chin with two fingers and leaned in close and spoke so nobody could hear. “Now’s when you’re supposed to say, ‘Red, you low-down, worthless excuse for a man, I’m not trouble. You are. And if I am any trouble, I’m worth every minute of it.’” Cassie could feel her cheeks turning pink at the very thought of speaking so to her husband. She whispered something completely different than what he’d ordered her to say. “Red, I think you’re about the finest excuse for a man I’ve ever known. ~ Mary Connealy,
881:The few who were able to hide their pregnancies and even conceal their births usually lost their babies due to malnutrition. Those allowed to go to full term were often denied access to their infants, who either starved to death or were given to Dr Mengele for experimentation. In his special block, referred to as ‘The Zoo’, the SS captain and his team of medical staff carried out unspeakable operations on twins, babies, dwarves and adults that ranged from sterilisation and castration to electric shock treatment and amputation – sometimes without anaesthetic. Some mothers were encouraged by the prisoner-doctors to murder their infants in order to save their own lives. ~ Wendy Holden,
882:Such are the limitations of the human mind, and so thoroughly engrossing are the cares of common life, that only the few among men can discern through the glitter and dazzle of present prosperity the dark outlines of approaching disasters, even though they may have come up to our very gates, and are already within striking distance. The yawning seam and corroded bolt conceal their defects from the mariner until the storm calls all hands to the pumps. Prophets, indeed, were abundant before the war; but who cares for prophets while their predictions remain unfulfilled, and the calamities of which they tell are masked behind a blinding blaze of national prosperity? ~ Frederick Douglass,
883:By the time the Camerons, along with Lucinda and the necessary servants, arrived in London for Elizabeth’s debut, Elizabeth had learned all that Mrs. Porter could teach her, and she felt quite capable of meeting the challenges Mrs. Porter described. Actually, other than memorizing the rules of etiquette she was a little baffled over the huge fuss being made. After all, she’d learned to dance in the six months she was being prepared for her debut, and she’d been conversing since she was three years old, and as closely as she could tell, her only duties as a debutante were to converse politely on trivial subjects only, conceal her intelligence at all costs, and dance. ~ Judith McNaught,
884:The Virgin Considered As A Picture
Her unawed face, whose pose so long assumed
Is touched with what reality we feel,
Bends to itself and, to itself resumed,
Restores a tender fiction to the real.
And in her artful posture movement lies
Whose timeless motion flesh must so conceal;
Yet what her pose conceals we might surmise
And might pretend to gather from her eyes
The final motion flesh gives up to art.
But slowly, if we watch her long enough,
The nerves grow subtler, and she moves apart
Into a space too dim with time and blood
For our set eyes to follow true enough,
Or nerves to guess about her, if they would.
~ Edgar Bowers,
885:In Psalm 32:1 David reminded us that the blessed person is the one “whose transgressions are forgiven, / whose sins are covered.” How sad that he learned the lesson through such bitter experience. The word covered in the Hebrew is kasah, and it means “to cover, conceal, hide; to clothe; . . . to forgive; to keep secret; to hide oneself, wrap oneself up.”14 When we try desperately to cover up our sinful ways, we are bound for disaster as sin perpetuates. Only through repentance will God “cover” us and “clothe” us with His loving forgiveness. Only when we run to Him in the nakedness of our sin will He wrap us up with “garments of salvation” and a “robe of righteousness” (Isa. 61:10). ~ Beth Moore,
886:Thrice, to the mighty heave-ho of his invisible tossers, he would fly up in this fashion, and the second time he would go higher than the first and then there he would be, on his last and loftiest flight, reclining, as if for good, against the cobalt blue of the summer noon, like one of those paradisiac personages who comfortably soar, with such a wealth of folds in their garments, on the vaulted ceiling of a church while below, one by one, the wax tapers in mortal hands light up to make a swarm of minute flames in the mist of incense, and the priest chants of eternal repose, and funeral lilies conceal the face of whoever lies there, among the swimming lights, in the open coffin. ~ Vladimir Nabokov,
887:Hymn To Aristogeiton And Harmodius
Wreathed in myrtle, my sword I'll conceal
Like those champions devoted and brave,
When they plunged in the tyrant their steel,
And to Athens deliverance gave.
Beloved heroes! your deathless souls roam
In the joy breathing isles of the blest;
Where the mighty of old have their home Where Achilles and Diomed rest.
In fresh myrtle my blade I'll entwine,
Like Harmodious, the gallant and good,
When he made at the tutelar shrine
A libation of Tyranny's blood.
Ye deliverers of Athens from shame!
Ye avengers of Liberty's wrongs!
Endless ages shall cherish your fame
Embalmed in their echoing songs!
~ Edgar Allan Poe,
888:[I]f we desire to learn for bad reasons (so as to get the upper hand over others, or to win unjust cases), then we will have to change in order to learn, or the fact of learning will change the one who learns. In short, the subject of knowledge will not be the same as the subject of desire. Euthydemus: to teach is to kill — and behind all this emerges the big question that philosophy has not ceased to conceal precisely inasmuch as its birth may not be entirely foreign to it: can knowledge be sold? Can it, on the one hand, be closed up on itself like the precious object of greed and possession? And, on the other hand, can it enter into the game and circulation of wealth and goods? ~ Michel Foucault,
889:Sonnet Lxxx. To The Invisible Moon
DARK and conceal'd art thou, soft Evening's queen,
And Melancholy's votaries that delight
To watch thee, gliding through the blue serene,
Now vainly seek thee on the brow of night-Mild Sorrow, such as hope has not forsook,
May love to muse beneath thy silent reign;
But I prefer from some steep rock to look
On the obscure and fluctuating main,
What time the martial star with lurid glare,
Portentous, gleams above the troubled deep;
Or the red comet shakes his blazing hair;
Or on the fire-ting'd waves the lightnings leap;
While thy fair beams illume another sky,
And shine for beings less accursed than I.
~ Charlotte Smith,
890:But last fall, your belief that you knew her was shattered. You went for a visit without announcing it beforehand, and you discovered that you had become a guest. Mom was continually embarrassed about the messy yard or the dirty blankets. At one point, she grabbed a towel from the floor and hung it, and when food dropped on the table, she picked it up quickly. She took a look at what she had in the fridge, and even though you tried to stop her, she went to the market. If you are with family, you needn’t feel embarrassed about leaving the table uncleared after a meal and going to do something else. You realized you’d become a stranger as you watched Mom try to conceal her messy everyday life. ~ Kyung Sook Shin,
891:The girl looked at her so sharply that Ripley was taken aback. The assurance in Newt’s eyes bespoke a hardness that was anything but childish. Her tone was flat, neutral. ‘I don’t want you for a friend.’ Ripley tried to conceal her surprise. ‘Why not?’ ‘Because you’ll be gone soon, like the others. Like everybody.’ She gazed down at the doll head. ‘Casey’s okay. She’ll stay with me. But you’ll go away. You’ll be dead and you’ll leave me alone.’ There was no anger in that childish declamation, no sense of accusation or betrayal. It was delivered coolly and with complete assurance, as though the event had already occurred. It was not a prediction, but rather a statement of fact soon to take place. ~ Alan Dean Foster,
892:Sonnet Lvi.
IF, by his torturing, savage foes untraced,
The breathless captive gain some trackless glade,
Yet hears the war-whoop howl along the waste,
And dreads the reptile-monsters of the shade;
The giant reeds that murmur round the flood,
Seem to conceal some hideous form beneath;
And every hollow blast that shakes the wood,
Speaks to his trembling heart of woe and death.
With horror fraught, and desolate dismay,
On such a wanderer falls the starless night;
But if, far streaming, a propitious ray
Leads to some amicable fort his sight,
He hails the beam benign that guides his way,
As I, my Harriet, bless thy friendship's cheering light.
~ Charlotte Smith,
893:Sonnet Viii. To Spring
AGAIN the wood and long-withdrawing vale
In many a tint of tender green are drest,
Where the young leaves, unfolding, scarce conceal
Beneath their early shade, the half-form'd nest
Of finch or woodlark; and the primrose pale,
And lavish cowslip, wildly scatter'd round,
Give their sweet spirits to the sighing gale.
Ah! season of delight!--could aught be found
To soothe awhile the tortured bosom's pain,
Of sorrow's rankling shaft to cure the wound,
And bring life's first delusions once again,
'Twere surely met in thee!--thy prospect fair,
Thy sounds of harmony, thy balmy air,
Have power to cure all sadness--but despair.
~ Charlotte Smith,
894:The Germans had done their best to evacuate Majdanek before the Red Army arrived, but in their hurry to leave they had failed to conceal the evidence of what had taken place here. When Soviet troops drove into the compound they discovered a set of gas chambers, six large furnaces with the charred remains of human skeletons scattered around them and, nearby, several enormous mounds of white ash filled with pieces of human bones. The ash mounds overlooked a huge field of vegetables, and the Soviets came to the obvious conclusion: the organizers of Majdanek had been using human remains as fertilizer. ‘This is German food production,’ wrote one Soviet journalist at the time. ‘Kill people; fertilize cabbages. ~ Keith Lowe,
895:This was the life, and this the history, of the child of the Marshalsea at twenty-two. With a still surviving attachment to the one miserable yard and block of houses as her birthplace and home, she passed to and fro in it shrinkingly now, with a womanly consciousness that she was pointed out to every one. Since she had begun to work beyond the walls, she had found it necessary to conceal where she lived, and to come and go as secretly as she could, between the free city and the iron gates, outside of which she had never slept in her life. Her original timidity had grown with this concealment, and her light step and her little figure shunned the thronged streets while they passed along them. Worldly ~ Charles Dickens,
896:Mental pain is less dramatic than physical pain, but it is more common and also more hard to bear. The frequent attempt to conceal mental pain increases the burden: it is easier to say 'My tooth is aching' than to say 'My heart is broken'. Yet if the cause is accepted and faced, the conflict will strengthen and purify the character and in time the pain will usually pass. Sometimes, however, it persists and the effect is devastating; if the cause is not faced or not recognised, it produces the dreary state of the chronic neurotic. But some by heroism overcome even chronic mental pain. They often produce brilliant work and strengthen, harden, and sharpen their characters till they become like tempered steel. ~ C S Lewis,
897:We were friends and have become estranged. But this was right, and we do not want to conceal and obscure it from ourselves as if we had reason to feel ashamed. We are two ships each of which has its goal and course; our paths may cross and we may celebrate a feast together, as we did - and then the good ships rested so quietly in one harbor and one sunshine that it may have looked as if they had reached their goal and as if they had one goal. But then the mighty force of our tasks drove us apart again into different seas and sunny zones, and perhaps we shall never see each other again; perhaps we shall meet again but fail to recognize each other: our exposure to different seas and suns has changed us. ~ Roland Barthes,
898:And then there is the poet Kenneth Koch, who while travelling in Kenya came to a railroad crossing at which this sign was posted: One train may hide another. This was meant, of course, as a warning to drivers of the fact that the train you see may not be the only train to reckon with, but it also meant, as Koch points out in his poem, that there are many things in this life that conceal other things. One letter may mean another is on the way; one hitch-hiker may deliberately hide another one by the side of the road; offer to carry one bag and you may find there is another one hidden behind it, with the result that you must carry two. And so on through life. Do not count on things coming in ones. ~ Alexander McCall Smith,
899:It may be that Christians, notwithstanding corporate worship, common prayer, and all their fellowship in service, may still be left to their loneliness. The final break-through to fellowship does not occur, because, though they have fellowship with one another as believers and as devout people, they do not have fellowship as the undevout, as sinners. The pious fellowship permits no one to be a sinner. So everybody must conceal his sin from himself and from the fellowship. We dare not be sinners. Many Christians are unthinkably horrified when a real sinner is suddenly discovered among the righteous. So we remain alone with our sin, living in lies and hypocrisy. The fact is that we are sinners! ~ Dietrich Bonhoeffer,
900:You tell me that you sometimes view the dark side of your Diana, and there no doubt you discover many Spots which I rather wish were erased, than conceal'd from you. Do not judge by this, that your opinion is an indifferent thing to me, (were it so, I should look forward with a heavey Heart,) but it is far otherways, for I had rather stand fair there, and be thought well of by Lysander than by the greater part of the World besides. I would fain hope that those faults which you discover, proceed more, from a wrong Head, than a bad Heart. E'er long May I be connected with a Friend from whose Example I may form a more faultless conduct, and whose benevolent mind will lead him to pardon, what he cannot amend. ~ Abigail Adams,
901:for the first time, there burst upon me the idea that there might be real marvels all about us, that the visible world might be only a curtain to conceal huge realms uncharted by my very simple theology. And that started in me something with which, on and off, I have had plenty of trouble since—the desire for the preternatural, simply as such, the passion for the Occult. Not everyone has this disease; those who have will know what I mean. I once tried to describe it in a novel. It is a spiritual lust; and like the lust of the body it has the fatal power of making everything else in the world seem uninteresting while it lasts. It is probably this passion, more even than the desire for power, which makes magicians. ~ C S Lewis,
902:The prose-writer's art is an art that must conceal itself, and produce not a jewel that is looked at for its own beauty but a crystal in whose depths the thought can be seen without distortion or confusion ; and the philosophical writer in especial follows the trade not of a jeweller but of a lens-grinder. He must never use metaphors or imagery in such a way that they attract to themselves the attention due to his thought ;
if he does that he is writing not prose, but, whether well or ill, poetry; but he must avoid this not by rejecting all use of metaphors and imagery, but by using them, poetic things themselves, in the domestication of prose : using them just so far as to reveal thought, and no farther. ~ R G Collingwood,
903:Stepan Arkadyevitch was a truthful man in his relations with himself. He was incapable of deceiving himself and persuading himself that he repented of his conduct. He could not at this date repent of the fact that he, a handsome, susceptible man of thirty-four, was not in love with his wife, the mother of five living and two dead children, and only a year younger than himself. All he repented of was that he had not succeeded better in hiding it from his wife. But he felt all the difficulty of his position and was sorry for his wife, his children, and himself. Possibly he might have managed to conceal his sins better from his wife if he had anticipated that the knowledge of them would have had such an effect on her. ~ Leo Tolstoy,
904:Say Not The Struggle Naught Availeth
SAY not the struggle naught availeth,
The labour and the wounds are vain,
The enemy faints not, nor faileth,
And as things have been they remain.
If hopes were dupes, fears may be liars;
It may be, in yon smoke conceal'd,
Your comrades chase e'en now the fliers,
And, but for you, possess the field.
For while the tired waves, vainly breaking,
Seem here no painful inch to gain,
Far back, through creeks and inlets making,
Comes silent, flooding in, the main.
And not by eastern windows only,
When daylight comes, comes in the light;
In front the sun climbs slow, how slowly!
But westward, look, the land is bright!
~ Arthur Hugh Clough,
905:Consider the astonishing means now being made for snooping, the devices already used in offices, factories, stores, and on various lines of communication such as the mail and the telephone. Through the transistor and miniaturization techniques, these devices become ever more invisible and ever more sensitive to faint electrical impulses. The trend of all this is towards the end of individual privacy, to an extent where it may even be impossible to conceal one’s thoughts. At the end of the line, no one is left with a mind of his own: there is just a vast and complex community-mind, endowed, perhaps, with such fantastic powers of control and prediction that it will already know its own future for years and years to come. ~ Alan W Watts,
906:Perhaps I should just leave after all."
She whirled on him. "No! I'm just trying to find the right words,and I-oh,it's complicated!"
"Lies usually are."
She wetted her lips. "Lies?"
He raised his brow.
She sighed, her shoulders slumping, an expression almost of relief crossing her face. "You know."
Dougal nodded.
"Everything?"
He nodded again.
"How we tried to conceal the house's value? And disguised the beautiful paneling in the library? And-"
"Blocked up the chimneys and hid the good furnishings and served me food a dead man would refuse."
She bit her lip. "I'm sorry about that."
"No,you're not. You wanted me unhappy and uncomfortable."
"Well,yes-but not very uncomfortable. ~ Karen Hawkins,
907:The experience left me with a very strong sense of just how destructive this simple, seemingly mundane tool can be. A knife never jams. A knife never runs out of ammunition; you rarely see a gunshot murder victim who has been shot more than a few times, but any homicide investigator can tell you how common it is for the victim of a knife murder to bear twenty, thirty, or more stab and/or slash wounds. “A knife comes with a built-in silencer.” Knives are cheap, and can be bought anywhere; there used to be a cutlery store at LaGuardia Airport, not far outside the security gates. There is no prohibition at law against a knife being sold to a convicted felon. Knives can be small and flat and amazingly easy to conceal. Anywhere ~ Massad Ayoob,
908:This obscure family of ours was early in the Reformation, and continued Protestants through the reign of Queen Mary, when they were sometimes in danger of trouble on account of their zeal against popery. They had got an English Bible, and to conceal and secure it, it was fastened open with tapes under and within the cover of a joint-stool. When my great-great-grandfather read it to his family, he turned up the joint-stool upon his knees, turning over the leaves then under the tapes. One of the children stood at the door to give notice if he saw the apparitor coming, who was an officer of the spiritual court. In that case the stool was turned down again upon its feet, when the Bible remained concealed under it as before. ~ Benjamin Franklin,
909:I discovered that my obsession for having each thing in the right place, each subject at the right time, each word in the right style, was not the well-deserved reward of an ordered mind but just the opposite: a complete system of pretense invented by me to hide the disorder of my nature. I discovered that I am not disciplined out of virtue but as a reaction to my negligence, that I appear generous in order to conceal my meanness, that I pass myself off as prudent because I am evil-minded, that I am conciliatory in order not to succumb to my repressed rage, that I am punctual only to hide how little I care about other people’s time. I learned, in short, that love is not a condition of the spirit but a sign of the zodiac. ~ Gabriel Garc a M rquez,
910:Hell, they’d say in the country club locker room, you know how Milt’s getting his. Everybody knew, bearing testimony to the fact that suburban vice, like a peeling nose, is almost impossible to conceal. It went all over town, this talk, like a swarm of bees, settling down lazily on polite afternoon sun porches to rise once more and settle down again with a busy murmur among cautious ladylike foursomes on the golf course, buzzing pleasurably there amid ladylike whacks of the golf ball and cautious pullings-down of panties which bound too tightly. Everybody knew about their affair and everybody talked about it, and because of some haunting inborn squeamishness it would not have relieved Loftis to know that nobody particularly cared. ~ William Styron,
911:Nastasia Philipovna was quite capable of ruining herself, and even of perpetrating something which would send her to Siberia, for the mere pleasure of injuring a man for whom she had developed so inhuman a sense of loathing and contempt. He had sufficient insight to understand that she valued nothing in the world —herself least of all —and he made no attempt to conceal the fact that he was a coward in some respects. For instance, if he had been told that he would be stabbed at the altar, or publicly insulted, he would undoubtedly have been frightened; but not so much at the idea of being murdered, or wounded, or insulted, as at the thought that if such things were to happen he would be made to look ridiculous in the eyes of society. ~ Fyodor Dostoyevsky,
912:Why am I feeling guilty? Why is he so mad? I peek up at him. “Well, you know a lot more about me now,” he snaps, his mouth presses into a hard line. “I knew you were inexperienced, but a virgin!” He says it like it’s a really dirty word. “Hell, Ana, I just showed you …” he groans. “May God forgive me. Have you ever been kissed, apart from by me?” “Of course I have.” I try my best to look affronted. Okay … maybe twice. “And a nice young man hasn’t swept you off your feet? I just don’t understand. You’re twenty-one, nearly twenty-two. You’re beautiful.” He runs his hand through his hair again. Beautiful. I flush with pleasure. Christian Grey thinks I’m beautiful. I knot my fingers together, staring at them hard, trying to conceal my goofy grin. ~ E L James,
913:In a certain sense it might well be said that his was an exemplary life. He was one of those rare people, rare in our town as elsewhere, who have the courage of their good feelings. What little he told of his personal life vouched for acts of kindness and a capacity for affection that no one in our times dares own to. Without a blush he confessed to dearly loving his nephews and sister, his only surviving near relation, whom he went to France to visit every other year. He admitted that the thought of his parents, whom he lost when he was very young, often gave him a pang. He did not conceal the fact that he had a special affection for a church bell in his part of the town which started pealing very melodiously at about five every afternoon. ~ Albert Camus,
914:Their famous attempt to make clothing of fig leaves perfectly illustrates the utter inadequacy of every human device ever conceived to try to cover shame. Human religion, philanthropy, education, self-betterment, self-esteem, and all other attempts at human goodness ultimately fail to provide adequate camouflage for the disgrace and shame of our fallen state. All the man-made remedies combined are no more effective for removing the dishonor of our sin than our first parents' attempts to conceal their nakedness with fig leaves. That's because masking over shame doesn't really deal with the problem of guilt before God. Worst of all, a full atonement for guilt is far outside the possibility of fallen men and women to provide for themselves. ~ John F MacArthur Jr,
915:In short, the Communists everywhere support every revolutionary movement against the existing social and political order of things. In all these movements they bring to the front, as the leading question in each, the property question, no matter what its degree of development at the time. Finally, they labour everywhere for the union and agreement of the democratic parties of all countries. The Communists disdain to conceal their views and aims.
They openly declare that their ends can be attained only by
the forcible overthrow of all existing social conditions.
Let the ruling classes tremble at a Communistic revolution.
The proletarians have nothing to lose but their chains.
They have a world to win. WORKING MEN OF ALL COUNTRIES, UNITE! ~ Karl Marx,
916:To the person who has anything to conceal—to the person who wants to lose his identity as one leaf among the leaves of a forest—to the person who asks no more than to pass by and be forgotten, there is one name above others which promises a haven of safety and oblivion. London. Where no one knows his neighbour. Where shops do not know their customers. Where physicians are suddenly called to unknown patients whom they never see again. Where you may lie dead in your house for months together unmissed and unnoticed till the gas-inspector comes to look at the meter. Where strangers are friendly and friends are casual. London, whose rather untidy and grubby bosom is the repository of so many odd secrets. Discreet, incurious and all-enfolding London. ~ Dorothy L Sayers,
917:We don't need to stop at green or natural burial. "Burial" comes from the anglo-saxon word birgan, "to conceal." Not everyone wants to be concealed under the earth. I don't want to be concealed. Ever since my dark night of the soul in the redwood forest, I've believed the animals I've consumed my whole life should someday have their turn with me. The ancient Ethiopians would place their dead in the lake where they fished, so the fish would have the opportunity to receive back the nutrients. The earth is expertly designed to take back what it has created. Bodies left for carrion in enclosed, regulated spaces could be the answer to the environmental problems of burial and cremation. There is no limit to where our engagement with death can take us. ~ Caitlin Doughty,
918:We are acquainted with a mere pellicle of the globe on which we live. Most have not delved six feet beneath the surface, nor leaped as many above it. We know not where we are. Beside, we are sound asleep nearly half our time. Yet we esteem ourselves wise, and have an established order on the surface. Truly, we are deep thinkers, we are ambitious spirits! As I stand over the insect crawling amid the pine needles on the forest floor, and endeavoring to conceal itself from my sight, and ask myself why it will cherish those humble thoughts, and hide its head from me who might, perhaps, be its benefactor, and impart to its race some cheering information, I am reminded of the greater Benefactor and Intelligence that stands over me the human insect. ~ Henry David Thoreau,
919:What a country of lazy shits, with fucking hypocritical politicians claiming that people actually wanted to work if they could. Norwegians voted for the Socialist Party because it made it a human right to shirk their jobs, and who the hell wouldn't vote for a party that gave you three days off without a doctor's note, gave you carte blanche to sit at home and jerk off or go skiing or recover from a hangover? The Socialist Party knew, of course, what a perk this was, but still tried to appear responsible, preened themselves with their "trust in most people" and declared the right to malinger as some kind of social reform. The Progress Party was even more fucking infuriating, buying itself votes with tax cuts and hardly bothering to conceal the fact. ~ Jo Nesb,
920:The first break in the case came on day six. A college student named Beatrice Arnold called the FBI hotline to report she’d sold Suzanne Lombard snacks at the gas station where she worked in Breezewood, Pennsylvania. “The Breezewood tape caused a seismic shift in the investigation and completely scrambled the assumptions of law enforcement. Suzanne Lombard hadn’t been snatched; she had run away. She had somehow traveled three hundred fifty miles from the Virginia shore to the Pennsylvania line without drawing attention to herself. From the surveillance tape, three unassailable facts emerged: First, Suzanne was actively trying to conceal her identity. Second, she was waiting for someone. And third, in Suzanne’s mind at least, that someone was a friend. ~ Matthew FitzSimmons,
921:For mile after mile the same melodic phrase rose up in my memory. I simply couldn’t get free of it. Each time it had a new fascination for me. Initially imprecise in outline, it seemed to become more and more intricately woven, as if to conceal from the listener how eventually it would end. This weaving and re-weaving became so complicated that one wondered how it could possibly be unravelled; and then suddenly one note would resolve the whole problem, and the solution would seem yet more audacious than the procedures which had preceded, called for, and made possible its arrival; when it was heard, all that had gone before took on a new meaning, and the quest, which had seemed arbitrary, was seen to have prepared the way for this undreamed-of solution. ~ Claude L vi Strauss,
922:And then, of course, there was the sari itself. What a garment, Randy! There isn’t another outfit in the world that balances better the twin feminine urges to conceal and reveal. It outlines the woman’s shape but hides the faults a skirt can’t — under a sari a heavy behind, unflattering legs are invisible. But it also reveals the midriff, a part of the anatomy most Western women hide all the time. I was mesmerized, Randy, by the mere fact of being able to see her belly button when she walked, the single fold of flesh above the knot of her sari, the curve of her waist toward her hips. That swell of flesh just above a woman’s hipbone, Randy, is the sexiest part of the female anatomy to me. And I didn’t even have to undress her to see it. I was completely smitten. ~ Shashi Tharoor,
923:But self-deception of this kind (ed persecution) cannot lead to any solid happiness. In the back of your mind you will know that the facts are otherwise, and in order to conceal this from yourself as far as possible, you will have to invent more and more fantastic hypotheses. The strain of trying to believe these will, in the end, become very great. And since, moreover, they involve the belief that you are the object of widespread hostility, they will only safeguard your self-esteem by inflicting the very painful feeling that you are at odds with the world. No satisfaction based upon self-deception is solid, and however unpleasant the truth may be, it is better to face it once for all, to get used to it, and to proceed to build your life in accordance with it. ~ Bertrand Russell,
924:The conception of duty, speaking historically, has been a means used by the holders of power to induce others to live for the interests of their masters rather than for their own. Of course the holders of power conceal this fact from themselves by managing to believe that their interests are identical with the larger interests of humanity. Sometimes this is true; Athenian slave owners, for instance, employed part of their leisure in making a permanent contribution to civilization which would have been impossible under a just economic system. Leisure is essential to civilization, and in former times leisure for the few was only rendered possible by the labors of the many. But their labors were valuable, not because work is good, but because leisure is good. And ~ Bertrand Russell,
925:Before and after the funeral I never ceased to cry and be miserable, but it makes me ashamed when I think back on that sadness of mine, seeing that always in it was an element of self-love - now a desire to show that I prayed more than any one else, now concern about the impression I was producing on others, now an aimless curiosity which caused me to observe Mimi's cap or the faces of those around me. I despised myself for not experiencing sorrow to the exclusion of everything else, and I tried to conceal all other feelings: this made my grief insincere and unnatural. Moreover, I felt a kind of enjoyment in knowing that I was unhappy and I tried to stimulate my sense of unhappiness, and this interest in myself did more than anything else to stifle real sorrow in me. ~ Leo Tolstoy,
926:must, even among Christians, give over pressing the greatest part of those things that Christ hath taught us, though He has commanded us not to conceal them, but to proclaim on the housetops that which He taught in secret.  The greatest parts of His precepts are more opposite to the lives of the men of this age than any part of my discourse has been, but the preachers seem to have learned that craft to which you advise me: for they, observing that the world would not willingly suit their lives to the rules that Christ has given, have fitted His doctrine, as if it had been a leaden rule, to their lives, that so, some way or other, they might agree with one another.  But I see no other effect of this compliance except it be that men become more secure in their wickedness by it; ~ Thomas More,
927:The desire for perfection rests upon two fallacies. The first resides in the miscalculation that you can create the optimal solution sitting in a bedroom or ivory tower and thinking things through rather than getting out into the real world and testing assumptions, thus finding their flaws. It is the problem of valuing top-down over bottom-up. The second fallacy is the fear of failure. Earlier on we looked at situations where people fail and then proceed to either ignore or conceal those failures. Perfectionism is, in many ways, more extreme. You spend so much time designing and strategizing that you don’t get a chance to fail at all, at least until it is too late. It is pre-closed loop behavior. You are so worried about messing up that you never even get on the field of play. ~ Matthew Syed,
928:In short, the Communists everywhere support every revolutionary movement against the existing social and political order of things.

In all these movements they bring to the front, as the leading question in each, the property question, no matter what its degree of development at the time.

Finally, they labour everywhere for the union and agreement of the democratic parties of all countries.

The Communists disdain to conceal their views and aims.

They openly declare that their ends can be attained only by the forcible overthrow of all existing social conditions.

Let the ruling classes tremble at a Communistic revolution. The proletarians have nothing to lose but their chains. They have a world to win.

WORKING MEN OF ALL COUNTRIES, UNITE! ~ Friedrich Engels,
929:His sudden and utterly overwhelming panic was over almost before it began; but not quickly enough. In the midst of his brief yet total terror, the King of Pontus shat himself. It went everywhere, solid faeces mixed with what seemed an incredible amount of more liquid bowel contents, a stinking brown mess all over the gold-encrusted purple cloth of his cushion, trickling down the legs of his throne, running down his own legs into the manes of the golden lions upon the flaps of his boots, pooling and plopping on the deck around his feet when he jumped up. And there was nowhere to go! He could not conceal it from the amazed eyes of his attendants and officers, he could not conceal it from the sailors below amidships who had looked up instinctively to make sure their King was safe. ~ Colleen McCullough,
930:My mind wandered to all those years of school portraits: the licked palms wrestling cowlicks under the pretense of a loving stroke; letting the boys watch a cartoon while sliding them into handsome, uncomfortable clothes; clumsy efforts to subliminally communicate the value of a “natural” smile. The pictures always came out the same: a forced grin with unparted lips, eyes vacantly gazing into the haze—something from the Diane Arbus scrap pile. But I loved them. I loved the truth they conveyed: that kids aren’t yet able to fake it. Or they aren’t yet able to conceal their disingenuousness. They’re wonderful smilers, the best; but they’re the very worst fake smilers. The inability to fake a smile defines childhood. When Sam thanked me for his room in my new house, he became a man. ~ Jonathan Safran Foer,
931:She woke from dreamless rest to find her lap filled with wildflowers-blue and gold violets, white starworts with bright yellow centers, wild geraniums, purple heather, pale lavender bellflowers, creamy butterworts...a treasure trove of nature's jewels.
"Where did these come from?" she asked her warrior husband.
He leaned back on his elbows and studied the sea. "Some trolls came by and left them."
"Trolls picking flowers?"
"More believable, surely, than me doing it?"
She laughed and surprised him by competently weaving the summer's late blossoms into a garland for her hair.
"How is it you know how to do that," he asked, "when you are so thoroughly undomestic?"
She threw a purple aster at him and laughed again. "I thought I was managing to conceal that."
"Oh,certainly. ~ Josie Litton,
932:You should go to bed.” Amelia shook her head. Somewhere beneath the clamor of her pulse and the raffle of worries in her mind, there was a great ache of weariness. But any attempt to sleep would be useless—she would simply lie there and stare at the ceiling. “My head is spinning like a carousel. The thought of sleep…” She shook her head. “Would it help,” he asked gently, “to have a shoulder to cry on?” She fought to conceal how much the question unnerved her. “Thank you, but no.” Carefully she dropped the herbs into the kettle. “Crying is a waste of time.” “‘ To weep is to make less the depth of grief.’” “Is that a Romany saying?” “Shakespeare.” He studied her, seeing too much, reading what simmered beneath the forced calm. “You have friends to help you through this, Amelia. And I’m one of them. ~ Lisa Kleypas,
933:His themes were not pride and love at all, though he used the words perpetually; as he used them they meant self-praise and hate. He talked a great deal about Truth also, for he was, he said, “cutting down beneath the veneer of civilization.”

It is a durable, ubiquitous, specious metaphor, that one about veneer (or paint, or pliofilm, or whatever) hiding the nobler reality beneath. It can conceal a dozen fallacies at once. One of the most dangerous is the implication that civilization, being artificial, is unnatural: that it is the opposite of primitiveness… Of course there is no veneer, the process is one of growth, and primitiveness and civilization are degrees of the same thing. If civilization has an opposite, it is war. Of those two things, you have either one, or the other. Not both. ~ Ursula K Le Guin,
934:Reading a classic must also surprise us, when we compare it to the image we previously had of it. That is why we can never recommend enough a first-hand reading of the text itself, avoiding as far as possible secondary bibliography, commentaries, and other interpretations. Schools and universities should hammer home the idea that no book which discusses another book can ever say more than the original book under discussion; yet they actually do everything to make students believe the opposite. There is a reversal of values here which is very widespread, which means that the introduction, critical apparatus, and bibliography are used like a smokescreen to conceal what the text has to say and what it can only say if it is left to speak without intermediaries who claim to know more than the text itself. ~ Italo Calvino,
935:Martians – they were all Martians. But they were ashamed of it, and so they tried to conceal it. They had determined, once and for all, that their monstrous disproportions were, in reality, true proportion, and their inconceivable ugliness was beauty. They were strangers on this planet, but they refused to admit it. They played at being perfectly at home. He caught a glimpse of his own reflection in a shop window. He was no different. Identical, exactly the same likeness as that of the monsters. He belonged to their species, but for some unknown reason he had been banished from their company. They had no confidence in him. All they wanted from him was obedience to their incongruous rules and their ridiculous laws. Ridiculous only to him, because he could never fathom their intricacy and their subtlety. ~ Roland Topor,
936:The process of dying, much like the process of being born, is a very intimate affair. The reason people in such situations instinctively have a desire to hide is not just because they feel physically vulnerable. Dying in the sight of others, as in a public execution, is a double punishment as it is an affront to the victim's modesty in the most brutal way conceivable. It was one of the reasons public executions were considered to have a more criminally preventative effect on the population than execution in the solitude of the cell. Some allowances were made, however, such as obliging the executioner to wear a mask. That wasn't, as many think, to conceal the executioner's identity. The mask was out of consideration for the condemned man, so that he didn't feel a stranger was close to him at the moment of death. ~ Jo Nesb,
937:Because radium can be mixed with other elements to make them glow in the dark, clock makers used it to create fluorescent numbers on watch faces and hired young women to perform the delicate task of painting them. In the watch factories of New Jersey, Connecticut, and Illinois, the Radium Girls were trained to lick the tips of their brushes into a fine point before dipping them into pots of radium paint. When the jaws and skeletons of the first girls began to rot and disintegrate, their employers suggested they were suffering from syphilis. A successful lawsuit revealed that their managers had understood the risks of working with radium and get done everything they could to conceal the truth from their employees. It was the first time the public learned the hazards of ingesting radioactive material. The ~ Adam Higginbotham,
938:The Footsteps On an ebony bedstead
adorned with eagles made of coral,
Nero lies deep in sleep – quiet, unconscious, happy:
in the prime of his body’s vigour;
in the beautiful ardour of his youth. But in the alabaster hall
that holds the ancient shrine of the Ahenobarbi,
the Lares of his house are anxious.
These minor household gods are trembling,
trying to conceal their already negligible bodies.
For they heard a terrible noise,
a deadly sound spiralling up the staircase,
iron-soled footsteps shaking the steps.
The miserable Lares, near-fainting now,
huddle in the corner of the shrine,
jostling and stumbling over each other,
one little god falling over the next,
for they knew what sort of noise it was;
they recognize, by now, the footsteps of the Furies. ~ Constantinos P Cavafy,
939:The following day I returned to the same spot, this time bringing with me the shoebox of my mother's photographs. I sat on the ground, opened the box, and began going through the pictures one by one, as if they were pieces of mail that I was quickly scanning and would read later on. But there were too many pictures, and after a few I, like my father, could no longer bear their sight. A slight lessening in the pressure of my fingertips and the ones I was holding would have blown away into that wild sea, scattering down to where my mother's ashes already resided. But I could not bear that either, and so I put them back in the box and began to break the hardened ground. I only had a stick and a sharpedged rock to work with and the hole was not impressive, but it was deep enough to conceal the box. I covered it with dirt and stones. ~ Anonymous,
940:Tenthly, after it hath been seen how the obstinate and the ignorant of evil disposition are accustomed to dispute, it will further be shewn how disputes are wont to conclude; although others are so wary that without losing their composure, but with a sneer, a smile, a certain discreet malice, that which they have not succeeded in proving by argument -- nor indeed can it be understood by themselves -- nevertheless by these tricks of courteous disdain they [pretend to have proven], endeavouring not only to conceal their own patently obvious ignorance but to cast it on to the back of their adversary. For they dispute not in order to find or even to seek Truth, but for victory, and to appear the more learned and strenuous upholders of a contrary opinion. Such persons should be avoided by all who have not a good breastplate of patience. ~ Giordano Bruno,
941:Daniel observed her from afar, and tried in vain to conceal the hunger in his eyes. She showed none of the disdain against the Indians that he had encountered from whites back east. Aimee was genuinely warm and friendly with these people who were like family to him. She obviously loved children. She played games with the younger ones, and each time she held Elk Runner’s infant in her arms, a new wave of desire spread through him. He tried not to think about what it would be like to see her holding a child, their child, in her arms. That could never happen. His white mother had died in this wilderness, giving birth to him. No matter how she dressed, or her abilities on the trail, Aimee was still a white woman. Like a beautiful spring flower, she would wither and die in these mountains. Neither lasted long in this harsh environment. ~ Peggy L Henderson,
942:It can be said with truth that certain aspects of reality conceal themselves from anyone who looks upon reality from a profane and materialistic point of view, and they become inaccessible to his observation: this is not a more or less ‘picturesque’ manner of speaking, as some people might be tempted to think, but is the simple and direct statement of a fact, just as it is a fact that animals flee spontaneously and instinctively from the presence of anyone who evinces a hostile attitude toward them. That is why there are some things that can never be grasped by men of learning who are materialists or positivists, and this naturally further confirms their belief in the validity of their conceptions by seeming to afford a sort of negative proof of them, whereas it is really neither more nor less than a direct effect of the conceptions themselves. ~ Ren Gu non,
943:in Likkutei Torah15 of the verse, “He has not seen sin in Jacob nor toil in Israel.”16 At the level of “Jacob” the Jew has no sin, but he still experiences “toil”—his freedom from sin is achieved only by tension and struggle for he has concealments to overcome. This is why he is called “Jacob, my servant”17 for “service” (in Hebrew, avodah) has the implication of strenuous effort to refine his physical nature (his “animal soul”). He does not sin but he still experiences the inclination to sin, which he must overcome. But “Israel” encounters no “toil,” for in his struggle “with Elokim and with men” he broke down the factors which conceal G-dliness and silenced his dissenting inclinations. Israel no longer needs to contend with those forces which oppose the perception of G-dliness. His progress lies entirely within the domain of the holy. ~ Menachem M Schneerson,
944:Now and then, an inch below the water's surface, the muscles of his stomach tightened involuntarily as he recalled another detail. A drop of water on her upper arm. Wet. An embroidered flower, a simple daisy, sewn between the cups of her bra. Her breasts wide apart and small. On her back, a mole half covered by a strap. When she climbed out of the pond a glimpse of the triangular darkness her knickers were supposed to conceal. Wet. He saw it, he made himself see it again. The way her pelvic bones stretched the material clear of the skin, the deep curve of her waist, her startling whiteness. When she reached for her skirt, a carelessly raised foot revealed a patch of soil on each pad of her sweetly diminished toes. Another mole the size of a farthing on her thigh and something purplish on her calf--a strawberry mark, a scar. Not blemishes. Adornments. ~ Ian McEwan,
945:There's a crack in my mind,
That I don't know how to heal.
There are demons in my head,
People tell me are not real.

The voices are my own,
Speaking words I don't believe.
Convincing me I'm worthless,
And that everyone will leave.

You want me to be better,
Don't you think I want the same?
But you've convinced yourself it's nothing,
Or that I'm the one to blame.

So I'll tell you that I'm 'fine,'
Because that's all you want to hear.
And I'll conceal it with a smile,
While hiding all the fear.

I'll bury all the feelings,
And I'll cut out all the pain.
But that won't mean I'm healed,
I've just chosen to not 'complain.'

Because being sad was only half of it,
And it was not the half to kill.
The downfall began when I started to feel nothing,
When I slowly lost my will. ~ Jeannine Allison,
946:Dietrich Bonhoeffer observed this same phenomenon at the underground seminary he served during his protest of Nazi Germany: He who is alone with his sin is utterly alone. It may be that Christians, notwithstanding corporate worship, common prayer, and all their fellowship in service, may still be left to their loneliness. The final break-through to fellowship does not occur because, though they have fellowship with one another as believers and as devout people, they do not have fellowship as the undevout, as sinners. The pious fellowship permits no one to be a sinner. So everybody must conceal sin from himself and from the fellowship. We dare not be sinners. Many Christians are unthinkably horrified when a real sinner is suddenly discovered among the righteous. So we remain alone in our sin, living lies and hypocrisy. The fact is that we are sinners!22 ~ Rachel Held Evans,
947:Call me Ozzie, doll,” he called back. He hunched over the keyboard like a starving man hunches over a plate of food. “And there’s no need to conceal my weapons. I figure everyone should see what’s in store for them should they attempt to fuck with me.”“
Oh man.” Dan groaned and rolled his eyes. “Next thing you know he’ll be coming to work shirtless with bandoliers strapped across his chest and a red bandana tied around his head.”
“Ah, so you have seen a movie or two.” Ozzie swiveled in his chair, his eyes sparkling with devilish glee. “Rambo, huh? I can give you Rambo.” He lowered his voice. “‘They drew first blood. Not me…’”
“What a crock of bullsh—uh, crap.” Dan scoffed.
“Are you sitting there dissing Stallone?” Ozzie demanded, making like he was about to stand in defense of the Italian Stallion.
“No. I’m sitting here dissing you, you stu— ~ Julie Ann Walker,
948:IT IS SENSIBLE of me to be aware that I will die one of these days. I will not pass away. Every day millions of people pass away—in obituaries, death notices, cards of consolation, e-mails to the corpse’s friends—but people don’t die. Sometimes they rest in peace, quit this world, go the way of all flesh, depart, give up the ghost, breathe a last breath, join their dear ones in heaven, meet their Maker, ascend to a better place, succumb surrounded by family, return to the Lord, go home, cross over, or leave this world. Whatever the fatuous phrase, death usually happens peacefully (asleep) or after a courageous struggle (cancer). Sometimes women lose their husbands. (Where the hell did I put him?) Some expressions are less common in print: push up the daisies, kick the bucket, croak, buy the farm, cash out. All euphemisms conceal how we gasp and choke turning blue. ~ Donald Hall,
949:Wha Is That At My Bower-Door
1783

Wha is that at my bower-door?
O wha is it but Findlay!
Then gae your gate, ye'se nae be here:
Indeed maun I, quo' Findlay;
What mak' ye, sae like a thief?
O come and see, quo' Findlay;
Before the morn ye'll work mischief:
Indeed will I, quo' Findlay.

Gif I rise and let you in-
Let me in, quo' Findlay;
Ye'll keep me waukin wi' your din;"
Indeed will I, quo' Findlay;
In my bower if ye should stay-
Let me stay, quo' Findlay;
I fear ye'll bide till break o' day;
Indeed will I, quo' Findlay.
Here this night if ye remain-
I'll remain, quo' Findlay;
I dread ye'll learn the gate again;
Indeed will I, quo' Findlay.
What may pass within this bower-
Let it pass, quo' Findlay;
Ye maun conceal till your last hour:
Indeed will I, quo' Findlay. ~ Robert Burns,
950:Of The Last Verses In The Book
When we for age could neither read nor write,
The subject made us able to indite.
The soul, with nobler resolutions deckt,
The body stooping, does herself erect:
No mortal parts are requisite to raise
Her, that unbodied can her Maker praise.
The seas are quiet, when the winds give o'er,
So calm are we, when passions are no more:
For then we know how vain it was to boast
Of fleeting things, so certain to be lost.
Clouds of affection from our younger eyes
Conceal that emptiness, which age descries.
The soul's dark cottage, batter'd and decay'd,
Lets in new light through chinks that time has made;
Stronger by weakness, wiser men become
As they draw near to their eternal home:
Leaving the old, both worlds at once they view,
That stand upon the threshold of the new.
~ Edmund Waller,
951:What does man actually know about himself? Is he, indeed, ever able to perceive himself completely, as if laid out in a lighted display case? Does nature not conceal most things from him-even concerning his own body-in order to confine and lock him within a proud, deceptive consciousness, aloof from the coils of the bowels, the rapid flow of the blood stream, and the intricate quivering of the fibers! She threw away the key. And woe to that fatal curiosity which might one day have the power to peer out and down through a crack in the chamber of consciousness and then suspect that man is sustained in the indifference of his ignorance by that which is pitiless, greedy, insatiable, and murderous-as if hanging in dreams on the back of a tiger. Given this situation, where in the world could the drive for truth have come from? Insofar as the individual wants to maintain ~ Friedrich Nietzsche,
952:Adults lie constantly to kids. I’m not saying we should stop, but I think we should at least examine which lies we tell and why. [...]

A lot of the things adults conceal from smaller children, they conceal because they’d be frightening, not because they want to conceal the existence of such things. Misleading the child is just a byproduct.

This seems one of the most justifiable types of lying adults do to kids. But because the lies are indirect we don’t keep a very strict accounting of them. Parents know they’ve concealed the facts about sex, and many at some point sit their kids down and explain more. But few tell their kids about the differences between the real world and the cocoon they grew up in. Combine this with the confidence parents try to instill in their kids, and every year you get a new crop of 18 year olds who think they know how to run the world. ~ Paul Graham,
953:(36) AND WORSHIP God [alone], and do not ascribe divinity, in any way, to aught beside Him.484 And do good unto your parents, and near of kin, and unto orphans, and the needy, and the neighbour from among your own people, and the neighbour who is a stranger,485 and the friend by your side, and the wayfarer, and those whom you rightfully possess.486 Verily, God does not love any of those who, full of self-conceit, act in a boastful manner; (37) [nor] those who are niggardly, and bid others to be niggardly, and conceal whatever God has bestowed upon them out of His bounty; and so We have readied shameful suffering for all who thus deny the truth. (38) And [God does not love] those who spend their possessions on others [only] to be seen and praised by men, the while they believe neither in God nor in the Last Day; and he who has Satan for a soul-mate, how evil a soul-mate has he!487 ~ Anonymous,
954:To the person who has anything to conceal—to the person who wants to lose his identity as one leaf among the leaves of a forest—to the person who asks no more than to pass by and be forgotten, there is one name above others which promises a haven of safety and oblivion. London. Where no one knows his neighbour. Where shops do not know their customers. Where physicians are suddenly called to unknown patients whom they never see again. Where you may lie dead in your house for months together unmissed and unnoticed till the gas-inspector comes to look at the meter. Where strangers are friendly and friends are casual. London, whose rather untidy and grubby bosom is the repository of so many odd secrets. Discreet, incurious and all-enfolding London. Not that Parker put it that way to himself. He merely thought, “Ten to one she’d try London. They mostly think they’re safer there. ~ Dorothy L Sayers,
955:You don’t have to be young. You don’t have to be thin. You don’t have to be “hot” in a way that some dumbfuckedly narrow mindset has construed that word. You don’t have to have taut flesh or a tight ass or an eternally upright set of tits. You have to find a way to inhabit your body while enacting your deepest desires. You have to be brave enough to build the intimacy you deserve. You have to take off all of your clothes and say, “I’m right here.” There are so many tiny revolutions in a life, a million ways we have to circle around ourselves to grow and change and be okay. And perhaps the body is our final frontier. It’s the one place we can’t leave. We’re there till it goes. Most women and some men spend their lives trying to alter it, hide it, prettify it, make it what it isn’t, or conceal it for what it is. But what if we didn’t do that? That’s the question you need to answer, ~ Cheryl Strayed,
956:Sad as it is, we cannot conceal the fact that in spite of our companionship with flowers we have not risen very far above the brute. Scratch the sheepskin and the wolf within us will soon show his teeth. It has been said that a man at ten is an animal, at twenty a lunatic, at thirty a failure, at forty a fraud, and at fifty a criminal. Perhaps he becomes a criminal because he has never ceased to be an animal. Nothing is real to us but hunger, nothing sacred except our own desires. Shrine after shrine has crumbled before our eyes; but one altar if forever preserved, that whereon we burn incense to the supreme idol,-ourselves. Our god is great, and money is his Prophet! We devastate nature in order to make sacrifice to him. We boast that we have conquered Matter and forget that it is Matter that has enslaved us. What atrocities do we not perpetrate in the name of culture and refinement! ~ Kakuz Okakura,
957:PSALM 27 The LORD is my light and my salvation;    whom shall I fear? The LORD is the stronghold [64] of my life;    of whom shall I be afraid? 2When evildoers assail me    to eat up my flesh, my adversaries and foes,    it is they who stumble and fall. 3Though an army encamp against me,    my heart shall not fear; though war arise against me,    yet [65] I will be confident. 4One thing have I asked of the LORD,    that will I seek after: that I may dwell in the house of the LORD    all the days of my life, to gaze upon the beauty of the LORD    and to inquire [66] in his temple. 5For he will hide me in his shelter    in the day of trouble; he will conceal me under the cover of his tent;    he will lift me high upon a rock. 6And now my head shall be lifted up    above my enemies all around me, and I will offer in his tent    sacrifices with shouts of joy; I will sing and make melody to the LORD. ~ Anonymous,
958:If you only notice human proceedings, you may observe that all who attain great power and riches, make use of either force or fraud; and what they have acquired either by deceit or violence, in order to conceal the disgraceful methods of attainment, they endeavor to sanctify with the false title of honest gains. Those who either from imprudence or want of sagacity avoid doing so, are always overwhelmed with servitude and poverty; for faithful servants are always servants, and honest men are always poor; nor do any ever escape from servitude but the bold and faithless, or from poverty, but the rapacious and fraudulent. God and nature have thrown all human fortunes into the midst of mankind; and they are thus attainable rather by rapine than by industry, by wicked actions rather than by good. Hence it is that men feed upon each other, and those who cannot defend themselves must be worried. ~ Niccol Machiavelli,
959:Lovers do not realize what they are doing when they conceal their feelings from one another. It is not easy to love, and if you do not boldly build a strong foundation, you cannot hope to build successfully upon it. They say that the most difficult part is crossing the threshold. I wish to teach you about love, for I am quite aware that love is driving you crazy. This is why I have decided to instruct you, so be careful to hide nothing from me, since it is evident on both your faces that your two hearts have joined as one. Hide nothing from me! You are both behaving very foolishly in not revealing your thoughts, for by concealing them you will each be the death of the other, and murderers of Love. Now I urge you not to seek to dominate one another, nor merely to satisfy your desires, but rather join together honourably in marriage. In this way, it seems to me, your love will long endure. ~ Chr tien de Troyes,
960:When I’m there, Rube’s eyes fire into mine. Make sure you get up, they tell me, and I nod, then jump up. The jacket’s off. My skin’s warm. My wolfish hair sticks up as always, nice and thick. I’m ready now. I’m ready to keep standing up, no matter what, I’m ready to believe that I welcome the pain and that I want it so much that I will look for it. I will seek it out. I’ll run to it and throw myself into it. I’ll stand in front of it in blind terror and let it beat me down and down till my courage hangs off me in rags. Then it will dismantle me and stand me up naked, beat me some more and my slaughter-blood will fly from my mouth and the pain will drink it, feel it, steal it and conceal it in the pockets of its guts and it will taste me. It will just keep standing me up, and I won’t let it know. I won’t tell it that I feel it. I won’t give it the satisfaction. No, the pain will have to kill me. ~ Markus Zusak,
961:Yes, but bad language is bound to make in addition bad government, whereas good language is not bound to make bad government. That again is clear Confucius: if the orders aren’t clear they can’t be carried out. Lloyd George’s laws were such a mess, the lawyers never knew what they meant. And Talleyrand proclaimed that they changed the meaning of words between one conference and another. The means of communication breaks down, and that of course is what we are suffering now. We are enduring the drive to work on the subconscious without appealing to the reason. They repeat a trade name with the music a few times, and then repeat the music without it so that the music will give you the name. I think of the assault. We suffer from the use of language to conceal thought and to withhold all vital and direct answers. There is the definite use of propaganda, forensic language, merely to conceal and mislead. ~ Ezra Pound,
962:So . . . what’s the plan, then?” Driggs asked, the opaqueness of his body coming and going in waves now, possibly in time with his heartbeat.
“Um—” Uncle Mort winced. “Hide.”
Lex’s jaw dropped as Uncle Mort ducked behind a tree. “Hide?” she sputtered in disbelief, falling over her own feet as she tried to conceal herself. “That’s the best you can come up with?”
He gave her a look. “You got a rocket launcher in that bag of yours? No? Then hide it is. Grotton, get down!” he shouted at the ghost, who was now floating higher and seemed to be glowing more brightly.
Grotton lowered himself to the ground. “I was merely trying to provide a bit of light for your attempts at”—he let out a quiet snicker—“concealment.”
Uncle Mort, suppressing the urge to reach up and smack the everdeathing snot out of their new companion, gritted his teeth. “Next time set off some fireworks, it’ll be more subtle. ~ Gina Damico,
963:I would fix my eyes, without limit of time, upon the trunk of a distant tree, from behind which she must appear and spring towards me; my closest scrutiny left the horizon barren as before; night was falling; without any hope now would I concentrate my attention, as though to force up out of it the creatures which it must conceal, upon that sterile soil, that stale and outworn land; and it was no longer in lightness of heart, but with sullen anger that I aimed blows at the trees of Roussainville wood, from among which no more living creatures made their appearance than if they had been trees painted on the stretched canvas background of a panorama, when, unable to resign myself to having to return home without having held in my arms the woman I so greatly desired, I was yet obliged to retrace my steps towards Combray, and to admit to myself that the chance of her appearing in my path grew smaller every moment. ~ Marcel Proust,
964:In one of his traditional sermons transmitted by his disciples, is the following apologue on the subject of charity : " When God created the earth it shook and trembled, until he put mountains upon it, to make it firm. Then the angels asked, ' O God, is there anything of thy creation stronger than these mountains ? ' And God replied, ' Iron is stronger than the mountains ; for it breaks them.' 'And is there anything of thy creation stronger than iron ? ' ' Yes ; fire is stronger than iron, for it melts it.' 'Is there anything of thy creation stronger than fire?' 'Yes; water, for it quenches fire.' ' O Lord, is there anything of thy creation stronger than water ? ' ' Yes, wind ; for it overcomes water and puts it in motion.' 'O, our Sustainer ! is there anything of thy creation stronger than wind ? ' ' Yes, a good man giving alms ; if he give with his right hand and conceal it from his left, he overcomes all things.' ~ Washington Irving,
965:Not in the slightest,” Horace said. He was grinning now but he did remember that there was a time when he had been distinctly unsure of himself in the presence of Rangers—first with Gilan and Will in Celtica, then later in company with Halt as they crossed Gallica. Odd to think that now they were his closest friends. “I’ve learned since then. Halt’s really a pussycat,” he added. Will and Gilan both snorted in an unsuccessful attempt to conceal their laughter. Halt’s eyebrow rose fractionally as he regarded the grinning young man. “A pussycat,” he repeated. Svengal had been watching this exchange with interest. Now he joined in with a loud guffaw. “More like a battered old tomcat, I’d have thought,” he said. Halt’s withering gaze swung to the big Skandian, who remained resolutely unwithered. “Everyone’s a comedian all of a sudden,” Halt said. “I think I’ll go to bed.” He exited the room with what little dignity remained to him. ~ John Flanagan,
966:The whole point of education is that it should give a man abstract and eternal standards, by which he can judge material and fugitive conditions. If the citizen is to be a reformer, he must start with some ideal which he does not obtain merely by gazing reverently at the unreformed institutions. And if any one asks, as so many are asking: 'What is the use of my son learning all about ancient Athens and remote China and medieval guilds and monasteries, and all sorts of dead or distant things, when he is going to be a superior scientific plumber in Pimlico?' the answer is obvious enough. 'The use of it is that he may have some power of comparison, which will not only prevent him from supposing that Pimlico covers the whole planet, but also enable him, while doing full credit to the beauties and virtues of Pimlico, to point out that, here and there, as revealed by alternative experiments, even Pimlico may conceal somewhere a defect. ~ G K Chesterton,
967:When you are better rested, I’ll expect you to help with the chores.”
Her head whipped around so quickly that hair like copper silk lashed his arm. “What makes you think I will be here long enough for that?”
“I am paying you the compliment of assuming you are intelligent.” Before she could conceal her wary surprise, he added, “Or if not, that you have at least enough common sense to realize that you would not get very far.” Ominously, he added, “If I have to go after you again, I will put aside any concern I have about why you are concealing your identity and take you straight to the authorities. Is that clear?”
She paled slightly, making him twinge with guilt, but he ignored that. The threat was as much for her own good as for his peace of mind. When she murmured under her breath, he bent closer. “What was that?”
Their eyes were level. Hers blazed. “I said,” she repeated, enunciating very clearly, “You’ll have to catch me first. ~ Josie Litton,
968:Stanley reads The Mirror Thief. It’s a book of poems, but it tells a story: an alchemist and spy called Crivano steals an enchanted mirror, and is pursued by his enemies through the streets of a haunted city. Stanley long ago stopped paying the story any mind. He’s come to regard it as a fillip at best, at worst as a device meant to conceal the book’s true purpose, the powerful secret it contains. Nothing, he’s quite certain, could be so obscure by accident. As he reads, his eyes graze each poem’s lines like a needle over an LP’s grooves, atomizing them into letters, reassembling them into uniform arcades. What he’s looking for is a key: a gap in the book’s mask, a loose thread to unravel its veil. He tries tricks to find new openings—reading sideways, reading upsidedown, reading whitespace instead of text—but the words always close ranks like tiles in a mosaic, like crooks in a lineup, and mock him with their blithe expressions. The usual suspects. ~ Martin Seay,
969:You're too handsome to wear a beard," she informed him. "I might allow it someday if you need to conceal a sagging chin, but for now, it has to go."
"At the moment," West said with his eyes still closed, "nothing I have is sagging."
Phoebe glanced downward reflexively. From her vantage point between his splayed legs, she had a perfect view of his lap, where the ridge of a rather magnificent erection strained the fabric of his trousers. Her mouth went dry, and she wavered between uneasiness and intense curiosity.
"That looks uncomfortable," she said.
"I can bear it."
"I meant for me."
The cheeks beneath her fingertips tautened as West tried- unsuccessfully- to hold back a grin. "If it makes you nervous, don't worry. It will disappear as soon as you pick up that damned razor." He paused before adding huskily, "But... it wouldn't be. Uncomfortable, I mean. If we were going to... I would make sure you were ready. I would never hurt you. ~ Lisa Kleypas,
970:Heavy hearts, heavy eyelids," said the master of the caravan.

"Huh?" Heather looked up in dismay, shocked to find she'd nearly been left behind as the caravan prepared to move on. Her last night's sleep had been fitful, full of dreams where Khalid made her suffer for running away. Now she felt drained and groggy, unable to get the images of Khalid spanking her over his knee and then ravishing her out of her tired head.

"Look," the caravan master said. "Riders approaching, a great armed party. No doubt they are searching for escaped slaves."

"No doubt." Heather straightened up wearily in the saddle, determined to outwit Khalid and conceal her true identity as a runaway. The one thing she was sure of was that capture would bring a fate worse than death. Already she could imagine Khalid tying her up, spanking her bottom, making her howl for mercy until she had no pride or will to resist. And then would come the true test of her virtue . . . ~ Patricia Grasso,
971:Sometime, in the future that is knocking at our door, we shall have to retrain ourselves or our children to properly tell the truth. The exercise will be particularly painful in mathematics. The enrapturing discoveries of our field systematically conceal, like footprints erased in sand, the analogical train of thought that is the authentic life of mathematics. Shocking as it may be to the conservative logician, the day will come when currently vague concepts such as motivation and purpose will be made formal and accepted as constituents of a revamped logic, where they will at last be alloted the equal status they deserve, side-by-side with axioms and theorems. Until that day, however, the truths of mathematics will make only fleeting appearances, like shameful confessions whispered to a priest, to a psychiatrist, or to a wife. ~ Gian-Carlo Rota, Preface (Feb 7, 1985) to Mark Kac, Gian-Carlo Rota, Jacob T. Schwartz, Discrete Thoughts: Essays on Mathematics, Science and Philosophy (1986),
972:He was changed as completely as Amory Blaine could ever be changed. Amory plus Beatrice plus two years in Minneapolis - these had been his ingredients when he entered St. Regis'. But the Minneapolis years were not a thick enough overlay to conceal the "Amory plus Beatrice" from the ferreting eyes of a boarding school, so St. Regis' had very painfully drilled Beatrice out of him and begun to lay down new and more conventional planking on the fundamental Amory. But both St. Regis' and Amory were unconscious of the fact that this fundamental Amory had not in himself changed. Those qualities for which he had suffered: his moodiness, his tendency to pose, his laziness, and his love of playing the fool, were now taken as a matter of course, recognized eccentricities in a star quarter-back, a clever actor, and the editor of the "St. Regis' Tattler"; it puzzled him to see impressionable small boys imitating the very vanities that had not long ago been contemptible weaknesses. ~ F Scott Fitzgerald,
973:Therefore, Sir Walter, what I would take leave to suggest is, that if in consequence of any rumours getting abroad of your intention; which must be contemplated as a possible thing, because we know how difficult it is to keep the actions and designs of one part of the world from the notice and curiosity of the other; consequence has its tax; I, John Shepherd, might conceal any family-matters that I chose, for nobody would think it worth their while to observe me; but Sir Walter Elliot has eyes upon him which it may be very difficult to elude; and therefore, thus much I venture upon, that it will not greatly surprise me if, with all our caution, some rumour of the truth should get abroad; in the supposition of which, as I was going to observe, since applications will unquestionably follow, I should think any from our wealthy naval commanders particularly worth attending to; and beg leave to add, that two hours will bring me over at any time, to save you the trouble of replying. ~ Jane Austen,
974:Professor Severus Snape, master of this school, commands you to yield the information you conceal!" Snape said, hitting the map with his wand.
As though an invisible hand were writing upon it, words appeared on the surface of the map.
"Mr. Moony presents his compliments to Professor Snape, and begs him to keep his abnormally large nose out of other people's business."
Snape froze. Harry stared, dumbstruck, at the message. But the map didn't stop there. More writing was appearing beneath the first.
"Mr. Prongs agrees with Mr. Moony, and would like to add that Professor Snape is an ugly git."
It would have been very funny if the situation hadn't been so serious. And there was more...
"Mr. Padfoot would like to register his astonishment that an idiot like that ever became a professor."
Harry closed his eyes in horror. When he'd opened them, the map had had its last word.
"Mr. Wormtail bids Professor Snape good day, and advises him to wash his hair, the slimeball. ~ J K Rowling,
975:Fugitives from slavery ripped open the screen behind which America tried to conceal the reality of life for black Americans, most of whom lived in the South, out of sight and out of mind for most people in the North. Fugitive slaves exposed the contradiction between the myth that slavery was a benign institution and the reality that a nation putatively based on the principle of human equality was actually a prison house in which millions of Americans had virtually no rights at all. By awakening northerners to this grim fact, and by enraging southerners who demanded the return of their “absconded” property, fugitive slaves pushed the nation toward confronting the truth about itself. They incited conflict in the streets, the courts, the press, the halls of Congress, and perhaps most important in the minds and hearts of Americans who had been oblivious to their plight. This manifold conflict—under way long before the first shots were fired in the Civil War—was the war before the war. ~ Andrew Delbanco,
976:I.
How swiftly through Heaven's wide expanse
Bright day's resplendent colours fade!
How sweetly does the moonbeam's glance
With silver tint St. Irvyne's glade!

II.
No cloud along the spangled air,
Is borne upon the evening breeze;
How solemn is the scene! how fair
The moonbeams rest upon the trees!

III.
Yon dark gray turret glimmers white,
Upon it sits the mournful owl;
Along the stillness of the night,
Her melancholy shriekings roll.

IV.
But not alone on Irvyne's tower,
The silver moonbeam pours her ray;
It gleams upon the ivied bower,
It dances in the cascade's spray.

V.
'Ah! why do darkning shades conceal
The hour, when man must cease to be?
Why may not human minds unveil
The dim mists of futurity?--

VI.
'The keenness of the world hath torn
The heart which opens to its blast;
Despised, neglected, and forlorn,
Sinks the wretch in death at last.'

~ Percy Bysshe Shelley, St. Irvynes Tower
,
977:I was breaking down, wanting to fade away and cry, yet I feared ever being invisible again. My head lowered to conceal my humiliation behind a curtain of hair where I trembled as if sobbing.

“Hey, Gwen, it’s okay. It’s okay. Calm down.”

I yearned to feel Daniel’s soft touch meet my temple and then trace along my ear, brushing back the hairs from my face. What I wanted was the comfort his caress always afforded me. He moved as if he would grant my wish, realizing at the last moment that neither of us possessed the power to touch the other.

“Your hair, Gwen.”

I refused to do what he wanted. I didn’t care for him to see the shame plainly visible in my features. But the next thing I knew, his blue eyes were staring up at me from the ground, a glare reflecting off his glasses. The guy had dropped his books to fall over for a clear view of my face. His desperation made me laugh.

“It’s going to be okay, Gwen, I promise."

—from "Phantom's Veil ~ Richelle E Goodrich,
978:Adults, in their dealing with children, are insane," he [Ed Ricketts] said. "And children know it too. Adults lay down rules they would not think of following, speak truths they do not believe. And yet they expect children to obey the rules, believe the truths, and admire and respect their parents for this nonsense. Children must be very wise and secret to tolerate adults at all. And the greatest nonsense of all that adults expect children to believe is that people learn by experience. No greater lie was ever revered. And its falseness is immediately discerned by children since their parents obviously have not learned anything by experience. Far from learning, adults simply become set in a maze of prejudices and dreams and sets of rules whose origins they do not know and would not dare inspect for fear the whole structure might topple over on them. I think children instinctively know this," Ed said. "Intelligent children learn to conceal their knowledge and keep free of this howling mania. ~ John Steinbeck,
979:Experience day by day protested and showed by infinite examples, that good and evil fortunes fall to the lot of pious and impious alike; still they would not abandon their inveterate prejudice, for it was more easy for them to class such contradictions among other unknown things of whose use they were ignorant, and thus to retain their actual and innate condition of ignorance, than to destroy the whole fabric of their reasoning and start afresh. They therefore laid down as an axiom, that God's judgments far transcend human understanding. Such a doctrine might well have sufficed to conceal the truth from the human race for all eternity, if mathematics had not furnished another standard of verity in considering solely the essence and properties of figures without regard to their final causes. There are other reasons (which I need not mention here) besides mathematics, which might have caused men's minds to be directed to these general prejudices, and have led them to the knowledge of the truth. ~ Baruch Spinoza,
980:It can hardly be a coincidence that no language on Earth has ever produced the expression "as pretty as an airport". Airports are ugly. Some are very ugly. Some attain a degree of ugliness that can only be the result of a special effort. This ugliness arises because airports are full of people who are tired, cross, and have just discovered that their luggage has landed in Murmansk (...) and the architects have on the whole tried to reflect this in their designs.
They have sought to highlight the tiredness and crossness motif with brutal shapes and nerve jangling colours, to make effortless the business of separating the traveller from his or her luggage or loved ones, to confuse the traveller with arrows that appear to point at the windows, distant tie racks, or the current position of the Ursa Minor in the night sky, and wherever possible to expose the plumbing on the grounds that it is functional, and conceal the location of the departure gates, presumably on the grounds that they are not". ~ Douglas Adams,
981:Professor Severus Snape, master of this school, commands you to yield the information you conceal!" Snape said, hitting the map with his wand.
As though an invisible hand were writing upon it, words appeared on the surface of the map.
"Mr. Moony presents his compliments to Professor Snape, and begs him to keep his abnormally large nose out of other people's business."
Snape froze. Harry stared, dumbstruck, at the message. But the map didn't stop there. More writing was appearing beneath the first.
"Mr. Prongs agrees with Mr. Moony, and would like to add that Professor Snape is an ugly git."
It would have been very funny if the situation hadn't been so serious. And there was more...
"Mr. Padfoot would like to register his astonishment that an idiot like that ever became a professor."
Harry closed his eyes in horror. When he'd opened them, the map had had its last word.
"Mr. Wormtail bids Professor Snape good day, and advises him to wash his hair, the slimeball."
(286 & 287) ~ J K Rowling,
982:Silence is the element in which great things fashion themselves together; that at length they may emerge, full-formed and majestic, into the daylight of Life, which they are thenceforth to rule. Not William the Silent only, but all the considerable men I have known, and the most undiplomatic and unstrategic of these, forbore to babble of what they were creating and projecting. Nay, in thy own mean perplexities, do thou thyself but hold thy tongue for one day: on the morrow, how much clearer are thy purposes and duties; what wreck and rubbish have those mute workmen within thee swept away, when intrusive noises were shut out! Speech is too often not, as the Frenchman defined it, the art of concealing Thought; but of quite stifling and suspending Thought, so that there is none to conceal. Speech too is great, but not the greatest. As the Swiss Inscription says: Sprecfien ist silbern, Schweigen ist golden (Speech is silvern, Silence is golden); or as I might rather express it: Speech is of Time, Silence is of Eternity. ~ Thomas Carlyle,
983:He is not to them what he is to me,' I thought: 'he is not of their kind. I believe he is of mine - I am sure he is - I feel akin to him - I understand the language of his countenance and movements: thought rank and wealth sever us widely, I have something in my brain and heart, in my blood and nerves, that assimilates me mentally to him. Did I say, a few days since, that I had nothing to do with him but to receive my salary at his hands? did I forbid myself to think of him in any other light than as a paymaster? Blasphemy against nature! Every good, true, vigorous feeling I have gathers impulsively round him. I know I must conceal my sentiments: I must smoehter hope; I must remember that he cannot care much for me. For when I say that I am of his kind, I do not mean that I have his force to influence, and his spell to attract; I mean only that I have certain tastes and feelings in common with him. I must, then, repeat continually that we are for ever sundered - and yet, while I breathe and I think, I must love him. ~ Charlotte Bront,
984:There are strawberries growing among my bulbs. Wild ones, seeded from God knows where, poking their pale little fingers among the tulips and crocuses. Wild strawberries are invasive; not quite as invasive as dandelions, but those little heart-shaped leaves conceal a powerful hunger for conquest, sending their runners everywhere, each one an outpost preparing itself for a future invasion.
And yet I cannot bring myself, père, to curb their cheery exuberance. Though more or less worthless in terms of fruit, the little white flowers and pretty leaves make excellent ground count cover, keeping the thistles and ragwort at bay without suppressing my daffodils. And besides, in summer, there may be enough of the tiny red berries to put on a tart, or flavor a glassful of sweet white wine. That is, if the birds do not steal them first. They too enjoy their sweetness.
Those strawberries will creep, Reynaud, said Narcisse's voice in my mind. Let them stay, and in a month, your beds will be nothing but strawberries. ~ Joanne Harris,
985:No matter what a person does to cover up and conceal themselves, when we write and lose control, I can spot a person from Alabama, Florida, South Carolina a mile away even if they make no exact reference to location. Their words are lush like the land they come from, filled with nine aunties, people named Bubba. There is something extravagant and wild about what they have to say — snakes on the roof of a car, swamps, a delta, sweat, the smell of sea, buzz of an air conditioner, Coca-Cola — something fertile, with a hidden danger or shame, thick like the humidity, unspoken yet ever-present.

Often when a southerner reads, the members of the class look at each other, and you can hear them thinking, gee, I can't write like that. The power and force of the land is heard in the piece. These southerners know the names of what shrubs hang over what creek, what dogwood flowers bloom what color, what kind of soil is under their feet.

I tease the class, "Pay no mind. It's the southern writing gene. The rest of us have to toil away. ~ Natalie Goldberg,
986:The truth is, you can never really know a man until you've loaned him money. And you can never know a woman until you've slept in her bed."
He said it deliberately, of course, to shock her. And he succeeded, although Annabelle did her best to conceal it. "Mr. Hunt," she said, frowning into his smiling eyes, "if you continue to make vulgar remarks, I will be forced to ask you to leave the parlor."
"Forgive me." His instant contrition didn't fool her in the least. "It's just that I can't resist the opportunity to make you blush. I've never known a woman to do it as often as you do."
The bloom that had begun at her throat flamed up to her hairline. "I never blush. It's only around you that I-" Breaking off, she stared at him with an indignant frown that made him laugh.
"I'll behave for now," he said. "Don't tell me to leave."
She stared at him indecisively, passing an unsteady hand over her forehead, and the sign of her physical frailty caused him to speak even more gently. "It's all right," he murmured. "Let me stay, Annabelle. ~ Lisa Kleypas,
987:He listened with icy calm, and without replying, to my mother’s final objections, and as he left us without having condescended to explain the reasons for this course of treatment, my parents concluded that it had no bearing on my case, and would weaken me to no purpose, and so they did not make me try it. Naturally they sought to conceal their disobedience from the Professor, and to make sure of it avoided all the houses in which they might have run across him. Then, as my health deteriorated, they decided to make me follow Cottard’s prescriptions to the letter; in three days my rattle and cough had ceased, I could breathe freely. Whereupon we realised that Cottard, while finding, as he told us later on, that I was distinctly asthmatic, and above all “batty,” had discerned that what was really the matter with me at the moment was toxaemia, and that by loosening my liver and washing out my kidneys he would clear my bronchial tubes and thus give me back my breath, my sleep and my strength. And we realised that this imbecile was a great physician. ~ Marcel Proust,
988:But what becomes of the divinity when it reveals itself in icons, when it is simply incarnated in images as a visible theology? Or does it volatilize itself in the simulacra that, alone, deploy their power and pomp of fascination - the visible machinery of icons substituted for the pure and intelligible Idea of God? This is precisely what was feared by Iconoclasts, whose millennial quarrel is still with us today. This is precisely because they predicted this omnipotence of simulacra, the faculty simulacra have of effacing God from the conscience of man, and the destructive, annihilating truth that they allow to appear - that deep down God never existed, even God himself was never anything but his own simulacra - from this came their urge to destroy the images. If they could have believed that these images only obfuscated or masked the Platonic Idea of God, there would have been no reason to destroy them. One can live with the idea of distorted truth. But their metaphysical despair came from the idea that the image didn't conceal anything at all. ~ Jean Baudrillard,
989:He was too sick- he didn't think he could keep it down- but to please her, he drank a little. The crisp-sour taste made him recoil. "What is it?"
"Mint tea."Win's angel-blue eyes stared into his without blinking, her beautiful face neutral. "You must drink all of this, and then perhaps another cup. It will make you better."
He knew at once Win was lying. Nothing could make him better. And the bitter tang of morphine in the tea was impossible to conceal. But Merripen sensed an intent in her, a strange deliberateness, and the idea came to him that she was giving him an overdose on purpose. His exhausted mind weighted the possibility. It must be that Win wanted to spare him more suffering, knowing the hours and days to come were beyond his endurance. Killing him with morphine was the last act of kindness she could offer him.
Dying in her arms... cradled against her... as he relinquished his scarred soul to the darkness... Win would be the last thing he would ever feel, see, hear. Had there been any tears in him, he would have wept in gratitude. ~ Lisa Kleypas,
990:Partition Of Heritage
Why don't forget if you can?
Forget our walking nights accompanied by the Moon.
Forget the dewy grasses in the Niaz field.
Setting cold fingers into my pocket
you used to say, 'Don't mind, dear, I can't help doing it.'
The nightingale on the bough of Bakul tree burst into laughter.
Why don't wipe off if you can ?
Wipe off the black marks of coal from the wall.
Once you used to redden my face with joke,
and suddenly got anxious thinking of my hidden rage;
your thin necklace used to tremble on your throat;
Is there allowed any partition, darling, in that happy game?
The full Moon rises now over your roof;
If you have courage enough, conceal the moonlight.
Behold, how the sports of ducks cause flood into
the river!
Divide the water if there lies any sin.
O my Love, tear the blood-thirsty trap of light and shade;
why don't tear if you can?
[Translated by Sayeed Abubakar from Sonali Kabin]
Translator's Not: Niaz: The name of a field. Bakul: A kind of flower.
~ Al Mahmud,
991:My dear Viscount, you certainly deceive yourself in the sentiment that attaches you to M. de Tourvel. It is love, or such a passion never had existence. You deny it in a hundred shapes; but you prove it in a thousand. What means, for example, the subterfuge you use against yourself, for I believe you sincere with me, that makes you relate so circumstantially the desire you can neither conceal nor combat, of keeping this woman? Would not one imagine, you never had made any other happy, perfectly happy? [...] It is no longer the adorable, the celestial Madame de Tourvel, but an astonishing woman, a delicate sentimental woman, even to the exclusion of all others; a wonderful woman, such as a second could not be found. The same way with your unknown charm, which is not the strongest. Well; be it so: but since you never found it out till then, it is much to be apprehended you will never meet it again; the loss would be irreparable. Those, Viscount, are sure symptoms of love, or we must renounce the hope of ever finding it. ~ Pierre Choderlos de Laclos,
992:When He Returns The iron hand it ain’t no match for the iron rod The strongest wall will crumble and fall to a mighty God For all those who have eyes and all those who have ears It is only He who can reduce me to tears Don’t you cry and don’t you die and don’t you burn For like a thief in the night, He’ll replace wrong with right When He returns Truth is an arrow and the gate is narrow that it passes through He unleashed His power at an unknown hour that no one knew How long can I listen to the lies of prejudice? How long can I stay drunk on fear out in the wilderness? Can I cast it aside, all this loyalty and this pride? Will I ever learn that there’ll be no peace, that the war won’t cease Until He returns? Surrender your crown on this blood-stained ground, take off your mask He sees your deeds, He knows your needs even before you ask How long can you falsify and deny what is real? How long can you hate yourself for the weakness you conceal? Of every earthly plan that be known to man, He is unconcerned He’s got plans of His own to set up His throne When He returns ~ Bob Dylan,
993:If you can deny your talents, if you can conceal them from others or, even better, persuade yourself that they weren’t even given to you, you’re off the hook.

And being off the hook is a key element of the industrialized school’s promise. It lets parents off the hook, certainly, since the institution takes over the teaching. It lets teachers off the hook, since the curriculum is preordained and the results are tested. And it lets students off the hook, because the road is clearly marked and the map is handed to everyone.

If you stay on the path, do your college applications through the guidance office and your job hunting at the placement office, the future is not your fault.

That’s the refrain we hear often from frustrated job seekers, frustrated workers with stuck careers, and frustrated students in too much debt. 'I did what they told me to do and now I’m stuck and it’s not my fault.'

What they’ve exchanged for that deniability is their dreams, their chance for greatness. To go off the path is to claim responsibility for what happens next. ~ Seth Godin,
994:From his observation so far, she was not the typical English noblewoman. He had been prepared to break her, like a spirited horse who had never worn saddle or bridle. Instead, when he looked at her, he saw a diffident woman without any sense of her own consequence. Her face was gently rounded, with dimples in her cheeks, an indent in her chin, and full, supple lips. She swept her black hair into an unfashionable roll at the back of her head, and if he knew his women- and he did- when unpinned it would reach to her waist with a natural wave that made a man want to coil his fingers in the living strands. Her body was bound in dark, unsightly clothes, but that camouflage couldn't conceal a generous bosom, and when he had wrapped his fingers around her waist, he had discovered how narrow that waist was, and beneath that, the graceful flare of her hips.
He looked down at his hands and smiled. The feel of her had burned through her petticoats to his flesh, and he thought- no, he knew- the same flame had licked at her, for she'd examined him as if he were wild and unruly. ~ Christina Dodd,
995:Just as it looks as though the sun moves round the earth, so ordinary language seems to invert the relations between signifiers and signifieds, or words and their meanings. In everyday speech, it seems as though the word is simply the obedient transmitter of the meaning. It is as though it evaporates into it. If language did not conceal its operations in this way, we might be so enraptured by its music that, like the Lotus Eaters, we would never get anything done - rather as for Nietzsche, if we were mindful of the appalling butchery which produced civilised humanity, we would never get out of bed. Ordinary language, like history for Nietzsche or the ego for Freud, operates by a kind of salutary amnesia or repression. Poetry is the kind of writing which stands this inversion of form and content, or signifier and signified, on its feet again. It makes it hard for us to brush aside the words to get at the meanings. It makes it clear that the signified is the result of a complex play of signifiers. And in doing so, it allows us to experience the very medium of our experience. ~ Terry Eagleton,
996:The real bible is not the work of inspired men, nor prophets, nor apostles, nor evangelists, nor of Christs. Every man who finds a fact, adds, as it were, a word to this great book. It is not attested by prophecy, by miracles or signs. It makes no appeal to faith, to ignorance, to credulity or fear. It has no punishment for unbelief, and no reward for hypocrisy. It appeals to man in the name of demonstration. It has nothing to conceal. It has no fear of being read, of being contradicted, of being investigated and understood. It does not pretend to be holy, or sacred; it simply claims to be true. It challenges the scrutiny of all, and implores every reader to verify every line for himself. It is incapable of being blasphemed. This book appeals to all the surroundings of man. Each thing that exists testifies of its perfection. The earth, with its forests and plains, its rocks and seas; with its every wave and cloud; with its every leaf and bud and flower, confirms its every word, and the solemn stars, shining in the infinite abysses, are the eternal witnesses of its truth. ~ Robert G Ingersoll,
997:When, in 1919, I was demobilized, I found that, as far as my work was concerned, my life was over – at the age of thirty-three. I was well off financially. I had leisure at my disposal. I had my copious notes. Perhaps – no doubt, in fact – it was a question of nerves. Whatever the reason, I can assure you that I was truly incapable of such concentrated hard work as that book would have required. I had lost interest in my subject and faith in myself. The result is that I am now an oldish man, of certain culture, I hope, but unproductive, an amateur and a dilettante. I know it. I despise myself for it, but I cannot help it. ‘And that, I am convinced, is more or less the story of hundreds of my contemporaries. ‘Everybody knows – you are at no pains to conceal it – that the young people of today despise and dislike the men and women of my age. I suppose that never since the world began have two generations been so much at variance. You think us superficial, narrow-minded, tasteless and sterile, and you are right. But who knows what we might have become if things had been different? ~ Nancy Mitford,
998:Elspeth had the joyous task of breaking the news to the rest of the Council. There was no such accord among the political leaders of Valdemar as there was among her military leaders.
Lord Gartheser was speechless with outrage and shock; Bard Hyron was dazed. Lady Kester and Lady Cathan, still seething over Orthallen's accusations of complicity with the slavers, were surprised, but not altogether unhappy. Father Aldon had closeted himself in the tiny chapel of the Keep; Lord Gildas was with him. Healer Myrim made no attempt to conceal the fact that Orthallen's treachery had not surprised her. Nor did she conceal that his demise gave her a certain grim satisfaction. But then, she might well be forgiven such uncharitable thoughts; she was one of the four Healers who were tending Talia's wounds.
Once the bare bones had been told to the Councillors as a group, Elspeth went to each of these Councillors in turn, privately. She gave a simple explanation of what had occurred, but would answer no questions. Questions, she told them, must wait until Talia had recovered enough to tell them all more. ~ Mercedes Lackey,
999:Over the last few years, Greg Smith’s former company earned huge profits, first from the expansion of the American mortgage bubble and the European bubble of sovereign debt, and then again from the – almost simultaneous – bursting of these bubbles on either side of the Atlantic. Subsequently, Goldman Sachs proceeded to secure influence over some of the key political positions in the Italian, Greek and Spanish governments, in order to predate further on these countries after having driven them to the brink of disaster. The role of Goldman Sachs as one of the principal architects of the crisis in Greece was particularly remarkable. As was revealed in 2010, not only they had helped the Greek government to conceal the true state of the country’s finances, but at the same time they had also bet against Greece’s sovereign debt, hoping for its default. As a consequence, in a matter of weeks millions of Greek people saw their livelihoods utterly disintegrate, while the country sank into a state of widespread humanitarian emergency, as industries closed, hospitals ran out of medicine, and the suicide rate sky-rocketed. ~ Anonymous,
1000:The Iraqi regime has used diplomacy as a ploy to gain time and advantage. It has uniformly defied Security Council resolutions demanding full disarmament. Over the years, U.N. weapon inspectors have been threatened by Iraqi officials, electronically bugged, and systematically deceived. Peaceful efforts to disarm the Iraqi regime have failed again and again -- because we are not dealing with peaceful men.
Intelligence gathered by this and other governments leaves no doubt that the Iraq regime continues to possess and conceal some of the most lethal weapons ever devised. This regime had already used weapons of mass destruction against Iraq's neighbors and against Iraq's people.
The regime has a history of reckless aggression in the Middle East. It has a deep hatred of America and our friends. And it has aided, trained and harbored terrorists, including operatives of al Qaeda.
The danger is clear: using chemical, biological or, one day, nuclear weapons, obtained with the help of Iraq, the terrorists could fulfill their stated ambitions and kill thousands of innocent people in our country, or any other. ~ George W Bush,
1001:But film sometimes flinches at the expertise of actresses, and the sympathetic viewer may come to realize that there was a mute honesty in Novak: she did not conceal the fact that she had been drawn into a world capable of exploiting her. Filming seemed an ordeal for her; it was as if the camera hurt her. But while many hostile to the movies rose in defense of the devastation of Marilyn Monroe—whether or not she was a sentient victim—Novak was stoical, obdurate, or sullen. She allowed very few barriers between that raw self and the audience and now looks dignified, reflective, and responsive to feeling where Monroe appears haphazard and oblivious. Novak is the epitome of every small-town waitress or beauty contest winner who thought of being in the movies. Despite a thorough attempt by Columbia to glamorize her, she never lost the desperate attentiveness of someone out of her depth but refusing to give in. Her performances improve with time so that ordinary films come to center on her; even Vertigo, Hitchcock’s masterpiece, owes some of its power to Novak’s harrowing suspension between tranquility and anxiety. ~ David Thomson,
1002:One may, in a case of exigency, introduce the reader in to a nuptial chamber, not into a virginal chamber. Verse would hardly venture it, prose must not.

It is the interior of a flower that is not yet unfolded, it is whiteness in the dark, it is the private cell of a closed lily, which must not be gazed upon by man so long as the sun has not gazed upon it. Woman in the bud is sacred. That innocent bud which opens, that adorable half-nudity which is afraid of itself, that white foot which takes refuge in a slipper, that throat which veils itself before a mirror as though a mirror were an eye, that chemise which makes haste to rise up and conceal the shoulder for a creaking bit of furniture or a passing vehicle, those cords tied, those clasps fastened, those laces drawn, those tremors, those shivers of cold and modesty, that exquisite affright in every movement, that almost winged uneasiness where there is no cause for alarm, the successive phases of dressing, as charming as the clouds of dawn,—it is not fitting at all that all this should be narrated, and it is too much to have even called attention to it. ~ Victor Hugo,
1003:When summer and winter in autumn divide
The sun will uncover a secret inside.
Should winter from summer irrevocably part
The whole of the book will fall quickly apart.
Yet if the seasons join hands together
The order of things will last forever.
These are the words of Endymion spring.
Bring only the insight the Inside brings.

The child may see what the man does not
A future time which time forgot:
Books yet to be and books already written
Within these pages lie dormant and hidden.
Yet darkness seeks what light reveals
A shadow grows: these truths conceal.
These are my words, Endymion spring.
Bring only the insight the Inside brings.

The silence will end-the sum approaches
Mark my word-the shadow encroaches.
The present had passed-the past has gone
The future will come-once Two become One.
The sun must look the shadow in the eye
Then forfeit the book lest one half die.
The lesion of darkness cannot be healed
Until, with Child's Blood, the whole is sealed.
These are the words of Endymion spring.
Bring only the insight the Inside brings. ~ Matthew Skelton,
1004:Stepan Arkadyevitch was a truthful man in his relations with himself. He was incapable of deceiving himself and persuading himself that he repented of his conduct. He could not at this date repent of the fact that he, a handsome, susceptible man of thirty-four, was not in love with his wife, the mother of five living and two dead children, and only a year younger than himself. All he repented of was that he had not succeeded better in hiding it from his wife. But he felt all the difficulty of his position and was sorry for his wife, his children, and himself. Possibly he might have managed to conceal his sins better from his wife if he had anticipated that the knowledge of them would have had such an effect on her. He had never clearly thought out the subject, but he had vaguely conceived that his wife must long ago have suspected him of being unfaithful to her, and shut her eyes to the fact. He had even supposed that she, a worn-out woman no longer young or good-looking, and in no way remarkable or interesting, merely a good mother, ought from a sense of fairness to take an indulgent view. It had turned out quite the other way. ~ Leo Tolstoy,
1005:HALF vex'd, half pleased, thy love will feel,
Shouldst thou her knot or ribbon steal;
To thee they're much--I won't conceal;

Such self-deceit may pardon'd be;
A veil, a kerchief, garter, rings,
In truth are no mean trifling things,

But still they're not enough for me.

She who is dearest to my heart,
Gave me, with well dissembled smart,
Of her own life, a living part,

No charm in aught beside I trace;
How do I scorn thy paltry ware!
A lock she gave me of the hair

That wantons o'er her beauteous face.

If, loved one, we must sever'd be,
Wouldst thou not wholly fly from me,
I still possess this legacy,

To look at, and to kiss in play.--
My fate is to the hair's allied,
We used to woo her with like pride,

And now we both are far away.

Her charms with equal joy we press'd,
Her swelling cheeks anon caress'd,
Lured onward by a yearning blest,

Upon her heaving bosom fell.
Oh rival, free from envy's sway,
Thou precious gift, thou beauteous prey.

Remain my joy and bliss to tell!

~ Johann Wolfgang von Goethe, Living Remembrance
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1006:Long before the Aryan Judeo-Christian plagiarization of the Semite's Scripture took place, the ancient Egyptian concept of the Trinity was a calendrical system of theology. The Aryan Osirian Jew annexed the ancient Egyptian calendar through Osiris' Scepter, while the Aryan Atenian Christian did so through Horus' Scepter. Both Scepters, however, symbolize that very same calendrical anchor when the cow-god YHWH annually rested in ancient Egypt; an event which the Jew and the Christian projected weekly and commemorated on Scepterday and Sonday, consecutively. The Jew has temporally reduced the symbol of the Scepter to the Sabbath, whereas the Christian has spatially reduced it to the Sun; a temporospatial ancient Egyptian unholiness of plagiarizing Semitic Scripture and its seven-days week calendar. That Judeo-Christian Trinity -which the former is trying so hard to conceal while the latter shies not from proclaiming- consists of the three ancient Egyptian calendrical elements: Sky, Moon and Sun. These elements were Hathor, Osiris and Horus who later on became to be identified as YHWH, the departed King coming as the Holy Spirit and the Son. ~ Ibrahim Ibrahim,
1007:I hear the question upon your lips: What is it to be a colour?

Colour is the touch of the eye, music to the deaf, a word out of the darkness. Because I’ve listened to souls whispering – like the susurrus of the wind – from book to book and object to object for tens or thousands of years, allow me to say that my touch resembles the touch of angels. Part of me, the serious half, calls out to your vision while the mirthful half sours through the air with your glances.

I’m so fortunate to be red! I’m fiery. I’m strong. I know men take notice of me and that I cannot be resisted.

I do not conceal myself: For me, delicacy manifests itself neither in weakness nor in subtlety, but through determination and will. So, I draw attention to myself. I’m not afraid of other colours, shadows, crowds or even of loneliness. How wonderful it is to cover a surface that awaits me with my own victorious being! Wherever I’m spread, I see eyes shine, passions increase, eyebrows rise and heartbeats quicken. Behold how wonderful it is to live! Behold how wonderful to see. I am everywhere. Life begins with and returns to me. Have faith in what I tell you. ~ Orhan Pamuk,
1008:Suddenly every muscle in my body tensed as if standing up in greeting, even though I didn’t move. “Barrons.” I dropped my hands and raised my head.
“Ms. Lane.” He took a chair across from me with such eerie grace that I wondered how I’d ever believed he was human. He poured himself into the brocade wing chair, like water over stone, before settling into sleek muscle. He moved as if he knew where everything in the room was, in precise measurements. He didn’t walk, stalk, or prowl; he glided with flawless awareness of all other atoms in relation to his. It made it easy for him to conceal himself behind inanimate objects and to assume a similar . . . structure or something.
“Have you always moved like that in front of me and I just never noticed? Was I oblivious?”
“No and yes. You were oblivious. Head up that tight pink ass. But I never moved this way in front of you.” His looked dripped sexual innuendo. “I might have moved this way a time or two behind you.”
“Not hiding anything from me anymore?”
“I wouldn’t go that far.”
“What does someone like you conceal?”
“Wouldn’t you like to know?” His glittering eyes raked me with a hard once-over. ~ Karen Marie Moning,
1009:True love is first, love which does not conceal, and it does not conceal in two senses. First, it does not conceal because it has nothing to hide. It has nothing shameful which has to be hidden. It does not shun the light. It is willing, and is such that it is always willing to show itself in front of witnesses. It is also a love which does not conceal its aims. True love does not hide the true objective that it seeks to obtain from the one it loves. it is without subterfuge and does not employ roundabout means with its partner. It does not keep itself out of sight of witnesses, or of its partner. True love is love without disguise. Second, true love is an unalloyed love, that is to say, without mixture of pleasure and displeasure. It is also a love in which sensual pleasure and the friendship of souls do not intermingle. To that extend it is therefore a pure love because unalloyed. Third, true love (alethes eros) is love which is in line with what is right, what is correct. It is a direct (euthus) love. It has nothing contrary to the rule or custom. And finally, true love is love which is never subject to change or becoming. It is an incorruptible love which remains always the same. ~ Michel Foucault,
1010:From his earliest years Cincinnatus, by some strange and happy chance comprehending his danger, carefully managed to conceal a certain peculiarity. He was impervious to the rays of others, and therefore produced when off his guard a bizarre impression, as of a lone dark obstacle in the world of souls transparent to one other; he learned however to feign translucence, employing a complex system of optical illusions, as it were--but he had only to forget himself, to allow a momentary lapse in self control, in the manipulation of cunningly illuminated facets and angles at which he turned his soul, and immediately there was alarm. In the midst of the excitement of a game his coevals would suddenly forsake him, as if they had sensed that his lucid gaze and the azure of his temples were but a crafty deception and that actually Cincinnatus was opaque. Sometimes, in the midst of sudden silence, the teacher, in a chagrined perplexity, would gather up all the reserves of skin around his eyes, gaze at him for a long while and finally say: "What is wrong with you, Cincinnatus?" Then Cincinnatus would take hold of himself, and, clutching his own self to his breast, would remove that self to a safe place. ~ Vladimir Nabokov,
1011:I know my time, which is obscure, silent and brief For I am present without warning one night only. When sun rises on the brass valleys I become serpent. Though I show my true self only in the dark and to no man (For I appear by day as serpent) I belong neither to night nor day. Sun and city never see my deep white bell Or know my timeless moment of void: There is no reply to my munificence. When I come I lift my sudden Eucharist Out of the earth's unfathomable joy Clean and total I obey the world's body I am intricate and whole, not art but wrought passion Excellent deep pleasure of essential waters Holiness of form and mineral mirth: I am the extreme purity of virginal thirst. I neither show my truth nor conceal it My innocence is described dimly Only by divine gift As a white cavern without explanation. He who sees my purity Dares not speak of it. When I open once for all my impeccable bell No one questions my silence: The all-knowing bird of night flies out of my mouth. Have you seen it? Then though my mirth has quickly ended You live forever in its echo: You will never be the same again. [1499.jpg] -- from Selected Poems of Thomas Merton, by Thomas Merton

~ Thomas Merton, Night-Flowering Cactus
,
1012:Although a few legends tell of Callisto welcoming Zeus with open arms, most of the versions have Zeus resorting to trickery. In these versions, knowing that Callisto was completely devoted to both Artemis and her vow of chastity, Zeus appeared to the nymph as the goddess Artemis herself while Callisto lay resting under a tree. Once Callisto’s guard was down, Zeus abandoned his disguise and used force against her. To make matters worse, Callisto ended up pregnant from the encounter. Fearing Artemis’ legendary wrath, Callisto tried to conceal her condition but finally was no longer able to one morning when all the nymphs bathed together in a forest glade. Furious that Callisto betrayed her vow (even though by most accounts Callisto hadn’t done so willingly), Artemis turned her into a bear, which she then hunted down and killed. In other versions, Callisto was still allowed to give birth to her son, Arcas, who in turn encountered his mother in her bear form and killed her. In yet other versions, Artemis was on the verge of killing Callisto when Zeus interfered and placed her in the sky where she can be seen as Ursa Major. (Interestingly enough, Riordan’s Artemis takes credit for placing Callisto in the sky herself.) ~ Rick Riordan,
1013:To bring under the sway of Christianity savage nations who do not attack us and whom we have therefore no excuse for oppressing, we ought before all things to leave them in peace, and in case we need or wish to enter into closer relations with them, we ought only to influence them by Christian manners and Christian teaching, setting them the example of the Christian virtues of patience, meekness, endurance, purity, brotherhood, and love. Instead of that we begin by establishing among them new markets for our commerce, with the sole aim of our own profit; then we appropriate their lands, i. e., rob them; then we sell them spirits, tobacco, and opium, i. e., corrupt them; then we establish our morals among them, teach them the use of violence and new methods of destruction, i, e., we teach them nothing but the animal law of strife, below which man cannot sink, and we do all we can to conceal from them all that is Christian in us. After this we send some dozens of missionaries prating to them of the hypocritical absurdities of the Church, and then quote the failure of our efforts to turn the heathen to Christianity as an incontrovertible proof of the impossibility of applying the truths of Christianity in practical life. ~ Leo Tolstoy,
1014:Once I ventured the guess that men worked in response to a vague inner urge for self-expression. But that was probably a shaky theory, for some men who work the hardest have nothing to express. A hypothesis with rather more plausibility in it now suggests itself. It is that men work simply in order to escape the depressing agony of contemplating life – that their work, like their play, is a mumbo-jumbo that serves them by permitting them to escape from reality. Both work and play, ordinarily, are illusions. Neither serves any solid or permanent purpose. But life, stripped of such illusions, instantly becomes unbearable. Man cannot sit still, contemplating his destiny in this world, without going frantic. So he invents ways to take his mind off the horror. He works. He plays. He accumulates the preposterous nothing called property. He strives for the coy eyewink called fame. He founds a family, and spends his curse over others. All the while the thing that moves him is simply the yearning to lose himself, to forget himself, to escape the tragic-comedy that is himself. Life, fundamentally, is not worth living. So he confects artificialities to make it so. So he erects a gaudy structure to conceal the fact that it is not so. ~ H L Mencken,
1015:Brida’s eyes filled with tears. She was proud of her Soulmate.

That is what the forest taught me. That you will never be mine, and that is why I will never lose you. You were my hope during my days of loneliness, my anxiety during moments of doubt, my certainty during moments of faith.

Knowing that my Soulmate would come one day, I devoted myself to learning the Tradition of the Sun. Knowing that you existed was my one reason for continuing to live.’

Brida could no longer conceal her tears.

Then you came, and I understood all of this. You came to free me from the slavery I myself had created, to tell me that I was free to return to the world and to the things of the world. I understood everything I needed to know, and I love you more than all the women I have ever known, more than I loved the woman who, quite unwittingly, exiled me to the forest. I will always remember now that love is liberty. That was the lesson it took me so many years to learn. That is the lesson that sent me into exile and now sets me free again.’

I will always remember you, and you will remember me, just as we will remember the evening, the rain on the windows, and all the things we’ll always have because we cannot possess them. ~ Paulo Coelho,
1016:What do you think you’re doing?” Win whispered to Merripen furiously, as he sent off yet another abashed gentleman. “I wanted to dance with him! I had promised him I would!” “You’re not going to dance with scum like him,” Merripen muttered. Win shook her head in bewilderment. “He’s a viscount from a respected family. What could you possibly object to?” “He’s a friend of Leo’s. That’s reason enough.” Win glared up at Merripen. She struggled to retain a grasp on her composure. She had always found it so easy to conceal her emotions beneath a serene facade, but lately she was finding that more and more difficult. All her feelings were lurking too close to the surface. “If you are trying to ruin my evening,” she told him, “you’re doing a splendid job of it. I want to dance, and you’re scaring away everyone who approaches me. Leave me alone.” She turned her back to him, and sighed with relief as Julian Harrow came to them. “Miss Hathaway,” he said, “will you do me the honor—” “Yes,” she said before he could even finish the sentence. Taking his arm, she let him lead her into the mass of swirling, waltzing couples. Glancing over her shoulder, she saw Merripen staring after her, and she sent him a threatening look. He returned it with a scowl. ~ Lisa Kleypas,
1017:Brida’s eyes filled with tears. She was proud of her Soulmate.

That is what the forest taught me. That you will never be mine, and that is why I will never lose you. You were my hope during my days of loneliness, my anxiety during moments of doubt, my certainty during moments of faith.

Knowing that my Soulmate would come one day, I devoted myself to learning the Tradition of the Sun. Knowing that you existed was my one reason for continuing to live.’

Brida could no longer conceal her tears.

Then you came, and I understood all of this. You came to free me from the slavery I myself had created, to tell me that I was free to return to the world and to the things of the world. I understood everything I needed to know, and I love you more than all the women I have ever known, more than I loved the woman who, quite unwittingly, exiled me to the forest. I will always remember now that love is liberty. That was the lesson it took me so many years to learn. That is the lesson that sent me into exile and now sets me free again.’

I will always remember you, and you will remember me, just as we will remember the evening, the rain on the windows, and all the things we’ll always have because we cannot possess them. ~ Paulo Coelho,
1018:Don’t try to talk—just breathe. Another long, slow one…another. Good girl.” As Annabelle gradually recovered her breath, the panic began to fade. He was right…it was easier if she didn’t struggle. The sound of her fitful gasping was underlaid by the mesmerizing softness of his voice. “That’s right,” he murmured. “That’s the way of it.” His hand continued to move in a slow, easy rotation over her chest. There was nothing sexual in his touch—in fact, she might have been a child he was trying to soothe. Annabelle was amazed. Who would have ever dreamed that Simon Hunt could be so kind? Filled with equal parts of confusion and gratitude, Annabelle fumbled for the large hand that moved so gently on her chest. She was so feeble that the gesture required all her strength. Assuming that she was trying to push him away, Hunt began to withdraw, but as he felt her fingers curl around two of his, he went very still. “Thank you,” she whispered. The touch made Hunt tense visibly, as if the contact had sent a shock through his body. He stared not at her face but at the delicate fingers entwined with his, in the manner of a man who was trying to solve a complex puzzle. Remaining motionless, he prolonged the moment, his lashes lowering to conceal his expression. ~ Lisa Kleypas,
1019:Teddy O'Neale
I've come to the cabin he danced his wild jigs in,
As neat a mud palace as ever was seen;
And considering it served to keep poultry and pigs in,
I'm sure it was always most elegant clean.
But now all about it seems lonely and dreary,
All sad and all silent, no piper, no reel;
Not even the sun, through the casement, is cheery,
Since I miss the dear, darling boy, Teddy O'Neale.
I dreamt but last night--oh! bad luck to my dreaming,
I'd die if I thought 'twould come truly to pass,-But I dreamt, while the tears down my pillow were streaming,
That Teddy was courting another fair lass.
Oh! didn't I wake with a weeping and wailing,-The grief of that thought was too deep to conceal;
My mother cried--'Norah, child, what is your ailing?'
And all I could utter was--'Teddy O'Neale!'
Shall I ever forget when the big ship was ready,
And the moment was come when my love must depart;
How I sobbed like a spalpeen, 'Good-bye to you, Teddy!'
With drops on my cheek and a stone at my heart.
He says 'tis to better his fortune he's roving,
But what would be gold to the joy I should feel,
If I saw him come back to me, honest and loving,
Still poor, but my own darling, Teddy O'Neale.
~ Eliza Cook,
1020:Does it matter?" Halt asked.
Horace shrugged. "Not really, I suppose. I just wondered why you'd gone to the kitchen and why you took the trouble to remain unseen. Were you hiding from Master Chubb yourself? And Will just turned up by coincidence?"
"And why would I be hiding from Master Chubb in his own kitchen?" Halt challenged. Again. Horace shrugged innocently.
"Well,there was a tray of freshly made pies airing on the windowsill, wasn't there? And you're quite fond of pies, aren't you, Halt?"
Halt drew himself up very straight in the saddle. "Are you accusing me of sneaking into that kitchen to steal the pies for myself? Is that it?"
His voice and body language simply reeked of injured dignity.
"Of course not, Halt!" Horace hurried to assure him, and Halt's stiff-shouldered form relaxed a little.
"I just thought I'd give you the opportunity to confess," Horace added. This time, Malcolm couldn't conceal his sudden explosion of laughter. Halt gave them both a withering glance.
"You know, Horace," he said at length, "you used to be a most agreeable young man. Whatever happened to you?"
Horace turned a wide grin on him. "I've spent too much time around you, I suppose," he said.
And Halt had to admit that was probably true. ~ John Flanagan,
1021:Ho there, my fine fellow!” said the same man who had ordered the soldiers to halt. “Ho there, I say! Who are you to sit here this splendid morning, drinking and enjoying a merry game of chance, as if you hadn’t a care in the world? Do we not merit the courtesy of being met with drawn swords? Who are you, I say?”
Slowly, as if he had just noticed the presence of the soldiers and considered it to be of little importance, Roran raised his gaze from the table to regard a small bearded man with a flamboyantly plumed helm who sat before him on an enormous black war-horse, which was heaving like a pair of bellows.
“I’m nobody’s fine fellow, and certainly not yours,” Roran said, making no effort to conceal his dislike at being addressed in such a familiar manner. “Who are you, I might ask, to interrupt my game so rudely?”
The long, striped feathers mounted atop the man’s helm bobbed and fluttered as he looked Roran over, as if Roran were an unfamiliar creature he had encountered while hunting. “Tharos the Quick is my name, Captain of the Guard. Rude as you are, I must tell you, it would grieve me mightily to kill a man as bold as yourself without knowing his name.” As if to emphasize his words, Tharos lowered the spear he held until it was pointing at Roran. ~ Christopher Paolini,
1022:Harry?” The soft way she said his name caused the hair to rise pleasurably on his arms and the back of his neck. “Yes, love?” he asked hoarsely. “Would you . . . would you mind rubbing my back?” Harry fought to conceal his reaction. “Of course,” he said, striving to keep his tone casual. “Can you turn to your side?” Reaching for her lower back, he found the little reefs of muscle on either side of her spine. Poppy pushed the pillows aside and lay flat on her stomach. He worked up to her upper shoulders, finding the knotted muscles. A soft groan escaped her, and Harry paused. “Yes, there,” she said, and the full-throated pleasure in her voice went straight to Harry’s groin. He continued to knead her back, his fingers coaxing and sure. Poppy sighed deeply. “I’m keeping you from your work.” “I have nothing planned.” “You always have at least ten things planned.” “Nothing’s more important than you.” “You almost sound sincere.” “I am sincere. Why wouldn’t I be?” “Because your work is more important to you than anything, even people.” Annoyed, Harry held his tongue and continued to massage her. “I’m sorry,” Poppy said after a minute. “I didn’t mean that. I don’t know why I said it.” The words were an instant balm to Harry’s anger. “You’re hurting. And you’re tipsy. It’s all right. ~ Lisa Kleypas,
1023:She sought to breathe one word, but vainly;
Too many listeners were nigh;
And yet my timid glance read plainly
The language of her speaking eye.
Thy silent glades my footstep presses,
Thou fair and leaf-embosomed grove!
Conceal within thy green recesses
From mortal eye our sacred love!

Afar with strange discordant noises,
The busy day is echoing;
And 'mid the hollow hum of voices,
I hear the heavy hammer ring.
'Tis thus that man, with toil ne'er ending
Extorts from heaven his daily bread;
Yet oft unseen the Gods are sending
The gifts of fortune on his head!

Oh, let mankind discover never
How true love fills with bliss our hearts
They would but crush our joy forever,
For joy to them no glow imparts.
Thou ne'er wilt from the world obtain it
'Tis never captured save as prey;
Thou needs must strain each nerve to gain it,
E'er envy dark asserts her sway.

The hours of night and stillness loving,
It comes upon us silently
Away with hasty footstep moving
Soon as it sees a treacherous eye.
Thou gentle stream, soft circlets weaving,
A watery barrier cast around,
And, with thy waves in anger heaving,
Guard from each foe this holy ground!

~ Friedrich Schiller, The Secret
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1024:The Ten Commandments that, as a teacher, I should wish to promulgate, might be set forth as follows:

1- Do not feel absolutely certain of anything.
2- Do not think it worth while to proceed by concealing evidence, for the evidence is sure to come to light.
3- Never try to discourage thinking for you are sure to succeed.
4- When you meet with opposition, even if it should be from your husband or your children, endeavor to overcome it by argument and not by authority, for a victory dependent upon authority is unreal and illusory.
5- Have no respect for the authority of others, for there are always contrary authorities to be found.
6- Do not use power to suppress opinions you think pernicious, for if you do the opinions will suppress you.
7- Do not fear to be eccentric in opinion, for every opinion now accepted was once eccentric.
8- Find more pleasure in intelligent dissent than in passive agreement, for, if you value intelligence as you should, the former implies a deeper agreement than the latter.
9- Be scrupulously truthful, even if the truth is inconvenient, for it is more inconvenient when you try to conceal it.
10- Do not feel envious of the happiness of those who live in a fool’s paradise, for only a fool will think that it is happiness. ~ Bertrand Russell,
1025:This is why, rather than go on talking, I felt the need to transform the things to be said into a cone of light hurled at a hundred miles an hour, to transform myself into this cone of light moving over the superhighway, because it is certain that such a signal can be received and understood by her without being lost in the ambiguous disorder of secondary vibrations, just as I, to receive and understand the things she has to say to me, would like them to be only (rather, I would like her to be only) this cone of light I see advancing on the superhighway at a speed (I'm guessing, at a glance) of eighty or ninety. What counts is communicating the indispensable, skipping all the superfluous, reducing ourselves to essential communication, to a luminous signal that moves in a given direction, abolishing the complexity of our personalities and situations and facial expressions, leaving them in the shadowy container that the headlights carry behind them and conceal. The Y I love is really that moving band of luminous rays, and all the rest of her can remain implicit; and the me that she can love, the me that has the power of entering that circuit of exaltation which is her affective life, in the flashing of this pass which, through love of her and with a certain risk, I am now attempting. ~ Italo Calvino,
1026:He was talking, at the moment, to Louisa and Amy Eshton.  I wondered to see them receive with calm that look which seemed to me so penetrating: I expected their eyes to fall, their colour to rise under it; yet I was glad when I found they were in no sense moved.  “He is not to them what he is to me,” I thought: “he is not of their kind.  I believe he is of mine;—I am sure he is—I feel akin to him—I understand the language of his countenance and movements: though rank and wealth sever us widely, I have something in my brain and heart, in my blood and nerves, that assimilates me mentally to him.  Did I say, a few days since, that I had nothing to do with him but to receive my salary at his hands?  Did I forbid myself to think of him in any other light than as a paymaster?  Blasphemy against nature!  Every good, true, vigorous feeling I have gathers impulsively round him.  I know I must conceal my sentiments: I must smother hope; I must remember that he cannot care much for me.  For when I say that I am of his kind, I do not mean that I have his force to influence, and his spell to attract; I mean only that I have certain tastes and feelings in common with him.  I must, then, repeat continually that we are for ever sundered:—and yet, while I breathe and think, I must love him.” Coffee ~ Charlotte Bront,
1027:Thoth Hermes Trismegistus, the founder of Egyptian learning, the Wise Man of the ancient world, gave to the priests and philosophers of antiquity the secrets which have been preserved to this day in myth and legend. These allegories and emblematic figures conceal the secret formulæ for spiritual, mental, moral, and physical regeneration commonly known as the Mystic Chemistry of the Soul (alchemy). These sublime truths were communicated to the initiates of the Mystery Schools, but were concealed from the profane. The latter, unable to understand the abstract philosophical tenets, worshiped the concrete sculptured idols which were emblematic of these secret truths. The wisdom and secrecy of Egypt are epitomized in the Sphinx, which has preserved its secret from the seekers of a hundred generations. The mysteries of Hermeticism, the great spiritual truths hidden from the world by the ignorance of the world, and the keys of the secret doctrines of the ancient philosophers, are all symbolized by the Virgin Isis. Veiled from head to foot, she reveals her wisdom only to the tried and initiated few who have earned the right to enter her sacred presence, tear from the veiled figure of Nature its shroud of obscurity, and stand face to face with the Divine Reality. ~ Manly P Hall, The Secret Teachings of all Ages,
1028:You thirst for life, yet you yourself resolve life’s questions with a logical tangle. And how importunate, how impudent your escapades, yet at the same time how frightened you are! You talk nonsense, and are pleased with it; you say impudent things, yet you keep being afraid and asking forgiveness for them. You insist that you are not afraid of anything, and at the same time you court our opinion. You insist that you are gnashing your teeth, and at the same time you exert your wit to make us laugh. You know that your witticisms are not witty, but you are apparently quite pleased with their literary merits. You may indeed have happened to suffer, but you do not have the least respect for your suffering. There is truth in you, too, but no integrity; out of the pettiest vanity you take your truth and display it, disgrace it, in the marketplace . . . You do indeed want to say something, but you conceal your final word out of fear, because you lack the resolve to speak it out, you have only cowardly insolence. You boast about consciousness, yet all you do is vacillate, because, though your mind works, your heart is darkened by depravity, and without a pure heart there can be no full, right consciousness. And how importunate you are, how you foist yourself, how you mug! Lies, lies, lies! ~ Fyodor Dostoyevsky,
1029:Are You Ready for New Urban Fragrances?

Yeah, I guess I'm ready, but listen:

Perfume is a disguise. Since the middle ages, we have worn masks of fruit and flowers in order to conceal from ourselves the meaty essence of our humanity. We appreciate the sexual attractant of the rose, the ripeness of the orange, more than we honor our own ripe carnality.

Now today we want to perfume our cities, as well; to replace their stinging fumes of disturbed fossils' sleep with the scent of gardens and orchards. Yet, humans are not bees any more than they are blossoms. If we must pull an olfactory hood over our urban environment, let it be of a different nature.

I want to travel on a train that smells like snowflakes.

I want to sip in cafes that smell like comets.

Under the pressure of my step, I want the streets to emit the precise odor of a diamond necklace.

I want the newspapers I read to smell like the violins left in pawnshops by weeping hobos on Christmas Eve.

I want to carry luggage that reeks of the neurons in Einstein's brain.

I want a city's gases to smell like the golden belly hairs of the gods.

And when I gaze at a televised picture of the moon, I want to detect, from a distance of 239,000 miles, the aroma of fresh mozzarella. ~ Tom Robbins,
1030:Opening lines of The Great Indian Novel narrated as a modern day MahaBharata.

They tell me India is an underdeveloped country. They attend seminars, appear on television, even come to see me, creasing their eight-hundred-rupee suits and clutching their moulded plastic briefcases, to announce in tones of infinite understanding that India has yet to develop. Stuff and nonsense, of course.
“These are the kind of fellows who couldn’t tell their kundalini from a decomposing earthworm, and I don’t hesitate to tell them so. I tell them they have no knowledge of history and even less of their own heritage. I tell them that if they would only read the Mahabarata and the Ramayana, study the Golden Ages of the Mauryas and the Guptas and even of those Muslim chaps the Mughals, they would realize that India in not an underdeveloped country but a highly developed country in an advanced stage of decay.”
They laugh about me pityingly and shift from one foot to the other, unable to conceal their impatience, and I tell them that, in fact, everything in India in over-developed, particularly the social structure, the bureaucracy, the political process, the financial system, the university network and, for that matter, the women. Cantankerous old man, I them thinking, as they make their several exists ~ Shashi Tharoor,
1031:It was about a week later that I left my parlor to find my long-absent bodyguard leaning with his back against the wall, as though there were nothing unusual about his presence in the corridor outside my door.
“London!” I exclaimed. “I didn’t expect to find you back on duty.”
“I hope you’re not disappointed, but I figured I might be welcome here again,” he said with a laugh. “I assume I’m no longer a war criminal.”
“Quite the contrary--you are a war hero. But I haven’t seen you since you escorted Narian and me back to the city. Where have you been all this time?”
“I had to take care of some other business.” He shifted his weight and glanced downward, unable to conceal a grin. “There was another woman who deserved to know I was all right.”
I immediately glanced to the third finger of his right hand, where rested a golden betrothal ring, and my smile lifted along with my heart.
“Tanda is a fortunate woman to have you.”
In atypical form, London confessed his feelings toward her. “After so many years, I never thought I would be so blessed as to have her once more by my side.”
Was this the effect Tanda had on my bodyguard, even dating back to the beginning of their courtship? Was her love the key to making him less guarded, more open, more relaxed? And did my love have the same effect on Narian? ~ Cayla Kluver,
1032:Star friendship.— We were friends and have become estranged. But this was right, and we do not want to conceal and obscure it from ourselves as if we had reason to feel ashamed. We are two ships each of which has its goal and course; our paths may cross and we may celebrate a feast together, as we did—and then the good ships rested so quietly in one harbor and one sunshine that it may have looked as if they had reached their goal and as if they had one goal. But then the almighty force of our tasks drove us apart again into different seas and sunny zones, and perhaps we shall never see one another again,—perhaps we shall meet again but fail to recognize each other: our exposure to different seas and suns has changed us! That we have to become estranged is the law above us: by the same token we should also become more venerable for each other! And thus the memory of our former friendship should become more sacred! There is probably a tremendous but invisible stellar orbit in which our very different ways and goals may be included as small parts of this path,—let us rise up to this thought! But our life is too short and our power of vision too small for us to be more than friends in the sense of this sublime possibility.— Let us then believe in our star friendship even if we should be compelled to be earth enemies. ~ Friedrich Nietzsche,
1033:Why did you become a Bow Street runner? I can’t believe you chose such a profession willingly.”
A laugh rustled in his throat. “Oh, I was willing enough, considering the alternative. I made a deal with my brother-in-law, Sir Ross, three years ago. At the time he was chief magistrate of Bow Street, and he had evidence in his possession that would have had me dancing in the wind, had it ever been presented at a trial.”
“Dancing in the wind,” Lottie repeated, puzzled by the unfamiliar expression.
“Hanging. Dangling at the end of a rope. Believe me, I should have been drawn and quartered for some of the things I did in my underworld career.” Pausing to observe the effect of his words, Gentry smiled slightly at her obvious unease. “In an effort to avoid the uncomfortable position of having to execute his wife’s brother,” he continued, “Sir Ross offered to conceal the damning evidence against me, if I would double-cross my underworld associates and become a runner.”
“For how long?”
“Indefinitely. Naturally I agreed, as I had no loyalty to my former companions, and I didn’t fancy having my neck stretched.”
Lottie frowned. “Why did Sir Ross want you to become a runner?”
“I believe he had the mistaken impression that a few years of public service would reform me.” Gentry grinned suddenly. “It hasn’t yet. ~ Lisa Kleypas,
1034:I love a lounging pajama."
You also love a marabou mule slipper and a satin robe with a train.
"It is elegant."
It is insane.
"It is sophisticated."
Sure, if you're Nora Charles. It isn't 1940.
"Yeah, but look at yourself."
I look in the mirror. The silk and cashmere blend fabric has just the right amount of drape to conceal the lumpier parts of me without clinging, but enough weight to seem more substantial than sleepwear. The color is somewhere halfway between cream and ballerina pink, a color I would never pick, but is a lovely counterpoint to my pale skin and dark hair. All in all, I look fairly adorable for this hour, certainly good enough to warrant a little morning attention.
"Told you so."
Yeah, yeah.
"Didn't I give you a matching robe for that?"
Don't push it.
"I'm just saying."
Fine. I grab the matching robe. It has a wide band of gathered elastic in the back that hits right above my tush, giving me shape, even though the robe isn't tied. Made of the same fabric as the pajamas, it doesn't add bulk the way most robes do, but instead almost serves as the same elegant look a long trench provides.
"HA!"
You are such a bad gloater.
"Too bad. You look utterly shaggable.'
Well I hope so, since I'm pretty sure Brian doesn't think he is coming over for an actual meeting. ~ Stacey Ballis,
1035:It is clear enough why both major propaganda systems insist upon this fantasy. Since its origins, the Soviet State has attempted to harness the energies of its own population and oppressed people elsewhere in the service of the men who took advantage of the popular ferment in Russia in 1917 to seize State power. One major ideological weapon employed to this end has been the claim that the State managers are leading their own society and the world towards the socialist ideal; an impossibility, as any socialist — surely any serious Marxist — should have understood at once (many did), and a lie of mammoth proportions as history has revealed since the earliest days of the Bolshevik regime. The taskmasters have attempted to gain legitimacy and support by exploiting the aura of socialist ideals and the respect that is rightly accorded them, to conceal their own ritual practice as they destroyed every vestige of socialism.

As for the world’s second major propaganda system, association of socialism with the Soviet Union and its clients serves as a powerful ideological weapon to enforce conformity and obedience to the State capitalist institutions, to ensure that the necessity to rent oneself to the owners and managers of these institutions will be regarded as virtually a natural law, the only alternative to the ‘socialist’ dungeon. ~ Noam Chomsky,
1036:That miserable son of a bitch!” he bit out between clenched teeth. “After eleven years he’s going to have it his way. And all because I couldn’t keep my hands off her.”
The vicar could scarcely conceal his joyous relief. “There are worse things than having to marry a wonderful young woman who also had the excellent judgment to fall in love with you,” he pointed out.
Ian almost, but not quite, smiled at that. The impulse passed in an instant, however, as reality crushed down on him, infuriating and complicated. “Whatever she felt for me, it was a long time ago. All she wants now is independence.”
The vicar’s brows shot up, and he chuckled with surprise. “Independence? Really? What an odd notion for a female. I’m sure you’ll be able to disabuse her of such fanciful ideas.”
“Don’t count on it.”
“Independence is vastly overrated. Give it to her and she’ll hate it,” he suggested.
Ian scarcely heard him; the fury at having to capitulate to his grandfather was building inside him again with terrible force. “Damn him!” he said in a murderous underbreath. “I’d have let him rot in hell, and his title with him.”
Duncan’s smile didn’t fade as he said with asperity, “It’s possible that it’s fear of ‘rotting in hell,’ as you so picturesquely phrased it, that has made him so desperate to affirm you now as his heir. ~ Judith McNaught,
1037:Perhaps the reader is astonished by the frankness with which I expose and emphasize my mediocrity; let him remember that frankness is the virtue most appropriate to a defunct. In life, the watchful eye of public opinion, the conflict of interests, the struggle of greed against greed oblige a man to hide his old rags, to conceal the rips and patches, to withhold from the world the revelations that he makes to his own conscience; and the greatest reward comes when a man, in so deceiving others, manages at the same time to deceive himself, for in such case he spares himself shame, which is a painful experience, and hypocrisy, which is a hideous vice. But in death, what a difference! what relief! what freedom! How glorious to throw away your cloak, to dump your spangles in a ditch, to unfold yourself, to strip off all your paint and ornaments, to confess plainly what you were and what you failed to be! For, after all, you have no neighbors, no friends, no enemies, no acquaintances, no strangers, no audience at all. The sharp and judicial eye of public opinion loses its power as soon as we enter the territory of death. I do not deny that it sometimes glances this way and examines and judges us, but we dead folk are not concerned about its judgment. You who still live, believe me, there is nothing in the world so monstrously vast as our indifference. ~ Machado de Assis,
1038:Not for the first time I felt myself confronted by the dizzying possibility that an entire episode in the story of mankind might have been forgotten. Indeed it seemed to me then, as I overlooked the mathematical city of the gods from the summit of the Pyramid of the Moon, that our species could have been afflicted with some terrible amnesia and that the dark period so blithely and dismissively referred to as `prehistory' might turn out to conceal unimagined truths about our own past. What is prehistory, after all, if not a time forgotten--a time for which we have no records? What is prehistory if not an epoch of impenetrable obscurity through which our ancestors passed but about which we have no conscious remembrance? It was out of this epoch of obscurity, configured in mathematical code along astronomical and geodetic lines, that Teotihuacan with all its riddles was sent down to us. And out of that same epoch came the great Olmec sculptures, the inexplicably precise and accurate calendar the Mayans inherited from their predecessors, the inscrutable geoglyphs of Nazca, the mysterious Andean city of Tiahuanaco ... and so many other marvels of which we do not know the provenance. It is almost as though we have awakened into the daylight of history from a long and troubled sleep, and yet continue to be disturbed by the faint but haunting echoes of our dreams ~ Graham Hancock,
1039:Why, Dolly!" said Margaret, placidly kissing her. "Here's a surprise! How are the boys and the baby?" Boys and the baby were well, and in describing a great row that there had been at the Hilton Tennis Club, Dolly forgot her news. The wrong people had tried to get in. The rector, as representing the older inhabitants, had said—Charles had said—the tax-collector had said—Charles had regretted not saying—and she closed the description with, "But lucky you, with four courts of your own at Midhurst." "It will be very jolly," replied Margaret. "Are those the plans? Does it matter my seeing them?" "Of course not." "Charles has never seen the plans." "They have only just arrived. Here is the ground floor—no, that's rather difficult. Try the elevation, We are to have a good many gables and a picturesque sky-line." "What makes it smell so funny?" said Dolly, after a moment's inspection. She was incapable of understanding plans or maps. "I suppose the paper." "And WHICH way up is it?" "Just the ordinary way up. That's the sky-line and the part that smells strongest is the sky." "Well, ask me another. Margaret—oh—what was I going to say? How's Helen?" "Quite well." "Is she never coming back to England? Every one thinks it's awfully odd she doesn't." "So it is," said Margaret, trying to conceal her vexation. She was getting rather sore on this point. "Helen is odd, awfully. ~ E M Forster,
1040:Wisdom in Pain.-In pain there is as much wisdom as in pleasure: like the latter it is one of the best self-preservatives of a species. Were it not so, pain would long ago have been done away with ; that it is hurtful is no argument against it, for to be hurtful is its very essence. In pain I hear the commanding call of the ship's captain : " Take in sail!" " Man," the bold seafarer, must have learned to set his sails in a thousand different ways, otherwise he could not have sailed long, for the ocean would soon have swallowed him up. We must also know how to live with reduced energy : as soon as pain gives its precautionary signal, it is time to reduce the speed-some great danger, some storm, is approaching, and we do well to "catch" as little wind as possible.-It is true that there are men who, on the approach of severe pain, hear the very opposite call of command, and never appear more proud, more martial, or more happy than when the storm is brewing; indeed, pain itself provides them with their supreme moments! These are the heroic men, the great pain-bringers of mankind: those few and rare ones who need just the same apology as pain generally,-and verily, it should not be denied them! They are forces of the greatest importance for preserving and advancing the species, be it only because they are opposed to smug ease, and do not conceal their disgust at this kind of happiness. ~ Friedrich Nietzsche,
1041:To A Little Girl That Has Told A Lie
AND has my darling told a lie?
Did she forget that GOD was by?
That GOD, who saw the things she did,
From whom no action can be hid;
Did she forget that GOD could see
And hear, wherever she might be?
He made your eyes, and can discern
Whichever way you think to turn;
He made your ears, and he can hear
When you think nobody is near;
In every place, by night or day,
He watches all you do and say.
Oh, how I wish you would but try
To act, as shall not need a lie;
And when you wish a thing to do,
That has been once forbidden you,
Remember that, nor ever dare
To disobey­, for GOD is there.
Why should you fear the truth to tell?
Does falsehood ever do so well?
Can you be satisfied to know,
There's something wrong to hide below?
No! let your fault be what it may,
To own it is the happy way.
So long as you your crime conceal,
You cannot light and gladsome feel:
Your little heart will seem oppress'd,
As if a weight were on your breast;
And e'en your mother's eye to meet,
Will tinge your face with shame and heat.
Yes, GOD has made your duty clear,
By every blush, by every fear;
And conscience, like an angel kind,
Keeps watch to bring it to your mind:
59
Its friendly warnings ever heed,
And neither tell a lie­ nor need.
~ Ann Taylor,
1042:It is never too late As people begin to learn the principles of Kabbalah, they often feel that they have done too many bad things in their lives to be able to transform and bond with the Creator. In fact, this is what they want to believe. It frees them from accepting the need for positive change. It allows them to abdicate the responsibility for transformation, which is nothing less than the true purpose of our lives. Recognizing this process is one of Kabbalah’s most profound psychological insights. It calls attention to the fact that apparent self-loathing is really just egotism with a reverse spin. The spark of the Creator is always within us, and it is always pure. If you take a penny and hold it up in front of your eye in just the right way, you can easily block out the sun. But is the penny bigger or more powerful than the sun just because it can hide the sun’s light? The penny does not extinguish the sun, but only conceals it. In the same way, our negative actions only conceal the Light within us—but we may begin to feel that the Light has gone out forever. No darkness that we bring upon ourselves, however, is greater than the Light of the Creator that is at our core. As long as we are alive, we have this divine Light within us, burning as brightly as on the day we were born. No matter how deeply hidden, the Light remains there waiting for us to reveal it. And it is never too late. Higher ~ Michael Berg,
1043:The Apple-Tree
OLD John had an apple-tree, healthy and green,
Which bore the best codlins that ever were seen,
So juicy, so mellow, and red;
And when they were ripe, he disposed of his store,
To children or any who pass'd by his door,
To buy him a morsel of bread.
Little Dick, his next neighbour, one often might see,
With longing eye viewing this fine apple-tree,
And wishing a codlin might fall:
One day as he stood in the heat of the sun,
He began thinking whether he might not take one,
And then he look'd over the wall.
And as he again cast his eye on the tree,
He said to himself, 'Oh, how nice they would be,
So cool and refreshing to-day!
The tree is so full, and one only I'll take,
And John cannot see if I give it a shake,
And nobody is in the way.
But stop, little boy, take your hand from the bough,
Remember, though John cannot see you just now,
And no one to chide you is nigh,
There is One, who by night, just as well as by day,
Can see all you do, and can hear all you say,
From his glorious throne in the sky.
O then little boy, come away from the tree,
Lest tempted to this wicked act you should be:
'Twere better to starve than to steal;
For the great GOD, who even through darkness can look,
Writes down every crime we commit, in His book;
Nor forgets what we try to conceal.
~ Ann Taylor,
1044:In the words of Mr Thierry Coup of Warner Bros: 'We are taking the most iconic and powerful moments of the stories and putting them in an immersive environment. It is taking the theme park experience to a new level.' And of course I wish Thierry and his colleagues every possible luck, and I am sure it will be wonderful. But I cannot conceal my feelings; and the more I think of those millions of beaming kids waving their wands and scampering the Styrofoam turrets of Hogwartse_STmk, and the more I think of those millions of poor put-upon parents who must now pay to fly to Orlando and pay to buy wizard hats and wizard cloaks and wizard burgers washed down with wizard meade_STmk, the more I grind my teeth in jealous irritation.

Because the fact is that Harry Potter is not American. He is British. Where is Diagon Alley, where they buy wands and stuff? It is in London, and if you want to get into the Ministry of Magic you disappear down a London telephone box. The train for Hogwarts goes from King's Cross, not Grand Central Station, and what is Harry Potter all about? It is about the ritual and intrigue and dorm-feast excitement of a British boarding school of a kind that you just don't find in America. Hogwarts is a place where children occasionally get cross with each other—not 'mad'—and where the situation is usually saved by a good old British sense of HUMOUR. WITH A U. RIGHT? NOT HUMOR. GOTTIT? ~ Boris Johnson,
1045:The art of the alchemist, whether spiritual or physical, consists in completing the work of perfection, bringing forth and making dominant, as it were, the “latent goldness” which “lies obscure” in metal or man. The ideal adept of alchemy was therefore an “auxiliary of the Eternal Goodness.” By his search for the “Noble Tincture” which should restore an imperfect world, he became a partner in the business of creation, assisting the Cosmic Plan. Thus the proper art of the Spiritual Alchemist, with whom alone we are here concerned, was the production of the spiritual and only valid tincture or Philosopher’s Stone; the mystic seed of transcendental life which should invade, tinge, and wholly transmute the imperfect self into spiritual gold. That this was no fancy of seventeenth-century allegorists, but an idea familiar to many of the oldest writers upon alchemy—whose quest was truly a spiritual search into the deepest secrets of the soul—is proved by the words which bring to an end the first part of the antique “Golden Treatise upon the Making of the Stone,” sometimes attributed to Hermes Trismegistus. “This, O Son,” says that remarkable tract, “is the Concealed Stone of Many Colours, which is born and brought forth in one colour; know this and conceal it . . . it leads from darkness into light, from this desert wilderness to a secure habitation, and from poverty and straits to a free and ample fortune. ~ Evelyn Underhill,
1046:There are two inevitable conditions of life, confronting all of us, which destroy its whole meaning; (1) death, which may at any moment pounce upon each of us; and (2) the transitoriness of all our works, which so soon pass away and leave no trace. Whatever we may do--found companies, build palaces and monuments, write songs and poems--it is all not for long time. Soon it passes away, leaving no trace. And therefore, however we may conceal it from ourselves, we cannot help seeing that the significance of our life cannot lie in our personal fleshly existence, the prey of incurable suffering and inevitable death, nor in any social institution or organization. Whoever you may be who are reading these lines, think of your position and of your duties--not of your position as landowner, merchant, judge, emperor, president, minister, priest, soldier, which has been temporarily allotted you by men, and not of the imaginary duties laid on you by those positions, but of your real positions in eternity as a creature who at the will of Someone has been called out of unconsciousness after an eternity of non-existence to which you may return at any moment at his will. Think of your duties-- not your supposed duties as a landowner to your estate, as a merchant to your business, as emperor, minister, or official to the state, but of your real duties, the duties that follow from your real position as a being called into life and endowed with reason and love. ~ Leo Tolstoy,
1047:Many social and political changes have swept the world clean of the apprehension of sacred things: the rejection of custom and ceremony; the conversion of marriage into a defeasible contract; the relaxing of the laws governing, sexual conduct and obscenity; the decline of faith and saintliness. As those changes take their effect, the experience of erotic love becomes darigerous and uncertain in its outcome. Our responsibility retreats further from the confused terrain of sexual experience, and threatens even to void it of desire.
Hence, it might be said, my ability to reflect, in so neutral and philosophical a fashion, on the nature of this phenomenon is perhaps already an index of its decline: of the fact that desire does not, now, have the importance for us that formerly caused men to conceal it in poetry or overcome it through prayer. What we understand of our condition may also pass from us in the act of understanding. For we were never meant to have knowledge of this thing; we were meant only to be subject to its command. No phenomenon, perhaps, illustrates more profoundly the great poetical utterance of Hegel; that
When philosophy paints its grey in grey, then has a shape of life grown old. By philosophy's grey in grey it cannot be rejuvenated but only understood.
The owl of Minerva spreads its wings only with the gathering of the dusk.
On the other hand, it is a century and a half since Hegel wrote those words, and life goes on. ~ Roger Scruton,
1048:Another unary photograph is the pornographic photograph (I am not saying the erotic photograph: the erotic is a pornographic that has been disturbed, fissured). Nothing more homogeneous than a pornographic photograph. It is always a naive photograph, without intention and without calculation. Like a shop window which shows only one illuminated piece of jewelry, it is completely constituted by the presentation of only one thing: sex: no secondary, untimely object ever manages to half conceal, delay, or distract... A proof a contrario: Mapplethorpe shifts his close-ups of genitalia from the pornographic to the erotic by photographing the fabric of underwear at very close range: the photograph is no longer unary, since I am interested in the texture of the material.


The presence (the dynamics) of this blind field is, I believe, what distinguishes the erotic photograph from the pornographic photograph. Pornography ordinarily represents the sexual organs, making them into a motionless object (a fetish), flattered like an idol that does not leave its niche; for me, there is no punctum in the pornographic image; at most it amuses me (and even then, boredom follows quickly). The erotic photograph, on the contrary (and this is its very condition), does not make the sexual organs into a central object; it may very well not show them at all; it takes the spectator outside its frame, and it is there that I animate this photograph and that it animates me. ~ Roland Barthes,
1049:Pathos Of Love
O Pathos of Love! You are a glossy pearl
Beware, you should not appear among strangers
The theatre of your display is concealed under the veil
The modern audience' eye accepts only the visible display
New breeze has arrived in the Existence' garden
O Pathos of Love! Now there is no pleasure in display
Beware! You should not be striving for ostentation!
You should not be obligated to the nightingale's lament!
The tulip's wine-cup should be devoid of wine
The dew's tear should be a mere dropp of water
Your secret should be hidden in the bosom somewhere
Your heart-melting tear should not be your betrayer
The flowery-styled poet's tongue should not be talking
Separation's complaint should not be concealed in flute's music
This age is a critic, go and somewhere conceal yourself
In the heart in which you are residing conceal yourself
The learning's surprise is neglecting you, beware!
Your immature eye is not the seeker of Truth, beware
Let the elegant thought remain in search of Truth
Let your wisdom-loving eye remain in astonishment
This is not the garden whose spring you may be
This is not the audience worthy of your appearance
This audience is the lover of the material sights
The purpose of your sight is the closet of secrecy
Every heart is intoxicated with the wine of thinking
Something different is the Tur of the Kalims of this age
32
~ Allama Muhammad Iqbal,
1050:We take so much of the universe on trust. You tell me: “In 1950 I lived on the north side of Beacon Street in Somerville.” You tell me: “She and I were lovers, but for months now we have only been good friends.” You tell me: “It is seventy degrees outside and the sun is shining.” Because I love you, because there is not even a question of lying between us, I take these accounts of the universe on trust: your address twenty-five years ago, your relationship with someone I know only by sight, this morning’s weather. I fling unconscious tendrils of belief, like slender green threads, across statements such as these, statements made so unequivocally, which have no tone or shadow of tentativeness. I build them into the mosaic of my world. I allow my universe to change in minute, significant ways, on the basis of things you have said to me, of my trust in you.

I also have faith that you are telling me things it is important I should know; that you do not conceal facts from me in an effort to spare me, or yourself, pain.

Or, at the very least, that you will say, “There are things I am not telling you.”

When we discover that someone we trusted can be trusted no longer, it forces us to reexamine the universe, to question the whole instinct and concept of trust. For a while, we are thrust back onto some bleak, jutting ledge, in a dark pierced by sheets of fire, swept by sheets of rain, in a world before kinship, or naming, or tenderness exist; we are brought close to formlessness. ~ Adrienne Rich,
1051:Your true soul and body appear before me. Whoever you are, now I place my hand upon you, that you be my poem, I whisper with my lips close to your ear, I have loved many women and men, but I love none better than you. O I have been dilatory and dumb, I should have made my way straight to you long ago, I should h
ave blabb'd nothing but you, I should have chanted nothing but you. I will leave all and come and make the hymns of you, none has understood you, but I understand you, none has done justice to you, you have not done justice to yourself, none but has found you imperfect, I only find no imperfection in you, none but would subordinate you, I only am he who will never consent to subordinate you, I only am he who places over you no master, owner, better, God, beyond what waits instrinsically in yourself. O I could sing such grandeurs and glories about you! You have not known what you are, you have slumber'd upon yourself all your life, Your eyelids have been the same as closed most of the time. I pursue you where none else has pursued you. Conceal you from others or from yourself, they do not conceal you from me. I give nothing to any one except I give the like carefully to you. These immense meadows, these interminable rivers, you are immense and interminable as they, these furies, elements, storms, motions of Nature, throes of apparent dissolution, you are he or she who is master or mistress over them, Master or mistress in your own right over Nature, elements, pain, passion, dissolution. ~ Walt Whitman,
1052:He snatched at the kerchief, managing to loosen it. "Please. It's all I want from life, to see you with-" another swipe, and he snagged the edge of the cloth, "-your hair all-"
But Leo broke off as the kerchief pulled free, and the hair that spilled out was not any conceivable shade of green. It was blond... pale amber and champagne and honey... and there was so much of it, cascading in shimmering waves to the middle of her back.
Leo went still, holding her in place as his astonished gaze raked over her. They both gulped for breath, worked up and winded like racehorses. Marks couldn't have looked more appalled if he had just stripped her naked. And the truth was, Leo couldn't have been any more confounded- or aroused- if he were actually viewing her naked. Though he certainly would have been willing to try it.
Such a commotion had risen in him, Leo hardly knew how to react. Just hair, just locks of hair... but it was like a previously undistinguished painting in the perfect frame, revealing its beauty in full luminous detail. Catherine Marks in the sunlight was a mythical creature, a nymph, with delicate features and opalescent eyes.
The most confounding realization was that it wasn't really hair color that had concealed all this from him... he had never noticed how stunning she was because she had deliberately kept him from seeing it.
"Why," Leo asked, his voice husky, "would you conceal something so beautiful?" Staring at her, nearly devouring her, he asked more softly still, "What are you hiding from? ~ Lisa Kleypas,
1053:Sometimes an uncontrollable feeling of sadness grips us, he said. We recognize that the magic moment of the day has passed and that we’ve done nothing about it. Life begins to conceal its magic and its art.

We have to listen to the child we once were, the child who still exists inside us. That child understands magic moments. We can stifle its cries, but we cannot silence its voice.

The child we once were is still there. Blessed are the children, for theirs is the kingdom of heaven.

If we are not reborn – if we cannot learn to look at life with the innocence and the enthusiasm of childhood – it makes no sense to go on living.

There are many ways to commit suicide. hose who try to kill the body violate God's law. Those who try to kill the soul also violate God's law, even though their crime is less visible to others.

We have to pay attention to what the child in our heart tells us. We should not be embarrassed by this child. We must not allow this child to be scared because the child is alone and almost never heard.

We must allow the child to take the reins of our lives. The child knows that each day is different from every other day.

We have to allow it to feel loved again. We must please this child – even if this means that we act in ways we are not used to, in ways that may seem foolish to others.

Remember that human wisdom is madness in the eyes of God. But if we listen to the child who lives in our soul, our eyes will grow bright. If we do not lose contact with that child, we will not lose contact with life. ~ Paulo Coelho,
1054:Guessing Time
It's guessing time at our house; every evening after tea
We start guessing what old Santa's going to leave us on our tree.
Everyone of us holds secrets that the others-try to steal,
And that eyes and lips are plainly having trouble to conceal.
And a little lip that quivered just a bit the other night
Was a sad and startling warning that I mustn't guess it right.
'Guess what you will get for Christmas!' is the cry that starts the fun.
And I answer: 'Give the letter with which the name's begun.'
Oh, the eyes that dance around me and the joyous faces there
Keep me nightly guessing wildly: 'Is it something I can wear?'
I implore them all to tell me in a frantic sort of way
And pretend that I am puzzled, just to keep them feeling gay.
Oh, the wise and knowing glances that across the table fly
And the winks exchanged with mother, that they think I never spy;
Oh, the whispered confidences that are poured into her ear,
And the laughter gay that follows when I try my best to hear!
Oh, the shouts of glad derision when I bet that it's a cane,
And the merry answering chorus: ' No, it's not. Just guess again! '
It's guessing time at our house, and the fun is running fast,
And I wish somehow this contest of delight could always last,
For the love that's in their faces and their laughter ringing clear
Is their dad's most precious present when the Christmas time is near.
And soon as it is over, when the tree is bare and plain,
I shall start in looking forward to the time to guess again.
~ Edgar Albert Guest,
1055:The discipline of colleges and universities is in general contrived, not for the benefit of the students, but for the interest, or more properly speaking, for the ease of the masters. Its object is, in all cases, to maintain the authority of the master, and whether he neglects or performs his duty, to oblige the students in all cases to behave to him, as if he performed it with the greatest diligence and ability. It seems to presume perfect wisdom and virtue in the one order, and the greatest weakness and folly in the other. Where the masters, however, really perform their duty, there are no examples, I believe, that the greater part of the students ever neglect theirs. No discipline is ever requisite to force attendance upon lectures which are really worth the attending, as is well known wherever any such lectures are given. Force and restraint may, no doubt, be in some degree requisite in order to oblige children, or very young boys, to attend to those parts of education which it is thought necessary for them to acquire during that early period of life; but after twelve or thirteen years of age, provided the master does his duty, force or restraint can scarce ever be necessary to carry on any part of education. Such is the generosity of the greater part of young men, that, so far from being disposed to neglect or despise the instructions of their master, provided he shows some serious intention of being of use to them, they are generally inclined to pardon a great deal of incorrectness in the performance of his duty, and sometimes even to conceal from the public a good deal of gross negligence. ~ Adam Smith,
1056:Georgette was a hip queer. She (he) didn't try to disguise or conceal it with marriage and mans talk, satisfying her homosexuality with the keeping of a secret scrapbook of pictures of favorite male actors or athletes or by supervising activities of young boys or visiting turkish baths or mens locker rooms, leering sidely while seeking protection behind a carefully guarded guise of virility (fearing that moment at a cocktail party or in a bar when this front may start crumbling from alcohol and be completely disintegrated with an attempted kiss or groping of an attractive young man and being repelled with a punch and - rotten fairy - followed with hysteria and incoherent apologies and excuses and running from the room) but, took a pride in being a homosexual by feeling intellectually and esthetically superior to those (especially women) who weren't gay (look at all the great artists who were fairies!); and with the wearing of womens panties, lipstick, eye makeup (this including occasionally gold and silver - stardust - on the lids),long marcelled hair, manicured and polished fingernails, the wearing of womens clothes complete with a padded bra, high heels and wig (one of her biggest thrills was going to BOP CITY dressed as a tall stately blond ( she was 6'4 in heels) in the company of a negro (he was a big beautiful black bastard and when he floated in all the cats in the place jumped and the squares bugged. We were at crazy pad before going and were blasting like crazy, and were up so high that I just didnt give ashit for anyone honey, let me tell you!); and the occasional wearing of menstrual napkin. ~ Hubert Selby Jr,
1057:Sir Ross introduced a new topic of conversation concerning some recently proposed amendments to the Poor Law, which both he and Gentry supported. Surprisingly, Sophia offered her own opinions on the subject, and the men listened attentively. Lottie tried to conceal her astonishment, for she had been taught for years that a proper woman should never express her opinions in mixed company. Certainly she should say nothing about politics, an inflammatory subject that only men were qualified to debate. And yet here was a man as distinguished as Sir Ross seeming to find nothing wrong in his wife’s speaking her mind. Nor did Gentry seem displeased by his sister’s outspokenness.
Perhaps Gentry would allow her the same freedom. With that pleasant thought in her mind, Lottie consumed her pineapple cream, a rich, silky custard with a tangy flavor. Upon reaching the bottom of the pot, she thought longingly of how nice it would be to have another. However, good manners and the fear of appearing gluttonous made it unthinkable to request seconds.
Noticing the wistful glance Lottie gave her empty dish, Gentry laughed softly and slid his own untouched dessert to her plate. “You have even more of a taste for sweets than little Amelia,” he murmured in her ear. His warm breath caused the hair on the back of her neck to rise.
“We didn’t have desserts at school,” she said with a sheepish smile.
He took his napkin and dabbed gently at the corner of her mouth. “I can see that I’ll have a devil of a time trying to compensate for all the things you were deprived of. I suppose you’ll want sweets with every meal now. ~ Lisa Kleypas,
1058:In the name of Him Who created and
sustains the world, the Sage Who
endowed tongue with speech.
He attains no honor who turns the face from the doer of His mercy.
The kings of the earth prostate themselves before Him in supplication.
He seizes not in haste the disobedient, nor drives away the penitent with
violence. The two worlds are as a drop of water in the ocean of His knowledge.
He withholds not His bounty though His
servants sin; upon
the surface of the earth has He spread a feast, in which both friend and foe may share.
Peerless He is, and His kingdom is eternal. Upon the head of one He placed a crown another he hurled from the throne to the ground.
The fire of His friend He turned into a
flower garden; through the water of the
Nile He sended His foes to perdition.
Behind the veil He sees all, and conceal
ed our faults with His own goodness.

He is near to them that are downcast,
and accepts the prayers of them that
lament.
He knows of the things that exist not, of secrets that are untold.
He causes the moon and the sun to revolve, and spreads water upon the
earth.
In the heart of a stone hath He placed
a jewel; from nothing had He created all that is.
Who can reveal the secret of His qualities; what eye can see the limits of His
beauty?
The bird of thought cannot soar to the height of His presence, nor the hand of
understanding reach to the skirt of His praise.
Think not, O Saadi, that one can walk
in the road of purity except in the
footsteps of Mohammed (Peace and Blessings be Upon Him) ~ Saadi,
1059:Confess your sins to one another” (James 5:16). Those who remain alone with their evil are left utterly alone. It is possible that Christians may remain lonely in spite of daily worship together, prayer together, and all their community through service—that the final breakthrough to community does not occur precisely because they enjoy community with one another as pious believers, but not with one another as those lacking piety, as sinners. For the pious community permits no one to be a sinner. Hence all have to conceal their sins from themselves and from the community. We are not allowed to be sinners. Many Christians would be unimaginably horrified if a real sinner were suddenly to turn up among the pious. So we remain alone with our sin, trapped in lies and hypocrisy, for we are in fact sinners.
However, the grace of the gospel, which is so hard for the pious to comprehend, confronts us with the truth. It says to us, you are a sinner, a great, unholy sinner. Now come, as the sinner that you are, to your God who loves you. For God wants you as you are, not desiring anything from you—a sacrifice, a good deed—but rather desiring you alone. “My child, give me your heart” (Prov. 23:26). God has come to you to make the sinner blessed. Rejoice! This message is liberation through truth. You cannot hide from God. The mask you wear in the presence of other people won’t get you anywhere in the presence of God. God wants to see you as you are, wants to be gracious to you. You do not have to go on lying to yourself and to other Christians as if you were without sin. You are allowed to be a sinner. Thank God for that; God loves the sinner but hates the sin. ~ Dietrich Bonhoeffer,
1060:How Clear She Shines
How clear she shines! How quietly
I lie beneath her guardian light;
While heaven and earth are whispering me,
" Tomorrow, wake, but, dream to-night."
Yes, Fancy, come, my Fairy love!
These throbbing temples softly kiss;
And bend my lonely couch above
And bring me rest, and bring me bliss.
The world is going; dark world, adieu!
Grim world, conceal thee till the day;
The heart, thou canst not all subdue,
Must still resist, if thou delay!
Thy love I will not, will not share;
Thy hatred only wakes a smile;
Thy griefs may wound - thy wrongs may tear,
But, oh, thy lies shall ne'er beguile!
While gazing on the stars that glow
Above me, in that stormless sea,
I long to hope that all the woe
Creation knows, is held in thee!
And, this shall be my dream to-night;
I'll think the heaven of glorious spheres
Is rolling on its course of light
In endless bliss, through endless years;
I'll think, there's not one world above,
Far as these straining eyes can see,
Where Wisdom ever laughed at Love,
Or Virtue crouched to Infamy;
Where, writhing 'neath the strokes of Fate,
The mangled wretch was forced to smile;
To match his patience 'gainst her hate,
His heart rebellious all the while.
Where Pleasure still will lead to wrong,
And helpless Reason warn in vain;
And Truth is weak, and Treachery strong;
39
And
And
And
And
And
Joy the surest path to Pain;
Peace, the lethargy of Grief;
Hope, a phantom of the soul;
Life, a labour, void and brief;
Death, the despot of the whole!
~ Emily Jane Brontë,
1061:Even if his talk carried him to Paris, for example, to a place like the Faubourg Montmartre, he spiced and flavored it with his Attic ingredients, with thyme, sage, tufa, asphodel, honey, red clay, blue roofs; acanthus trimmings, violet light, hot rocks, dry winds, dust, rezina, arthritis and the electrical crackle that plays over the low hills like a swift serpent with a broken spine. He was a strange contradiction, even in his talk. With his snake-like tongue which struck like lightning, with fingers moving nervously, as though wandering over an imaginary spinet, with pounding, brutal gestures which somehow never smashed anything but simply raised a din, with all the boom of surf and the roar and sizzle and razzle-dazzle, if you suddenly observed him closely you got the impression that he was sitting there immobile, that only the round falcon's eye was alert, that he was a bird which had been hypnotized, or had hypnotized itself, and that his claws were fastened to the wrist of an invisible giant, a giant like the earth. All this flurry and din, all these kaleidoscopic prestidigitations of his, was only a sort of wizardry which he employed to conceal the fact that he was a prisoner—that was the impression he gave me when I studied him, when I could break the spell for a moment and observe him attentively. But to break the spell, required a power and a magic almost equal to his own; it made one feel foolish and impotent, as one always does when one succeeds in destroying the power of illusion. Magic is never destroyed —the most we can do is to cut ourselves off, amputate the mysterious antennae which serve to connect us with forces beyond our power of understanding. ~ Henry Miller,
1062:As it is my practice here to conceal nothing, I shall relate on this page the episode of the wall. Virigilia and Lobo Neves were soon to sail. Entering Dona Placida’s house, I saw on the table a folded piece of paper. It was a note from Virgilia. It said that she would be waiting for me in the garden at sundown, without fail. It concluded, “The wall is low on the side toward the little path.”
I made a gesture of displeasure. The letter seemed to me extraordinary audacious, ill-considered, and even ridiculous. It not only invited scandal, it invited it together with laughter and sneers. I pictured myself leaping over the wall and caught in the act by an officer of the law, who led me off to jail. “The wall is low…” And what if it was low? Obviously Virgilia did not know what she was doing; perhaps by now she wished she had not sent the note. I looked at it, a small piece of paper, wrinkled by inflexible. I felt an urge to tear it in thirty thousand pieces and to throw it to the wind as the last vestige of my adventure; but I did not do so. Self-love, shame at the thought of fleeing from danger…There was no way out; I would have to go.
“Tell her I’ll go.”
“Where?” asked Dona Placida.
“Where she said she would wait for me.”
“She said nothing to me.”
“In this note.”
Dona Placida stared. “But this paper, I found it this morning in your drawer, and I thought that…”
I felt a queer sensation. I reread the paper and looked at it a long time; it was, indeed an old note that Virgilia had sent me in the early days of our love, and I had leaped the cooperatively low wall and had met her in the garden. I had put the note away and…I felt a queer sensation. ~ Machado de Assis,
1063:Thou, Whose Soft And Rosy Hues
Thou, whose soft and rosy hues
Mimic form and soul infuse;
Best of painters! come portray
The lovely maid that's far away.
Far away, my soul! thou art,
But I've thy beauties all by heart.
Paint her jetty ringlets straying,
Silky twine in tendrils playing;
And, if painting hath the skill
To make the spicy balm distil,
Let every little lock exhale
A sigh of perfume on the gale.
Where her tresses' curly flow
Darkles o'er the brow of snow,
Let her forehead beam to light,
Burnish'd as the ivory bright.
Let her eyebrows sweetly rise
In jetty arches o'er her eyes,
Gently in a crescent gliding,
Just commingling, just dividing.
But hast thou any sparkles warm,
The lightning of her eyes to form?
Let them effuse the azure ray
With which Minerva's glances play,
And give them all that liquid fire
That Venus' languid eyes respire.
O'er her nose and cheek be shed
Flushing white and mellow'd red;
Gradual tints, as when there glows
In snowy milk the bashful rose.
Then her lip, so rich in blisses!
Sweet petitioner for kisses!
Pouting nest of bland persuasion,
Ripely suing Love's invasion.
Then beneath the velvet chin,
Whose dimple shades a love within,
Mould her neck with grace descending,
In a heaven of beauty ending;
While airy charms, above, below,
49
Sport and flutter on its snow.
Now let a floating, lucid veil,
Shadow her limbs, but not conceal;
A charm may peep, a hue may beam,
And leave the rest to Fancy's dream.
Enough-'t is she! 't is all I seek;
It glows, it lives, it soon will speak!
~ Anacreon,
1064:Love Will Find Out The Way
OVER the mountains
And over the waves,
Under the fountains
And under the graves;
Under floods that are deepest,
Which Neptune obey,
Over rocks that are steepest,
Love will find out the way.
When there is no place
For the glow-worm to lie,
When there is no space
For receipt of a fly;
When the midge dares not venture
Lest herself fast she lay,
If Love come, he will enter
And will find out the way.
You may esteem him
A child for his might;
Or you may deem him
A coward for his flight;
But if she whom Love doth honour
Be conceal'd from the day-Set a thousand guards upon her,
Love will find out the way.
Some think to lose him
By having him confined;
And some do suppose him,
Poor heart! to be blind;
But if ne'er so close ye wall him,
Do the best that ye may,
Blind Love, if so ye call him,
He will find out his way.
You may train the eagle
To stoop to your fist;
Or you may inveigle
152
The Phoenix of the east;
The lioness, you may move her
To give over her prey;
But you'll ne'er stop a lover-He will find out the way.
If the earth it should part him,
He would gallop it o'er;
If the seas should o'erthwart him,
He would swim to the shore;
Should his Love become a swallow,
Through the air to stray,
Love will lend wings to follow,
And will find out the way.
There is no striving
To cross his intent;
There is no contriving
His plots to prevent;
But if once the message greet him
That his True Love doth stay,
If Death should come and meet him,
Love will find out the way!
~ Anonymous,
1065:Love Will Find Out The Way
Over the mountains
And over the waves,
Under the fountains
And under the graves;
Under floods that are deepest,
Which Neptune obey,
Over rocks that are steepest,
Love will find out the way.
When there is no place
For the glow-worm to lie,
When there is no space
For receipt of a fly;
When the midge dares not venture
Lest herself fast she lay,
If Love come, he will enter
And will find out the way.
You may esteem him
A child for his might;
Or you may deem him
A coward for his flight;
But if she whom Love doth honour
Be conceal'd from the daySet a thousand guards upon her,
Love will find out the way.
Some think to lose him
By having him confined;
And some do suppose him,
Poor heart! to be blind;
But if ne'er so close ye wall him,
Do the best that ye may,
Blind Love, if so ye call him,
He will find out his way.
You may train the eagle
To stoop to your fist;
Or you may inveigle
472
The Phoenix of the east;
The lioness, you may move her
To give over her prey;
But you'll ne'er stop a loverHe will find out the way.
If the earth it should part him,
He would gallop it o'er;
If the seas should o'erthwart him,
He would swim to the shore;
Should his Love become a swallow,
Through the air to stray,
Love will lend wings to follow,
And will find out the way.
There is no striving
To cross his intent;
There is no contriving
His plots to prevent;
But if once the message greet him
That his True Love doth stay,
If Death should come and meet him,
Love will find out the way!
~ Anonymous Olde English,
1066:The moments of refinement conceal a death-principle: nothing is more fragile than subtlety. The abuse of it leads to the catechisms, an end to dialectical games, the collapse of an intellect which instinct no longer assists. The ancient philosophy, trapped in its scruples, had in spite of itself opened the way to the artlessness of the lower depths; religious sects pullulated; the schools gave way to the cults. An analogous defeat threatens us: already the ideologies are rampant, the degraded mythologies which will reduce and annihilate us. We shall not be able to sustain the ceremony of our contradictions much longer. Many are prepared to venerate any idol, to serve any truth, so long as one and the other be imposed upon them, so long as they need not make the effort to choose their shame or their disaster.
Whatever the world to come, the Western peoples will play in it the part of the Graeculi in the Roman Empire. Sought out and despised by the new conqueror, they will have, in order to impress him, only the jugglery of their intelligence or the luster of their past. The art of surviving oneself—they are already distinguished in that. Symptoms of exhaustion are everywhere: Germany has given her measure in music: what leads us to believe that she will excel in it again? She has used up the resources of her profundity, as France those of her elegance. Both—and with them, this entire corner of the world—are on the verge of bankruptcy, the most glamorous since antiquity. Then will come the liquidation: a prospect which is not a negligible one, a respite whose duration cannot be estimated, a period of facility in which each man, before the deliverance finally at hand, will be happy to have behind him the throes of hope and expectation. ~ Emil M Cioran,
1067:In The Cathedral Close
IN the Dean's porch a nest of clay
With five small tentants may be seen;
Five solemn faces, each as wise
As if its owner were a Dean.
Five downy fledglings in a row,
Packed close, as in the antique pew
The school-girls are whose foreheads clear
At the Venite shine on you.
Day after day the swallows sit
With scarce a stir, with scarce a sound,
But dreaming and digesting much
They grow thus wise and soft and round:
They watch the Canons come to dine,
And hear, the mullion-bars across,
Over the fragrant fruit and wine
Deep talk of rood-screen and reredos.
Her hands with field-flowers drenched, a child
Leaps past in wind-blown dress and hair,
The swallows turn their heads askew -Five judges deem that she is fair.
Prelusive touches sound within,
Straightway they recognise the sign,
And, blandly nodding, they approve
The minuet of Rubinstein.
They mark the cousins' schoolboy talk,
(Male birds flown wide from minster bell),
And blink at each broad term of art,
Binomial or bicycle.
Ah! downy soft ones, soft and warm,
Doth such a stillness mask from sight
Such swiftness? can such peace conceal
Passion and ecstasy of flight?
14
Yet somewhere 'mid your Easter suns,
Under a white Greek architrave
At morn, or when the shaft of fire
Lies large upon the Indian wave,
A sense of something dear gone by
Will stir, strange longings thrill the heart
For a small world embowered close,
Of which ye sometime were a part.
The dew-drenched flowers, the child's glad eyes
Your joy inhuman shall control,
And in your wings a light and wind
Shall move from the Maestro's soul.
~ Edward Dowden,
1068:Gogol flips through the book. A single picture at the front, on smoother paper than the rest of the pages, shows a pencil drawing of the author, sporting a velvet jacket, a billowy white shirt and cravat. The face is foxlike, with small, dark eyes, a thin, neat mustache, an extremely large pointy nose. Dark hair slants steeply across his forehead and is plastered to either side of his head, and there is a disturbing, vaguely supercilious smile set into long, narrow lips. Gogol Ganguli is relieved to see no resemblance. True, his nose is long but not so long, his hair dark but surely not so dark, his skin pale but certainly not so pale. The style of his own hair is altogether different—thick Beatle-like bangs that conceal his brows. Gogol Ganguli wears a Harvard sweatshirt and gray Levi’s corduroys. He has worn a tie once in his life, to attend a friend’s bar mitzvah. No, he concludes confidently, there is no resemblance at all. For by now, he’s come to hate questions pertaining to his name, hates having constantly to explain. He hates having to tell people that it doesn’t mean anything “in Indian.” He hates having to wear a nametag on his sweater at Model United Nations Day at school. He even hates signing his name at the bottom of his drawings in art class. He hates that his name is both absurd and obscure, that it has nothing to do with who he is, that it is neither Indian nor American but of all things Russian. He hates having to live with it, with a pet name turned good name, day after day, second after second. He hates seeing it on the brown paper sleeve of the National Geographic subscription his parents got him for his birthday the year before and perpetually listed in the honor roll printed in the town’s newspaper. At times his name, an entity shapeless and ~ Anonymous,
1069:Rapture

I can feel she has got out of bed.
That means it is seven a.m.
I have been lying with eyes shut,
thinking, or possibly dreaming,
of how she might look if, at breakfast,
I spoke about the hidden place in her
which, to me, is like a soprano’s tremolo,
and right then, over toast and bramble jelly,
if such things are possible, she came.
I imagine she would show it while trying to conceal it.
I imagine her hair would fall about her face
and she would become apparently downcast,
as she does at a concert when she is moved.
The hypnopompic play passes, and I open my eyes
and there she is, next to the bed,
bending to a low drawer, picking over
various small smooth black, white,
and pink items of underwear. She bends
so low her back runs parallel to the earth,
but there is no sway in it, there is little burden, the day has hardly begun.
The two mounds of muscles for walking, leaping, lovemaking,
lift toward the east—what can I say?
Simile is useless; there is nothing like them on earth.
Her breasts fall full; the nipples
are deep pink in the glare shining up through the iron bars
of the gate under the earth where those who could not love
press, wanting to be born again.
I reach out and take her wrist
and she falls back into bed and at once starts unbuttoning my pajamas.
Later, when I open my eyes, there she is again,
rummaging in the same low drawer.
The clock shows eight. Hmmm.
With huge, silent effort of great,
mounded muscles the earth has been turning.
She takes a piece of silken cloth
from the drawer and stands up. Under the falls
of hair her face has become quiet and downcast,
as if she will be, all day among strangers,
looking down inside herself at our rapture. ~ Galway Kinnell,
1070:I await my time. I sit, I cook, I spin, with downcast eyes I am silent and let him speak. This is fine. I await my time.

Everything is a strategy. This is the wisdom of the spider. Silently, silently spin. Let the fly buzz. Before I ate her and put on her skin I lay across the stove in my hut, the hut standing on a chicken leg, and I waited, and they came to me, and became my food, and in the end she came too, the one I wanted, and instead of swallowing her I dived inside and let her swallow me. It doesn’t matter what it looks like! I ate her even as I allowed her to eat me. It’s a special digestive trick: a reverse takeover of the feeder by the fed. And so farewell, chicken-legged hut in the forest! Goodbye forever, foul Russian smell! Now am I perfumed and clothed in beauty, my eyes behind her eyes, my teeth behind her teeth.

Everything she does is false, every word a lie, because here I am inside her, pulling her strings, casting the web of her words and deeds around the little fly, the old fool. He believes she loves him! Ha ha ha ha ha! Cackle, cackle! That’s a good one, that is. (...)
I conceal this voice deep inside myself, so deep that she, myself, can convince herself she cannot hear it, that it is not her truest voice. At the level of the skin, of the tongue, a different voice speaks, and she tells herself a different story, in which she is virtuous and her deeds are justified, both absolutely, by moral standards, and empirically, by the events around her. By him, the old one, the king in the golden house, who he is, how he treats her, what his faults are. But there it is, the deep voice speaking, commanding her at the deepest level, the level of the molecules of instruction, twined into the four helical amino acids of her being, which is also mine. It is who I is. It is who she am. ~ Salman Rushdie,
1071:Roads
I LOVE roads:
The goddesses that dwell
Far along invisible
Are my favourite gods.
Roads go on
While we forget, and are
Forgotten like a star
That shoots and is gone.
On this earth 'tis sure
We men have not made
Anything that doth fade
So soon, so long endure:
The hill road wet with rain
In the sun would not gleam
Like a winding stream
If we trod it not again.
They are lonely
While we sleep, lonelier
For lack of the traveller
Who is now a dream only.
From dawn's twilight
And all the clouds like sheep
On the mountains of sleep
They wind into the night.
The next turn may reveal
Heaven: upon the crest
The close pine clump, at rest
And black, may Hell conceal.
Often footsore, never
Yet of the road I weary,
Though long and steep and dreary
As it winds on for ever.
70
Helen of the roads,
The mountain ways of Wales
And the Mabinogion tales,
Is one of the true gods,
Abiding in the trees,
The threes and fours so wise,
The larger companies,
That by the roadside be,
And beneath the rafter
Else uninhabited
Excepting by the dead;
And it is her laughter
At morn and night I hear
When the thrush cock sings
Bright irrelevant things,
And when the chanticleer
Calls back to their own night
Troops that make loneliness
With their light footsteps' press,
As Helen's own are light.
Now all roads lead to France
And heavy is the tread
Of the living; but the dead
Returning lightly dance:
Whatever the road bring
To me or take from me,
They keep me company
With their pattering,
Crowding the solitude
Of the loops over the downs,
Hushing the roar of towns
And their brief multitude.
71
~ Edward Thomas,
1072:The sudden and uncalled for coldness with which you treated me just before I left last night, both surprised and deeply hurt me - surprised because I could not have believed that such sullen and inflexible obstinacy could exist in the breast of any girl in whose heart love had found place; and hurt me, because I feel for you more than I have ever professed and feel a slight from you more than I care to tell.

My object in writing to you is this: if hasty temper produces this strange behaviour, acknowledge it when I give you the opportunity - not once or twice, but again and again. If a feeling of you know not what - a capricious restlessness of you can't tell what, and a desire to tease, you don't know why, give rise to it - overcome it; it will never make you more amiable, I more fond or either of us, more happy. Depend upon it, whatever be the cause of your unkindness - whatever gives rise to these wayward fancies - that what you do not take the trouble to conceal from a Lover's eyes, will be frequently acted before those of a husband's.

I know as well, as if I were by your side at this moment, that your present impulse on reading this letter is one of anger - pride perhaps, or to use a word more current with your sex - 'spirit'. My dear girl, I have not the most remote intention of awakening any such feeling, and I implore you, not to entertain it for an instant.... I have written these few lines in haste, but not anger.... If you knew but half the anxiety with which I watched your recent illness, the joy with which I hailed your recovery, and the eagerness with which I would promote your happiness, you could more readily understand the extent of the pain so easily inflicted, but so difficult to be forgotten.


- Excerpts from a letter by Charles Dickens to his fiancee of three weeks, 1835 ~ Charles Dickens,
1073:When the godly succeed, everyone is glad.    When the wicked take charge, people go into hiding. 12 Cuando los justos triunfan, todo el mundo se alegra.    Cuando los perversos toman el control, todos se esconden. 13 People who conceal their sins will not prosper,    but if they confess and turn from them, they will receive mercy. 13 Los que encubren sus pecados no prosperarán,    pero si los confiesan y los abandonan, recibirán misericordia. 14 Blessed are those who fear to do wrong,[*]    but the stubborn are headed for serious trouble. 14 Benditos los que tienen temor de hacer lo malo;[*]    pero los tercos van directo a graves problemas. 15 A wicked ruler is as dangerous to the poor    as a roaring lion or an attacking bear. 15 Para los pobres, un gobernante malvado es tan peligroso    como un león rugiente o un oso a punto de atacar. 16 A ruler with no understanding will oppress his people,    but one who hates corruption will have a long life. 16 Un gobernante sin entendimiento oprimirá a su pueblo,    pero el que odia la corrupción tendrá una larga vida. 17 A murderer’s tormented conscience will drive him into the grave.    Don’t protect him! 17 La conciencia atormentada del asesino lo llevará a la tumba.    ¡No lo protejas! 18 The blameless will be rescued from harm,    but the crooked will be suddenly destroyed. 18 Los intachables serán librados del peligro,    pero los corruptos serán destruidos de repente. 19 A hard worker has plenty of food,    but a person who chases fantasies ends up in poverty. 19 El que se esfuerza en su trabajo tiene comida en abundancia,    pero el que persigue fantasías termina en la pobreza. 20 The trustworthy person will get a rich reward,    but a person who wants quick riches will get into trouble. 20 La persona digna de confianza obtendrá gran recompensa,    pero el que quiera enriquecerse ~ Anonymous,
1074:The Complaint Of A Lover
Seest thou younder craggy Rock,
Whose Head o'er-looks the swelling Main,
Where never Shepherd fed his Flock,
Or careful Peasant sow'd his Grain.
No wholesome Herb grows on the same,
Or Bird of Day will on it rest;
'Tis Barren as the Hopeless Flame,
That scortches my tormented Breast.
Deep underneath a Cave does lie,
Th' entrance hid with dismal Yew,
Where Phebus never shew'd his Eye,
Or cheerful Day yet pierced through.
In that dark Melancholy Cell,
(Retreate and Sollace to my Woe)
Love, sad Dispair, and I, do dwell,
The Springs from whence my Griefs do flow.
Treacherous Love that did appear,
(When he at first approach't my Heart)
Drest in a Garb far from severe,
Or threatning ought of future smart.
So Innocent those Charms then seem'd,
When Rosalinda first I spy'd,
Ah! Who would them have deadly deem'd?
But Flowers do often Serpents hide.
Beneath those sweets conceal'd lay,
To Love the cruel Foe, Disdain,
With which (alas) she does repay
My Constant and Deserving Pain.
When I in Tears have spent the Night,
With Sighs I usher in the Sun,
Who never saw a sadder sight,
In all the Courses he has run.
41
Sleep, which to others Ease does prove,
Comes unto me, alas, in vain:
For in my Dreams I am in Love,
And in them too she does Disdain.
Some times t'Amuse my Sorrow, I
Unto the hollow Rocks repair,
And loudly to the Eccho cry,
Ah! gentle Nimph come ease my Care.
Thou who, times past, a Lover wer't,
Ah! pity me, who now am so,
And by a sense of thine own smart,
Alleviate my Mighty Woe.
Come Flatter then, or Chide my Grief;
Catch my last Words, and call me Fool;
Or say, she Loves, for my Relief;
My Passion either sooth, or School.
~ Anne Killigrew,
1075:To be conscious of unfreedom one must have a concept of what freedom and respect for life are. A person who has never experienced this as a child, who has only known hypocrisy, without ever having come across a single helping witness, does not demonstrate for freedom. Such a person demands order and uses violence to achieve it, just as he or she learned as a child: order and cleanliness at any price is the motto, even if it is at the price of life. The victims of such an upbringing ache to do to others what was once done to them. If they don't have children, or their children refuse to make themselves available for their revenge, they line up to support new forms of fascism. Ultimately, fascism always has the same goal: the annihilation of truth and freedom. People who have been mistreated as children, but totally deny their suffering, use the mottoes and labels of the day. They thereby meet the approval of others like them because they are also helping to conceal their truth. They are consumed by the perverse pleasure in the destruction of life that they observed in their parents when young. They long to at last be on the other side of the fence, to hold power themselves, passing it off, as Stalin, Hitler, or Ceausescu have done, as "redemption" for others. This old childhood longing determines their political "opinions" and speeches, which are therefore impervious to counter-arguments. As long as they continue to ignore or distort the roots of the problem, which lie in the very real threats experienced in their childhood, reason must remain impotent against this kind of persecution complex. The unconscious compulsion to revenge repressed injuries is more powerful than all reason. That is the lesson that all tyrants teach us. One should not expect judiciousness from a mad person motivated by compulsive panic. One should, however, protect oneself from such a person. ~ Alice Miller,
1076:Coming to the balcony, they both rested their elbows on the railing and looked down into the main room, which was filled wall-to-wall with patrons. Evie saw the antique-gold gleam of Sebastian’s hair as he half sat on the desk in the corner, relaxed and smiling as he conversed with the crowd of men around him. His actions of ten days ago in saving Evie’s life had excited a great deal of public admiration and sympathy, especially after an article in the Times had portrayed him in a heroic light. That, and the perception that his friendship with the powerful Westcliff had renewed, were all it had taken for Sebastian to gain immediate and profound popularity. Piles of invitations arrived at the club daily, requesting the attendance of Lord and Lady St. Vincent at balls, soirees, and other social events, which they declined for reasons of mourning.
There were letters as well, heavily perfumed and written by feminine hands. Evie had not ventured to open any of them, nor had she asked about the senders. The letters had accumulated in a pile in the office, remaining sealed and untouched, until Evie had finally been moved to say something to him earlier that morning. “You have a large pile of unread correspondence,” she had told him, as they had taken breakfast together in his room. “It’s occupying half the space in the office. What shall we do with all the letters?” An impish smile rose to her lips as she added. “Shall I read them to you while you rest?”
His eyes narrowed. “Dispose of them. Or better yet, return them unopened.”
His response had caused a thrill of satisfaction, though Evie had tried to conceal it. “I wouldn’t object if you corresponded with other women,” she said. “Most men do, with no impropriety attached—”
“I don’t.” Sebastian had looked into her eyes with a long, deliberate stare, as if to make certain that she understood him completely. “Not now. ~ Lisa Kleypas,
1077:THE secret draught of wine and love repressed
Are joys foundationless--then come whate'er
May come, slave to the grape I stand confessed!
Unloose, oh friend, the knot of thy heart's care,
Despite the warning that the Heavens reveal!
For all his thought, never astronomer
That loosed the knot of Fate those Heavens conceal!

Not all the changes that thy days unfold
Shall rouse thy wonder; Time's revolving sphere
Over a thousand lives like thine has rolled.
That cup within thy fingers, dost not hear
The voices of dead kings speak through the clay
Kobad, Bahman, Djemshid, their dust is here,
'Gently upon me set thy lips!' they say.

What man can tell where Kaus and Kai have gone?
Who knows where even now the restless wind
Scatters the dust of Djem's imperial throne?
And where the tulip, following close behind
The feet of Spring, her scarlet chalice rears,
There Ferhad for the love of Shirin pined,
Dyeing the desert red with his heart's tears.

Bring, bring the cup! drink we while yet we may
To our soul's ruin the forbidden draught
Perhaps a treasure-trove is hid away
Among those ruins where the wine has laughed!--
Perhaps the tulip knows the fickleness
Of Fortune's smile, for on her stalk's green shaft
She bears a wine-cup through the wilderness.

The murmuring stream of Ruknabad, the breeze
That blows from out Mosalla's fair pleasaunce,
Summon me back when I would seek heart's ease,
Travelling afar; what though Love's countenance
Be turned full harsh and sorrowful on me,
I care not so that Time's unfriendly glance
Still from my Lady's beauty turned be.

Like Hafiz, drain the goblet cheerfully
While minstrels touch the lute and sweetly sing,
For all that makes thy heart rejoice in thee
Hangs of Life's single, slender, silken string.

~ Hafiz, The Secret Draught Of Wine
,
1078:In the last week of April 2004, a handful of the Abu Ghraib photographs were broadcast on 60 minutes and published in The New Yorker, and within a couple of days they had been rebroadcast and republished pretty much everywhere on earth. Overnight, the human pyramid, the hooded man on the box, the young woman soldier with a prisoner on a leash, and the corpse packed in ice had become the defining images of the Iraq war...Never before had such primal dungeon scenes been so baldly captured on camera...But above all, it was the posing soldiers, mugging for their buddies' cameras while dominating the prisoners in trophy stances, that gave the photographs the sense of unruly and unmediated reality. The staging was part of the reality they documented. And the grins, the thumbs-up, the arms crossed over puffed-out chests—all this unseemly swagger and self-regard was the height of amateurism. These soldier-photographers stood, at once, inside and outside the events they recorded, watching themselves take part in the spectacle, and their decision not to conceal but to reveal what they were doing indicated that they were not just amateur photographers, but amateur torturers.
So the amateurism was not merely a formal dimension of the Abu Ghraib pictures. It was part of their content, part of what we saw in them, and it corresponded to an aspect of the Iraq War that troubled and baffled nearly everyone: the reckless and slapdash ineptitude with which it had been prosecuted. It was an amateur-run war, a murky and incoherent war. It was not clear why it was waged; too many reasons were given, none had held up, and the stories we invented to explain it to ourselves hardly seemed to matter, since once it was started the war had become its own engine—not a means to an end but an end in itself. What had been billed as a war of ideas and ideals had been exposed as a war of poses and posturing. ~ Philip Gourevitch,
1079:Far, far better to die. One by one the rest of the Zavaedis came to cast their stones for either exoneration, exile, or death. Some spoke to the assembly of their reasons why, others simply placed the stone according to their choice. Unfortunately, his mother’s plea moved many people to pity him. When all the rocks had piled up, the orange mat held the most stones. Exile. Kavio swallowed hard to conceal his reaction. You have murdered me all the same. Father pounded the rain stick. “Kavio, you have been found guilty of the most heinous of crimes—hexcraft. Though you remain a member of the secret societies that initiated you and are therefore spared death, nonetheless you are forbidden to enter the Labyrinth, to take with you anything from the Labyrinth, or to study with any dancing society of the Labyrinth. Do you understand and acknowledge your punishment?” “I understand it all too well,” Kavio said through gritted teeth. “But I will never acknowledge it as just.” “So be it,” Father said tonelessly. “Bring the pot of ashes.” Two warriors hefted a ceramic pot from where it had rested in the shadow of the tall platform. They forced Kavio to lean back while still on his knees. They smeared him with a paste and rubbed in the gray-black powder. His bare chest and clean shaven face disappeared under a scum of grey crud. Humiliation itched, but like poison ivy, he knew it would be worse if he scratched it. He forced himself still as stone while the warriors slapped on more mud. “You must wear mud and ash for the rest of your days,” the Maze Zavaedi concluded. His voice broke. “I am ashamed to call you my son.” Kavio struggled to his feet. The warriors escorting him surrounded him with a hedge of spears. Did they fear him, even now? “You never could just trust me, could you, Father?” Kavio asked. Father’s jaw jutted forward. A muscle moved in his neck. Otherwise, he might have been rock. “Escort my son out of the Labyrinth. ~ Tara Maya,
1080:To A Beautiful Woman
SURELY, dame Nature made you in some dream
Of old-world women--Chriemhild, or bright
Aslauga, or Boadicea fierce and fair,
Or Berengaria as she rose, her lips
Yet ruddy from the poison that anoints
Her memory still, the queen of queenly wives.
I marvel, who will crown you wife, you grand
And goodly creature! who will mount supreme
The empty chariot of your maiden heart,
Curb the strong will that leaps and foams and chafes
Still masterless, and guide you safely home
Unto the golden gate, where quiet sits
Grave Matronhood, with gracious, loving eyes.
What eyes you have, you wild gazelle o' the plain,
You fierce hind of the forest! now they flash,
Now glow, now in their own dark down-dropt shade
Conceal themselves a moment, as some thought,
Too brief to be a feeling, flits across
The April cloudland of your careless soul-There--that light laugh--and 't is full sun--full day.
Would I could paint you, line by line, ere Time
Touches the gorgeous picture! your ripe mouth,
Your white arched throat, your stature like to Saul's
Among his brethren, yet so fitly framed
In such harmonious symmetry, we say
As of a cedar among common trees
Never 'How tall!' but only 'O how fair!'
Who made you fair? moulded you in the shape
That poets dream of; sent you forth to men
His caligraph inscribed on every curve
Of your brave form?
Is it written on your soul?
--I know not.
Woman, upon whom is laid
198
Heaven's own sign-manual, Beauty, mock heaven not!
Reverence thy loveliness--the outward type
Of things we understand not, nor behold
But as in a glass, darkly; wear it thou
With awful gladness, grave humility,
That not contemns, nor boasts, nor is ashamed,
But lifts its face up prayerfully to heaven,-'Thou who hast made me, make me worthy Thee!'
~ Dinah Maria Mulock Craik,
1081:Thornton Wilder’s one-act play “The Angel That Troubled the Waters,” based on John 5:1-4, dramatizes the power of the pool of Bethesda to heal whenever an angel stirred its waters. A physician comes periodically to the pool hoping to be the first in line and longing to be healed of his melancholy. The angel finally appears but blocks the physician just as he is ready to step into the water. The angel tells the physician to draw back, for this moment is not for him. The physician pleads for help in a broken voice, but the angel insists that healing is not intended for him. The dialogue continues—and then comes the prophetic word from the angel: “Without your wounds where would your power be? It is your melancholy that makes your low voice tremble into the hearts of men and women. The very angels themselves cannot persuade the wretched and blundering children on earth as can one human being broken on the wheels of living. In Love’s service, only wounded soldiers can serve. Physician, draw back.” Later, the man who enters the pool first and is healed rejoices in his good fortune and turning to the physician says: “Please come with me. It is only an hour to my home. My son is lost in dark thoughts. I do not understand him and only you have ever lifted his mood. Only an hour.… There is also my daughter: since her child died, she sits in the shadow. She will not listen to us but she will listen to you.”13 Christians who remain in hiding continue to live the lie. We deny the reality of our sin. In a futile attempt to erase our past, we deprive the community of our healing gift. If we conceal our wounds out of fear and shame, our inner darkness can neither be illuminated nor become a light for others. We cling to our bad feelings and beat ourselves with the past when what we should do is let go. As Dietrich Bonhoeffer said, guilt is an idol. But when we dare to live as forgiven men and women, we join the wounded healers and draw closer to Jesus. ~ Brennan Manning,
1082:Her mother, an unshapely, chubby-cheeked creature from the rural gentry of Styria, permanently lost her hair at the age of forty after being treated for influenza by her husband, and prematurely withdrew from society. She and her husband were able to live in the Gentzgasse thanks to her mother's fortune, which derived from the family estates in Styria and then devolved upon her. She provided for everything, since her husband earned nothing as a doctor. He was a socialite, what is known as a beau, who went to all the big Viennese balls during the carnival season and throughout his life was able to conceal his stupidity behind a pleasingly slim exterior. Throughout her life Auersberger's mother-in-law had a raw deal from her husband, but was content to accept her modest social station, not that of a member of the nobility, but one that was thoroughly petit bourgeois. Her son-in-law, as I suddenly recalled, sitting in the wing chair, made a point of hiding her wig from time to time--whenever the mood took him--both in the Gentzgasse and at the Maria Zaal in Styria, so that the poor woman was unable to leave the house. It used to amuse him, after he had hidden her wig, to drive his mother-in-law up the wall, as they say. Even when he was going on forty he used to hide her wigs--by that time she has provided herself with several--which was a symptom of his sickness and infantility. I often witnessed this game of hide-and-seek at Maria Zaal and in the Gentzgasse, and I honestly have to say that I was amused by it and did not feel in the least bit ashamed of myself. His mother-in-law would be forced to stay at home because her son-in-law had hidden her wigs, and this was especially likely to happen on public holidays. In the end he would throw the wig in her face. He needed his mother-in-law's humiliation, I reflected, sitting in the wing chair and observing him in the background of the music room, just as he needed the triumph that this diabolical behavior brought him. ~ Thomas Bernhard,
1083:The dessert plates were arranged with delicate biscuits and pineapple cream served in cunning little glazed pots.
Sir Ross introduced a new topic of conversation concerning some recently proposed amendments to the Poor Law, which both he and Gentry supported. Surprisingly, Sophia offered her own opinions on the subject, and the men listened attentively. Lottie tried to conceal her astonishment, for she had been taught for years that a proper woman should never express her opinions in mixed company. Certainly she should say nothing about politics, an inflammatory subject that only men were qualified to debate. And yet here was a man as distinguished as Sir Ross seeming to find nothing wrong in his wife's speaking her mind. Nor did Gentry seem displeased by his sister's outspokenness.
Perhaps Gentry would allow her the same freedom. With that pleasant thought in her mind, Lottie consumed her pineapple cream, a rich, silky custard with a tangy flavor. Upon reaching the bottom of the pot, she thought longingly of how nice it would be to have another. However, good manners and the fear of appearing gluttonous made it unthinkable to request seconds.
Noticing the wistful glance Lottie gave her empty dish, Gentry laughed softly and slid his own untouched dessert to her plate. "You have even more of a taste for sweets than little Amelia," he murmured in her ear. His warm breath caused the hair on the back of her neck to rise.
"We didn't have desserts at school," she said with a sheepish smile.
He took his napkin and dabbed gently at the corner of her mouth. "I can see that I'll have a devil of a time trying to compensate for all the things you were deprived of. I suppose you'll want sweets with every meal now."
Pausing in the act of lifting her spoon, Lottie stared into the warm blue eyes so close to hers, and suddenly she felt wreathed in heat. Ridiculous, that all he had to do was speak with that caressing note in his voice, and she could be so thoroughly undone. ~ Lisa Kleypas,
1084:Ants have a powerful caste system. A colony typically contains ants that carry out radically different roles and have markedly different body structures and behaviors. These roles, Reinberg learned, are often determined not by genes but by signals from the physical and social environment. 'Sibling ants, in their larval stage, become segregated into the different types based on environmental signals,' he said. 'Their genomes are nearly identical, but the way the genes are used—turned on or off, and kept on or off—must determine what an ant "becomes." It seemed like a perfect system to study epigenetics. And so Shelley and I caught a flight to Arizona to see Jürgen Liebig, the ant biologist, in his lab.'

The collaboration between Reinberg, Berger, and Liebig has been explosively successful—the sort of scientific story ('two epigeneticists walk into a bar and meet an entomologist') that works its way into a legend. Carpenter ants, one of the species studied by the team, have elaborate social structures, with queens (bullet-size, fertile, winged), majors (bean-size soldiers who guard the colony but rarely leave it), and minors (nimble, grain-size, perpetually moving foragers). In a recent, revelatory study, researchers in Berger’s lab injected a single dose of a histone-altering chemical into the brains of major ants. Remarkably, their identities changed; caste was recast. The major ants wandered away from the colony and began to forage for food. The guards turned into scouts. Yet the caste switch could occur only if the chemical was injected during a vulnerable period in the ants’ development.

[...] The impact of the histone-altering experiment sank in as I left Reinberg’s lab and dodged into the subway. [...] All of an ant’s possible selves are inscribed in its genome. Epigenetic signals conceal some of these selves and reveal others, coiling some, uncoiling others. The ant chooses a life between its genes and its epigenes—inhabiting one self among its incipient selves. ~ Siddhartha Mukherjee,
1085:Do not say, 'But it is hypocritical to thank God with my tongue when I don't feel thankful in my heart.' There is such a thing as hypocritical thanksgiving. Its aim is to conceal ingratitude and get the praise of men. That is not your aim. Your aim in loosing your tongue with words of gratitude is that God would be merciful and fill your words with the emotion of true gratitude. You are not seeking the praise of men; you are seeing the mercy of God. You are not hiding the hardness of ingratitude, but hoping for the in-breaking of the Spirit.

Thanksgiving with the Mouth Stirs Up Thankfulness in the Heart

Moreover, we should probably ask the despairing saint, 'Do you know your heart so well that you are sure the words of thanks have no trace of gratitude in them?' I, for one, distrust my own assessment of my motives. I doubt that I know my good ones well enough to see all the traces of contamination. And I doubt that I know my bad ones well enough to see the traces of grace. Therefore, it is not folly for a Christian to assume that there is a residue of gratitude in his heart when he speaks and sings of God's goodness even though he feels little or nothing. To this should be added that experience shows that doing the right thing, in the way I have described, is often the way toward being in the right frame. Hence Baxter gives this wise counsel to the oppressed Christian:

'Resolve to spend most of your time in thanksgiving and praising God. If you cannot do it with the joy that you should, yet do it as you can. You have not the power of your comforts; but have you no power of your tongues? Say not that you are unfit for thanks and praises unless you have a praising heart and were the children of God; for every man, good and bad, is bound to praise God, and to be thankful for all that he hath received, and to do it as well as he can, rather than leave it undone.... Doing it as you can is the way to be able to do it better. Thanksgiving stirreth up thankfulness in the heart. ~ John Piper,
1086:That concentration camps were ultimately provided for the same groups in all countries, even though there were considerable difference in the treatment of their inmates, was all the more characteristic as the selection of the groups was left exclusively to the initiative of the totalitarian regimes: if the Nazis put a person in a concentration camp and if he made a successful escape, say, to Holland, the Dutch would put him in an internment camp. Thus, long before the outbreak of the war the police in a number of Western countries, under the pretext of "national security," had on their own initiative established close connections with the Gestapo and the GPU [Russian State security agency], so that one might say there existed an independent foreign policy of the police. This police-directed foreign policy functioned quite independently of the official governments; the relations between the Gestapo and the French police were never more cordial than at the time of Leon Blum's popular-front government, which was guided by a decidedly anti-German policy. Contrary to the governments, the various police organizations were never overburdened with "prejudices" against any totalitarian regime; the information and denunciations received from GPU agents were just as welcome to them as those from Fascist or Gestapo agents. They knew about the eminent role of the police apparatus in all totalitarian regimes, they knew about its elevated social status and political importance, and they never bothered to conceal their sympathies. That the Nazis eventually met with so disgracefully little resistance from the police in the countries they occupied, and that they were able to organize terror as much as they did with the assistance of these local police forces, was due at least in part to the powerful position which the police had achieved over the years in their unrestricted and arbitrary domination of stateless and refugees. ~ Hannah Arendt,
1087:Comus.

The Star that bids the Shepherd fold,
Now the top of Heav'n doth hold,
And the gilded Car of Day, [ 95 ]
His glowing Axle doth allay
In the steep Atlantick stream,
And the slope Sun his upward beam
Shoots against the dusky Pole,
Pacing toward the other gole [ 100 ]
Of his Chamber in the East.
Mean while welcom Joy, and Feast,
Midnight shout, and revelry,
Tipsie dance and Jollity.
Braid your Locks with rosie Twine [ 105 ]
Dropping odours, dropping Wine.
Rigor now is gone to bed,
And Advice with scrupulous head,
Strict Age, and sowre Severity,
With their grave Saws in slumber ly. [ 110 ]
We that are of purer fire
Imitate the Starry Quire,
Who in their nightly watchfull Sphears,
Lead in swift round the Months and Years.
The Sounds, and Seas with all their finny drove [ 115 ]
Now to the Moon in wavering Morrice move,
And on the Tawny Sands and Shelves,
Trip the pert Fairies and the dapper Elves;
By dimpled Brook, and Fountain brim,
The Wood-Nymphs deckt with Daisies trim, [ 120 ]
Their merry wakes and pastimes keep:
What hath night to do with sleep?
Night hath better sweets to prove,
Venus now wakes, and wak'ns Love.
Com let us our rights begin, [ 125 ]
Tis onely day-light that makes Sin,
Which these dun shades will ne're report.
Hail Goddesse of Nocturnal sport
Dark vaild Cotytto, t' whom the secret flame
Of mid-night Torches burns; mysterious Dame [ 130 ]
That ne're art call'd, but when the Dragon woom
Of Stygian darknes spets her thickest gloom,
And makes one blot of all the ayr,
Stay thy cloudy Ebon chair,
Wherin thou rid'st with Hecat', and befriend [ 135 ]
Us thy vow'd Priests, till utmost end
Of all thy dues be done, and none left out,
Ere the blabbing Eastern scout,
The nice Morn on th' Indian steep
From her cabin'd loop hole peep, [ 140 ]
And to the tel-tale Sun discry
Our conceal'd Solemnity.
Com, knit hands, and beat the ground,
In a light fantastick round. ~ John Milton,
1088:In A Time Of Dearth
Before me,
On either side of me,
I see sand.
If I turn the corner of my house,
I see sand,
Long, brown
Lines and levels of flat
Sand.
If I could only see a caravan
Heave over the edge of it:
The camels wobbling and swaying,
Stepping like ostriches,
With rocking palanquins
Whose curtains conceal
Languors and faintnesses,
Muslins tossed aside,
And a disorder of cushions.
The swinging curtains would pique and solace me.
But I only see sand,
Long, brown sand Sand.
If I could only see a herd of Arab horses
Galloping,
Their manes and tails pulled straight
By the speed of their going;
Their bodies sleek and round
Like bellying sails.
They would beat the sand with their fore feet,
And scatter it with their hind feet,
So that it whirled in a cloud of orange,
And the sun through it
Was clip-edged, without rays, and dun.
But I only see sand,
Long, brown, hot sand Sand.
If I could only see a mirage,
100
Blue-white at the horizon,
With palm-trees about it;
Tall, windless palm-trees, grouped about a-glitter.
If I could strain toward it,
And think of the water creeping round my ankles,
Tickling under my knees,
Leeching up my sides,
Spreading over my back.
But I only feel the grinding beneath my feet.
And I only see sand,
Long, dry sand,
Scorching sand Sand.
If a sand-storm would only come
And spit against my windows,
Snapping upon them, and ringing their vibrations;
Swirling over the roof;
Seeping under the door-jamb;
Suffocating me and making me struggle for air.
But I only see sand Sand lying dead in the sun.
Lines and lines of sand Sand.
I will paste newspapers over the windows to shut out the sand;
I will fit them into one another, and fasten the corners.
Then I will strike matches
And read of politics and murders and festivals
Three years old.
But I shall not see the sand any more,
And I can read
While my matches last.
~ Amy Lowell,
1089:There were two things that particularly bothered me in those days. One was that I came too fast, often before anything had happened at all, and the other was that I never laughed. That is, it did happen once in a while, maybe once every six months, when I would be overcome by the hilarity of something and just laugh and laugh, but that was always unpleasant because then I completely lost control, I was unable to regain my composure, and I didn’t like showing that side of myself to others. So basically I was able to laugh, I had the capacity, but in my everyday life, in social situations, when I was with people around a table chatting, I never laughed. I had lost that ability. To make up for this, I smiled a lot, I might also emit some laughter-like sounds, so I don’t think anyone noticed or found it conspicuous. But I knew: I never laughed. As a result, I became especially conscious of laughter as such, as a phenomenon — I noticed how it occurred, how it sounded, what it was. People laughed almost all the time, they said something, laughed, others said something, everyone laughed. It lubricated conversations or gave them a shot of something else which didn’t have so much to do with what was being said as with being together with others. People meeting. In this situation everyone laughed, each in their own way, of course, and sometimes because of something genuinely funny, in which case the laughter lasted longer and could at times completely take over, but also for no apparent reason at all, just as a token of friendliness or openness. It could conceal insecurity, I knew that well, but it could also be strong and generous, a helping hand. When I was small I laughed a lot, but at some point it stopped, perhaps as early as the age of twelve, at any rate I remember there was a film with Rolv Wesenlund that filled me with horror, it was called The Man Who Could Not Laugh, and it was probably when I heard about it that I realised actually I didn’t laugh. From then on, all social situations were something I took part in and watched from the outside as I lacked what they were full of, the interpersonal link: laughter. ~ Karl Ove Knausg rd,
1090:Thus Epicurus also, when he designs to destroy the natural fellowship of mankind, at the same time makes use of that which he destroys.

For what does he say? ‘Be not deceived, men, nor be led astray, nor be mistaken: there is no natural fellowship among rational animals; believe me. But those who say otherwise, deceive you and seduce you by false reasons.’—What is this to you? Permit us to be deceived.

Will you fare worse, if all the rest of us are persuaded that there is a natural fellowship among us, and that it ought by all means to be preserved? Nay, it will be much better and safer for you.

Man, why do you trouble yourself about us? Why do you keep awake for us? Why do you light your lamp? Why do you rise early? Why do you write so many books, that no one of us may be deceived about the gods and believe that they take care of men; or that no one may suppose the nature of good to be other than pleasure?

For if this is so, lie down and sleep, and lead the life of a worm, of which you judged yourself worthy: eat and drink, and enjoy women, and ease yourself, and snore.

And what is it to you, how the rest shall think about these things, whether right or wrong? For what have we to do with you?

You take care of sheep because they supply us with wool and milk, and last of all with their flesh. Would it not be a desirable thing if men could be lulled and enchanted by the Stoics, and sleep and present themselves to you and to those like you to be shorn and milked?

For this you ought to say to your brother Epicureans: but ought you not to conceal it from others, and particularly before every thing to persuade them, that we are by nature adapted for fellowship, that temperance is a good thing; in order that all things may be secured for you?

Or ought we to maintain this fellowship with some and not with others? With whom then ought we to maintain it?

With such as on their part also maintain it, or with such as violate this fellowship?

And who violate it more than you who establish such doctrines?

What then was it that waked Epicurus from his sleepiness, and compelled him to write what he did write? ~ Epictetus,
1091:Apostrophe
TO AN OLD TREE.
WHERE thy broad branches brave the bitter North,
Like rugged, indigent, unheeded, worth,
Lo! Vegetation's guardian hands emboss
Each giant limb with fronds of studded moss,
That clothes the bark in many a fringed fold
Begemm'd with scarlet shields, and cups of gold,
Which, to the wildest winds their webs oppose,
And mock the arrowy sleet, or weltering snows.
--But to the warmer West the woodbine fair
With tassels that perfumed the summer air,
The mantling clematis, whose feathery bowers
Waved in festoons with nightshade's purple flowers,
The silver weed, whose corded fillets wove
Round thy pale rind, even as deceitful love
Of mercenary beauty would engage
The dotard fondness of decrepit age;
All these, that during summer's halcyon days
With their green canopies conceal'd thy sprays,
Are gone for ever; or disfigured, trail
Their sallow relicts in the autumnal gale;
Or o'er thy roots, in faded fragments toss'd,
But tell of happier hours, and sweetness lost!
--Thus in Fate's trying hour, when furious storms
Strip social life of Pleasure's fragile forms,
And awful Justice , as his rightful prey
Tears Luxury's silk, and jewel'd robe, away,
While reads Adversity her lesson stern,
And Fortune's minions tremble as they learn;
The crowds around her gilded car that hung,
Bent the lithe knee, and troul'd the honey'd tongue,
Desponding fall, or fly in pale despair;
And Scorn alone remembers that they were.
Not so Integrity ; unchanged he lives
In the rude armour conscious Honour gives,
And dares with hardy front the troubled sky,
In Honesty's uninjured panoply.
Ne'er on Prosperity's enfeebling bed
13
Or rosy pillows, he reposed his head,
But given to useful arts, his ardent mind
Has sought the general welfare of mankind;
To mitigate their ills his greatest bliss,
While studying them , has taught him what he is ;
He , when the human tempest rages worst,
And the earth shudders as the thunders burst,
Firm, as thy northern branch, is rooted fast,
And if he can't avert , endures the blast.
~ Charlotte Smith,
1092:The modern mind is like the eye of a man who is too tired to see the difference between blue and green. It fails in the quality that is truly called distinction; and,being incapable of distinction, it falls back on generalisation. The man, instead of having the sense to say he is tired, says he is emancipated and enlightened and liberal and universal....

...we find it less trouble to let in a jungle of generalisations than to keep watch upon a logical frontier. But this shapeless assimilation is not only found in accepting things in the lump; it is also found in condemning them in the lump. When the same modern mind does begin to be intolerant, it is just as universally intolerant as it was universally tolerant. It sends things in batches to the gallows just as it admitted them in mobs to the sanctuary. It cannot limit its limitations any more than its license....There are...lunatics now having power to lay down the law, who have somehow got it into their heads that any artistic representation of anything wicked must be forbidden as encouraging wickedness. This would obviously be a veto on any tragedy and practically on any tale. But a moment's thought...would show them that this is simply an illogical generalisation from the particular problem of sex. All dignified civilisations conceal sexual things, for the perfectly sensible reason that their mere exhibition does affect the passions. But seeing another man forge a cheque does not make me want to forge a cheque. Seeing the tools for burgling a safe does not arouse an appetite for being a burglar. But the intelligence in question cannot stop itself from stopping anything. It is automatically autocratic; and its very prohibition proceeds in a sort of absence of mind. Indeed, that is the most exact word for it; it is emphatically absence of mind. For the mind exists to make those very distinctions and definitions which these people refuse. They refuse to draw the line anywhere; and drawing a line is the beginning of all philosophy, as it is the beginning of all art. They are the people who are content to say that what is sauce for the goose is sauce for the gander, and are condemned to pass their lives in looking for eggs from the cock as well as the hen. ~ G K Chesterton,
1093:Take off your clothes. Better yet, I’ll do it.”
“Oh, no!” She stepped back quickly in alarm, which prompted a swift frown from him. It vanished when Rycca said, “I saw how you manhandled that tunic. You aren’t about to do the same to this gown. Just wait a moment . . .”
Even as she spoke, she deftly undid the laces down the side of the garment and lifted it carefully but quickly over her head. Her husband was in a mood, ridden by tension she could not understand. She wanted to placate him, yet she also wished to surrender to the urges he so effortlessly unleashed within her.
Naked save for the gauzy chemise that hid nothing from his eyes, she stood before him, her head lifted proudly to conceal the quivering she felt within. She gloried in his gaze, hot and potent, raking over her. But when he reached for her, she stepped back again. “I ask a boon, lord.”
She had never asked him for anything—save freedom and that he could not give. Caught, knowing he could hardly refuse, Dragon rasped, “What?” He had not meant to be so curt but speech was almost beyond him. He wanted her with a desperation he had never felt before save every time he lay with her, and even then he usually managed to maintain some semblance of control. Not now. He burned, his body drawn bow-taut. If he did not sheathe himself soon within his wife’s silken depths . . .
She looked at him directly, her eyes wide and candid. “All day I have wanted to . . . touch you.”
His dark brows rose. “All day?” Well, that was certainly pleasing but it didn’t make his condition any easier to bear. Harshly, he said, “You don’t have to ask permission to touch me.”
She shrugged her lovely, almost bare shoulders. “I know, but under the circumstances . . .” Her gaze drifted down his body, rather pointedly, he thought.
Which definitely did not help matters at all.
“You can touch me later,” he said and reached for her again. She pressed her palms against his chest, tossed back her gleaming hair, and laughed. Really, he was going to die from this.
“Just a little now . . . please?”
Dragon squeezed his eyes shut and reached deep down inside himself for the control that was so intrinsic a part of his warrior’s nature. It had to be in there somewhere. Any moment now he’d stumble across it. ~ Josie Litton,
1094:The Night Of The Lion
'_And that a reply be received before midnight._'
_British Ultimatum_.
Their Day was at twelve of the night,
When the graves give up their dead.
And still, from the City, no light
Yellows the clouds overhead.
Where the Admiral stands there's a star,
But his column is lost in the gloom;
For the brazen doors are ajar,
And the Lion awakes, and the doom.
_He is not of a chosen race.
His strength is the strength of the skies,
In whose glory all nations have place,
In whose downfall Liberty dies.
He is mighty, but he is just.
He shall live to the end of years.
He shall bring the proud to the dust.
He shall raise the weak to the spheres._
It is night on the world's great mart,
But the brooding hush is awake
With the march of a steady heart
That calls like the drum of Drake,
_Come!_ And a muttering deep
As the pulse of the distant guns,
Or the thunder before the leap
Thro' the rolling thoroughfare runs.
And the wounded men go by
Like thoughts in the Lion's brain.
And the clouds lift on high
Like the slow waves of his mane
And the narrowing lids conceal
The furnaces of his eyes.
Their gold is gone out. They reveal
Only two search-lights of steel
139
Steadily sweeping the skies.
And we hoped he had peace in his lair
Where the bones of old tyrannies lay,
And the skulls that his cubs have stripped bare,
The old skulls they still toss in their play.
But the tyrants are risen again,
And the last light dies from their path;
For the midnight of his mane
Lifts to the stars with his wrath.
From the East to the West he is crouching.
He snuffs at the North-East wind.
His breast upon Britain is couching.
His haunches quiver on Ind.
It is night, black night, where he lies;
But a kingdom and a fleet
Shall burn in his terrible eyes
When he leaps, and the darkness dies
With the War-gods under his feet.
_Till the day when a little child,
Shall lay but a hand on his mane,
And his eyes grow golden and mild
And he stands in the heavens again;
Till the day of the seventh seal,
Which the Lion alone shall rend,
When the stars from their courses reel,
His Freedom shall not end._
~ Alfred Noyes,
1095: Parabrahman
These wanderings of the suns, these stars at play
In the due measure that they chose of old,
Nor only these, but all the immense array
Of objects that long Time, far Space can hold,

Poems from Ahana and Other Poems
Are divine moments. They are thoughts that form,
They are vision in the Self of things august
And therefore grandly real. Rule and norm
Are processes that they themselves adjust.

The Self of things is not their outward view,
A Force within decides. That Force is He;
His movement is the shape of things we knew,
Movement of Thought is Space and Time. A free
And sovereign master of His world within,
He is not bound by what He does or makes,
He is not bound by virtue or by sin,
Awake who sleeps and when He sleeps awakes.

He is not bound by waking or by sleep;
He is not bound by anything at all.

Laws are that He may conquer them. To creep
Or soar is at His will, to rise or fall.

One from of old possessed Himself above
Who was not anyone nor had a form,
Nor yet was formless. Neither hate nor love
Could limit His perfection, peace nor storm.

He is, we cannot say; for Nothing too
Is His conception of Himself unguessed.

He dawns upon us and we would pursue,
But who has found Him or what arms possessed?
He is not anything, yet all is He;
He is not all but far exceeds that scope.

Both Time and Timelessness sink in that sea:
Time is a wave and Space a wandering drop.
217

218

Baroda and Bengal, c. 1900 - 1909
Within Himself He shadowed Being forth,
Which is a younger birth, a veil He chose
To half-conceal Him, Knowledge, nothing worth
Save to have glimpses of its mighty cause,
And high Delight, a spirit infinite,
That is the fountain of this glorious world,
Delight that labours in its opposite,
Faints in the rose and on the rack is curled.

This was the triune playground that He made
And One there sports awhile. He plucks His flowers
And by His bees is stung; He is dismayed,
Flees from Himself or has His sullen hours.

The Almighty One knew labour, failure, strife;
Knowledge forgot divined itself again:
He made an eager death and called it life,
He stung Himself with bliss and called it pain.
~ Sri Aurobindo, - Parabrahman
,
1096:Love Elegy, To Henry
Then thou hast learnt the secret of my soul,
Officious Friendship has its trust betrayed;
No more I need the bursting sigh control,
Nor summon pride my struggling soul to aid.
But think not banished hope returns again,
Think not I write thy thankless heart to move;
The faded form that tells my tender pain
May win thy pity, but it can't thy love.
Nor can I move thee by soft winning art,
By manners taught to charm, or practised glance;
Artless as thine, my too too feeling heart
Disdains the tutored eye, the fond advance.
The cold coquette, to win her destined prey,
May feign a passion which she ne'er can feel;
But I true Passion's soft commands obey,
And fain my tender feelings would conceal.
In others' eyes, when fixed on thine, I see
That fondness painted which alone I know;
Think not, my Henry, they can love like me,
More love I hide than they can e'er bestow.
While tender glances their emotions speak,
And oft they heave and oft suppress the sigh;
O turn to me, behold my pallid cheek
Shrinking from thine, behold my downcast eye!
While they by mirth, by wit, thine ear amuse,
And by their eloquence thy plaudits seek;
See me the fond contention still refuse,
Nor in thy presence, Henry, dare to speak.
When asked to breathe the soul-enchanting song,
See them o'erjoyed exert their utmost art;
While vainly I would join the choral throng,
Lost are those tones which once could touch the heart.
20
But, Henry, wert thou in Love's language wise,
Vainly would others more than Emma shine;
Beyond their sweetest strains thy heart would prize
One faint, one broken, tender tone of mine.
O proofs of passion, eloquent as vain!
By thee unheeded, or perhaps unknown,....
But learn, the pangs that prompt this pensive strain,
Ere long, disdainful youth, may be thine own.
Ah! no....in hopeless love thou canst not pine,
Thou ne'er canst woo the brightest maid in vain;
For thee Love's star midst cloudless skies will shine,
And light thy graceful steps to Hymen's fane:
While I, as hope, and strength, and life recede,
Far, far from thee shall waste the languid day;
Blest, if the scroll that speaks thy bliss I read,
But far more blest to feel life's powers decay.
~ Amelia Opie,
1097:You wrote to me. Do not deny it. I’ve read your words and they evoke My deep respect for your emotion, Your trusting soul… and sweet devotion. Your candour has a great appeal And stirs in me, I won’t conceal, Long dormant feelings, scarce remembered. But I’ve no wish to praise you now; Let me repay you with a vow As artless as the one you tendered; Hear my confession too, I plead, And judge me both by word and deed. 13 ’Had I in any way desired To bind with family ties my life; Or had a happy fate required That I turn father, take a wife; Had pictures of domestication For but one moment held temptation- Then, surely, none but you alone Would be the bride I’d make my own. I’ll say without wrought-up insistence That, finding my ideal in you, I would have asked you—yes, it’s true— To share my baneful, sad existence, In pledge of beauty and of good, And been as happy … as I could! 14 ’But I’m not made for exaltation: My soul’s a stranger to its call; Your virtues are a vain temptation, For I’m not worthy of them all. Believe me (conscience be your token): In wedlock we would both be broken. However much I loved you, dear, Once used to you … I’d cease, I fear; You’d start to weep, but all your crying Would fail to touch my heart at all, Your tears in fact would only gall. So judge yourself what we’d be buying, What roses Hymen means to send— Quite possibly for years on end! 15 ’In all this world what’s more perverted Than homes in which the wretched wife Bemoans her worthless mate, deserted— Alone both day and night through life; Or where the husband, knowing truly Her worth (yet cursing fate unduly) Is always angry, sullen, mute— A coldly jealous, selfish brute! Well, thus am I. And was it merely For this your ardent spirit pined When you, with so much strength of mind, Unsealed your heart to me so clearly? Can Fate indeed be so unkind? Is this the lot you’ve been assigned? 16 ’For dreams and youth there’s no returning; I cannot resurrect my soul. I love you with a tender yearning, But mine must be a brother’s role. So hear me through without vexation: Young maidens find quick consolation— From dream to dream a passage brief; Just so a sapling sheds its leaf To bud anew each vernal season. Thus heaven wills the world to turn. You’ll fall in love again; but learn … To exercise restraint and reason, For few will understand you so, And innocence can lead to woe. ~ Alexander Pushkin,
1098:The root destruction of religion in the country, which throughout the twenties and thirties was one of the most important goals of the GPU-NKVD, could be realized only by mass arrests of Orthodox believers. Monks and nuns, whose black habits had been a distinctive feature of Old Russian life, were intensively rounded up on every hand, placed under arrest, and sent into exile. They arrested and sentenced active laymen. The circles kept getting bigger, as they raked in ordinary believers as well, old people and particularly women, who were the most stubborn believers of all and who, for many long years to come, would be called 'nuns' in transit prisons and in camps.

True, they were supposedly being arrested and tried not for their actual faith but for openly declaring their convictions and for bringing up their children in the same spirit. As Tanya Khodkevich wrote:

You can pray freely
But just so God alone can hear.

(She received a ten-year sentence for these verses.) A person convinced that he possessed spiritual truth was required to conceal it from his own children! In the twenties the religious education of children was classified as a political crime under Article 58-10 of the Code--in other words, counterrevolutionary propaganda! True, one was permitted to renounce one's religion at one's trial: it didn't often happen but it nonetheless did happen that the father would renounce his religion and remain at home to raise the children while the mother went to the Solovetsky Islands. (Throughout all those years women manifested great firmness in their faith.) All persons convicted of religious activity received 'tenners,' the longest term then given.

(In those years, particularly in 1927, in purging the big cities for the pure society that was coming into being, they sent prostitutes to the Solovetsky Islands along with the 'nuns.' Those lovers of a sinful earthly life were given three-year sentences under a more lenient article of the Code. The conditions in prisoner transports, in transit prisons, and on the Solovetsky Islands were not of a sort to hinder them from plying their merry trade among the administrators and the convoy guards. And three years later they would return with laden suitcases to the places they had come from. Religious prisoners, however, were prohibited from ever returning to their children and their home areas.) ~ Aleksandr Solzhenitsyn,
1099:Marlboro Man opened the passenger door of the semi and allowed me to climb out in front of him, while Tim exited the driver-side door to see us off. That wasn’t so bad, I thought as I made my way down the steps. Aside from the manicure remark and my sweating problem, meeting Marlboro Man’s brother had gone remarkably well. I looked okay that evening, had managed a couple of witty remarks, and had worn just the right clothing to conceal my nervousness. Life was good.
Then, because the Gods of Embarrassment seemed hell-bent on making me look bad, I lost my balance on the last step, hooking the heel of my stupid black boots on the grate of the step and awkwardly grabbing the handlebar to save myself from falling to my death onto the gravel driveway below. But though I stopped myself from wiping out, my purse flew off my arm and landed, facedown, on Tim’s driveway, violently spilling its contents all over the gravel.
Only a woman can know the dreaded feeling of spilling her purse in the company of men. Suddenly my soul was everywhere, laid bare for Marlboro Man and his brother to see: year-old lip gloss, a leaky pen, wadded gum wrappers, and a hairbrush loaded up with hundreds, if not thousands, of my stringy auburn hairs. And men don’t understand wads of long hair--for all they knew, I had some kind of follicular disorder and was going bald. There were no feminine products, but there was a package of dental floss, with a messy, eight-inch piece dangling from the opening and blowing in the wind.
And there were Tic Tacs. Lots and lots of Tic Tacs. Orange ones.
Then there was the money. Loose ones and fives and tens and twenties that had been neatly folded together and tucked into a pocket inside my purse were now blowing wildly around Tim’s driveway, swept away by the strengthening wind from an approaching storm.
Nothing in my life could have prepared me for the horror of watching Marlboro Man, my new love, and his brother, Tim, whom I’d just met, chivalrously dart around Tim’s driveway, trying valiantly to save my wayward dollars, all because I couldn’t keep my balance on the steps of their shiny new semi.
I left my car at Tim’s for the evening, and when we pulled away in Marlboro Man’s pickup, I stared out the window, shaking my head and apologizing for being such a colossal dork. When we got to the highway, Marlboro Man glanced at me as he made a right-hand turn. “Yeah,” he said, consoling me. “But you’re my dork. ~ Ree Drummond,
1100:There were several methods by which the Indians obtained eagle feathers. Some tribes dug a pit in the ground in the areas known to have eagles. These pits were large enough to conceal a brave. The trap was baited with a live rabbit or pieces of buffalo meat, and the opening was covered with a buffalo hide or brush. A large enough opening was left so that the Indian crouching in the pit could grab the tail feathers of the bird alighting to take the bait. The bird would lose its feathers, but could escape unharmed to grow new tail feathers by its next moulting period. This method was very dangerous. Often bears, attracted by the bait, would discover and kill the Indian. Sometimes eagles were caught and killed for their feathers.
There also were tribes who captured young eagles while they were still in the nest. These birds were tethered by a leather thong around their leg and were kept solely for their feathers; they were plucked regularly. These birds seldom became tame and never lost their desire for freedom. They continually would fly into the air as far as the leather thong would allow, screaming their defiance at their captor.
Regardless of where or how an Indian brave accumulated feathers, he was not allowed, according to tribal law, to wear them until he won them by a brave deed. He had to appear before the council and tell or re-enact his exploit. Witnesses were examined and if in the eyes of the council the deed was thought to be worthy, the brave was authorized to wear the feather or feathers in his hair or war bonnet.
These honors were called “counting coup” (pronounced “coo”). Deeds of exceptional valor (such as to touch the enemy without killing him and escape) were called “grand coup” and were rated more than one feather. Sometimes a tuft of horsehair or down was added to the tip of a feather to designate additional honor. Some tribes designated special deeds by special marking on “coup” feathers, such as cutting notches or adding paint spots.
The coup feathers of the American Indian can be compared to the campaign ribbons and medals awarded to our modern soldier. An Indian would rather part with his horse, his tepee, or even his wife, than to lose his eagle feathers. To do so would be to be dishonored in the eyes of the tribe. Many old Indian chiefs, such as Many Coup of the Crow tribe, had won enough honors to wear a double-tailed bonnet that dragged on the ground and to carry a feathered lance to display the additional feathers. ~ W Ben Hunt,
1101:A Nocturnal Reverie
In such a Night, when every louder Wind
Is to its distant Cavern safe confin'd;
And only gentle Zephyr fans his Wings, {1}
And lonely Philomel, still waking, sings; {2}
Or from some Tree, fam'd for the Owl's delight,
She, hollowing clear, directs the Wand'rer right:
In such a Night, when passing Clouds give place,
Or thinly vail the Heav'ns mysterious Face;
When in some River, overhung with Green,
The waving Moon and trembling Leaves are seen;
When freshen'd Grass now bears it self upright,
And makes cool Banks to pleasing Rest invite,
Whence springs the Woodbind, and the Bramble–Rose,
And where the sleepy Cowslip shelter'd grows;
Whilst now a paler Hue the Foxglove takes,
Yet checquers still with Red the dusky brakes:
When scattered Glow-worms, but in Twilight fine,
Shew trivial Beauties watch their Hour to shine;
Whilst Salisb'ry stands the Test of every Light, {3}
In perfect Charms, and perfect Virtue bright:
When Odours, which declin'd repelling Day,
Thro' temp'rate Air uninterrupted stray;
When darken'd Groves their softest Shadows wear,
And falling Waters we distinctly hear;
When thro' the Gloom more venerable shows
Some ancient Fabrick, awful in Repose,
While Sunburnt Hills their swarthy Looks conceal,
And swelling Haycocks thicken up the Vale:
When the loos'd Horse now, as his Pasture leads,
Comes slowly grazing thro' th' adjoining Meads,
Whose stealing Pace and lengthen'd Shade we fear,
Till torn up Forage in his Teeth we hear:
When nibbling Sheep at large pursue their Food,
And unmolested Kine rechew the Cud;
When Curlews cry beneath the Village-walls,
And to her straggling Brood the Partridge calls;
Their shortliv'd Jubilee the Creatures keep,
Which but endures, whilst Tyrant-Man do's sleep;
When a sedate Content the Spirit feels,
20
And no fierce Light disturbs, whilst it reveals;
But silent Musings urge the Mind to seek
Something, too high for Syllables to speak;
Till the free Soul, to a compos'dness charm'd,
Finding the Elements of Rage disarm'd,
O'er all below a solemn Quiet grown,
Joys in th' inferiour World and thinks it like her Own:
In such a Night let Me abroad remain,
Till Morning breaks, and All's confus'd again;
Our Cares, our Toils, our Clamours are renew'd,
Or Pleasures, seldom reach'd, again pursu'd.
~ Anne Kingsmill Finch,
1102:The Pig
In ev'ry age, and each profession,
Men err the most by prepossession;
But when the thing is clearly shown,
And fairly stated, fully known,
We soon applaud what we deride,
And penitence succeeds to pride.-A certain Baron on a day
Having a mind to show away,
Invited all the wits and wags,
Foot, Massey, Shuter, Yates, and Skeggs,
And built a large commodious stage,
For the Choice Spirits of the age;
But above all, among the rest,
There came a Genius who profess'd
To have a curious trick in store,
Which never was perform'd before.
Thro' all the town this soon got air,
And the whole house was like a fair;
But soon his entry as he made,
Without a prompter, or parade,
'Twas all expectance, all suspense,
And silence gagg'd the audience.
He hid his head behind his wig,
With with such truth took off* a Pig, [imitated]
All swore 'twas serious, and no joke,
For doubtless underneath his cloak,
He had conceal'd some grunting elf,
Or was a real hog himself.
A search was made, no pig was found-With thund'ring claps the seats resound,
And pit and box and galleries roar,
With--"O rare! bravo!" and "Encore!"
Old Roger Grouse, a country clown,
Who yet knew something of the town,
Beheld the mimic and his whim,
And on the morrow challeng'd him.
Declaring to each beau and bunter
That he'd out-grunt th'egregious grunter.
The morrow came--the crowd was greater--
110
But prejudice and rank ill-nature
Usurp'd the minds of men and wenches,
Who came to hiss, and break the benches.
The mimic took his usual station,
And squeak'd with general approbation.
"Again, encore! encore!" they cry-'Twas quite the thing--'twas very high;
Old Grouse conceal'd, amidst the racket,
A real Pig berneath his jacket-Then forth he came--and with his nail
He pinch'd the urchin by the tail.
The tortur'd Pig from out his throat,
Produc'd the genuine nat'ral note.
All bellow'd out--"'Twas very sad!
Sure never stuff was half so bad!
That like a Pig!"--each cry'd in scoff,
"Pshaw! Nonsense! Blockhead! Off! Off! Off!"
The mimic was extoll'd, and Grouse
Was hiss'd and catcall'd from the house.-"Soft ye, a word before I go,"
Quoth honest Hodge--and stooping low
Produc'd the Pig, and thus aloud
Bespoke the stupid, partial crowd:
"Behold, and learn from this poor creature,
How much you Critics know of Nature."
~ Christopher Smart,
1103:Word has been spread to our accomplices within the city, London has armed the villagers and all are waiting for our signal.”
Koranis stooped to hoist up a canvas bag, which he dropped on the rickety table before us.
“The rockets,” he said, pulling a long, slender tube from the bag. “The King of Sarterad had to send all the way to Alidovia for these--they only arrived yesterday. Prop them up facing skyward, light the wick at the bottom and we have our signal.”
He tossed the strange tube he held to Steldor, then removed two more from the bag for Galen and Temerson.
“Set them off as planned, in the designated areas of the city, and be ready,” Cannan ordered.
“I’ll certainly have to be,” said a new voice--one with an accent. We all leaped backward to face the cellar stairs, where we could hear methodical footsteps descending. Knives had appeared in the hands of the men around me; they were small, but they would be effective.
The Cokyrian commander emerged into the torchlight, calm and unarmed.
“Oh, good Lord,” King Adrik breathed, but everyone else stood silently, rigidly, their eyes assessing the enemy.
Addressing the captain, Narian declared, “This stops now.”
Cannan clenched his jaw and I slipped behind Steldor, hoping he could protect me. Maybe if I hid…but there was nowhere to conceal myself. I certainly had a knack for stumbling into the most compromising and dangerous of situations. I hadn’t been involved in this at all, but was sure to be sentenced for it now. Taking a breath, I forced myself to step into the open. After all, I had wanted to be here. And if I had to die, I stood in good company.
“What is it you think you know?” Steldor demanded, but Narian ignored him, speaking only to Cannan.
“You have the ability to be the voice of reason here. Don’t let these men walk to their deaths.”
“Should I have them die by execution instead?” the captain ground out, but Narian did not flinch, continuing to stare at him, steely conviction in his eyes.
“I’m alone, Cannan. I’ve been following your movements and the movements of your men since Shaselle was caught with that dagger, and I haven’t said a word to the High Priestess, to my comrades, not even to Alera. I’m giving you a chance to walk away, to live. Don’t be a fool--take it.”
Cannan tucked his knife into the shaft of his boot, then cast his eyes over Steldor, Galen, Adrik and Koranis. All resolutely met his gaze.
“I don’t see fear in this room, Narian,” he said, shaking his head. “Do what you must, as will we. ~ Cayla Kluver,
1104:A Letter To My Aunt
A Letter To My Aunt Discussing The Correct Approach To Modern Poetry
To you, my aunt, who would explore
The literary Chankley Bore,
The paths are hard, for you are not
A literary Hottentot
But just a kind and cultured dame
Who knows not Eliot (to her shame).
Fie on you, aunt, that you should see
No genius in David G.,
No elemental form and sound
In T.S.E. and Ezra Pound.
Fie on you, aunt! I'll show you how
To elevate your middle brow,
And how to scale and see the sights
From modernist Parnassian heights.
First buy a hat, no Paris model
But one the Swiss wear when they yodel,
A bowler thing with one or two
Feathers to conceal the view;
And then in sandals walk the street
(All modern painters use their feet
For painting, on their canvas strips,
Their wives or mothers, minus hips).
Perhaps it would be best if you
Created something very new,
A dirty novel done in Erse
Or written backwards in Welsh verse,
Or paintings on the backs of vests,
Or Sanskrit psalms on lepers' chests.
But if this proved imposs-i-ble
Perhaps it would be just as well,
For you could then write what you please,
And modern verse is done with ease.
Do not forget that 'limpet' rhymes
17
With 'strumpet' in these troubled times,
And commas are the worst of crimes;
Few understand the works of Cummings,
And few James Joyce's mental slummings,
And few young Auden's coded chatter;
But then it is the few that matter.
Never be lucid, never state,
If you would be regarded great,
The simplest thought or sentiment,
(For thought, we know, is decadent);
Never omit such vital words
As belly, genitals and -----,
For these are things that play a part
(And what a part) in all good art.
Remember this: each rose is wormy,
And every lovely woman's germy;
Remember this: that love depends
On how the Gallic letter bends;
Remember, too, that life is hell
And even heaven has a smell
Of putrefying angels who
Make deadly whoopee in the blue.
These things remembered, what can stop
A poet going to the top?
A final word: before you start
The convulsions of your art,
Remove your brains, take out your heart;
Minus these curses, you can be
A genius like David G.
Take courage, aunt, and send your stuff
To Geoffrey Grigson with my luff,
And may I yet live to admire
How well your poems light the fire.
~ Dylan Thomas,
1105:Thy trivial harp will never please
Or fill my craving ear;
Its chords should ring as blows the breeze,
Free, peremptory, clear.
No jingling serenader's art,
Nor tinkle of piano strings,
Can make the wild blood start
In its mystic springs.
The kingly bard
Must smite the chords rudely and hard,
As with hammer or with mace,
That they may render back
Artful thunder that conveys
Secrets of the solar track,
Sparks of the supersolar blaze.
Merlin's blows are strokes of fate,
Chiming with the forest-tone,
When boughs buffet boughs in the wood;
Chiming with the gasp and moan
Of the ice-imprisoned flood;
With the pulse of manly hearts,
With the voice of orators,
With the din of city arts,
With the cannonade of wars.
With the marches of the brave,
And prayers of might from martyrs' cave.

Great is the art,
Great be the manners of the bard!
He shall not his brain encumber
With the coil of rhythm and number,
But, leaving rule and pale forethought,
He shall aye climb
For his rhyme:
Pass in, pass in, the angels say,
In to the upper doors;
Nor count compartments of the floors,
But mount to Paradise
By the stairway of surprise.

Blameless master of the games,
King of sport that never shames;
He shall daily joy dispense
Hid in song's sweet influence.
Things more cheerly live and go,
What time the subtle mind
Plays aloud the tune whereto
Their pulses beat,
And march their feet,
And their members are combined.

By Sybarites beguiled
He shall no task decline;
Merlin's mighty line,
Extremes of nature reconciled,
Bereaved a tyrant of his will,
And made the lion mild.
Songs can the tempest still,
Scattered on the stormy air,
Mould the year to fair increase,
And bring in poetic peace.

He shall not seek to weave,
In weak unhappy times,
Efficacious rhymes;
Wait his returning strength,
Bird, that from the nadir's floor,
To the zenith's top could soar,
The soaring orbit of the muse exceeds that journey's length!

Nor, profane, affect to hit
Or compass that by meddling wit,
Which only the propitious mind
Publishes when 'tis inclined.
There are open hours
When the god's will sallies free,
And the dull idiot might see
The flowing fortunes of a thousand years;
Sudden, at unawares,
Self-moved fly-to the doors,
Nor sword of angels could reveal
What they conceal.
by owner. provided at no charge for educational purposes

~ Ralph Waldo Emerson, Merlin I
,
1106:Is there anyone in the universe, among heavenly or earthly beings, who can understand what Kali is? The systems of all traditions are powerless to describe Her. Is Mother a feminine being or greater than Being itself? Chanting Her transforming Name -- OM KALI OM KALI OM KALI, empowers Lord Shiva, Who is transcendent Knowledge, to drink the negativity of all beings, turning His Throat dark blue. Without Her protection such poison would be deadly, even to the highest Divinity. More than Creator and creation, Mother is sheer Creativity beyond the notion of duality. Universe and Father-God are thrilling glances from Her seductive Eyes. Always pregnant with ecstasy, She gives birth to manifest Being from Her Womb of primal Awareness, nursing it tenderly at Her Breast, then playfully consumes Her Child. The world dissolves instantly upon touching Her white Teeth, attaining the realization of Her brilliant Voidness. The various Divine Forms that manifest throughout history take refuge at Her Lotus Feet. The Essence of Divinity, the Great Ground of Being, lies in ecstatic absorption beneath Her red-soled Feet. Is Mother simply a Goddess? Does She need a male consort to protect or complete Her? The cycle of birth and death bows reverently before Her. Is She simply naked or is She naked Truth? No veil can conceal Her. Her naked radiance slays demons not with weapons but with splendor. If Mother is a conventional wife, why is She dancing fiercely on the breast of Shiva? Her timeless play destroys conventions and conceptions. She is primal purity, Her ecstatic lovers are purity. Purity merges into purity, with no remainder. I am totally inebriated by Her wine of timeless bliss. The wine cup is Her Name -- OM KALI OM KALI OM KALI. Those drunk on ordinary wine assume I am one of them. Not everyone will encounter the dazzling darkness called Goddess Kali. Not everyone can consciously receive the infinite treasure of Her Nature. The foolish mind refuses to perceive and accept that She alone exists. Even the noble Lord Shiva, most enlightened of beings, can barely catch a glimpse of Her flashing crimson Feet. The wealth of world-emperors and the richness of Paradise are but abject poverty to those who meditate on Her. To swim in a single Glance from Her three Cosmic Eyes is to be immersed in an ocean of ecstasy. Not even Shiva, prince of yogis, can focus upon Her dancing Feet without falling into trance. Yet the worthless lover who sings this mad song aspires to conscious union with Her during waking, dream, and deep sleep. [1146.jpg] -- from Great Swan: Meetings with Ramakrishna, by Lex Hixon

~ Sri Ramakrishna, Is there anyone in the universe
,
1107:And then there are colors. The truth is that the brain knows far less about colors than one might suppose. It sees more or less clearly what the eyes show it, but when it comes to converting what it has seen into knowledge, it often suffers from one might call difficulties in orientation. Thanks to the unconscious confidence of a lifetime's experience, it unhesitatingly utters the names of the colors it calls elementary and complementary, but it immediately lost, perplexed and uncertain when it tries to formulate words that might serve as labels or explanatory markers for the things that verge on the ineffable, that border on the incommunicable, for the still nascent color which, with the eyes' other bemused approval and complicity, the hands and fingers are in the process of inventing and which will probably never even have its own name. Or perhaps it already does -- a name known only to the hands, because they mixed the paint as if they were dismantling the constituent parts of a note of music, because they became smeared with the color and kept the stain deep inside the dermis, and because only with the invisible knowledge of the fingers will one ever be able to paint the infinite fabric of dreams. Trusting in what the eyes believe they have seen, the brain-in-the-head states that, depending on conditions of light and shade, on the presence or absence of wind, on whether it is wet or dry, the beach is white or yellow or olden or gray or purple or any other shade in between, but then along comes the fingers and, with a gesture of gathering in, as if harvesting a wheat field, they pluck from the ground all the colors of the world. What seemed unique was plural, what is plural will become more so. It is equally true, though, that in the exultant flash of a single tone or shade, or in its musical modulation, all the other tones and shades are also present and alive, both the tones or shades of colors that have already been name, as well as those awaiting names, just as an apparently smooth, flat surface can both conceal and display the traces of everything ever experience in the history of the world. All archaeology of matter is an archaeology of humanity. What this clay hides and shows is the passage of a being through time and space, the marks left by fingers, the scratches left by fingernails, the ashes and the charred logs of burned-out bonfires, our bones and those of others, the endlessly bifurcating paths disappearing off into the distance and merging with each other. This grain on the surface is a memory, this depression the mark left by a recumbent body. The brain asked a question and made a request, the hand answered and acted. ~ Jos Saramago,
1108:The life that I touch for good or ill will touch another life, and that in turn another, until who knows where the trembling stops or in what far place and time my touch will be felt. Our lives are linked together. No man is an island.

But there is another truth, the sister of this one, and it is that every man is an island. It is a truth that often the tolling of a silence reveals even more vividly than the tolling of a bell. We sit in silence with one another, each of us more or less reluctant to speak, for fear that if he does, he may sound life a fool. And beneath that there is of course the deeper fear, which is really a fear of the self rather than of the other, that maybe truth of it is that indeed he is a fool. The fear that the self that he reveals by speaking may be a self that the others will reject just as in a way he has himself rejected it. So either we do not speak, or we speak not to reveal who we are but to conceal who we are, because words can be used either way of course. Instead of showing ourselves as we truly are, we show ourselves as we believe others want us to be. We wear masks, and with practice we do it better and better, and they serve us well –except that it gets very lonely inside the mask, because inside the mask that each of us wears there is a person who both longs to be known and fears to be known. In this sense every man is an island separated from every other man by fathoms of distrust and duplicity. Part of what it means to be is to be you and not me, between us the sea that we can never entirely cross even when we would. “My brethren are wholly estranged from me,” Job cries out. “I have become an alien in their eyes.”

The paradox is that part of what binds us closest together as human beings and makes it true that no man is an island is the knowledge that in another way every man is an island. Because to know this is to know that not only deep in you is there a self that longs about all to be known and accepted, but that there is also such a self in me, in everyone else the world over. So when we meet as strangers, when even friends look like strangers, it is good to remember that we need each other greatly you and I, more than much of the time we dare to imagine, more than more of the time we dare to admit.

Island calls to island across the silence, and once, in trust, the real words come, a bridge is built and love is done –not sentimental, emotional love, but love that is pontifex, bridge-builder. Love that speak the holy and healing word which is: God be with you, stranger who are no stranger. I wish you well. The islands become an archipelago, a continent, become a kingdom whose name is the Kingdom of God. ~ Frederick Buechner,
1109:Lovers And A Reflection
In moss-prankt dells which the sunbeams flatter
(And heaven it knoweth what that may mean;
Meaning, however, is no great matter)
Where woods are a-tremble with words a-tween.
Thro' God's own heather we wonned together,
I and my Willie (O love my love):
I need hardly remark it was glorious weather,
And flitter-bats wavered alow, above;
Boats were curtseying, rising, bowing,
(Boats in that climate are so polite,)
And sands were a ribbon of green endowing,
And O the sun-dazzle on bark and bight!
Thro' the rare red heather we danced together
(O love my Willie,) and smelt for flowers:
I must mention again it was glorious weather,
Rhymes are so scarce in this world of ours:
By rises that flushed with their purple favors,
Thro' becks that brattled o'er grasses sheen,
We walked or waded, we two young shavers,
Thanking our stars we were both so green.
We journeyed in parallels, I and Willie,
In fortunate parallels! Butterflies,
Hid in weltering shadows of daffodilly
Or marjoram, kept making peacock eyes:
Song-birds darted about, some inky
As coal, some snowy (I ween) as curds;
Or rosy as pinks, or as roses pinkyThey reck of no eerie To-come, those birds!
But they skim over bents which the mill-stream washes,
Or hang in the lift 'neath a white cloud's hem;
They need no parasols, no goloshes;
And good Mrs. Trimmer she feedeth them.
43
Then we thrid God's cowslips (as erst His heather),
That endowed the wan grass with their golden blooms;
And snapt-(it was perfectly charming weather)Our fingers at Fate and her goddess-glooms:
And Willie 'gan sing-(Oh, his notes were fluty;
Wafts fluttered them out to the white-winged sea)Something made up of rhymes that have done much duty,
Rhymes (better to put it) of 'ancientry':
Bowers of flowers encountered showers
In William's carol-(O love my Willie!)
Then he bade sorrow borrow from blithe tomorrow
I quite forget what-say a daffodilly.
A nest in a hollow, 'with buds to follow,'
I think occurred next in his nimble strain;
And clay that was 'kneaden' of course in 'Eden'A rhyme most novel I do maintain:
Mists, bones, the singer himself, love-stories,
And all least furlable things got 'furled';
Not with any design to conceal their glories,
But simply and solely to rhyme with 'world.'
O if 'billows' and 'pillows' and 'hours' and 'flowers,'
And all the brave rhymes of an elder day,
Could be furled together, this genial weather,
And carted or carried on wafts away,
Nor ever again trotted out-ah me!
How much fewer volumes of verse there'd be.
~ Charles Stuart Calverley,
1110:Any critique of Islam is denounced as an expression of Western Islamophobia, Salman Rushdie is denounced for unnecessarily provoking Muslims and being (partially, at least) responsible for the fatwa condemning him to death, and so on. The result of such stances is what one should expect in such cases: the more the Western liberal Leftists probe into their guilt, the more they are accused by Muslim fundamentalists of being hypocrites who try to conceal their hatred of Islam. [T]his constellation perfectly reproduces the paradox of the superego: the more you obey what the Other demands of you, the guiltier you are. It is as if the more you tolerate Islam, the stronger its pressure on you will be. What this implies is that terrorist fundamentalists, be they Christian or Muslim, are not really fundamentalists in the authentic sense of the term--what they lack is a feature that is easy to discern in all authentic fundamentalists, from Tibetan Buddhists to the Amish in the US: the absence of resentment and envy, the deep indifference towards the non-believers' way of life. If today's so-called fundamentalists really believe they have found their way to Truth, why should they feel threatened by non-believers, why should they envy them? When a Buddhist encounters a Western hedonist, he hardly condemns. He just benevolently notes that the hedonist's search for happiness is self-defeating. In contrast to true fundamentalists, the terrorist pseudo-fundamentalists are deeply bothered, intrigued and fascinated by the sinful life of the non-believers. One can feel that, in fighting the sinful other, they are fighting their own temptation. The passionate intensity of a fundamentalist mob bears witness to the lack of true conviction; deep in themselves, terrorist fundamentalists also lack true conviction--their violent outbursts are proof of it. How fragile the belief of a Muslim would be if he felt threatened by, say, a stupid caricature in a low-circulation Danish newspaper? Fundamentalist Islamic terror is not grounded in the terrorists' conviction of their superiority and in their desire to safeguard their cultural-religious identify from the onslaught of global consumerist civilization. The problem with fundamentalists is not that we consider them inferior to us, but, rather, that they themselves secretly consider themselves inferior. This is why our condescending politically correct assurances that we feel no superiority towards them only makes them more furious and feed their resentment. The problem is not cultural difference (their effort to preserve their identity), but the opposite: the fact that the fundamentalists are already like us, that, secretly, they have already internalized our standards and measure themselves by them. ~ Slavoj i ek,
1111:Describe the defeated ones,” said a merchant, when he saw that the Copt had finished speaking. And he answered: The defeated are those who never fail. Defeat means that we lose a particular battle or war. Failure does not allow us to go on fighting. Defeat comes when we fail to get something we very much want. Failure does not allow us to dream. Its motto is: “Expect nothing and you won’t be disappointed.” Defeat ends when we launch into another battle. Failure has no end; it is a lifetime choice. Defeat is for those who, despite their fears, live with enthusiasm and faith. Defeat is for the valiant. Only they will know the honor of losing and the joy of winning. I am not here to tell you that defeat is part of life; we all know that. Only the defeated know Love. Because it is in the realm of Love that we fight our first battles—and generally lose. I am here to tell you that there are people who have never been defeated. They are the ones who never fought. They managed to avoid scars, humiliations, and feelings of helplessness, as well as those moments when even warriors doubt the existence of God. Such people can say with pride: “I never lost a battle.” On the other hand, they will never be able to say: “I won a battle.” Not that they care. They live in a universe in which they believe they are invulnerable; they close their eyes to injustices and to suffering; they feel safe because they do not have to deal with the daily challenges faced by those who risk stepping out beyond their own boundaries. They have never heard the words “good-bye” or “I’ve come back. Embrace me with the fervor of someone who, having lost me, has found me again.” Those who were never defeated seem happy and superior, masters of a truth they never had to lift a finger to achieve. They are always on the side of the strong. They’re like hyenas, who eat only the leavings of lions. They teach their children: “Don’t get involved in conflicts; you’ll only lose. Keep your doubts to yourself and you’ll never have any problems. If someone attacks you, don’t get offended or demean yourself by hitting back. There are more important things in life.” In the silence of the night, they fight their imaginary battles: their unrealized dreams, the injustices to which they turned a blind eye, the moments of cowardice they managed to conceal from other people—but not from themselves—and the love that crossed their path with a sparkle in its eyes, the love God had intended for them, but which they lacked the courage to embrace. And they promise themselves: “Tomorrow will be different.” But tomorrow comes and the paralyzing question surfaces in their mind: “What if it doesn’t work out?” And so they do nothing. Woe to those who were never beaten! They will never be winners in this life. ~ Paulo Coelho,
1112:Now, in Scribner's window, I saw a book called The Spirit of Medieval Philosophy. I went inside, and took it off the shelf, and looked at the table of contents and at the title page which was deceptive, because it said the book was made up of a series of lectures that had been given at the University of Aberdeen. That was no recommendation, to me especially. But it threw me off the track as to the possible identity and character of Etienne Gilson, who wrote the book.

I bought it, then, together with one other book that I have completely forgotten, and on my way home in the Long Island train, I unwrapped the package to gloat over my acquisitions. It was only then that I saw, on the first page of The Spirit of Medieval Philosophy, the small print which said: "Nihil Obstat ... Imprimatur."

The feeling of disgust and deception struck me like a knife in the pit of the stomach. I felt as if I had been cheated! They should have warned me that it was a Catholic book! Then I would never have bought it. As it was, I was tempted to throw the thing out the window at the houses of Woodside -- to get rid of it as something dangerous and unclean. Such is the terror that is aroused in the enlightened modern mind by a little innocent Latin and the signature of a priest. It is impossible to communicate, to a Catholic, the number and complexity of fearful associations that a little thing like this can carry with it. It is in Latin -- a difficult, ancient and obscure tongue. That implies, to the mind that has roots in Protestantism, all kinds of sinister secrets, which the priests are supposed to cherish and to conceal from common men in this unknown language. Then, the mere fact that they should pass judgement on the character of a book, and permit people to read it: that in itself is fraught with terror. It immediately conjures up all the real and imaginary excesses of the Inquisition.

That is something of what I felt when I opened Gilson's book: for you must understand that while I admired Catholic culture, I had always been afraid of the Catholic Church. That is a rather common position in the world today. After all, I had not bought a book on medieval philosophy without realizing that it would be Catholic philosophy: but the imprimatur told me that what I read would be in full conformity with that fearsome and mysterious thing, Catholic Dogma, and the fact struck me with an impact against which everything in me reacted with repugnance and fear.

Now, in light of all this, I consider that it was surely a real grace that, instead of getting rid of the book, I actually read it. The result was that I at once acquired an immense respect for Catholic philosophy and for the Catholic faith. And that last thing was the most important of all. ~ Thomas Merton,
1113:And so when the generation, which itself desired to level and to be emancipated, to destroy authority and at the same time itself, has, through the scepticism of the principle association, started the hopeless forest fire of abstraction; when as a result of levelling with this scepticism, the generation has rid itself of the individual and of everything organic and concrete, and put in its place 'humanity' and the numerical equality of man and man: when the generation has, for a moment, delighted in this unlimited panorama of abstract infinity, unrelieved by even the smallest eminence, undisturbed by even the slightest interest, a sea of desert; then the time has come for work to begin, for every individual must work for himself, each for himself. No longer can the individual, as in former times, turn to the great for help when he grows confused. That is past; he is either lost in the dizziness of unending abstraction or saved for ever in the reality of religion. Perhaps very many will cry out in despair, but it will not help them--already it is too late...Nor shall any of the unrecognizable presume to help directly or to speak directly or to teach directly at the head of the masses, in order to direct their decisions, instead of giving his negative support and so helping the individual to make the decision which he himself has reached; any other course would be the end of him, because he would be indulging in the short-sighted compassion of man, instead of obeying the order of divinity, of an angry, yet so merciful, divinity. For the development is, in spite of everything, a progress because all the individuals who are saved will receive the specific weight of religion, its essence at first hand, from God himself. Then it will be said: 'behold, all is in readiness, see how the cruelty of abstraction makes the true form of worldliness only too evident, the abyss of eternity opens before you, the sharp scythe of the leveller makes it possible for every one individually to leap over the blade--and behold, it is God who waits. Leap, then, into the arms of God'. But the 'unrecognizable' neither can nor dares help man, not even his most faithful disciple, his mother, or the girl for whom he would gladly give his life: they must make the leap themselves, for God's love is not a second-hand gift. And yet the 'unrecognizable' neither can nor dares help man, not even his most faithful disciple, his mother, or the girl for whom he would gladly give his life: they must make the leap themselves, for God's love is not a second-hand gift. And yet the 'unrecognizable' (according to his degree) will have a double work compared with the 'outstanding' man (of the same degree), because he will not only have to work continuously, but at the same time labour to conceal his work. ~ S ren Kierkegaard,
1114:Her tent was far enough away that she could call for help without necessarily being heard.
Of course, she might also cry out for pleasanter reasons.
Decided, he moved through the thickening dusk, drew aside the tent flap, and stepped inside.

Kassandra was just finishing her bath. It was an indulgence to cart about the canvas-and-wood tub that had to be filled laboriously with buckets when she could have managed with just a basin. She admitted as much, but savored the bath all the same. After the long day, and the days before it, she needed the calming peace of hot water and blessed quiet.
She would have lingered longer but the water cooled rapidly. Rising, she reached for the towel she had left on a stool beside the tub.
Only to have it handed to her.
She gasped and whirled around to find Royce surveying her with obvious appreciation. “You were very far away,” he said.
“I was not!” Grasping the towel, she wrapped it around herself even as she felt ridiculous for doing so. It was hardly as though the man had not seen her naked before. Seen, touched, tasted, savored…Never mind about that now.
“You walk too quietly,” she accused.
“A hideous failing,” he replied, looking pleased with himself. He glanced around the tent. “Cozy.”
“Comfortable, as I am sure yours is.”
He raised a brow and with it, beckoned a blush. She was not a hypocrite. He had shared her bed for four nights and were they in the palace, he would be sharing it again. It was just that they were out in public, as it were, with none of the privacy to be found in her own quarters.
But she had not moved away from him on the ship and, truth be told, she did not want to do so now.
“You are caught,” he said. At her puzzled look, he added, “On the horns of propriety. It’s an awkward place to be.”
“I’m not trying to conceal anything.”
“I realize that, but you are trying not to make a display of what has happened between us, not force people to deal with it at a time when they are deeply concerned and anxious.”
“Yes,” she said on a breath of relief. He truly did understand. “That’s it exactly.”
“Kassandra…” He reached out a hand but let it fall without touching her. “Whatever lies ahead of us, my concern right now is for your safety. You are alone here in this tent and it is set a little apart from the others. If you like, I’ll sleep outside but I’m not leaving you by yourself tonight.”
She had not thought of that, had not considered that he would be worried about her in such a situation. Belatedly, she realized that her own vision had blinded her. She knew this was not the time or place, but he knew nothing of the sort.
And he wanted to protect her. He really did.
Tears stung her eyes but she would not let them fall. The towel was a different matter. She went to him without it. ~ Josie Litton,
1115:The Boy And The Skylark
A FABLE.
'A wicked action fear to do,
When you are by yourself; for though
You think you can conceal it,
A little bird that's in the air
The hidden trespass shall declare,
And openly reveal it.'
Richard this saying oft had heard,
Until the sight of any bird
Would set his heart a-quaking;
He saw a host of wingëd spies
For ever o'er him in the skies,
Note of his actions taking.
This pious precept, while it stood
In his remembrance, kept him good
When nobody was by him;
For though no human eye was near,
Yet Richard still did wisely fear
The little bird should spy him.
But best resolves will sometimes sleep;
Poor frailty will not always keep
From that which is forbidden;
And Richard, one day, left alone,
Laid hands on something not his own,
And hoped the theft was hidden.
His conscience slept a day or two,
As it is very apt to do
When we with pains suppress it:
And though at times a slight remorse
Would raise a pang, it had not force
To make him yet confess it.
123
When on a day, as he abroad
Walked by his mother, in their road
He heard a skylark singing;
Smit with the sound, a flood of tears
Proclaimed the superstitious fears
His inmost bosom wringing.
His mother, wondering, saw him cry,
And fondly asked the reason why;
Then Richard made confession,
And said, he feared the little bird
He singing in the air had heard
Was telling his transgression.
The words which Richard spoke below,
As sounds by nature upwards go,
Were to the skylark carried;
The airy traveller with surprise
To hear his sayings, in the skies
On his mid journey tarried.
His anger then the bird exprest:
'Sure, since the day I left the nest,
I ne'er heard folly uttered
So fit to move a skylark's mirth,
As what this little son of earth
Hath in his grossness muttered.
'Dull fool! to think we sons of air
On man's low actions waste a care,
His virtues or his vices;
Or soaring on the summer gales,
That we should stoop to carry tales
Of him or his devices!
124
'Our songs are all of the delights
We find in our wild airy flights,
And heavenly exaltation;
The earth you mortals have at heart
Is all too gross to have a part
In skylark's conversation.
'Unless it be in what green field
Or meadow we our nest may build,
Midst flowering broom, or heather;
From whence our new-fledged offspring may
With least obstruction wing their way
Up to the walks of ether.
'Mistaken fool! man needs not us
His secret merits to discuss,
Or spy out his transgression;
When once he feels his conscience stirred,
That voice within him is the bird
That moves him to confession.'
~ Charles Lamb,
1116:Having renounced theism, liberal thinkers have concocted theories in which their values are the end-point of history. But the sorcery of 'social science' cannot conceal the fact that history is going nowhere in particular. Many such end-points have been posited, few of them in any sense liberal. The final stage of history for Comte was an organic society like that which he imagined had existed in medieval times, but based in science. For Marx, the end-point was communism—a society without market exchange or state power, religion or nationalism. For Herbert Spencer, it was minimal government and worldwide laissez-faire capitalism. For Mill, it was a society in which everyone lived as an individual unfettered by custom of public opinion.
These are very different end-points, but they have one thing in common. There is no detectable movement towards any of them. As in the past the world contains a variety of regimes—liberal and illiberal democracies, theocracies and secular republics, nation-states and empires, and all manner of tyrannies. Nothing suggests that the future will be any different.
This has not prevented liberals from attempting to install their values throughout the world in a succession of evangelical wars. Possessed by chimerical visions of universal human rights, western governments have toppled despotic regimes in Afghanistan, Iraq and Libya in order to promote a liberal way of life in societies that have never known it. In doing so they destroyed the states through which the despots ruled, and left nothing durable in their place. The result has been anarchy, followed by the rise of new and often worse kinds of tyranny.
Liberal societies are not templates for a universal political order but instances of a particular form of life. Yet liberals persist in imagining that only ignorance prevents their gospel from being accepted by all of humankind—a vision inherited from Christianity. They pass over the fact that liberal values have no very strong hold on the societies in which they emerged. In leading western institutions of learning, traditions of toleration and freedom of expression are being destroyed in a frenzy of righteousness that recalls the iconoclasm of Christianity when it came to power in the Roman empire. If monotheism gave birth to liberal values, a militant secular version of the faith may usher in their end.
Like Christianity, liberal values came into the world by chance. If the ancient world had remained polytheistic, humankind could have been spared the faith-based violence that goes with proselytizing monotheism. Yet without monotheism, nothing like the liberal freedoms that have existed in some parts of the world would have emerged. A liberal way of life remains one of the more civilized ways in which human beings can live together. But it is local, accidental, and mortal, like the other ways of life human beings have fashioned for themselves and then destroyed. ~ John N Gray,
1117:The Passing Of 'Boss' Shepherd
The sullen church-bell's intermittent moan,
The dirge's melancholy monotone,
The measured march, the drooping flags, attest
A great man's progress to his place of rest.
Along broad avenues himself decreed
To serve his fellow men's disputed need
Past parks he raped away from robbers' thrift
And gave to poverty, wherein to lift
Its voice to curse the giver and the gift
Past noble structures that he reared for men
To meet in and revile him, tongue and pen,
Draws the long retinue of death to show
The fit credentials of a proper woe.
'Boss' Shepherd, you are dead. Your hand no more
Throws largess to the mobs that ramp and roar
For blood of benefactors who disdain
Their purity of purpose to explain,
Their righteous motive and their scorn of gain.
Your period of dream-'twas but a breath
Is closed in the indifference of death.
Sealed in your silences, to you alike
If hands are lifted to applaud or strike.
No more to your dull, inattentive ear
Praise of to-day than curse of yesteryear.
From the same lips the honied phrases fall
That still are bitter from cascades of gall.
We note the shame; you in your depth of dark
The red-writ testimony cannot mark
On every honest cheek; your senses all
Locked, _incommunicado_, in your pall,
Know not who sit and blush, who stand and bawl.
'Seven Grecian cities claim great Homer dead,
Through which the living Homer begged his
bread.'
So sang, as if the thought had been his own,
An unknown bard, improving on a known.
'Neglected genius!'-that is sad indeed,
536
But malice better would ignore than heed,
And Shepherd's soul, we rightly may suspect,
Prayed often for the mercy of neglect
When hardly did he dare to leave his door
Without a guard behind him and before
To save him from the gentlemen that now
In cheap and easy reparation bow
Their corrigible heads above his corse
To counterfeit a grief that's half remorse.
The pageant passes and the exile sleeps,
And well his tongue the solemn secret keeps
Of the great peace he found afar, until,
Death's writ of extradition to fulfill,
They brought him, helpless, from that friendly zone
To be a show and pastime in his own
A final opportunity to those
Who fling with equal aim the stone and rose;
That at the living till his soul is freed,
This at the body to conceal the deed!
Lone on his hill he's lying to await
What added honors may befit his state
The monument, the statue, or the arch
(Where knaves may come to weep and dupes to march)
Builded by clowns to brutalize the scenes
His genius beautified. To get the means,
His newly good traducers all are dunned
For contributions to the conscience fund.
If each subscribe (and pay) one cent 'twill rear
A structure taller than their tallest ear.
~ Ambrose Bierce,
1118:How long have you known about him?” I asked Jesse, using my free hand to gesture toward his guest.
“Forever. Nearly as long as I did about you.”
“God, Jesse. Why didn’t you say anything?”
“He was a shadow of you.” Jesse shrugged. “His background is diluted, his dragon blood les strong. Even with you in his proximity, I wasn’t certain any of his drakon traits would emerge. He hasn’t anywhere near your potential.”
“Pardon me,” Armand said, freezingly polite, “but he is still right here with you in this room.”
“Do you mean…I did it?” I asked. “I made him figure it out? What he is?”
Jesse gave me an assessing look. “Like is drawn to like. We’re all three of us thick with magic now, even if it’s different kinds. It’s inevitable that we’ll feed off one another. The only way to prevent that would be to separate. And even then it might not be enough. Too much has already begun.”
“I don’t want to separate from you,” I said.
“No.” Jesse lifted our hands and gave mine a kiss. “Don’t worry about that.”
Armand practically rolled his eyes. “If you two are quite done, might we talk some sense tonight? It’s late, I’m tired, and your ruddy chair, Holms, is about as comfortable as sitting on a tack. I want to…”
But his voice only faded into silence. He closed his eyes and raised a hand to his face and squeezed the bridge of his nose. I noted again those shining nails. The elegance of his bones beneath his flawless skin.
Skin that was marble-pale, I realized. Just like mine.
“Yes?” I said, more gently than I’d intended.
“Excuse me. I’m finding this all a bit…impossible to process. I’m beginning to believe that this is the most profoundly unpleasant dream I’ve ever been caught in.”
“Allow me to assure you that you’re awake, Lord Armand,” I retorted, all gentleness gone. “To wit: You hear music no one else does. Distinctive music from gemstones and all sorts of metals. That day I played the piano at Tranquility, I was playing your father’s ruby song, one you must have heard exactly as I did. Exactly as your mother would have. You also have, perhaps, something like a voice inside you. Something specific and base, stronger than instinct, hopeless to ignore. Animals distrust you. You might even dream of smoke or flying.”
He dropped his arm. “You got that from the diary.”
“No, I got that from my own life. And damned lucky you are to have been brought into this world as a pampered little prince instead of spending your childhood being like this and still having to fend for yourself, as I did.”
“Right. Lucky me.” Armand looked at Jesse, his eyes glittering. “And what are you? Another dragon? A gargoyle, perchance, or a werecat?”
“Jesse is a star.”
The hand went up to conceal his face again. “Of course he is. The. Most. Unpleasant. Dream. Ever.”
I separated my hand from Jesse’s, angling for more bread. “I think you’re going to have to show him.”
“Aye.”
A single blue eye blinked open between Armand’s fingers. “Show me what? ~ Shana Abe,
1119:Sitting closest to the captain was a man who was clearly Alpha Dog of the group. He was about thirty-five and wore what looked like a very expensive suit, and Matthews had inclined his head toward the man in a way that went beyond deferential and nearly approached reverence. The man looked up at me as I entered, scanned me as if he was memorizing a row of numbers, and then turned impatiently back to Matthews. Sitting next to this charming individual was a woman so startlingly beautiful that for a half moment I forgot I was walking, and I paused in midstep, my right foot dangling in the air, as I gaped at her like a twelve-year-old boy. I simply stared, and I could not have said why. The woman’s hair was the color of old gold, and her features were pleasant and regular, true enough. And her eyes were a startling violet, a color so unlikely and yet so compelling that I felt an urgent need to move near and study her eyes at close range. But there was something beyond the mere arrangement of her features, something unseen and only felt, that made her seem far more attractive than she actually was—a Bright Passenger? Whatever it was, it grabbed my attention and held me helpless. The woman watched me goggle at her with distant amusement, raising an eyebrow and giving me a small smile that said, Of course, but so what? And then she turned back to face the captain, leaving me free to finish my interrupted step and stumble toward the table once more. In a morning of surprises, my reaction to mere Female Pulchritude was a rather large one. I could not remember ever behaving in such an absurdly human way: Dexter does not Drool, not at mere womanly beauty. My tastes are somewhat more refined, generally involving a carefully chosen playmate and a roll of duct tape. But something about this woman had absolutely frozen me, and I could not stop myself from continuing to stare as I lurched into a chair next to my sister. Debs greeted me with a sharp elbow to the ribs and a whisper: “You’re drooling,” she hissed. I wasn’t, of course, but I straightened myself anyway and summoned the shards of my shattered dignity, looking around me with an attempt at regaining my usual composure. There was one last person at the table whom I had not registered yet. He had put a vacant seat between himself and the Irresistible Siren, and he leaned away from her as if afraid he might catch something from her, his head propped up on one elbow, which was planted casually on the table. He wore aviator sunglasses, which did not disguise the fact that he was a ruggedly handsome man of about forty-five, with a perfectly trimmed mustache and a spectacular haircut. It wasn’t possible to be sure with the sunglasses clamped to his face, but it certainly seemed like he hadn’t even glanced at me as I’d come clown-footing into the room and into my chair. Somehow I managed to conceal my crushing disappointment at his negligence, and I turned my steely gaze to the head of the table, where Captain Matthews was once again clearing his throat. ~ Jeff Lindsay,
1120:Needless to say, what whites now think and say about race has undergone a revolution. In fact, it would be hard to find other opinions broadly held by Americans that have changed so radically. What whites are now expected to think about race can be summarized as follows: Race is an insignificant matter and not a valid criterion for any purpose—except perhaps for redressing wrongs done to non-whites. The races are equal in every respect and are therefore interchangeable. It thus makes no difference if a neighborhood or nation becomes non-white or if white children marry outside their race. Whites have no valid group interests, so it is illegitimate for them to attempt to organize as whites. Given the past crimes of whites, any expression of racial pride is wrong. The displacement of whites by non-whites through immigration will strengthen the United States. These are matters on which there is little ground for disagreement; anyone who holds differing views is not merely mistaken but morally suspect.
By these standards, of course, most of the great men of America’s past are morally suspect, and many Americans are embarrassed to discover what our traditional heroes actually said. Some people deliberately conceal this part of our history. For example, the Jefferson Memorial has the following quotation from the third president inscribed on the marble interior: “Nothing is more certainly written in the book of fate than that these people [the Negroes] shall be free.” Jefferson did not end those words with a period, but with a semicolon, after which he wrote: “nor is it less certain that the two races equally free, cannot live under the same government.”
The Jefferson Memorial was completed in 1942. A more contemporary approach to the past is to bring out all the facts and then repudiate historical figures. This is what author Conor Cruise O’Brien did in a 1996 cover story for The Atlantic Monthly. After detailing Jefferson’s views, he concluded:
“It follows that there can be no room for a cult of Thomas Jefferson in the civil religion of an effectively multiracial America . . . . Once the facts are known, Jefferson is of necessity abhorrent to people who would not be in America at all if he could have had his way.”
Columnist Richard Grenier likened Jefferson to Nazi SS and Gestapo chief Heinrich Himmler, and called for the demolition of the Jefferson Memorial “stone by stone.”
It is all very well to wax indignant over Jefferson’s views 170 years after his death, but if we expel Jefferson from the pantheon where do we stop? Clearly Lincoln must go, so his memorial must come down too. Washington owned slaves, so his monument is next. If we repudiate Jefferson, we do not just change the skyline of the nation’s capital, we repudiate practically our entire history.
This, in effect, is what some people wish to do. American colonists and Victorian Englishmen saw the expansion of their race as an inspiring triumph. Now it is cause for shame. “The white race is the cancer of human history,” wrote Susan Sontag.
The wealth of America used to be attributed to courage, hard work, and even divine providence. Now, it is common to describe it as stolen property. Robin Morgan, a former child actor and feminist, has written, “My white skin disgusts me. My passport disgusts me. They are the marks of an insufferable privilege bought at the price of others’ agony. ~ Jared Taylor,
1121:Le Poison (The Poison)
Le vin sait revêtir le plus sordide bouge
D'un luxe miraculeux,
Et fait surgir plus d'un portique fabuleux
Dans l'or de sa vapeur rouge,
Comme un soleil couchant dans un ciel nébuleux.
L'opium agrandit ce qui n'a pas de bornes,
Allonge l'illimité,
Approfondit le temps, creuse la volupté,
Et de plaisirs noirs et mornes
Remplit l'âme au delà de sa capacité.
Tout cela ne vaut pas le poison qui découle
De tes yeux, de tes yeux verts,
Lacs où mon âme tremble et se voit à l'envers...
Mes songes viennent en foule
Pour se désaltérer à ces gouffres amers.
Tout cela ne vaut pas le terrible prodige
De ta salive qui mord,
Qui plonge dans l'oubli mon âme sans remords,
Et charriant le vertige,
La roule défaillante aux rives de la mort!
Poison
Wine knows how to adorn the most sordid hovel
With marvelous luxury
And make more than one fabulous portal appear
In the gold of its red mist
Like a sun setting in a cloudy sky.
Opium magnifies that which is limitless,
Lengthens the unlimited,
Makes time deeper, hollows out voluptuousness,
And with dark, gloomy pleasures
Fills the soul beyond its capacity.
All that is not equal to the poison which flows
314
From your eyes, from your green eyes,
Lakes where my soul trembles and sees its evil side...
My dreams come in multitude
To slake their thirst in those bitter gulfs.
All that is not equal to the awful wonder
Of your biting saliva,
Charged with madness, that plunges my remorseless soul
Into oblivion
And rolls it in a swoon to the shores of death.
— Translated by William Aggeler
Poisons
Wine can conceal a sordid room
In rich, miraculous disguise,
And make such porticoes arise
Out of its flushed and crimson fume
As makes the sunset in the skies.
Opium the infinite enlarges,
And lengthens all that is past measure.
It deepens time, and digs its treasure,
With sad, black raptures it o'ercharges
The soul, and surfeits it with pleasure.
Neither are worth the drug so strong
That you distil from your green eyes,
Lakes where I see my soul capsize
Head downwards: and where, in one throng,
I slake my dreams, and quench my sighs.
But to your spittle these seem naught —
It stings and burns. It steeps my thought
And spirit in oblivious gloom,
And, in its dizzy onrush caught,
Dashes it on the shores of doom.
— Translated by Roy Campbell
315
Le Poison
wine clothes the sordid walls of hovels old
with pomp no palace knows,
evokes long peristyles in pillared rows
from vaporous red and gold;
like sunset with her cloud-built porticoes.
and opium widens all that has no bourn
in its unbounded sea;
moments grow hours, pleasures cease to be
in souls that, overworn,
drown in its black abyss of lethargy.
dread poisons, but more dread the poisoned well
of thy green eyes accurst;
tarns where I watch my trembling soul, reversed
my dreams innumerable
throng to those bitter gulfs to slake their thirst.
dread magic, but thy mouth more dread than these:
its wine and hellebore
burn, floods of Lethe, in my bosom's core,
till winds of madness seize
and dash me swooning on Death's barren shore!
— Translated by Lewis Piaget Shanks
~ Charles Baudelaire,
1122:In our world error is continually the handmaid and pathfinder of Truth; for error is really a half-truth that stumbles because of its limitations; often it is Truth that wears a disguise in order to arrive unobserved near to its goal. Well, if it could always be, as it has been in the great period we are leaving, the faithful handmaid, severe, conscientious, clean-handed, luminous within its limits, a half-truth and not a reckless and presumptuous aberration.
   A certain kind of Agnosticism is the final truth of all knowledge. For when we come to the end of whatever path, the universe appears as only a symbol or an appearance of an unknowable Reality which translates itself here into different systems of values, physical values, vital and sensational values, intellectual, ideal and spiritual values. The more That becomes real to us, the more it is seen to be always beyond defining thought and beyond formulating expression. "Mind attains not there, nor speech."3 And yet as it is possible to exaggerate, with the Illusionists, the unreality of the appearance, so it is possible to exaggerate the unknowableness of the Unknowable. When we speak of It as unknowable, we mean, really, that It escapes the grasp of our thought and speech, instruments which proceed always by the sense of difference and express by the way of definition; but if not knowable by thought, It is attainable by a supreme effort of consciousness. There is even a kind of Knowledge which is one with Identity and by which, in a sense, It can be known. Certainly, that Knowledge cannot be reproduced successfully in the terms of thought and speech, but when we have attained to it, the result is a revaluation of That in the symbols of our cosmic consciousness, not only in one but in all the ranges of symbols, which results in a revolution of our internal being and, through the internal, of our external life. Moreover, there is also a kind of Knowledge through which That does reveal itself by all these names and forms of phenomenal existence which to the ordinary intelligence only conceal It. It is this higher but not highest process of Knowledge to which we can attain by passing the limits of the materialistic formula and scrutinising Life, Mind and Supermind in the phenomena that are characteristic of them and not merely in those subordinate movements by which they link themselves to Matter.
   The Unknown is not the Unknowable; it need not remain the unknown for us, unless we choose ignorance or persist in our first limitations. For to all things that are not unknowable, all things in the universe, there correspond in that universe faculties which can take cognisance of them, and in man, the microcosm, these faculties are always existent and at a certain stage capable of development. We may choose not to develop them; where they are partially developed, we may discourage and impose on them a kind of atrophy. But, fundamentally, all possible knowledge is knowledge within the power of humanity. And since in man there is the inalienable impulse of Nature towards self-realisation, no struggle of the intellect to limit the action of our capacities within a determined area can for ever prevail. When we have proved Matter and realised its secret capacities, the very knowledge which has found its convenience in that temporary limitation, must cry to us, like the Vedic Restrainers, 'Forth now and push forward also in other fields.'
   ~ Sri Aurobindo, The Life Divine,
1123:To the infra-human specimens of this benighted scientific age the ritual and worship connected with the art of healing as practiced at Epidaurus seems like sheer buncombe. In our world the blind lead the blind and the sick go to the sick to be cured. We are making constant progress, but it is a progress which leads to the operating table, to the poor house, to the insane asylum, to the trenches. We have no healers – we have only butchers whose knowledge of anatomy entitles them to a diploma, which in turn entitles them to carve out or amputate our illnesses so that we may carry on in cripple fashion until such time as we are fit for the slaughterhouse. We announce the discovery of this cure and that but make no mention of the new diseases which we have created en route. The medical cult operates very much like the war office – the triumphs which they broadcast are sops thrown out to conceal death and disaster. The medicos, like the military authorities, are helpless; they are waging a hopeless fight from the start. What man wants is peace in order that he may live. Defeating our neighbor doesn’t give peace any more than curing cancer brings health. Man doesn’t begin to live through triumphing over his enemy nor does he begin to acquire health through endless cures. The joy of life comes through peace, which is not static but dynamic. No man can really say that he knows what joy is until he has experienced peace. And without joy there is no life, even if you have a dozen cars, six butlers, a castle, a private chapel and a bomb-proof vault. Our diseases are our attachments, be they habits, ideologies, ideals, principles, possessions, phobias, gods, cults, religions, what you please. Good wages can be a disease just as much as bad wages. Leisure can be just as great a disease as work. Whatever we cling to, even if it be hope or faith, can be the disease which carries us off. Surrender is absolute: if you cling to even the tiniest crumb you nourish the germ which will devour you. As for clinging to God, God long ago abandoned us in order that we might realize the joy of attaining godhood through our own efforts. All this whimpering that is going on in the dark, this insistent, piteous plea for peace which will grow bigger as the pain and the misery increase, where is it to be found? Peace, do people imagine that it is something to cornered, like corn or wheat? Is it something which can be pounded upon and devoured, as with wolves fighting over a carcass? I hear people talking about peace and their faces are clouded with anger or with hatred or with scorn and disdain, with pride and arrogance. There are people who want to fight to bring about peace- the most deluded souls of all. There will be no peace until murder is eliminated from the heart and mind. Murder is the apex of the broad pyramid whose base is the self. That which stands will have to fall. Everything which man has fought for will have to be relinquished before he can begin to live as man. Up till now he has been a sick beast and even his divinity stinks. He is master of many worlds and in his own he is a slave. What rules the world is the heart, not the brain, in every realm our conquests bring only death. We have turned our backs on the one realm wherein freedom lies. At Epidaurus, in the stillness, in the great peace that came over me, I heard the heart of the world beat. I know what the cure is: it is to give up, to relinquish, to surrender, so that our little hearts may beat in unison with the great heart of the world. ~ Henry Miller,
1124:In the words of Paul Johnson: The Temple, now, in Herod’s1 version, rising triumphantly over Jerusalem, was an ocular reminder that Judaism was about Jews and their history—not about anyone else. Other gods flew across the deserts from the East without much difficulty, jettisoning the inconvenient and embarrassing accretions from their past, changing, as it were, their accents and manners as well as their names. But the God of the Jews was still alive and roaring in his Temple, demanding blood, making no attempt to conceal his racial and primitive origins. Herod’s fabric was elegant, modern, sophisticated—he had, indeed, added some Hellenic decorative effects much resented by fundamentalist Jews who constantly sought to destroy them—but nothing could hide the essential business of the Temple, which was the ritual slaughter, consumption, and combustion of sacrificial cattle on a gigantic scale. The place was as vast as a small city. There were literally thousands of priests, attendants, temple-soldiers, and minions. To the unprepared visitor, the dignity and charity of Jewish disapora life, the thoughtful comments and homilies of the Alexandrian synagogue, was quite lost amid the smoke of the pyres, the bellows of terrified beasts, the sluices of blood, the abattoir stench, the unconcealed and unconcealable machinery of tribal religion inflated by modern wealth to an industrial scale. Sophisticated Romans who knew the Judaism of the diaspora found it hard to understand the hostility towards Jews shown by colonial officials who, behind a heavily-armed escort, had witnessed Jerusalem at festival time. Diaspora Judaism, liberal and outward-minded, contained the matrix of a universal religion, but only if it could be cut off from its barbarous origins; and how could so thick and sinewy an umbilical cord be severed? This description of “Herod’s” Temple (actually the Second Temple, built in the sixth century B.C. and rebuilt by Herod) is more than a bit overwrought. The God of the Jews did not roar in his Temple: the insoluble problem was that, since the destruction of the First Temple and, with it, the Ark of the Covenant, God had ceased to be present in his Temple. Nor would animal sacrifice have disgusted the gentiles, since Greeks, Romans, and all ancient peoples offered such sacrifices (though one cannot help wondering whether, had the Second Temple not been destroyed, it would today be ringed from morn to night by indignant animal-rights activists). But Johnson is right to emphasize that Judaism, in its mother city, could display a sweaty tribalism that gentiles would only find unattractive. The partisan, argumentative ambience of first-century Jerusalem, not unlike the atmosphere of the ultra-Orthodox pockets of the contemporary city, could repel any outsider, whether gentile or diaspora Jew. Perhaps most important is Johnson’s shrewd observation that Judaism “contained the matrix of a universal religion.” By this time, the more percipient inhabitants of the Greco-Roman world had come to the conclusion that polytheism, whatever manifestation it might assume, was seriously flawed. The Jews alone, by offering monotheism, offered a unitive vision, not the contradictory and flickering epiphanies of a fanciful pantheon of gods and goddesses. But could Judaism adapt to gentile needs, could it lose its foreign accent and outlandish manners? No one saw the opportunity more clearly than Luke; his gospel and its sequel, the Acts of the Apostles, present a Jesus and a Jesus Movement specifically tailored to gentile sensibility. ~ Thomas Cahill,
1125:I still have no choice but to bring out Minerva instead.”
“But Minerva doesn’t care about men,” young Charlotte said helpfully. “She prefers dirt and rocks.”
“It’s called geology,” Minerva said. “It’s a science.”
“It’s certain spinsterhood, is what it is! Unnatural girl. Do sit straight in your chair, at least.” Mrs. Highwood sighed and fanned harder. To Susanna, she said, “I despair of her, truly. This is why Diana must get well, you see. Can you imagine Minerva in Society?”
Susanna bit back a smile, all too easily imagining the scene. It would probably resemble her own debut. Like Minerva, she had been absorbed in unladylike pursuits, and the object of her female relations’ oft-voiced despair. At balls, she’d been that freckled Amazon in the corner, who would have been all too happy to blend into the wallpaper, if only her hair color would have allowed it.
As for the gentlemen she’d met…not a one of them had managed to sweep her off her feet. To be fair, none of them had tried very hard.
She shrugged off the awkward memories. That time was behind her now.
Mrs. Highwood’s gaze fell on a book at the corner of the table. “I am gratified to see you keep Mrs. Worthington close at hand.”
“Oh yes,” Susanna replied, reaching for the blue, leatherbound tome. “You’ll find copies of Mrs. Worthington’s Wisdom scattered everywhere throughout the village. We find it a very useful book.”
“Hear that, Minerva? You would do well to learn it by heart.” When Minerva rolled her eyes, Mrs. Highwood said, “Charlotte, open it now. Read aloud the beginning of Chapter Twelve.”
Charlotte reached for the book and opened it, then cleared her throat and read aloud in a dramatic voice. “’Chapter Twelve. The perils of excessive education. A young lady’s intellect should be in all ways like her undergarments. Present, pristine, and imperceptible to the casual observer.’”
Mrs. Highwood harrumphed. “Yes. Just so. Hear and believe it, Minerva. Hear and believe every word. As Miss Finch says, you will find that book very useful.”
Susanna took a leisurely sip of tea, swallowing with it a bitter lump of indignation. She wasn’t an angry or resentful person, as a matter of course. But once provoked, her passions required formidable effort to conceal.
That book provoked her, no end.
Mrs. Worthington’s Wisdom for Young Ladies was the bane of sensible girls the world over, crammed with insipid, damaging advice on every page. Susanna could have gleefully crushed its pages to powder with a mortar and pestle, labeled the vial with a skull and crossbones, and placed it on the highest shelf in her stillroom, right beside the dried foxglove leaves and deadly nightshade berries.
Instead, she’d made it her mission to remove as many copies as possible from circulation. A sort of quarantine. Former residents of the Queen’s Ruby sent the books from all corners of England. One couldn’t enter a room in Spindle Cove without finding a copy or three of Mrs. Worthington’s Wisdom. And just as Susanna had told Mrs. Highwood, they found the book very useful indeed. It was the perfect size for propping a window open. It also made an excellent doorstop or paperweight. Susanna used her personal copies for pressing herbs. Or occasionally, for target practice.
She motioned to Charlotte. “May I?” Taking the volume from the girl’s grip, she raised the book high. Then, with a brisk thwack, she used it to crush a bothersome gnat.
With a calm smile, she placed the book on a side table. “Very useful indeed. ~ Tessa Dare,
1126:A Prayer For The King's Majesty
22nd January, 1901.
THE Queen is dead. God save the King,
In this his hour of grief,
When sorrow gathers memories in a sheaf
To lay them on his shoulders as he stands
Inheriting her glories and her lands-First gain of his at which his Mother's voice
Has not been first to bless and to rejoice-A man, set lonely between gain and loss.
(O words of love the heart remembereth,
O mighty loss outweighing every gain!)
A Son whose kingdom Death's arm lies across,
A King whose Mother lies alone with Death
Wrapped in the folds of white implacable sleep.
O God, who seest the tears Thy children weep,
O God, who countest each sad heart-beat, see
How our King needs the grace we ask of Thee!
Thou knowest how little and how vain a thing
Is Empire, when the heart is sick with pain-God, save the King!
The Queen is dead. The splendour of her days,
The sorrow of them both alike merge now
In the new aureole that lights her brow.
The clamour of her people's voice in praise
Must hush itself to the still voice that prays
In the holy chamber of Death. Tread softly here,
A mighty Queen lies dead.
Her people's heart wears black,
The black bells toll unceasing in their ear,
And on the gold sun's track
The great world round
Like a black ring the voice of mourning goes,
Till even our ancient foes
With eyes downbent, and brotherly bared head,
Keep mourning watch with us. This is the hour
When Love lends all his power
To speed grief's arrows from the bow of Death,
When sighs are idle breath,
22
When tears are fountains vain.
She will not wake again,
Not now, not here.
O great and good and infinitely dear,
O Mother of your people, sleep is sweet,
No more Life's thorny ways will wound your feet.
O Mother dear, sleep sound!
When you shall wake,
Your brows freed from the crown that made them ache
So many a time, and wear the heavenly crown,
Then, then you will look down
On us who love you, and, remembering,
The love of earth will breathe with us our prayer,
Our prayer prayed here, joined to your prayer prayed there:
Who knows what radiant answer it may bring?
'God save the King!'
The Queen is dead. God save the King!
From all ill thought and deed,
From heartless service and from selfish sway,
From treason, and the vain imagining
Of evil counsellors, and the noisome breed
Of flatterers who eat the soul away,
God save the King!
From loss and pain and tears
Such as her many years
Brought her; from battle and strife,
And the inmost hurt of life,
The wounds that no crown can heal,
No ermine robes conceal,
God save the King!
God, by our memories of his Mother's face,
By the love that makes our heart her dwelling-place,
Grant to our sorrow this desired grace:
God save the King!
*********
The Queen is dead. God save the King.
23
This is no hour when joy has leave to sing;
Only, amid our tears, we are bold to pray,
More boldly, in that we pray sorrowing,
In this most sorrowful day.
God, who wast of a mortal Mother born,
Who driest the tears with which Thy children mourn,
God, save the King!
Look down on him whose crown is wet with tears
In which its splendour fades and disappears-His tears, our tears, tears out of all her lands.
The Queen is dead.
God! strengthen the King's hands!
God, save the King!
~ Edith Nesbit,
1127:We began before words, and we will end beyond them.
It sometimes seems to me that our days are poisoned with too many words. Words said and not meant. Words said ‘and’ meant. Words divorced from feeling. Wounding words. Words that conceal. Words that reduce. Dead words.

If only words were a kind of fluid that collects in the ears, if only they turned into the visible chemical equivalent of their true value, an acid, or something curative – then we might be more careful. Words do collect in us anyway. They collect in the blood, in the soul, and either transform or poison people’s lives. Bitter or thoughtless words poured into the ears of the young have blighted many lives in advance. We all know people whose unhappy lives twist on a set of words uttered to them on a certain unforgotten day at school, in childhood, or at university.

We seem to think that words aren’t things. A bump on the head may pass away, but a cutting remark grows with the mind. But then it is possible that we know all too well the awesome power of words – which is why we use them with such deadly and accurate cruelty.

We are all wounded inside one way or other. We all carry unhappiness within us for some reason or other. Which is why we need a little gentleness and healing from one another. Healing in words, and healing beyond words. Like gestures. Warm gestures. Like friendship, which will always be a mystery. Like a smile, which someone described as the shortest distance between two people.

Yes, the highest things are beyond words.

That is probably why all art aspires to the condition of wordlessness. When literature works on you, it does so in silence, in your dreams, in your wordless moments. Good words enter you and become moods, become the quiet fabric of your being. Like music, like painting, literature too wants to transcend its primary condition and become something higher. Art wants to move into silence, into the emotional and spiritual conditions of the world. Statues become melodies, melodies become yearnings, yearnings become actions.

When things fall into words they usually descend. Words have an earthly gravity. But the best things in us are those that escape the gravity of our deaths. Art wants to pass into life, to lift it; art wants to enchant, to transform, to make life more meaningful or bearable in its own small and mysterious way. The greatest art was probably born from a profound and terrible silence – a silence out of which the greatest enigmas of our life cry: Why are we here? What is the point of it all? How can we know peace and live in joy? Why be born in order to die? Why this difficult one-way journey between the two mysteries?

Out of the wonder and agony of being come these cries and questions and the endless stream of words with which to order human life and quieten the human heart in the midst of our living and our distress.

The ages have been inundated with vast oceans of words. We have been virtually drowned in them. Words pour at us from every angle and corner. They have not brought understanding, or peace, or healing, or a sense of self-mastery, nor has the ocean of words given us the feeling that, at least in terms of tranquility, the human spirit is getting better.

At best our cry for meaning, for serenity, is answered by a greater silence, the silence that makes us seek higher reconciliation.

I think we need more of the wordless in our lives. We need more stillness, more of a sense of wonder, a feeling for the mystery of life. We need more love, more silence, more deep listening, more deep giving. ~ Ben Okri,
1128:You are a totally pathetic, historical example of the phallocentric, to put it mildly."

"A pathetic, historical example," Oshima repeats, obviously impressed. By his tone of voice he seems to like the sound of that phrase.

"In other words you're a typical sexist, patriarchic male," the tall one pipes in, unable to conceal her irritation.

"A patriarchic male," Oshima again repeats.

The short one ignores this and goes on. "You're employing the status quo and the cheap phallocentric logic that supports it to reduce the entire female gender to second-class citizens, to limit and deprive women of the rights they're due. You're doing this unconsciously rather than deliberately, but that makes you even guiltier. You protect vested male interests and become inured to the pain of others, and don't even try to see what evil your blindness causes women and society. I realize that problems with restrooms and card catalogs are mere details, but if we don't begin with the small things we'll never be able to throw off the cloak of blindness that covers our society. Those are the principles by which we act."

"That's the way every sensible woman feels," the tall one adds, her face expressionless.

[...]

A frozen silence follows.

"At any rate, what you've been saying is fundamentally wrong," Oshima says, calmly yet emphatically. "I am most definitely not a pathetic, historical example of a patriarchic male."

"Then explain, simply, what's wrong with what we've said," the shorter woman says defiantly.

"Without sidestepping the issue or trying to show off how erudite you are," the tall one adds.

"All right. I'll do just that—explain it simply and honestly, minus any sidestepping or displays of brilliance," Oshima says.

"We're waiting," the tall one says, and the short one gives a compact nod to show she agrees.

"First of all, I'm not a male," Oshima announces.

A dumbfounded silence follows on the part of everybody. I gulp and shoot Oshima a glance.

"I'm a woman," he says.

"I'd appreciate it if you wouldn't joke around," the short woman says, after a pause for breath. Not much confidence, though. It's more like she felt somebody had to say something.

Oshima pulls his wallet out of his chinos, takes out the driver's license, and passes it to the woman. She reads what's written there, frowns, and hands it to her tall companion, who reads it and, after a moment's hesitation, gives it back to Oshima, a sour look on her face.

"Did you want to see it too?" Oshima asks me. When I shake my head, he slips the license back in his wallet and puts the wallet in his pants pocket. He then places both hands on the counter and says, "As you can see, biologically and legally I am undeniably female. Which is why what you've been saying about me is fundamentally wrong. It's simply impossible for me to be, as you put it, a typical sexist, patriarchic male."

"Yes, but—" the tall woman says but then stops. The short one, lips tight, is playing with her collar.

"My body is physically female, but my mind's completely male," Oshima goes on.

"Emotionally I live as a man. So I suppose your notion of being a historical example may be correct. And maybe I am sexist—who knows. But I'm not a lesbian, even though I dress this way. My sexual preference is for men. In other words, I'm a female but I'm gay. I do anal sex, and have never used my vagina for sex. My clitoris is sensitive but my breasts aren't. I don't have a period. So, what am I discriminating against? Could somebody tell me? ~ Haruki Murakami,
1129: ON THE

FRIEND

"There is always one too many around me"-thus
thinks the hermit. "Always one times one-eventually
that makes two."
I and me are always too deep in conversation: how
56
could one stand that if there were no friend? For the
hermit the friend is always the third person: the third
is the cork that prevents the conversation of the two
from sinking into the depths. Alas, there are too many
depths for all hermits; therefore they long so for a
friend and his height.
Our faith in others betrays in what respect we would
like to have faith in ourselves. Our longing for a friend
is our betrayer. And often love is only a device to overcome envy. And often one attacks and makes an enemy
in order to conceal that one is open to attack. "At least
be my enemyl"-thus speaks true reverence, which
does not dare ask for friendship.
If one wants to have a friend one must also want
to wage war for him: and to wage war, one must be
capable of being an enemy.
In a friend one should still honor the enemy. Can
you go close to your friend without going over to
him?
In a friend one should have one's best enemy. You
should be closest to him with your heart when you
resist him.
You do not want to put on anything for your friend?
Should it be an honor for your friend that you give
yourself to him as you are? But he sends you to the
devil for that. He who makes no secret of himself,
enrages: so much reason have you for fearing nakedness. Indeed, if you were gods, then you might be
ashamed of your clothes. You cannot groom yourself
too beautifully for your friend: for you shall be to him
an arrow and a longing for the overman.
Have you ever seen your friend asleep-and found
out how he looks? What is the face of your friend anyway? It is your own face in a rough and imperfect
mirror.
57
Have you ever seen your friend asleep? Were you
not shocked that your friend looks like that? 0 my
friend, man is something that must be overcome.
A friend should be a master at guessing and keeping still: you must not want to see everything. Your
dream should betray to you what your friend does
while awake.
Your compassion should be a guess-to know first
whether your friend wants compassion. Perhaps what
he loves in you is the unbroken eye and the glance of
eternity. Compassion for the friend should conceal itself under a hard shell, and you should break a tooth
on it. That way it will have delicacy and sweetness.
Are you pure air and solitude and bread and medicine for your friend? Some cannot loosen their own
chains and can nevertheless redeem their friends.
Are you a slave? Then you cannot be a friend. Are
you a tyrant? Then you cannot have friends. All-toolong have a slave and a tyrant been concealed in
woman. Therefore woman is not yet capable of friendship: she knows only love.
Woman's love involves injustice and blindness against
everything that she does not love. And even in the
knowing love of a woman there are still assault and
lightning and night alongside light.
Woman is not yet capable of friendship: women are
still cats and birds. Or at best, cows.
Woman is not yet capable of friendship. But tell
me, you men, who among you is capable of friendship?
Alas, behold your poverty, you men, and the meanness of your souls As much as you give the friend, I
will give even my enemy, and I shall not be any the
poorer for it. There is comradeship: let there be friendshipl
Thus spoke Zarathustra.
58
~ Friedrich Nietzsche, ON THE FRIEND
,
1130: ON LITTLE OLD AND YOUNG WOMEN

"Why do you steal so cautiously through the twilight, Zarathustra? And what do you conceal so carefully under your coat? Is it a treasure you have been
given? or a child born to you? Or do you yourself now
follow the ways of thieves, you friend of those who are
evil?"
"Verily, my brother," said Zarathustra, "it is a treasure
I have been given: it is a little truth that I carry. But
it is troublesome like a young child, and if I don't hold
my hand over its mouth, it will cry overloudly.
"When I went on my way today, alone, at the hour
when the sun goes down, I met a little old woman who
spoke thus to my soul: 'Much has Zarathustra spoken
to us women too; but never did he speak to us about
woman.' And I answered her: 'About woman one
should speak only to men.' Then she said: 'Speak to
me too of woman; I am old enough to forget it im-
66
mediately.' And I obliged the little old woman and I
spoke to her thus:
"Everything about woman is a riddle, and everything about woman has one solution: that is pregnancy.
Man is for woman a means: the end is always the
child. But what is woman for man?
"A real man wants two things: danger and play.
Therefore he wants woman as the most dangerous
plaything. Man should be educated for war, and
woman for the recreation of the warrior; all else is
folly. The warrior does not like all-too-sweet fruit;
therefore he likes woman: even the sweetest woman is
bitter. Woman understands children better than man
does, but man is more childlike than woman.
"In a real man a child is hidden-and wants to
play. Go to it, women, discover the child in man! Let
woman be a plaything, pure and fine, like a gem,
irradiated by the virtues of a world that has not yet
arrived. Let the radiance of a star shine through your
love! Let your hope be: May I give birth to the overman!
"Let there be courage in your lovely With your love
you should proceed toward him who arouses fear in
you. Let your honor be in your love! Little does woman
understand of honor otherwise. But let this be your
honor: always to love more than you are loved, and
never to be second.
"Let man fear woman when she loves: then she
makes any sacrifice, and everything else seems without
value to her. Let man fear woman when she hates: for
deep down in his soul man is merely evil, while
woman is bad. Whom does woman hate most? Thus
spoke the iron to the magnet: 'I hate you most because
you attract, but are not strong enough to pull me to
you.
"The happiness of man is: I will. The happiness of
woman is: he wills. 'Behold, just now the world became perfect!-thus thinks every woman when she
obeys out of entire love. And woman must obey and
find a depth for her surface. Surface is the disposition
of woman: a mobile, stormy film over shallow water.
Man's disposition, however, is deep; his river roars in
subterranean caves: woman feels his strength but does
not comprehend it.
"Then the little old woman answered me: 'Many
fine things has Zarathustra said, especially for those
who are young enough for them. It is strange: Zarathustra knows women little, and yet he is right about
them. Is this because nothing is impossible with
woman? And now, as a token of gratitude, accept a
little truth. After all, I am old enough for it. Wrap it
up and hold your hand over its mouth: else it will cry
overloudly, this little truth.'
"Then I said: 'Woman, give me your little truth.'
And thus spoke the little old woman:
"'You are going to women? Do not forget the

whipl' Thus spoke Zarathustra.
~ Friedrich Nietzsche, ON LITTLE OLD AND YOUNG WOMEN
,
1131:Walt Whitman (1819–1892). Leaves of Grass. 1900.

To You


WHOEVER you are, I fear you are walking the walks of dreams,
I fear these supposed realities are to melt from under your feet and hands;
Even now, your features, joys, speech, house, trade, manners, troubles, follies, costume, crimes, dissipate away from you,
Your true Soul and Body appear before me,
They stand forth out of affairs—out of commerce, shops, law, science, work, forms, clothes, the house, medicine, print, buying, selling, eating, drinking, suffering, dying.

Whoever you are, now I place my hand upon you, that you be my poem;
I whisper with my lips close to your ear,
I have loved many women and men, but I love none better than you.

O I have been dilatory and dumb;
I should have made my way straight to you long ago;
I should have blabb’d nothing but you, I should have chanted nothing but you.

I will leave all, and come and make the hymns of you;
None have understood you, but I understand you;
None have done justice to you—you have not done justice to yourself;
None but have found you imperfect—I only find no imperfection in you;
None but would subordinate you—I only am he who will never consent to subordinate you;
I only am he who places over you no master, owner, better, God, beyond what waits intrinsically in yourself.

Painters have painted their swarming groups, and the centre figure of all;
From the head of the centre figure spreading a nimbus of gold-color’d light;
But I paint myriads of heads, but paint no head without its nimbus of gold-color’d light;
From my hand, from the brain of every man and woman it streams, effulgently flowing forever.

O I could sing such grandeurs and glories about you!
You have not known what you are—you have slumber’d upon yourself all your life;
Your eye-lids have been the same as closed most of the time;
What you have done returns already in mockeries;
(Your thrift, knowledge, prayers, if they do not return in mockeries, what is their return?)

The mockeries are not you;
Underneath them, and within them, I see you lurk;
I pursue you where none else has pursued you;
Silence, the desk, the flippant expression, the night, the accustom’d routine, if these conceal you from others, or from yourself, they do not conceal you from me;
The shaved face, the unsteady eye, the impure complexion, if these balk others, they do not balk me,
The pert apparel, the deform’d attitude, drunkenness, greed, premature death, all these I part aside.

There is no endowment in man or woman that is not tallied in you;
There is no virtue, no beauty, in man or woman, but as good is in you;
No pluck, no endurance in others, but as good is in you;
No pleasure waiting for others, but an equal pleasure waits for you.

As for me, I give nothing to any one, except I give the like carefully to you;
I sing the songs of the glory of none, not God, sooner than I sing the songs of the glory of you.

Whoever you are! claim your own at any hazard!
These shows of the east and west are tame, compared to you;
These immense meadows—these interminable rivers—you are immense and interminable as they;
These furies, elements, storms, motions of Nature, throes of apparent dissolution—you are he or she who is master or mistress over them,
Master or mistress in your own right over Nature, elements, pain, passion, dissolution.

The hopples fall from your ankles—you find an unfailing sufficiency;
Old or young, male or female, rude, low, rejected by the rest, whatever you are promulges itself;
Through birth, life, death, burial, the means are provided, nothing is scanted;
Through angers, losses, ambition, ignorance, ennui, what you are picks its way. ~ Walt Whitman,
1132:Childhood
Ah me! conceiv'd in sin, and born in sorrow,
A nothing, here to day, but gone to morrow,
Whose mean beginning, blushing can't reveal,
But night and darkness must with shame conceal.
My mother's breeding sickness, I will spare,
Her nine months' weary burden not declare.
To shew her bearing pangs, I should do wrong,
To tell that pain, which can't be told by tongue.
With tears into this world I did arrive;
My mother still did waste, as I did thrive,
Who yet with love and all alacrity,
Spending was willing to be spent for me.
With wayward cries, I did disturb her rest,
Who sought still to appease me with her breast;
With weary arms, she danc'd, and By, By, sung,
When wretched I (ungrate) had done the wrong.
When Infancy was past, my Childishness
Did act all folly that it could express.
My silliness did only take delight
In that which riper age did scorn and slight,
In Rattles, Bables, and such toyish stuff.
My then ambitious thoughts were low enough.
My high-born soul so straitly was confin'd
That its own worth it did not know nor mind.
This little house of flesh did spacious count,
Through ignorance, all troubles did surmount,
Yet this advantage had mine ignorance,
Freedom from Envy and from Arrogance.
How to be rich, or great, I did not cark,
A Baron or a Duke ne'r made my mark,
Nor studious was, Kings favours how to buy,
With costly presents, or base flattery;
No office coveted, wherein I might
Make strong my self and turn aside weak right.
No malice bare to this or that great Peer,
Nor unto buzzing whisperers gave ear.
I gave no hand, nor vote, for death, or life.
I'd nought to do, 'twixt Prince, and peoples' strife.
No Statist I: nor Marti'list i' th' field.
30
Where e're I went, mine innocence was shield.
My quarrels, not for Diadems, did rise,
But for an Apple, Plumb, or some such prize.
My strokes did cause no death, nor wounds, nor scars.
My little wrath did cease soon as my wars.
My duel was no challenge, nor did seek.
My foe should weltering, with his bowels reek.
I had no Suits at law, neighbours to vex,
Nor evidence for land did me perplex.
I fear'd no storms, nor all the winds that blows.
I had no ships at Sea, no fraughts to loose.
I fear'd no drought, nor wet; I had no crop,
Nor yet on future things did place my hope.
This was mine innocence, but oh the seeds
Lay raked up of all the cursed weeds,
Which sprouted forth in my insuing age,
As he can tell, that next comes on the stage.
But let me yet relate, before I go,
The sins and dangers I am subject to:
From birth stained, with Adam's sinful fact,
From thence I 'gan to sin, as soon as act;
A perverse will, a love to what's forbid;
A serpent's sting in pleasing face lay hid;
A lying tongue as soon as it could speak
And fifth Commandment do daily break;
Oft stubborn, peevish, sullen, pout, and cry;
Then nought can please, and yet I know not why.
As many was my sins, so dangers too,
For sin brings sorrow, sickness, death, and woe,
And though I miss the tossings of the mind,
Yet griefs in my frail flesh I still do find.
What gripes of wind, mine infancy did pain?
What tortures I, in breeding teeth sustain?
What crudities my cold stomach hath bred?
Whence vomits, worms, and flux have issued?
What breaches, knocks, and falls I daily have?
And some perhaps, I carry to my grave.
Sometimes in fire, sometimes in water fall:
Strangely preserv'd, yet mind it not at all.
At home, abroad, my danger's manifold
That wonder 'tis, my glass till now doth hold.
I've done: unto my elders I give way,
31
For 'tis but little that a child can say.
~ Anne Bradstreet,
1133:Have no anxiety about anything,' Paul writes to the Philippians. In one sense it is like telling a woman with a bad head cold not to sniffle and sneeze so much or a lame man to stop dragging his feet. Or maybe it is more like telling a wino to lay off the booze or a compulsive gambler to stay away from the track.
Is anxiety a disease or an addiction? Perhaps it is something of both. Partly, perhaps, because you can't help it, and partly because for some dark reason you choose not to help it, you torment yourself with detailed visions of the worst that can possibly happen. The nagging headache turns out to be a malignant brain tumor. When your teenage son fails to get off the plane you've gone to meet, you see his picture being tacked up in the post office among the missing and his disappearance never accounted for. As the latest mid-East crisis boils, you wait for the TV game show to be interrupted by a special bulletin to the effect that major cities all over the country are being evacuated in anticipation of a nuclear attack. If Woody Allen were to play your part on the screen, you would roll in the aisles with the rest of them, but you're not so much as cracking a smile at the screen inside your own head.
Does the terrible fear of disaster conceal an even more terrible hankering for it? Do the accelerated pulse and the knot in the stomach mean that, beneath whatever their immediate cause, you are acting out some ancient and unresolved drama of childhood? Since the worst things that happen are apt to be the things you don't see coming, do you think there is a kind of magic whereby, if you only can see them coming, you will be able somehow to prevent them from happening? Who knows the answer? In addition to Novocain and indoor plumbing, one of the few advantages of living in the twentieth century is the existence of psychotherapists, and if you can locate a good one, maybe one day you will manage to dig up an answer that helps.
But answer or no answer, the worst things will happen at last even so. 'All life is suffering' says the first and truest of the Buddha's Four Noble Truths, by which he means that sorrow, loss, death await us all and everybody we love. Yet "the Lord is at hand. Have no anxiety about anything," Paul writes, who was evidently in prison at the time and with good reason to be anxious about everything, 'but in everything by prayer and supplication with thanksgiving let your requests be made known to God.'
He does not deny that the worst things will happen finally to all of us, as indeed he must have had a strong suspicion they were soon to happen to him. He does not try to minimize them. He does not try to explain them away as God's will or God's judgment or God's method of testing our spiritual fiber. He simply tells the Philippians that in spite of them—even in the thick of them—they are to keep in constant touch with the One who unimaginably transcends the worst things as he also unimaginably transcends the best.
'In everything,' Paul says, they are to keep on praying. Come Hell or high water, they are to keep on asking, keep on thanking, above all keep on making themselves known. He does not promise them that as a result they will be delivered from the worst things any more than Jesus himself was delivered from them. What he promises them instead is that 'the peace of God, which passes all understanding, will keep your hearts and your minds in Christ Jesus.'
The worst things will surely happen no matter what—that is to be understood—but beyond all our power to understand, he writes, we will have peace both in heart and in mind. We are as sure to be in trouble as the sparks fly upward, but we will also be "in Christ," as he puts it. Ultimately not even sorrow, loss, death can get at us there.
That is the sense in which he dares say without risk of occasioning ironic laughter, "Have no anxiety about anything." Or, as he puts it a few lines earlier, 'Rejoice in the Lord always. I will say, Rejoice! ~ Frederick Buechner,
1134:The King And The Shepherd
Through ev'ry Age some Tyrant Passion reigns:
Now Love prevails, and now Ambition gains
Reason's lost Throne, and sov'reign Rule maintains.
Tho' beyond Love's, Ambition's Empire goes;
For who feels Love, Ambition also knows,
And proudly still aspires to be possest
Of Her, he thinks superior to the rest.
As cou'd be prov'd, but that our plainer Task
Do's no such Toil, or Definitions ask;
But to be so rehears'd, as first 'twas told,
When such old Stories pleas'd in Days of old.
A King, observing how a Shepherd's Skill
Improv'd his Flocks, and did the Pastures fill,
That equal Care th' assaulted did defend,
And the secur'd and grazing Part attend,
Approves the Conduct, and from Sheep and Curs
Transfers the Sway, and changed his Wool to Furrs.
Lord-Keeper now, as rightly he divides
His just Decrees, and speedily decides;
When his sole Neighbor, whilst he watch'd the Fold,
A Hermit poor, in Contemplation old,
Hastes to his Ear, with safe, but lost Advice,
Tells him such Heights are levell'd in a trice,
Preferments treach'rous, and her Paths of Ice:
And that already sure 't had turn'd his Brain,
Who thought a Prince's Favour to retain.
Nor seem'd unlike, in this mistaken Rank,
The sightless Wretch, who froze upon a Bank
A Serpent found, which for a Staff he took,
And us'd as such (his own but lately broke)
Thanking the Fates, who thus his Loss supply'd,
Nor marking one, that with amazement cry'd,
Throw quickly from thy Hand that sleeping Ill;
A Serpent 'tis, that when awak'd will kill.
A Serpent this! th' uncaution'd Fool replies:
150
A Staff it feels, nor shall my want of Eyes
Make me believe, I have no Senses left,
And thro' thy Malice be of this bereft;
Which Fortune to my Hand has kindly sent
To guide my Steps, and stumbling to prevent.
No Staff, the Man proceeds; but to thy harm
A Snake 'twill prove: The Viper, now grown warm
Confirm'd it soon, and fasten'd on his Arm.
Thus wilt thou find, Shepherd believe it true,
Some Ill, that shall this seeming Good ensue;
Thousand Distastes, t' allay thy envy'd Gains,
Unthought of, on the parcimonious Plains.
So prov'd the Event, and Whisp'rers now defame
The candid Judge, and his Proceedings blame.
By Wrongs, they say, a Palace he erects,
The Good oppresses, and the Bad protects.
To view this Seat the King himself prepares,
Where no Magnificence or Pomp appears,
But Moderation, free from each Extream,
Whilst Moderation is the Builder's Theme.
Asham'd yet still the Sycophants persist,
That Wealth he had conceal'd within a Chest,
Which but attended some convenient Day,
To face the Sun, and brighter Beams display.
The Chest unbarr'd, no radiant Gems they find,
No secret Sums to foreign Banks design'd,
But humble Marks of an obscure Recess,
Emblems of Care, and Instruments of Peace;
The Hook, the Scrip, and for unblam'd Delight
The merry Bagpipe, which, ere fall of Night,
Cou'd sympathizing Birds to tuneful Notes invite.
Welcome ye Monuments of former Joys!
Welcome! to bless again your Master's Eyes,
And draw from Courts, th' instructed Shepherd cries.
No more dear Relicks! we no more will part,
You shall my Hands employ, who now revive my Heart.
No Emulations, nor corrupted Times
Shall falsely blacken, or seduce to Crimes
Him, whom your honest Industry can please,
Who on the barren Down can sing from inward Ease.
151
How's this! the Monarch something mov'd rejoins.
With such low Thoughts, and Freedom from Designs,
What made thee leave a Life so fondly priz'd,
To be in Crouds, or envy'd, or despis'd?
Forgive me, Sir, and Humane Frailty see,
The Swain replies, in my past State and Me;
All peaceful that, to which I vow return.
But who alas! (tho' mine at length I mourn)
Was e'er without the Curse of some Ambition born.
~ Anne Kingsmill Finch,
1135:Yes! even I was in Arcadia born,
And, in mine infant ears,
A vow of rapture was by Nature sworn;
Yes! even I was in Arcadia born,
And yet my short spring gave me onlytears!

Once blooms, and only once, life's youthful May;
For me its bloom hath gone.
The silent GodO brethren, weep to-day
The silent God hath quenched my torch's ray,
And the vain dream hath flown.

Upon thy darksome bridge, Eternity,
I stand e'en now, dread thought!
Take, then, these joy-credentials back from me!
Unopened I return them now to thee,
Of happiness, alas, know naught!

Before Thy throne my mournful cries I vent,
Thou Judge, concealed from view!
To yonder star a joyous saying went
With judgment's scales to rule us thou art sent,
And call'st thyself Requiter, too!

Here,say they,terrors on the bad alight,
And joys to greet the virtuous spring.
The bosom's windings thou'lt expose to sight,
Riddle of Providence wilt solve aright,
And reckon with the suffering!

Here to the exile be a home outspread,
Here end the meek man's thorny path of strife!
A godlike child, whose name was Truth, they said,
Known but to few, from whom the many fled,
Restrained the ardent bridle of my life.

"It shall be thine another life to live,
Thy youth to me surrender!
To thee this surety only can I give"
I took the surety in that life to live;
And gave to her each youthful joy so tender.

"Give me the woman precious to thy heart,
Give up to me thy Laura!
Beyond the grave will usury pay the smart."
I wept aloud, and from my bleeding heart
With resignation tore her.

"The obligation's drawn upon the dead!"
Thus laughed the world in scorn;
"The lying one, in league with despots dread,
For truth, a phantom palmed on thee instead,
Thou'lt be no more, when once this dream has gone!"

Shamelessly scoffed the mockers' serpent-band
"A dream that but prescription can admit
Dost dread? Where now thy God's protecting hand,
(The sick world's Saviour with such cunning planned),
Borrowed by human need of human wit?"

"What future is't that graves to us reveal?
What the eternity of thy discourse?
Honored because dark veils its form conceal,
The giant-shadows of the awe we feel,
Viewed in the hollow mirror of remorse!"

"An image false of shapes of living mould,
(Time's very mummy, she!)
Whom only Hope's sweet balm hath power to hold
Within the chambers of the grave so cold,
Thy fever calls this immortality!"

"For empty hopes,corruption gives the lie
Didst thou exchange what thou hadst surely done?
Six thousand years sped death in silence by,
His corpse from out the grave e'er mounted high,
That mention made of the Requiting One?"

I saw time fly to reach thy distant shore,
I saw fair Nature lie
A shrivelled corpse behind him evermore,
No dead from out the grave then sought to soar
Yet in that Oath divine still trusted I.

My ev'ry joy to thee I've sacrificed,
I throw me now before thy judgment-throne;
The many's scorn with boldness I've despised,
Onlythy gifts by me were ever prized,
I ask my wages now, Requiting One!

"With equal love I love each child of mine!"
A genius hid from sight exclaimed.
"Two flowers," he cried, "ye mortals, mark the sign,
Two flowers to greet the Searcher wise entwine,
Hope and Enjoyment they are named."

"Who of these flowers plucks one, let him ne'er yearn
To touch the other sister's bloom.
Let him enjoy, who has no faith; eterne
As earth, this truth!Abstain, who faith can learn!
The world's long story is the world's own doom."

"Hope thou hast felt,thy wages, then, are paid;
Thy faith 'twas formed the rapture pledged to thee.
Thou might'st have of the wise inquiry made,
The minutes thou neglectest, as they fade,
Are given back by no eternity!"

~ Friedrich Schiller, Resignation
,
1136:BOWLS OF FOOD
Moon and evening star do their
slow tambourine dance to praise
this universe. The purpose of
every gathering is discovered:
to recognize beauty and love
what’s beautiful. “Once it was
like that, now it’s like this,”
the saying goes around town, and
serious consequences too. Men
and women turn their faces to the
wall in grief. They lose appetite.
Then they start eating the fire of
pleasure, as camels chew pungent
grass for the sake of their souls.
Winter blocks the road. Flowers
are taken prisoner underground.
Then green justice tenders a spear.
Go outside to the orchard. These
visitors came a long way, past all
the houses of the zodiac, learning
Something new at each stop. And
they’re here for such a short time,
sitting at these tables set on the
prow of the wind. Bowls of food
are brought out as answers, but
still no one knows the answer.

Food for the soul stays secret.
Body food gets put out in the open

like us. Those who work at a bakery
don’t know the taste of bread like

the hungry beggars do. Because the
beloved wants to know, unseen things

become manifest. Hiding is the
hidden purpose of creation: bury

your seed and wait. After you die,
All the thoughts you had will throng

around like children. The heart
is the secret inside the secret.

Call the secret language, and never
be sure what you conceal. It’s

unsure people who get the blessing.
Climbing cypress, opening rose,

Nightingale song, fruit, these are
inside the chill November wind.

They are its secret. We climb and
fall so often. Plants have an inner
Being, and separate ways of talking
and feeling. An ear of corn bends

in thought. Tulip, so embarrassed.
Pink rose deciding to open a

competing store. A bunch of grapes
sits with its feet stuck out.

Narcissus gossiping about iris.
Willow, what do you learn from running

water? Humility. Red apple, what has
the Friend taught you? To be sour.

Peach tree, why so low? To let you
reach. Look at the poplar, tall but

without fruit or flower. Yes, if
I had those, I’d be self-absorbed

like you. I gave up self to watch
the enlightened ones. Pomegranate

questions quince, Why so pale? For
the pearl you hid inside me. How did

you discover my secret? Your laugh.
The core of the seen and unseen

universes smiles, but remember,
smiles come best from those who weep.

Lightning, then the rain-laughter.
Dark earth receives that clear and
grows a trunk. Melon and cucumber
come dragging along on pilgrimage.

You have to be to be blessed!
Pumpkin begins climbing a rope!

Where did he learn that? Grass,
thorns, a hundred thousand ants and

snakes, everything is looking for
food. Don’t you hear the noise?

Every herb cures some illness.
Camels delight to eat thorns. We

prefer the inside of a walnut, not
the shell. The inside of an egg,

the outside of a date. What about
your inside and outside? The same

way a branch draws water up many
feet, God is pulling your soul

along. Wind carries pollen from
blossom to ground. Wings and

Arabian stallions gallop toward
the warmth of spring. They visit;

they sing and tell what they think
they know: so-and-so will travel

to such-and-such. The hoopoe
carries a letter to Solomon. The

wise stork says lek-lek. Please
translate. It’s time to go to

the high plain, to leave the winter
house. Be your own watchman as

birds are. Let the remembering
beads encircle you. I make promises

to myself and break them. Words are
coins: the vein of ore and the

mine shaft, what they speak of. Now
consider the sun. It’s neither

oriental nor occidental. Only the
soul knows what love is. This

moment in time and space is an
eggshell with an embryo crumpled

inside, soaked in belief-yolk,
under the wing of grace, until it

breaks free of mind to become the
song of an actual bird, and God. ~ Rumi,
1137:Saint Monica
AMONG deep woods is the dismantled scite
Of an old Abbey, where the chaunted rite,
By twice ten brethren of the monkish cowl,
Was duly sung; and requiems for the soul
Of the first founder: For the lordly chief,
Who flourish'd paramount of many a fief,
Left here a stipend yearly paid, that they,
The pious monks, for his repose might say
Mass and orisons to Saint Monica.
Beneath the falling archway overgrown
With briars, a bench remains, a single stone,
Where sat the indigent, to wait the dole
Given at the buttery; that the baron's soul
The poor might intercede for; there would rest,
Known by his hat of straw with cockles drest,
And staff and humble weed of watchet gray,
The wandering pilgrim; who came there to pray
The intercession of Saint Monica.
Stern Reformation and the lapse of years
Have reft the windows, and no more appears
Abbot or martyr on the glass anneal'd;
And half the falling cloisters are conceal'd
By ash and elder: the refectory wall
Oft in the storm of night is heard to fall,
When, wearied by the labours of the day,
The half awaken'd cotters, starting say,
'It is the ruins of Saint Monica.'
Now with approaching rain is heard the rill,
Just trickling thro' a deep and hollow gill
By osiers, and the alder's crowding bush,
Reeds, and dwarf elder, and the pithy rush,
Choak'd and impeded: to the lower ground
Slowly it creeps; there traces still are found
Of hollow squares, embank'd with beaten clay,
Where brightly glitter'd in the eye of day
The peopled waters of Saint Monica.
63
The chapel pavement, where the name and date,
Or monkish rhyme, had mark'd the graven plate,
With docks and nettles now is overgrown;
And brambles trail above the dead unknown.­
Impatient of the heat, the straggling ewe
Tinkles her drowsy bell, as nibbling slow
She picks the grass among the thistles gray,
Whose feather'd seed the light air bears away,
O'er the pale relicks of Saint Monica.
Reecho'd by the walls, the owl obscene
Hoots to the night; as thro' the ivy green
Whose matted tods the arch and buttress bind,
Sobs in low gusts the melancholy wind:
The Conium there, her stalks bedropp'd with red,
Rears, with Circea, neighbour of the dead;
Atropa too, that, as the beldams say,
Shews her black fruit to tempt and to betray,
Nods by the mouldering shrine of Monica.
Old tales and legends are not quite forgot.
Still Superstition hovers o'er the spot,
And tells how here, the wan and restless sprite,
By some way-wilder'd peasant seen at night,
Gibbers and shrieks, among the ruins drear;
And how the friar's lanthorn will appear
Gleaming among the woods, with fearful ray,
And from the church-yard take its wavering way,
To the dim arches of Saint Monica.
The antiquary comes not to explore,
As once, the unrafter'd roof and pathless floor;
For now, no more beneath the vaulted ground
Is crosier, cross, or sculptur'd chalice found,
Nor record telling of the wassail ale,
What time the welcome summons to regale,
Given by the matin peal on holiday,
The villagers rejoicing to obey,
Feasted, in honour of Saint Monica.
Yet often still at eve, or early morn,
Among these ruins shagg'd with fern and thorn,
A pensive stranger from his lonely seat
Observes the rapid martin, threading fleet
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The broken arch: or follows with his eye,
The wall-creeper that hunts the burnish'd fly;
Sees the newt basking in the sunny ray,
Or snail that sinuous winds his shining way,
O'er the time-fretted walls of Monica.
He comes not here, from the sepulchral stone
To tear the oblivious pall that Time has thrown,
But meditating, marks the power proceed
From the mapped lichen, to the plumed weed,
From thready mosses to the veined flower,
The silent, slow, but ever active power
Of Vegetative Life, that o'er Decay
Weaves her green mantle, when returning May
Dresses the ruins of Saint Monica.
Oh Nature ! ever lovely, ever new,
He whom his earliest vows has paid to you
Still finds, that life has something to bestow;
And while to dark Forgetfulness they go,
Man, and the works of man; immortal Youth,
Unfading Beauty, and eternal Truth,
Your Heaven-indited volume will display,
While Art's elaborate monuments decay,
Even as these shatter'd aisles, deserted Monica !
~ Charlotte Smith,
1138:The Dream
It was the morning; through the shutters closed,
Along the balcony, the earliest rays
Of sunlight my dark room were entering;
When, at the time that sleep upon our eyes
Its softest and most grateful shadows casts,
There stood beside me, looking in my face,
The image dear of her, who taught me first
To love, then left me to lament her loss.
To me she seemed not dead, but sad, with such
A countenance as the unhappy wear.
Her right hand near my head she sighing placed;
'Dost thou still live,' she said to me, 'and dost
Thou still remember what we _were_ and are?'
And I replied: 'Whence comest thou, and how,
Beloved and beautiful? Oh how, how I
Have grieved, still grieve for thee! Nor did I think
Thou e'er couldst know it more; and oh, that thought
My sorrow rendered more disconsolate!
But art thou now again to leave me?
I fear so. Say, what hath befallen thee?
Art thou the same? What preys upon thee thus?'
'Oblivion weighs upon thy thoughts, and sleep
Envelops them,' she answered; 'I am dead,
And many months have passed, since last we met.'
What grief oppressed me, as these words I heard!
And she continued: 'In the flower of youth
Cut off, when life is sweetest, and before
The heart that lesson sad and sure hath learnt,
The utter vanity of human hope!
The sick man may e'en covet, as a boon,
That which withdraws him from all suffering;
But to the young, Death comes, disconsolate;
And hard the fate of hope, that in the grave
Is quenched! And yet, how vain that knowledge is,
That Nature from the inexperienced hides!
And a blind sorrow is to be preferred
To wisdom premature!'--'Hush, hush!' I cried,
'Unhappy one, and dear! My heart is crushed
With these thy words! And art thou dead, indeed,
78
O my beloved? and am I still alive?
And was it, then, in heaven decreed, that this,
Thy tender body the last damps of death
Should feel, and my poor, wretched frame remain
Unharmed? Oh, often, often as I think
That thou no longer livest, and that I
Shall never see thee on the earth again,
Incredible it seems! Alas, alas!
What _is_ this thing, that they call death? Oh, would
That I, this day, the mystery could solve,
And my defenceless head withdraw from Fate's
Relentless hate! I still am young, and still
Feel all the blight and misery of age,
Which I so dread; and distant far it seems;
But, ah, how little different from age,
The flower of my years!'--'We both were born,'
She said, 'to weep; unhappy were our lives,
And heaven took pleasure in our sufferings.'
'Oh if my eyes with tears,' I added, 'then,
My face with pallor veiled thou seest, for loss
Of thee, and anguish weighing on my heart;
Tell me, was any spark of pity or of love
For the poor lover kindled in thy heart,
While thou didst live? I, then, between my hope
And my despair, passed weary nights and days;
And now, my mind is with vain doubts oppressed.
Oh if but once compassion smote thee for
My darkened life, conceal it not from me,
I pray thee; let the memory console me,
Since of their future our young days were robbed!'
And she: 'Be comforted, unhappy one!
I was not churlish of my pity whilst
I lived, and am not now, myself so wretched!
Oh, do not chide this most unhappy child!'
'By all our sufferings, and by the love
Which preys upon me,' I exclaimed, 'and by
Our youth, and by the hope that faded from
Our lives, O let me, dearest, touch thy hand!'
And sweetly, sadly, she extended it.
And while I covered it with kisses, while
With sorrow and with rapture quivering,
I to my panting bosom fondly pressed it,
79
With fervent passion glowed my face and breast,
My trembling voice refused its utterance,
And all things swam before my sight; when she,
Her eyes fixed tenderly on mine, replied:
'And dost thou, then, forget, dear friend, that I
Am of my beauty utterly deprived?
And vainly thou, unhappy one, dost yield
To passion's transports. Now, a last farewell!
Our wretched minds, our feeble bodies, too,
Eternally are parted. Thou to me
No longer livest, nevermore shall live.
Fate hath annulled the faith that thou hast sworn.'
Then, in my anguish as I seemed to cry
Aloud, convulsed, my eyes o'erflowing with
The tears of utter, helpless misery,
I started from my sleep. The image still
Was seen, and in the sun's uncertain light
Above my couch she seemed to linger still.
~ Count Giacomo Leopardi,
1139:BEFORE

SUNRISE

o heaven above me, pure and deep! You abyss of
lightly Seeing you, I tremble with godlike desires. To
throw myself into your height, that is my depth. To
hide in your purity, that is my innocence.
Gods are shrouded by their beauty; thus you conceal
your stars. You do not speak; thus you proclaim your
wisdom to me. Today you rose for me silently over the
roaring sea; your love and your shyness are a revelation
to my roaring soul. That you came to me, beautiful,
shrouded in your beauty, that you speak to me silently,
revealing your wisdom-oh, how should I not guess
all that is shy in your soul! Before the sun you came to
me, the loneliest of all.
We are friends from the beginning: we share grief
and ground and gray dread; we even share the sun.
We do not speak to each other, because we know
too much; we are silent to each other, we smile our
knowledge at each other. Are you not the light for my
fire? Have you not the sister soul to my insight? Together we have learned everything; together we have
learned to ascend over ourselves to ourselves and to
smile cloudlessly-to smile down cloudlessly from
bright eyes and from a vast distance when constraint
and contrivance and guilt steam beneath us like rain.
And when I wandered alone, for whom did my soul
hunger at night, on false paths? And when I climbed
mountains, whom did I always seek on the mountains,
if not you? And all my wandering and mountain climbing were sheer necessity and a help in my helplessness:
what I want with all my will is to fly, to fly up into you.
And whom did I hate more than drifting clouds and
165
all that stains you? And I hated even my own hatred
because it stained you. I loa the the drifting clouds,
those stealthy great cats which prey on what you and
I have in common-the uncanny, unbounded Yes and
Amen. We loa the these mediators and mixers, the drifting clouds that are half-and-half and have learned
neither to bless nor to curse from the heart.
Rather would I sit in a barrel under closed heavens,
rather sit in the abyss without a heaven, than see you,
bright heaven, stained by drifting clouds.
And often I had the desire to tie them fast with the
jagged golden wires of the lightning, that, like thunder, I might beat the big drums on their kettle-bellyan angry kettle-drummer-because they rob me of
your Yes and Amen, 0 heaven over me, pure and lightly
You abyss of light! Because they rob you of my Yes and
Amen. For I prefer even noise and thunder and stormcurses to this deliberate, doubting cats' calm; and
among men too I hate most of all the soft-treaders and
those who are half-and-half and doubting, tottering
drift clouds.
And "whoever cannot bless should learn to curse"this bright doctrine fell to me from a bright heaven;
this star stands in my heaven even in black nights.
But I am one who can bless and say Yes, if only you
are about me, pure and light, you abyss of light; then
I carry the blessings of my Yes into all abysses. I have
become one who blesses and says Yes; and I fought
long for that and was a fighter that I might one day
get my hands free to bless. But this is my blessing: to
stand over every single thing as its own heaven, as its
round roof, its azure bell, and eternal security; and
blessed is he who blesses thus.
For all things have been baptized in the well of
166
eternity and are beyond good and evil; and good and
evil themselves are but intervening shadows and damp
depressions and drifting clouds.
Verily, it is a blessing and not a blasphemy when I
teach: "Over all things stand the heaven Accident, the
heaven Innocence, the heaven Chance, the heaven
Prankishness."
"By Chance"-that is the most ancient nobility of
the world, and this I restored to all things: I delivered
them from their bondage under Purpose. This freedom
and heavenly cheer I have placed over all things like
an azure bell when I taught that over them and through
them no "eternal will" wills. This prankish folly I have
put in the place of that will when I taught: "In everything one thing is impossible: rationality."
A little reason, to be sure, a seed of wisdom scattered
from star to star-this leaven is mixed in with all
things: for folly's sake, wisdom is mixed in with all
things. A little wisdom is possible indeed; but this
blessed certainty I found in all things: that they would
rather dance on the feet of Chance.
O heaven over me, pure and high! That is what your
purity is to me now, that there is no eternal spider or
spider web of reason; that you are to me a dance floor
for divine accidents, that you are to me a divine table
for divine dice and dice players. But you blush? Did I
speak the unspeakable? Did I blaspheme, wishing to
bless you? Or is it the shame of twosomeness that makes
you blush? Do you bid me go and be silent because
the day is coming now?
The world is deep-and deeper than day had ever
been aware. Not everything may be put into words in
the presence of the day. But the day is coming, so let
us part.
167
0 heaven over me, bashful and glowing! 0 you, my
happiness before sunrise The day is coming, so let us
partly
Thus spoke Zarathustra.
~ Friedrich Nietzsche, BEFORE SUNRISE
,
1140:A Description Of One Of The Pieces Of Tapistry At
Long-Leat
THUS Tapistry of old, the Walls adorn'd,
Ere noblest Dames the artful Shuttle scorn'd:
Arachne, then, with Pallas did contest,
And scarce th' Immortal Work was judg'd the Best.
Nor valorous Actions, then, in Books were fought;
But all the Fame, that from the Field was brought,
Employ'd the Loom, where the kind Consort wrought:
Whilst sharing in the Toil, she shar'd the Fame,
And with the Heroes mixt her interwoven Name.
No longer, Females to such Praise aspire,
And seldom now We rightly do admire.
So much, All Arts are by the Men engross'd,
And Our few Talents unimprov'd or cross'd;
Even I, who on this Subject wou'd compose,
Which the fam'd Urbin for his Pencil chose,
(And here, in tinctur'd Wool we now behold
Correctly follow'd in each Shade, and Fold)
Shou'd prudently from the Attempt withdraw,
But Inclination proves the stronger Law:
And tho' the Censures of the World pursue
These hardy Flights, whilst his Designs I view;
My burden'd Thoughts, which labour for a Vent,
Urge me t'explain in Verse, what by each Face is meant.
Of SERGIUS first, upon his lofty Seat,
With due Regard our Observations treat;
Who, whilst he thence on ELYMAS looks down,
Contracts his pensive Brow into a Frown,
With Looks inquistive he seeks the Cause
Why Nature acts not still by Natures Laws.
'Twas but a Moment, since the Sorcerer's Sight
Receiv'd the Day, and blaz'd infernal Light:
Untouch'd, the Optiques in a Moment fail'd,
Their fierce Illumination quench'd, or veil'd;
Throughout th' Extention of his ample Sway,
11
No Fact, like this, the Roman cou'd survey,
Who, with spread Hands, invites Mankind to gaze,
And sympathize in the profound Amaze.
To share his Wonder every one combines,
By diff'rent Aspects shewn, and diff'rent Signs.
A comely Figure, near the Consul plac'd,
With serious Mildness and Instruction grac'd,
To Others seems imparting what he saw,
And shews the Wretch with reverential Awe:
Whilst a more eager Person next we find,
Viewing the Wizard with a Skeptic's Mind;
Who his fixt Eyes so near him do's apply,
We think, enliv'ning Beams might from them fly,
To re-inkindle, by so just an Aim,
The radial Sparks, but lately check'd and tame,
As Tapers new put-out will catch approaching Flame.
But dire Surprize th' Enquiry do's succeed,
Whilst full Conviction in his Face we read,
And He, who question'd, now deplores the Deed.
To sacred PAUL a younger Figure guides,
With seeming Warmth, which still in Youth presides;
And pointing forward, Elder Men directs,
In Him, to note the Cause of these Effects;
Upon whose Brow do's evidently shine
Deputed Pow'r, t' inflict the Wrath Divine;
Whilst sad and solemn, suited to their Years,
Each venerable Countenance appears,
Where, yet we see Astonishment reveal'd,
Tho' by the Aged often 'tis conceal'd;
Who the Emotions of their Souls disguize,
Lest by admiring they shou'd seem less Wise.
But to thy Portrait, ELYMAS, we come
Whose Blindness almost strikes the Poet dumb;
And whilst She vainly to Describe thee seeks,
The Pen but traces, where the Pencil speaks.
Of Darkness to be felt, our Scriptures write,
Thou Darken'd seem'st, as thou would'st feel the Light;
And with projected Limbs, betray'st a Dread,
12
Of unseen Mischiefs, levell'd at thy Head.
Thro' all thy Frame such Stupefaction reigns,
As Night it self were sunk into thy Veins:
Nor by the Eyes alone thy Loss we find,
Each Lineament helps to proclaim thee Blind.
An artful Dimness far diffus'd we grant,
And failing seem all Parts through One important Want.
Oh! Mighty RAPHAEL, justly sure renown'd!
Since in thy Works such Excellence is found;
No Wonder, if with Nature Thou'rt at strife,
Who thus can paint the Negatives of Life;
And Deprivation more expressive make,
Than the most perfect Draughts, which Others take.
Whilst to this Chiefest Figure of the Piece,
All that surround it, Heightnings do encrease:
In some, Amazement by Extreams is shewn,
Who viewing his clos'd Lids, extend their Own.
Nor can, by that, enough their Thoughts express,
Which op'ning Months seem ready to confess.
Thus stand the LICTORS gazing on a Deed,
Which do's all humane Chastisements exceed;
Enfeebl'd seem their Instruments of smart,
When keener Words can swifter Ills impart.
Thou, BARNABAS, though Last, not least our Care,
Seem'st equally employ'd in Praise, and Prayer,
Acknowledging th' Omnipotent Decree,
Yet soft Compassion in thy Face we see;
Whilst lifted Hands implore a kind Relief,
Tho' no Impatience animates thy Grief;
But mild Suspence and Charity benign,
Do all th' excesses of thy Looks confine.
Thus far, our slow Imagination goes:
Wou'd the more skill'd THEANOR his disclose;
Expand the Scene, and open to our Sight
What to his nicer Judgement gives Delight;
13
Whose soaring Mind do's to Perfections climb,
Nor owns a Relish, but for Things sublime:
Then, wou'd the Piece fresh Beauties still present,
Nor Length of Time wou'd leave the Eye content:
As moments, Hours; as Hours the Days wou'd seem,
Observing here, taught to observe by HIM.
~ Anne Kingsmill Finch,
1141: UPON THE MOUNT OF OLIVES

Winter, a wicked guest, is sitting at home with me;
my hands are blue from the handshake of his friendship. I honor this wicked guest, but I like to let him sit
alone. I like to run away from him; and if one runs
well, one escapes him. With warm feet and warm
thoughts I run where the wind stands still, to the
sunny nook of my mount of olives. There I laugh at my
severe guest and am still well disposed toward him for
173

catching the flies at home and for silencing much small
noise. For he does not suffer it when a mosquito would
sing, or even two; he even makes the lane lonely till the
moonlight in it is afraid at night.
He is a hard guest, but I honor him, and I do not
pray, like the pampered, to the potbellied fire idol. Even
a little chattering of the teeth rather than adoring idols
-thus my nature dictates. And I have a special grudge
against all fire idols that are in heat, steaming and
musty.
Whomever I love, I love better in winter than in
summer; I mock my enemies better and more heartily
since winter dwells in my home. Heartily, in truth, even
when I crawl into bed; even then my hidden happiness
still laughs and is full of pranks; even the dream that
lies to me still laughs. I-a crawler? Never in my life
have I crawled before the mighty; and if ever I lied, I
lied out of love. Therefore I am glad in the wintry bed
too. A simple bed warms me more than a rich one, for
I am jealous of my poverty, and in winter it is most
faithful to me.
I begin every day with a bit of malice: I mock the
winter with a cold bath; that makes my severe house
guest grumble. Besides, I like to tickle him with a little
wax candle to make him let the sky come out of the
ashen gray twilight at last. For I am especially malicious
in the morning, in that early hour when the pail rattles
at the well and the horses whinny warmly through gray
lanes. Then I wait impatiently for the bright sky to rise
before me at last, the snow-bearded winter sky, the old
man with his white hair-the winter sky, so taciturn
that it often tacitly hides even its sun.
Was it from him that I learned the long bright
silence? Or did he learn it from me? Or did each of us
invent it independently? The origin of all good things
174
is thousandfold; all good prankish things leap into
existence from sheer joy: how could one expect them to
do that only once? Long silence too is a good prankish
thing-and to look out of a bright round-eyed face,
like the winter sky, and tacitly to hide one's sun and
one's indomitable solar will: verily, this art and this
winter prank I have learned well.
It is my favorite malice and art that my silence has
learned not to betray itself through silence. Rattling
with discourse and dice, I outwit those who wait
solemnly: my will and purpose shall elude all these
severe inspectors. That no one may discern my ground
and ultimate will, for that I have invented my long
bright silence. Many I found who were clever: they
veiled their faces and muddied their waters that nobody
might see through them, deep down. But precisely to
them came the cleverer mistrusters and nutcrackers:
precisely their most hidden fish were fished out. It is the
bright, the bold, the transparent who are cleverest
among those who are silent: their ground is down so
deep that even the brightest water does not betray it.
You snow-bearded silent winter sky, you round-eyed
white-head above mel 0 you heavenly parable of my
soul and its pranks!
And must I not conceal myself like one who has
swallowed gold, lest they slit open my soul? Must I not
walk on stilts that they overlook my long legs-all these
grudge-joys and drudge-boys who surround me? These
smoky, room-temperature, used-up, wilted, fretful souls
-how could their grudge endure my happiness? Hence
I show them only the ice and the winter of my peaksand not that my mountain still winds all the belts of
the sun round itself. They hear only my winter winds
whistling-and not that I also cross warm seas, like
longing, heavy, hot south winds. They still have pity on
175
my accidents; but my word says, "Let accidents come
to me, they are innocent as little children.'
How could they endure my happiness if I did not
wrap my happiness in accidents and winter distress and
polar-bear caps and covers of snowy heavens-if I myself did not have mercy on their pity, which is the pity
of grudge-joys and drudge-boys, if I myself did not
sigh before them and chatter with cold and patiently
suffer them to wrap me in their pity. This is the wise
frolicsomeness and friendliness of my soul, that it does
not conceal its winter and its icy winds; nor does it
conceal its chilblains.
Loneliness can be the escape of the sick; loneliness
can also be escape from the sick.
Let them hear me chatter and sigh with the winter
cold, all these poor jealous jokers around me! With such
sighing and chattering I still escape their heated rooms.
Let them suffer and sigh over my chilblains. "The ice
of knowledge will yet freeze him to death!" they moan.
Meanwhile I run crisscross on my mount of olives
with warm feet; in the sunny nook of my mount of
olives I sing and I mock all pity.
Thus sang Zarathustra.
~ Friedrich Nietzsche, UPON THE MOUNT OF OLIVES
,
1142:Amours De Voyage, Canto Iv
Eastward, or Northward, or West? I wander and ask as I wander;
Weary, yet eager and sure, Where shall I come to my love?
Whitherward hasten to seek her? Ye daughters of Italy, tell me,
Graceful and tender and dark, is she consorting with you?
Thou that out-climbest the torrent, that tendest thy goats to the summit,
Call to me, child of the Alp, has she been seen on the heights?
Italy, farewell I bid thee! for whither she leads me, I follow.
Farewell the vineyard! for I, where I but guess her, must go;
Weariness welcome, and labour, wherever it be, if at last it
Bring me in mountain or plain into the sight of my love.
I. Claude to Eustace,--from Florence.
Gone from Florence; indeed! and that is truly provoking;-Gone to Milan, it seems; then I go also to Milan.
Five days now departed; but they can travel but slowly;-I quicker far; and I know, as it happens, the home they will go to.-Why, what else should I do? Stay here and look at the pictures,
Statues and churches? Alack, I am sick of the statues and pictures!-No, to Bologna, Parma, Piacenza, Lodi, and Milan,
Off go we to-night,--and the Venus go to the Devil!
II. Claude to Eustace,--from Bellaggio.
Gone to Como, they said; and I have posted to Como.
There was a letter left; but the cameriere had lost it.
Could it have been for me? They came, however, to Como,
And from Como went by the boat,--perhaps to the Splügen,-Or to the Stelvio, say, and the Tyrol; also it might be
By Porlezza across to Lugano, and so to the Simplon
Possibly, or the St. Gothard,--or possibly, too, to Baveno,
Orta, Turin, and elsewhere. Indeed, I am greatly bewildered.
37
III. Claude to Eustace,--from Bellaggio.
I have been up the Splügen, and on the Stelvio also:
Neither of these can I find they have followed; in no one inn, and
This would be odd, have they written their names. I have been to Porlezza;
There they have not been seen, and therefore not at Lugano.
What shall I do? Go on through the Tyrol, Switzerland, Deutschland,
Seeking, an inverse Saul, a kingdom to find only asses?
There is a tide, at least, in the love affairs of mortals,
Which, when taken at flood, leads on to the happiest fortune,-Leads to the marriage-morn and the orange-flowers and the altar,
And the long lawful line of crowned joys to crowned joys succeeding.-Ah, it has ebbed with me! Ye gods, and when it was flowing,
Pitiful fool that I was, to stand fiddle-faddling in that way!
IV. Claude to Eustace,--from Bellaggio.
I have returned and found their names in the book at Como.
Certain it is I was right, and yet I am also in error.
Added in feminine hand, I read, By the boat to Bellaggio.-So to Bellaggio again, with the words of he writing to aid me.
Yet at Bellaggio I find no trace, no sort of remembrance.
So I am here, and wait, and know every hour will remove them.
V. Claude to Eustace,--from Bellaggio.
I have but one chance left,--and that is going to Florence.
But it is cruel to turn. The mountains seem to demand me,-Peak and valley from far to beckon and motion me onward.
Somewhere amid their folds she passes whom fain I would follow;
Somewhere amid those heights she haply calls me to seek her.
Ah, could I hear her call! could I catch the glimpse of her raiment!
Turn, however, I must, though it seem I turn to desert her;
For the sense of the thing is simply to hurry to Florence,
Where the certainty yet may be learnt, I suppose, from the Ropers.
38
VI. Mary Trevellyn, from Lucerne, to Miss Roper, at Florence.
Dear Miss Roper,--By this you are safely away, we are hoping,
Many a league from Rome; ere long we trust we shall see you.
How have you travelled? I wonder;--was Mr. Claude your companion?
As for ourselves, we went from Como straight to Lugano;
So by the Mount St. Gothard; we meant to go by Porlezza,
Taking the steamer, and stopping, as you had advised, at Bellaggio,
Two or three days or more; but this was suddenly altered,
After we left the hotel, on the very way to the steamer.
So we have seen, I fear, not one of the lakes in perfection.
Well, he is not come, and now, I suppose, he will not come.
What will you think, meantime? and yet I must really confess it;-What will you say? I wrote him a note. We left in a hurry,
Went from Milan to Como, three days before we expected.
But I thought, if he came all the way to Milan, he really
Ought not to be disappointed: and so I wrote three lines to
Say I had heard he was coming, desirous of joining our party;-If so, then I said, we had started for Como, and meant to
Cross the St. Gothard, and stay, we believed, at Lucerne, for the summer.
Was it wrong? and why, if it was, has it failed to bring him?
Did he not think it worth while to come to Milan? He knew (you
Told him) the house we should go to. Or may it, perhaps, have miscarried?
Any way, now, I repent, and am heartily vexed that I wrote it.
There is a home on the shore of the Alpine sea, that upswelling
High up the mountain-sides spreads in the hollow between;
Wilderness, mountain, and snow from the land of the olive conceal it;
Under Pilatus's hill low by the river it lies;
Italy, utter the word, and the olive and vine will allure not,-Wilderness, forest, and snow will not the passage impede;
Italy, unto thy cities receding, the clue to recover,
Hither, recovered the clue, shall not the traveller haste?
~ Arthur Hugh Clough,
1143:O who wants a share of the pleasure of closeness
If you want all goodness to appear in you
The councillor is honest, so heed this news:
There is no pleasure in life except accompanying the [fuqara]
for they are the sultans and the masters and the princes [umara]
They are people who are satisfied with little, of clothing
and food, and care not for the world.
Their hearts are free of whispering temptations
So accompany them and show proper manners in their councils
and leave your fortunes behind, no matter how much they offer to bring you upfront
Take their Path if you want to follow them
And leave your claims, and be careful not to question them
abut their purpose, and let their benefit be your intention
And seize the time and always attend with them
and know that pleasure and content distinguish who attended
Be content with them, they elevate you, and you reach.
If they register you, hang on; and if they erase you, vanish;
and if they don't feed you, starve; and if they feed you, then eat.
And abide by silence, except if you are asked, then say
I have no knowledge, and conceal yourself in ignorance
And don't be critical of people's flaws
even if it is apparent to existence
and look with an eye that sees only goodness and that does not see defects in anyone
And see defects only in you; and have faith
that your have a flaw that would have been apparent, but was concealed
With this you attain what you hope for of proper manners [adab]
Humble your self [nafs] to them in doubtless humility
a humility that takes the place of proper manners [adab]
And lay down your head and ask for forgiveness for no reason
and stand up on the feet of fairness apologizing
If you want a light for the Path from them then elevate
above everything they hate of your actions
and make your self [nafs] persist in doing good
If you commit a fault, apologize, and hold up
your apology for what you committed and what happened from you
Flatter them, and say: heal with your piety
with the cream of your pardon, the injury of your wound
It is me who is wrong, so grant me your pure advise
And say: your slave is more deserving of your pardon
so pardon and be lenient and clement, O [fuqara]
If you transgress, don't fear their enthusiasm
they are more sublime than you be harmed by their company
they are not the mighty whose power harm you
They are more deserving of kindness, which is their character
so do not feel or expect from them any evil or harm
If you want want them to guide you along the Path of piety
strive to fulfill what they request of you
immediately and don't delay it saying tomorrow
Always be generous in giving to the companions
actually and figuratively; and overlook if they slip
Always be truthful with them, and don't be dishonest
because they are truthful people, masters and chiefs
and pardon anyone of them who ever offended you
Observe the Sheikh carefully in his states, and hopefully
a trace of his achievement might appear in you.
Ask him to pray for you, you profit from his prayer
and through it you attain what you hope for of his blessing
and improve your assumption of him, and realize his sanctity
Wholeheartedly do the effort, and strive to serve him,
perhaps you please him, and take care not to become bored
And memorize his advise, and increase your attending to him
and answer him immediately if he calls you
and lower your voice in confounding out of obedience
For his pleasure begets The Lord's pleasure and begets obedience
He will be pleased with you, so be cautious not to leave him
And accompany whose self [nafs] is a gentle self [nafs]
in this time, for the selves [nafs] are generally despairing
of them, and their craft is underestimated by the people
And know that the people's Path needs study
and the state who claims it today is as you see.
If they distance me, because of their affection,
I should grieve for what I suffer due to parting with them
due to my breaking from them after accompanying them
When will I see them, and how will I reach seeing them
or reach my ear hearing news about them?
My lagging behind prevents me from being suitable for them
My origins are from them, so blame me, I do not blame them
O Lord, please grant me piety to be suitable to befriend them
I have no one, and how is it possible for the like of me to compete with them
over resources in which I did not know impurity?
Their traits are venerated beyond being countable
their appearances have pointed to their hidden inners
their glory is through obeying The Lord in this world
I love them and shelter them and prefer them
in my heart; specially a group of them.
They have become superior above other people by obediences
their companion adopts proper manners [adab] from them
and how unlucky is he who misses their company
A people with noble characteristics - wherever they sit,
the place continues to be fragrant with their traces
So devote to them and do not part with them and increase in attachment
and if you miss them, then weep out of sorrow
They are a clan who honor whoever relates to them
Sufism presents gifts from their manners and traits.
Their perfect harmony from them delights the eye
I 'wagged the tail' of pride of love because of them
when they accepted me as a slave of their love
and their right to their love I never forget
They are the people I love and my loved ones who
proudly boast dragging the tails of honor
I cut my heart to pieces composing poetry in their love
and I have begged The Lord by them, desiring
that The Lord forgives me together with all the Muslims
I am still united with and connected to them in Allah,
and our sins there by Him forgiven and pardoned
O whoever was in this council with us
please ask The Lord to wipe our sins,
and pray for the one who 'fived' the beautiful original
And then prayers upon the selected one, Sayyidina
Mohammed, the best of whoever fulfilled and whoever pledged

~ Ibn Arabi, Modification Of The R Poem
,
1144:THE CRY OF DISTRESS

The next day Zarathustra again sat on his stone before his cave, while the animals were roaming through
the outside world to find new nourishment-also new
241
honey, for Zarathustra had spent and squandered the
old honey down to the last drop. But as he was sitting
there, a stick in his hand, tracing his shadow on the
ground, thinking-and verily, not about himself and his
shadow-he was suddenly frightened, and he started:
for beside his own shadow he saw another shadow. And
as he looked around quickly and got up, behold, the
soothsayer stood beside him-the same he had once
feted at his table, the proclaimer of the great weariness
who taught, "All is the same, nothing is worth while,
the world is without meaning, knowledge strangles."
But his face had changed meanwhile; and when Zarathustra looked into his eyes, his heart was frightened
again: so many ill tidings and ashen lightning bolts ran
over this face.
The soothsayer, who had noticed what went on in
Zarathustra's soul, wiped his hand over his face as if he
wanted to wipe it away; and Zarathustra did likewise.
And when both had thus silently composed and
streng thened themselves, they shook hands as a sign
that they wanted to recognize each other.
"Welcome," said Zarathustra, "you soothsayer of the
great weariness; not for nothing were you once my
guest. Eat and drink with me again today, and forgive
a cheerful old man for sitting at the table with you."
"A cheerful old man?" tle soothsayer replied, shaking
his head; "but whatever you may be or want to be,
Zarathustra, you shall not be up here much longer: soon
your bark shall not be stranded any more."
"But am I stranded?" Zarathustra asked, laughing.
"The waves around your mountain," replied the
soothsayer, "are climbing and climbing, the waves of
great distress and melancholy; soon they will lift up
your bark too, and carry you off."
242
Zarathustra fell silent at that and was surprised.
"Do you not hear anything yet?" continued the soothsayer. "Does it not rush and roar up from the depth?"
Zarathustra remained silent and listened, and he
heard a long, long cry, which the abysses threw to each
other and handed on, for none wanted to keep it: so
evil did it sound.
"You proclaimer of ill tidings," Zarathustra said
finally, "this is a cry of distress and the cry of a man; it
might well come out of a black sea. But what is human
distress to me? My final sin, which has been saved up
for me-do you know what it is?"
"Pity!" answered the soothsayer from an overflowing
heart, and he raised both hands. "O Zarathustra, I have
come to seduce you to your final sin."
And no sooner had these words been spoken than the
cry resounded again, and longer and more anxious than
before; also much closer now.
"Do you hear? Do you hear, 0 Zarathustra?" the
soothsayer shouted. "The cry is for you. It calls you:
Come, come, come! It is time It is high time!"
Then Zarathustra remained silent, confused and
shaken. At last he asked, as one hesitant in his own
mind, "And who is it that calls me?"
"But you know that," replied the soothsayer violently;
"why do you conceal yourself? It is the higher man that
cries for youl"
"The higher man?" cried Zarathustra, seized with
horror. "What does he want? What does he want? The
higher manl What does he want here?" And his skin
was covered with perspiration.
The soothsayer, however, made no reply to Zarathustra's dread, but listened and listened toward the
depth. But when there was silence for a long time, he
turned his glance back and saw Zarathustra standing
243
there trembling. "O Zarathustra," he began in a sad
tone of voice, "you are not standing there as one made
giddy by his happiness: you had better dance lest you
fall. But even if you would dance before me, leaping all
your side-leaps, no one could say to me, 'Behold, here
dances the last gay man' Anybody coming to this
height, looking for that man, would come in vain: caves
he would find, and caves behind caves, hiding-places
for those addicted to hiding, but no mines of happiness
or treasure rooms or new gold veins of happiness. Happiness-how should one find happiness among hermits
and those buried like this? Must I still seek the last
happiness on blessed isles and far away between forgotten seas? But all is the same, nothing is worth while,
no seeking avails, nor are there any blessed isles any
more.'
Thus sighed the soothsayer. At his last sigh, however,
Zarathustra grew bright and sure again, like one emerging into the light out of a deep gorge. "Nol Nol Three
times no!" he shouted with a strong voice and stroked
his beard. "That I know better: there still are blessed
isles. Be quiet about that, you sighing bag of sadness
Stop splashing about that, you raincloud in the morning
Do I not stand here even now, wet from your melancholy and drenched like a dog? Now I shake myself and
run away from you to dry again; you must not be surprised at that. Do I strike you as discourteous? But this
is my court. As for your higher man-well then, I shall
look for him at once in those woods: thence came his
cry. Perhaps an evil beast troubles him there. He is in
my realm: there he shall not come to grief. And verily,
there are many evil beasts around me."
With these words Zarathustra turned to leave. Then
the soothsayer said, "O Zarathustra, you are a roguel I
know it: you want to get rid of me. You would sooner
244
run into the woods and look for evil beasts. But what
will it avail you? In the evening you will have me back
anyway; in your own cave I shall be sitting, patient and
heavy as a block-waiting for you."
"So be itl" Zarathustra shouted back as he was walking away. "And whatever is mine in my cave belongs to
you too, my guest. And if you should find honey in
there-well, then, lick it up, you growling bear, and
sweeten your soul. For in the evening we should both
be cheerful-cheerful and gay that this day has come
to an end. And you yourself shall dance to my songs as
my dancing bear. You do not believe it? You shake your
head? Well then, old bear! But I too am a soothsayer."
Thus spoke Zarathustra.
~ Friedrich Nietzsche, THE CRY OF DISTRESS
,
1145:THE RETURN HOME

o solitude 0 my home, solitude! Too long have I
lived wildly in wild strange places not to return home
to you in tears. Now you may threaten me with your
finger, as mothers threaten; now you may smile at me,
as mothers smile; now you may say to me:
"And who was it that, like a storm, once stormed
away from me? Who shouted in parting, 'Too long I
have sat with solitude; I have forgotten how to be
silent!' That, I suppose, you have learned again now? 0
Zarathustra, I know everything. Also that you were
more forsaken among the many, being one, than ever
with me. To be forsaken is one thing, to be lonely, another: that you have learned now. And that among men
you will always seem wild and strange-wild and
strange even when they love you; for above all things
they want consideration.
"Here, however, you are in your own home and
house; here you can talk freely about everything and
pour out all the reasons; nothing here is ashamed of
obscure, obdurate feelings. Here all things come caressingly to your discourse and flatter you, for they want to
ride on your back. On every parable you ride to every
truth. Here you may talk fairly and frankly to all things:
and verily, it rings in their ears like praise when somebody talks straight to all things.
"To be forsaken, however, is another matter. Fordo you still remember, Zarathustra? When your bird
cried high above you, when you stood in the forest, undecided where to turn, ignorant, near a corpse-when
you said, 'May my animals lead mel I found it more
dangerous to be among men than among animals'-
then you were forsaken And do you still remember,
Zarathustra? When you sat on your island, a well of
wine among empty pails, spending and expending, bestowing and flowing among the thirsty, until finally you
sat thirsty among drunks and complained by night, 'Is
it not more blessed to receive than to give, and to steal
still more blessed than to receive?'-then you were forsaken! And do you still remember, Zarathustra? When
your stillest hour came and drove you away from yourself, speaking in an evil whisper, 'Speak and break!'when it made you repent all your waiting and silence
and discouraged your humble courage-then you were
forsaken."
0 solitude! 0 my home, solitude! How happily and
tenderly your voice speaks to mel We do not question
each other, we do not complain to each other, we often
walk together through open doors. For where you are,
things are open and bright; and the hours too walk on
lighter feet here. For in darkness, time weighs more
heavily on us than in the light. Here the words and
word-shrines of all being open up before me: here all
being wishes to become word, all becoming wishes to
learn from me how to speak.
Down there, however, all 'speech is in vain. There,
forgetting and passing by are the best wisdom: that I
have learned now. He who would grasp everything
human would have to grapple with everything. But for
that my hands are too clean. I do not even want to inhale their breath; alas, that I lived so long among their
noises and vile breath!
O happy silence around me! 0 clean smells around
me! Oh, how this silence draws deep breaths of clean
air! Oh, how it listens, this happy silence
But down there everyone talks and no one listens.
185
You could ring in your wisdom with bells: the shopkeepers in the market place would outjingle it with
pennies.
Everyone among them talks; no one knows how to
understand any more. Everything falls into the water,
nothing falls into deep wells any longer.
Everyone among them talks; nothing turns out well
any more and is finished. Everyone cackles; but who
still wants to sit quietly in the nest and hatch eggs?
Everyone among them talks; everything is talked to
pieces. And what even yesterday was still too hard for
time itself and its tooth, today hangs, spoiled by scraping and gnawing, out of the mouths of the men of
today.
Everyone among them talks; everything is betrayed.
And what was once called the secret and the secrecy of
deep souls today belongs to the street trumpeters and
other butterflies.
Oh, everything human is strange, a noise on dark
streets But now it lies behind me again: my greatest
danger lies behind me!
Consideration and pity have ever been my greatest
dangers, and everything human wants consideration and
pity. With concealed truths, with a fool's hands and a
fond, foolish heart and a wealth of the little lies of pity:
thus I always lived among men. Disguised I sat among
them, ready to mistake myself that I might endure
them, and willingly urging myself, 'You fool, you do
not know men."
One forgets about men when one lives among men;
there is too much foreground in all men: what good are
far-sighted, far-seeking eyes there? And whenever they
mistook me, I, fool that I am, showed them more consideration than myself, being used to hardness against
186
myself, and often I even took revenge on myself for
being too considerate. Covered with the bites of poisonous flies and hollowed out like a stone by many drops
of malice, thus I sat among them, and I still reminded
myself, "Everything small is innocent of its smallness."
Especially those who call themselves "the good" I
found to be the most poisonous flies: they bite in all
innocence, they lie in all innocence; how could they
possibly be just to me? Pity teaches all who live among
the good to lie. Pity surrounds all free souls with musty
air. For the stupidity of the good is unfathomable.
To conceal myself and my wealth, that I learned
down there; for I have found everyone poor in spirit.
The lie of my pity was this, that I knew I could see and
smell in everyone what was spirit enough for him and
what was too much spirit for him. Their stiff sages-I
called them sagacious, not stiff; thus I learned to swallow words. Their gravediggers-I called them researchers and testers; thus I learned to change words. The
gravediggers dig themselves sick; under old rubbish lie
noxious odors. One should not stir up the morass. One
should live on mountains.
With happy nostrils I again brea the mountain freedom. At last my nose is delivered from the smell of
everything human. Tickled by the sharp air as by
sparkling wines, my soul sneezes-sneezes and jubilates
to itself: Gesundheit!
Thus spoke Zarathustra.
~ Friedrich Nietzsche, THE RETURN HOME
,
1146:The Angel In The House. Book I. Canto Xi.
Preludes.
I The Daughter of Eve
The woman's gentle mood o'erstept
Withers my love, that lightly scans
The rest, and does in her accept
All her own faults, but none of man's.
As man I cannot judge her ill,
Or honour her fair station less,
Who, with a woman's errors, still
Preserves a woman's gentleness;
For thus I think, if one I see
Who disappoints my high desire,
‘How admirable would she be,
‘Could she but know how I admire!’
Or fail she, though from blemish clear,
To charm, I call it my defect;
And so my thought, with reverent fear
To err by doltish disrespect,
Imputes love's great regard, and says,
‘Though unapparent 'tis to me,
‘Be sure this Queen some other sways
‘With well-perceiv'd supremacy.’
Behold the worst! Light from above
On the blank ruin writes ‘Forbear!
‘Her first crime was unguarded love,
‘And all the rest, perhaps, despair.’
Discrown'd, dejected, but not lost,
O, sad one, with no more a name
Or place in all the honour'd host
Of maiden and of matron fame,
Grieve on; but, if thou grievest right,
'Tis not that these abhor thy state,
Nor would'st thou lower the least the height
Which makes thy casting down so great.
Good is thy lot in its degree;
For hearts that verily repent
Are burden'd with impunity
And comforted by chastisement.
110
Sweet patience sanctify thy woes!
And doubt not but our God is just,
Albeit unscathed thy traitor goes,
And thou art stricken to the dust.
That penalty's the best to bear
Which follows soonest on the sin;
And guilt's a game where losers fare
Better than those who seem to win.
II Aurea Dicta
'Tis truth (although this truth's a star
Too deep-enskied for all to see),
As poets of grammar, lovers are
The fountains of morality.
Child, would you shun the vulgar doom,
In love disgust, in death despair?
Know, death must come and love must come,
And so for each your soul prepare.
Who pleasure follows pleasure slays;
God's wrath upon himself he wreaks;
But all delights rejoice his days
Who takes with thanks, and never seeks.
The wrong is made and measured by
The right's inverted dignity.
Change love to shame, as love is high
So low in hell your bed shall be.
How easy to keep free from sin!
How hard that freedom to recall!
For dreadful truth it is that men
Forget the heavens from which they fall.
Lest sacred love your soul ensnare,
With pious fancy still infer
‘How loving and how lovely fair
‘Must He be who has fashion'd her!’
Become whatever good you see,
Nor sigh if, forthwith, fades from view
The grace of which you may not be
The subject and spectator too.
Love's perfect blossom only blows
Where noble manners veil defect.
Angels may be familiar; those
Who err each other must respect.
111
Love blabb'd of is a great decline;
A careless word unsanctions sense;
But he who casts Heaven's truth to swine
Consummates all incontinence.
Not to unveil before the gaze
Of an imperfect sympathy
In aught we are, is the sweet praise
And the main sum of modesty.
The Dance.
‘My memory of Heaven awakes!
‘She's not of the earth, although her light,
‘As lantern'd by her body, makes
‘A piece of it past bearing bright.
‘So innocently proud and fair
‘She is, that Wisdom sings for glee
‘And Folly dies, breathing one air
‘With such a bright-cheek'd chastity;
‘And though her charms are a strong law
‘Compelling all men to admire,
‘They go so clad with lovely awe
‘None but the noble dares desire.
‘He who would seek to make her his
‘Will comprehend that souls of grace
‘Own sweet repulsion, and that 'tis
‘The quality of their embrace
‘To be like the majestic reach
‘Of coupled suns, that, from afar,
‘Mingle their mutual spheres, while each
‘Circles the twin obsequious star;
‘And, in the warmth of hand to hand,
‘Of heart to heart, he'll vow to note
‘And reverently understand
‘How the two spirits shine remote;
‘And ne'er to numb fine honour's nerve,
‘Nor let sweet awe in passion melt,
‘Nor fail by courtesies to observe
‘The space which makes attraction felt;
‘Nor cease to guard like life the sense
112
‘Which tells him that the embrace of love
‘Is o'er a gulf of difference
‘Love cannot sound, nor death remove.’
II
This learn'd I, watching where she danced,
Native to melody and light,
And now and then toward me glanced,
Pleased, as I hoped, to please my sight.
III
Ah, love to speak was impotent,
Till music did a tongue confer,
And I ne'er knew what music meant,
Until I danced to it with her.
Too proud of the sustaining power
Of my, till then, unblemish'd joy,
My passion, for reproof, that hour
Tasted mortality's alloy,
And bore me down an eddying gulf;
I wish'd the world might run to wreck,
So I but once might fling myself
Obliviously about her neck.
I press'd her hand, by will or chance
I know not, but I saw the rays
Withdrawn, which did till then enhance
Her fairness with its thanks for praise.
I knew my spirit's vague offence
Was patent to the dreaming eye
And heavenly tact of innocence,
And did for fear my fear defy,
And ask'd her for the next dance. ‘Yes.’
‘No,’ had not fall'n with half the force.
She was fulfill'd with gentleness,
And I with measureless remorse;
And, ere I slept, on bended knee
I own'd myself, with many a tear,
Unseasonable, disorderly,
And a deranger of love's sphere;
Gave thanks that, when we stumble and fall,
We hurt ourselves, and not the truth;
113
And, rising, found its brightness all
The brighter through the tears of ruth.
IV
Nor was my hope that night made less,
Though order'd, humbled, and reproved;
Her farewell did her heart express
As much, but not with anger, moved.
My trouble had my soul betray'd;
And, in the night of my despair,
My love, a flower of noon afraid,
Divulged its fulness unaware.
I saw she saw; and, O sweet Heaven,
Could my glad mind have credited
That influence had to me been given
To affect her so, I should have said
That, though she from herself conceal'd
Love's felt delight and fancied harm,
They made her face the jousting field
Of joy and beautiful alarm.
~ Coventry Patmore,
1147:Chanson D'Après-Midi (Afternoon Song)
Quoique tes sourcils méchants
Te donnent un air étrange
Qui n'est pas celui d'un ange,
Sorcière aux yeux alléchants,
Je t'adore, ô ma frivole,
Ma terrible passion!
Avec la dévotion
Du prêtre pour son idole.
Le désert et la forêt
Embaument tes tresses rudes,
Ta tête a les attitudes
De l'énigme et du secret.
Sur ta chair le parfum rôde
Comme autour d'un encensoir;
Tu charmes comme le soir
Nymphe ténébreuse et chaude.
Ah! les philtres les plus forts
Ne valent pas ta paresse,
Et tu connais la caresse
Ou fait revivre les morts!
Tes hanches sont amoureuses
De ton dos et de tes seins,
Et tu ravis les coussins
Par tes poses langoureuses.
Quelquefois, pour apaiser
Ta rage mystérieuse,
Tu prodigues, sérieuse,
La morsure et le baiser;
Tu me déchires, ma brune,
Avec un rire moqueur,
Et puis tu mets sur mon coeur
Ton oeil doux comme la lune.
135
Sous tes souliers de satin,
Sous tes charmants pieds de soie
Moi, je mets ma grande joie,
Mon génie et mon destin,
Mon âme par toi guérie,
Par toi, lumière et couleur!
Explosion de chaleur
Dans ma noire Sibérie!
Afternoon Song
Though your mischievous eyebrows
Give you a singular air,
Not that of an angel,
Sorceress with Siren's eyes,
I adore you, my madcap,
My ineffable passion!
With the pious devotion
Of a priest for his idol.
Your stiff tresses are scented
With the desert and forest,
Your head assumes the poses
Of the enigma and key.
Perfume lingers about your flesh
Like incense about a censer;
You charm like the evening,
Tenebrous, passionate nymph.
Ah! the most potent philtres
Are weaker than your languor,
And you know the caresses
That make the dead live again!
Your haunches are enamored
Of your back and your bosom
And you delight the cushions
With your languorous poses.
136
Sometimes, to alleviate
Your mysterious passion,
You lavish, resolutely,
Your bites and your kisses;
You tear me open, dark beauty,
With derisive laughter,
And then look at my heart
With eyes as soft as moonlight
Under your satin slippers,
Under your dear silken feet,
I place all my happiness,
My genius and destiny,
My soul brought to life by you
By your clear light and color,
Explosion of heat
In my dark Siberia!
— Translated by William Aggeler
Song of Afternoon
Though your eyebrows' wicked slant
Give you an intriguing air
Which the angels do not share
Sorceress, whose eyes enchant —
My passion, terrible yet gay,
With all my heart I bow before you,
With that devotion to adore you
That priests to sacred idols pay.
Deserts and woods embalmed your hair,
Its movements give your head the stigma
Of sphinx-like secret and enigma,
Both in its attitude and air.
As round a censer vapours form,
137
About your flesh the perfumes wander.
The selfsame charms you seem to squander
As does an evening, dark yet warm,
The strongest philtres cannot craze
As does your indolent address
And you have mastered a caress
Dead corpses from their tombs to raise.
Your hips are amorous of your breast
And of your back: your languorous pose
Enchants the cushions where you doze
When in their depths you make your nest.
Sometimes in order to appease
Mysterious rages in your soul,
You bite and kiss without control.
Then with a mocking laugh you tease
My heart, brown beauty, tearing it:
Then over it the light is strewn
Of your eye, softer than the moon,
Till with its glance my soul is lit.
Underneath your satin shoes,
And underneath your silken feet,
My joy, my fate, my genius meet
To strew the pathway of my muse.
My soul is healed, restored and made complete
By you, all colour, warmth, and light,
In my Siberia a bright
Explosion as of tropic heat.
— Translated by Roy Campbell
Afternoon Song
O witch with sharp alluring eyes,
Although your evil eyebrows lend
Your strange ways little of the friend
138
And even less of angel skies,
How I adore your madcap verve,
How deeply rooted, my fell passion!
I worship you in the rapt fashion
Of priests for idols that they serve.
Your stiff dense tresses fragrantly
Conjure up wilderness and wood,
Your head assumes each attitude
Of the enigma and its key.
Perfumes cling closely to your flesh
As incense to a censer; bright
And dusky nymph, you are all Night,
Secret and passionate and fresh!
The strongest philter vies in vain
Power against your languidness,
Too well you know the sweet caress
That brings the dead to life again.
Your haunches are enamored of
Your supple back and surging breast,
And when, posed torpidly, you rest,
Your cushions taste the charms of love.
Sometimes to quell the rageful fire
Of your mysterious lust, you lavish
Obstinate kiss and bite to ravish
The throbbing prey of your desire.
You rend my body to its seams,
Dark beauty, with your mocking laughter,
Then fill my heart a moment after
With glances soft as the moon's beams.
Under your satin slippers, see,
Under your blest silk feet, I lay
The vast sum of my joys today,
My genius, my destiny,
139
My soul, enlivened by your spark
Your radiance and color, sweet
Explosion of fierce tropic heat
Across my chill Siberian dark!
— Translated by Jacques LeClercq
Afternoon Song
Though your wicked eyebrows call
Your nature into question
(Unangelic's their suggestion,
Witch whose eyes enthrall)
I adore you still
O foolish terrible emotion
Kneeling in devotion
As a priest to his idol will.
Your undone braids conceal
Desert, forest scents,
In your exotic countenance
Lie secrets unrevealed.
Over your flesh perfume drifts
Like incense 'round a censor,
Tantalizing dispenser
Of evening's ardent gifts.
No Philtres could compete
With your potent idleness:
You've mastered the caress
That raises dead me to their feet.
Your hips themselves are romanced
By your back and by your breasts:
By your languid dalliance.
Now and then, your appetite's
Uncontrolled, unassuaged:
Mysteriously enraged,
140
You kiss me and you bite.
Dark one, I am torn
By your savage ways,
Then, soft as the moon, your gaze
Sees my tortured heart reborn.
Beneath your satin shoe,
Beneath your charming silken foot.
My greatest joy I put
My genius and destiny, too.
You bring my spirit back,
Bringer of the light.
Exploding color in the night
Of my Siberia so black.
By Anonymous
~ Charles Baudelaire,
1148:
Nolueram, Belinda, tuos violare capillos;
Sedjuvat, hoc precibus me tribuisse tuis.
(Martial, Epigrams 12.84)

What dire offence from am'rous causes springs,
What mighty contests rise from trivial things,
I singThis verse to Caryl, Muse! is due:
This, ev'n Belinda may vouchsafe to view:
Slight is the subject, but not so the praise,
If she inspire, and he approve my lays.

   Say what strange motive, Goddess! could compel
A well-bred lord t' assault a gentle belle?
O say what stranger cause, yet unexplor'd,
Could make a gentle belle reject a lord?
In tasks so bold, can little men engage,
And in soft bosoms dwells such mighty rage?

   Sol thro' white curtains shot a tim'rous ray,
And op'd those eyes that must eclipse the day;
Now lap-dogs give themselves the rousing shake,
And sleepless lovers, just at twelve, awake:
Thrice rung the bell, the slipper knock'd the ground,
And the press'd watch return'd a silver sound.
Belinda still her downy pillow press'd,
Her guardian sylph prolong'd the balmy rest:
'Twas he had summon'd to her silent bed
The morning dream that hover'd o'er her head;
A youth more glitt'ring than a birthnight beau,
(That ev'n in slumber caus'd her cheek to glow)
Seem'd to her ear his winning lips to lay,
And thus in whispers said, or seem'd to say.

   "Fairest of mortals, thou distinguish'd care
Of thousand bright inhabitants of air!
If e'er one vision touch'd thy infant thought,
Of all the nurse and all the priest have taught,
Of airy elves by moonlight shadows seen,
The silver token, and the circled green,
Or virgins visited by angel pow'rs,
With golden crowns and wreaths of heav'nly flow'rs,
Hear and believe! thy own importance know,
Nor bound thy narrow views to things below.
Some secret truths from learned pride conceal'd,
To maids alone and children are reveal'd:
What tho' no credit doubting wits may give?
The fair and innocent shall still believe.
Know then, unnumber'd spirits round thee fly,
The light militia of the lower sky;
These, though unseen, are ever on the wing,
Hang o'er the box, and hover round the Ring.
Think what an equipage thou hast in air,
And view with scorn two pages and a chair.
As now your own, our beings were of old,
And once inclos'd in woman's beauteous mould;
Thence, by a soft transition, we repair
From earthly vehicles to these of air.
Think not, when woman's transient breath is fled,
That all her vanities at once are dead;
Succeeding vanities she still regards,
And tho' she plays no more, o'erlooks the cards.
Her joy in gilded chariots, when alive,
And love of ombre, after death survive.
For when the fair in all their pride expire,
To their first elements their souls retire:
The sprites of fiery termagants in flame
Mount up, and take a Salamander's name.
Soft yielding minds to water glide away,
And sip with Nymphs, their elemental tea.
The graver prude sinks downward to a Gnome,
In search of mischief still on earth to roam.
The light coquettes in Sylphs aloft repair,
And sport and flutter in the fields of air.

   Know further yet; whoever fair and chaste
Rejects mankind, is by some sylph embrac'd:
For spirits, freed from mortal laws, with ease
Assume what sexes and what shapes they please.
What guards the purity of melting maids,
In courtly balls, and midnight masquerades,
Safe from the treach'rous friend, the daring spark,
The glance by day, the whisper in the dark,
When kind occasion prompts their warm desires,
When music softens, and when dancing fires?
'Tis but their sylph, the wise celestials know,
Though honour is the word with men below.

   Some nymphs there are, too conscious of their face,
For life predestin'd to the gnomes' embrace.
These swell their prospects and exalt their pride,
When offers are disdain'd, and love denied:
Then gay ideas crowd the vacant brain,
While peers, and dukes, and all their sweeping train,
And garters, stars, and coronets appear,
And in soft sounds 'Your Grace' salutes their ear.
'Tis these that early taint the female soul,
Instruct the eyes of young coquettes to roll,
Teach infant cheeks a bidden blush to know,
And little hearts to flutter at a beau.

   Oft, when the world imagine women stray,
The Sylphs through mystic mazes guide their way,
Thro' all the giddy circle they pursue,
And old impertinence expel by new.
What tender maid but must a victim fall
To one man's treat, but for another's ball?
When Florio speaks, what virgin could withstand,
If gentle Damon did not squeeze her hand?
With varying vanities, from ev'ry part,
They shift the moving toyshop of their heart;
Where wigs with wigs, with sword-knots sword-knots strive,
Beaux banish beaux, and coaches coaches drive.
This erring mortals levity may call,
Oh blind to truth! the Sylphs contrive it all.

   Of these am I, who thy protection claim,
A watchful sprite, and Ariel is my name.
Late, as I rang'd the crystal wilds of air,
In the clear mirror of thy ruling star
I saw, alas! some dread event impend,
Ere to the main this morning sun descend,
But Heav'n reveals not what, or how, or where:
Warn'd by the Sylph, oh pious maid, beware!
This to disclose is all thy guardian can.
Beware of all, but most beware of man!"

   He said; when Shock, who thought she slept too long,
Leap'd up, and wak'd his mistress with his tongue.
'Twas then, Belinda, if report say true,
Thy eyes first open'd on a billet-doux;
Wounds, charms, and ardors were no sooner read,
But all the vision vanish'd from thy head.

   And now, unveil'd, the toilet stands display'd,
Each silver vase in mystic order laid.
First, rob'd in white, the nymph intent adores
With head uncover'd, the cosmetic pow'rs.
A heav'nly image in the glass appears,
To that she bends, to that her eyes she rears;
Th' inferior priestess, at her altar's side,
Trembling, begins the sacred rites of pride.
Unnumber'd treasures ope at once, and here
The various off'rings of the world appear;
From each she nicely culls with curious toil,
And decks the goddess with the glitt'ring spoil.
This casket India's glowing gems unlocks,
And all Arabia breathes from yonder box.
The tortoise here and elephant unite,
Transform'd to combs, the speckled and the white.
Here files of pins extend their shining rows,
Puffs, powders, patches, bibles, billet-doux.
Now awful beauty puts on all its arms;
The fair each moment rises in her charms,
Repairs her smiles, awakens ev'ry grace,
And calls forth all the wonders of her face;
Sees by degrees a purer blush arise,
And keener lightnings quicken in her eyes.
The busy Sylphs surround their darling care;
These set the head, and those divide the hair,
Some fold the sleeve, whilst others plait the gown;
And Betty's prais'd for labours not her own.
~ Alexander Pope, The Rape of the Lock
,
1149:The Rape Of The Lock: Canto 1
Nolueram, Belinda, tuos violare capillos;
Sedjuvat, hoc precibus me tribuisse tuis.
(Martial, Epigrams 12.84)
What dire offence from am'rous causes springs,
What mighty contests rise from trivial things,
I sing--This verse to Caryl, Muse! is due:
This, ev'n Belinda may vouchsafe to view:
Slight is the subject, but not so the praise,
If she inspire, and he approve my lays.
Say what strange motive, Goddess! could compel
A well-bred lord t' assault a gentle belle?
O say what stranger cause, yet unexplor'd,
Could make a gentle belle reject a lord?
In tasks so bold, can little men engage,
And in soft bosoms dwells such mighty rage?
Sol thro' white curtains shot a tim'rous ray,
And op'd those eyes that must eclipse the day;
Now lap-dogs give themselves the rousing shake,
And sleepless lovers, just at twelve, awake:
Thrice rung the bell, the slipper knock'd the ground,
And the press'd watch return'd a silver sound.
Belinda still her downy pillow press'd,
Her guardian sylph prolong'd the balmy rest:
'Twas he had summon'd to her silent bed
The morning dream that hover'd o'er her head;
A youth more glitt'ring than a birthnight beau,
(That ev'n in slumber caus'd her cheek to glow)
Seem'd to her ear his winning lips to lay,
And thus in whispers said, or seem'd to say.
"Fairest of mortals, thou distinguish'd care
Of thousand bright inhabitants of air!
If e'er one vision touch'd thy infant thought,
Of all the nurse and all the priest have taught,
Of airy elves by moonlight shadows seen,
The silver token, and the circled green,
Or virgins visited by angel pow'rs,
With golden crowns and wreaths of heav'nly flow'rs,
221
Hear and believe! thy own importance know,
Nor bound thy narrow views to things below.
Some secret truths from learned pride conceal'd,
To maids alone and children are reveal'd:
What tho' no credit doubting wits may give?
The fair and innocent shall still believe.
Know then, unnumber'd spirits round thee fly,
The light militia of the lower sky;
These, though unseen, are ever on theg,
Hang o'er the box, and hover round the Ring.
Think what an equipage thou hast in air,
And view with scorn two pages and a chair.
As now your own, our beings were of old,
And once inclos'd in woman's beauteous mould;
Thence, by a soft transition, we repair
From earthly vehicles to these of air.
Think not, when woman's transient breath is fled,
That all her vanities at once are dead;
Succeeding vanities she still regards,
And tho' she plays no more, o'erlooks the cards.
Her joy in gilded chariots, when alive,
And love of ombre, after death survive.
For when the fair in all their pride expire,
To their first elements their souls retire:
The sprites of fiery termagants in flame
Mount up, and take a Salamander's name.
Soft yielding minds to water glide away,
And sip with Nymphs, their elemental tea.
The graver prude sinks downward to a Gnome,
In search of mischief still on earth to roam.
The light coquettes in Sylphs aloft repair,
And sport and flutter in the fields of air.
Know further yet; whoever fair and chaste
Rejects mankind, is by some sylph embrac'd:
For spirits, freed from mortal laws, with ease
Assume what sexes and what shapes they please.
What guards the purity of melting maids,
In courtly balls, and midnight masquerades,
Safe from the treach'rous friend, the daring spark,
The glance by day, the whisper in the dark,
When kind occasion prompts their warm desires,
222
When music softens, and when dancing fires?
'Tis but their sylph, the wise celestials know,
Though honour is the word with men below.
Some nymphs there are, too conscious of their face,
For life predestin'd to the gnomes' embrace.
These swell their prospects and exalt their pride,
When offers are disdain'd, and love denied:
Then gay ideas crowd the vacant brain,
While peers, and dukes, and all their sweeping train,
And garters, stars, and coronets appear,
And in soft sounds 'Your Grace' salutes their ear.
'Tis these that early taint the female soul,
Instruct the eyes of young coquettes to roll,
Teach infant cheeks a bidden blush to know,
And little hearts to flutter at a beau.
Oft, when the world imagine women stray,
The Sylphs through mystic mazes guide their way,
Thro' all the giddy circle they pursue,
And old impertinence expel by new.
What tender maid but must a victim fall
To one man's treat, but for another's ball?
When Florio speaks, what virgin could withstand,
If gentle Damon did not squeeze her hand?
With varying vanities, from ev'ry part,
They shift the moving toyshop of their heart;
Where wigs with wigs, with sword-knots sword-knots strive,
Beaux banish beaux, and coaches coaches drive.
This erring mortals levity may call,
Oh blind to truth! the Sylphs contrive it all.
Of these am I, who thy protection claim,
A watchful sprite, and Ariel is my name.
Late, as I rang'd the crystal wilds of air,
In the clear mirror of thy ruling star
I saw, alas! some dread event impend,
Ere to the main this morning sun descend,
But Heav'n reveals not what, or how, or where:
Warn'd by the Sylph, oh pious maid, beware!
This to disclose is all thy guardian can.
223
Beware of all, but most beware of man!"
He said; when Shock, who thought she slept too long,
Leap'd up, and wak'd his mistress with his tongue.
'Twas then, Belinda, if report say true,
Thy eyes first open'd on a billet-doux;
Wounds, charms, and ardors were no sooner read,
But all the vision vanish'd from thy head.
And now, unveil'd, the toilet stands display'd,
Each silver vase in mystic order laid.
First, rob'd in white, the nymph intent adores
With head uncover'd, the cosmetic pow'rs.
A heav'nly image in the glass appears,
To that she bends, to that her eyes she rears;
Th' inferior priestess, at her altar's side,
Trembling, begins the sacred rites of pride.
Unnumber'd treasures ope at once, and here
The various off'rings of the world appear;
From each she nicely culls with curious toil,
And decks the goddess with the glitt'ring spoil.
This casket India's glowing gems unlocks,
And all Arabia breathes from yonder box.
The tortoise here and elephant unite,
Transform'd to combs, the speckled and the white.
Here files of pins extend their shining rows,
Puffs, powders, patches, bibles, billet-doux.
Now awful beauty puts on all its arms;
The fair each moment rises in her charms,
Repairs her smiles, awakens ev'ry grace,
And calls forth all the wonders of her face;
Sees by degrees a purer blush arise,
And keener lightnings quicken in her eyes.
The busy Sylphs surround their darling care;
These set the head, and those divide the hair,
Some fold the sleeve, whilst others plait the gown;
And Betty's prais'd for labours not her own.
~ Alexander Pope,
1150:Sainte-Nitouche
Though not for common praise of him,
Nor yet for pride or charity,
Still would I make to Vanderberg
One tribute for his memory:
One honest warrant of a friend
Who found with him that flesh was grass—
Who neither blamed him in defect
Nor marveled how it came to pass;
Or why it ever was that he—
That Vanderberg, of all good men,
Should lose himself to find himself,
Straightway to lose himself again.
For we had buried Sainte-Nitouche,
And he had said to me that night:
“Yes, we have laid her in the earth,
But what of that?” And he was right.
And he had said: “We have a wife,
We have a child, we have a church;
’T would be a scurrilous way out
If we should leave them in the lurch.
“That’s why I have you here with me
To-night: you know a talk may take
The place of bromide, cyanide,
Et cetera. For heaven’s sake,
“Why do you look at me like that?
What have I done to freeze you so?
Dear man, you see where friendship means
A few things yet that you don’t know;
“And you see partly why it is
That I am glad for what is gone:
For Sainte-Nitouche and for the world
In me that followed. What lives on—
252
“Well, here you have it: here at home—
For even home will yet return.
You know the truth is on my side,
And that will make the embers burn.
“I see them brighten while I speak,
I see them flash,—and they are mine!
You do not know them, but I do:
I know the way they used to shine.
“And I know more than I have told
Of other life that is to be:
I shall have earned it when it comes,
And when it comes I shall be free.
“Not as I was before she came,
But farther on for having been
The servitor, the slave of her—
The fool, you think. But there’s your sin—
“Forgive me!—and your ignorance:
Could you but have the vision here
That I have, you would understand
As I do that all ways are clear
“For those who dare to follow them
With earnest eyes and honest feet.
But Sainte-Nitouche has made the way
For me, and I shall find it sweet.
“Sweet with a bitter sting left?—Yes,
Bitter enough, God knows, at first;
But there are more steep ways than one
To make the best look like the worst;
“And here is mine—the dark and hard,
For me to follow, trust, and hold:
And worship, so that I may leave
No broken story to be told.
“Therefore I welcome what may come,
253
Glad for the days, the nights, the years.”—
An upward flash of ember-flame
Revealed the gladness in his tears.
“You see them, but you know,” said he,
“Too much to be incredulous:
You know the day that makes us wise,
The moment that makes fools of us.
“So I shall follow from now on
The road that she has found for me:
The dark and starry way that leads
Right upward, and eternally.
“Stumble at first? I may do that;
And I may grope, and hate the night;
But there’s a guidance for the man
Who stumbles upward for the light,
“And I shall have it all from her,
The foam-born child of innocence.
I feel you smiling while I speak,
But that’s of little consequence;
“For when we learn that we may find
The truth where others miss the mark,
What is it worth for us to know
That friends are smiling in the dark?
“Could we but share the lonely pride
Of knowing, all would then be well;
But knowledge often writes itself
In flaming words we cannot spell.
“And I, who have my work to do,
Look forward; and I dare to see,
Far stretching and all mountainous,
God’s pathway through the gloom for me.”
I found so little to say then
That I said nothing.—“Say good-night,”
Said Vanderberg; “and when we meet
254
To-morrow, tell me I was right.
“Forget the dozen other things
That you have not the faith to say;
For now I know as well as you
That you are glad to go away.”
I could have blessed the man for that,
And he could read me with a smile:
“You doubt,” said he, “but if we live
You’ll know me in a little while.”
He lived; and all as he foretold,
I knew him—better than he thought:
My fancy did not wholly dig
The pit where I believed him caught.
But yet he lived and laughed, and preached,
And worked—as only players can:
He scoured the shrine that once was home
And kept himself a clergyman.
The clockwork of his cold routine
Put friends far off that once were near;
The five staccatos in his laugh
Were too defensive and too clear;
The glacial sermons that he preached
Were longer than they should have been;
And, like the man who fashioned them,
The best were too divinely thin.
But still he lived, and moved, and had
The sort of being that was his,
Till on a day the shrine of home
For him was in the Mysteries:—
“My friend, there’s one thing yet,” said he,
“And one that I have never shared
With any man that I have met;
But you—you know me.” And he stared
255
For a slow moment at me then
With conscious eyes that had the gleam,
The shine, before the stroke:—“You know
The ways of us, the way we dream:
“You know the glory we have won,
You know the glamour we have lost;
You see me now, you look at me,—
And yes, you pity me, almost;
“But never mind the pity—no,
Confess the faith you can’t conceal;
And if you frown, be not like one
Of those who frown before they feel.
“For there is truth, and half truth,—yes,
And there’s a quarter truth, no doubt;
But mine was more than half.… You smile?
You understand? You bear me out?
“You always knew that I was right—
You are my friend—and I have tried
Your faith—your love.”—The gleam grew small,
The stroke was easy, and he died.
I saw the dim look change itself
To one that never will be dim;
I saw the dead flesh to the grave,
But that was not the last of him.
For what was his to live lives yet:
Truth, quarter truth, death cannot reach;
Nor is it always what we know
That we are fittest here to teach.
The fight goes on when fields are still,
The triumph clings when arms are down;
The jewels of all coronets
Are pebbles of the unseen crown;
The specious weight of loud reproof
Sinks where a still conviction floats;
256
And on God’s ocean after storm
Time’s wreckage is half pilot-boats;
And what wet faces wash to sight
Thereafter feed the common moan:—
But Vanderberg no pilot had,
Nor could have: he was all alone.
Unchallenged by the larger light
The starry quest was his to make;
And of all ways that are for men,
The starry way was his to take.
We grant him idle names enough
To-day, but even while we frown
The fight goes on, the triumph clings,
And there is yet the unseen crown
But was it his? Did Vanderberg
Find half truth to be passion’s thrall,
Or as we met him day by day,
Was love triumphant, after all?
I do not know so much as that;
I only know that he died right:
Saint Anthony nor Sainte-Nitouche
Had ever smiled as he did—quite.
~ Edwin Arlington Robinson,
1151:The Mu'Allaqat
'Does the blackened ruin, situated in the stony ground
between Durraj and Mutathallam, which did not speak to me,
when addressed, belong to the abode of Ummi Awfa?
And is it her dwelling at the two stony meadows, seeming as though they were
the renewed tattoo marks in the sinews of the wrist?
'The wild cows and the white deer are wandering about
there, one herd behind the other, while their young are springing up from every lying-down place.
'I stood again near it, (the encampment of the tribe of
Awfa,) after an absence of twenty years, and with some efforts,
I know her abode again after thinking awhile.
'I recognized the three stones blackened by fire at the
place where the kettle used to be placed at night, and the
trench round the encampment, which had not burst, like the source of a pool.
'And when I recognized the encampment I said to its site,
'Now good morning, oh spot;
may you be safe from dangers.'
'Look, oh my friend! do you see any women traveling on
camels, going over the high ground above the stream of
Jurthum?
'They have covered their howdahs with coverlets of high
value, and with a thin screen, the fringes of which are red,
resembling blood.
'And they inclined toward the valley of Sooban, ascending
the center of it, and in their faces were the fascinating
looks of a soft-bodied person brought up in easy circumstances.
'They arose early in the morning and got up at dawn, and
they went straight to the valley of Rass as the hand goes
unswervingly to the mouth, when eating.
'And amongst them is a place of amusement for the farsighted one,
and a pleasant sight for the eye of the looker who
looks attentively.
'As if the pieces of dyed wool which they left in every
place in which they halted, were the seeds of night-shade
which have not been crushed.
'When they arrived at the water, the mass of which was
blue from intense purity, they laid down their walking sticks,
like the dweller who has pitched his tents.
'They kept the hill of Qanan and the rough ground about
it on their hand; while there are many, dwelling in Qanan,
the shedding of whose blood is lawful and unlawful.
'They came out from the valley of Sooban, then they
crossed it, riding in every Qainian howdah
new and widened.
'Then I swear by the temple, round which walk the men
who built it from the tribes
of Quraysh and Turhum.
'An oath, that you are verily two excellent chiefs, who
are found worthy of honor in every condition, between ease
and distress.
'The two endeavorers from the tribe of Ghaiz bin Murrah
strove in making peace after the connection between the
tribes had become broken, on account of the shedding of blood.
'You repaired with peace the condition of the tribes of
'Abs and Zubyan, after they had fought with one another, and
ground up the perfume of Manshim between them.
'And indeed you said, 'if we bring about peace perfectly by the spending
of money and the conferring of benefits, and by good words,
we shall be safe from the danger of the two tribes, destroying each other.'
'You occupied by reason of this the best of positions, and
became far from the reproach of being
undutiful and sinful.
'And you became great in the high nobility of Ma'add;
may you be guided in the right way; and he who spends his
treasure of glory will become great.
'The memory of the wounds is obliterated by the hundreds
of camels, and he, who commenced paying off the blood money
by instalments, was not guilty of it (i.e., of making war) .
'One tribe pays it to another tribe as an indemnity, while
they who gave the indemnity did not shed blood sufficient for
the filling of a cupping glass.
'Then there was being driven to them from the property
you inherited, a booty of various sorts from young camels
with slit ears.
'Now, convey from me to the tribe of Zubyan and their
allies a message,- 'verily you have sworn by every sort of
oath to keep the peace.'
'Do not conceal from God what is in your breast that it
may be hidden; whatever is concealed,
God knows all about it.
'Either it will be put off and placed recorded in a book,
and preserved there until the judgment day;
or the punishment be hastened and so he will take revenge.
'And war is not but what you have learnt it to be, and
what you have experienced, and what is said concerning it,
is not a story based on suppositions.
'When you stir it up, you will stir it up as an accursed
thing, and it will become greedy when you excite its greed
and it will rage fiercely.
'Then it will grind you as the grinding of the upper millstone
against the lower, and it will conceive immediately after
one birth and it will produce twins.
'By my life I swear, how good a tribe it is upon whom
Husain Bin Zamzam brought an injury by committing a
crime which did not please them.
'And he had concealed his hatred, and did not display it,
and did not proceed to carry out his intention until he got a
good opportunity.
'And he said, 'I will perform my object of avenging myself,
and I will guard myself from my enemy with a thousand
bridled horses behind me.'
'Then he attacked his victim from 'Abs, but did not cause
fear to the people of the many houses, near which death had
thrown down his baggage.
'They allowed their animals to graze until when the interval
between the hours of drinking was finished, they took them to the deep pool,
which is divided by weapons and by shedding of blood.
'They accomplished their object amongst themselves, then
they led the animals back to the pasture of unwholesome
indigestible grass.
'I have grown weary of the troubles of life; and he,
who lives eighty years will, may you have no father
if you doubt grow weary.
'And I know what has happened to-day and yesterday,
before it, but verily, of the knowledge of what will happen
tomorrow; I am ignorant.
'I see death is like the blundering of a blind camel; -him
whom he meets he kills, and he whom he misses lives and will
become old.
'And he who does not act with kindness in many affairs
will be torn by teeth
and trampled under foot.
'And he, who makes benevolent acts intervene before
honor, increases his honor;
and he, who does not avoid abuse, will be abused.
'He, who is possessed of plenty, and is miserly with his
great wealth toward his people, will be dispensed with,
and abused.
'He who keeps his word, will not be reviled;
and he whose heart is guided to self-satisfying benevolence
will not stammer.
'And he who dreads the causes of death, they will reach
him, even if he ascends the tracts of the heavens
with a ladder.
'And he, who shows kindness to one not deserving it, his
praise will be a reproach against him, and he will repent of
having shown kindness.
'And he who rebels against the butt ends of the spears,
then verily he will have to obey the spear points joined to
every long spear shaft.
'And he who does not repulse with his weapons from his
tank, will have it broken; and he who does not oppress the
people will be oppressed.
'And he who travels should consider his friend an enemy;
and he who does not respect himself
will not be respected.
'And he, who is always seeking to bear the burdens of
other people, and does not excuse himself from it,
will one day by reason of his abasement, repent.
'And whatever of character there is in a man, even though
he thinks it concealed from people,
it is known.
'He, who does not cease asking people to carry him, and
does not make himself independent of them even for one day
of the time, will be regarded with disgust.
'Many silent ones you see, pleasing to you,
but their excess in wisdom or deficiency
will appear at the time of talking.
'The tongue of a man is one half, and the other half is his
mind, and here is nothing besides these two, except the shape
of the blood and the flesh.
'And verily, as to the folly of an old man
there is no wisdom after it,
but the young man after his folly may become wise.
~ Baha ad-Din Zuhayr,
1152:Seasons Of The Soul
To the memory of John Peale Bishop, 1892-1944
Attor porsi la mano un poco avante,
e colsi un ramicel da un gran pruno;
e U tronco suo gridd: Perchd mi schiante?
I. SUMMER
Summer, this is our flesh,
The body you let mature;
If now while the body is fresh
You take it, shall we give
The heart, lest heart endure
The mind's tattering
Blow of greedy claws?
Shall mind itself still live
If like a hunting king
It falls to the lion's jaws?
Under the summer's blast
The soul cannot endure
Unless by sleight or fast
It seize or deny its day
To make the eye secure.
Brothers-in-arms, remember
The hot wind dries and draws
With circular delay
The flesh, ash from the ember,
Into the summer's jaws.
It was a gentle sun
When, at the June solstice
Green France was overrun
With caterpillar feet.
No head knows where its rest is
Or may lie down with reason
When war's usurping claws
Shall take the heart escheatGreen field in burning season
61
To stain the weevil's jaws.
The southern summer dies
Evenly in the fall:
We raise our tired eyes
Into a sky of glass,
Blue, empty, and tall
Without tail or head
Where burn the equal laws
For Balaam and his ass
Above the invalid dead,
Who cannot lift their jaws.
When was it that the summer
(Daylong a liquid light)
And a child, the new-comer,
Bathed in the same green spray,
Could neither guess the night?
The summer had no reason;
Then, like a primal cause
It had its timeless day
Before it kept the season
Of time's engaging jaws.
Two men of our summer world
Descended winding hell
And when their shadows curled
They fearfully confounded
The vast concluding shell:
Stopping, they saw in the narrow
Light a centaur pause
And gaze, then his astounded
Beard, with a notched arrow,
Part back upon his jaws.
II. AUTUMN
It had an autumn smell
And that was how I knew
That I was down a well:
I was no longer young;
62
My lips were numb and blue,
The air was like fine sand
In a butcher's stall
Or pumice to the tongue:
And when I raised my hand
I stood in the empty hall.
The round ceiling was high
And the gray light like shale
Thin, crumbling, and dry:
No rug on the bare floor
Nor any carved detail
To which the eye could glide;
I counted along the wall
Door after closed door
Through which a shade might slide
To the cold and empty hall.
I will leave this house, I said,
There is the autumn weatherHere, nor living nor dead;
The lights burn in the town
Where men fear together.
Then on the bare floor,
But tiptoe lest I fall,
I walked years down
Towards the front door
At the end of the empty hall.
Two men of our summer world
Descended winding hell
And when their shadows curled
They fearfully confounded
The vast concluding shell:
Stopping, they saw in the narrow
Light a centaur pause
And gaze, then his astounded
Beard, with a notched arrow,
Part back upon his jaws,
It had an autumn smell
And that was how I knew
63
That I was down a well:
I was no longer young;
My lips were numb and blue,
The air was like fine sand
In a butcher's stall
Or pumice to the tongue:
And when I raised my hand
I stood in the empty hall.
The round ceiling was high
And the gray light like shale
Thin, crumbling, and dry:
No rug on the bare floor
Nor any carved detail
To which the eye could glide;
I counted along the wall
Door after closed door
Through which a shade might slide
To the cold and empty hall.
I will leave this house, I said,
There is the autumn weatherHere, nor living nor dead;
The lights burn in the town
Where men fear together.
Then on the bare floor,
But tiptoe lest I fall,
I walked years down
Towards the front door
At the end of the empty hall.
The door was false-no key
Or lock, and I was caught
In the house; yet I could see
I had been born to it
For miles of running brought
Me back where I began.
I saw now in the wall
A door open a slit
And a fat grizzled man
Come out into the hall:
64
As in a moonlit street
Men meeting are too shy
To check their hurried feet
But raise their eyes and squint
As through a needle's eye
Into the faceless gloom,My father in a gray shawl
Gave me an unseeing glint
And entered another room!
I stood in the empty hall
And watched them come and go
From one room to another,
Old men, old women slow,
Familiar; girls, boys;
I saw my downcast mother
Clad in her street-clothes,
Her blue eyes long and small.
Who had no look or voice
For him whose vision froze
Him in the empty hall.
III. WINTER
Goddess sea-born and bright,
Return into the sea
Where eddying twilight
Gathers upon your peopleCold goddess, hear our plea!
Leave the burnt earth, Venus,
For the drying God above,
Hanged in his windy steeple,
No longer bears for us
The living wound of love.
All the sea-gods are dead.
You, Venus, come home
To your salt maidenhead,
The tossed anonymous sea
Under shuddering foamShade for lovers, where
65
A shark swift as your dove
Shall pace our company
All night to nudge and tear
The livid wound of love.
And now the winter sea:
Within her hollow rind
What sleek facility
Of sea-conceited scop
To plumb the nether mind!
Eternal winters blow
Shivering flakes, and shove
Bodies that wheel and dropCold soot upon the snow
Their livid wound of love.
Beyond the undertow
The gray sea-foliage
Transpires a phosphor glow
Into the circular miles:
In the centre of his cage
The pacing animal
Surveys the jungle cove
And slicks his slithering wiles
To turn the venereal awl
In the livid wound of love.
Beyond the undertow
The rigid madrepore
Resists the winter's flowHeadless, unageing oak
That gives the leaf no more.
Wilfully as I stood
Within the thickest grove
I seized a branch, which broke;
I heard the speaking blood
(From the livid wound of love)
Drip down upon my toe:
'We are the men who died
Of self-inflicted woe,
Lovers whose stratagem
66
Led to their suicide.'
I touched my sanguine hair
And felt it drip above
Their brother who, like them,
Was maimed and did not bear
The living wound of love.
IV. SPRING
Irritable spring, infuse
Into the burning breast
Your combustible juice
That as a liquid soul
Shall be the body's guest
Who lights, but cannot stay
To comfort this unease
Which, like a dying coal,
Hastens the cooler day
Of the mother of silences.
Back in my native prime
I saw the orient corn
All space but no time,
Reaching for the sun
Of the land where I was born:
It was a pleasant land
Where even death could please
Us with an ancient punAll dying for the hand
Of the mother of silences.
In time of bloody war
Who will know the time?
Is it a new spring star
Within the timing chill,
Talking, or just a mime,
That rises in the bloodThin Jack-and-Jilling seas
Without the human will?
Its light is at the flood,
Mother of silences!
67
It burns us each alone
Whose burning arrogance
Burns up the rolling stone,
This earth-Platonic cave
Of vertiginous chance!
Come, tired Sisyphus,
Cover the cave's egress
Where light reveals the slave,
Who rests when sleeps with us
The mother of silences.
Come, old woman, save
Your sons who have gone down
Into the burning cave:
Come, mother, and lean
At the window with your son
And gaze through its light frame
These fifteen centuries
Upon the shirking scene
Where men, blind, go lame:
Then, mother of silences,
Speak, that we may hear;
Listen, while we confess
That we conceal our fear;
Regard us, while the eye
Discerns by sight or guess
Whether, as sheep foregather
Upon their crooked knees,
We have begun to die;
Whether your kindness, mother,
Is mother of silences.
~ Allen Tate,
1153:The Rape Of The Lock: Canto 4
But anxious cares the pensive nymph oppress'd,
And secret passions labour'd in her breast.
Not youthful kings in battle seiz'd alive,
Not scornful virgins who their charms survive,
Not ardent lovers robb'd of all their bliss,
Not ancient ladies when refus'd a kiss,
Not tyrants fierce that unrepenting die,
Not Cynthia when her manteau's pinn'd awry,
E'er felt such rage, resentment, and despair,
As thou, sad virgin! for thy ravish'd hair.
For, that sad moment, when the Sylphs withdrew,
And Ariel weeping from Belinda flew,
Umbriel, a dusky, melancholy sprite,
As ever sullied the fair face of light,
Down to the central earth, his proper scene,
Repair'd to search the gloomy cave of Spleen.
Swift on his sooty pinions flits the Gnome,
And in a vapour reach'd the dismal dome.
No cheerful breeze this sullen region knows,
The dreaded East is all the wind that blows.
Here, in a grotto, shelter'd close from air,
And screen'd in shades from day's detested glare,
She sighs for ever on her pensive bed,
Pain at her side, and Megrim at her head.
Two handmaids wait the throne: alike in place,
But diff'ring far in figure and in face.
Here stood Ill Nature like an ancient maid,
Her wrinkled form in black and white array'd;
With store of pray'rs, for mornings, nights, and noons,
Her hand is fill'd; her bosom with lampoons.
There Affectation, with a sickly mien,
Shows in her cheek the roses of eighteen,
Practis'd to lisp, and hang the head aside,
Faints into airs, and languishes with pride,
On the rich quilt sinks with becoming woe,
234
Wrapp'd in a gown, for sickness, and for show.
The fair ones feel such maladies as these,
When each new night-dress gives a new disease.
A constant vapour o'er the palace flies;
Strange phantoms, rising as the mists arise;
Dreadful, as hermit's dreams in haunted shades,
Or bright, as visions of expiring maids.
Now glaring fiends, and snakes on rolling spires,
Pale spectres, gaping tombs, and purple fires:
Now lakes of liquid gold, Elysian scenes,
And crystal domes, and angels in machines.
Unnumber'd throngs on ev'ry side are seen,
Of bodies chang'd to various forms by Spleen.
Here living teapots stand, one arm held out,
One bent; the handle this, and that the spout:
A pipkin there, like Homer's tripod walks;
Here sighs a jar, and there a goose pie talks;
Men prove with child, as pow'rful fancy works,
And maids turn'd bottles, call aloud for corks.
Safe pass'd the Gnome through this fantastic band,
A branch of healing spleenwort in his hand.
Then thus address'd the pow'r: "Hail, wayward Queen!
Who rule the sex to fifty from fifteen:
Parent of vapours and of female wit,
Who give th' hysteric, or poetic fit,
On various tempers act by various ways,
Make some take physic, others scribble plays;
Who cause the proud their visits to delay,
And send the godly in a pet to pray.
A nymph there is, that all thy pow'r disdains,
And thousands more in equal mirth maintains.
But oh! if e'er thy gnome could spoil a grace,
Or raise a pimple on a beauteous face,
Like citron waters matrons' cheeks inflame,
Or change complexions at a losing game;
If e'er with airy horns I planted heads,
Or rumpled petticoats, or tumbled beds,
Or caus'd suspicion when no soul was rude,
Or discompos'd the head-dress of a prude,
235
Or e'er to costive lap-dog gave disease,
Which not the tears of brightest eyes could ease:
Hear me, and touch Belinda with chagrin;
That single act gives half the world the spleen."
The goddess with a discontented air
Seems to reject him, though she grants his pray'r.
A wondrous bag with both her hands she binds,
Like that where once Ulysses held the winds;
There she collects the force of female lungs,
Sighs, sobs, and passions, and the war of tongues.
A vial next she fills with fainting fears,
Soft sorrows, melting griefs, and flowing tears.
The Gnome rejoicing bears her gifts away,
Spreads his black wings, and slowly mounts to day.
Sunk in Thalestris' arms the nymph he found,
Her eyes dejected and her hair unbound.
Full o'er their heads the swelling bag he rent,
And all the Furies issu'd at the vent.
Belinda burns with more than mortal ire,
And fierce Thalestris fans the rising fire.
"Oh wretched maid!" she spread her hands, and cried,
(While Hampton's echoes, "Wretched maid!" replied,
"Was it for this you took such constant care
The bodkin, comb, and essence to prepare?
For this your locks in paper durance bound,
For this with tort'ring irons wreath'd around?
For this with fillets strain'd your tender head,
And bravely bore the double loads of lead?
Gods! shall the ravisher display your hair,
While the fops envy, and the ladies stare!
Honour forbid! at whose unrivall'd shrine
Ease, pleasure, virtue, all, our sex resign.
Methinks already I your tears survey,
Already hear the horrid things they say,
Already see you a degraded toast,
And all your honour in a whisper lost!
How shall I, then, your helpless fame defend?
'Twill then be infamy to seem your friend!
And shall this prize, th' inestimable prize,
Expos'd through crystal to the gazing eyes,
236
And heighten'd by the diamond's circling rays,
On that rapacious hand for ever blaze?
Sooner shall grass in Hyde Park Circus grow,
And wits take lodgings in the sound of Bow;
Sooner let earth, air, sea, to chaos fall,
Men, monkeys, lap-dogs, parrots, perish all!"
She said; then raging to Sir Plume repairs,
And bids her beau demand the precious hairs:
(Sir Plume, of amber snuff-box justly vain,
And the nice conduct of a clouded cane)
With earnest eyes, and round unthinking face,
He first the snuffbox open'd, then the case,
And thus broke out--"My Lord, why, what the devil?
Z{-}{-}{-}ds! damn the lock! 'fore Gad, you must be civil!
Plague on't! 'tis past a jest--nay prithee, pox!
Give her the hair"--he spoke, and rapp'd his box.
"It grieves me much," replied the peer again,
"Who speaks so well should ever speak in vain.
But by this lock, this sacred lock I swear,
(Which never more shall join its parted hair;
Which never more its honours shall renew,
Clipp'd from the lovely head where late it grew)
That while my nostrils draw the vital air,
This hand, which won it, shall for ever wear."
He spoke, and speaking, in proud triumph spread
The long-contended honours of her head.
But Umbriel, hateful gnome! forbears not so;
He breaks the vial whence the sorrows flow.
Then see! the nymph in beauteous grief appears,
Her eyes half-languishing, half-drown'd in tears;
On her heav'd bosom hung her drooping head,
Which, with a sigh, she rais'd; and thus she said:
"For ever curs'd be this detested day,
Which snatch'd my best, my fav'rite curl away!
Happy! ah ten times happy, had I been,
If Hampton Court these eyes had never seen!
Yet am not I the first mistaken maid,
By love of courts to num'rous ills betray'd.
237
Oh had I rather unadmir'd remain'd
In some lone isle, or distant northern land;
Where the gilt chariot never marks the way,
Where none learn ombre, none e'er taste bohea!
There kept my charms conceal'd from mortal eye,
Like roses, that in deserts bloom and die.
What mov'd my mind with youthful lords to roam?
Oh had I stay'd, and said my pray'rs at home!
'Twas this, the morning omens seem'd to tell,
Thrice from my trembling hand the patch-box fell;
The tott'ring china shook without a wind,
Nay, Poll sat mute, and Shock was most unkind!
A Sylph too warn'd me of the threats of fate,
In mystic visions, now believ'd too late!
See the poor remnants of these slighted hairs!
My hands shall rend what ev'n thy rapine spares:
These, in two sable ringlets taught to break,
Once gave new beauties to the snowy neck.
The sister-lock now sits uncouth, alone,
And in its fellow's fate foresees its own;
Uncurl'd it hangs, the fatal shears demands
And tempts once more thy sacrilegious hands.
Oh hadst thou, cruel! been content to seize
Hairs less in sight, or any hairs but these!"
~ Alexander Pope,
1154:The Rape Of The Lock: Canto 3
Close by those meads, for ever crown'd with flow'rs,
Where Thames with pride surveys his rising tow'rs,
There stands a structure of majestic frame,
Which from the neighb'ring Hampton takes its name.
Here Britain's statesmen oft the fall foredoom
Of foreign tyrants and of nymphs at home;
Here thou, great Anna! whom three realms obey,
Dost sometimes counsel take--and sometimes tea.
Hither the heroes and the nymphs resort,
To taste awhile the pleasures of a court;
In various talk th' instructive hours they pass'd,
Who gave the ball, or paid the visit last;
One speaks the glory of the British queen,
And one describes a charming Indian screen;
A third interprets motions, looks, and eyes;
At ev'ry word a reputation dies.
Snuff, or the fan, supply each pause of chat,
With singing, laughing, ogling, and all that.
Meanwhile, declining from the noon of day,
The sun obliquely shoots his burning ray;
The hungry judges soon the sentence sign,
And wretches hang that jury-men may dine;
The merchant from th' Exchange returns in peace,
And the long labours of the toilet cease.
Belinda now, whom thirst of fame invites,
Burns to encounter two adventrous knights,
At ombre singly to decide their doom;
And swells her breast with conquests yet to come.
Straight the three bands prepare in arms to join,
Each band the number of the sacred nine.
Soon as she spreads her hand, th' aerial guard
Descend, and sit on each important card:
First Ariel perch'd upon a Matadore,
Then each, according to the rank they bore;
For Sylphs, yet mindful of their ancient race,
Are, as when women, wondrous fond of place.
Behold, four Kings in majesty rever'd,
229
With hoary whiskers and a forky beard;
And four fair Queens whose hands sustain a flow'r,
Th' expressive emblem of their softer pow'r;
Four Knaves in garbs succinct, a trusty band,
Caps on their heads, and halberds in their hand;
And parti-colour'd troops, a shining train,
Draw forth to combat on the velvet plain.
The skilful nymph reviews her force with care:
"Let Spades be trumps!" she said, and trumps they were.
Now move to war her sable Matadores,
In show like leaders of the swarthy Moors.
Spadillio first, unconquerable lord!
Led off two captive trumps, and swept the board.
As many more Manillio forc'd to yield,
And march'd a victor from the verdant field.
Him Basto follow'd, but his fate more hard
Gain'd but one trump and one plebeian card.
With his broad sabre next, a chief in years,
The hoary Majesty of Spades appears;
Puts forth one manly leg, to sight reveal'd;
The rest, his many-colour'd robe conceal'd.
The rebel Knave, who dares his prince engage,
Proves the just victim of his royal rage.
Ev'n mighty Pam, that kings and queens o'erthrew
And mow'd down armies in the fights of loo,
Sad chance of war! now destitute of aid,
Falls undistinguish'd by the victor Spade!
Thus far both armies to Belinda yield;
Now to the baron fate inclines the field.
His warlike Amazon her host invades,
Th' imperial consort of the crown of Spades.
The Club's black tyrant first her victim died,
Spite of his haughty mien, and barb'rous pride:
What boots the regal circle on his head,
His giant limbs, in state unwieldy spread;
That long behind he trails his pompous robe,
And of all monarchs, only grasps the globe?
The baron now his diamonds pours apace;
230
Th' embroider'd King who shows but half his face,
And his refulgent Queen, with pow'rs combin'd
Of broken troops an easy conquest find.
Clubs, Diamonds, Hearts, in wild disorder seen,
With throngs promiscuous strow the level green.
Thus when dispers'd a routed army runs,
Of Asia's troops, and Afric's sable sons,
With like confusion diff'rent nations fly,
Of various habit, and of various dye,
The pierc'd battalions disunited fall.
In heaps on heaps; one fate o'erwhelms them all.
The Knave of Diamonds tries his wily arts,
And wins (oh shameful chance!) the Queen of Hearts.
At this, the blood the virgin's cheek forsook,
A livid paleness spreads o'er all her look;
She sees, and trembles at th' approaching ill,
Just in the jaws of ruin, and codille.
And now (as oft in some distemper'd state)
On one nice trick depends the gen'ral fate.
An Ace of Hearts steps forth: The King unseen
Lurk'd in her hand, and mourn'd his captive Queen:
He springs to vengeance with an eager pace,
And falls like thunder on the prostrate Ace.
The nymph exulting fills with shouts the sky;
The walls, the woods, and long canals reply.
Oh thoughtless mortals! ever blind to fate,
Too soon dejected, and too soon elate!
Sudden, these honours shall be snatch'd away,
And curs'd for ever this victorious day.
For lo! the board with cups and spoons is crown'd,
The berries crackle, and the mill turns round.
On shining altars of Japan they raise
The silver lamp; the fiery spirits blaze.
From silver spouts the grateful liquors glide,
While China's earth receives the smoking tide.
At once they gratify their scent and taste,
And frequent cups prolong the rich repast.
231
Straight hover round the fair her airy band;
Some, as she sipp'd, the fuming liquor fann'd,
Some o'er her lap their careful plumes display'd,
Trembling, and conscious of the rich brocade.
Coffee, (which makes the politician wise,
And see through all things with his half-shut eyes)
Sent up in vapours to the baron's brain
New stratagems, the radiant lock to gain.
Ah cease, rash youth! desist ere 'tis too late,
Fear the just gods, and think of Scylla's fate!
Chang'd to a bird, and sent to flit in air,
She dearly pays for Nisus' injur'd hair!
But when to mischief mortals bend their will,
How soon they find fit instruments of ill!
Just then, Clarissa drew with tempting grace
A two-edg'd weapon from her shining case;
So ladies in romance assist their knight
Present the spear, and arm him for the fight.
He takes the gift with rev'rence, and extends
The little engine on his fingers' ends;
This just behind Belinda's neck he spread,
As o'er the fragrant steams she bends her head.
Swift to the lock a thousand sprites repair,
A thousand wings, by turns, blow back the hair,
And thrice they twitch'd the diamond in her ear,
Thrice she look'd back, and thrice the foe drew near.
Just in that instant, anxious Ariel sought
The close recesses of the virgin's thought;
As on the nosegay in her breast reclin'd,
He watch'd th' ideas rising in her mind,
Sudden he view'd, in spite of all her art,
An earthly lover lurking at her heart.
Amaz'd, confus'd, he found his pow'r expir'd,
Resign'd to fate, and with a sigh retir'd.
The peer now spreads the glitt'ring forfex wide,
T' inclose the lock; now joins it, to divide.
Ev'n then, before the fatal engine clos'd,
A wretched Sylph too fondly interpos'd;
232
Fate urg'd the shears, and cut the Sylph in twain,
(But airy substance soon unites again).
The meeting points the sacred hair dissever
From the fair head, for ever, and for ever!
Then flash'd the living lightning from her eyes,
And screams of horror rend th' affrighted skies.
Not louder shrieks to pitying Heav'n are cast,
When husbands or when lap-dogs breathe their last,
Or when rich China vessels, fall'n from high,
In glitt'ring dust and painted fragments lie!
"Let wreaths of triumph now my temples twine,"
The victor cried, "the glorious prize is mine!
While fish in streams, or birds delight in air,
Or in a coach and six the British fair,
As long at Atalantis shall be read,
Or the small pillow grace a lady's bed,
While visits shall be paid on solemn days,
When num'rous wax-lights in bright order blaze,
While nymphs take treats, or assignations give,
So long my honour, name, and praise shall live!
What time would spare, from steel receives its date,
And monuments, like men, submit to fate!
Steel could the labour of the gods destroy,
And strike to dust th' imperial tow'rs of Troy;
Steel could the works of mortal pride confound,
And hew triumphal arches to the ground.
What wonder then, fair nymph! thy hairs should feel
The conqu'ring force of unresisted steel?"
~ Alexander Pope,
1155:A gentle was Fridolin,
And he his mistress dear,
Savern's fair Countess, honored in
All truth and godly fear.
She was so meek, and, ah! so good!
Yet each wish of her wayward mood,
He would have studied to fulfil,
To please his God, with earnest will.

From the first hour when daylight shone
Till rang the vesper-chime,
He lived but for her will alone,
And deemed e'en that scarce time.
And if she said, "Less anxious be!"
His eye then glistened tearfully.
Thinking that he in duty failed,
And so before no toil he quailed.

And so, before her serving train,
The Countess loved to raise him;
While her fair mouth, in endless strain,
Was ever wont to praise him.
She never held him as her slave,
Her heart a child's rights to him gave;
Her clear eye hung in fond delight
Upon his well-formed features bright.

Soon in the huntsman Robert's breast
Was poisonous anger fired;
His black soul, long by lust possessed,
With malice was inspired;
He sought the Count, whom, quick in deed,
A traitor might with ease mislead,
As once from hunting home they rode,
And in his heart suspicion sowed.

"Happy art thou, great Count, in truth,"
Thus cunningly he spoke;
"For ne'er mistrust's envenomed tooth
Thy golden slumbers broke;
A noble wife thy love rewards,
And modesty her person guards.
The tempter will be able ne'er
Her true fidelity to snare."

A gloomy scowl the Count's eye filled:
"What's this thou say'st to me?
Shall I on woman's virtue build,
Inconstant as the sea?
The flatterer's mouth with ease may lure;
My trust is placed on ground more sure.
No one, methinks, dare ever burn
To tempt the wife of Count Savern."

The other spoke: "Thou sayest it well,
The fool deserves thy scorn
Who ventures on such thoughts to dwell,
A mere retainer born,
Who to the lady he obeys
Fears not his wishes' lust to raise."
"What!" tremblingly the Count began,
"Dost speak, then, of a living man?"

"Is, then, the thing, to all revealed,
Hid from my master's view?
Yet, since with care from thee concealed,
I'd fain conceal it too"
"Speak quickly, villain! speak or die!"
Exclaimed the other fearfully.
"Who dares to look on Cunigond?"
"'Tis the fair page that is so fond."

"He's not ill-shaped in form, I wot,"
He craftily went on;
The Count meanwhile felt cold and hot,
By turns in every bone.
"Is't possible thou seest not, sir,
How he has eyes for none but her?
At table ne'er attends to thee,
But sighs behind her ceaselessly?"

"Behold the rhymes that from him came
His passion to confess"
"Confess!""And for an answering flame,
The impious knave!to press.
My gracious lady, soft and meek,
Through pity, doubtless, feared to speak;
That it has 'scaped me, sore I rue;
What, lord, canst thou to help it do?"

Into the neighboring wood then rode
The Count, inflamed with wrath,
Where, in his iron foundry, glowed
The ore, and bubbled forth.
The workmen here, with busy hand,
The fire both late and early fanned.
The sparks fly out, the bellows ply,
As if the rock to liquefy.

The fire and water's might twofold
Are here united found;
The mill-wheel, by the flood seized hold,
Is whirling round and round;
The works are clattering night and day,
With measured stroke the hammers play,
And, yielding to the mighty blows,
The very iron plastic grows.

Then to two workmen beckons he,
And speaks thus in his ire;
"The first who's hither sent by me
Thus of ye to inquire
'Have ye obeyed my lord's word well?'
Him cast ye into yonder hell,
That into ashes he may fly,
And ne'er again torment mine eye!"

The inhuman pair were overjoyed,
With devilish glee possessed
For as the iron, feeling void,
Their heart was in their breast,
And brisker with the bellows' blast,
The foundry's womb now heat they fast,
And with a murderous mind prepare
To offer up the victim there.

Then Robert to his comrade spake,
With false hypocrisy:
"Up, comrade, up! no tarrying make!
Our lord has need of thee."
The lord to Fridolin then said:
"The pathway toward the foundry tread,
And of the workmen there inquire,
If they have done their lord's desire."

The other answered, "Be it so!"
But o'er him came this thought,
When he was all-prepared to go,
"Will she command me aught?"
So to the Countess straight he went:
"I'm to the iron-foundry sent;
Then say, can I do aught for thee?
For thou 'tis who commandest me."

To this the Lady of Savern
Replied in gentle tone:
"To hear the holy mass I yearn,
For sick now lies my son;
So go, my child, and when thou'rt there,
Utter for me a humble prayer,
And of thy sins think ruefully,
That grace may also fall on me."

And in this welcome duty glad,
He quickly left the place;
But ere the village bounds he had
Attained with rapid pace,
The sound of bells struck on his ear,
From the high belfry ringing clear,
And every sinner, mercy-sent,
Inviting to the sacrament.

"Never from praising God refrain
Where'er by thee He's found!"
He spoke, and stepped into the fane,
But there he heard no sound;
For 'twas the harvest time, and now
Glowed in the fields the reaper's brow;
No choristers were gathered there,
The duties of the mass to share.

The matter paused he not to weigh,
But took the sexton's part;
"That thing," he said, "makes no delay
Which heavenward guides the heart."
Upon the priest, with helping hand,
He placed the stole and sacred band,
The vessels he prepared beside,
That for the mass were sanctified.

And when his duties here were o'er,
Holding the mass-book, he,
Ministering to the priest, before
The altar bowed his knee,
And knelt him left, and knelt him right,
While not a look escaped his sight,
And when the holy Sanctus came,
The bell thrice rang he at the name.

And when the priest, bowed humbly too,
In hand uplifted high,
Facing the altar, showed to view
The present Deity,
The sacristan proclaimed it well,
Sounding the clearly-tinkling bell,
While all knelt down, and beat the breast,
And with a cross the Host confessed.

The rites thus served he, leaving none,
With quick and ready wit;
Each thing that in God's house is done,
He also practised it.
Unweariedly he labored thus,
Till the Vobiscum Dominus,
When toward the people turned the priest,
Blessed them,and so the service ceased.

Then he disposed each thing again,
In fair and due array;
First purified the holy fane,
And then he went his way,
And gladly, with a mind at rest,
On to the iron-foundry pressed,
Saying the while, complete to be,
Twelve paternosters silently.

And when he saw the furnace smoke,
And saw the workmen stand,
"Have ye, ye fellows," thus he spoke,
"Obeyed the Count's command?"
Grinning they ope the orifice,
And point into the fell abyss:
"He's cared forall is at an end!
The Count his servants will commend."

The answer to his lord he brought,
Returning hastily,
Who, when his form his notice caught,
Could scarcely trust his eye:
"Unhappy one! whence comest thou?"
"Back from the foundry""Strange, I vow!
Hast in thy journey, then, delayed?"
"'Twas only, lord, till I had prayed."

"For when I from thy presence went
(Oh pardon me!) to-day,
As duty bid, my steps I bent
To her whom I obey.
She told me, lord, the mass to hear,
I gladly to her wish gave ear,
And told four rosaries at the shrine,
For her salvation and for thine."

In wonder deep the Count now fell,
And, shuddering, thus spake he:
"And, at the foundry, quickly tell,
What answer gave they thee?"
"Obscure the words they answered in,
Showing the furnace with a grin:
'He's cared forall is at an end!
The Count his servants will commend.'"

"And Robert?" interrupted he,
While deadly pale he stood,
"Did he not, then, fall in with thee?
I sent him to the wood."
"Lord, neither in the wood nor field
Was trace of Robert's foot revealed."
"Then," cried the Count, with awe-struck mien,
"Great God in heaven his judge hath been!"

With kindness he before ne'er proved,
He led him by the hand
Up to the Countess,deeply moved,
Who naught could understand.
"This child, let him be dear to thee,
No angel is so pure as he!
Though we may have been counselled ill,
God and His hosts watch o'er him still."
~ Friedrich Schiller, Fridolin (The Walk To The Iron Factory)
,
1156:But little better
than the vivid dream I dreamt
  was our encounter
in reality's darkness,
black as leopard-flower seeds.

Like (0) 0
This very keepsake
This very keepsake
is now a source of misery,
  for were it not here
there might be fleeting moments
when I would not think of you.

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The Poem of Zuhair
"Does the blackened ruin, situated in the stony ground
between Durraj and Mutathallam, which did not speak to me,
when addressed, belong to the abode of Ummi Awfa?

"And is it her dwelling at the two stony meadows, seeming
as though they were the renewed tattoo marks in the sinews
of the wrist?

"The wild cows and the white deer are wandering about
there, one herd behind the other, while their young are spring-
ing up from every lying-down place.

"I stood again near it, (the encampment of the tribe of
Awfa,) after an absence of twenty years, and with some efforts,
I know her abode again after thinking awhile.

"I recognized the three stones blackened by fire at the
place where the kettle used to be placed at night, and the
trench round the encampment, which had not burst, like the source of a pool.

"And when I recognized the encampment I said to its site,
'Now good morning, oh spot;
may you be safe from dangers.'

"Look, oh my friend! do you see any women traveling on
camels, going over the high ground above the stream of
Jurthum?

"They have covered their howdahs with coverlets of high
value, and with a thin screen, the fringes of which are red,
resembling blood.

"And they inclined toward the valley of Sooban, ascending
the center of it, and in their faces were the fascinating
looks of a soft-bodied person brought up in easy circumstances.

"They arose early in the morning and got up at dawn, and
they went straight to the valley of Rass as the hand goes
unswervingly to the mouth, when eating.

"And amongst them is a place of amusement for the farsighted one,
and a pleasant sight for the eye of the looker who
looks attentively.

"As if the pieces of dyed wool which they left in every
place in which they halted, were the seeds of night-shade
which have not been crushed.

"When they arrived at the water, the mass of which was
blue from intense purity, they laid down their walking sticks,
like the dweller who has pitched his tents.

"They kept the hill of Qanan and the rough ground about
it on their hand; while there are many, dwelling in Qanan,
the shedding of whose blood is lawful and unlawful.

"They came out from the valley of Sooban, then they
crossed it, riding in every Qainian howdah
new and widened.

"Then I swear by the temple, round which walk the men
who built it from the tribes
of Quraysh and Turhum.

"An oath, that you are verily two excellent chiefs, who
are found worthy of honor in every condition, between ease
and distress.

"The two endeavorers from the tribe of Ghaiz bin Murrah
strove in making peace after the connection between the
tribes had become broken, on account of the shedding of blood.

"You repaired with peace the condition of the tribes of
'Abs and Zubyan, after they had fought with one another, and
ground up the perfume of Manshim between them.

"And indeed you said, 'if we bring about peace perfectly by the spending
of money and the conferring of benefits, and by good words,
we shall be safe from the danger of the two tribes, destroying each other.'

"You occupied by reason of this the best of positions, and
became far from the reproach of being
undutiful and sinful.

"And you became great in the high nobility of Ma'add;
may you be guided in the right way; and he who spends his
treasure of glory will become great.

"The memory of the wounds is obliterated by the hundreds
of camels, and he, who commenced paying off the blood money
by instalments, was not guilty of it (i.e., of making war).

"One tribe pays it to another tribe as an indemnity, while
they who gave the indemnity did not shed blood sufficient for
the filling of a cupping glass.

"Then there was being driven to them from the property
you inherited, a booty of various sorts from young camels
with slit ears.

"Now, convey from me to the tribe of Zubyan and their
allies a message,--- 'verily you have sworn by every sort of
oath to keep the peace.'

"Do not conceal from God what is in your breast that it
may be hidden; whatever is concealed,
God knows all about it.

"Either it will be put off and placed recorded in a book,
and preserved there until the judgment day;
or the punishment be hastened and so he will take revenge.

"And war is not but what you have learnt it to be, and
what you have experienced, and what is said concerning it,
is not a story based on suppositions.

"When you stir it up, you will stir it up as an accursed
thing, and it will become greedy when you excite its greed
and it will rage fiercely.

"Then it will grind you as the grinding of the upper millstone
against the lower, and it will conceive immediately after
one birth and it will produce twins.

"By my life I swear, how good a tribe it is upon whom
Husain Bin Zamzam brought an injury by committing a
crime which did not please them.

"And he had concealed his hatred, and did not display it,
and did not proceed to carry out his intention until he got a
good opportunity.

"And he said, 'I will perform my object of avenging myself,
and I will guard myself from my enemy with a thousand
bridled horses behind me.'

"Then he attacked his victim from 'Abs, but did not cause
fear to the people of the many houses, near which death had
thrown down his baggage.

"They allowed their animals to graze until when the interval
between the hours of drinking was finished, they took them to the deep pool,
which is divided by weapons and by shedding of blood.

"They accomplished their object amongst themselves, then
they led the animals back to the pasture of unwholesome
indigestible grass.

"I have grown weary of the troubles of life; and he,
who lives eighty years will, may you have no father
if you doubt grow weary.

"And I know what has happened to-day and yesterday,
before it, but verily, of the knowledge of what will happen
tomorrow; I am ignorant.

"I see death is like the blundering of a blind camel;---him
whom he meets he kills, and he whom he misses lives and will
become old.

"And he who does not act with kindness in many affairs
will be torn by teeth
and trampled under foot.

"And he, who makes benevolent acts intervene before
honor, increases his honor;
and he, who does not avoid abuse, will be abused.

"He, who is possessed of plenty, and is miserly with his
great wealth toward his people, will be dispensed with,
and abused.

"He who keeps his word, will not be reviled;
and he whose heart is guided to self-satisfying benevolence
will not stammer.

"And he who dreads the causes of death, they will reach
him, even if he ascends the tracts of the heavens
with a ladder.

"And he, who shows kindness to one not deserving it, his
praise will be a reproach against him, and he will repent of
having shown kindness.

"And he who rebels against the butt ends of the spears,
then verily he will have to obey the spear points joined to
every long spear shaft.

"And he who does not repulse with his weapons from his
tank, will have it broken; and he who does not oppress the
people will be oppressed.

"And he who travels should consider his friend an enemy;
and he who does not respect himself
will not be respected.

"And he, who is always seeking to bear the burdens of
other people, and does not excuse himself from it,
will one day by reason of his abasement, repent.

"And whatever of character there is in a man, even though
he thinks it concealed from people,
it is known.

"He, who does not cease asking people to carry him, and
does not make himself independent of them even for one day
of the time, will be regarded with disgust.

"Many silent ones you see, pleasing to you,
but their excess in wisdom or deficiency
will appear at the time of talking.

"The tongue of a man is one half, and the other half is his
mind, and here is nothing besides these two, except the shape
of the blood and the flesh.

"And verily, as to the folly of an old man
there is no wisdom after it,
but the young man after his folly may become wise.

"We asked of you, and you gave, and we returned to the
asking and you returned to the giving, and he who increases
the asking, will one day be disappointed."


~ Anonymous, But little better
,
1157:Alexander And Zenobia
Fair was the evening and brightly the sun
Was shining on desert and grove,
Sweet were the breezes and balmy the flowers
And cloudless the heavens above.
It was Arabia's distant land
And peaceful was the hour;
Two youthful figures lay reclined
Deep in a shady bower.
One was a boy of just fourteen
Bold beautiful and bright;
Soft raven curls hung clustering round
A brow of marble white.
The fair brow and ruddy cheek
Spoke of less burning skies;
Words cannot paint the look that beamed
In his dark lustrous eyes.
The other was a slender girl,
Blooming and young and fair.
The snowy neck was shaded with
The long bright sunny hair.
And those deep eyes of watery blue,
So sweetly sad they seemed.
And every feature in her face
With pensive sorrow teemed.
The youth beheld her saddened air
And smiling cheerfully
He said, 'How pleasant is the land
Of sunny Araby!
'Zenobia, I never saw
A lovelier eve than this;
I never felt my spirit raised
With more unbroken bliss!
27
'So deep the shades, so calm the hour,
So soft the breezes sigh,
So sweetly Philomel begins
Her heavenly melody.
'So pleasant are the scents that rise
From flowers of loveliest hue,
And more than all -- Zenobia,
I am alone with you!
Are we not happy here alone
In such a healthy spot?'
He looked to her with joyful smile
But she returned it not.
'Why are you sorrowful?' he asked
And heaved a bitter sigh,
'O tell me why those drops of woe
Are gathering in your eye.'
'Gladly would I rejoice,' she said,
'But grief weighs down my heart.
'Can I be happy when I know
Tomorrow we must part?
'Yes, Alexander, I must see
This happy land no more.
At break of day I must return
To distant Gondal's shore.
'At morning we must bid farewell,
And at the close of day
You will be wandering alone
And I shall be away.
'I shall be sorrowing for you
On the wide weltering sea,
And you will perhaps have wandered here
To sit and think of me.'
'And shall we part so soon?' he cried,
'Must we be torn away?
28
Shall I be left to mourn alone?
Will you no longer stay?
'And shall we never meet again,
Hearts that have grown together?
Must they at once be rent away
And kept apart for ever?'
'Yes, Alexander, we must part,
But we may meet again,
For when I left my native land
I wept in anguish then.
'Never shall I forget the day
I left its rocky shore.
We thought that we had bid adieu
To meet on earth no more.
'When we had parted how I wept
To see the mountains blue
Grow dimmer and more distant -- till
They faded from my view.
'And you too wept -- we little thought
After so long a time,
To meet again so suddenly
In such a distant clime.
'We met on Grecia's classic plain,
We part in Araby.
And let us hope to meet again
Beneath our Gondal's sky.'
'Zenobia, do you remember
A little lonely spring
Among Exina's woody hills
Where blackbirds used to sing,
'And when they ceased as daylight faded
From the dusky sky
The pensive nightingale began
Her matchless melody?
29
'Sweet bluebells used to flourish there
And tall trees waved on high,
And through their ever sounding leaves
The soft wind used to sigh.
'At morning we have often played
Beside that lonely well;
At evening we have lingered there
Till dewy twilight fell.
'And when your fifteenth birthday comes,
Remember me, my love,
And think of what I said to you
In this sweet spicy grove.
'At evening wander to that spring
And sit and wait for me;
And 'ere the sun has ceased to shine
I will return to thee.
'Two years is a weary time
But it will soon be fled.
And if you do not meet me -- know
I am not false but dead.'
Sweetly the summer day declines
On forest, plain, and hill
And in that spacious palace hall
So lonely, wide and still.
Beside a window's open arch,
In the calm evening air
All lonely sits a stately girl,
Graceful and young and fair.
The snowy lid and lashes long
Conceal her downcast eye,
She's reading and till now I have
Passed unnoticed by.
30
But see she cannot fix her thoughts,
They are wandering away;
She looks towards a distant dell
Where sunny waters play.
And yet her spirit is not with
The scene she looks upon;
She muses with a mournful smile
On pleasures that are gone.
She looks upon the book again
That chained her thoughts before,
And for a moment strives in vain
To fix her mind once more.
Then gently drops it on her knee
And looks into the sky,
While trembling drops are shining in
Her dark celestial eye.
And thus alone and still she sits
Musing on years gone by.
Till with a sad and sudden smile
She rises up to go;
And from the open window springs
On to the grass below.
Why does she fly so swiftly now
Adown the meadow green,
And o'er the gently swelling hills
And the vale that lies between?
She passes under giant trees
That lift their arms on high
And slowly wave their mighty boughs
In the clear evening sky,
And now she threads a path that winds
Through deeply shaded groves
Where nought is heard but sighing gales
And murmuring turtle doves.
31
She hastens on through sunless gloom
To a vista opening wide;
A marble fountain sparkles there
With sweet flowers by its side.
At intervals in the velvet grass
A few old elm trees rise,
While a warm flood of yellow light
Streams from the western skies.
Is this her resting place? Ah, no,
She hastens onward still,
The startled deer before her fly
As she ascends the hill.
She does not rest till she has gained
A lonely purling spring,
Where zephyrs wave the verdant trees
And birds in concert sing.
And there she stands and gazes round
With bright and searching eye,
Then sadly sighing turns away
And looks upon the sky.
She sits down on the flowery turf
Her head drooped on her hand;
Her soft luxuriant golden curls
Are by the breezes fanned.
A sweet sad smile plays on her lips;
Her heart is far away,
And thus she sits till twilight comes
To take the place of day.
But when she looks towards the west
And sees the sun is gone
And hears that every bird but one
To its nightly rest is flown,
And sees that over nature's face
32
A sombre veil is cast
With mournful voice and tearful eye
She says, 'The time is past!
'He will not come! I might have known
It was a foolish hope;
But it was so sweet to cherish
I could not yield it up.
'It may be foolish thus to weep
But I cannot check my tears
To see in one short hour destroyed
The darling hope of years.
'He is not false, but he was young
And time rolls fast away.
Has he forgotten the vow he made
To meet me here today?
'No. If he lives he loves me still
And still remembers me.
If he is dead -- my joys are sunk
In utter misery.
'We parted in the spicy groves
Beneath Arabia's sky.
How could I hope to meet him now
Where Gondal's breezes sigh?
'He was a shining meteor light
That faded from the skies,
But I mistook him for a star
That only set to rise.
'And with a firm yet trembling hand
I've clung to this false hope;
I dared not surely trust in it
Yet would not yield it up.
'And day and night I've thought of him
And loved him constantly,
And prayed that Heaven would prosper him
33
Wherever he might be.
'He will not come; he's wandering now
On some far distant shore,
Or else he sleeps the sleep of death
And cannot see me more!
'O, Alexander, is it thus?
Did we but meet to part?
Long as I live thy name will be
Engraven on my heart.
'I shall not cease to think of thee
While life and thought remain,
For well I know that I can never
See thy like again!'
She ceases now and dries her tears
But still she lingers there
In silent thought till night is come
And silver stars appear.
But lo! a tall and stately youth
Ascends the grassy slope;
His bright dark eyes are glancing round,
His heart beats high with hope.
He has journyed on unweariedly
From dawn of day till now,
The warm blood kindles in his cheek,
The sweat is on his brow.
But he has gained the green hill top
Where lies that lonely spring,
And lo! he pauses when he hears
Its gentle murmuring.
He dares not enter through the trees
That veil it from his eye;
He listens for some other sound
In deep anxiety.
34
But vainly -- all is calm and still;
Are his bright day dreams o'er?
Has he thus hoped and longed in vain,
And must they meet no more?
One moment more of sad suspense
And those dark trees are past;
The lonely well bursts on his sight
And they are met at last!
~ Anne Brontë,
1158:Stop, oh my friends, let us pause to weep over the remembrance of my beloved.
Here was her abode on the edge of the sandy desert between Dakhool and Howmal.

The traces of her encampment are not wholly obliterated even now;
For when the Sonth wind blows the sand over them the North wind sweeps it away.

The courtyards and enclosures of the old home have become desolate;
The dung of the wild deer lies there thick as the seeds of pepper.

On the morning of our separation it was as if I stood in the gardens of our tribe,
Amid the acacia-shrubs where my eyes were blinded with tears by the smart
from the bursting pods of colocynth.

As I lament thus in the place made desolate, my friends stop their camels;
They cry to me "Do not die of grief; bear this sorrow patiently."

Nay, the cure of my sorrow must come from gushing tears.
Yet, is there any hope that this desolation can bring me solace ?

So, before ever I met Unaizah, did I mourn for two others;
My fate had been the same with Ummul-Huwairith and her
neighbor Ummul-Rahab in Masal.

Fair were they also, diffusing the odor of musk as they moved,
Like the soft zephyr bringing with it the scent of the clove.

Thus the tears flowed down on my breast, remembering days of love;
The tears wetted even my sword-belt, so tender was my love.

Behold how many pleasant days have I spent with fair women;
Especially do I remember the day at the pool of Darat-i-Julju1.

On that day I killed my riding camel for food for the maidens:
How merry was their dividing my camel's trappings to be carried on their camels.

It is a wonder, a riddle, that the camel being saddled was yet unsaddled!
A wonder also was the slaughterer, so heedless of self in his costly gift!

Then the maidens commenced throwing the camel's fesh into the kettle;
The fat was woven with the lean like loose fringes of white twisted silk.

On that day I entered the howdah, the camel's howdah of Unaizah!
And she protested, saying, "Woe to you, you will force me to travel on foot."

She repulsed me, while the howdah was swaying with us;
She said, "You are galling my camel, Oh Imru-ul-Quais, so dismount."

Then I said, "Drive him on! Let his reins go loose, while you turn to me.
Think not of the camel and our weight on him. Let us be happy.

"Many a beautiful woman like you, Oh Unaizah, have I visited at night;
I have won her thought to me, even from her children have I won her."

There was another day when I walked with her behind the sandhills,
But she put aside my entreaties and swore an oath of virginity.

Oh, Unaizah, gently, put aside some of this coquetry.
If you have, indeed, made up your mind to cut off friendship with me, then do it kindly or gently.

Has anything deceived you about me, that your love is killing, me,
And that verily as often as you order my heart, it will do what you order?

And if any one of my habits has caused you annoyance,
Then put away my heart from your heart, and it will be put away.

And your two eyes do not flow with tears, except to strike me with arrows in my broken heart.
Many a fair one, whose tent can not be sought by others, have I enjoyed playing with.

I passed by the sentries on watch near her, and a people desirous of killing me;
If they could conceal my murder, being unable to assail me openly.

I passed by these people at a time, when the Pleiades appeared in the heavens,
As the appearance of the gems in the spaces in the ornamented girdle, set with pearls and gems.

Then she said to me, "I swear by God, you have no excuse for your wild life;
I cannot expect that your erring habits will ever be removed from your nature."

I went out with her; she walking, and drawing behind us, over our footmarks,
The skirts of an embroidered woolen garment, to erase the footprints.

Then when we had crossed the enclosure of the tribe,
The middle of the open plain, with its sandy undulations and sandllills, we sought.

I drew the tow side-locks of her head toward me; and she leant toward me;
She was slender of waist, and full in the ankle.

Thin-waisted, white-skinned, slender of body,
Her breast shining polished like a mirror.

In complexion she is like the first egg of the ostrich---white, mixed with yellow.
Pure water, unsullied by the descent of many people in it, has nourished her.

She turns away, and shows her smooth cheek, forbidding with a glancing eye,
Like that of a wild animal, with young, in the desert of Wajrah.

And she shows a neck like the neck of a white deer;
It is neither disproportionate when she raises it, nor unornamented.

And a perfect head of hair which, when loosened, adorns her back,
Black, very dark-colored, thick like a date-cluster on a heavily laden date-tree.

Her curls creep upward to the top of her head;
And the plaits are lost in the twisted hair, and the hair falling loose.

And she meets me with a slender waist, thin as the twisted leathern nose-rein of a camel.
Her form is like the stem of a palm-tree bending over from the weight of its fruit.

In the morning, when she wakes, the particles of musk are lying over her bed.
She sleeps much in the morning; she does not need to gird her waist with a working dress.

She gives with thin fingers, not thick, as if they were the worms of the desert of Zabi,
In the evening she brightens the darkness, as if she were the light-tower of a monk.

Toward one like her, the wise man gazes incessantly, lovingly.
She is well proportioned in height between the wearer of a long dress and of a short frock.

The follies of men cease with youth, but my heart does not cease to love you.
Many bitter counselors have warned me of the disaster of your love, but I turned away from them.

Many a night has let down its curtains around me amid deep grief,
It has whelmed me as a wave of the sea to try me with sorrow.

Then I said to the night, as slowly his huge bulk passed over me,
As his breast, his loins, his buttocks weighed on me and then passed afar,

"Oh long night, dawn will come, but will be no brighter without my love.
You are a wonder, with stars held up as by ropes of hemp to a solid rock."

At other times, I have filled a leather water-bag of my people and entered the desert,
And trod its empty wastes while the wolf howled like a gambler whose family starves.

I said to the wolf, "You gather as little wealth, as little prosperity as I.
What either of us gains he gives away. So do we remain thin."

Early in the morning, while the birds were still nesting, I mounted my steed.
Well-bred was he, long-bodied, outstripping the wild beasts in speed,

Swift to attack, to flee, to turn, yet firm as a rock swept down by the torrent,
Bay-colored, and so smooth the saddle slips from him, as the rain from a smooth stone,

Thin but full of life, fire boils within him like the snorting of a boiling kettle;
He continues at full gallop when other horses are dragging their feet in the dust for weariness.

A boy would be blown from his back, and even the strong rider loses his garments.
Fast is my steed as a top when a child has spun it well.

He has the flanks of a buck, the legs of an ostrich, and the gallop of a wolf.
From behind, his thick tail hides the space between his thighs, and almost sweeps the ground.

When he stands before the house, his back looks like the huge grinding-stone there.
The blood of many leaders of herds is in him, thick as the juice of henna in combed white hair.

As I rode him we saw a flock of wild sheep, the ewes like maidens in long-trailing robes;
They turned for flight, but already he had passed the leaders before they could scatter.

He outran a bull and a cow and killed them both, and they were made ready for cooking;
Yet he did not even sweat so as to need washing.

We returned at evening, and the eye could scarcely realize his beauty
For, when gazing at one part, the eye was drawn away by the perfection of another part.

He stood all night with his saddle and bridle on him,
He stood all night while I gazed at him admiring, and did not rest in his stable.

But come, my friends, as we stand here mourning, do you see the lightning ?
See its glittering, like the flash of two moving hands, amid the thick gathering clouds.

Its glory shines like the lamps of a monk when he has dipped their wicks thick in oil.
I sat down with my companions and watched the lightning and the coming storm.

So wide-spread was the rain that its right end seemed over Quatan,
Yet we could see its left end pouring down on Satar, and beyond that over Yazbul.

So mighty was the storm that it hurled upon their faces the huge kanahbul trees,
The spray of it drove the wild goats down from the hills of Quanan.

In the gardens of Taimaa not a date-tree was left standing,
Nor a building, except those strengthened with heavy stones.

The mountain, at the first downpour of the rain, looked like a
giant of our people draped in a striped cloak.
The peak of Mujaimir in the flood and rush of debris looked
like a whirling spindle.

The clouds poured forth their gift on the desert of Ghabeet, >till it blossomed
As though a Yemani merchant were spreading out all the rich clothes from his trunks,

As though the little birds of the valley of Jiwaa awakened in the morning
And burst forth in song after a morning draught of old, pure, spiced wine.

As though all the wild beasts had been covered with sand and mud, like the onion's root-bulbs.
They were drowned and lost in the depths of the desert at evening.


~ Anonymous, The Poem of Imru-Ul-Quais
,
1159:From The First Act Of The Aminta Of Tasso
Daphne's Answer to Sylvia, declaring she
should esteem all as Enemies,
who should talk to her of LOVE.
THEN, to the snowy Ewe, in thy esteem,
The Father of the Flock a Foe must seem,
The faithful Turtles to their yielding Mates.
The cheerful Spring, which Love and Joy creates,
That reconciles the World by soft Desires,
And tender Thoughts in ev'ry Breast inspires,
To you a hateful Season must appear,
Whilst Love prevails, and all are Lovers here.
Observe the gentle Murmurs of that Dove,
And see, how billing she confirms her Love!
For this, the Nightingale displays her Throat,
And Love, Love, Love, is all her Ev'ning Note.
The very Tygers have their tender Hours,
And prouder Lyons bow beneath Love's Pow'rs.
Thou, prouder yet than that imperious Beast,
Alone deny'st him Shelter in thy Breast.
But why should I the Creatures only name
That Sense partake, as Owners of this Flame?
Love farther goes, nor stops his Course at these:
The Plants he moves, and gently bends the Trees.
See how those Willows mix their am'rous Boughs;
And, how that Vine clasps her supporting Spouse!
The silver Firr dotes on the stately Pine;
By Love those Elms, by Love those Beeches join.
But view that Oak; behold his rugged Side:
Yet that rough Bark the melting Flame do's hide.
All, by their trembling Leaves, in Sighs declare
And tell their Passions to the gath'ring Air.
Which, had but Love o'er Thee the least Command,
Thou, by their Motions, too might'st understand.
AMINTOR, being ask'd by THIRSIS
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Who is the Object of his Love?
speaks as follows.
Amint. THIRSIS! to Thee I mean that Name to show,
Which, only yet our Groves, and Fountains know:
That, when my Death shall through the Plains be told,
Thou with the wretched Cause may'st that unfold
To every-one, who shall my Story find
Carv'd by thy Hand, in some fair Beeches rind;
Beneath whose Shade the bleeding Body lay:
That, when by chance she shall be led that way,
O'er my sad Grave the haughty Nymph may go,
And the proud Triumph of her Beauty shew
To all the Swains, to Strangers as they pass;
And yet at length she may (but Oh! alas!
I fear, too high my flatt'ring Hopes do soar)
Yet she at length may my sad Fate deplore;
May weep me Dead, may o'er my Tomb recline,
And sighing, wish were he alive and Mine!
But mark me to the End–
Thir. Go on; for well I do thy Speech attend,
Perhaps to better Ends, than yet thou know'st.
Amint. Being now a Child, or but a Youth at most,
When scarce to reach the blushing Fruit I knew,
Which on the lowest bending Branches grew;
Still with the dearest, sweetest, kindest Maid
Young as myself, at childish Sports I play'd.
The Fairest, sure, of all that Lovely Kind,
Who spread their golden Tresses to the Wind;
Cydippe's Daughter, and Montano's Heir,
Whose Flocks and Herds so num'rous do appear;
The beauteous Sylvia; She, 'tis She I love,
Warmth of all Hearts, and Pride of ev'ry Grove.
With Her I liv'd, no Turtles e'er so fond.
Our Houses met, but more our Souls were join'd.
Together Nets for Fish, and Fowl we laid;
Together through the spacious Forest stray'd;
Pursu'd with equal Speed the flying Deer,
And of the Spoils there no Divisions were.
But whilst I from the Beasts their Freedom won,
Alas! I know not how, my Own was gone.
By unperceiv'd Degrees the Fire encreas'd,
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Which fill'd, at last, each corner of my Breast;
As from a Root, tho' scarce discern'd so small,
A Plant may rise, that grows amazing tall.
From Sylvia's Presence now I could not move,
And from her Eyes took in full Draughts of Love,
Which sweetly thro' my ravish'd Mind distill'd;
Yet in the end such Bitterness wou'd yield,
That oft I sigh'd, ere yet I knew the cause,
And was a Lover, ere I dream'd I was.
But Oh! at last, too well my State I knew;
And now, will shew thee how this Passion grew.
Then listen, while the pleasing Tale I tell.
THIRSIS persuades AMINTOR not to despair upon the
redictions of Mopsus discov'ring him to be an Impostor.
Thirsis. Why dost thou still give way to such Despair!
Amintor. Too just, alas! the weighty Causes are.
Mopsus, wise Mopsus, who in Art excels,
And of all Plants the secret Vertue tells,
Knows, with what healing Gifts our Springs abound,
And of each Bird explains the mystick Sound;
'Twas He, ev'n He! my wretched Fate foretold.
Thir. Dost thou this Speech then of that Mopsus hold,
Who, whilst his Smiles attract the easy View,
Drops flatt'ring Words, soft as the falling Dew;
Whose outward Form all friendly still appears,
Tho' Fraud and Daggers in his Thoughts he wears,
And the unwary Labours to surprize
With Looks affected, and with riddling Lyes.
If He it is, that bids thy Love despair,
I hope the happier End of all thy Care.
So far from Truth his vain Predictions fall.
Amint. If ought thou know'st, that may my Hopes recall,
Conceal it not; for great I've heard his Fame,
And fear'd his Words–
Thir. –When hither first I came,
And in these Shades the false Imposter met,
Like Thee I priz'd, and thought his Judgment great;
On all his study'd Speeches still rely'd,
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Nor fear'd to err, whilst led by such a Guide:
When on a Day, that Bus'ness and Delight
My Steps did to the Neighb'ring Town invite,
Which stands upon that rising Mountain's side,
And from our Plains this River do's divide,
He check'd me thus–Be warn'd in time, My Son,
And that new World of painted Mischiefs shun,
Whose gay Inhabitants thou shalt behold
Plum'd like our Birds, and sparkling all in Gold;
Courtiers, that will thy rustick Garb despise,
And mock thy Plainness with disdainful Eyes.
But above all, that Structure see thou fly,
Where hoarded Vanities and Witchcrafts lie;
To shun that Path be thy peculiar Care.
I ask, what of that Place the Dangers are:
To which he soon replies, there shalt thou meet
Of soft Enchantresses th' Enchantments sweet,
Who subt'ly will thy solid Sense bereave,
And a false Gloss to ev'ry Object give.
Brass to thy Sight as polish'd Gold shall seem,
And Glass thou as the Diamond shalt esteem.
Huge Heaps of Silver to thee shall appear,
Which if approach'd, will prove but shining Air.
The very Walls by Magick Art are wrought,
And Repitition to all Speakers taught:
Not such, as from our Ecchoes we obtain,
Which only our last Words return again;
But Speech for Speech entirely there they give,
And often add, beyond what they receive.
There downy Couches to false Rest invite,
The Lawn is charm'd, that faintly bars the Light.
No gilded Seat, no iv'ry Board is there,
But what thou may'st for some Delusion fear:
Whilst, farther to abuse thy wond'ring Eyes,
Strange antick Shapes before them shall arise;
Fantastick Fiends, that will about thee flock,
And all they see, with Imitation mock.
Nor are these Ills the worst. Thyself may'st be
Transform'd into a Flame, a Stream, a Tree;
A Tear, congeal'd by Art, thou may'st remain,
'Till by a burning Sigh dissolv'd again.
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Thus spake the Wretch; but cou'd not shake my Mind.
My way I take, and soon the City find,
Where above all that lofty Fabrick stands,
Which, with one View, the Town and Plains commands.
Here was I stopt, for who cou'd quit the Ground,
That heard such Musick from those Roofs resound!
Musick! beyond th' enticing Syrene's Note;
Musick! beyond the Swan's expiring Throat;
Beyond the softest Voice, that charms the Grove,
And equal'd only by the Spheres above.
My Ear I thought too narrow for the Art,
Nor fast enough convey'd it to my Heart:
When in the Entrance of the Gate I saw
A Man Majestick, and commanding Awe;
Yet temper'd with a Carriage, so refin'd
That undetermin'd was my doubtful Mind,
Whether for Love, or War, that Form was most design'd.
With such a Brow, as did at once declare
A gentle Nature, and a Wit severe;
To view that Palace me he ask'd to go,
Tho' Royal He, and I Obscure and Low.
But the Delights my Senses there did meet,
No rural Tongue, no Swain can e'er repeat.
Celestial Goddesses, or Nymphs as Fair,
In unveil'd Beauties, to all Eyes appear
Sprinkl'd with Gold, as glorious to the View,
As young Aurora, deck'd with pearly Dew;
Bright Rays dispensing, as along they pass'd,
And with new Light the shining Palace grac'd.
Phoebus was there by all the Muses met,
And at his Feet was our Elpino set.
Ev'n humble Me their Harmony inspir'd,
My Breast expanded, and my Spirits fir'd.
Rude Past'ral now, no longer I rehearse,
But Heroes crown with my exalted Verse.
Of Arms I sung, of bold advent'rous Wars;
And tho' brought back by my too envious Stars,
Yet kept my Voice and Reed those lofty Strains,
And sent loud Musick through the wond'ring Plains:
Which Mopsus hearing, secretly malign'd,
78
And now to ruin Both at once design'd.
Which by his Sorceries he soon brought to pass;
And suddenly so clogg'd, and hoarse I was,
That all our Shepherds, at the Change amaz'd,
Believ'd, I on some Ev'ning-Wolf had gaz'd:
When He it was, my luckless Path had crost,
By whose dire Look, my Skill awhile was lost.
This have I told, to raise thy Hopes again,
And render, by distrust, his Malice vain.
From the AMINTA of TASSO.
THO' we, of small Proportion see
And slight the armed Golden Bee;
Yet if her Sting behind she leaves,
No Ease th' envenom'd Flesh receives.
Love, less to Sight than is this Fly,
In a soft Curl conceal'd can lie;
Under an Eyelid's lovely Shade,
Can form a dreadful Ambuscade;
Can the most subtil Sight beguile
Hid in the Dimples of a Smile.
But if from thence a Dart he throw,
How sure, how mortal is the Blow!
How helpless all the Pow'r of Art
To bind, or to restore the Heart!
From the AMINTA of TASSO.
Part of the Description of the Golden Age.
THEN, by some Fountains flow'ry side
The Loves unarm'd, did still abide.
Then, the loos'd Quiver careless hung,
The Torch extinct, the Bow unstrung.
Then, by the Nymphs no Charms were worn,
But such as with the Nymphs were born.
The Shepherd cou'd not, then, complain,
Nor told his am'rous Tale in vain.
79
No Veil the Beauteous Face did hide,
Nor harmless Freedom was deny'd.
Then, Innocence and Virtue reign'd
Pure, unaffected, unconstrain'd.
Love was their Pleasure, and their Praise,
The soft Employment of their Days.
~ Anne Kingsmill Finch,
1160:To The Right Hon. Mr. Dodington
Long, Dodington, in debt, I long have sought
To ease the burden of my graceful thought:
And now a poet's gratitude you see:
Grant him two favours, and he'll ask for three:
For whose the present glory, or the gain?
You give protection, I a worthless strain.
You love and feel the poet's sacred flame,
And know the basis of a solid fame;
Though prone to like, yet cautious to commend,
You read with all the malice of a friend;
Nor favour my attempts that way alone,
But, more to raise my verse, conceal your own.
An ill-tim'd modesty! turn ages o'er,
When wanted Britain bright examples more?
Her learning, and her genius too, decays;
And dark and cold are her declining days;
As if men now were of another cast,
They meanly live on alms of ages past,
Men still are men; and they who boldly dare,
Shall triumph o'er the sons of cold despair;
Or, if they fail, they justly still take place
Of such who run in debt for their disgrace;
Who borrow much, then fairly make it known,
And damn it with improvements of their own.
We bring some new materials, and what's old
New cast with care, and in no borrow'd mould;
Late times the verse may read, if these refuse;
And from sour critics vindicate the Muse.
'Your work is long', the critics cry. 'Tis true,
And lengthens still, to take in fools like you:
Shorten my labour, if its length you blame:
For, grow but wise, you rob me of my game;
As haunted hags, who, while the dogs pursue,
Renounce their four legs, and start up on two.
Like the bold bird upon the banks of Nile
That picks the teeth of the dire crocodile,
Will I enjoy (dread feast!) the critic's rage,
And with the fell destroyer feed my page.
100
For what ambitious fools are more to blame,
Than those who thunder in the critic's name?
Good authors damn'd, have their revenge in this,
To see what wretches gain the praise they miss.
Balbutius, muffled in his sable cloak,
Like an old Druid from his hollow oak,
As ravens solemn, and as boding, cries,
'Ten thousand worlds for the three unities!'
Ye doctors sage, who through Parnassus teach,
Or quit the tub, or practise what you preach.
One judges as the weather dictates; right
The poem is at noon, and wrong at night:
Another judges by a surer gage,
An author's principles, or parentage;
Since his great ancestors in Flanders fell,
The poem doubtless must be written well.
Another judges by the writer's look;
Another judges, for he bought the book:
Some judge, their knack of judging wrong to keep;
Some judge, because it is too soon to sleep.
Thus all will judge, and with one single aim,
To gain themselves, not give the writer, fame.
The very best ambitiously advise,
Half to serve you, and half to pass for wise.
Critics on verse, as squibs on triumphs wait,
Proclaim the glory, and augment the state;
Hot, envious, noisy, proud, the scribbling fry
Burn, hiss, and bounce, waste paper, stink, and die.
Rail on, my friends! what more my verse can crown
Than Compton's smile, and your obliging frown?
Not all on books their criticism waste:
The genius of a dish some justly taste,
And eat their way to fame; with anxious thought
The salmon is refus'd, the turbot bought.
Impatient art rebukes the sun's delay
And bids December yield the fruits of May;
Their various cares in one great point combine
The business of their lives, that is--to dine.
101
Half of their precious day they give the feast;
And to a kind digestion spare the rest.
Apicius, here, the taster of the town,
Feeds twice a week, to settle their renown.
These worthies of the palate guard with care
The sacred annals of their bills of fare;
In those choice books their panegyrics read,
And scorn the creatures that for hunger feed.
If man by feeding well commences great,
Much more the worm to whom that man is meat.
To glory some advance a lying claim,
Thieves of renown, and pilferers of fame:
Their front supplies what their ambition lacks;
They know a thousand lords, behind their backs.
Cottil is apt to wink upon a peer,
When turn'd away, with a familiar leer;
And Harvey's eyes, unmercifully keen,
Have murdered fops, by whom she ne'er was seen.
Niger adopts stray libels; wisely prone,
To cover shame still greater than his own.
Bathyllus, in the winter of threescore,
Belies his innocence, and keeps a ----.
Absence of mind Brabantio turns to fame,
Learns to mistake, nor knows his brother's name;
Has words and thoughts in nice disorder set,
And takes a memorandum to forget.
Thus vain, not knowing what adorns or blots
Men forge the patents that create them sots.
As love of pleasure into pain betrays,
So most grow infamous through love of praise.
But whence for praise can such an ardour rise,
When those, who bring that incense, we despise?
For such the vanity of great and small,
Contempt goes round, and all men laugh at all.
Nor can even satire blame them; for 'tis true,
They have most ample cause for what they do
O fruitful Britain! doubtless thou wast meant
A nurse of fools, to stock the continent.
Though Phoebus and the Nine for ever mow,
102
Rank folly underneath the scythe will grow
The plenteous harvest calls me forward still,
Till I surpass in length my lawyer's bill;
A Welsh descent, which well-paid heralds damn;
Or, longer still, a Dutchman's epigram.
When, cloy'd, in fury I throw down my pen,
In comes a coxcomb, and I write again.
See Tityrus, with merriment possest,
Is burst with laughter, ere he hears the jest:
What need he stay? for when the jest is o'er,
His teeth will be no whiter than before.
Is there of thee, ye fair! so great a dearth,
That you need purchase monkeys for your mirth!
Some, vain of paintings, bid the world admire;
Of houses some; nay, houses that they hire:
Some (perfect wisdom!) of a beauteous wife;
And boast, like Cordeliers, a scourge for life.
Sometimes, through pride, the sexes change their airs;
My lord has vapours, and my lady swears;
Then, stranger still! on turning of the wind,
My lord wears breeches, and my lady's kind.
To show the strength, and infamy of pride,
By all 'tis follow'd, and by all denied.
What numbers are there, which at once pursue,
Praise, and the glory to contemn it, too?
Vincenna knows self-praise betrays to shame,
And therefore lays a stratagem for fame;
Makes his approach in modesty's disguise,
To win applause; and takes it by surprise.
'To err,' says he, 'in small things, is my fate.'
You know your answer, 'he's exact in great'.
'My style', says he, 'is rude and full of faults.'
'But oh! what sense! what energy of thoughts!'
That he wants algebra, he must confess;
'But not a soul to give our arms success'.
'Ah! that's an hit indeed,' Vincenna cries;
'But who in heat of blood was ever wise?
I own 'twas wrong, when thousands called me back
103
To make that hopeless, ill-advised attack;
All say, 'twas madness; nor dare I deny;
Sure never fool so well deserved to die.'
Could this deceive in others to be free,
It ne'er, Vincenna, could deceive in thee!
Whose conduct is a comment to thy tongue,
So clear, the dullest cannot take thee wrong.
Thou on one sleeve wilt thy revenues wear;
And haunt the court, without a prospect there.
Are these expedients for renown? Confess
Thy little self, that I may scorn thee less.
Be wise, Vincenna, and the court forsake;
Our fortunes there, nor thou, nor I, shall make.
Even men of merit, ere their point they gain,
In hardy service make a long campaign;
Most manfully besiege the patron's gate,
And oft repulsed, as oft attack the great
With painful art, and application warm.
And take, at last, some little place by storm;
Enough to keep two shoes on Sunday clean,
And starve upon discreetly, in Sheer-Lane.
Already this thy fortune can afford;
Then starve without the favour of my lord.
'Tis true, great fortunes some great men confer,
But often, even in doing right, they err:
From caprice, not from choice, their favours come:
They give, but think it toil to know to whom:
The man that's nearest, yawning, they advance:
'Tis inhumanity to bless by chance.
If merit sues, and greatness is so loth
To break its downy trance, I pity both.
Behold the masquerade's fantastic scene!
The Legislature join'd with Drury-Lane!
When Britain calls, th' embroider'd patriots run,
And serve their country--if the dance is done.
'Are we not then allow'd to be polite?'
Yes, doubtless; but first set your notions right.
Worth, of politeness is the needful ground;
Where that is wanting, this can ne'er be found.
Triflers not even in trifles can excel;
104
'Tis solid bodies only polish well.
Great, chosen prophet! for these latter days,
To turn a willing world from righteous ways!
Well, Heydegger, dost thou thy master serve;
Well has he seen his servant should not starve,
Thou to his name hast splendid temples raised
In various forms of worship seen him prais'd,
Gaudy devotion, like a Roman, shown,
And sung sweet anthems in a tongue unknown.
Inferior offerings to thy god of vice
Are duly paid, in fiddles, cards, and dice;
Thy sacrifice supreme, an hundred maids!
That solemn rite of midnight masquerades!
Though bold these truths, thou, Muse, with truths like these,
Wilt none offend, whom 'tis a praise to please;
Let others flatter to be flatter'd, thou
Like just tribunals, bend an awful brow.
How terrible it were to common-sense,
To write a satire, which gave none offence!
And, since from life I take the draughts you see.
If men dislike them, do they censure me?
The fool, and knave, 'tis glorious to offend,
And Godlike an attempt the world to mend,
The world, where lucky throws to blockheads fall,
Knaves know the game, and honest men pay all.
How hard for real worth to gain its price!
A man shall make his fortune in a trice,
If blest with pliant, though but slender, sense,
Feign'd modesty, and real impudence:
A supple knee, smooth tongue, an easy grace.
A curse within, a smile upon his face;
A beauteous sister, or convenient wife,
Are prizes in the lottery of life;
Genius and Virtue they will soon defeat,
And lodge you in the bosom of the great.
To merit, is but to provide a pain
For men's refusing what you ought to gain.
May, Dodington, this maxim fail in you,
Whom my presaging thoughts already view
105
By Walpole's conduct fired, and friendship grac'd,
Still higher in your Prince's favour plac'd:
And lending, here, those awful councils aid,
Which you, abroad, with such success obey'd!
Bear this from one, who holds your friendship dear;
What most we wish, with ease we fancy near.
~ Edward Young,
1161:Morte D'Arthur
So all day long the noise of battle roll'd
Among the mountains by the winter sea;
Until King Arthur's table, man by man,
Had fallen in Lyonnesse about their Lord,
King Arthur: then, because his wound was deep,
The bold Sir Bedivere uplifted him,
Sir Bedivere, the last of all his knights,
And bore him to a chapel nigh the field,
A broken chancel with a broken cross,
That stood on a dark strait of barren land.
On one side lay the ocean, and on one
Lay a great water, and the moon was full.
Then spake King Arthur to Sir Bedivere:
"The sequel of to-day unsolders all
The goodliest fellowship of famous knights
Whereof this world holds record. Such a sleep
They sleep--the men I loved. I think that we
Shall never more, at any future time,
Delight our souls with talk of knightly deeds,
Walking about the gardens and the halls
Of Camelot, as in the days that were.
I perish by this people which I made,-Tho' Merlin sware that I should come again
To rule once more--but let what will be, be,
I am so deeply smitten thro' the helm
That without help I cannot last till morn.
Thou therefore take my brand Excalibur,
Which was my pride: for thou rememberest how
In those old days, one summer noon, an arm
Rose up from out the bosom of the lake,
Clothed in white samite, mystic, wonderful,
Holding the sword--and how I row'd across
And took it, and have worn it, like a king:
And, wheresoever I am sung or told
In aftertime, this also shall be known:
But now delay not: take Excalibur,
And fling him far into the middle mere:
Watch what thou seëst, and lightly bring me word."
392
To him replied the bold Sir Bedivere:
"It is not meet, Sir King, to leave thee thus,
Aidless, alone, and smitten thro' the helm.
A little thing may harm a wounded man.
Yet I thy hest will all perform at full,
Watch what I see, and lightly bring thee word."
So saying, from the ruin'd shrine he stept
And in the moon athwart the place of tombs,
Where lay the mighty bones of ancient men,
Old knights, and over them the sea-wind sang
Shrill, chill, with flakes of foam. He, stepping down
By zigzag paths, and juts of pointed rock,
Came on the shining levels of the lake.
There drew he forth the brand Excalibur,
And o'er him, drawing it, the winter moon,
Brightening the skirts of a long cloud, ran forth
And sparkled keen with frost against the hilt:
For all the haft twinkled with diamond sparks,
Myriads of topaz-lights, and jacinth work
Of subtlest jewellery. He gazed so long
That both his eyes were dazzled, as he stood,
This way and that dividing the swift mind,
In act to throw: but at the last it seem'd
Better to leave Excalibur conceal'd
There in the many-knotted water-flags,
That whistled stiff and dry about the marge.
So strode he back slow to the wounded King.
Then spake King Arthur to Sir Bedivere:
"Hast thou perform'd my mission which I gave?
What is it thou hast seen, or what hast heard?"
And answer made the bold Sir Bedivere:
"I heard the ripple washing in the reeds,
And the wild water lapping on the crag."
To whom replied King Arthur, faint and pale:
"Thou hast betray'd thy nature and thy name,
Not rendering true answer, as beseem'd
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Thy fealty, nor like a noble knight:
For surer sign had follow'd, either hand,
Or voice, or else a motion of the mere.
This is a shameful thing for men to lie.
Yet now, I charge thee, quickly go again
As thou art lief and dear, and do the thing
I bade thee, watch, and lightly bring me word."
Then went Sir Bedivere the second time
Across the ridge, and paced beside the mere,
Counting the dewy pebbles, fixed in thought;
But when he saw the wonder of the hilt,
How curiously and strangely chased, he smote
His palms together, and he cried aloud,
"And if indeed I cast the brand away,
Surely a precious thing, one worthy note,
Should thus be lost forever from the earth,
Which might have pleased the eyes of many men.
What good should follow this, if this were done?
What harm, undone? deep harm to disobey,
Seeing obedience is the bond of rule.
Were it well to obey then, if a king demand
An act unprofitable, against himself?
The King is sick, and knows not what he does.
What record, or what relic of my lord
Should be to aftertime, but empty breath
And rumours of a doubt? but were this kept,
Stored in some treasure-house of mighty kings,
Some one might show it at a joust of arms,
Saying, 'King Arthur's sword, Excalibur,
Wrought by the lonely maiden of the Lake;
Nine years she wrought it, sitting in the deeps
Upon the hidden bases of the hills.'
So might some old man speak in the aftertime
To all the people, winning reverence.
But now much honour and much fame were lost."
So spake he, clouded with his own conceit,
And hid Excalibur the second time,
And so strode back slow to the wounded King.
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Then spoke King Arthur, breathing heavily:
"What is it thou hast seen, or what hast heard?"
And answer made the bold Sir Bedivere:
"I heard the water lapping on the crag,
And the long ripple washing in the reeds."
To whom replied King Arthur, much in wrath:
"Ah, miserable and unkind, untrue,
Unknightly, traitor-hearted! Woe is me!
Authority forgets a dying king,
Laid widow'd of the power in his eye
That bow'd the will. I see thee what thou art,
For thou, the latest-left of all my knights,
In whom should meet the offices of all,
Thou wouldst betray me for the precious hilt;
Either from lust of gold, or like a girl
Valuing the giddy pleasure of the eyes.
Yet, for a man may fail in duty twice,
And the third time may prosper, get thee hence:
But, if thou spare to fling Excalibur,
I will arise and slay thee with my hands."
Then quickly rose Sir Bedivere, and ran,
And, leaping down the ridges lightly, plunged
Among the bulrush-beds, and clutch'd the sword,
And strongly wheel'd and threw it. The great brand
Made lightnings in the splendour of the moon,
And flashing round and round, and whirl'd in an arch,
Shot like a streamer of the northern morn,
Seen where the moving isles of winter shock
By night, with noises of the northern sea.
So flash'd and fell the brand Excalibur:
But ere he dipt the surface, rose an arm
Clothed in white samite, mystic, wonderful,
And caught him by the hilt, and brandish'd him
Three times, and drew him under in the mere.
And lightly went the other to the King.
Then spoke King Arthur, drawing thicker breath:
"Now see I by thine eyes that this is done.
Speak out: what is it thou hast heard, or seen?"
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And answer made the bold Sir Bedivere:
"Sir King, I closed mine eyelids, lest the gems
Should blind my purpose, for I never saw,
Nor shall see, here or elsewhere, till I die,
Not tho' I live three lives of mortal men,
So great a miracle as yonder hilt.
Then with both hands I flung him, wheeling him;
But when I look'd again, behold an arm,
Clothed in white samite, mystic, wonderful,
That caught him by the hilt, and brandish'd him
Three times, and drew him under in the mere."
And answer made King Arthur, breathing hard:
"My end draws nigh; 't is time that I were gone.
Make broad thy shoulders to receive my weight,
And bear me to the margin; yet I fear
My wound hath taken cold, and I shall die."
So saying, from the pavement he half rose,
Slowly, with pain, reclining on his arm,
And looking wistfully with wide blue eyes
As in a picture. Him Sir Bedivere
Remorsefully regarded thro' his tears,
And would have spoken, but he found not words,
Then took with care, and kneeling on one knee,
O'er both his shoulders drew the languid hands,
And rising bore him thro' the place of tombs.
But, as he walk'd, King Arthur panted hard,
Like one that feels a nightmare on his bed
When all the house is mute. So sigh'd the King
Muttering and murmuring at his ear, "Quick, quick!
I fear it is too late, and I shall die."
But the other swiftly strode from ridge to ridge,
Clothed with his breath, and looking, as he walk'd
Larger than human on the frozen hills.
He heard the deep behind him, and a cry
Before. His own thought drove him like a goad.
Dry clash'd his harness in the icy caves
And barren chasms, and all to left and right
The bare black cliff clang'd round him, as he based
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His feet on juts of slippery crag that rang
Sharp-smitten with the dint of armed heels-And on a sudden, lo! the level lake,
And the long glories of the winter moon.
Then saw they how there hove a dusky barge
Dark as a funeral scarf from stem to stern,
Beneath them; and descending they were ware
That all the decks were dense with stately forms
Black-stoled, black-hooded, like a dream--by these
Three Queens with crowns of gold--and from them rose
A cry that shiver'd to the tingling stars,
And, as it were one voice, an agony
Of lamentation, like a wind, that shrills
All night in a waste land, where no one comes,
Or hath come, since the making of the world.
Then murmur'd Arthur, "Place me in the barge,"
And to the barge they came. There those three Queens
Put forth their hands, and took the King, and wept.
But she that rose the tallest of them all
And fairest, laid his head upon her lap,
And loosed the shatter'd casque, and chafed his hands,
And call'd him by his name, complaining loud
And dropping bitter tears against his brow
Striped with dark blood: for all his face was white
And colourless, and like the wither'd moon
Smote by the fresh beam of the springing east;
And all his greaves and cuisses dash'd with drops
Of onset; and the light and lustrous curls-That made his forehead like a rising sun
High from the daïs-throne--were parch'd with dust;
Or, clotted into points and hanging loose,
Mix'd with the knightly growth that fringed his lips.
So like a shatter'd column lay the King;
Not like that Arthur who, with lance in rest,
From spur to plume a star of tournament,
Shot thro' the lists at Camelot, and charged
Before the eyes of ladies and of kings.
Then loudly cried the bold Sir Bedivere:
"Ah! my Lord Arthur, whither shall I go?
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Where shall I hide my forehead and my eyes?
For now I see the true old times are dead,
When every morning brought a noble chance,
And every chance brought out a noble knight.
Such times have been not since the light that led
The holy Elders with the gift of myrrh.
But now the whole ROUND TABLE is dissolved
Which was an image of the mighty world;
And I, the last, go forth companionless,
And the days darken round me, and the years,
Among new men, strange faces, other minds."
And slowly answer'd Arthur from the barge:
"The old order changeth, yielding place to new,
And God fulfils Himself in many ways,
Lest one good custom should corrupt the world.
Comfort thyself: what comfort is in me?
I have lived my life, and that which I have done
May He within Himself make pure! but thou,
If thou shouldst never see my face again,
Pray for my soul. More things are wrought by prayer
Than this world dreams of. Wherefore, let thy voice
Rise like a fountain for me night and day.
For what are men better than sheep or goats
That nourish a blind life within the brain,
If, knowing God, they lift not hands of prayer
Both for themselves and those who call them friend?
For so the whole round earth is every way
Bound by gold chains about the feet of God.
But now farewell. I am going a long way
With these thou seëst--if indeed I go-(For all my mind is clouded with a doubt)
To the island-valley of Avilion;
Where falls not hail, or rain, or any snow,
Nor ever wind blows loudly; but it lies
Deep-meadow'd, happy, fair with orchard-lawns
And bowery hollows crown'd with summer sea,
Where I will heal me of my grievous wound."
So said he, and the barge with oar and sail
Moved from the brink, like some full-breasted swan
That, fluting a wild carol ere her death,
398
Ruffles her pure cold plume, and takes the flood
With swarthy webs. Long stood Sir Bedivere
Revolving many memories, till the hull
Look'd one black dot against the verge of dawn,
And on the mere the wailing died away.
~ Alfred Lord Tennyson,
1162:On The Hurricane
You have obey'd, you WINDS, that must fulfill
The Great Disposer's righteous Will;
Throughout the Land, unlimited you flew,
Nor sought, as heretofore, with Friendly Aid
Only, new Motion to bestow
Upon the sluggish Vapours, bred below,
Condensing into Mists, and melancholy Shade.
No more such gentle Methods you pursue,
But marching now in terrible Array,
Undistinguish'd was your Prey:
In vain the Shrubs, with lowly Bent,
Sought their Destruction to prevent;
The Beech in vain, with out-stretch'd Arms,
Deprecates th' approaching Harms;
In vain the Oak (so often storm'd)
Rely'd upon that native Force,
By which already was perform'd
So much of his appointed Course,
As made him, fearless of Decay,
Wait but the accomplish'd Time
Of his long-wish'd and useful Prime,
To be remov'd, with Honor, to the Sea.
The strait and ornamental Pine
Did in the like Ambition joyn,
And thought his Fame shou'd ever last,
When in some Royal Ship he stood the planted Mast;
And shou'd again his Length of Timber rear,
And new engrafted Branches wear
Of fibrous Cordage and impending Shrouds,
Still trimm'd with human Care, and water'd by the Clouds.
But oh, you Trees! who solitary stood;
Or you, whose Numbers form'd a Wood;
You, who on Mountains chose to rise,
And drew them nearer to the Skies;
Or you, whom Valleys late did hold
In flexible and lighter Mould;
You num'rous Brethren of the Leafy Kind,
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To whatsoever Use design'd,
Now, vain you found it to contend
With not, alas! one Element; your Friend
Your Mother Earth, thro' long preceding Rains,
(Which undermining sink below)
No more her wonted Strength retains;
Nor you so fix'd within her Bosom grow,
That for your sakes she can resolve to bear
These furious Shocks of hurrying Air;
But finding All your Ruin did conspire,
She soon her beauteous Progeny resign'd
To this destructive, this imperious Wind,
That check'd your nobler Aims, and gives you to the Fire.
Thus! have thy Cedars, Libanus, been struck
As the lythe Oziers twisted round;
Thus! Cadez, has thy Wilderness been shook,
When the appalling, and tremendous Sound
Of rattl'ing Tempests o'er you broke,
And made your stubborn Glories bow,
When in such Whirlwinds the Almighty spoke,
Warning Judea then, as our Britannia now.
Yet these were the remoter Harms,
Foreign the Care, and distant the Alarms:
Whilst but sheltring Trees alone,
Master'd soon, and soon o'erthrown,
Felt those Gusts, which since prevail,
And loftier Palaces assail;
Whose shaken Turrets now give way,
With vain Inscriptions, which the Freeze has borne
Through Ages past, t'extol and to adorn,
And to our latter Times convey;
Who did the Structures deep Foundation lay,
Forcing his Praise upon the gazing Croud,
And, whilst he moulders in a scanty Shroud,
Telling both Earth and Skies, he when alive was proud.
Now down at once comes the superfluous Load,
The costly Fret-work with it yields,
Whose imitated Fruits and Flow'rs are strew'd,
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Like those of real Growth o'er the Autumnal Fields.
The present Owner lifts his Eyes,
And the swift Change with sad Affrightment spies:
The Cieling gone, that late the Roof conceal'd;
The Roof untyl'd, thro' which the Heav'ns reveal'd,
Exposes now his Head, when all Defence has fail'd.
What alas, is to be done!
Those, who in Cities wou'd from Dangers run,
Do but encreasing Dangers meet,
And Death, in various shapes, attending in the Street;
While some, too tardy in their Flight,
O'ertaken by a worse Mischance,
Their upward Parts do scarce advance,
When on their following Limbs th' extending Ruins light.
One half's interr'd, the other yet survives,
And for Release with fainting Vigour strives;
Implores the Aid of absent Friends in vain;
With fault'ring Speech, and dying Wishes calls
Those, whom perhaps, their own Domestick Walls
By parallel Distress, or swifter Death retains.
O Wells! thy Bishop's Mansion we lament,
So tragical the Fall, so dire th'Event!
But let no daring Thought presume
To point a Cause for that oppressive Doom.
Yet strictly pious KEN! had'st Thou been there,
This Fate, we think, had not become thy share;
Nor had that awful Fabrick bow'd,
Sliding from its loosen'd Bands;
Nor yielding Timbers been allow'd
To crush thy ever-lifted Hands,
Or interrupt thy Pray'r.
Those Orizons, that nightly Watches keep,
Had call'd thee from thy Bed, or there secur'd thy Sleep.
Whilst you, bold Winds and Storms! his Word obey'd,
Whilst you his Scourge the Great Jehova made,
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And into ruin'd Heaps our Edifices laid.
You South and West the Tragedy began,
As, with disorder'd haste, you o'er the Surface ran;
Forgetting, that you were design'd
(Chiefly thou Zephyrus, thou softest Wind!)
Only our Heats, when sultry, to allay,
And chase the od'rous Gums by your dispersing Play.
Now, by new Orders and Decrees,
For our Chastisement issu'd forth,
You on his Confines the alarmed North
With equal Fury sees,
And summons swiftly to his Aid
Eurus, his Confederate made,
His eager Second in th' opposing Fight,
That even the Winds may keep the Balance right,
Nor yield increase of Sway to arbitrary Might.
Meeting now, they all contend,
Those assail, while These defend;
Fierce and turbulent the War,
And in the loud tumultuous Jar
Winds their own Fifes, and Clarions are.
Each Cavity, which Art or Nature leaves,
Their Inspiration hastily receives;
Whence, from their various Forms and Size,
As various Symphonies arise,
Their Trumpet ev'ry hollow Tube is made,
And, when more solid Bodies they invade,
Enrag'd, they can no farther come,
The beaten Flatt, whilst it repels the Noise,
Resembles but with more outrageous Voice
The Soldier's threatning Drum:
And when they compass thus our World around,
When they our Rocks and Mountains rend,
When they our Sacred Piles to their Foundations send,
No wonder if our ecchoing Caves rebound;
No wonder if our list'ning Sense they wound,
When arm'd with so much Force, and usher'd with such Sound.
Nor scarce, amidst the Terrors of that Night,
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When you, fierce Winds, such Desolations wrought,
When you from out his Stores the Great Commander brought,
Cou'd the most Righteous stand upright;
Scarcely the Holiest Man performs
The Service, that becomes it best,
By ardent Vows, or solemn Pray'rs addrest;
Nor finds the Calm, so usual to his Breast,
Full Proof against such Storms.
How shou'd the Guilty then be found,
The Men in Wine, or looser Pleasures drown'd,
To fix a stedfast Hope, or to maintain their Ground!
When at his Glass the late Companion feels,
That Giddy, like himself, the tott'ring Mansion reels!
The Miser, who with many a Chest
His gloomy Tenement opprest,
Now fears the over-burthen'd Floor,
And trembles for his Life, but for his Treasure more.
What shall he do, or to what Pow'rs apply?
To those, which threaten from on High,
By him ne'er call'd upon before,
Who also will suggest th' impossible Restore?
No; Mammon, to thy Laws he will be true,
And, rather than his Wealth, will bid the World adieu.
The Rafters sink, and bury'd with his Coin
That Fate does with his living Thoughts combine;
For still his Heart's inclos'd within a Golden Mine.
Contention with its angry Brawls
By Storms o'er-clamour'd, shrinks and falls;
Nor WHIG, nor TORY now the rash Contender calls.
Those, who but Vanity allow'd,
Nor thought, it reach'd the Name of Sin,
To be of their Perfections proud,
Too much adorn'd without, or too much rais'd within,
Now find, that even the lightest Things,
As the minuter parts of Air,
When Number to their Weight addition brings,
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Can, like the small, but numerous Insects Stings,
Can, like th' assembl'd Winds, urge Ruin and Despair.
Thus You've obey'd, you Winds, that must fulfill
The Great disposer's Righteous Will:
Thus did your Breath a strict Enquiry make,
Thus did you our most secret Sins awake,
And thus chastis'd their Ill.
Whilst vainly Those, of a rapacious Mind,
Fields to other Fields had laid,
By Force, or by injurious Bargains join'd,
With Fences for their Guard impenetrable made;
The juster Tempest mocks the wrong,
And sweeps, in its directed Flight,
Th' Inclosures of another's Right,
Driving at once the Bounds, and licens'd Herds along.
The Earth agen one general Scene appears;
No regular distinction now,
Betwixt the Grounds for Pasture, or the Plough,
The Face of Nature wears.
Free as the Men, who wild Confusion love,
And lawless Liberty approve,
Their Fellow-Brutes pursue their way,
To their own Loss, and disadvantage stray,
As wretched in their Choice, as unadvis'd as They.
The tim'rous Deer, whilst he forsakes the Park,
And wanders on, in the misguiding Dark,
Believes, a Foe from ev'ry unknown Bush
Will on his trembling Body rush,
Taking the Winds, that vary in their Notes,
For hot pursuing Hounds with deeply bellowing Throats.
Th' awaken'd Birds, shook from their nightly Seats,
Their unavailing Pinions ply,
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Repuls'd, as they attempt to fly
In hopes they might attain to more secure Retreats.
But, Where ye wilder'd Fowls wou'd You repair?
When this your happy Portion given,
Your upward Lot, your Firmament of Heaven,
Your unentail'd, your undivided Air,
Where no Proprietor was ever known,
Where no litigious Suits have ever grown,
Whilst none from Star to Star cou'd call the space his Own;
When this no more your middle Flights can bear,
But some rough Blast too far above conveighs,
Or to unquitted Earth confines your weak Essays.
Nor You, nor wiser Man cou'd find Repose,
Nor cou'd our Industry produce
Expedients of the smallest Use,
To ward our greater Cares, or mitigate your Woes.
Ye Clouds! that pity'd our Distress,
And by your pacifying Showers
(The soft and usual methods of Success)
Kindly assay'd to make this Tempest less;
Vainly your Aid was now alas! employ'd,
In vain you wept o'er those destructive Hours,
In which the Winds full Tyranny enjoy'd,
Nor wou'd allow you to prevail,
But drove your scorn'd, and scatter'd Tears to wail
The Land that lay destroy'd.
Whilst You obey'd, you Winds! that must fulfill
The just Disposer's Righteous Will;
Whilst not the Earth alone, you disarray,
But to more ruin'd Seas wing'd your impetuous Way.
Which to foreshew, the still portentious Sun
Beamless, and pale of late, his Race begun,
Quenching the Rays, he had no Joy to keep,
In the obscure, and sadly threaten'd Deep.
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Farther than we, that Eye of Heaven discerns,
And nearer plac'd to our malignant Stars,
Our brooding Tempests, and approaching Wars
Anticipating learns.
When now, too soon the dark Event
Shews what that faded Planet meant;
Whilst more the liquid Empire undergoes,
More she resigns of her entrusted Stores,
The Wealth, the Strength, the Pride of diff'rent Shores
In one Devoted, one Recorded Night,
Than Years had known destroy'd by generous Fight,
Or Privateering Foes.
All Rules of Conduct laid aside,
No more the baffl'd Pilot steers,
Or knows an Art, when it each moment veers,
To vary with the Winds, or stem th'unusual Tide.
Dispers'd and loose, the shatter'd Vessels stray,
Some perish within sight of Shore,
Some, happier thought, obtain a wider Sea,
But never to return, or cast an Anchor more!
Some on the Northern Coasts are thrown,
And by congealing Surges compass'd round,
To fixt and certain Ruin bound,
Immoveable are grown:
The fatal Goodwin swallows All that come
Within the Limits of that dangerous Sand,
Amphibious in its kind, nor Sea nor Land;
Yet kin to both, a false and faithless Strand,
Known only to our Cost for a devouring Tomb.
Nor seemed the HURRICANE content,
Whilst only Ships were wreckt, and Tackle rent;
The Sailors too must fall a Prey,
Those that Command, with those that did Obey;
The best Supporters of thy pompous Stile,
Thou far Renown'd, thou pow'rful BRITISH Isle!
Foremost in Naval Strength, and Sov'reign of the Sea!
These from thy Aid that wrathful Night divides,
Plung'd in those Waves, o'er which this Title rides.
What art Thou, envy'd Greatness, at the best,
In thy deluding Splendors drest?
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What are thy glorious Titles, and thy Forms?
Which cannot give Security, or Rest
To favour'd Men, or Kingdoms that contest
With Popular Assaults, or Providential Storms!
Whilst on th'Omnipotent our Fate depends,
And They are only safe, whom He alone defends.
Then let to Heaven our general Praise be sent,
Which did our farther Loss, our total Wreck prevent.
And as our Aspirations do ascend,
Let every Thing be summon'd to attend;
And let the Poet after God's own Heart
Direct our Skill in that sublimer part,
And our weak Numbers mend!
~ Anne Kingsmill Finch,
1163:Yet, Freedom, yet, thy banner, torn but flying,
Streams like a thunder-storm against the wind.--BYRON.

I.
A glorious people vibrated again
The lightning of the nations: Liberty
From heart to heart, from tower to tower, o'er Spain,
Scattering contagious fire into the sky,
Gleamed. My soul spurned the chains of its dismay,
And in the rapid plumes of song
Clothed itself, sublime and strong;
As a young eagle soars the morning clouds among,
Hovering inverse o'er its accustomed prey;
Till from its station in the Heaven of fame
The Spirit's whirlwind rapped it, and the ray
Of the remotest sphere of living flame
Which paves the void was from behind it flung,
As foam from a ship's swiftness, when there came
A voice out of the deep: I will record the same.

II.
The Sun and the serenest Moon sprang forth:
The burning stars of the abyss were hurled
Into the depths of Heaven. The daedal earth,
That island in the ocean of the world,
Hung in its cloud of all-sustaining air:
But this divinest universe
Was yet a chaos and a curse,
For thou wert not: but, power from worst producing worse,
The spirit of the beasts was kindled there,
And of the birds, and of the watery forms,
And there was war among them, and despair
Within them, raging without truce or terms:
The bosom of their violated nurse
Groaned, for beasts warred on beasts, and worms on worms,
And men on men; each heart was as a hell of storms.

III.
Man, the imperial shape, then multiplied
His generations under the pavilion
Of the Suns throne: palace and pyramid,
Temple and prison, to many a swarming million
Were, as to mountain-wolves their ragged caves.
This human living multitude
Was savage, cunning, blind, and rude,
For thou wert not; but oer the populous solitude,
Like one fierce cloud over a waste of waves,
Hung Tyranny; beneath, sate deified
The sister-pest, congregator of slaves;
Into the shadow of her pinions wide
Anarchs and priests, who feed on gold and blood
Till with the stain their inmost souls are dyed,
Drove the astonished herds of men from every side.

IV.
The nodding promontories, and blue isles,
And cloud-like mountains, and dividuous waves
Of Greece, basked glorious in the open smiles
Of favouring Heaven: from their enchanted caves
Prophetic echoes flung dim melody.
On the unapprehensive wild
The vine, the corn, the olive mild,
Grew savage yet, to human use unreconciled;
And, like unfolded flowers beneath the sea,
Like the mans thought dark in the infants brain,
Like aught that is which wraps what is to be,
Arts deathless dreams lay veiled by many a vein
Of Parian stone; and, yet a speechless child,
Verse murmured, and Philosophy did strain
Her lidless eyes for thee; when oer the Aegean main.

V.
Athens arose: a city such as vision
Builds from the purple crags and silver towers
Of battlemented cloud, as in derision
Of kingliest masonry: the ocean-floors
Pave it; the evening sky pavilions it;
Its portals are inhabited
By thunder-zoned winds, each head
Within its cloudy wings with sun-fire garlanded,--
A divine work! Athens, diviner yet,
Gleamed with its crest of columns, on the will
Of man, as on a mount of diamond, set;
For thou wert, and thine all-creative skill
Peopled, with forms that mock the eternal dead
In marble immortality, that hill
Which was thine earliest throne and latest oracle.

VI.
Within the surface of Times fleeting river
Its wrinkled image lies, as then it lay
Immovably unquiet, and for ever
It trembles, but it cannot pass away!
The voices of thy bards and sages thunder
With an earth-awakening blast
Through the caverns of the past:
(Religion veils her eyes; Oppression shrinks aghast):
A winged sound of joy, and love, and wonder,
Which soars where Expectation never flew,
Rending the veil of space and time asunder!
One ocean feeds the clouds, and streams, and dew;
One Sun illumines Heaven; one Spirit vast
With life and love makes chaos ever new,
As Athens doth the world with thy delight renew.

VII.
Then Rome was, and from thy deep bosom fairest,
Like a wolf-cub from a Cadmaean Maenad,
She drew the milk of greatness, though thy dearest
From that Elysian food was yet unweaned;
And many a deed of terrible uprightness
By thy sweet love was sanctified;
And in thy smile, and by thy side,
Saintly Camillus lived, and firm Atilius died.
But when tears stained thy robe of vestal-whiteness,
And gold profaned thy Capitolian throne, 100
Thou didst desert, with spirit-winged lightness,
The senate of the tyrants: they sunk prone
Slaves of one tyrant: Palatinus sighed
Faint echoes of Ionian song; that tone
Thou didst delay to hear, lamenting to disown

VIII.
From what Hyrcanian glen or frozen hill,
Or piny promontory of the Arctic main,
Or utmost islet inaccessible,
Didst thou lament the ruin of thy reign,
Teaching the woods and waves, and desert rocks,
And every Naiads ice-cold urn,
To talk in echoes sad and stern
Of that sublimest lore which man had dared unlearn?
For neither didst thou watch the wizard flocks
Of the Scald's dreams, nor haunt the Druid's sleep.
What if the tears rained through thy shattered locks
Were quickly dried? for thou didst groan, not weep,
When from its sea of death, to kill and burn,
The Galilean serpent forth did creep,
And made thy world an undistinguishable heap.

IX.
A thousand years the Earth cried, 'Where art thou?'
And then the shadow of thy coming fell
On Saxon Alfreds olive-cinctured brow:
And many a warrior-peopled citadel.
Like rocks which fire lifts out of the flat deep,
Arose in sacred Italy,
Frowning o'er the tempestuous sea
Of kings, and priests, and slaves, in tower-crowned majesty;
That multitudinous anarchy did sweep
And burst around their walls, like idle foam,
Whilst from the human spirits deepest deep
Strange melody with love and awe struck dumb
Dissonant arms; and Art, which cannot die,
With divine wand traced on our earthly home
Fit imagery to pave Heavens everlasting dome.

X.
Thou huntress swifter than the Moon! thou terror
Of the worlds wolves! thou bearer of the quiver,
Whose sunlike shafts pierce tempest-winged Error,
As light may pierce the clouds when they dissever
In the calm regions of the orient day!
Luther caught thy wakening glance;
Like lightning, from his leaden lance
Reflected, it dissolved the visions of the trance
In which, as in a tomb, the nations lay;
And Englands prophets hailed thee as their queen,
In songs whose music cannot pass away,
Though it must flow forever: not unseen
Before the spirit-sighted countenance
Of Milton didst thou pass, from the sad scene
Beyond whose night he saw, with a dejected mien.

XI.
The eager hours and unreluctant years
As on a dawn-illumined mountain stood.
Trampling to silence their loud hopes and fears,
Darkening each other with their multitude,
And cried aloud, 'Liberty!' Indignation
Answered Pity from her cave;
Death grew pale within the grave,
And Desolation howled to the destroyer, Save!
When like Heavens Sun girt by the exhalation
Of its own glorious light, thou didst arise.
Chasing thy foes from nation unto nation
Like shadows: as if day had cloven the skies
At dreaming midnight oer the western wave,
Men started, staggering with a glad surprise,
Under the lightnings of thine unfamiliar eyes.

XII.
Thou Heaven of earth! what spells could pall thee then
In ominous eclipse? a thousand years
Bred from the slime of deep Oppressions den.
Dyed all thy liquid light with blood and tears.
Till thy sweet stars could weep the stain away;
How like Bacchanals of blood
Round France, the ghastly vintage, stood
Destruction's sceptred slaves, and Follys mitred brood!
When one, like them, but mightier far than they,
The Anarch of thine own bewildered powers,
Rose: armies mingled in obscure array,
Like clouds with clouds, darkening the sacred bowers
Of serene Heaven. He, by the past pursued,
Rests with those dead, but unforgotten hours,
Whose ghosts scare victor kings in their ancestral towers.

XIII.
England yet sleeps: was she not called of old?
Spain calls her now, as with its thrilling thunder
Vesuvius wakens Aetna, and the cold
Snow-crags by its reply are cloven in sunder:
Oer the lit waves every Aeolian isle 185
From Pithecusa to Pelorus
Howls, and leaps, and glares in chorus:
They cry, 'Be dim; ye lamps of Heaven suspended o'er us!'
Her chains are threads of gold, she need but smile
And they dissolve; but Spains were links of steel,
Till bit to dust by virtues keenest file.
Twins of a single destiny! appeal
To the eternal years enthroned before us
In the dim West; impress us from a seal,
All ye have thought and done! Time cannot dare conceal.

XIV.
Tomb of Arminius! render up thy dead
Till, like a standard from a watch-towers staff,
His soul may stream over the tyrants head;
Thy victory shall be his epitaph,
Wild Bacchanal of truths mysterious wine,
King-deluded Germany,
His dead spirit lives in thee.
Why do we fear or hope? thou art already free!
And thou, lost Paradise of this divine
And glorious world! thou flowery wilderness!
Thou island of eternity! thou shrine
Where Desolation, clothed with loveliness,
Worships the thing thou wert! O Italy,
Gather thy blood into thy heart; repress
The beasts who make their dens thy sacred palaces.

XV.
Oh, that the free would stamp the impious name
Of KING into the dust! or write it there,
So that this blot upon the page of fame
Were as a serpents path, which the light air
Erases, and the flat sands close behind!
Ye the oracle have heard:
Lift the victory-flashing sword.
And cut the snaky knots of this foul gordian word,
Which, weak itself as stubble, yet can bind
Into a mass, irrefragably firm,
The axes and the rods which awe mankind;
The sound has poison in it, tis the sperm
Of what makes life foul, cankerous, and abhorred;
Disdain not thou, at thine appointed term,
To set thine armed heel on this reluctant worm.

XVI.
Oh, that the wise from their bright minds would kindle
Such lamps within the dome of this dim world,
That the pale name of PRIEST might shrink and dwindle
Into the hell from which it first was hurled,
A scoff of impious pride from fiends impure;
Till human thoughts might kneel alone,
Each before the judgement-throne
Of its own aweless soul, or of the Power unknown!
Oh, that the words which make the thoughts obscure
From which they spring, as clouds of glimmering dew
From a white lake blot Heavens blue portraiture,
Were stripped of their thin masks and various hue
And frowns and smiles and splendours not their own,
Till in the nakedness of false and true
They stand before their Lord, each to receive its due!

XVII.
He who taught man to vanquish whatsoever
Can be between the cradle and the grave
Crowned him the King of Life. Oh, vain endeavour!
If on his own high will, a willing slave,
He has enthroned the oppression and the oppressor
What if earth can clothe and feed
Amplest millions at their need,
And power in thought be as the tree within the seed?
Or what if Art, an ardent intercessor,
Driving on fiery wings to Natures throne,
Checks the great mother stooping to caress her,
And cries: Give me, thy child, dominion
Over all height and depth? if Life can breed
New wants, and wealth from those who toil and groan,
Rend of thy gifts and hers a thousandfold for one!

XVIII.
Come thou, but lead out of the inmost cave
Of mans deep spirit, as the morning-star
Beckons the Sun from the Eoan wave,
Wisdom. I hear the pennons of her car
Self-moving, like cloud charioted by flame;
Comes she not, and come ye not,
Rulers of eternal thought,
To judge, with solemn truth, lifes ill-apportioned lot?
Blind Love, and equal Justice, and the Fame
Of what has been, the Hope of what will be?
O Liberty! if such could be thy name
Wert thou disjoined from these, or they from thee:
If thine or theirs were treasures to be bought
By blood or tears, have not the wise and free
Wept tears, and blood like tears?The solemn harmony

XIX.
Paused, and the Spirit of that mighty singing
To its abyss was suddenly withdrawn;
Then, as a wild swan, when sublimely winging
Its path athwart the thunder-smoke of dawn,
Sinks headlong through the aereal golden light
On the heavy-sounding plain,
When the bolt has pierced its brain;
As summer clouds dissolve, unburthened of their rain;
As a far taper fades with fading night,
As a brief insect dies with dying day,--
My song, its pinions disarrayed of might,
Drooped; oer it closed the echoes far away
Of the great voice which did its flight sustain,
As waves which lately paved his watery way
Hiss round a drowners head in their tempestuous play.
Composed early in 1820, and published, with Prometheus Unbound, in the same year. A transcript in Shelley's hand of lines 1-21 is included in the Harvard manuscript book, and amongst the Boscombe manuscripts there is a fragment of a rough draft (Garnett).
~ Percy Bysshe Shelley, Ode To Liberty
,
1164:1119
Valentine And Ursine
Part the First.
When Flora 'gins to decke the fields
With colours fresh and fine,
Then holy clerkes their mattins sing
To good Saint Valentine!
The King of France that morning fair
He would a hunting-ride,
To Artois forest prancing forth
In all his princelye pride.
To grace his sports a courtly train
Of gallant peers attend;
And with their loud and cheerful cryes
The hills and valleys rend.
Through the deep forest swift they pass,
Through woods and thickets wild;
When down within a lonely dell
They found a new-born child;
All in a scarlet kercher lay'd
Of silk so fine and thin;
A golden mantle wrapt him round,
Pinn'd with a silver pin.
The sudden sight surpriz'd them all;
The courtiers gather'd round;
They look, they call, the mother seek;
No mother could be found.
At length the king himself drew near,
And as he gazing stands,
The pretty babe look'd up and smil'd,
And stretch'd his little hands.
'Now, by the rood,' King Pepin says,
'This child is passing fair;
I wot he is of gentle blood:
1120
Perhaps some prince's heir.
'Goe bear him home unto my court
With all the care ye may
Let him be christen'd Valentine,
In honour of this day;
'And look me out some cunning nurse;
Well nurtur'd let him bee;
Nor ought was wanting that became
A bairn of high degree.
Thus grewe the little Valentine,
Belov'd of king and peers,
And shew'd in all he spake or did
A wit beyond his years.
But chief in gallant feates of arms
He did himself advance,
That ere he grewe to man's estate
He had no peere in France.
And now the early downe began
To shade his youthful chin,
When Valentine was dubb'd a knight,
That he might glory win.
'A boon, a boon, my gracious liege,
I beg a boon of thee!
The first adventure that befalls
May be reserv'd for mee.'
'The first adventure shall be thine;'
The king did smiling say.
Nor many days, when low! there came
Three palmers cald in graye.
'Help, gracious lord,' they weeping say'd;
And knelt, as it was meet;
'From Artoys forest we be come,
With weak and wearye feet.
1121
'Within those deep and drearye woods
There wends a savage boy;
Whose fierce and mortal rage doth yield
Thy subjects dire annoy.
''Mong ruthless beares he sure was bred;
He lurks within their den;
With beares he lives; with beares he feeds,
And drinks the blood of men.
'To more than savage strength he joins
A more than human skill;
For arms, ne cunning may suffice
His cruel rage to still.'
Up then rose Sir Valentine
And claim'd that arduous deed.
'Go forth and conquer,' say'd the king,
'And great shall be thy meed.'
Well mounted on a milk-white steed,
His armour white as snow:
As well beseem'd a virgin knight,
Who ne'er had fought a foe.
To Artoys forest he repairs
With all the haste he may;
And soon he spies the savage youth
A rending of his prey.
His
His
His
His
unkempt hair all matted hung
shaggy shoulders round;
eager eye all fiery glow'd;
face with fury frown'd.
Like eagles' talons grew his nails;
His limbs were thick and strong;
And dreadful was the knotted oak
He bare with him along.
Soon as Sir Valentine approach'd,
He starts with sudden spring;
1122
And yelling forth a hideous howl,
He made the forests ring.
As when a tyger fierce and fell
Hath spied a passing roe,
And leaps at once upon his throat;
So sprung the savage foe;
So lightly leap'd with furious force
The gentle knight to seize,
But met his tall uplifted spear,
Which sunk him on his knees.
A second stroke so stiff and stern
Had laid the savage low;
But springing up, he rais'd his club
And aim'd a dreadful blow.
The watchful warrior bent his head,
And shun'd the coming stroke;
Upon his taper spear it fell,
And all to shivers broke.
Then lighting nimbly from his steed,
He drew his burnisht brand;
The savage quick as lightning flew
To wrest it from his hand.
Three
Three
Three
Three
times he grasp'd the silver hilt;
times he felt the blade;
times it fell with furious force;
ghastly wounds it made.
Now with redoubled rage he roar'd;
His eye-ball flash'd with fire;
Each hairy limb with fury shook;
And all his heart was ire.
Then closing fast with furious gripe
He clasp'd the champion round,
And with a strong and sudden twist
He laid him on the ground.
1123
But soon the knight, with active spring,
O'erturn'd his hairy foe;
And now between their sturdy fists
Past many a bruising blow.
They roll'd and grappled on the ground,
And there they struggled long:
Skilful and active was the knight;
The savage he was strong.
But brutal force and savage strength
To art and skill must yield:
Sir Valentine at legnth prevail'd,
And won the well-fought field.
Then binding strait his conquer'd foe
Fast with an iron chain,
He tyes him to his horse's tail,
And leads him o'er the plain.
To court his hairy captive soon
Sir Valentine doth bring;
And kneeling downe upon his knee,
Presents him to the king.
With loss of blood and loss of strength
The savage tamer grew;
And to Sir Valentine became
A servant, try'd and true.
And 'cause with beares he erst was bred,
Ursine they call his name;
A name which unto future times
The Muses shall proclaime.
Part the Second.
In high renown with prince and peere
Now liv'd Sir Valentine;
His high renown with prince and peere
Made envious hearts repine.
1124
It chanc'd the king upon a day
Prepar'd a sumptuous feast,
And there came lords and dainty dames,
And many a noble guest.
Amid their cups that freely flow'd,
Their revelry and mirth,
A youthful knight tax'd Valentine
Of base and doubtful birth.
The foul reproach, so grossly urg'd,
His generous heart did wound;
And strait he vow'd he ne'er would rest
Till he his parents found.
Then bidding king and peers adieu,
Early one summer's day,
With faithful Ursine by his side,
From court he took his way.
O'er hill and valley, moss and moor,
For many a day they pass;
At length, upon a moated lake,
They found a bridge of brass.
Beyond it rose a castle fair,
Y-built of marble-stone;
The battlements were gilt with gold,
And glittred in the sun.
Beneath the bridge, with strange device,
A hundred bells were hung;
That man, nor beast, might pass thereon
But strait their larum rung.
This quickly found the youthful pair,
Who boldly crossing o'er,
The jangling sound bedaft their ears,
And rung from shore to shore.
Quick at the sound the castle gates
1125
Unlock'd and opened wide,
And strait a gyant huge and grim
Stalk'd forth with stately pride.
'Now yield you, caytiffs, to my will;'
He cried with hideous roar;
'Or else the wolves shall eat your flesh,
And ravens drink your gore.'
'Vain boaster,' said the youthful knight,
'I scorn thy threats and thee;
I trust to force thy brazen gates,
And set thy captives free.'
Then putting spurs unto his steed,
He aim'd a dreadful thrust;
The spear against the gyant glanc'd
And caus'd the blood to burst.
Mad and outrageous with the pain,
He whirl'd his mace ofsteel;
The very wind of such a blow
Had made the champion reel.
It haply mist; and now the knight
His glittering sword display'd,
And riding round with whirlwind speed
Oft made him feel the blade.
As when a large and monstrous oak
Unceasing axes hew,
So fast around the gyant's limbs
The blows quick-darting flew.
As when the boughs with hideous fall
Some hapless woodman crush,
With such a force the enormous foe
Did on the champion rush.
A fearful blow, alas! there came;
Both horse and knight it took,
And laid them senseless in the dust;
1126
So fatal was the stroke.
Then smiling forth a hideous grin,
The gyant strides in haste,
And, stooping, aims a second stroke:
'Now caytiff breathe thy last!'
But ere it fell, two thundering blows
Upon his scull descend;
From Ursine's knotty club they came,
Who ran to save his friend.
Down sunk the gyant gaping wide,
And rolling his grim eyes;
The hairy youth repeats his blows;
He gasps, he groans, he dies.
Quickly Sir Valentine reviv'd
With Ursine's timely care;
And now to search the castle walls
The venturous youths repair.
The blood and bones of murder'd knights
They found where'er they came;
At length within a lonely cell
They saw a mournful dame.
Her gentle eyes were dim'd with tears;
Her cheeks were pale with woe;
And long Sir Valentine besought
Her doleful tale to know.
'Alas! young knight,' she weeping said,
'Condole my wretched fate;
A childless mother here you see;
A wife without a mate.
'These twenty winters here forlorn
I've drawn my hated breath;
Sole witness of a monster's crimes,
And wishing aye for death.
1127
'Know, I am sister of a king,
And in my early years
Was married to a mighty prince,
The fairest of his peers.
'With him I sweetly liv'd in love
A twelvemonth and a day;
When, lo! a foul and treacherous priest
Y-wrought our loves' decay.
'His seeming goodness wan him pow'r,
He had his master's ear,
And long to me and all the world
He did a saint appear.
'One day, when we were all alone,
He proffer'd odious love;
The wretch with horrour I repuls'd,
And from my presence drove.
'He feign'd remorse, and piteous beg'd
His crime I'd not reveal;
Which, for his seeming penitence
I promis'd to conceal.
'With treason, villainy, and wrong,
My goodness he repay'd;
With jealous doubts he fill'd my lord,
And me to woe betray'd;
'He hid a slave within my bed,
Then rais'd a bitter cry.
My lord, possest with rage, condemn'd
Me, all unheard, to dye.
'But, 'cause I then was great with child
At length my life he spar'd;
But bade me instant quit the realme,
One trusty knight my guard.
Forth on my journey I depart,
Opprest with grief and woe,
1128
And tow'rds my brother's distant court,
With breaking heart, I goe.
'Long time thro' sundry foreign lands
We slowly pace along;
At length, within a forest wild,
I fell in labour strong:
'And while the knight for succour sought,
And left me there forlorn,
My childbed pains so fast increast
Two lovely boys were born.
'The eldest fair and smooth, as snow
That tips the mountain hoar;
The younger's little body rough
With hairs was cover'd o'er.
'But here afresh begin my woes:
While tender care I took
To shield my eldest from the cold,
And wrap him in my cloak,
'A prowling bear burst from the wood,
And seiz'd my younger son;
Affection lent my weakness wings
And after them I run.
'But all forewearied, weak and spent,
I quickly swoon'd away;
And there beneath the greenwood shade
Long time I lifeless lay.
'At length the knight brought me relief,
And rais'd me from the ground;
But neither of my pretty babes
Could ever more be found.
'And, while in search we wander'd far,
We met that gyant grim,
Who ruthless slew my trusty knight,
And bare me off with him.
1129
'But charm'd by heav'n, or else my griefs,
He offer'd me no wrong;
Save that within these lonely walls
I've been immur'd so long.'
'Now, surely,' said the youthful knight,
'You are Lady Bellisance,
Wife to the Grecian Emperor;
Your brother's King of France.
'For in your royal brother's court
Myself my breeding had;
Where oft the story of your woes
Hath made my bosom sad.
'If so, know your accuser's dead,
And dying own'd his crime;
And long your lord hath sought you out
Thro' every foreign clime.
'And when no tidings he could learn
Of his much-wronged wife,
He vow'd thenceforth within his court
To lead a hermit's life.'
'Now heaven is kind!' the lady said;
And dropt a joyful tear:
'Shall I once more behold my lord?
That lord I love so dear?'
'But, madam,' said Sir Valentine,
And knelt upon his knee;
'Know you the cloak that wrapt your babe,
If you the same should see?'
And pulling forth the cloth of gold
In which himself was found,
The lady gave a sudden shriek,
And fainted on the ground.
But by his pious care reviv'd,
1130
His tale she heard anon;
And soon by other tokens found
He was indeed her son.
'But who's this hairy youth?' she said;
'He much resembles thee;
The bear devour'd my younger son,
Or sure that son were he.'
'Madam, this youth with bears was bred,
And rear'd within their den.
But recollect ye any mark
To know your son agen?'
'Upon this little side,' quoth she
'Was stampt a bloody rose.'
'Here, lady, see the crimson mark
Upon his body grows!'
Then clasping both her new-found sons
She bath'd their cheeks with tears;
And soon towards her brother's court
Her joyful course she steers.
What pen can paint King Pepin's joy,
His sister thus restor'd!
And soon a messenger was sent
To cheer her drooping lord,
Who came in haste with all his peers,
To fetch her home to Greece;
Where many happy years they reign'd
In perfect love and peace.
To them Sir Ursine did succeed,
And long the sceptre bare.
Sir Valentine he stay'd in France,
And was his uncle's heir.
~ Anonymous Olde English,
1165:Gilbert
I. THE GARDEN.
ABOVE the city hung the moon,
Right o'er a plot of ground
Where flowers and orchard-trees were fenced
With lofty walls around:
'Twas Gilbert's garden­there, to-night
Awhile he walked alone;
And, tired with sedentary toil,
Mused where the moonlight shone.
This garden, in a city-heart,
Lay still as houseless wild,
Though many-windowed mansion fronts
Were round it closely piled;
But thick their walls, and those within
Lived lives by noise unstirred;
Like wafting of an angel's wing,
Time's flight by them was heard.
Some soft piano-notes alone
Were sweet as faintly given,
Where ladies, doubtless, cheered the hearth
With song, that winter-even.
The city's many-mingled sounds
Rose like the hum of ocean;
They rather lulled the heart than roused
Its pulse to faster motion.
Gilbert has paced the single walk
An hour, yet is not weary;
And, though it be a winter night,
He feels nor cold nor dreary.
The prime of life is in his veins,
And sends his blood fast flowing,
And Fancy's fervour warms the thoughts
Now in his bosom glowing.
Those thoughts recur to early love,
19
Or what he love would name,
Though haply Gilbert's secret deeds
Might other title claim.
Such theme not oft his mind absorbs,
He to the world clings fast,
And too much for the present lives,
To linger o'er the past.
But now the evening's deep repose
Has glided to his soul;
That moonlight falls on Memory,
And shows her fading scroll.
One name appears in every line
The gentle rays shine o'er,
And still he smiles and still repeats
That one name­Elinor.
There is no sorrow in his smile,
No kindness in his tone;
The triumph of a selfish heart
Speaks coldly there alone;
He says: ' She loved me more than life;
And truly it was sweet
To see so fair a woman kneel,
In bondage, at my feet.
There was a sort of quiet bliss
To be so deeply loved,
To gaze on trembling eagerness
And sit myself unmoved.
And when it pleased my pride to grant,
At last some rare caress,
To feel the fever of that hand
My fingers deigned to press.
'Twas sweet to see her strive to hide
What every glance revealed;
Endowed, the while, with despot-might
Her destiny to wield.
I knew myself no perfect man,
Nor, as she deemed, divine;
I knew that I was glorious­but
20
By her reflected shine;
Her youth, her native energy,
Her powers new-born and fresh,
'Twas these with Godhead sanctified
My sensual frame of flesh.
Yet, like a god did I descend
At last, to meet her love;
And, like a god, I then withdrew
To my own heaven above.
And never more could she invoke
My presence to her sphere;
No prayer, no plaint, no cry of hers
Could win my awful ear.
I knew her blinded constancy
Would ne'er my deeds betray,
And, calm in conscience, whole in heart,
I went my tranquil way.
Yet, sometimes, I still feel a wish,
The fond and flattering pain
Of passion's anguish to create,
In her young breast again.
Bright was the lustre of her eyes,
When they caught fire from mine;
If I had power­this very hour,
Again I 'd light their shine.
But where she is, or how she lives,
I have no clue to know;
I 've heard she long my absence pined,
And left her home in woe.
But busied, then, in gathering gold,
As I am busied now,
I could not turn from such pursuit,
To weep a broken vow.
Nor could I give to fatal risk
The fame I ever prized;
Even now, I fear, that precious fame
Is too much compromised.'
21
An inward trouble dims his eye,
Some riddle he would solve;
Some method to unloose a knot,
His anxious thoughts revolve.
He, pensive, leans against a tree,
A leafy evergreen,
The boughs, the moonlight, intercept,
And hide him like a screen;
He starts­the tree shakes with his tremor,
Yet nothing near him pass'd,
He hurries up the garden alley,
In strangely sudden haste.
With shaking hand, he lifts the latchet,
Steps o'er the threshold stone;
The heavy door slips from his fingers,
It shuts, and he is gone.
What touched, transfixed, appalled, his soul ?
A nervous thought, no more;
'Twill sink like stone in placid pool,
And calm close smoothly o'er.
II. THE PARLOUR.
WARM is the parlour atmosphere,
Serene the lamp's soft light;
The vivid embers, red and clear,
Proclaim a frosty night.
Books, varied, on the table lie,
Three children o'er them bend,
And all, with curious, eager eye,
The turning leaf attend.
Picture and tale alternately
Their simple hearts delight,
And interest deep, and tempered glee,
Illume their aspects bright;
The parents, from their fireside place,
Behold that pleasant scene,
And joy is on the mother's face,
22
Pride, in the father's mien.
As Gilbert sees his blooming wife,
Beholds his children fair,
No thought has he of transient strife,
Or past, though piercing fear.
The voice of happy infancy
Lisps sweetly in his ear,
His wife, with pleased and peaceful eye,
Sits, kindly smiling, near.
The fire glows on her silken dress,
And shows its ample grace,
And warmly tints each hazel tress,
Curled soft around her face.
The beauty that in youth he wooed,
Is beauty still, unfaded,
The brow of ever placid mood
No churlish grief has shaded.
Prosperity, in Gilbert's home,
Abides, the guest of years;
There Want or Discord never come,
And seldom Toil or Tears.
The carpets bear the peaceful print
Of comfort's velvet tread,
And golden gleams from plenty sent,
In every nook are shed.
The very silken spaniel seems
Of quiet ease to tell,
As near its mistress' feet it dreams,
Sunk in a cushion's swell;
And smiles seem native to the eyes
Of those sweet children, three;
They have but looked on tranquil skies,
And know not misery.
Alas ! that misery should come
In such an hour as this;
Why could she not so calm a home
A little longer miss ?
23
But she is now within the door,
Her steps advancing glide;
Her sullen shade has crossed the floor,
She stands at Gilbert's side.
She lays her hand upon his heart,
It bounds with agony;
His fireside chair shakes with the start
That shook the garden tree.
His wife towards the children looks,
She does not mark his mien;
The children, bending o'er their books,
His terror have not seen.
In his own home, by his own hearth,
He sits in solitude,
And circled round with light and mirth,
Cold horror chills his blood.
His mind would hold with desperate clutch
The scene that round him lies;
No­changed, as by some wizard's touch,
The present prospect flies.
A tumult vague­a viewless strife
His futile struggles crush;
'Twixt him and his, an unknown life
And unknown feelings rush.
He sees­but scarce can language paint
The tissue Fancy weaves;
For words oft give but echo faint
Of thoughts the mind conceives.
Noise, tumult strange, and darkness dim,
Efface both light and quiet;
No shape is in those shadows grim,
No voice in that wild riot.
Sustained and strong, a wondrous blast
Above and round him blows;
A greenish gloom, dense overcast,
Each moment denser grows.
He nothing knows­nor clearly sees,
24
Resistance checks his breath,
The high, impetuous, ceaseless breeze
Blows on him. cold as death.
And still the undulating gloom
Mocks sight with formless motion;
Was such sensation Jonah's doom,
Gulphed in the depths of ocean ?
Streaking the air, the nameless vision,
Fast-driven, deep-sounding, flows;
Oh ! whence its source, and what its mission ?
How will its terrors close ?
Long-sweeping, rushing, vast and void,
The Universe it swallows;
And still the dark, devouring tide,
A Typhoon tempest follows.
More slow it rolls; its furious race
Sinks to a solemn gliding;
The stunning roar, the wind's wild chase,
To stillness are subsiding.
And, slowly borne along, a form
The shapeless chaos varies;
Poised in the eddy to the storm,
Before the eye it tarries.
A woman drowned­sunk in the deep,
On a long wave reclining;
The circling waters' crystal sweep,
Like glass, her shape enshrining;
Her pale dead face, to Gilbert turned,
Seems as in sleep reposing;
A feeble light, now first discerned,
The features well disclosing.
No effort from the haunted air
The ghastly scene could banish;
That hovering wave, arrested there,
Rolled­throbbed­but did not vanish.
If Gilbert upward turned his gaze,
He saw the ocean-shadow;
If he looked down, the endless seas
25
Lay green as summer meadow.
And straight before, the pale corpse lay,
Upborne by air or billow,
So near, he could have touched the spray
That churned around its pillow.
The hollow anguish of the face
Had moved a fiend to sorrow;
Not Death's fixed calm could rase the trace
Of suffering's deep-worn furrow.
All moved; a strong returning blast,
The mass of waters raising,
Bore wave and passive carcase past,
While Gilbert yet was gazing.
Deep in her isle-conceiving womb,
It seemed the Ocean thundered,
And soon, by realms of rushing gloom,
Were seer and phantom sundered.
Then swept some timbers from a wreck,
On following surges riding;
Then sea-weed, in the turbid rack
Uptorn, went slowly gliding.
The horrid shade, by slow degrees,
A beam of light defeated,
And then the roar of raving seas,
Fast, far, and faint, retreated.
And all was gone­gone like a mist,
Corse, billows, tempest, wreck;
Three children close to Gilbert prest
And clung around his neck.
Good night ! good night ! the prattlers said
And kissed their father's cheek;
'Twas now the hour their quiet bed
And placid rest to seek.
The mother with her offspring goes
To hear their evening prayer;
She nought of Gilbert's vision knows,
And nought of his despair.
26
Yet, pitying God, abridge the time
Of anguish, now his fate !
Though, haply, great has been his crime,
Thy mercy, too, is great.
Gilbert, at length, uplifts his head,
Bent for some moments low,
And there is neither grief nor dread
Upon his subtle brow.
For well can he his feelings task,
And well his looks command;
His features well his heart can mask,
With smiles and smoothness bland.
Gilbert has reasoned with his mind­
He says 'twas all a dream;
He strives his inward sight to blind
Against truth's inward beam.
He pitied not that shadowy thing,
When it was flesh and blood;
Nor now can pity's balmy spring
Refresh his arid mood.
' And if that dream has spoken truth,'
Thus musingly he says;
' If Elinor be dead, in sooth,
Such chance the shock repays:
A net was woven round my feet,
I scarce could further go,
Are Shame had forced a fast retreat,
Dishonour brought me low. '
' Conceal her, then, deep, silent Sea,
Give her a secret grave !
She sleeps in peace, and I am free,
No longer Terror's slave:
And homage still, from all the world,
Shall greet my spotless name,
Since surges break and waves are curled
Above its threatened shame.'
27
III. THE WELCOME HOME
ABOVE the city hangs the moon,
Some clouds are boding rain,
Gilbert, erewhile on journey gone,
To-night comes home again.
Ten years have passed above his head,
Each year has brought him gain;
His prosperous life has smoothly sped,
Without or tear or stain.
'Tis somewhat late­the city clocks
Twelve deep vibrations toll,
As Gilbert at the portal knocks,
Which is his journey's goal.
The street is still and desolate,
The moon hid by a cloud;
Gilbert, impatient, will not wait,­
His second knock peals loud.
The clocks are hushed; there's not a light
In any window nigh,
And not a single planet bright
Looks from the clouded sky;
The air is raw, the rain descends,
A bitter north-wind blows;
His cloak the traveller scarce defends­
Will not the door unclose ?
He knocks the third time, and the last;
His summons now they hear,
Within, a footstep, hurrying fast,
Is heard approaching near.
The bolt is drawn, the clanking chain
Falls to the floor of stone;
And Gilbert to his heart will strain
His wife and children soon.
The hand that lifts the latchet, holds
A candle to his sight,
And Gilbert, on the step, beholds
A woman, clad in white.
28
Lo ! water from her dripping dress
Runs on the streaming floor;
From every dark and clinging tress,
The drops incessant pour.
There's none but her to welcome him;
She holds the candle high,
And, motionless in form and limb,
Stands cold and silent nigh;
There's sand and sea-weed on her robe,
Her hollow eyes are blind;
No pulse in such a frame can throb,
No life is there defined.
Gilbert turned ashy-white, but still
His lips vouchsafed no cry;
He spurred his strength and master-will
To pass the figure by,­
But, moving slow, it faced him straight,
It would not flinch nor quail:
Then first did Gilbert's strength abate,
His stony firmness quail.
He sank upon his knees and prayed;
The shape stood rigid there;
He called aloud for human aid,
No human aid was near.
An accent strange did thus repeat
Heaven's stern but just decree:
' The measure thou to her didst mete,
To thee shall measured be !'
Gilbert sprang from his bended knees,
By the pale spectre pushed,
And, wild as one whom demons seize,
Up the hall-staircase rushed;
Entered his chamber­near the bed
Sheathed steel and fire-arms hung­
Impelled by maniac purpose dread,
He chose those stores among.
Across his throat, a keen-edged knife
29
With vigorous hand he drew;
The wound was wide­his outraged life
Rushed rash and redly through.
And thus died, by a shameful death,
A wise and worldly man,
Who never drew but selfish breath
Since first his life began.
~ Charlotte Brontë,
1166:Prince Dorus
In days of yore, as Ancient Stories tell,
A King in love with a great Princess fell.
Long at her feet submiss the Monarch sigh'd,
While she with stern repulse his suit denied.
Yet was he form'd by birth to please the fair,
Dress'd, danc'd, and courted, with a Monarch's air;
But Magic Spells her frozen breast had steel'd
With stubborn pride, that knew not how to yield.
This to the King a courteous Fairy told,
And bade the Monarch in his suit be bold;
For he that would the charming Princess wed,
Had only on her cat's black tail to tread,
When straight the Spell would vanish into air,
And he enjoy for life the yielding fair.
He thank'd the Fairy for her kind advice.Thought he, 'If this be all, I'll not be nice;
Rather than in my courtship I will fail,
I will to mince-meat tread Minon's black tail.'
To the Princess's court repairing strait,
He sought the cat that must decide his fate;
But when he found her, how the creature stared!
How her back bristled, and her great eyes glared!
That tail, which he so fondly hop'd his prize,
Was swell'd by wrath to twice its usual size;
And all her cattish gestures plainly spoke,
She thought the affair he came upon, no joke.
With wary step the cautious King draws near,
And slyly means to attack her in her rear;
But when he thinks upon her tail to pounce,
Whisk-off she skips-three yards upon a bounceAgain he tries, again his efforts fail-
96
Minon's a witch-the deuce is in her tail.-
The anxious chase for weeks the Monarch tried,
Till courage fail'd, and hope within him died.
A desperate suit 'twas useless to prefer,
Or hope to catch a tail of quicksilver.When on a day, beyond his hopes, he found
Minon, his foe, asleep upon the ground;
Her ample tail hehind her lay outspread,
Full to the eye, and tempting to the tread.
The King with rapture the occasion bless'd,
And with quick foot the fatal part he press'd.
Loud squalls were heard, like howlings of a storm,
And sad he gazed on Minon's altered form,No more a cat, but chang'd into a man
Of giant size, who frown'd, and thus began:
'Rash King, that dared with impious design
To violate that tail, that once was mine;
What tho' the spell be broke, and burst the charms,
That kept the Princess from thy longing arms,Not unrevenged shalt thou my fury dare,
For by that violated tail I swear,
From your unhappy nuptials shall be born
A Prince, whose Nose shall be thy subjects' scorn.
Bless'd in his love thy son shall never be,
Till he his foul deformity shall see,
Till he with tears his blemish shall confess,
Discern its odious length, and wish it less!'
This said, he vanish'd; and the King awhile
Mused at his words, then answer'd with a smile,
'Give me a child in happy wedlock born,
And let his Nose be made like a French horn;
His knowledge of the fact I ne'er can doubt,If he have eyes, or hands, he'll find it out.'
So spake the King, self-flatter'd in his thought,
97
Then with impatient step the Princess sought;
His urgent suit no longer she withstands,
But links with him in Hymen's knot her hands.
Almost as soon a widow as a bride,
Within a year the King her husband died;
And shortly after he was dead and gone
She was deliver'd of a little son,
The prettiest babe, with lips as red as rose,
And eyes like little stars-but such a noseThe tender Mother fondly took the boy
Into her arms, and would have kiss'd her joy;
His luckless nose forbade the fond embraceHe thrust the hideous feature in her face.
Then all her Maids of Honour tried in turn,
And for a Prince's kiss in envy burn;
By sad experience taught, their hopes they miss'd,
And mourn'd a Prince that never could be kiss'd.
In silent tears the Queen confess'd her grief,
Till kindest Flattery came to her relief.
Her maids, as each one takes him in her arms,
Expatiate freely o'er his world of charmsHis eyes, lips, mouth-his forehead was divineAnd for the nose-they call'd it AquilineDeclared that Cæsar, who the world subdued,
Had such a one-just of that longitudeThat Kings like him compell'd folks to adore them,
And drove the short-nos'd sons of men before themThat length of nose portended length of days,
And was a great advantage many waysTo mourn the gifts of Providence was wrongBesides, the Nose was not so very long.-
These arguments in part her grief redrest,
A mother's partial fondness did the rest;
And Time, that all things reconciles by use,
Did in her notions such a change produce,
That, as she views her babe, with favour blind,
98
She thinks him handsomest of human kind.
Meantime, in spite of his disfigured face,
Dorus (for so he's call'd) grew up a pace;
In fair proportion all his features rose,
Save that most prominent of all-his Nose.
That Nose, which in the infant could annoy,
Was grown a perfect nuisance in the boy.
Whene'er he walk'd, his Handle went before,
Long as the snout of Ferret, or Wild Boar;
Or like the Staff, with which on holy day
The solemn Parish Beadle clears the way.
But from their cradle to their latest year,
How seldom Truth can reach a Prince's ear!
To keep the unwelcome knowledge out of view,
His lesson well each flattering Courtier knew;
The hoary Tutor, and the wily Page,
Unmeet confederates! dupe his tender age.
They taught him that whate'er vain mortals boastStrength, Courage, Wisdom-all they value mostWhate'er on human life distinction throwsWas all comprized-in what?-a length of nose!
Ev'n Virtue's self (by some suppos'd chief merit)
In short-nosed folks was only want of spirit.
While doctrines such as these his guides instill'd,
His Palace was with long-nosed people fill'd;
At Court whoever ventured to appear
With a short nose, was treated with a sneer.
Each courtier's wife, that with a babe is blest,
Moulds its young nose betimes; and does her best,
By pulls, and hauls, and twists, and lugs, and pinches,
To stretch it to the standard of the Prince's.
Dup'd by these arts, Dorus to manhood rose,
Nor dream'd of ought more comely than his Nose;
Till Love, whose power ev'n Princes have confest,
99
Claim'd the soft empire o'er his youthful breast.
Fair Claribel was she who caus'd his care;
A neighb'ring Monarch's daughter, and sole heir.
For beauteous Claribel his bosom burn'd;
The beauteous Claribel his flame return'd;
Deign'd with kind words his passion to approve,
Met his soft vows, and yielded love for love.
If in her mind some female pangs arose
At sight (and who can blame her?) of his Nose,
Affection made her willing to be blind;
She loved him for the beauties of his mind;
And in his lustre, and his royal race,
Contented sunk-one feature of his face.
Blooming to sight, and lovely to behold,
Herself was cast in Beauty's richest mould;
Sweet female majesty her person deck'dHer face an angel's-save for one defectWise Nature, who to Dorus over kind,
A length of nose too liberal had assign'd,
As if with us poor mortals to make sport,
Had given to Claribel a nose too short:
But turn'd up with a sort of modest grace;
It took not much of beauty from her face;
And subtle Courtiers, who their Prince's mind
Still watch'd, and turn'd about with every wind,
Assur'd the Prince, that though man's beauty owes
Its charms to a majestic length of nose,
The excellence of Woman (softer creature)
Consisted in the shortness of that feature.
Few arguments were wanted to convince
The already more than half persuaded Prince;
Truths, which we hate, with slowness we receive,
But what we wish to credit, soon believe.
The Princess's affections being gain'd,
What but her Sire's approval now remain'd?
Ambassadors with solemn pomp are sent
To win the aged Monarch to consent
(Seeing their States already were allied)
100
That Dorus might have Claribel to bride.
Her Royal Sire, who wisely understood
The match propos'd was for both kingdoms' good,
Gave his consent; and gentle Claribel
With weeping bids her father's court farewell.
With gallant pomp, and numerous array,
Dorus went forth to meet her on her way;
But when the Princely pair of lovers met,
Their hearts on mutual gratulations set,
Sudden the Enchanter from the ground arose,
(The same who prophesied the Prince's nose)
And with rude grasp, unconscious of her charms,
Snatch'd up the lovely Princess in his arms,
Then bore her out of reach of human eyes,
Up in the pathless regions of the skies.
Bereft of her that was his only care,
Dorus resign'd his soul to wild despair;
Resolv'd to leave the land that gave him birth,
And seek fair Claribel throughout the earth.
Mounting his horse, he gives the beast the reins,
And wanders lonely through the desert plains;
With fearless heart the savage heath explores,
Where the wolf prowls, and where the tiger roars,
Nor wolf, nor tiger, dare his way oppose;
The wildest creatures see, and shun, his Nose.
Ev'n lions fear! the elephant alone
Surveys with pride a trunk so like his own.
At length he to a shady forest came,
Where in a cavern lived an aged dame;
A reverend Fairy, on whose silver head
A hundred years their downy snows had shed.
Here ent'ring in, the Mistress of the place
Bespoke him welcome with a cheerful grace;
Fetch'd forth her dainties, spread her social board
With all the store her dwelling could afford.
The Prince, with toil and hunger sore opprest,
101
Gladly accepts, and deigns to be her guest.
But when the first civilities were paid,
The dishes rang'd, and Grace in order said;
The Fairy, who had leisure now to view
Her guest more closely, from her pocket drew
Her spectacles, and wip'd them from the dust,
Then on her nose endeavour'd to adjust;
With difficulty she could find a place
To hang them on in her unshapely face;
For, if the Princess's was somewhat small,
This Fairy scarce had any nose at all.
But when by help of spectacles the Crone
Discern'd a Nose so different from her own,
What peals of laughter shook her aged sides!
While with sharp jests the Prince she thus derides.
FAIRY.
'Welcome, great Prince of Noses, to my cell;
'Tis a poor place,-but thus we Fairies dwell.
Pray, let me ask you, if from far you comeAnd don't you sometimes find it cumbersome?'
PRINCE.
'Find what?'
FAIRY.
'Your Nose-'
PRINCE.
'My Nose, Ma'am!'
FAIRY.
'No offenceThe King your Father was a man of sense,
A handsome man (but lived not to be old)
And had a Nose cast in the common mould.
Ev'n I myself, that now with age am grey,
102
Was thought to have some beauty in my day,
And am the Daughter of a King.-Your Sire
In this poor face saw something to admireAnd I to shew my gratitude made shiftHave stood his friend-and help'd him at a lift'Twas I that, when his hopes began to fail,
Shew'd him the spell that lurk'd in Minon's tailPerhaps you have heard-but come, Sir, you don't eatThat Nose of yours requires both wine and meatFall to, and welcome, without more adoYou see your fare-what shall I help you to?
This dish the tongues of nightingales contains;
This, eyes of peacocks; and that, linnets' brains;
That next you is a Bird of ParadiseWe Fairies in our food are somewhat nice.And pray, Sir, while your hunger is supplied,
Do lean your Nose a little on one side;
The shadow, which it casts upon the meat,
Darkens my plate, I see not what I eat-'
The Prince, on dainty after dainty feeding,
Felt inly shock'd at the old Fairy's breeding,
But held it want of manners in the Dame,
And did her country education blame.
One thing he only wonder'd at,-what she
So very comic in his Nose could see.
Hers, it must be confest, was somewhat short,
And time and shrinking age accounted for't;
But for his own, thank heaven, he could not tell
That it was ever thought remarkable;
A decent nose, of reasonable size,
And handsome thought, rather than otherwise.
But that which most of all his wonder paid,
Was to observe the Fairy's waiting Maid;
How at each word the aged Dame let fall;
She curtsied low, and smil'd assent to all;
But chiefly when the rev'rend Grannam told
Of conquests, which her beauty made of old.He smiled to see how Flattery sway'd the Dame,
Nor knew himself was open to the same!
He finds her raillery now increase so fast,
103
That making hasty end of his repast,
Glad to escape her tongue, he bids farewell
To the old Fairy, and her friendly cell.
But his kind Hostess, who had vainly tried
The force of ridicule to cure his pride,
Fertile in plans, a surer method chose,
To make him see the error of his Nose;
For, till he view'd that feature with remorse,
The Enchanter's direful spell must be in force.
Midway the road by which the Prince must pass,
She rais'd by magic art a House of Glass;
No mason's hand appear'd, nor work of wood;
Compact of glass the wondrous fabric stood.
Its stately pillars, glittering in the sun,
Conspicuous from afar, like silver, shone.
Here, snatch'd and rescued from th' Enchanter's might,
She placed the beauteous Claribel in sight.
The admiring Prince the chrystal dome survey'd,
And sought access unto his lovely Maid:
But, strange to tell, in all that mansion's bound,
Nor door, nor casement, was there to be found.
Enrag'd he took up massy stones, and flung
With such a force, that all the palace rung;
But made no more impression on the glass,
Than if the solid structure had been brass.
To comfort his despair, the lovely maid
Her snowy hand against her window laid;
But when with eager haste he thought to kiss,
His Nose stood out, and robb'd him of the bliss.
Thrice he essay'd th' impracticable feat;
The window and his lips can never meet.
The painful Truth, which Flattery long conceal'd,
Rush'd on his mind, and 'O!' he cried, 'I yield;
Wisest of Fairies, thou wert right, I wrong-
104
I own, I own, I have a Nose too long.'
The frank confession was no sooner spoke,
But into shivers all the palace broke.
His Nose of monstrous length, to his surprise
Shrunk to the limits of a common size:
And Claribel with joy her Lover view'd,
Now grown as beautiful as he was good.
The aged Fairy in their presence stands,
Confirms their mutual vows, and joins their hands.
The Prince with rapture hails the happy hour,
That rescued him from self-delusion's power;
And trains of blessings crown the future life
Of Dorus, and of Claribel, his wife.
THE END
~ Charles Lamb,
1167:Jenny
Lazy laughing languid Jenny,
Fond of a kiss and fond of a guinea,
Whose head upon my knee to-night
Rests for a while, as if grown light
With all our dances and the sound
To which the wild tunes spun you round:
Fair Jenny mine, the thoughtless queen
Of kisses which the blush between
Could hardly make much daintier;
Whose eyes are as blue skies, whose hair
Is countless gold incomparable:
Fresh flower, scarce touched with signs that tell
Of Love's exuberant hotbed:—Nay,
Poor flower left torn since yesterday
Until to-morrow leave you bare;
Poor handful of bright spring-water
Flung in the whirlpool's shrieking face;
Poor shameful Jenny, full of grace
Thus with your head upon my knee;—
Whose person or whose purse may be
The lodestar of your reverie?
This room of yours, my Jenny, looks
A change from mine so full of books,
Whose serried ranks hold fast, forsooth,
So many captive hours of youth,—
The hours they thieve from day and night
To make one's cherished work come right,
And leave it wrong for all their theft,
Even as to-night my work was left:
Until I vowed that since my brain
And eyes of dancing seemed so fain,
My feet should have some dancing too:—
And thus it was I met with you.
Well, I suppose 'twas hard to part,
For here I am. And now, sweetheart,
You seem too tired to get to bed.
It was a careless life I led
When rooms like this were scarce so strange
Not long ago. What breeds the change,—
133
The many aims or the few years?
Because to-night it all appears
Something I do not know again.
The cloud's not danced out of my brain—
The cloud that made it turn and swim
While hour by hour the books grew dim.
Why, Jenny, as I watch you there,—
For all your wealth of loosened hair,
Your silk ungirdled and unlac'd
And warm sweets open to the waist,
All golden in the lamplight's gleam,—
You know not what a book you seem,
Half-read by lightning in a dream!
How should you know, my Jenny? Nay,
And I should be ashamed to say:—
Poor beauty, so well worth a kiss!
But while my thought runs on like this
With wasteful whims more than enough,
I wonder what you're thinking of.
If of myself you think at all,
What is the thought?—conjectural
On sorry matters best unsolved?—
Or inly is each grace revolved
To fit me with a lure?—or (sad
To think!) perhaps you're merely glad
That I'm not drunk or ruffianly
And let you rest upon my knee.
For sometimes, were the truth confess'd,
You're thankful for a little rest,—
Glad from the crush to rest within,
From the heart-sickness and the din
Where envy's voice at virtue's pitch
Mocks you because your gown is rich;
And from the pale girl's dumb rebuke,
Whose ill-clad grace and toil-worn look
Proclaim the strength that keeps her weak,
And other nights than yours bespeak;
And from the wise unchildish elf,
To schoolmate lesser than himself
Pointing you out, what thing you are:—
Yes, from the daily jeer and jar,
From shame and shame's outbraving too,
134
Is rest not sometimes sweet to you?—
But most from the hatefulness of man,
Who spares not to end what he began,
Whose acts are ill and his speech ill,
Who, having used you at his will,
Thrusts you aside, as when I dine
I serve the dishes and the wine.
Well, handsome Jenny mine, sit up:
I've filled our glasses, let us sup,
And do not let me think of you,
Lest shame of yours suffice for two.
What, still so tired? Well, well then, keep
Your head there, so you do not sleep;
But that the weariness may pass
And leave you merry, take this glass.
Ah! lazy lily hand, more bless'd
If ne'er in rings it had been dress'd
Nor ever by a glove conceal'd!
Behold the lilies of the field,
They toil not neither do they spin;
(So doth the ancient text begin,—
Not of such rest as one of these
Can share.) Another rest and ease
Along each summer-sated path
From its new lord the garden hath,
Than that whose spring in blessings ran
Which praised the bounteous husbandman,
Ere yet, in days of hankering breath,
The lilies sickened unto death.
What, Jenny, are your lilies dead?
Aye, and the snow-white leaves are spread
Like winter on the garden-bed.
But you had roses left in May,—
They were not gone too. Jenny, nay,
But must your roses die, and those
Their purfled buds that should unclose?
Even so; the leaves are curled apart,
Still red as from the broken heart,
And here's the naked stem of thorns.
Nay, nay, mere words. Here nothing warns
As yet of winter. Sickness here
Or want alone could waken fear,—
135
Nothing but passion wrings a tear.
Except when there may rise unsought
Haply at times a passing thought
Of the old days which seem to be
Much older than any history
That is written in any book;
When she would lie in fields and look
Along the ground through the blown grass
And wonder where the city was,
Far out of sight, whose broil and bale
They told her then for a child's tale.
Jenny, you know the city now.
A child can tell the tale there, how
Some things which are not yet enroll'd
In market-lists are bought and sold
Even till the early Sunday light,
When Saturday night is market-night
Everywhere, be it dry or wet,
And market-night in the Haymarket.
Our learned London children know,
Poor Jenny, all your pride and woe;
Have seen your lifted silken skirt
Advertise dainties through the dirt;
Have seen your coach-wheels splash rebuke
On virtue; and have learned your look
When, wealth and health slipped past, you stare
Along the streets alone, and there,
Round the long park, across the bridge,
The cold lamps at the pavement's edge
Wind on together and apart,
A fiery serpent for your heart.
Let the thoughts pass, an empty cloud!
Suppose I were to think aloud,—
What if to her all this were said?
Why, as a volume seldom read
Being opened halfway shuts again,
So might the pages of her brain
Be parted at such words, and thence
Close back upon the dusty sense.
For is there hue or shape defin'd
In Jenny's desecrated mind,
Where all contagious currents meet,
136
A Lethe of the middle street?
Nay, it reflects not any face,
Nor sound is in its sluggish pace,
But as they coil those eddies clot,
And night and day remember not.
Why, Jenny, you're asleep at last!—
Asleep, poor Jenny, hard and fast,—
So young and soft and tired; so fair,
With chin thus nestled in your hair,
Mouth quiet, eyelids almost blue
As if some sky of dreams shone through!
Just as another woman sleeps!
Enough to throw one's thoughts in heaps
Of doubt and horror,—what to say
Or think,—this awful secret sway,
The potter's power over the clay!
Of the same lump (it has been said)
For honour and dishonour made,
Two sister vessels. Here is one.
My cousin Nell is fond of fun,
And fond of dress, and change, and praise,
So mere a woman in her ways:
And if her sweet eyes rich in youth
Are like her lips that tell the truth,
My cousin Nell is fond of love.
And she's the girl I'm proudest of.
Who does not prize her, guard her well?
The love of change, in cousin Nell,
Shall find the best and hold it dear:
The unconquered mirth turn quieter
Not through her own, through others' woe:
The conscious pride of beauty glow
Beside another's pride in her,
One little part of all they share.
For Love himself shall ripen these
In a kind soil to just increase
Through years of fertilizing peace.
Of the same lump (as it is said)
For honour and dishonour made,
Two sister vessels. Here is one.
It makes a goblin of the sun.
So pure,—so fall'n! How dare to think
137
Of the first common kindred link?
Yet, Jenny, till the world shall burn
It seems that all things take their turn;
And who shall say but this fair tree
May need, in changes that may be,
Your children's children's charity?
Scorned then, no doubt, as you are scorn'd!
Shall no man hold his pride forewarn'd
Till in the end, the Day of Days,
At Judgment, one of his own race,
As frail and lost as you, shall rise,—
His daughter, with his mother's eyes?
How Jenny's clock ticks on the shelf!
Might not the dial scorn itself
That has such hours to register?
Yet as to me, even so to her
Are golden sun and silver moon,
In daily largesse of earth's boon,
Counted for life-coins to one tune.
And if, as blindfold fates are toss'd,
Through some one man this life be lost,
Shall soul not somehow pay for soul?
Fair shines the gilded aureole
In which our highest painters place
Some living woman's simple face.
And the stilled features thus descried
As Jenny's long throat droops aside,—
The shadows where the cheeks are thin,
And pure wide curve from ear to chin,—
With Raffael's, Leonardo's hand
To show them to men's souls, might stand,
Whole ages long, the whole world through,
For preachings of what God can do.
What has man done here? How atone,
Great God, for this which man has done?
And for the body and soul which by
Man's pitiless doom must now comply
With lifelong hell, what lullaby
Of sweet forgetful second birth
Remains? All dark. No sign on earth
What measure of God's rest endows
The many mansions of his house.
138
If but a woman's heart might see
Such erring heart unerringly
For once! But that can never be.
Like a rose shut in a book
In which pure women may not look,
For its base pages claim control
To crush the flower within the soul;
Where through each dead rose-leaf that clings,
Pale as transparent Psyche-wings,
To the vile text, are traced such things
As might make lady's cheek indeed
More than a living rose to read;
So nought save foolish foulness may
Watch with hard eyes the sure decay;
And so the life-blood of this rose,
Puddled with shameful knowledge, flows
Through leaves no chaste hand may unclose:
Yet still it keeps such faded show
Of when 'twas gathered long ago,
That the crushed petals' lovely grain,
The sweetness of the sanguine stain,
Seen of a woman's eyes, must make
Her pitiful heart, so prone to ache,
Love roses better for its sake:—
Only that this can never be:—
Even so unto her sex is she.
Yet, Jenny, looking long at you,
The woman almost fades from view.
A cipher of man's changeless sum
Of lust, past, present, and to come,
Is left. A riddle that one shrinks
To challenge from the scornful sphinx.
Like a toad within a stone
Seated while Time crumbles on;
Which sits there since the earth was curs'd
For Man's transgression at the first;
Which, living through all centuries,
Not once has seen the sun arise;
Whose life, to its cold circle charmed,
The earth's whole summers have not warmed;
Which always—whitherso the stone
Be flung—sits there, deaf, blind, alone;—
139
Aye, and shall not be driven out
Till that which shuts him round about
Break at the very Master's stroke,
And the dust thereof vanish as smoke,
And the seed of Man vanish as dust:—
Even so within this world is Lust.
Come, come, what use in thoughts like this?
Poor little Jenny, good to kiss,—
You'd not believe by what strange roads
Thought travels, when your beauty goads
A man to-night to think of toads!
Jenny, wake up…. Why, there's the dawn!
And there's an early waggon drawn
To market, and some sheep that jog
Bleating before a barking dog;
And the old streets come peering through
Another night that London knew;
And all as ghostlike as the lamps.
So on the wings of day decamps
My last night's frolic. Glooms begin
To shiver off as lights creep in
Past the gauze curtains half drawn-to,
And the lamp's doubled shade grows blue,—
Your lamp, my Jenny, kept alight,
Like a wise virgin's, all one night!
And in the alcove coolly spread
Glimmers with dawn your empty bed;
And yonder your fair face I see
Reflected lying on my knee,
Where teems with first foreshadowings
Your pier-glass scrawled with diamond rings:
And on your bosom all night worn
Yesterday's rose now droops forlorn,
But dies not yet this summer morn.
And now without, as if some word
Had called upon them that they heard,
The London sparrows far and nigh
Clamour together suddenly;
And Jenny's cage-bird grown awake
Here in their song his part must take,
Because here too the day doth break.
And somehow in myself the dawn
140
Among stirred clouds and veils withdrawn
Strikes greyly on her. Let her sleep.
But will it wake her if I heap
These cushions thus beneath her head
Where my knee was? No,—there's your bed,
My Jenny, while you dream. And there
I lay among your golden hair,
Perhaps the subject of your dreams,
These golden coins.
For still one deems
That Jenny's flattering sleep confers
New magic on the magic purse,—
Grim web, how clogged with shrivelled flies!
Between the threads fine fumes arise
And shape their pictures in the brain.
There roll no streets in glare and rain,
Nor flagrant man-swine whets his tusk;
But delicately sighs in musk
The homage of the dim boudoir;
Or like a palpitating star
Thrilled into song, the opera-night
Breathes faint in the quick pulse of light;
Or at the carriage-window shine
Rich wares for choice; or, free to dine,
Whirls through its hour of health (divine
For her) the concourse of the Park.
And though in the discounted dark
Her functions there and here are one,
Beneath the lamps and in the sun
There reigns at least the acknowledged belle
Apparelled beyond parallel.
Ah Jenny, yes, we know your dreams.
For even the Paphian Venus seems
A goddess o'er the realms of love,
When silver-shrined in shadowy grove:
Aye, or let offerings nicely plac'd
But hide Priapus to the waist,
And whoso looks on him shall see
An eligible deity.
Why, Jenny, waking here alone
May help you to remember one,
Though all the memory's long outworn
141
Of many a double-pillowed morn.
I think I see you when you wake,
And rub your eyes for me, and shake
My gold, in rising, from your hair,
A Danaë for a moment there.
Jenny, my love rang true! for still
Love at first sight is vague, until
That tinkling makes him audible.
And must I mock you to the last,
Ashamed of my own shame,—aghast
Because some thoughts not born amiss
Rose at a poor fair face like this?
Well, of such thoughts so much I know:
In my life, as in hers, they show,
By a far gleam which I may near,
A dark path I can strive to clear.
Only one kiss. Good-bye, my dear.
~ Dante Gabriel Rossetti,
1168:A Poem Upon The Death Of O.C.
That Providence which had so long the care
Of Cromwell's head, and numbred ev'ry hair,
Now in its self (the Glass where all appears)
Had seen the period of his golden Years:
And thenceforth onely did attend to trace,
What death might least so sair a Life deface.
The People, which what most they fear esteem,
Death when more horrid so more noble deem;
And blame the last Act, like Spectators vain,
Unless the Prince whom they applaud be slain.
Nor Fate indeed can well refuse that right
To those that liv'd in War, to dye in Fight.
But long his Valour none had left that could
Indanger him, or Clemency that would.
And he whom Nature all for Peace had made,
But angry Heaven unto War had sway'd,
And so less useful where he most desir'd,
For what he least affected was admir'd,
Deserved yet an End whose ev'ry part
Should speak the wondrous softness of his Heart.
To Love and Grief the fatal Writ was sign'd;
(Those nobler weaknesses of humane Mind,
From which those Powers that issu'd the Decree,
Although immortal, found they were not free.)
That they, to whom his Breast still open lyes,
In gentle Passions should his Death disguise:
And leave succeeding Ages cause to mourn,
As long as Grief shall weep, or Love shall burn.
Streight does a slow and languishing Disease
Eliza, Natures and his darling, seize.
Her when an infant, taken with her Charms,
He oft would flourish in his mighty Arms;
And, lest their force the tender burthen wrong,
Slacken the vigour of his Muscles strong;
Then to the Mothers brest her softly move,
Which while she drain'd of Milk she fill'd with Love:
But as with riper Years her Virtue grew,
And ev'ry minute adds a Lustre new;
When with meridian height her Beauty shin'd,
15
And thorough that sparkled her fairer Mind;
When She with Smiles serene and Words discreet
His hidden Soul at ev'ry turn could meet;
Then might y' ha' daily his Affection spy'd,
Doubling that knot which Destiny had ty'd:
While they by sence, not knowing, comprehend
How on each other both their Fates depend.
With her each day the pleasing Hours he shares,
And at her Aspect calms her growing Cares;
Or with a Grandsire's joy her Children sees
Hanging about her neck or at his knees.
Hold fast dear Infants, hold them both or none;
This will not stay when once the other's gone.
A silent fire now wasts those Limbs of Wax,
And him with his tortur'd Image racks.
So the Flowr with'ring which the Garden crown'd,
The sad Root pines in secret under ground.
Each Groan he doubled and each Sigh he sigh'd,
Repeated over to the restless Night.
No trembling String compos'd to numbers new,
Answers the touch in Notes more sad more true.
She lest He grieve hides what She can her pains,
And He to lessen hers his Sorrow feigns:
Yet both perceiv'd, yet both conceal'd their Skills,
And so diminishing increast their ills:
That whether by each others grief they fell,
Or on their own redoubled, none can tell.
And now Eliza's purple Locks were shorn,
Where she so long her Fathers fate had worn:
And frequent lightning to her Soul that flyes,
Devides the Air, and opens all the Skyes:
And now his Life, suspended by her breath,
Ran out impetuously to hasting Death.
Like polish'd Mirrours, so his steely Brest
Had ev'ry figure of her woes exprest;
And with the damp of her last Gasps obscur'd,
Had drawn such staines as were not to be cur'd.
Fate could not either reach with single stroke,
But the dear Image fled the Mirrour broke.
Who now shall tell us more of mournful Swans,
Of Halcyons kind, or bleeding Pelicans?
No downy breast did ere so gently beat,
16
Or fan with airy plumes so soft an heat.
For he no duty by his height excus'd,
Nor though a Prince to be a Man refus'd:
But rather then in his Eliza's pain
Not love, not grieve, would neither live nor reign.
And in himself so oft immortal try'd,
Yet in compassion of another dy'd.
So have I seen a Vine, whose lasting Age
Of many a Winter hath surviv'd the rage.
Under whose shady tent Men ev'ry year
At its rich bloods expence their Sorrows chear,
If some dear branch where it extends its life
Chance to be prun'd by an untimely knife,
The Parent-Tree unto the Grief succeeds,
And through the Wound its vital humour bleeds;
Trickling in watry drops, whose flowing shape
Weeps that it falls ere fix'd into a Grape.
So the dry Stock, no more that spreading Vine,
Frustrates the Autumn and the hopes of Wine.
A secret Cause does sure those Signs ordain
Fore boding Princes falls, and seldom vain.
Whether some Kinder Pow'rs, that wish us well,
What they above cannot prevent, foretell;
Or the great World do by consent presage,
As hollow Seas with future Tempests rage:
Or rather Heav'n, which us so long fore sees,
Their fun'rals celebrate while it decrees.
But never yet was any humane Fate
By nature solemniz'd with so much state.
He unconcern'd the dreadful passage crost;
But oh what pangs that Death did Nature cost!
First the great Thunder was shot off, and sent
The Signal from the starry Battlement.
The Winds receive it, and its force out-do,
As practising how they could thunder too:
Out of the Binders Hand the Sheaves they tore,
And thrash'd the Harvest in the airy floore;
Or of huge Trees, whose growth with his did rise,
The deep foundations open'd to the Skyes.
Then heavy Showres the winged Tempests dead,
And pour the Deluge ore the Chaos head.
The Race of warlike Horses at his Tomb
17
Offer themselves in many an Hecatomb;
With pensive head towards the ground they fall,
And helpless languish at the tainted Stall.
Numbers of Men decrease with pains unknown,
And hasten not to see his Death their own.
Such Tortures all the Elements unfix'd,
Troubled to part where so exactly mix'd.
And as through Air his wasting Spirits flow'd,
The Universe labour'd beneath their load.
Nature it seem'd with him would Nature vye;
He with Eliza, It with him would dye.
He without noise still travell'd to his End,
As silent Suns to meet the Night descend.
The Stars that for him fought had only pow'r
Left to determine now his fatal Hour,
Which, since they might not hinder, yet they cast
To chuse it worthy of his Glories past.
No part of time but bore his mark away
Of honour; all the Year was Cromwell's day
But this, of all the most auspicious found,
Twice had in open field him Victor crown'd
When up the armed Mountains of Dunbar
He march'd, and through deep Severn ending war.
What day should him eternize but the same
That had before immortaliz'd his Name?
That so who ere would at his Death have joy'd,
In their own Griefs might find themselves imploy'd;
But those that sadly his departure griev'd,
Yet joy'd remembring what he once atcheiv'd.
And the last minute his victorious Ghost
Gave chase to Ligny on the Belgick Coast.
Here ended all his mortal toyles: He lay'd
And slept in Peace under the Lawrel Shade.
O Cromwell, Heavens Favourite! To none
Have such high honours from above been shown:
For whom the Elements we Mourners see,
And Heav'n it self would the great Herald be;
Which with more Care set forth his Obsequies
Then those of Moses hid from humane Eyes;
As jealous only here lest all be less,
That we could to his Memory express.
Then let us to our course of Mourning keep:
18
Where Heaven leads, 'tis Piety to weep.
Stand back ye Seas, and shrunk beneath the vail
Of your Abysse, with cover'd Head bewail
Your Monarch: We demand not your supplies
To compass in our Isle; our Tears suffice;
Since him away the dismal Tempest rent,
Who once more joyn'd us to the Continent;
Who planted England on the Flandrick shoar,
And stretch'd our frontire to the Indian Ore;
Whose greater Truths obscure the Fables old,
Whether of British Saints or Worthy's told;
And in a valour less'ning Arthur's deeds,
For Holyness the Confessor exceeds.
He first put Armes into Religions hand,
And tim'rous Conscience unto Courage man'd:
The Souldier taught that inward Mail to wear,
And fearing God how they should nothing fear.
Those Strokes he said will pierce through all below
Where those that strike from Heaven fetch their Blow.
Note: The remainder is supplied from Ms .d.49
Astonish'd armyes did their flight prepare:
And Cityes strong were stormed by his prayer.
Of that for ever Prestons field shall tell
The Story, and impregnable Clonmell.
And where the sandy mountain Fenwick scald
The Sea between yet henee his pray'r prevail'd.
What man was ever so in Heav'n obey'd
Since the commanded Sun ore Gibeon stayd.
In all his warrs needs must he triumph, when
He conquer'd God still ere he fought with men.
Hence though in battle none so brave or fierce
Yet him the adverse steel could never pierce:
Pitty it seem'd to hurt him more that felt
Each wound himself which he to others delt,
Danger it self refusing to offend
So loose an enemy so fast a freind.
Friendship that sacred versue long das claime
The first foundation of his house and name.
But within one its narrow limitts fall
His tendernesse extended unto all:
And that deep soule through every chanell flows
19
Where kindly nature loves it self to lose.
More strong affections never reason serv'd
Yet still affected most what best deservd.
If he Eliza lov'd to that degree
(Though who more worstly to be lov'd then she)
If so indulgent to his own, how deare
To him the children of the Highest were?
For her he once did natures tribute pay:
For these his life adventur'd every day.
And it would be found could we his thoughts have
Their griefs struck deepest if Eliza's last.
What prudence more then humane did he need
To keep so deare, so diff'ring mindes agreed?
The worser sort as conscious of their ill,
Lye weak and easy to the rulers will:
But to the good (too many or too few).
All law is uselesse all reward is due.
Oh ill advis'd if not for love for shame.
Spare yet your own if you neglect his fame.
Least others dare to think your reale a maske
And you to govern only Heavens taske.
Valour, Religion, Friendship, Prudence dy'd
At once with him and all that's good beside:
And rue deaths refuse natures dreg's confin'd
To loathsome life Alas are left behinde:
Where we (so once we us'd) shall now no more
To fetch day presse about his chamber door;
From which he issu'd with that awfull state
It seem'd Mars broke through Janus double gate:
Yet alwayes temper'd with an Aire so mild
No Aprill suns that ere so gently smil'd:
No more shall heare that powerfull language charm.
Whose force oft spar'd the labour of his arm:
No more shall follow where he spent the dayes
In warres in counsell, or in pray'r, and praise,
Whose meanest acts he would himself advance
As ungirt David to the Arks did dance.
All All is gone of ours or his delight
In horses fierce wild deer or armour bright.
Francisca faire can nothing now but weep
Nor with soft notes shall sing his cares asleep.
I saw him dead, a leaden slumber lyes
20
And mortall sleep over those wakefull eys:
Those gentle Rayes under the lidds were fled
Which through his lookes that piercing sweetnesse she
That port which so Majestique was and strong,
Loose and depriv'd of vigour stretch'd along:
All wither'd, all discolour'd, pale and wan,
How much another thing, no more thatman?
Oh humane glory vaine, Oh death, Oh wings,
Oh worthlesse worth. Oh transitory things.
Yet dwelt that greatnesse in his shape decay'd
That still though dead greater than death he lay'd.
And in his alter'd face you something faigne
That threatens death he yet will live againe.
Not much unlike the saired Oake which shoots
To heav'n its branches and through earth its roots:
Whose spacious boughs are hung with Trophees row
And honour'd wreaths have oft the Victour crown
When angry Jove darts lightning through the Aire
At mortalls sins, nor his own plant will spare
(It groanes and bruses all below that stood
So many yeares the shelter of the wood)
The tree ere while foreshorten'd to our view
When foln shews taller yet then as it grew.
So shall his praise to after times increase
When truth shall be allow'd and faction cease.
And his own shadow with him fall. The Eye
Detracts from objects then it selfe more high:
But when death takes them from that envy'd seate
Seing how little we confesse how greate.
Thee many ages hence in martiall verse
Shall th' English souldier ere he charge rehearse:
Singing of thee influme themselves to fight
And with the name of Cromwell armyes fright.
As long as rivers to the seas shall runne.
As long as Cynthia shall relieve the sunne,
While staggs shall fly unto the forests thick,
While sheep delight the grassy downs to pick,
As long as future time succeeds the past,
Always thy honour, praise and name shall last.
Thou in a pitch how farre, beyond the sphere
Of humane glory towr'st, and raigning there
Despoyld of mortall robes, in seas of cliyse
21
Plunging dost bathe, and tread the bright Abysse:
There thy greate soule yet once a world das see
Spacious enough and pure enough for thee.
How soon thou Moses hast and Josua found
And David for the Sword, and harpe renown'd?
How streight canst to each happy Mansion goe?
(Farr Better known above then here below)
And in those joyes dost spend the endlesse day
Which in expressing we our selves betray.
For we since thou art gone with heavy doome
Wander like ghosts about thy loved tombe:
And lost in tears have neither sight nor minde
To guide us upward through this Region blinde
Since thou art gone who best that way could'st fearn
Onely our sighs perhaps may thither reach.
And Richard yet where his great Parent led
Beats on the rugged track: He vertue dead
Revives, and by his milder beams assures;
And yet how much of them his griefe obscures?
He as his rather long was kept from sight
In private to be view'd by better light:
But open'd once, what splendour dos he throw
A Cromwell in an houre a Prince will grow.
How he becomes that seat, how strongly streins
How gently winds at once the ruling Reins?
Heav'n to this choise prepar'd a Diadem
Richer then any Eastern silk or gemme:
A pearly rainbow; where the Sun inchas'd
His brows like an Imperiall Jewell grac'd.
We find already what those Omens mean.
Earth nere more glad, nor Heaven more serene:
Cease now our griefs, Calme peace succeeds a war
Rainbows to storms, Richard to Oliver.
Tempt not his clemency to try his pow'r
He threats no Deluge, yet fore tells a showre.
~ Andrew Marvell,
1169:Eloisa To Abelard
In these deep solitudes and awful cells,
Where heav'nly-pensive contemplation dwells,
And ever-musing melancholy reigns;
What means this tumult in a vestal's veins?
Why rove my thoughts beyond this last retreat?
Why feels my heart its long-forgotten heat?
Yet, yet I love!--From Abelard it came,
And Eloisa yet must kiss the name.
Dear fatal name! rest ever unreveal'd,
Nor pass these lips in holy silence seal'd.
Hide it, my heart, within that close disguise,
Where mix'd with God's, his lov'd idea lies:
O write it not, my hand--the name appears
Already written--wash it out, my tears!
In vain lost Eloisa weeps and prays,
Her heart still dictates, and her hand obeys.
Relentless walls! whose darksome round contains
Repentant sighs, and voluntary pains:
Ye rugged rocks! which holy knees have worn;
Ye grots and caverns shagg'd with horrid thorn!
Shrines! where their vigils pale-ey'd virgins keep,
And pitying saints, whose statues learn to weep!
Though cold like you, unmov'd, and silent grown,
I have not yet forgot myself to stone.
All is not Heav'n's while Abelard has part,
Still rebel nature holds out half my heart;
Nor pray'rs nor fasts its stubborn pulse restrain,
Nor tears, for ages, taught to flow in vain.
Soon as thy letters trembling I unclose,
That well-known name awakens all my woes.
Oh name for ever sad! for ever dear!
Still breath'd in sighs, still usher'd with a tear.
I tremble too, where'er my own I find,
Some dire misfortune follows close behind.
Line after line my gushing eyes o'erflow,
Led through a sad variety of woe:
54
Now warm in love, now with'ring in thy bloom,
Lost in a convent's solitary gloom!
There stern religion quench'd th' unwilling flame,
There died the best of passions, love and fame.
Yet write, oh write me all, that I may join
Griefs to thy griefs, and echo sighs to thine.
Nor foes nor fortune take this pow'r away;
And is my Abelard less kind than they?
Tears still are mine, and those I need not spare,
Love but demands what else were shed in pray'r;
No happier task these faded eyes pursue;
To read and weep is all they now can do.
Then share thy pain, allow that sad relief;
Ah, more than share it! give me all thy grief.
Heav'n first taught letters for some wretch's aid,
Some banish'd lover, or some captive maid;
They live, they speak, they breathe what love inspires,
Warm from the soul, and faithful to its fires,
The virgin's wish without her fears impart,
Excuse the blush, and pour out all the heart,
Speed the soft intercourse from soul to soul,
And waft a sigh from Indus to the Pole.
Thou know'st how guiltless first I met thy flame,
When Love approach'd me under Friendship's name;
My fancy form'd thee of angelic kind,
Some emanation of th' all-beauteous Mind.
Those smiling eyes, attemp'ring ev'ry day,
Shone sweetly lambent with celestial day.
Guiltless I gaz'd; heav'n listen'd while you sung;
And truths divine came mended from that tongue.
From lips like those what precept fail'd to move?
Too soon they taught me 'twas no sin to love.
Back through the paths of pleasing sense I ran,
Nor wish'd an Angel whom I lov'd a Man.
Dim and remote the joys of saints I see;
Nor envy them, that heav'n I lose for thee.
How oft, when press'd to marriage, have I said,
Curse on all laws but those which love has made!
55
Love, free as air, at sight of human ties,
Spreads his light wings, and in a moment flies,
Let wealth, let honour, wait the wedded dame,
August her deed, and sacred be her fame;
Before true passion all those views remove,
Fame, wealth, and honour! what are you to Love?
The jealous God, when we profane his fires,
Those restless passions in revenge inspires;
And bids them make mistaken mortals groan,
Who seek in love for aught but love alone.
Should at my feet the world's great master fall,
Himself, his throne, his world, I'd scorn 'em all:
Not Caesar's empress would I deign to prove;
No, make me mistress to the man I love;
If there be yet another name more free,
More fond than mistress, make me that to thee!
Oh happy state! when souls each other draw,
When love is liberty, and nature, law:
All then is full, possessing, and possess'd,
No craving void left aching in the breast:
Ev'n thought meets thought, ere from the lips it part,
And each warm wish springs mutual from the heart.
This sure is bliss (if bliss on earth there be)
And once the lot of Abelard and me.
Alas, how chang'd! what sudden horrors rise!
A naked lover bound and bleeding lies!
Where, where was Eloise? her voice, her hand,
Her poniard, had oppos'd the dire command.
Barbarian, stay! that bloody stroke restrain;
The crime was common, common be the pain.
I can no more; by shame, by rage suppress'd,
Let tears, and burning blushes speak the rest.
Canst thou forget that sad, that solemn day,
When victims at yon altar's foot we lay?
Canst thou forget what tears that moment fell,
When, warm in youth, I bade the world farewell?
As with cold lips I kiss'd the sacred veil,
The shrines all trembl'd, and the lamps grew pale:
Heav'n scarce believ'd the conquest it survey'd,
And saints with wonder heard the vows I made.
56
Yet then, to those dread altars as I drew,
Not on the Cross my eyes were fix'd, but you:
Not grace, or zeal, love only was my call,
And if I lose thy love, I lose my all.
Come! with thy looks, thy words, relieve my woe;
Those still at least are left thee to bestow.
Still on that breast enamour'd let me lie,
Still drink delicious poison from thy eye,
Pant on thy lip, and to thy heart be press'd;
Give all thou canst--and let me dream the rest.
Ah no! instruct me other joys to prize,
With other beauties charm my partial eyes,
Full in my view set all the bright abode,
And make my soul quit Abelard for God.
Ah, think at least thy flock deserves thy care,
Plants of thy hand, and children of thy pray'r.
From the false world in early youth they fled,
By thee to mountains, wilds, and deserts led.
You rais'd these hallow'd walls; the desert smil'd,
And Paradise was open'd in the wild.
No weeping orphan saw his father's stores
Our shrines irradiate, or emblaze the floors;
No silver saints, by dying misers giv'n,
Here brib'd the rage of ill-requited heav'n:
But such plain roofs as piety could raise,
And only vocal with the Maker's praise.
In these lone walls (their days eternal bound)
These moss-grown domes with spiry turrets crown'd,
Where awful arches make a noonday night,
And the dim windows shed a solemn light;
Thy eyes diffus'd a reconciling ray,
And gleams of glory brighten'd all the day.
But now no face divine contentment wears,
'Tis all blank sadness, or continual tears.
See how the force of others' pray'rs I try,
(O pious fraud of am'rous charity!)
But why should I on others' pray'rs depend?
Come thou, my father, brother, husband, friend!
Ah let thy handmaid, sister, daughter move,
And all those tender names in one, thy love!
The darksome pines that o'er yon rocks reclin'd
57
Wave high, and murmur to the hollow wind,
The wand'ring streams that shine between the hills,
The grots that echo to the tinkling rills,
The dying gales that pant upon the trees,
The lakes that quiver to the curling breeze;
No more these scenes my meditation aid,
Or lull to rest the visionary maid.
But o'er the twilight groves and dusky caves,
Long-sounding aisles, and intermingled graves,
Black Melancholy sits, and round her throws
A death-like silence, and a dread repose:
Her gloomy presence saddens all the scene,
Shades ev'ry flow'r, and darkens ev'ry green,
Deepens the murmur of the falling floods,
And breathes a browner horror on the woods.
Yet here for ever, ever must I stay;
Sad proof how well a lover can obey!
Death, only death, can break the lasting chain;
And here, ev'n then, shall my cold dust remain,
Here all its frailties, all its flames resign,
And wait till 'tis no sin to mix with thine.
Ah wretch! believ'd the spouse of God in vain,
Confess'd within the slave of love and man.
Assist me, Heav'n! but whence arose that pray'r?
Sprung it from piety, or from despair?
Ev'n here, where frozen chastity retires,
Love finds an altar for forbidden fires.
I ought to grieve, but cannot what I ought;
I mourn the lover, not lament the fault;
I view my crime, but kindle at the view,
Repent old pleasures, and solicit new;
Now turn'd to Heav'n, I weep my past offence,
Now think of thee, and curse my innocence.
Of all affliction taught a lover yet,
'Tis sure the hardest science to forget!
How shall I lose the sin, yet keep the sense,
And love th' offender, yet detest th' offence?
How the dear object from the crime remove,
Or how distinguish penitence from love?
Unequal task! a passion to resign,
58
For hearts so touch'd, so pierc'd, so lost as mine.
Ere such a soul regains its peaceful state,
How often must it love, how often hate!
How often hope, despair, resent, regret,
Conceal, disdain--do all things but forget.
But let Heav'n seize it, all at once 'tis fir'd;
Not touch'd, but rapt; not waken'd, but inspir'd!
Oh come! oh teach me nature to subdue,
Renounce my love, my life, myself--and you.
Fill my fond heart with God alone, for he
Alone can rival, can succeed to thee.
How happy is the blameless vestal's lot!
The world forgetting, by the world forgot.
Eternal sunshine of the spotless mind!
Each pray'r accepted, and each wish resign'd;
Labour and rest, that equal periods keep;
"Obedient slumbers that can wake and weep;"
Desires compos'd, affections ever ev'n,
Tears that delight, and sighs that waft to Heav'n.
Grace shines around her with serenest beams,
And whisp'ring angels prompt her golden dreams.
For her th' unfading rose of Eden blooms,
And wings of seraphs shed divine perfumes,
For her the Spouse prepares the bridal ring,
For her white virgins hymeneals sing,
To sounds of heav'nly harps she dies away,
And melts in visions of eternal day.
Far other dreams my erring soul employ,
Far other raptures, of unholy joy:
When at the close of each sad, sorrowing day,
Fancy restores what vengeance snatch'd away,
Then conscience sleeps, and leaving nature free,
All my loose soul unbounded springs to thee.
Oh curs'd, dear horrors of all-conscious night!
How glowing guilt exalts the keen delight!
Provoking Daemons all restraint remove,
And stir within me every source of love.
I hear thee, view thee, gaze o'er all thy charms,
And round thy phantom glue my clasping arms.
I wake--no more I hear, no more I view,
59
The phantom flies me, as unkind as you.
I call aloud; it hears not what I say;
I stretch my empty arms; it glides away.
To dream once more I close my willing eyes;
Ye soft illusions, dear deceits, arise!
Alas, no more--methinks we wand'ring go
Through dreary wastes, and weep each other's woe,
Where round some mould'ring tower pale ivy creeps,
And low-brow'd rocks hang nodding o'er the deeps.
Sudden you mount, you beckon from the skies;
Clouds interpose, waves roar, and winds arise.
I shriek, start up, the same sad prospect find,
And wake to all the griefs I left behind.
For thee the fates, severely kind, ordain
A cool suspense from pleasure and from pain;
Thy life a long, dead calm of fix'd repose;
No pulse that riots, and no blood that glows.
Still as the sea, ere winds were taught to blow,
Or moving spirit bade the waters flow;
Soft as the slumbers of a saint forgiv'n,
And mild as opening gleams of promis'd heav'n.
Come, Abelard! for what hast thou to dread?
The torch of Venus burns not for the dead.
Nature stands check'd; Religion disapproves;
Ev'n thou art cold--yet Eloisa loves.
Ah hopeless, lasting flames! like those that burn
To light the dead, and warm th' unfruitful urn.
What scenes appear where'er I turn my view?
The dear ideas, where I fly, pursue,
Rise in the grove, before the altar rise,
Stain all my soul, and wanton in my eyes.
I waste the matin lamp in sighs for thee,
Thy image steals between my God and me,
Thy voice I seem in ev'ry hymn to hear,
With ev'ry bead I drop too soft a tear.
When from the censer clouds of fragrance roll,
And swelling organs lift the rising soul,
One thought of thee puts all the pomp to flight,
Priests, tapers, temples, swim before my sight:
60
In seas of flame my plunging soul is drown'd,
While altars blaze, and angels tremble round.
While prostrate here in humble grief I lie,
Kind, virtuous drops just gath'ring in my eye,
While praying, trembling, in the dust I roll,
And dawning grace is op'ning on my soul:
Come, if thou dar'st, all charming as thou art!
Oppose thyself to Heav'n; dispute my heart;
Come, with one glance of those deluding eyes
Blot out each bright idea of the skies;
Take back that grace, those sorrows, and those tears;
Take back my fruitless penitence and pray'rs;
Snatch me, just mounting, from the blest abode;
Assist the fiends, and tear me from my God!
No, fly me, fly me, far as pole from pole;
Rise Alps between us! and whole oceans roll!
Ah, come not, write not, think not once of me,
Nor share one pang of all I felt for thee.
Thy oaths I quit, thy memory resign;
Forget, renounce me, hate whate'er was mine.
Fair eyes, and tempting looks (which yet I view!)
Long lov'd, ador'd ideas, all adieu!
Oh Grace serene! oh virtue heav'nly fair!
Divine oblivion of low-thoughted care!
Fresh blooming hope, gay daughter of the sky!
And faith, our early immortality!
Enter, each mild, each amicable guest;
Receive, and wrap me in eternal rest!
See in her cell sad Eloisa spread,
Propp'd on some tomb, a neighbour of the dead.
In each low wind methinks a spirit calls,
And more than echoes talk along the walls.
Here, as I watch'd the dying lamps around,
From yonder shrine I heard a hollow sound.
"Come, sister, come!" (it said, or seem'd to say)
"Thy place is here, sad sister, come away!
Once like thyself, I trembled, wept, and pray'd,
Love's victim then, though now a sainted maid:
But all is calm in this eternal sleep;
61
Here grief forgets to groan, and love to weep,
Ev'n superstition loses ev'ry fear:
For God, not man, absolves our frailties here."
I come, I come! prepare your roseate bow'rs,
Celestial palms, and ever-blooming flow'rs.
Thither, where sinners may have rest, I go,
Where flames refin'd in breasts seraphic glow:
Thou, Abelard! the last sad office pay,
And smooth my passage to the realms of day;
See my lips tremble, and my eye-balls roll,
Suck my last breath, and catch my flying soul!
Ah no--in sacred vestments may'st thou stand,
The hallow'd taper trembling in thy hand,
Present the cross before my lifted eye,
Teach me at once, and learn of me to die.
Ah then, thy once-lov'd Eloisa see!
It will be then no crime to gaze on me.
See from my cheek the transient roses fly!
See the last sparkle languish in my eye!
Till ev'ry motion, pulse, and breath be o'er;
And ev'n my Abelard be lov'd no more.
O Death all-eloquent! you only prove
What dust we dote on, when 'tis man we love.
Then too, when fate shall thy fair frame destroy,
(That cause of all my guilt, and all my joy)
In trance ecstatic may thy pangs be drown'd,
Bright clouds descend, and angels watch thee round,
From op'ning skies may streaming glories shine,
And saints embrace thee with a love like mine.
May one kind grave unite each hapless name,
And graft my love immortal on thy fame!
Then, ages hence, when all my woes are o'er,
When this rebellious heart shall beat no more;
If ever chance two wand'ring lovers brings
To Paraclete's white walls and silver springs,
O'er the pale marble shall they join their heads,
And drink the falling tears each other sheds;
Then sadly say, with mutual pity mov'd,
"Oh may we never love as these have lov'd!"
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From the full choir when loud Hosannas rise,
And swell the pomp of dreadful sacrifice,
Amid that scene if some relenting eye
Glance on the stone where our cold relics lie,
Devotion's self shall steal a thought from Heav'n,
One human tear shall drop and be forgiv'n.
And sure, if fate some future bard shall join
In sad similitude of griefs to mine,
Condemn'd whole years in absence to deplore,
And image charms he must behold no more;
Such if there be, who loves so long, so well;
Let him our sad, our tender story tell;
The well-sung woes will soothe my pensive ghost;
He best can paint 'em, who shall feel 'em most.
~ Alexander Pope,
1170:The Emigrants: Book I
Scene, on the Cliffs to the Eastward of the Town of
Brighthelmstone in Sussex. Time, a Morning in November, 1792.
Slow in the Wintry Morn, the struggling light
Throws a faint gleam upon the troubled waves;
Their foaming tops, as they approach the shore
And the broad surf that never ceasing breaks
On the innumerous pebbles, catch the beams
Of the pale Sun, that with reluctance gives
To this cold northern Isle, its shorten'd day.
Alas! how few the morning wakes to joy!
How many murmur at oblivious night
For leaving them so soon; for bearing thus
Their fancied bliss (the only bliss they taste!) ,
On her black wings away! - Changing the dreams
That sooth'd their sorrows, for calamities
(And every day brings its own sad proportion)
For doubts, diseases, abject dread of Death,
And faithless friends, and fame and fortune lost;
Fancied or real wants; and wounded pride,
That views the day star, but to curse his beams.
Yet He, whose Spirit into being call'd
This wond'rous World of Waters; He who bids
The wild wind lift them till they dash the clouds,
And speaks to them in thunder; or whose breath,
Low murmuring, o'er the gently heaving tides,
When the fair Moon, in summer night serene,
Irradiates with long trembling lines of light
Their undulating surface; that great Power,
Who, governing the Planets, also knows
If but a Sea-Mew falls, whose nest is hid
In these incumbent cliffs; He surely means
To us, his reasoning Creatures, whom He bids
Acknowledge and revere his awful hand,
Nothing but good: Yet Man, misguided Man,
Mars the fair work that he was bid enjoy,
And makes himself the evil he deplores.
How often, when my weary soul recoils
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From proud oppression, and from legal crimes
(For such are in this Land, where the vain boast
Of equal Law is mockery, while the cost
Of seeking for redress is sure to plunge
Th' already injur'd to more certain ruin
And the wretch starves, before his Counsel pleads)
How often do I half abjure Society,
And sigh for some lone Cottage, deep embower'd
In the green woods, that these steep chalky Hills
Guard from the strong South West; where round their base
The Beach wide flourishes, and the light Ash
With slender leaf half hides the thymy turf! There do I wish to hide me; well content
If on the short grass, strewn with fairy flowers,
I might repose thus shelter'd; or when Eve
In Orient crimson lingers in the west,
Gain the high mound, and mark these waves remote
(Lucid tho' distant) , blushing with the rays
Of the far-flaming Orb, that sinks beneath them;
For I have thought, that I should then behold
The beauteous works of God, unspoil'd by Man
And less affected then, by human woes
I witness'd not; might better learn to bear
Those that injustice, and duplicity
And faithlessness and folly, fix on me:
For never yet could I derive relief,
When my swol'n heart was bursting with its sorrows,
From the sad thought, that others like myself
Live but to swell affliction's countless tribes!
- Tranquil seclusion I have vainly sought;
Peace, who delights solitary shade,
No more will spread for me her downy wings,
But, like the fabled Danaïds- or the wretch,
Who ceaseless, up the steep acclivity,
Was doom'd to heave the still rebounding rock,
Onward I labour; as the baffled wave,
Which yon rough beach repulses, that returns
With the next breath of wind, to fail again.Ah! Mourner- cease these wailings: cease and learn,
That not the Cot sequester'd, where the briar
And wood-bine wild, embrace the mossy thatch,
(Scarce seen amid the forest gloom obscure!)
155
Or more substantial farm, well fenced and warm,
Where the full barn, and cattle fodder'd round
Speak rustic plenty; nor the statelier dome
By dark firs shaded, or the aspiring pine,
Close by the village Church (with care conceal'd
By verdant foliage, lest the poor man's grave
Should mar the smiling prospect of his Lord) ,
Where offices well rang'd, or dove-cote stock'd,
Declare manorial residence; not these
Or any of the buildings, new and trim
With windows circling towards the restless Sea,
Which ranged in rows, now terminate my walk,
Can shut out for an hour the spectre Care,
That from the dawn of reason, follows still
Unhappy Mortals, 'till the friendly grave
(Our sole secure asylum) 'ends the chace 1.'
Behold, in witness of this mournful truth,
A group approach me, whose dejected looks,
Sad Heralds of distress! proclaim them Men
Banish'd for ever and for conscience sake
From their distracted Country, whence the name
Of Freedom misapplied, and much abus'd
By lawless Anarchy, has driven them far
To wander; with the prejudice they learn'd
From Bigotry (the Tut'ress of the blind) ,
Thro' the wide World unshelter'd; their sole hope,
That German spoilers, thro' that pleasant land
May carry wide the desolating scourge
Of War and Vengeance; yet unhappy Men,
Whate'er your errors, I lament your fate:
And, as disconsolate and sad ye hang
Upon the barrier of the rock, and seem
To murmur your despondence, waiting long
Some fortunate reverse that never comes;
Methinks in each expressive face, I see
Discriminated anguish; there droops one,
Who in a moping cloister long consum'd
This life inactive, to obtain a better,
And thought that meagre abstinence, to wake
From his hard pallet with the midnight bell,
To live on eleemosynary bread,
And to renounce God's works, would please that God.
156
And now the poor pale wretch receives, amaz'd,
The pity, strangers give to his distress,
Because these Strangers are, by his dark creed,
Condemn'd as Heretics- and with sick heart
Regrets 2 his pious prison, and his beads.Another, of more haughty port, declines
The aid he needs not; while in mute despair
His high indignant thoughts go back to France,
Dwelling on all he lost- the Gothic dome,
That vied with splendid palaces 3; the beds
Of silk and down, the silver chalices,
Vestments with gold enwrought for blazing altars;
Where, amid clouds of incense, he held forth
To kneeling crowds the imaginary bones
Of Saints suppos'd, in pearl and gold enchas'd,
And still with more than living Monarchs' pomp
Surrounded; was believ'd by mumbling bigots
To hold the keys of Heaven, and to admit
Whom he thought good to share it- Now alas!
He, to whose daring soul and high ambition
The World seem'd circumscrib'd; who, wont to dream,
Of Fleuri, Richelieu, Alberoni, men
Who trod on Empire, and whose politics
Were not beyond the grasp of his vast mind,
Is, in a Land once hostile, still prophan'd
By disbelief, and rites un-orthodox,
The object of compassion- At his side,
Lighter of heart than these, but heavier far
Than he was wont, another victim comes,
An Abbé- who with less contracted brow
Still smiles and flatters, and still talks of Hope;
Which, sanguine as he is, he does not feel,
And so he cheats the sad and weighty pressure
Of evils present; - - Still, as Men misled
By early prejudice (so hard to break) ,
I mourn your sorrows; for I too have known
Involuntary exile; and while yet
England had charms for me, have felt how sad
It is to look across the dim cold sea,
That melancholy rolls its refluent tides
Between us and the dear regretted land
We call our own- as now ye pensive wait
157
On this bleak morning, gazing on the waves
That seem to leave your shore; from whence the wind
Is loaded to your ears, with the deep groans
Of martyr'd Saints and suffering Royalty,
While to your eyes the avenging power of Heaven
Appears in aweful anger to prepare
The storm of vengeance, fraught with plagues and death.
Even he of milder heart, who was indeed
The simple shepherd in a rustic scene,
And, 'mid the vine-clad hills of Languedoc,
Taught to the bare-foot peasant, whose hard hands
Produc'd 4 the nectar he could seldom taste,
Submission to the Lord for whom he toil'd;
He, or his brethren, who to Neustria's sons
Enforc'd religious patience, when, at times,
On their indignant hearts Power's iron hand
Too strongly struck; eliciting some sparks
Of the bold spirit of their native North;
Even these Parochial Priests, these humbled men;
Whose lowly undistinguish'd cottages
Witness'd a life of purest piety,
While the meek tenants were, perhaps, unknown
Each to the haughty Lord of his domain,
Who mark'd them not; the Noble scorning still
The poor and pious Priest, as with slow pace
He glided thro' the dim arch'd avenue
Which to the Castle led; hoping to cheer
The last sad hour of some laborious life
That hasten'd to its close- even such a Man
Becomes an exile; staying not to try
By temperate zeal to check his madd'ning flock,
Who, at the novel sound of Liberty
(Ah! most intoxicating sound to slaves!) ,
Start into licence- Lo! dejected now,
The wandering Pastor mourns, with bleeding heart,
His erring people, weeps and prays for them,
And trembles for the account that he must give
To Heaven for souls entrusted to his care.Where the cliff, hollow'd by the wintry storm,
Affords a seat with matted sea-weed strewn,
A softer form reclines; around her run,
On the rough shingles, or the chalky bourn,
158
Her gay unconscious children, soon amus'd;
Who pick the fretted stone, or glossy shell,
Or crimson plant marine: or they contrive
The fairy vessel, with its ribband sail
And gilded paper pennant: in the pool,
Left by the salt wave on the yielding sands,
They launch the mimic navy- Happy age!
Unmindful of the miseries of Man! Alas! too long a victim to distress,
Their Mother, lost in melancholy thought,
Lull'd for a moment by the murmurs low
Of sullen billows, wearied by the task
Of having here, with swol'n and aching eyes
Fix'd on the grey horizon, since the dawn
Solicitously watch'd the weekly sail
From her dear native land, now yields awhile
To kind forgetfulness, while Fancy brings,
In waking dreams, that native land again!
Versailles appears- its painted galleries,
And rooms of regal splendour, rich with gold,
Where, by long mirrors multiply'd, the crowd
Paid willing homage- and, united there,
Beauty gave charms to empire- Ah! too soon
From the gay visionary pageant rous'd,
See the sad mourner start! - and, drooping, look
With tearful eyes and heaving bosom round
On drear reality- where dark'ning waves,
Urg'd by the rising wind, unheeded foam
Near her cold rugged seat:- To call her thence
A fellow-sufferer comes: dejection deep
Checks, but conceals not quite, the martial air,
And that high consciousness of noble blood,
Which he has learn'd from infancy to think
Exalts him o'er the race of common men:
Nurs'd in the velvet lap of luxury,
And fed by adulation- could he learn,
That worth alone is true Nobility?
And that the peasant who, 'amid 5 the sons
'Of Reason, Valour, Liberty, and Virtue,
'Displays distinguish'd merit, is a Noble
'Of Nature's own creation! '- If even here,
If in this land of highly vaunted Freedom,
159
Even Britons controvert the unwelcome truth,
Can it be relish'd by the sons of France?
Men, who derive their boasted ancestry
From the fierce leaders of religious wars,
The first in Chivalry's emblazon'd page;
Who reckon Gueslin, Bayard, or De Foix,
Among their brave Progenitors? Their eyes,
Accustom'd to regard the splendid trophies
Of Heraldry (that with fantastic hand
Mingles, like images in feverish dreams,
'Gorgons and Hydras, and Chimeras dire,'
With painted puns, and visionary shapes ;) ,
See not the simple dignity of Virtue,
But hold all base, whom honours such as these
Exalt not from the crowd 6 - As one, who long
Has dwelt amid the artificial scenes
Of populous City, deems that splendid shows,
The Theatre, and pageant pomp of Courts,
Are only worth regard; forgets all taste
For Nature's genuine beauty; in the lapse
Of gushing waters hears no soothing sound,
Nor listens with delight to sighing winds,
That, on their fragrant pinions, waft the notes
Of birds rejoicing in the trangled copse;
Nor gazes pleas'd on Ocean's silver breast,
While lightly o'er it sails the summer clouds
Reflected in the wave, that, hardly heard,
Flows on the yellow sands: so to his mind,
That long has liv'd where Despotism hides
His features harsh, beneath the diadem
Of worldly grandeur, abject Slavery seems,
If by that power impos'd, slavery no more:
For luxury wreathes with silk the iron bonds,
And hides the ugly rivets with her flowers,
Till the degenerate triflers, while they love
The glitter of the chains, forget their weight.
But more the Men, whose ill acquir'd wealth
Was wrung from plunder'd myriads, by the means
Too often legaliz'd by power abus'd,
Feel all the horrors of the fatal change,
When their ephemeral greatness, marr'd at once
(As a vain toy that Fortune's childish hand
160
Equally joy'd to fashion or to crush) ,
Leaves them expos'd to universal scorn
For having nothing else; not even the claim
To honour, which respect for Heroes past
Allows to ancient titles; Men, like these,
Sink even beneath the level, whence base arts
Alone had rais'd them; - unlamented sink,
And know that they deserve the woes they feel.
Poor wand'ring wretches! whosoe'er ye are,
That hopeless, houseless, friendless, travel wide
O'er these bleak russet downs; where, dimly seen,
The solitary Shepherd shiv'ring tends
His dun discolour'd flock (Shepherd, unlike
Him, whom in song the Poet's fancy crowns
With garlands, and his crook with vi'lets binds):
Poor vagrant wretches! outcasts of the world!
Whom no abode receives, no parish owns;
Roving, like Nature's commoners, the land
That boasts such general plenty: if the sight
Of wide-extended misery softens yours
Awhile, suspend your murmurs! - here behold
The strange vicissitudes of fate- while thus
The exil'd Nobles, from their country driven,
Whose richest luxuries were their's, must feel
More poignant anguish, than the lowest poor,
Who, born to indigence, have learn'd to brave
Rigid Adversity's depressing breath! Ah! rather Fortune's worthless favourites!
Who feed on England's vitals- Pensioners
Of base corruption, who, in quick ascent
To opulence unmerited, become
Giddy with pride, and as ye rise, forgetting
The dust ye lately left, with scorn look down
On those beneath ye (tho' your equals once
In fortune, and in worth superior still,
They view the eminence, on which ye stand,
With wonder, not with envy; for they know
The means, by which ye reach'd it, have been such
As, in all honest eyes, degrade ye far
Beneath the poor dependent, whose sad heart
Reluctant pleads for what your pride denies):
Ye venal, worthless hirelings of a Court!
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Ye pamper'd Parasites! whom Britons pay
For forging fetters for them; rather here
Study a lesson that concerns ye much;
And, trembling, learn, that if oppress'd too long,
The raging multitude, to madness stung,
Will turn on their oppressors; and, no more
By sounding titles and parading forms
Bound like tame victims, will redress themselves!
Then swept away by the resistless torrent,
Not only all your pomp may disappear,
But, in the tempest lost, fair Order sink
Her decent head, and lawless Anarchy
O'erturn celestial Freedom's radiant throne; As now in Gallia; where Confusion, born
Of party rage and selfish love of rule,
Sully the noblest cause that ever warm'd
The heart of Patriot Virtue 8 - There arise
The infernal passions; Vengeance, seeking blood,
And Avarice; and Envy's harpy fangs
Pollute the immortal shrine of Liberty,
Dismay her votaries, and disgrace her name.
Respect is due to principle; and they,
Who suffer for their conscience, have a claim,
Whate'er that principle may be, to praise.
These ill-starr'd Exiles then, who, bound by ties,
To them the bonds of honour; who resign'd
Their country to preserve them, and now seek
In England an asylum- well deserve
To find that (every prejudice forgot,
Which pride and ignorance teaches) , we for them
Feel as our brethren; and that English hearts,
Of just compassion ever own the sway,
As truly as our element, the deep,
Obeys the mild dominion of the MoonThis they have found; and may they find it still!
Thus may'st thou, Britain, triumph! - May thy foes,
By Reason's gen'rous potency subdued,
Learn, that the God thou worshippest, delights
In acts of pure humanity! - May thine
Be still such bloodless laurels! nobler far
Than those acquir'd at Cressy or Poictiers,
Or of more recent growth, those well bestow'd
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On him who stood on Calpe's blazing height
Amid the thunder of a warring world,
Illustrious rather from the crowds he sav'd
From flood and fire, than from the ranks who fell
Beneath his valour! - Actions such as these,
Like incense rising to the Throne of Heaven,
Far better justify the pride, that swells
In British bosoms, than the deafening roar
Of Victory from a thousand brazen throats,
That tell with what success wide-wasting War
Has by our brave Compatriots thinned the world.
~ Charlotte Smith,
1171:The Duellist - Book Iii
Ah me! what mighty perils wait
The man who meddles with a state,
Whether to strengthen, or oppose!
False are his friends, and firm his foes:
How must his soul, once ventured in,
Plunge blindly on from sin to sin!
What toils he suffers, what disgrace,
To get, and then to keep, a place!
How often, whether wrong or right,
Must he in jest or earnest fight,
Risking for those both life and limb
Who would not risk one groat for him!
Under the Temple lay a Cave,
Made by some guilty, coward slave,
Whose actions fear'd rebuke: a maze
Of intricate and winding ways,
Not to be found without a clue;
One passage only, known to few,
In paths direct led to a cell,
Where Fraud in secret loved to dwell,
With all her tools and slaves about her,
Nor fear'd lest Honesty should rout her.
In a dark corner, shunning sight
Of man, and shrinking from the light,
One dull, dim taper through the cell
Glimmering, to make more horrible
The face of darkness, she prepares,
Working unseen, all kinds of snares,
With curious, but destructive art:
Here, through the eye to catch the heart,
Gay stars their tinsel beams afford,
Neat artifice to trap a lord;
There, fit for all whom Folly bred,
Wave plumes of feathers for the head;
Garters the hag contrives to make,
Which, as it seems, a babe might break,
But which ambitious madmen feel
More firm and sure than chains of steel;
Which, slipp'd just underneath the knee,
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Forbid a freeman to be free.
Purses she knew, (did ever curse
Travel more sure than in a purse?)
Which, by some strange and magic bands,
Enslave the soul, and tie the hands.
Here Flattery, eldest-born of Guile,
Weaves with rare skill the silken smile,
The courtly cringe, the supple bow,
The private squeeze, the levee vow,
With which--no strange or recent case-Fools in, deceive fools out of place.
Corruption, (who, in former times,
Through fear or shame conceal'd her crimes,
And what she did, contrived to do it
So that the public might not view it)
Presumptuous grown, unfit was held
For their dark councils, and expell'd,
Since in the day her business might
Be done as safe as in the night.
Her eye down-bending to the ground,
Planning some dark and deadly wound,
Holding a dagger, on which stood,
All fresh and reeking, drops of blood,
Bearing a lantern, which of yore,
By Treason borrow'd, Guy Fawkes bore,
By which, since they improved in trade,
Excisemen have their lanterns made,
Assassination, her whole mind
Blood-thirsting, on her arm reclined;
Death, grinning, at her elbow stood,
And held forth instruments of blood,-Vile instruments, which cowards choose,
But men of honour dare not use;
Around, his Lordship and his Grace,
Both qualified for such a place,
With many a Forbes, and many a Dun,
Each a resolved, and pious son,
Wait her high bidding; each prepared,
As she around her orders shared,
Proof 'gainst remorse, to run, to fly,
And bid the destined victim die,
Posting on Villany's black wing,
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Whether he patriot is, or king.
Oppression,--willing to appear
An object of our love, not fear,
Or, at the most, a reverend awe
To breed, usurp'd the garb of Law.
A book she held, on which her eyes
Were deeply fix'd, whence seem'd to rise
Joy in her breast; a book, of might
Most wonderful, which black to white
Could turn, and without help of laws,
Could make the worse the better cause.
She read, by flattering hopes deceived;
She wish'd, and what she wish'd, believed,
To make that book for ever stand
The rule of wrong through all the land;
On the back, fair and worthy note,
At large was Magna Charta wrote;
But turn your eye within, and read,
A bitter lesson, Norton's Creed.
Ready, e'en with a look, to run,
Fast as the coursers of the sun,
To worry Virtue, at her hand
Two half-starved greyhounds took their stand.
A curious model, cut in wood,
Of a most ancient castle stood
Full in her view; the gates were barr'd,
And soldiers on the watch kept guard;
In the front, openly, in black
Was wrote, The Tower: but on the back,
Mark'd with a secretary's seal,
In bloody letters, The Bastile.
Around a table, fully bent
On mischief of most black intent,
Deeply determined that their reign
Might longer last, to work the bane
Of one firm patriot, whose heart, tied
To Honour, all their power defied,
And brought those actions into light
They wish'd to have conceal'd in night,
Begot, born, bred to infamy,
A privy-council sat of three:
Great were their names, of high repute
155
And favour through the land of Bute.
The first (entitled to the place
Of Honour both by gown and grace,
Who never let occasion slip
To take right-hand of fellowship,
And was so proud, that should he meet
The twelve apostles in the street,
He'd turn his nose up at them all,
And shove his Saviour from the wall!
Who was so mean (Meanness and Pride
Still go together side by side)
That he would cringe, and creep, be civil,
And hold a stirrup for the Devil;
If in a journey to his mind,
He'd let him mount and ride behind;
Who basely fawn'd through all his life,
For patrons first, then for a wife:
Wrote Dedications which must make
The heart of every Christian quake;
Made one man equal to, or more
Than God, then left him, as before
His God he left, and, drawn by pride,
Shifted about to t' other side)
Was by his sire a parson made,
Merely to give the boy a trade;
But he himself was thereto drawn
By some faint omens of the lawn,
And on the truly Christian plan
To make himself a gentleman,-A title in which Form array'd him,
Though Fate ne'er thought on 't when she made him.
The oaths he took, 'tis very true,
But took them as all wise men do,
With an intent, if things should turn,
Rather to temporise, than burn;
Gospel and loyalty were made
To serve the purposes of trade;
Religions are but paper ties,
Which bind the fool, but which the wise,
Such idle notions far above,
Draw on and off, just like a glove;
All gods, all kings (let his great aim
156
Be answer'd) were to him the same.
A curate first, he read and read,
And laid in, whilst he should have fed
The souls of his neglected flock,
Of reading such a mighty stock,
That he o'ercharged the weary brain
With more than she could well contain;
More than she was with spirits fraught
To turn and methodise to thought,
And which, like ill-digested food,
To humours turn'd, and not to blood.
Brought up to London, from the plough
And pulpit, how to make a bow
He tried to learn; he grew polite,
And was the poet's parasite.
With wits conversing, (and wits then
Were to be found 'mongst noblemen)
He caught, or would have caught, the flame,
And would be nothing, or the same.
He drank with drunkards, lived with sinners,
Herded with infidels for dinners;
With such an emphasis and grace
Blasphemed, that Potter kept not pace:
He, in the highest reign of noon,
Bawled bawdy songs to a psalm tune;
Lived with men infamous and vile,
Truck'd his salvation for a smile;
To catch their humour caught their plan,
And laugh'd at God to laugh with man;
Praised them, when living, in each breath,
And damn'd their memories after death.
To prove his faith, which all admit
Is at least equal to his wit,
And make himself a man of note,
He in defence of Scripture wrote:
So long he wrote, and long about it,
That e'en believers 'gan to doubt it:
He wrote, too, of the inward light,
Though no one knew how he came by 't,
And of that influencing grace
Which in his life ne'er found a place:
He wrote, too, of the Holy Ghost,
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Of whom no more than doth a post
He knew; nor, should an angel show him,
Would he, or know, or choose to know him.
Next (for he knew 'twixt every science
There was a natural alliance)
He wrote, to advance his Maker's praise,
Comments on rhymes, and notes on plays,
And with an all-sufficient air
Placed himself in the critic's chair;
Usurp'd o'er Reason full dominion,
And govern'd merely by Opinion.
At length dethroned, and kept in awe
By one plain simple man of law,
He arm'd dead friends, to vengeance true,
To abuse the man they never knew.
Examine strictly all mankind,
Most characters are mix'd, we find;
And Vice and Virtue take their turn
In the same breast to beat and burn.
Our priest was an exception here,
Nor did one spark of grace appear,
Not one dull, dim spark in his soul;
Vice, glorious Vice, possess'd the whole,
And, in her service truly warm,
He was in sin most uniform.
Injurious Satire! own at least
One snivelling virtue in the priest,
One snivelling virtue, which is placed,
They say, in or about the waist,
Call'd Chastity; the prudish dame
Knows it at large by Virtue's name.
To this his wife (and in these days
Wives seldom without reason praise)
Bears evidence--then calls her child,
And swears that Tom was vastly wild.
Ripen'd by a long course of years,
He great and perfect now appears.
In shape scarce of the human kind,
A man, without a manly mind;
No husband, though he's truly wed;
Though on his knees a child is bred,
No father; injured, without end
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A foe; and though obliged, no friend;
A heart, which virtue ne'er disgraced;
A head, where learning runs to waste;
A gentleman well-bred, if breeding
Rests in the article of reading;
A man of this world, for the next
Was ne'er included in his text;
A judge of genius, though confess'd
With not one spark of genius bless'd;
Amongst the first of critics placed,
Though free from every taint of taste;
A Christian without faith or works,
As he would be a Turk 'mongst Turks;
A great divine, as lords agree,
Without the least divinity;
To crown all, in declining age,
Inflamed with church and party rage,
Behold him, full and perfect quite,
A false saint, and true hypocrite.
Next sat a lawyer, often tried
In perilous extremes; when Pride
And Power, all wild and trembling, stood,
Nor dared to tempt the raging flood;
This bold, bad man arose to view,
And gave his hand to help them through:
Steel'd 'gainst compassion, as they pass'd
He saw poor Freedom breathe her last;
He saw her struggle, heard her groan;
He saw her helpless and alone,
Whelm'd in that storm, which, fear'd and praised
By slaves less bold, himself had raised.
Bred to the law, he from the first
Of all bad lawyers was the worst.
Perfection (for bad men maintain
In ill we may perfection gain)
In others is a work of time,
And they creep on from crime to crime;
He, for a prodigy design'd,
To spread amazement o'er mankind,
Started full ripen'd all at once
A perfect knave, and perfect dunce.
Who will, for him, may boast of sense,
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His better guard is impudence;
His front, with tenfold plates of brass
Secured, Shame never yet could pass,
Nor on the surface of his skin
Blush for that guilt which dwelt within.
How often, in contempt of laws,
To sound the bottom of a cause,
To search out every rotten part,
And worm into its very heart,
Hath he ta'en briefs on false pretence,
And undertaken the defence
Of trusting fools, whom in the end
He meant to ruin, not defend!
How often, e'en in open court,
Hath the wretch made his shame his sport,
And laugh'd off, with a villain's ease,
Throwing up briefs, and keeping fees!
Such things as, though to roguery bred,
Had struck a little villain dead!
Causes, whatever their import,
He undertakes, to serve a court;
For he by art this rule had got,
Power can effect what Law cannot.
Fools he forgives, but rogues he fears;
If Genius, yoked with Worth, appears,
His weak soul sickens at the sight,
And strives to plunge them down in night.
So loud he talks, so very loud,
He is an angel with the crowd;
Whilst he makes Justice hang her head,
And judges turn from pale to red.
Bid all that Nature, on a plan
Most intimate, makes dear to man,
All that with grand and general ties
Binds good and bad, the fool and wise,
Knock at his heart; they knock in vain;
No entrance there such suitors gain;
Bid kneeling kings forsake the throne,
Bid at his feet his country groan;
Bid Liberty stretch out her hands,
Religion plead her stronger bands;
Bid parents, children, wife, and friends,
160
If they come 'thwart his private ends-Unmoved he hears the general call,
And bravely tramples on them all.
Who will, for him, may cant and whine,
And let weak Conscience with her line
Chalk out their ways; such starving rules
Are only fit for coward fools;
Fellows who credit what priests tell,
And tremble at the thoughts of Hell;
His spirit dares contend with Grace,
And meets Damnation face to face.
Such was our lawyer; by his side,
In all bad qualities allied,
In all bad counsels, sat a third,
By birth a lord. Oh, sacred word!
Oh, word most sacred! whence men get
A privilege to run in debt;
Whence they at large exemption claim
From Satire, and her servant Shame;
Whence they, deprived of all her force,
Forbid bold Truth to hold her course.
Consult his person, dress, and air,
He seems, which strangers well might swear,
The master, or, by courtesy,
The captain of a colliery.
Look at his visage, and agree
Half-hang'd he seems, just from the tree
Escaped; a rope may sometimes break,
Or men be cut down by mistake.
He hath not virtue (in the school
Of Vice bred up) to live by rule,
Nor hath he sense (which none can doubt
Who know the man) to live without.
His life is a continued scene
Of all that's infamous and mean;
He knows not change, unless, grown nice
And delicate, from vice to vice;
Nature design'd him, in a rage,
To be the Wharton of his age;
But, having given all the sin,
Forgot to put the virtues in.
To run a horse, to make a match,
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To revel deep, to roar a catch,
To knock a tottering watchman down,
To sweat a woman of the town;
By fits to keep the peace, or break it,
In turn to give a pox, or take it;
He is, in faith, most excellent,
And, in the word's most full intent,
A true choice spirit, we admit;
With wits a fool, with fools a wit:
Hear him but talk, and you would swear
Obscenity herself was there,
And that Profaneness had made choice,
By way of trump, to use his voice;
That, in all mean and low things great,
He had been bred at Billingsgate;
And that, ascending to the earth
Before the season of his birth,
Blasphemy, making way and room,
Had mark'd him in his mother's womb.
Too honest (for the worst of men
In forms are honest, now and then)
Not to have, in the usual way,
His bills sent in; too great to pay:
Too proud to speak to, if he meets
The honest tradesman whom he cheats:
Too infamous to have a friend;
Too bad for bad men to commend,
Or good to name; beneath whose weight
Earth groans; who hath been spared by Fate
Only to show, on Mercy's plan,
How far and long God bears with man.
Such were the three, who, mocking sleep,
At midnight sat, in counsel deep,
Plotting destruction 'gainst a head
Whose wisdom could not be misled;
Plotting destruction 'gainst a heart
Which ne'er from honour would depart.
'Is he not rank'd amongst our foes?
Hath not his spirit dared oppose
Our dearest measures, made our name
Stand forward on the roll of Shame
Hath he not won the vulgar tribes,
162
By scorning menaces and bribes,
And proving that his darling cause
Is, of their liberties and laws
To stand the champion? In a word,
Nor need one argument be heard
Beyond this to awake our zeal,
To quicken our resolves, and steel
Our steady souls to bloody bent,
(Sure ruin to each dear intent,
Each flattering hope) he, without fear,
Hath dared to make the truth appear.'
They said, and, by resentment taught,
Each on revenge employ'd his thought;
Each, bent on mischief, rack'd his brain
To her full stretch, but rack'd in vain;
Scheme after scheme they brought to view;
All were examined; none would do:
When Fraud, with pleasure in her face,
Forth issued from her hiding-place,
And at the table where they meet,
First having bless'd them, took her seat.
'No trifling cause, my darling boys,
Your present thoughts and cares employs;
No common snare, no random blow,
Can work the bane of such a foe:
By nature cautious as he's brave,
To Honour only he's a slave;
In that weak part without defence,
We must to honour make pretence;
That lure shall to his ruin draw
The wretch, who stands secure in law.
Nor think that I have idly plann'd
This full-ripe scheme; behold at hand,
With three months' training on his head,
An instrument, whom I have bred,
Born of these bowels, far from sight
Of Virtue's false but glaring light,
My youngest-born, my dearest joy,
Most like myself, my darling boy!
He, never touch'd with vile remorse,
Resolved and crafty in his course,
Shall work our ends, complete our schemes,
163
Most mine, when most he Honour's seems;
Nor can be found, at home, abroad,
So firm and full a slave of Fraud.'
She said, and from each envious son
A discontented murmur run
Around the table; all in place
Thought his full praise their own disgrace,
Wondering what stranger she had got,
Who had one vice that they had not;
When straight the portals open flew,
And, clad in armour, to their view
Martin, the Duellist, came forth.
All knew, and all confess'd his worth;
All justified, with smiles array'd,
The happy choice their dam had made.
~ Charles Churchill,
1172:Bénédiction (Benediction)
Lorsque, par un décret des puissances suprêmes,
Le Poète apparaît en ce monde ennuyé,
Sa mère épouvantée et pleine de blasphèmes
Crispe ses poings vers Dieu, qui la prend en pitié:
— «Ah! que n'ai-je mis bas tout un noeud de vipères,
Plutôt que de nourrir cette dérision!
Maudite soit la nuit aux plaisirs éphémères
Où mon ventre a conçu mon expiation!
Puisque tu m'as choisie entre toutes les femmes
Pour être le dégoût de mon triste mari,
Et que je ne puis pas rejeter dans les flammes,
Comme un billet d'amour, ce monstre rabougri,
Je ferai rejaillir ta haine qui m'accable
Sur l'instrument maudit de tes méchancetés,
Et je tordrai si bien cet arbre misérable,
Qu'il ne pourra pousser ses boutons empestés!»
Elle ravale ainsi l'écume de sa haine,
Et, ne comprenant pas les desseins éternels,
Elle-même prépare au fond de la Géhenne
Les bûchers consacrés aux crimes maternels.
Pourtant, sous la tutelle invisible d'un Ange,
L'Enfant déshérité s'enivre de soleil
Et dans tout ce qu'il boit et dans tout ce qu'il mange
Retrouve l'ambroisie et le nectar vermeil.
II joue avec le vent, cause avec le nuage,
Et s'enivre en chantant du chemin de la croix;
Et l'Esprit qui le suit dans son pèlerinage
Pleure de le voir gai comme un oiseau des bois.
Tous ceux qu'il veut aimer l'observent avec crainte,
Ou bien, s'enhardissant de sa tranquillité,
Cherchent à qui saura lui tirer une plainte,
Et font sur lui l'essai de leur férocité.
35
Dans le pain et le vin destinés à sa bouche
Ils mêlent de la cendre avec d'impurs crachats;
Avec hypocrisie ils jettent ce qu'il touche,
Et s'accusent d'avoir mis leurs pieds dans ses pas.
Sa femme va criant sur les places publiques:
«Puisqu'il me trouve assez belle pour m'adorer,
Je ferai le métier des idoles antiques,
Et comme elles je veux me faire redorer;
Et je me soûlerai de nard, d'encens, de myrrhe,
De génuflexions, de viandes et de vins,
Pour savoir si je puis dans un coeur qui m'admire
Usurper en riant les hommages divins!
Et, quand je m'ennuierai de ces farces impies,
Je poserai sur lui ma frêle et forte main;
Et mes ongles, pareils aux ongles des harpies,
Sauront jusqu'à son coeur se frayer un chemin.
Comme un tout jeune oiseau qui tremble et qui palpite,
J'arracherai ce coeur tout rouge de son sein,
Et, pour rassasier ma bête favorite
Je le lui jetterai par terre avec dédain!»
Vers le Ciel, où son oeil voit un trône splendide,
Le Poète serein lève ses bras pieux
Et les vastes éclairs de son esprit lucide
Lui dérobent l'aspect des peuples furieux:
— «Soyez béni, mon Dieu, qui donnez la souffrance
Comme un divin remède à nos impuretés
Et comme la meilleure et la plus pure essence
Qui prépare les forts aux saintes voluptés!
Je sais que vous gardez une place au Poète
Dans les rangs bienheureux des saintes Légions,
Et que vous l'invitez à l'éternelle fête
Des Trônes, des Vertus, des Dominations.
Je sais que la douleur est la noblesse unique
36
Où ne mordront jamais la terre et les enfers,
Et qu'il faut pour tresser ma couronne mystique
Imposer tous les temps et tous les univers.
Mais les bijoux perdus de l'antique Palmyre,
Les métaux inconnus, les perles de la mer,
Par votre main montés, ne pourraient pas suffire
A ce beau diadème éblouissant et clair;
Car il ne sera fait que de pure lumière,
Puisée au foyer saint des rayons primitifs,
Et dont les yeux mortels, dans leur splendeur entière,
Ne sont que des miroirs obscurcis et plaintifs!»
Benediction
When, after a decree of the supreme powers,
The Poet is brought forth in this wearisome world,
His mother terrified and full of blasphemies
Raises her clenched fist to God, who pities her:
— 'Ah! would that I had spawned a whole knot of vipers
Rather than to have fed this derisive object!
Accursed be the night of ephemeral joy
When my belly conceived this, my expiation!
Since of all women You have chosen me
To be repugnant to my sorry spouse,
And since I cannot cast this misshapen monster
Into the flames, like an old love letter,
I shall spew the hatred with which you crush me down
On the cursed instrument of your malevolence,
And twist so hard this wretched tree
That it cannot put forth its pestilential buds!'
Thus she gulps down the froth of her hatred,
And not understanding the eternal designs,
Herself prepares deep down in Gehenna
The pyre reserved for a mother's crimes.
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However, protected by an unseen Angel,
The outcast child is enrapt by the sun,
And in all that he eats, in everything he drinks,
He finds sweet ambrosia and rubiate nectar.
He cavorts with the wind, converses with the clouds,
And singing, transported, goes the way of the cross;
And the Angel who follows him on pilgrimage
Weeps to see him as carefree as a bird.
All those whom he would love watch him with fear,
Or, emboldened by his tranquility,
Emulously attempt to wring a groan from him
And test on him their inhumanity.
With the bread and the wine intended for his mouth
They mix ashes and foul spittle,
And, hypocrites, cast away what he touches
And feel guilty if they have trod in his footprints.
His wife goes about the market-places
Crying: 'Since he finds me fair enough to adore,
I shall imitate the idols of old,
And like them I want to be regilded;
I shall get drunk with spikenard, incense, myrrh,
And with genuflections, viands and wine,
To see if laughingly I can usurp
In an admiring heart the homage due to God!
And when I tire of these impious jokes,
I shall lay upon him my strong, my dainty hand;
And my nails, like harpies' talons,
Will cut a path straight to his heart.
That heart which flutters like a fledgling bird
I'll tear, all bloody, from his breast,
And scornfully I'll throw it in the dust
To sate the hunger of my favorite hound!'
To Heav'n, where his eye sees a radiant throne,
Piously, the Poet, serene, raises his arms,
38
And the dazzling brightness of his illumined mind
Hides from his sight the raging mob:
— 'Praise be to You, O God, who send us suffering
As a divine remedy for our impurities
And as the best and the purest essence
To prepare the strong for holy ecstasies!
I know that you reserve a place for the Poet
Within the blessed ranks of the holy Legions,
And that you invite him to the eternal feast
Of the Thrones, the Virtues, and the Dominations.
I know that suffering is the sole nobility
Which earth and hell shall never mar,
And that to weave my mystic crown,
You must tax every age and every universe.
But the lost jewels of ancient Palmyra,
The unfound metals, the pearls of the sea,
Set by Your own hand, would not be adequate
For that diadem of dazzling splendor,
For that crown will be made of nothing but pure light
Drawn from the holy source of primal rays,
Whereof our mortal eyes, in their fullest brightness,
Are no more than tarnished, mournful mirrors!'
— Translated by William Aggeler
Benediction
When by an edict of the powers supreme
A poet's born into this world's drab space,
His mother starts, in horror, to blaspheme
Clenching her fists at God, who grants her grace.
'Would that a nest of vipers I'd aborted
Rather than this absurd abomination.
Cursed be the night of pleasures vainly sported
On which my womb conceived my expiation.
39
Since of all women I am picked by You
To be my Mate's aversion and his shame:
And since I cannot, like a billet-doux,
Consign this stunted monster to the flame,
I'll turn the hatred, which You load on me,
On the curst tool through which You work your spite,
And twist and stunt this miserable tree
Until it cannot burgeon for the blight.'
She swallows down the white froth of her ire
And, knowing naught of schemes that are sublime,
Deep in Gehenna, starts to lay the pyre
That's consecrated to maternal crime.
Yet with an unseen Angel for protector
The outcast waif grows drunken with the sun,
And finds ambrosia, too, and rosy nectar
In all he eats or drinks, suspecting none.
He sings upon his Via Crucis, plays
With winds, and with the clouds exchanges words:
The Spirit following his pilgrim-ways
Weeps to behold him gayer than the birds.
Those he would love avoid him as in fear,
Or, growing bold to see one so resigned,
Compete to draw from him a cry or tear,
And test on him the fierceness of their kind.
In food or drink that's destined for his taste
They mix saliva foul with cinders black,
Drop what he's touched with hypocrite distaste,
And blame themselves for walking in his track.
His wife goes crying in the public way
— 'Since fair enough he finds me to adore,
The part of ancient idols I will play
And gild myself with coats of molten ore.
I will get drunk on incense, myrrh, and nard,
40
On genuflexions, meat, and beady wine,
Out of his crazed and wondering regard,
I'll laugh to steal prerogatives divine.
When by such impious farces bored at length,
I'll place my frail strong hand on him, and start,
With nails like those of harpies in their strength,
To plough myself a pathway to his heart.
Like a young bird that trembles palpitating,
I'll wrench his heart, all crimson, from his chest,
And to my favourite beast, his hunger sating,
Will fling it in the gutter with a jest.'
Skyward, to where he sees a Throne blaze splendid,
The pious Poet lifts his arms on high,
And the vast lightnings of his soul extended
Blot out the crowds and tumults from his eye.
'Blessèd be You, O God, who give us pain,
As cure for our impurity and wrong —
Essence that primes the stalwart to sustain
Seraphic raptures that were else too strong.
I know that for the Poet You've a post,
Where the blest Legions take their ranks and stations,
Invited to the revels with the host
Of Virtues, Powers, and Thrones, and Dominations
That grief's the sole nobility, I know it,
Where neither Earth nor Hell can make attacks,
And that, to deck my mystic crown of poet,
All times and universes paid their tax.
But all the gems from old Palmyra lost,
The ores unmixed, the pearls of the abyss,
Set by Your hand, could not suffice the cost
Of such a blazing diadem as this.
Because it will be only made of light,
Drawn from the hearth of the essential rays,
To which our mortal eyes, when burning bright,
41
Are but the tarnished mirrors that they glaze.'
— Translated by Roy Campbell
Benediction
When by decree of the almighty powers,
The Poet walks the world's wearisome sod,
His mother, blasphemous and fearful, cowers,
Clenching her fist against a pitying God:
— 'Ah, would whole knots of vipers were my spawn
Rather than this woeful abomination!
Cursed be the sweet swift night and evil dawn
Wherein my womb conceived my expiation!
Since of all women Thou hast chosen me
To be my sorry husband's shame of shames,
Since I may not toss this monstrosity
Like an old billet-doux into the flames,
Thy heavy hatred I shall vomit back
On the damned tool of your malevolence,
Twisting this wretched tree until it crack,
Never to sprout in buds of pestilence!'
Thus she gulps down the froth of her despair,
Nor knowing the eternal paradigms,
Sinks deep into Gehenna to prepare,
Herself, the pyre set for a mother's crimes.
Yet guarded by an unseen Angel's favors,
The outcast child is fired by radiant suns,
In all he eats and all he drinks he savors
Ambrosial gifts and nectared benisons,
He sports with winds, he talks with clouds, he keeps
Singing along the road to Calvary,
While the bright Angel in his traces weeps,
Beholding him as free as birds are free.
42
All those whom he would love watch him with fear,
Or else, made bold by his serenity,
Wring groans from him that float sweet on the ear
Making him touchstone of their cruelty.
With his due bread and wine, hypocrites, they,
Mix ashes and fat gobs of spittle; grim,
What he has touched, these humbugs cast away,
Deeming it guilty but to follow him.
His wife cries in the market place: 'Behold
Since he adores me, I am fair, and fain,
As idols did, and images of old,
To be regilded and adored again.
I shall be drunk with spikenard, incense, myrrh,
With genuflections, viands and wine to see
If, as a glad usurper, I may stir
His heart to pay God's homages to me!
Tired of these impious japes and of their butt,
My strong lithe hand's caress with subtle art
And my sharp nails like harpy claws shall cut
A mortal path straight to his quivering heart.
That heart which flutters like a fledgling bird,
I shall tear, bleeding, from his breast, to pitch
It blandly in the dust without a word
To slake the hunger of my favorite bitch.'
To Heaven where he spies a splendent throne,
Serene, the Poet lifts rapt arms; and bright
Luminous thoughts that shine through him alone
Conceal the furious rabble from his sight:
— 'Blessèd, O God, who send woe for a cure,
A balm divine for our impurities,
Of essences the noblest and most pure
To school the strong for holy ecstasies!
I know the Poet has his place above
43
Amid God's saintly hosts and congregations,
Guest at the everlasting banquet of
The Thrones, the Virtues and the Dominations.
Sorrow alone is noble and august,
A force nor earth nor hell shall ever mar,
To weave my mystic crown I know you must
Tax every age and universe that are.
Old Tadmor's vanished gems beyond all price,
Metals unknown, pearls from the richest sea,
Set by Thy holy hand, cannot suffice
To match this dazzling chapter's splendency;
This diadem shall be of sheerest light,
Drawn from the sacred source of primal rays,
Whereof our mortal eyes, however bright,
Serve but as piteous mirrors dull with glaze.'
— Translated by Jacques LeClercq
Benediction
When, on a certain day, into this harassed world
The Poet, by decree of the high powers, was born,
His mother, overwhelmed by shame and fury, hurled
These blasphemies at God, clenching her fists in scorn:
'Would I had whelped a knot of vipers — at the worst
'Twere better than this runt that whines and snivels there!
Oh, cursèd be that night of pleasure, thrice accurst
My womb, that has conceived and nourished my despair!
'Since, of all mortal women, it would seem my fate
To be my saddened husband's horror and disgust;
And since I may not toss this monster in the grate —
Like any crumpled letter, reeking of stale lust —
'Upon his helpless form, whereby Thou humblest me,
I shall divert Thy hatred in one raging flood;
44
And I shall twist so well this miserable tree
That it shall not put forth one pestilential bud!'
Thus did she foam with anger, railing, swallowing froth;
And, unaware of what the mighty powers had willed,
She set about to draw Gehenna on them both,
Eyeing the fire, considering how he might be killed.
Meantime, above the child an unseen angel beats
His wings, and the poor waif runs laughing in the sun;
And everything he drinks and everything he eats
Are nectar and ambrosia to this hapless one.
Companioned by the wind, conversing with the cloud,
Along the highway to the Cross his song is heard;
And the bright Spirit, following him, weeps aloud
To see him hop so gaily, like a little bird.
Those whom he longs to love observe him with constraint
And fear, as he grows up; or, seeing how calm he is,
Grow bold, and seek to draw from him some sharp complaint,
Wreaking on him all day their dull ferocities.
Cinders are in his bread, are gritty in his teeth;
Spittle is in his wine. Where his footprints are seen
They hesitate to set their shoes, mincing beneath
Hypocrisy; all things he touched, they call unclean.
His wife in public places cries, 'Since after all
He loves me so, that he's the laughingstock of men,
I'll make a business of it, be an idol, call
For gold, to have myself regilded now and then!
'And some day, when I'm drunk with frankincense, rich food,
Flattery, genuflexions, spikenard, beady wine,
I'll get from him (while laughing in his face, I could!)
That homage he has kept, so far, for things divine.
'And, when my pleasure in these impious farces fails,
My dainty, terrible hands shall tear his breast apart,
And these long nails of mine, so like to harpies' nails,
Shall dig till they have dug a tunnel to his heart.
45
'Then, like a young bird, caught and fluttering to be freed,
('Twill make a tasty morsel for my favorite hound)
I'll wrench his heart out, warm and bleeding — let it bleed! —
And drop it, with contempt and loathing, to the ground.'
Meanwhile toward Heaven, the goal of his mature desire,
The Poet, oblivious, lifts up his arms in prayer;
His lucid essence flames with lightnings — veiled by fire
Is all the furious world, all the lewd conflict there.
'Be praised, Almighty God, that givest to faulty me
This suffering, to purge my spirit of its sin,
To fortify my puny strength, to bid me see
Pure Faith, and what voluptuous blisses dwell therein.
'I know that in those ranks on ranks of happy blest
The Poet shall have some place among Thy Seraphim;
And that Thou wilt at length to the eternal feast
Of Virtues, Thrones and Dominations, summon him.
'I know, Pain is the one nobility we have
Which not the hungry ground nor hell shall ever gnaw;
I know that space and time, beyond the temporal grave,
Weave me a mystic crown, free from all earthly flaw.
'Not emeralds, not all the pearls of the deep sea,
All the rare metals, every lost and buried gem
Antique Palmyra hides, could ever seem to me
So beautiful as that clear glittering diadem.
'Of Light, of Light alone, it will be fashioned, Light
Drawn from the holy fount, rays primitive and pure,
Whereof the eyes of mortal men, so starry bright,
Are but the mirrors, mirrors cloudy and obscure.'
— Translated by Edna St. Vincent Millay
~ Charles Baudelaire,
1173:Times
The Time hath been, a boyish, blushing Time,
When Modesty was scarcely held a crime,
When the most Wicked had some touch of grace,
And trembled to meet Virtue face to face,
When Those, who, in the cause of Sin grown grey,
Had serv'd her without grudging day by day,
Were yet so weak an awkward shame to feel,
And strove that glorious service to conceal;
We, better bred, and than our Sires more wise,
Such paltry narrowness of soul despise,
To Virtue ev'ry mean pretence disclaim,
Lay bare our crimes, and glory in our shame.
....
ITALIA, nurse of ev'ry softer art,
Who, feigning to refine, unmans the heart,
Who lays the realms of Sense and Virtue waste,
Who marrs whilst she pretends to mend our taste,
ITALIA, to compleat and crown our shame,
Sends us a Fiend, and LEGION is his name.
The Farce of greatness, without being great,
Pride without Pow'r, Titles without Estate,
Souls without vigour, Bodies without force,
Hate without case, Revenge without remorse,
Dark, mean Revenge, Murder without defence,
Jealousy without Love, Sound without Sense,
Mirth without Humour, without Wit Grimace,
Faith without Reason, Gospel without Grace,
Zeal without Knowledge, without Nature Art,
Men without Manhood, Women without Heart,
Half-Men, who, dry and pithless, are debarr'd
From Man's best joys — no sooner made than marr'd —
Half-Men, whom many a rich and noble Dame,
To serve her lust, and yet secure her fame,
Keeps on high diet, as We Capons feed,
To glut our appetites at last decreed;
Women, who dance, in postures so obscene,
They might awaken shame in ARETINE,
Who, when, retir'd from the day's piercing light,
They celebrate the mysteries of night,
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Might make the Muses, in a corner plac'd
To view their monstrous lusts, deem SAPPHO chaste;
These, and a thousand follies rank as these,
A thousand faults, ten thousand Fools, who please
Our pall'd and sickly taste, ten thousand knaves,
Who serve our foes as spies, and us as slaves,
Who by degrees, and unperceiv'd, prepare
Our necks for chains which they already wear,
Madly we entertain, at the expence
Of Fame, of Virtue, Taste, and Common-Sense.
Nor stop we here — the soft luxurious EAST,
Where Man, his soul degraded, from the Beast
In nothing diff'rent but in shape we view,
They walk on four legs, and he walks on two,
Attracts our eye, and flowing from that source,
Sins of the blackest character, Sins worse
Than all her plagues, which truly to unfold
Would make the best blood in my veins run cold,
And strike all Manhood dead, which but to name
Would call up in my cheeks the marks of shame,
Sins, if such Sins can be, which shut out grace,
Which for the guilty leave no hope, no place
E'en in God's mercy, Sins 'gainst Nature's plan
Possess the land at large, and Man for Man
Burn in those fires, which Hell alone could raise
To make him more than damn'd, which, in the days
Of punishment, when guilt becomes her prey,
With all her tortures she can scarce repay.
Be Grace shut out, be Mercy deaf, let God
With tenfold terrors arms that dreadful nod
Which speaks them lost, and sentenc'd to despair;
Distending wide her jaws, let Hell prepare
For Those who thus offend amongst Mankind,
A fire more fierce, and tortures more refin'd;
On Earth, which groans beneath their monstrous weight,
On Earth, alas! They meet a diff'rent fate,
And whilst the laws, false grace, false mercy shewn,
Are taught to wear a softness not their own,
Men, whom the Beasts would spurn, should they appear
Amongst the honest herd, find refuge here.
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No longer by vain fear, or shame controul'd
From long, too long security grown bold,
Mocking rebuke, they brave it in our streets,
And LUMLEY e'en at noon his mistress meets.
So public in their crimes, so daring grown,
They almost take a pride to have them known,
And each unnat'ral Villain scarce endures
To make a secret of his vile amours.
Go where We will, at ev'ry time and place,
SODOM confronts, and stares us in the face;
They ply in public at our very doors,
And take the bread from much more honest Whores.
Those who are mean high Paramours secure,
And the rich guilty screen the guilty poor;
The Sin too proud to feel from Reason awe,
And Those, who practise it, too great for Law.
Woman, the pride and happiness of Man,
Without whose soft endearments Nature's plan
Had been a blank, and Life not worth a thought;
Woman, by all the Loves and Graces taught,
With softest arts, and sure, tho' hidden skill,
To humanize, and mould us to her will;
Woman, with more than common grace form'd here,
With the persuasive language of a tear
To melt the rugged temper of our Isle,
Or win us to her purpose with a smile;
Woman, by fate the quickest spur decreed,
The fairest, best reward of ev'ry deed
Which bears the stamp of hoinour, at whose name
Our antient Heroes caught a quicker flame,
And dar'd beyond belief, whilst o'er the plain,
Spurning the carcases of Princes slain,
Confusion proudly strode, whilst Horror blew
The fatal trump, and Death stalk'd full in view;
Woman is out of date, a thing thrown by
As having lost its use; No more the Eye
With female beauty caught, in wild amaze,
Gazes entranc'd, and could for ever gaze;
No more the Heart, that seat where Love resides,
Each breath drawn quick and short, in fuller tides
Life posting thro' the veins, each pulse on fire,
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And the whole body tingling with desire,
Pants for those charms, which Virtue might engage
To break his vow, and thaw the frost of age,
Bidding each trembling nerve, each muscle strain,
And giving pleasure which is almost pain.
Women are kept for nothing but the breed;
For pleasure we must have a GANYMEDE,
A fine, fresh HYLAS, a delicious boy,
To serve our purposes of beastly joy.
Fairest of Nymphs, where ev're Nymph is fair,
Whom Nature form'd with more than common care,
With more than common care whom Art improv'd,
And both declar'd most worthy to be lov'd,
—— neglected wanders, whilst a croud
Pursue, and consecrate the steps ——
She, hapless maid, born in a wretched hour,
Wastes life's gay prime in vain, like some fair flow'r,
Sweet in its scent, and lively in its hue,
Which withers on the stalk from whence it grew,
And dies uncropp'd, whilst He, admir'd, caress'd,
Belov'd, and ev'ry where a welcome guest,
With Brutes of rank and fortune plays the Whore,
For this unnat'ral lust a Common Sew'r.
Dine with APICIUS — at his sumptuous board
Find all, the world of dainties can afford —
And yet (so much distemper'd Spirits pall
The sickly appetite) amidst them all
APICIUS finds no joy, but, whilst he carves
For ev'ry guest, the Landlord sits and starves.
....
Whence flows this Sorrow then? behind his chair
Dids't Thou not see, deck'd with a Solitaire
Which on his bare breast glitt'ring play'd and grac'd
With nicest ornaments, a Stripling plac'd,
A Smooth, Smug, Stripling, in life's fairest prime?
Did'st Thou not mind too, how from time to time,
The monstrous Letcher, tempted to despise
All other dainties, thither turn'd his eyes?
How he seem'd inly to reproach us all,
Who strove his fix'd attention to recall,
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And how he wish'd, e'en at the Time of grace,
Like JANUS, to have had a double face?
His cause of grief behold in that fair Boy;
APICIUS dotes, and CORYDON is coy.
Vain and unthinking Stripling! When the glass
Meets thy too curious eye, and, as You pass,
Flatt'ring, presents in smiles thy image there,
Why dost Thou bless the Gods, who made Thee fair?
Blame their lage bounties, and with reason blame;
Curse, curse thy beauty, for it leads to shame.
When thy hot Lord, to work Thee to his end,
Bids show'rs of gold into thy breast descend,
Suspect his gifts, nor the vile giver trust;
They're baits for Virtue, and smell strong of lust.
On those gay, gaudy trappings, which adorn
The temple of thy body, look with scorn,
View them with horror, they pollution mean
And deepest ruin; Thou hast often seen,
From 'mongst the herd, the fairest and the best
Carefully singled out, and richly drest,
With grandeur mock'd, for scarifice decreed,
Only in greater pomp at last to bleed.
Be warn'd in time, the threat'ned danger shun,
To stay a moment is to be undone.
What tho', temptation proof, thy Virtue shine,
Nor bribes can move, nor arts can undermine,
All other methods failing, one resource
Is still behind, and Thou must yield to force.
Paint to thyself the horrors of a rape,
Most strongly paint, and, while Thou can'st escape,
Mind not his promises — They're made in sport —
Made to be broke — Was He not bred at Court?
Trust not to Honour, He's a Man of birth;
Attend not to his oaths — They're made on earth,
Not register'd in Heav'n — He mocks at grace,
And in his Creed God never found a place —
Look not for Conscience — for He knows her not,
So long a Stranger, she is quite forgot —
Nor think thyself in Law secure and firm —
Thy Master is a Lord, and Thou a worm,
A poor mean Reptile, never meant to think,
290
Who, being well supplied with meat and drink,
And suffer'd just to crawl from place to place,
Must serve his lusts, and think he does Thee grace.
Fly then, whilst yet 'tis in thy pow'r to fly,
But whither can'st Thou go? on whom rely
For wish'd protection? Virtue's sure to meet
An armed host of foes, in ev'ry street.
What boots it, of APICIUS fearful grown,
Headlong to fly into the arms of STONE,
Or why take refuge in the house of pray'd,
If sure to meet with an APICIUS there?
Trust not Old Age, which will thy faith betray;
Saint SOCRATES is still a Goat, tho' grey;
Trust not greet Youth; FLORIO will scarce go down,
And, at eighteen, hath surfeited the Town;
Trust not to Rakes — alas! 'tis all pretence —
They take up raking only as a sence
'Gainst Common Fame — place H—— in thy view;
He keeps one Whore as BARROWBY kept two;
Trust not to Marriage — T—— took a Wife,
Who caste as Dian might have pass'd her life,
Had she not, far more prudent in her aim,
(To propagate the honours of his name,
And save expiring titles) taken care
Without his knowledge to provide an heir;
Trust not to Marriage, in Mankind unread;
S[ackville]'s a married man, and S[troud's] new wed.
Would'st Thou be safe? Society forswear,
Fly to the desart, and seek shelter there,
Herd with the Brutes — they follow Nature's plan —
There's not one Brute so dangerous as Man
In Afric's wilds — 'mongst them that refuge find,
Which Lust denies thee here among Mankind;
Renounce thy name, thy nature, and no more
Pique thy vain Pride on Manhood, on all four
Walk, as Yous ee thouse honest creatures do,
And quite forget that once You walk'd on Two.
But, if the thoughts of Solitude alarm,
And social life hath one remaining charm,
291
If still Thou art to Jeopardy decreed
Amongst the monsters of AUGUSTA's breed,
Lay by thy sex, thy safety to procure;
Put off the Man, from Men to live secure;
Go forth a Woman to the public view,
And with their garb assume their manners too.
Had the light-footed GREEK of Chiron's school
Been wise enough to keep this single rule,
The Maudlin Hero, like a puling boy
Robb'd of his play-thing, on the plains of Troy
Had never blubber'd at Patroclus' tomb,
And plac'd his Minion in his Mistress' room.
Be not in this than Catamites more nice,
Do that for Virtue, which they do for Vice.
Thus shalt Thou pass untained life's gay bloom,
Thus stand uncourted in the drawing-room,
At midnight thus, untempted, walk the street,
And run no danger but of being beat.
Where is the Mother, whose officious zeal
Discreetly judging what her Daughters feel
By what she felt hefself in days of yore,
Against that Letcher Man makes fast the door,
Who not permits, e'en for the sake of pray'r,
A Priest, uncastrated, to enter there,
Nor (could her wishes, and her care prevail)
Would suffer in the house a fly that's male?
Let her discharge her cares, throw wide her doors,
Her daughters cannot, if They would, be Whores,
Nor can a man be found, as Times now go,
Who thinks it worth his while to make them so.
Tho' they more fresh, more lively than the Morn,
And brighter than the noon-day Sun, adorn
The works of Nature, tho' the Mother's grace
Revives improv'd, in ev'ry Daughter's face,
Undisciplin'd in dull Discretion's rules,
Untaught, and Undebauch'd by Boarding-Schools,
Free and ungaurded, let Them range the Town,
Go forth at random, and run pleasure down;
Start where she will, discard all taint of fear,
Nor think of danger, when no danger's near.
292
Watch not their steps — They're safe without thy care,
Unless, like Jennets, they conceive by air,
And ev're one of them may die a Nun,
Unless they breed, like Carrion, in the Sun.
Men, dead to pleasure, as they're dead to grace,
Against the law of Nature set their face,
The grand primaeval law, and seem combin'd
To stop the propagation of Mankind;
Vile Pathicks read the Marriage Act with pride,
And fancy that the Law is on their side.
Broke down, and Strength a stranger to his bed,
Old L—— tho' yet alive, is dead;
T—— lives no more, or lives not to our Isle;
No longer blest with a Cz——'s smile
T—— is at P—— disgrac'd,
And M—— grown grey, perforce grows chaste;
Nor to the credit of our modest race,
Rises one Stallion to supply their place.
A Maidenhead, which, twenty years ago,
In mid December, the rank Flky would blow
Tho' closely kept, now, when the Dog-Star's heat
Enflames the marrow, in the very street
May lie untouch'd, left for the worms, by Those
Who daintily pass by, and hold their nose.
Poor, plain Concupiscence is in disgrace,
And simple Letch'ry dares not shew her face
Lest she be sent to Bridewell; Bankrupts made,
To save their fortunes, Bawds leave off that trade,
Which first had left off them; to Well-close Square
Fine, fresh, young Strumpets (for DODD preaches there)
Throng for subsistence; Pimps no longer thrive,
And Pensions only keep L—— alive.
Where is the Mother, who thinks all her pain,
And all her jeopardy of travail, gain,
When a Man Child is born, thinks ev'ry pray'r,
Paid to the full, and answer'd in an heir?
Short-sighted Woman! little doth she know
What streams of sorrow from that source may flow,
Little suspect, while she surveys her Boy,
Her young NARCISSUS, with an eye of joy
293
Too full for Continence, that Fate could give
Her darling as a cruse, that she may lvie,
E're sixteen Winters they short course have run,
In agonies of soul, to curse that Son.
Pray then for Daughters, Ye wise Mothers, pray;
They shall reward your love, not make ye grey
Before your time with sorrow; they shall give
Ages of peace and comfort, whilst Ye live
Make life most truly worth your care, and save,
In spite of death, your mem'ries from the grave.
....
Is a son born into this world of woe?
In never-ceasing streams let sorrow flow,
Be from that hour the house with sables hung
Let lamentations dwell upon thy tongue,
E'en from the moment that he first began
To wail and wine, let him not see a man.
Lock, Lock him up, far from thepublic eye,
Give him no opportunity to buy,
Or to be bought; B——, tho' rich, was sold,
And gave his body up to shame for gold.
Let it be bruited all about the Town,
That He is coarse, indelicate and brown,
An Antidote to Lust, his Face deep scarr'd
With the Small-Pox, his body maim'd and marr'd,
Eat up with the King's-evil, and his blood,
Tainted throughout, a thick and putrid flood,
Where dwells Corruption, making him all o'er,
From head to foot, a rank and running sore.
Should'st Thou report him as by Nature made,
He is undone, and by thy praise betray'd;
Give him out fair, Letchers in number more,
More brutal and more fierce, than throng'd the door
Of LOT in SODOM, shall to thine repair,
And force a passage, tho' a God is there.
Let him not have one Servant that is male;
Where Lords are baffled, Servants oft prevail.
Some vices They propose, to all agree;
H—— was guilty, but was M—— free?
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Give him no Tutor — throw him to a punk,
Rather than trust his morals to a Monk —
Monks we all know — We, who have liv'd at home,
From fair report, and Travellers, who roam,
More feelingly — nor trust him to the gown,
'Tis oft a covering in this vile town
For base designs; Ourselves have liv'd to see
More than one Parson in the Pillory.
Should He have Brothers, (Image to thy view
A Scene, which, tho' not public made, is true)
Let jot one Brother be to t'other known,
Nor let his Father sit with him alone.
Be all his Servants, Female, Young, and Fair,
And if the Pride of Nature spur thy heir
To deeds of Venery, if, hot and wild,
He chance to get some score of maids with child,
Chide, but forgive him; Whoredom is a crime,
Which, more at this, than any other time,
Calls for indulgence, and, 'mongst such a race,
To have a bastard is some sign of grace.
Born in such time, should I sit tamely down,
Suppress my rage, and saunter thro' the town
As One who knew not, or who shar'd these crimes?
Should I at lesser evils point my rimes,
And let this Giant Sin, in the full eye
Of Observation, pass unwounded by?
Tho' our meek Wives, passive Obedience taught,
Patiently bear those wrongs, for which They ought,
With the brave Spirit of their dams possess'd,
To plant a dagger in each husband's breast,
To cut off male increase from this fair Isle,
And turn our Thames into another Nile;
Tho', on his Sunday, the smug PULPITEER,
Loud 'gainst all other crimes is silent here,
And thinks himself absolv'd, in the pretence
Of Decency, which meant for the defence
Of real Virtue, and to raise her price,
Becomes an Agent for the cause of Vice;
Tho' the Law sleeps, and thro' the care They take
To drug her well, may never more awake;
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Born in such times, nor with that patience curst
Which Saints may boast of, I must speak, or burst.
But if, too eager in my bold career,
Haply I wound the nice, and chaster ear,
If, all unguarded, all too rude, I speak,
And call up blushes in the maiden's cheek,
Forgive, Ye Fair — my real motives view,
And to forgiveness add your praises too.
For You I write — nor wish a better plan,
The Cause of Woman is most worthy Man —
For You I still will write, nor hold my hand,
Whilst there's one slave of SODOM in the land.
Let them fly far, and skulk from place to place,
Not daring to meet Manhood face to face,
Their steps I'll track, nor yield them one retreat
Where They may hide their heads, or rest their feet,
'Till God in wrath shall let his vengeance fall,
And make a great example of them all,
Bidding in one grand pile this Town expire,
Her Tow'rs in dust, her Thames a lake of fire,
Or They (most worth our wish) convinc'd, tho' late,
Of their past crimes, and dangerous estate,
Pardon of Women with Repentance buy,
And learn to honour them, as much as I.
~ Charles Churchill,
1174:Muiopotmos, Or The Fate Of The Butterflie
I SING of deadly dolorous debate,
Stir'd vp through wrathfull Nemesis despight,
Betwixt two mightie ones of great estate,
Drawne into armes, and proofe of mortall fight,
Through prowd ambition, and hartswelling hate,
Whilest neither could the others greater might
And sdeignfull scorne endure; that from small iarre
Their wraths at length broke into open warre.
The rote whereof and tragicall effect,
Vouchsafe, O thou the mournfulst Muse of nyne,
That wontst the tragick stage for to direct,
In funerall complaints and waylfull tyne,
Reueale to me, and all the meanes detect,
Through which sad Clarion did at last declyne
To lowest wretchednes; And is there then
Such rancor in the harts of mightie men?
Of all the race of siluer-winged Flies
Which doo possesse the Empire of the aire,
Betwixt the centred earth, and azure skies,
Was none more fauourable, nor more faire,
Whilst heauen did fauour his felicities,
Then Clarion, the eldest sonne and haire
Of Muscaroll, and in his fathers sight
Of all aliue did seeme the fairest wight.
With fruitfull hope his aged breast he fed
Of future good, which his young toward yeares,
Full of braue courage and bold hardyhed,
Aboue th' ensample of his equall peares,
Did largely promise, and to him forered,
(Whilst oft his heart did melt in tender teares)
That he in time would sure proue such an one,
As should be worthie of his fathers throne.
The fresh young flie, in whom the kindly fire
Of lustfull yong[th] began to kindle fast,
Did much disdaine to subject his desire
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To loathsome sloth, or houres in ease to wast,
But ioy'd to range abroad in fresh attire;
Through the wide compas of the ayrie coast,
And with vnwearied wings each part t'inquire
Of the wide rule of his renowmed sire.
For he so swift and nimble was of flight,
That from this lower tract he dar'd to stie
Vp to the clowdes, and thence with pineons light,
To mount aloft vnto the Christall skie,
To vew the workmanship of heauens hight:
Whence downe descending he along would flie
Vpon the streaming riuers, sport to finde;
And oft would dare to tempt the troublous winde.
So on a Summers day, when season milde
With gentle calme the world had quieted,
And high in heauen Hyperionsfierie childe
Ascending, did his beames abroad dispred,
Whiles all the heauens on lower creatures smilde;
Yong Clarion with vaunted lustie head,
After his guize did cast abroad to fare;
And theretoo gan his furnitures prepare.
His breastplate first, that was of substance pure,
Before his noble heart he firmely bound,
That mought his life from yron death assure,
And ward his gentle corpes from cruell wound:
For it by arte was framed to endure
The bit of balefull steele and bitter stownd,
No lesse then that, which Vulcane made to sheild
Achilles life from fate of Troyan field.
And then about his shoulders broad he threw
An hairie hide of some wild beast, whom hee
In saluage forrest by aduenture slew,
And rest the spoyle his ornament to bee:
Which spredding all his backe with dreadfull vew,
Made all that him so horrible did see,
Thinke him Alcides with the Lyons skin,
When the Næmean Conquest he did win.
Vpon his head his glistering Burganet,
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The which was wrought by wonderous deuice,
And curiously engrauen, he did set:
The mettall was of rare and passing price;
Not Bilbo steele, nor brasse from Corinth fet,
Nor costly Oricalche from strange Phoenice;
But such as could both Phoebus arrowes ward,
And th' hayling darts of heauen beating hard.
Therein two deadly weapons fixt he bore,
Strongly outlaunced towards either side,
Like two sharpe speares, his enemies to gore:
Like as a warlike Brigandine, applyde
To fight, layes forth her threatfull pikes afore,
The engines which in them sad death doo hyde:
So did this flie outstretch his fearefull hornes,
Yet so as him their terrour more adornes.
Lastly his shinie wings as siluer bright,
Painted with thousand colours, passing farre
All Painters skill, he did about him dight:
Not halfe so manie sundrie colours arre
In Iris bowe, ne heauen doth shine so bright,
Distinguished with manie a twinckling starre,
Nor Iunoes Bird in her ey-spotted traine
So many goodly colours doth containe.
Ne (may it be withouten perill spoken)
The Archer God, the son of Cytheree,
That ioyes on wretched louers to be wroken,
And heaped spoyles of bleeding harts to see,
Beares in his wings so manie a changefull token.
Ah my liege Lord, forgiue it vnto mee,
If ought against thine honour I haue tolde;
Yet sure those wings were fairer manifolde.
Full manie a Ladie faire, in Court full oft
Beholding them, him secretly enuide,
And wisht that two such fannes, so silken soft,
And golden faire, her Loue would her prouide;
Or that when them the gorgeous Flie had doft,0
Some one that would with grace be gratifide,
From him would steale them priuily away,
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And bring to her so precious a pray.
Report is that dame Venus on a day
In spring when flowres doo clothe the fruitfull ground,
Walking abroad with all her Nymphes to play,
Bad her faire damzels flocking her arownd,
To gather flowres, her forhead to array:
Emongst the rest a gentle Nymph was found,
Hight Astery, excelling all the crewe
In curteous vsage, and vnstained hewe
Who beeing nimbler ioynted than the rest,
And more industrious, gathered more store
Of the fields honour, than the others best;
Which they in secret harts enuying sore,
Tolde Venus, when her as the worthiest
She praisd, that Cupide (as they heard before)
Did lend her secret aide, in gathering
Into her lap the children of the spring.
Wherof the Goddesse gathering iealous feare,
Not yet vnmindfull how not long agoe
Her sonne to Psyche secrete loue did beare,
And long it close conceal'd, till mickle woe
Thereof arose, and manie a rufull teare;
Reason with sudden rage did ouergoe,
And giuing hastie credit to th'accuser,
Was led away of them that did abuse her.
Eftsoones that Damzell by her heauenly might,
She turn'd into a winged Butterflie,
In the wide aire to make her wandring flight;
And all those flowres, with which so plenteouslie
Her lap she filled had, that bred her spright,
She placed in her wings, for memorie
Of her pretended crime, though crime none were:
Since which that flie them in her wings doth beare.
Thus the fresh Clarion being readie dight,
Vnto his iourney did himselfe addresse,
And with good speed began to take his flight:
Ouer the fields in his franke lustinesse,
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And all the countrey wide he did possesse,
Feeding vpon their pleasures bounteouslie,
That none gainsaid, nor none him did enuie.
The woods, the riuers, and the meadowes green,
With his aire-cutting wings he measur'd wide,
Ne did he leaue the mountaines bare vnseene,
Nor the ranke grassie fennes delights vntride.
But none of these, how euer sweete they beene,
Mote please his fancie, nor him cause t'abide:
His choicefull sense with euerie change doth flit.
No common things may please a wauering wit.
To the gay gardins his vnstaid desire
Him wholly caried, to refresh his sprights:
There lauish Nature in her best attire,
Powres forth sweete odors, and alluring sights;
And Arte with her contending, doth aspire
T'excell the naturall, with made delights:
And all that faire or pleasant may be found,
In riotous excesse doth there abound.
There he arriuing, round about doth flie,
From bed to bed, from one to other border,
And takes suruey with curious busie eye,
Of euerie flowre and herbe there set in order;
Now this, now that he tasteth tenderly,
Yet none of them he rudely doth disorder,
Ne with his feete their silken leaues deface;
But pastures on the pleasures of each place.
And euermore with most varietie,
And change of sweetnesse (for all change is sweete)
He casts his glutton sense to satisfie,
Now sucking of the sap of herbe most meete,
Or of the deaw, which yet on them does lie,
Now in the same bathing his tender feete:
And then he pearcheth on some braunch thereby,
To weather him, and his moyst wings to dry.
And then againe he turneth to his play,
To spoyle the pleasure of that Paradise:
The wholsome Saluge, and Lauender still gray,
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Ranke smelling Rue, and Cummin good for eyes,
The Roses raigning in the pride of May,
Sharpe Isope, good for greene wounds remedies,
Faire Marigoldes, and Bees alluring Thime,
Sweet Marioram, and Daysies decking prime.
Coole Violets, and Orpine growing still,
Embathed Balme, and chearfull Galingale,
Fresh Costmarie, and breathfull Camomill,
Red Poppie, and drink-quickning Setuale,
Veyne-healing Veruen, and hed-purging Dill,
Sound Sauorie, and Bazil hartie-hale,
Fat Colworts and comforting Perseline,0
Colde Lettuce, and refreshing Rosmarine.
And whatso else of virtue good or ill
Grewe in the Gardin, fetcht from farre away,
Of euerie one he takes, and tastes at will,
And on their pleasures greedily doth pray.
Then when he hath both plaid, and fed his fill,
In the warme Sunne he doth himselfe embay,
And there him rests in riotous siffisaunce
Of all his gladfulnes, and kingly ioyaunce.
What more felicitie can fall to creature
Than to enioy delight with libertie,
And to be Lord of all the workes of Nature,
To raine in th' aire from th' earth to highest skie,
To feed on flowres, and weeds of glorious feature,
To take what euer thing doth please the eie?
Who rests not pleased with such happines,
Well worthie he to taste of wretchednes.
But what on earth can long abide in state?
Or who can him assure of happie day;
Sith morning faire may bring fowle euening late,
And least mishap the most blisse alter may?
For thousand perills lie in close awaite
About vs daylie, to worke our decay;
That none, except a God, or God him guide,
May them auoyde, or remedie prouide.
And whatso heauens in their secrete doome
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Ordained haue, how can fraile fleshly wight
Forecast, but it must needs to issue come?
The sea, the aire, the fire, the day, the night,
And th' armies of their creatures all and some
Do serue to them, and with importune might
Warre against vs the vassals of their will.
Who then can saue, what they dispose to spill?
Not thou, O Clarion, though fairest thou
Of all thy kinde, vnhappie happie Flie,
Whose cruell fate is wouen euen now
Of Ioues owne hand, to worke thy miserie:
Ne may thee helpe the manie hartie vow,
Which thy olde Sire with sacred pietie
Hath powred forth for thee, and th' altars sprent:
Nought may thee saue from heauens auengement.
It fortuned (as heauens had behight)
That in this gardin, where yong Clarion
Was wont to solace him, a wicked wight,
The foe of faire things, th' author of confusion,
The shame of Nature, the bondslaue of spight,
Had lately built his hatefull mansion;
And, lurking closely, in awayte now lay
How he might anie in his trap betray.
But when he spide the ioyous Butterflie
In this faire plot displacing too and fro,
Fearles of foes and hidden ieopardie,
Lord how he gan for to bestirre him tho,
And to his wicked worke each part applie:
His heate did earne against his hated foe,
And bowels so with ranckling poyson swelde,
That scarce the skin the strong contagion helde.
The cause why he this Flie so maliced,
Was (as in stories it is written found)
For that his mother which him bore and bred,
The most fine-fingred workwoman on ground,
Arachne, by his meanes was vanquished
Of Pallas, and in her owne skill confound,
When she with her for excellence contended,
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That wrought her shame, and sorrow neuer ended.
For the Tritonian goddesse, hauing hard
Her blazed fame, which all the world had fil'd,
Came downe to proue the truth, and due reward
For her prais-worthie workmanship to yeild
But the presumptuous Damzel rashly dar'd
The Goddesse selfe to chalenge to the field,
And to compare with her in curious skill
Of workes with loome, with needle, and with quill.
Minerua did the chalenge not refuse,
But deign'd with her the paragon to make:
So to their worke they sit, and each doth chuse
What storie she will for her tapet take.
Arachne figur'd how Ioue did abuse
Europa like a Bull, and on his backe
Her through the sea did beare; so liuely seene,
That it true Sea, and true Bull ye would weene.
Shee seem'd still backe vnto the land to looke,
And her play-fellowes aide to call, and feare
The dashing of the waues, that vp she tooke
Her daintie feete, and garments gathered neare:
But (Lord) how she in euerie member shooke,
When as the land she saw no more appeare,
But a wilde wildernes of waters deepe:
Then gan she greatly to lament and weepe.
Before the Bull she pictur'd winged Loue,
With his yong brother Sport, light fluttering
Vpon the waues, as each had beene a Doue;
The one his bowe and shafts, the other Spring.
A burning Teade about his head did moue,
As in their Syres new loue both triumphing:
And manie Nymphes about them flocking round,
And manie Tritons, which did their hornes sound.
And round about, her worke she did empale
With a faire border wrought of sundrie flowres,
Enwouen with an Yuie winding trayle:0
A goodly worke, full fit for Kingly bowres,
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Such as Dame Pallas, such as Enuie pale,
That al good things with venemous tooth deuowres,
Could not accuse. Then gan the Goddesse bright
Her selfe likewise vnto her worke to dight.
She made the storie of the old debate
Which she with Neptune did for Athens trie:
Twelue Gods doo sit around in royall state,
And Ioue in midst with awfull Maiestie,
To iudge the strife betweene them stirred late:
Each of the Gods by his like visnomie
Eathe to be knowen; but Ioue aboue them all,
By his great lookes and power Imperiall.
Before them stands the God of Seas in place,
Clayming that sea-coast Citie as his right,
And strikes the rockes with his three-forked mace;
Whenceforth issues a warlike steed in sight,
The signe by which he chalengeth the place,
That all the Gods, which saw his wondrous might
Did surely deeme the victorie his due:
But seldome seene, foriudgement proueth true.
Then to her selfe she giues her Aegide shield,
And steelhed speare, and morion on her hedd,
Such as she oft is seene in warlicke field:
Then sets she forth, how with her weapon dredd
She smote the ground, the which streight foorth did yield
A fruitfull Olyue tree, with berries spredd,
That all the Gods admir'd; then all the storie
She compast with a wreathe of Olyues hoarie.
Emongst these leaues she made a Butterflie,
With excellent deuice and wondrous flight,
Fluttring among the Oliues wantonly,
That seem'd to liue, so like it was in sight:
The veluet nap which on his wings doth lie,
The siken downe with which his backe is dight,
His broad outstretched hornes, his [h]ayrie thies,
His glorious colours, and his glittering eies.
Which when Arachne saw, as ouerlaid
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And mastered with workmanship so rare,
She stood astonied long, ne ought gainesaid,
And with fast fixed eyes on her did stare,
And by her silence, signe of one dismaid,
The victorie did yeeld her as her share:
Yet she did inly fret, and felly burne,
And all her blood to poysonous rancor turne:
That shortly from the shape of womanhed,
Such as she was, when Pallas she attempted
, She grew to hideous shape of dryrihed,
Pined with griefe of folly late repented:
Eftsoones her white streight legs were altered
To crooked crawling shankes, of marrowe empted,
And her faire face to fowle and loathsome hewe
And her fine corpses to a bag of venim grewe.
This cursed creature, mindfull of that olde
Enfested grudge, the which his mother felt,
So soone as Clarion he did beholde,
His heart with vengefull malice inly swelt;
And weauing straight a net with manie a folde
About the caue, in which he lurking dwelt,
With fine small cords about it stretched wide,
So finely sponne, that scarce they could be spide.
Not anie damzell, which her vaunteth most
In skilfull knitting of soft silken twyne;
Nor anie skil'd in workmanship embost;
Nor anie skil'd in loupes of fingring fine,
Might in their diuers cunning euer dare,
With this so curious networke to compare.
Ne doo I thinke, that that same subtil gin,
The which the Lemnian God framde craftilie,
Mars sleeping with his wife to compasse in,
That all the Gods with common mockerie
Might laugh at them, and scorne their shamefull sin,
Was like to this. This same he did applie
For to entrap the careles Clarion,
That ran'gd each where without suspition.
Suspition of friend, nor feare of foe,
125
That hazarded his health, had he at all,
But walkt at will, and wandred too and fro,
In the pride of his freedome principall:
Litle wist he his fatall future woe,
But was secure, the liker he to fall.
He likest is to fall into mischaunce,
That is regardles of his gouernaunce.
Yet still Aragnoll (so his foe was hight)
Lay lurking couertly him to surprise,
And all his gins that him entangle might,
Drest in good order as he could deuise.
At length the foolish Flie without foresight,
As he that did all danger quite despise,
Toward those parts came flying careleslie
, Where hidden was his hatefull enemie.
Who, seeing him, with secrete ioy therefore
Did tickle inwardly in euerie vaine,
And his false hart fraught with all treasons store,
Was fil'd with hope, his purpose to obtaine:
Himselfe he close vpgathered more and more
Into his den, that his deceiptfull traine
By his there being might not be bewraid,
Ne anie noyse, ne anie motion made.
Like as a wily Foxe, that hauing spide,
Where on a sunnie banke the Lambes doo play,
Full closely creeping by the hinder side,
Lyes in ambushment of his hoped pray,
Ne stirreth limbe, till seeing readie tide,
He rusheth forth, and snatcheth quite away
One of the little yonglings vnawares:
So to his worke Aragnoll him prepares.
Who now shall giue vnto my heauie eyes
A well of teares, that all may ouerflow?
Or where shall I finde lamentable cryes,
And mournfull tunes enough my griefe to show?
Helpe O thou Tragick Muse, me to deuise
Notes sad enough t'expresse this bitter throw:
For loe, the drerie stownd is now arriued,
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That of all happines hath vs depriued.
The luckles Clarion, whether cruell Fate,
Or wicked Fortune faultles him misled,
Or some vngracious blast out of the gate
Of Aeoles raine perforce him droue on hed,
Was (O sad hap and howre vnfortunate)
With violent swift flight forth caried
Into the cursed cobweb, which his foe
Had framed for his finall ouerthroe.
There the fond Flie entangled, strugled long,
Himselfe to free thereout; but all in vaine.
For striuing more, the more in laces strong
Himselfe he tide, and wrapt his winges twine
In lymie snares the subtill loupes among;
That in the ende he breathlesse did remaine,
And all his yougthly forces idly spent,
Him to the mercie of th' auenger lent.
Which when the greisly tyrant did espie,
Like a grimme Lyon rushing with fierce might
Out of his den, he seized greedilie
On the resistles pray, and with fell spight,
Vnder the left wing stroke his weapon slie
Into his heart, that his deepe groning spright
In bloodie streames foorth fled into the aire,
His bodie left the spectacle of care.
~ Edmund Spenser,
1175:The Emigrants: Book Ii
Scene, on an Eminence on one of those Downs, which afford to the South a
view of the Sea; to the North of the Weald of Sussex. Time, an Afternoon in
April, 1793.

Long wintry months are past; the Moon that now
Lights her pale crescent even at noon, has made
Four times her revolution; since with step,
Mournful and slow, along the wave-worn cliff,
Pensive I took my solitary way,
Lost in despondence, while contemplating
Not my own wayward destiny alone,
(Hard as it is, and difficult to bear!)
But in beholding the unhappy lot
Of the lorn Exiles; who, amid the storms
Of wild disastrous Anarchy, are thrown,
Like shipwreck'd sufferers, on England's coast,
To see, perhaps, no more their native land,
Where Desolation riots: They, like me,
From fairer hopes and happier prospects driven,
Shrink from the future, and regret the past.
But on this Upland scene, while April comes,
With fragrant airs, to fan my throbbing breast,
Fain would I snatch an interval from Care,
That weighs my wearied spirit down to earth;
Courting, once more, the influence of Hope
(For "Hope" still waits upon the flowery prime)
As here I mark Spring's humid hand unfold
The early leaves that fear capricious winds,
While, even on shelter'd banks, the timid flowers
Give, half reluctantly, their warmer hues
To mingle with the primroses' pale stars.
No shade the leafless copses yet afford,
Nor hide the mossy labours of the Thrush,
That, startled, darts across the narrow path;
But quickly re-assur'd, resumes his talk,
Or adds his louder notes to those that rise
From yonder tufted brake; where the white buds
Of the first thorn are mingled with the leaves
164
Of that which blossoms on the brow of May.
Ah! 'twill not be:---- So many years have pass'd,
Since, on my native hills, I learn'd to gaze
On these delightful landscapes; and those years
Have taught me so much sorrow, that my soul
Feels not the joy reviving Nature brings;
But, in dark retrospect, dejected dwells
On human follies, and on human woes.---What is the promise of the infant year,
The lively verdure, or the bursting blooms,
To those, who shrink from horrors such as War
Spreads o'er the affrighted world? With swimming eye,
Back on the past they throw their mournful looks,
And see the Temple, which they fondly hop'd
Reason would raise to Liberty, destroy'd
By ruffian hands; while, on the ruin'd mass,
Flush'd with hot blood, the Fiend of Discord sits
In savage triumph; mocking every plea
Of policy and justice, as she shews
The headless corse of one, whose only crime
Was being born a Monarch--Mercy turns,
From spectacle so dire, her swol'n eyes;
And Liberty, with calm, unruffled brow
Magnanimous, as conscious of her strength
In Reason's panoply, scorns to distain
Her righteous cause with carnage, and resigns
To Fraud and Anarchy the infuriate crowd.---What is the promise of the infant year
To those, who (while the poor but peaceful hind
Pens, unmolested, the encreasing flock
Of his rich master in this sea-fenc'd isle)
Survey, in neighbouring countries, scenes that make
The sick heart shudder; and the Man, who thinks,
Blush for his species? There the trumpet's voice
Drowns the soft warbling of the woodland choir;
And violets, lurking in their turfy beds
Beneath the flow'ring thorn, are stain'd with blood.
There fall, at once, the spoiler and the spoil'd;
While War, wide-ravaging, annihilates
The hope of cultivation; gives to Fiends,
The meagre, ghastly Fiends of Want and Woe,
The blasted land--There, taunting in the van
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Of vengeance-breathing armies, Insult stalks;
And, in the ranks, "1 Famine, and Sword, and Fire,
"Crouch for employment."--Lo! the suffering world,
Torn by the fearful conflict, shrinks, amaz'd,
From Freedom's name, usurp'd and misapplied,
And, cow'ring to the purple Tyrant's rod,
Deems that the lesser ill--Deluded Men!
Ere ye prophane her ever-glorious name,
Or catalogue the thousands that have bled
Resisting her; or those, who greatly died
Martyrs to Liberty --revert awhile
To the black scroll, that tells of regal crimes
Committed to destroy her; rather count
The hecatombs of victims, who have fallen
Beneath a single despot; or who gave
Their wasted lives for some disputed claim
Between anointed robbers: 2 Monsters both!
"3 Oh! Polish'd perturbation--golden care!"
So strangely coveted by feeble Man
To lift him o'er his fellows;--Toy, for which
Such showers of blood have drench'd th' affrighted earth-Unfortunate his lot, whose luckless head
Thy jewel'd circlet, lin'd with thorns, has bound;
And who, by custom's laws, obtains from thee
Hereditary right to rule, uncheck'd,
Submissive myriads: for untemper'd power,
Like steel ill form'd, injures the hand
It promis'd to protect--Unhappy France!
If e'er thy lilies, trampled now in dust,
And blood-bespotted, shall again revive
In silver splendour, may the wreath be wov'n
By voluntary hands; and Freemen, such
As England's self might boast, unite to place
The guarded diadem on his fair brow,
Where Loyalty may join with Liberty
To fix it firmly.--In the rugged school
Of stern Adversity so early train'd,
His future life, perchance, may emulate
That of the brave Bernois 4 , so justly call'd
The darling of his people; who rever'd
The Warrior less, than they ador'd the Man!
But ne'er may Party Rage, perverse and blind,
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And base Venality, prevail to raise
To public trust, a wretch, whose private vice
Makes even the wildest profligate recoil;
And who, with hireling ruffians leagu'd, has burst
The laws of Nature and Humanity!
Wading, beneath the Patriot's specious mask,
And in Equality's illusive name,
To empire thro' a stream of kindred blood-Innocent prisoner!--most unhappy heir
Of fatal greatness, who art suffering now
For all the crimes and follies of thy race;
Better for thee, if o'er thy baby brow
The regal mischief never had been held:
Then, in an humble sphere, perhaps content,
Thou hadst been free and joyous on the heights
Of Pyrennean mountains, shagg'd with woods
Of chesnut, pine, and oak: as on these hills
Is yonder little thoughtless shepherd lad,
Who, on the slope abrupt of downy turf
Reclin'd in playful indolence, sends off
The chalky ball, quick bounding far below;
While, half forgetful of his simple task,
Hardly his length'ning shadow, or the bells'
Slow tinkling of his flock, that supping tend
To the brown fallows in the vale beneath,
Where nightly it is folded, from his sport
Recal the happy idler.--While I gaze
On his gay vacant countenance, my thoughts
Compare with his obscure, laborious lot,
Thine, most unfortunate, imperial Boy!
Who round thy sullen prison daily hear'st
The savage howl of Murder, as it seeks
Thy unoffending life: while sad within
Thy wretched Mother, petrified with grief,
Views thee with stony eyes, and cannot weep!-Ah! much I mourn thy sorrows, hapless Queen!
And deem thy expiation made to Heaven
For every fault, to which Prosperity
Betray'd thee, when it plac'd thee on a throne
Where boundless power was thine, and thou wert rais'd
High (as it seem'd) above the envious reach
Of destiny! Whate'er thy errors were,
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Be they no more remember'd; tho' the rage
Of Party swell'd them to such crimes, as bade
Compassion stifle every sigh that rose
For thy disastrous lot--More than enough
Thou hast endur'd; and every English heart,
Ev'n those, that highest beat in Freedom's cause,
Disclaim as base, and of that cause unworthy,
The Vengeance, or the Fear, that makes thee still
A miserable prisoner!--Ah! who knows,
From sad experience, more than I, to feel
For thy desponding spirit, as it sinks
Beneath procrastinated fears for those
More dear to thee than life! But eminence
Of misery is thine, as once of joy;
And, as we view the strange vicissitude,
We ask anew, where happiness is found?-----Alas! in rural life, where youthful dreams
See the Arcadia that Romance describes,
Not even Content resides!--In yon low hut
Of clay and thatch, where rises the grey smoke
Of smold'ring turf, cut from the adjoining moor,
The labourer, its inhabitant, who toils
From the first dawn of twilight, till the Sun
Sinks in the rosy waters of the West,
Finds that with poverty it cannot dwell;
For bread, and scanty bread, is all he earns
For him and for his household--Should Disease,
Born of chill wintry rains, arrest his arm,
Then, thro' his patch'd and straw-stuff'd casement, peeps
The squalid figure of extremest Want;
And from the Parish the reluctant dole,
Dealt by th' unfeeling farmer, hardly saves
The ling'ring spark of life from cold extinction:
Then the bright Sun of Spring, that smiling bids
All other animals rejoice, beholds,
Crept from his pallet, the emaciate wretch
Attempt, with feeble effort, to resume
Some heavy task, above his wasted strength,
Turning his wistful looks (how much in vain!)
To the deserted mansion, where no more
The owner (gone to gayer scenes) resides,
Who made even luxury, Virtue; while he gave
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The scatter'd crumbs to honest Poverty.-But, tho' the landscape be too oft deform'd
By figures such as these, yet Peace is here,
And o'er our vallies, cloath'd with springing corn,
No hostile hoof shall trample, nor fierce flames
Wither the wood's young verdure, ere it form
Gradual the laughing May's luxuriant shade;
For, by the rude sea guarded, we are safe,
And feel not evils such as with deep sighs
The Emigrants deplore, as, they recal
The Summer past, when Nature seem'd to lose
Her course in wild distemperature, and aid,
With seasons all revers'd, destructive War.
Shuddering, I view the pictures they have drawn
Of desolated countries, where the ground,
Stripp'd of its unripe produce, was thick strewn
With various Death--the war-horse falling there
By famine, and his rider by the sword.
The moping clouds sail'd heavy charg'd with rain,
And bursting o'er the mountains misty brow,
Deluged, as with an inland sea, the vales 5 ;
Where, thro' the sullen evening's lurid gloom,
Rising, like columns of volcanic fire,
The flames of burning villages illum'd
The waste of water; and the wind, that howl'd
Along its troubled surface, brought the groans
Of plunder'd peasants, and the frantic shrieks
Of mothers for their children; while the brave,
To pity still alive, listen'd aghast
To these dire echoes, hopeless to prevent
The evils they beheld, or check the rage,
Which ever, as the people of one land
Meet in contention, fires the human heart
With savage thirst of kindred blood, and makes
Man lose his nature; rendering him more fierce
Than the gaunt monsters of the howling waste.
Oft have I heard the melancholy tale,
Which, all their native gaiety forgot,
These Exiles tell--How Hope impell'd them on,
Reckless of tempest, hunger, or the sword,
Till order'd to retreat, they knew not why,
From all their flattering prospects, they became
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The prey of dark suspicion and regret 6 :
Then, in despondence, sunk the unnerv'd arm
Of gallant Loyalty--At every turn
Shame and disgrace appear'd, and seem'd to mock
Their scatter'd squadrons; which the warlike youth,
Unable to endure, often implor'd,
As the last act of friendship, from the hand
Of some brave comrade, to receive the blow
That freed the indignant spirit from its pain.
To a wild mountain, whose bare summit hides
Its broken eminence in clouds; whose steeps
Are dark with woods; where the receding rocks
Are worn by torrents of dissolving snow,
A wretched Woman, pale and breathless, flies!
And, gazing round her, listens to the sound
Of hostile footsteps---- No! it dies away:
Nor noise remains, but of the cataract,
Or surly breeze of night, that mutters low
Among the thickets, where she trembling seeks
A temporary shelter--clasping close
To her hard-heaving heart, her sleeping child,
All she could rescue of the innocent groupe
That yesterday surrounded her--Escap'd
Almost by miracle! Fear, frantic Fear,
Wing'd her weak feet: yet, half repentant now
Her headlong haste, she wishes she had staid
To die with those affrighted Fancy paints
The lawless soldier's victims--Hark! again
The driving tempest bears the cry of Death,
And, with deep sudden thunder, the dread sound
Of cannon vibrates on the tremulous earth;
While, bursting in the air, the murderous bomb
Glares o'er her mansion. Where the splinters fall,
Like scatter'd comets, its destructive path
Is mark'd by wreaths of flame!--Then, overwhelm'd
Beneath accumulated horror, sinks
The desolate mourner; yet, in Death itself,
True to maternal tenderness, she tries
To save the unconscious infant from the storm
In which she perishes; and to protect
This last dear object of her ruin'd hopes
From prowling monsters, that from other hills,
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More inaccessible, and wilder wastes,
Lur'd by the scent of slaughter, follow fierce
Contending hosts, and to polluted fields
Add dire increase of horrors--But alas!
The Mother and the Infant perish both!-The feudal Chief, whose Gothic battlements
Frown on the plain beneath, returning home
From distant lands, alone and in disguise,
Gains at the fall of night his Castle walls,
But, at the vacant gate, no Porter sits
To wait his Lord's admittance!--In the courts
All is drear silence!--Guessing but too well
The fatal truth, he shudders as he goes
Thro' the mute hall; where, by the blunted light
That the dim moon thro' painted casements lends,
He sees that devastation has been there:
Then, while each hideous image to his mind
Rises terrific, o'er a bleeding corse
Stumbling he falls; another interrupts
His staggering feet--all, all who us'd to rush
With joy to meet him--all his family
Lie murder'd in his way!--And the day dawns
On a wild raving Maniac, whom a fate
So sudden and calamitous has robb'd
Of reason; and who round his vacant walls
Screams unregarded, and reproaches Heaven!-Such are thy dreadful trophies, savage War!
And evils such as these, or yet more dire,
Which the pain'd mind recoils from, all are thine-The purple Pestilence, that to the grave
Sends whom the sword has spar'd, is thine; and thine
The Widow's anguish and the Orphan's tears!-Woes such as these does Man inflict on Man;
And by the closet murderers, whom we style
Wise Politicians; are the schemes prepar'd,
Which, to keep Europe's wavering balance even,
Depopulate her kingdoms, and consign
To tears and anguish half a bleeding world!-Oh! could the time return, when thoughts like these
Spoil'd not that gay delight, which vernal Suns,
Illuminating hills, and woods, and fields,
Gave to my infant spirits--Memory come!
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And from distracting cares, that now deprive
Such scenes of all their beauty, kindly bear
My fancy to those hours of simple joy,
When, on the banks of Arun, which I see
Make its irriguous course thro' yonder meads,
I play'd; unconscious then of future ill!
There (where, from hollows fring'd with yellow broom,
The birch with silver rind, and fairy leaf,
Aslant the low stream trembles) I have stood,
And meditated how to venture best
Into the shallow current, to procure
The willow herb of glowing purple spikes,
Or flags, whose sword-like leaves conceal'd the tide,
Startling the timid reed-bird from her nest,
As with aquatic flowers I wove the wreath,
Such as, collected by the shepherd girls,
Deck in the villages the turfy shrine,
And mark the arrival of propitious May.-How little dream'd I then the time would come,
When the bright Sun of that delicious month
Should, from disturb'd and artificial sleep,
Awaken me to never-ending toil,
To terror and to tears!--Attempting still,
With feeble hands and cold desponding heart,
To save my children from the o'erwhelming wrongs,
That have for ten long years been heap'd on me!-The fearful spectres of chicane and fraud
Have, Proteus like, still chang'd their hideous forms
(As the Law lent its plausible disguise),
Pursuing my faint steps; and I have seen
Friendship's sweet bonds (which were so early form'd,)
And once I fondly thought of amaranth
Inwove with silver seven times tried) give way,
And fail; as these green fan-like leaves of fern
Will wither at the touch of Autumn's frost.
Yet there are those , whose patient pity still
Hears my long murmurs; who, unwearied, try
With lenient hands to bind up every wound
My wearied spirit feels, and bid me go
"Right onward 7 "--a calm votary of the Nymph,
Who, from her adamantine rock, points out
To conscious rectitude the rugged path,
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That leads at length to Peace!--Ah! yes, my friends
Peace will at last be mine; for in the Grave
Is Peace--and pass a few short years, perchance
A few short months, and all the various pain
I now endure shall be forgotten there,
And no memorial shall remain of me,
Save in your bosoms; while even your regret
Shall lose its poignancy, as ye reflect
What complicated woes that grave conceals!
But, if the little praise, that may await
The Mother's efforts, should provoke the spleen
Of Priest or Levite; and they then arraign
The dust that cannot hear them; be it yours
To vindicate my humble fame; to say,
That, not in selfish sufferings absorb'd,
"I gave to misery all I had, my tears 8 ."
And if, where regulated sanctity
Pours her long orisons to Heaven, my voice
Was seldom heard, that yet my prayer was made
To him who hears even silence; not in domes
Of human architecture, fill'd with crowds,
But on these hills, where boundless, yet distinct,
Even as a map, beneath are spread the fields
His bounty cloaths; divided here by woods,
And there by commons rude, or winding brooks,
While I might breathe the air perfum'd with flowers,
Or the fresh odours of the mountain turf;
And gaze on clouds above me, as they sail'd
Majestic: or remark the reddening north,
When bickering arrows of electric fire
Flash on the evening sky--I made my prayer
In unison with murmuring waves that now
Swell with dark tempests, now are mild and blue,
As the bright arch above; for all to me
Declare omniscient goodness; nor need I
Declamatory essays to incite
My wonder or my praise, when every leaf
That Spring unfolds, and every simple bud,
More forcibly impresses on my heart
His power and wisdom--Ah! while I adore
That goodness, which design'd to all that lives
Some taste of happiness, my soul is pain'd
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By the variety of woes that Man
For Man creates--his blessings often turn'd
To plagues and curses: Saint-like Piety,
Misled by Superstition, has destroy'd
More than Ambition; and the sacred flame
Of Liberty becomes a raging fire,
When Licence and Confusion bid it blaze.
From thy high throne, above yon radiant stars,
O Power Omnipotent! with mercy view
This suffering globe, and cause thy creatures cease,
With savage fangs, to tear her bleeding breast:
Refrain that rage for power, that bids a Man,
Himself a worm, desire unbounded rule
O'er beings like himself: Teach the hard hearts
Of rulers, that the poorest hind, who dies
For their unrighteous quarrels, in thy sight
Is equal to the imperious Lord, that leads
His disciplin'd destroyers to the field.---May lovely Freedom, in her genuine charms,
Aided by stern but equal Justice, drive
From the ensanguin'd earth the hell-born fiends
Of Pride, Oppression, Avarice, and Revenge,
That ruin what thy mercy made so fair!
Then shall these ill-starr'd wanderers, whose sad fate
These desultory lines lament, regain
Their native country; private vengeance then
To public virtue yield; and the fierce feuds,
That long have torn their desolated land,
May (even as storms, that agitate the air,
Drive noxious vapours from the blighted earth)
Serve, all tremendous as they are, to fix
The reign of Reason, Liberty, and Peace!
~ Charlotte Smith,
1176:Idylls Of The King: The Passing Of Arthur (Excerpt)
That story which the bold Sir Bedivere,
First made and latest left of all the knights,
Told, when the man was no more than a voice
In the white winter of his age, to those
With whom he dwelt, new faces, other minds.
For on their march to westward, Bedivere,
Who slowly paced among the slumbering host,
Heard in his tent the moanings of the King:
"I found Him in the shining of the stars,
I mark'd Him in the flowering of His fields,
But in His ways with men I find Him not.
I waged His wars, and now I pass and die.
O me! for why is all around us here
As if some lesser god had made the world,
But had not force to shape it as he would,
Till the High God behold it from beyond,
And enter it, and make it beautiful?
Or else as if the world were wholly fair,
But that these eyes of men are dense and dim,
And have not power to see it as it is:
Perchance, because we see not to the close;-For I, being simple, thought to work His will,
And have but stricken with the sword in vain;
And all whereon I lean'd in wife and friend
Is traitor to my peace, and all my realm
Reels back into the beast, and is no more.
My God, thou hast forgotten me in my death:
Nay--God my Christ--I pass but shall not die."
Then, ere that last weird battle in the west,
There came on Arthur sleeping, Gawain kill'd
In Lancelot's war, the ghost of Gawain blown
Along a wandering wind, and past his ear
Went shrilling, "Hollow, hollow all delight!
Hail, King! to-morrow thou shalt pass away.
Farewell! there is an isle of rest for thee.
And I am blown along a wandering wind,
And hollow, hollow, hollow all delight."
And fainter onward, like wild birds that change
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Their season in the night and wail their way
From cloud to cloud, down the long wind the dream
Shrill'd; but in going mingled with dim cries
Far in the moonlit haze among the hills,
As of some lonely city sack'd by night,
When all is lost, and wife and child with wail
Pass to new lords; and Arthur woke and call'd,
"Who spake? A dream. O light upon the wind,
Thine, Gawain, was the voice--are these dim cries
Thine? or doth all that haunts the waste and wild
Mourn, knowing it will go along with me?"
This heard the bold Sir Bedivere and spake:
"O me, my King, let pass whatever will,
Elves, and the harmless glamour of the field;
But in their stead thy name and glory cling
To all high places like a golden cloud
For ever: but as yet thou shalt not pass.
Light was Gawain in life, and light in death
Is Gawain, for the ghost is as the man;
And care not thou for dreams from him, but rise-I hear the steps of Modred in the west,
And with him many of thy people, and knights
Once thine, whom thou hast loved, but grosser grown
Than heathen, spitting at their vows and thee.
Right well in heart they know thee for the King.
Arise, go forth and conquer as of old."
Then spake King Arthur to Sir Bedivere:
"Far other is this battle in the west
Whereto we move, than when we strove in youth,
And brake the petty kings, and fought with Rome,
Or thrust the heathen from the Roman wall,
And shook him thro' the north. Ill doom is mine
To war against my people and my knights.
The king who fights his people fights himself.
And they my knights, who loved me once, the stroke
That strikes them dead is as my death to me.
Yet let us hence, and find or feel a way
Thro' this blind haze, which ever since I saw
One lying in the dust at Almesbury,
Hath folded in the passes of the world."
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Then rose the King and moved his host by night,
And ever push'd Sir Modred, league by league,
Back to the sunset bound of Lyonnesse-A land of old upheaven from the abyss
By fire, to sink into the abyss again;
Where fragments of forgotten peoples dwelt,
And the long mountains ended in a coast
Of ever-shifting sand, and far away
The phantom circle of a moaning sea.
There the pursuer could pursue no more,
And he that fled no further fly the King;
And there, that day when the great light of heaven
Burn'd at his lowest in the rolling year,
On the waste sand by the waste sea they closed.
Nor ever yet had Arthur fought a fight
Like this last, dim, weird battle of the west.
A deathwhite mist slept over sand and sea:
Whereof the chill, to him who breathed it, drew
Down with his blood, till all his heart was cold
With formless fear; and ev'n on Arthur fell
Confusion, since he saw not whom he fought.
For friend and foe were shadows in the mist,
And friend slew friend not knowing whom he slew;
And some had visions out of golden youth,
And some beheld the faces of old ghosts
Look in upon the battle; and in the mist
Was many a noble deed, many a base,
And chance and craft and strength in single fights,
And ever and anon with host to host
Shocks, and the splintering spear, the hard mail hewn,
Shield-breakings, and the clash of brands, the crash
Of battleaxes on shatter'd helms, and shrieks
After the Christ, of those who falling down
Look'd up for heaven, and only saw the mist;
And shouts of heathen and the traitor knights,
Oaths, insult, filth, and monstrous blasphemies,
Sweat, writhings, anguish, labouring of the lungs
In that close mist, and cryings for the light,
Moans of the dying, and voices of the dead.
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Last, as by some one deathbed after wail
Of suffering, silence follows, or thro' death
Or deathlike swoon, thus over all that shore,
Save for some whisper of the seething seas,
A dead hush fell; but when the dolorous day
Grew drearier toward twilight falling, came
A bitter wind, clear from the North, and blew
The mist aside, and with that wind the tide
Rose, and the pale King glanced across the field
Of battle: but no man was moving there;
Nor any cry of Christian heard thereon,
Nor yet of heathen; only the wan wave
Brake in among dead faces, to and fro
Swaying the helpless hands, and up and down
Tumbling the hollow helmets of the fallen,
And shiver'd brands that once had fought with Rome,
And rolling far along the gloomy shores
The voice of days of old and days to be.
Then spake King Arthur to Sir Bedivere,
And whiter than the mist that all day long
Had held the field of battle was the King:
"Hearest thou this great voice that shakes the world,
And wastes the narrow realm whereon we move,
And beats upon the faces of the dead,
My dead, as tho' they had not died for me?-O Bedivere, for on my heart hath fall'n
Confusion, till I know not what I am,
Nor whence I am, nor whether I be King.
Behold, I seem but King among the dead."
Then spake the bold Sir Bedivere: "My King,
King everywhere! and so the dead have kings,
There also will I worship thee as King.
Yet still thy life is whole, and still I live
Who love thee; but who hates thee, he that brought
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The heathen back among us, yonder stands,
Modred, unharm'd, the traitor of thine house."
Then spake the King: "My house hath been my doom.
But call not thou this traitor of my house
Who hath but dwelt beneath one roof with me.
My house are rather they who sware my vows,
Yea, even while they brake them, own'd me King.
And well for thee, saying in my dark hour,
When all the purport of my throne hath fail'd,
That quick or dead thou hottest me for King.
King am I, whatsoever be their cry;
And one last act of kinghood shalt thou see
Yet, ere I pass." And uttering this the King
Made at the man: then Modred smote his liege
Hard on that helm which many a heathen sword
Had beaten thin; while Arthur at one blow,
Striking the last stroke with Excalibur,
Slew him, and all but slain himself, he fell.
So all day long the noise of battle roll'd
Among the mountains by the winter sea;
Until King Arthur's Table, man by man,
Had fall'n in Lyonnesse about their lord,
King Arthur. Then, because his wound was deep,
The bold Sir Bedivere uplifted him,
And bore him to a chapel nigh the field,
A broken chancel with a broken cross,
That stood on a dark strait of barren land:
On one side lay the Ocean, and on one
Lay a great water, and the moon was full.
Then spake King Arthur to Sir Bedivere:
"The sequel of to-day unsolders all
The goodliest fellowship of famous knights
Whereof this world holds record. Such a sleep
They sleep--the men I loved. I think that we
Shall never more, at any future time,
Delight our souls with talk of knightly deeds,
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Walking about the gardens and the halls
Of Camelot, as in the days that were.
I perish by this people which I made,-Tho' Merlin sware that I should come again
To rule once more; but, let what will be, be,
I am so deeply smitten thro' the helm
That without help I cannot last till morn.
Thou therefore take my brand Excalibur,
Which was my pride: for thou rememberest how
In those old days, one summer noon, an arm
Rose up from out the bosom of the lake,
Clothed in white samite, mystic, wonderful,
Holding the sword--and how I row'd across
And took it, and have worn it, like a king;
And, wheresoever I am sung or told
In aftertime, this also shall be known:
But now delay not: take Excalibur,
And fling him far into the middle mere:
Watch what thou seëst, and lightly bring me word."
To him replied the bold Sir Bedivere:
"It is not meet, Sir King, to leave thee thus,
Aidless, alone, and smitten thro' the helm-A little thing may harm a wounded man;
Yet I thy hest will all perform at full,
Watch what I see, and lightly bring thee word."
So saying, from the ruin'd shrine he stept,
And in the moon athwart the place of tombs,
Where lay the mighty bones of ancient men,
Old knights, and over them the sea-wind sang
Shrill, chill, with flakes of foam. He, stepping down
By zigzag paths, and juts of pointed rock,
Came on the shining levels of the lake.
There drew he forth the brand Excalibur,
And o'er him, drawing it, the winter moon,
Brightening the skirts of a long cloud, ran forth
And sparkled keen with frost against the hilt:
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For all the haft twinkled with diamond sparks,
Myriads of topaz-lights, and jacinth-work
Of subtlest jewellery. He gazed so long
That both his eyes were dazzled as he stood,
This way and that dividing the swift mind,
In act to throw: but at the last it seem'd
Better to leave Excalibur conceal'd
There in the many-knotted waterflags,
That whistled stiff and dry about the marge.
So strode he back slow to the wounded King.
Then spake King Arthur to Sir Bedivere:
"Hast thou perform'd my mission which I gave?
What is it thou hast seen? or what hast heard?"
And answer made the bold Sir Bedivere:
"I heard the ripple washing in the reeds,
And the wild water lapping on the crag."
To whom replied King Arthur, faint and pale:
"Thou hast betray'd thy nature and thy name,
Not rendering true answer, as beseem'd
Thy fealty, nor like a noble knight:
For surer sign had follow'd, either hand
Or voice, or else a motion of the mere.
This is a shameful thing for men to lie.
Yet now, I charge thee, quickly go again,
As thou art lief and dear, and do the thing
I bade thee, watch, and lightly bring me word."
Then went Sir Bedivere the second time
Across the ridge, and paced beside the mere,
Counting the dewy pebbles, fix'd in thought;
But when he saw the wonder of the hilt,
How curiously and strangely chased, he smote
His palms together, and he cried aloud:
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"And if indeed I cast the brand away,
Surely a precious thing, one worthy note,
Should thus be lost for ever from the earth,
Which might have pleased the eyes of many men.
What good should follow this, if this were done?
What harm, undone? Deep harm to disobey,
Seeing obedience is the bond of rule.
Were it well to obey then, if a king demand
An act unprofitable, against himself?
The King is sick, and knows not what he does.
What record, or what relic of my lord
Should be to aftertime, but empty breath
And rumours of a doubt? But were this kept,
Stored in some treasure-house of mighty kings,
Some one might show it at a joust of arms,
Saying, 'King Arthur's sword, Excalibur,
Wrought by the lonely maiden of the Lake.
Nine years she wrought it, sitting in the deeps
Upon the hidden bases of the hills.'
So might some old man speak in the aftertime
To all the people, winning reverence.
But now much honour and much fame were lost."
So spake he, clouded with his own conceit,
And hid Excalibur the second time,
And so strode back slow to the wounded King.
Then spoke King Arthur, breathing heavily:
"What is it thou hast seen? or what hast heard?'
And answer made the bold Sir Bedivere:
"I heard the water lapping on the crag,
And the long ripple washing in the reeds."
To whom replied King Arthur, much in wrath:
"Ah, miserable and unkind, untrue,
Unknightly, traitor-hearted! Woe is me!
Authority forgets a dying king,
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Laid widow'd of the power in his eye
That bow'd the will. I see thee what thou art,
For thou, the latest-left of all my knights,
In whom should meet the offices of all,
Thou wouldst betray me for the precious hilt;
Either from lust of gold, or like a girl
Valuing the giddy pleasure of the eyes.
Yet, for a man may fail in duty twice,
And the third time may prosper, get thee hence:
But, if thou spare to fling Excalibur,
I will arise and slay thee with my hands."
Then quickly rose Sir Bedivere, and ran,
And, leaping down the ridges, lightly, plunged
Among the bulrush beds, and clutch'd the sword,
And strongly wheel'd and threw it. The great brand
Made lightnings in the splendour of the moon,
And flashing round and round, and whirl'd in an arch,
Shot like a streamer of the northern morn,
Seen where the moving isles of winter shock
By night, with noises of the Northern Sea.
So flash'd and fell the brand Excalibur:
But ere he dipt the surface, rose an arm
Clothed in white samite, mystic wonderful,
And caught him by the hilt, and brandish'd him
Three times, and drew him under in the mere.
And lightly went the other to the King.
Then spoke King Arthur, drawing thicker breath:
"Now see I by thine eyes that this is done.
Speak out: what is it thou hast heard, or seen?"
And answer made the bold Sir Bedivere:
"Sir King, I closed mine eyelids, lest the gems
Should blind my purpose, for I never saw,
Nor shall see, here or elsewhere, till I die,
Not tho' I live three lives of mortal men,
So great a miracle as yonder hilt.
Then with both hands I flung him, wheeling him;
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But when I look'd again, behold an arm,
Clothed in white samite, mystic, wonderful,
That caught him by the hilt, and brandish'd him
Three times, and drew him under in the mere."
And answer made King Arthur, breathing hard:
"My end draws nigh; 'tis time that I were gone.
Make broad thy shoulders to receive my weight,
And bear me to the margin; yet I fear
My wound hath taken cold, and I shall die."
So saying, from the pavement he half rose,
Slowly, with pain, reclining on his arm,
And looking wistfully with wide blue eyes
As in a picture. Him Sir Bedivere
Remorsefully regarded thro' his tears,
And would have spoken, but he found not words;
Then took with care, and kneeling on one knee,
O'er both his shoulders drew the languid hands,
And rising bore him thro' the place of tombs.
But, as he walk'd, King Arthur panted hard,
Like one that feels a nightmare on his bed
When all the house is mute. So sigh'd the King,
Muttering and murmuring at his ear, "Quick, quick!
I fear it is too late, and I shall die."
But the other swiftly strode from ridge to ridge,
Clothed with his breath, and looking, as he walk'd,
Larger than human on the frozen hills.
He heard the deep behind him, and a cry
Before. His own thought drove him like a goad.
Dry clash'd his harness in the icy caves
And barren chasms, and all to left and right
The bare black cliff clang'd round him, as he based
His feet on juts of slippery crag that rang
Sharp-smitten with the dint of armed heels-And on a sudden, lo! the level lake,
And the long glories of the winter moon.
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Then saw they how there hove a dusky barge,
Dark as a funeral scarf from stem to stern,
Beneath them; and descending they were ware
That all the decks were dense with stately forms,
Black-stoled, black-hooded, like a dream--by these
Three Queens with crowns of gold: and from them rose
A cry that shiver'd to the tingling stars,
And, as it were one voice, an agony
Of lamentation, like a wind that shrills
All night in a waste land, where no one comes,
Or hath come, since the making of the world.
Then murmur'd Arthur, "Place me in the barge."
So to the barge they came. There those three Queens
Put forth their hands, and took the King, and wept.
But she, that rose the tallest of them all
And fairest, laid his head upon her lap,
And loosed the shatter'd casque, and chafed his hands,
And call'd him by his name, complaining loud,
And dropping bitter tears against a brow
Striped with dark blood: for all his face was white
And colourless, and like the wither'd moon
Smote by the fresh beam of the springing east;
And all his greaves and cuisses dash'd with drops
Of onset; and the light and lustrous curls-That made his forehead like a rising sun
High from the daïs-throne--were parch'd with dust
Or, clotted into points and hanging loose,
Mix'd with the knightly growth that fringed his lips.
So like a shatter'd column lay the King;
Not like that Arthur who, with lance in rest,
From spur to plume a star of tournament,
Shot thro' the lists at Camelot, and charged
Before the eyes of ladies and of kings.
Then loudly cried the bold Sir Bedivere:
"Ah! my Lord Arthur, whither shall I go?
Where shall I hide my forehead and my eyes?
For now I see the true old times are dead,
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When every morning brought a noble chance,
And every chance brought out a noble knight.
Such times have been not since the light that led
The holy Elders with the gift of myrrh.
But now the whole Round Table is dissolved
Which was an image of the mighty world,
And I, the last, go forth companionless,
And the days darken round me, and the years,
Among new men, strange faces, other minds."
And slowly answer'd Arthur from the barge:
"The old order changeth, yielding place to new,
And God fulfils himself in many ways,
Lest one good custom should corrupt the world.
Comfort thyself: what comfort is in me?
I have lived my life, and that which I have done
May He within himself make pure! but thou,
If thou shouldst never see my face again,
Pray for my soul. More things are wrought by prayer
Than this world dreams of. Wherefore, let thy voice
Rise like a fountain for me night and day.
For what are men better than sheep or goats
That nourish a blind life within the brain,
If, knowing God, they lift not hands of prayer
Both for themselves and those who call them friend?
For so the whole round earth is every way
Bound by gold chains about the feet of God.
But now farewell. I am going a long way
With these thou seëst--if indeed I go
(For all my mind is clouded with a doubt)-To the island-valley of Avilion;
Where falls not hail, or rain, or any snow,
Nor ever wind blows loudly; but it lies
Deep-meadow'd, happy, fair with orchard lawns
And bowery hollows crown'd with summer sea,
Where I will heal me of my grievous wound."
So said he, and the barge with oar and sail
Moved from the brink, like some full-breasted swan
That, fluting a wild carol ere her death,
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Ruffles her pure cold plume, and takes the flood
With swarthy webs. Long stood Sir Bedivere
Revolving many memories, till the hull
Look'd one black dot against the verge of dawn,
And on the mere the wailing died away.
But when that moan had past for evermore,
The stillness of the dead world's winter dawn
Amazed him, and he groan'd, ``The King is gone.''
And therewithal came on him the weird rhyme,
"From the great deep to the great deep he goes."
Whereat he slowly turn'd and slowly clomb
The last hard footstep of that iron crag;
Thence mark'd the black hull moving yet, and cried,
"He passes to be King among the dead,
And after healing of his grievous wound
He comes again; but--if he come no more-O me, be yon dark Queens in yon black boat,
Who shriek'd and wail'd, the three whereat we gazed
On that high day, when, clothed with living light,
They stood before his throne in silence, friends
Of Arthur, who should help him at his need?"
Then from the dawn it seem'd there came, but faint
As from beyond the limit of the world,
Like the last echo born of a great cry,
Sounds, as if some fair city were one voice
Around a king returning from his wars.
Thereat once more he moved about, and clomb
Ev'n to the highest he could climb, and saw,
Straining his eyes beneath an arch of hand,
Or thought he saw, the speck that bare the King,
Down that long water opening on the deep
Somewhere far off, pass on and on, and go
From less to less and vanish into light.
And the new sun rose bringing the new year.
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~ Alfred Lord Tennyson,
1177:The Farewell
_P_. Farewell to Europe, and at once farewell
To all the follies which in Europe dwell;
To Eastern India now, a richer clime,
Richer, alas! in everything but rhyme,
The Muses steer their course; and, fond of change,
At large, in other worlds, desire to range;
Resolved, at least, since they the fool must play,
To do it in a different place, and way.
_F_. What whim is this, what error of the brain,
What madness worse than in the dog-star's reign?
Why into foreign countries would you roam,
Are there not knaves and fools enough at home?
If satire be thy object--and thy lays
As yet have shown no talents fit for praise-If satire be thy object, search all round,
Nor to thy purpose can one spot be found
Like England, where, to rampant vigour grown,
Vice chokes up every virtue; where, self-sown,
The seeds of folly shoot forth rank and bold,
And every seed brings forth a hundredfold.
_P_. No more of this--though Truth, (the more our shame,
The more our guilt) though Truth perhaps may claim,
And justify her part in this, yet here,
For the first time, e'en Truth offends my ear;
Declaim from morn to night, from night to morn,
Take up the theme anew, when day's new-born,
I hear, and hate--be England what she will,
With all her faults, she is my country still.
_F_. Thy country! and what then? Is that mere word
Against the voice of Reason to be heard?
Are prejudices, deep imbibed in youth,
To counteract, and make thee hate the truth?
'Tis sure the symptom of a narrow soul
To draw its grand attachment from the whole,
And take up with a part; men, not confined
Within such paltry limits, men design'd
Their nature to exalt, where'er they go,
Wherever waves can roll, and winds can blow,
Where'er the blessed sun, placed in the sky
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To watch this subject world, can dart his eye,
Are still the same, and, prejudice outgrown,
Consider every country as their own;
At one grand view they take in Nature's plan,
Not more at home in England than Japan.
_P_. My good, grave Sir of Theory, whose wit,
Grasping at shadows, ne'er caught substance yet,
'Tis mighty easy o'er a glass of wine
On vain refinements vainly to refine,
To laugh at poverty in plenty's reign,
To boast of apathy when out of pain,
And in each sentence, worthy of the schools,
Varnish'd with sophistry, to deal out rules
Most fit for practice, but for one poor fault
That into practice they can ne'er be brought.
At home, and sitting in your elbow-chair,
You praise Japan, though you was never there:
But was the ship this moment under sail,
Would not your mind be changed, your spirits fail?
Would you not cast one longing eye to shore,
And vow to deal in such wild schemes no more?
Howe'er our pride may tempt us to conceal
Those passions which we cannot choose but feel,
There's a strange something, which, without a brain,
Fools feel, and which e'en wise men can't explain,
Planted in man to bind him to that earth,
In dearest ties, from whence he drew his birth.
If Honour calls, where'er she points the way
The sons of Honour follow, and obey;
If need compels, wherever we are sent
'Tis want of courage not to be content;
But, if we have the liberty of choice,
And all depends on our own single voice,
To deem of every country as the same
Is rank rebellion 'gainst the lawful claim
Of Nature, and such dull indifference
May be philosophy, but can't be sense.
_F_. Weak and unjust distinction, strange design,
Most peevish, most perverse, to undermine
Philosophy, and throw her empire down
By means of Sense, from whom she holds her crown,
Divine Philosophy! to thee we owe
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All that is worth possessing here below;
Virtue and wisdom consecrate thy reign,
Doubled each joy, and pain no longer pain.
When, like a garden, where, for want of toil
And wholesome discipline, the rich, rank soil
Teems with incumbrances; where all around,
Herbs, noxious in their nature, make the ground,
Like the good mother of a thankless son,
Curse her own womb, by fruitfulness undone;
Like such a garden, when the human soul,
Uncultured, wild, impatient of control,
Brings forth those passions of luxuriant race,
Which spread, and stifle every herb of grace;
Whilst Virtue, check'd by the cold hand of Scorn,
Seems withering on the bed where she was born,
Philosophy steps in; with steady hand,
She brings her aid, she clears the encumber'd land;
Too virtuous to spare Vice one stroke, too wise
One moment to attend to Pity's cries-See with what godlike, what relentless power
She roots up every weed!
_P_. And every flower.
Philosophy, a name of meek degree,
Embraced, in token of humility,
By the proud sage, who, whilst he strove to hide,
In that vain artifice reveal'd his pride;
Philosophy, whom Nature had design'd
To purge all errors from the human mind,
Herself misled by the philosopher,
At once her priest and master, made us err:
Pride, pride, like leaven in a mass of flour,
Tainted her laws, and made e'en Virtue sour.
Had she, content within her proper sphere,
Taught lessons suited to the human ear,
Which might fair Virtue's genuine fruits produce,
Made not for ornament, but real use,
The heart of man, unrivall'd, she had sway'd,
Praised by the good, and by the bad obey'd;
But when she, overturning Reason's throne,
Strove proudly in its place to plant her own;
When she with apathy the breast would steel,
And teach us, deeply feeling, not to feel;
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When she would wildly all her force employ,
Not to correct our passions, but destroy;
When, not content our nature to restore,
As made by God, she made it all new o'er;
When, with a strange and criminal excess,
To make us more than men, she made us less;
The good her dwindled power with pity saw,
The bad with joy, and none but fools with awe.
Truth, with a simple and unvarnish'd tale,
E'en from the mouth of Norton might prevail,
Could she get there; but Falsehood's sugar'd strain
Should pour her fatal blandishments in vain,
Nor make one convert, though the Siren hung,
Where she too often hangs, on Mansfield's tongue.
Should all the Sophs, whom in his course the sun
Hath seen, or past, or present, rise in one;
Should he, whilst pleasure in each sentence flows,
Like Plato, give us poetry in prose;
Should he, full orator, at once impart
The Athenian's genius with the Roman's art;
Genius and Art should in this instance fail,
Nor Rome, though join'd with Athens, here prevail.
'Tis not in man, 'tis not in more than man,
To make me find one fault in Nature's plan.
Placed low ourselves, we censure those above,
And, wanting judgment, think that she wants love;
Blame, where we ought in reason to commend,
And think her most a foe when most a friend.
Such be philosophers--their specious art,
Though Friendship pleads, shall never warp my heart,
Ne'er make me from this breast one passion tear,
Which Nature, my best friend, hath planted there.
_F_. Forgiving as a friend, what, whilst I live,
As a philosopher I can't forgive,
In this one point at last I join with you,
To Nature pay all that is Nature's due;
But let not clouded Reason sink so low,
To fancy debts she does not, cannot owe:
Bear, to full manhood grown, those shackles bear,
Which Nature meant us for a time to wear,
As we wear leading-strings, which, useless grown,
Are laid aside, when we can walk alone;
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But on thyself, by peevish humour sway'd,
Wilt thou lay burdens Nature never laid?
Wilt thou make faults, whilst Judgment weakly errs,
And then defend, mistaking them for hers?
Darest thou to say, in our enlighten'd age,
That this grand master passion, this brave rage,
Which flames out for thy country, was impress'd
And fix'd by Nature in the human breast?
If you prefer the place where you were born,
And hold all others in contempt and scorn,
On fair comparison; if on that land
With liberal, and a more than equal hand,
Her gifts, as in profusion, Plenty sends;
If Virtue meets with more and better friends;
If Science finds a patron 'mongst the great;
If Honesty is minister of state;
If Power, the guardian of our rights design'd,
Is to that great, that only end, confined;
If riches are employ'd to bless the poor;
If Law is sacred, Liberty secure;
Let but these facts depend on proofs of weight,
Reason declares thy love can't be too great,
And, in this light could he our country view,
A very Hottentot must love it too.
But if, by Fate's decrees, you owe your birth
To some most barren and penurious earth,
Where, every comfort of this life denied,
Her real wants are scantily supplied;
Where Power is Reason, Liberty a joke,
Laws never made, or made but to be broke;
To fix thy love on such a wretched spot,
Because in Lust's wild fever there begot;
Because, thy weight no longer fit to bear,
By chance, not choice, thy mother dropp'd thee there,
Is folly, which admits not of defence;
It can't be Nature, for it is not sense.
By the same argument which here you hold,
(When Falsehood's insolent, let Truth be told)
If Propagation can in torments dwell,
A devil must, if born there, love his Hell.
_P_. Had Fate, to whose decrees I lowly bend,
And e'en in punishment confess a friend,
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Ordain'd my birth in some place yet untried,
On purpose made to mortify my pride,
Where the sun never gave one glimpse of day,
Where Science never yet could dart one ray,
Had I been born on some bleak, blasted plain
Of barren Scotland, in a Stuart's reign,
Or in some kingdom, where men, weak, or worse,
Turn'd Nature's every blessing to a curse;
Where crowns of freedom, by the fathers won,
Dropp'd leaf by leaf from each degenerate son;
In spite of all the wisdom you display,
All you have said, and yet may have to say,
My weakness here, if weakness I confess,
I, as my country, had not loved her less.
Whether strict Reason bears me out in this,
Let those who, always seeking, always miss
The ways of Reason, doubt with precious zeal;
Theirs be the praise to argue, mine to feel.
Wish we to trace this passion to the root,
We, like a tree, may know it by its fruit;
From its rich stem ten thousand virtues spring,
Ten thousand blessings on its branches cling;
Yet in the circle of revolving years
Not one misfortune, not one vice, appears.
Hence, then, and what you Reason call, adore;
This, if not Reason, must be something more.
But (for I wish not others to confine;
Be their opinions unrestrain'd as mine)
Whether this love's of good or evil growth,
A vice, a virtue, or a spice of both,
Let men of nicer argument decide;
If it is virtuous, soothe an honest pride
With liberal praise; if vicious, be content,
It is a vice I never can repent;
A vice which, weigh'd in Heaven, shall more avail
Than ten cold virtues in the other scale.
_F_. This wild, untemper'd zeal (which, after all,
We, candour unimpeach'd, might madness call)
Is it a virtue? That you scarce pretend;
Or can it be a vice, like Virtue's friend,
Which draws us off from and dissolves the force
Of private ties, nay, stops us in our course
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To that grand object of the human soul,
That nobler love which comprehends the whole?
Coop'd in the limits of this petty isle,
This nook, which scarce deserves a frown or smile,
Weigh'd with Creation, you, by whim undone,
Give all your thoughts to what is scarce worth one.
The generous soul, by Nature taught to soar,
Her strength confirm'd in philosophic lore,
At one grand view takes in a world with ease,
And, seeing all mankind, loves all she sees.
_P_. Was it most sure, which yet a doubt endures,
Not found in Reason's creed, though found in yours,
That these two services, like what we're told,
And know, of God's and Mammon's, cannot hold
And draw together; that, however both,
We neither serve, attempting to serve both,
I could not doubt a moment which to choose,
And which in common reason to refuse.
Invented oft for purposes of art,
Born of the head, though father'd on the heart,
This grand love of the world must be confess'd
A barren speculation at the best.
Not one man in a thousand, should he live
Beyond the usual term of life, could give,
So rare occasion comes, and to so few,
Proof whether his regards are feign'd, or true.
The love we bear our country is a root
Which never fails to bring forth golden fruit;
'Tis in the mind an everlasting spring
Of glorious actions, which become a king,
Nor less become a subject; 'tis a debt
Which bad men, though they pay not, can't forget;
A duty, which the good delight to pay,
And every man can practise every day.
Nor, for my life (so very dim my eye,
Or dull your argument) can I descry
What you with faith assert, how that dear love,
Which binds me to my country, can remove,
And make me of necessity forego,
That general love which to the world I owe.
Those ties of private nature, small extent,
In which the mind of narrow cast is pent,
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Are only steps on which the generous soul
Mounts by degrees till she includes the whole.
That spring of love, which, in the human mind,
Founded on self, flows narrow and confined,
Enlarges as it rolls, and comprehends
The social charities of blood and friends,
Till, smaller streams included, not o'erpast,
It rises to our country's love at last;
And he, with liberal and enlarged mind,
Who loves his country, cannot hate mankind.
_F_. Friend, as you would appear, to Common Sense,
Tell me, or think no more of a defence,
Is it a proof of love by choice to run
A vagrant from your country?
_P_. Can the son
(Shame, shame on all such sons!) with ruthless eye,
And heart more patient than the flint, stand by,
And by some ruffian, from all shame divorced,
All virtue, see his honour'd mother forced?
Then--no, by Him that made me! not e'en then,
Could I with patience, by the worst of men,
Behold my country plunder'd, beggar'd, lost
Beyond redemption, all her glories cross'd,
E'en when occasion made them ripe, her fame
Fled like a dream, while she awakes to shame.
_F_. Is it not more the office of a friend,
The office of a patron, to defend
Her sinking state, than basely to decline
So great a cause, and in despair resign?
_P_. Beyond my reach, alas! the grievance lies,
And, whilst more able patriots doubt, she dies.
From a foul source, more deep than we suppose,
Fatally deep and dark, this grievance flows.
'Tis not that peace our glorious hopes defeats:
'Tis not the voice of Faction in the streets;
'Tis not a gross attack on Freedom made;
Tis not the arm of Privilege display'd,
Against the subject, whilst she wears no sting
To disappoint the purpose of a king;
These are no ills, or trifles, if compared
With those which are contrived, though not declared.
Tell me, Philosopher, is it a crime
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To pry into the secret womb of Time;
Or, born in ignorance, must we despair
To reach events, and read the future there?
Why, be it so--still 'tis the right of man,
Imparted by his Maker, where he can,
To former times and men his eye to cast,
And judge of what's to come, by what is past.
Should there be found, in some not distant year,
(Oh, how I wish to be no prophet here!)
Amongst our British Lords should there be found
Some great in power, in principles unsound,
Who look on Freedom with an evil eye,
In whom the springs of Loyalty are dry;
Who wish to soar on wild Ambition's wings,
Who hate the Commons, and who love not Kings;
Who would divide the people and the throne,
To set up separate interests of their own;
Who hate whatever aids their wholesome growth,
And only join with, to destroy them both;
Should there be found such men in after-times,
May Heaven, in mercy to our grievous crimes,
Allot some milder vengeance, nor to them,
And to their rage, this wretched land condemn,
Thou God above, on whom all states depend,
Who knowest from the first their rise, and end,
If there's a day mark'd in the book of Fate,
When ruin must involve our equal state;
When law, alas! must be no more, and we,
To freedom born, must be no longer free;
Let not a mob of tyrants seize the helm,
Nor titled upstarts league to rob the realm;
Let not, whatever other ills assail,
A damned aristocracy prevail.
If, all too short, our course of freedom run,
'Tis thy good pleasure we should be undone,
Let us, some comfort in our griefs to bring,
Be slaves to one, and be that one a king.
_F_. Poets, accustom'd by their trade to feign,
Oft substitute creations of the brain
For real substance, and, themselves deceived,
Would have the fiction by mankind believed.
Such is your case--but grant, to soothe your pride,
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That you know more than all the world beside,
Why deal in hints, why make a moment's doubt?
Resolved, and like a man, at once speak out;
Show us our danger, tell us where it lies,
And, to ensure our safety, make us wise.
_P_. Rather than bear the pain of thought, fools stray;
The proud will rather lose than ask their way:
To men of sense what needs it to unfold,
And tell a tale which they must know untold?
In the bad, interest warps the canker'd heart,
The good are hoodwink'd by the tricks of art;
And, whilst arch, subtle hypocrites contrive
To keep the flames of discontent alive;
Whilst they, with arts to honest men unknown,
Breed doubts between the people and the throne,
Making us fear, where Reason never yet
Allow'd one fear, or could one doubt admit,
Themselves pass unsuspected in disguise,
And 'gainst our real danger seal our eyes.
_F_. Mark them, and let their names recorded stand
On Shame's black roll, and stink through all the land.
_P_. That might some courage, but no prudence be;
No hurt to them, and jeopardy to me.
_F_. Leave out their names.
_P_. For that kind caution, thanks;
But may not judges sometimes fill up blanks?
_F_. Your country's laws in doubt then you reject?
_P_. The laws I love, the lawyers I suspect.
Amongst twelve judges may not one be found
(On bare, bare possibility I ground
This wholesome doubt) who may enlarge, retrench,
Create, and uncreate, and from the bench,
With winks, smiles, nods, and such like paltry arts,
May work and worm into a jury's hearts?
Or, baffled there, may, turbulent of soul,
Cramp their high office, and their rights control;
Who may, though judge, turn advocate at large,
And deal replies out by the way of charge,
Making Interpretation all the way,
In spite of facts, his wicked will obey,
And, leaving Law without the least defence,
May damn his conscience to approve his sense?
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_F_. Whilst, the true guardians of this charter'd land,
In full and perfect vigour, juries stand,
A judge in vain shall awe, cajole, perplex.
_P_. Suppose I should be tried in Middlesex?
_F_. To pack a jury they will never dare.
_P_. There's no occasion to pack juries there.
_F_. 'Gainst prejudice all arguments are weak;
Reason herself without effect must speak.
Fly then thy country, like a coward fly,
Renounce her interest, and her laws defy.
But why, bewitch'd, to India turn thine eyes?
Cannot our Europe thy vast wrath suffice?
Cannot thy misbegotten Muse lay bare
Her brawny arm, and play the butcher there?
_P_. Thy counsel taken, what should Satire do?
Where could she find an object that is new?
Those travell'd youths, whom tender mothers wean,
And send abroad to see, and to be seen;
With whom, lest they should fornicate, or worse,
A tutor's sent by way of a dry nurse;
Each of whom just enough of spirit bears
To show our follies, and to bring home theirs,
Have made all Europe's vices so well known,
They seem almost as natural as our own.
_F_. Will India for thy purpose better do?
_P_. In one respect, at least--there's something new.
_F_. A harmless people, in whom Nature speaks
Free and untainted,'mongst whom Satire seeks,
But vainly seeks, so simply plain their hearts,
One bosom where to lodge her poison'd darts.
_P_. From knowledge speak you this? or, doubt on doubt
Weigh'd and resolved, hath Reason found it out?
Neither from knowledge, nor by Reason taught,
You have faith every where, but where you ought.
India or Europe--what's there in a name?
Propensity to vice in both the same,
Nature alike in both works for man's good,
Alike in both by man himself withstood.
Nabobs, as well as those who hunt them down,
Deserve a cord much better than a crown,
And a Mogul can thrones as much debase
As any polish'd prince of Christian race.
175
_F_. Could you,--a task more hard than you suppose,-Could you, in ridicule whilst Satire glows,
Make all their follies to the life appear,
'Tis ten to one you gain no credit here;
Howe'er well drawn, the picture, after all,
Because we know not the original,
Would not find favour in the public eye.
_P_. That, having your good leave, I mean to try:
And if your observations sterling hold,
If the piece should be heavy, tame, and cold,
To make it to the side of Nature lean,
And meaning nothing, something seem to mean:
To make the whole in lively colours glow,
To bring before us something that we know,
And from all honest men applause to win,
I'll group the Company, and put them in.
_F_. Be that ungenerous thought by shame suppress'd,
Add not distress to those too much distress'd;
Have they not, by blind zeal misled, laid bare
Those sores which never might endure the air?
Have they not brought their mysteries so low,
That what the wise suspected not, fools know?
From their first rise e'en to the present hour,
Have they not proved their own abuse of power,
Made it impossible, if fairly view'd,
Ever to have that dangerous power renew'd,
Whilst, unseduced by ministers, the throne
Regards our interests, and knows its own?
_P_. Should every other subject chance to fail,
Those who have sail'd, and those who wish'd to sail
In the last fleet, afford an ample field,
Which must beyond my hopes a harvest yield.
_F_. On such vile food Satire can never thrive.
_P_. She cannot starve, if there was only Clive.
~ Charles Churchill,
1178:Daughter of Heaven and Earth, coy Spring,
With sudden passion languishing,
Maketh all things softly smile,
Painteth pictures mile on mile,
Holds a cup with cowslip-wreaths,
Whence a smokeless incense breathes.
Girls are peeling the sweet willow,
Poplar white, and Gilead-tree,
And troops of boys
Shouting with whoop and hilloa,
And hip, hip three times three.
The air is full of whistlings bland;
What was that I heard
Out of the hazy land?
Harp of the wind, or song of bird,
Or clapping of shepherd's hands,
Or vagrant booming of the air,
Voice of a meteor lost in day?
Such tidings of the starry sphere
Can this elastic air convey.
Or haply 't was the cannonade
Of the pent and darkened lake,
Cooled by the pendent mountain's shade,
Whose deeps, till beams of noonday break,
Afflicted moan, and latest hold
Even unto May the iceberg cold.
Was it a squirrel's pettish bark,
Or clarionet of jay? or hark,
Where yon wedged line the Nestor leads,
Steering north with raucous cry
Through tracts and provinces of sky,
Every night alighting down
In new landscapes of romance,
Where darkling feed the clamorous clans
By lonely lakes to men unknown.
Come the tumult whence it will,
Voice of sport, or rush of wings,
It is a sound, it is a token
That the marble sleep is broken,
And a change has passed on things.

Beneath the calm, within the light,
A hid unruly appetite
Of swifter life, a surer hope,
Strains every sense to larger scope,
Impatient to anticipate
The halting steps of aged Fate.
Slow grows the palm, too slow the pearl:
When Nature falters, fain would zeal
Grasp the felloes of her wheel,
And grasping give the orbs another whirl.
Turn swiftlier round, O tardy ball!
And sun this frozen side,
Bring hither back the robin's call,
Bring back the tulip's pride.

Why chidest thou the tardy Spring?
The hardy bunting does not chide;
The blackbirds make the maples ring
With social cheer and jubilee;
The redwing flutes his o-ka-lee,
The robins know the melting snow;
The sparrow meek, prophetic-eyed,
Her nest beside the snow-drift weaves,
Secure the osier yet will hide
Her callow brood in mantling leaves;
And thou, by science all undone,
Why only must thy reason fail
To see the southing of the sun?

As we thaw frozen flesh with snow,
So Spring will not, foolish fond,
Mix polar night with tropic glow,
Nor cloy us with unshaded sun,
Nor wanton skip with bacchic dance,
But she has the temperance
Of the gods, whereof she is one,--
Masks her treasury of heat
Under east-winds crossed with sleet.
Plants and birds and humble creatures
Well accept her rule austere;
Titan-born, to hardy natures
Cold is genial and dear.
As Southern wrath to Northern right
Is but straw to anthracite;
As in the day of sacrifice,
When heroes piled the pyre,
The dismal Massachusetts ice
Burned more than others' fire,
So Spring guards with surface cold
The garnered heat of ages old:
Hers to sow the seed of bread,
That man and all the kinds be fed;
And, when the sunlight fills the hours,
Dissolves the crust, displays the flowers.

The world rolls round,--mistrust it not,--
Befalls again what once befell;
All things return, both sphere and mote,
And I shall hear my bluebird's note,
And dream the dream of Auburn dell.

When late I walked, in earlier days,
All was stiff and stark;
Knee-deep snows choked all the ways,
In the sky no spark;
Firm-braced I sought my ancient woods,
Struggling through the drifted roads;
The whited desert knew me not,
Snow-ridges masked each darling spot;
The summer dells, by genius haunted,
One arctic moon had disenchanted.
All the sweet secrets therein hid
By Fancy, ghastly spells undid.
Eldest mason, Frost, had piled,
With wicked ingenuity,
Swift cathedrals in the wild;
The piny hosts were sheeted ghosts
In the star-lit minster aisled.
I found no joy: the icy wind
Might rule the forest to his mind.
Who would freeze in frozen brakes?
Back to books and sheltered home,
And wood-fire flickering on the walls,
To hear, when, 'mid our talk and games,
Without the baffled north-wind calls.
But soft! a sultry morning breaks;
The cowslips make the brown brook gay;
A happier hour, a longer day.
Now the sun leads in the May,
Now desire of action wakes,
And the wish to roam.

The caged linnet in the Spring
Hearkens for the choral glee,
When his fellows on the wing
Migrate from the Southern Sea;
When trellised grapes their flowers unmask,
And the new-born tendrils twine,
The old wine darkling in the cask
Feels the bloom on the living vine,
And bursts the hoops at hint of Spring:
And so, perchance, in Adam's race,
Of Eden's bower some dream-like trace
Survived the Flight, and swam the Flood,
And wakes the wish in youngest blood
To tread the forfeit Paradise,
And feed once more the exile's eyes;
And ever when the happy child
In May beholds the blooming wild,
And hears in heaven the bluebird sing,
"Onward," he cries, "your baskets bring,--
In the next field is air more mild,
And o'er yon hazy crest is Eden's balmier Spring."

Not for a regiment's parade,
Nor evil laws or rulers made,
Blue Walden rolls its cannonade,
But for a lofty sign
Which the Zodiac threw,
That the bondage-days are told,
And waters free as winds shall flow.
Lo! how all the tribes combine
To rout the flying foe.
See, every patriot oak-leaf throws
His elfin length upon the snows,
Not idle, since the leaf all day
Draws to the spot the solar ray,
Ere sunset quarrying inches down,
And half-way to the mosses brown;
While the grass beneath the rime
Has hints of the propitious time,
And upward pries and perforates
Through the cold slab a thousand gates,
Till green lances peering through
Bend happy in the welkin blue.

April cold with dropping rain
Willows and lilacs brings again,
The whistle of returning birds,
And trumpet-lowing of the herds.
The scarlet maple-keys betray
What potent blood hath modest May;
What fiery force the earth renews,
The wealth of forms, the flush of hues;
Joy shed in rosy waves abroad
Flows from the heart of Love, the Lord.

Hither rolls the storm of heat;
I feel its finer billows beat
Like a sea which me infolds;
Heat with viewless fingers moulds,
Swells, and mellows, and matures,
Paints, and flavours, and allures,
Bird and brier inly warms,
Still enriches and transforms,
Gives the reed and lily length,
Adds to oak and oxen strength,
Boils the world in tepid lakes,
Burns the world, yet burnt remakes;
Enveloping heat, enchanted robe,
Wraps the daisy and the globe,
Transforming what it doth infold,
Life out of death, new out of old,
Painting fawns' and leopards' fells,
Seethes the gulf-encrimsoning shells,
Fires garden with a joyful blaze
Of tulips in the morning's rays.
The dead log touched bursts into leaf,
The wheat-blade whispers of the sheaf.
What god is this imperial Heat,
Earth's prime secret, sculpture's seat?
Doth it bear hidden in its heart
Water-line patterns of all art,
All figures, organs, hues, and graces?
Is it Daedalus? is it Love?
Or walks in mask almighty Jove,
And drops from Power's redundant horn
All seeds of beauty to be born?

Where shall we keep the holiday,
And duly greet the entering May?
Too strait and low our cottage doors,
And all unmeet our carpet floors;
Nor spacious court, nor monarch's hall,
Suffice to hold the festival.
Up and away! where haughty woods
Front the liberated floods:
We will climb the broad-backed hills,
Hear the uproar of their joy;
We will mark the leaps and gleams
Of the new-delivered streams,
And the murmuring rivers of sap
Mount in the pipes of the trees,
Giddy with day, to the topmost spire,
Which for a spike of tender green
Bartered its powdery cap;
And the colours of joy in the bird,
And the love in its carol heard,
Frog and lizard in holiday coats,
And turtle brave in his golden spots;
We will hear the tiny roar
Of the insects evermore,
While cheerful cries of crag and plain
Reply to the thunder of river and main.

As poured the flood of the ancient sea
Spilling over mountain chains,
Bending forests as bends the sedge,
Faster flowing o'er the plains,--
A world-wide wave with a foaming edge
That rims the running silver sheet,--
So pours the deluge of the heat
Broad northward o'er the land,
Painting artless paradises,
Drugging herbs with Syrian spices,
Fanning secret fires which glow
In columbine and clover-blow,
Climbing the northern zones,
Where a thousand pallid towns
Lie like cockles by the main,
Or tented armies on a plain.
The million-handed sculptor moulds
Quaintest bud and blossom folds,
The million-handed painter pours
Opal hues and purple dye;
Azaleas flush the island floors,
And the tints of heaven reply.

Wreaths for the May! for happy Spring
To-day shall all her dowry bring,
The love of kind, the joy, the grace,
Hymen of element and race,
Knowing well to celebrate
With song and hue and star and state,
With tender light and youthful cheer,
The spousals of the new-born year.
Lo Love's inundation poured
Over space and race abroad!

Spring is strong and virtuous,
Broad-sowing, cheerful, plenteous,
Quickening underneath the mould
Grains beyond the price of gold.
So deep and large her bounties are,
That one broad, long midsummer day
Shall to the planet overpay
The ravage of a year of war.

Drug the cup, thou butler sweet,
And send the nectar round;
The feet that slid so long on sleet
Are glad to feel the ground.
Fill and saturate each kind
With good according to its mind,
Fill each kind and saturate
With good agreeing with its fate,
Willow and violet, maiden and man.

The bitter-sweet, the haunting air,
Creepeth, bloweth everywhere;
It preys on all, all prey on it,
Blooms in beauty, thinks in wit,
Stings the strong with enterprise,
Makes travellers long for Indian skies,
And where it comes this courier fleet
Fans in all hearts expectance sweet,
As if to-morrow should redeem
The vanished rose of evening's dream.
By houses lies a fresher green,
On men and maids a ruddier mien,
As if time brought a new relay
Of shining virgins every May,
And Summer came to ripen maids
To a beauty that not fades.

The ground-pines wash their rusty green,
The maple-tops their crimson tint,
On the soft path each track is seen,
The girl's foot leaves its neater print.
The pebble loosened from the frost
Asks of the urchin to be tost.
In flint and marble beats a heart,
The kind Earth takes her children's part,
The green lane is the school-boy's friend,
Low leaves his quarrel apprehend,
The fresh ground loves his top and ball,
The air rings jocund to his call,
The brimming brook invites a leap,
He dives the hollow, climbs the steep.
The youth reads omens where he goes,
And speaks all languages the rose.
The wood-fly mocks with tiny noise
The far halloo of human voice;
The perfumed berry on the spray
Smacks of faint memories far away.
A subtle chain of countless rings
The next unto the farthest brings,
And, striving to be man, the worm
Mounts through all the spires of form.

I saw the bud-crowned Spring go forth,
Stepping daily onward north
To greet staid ancient cavaliers
Filing single in stately train.
And who, and who are the travellers?
They were Night and Day, and Day and Night,
Pilgrims wight with step forthright.
I saw the Days deformed and low,
Short and bent by cold and snow;
The merry Spring threw wreaths on them,
Flower-wreaths gay with bud and bell;
Many a flower and many a gem,
They were refreshed by the smell,
They shook the snow from hats and shoon,
They put their April raiment on;
And those eternal forms,
Unhurt by a thousand storms,
Shot up to the height of the sky again,
And danced as merrily as young men.
I saw them mask their awful glance
Sidewise meek in gossamer lids;
And to speak my thought if none forbids.
It was as if the eternal gods,
Tired of their starry periods,
Hid their majesty in cloth
Woven of tulips and painted moth.
On carpets green the maskers march
Below May's well-appointed arch,
Each star, each god, each grace amain,
Every joy and virtue speed,
Marching duly in her train,
And fainting Nature at her need
Is made whole again.

'T was the vintage-day of field and wood,
When magic wine for bards is brewed;
Every tree and stem and chink
Gushed with syrup to the brink.
The air stole into the streets of towns,
And betrayed the fund of joy
To the high-school and medalled boy:
On from hall to chamber ran,
From youth to maid, from boy to man,
To babes, and to old eyes as well.
'Once more,' the old man cried, 'ye clouds,
Airy turrets purple-piled,
Which once my infancy beguiled,
Beguile me with the wonted spell.
I know ye skilful to convoy
The total freight of hope and joy
Into rude and homely nooks,
Shed mocking lustres on shelf of books,
On farmer's byre, on meadow-pipes,
Or on a pool of dancing chips.
I care not if the pomps you show
Be what they soothfast appear,
Or if yon realms in sunset glow
Be bubbles of the atmosphere.
And if it be to you allowed
To fool me with a shining cloud,
So only new griefs are consoled
By new delights, as old by old,
Frankly I will be your guest,
Count your change and cheer the best.
The world hath overmuch of pain,--
If Nature give me joy again,
Of such deceit I'll not complain.'

Ah! well I mind the calendar,
Faithful through a thousand years,
Of the painted race of flowers,
Exact to days, exact to hours,
Counted on the spacious dial
Yon broidered zodiac girds.
I know the pretty almanac
Of the punctual coming-back,
On their due days, of the birds.
I marked them yestermorn,
A flock of finches darting
Beneath the crystal arch,
Piping, as they flew, a march,--
Belike the one they used in parting
Last year from yon oak or larch;
Dusky sparrows in a crowd,
Diving, darting northward free,
Suddenly betook them all,
Every one to his hole in the wall,
Or to his niche in the apple-tree.
I greet with joy the choral trains
Fresh from palms and Cuba's canes.
Best gems of Nature's cabinet,
With dews of tropic morning wet,
Beloved of children, bards, and Spring,
O birds, your perfect virtues bring,
Your song, your forms, your rhythmic flight,
Your manners for the heart's delight,
Nestle in hedge, or barn, or roof,
Here weave your chamber weather-proof,
Forgive our harms, and condescend
To man, as to a lubber friend,
And, generous, teach his awkward race
Courage, and probity, and grace!

Poets praise that hidden wine
Hid in milk we drew
At the barrier of Time,
When our life was new.
We had eaten fairy fruit,
We were quick from head to foot,
All the forms we look on shone
As with diamond dews thereon.
What cared we for costly joys,
The Museum's far-fetched toys?
Gleam of sunshine on the wall
Poured a deeper cheer than all
The revels of the Carnival.
We a pine-grove did prefer
To a marble theatre,
Could with gods on mallows dine,
Nor cared for spices or for wine.
Wreaths of mist and rainbow spanned,
Arch on arch, the grimmest land;
Whistle of a woodland bird
Made the pulses dance,
Note of horn in valleys heard
Filled the region with romance.

None can tell how sweet,
How virtuous, the morning air;
Every accent vibrates well;
Not alone the wood-bird's call,
Or shouting boys that chase their ball,
Pass the height of minstrel skill,
But the ploughman's thoughtless cry,
Lowing oxen, sheep that bleat,
And the joiner's hammer-beat,
Softened are above their will.
All grating discords melt,
No dissonant note is dealt,
And though thy voice be shrill
Like rasping file on steel,
Such is the temper of the air,
Echo waits with art and care,
And will the faults of song repair.

So by remote Superior Lake,
And by resounding Mackinac,
When northern storms and forests shake,
And billows on the long beach break,
The artful Air doth separate
Note by note all sounds that grate,
Smothering in her ample breast
All but godlike words,
Reporting to the happy ear
Only purified accords.
Strangely wrought from barking waves,
Soft music daunts the Indian braves,--
Convent-chanting which the child
Hears pealing from the panther's cave
And the impenetrable wild.

One musician is sure,
His wisdom will not fail,
He has not tasted wine impure,
Nor bent to passion frail.
Age cannot cloud his memory,
Nor grief untune his voice,
Ranging down the ruled scale
From tone of joy to inward wail,
Tempering the pitch of all
In his windy cave.
He all the fables knows,
And in their causes tells,--
Knows Nature's rarest moods,
Ever on her secret broods.
The Muse of men is coy,
Oft courted will not come;
In palaces and market squares
Entreated, she is dumb;
But my minstrel knows and tells
The counsel of the gods,
Knows of Holy Book the spells,
Knows the law of Night and Day,
And the heart of girl and boy,
The tragic and the gay,
And what is writ on Table Round
Of Arthur and his peers,
What sea and land discoursing say
In sidereal years.
He renders all his lore
In numbers wild as dreams,
Modulating all extremes,--
What the spangled meadow saith
To the children who have faith;
Only to children children sing,
Only to youth will spring be spring.

Who is the Bard thus magnified?
When did he sing, and where abide?

Chief of song where poets feast
Is the wind-harp which thou seest
In the casement at my side.

AEolian harp,
How strangely wise thy strain!
Gay for youth, gay for youth,
(Sweet is art, but sweeter truth,)
In the hall at summer eve
Fate and Beauty skilled to weave.
From the eager opening strings
Rung loud and bold the song.
Who but loved the wind-harp's note?
How should not the poet doat
On its mystic tongue,
With its primeval memory,
Reporting what old minstrels said
Of Merlin locked the harp within,--
Merlin paying the pain of sin,
Pent in a dungeon made of air,--
And some attain his voice to hear,
Words of pain and cries of fear,
But pillowed all on melody,
As fits the griefs of bards to be.
And what if that all-echoing shell,
Which thus the buried Past can tell,
Should rive the Future, and reveal
What his dread folds would fain conceal?
It shares the secret of the earth,
And of the kinds that owe her birth.
Speaks not of self that mystic tone,
But of the Overgods alone:
It trembles to the cosmic breath,--
As it heareth, so it saith;
Obeying meek the primal Cause,
It is the tongue of mundane laws:
And this, at least, I dare affirm,
Since genius too has bound and term,
There is no bard in all the choir,
Not Homer's self, the poet sire,
Wise Milton's odes of pensive pleasure,
Or Shakspeare, whom no mind can measure,
Nor Collins' verse of tender pain,
Nor Byron's clarion of disdain,
Scott, the delight of generous boys,
Or Wordsworth, Pan's recording voice,--
Not one of all can put in verse,
Or to this presence could rehearse,
The sights and voices ravishing
The boy knew on the hills in Spring,
When pacing through the oaks he heard
Sharp queries of the sentry-bird,
The heavy grouse's sudden whirr,
The rattle of the kingfisher;
Saw bonfires of the harlot flies
In the lowland, when day dies;
Or marked, benighted and forlorn,
The first far signal-fire of morn.
These syllables that Nature spoke,
And the thoughts that in him woke,
Can adequately utter none
Save to his ear the wind-harp lone.
And best can teach its Delphian chord
How Nature to the soul is moored,
If once again that silent string,
As erst it wont, would thrill and ring.

Not long ago, at eventide,
It seemed, so listening, at my side
A window rose, and, to say sooth,
I looked forth on the fields of youth:
I saw fair boys bestriding steeds,
I knew their forms in fancy weeds,
Long, long concealed by sundering fates,
Mates of my youth,--yet not my mates,
Stronger and bolder far than I,
With grace, with genius, well attired,
And then as now from far admired,
Followed with love
They knew not of,
With passion cold and shy.
O joy, for what recoveries rare!
Renewed, I breathe Elysian air,
See youth's glad mates in earliest bloom,--
Break not my dream, obtrusive tomb!
Or teach thou, Spring! the grand recoil
Of life resurgent from the soil
Wherein was dropped the mortal spoil.

Soft on the south-wind sleeps the haze!
So on thy broad mystic van
Lie the opal-coloured days,
And waft the miracle to man.
Soothsayer of the eldest gods,
Repairer of what harms betide,
Revealer of the inmost powers
Prometheus proffered, Jove denied;
Disclosing treasures more than true,
Or in what far to-morrow due;
Speaking by the tongues of flowers,
By the ten-tongued laurel speaking,
Singing by the oriole songs,
Heart of bird the man's heart seeking;
Whispering hints of treasure hid
Under Morn's unlifted lid,
Islands looming just beyond
The dim horizon's utmost bound;--
Who can, like thee, our rags upbraid,
Or taunt us with our hope decayed?
Or who like thee persuade,
Making the splendour of the air,
The morn and sparkling dew, a snare?
Or who resent
Thy genius, wiles, and blandishment?

There is no orator prevails
To beckon or persuade
Like thee the youth or maid:
Thy birds, thy songs, thy brooks, thy gales,
Thy blooms, thy kinds,
Thy echoes in the wilderness,
Soothe pain, and age, and love's distress,
Fire fainting will, and build heroic minds.

For thou, O Spring! canst renovate
All that high God did first create.
Be still his arm and architect,
Rebuild the ruin, mend defect;
Chemist to vamp old worlds with new,
Coat sea and sky with heavenlier blue,
New-tint the plumage of the birds,
And slough decay from grazing herds,
Sweep ruins from the scarped mountain,
Cleanse the torrent at the fountain,
Purge alpine air by towns defiled,
Bring to fair mother fairer child,
Not less renew the heart and brain,
Scatter the sloth, wash out the stain,
Make the aged eye sun-clear,
To parting soul bring grandeur near.
Under gentle types, my Spring
Masks the might of Nature's king,
An energy that searches thorough
From Chaos to the dawning morrow;
Into all our human plight,
The soul's pilgrimage and flight;
In city or in solitude,
Step by step, lifts bad to good,
Without halting, without rest,
Lifting Better up to Best;
Planting seeds of knowledge pure,
Through earth to ripen, through heaven endure.
by owner. provided at no charge for educational purposes

~ Ralph Waldo Emerson, May-Day
,
1179:The Temple Of Fame
In that soft season, when descending show'rs
Call forth the greens, and wake the rising flow'rs;
When op'ning buds salute the welcome day,
And earth relenting feels the genial day,
As balmy sleep had charm'd my cares to rest,
And love itself was banish'd from my breast,
(What time the morn mysterious visions brings,
While purer slumbers spread their golden wings)
A train of phantoms in wild order rose,
And, join'd, this intellectual sense compose.
I stood, methought, betwixt earth, seas, and skies;
The whole creation open to my eyes:
In air self-balanc'd hung the globe below,
Where mountains rise and circling oceans flow;
Here naked rocks, and empty wastes were seen,
There tow'ry cities, and the forests green:
Here sailing ships delight the wand'ring eyes:
There trees, and intermingled temples rise;
Now a clear sun the shining scene displays,
The transient landscape now in clouds decays.
O'er the wide Prospect as I gaz'd around,
Sudden I heard a wild promiscuous sound,
Like broken thunders that at distance roar,
Then gazing up, a glorious pile beheld,
Whose tow'ring summit ambient clouds conceal'd.
High on a rock of Ice the structure lay,
Steep its ascent, and slipp'ry was the way;
The wond'rous rock like Parian marble shone,
And seem'd, to distant sight, of solid stone.
Inscriptions here of various Names I view'd,
The greater part by hostile time subdu'd;
Yet wide was spread their fame in ages past,
And Poets once had promis'd they should last.
Some fresh engrav'd appear'd of Wits renown'd;
I look'd again, nor could their trace be found.
Critics I saw, that other names deface,
And fix their own, with labour, in their place:
Their own, like others, soon their place resign'd,
Or disappear'd, and left the first behind.
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Nor was the work impair'd by storms alone,
But felt th' approaches of too warm a sun;
For Fame, impatient of extremes, decays
Not more by Envy than excess of Praise.
Yet part no injuries of heav'n could feel,
Like crystal faithful to th' graving steel:
The rock's high summit, in the temple's shade,
Nor heat could melt, nor beating storm invade.
Their names inscrib'd, unnumber'd ages past
From time's first birth, with time itself shall last;
These ever new, nor subject to decays,
Spread, and grow brighter with the length of days.
So Zembla's rocks (the beauteous work of frost)
Rise white in air, and glitter o'er the coast;
Pale suns, unfelt, at distance roll away,
And on th' impassive ice the light'nings play;
Eternal snows the growing mass supply,
Till the bright mountains prop th' incumbent sky:
As Atlas fix'd, each hoary pile appears,
The gather'd winter of a thousand years.
On this foundation Fame's high temple stands;
Stupendous pile! not rear'd by mortal hands.
Whate'er proud Rome or artful Greece beheld,
Or elder Babylon, its frame excell'd.
Four faces had the dome, and ev'ry face
Of various structure, but of equal grace:
Four brazen gates, on columns lifted high,
Salute the diff'rent quarters of the sky.
Here fabled Chiefs in darker ages born,
Or Worthies old, whom arms or arts adorn,
Who cities rais'd, or tam'd a monstrous race;
The walls in venerable order grace:
Heroes in animated marble frown,
And Legislators seem to think in stone.
Westward, a sumptuous frontispiece appear'd,
On Doric pillars of white marble rear'd,
Crown'd with an architrave of antique mold,
And sculpture rising on the roughen'd mold,
In shaggy spoils here Theseus was beheld,
And Perseus dreadful with Minerva's shield:
There great Alcides stooping with his toil,
Rests on his club, and holds th' Hesperian spoil.
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Here Orpheus sings; trees moving to the sound
Start from their roots, and form a shade around:
Amphion there the loud creating lyre
Strikes, and beholds a sudden Thebes aspire!
Cithaeron's echoes answer to his call,
And half the mountain rolls into a wall:
There might you see the length'ning spires ascend,
The domes swell up, the wid'ning arches bend,
The growing tow'rs, like exhalations rise,
And the huge columns heave into the skies.
The Eastern front was glorious to behold,
With di'mond flaming, and Barbaric gold.
There Ninus shone, who spread th' Assyrian fame,
And the great founder of the Persian name:
There in long robes the royal Magi stand,
Grave Zoroaster waves the circling wand,
The sage Chaldaeans rob'd in white appear'd,
And Brahmans, deep in desert woods rever'd.
These stop'd the moon, and call'd th' unbody'd shades
To midnight banquets in the glimm'ring glades;
Made visionary fabrics round them rise,
And airy spectres skim before their eyes;
Of Talismans and Sigils knew the pow'r,
And careful watch'd the Planetary hour.
Superior, and alone, Confucius stood,
Who taught that useful science, to be good.
But on the South, a long majestic race
Of AEgypt's Priests the gilded niches grace,
Who measur'd earth, describ'd the starry spheres,
And trac'd the long records of lunar years.
High on his car Sesostris struck my view,
Whom scepter'd slaves in golden harness drew:
His hands a bow and pointed javelin hold;
His giant limbs are arm'd in scales of gold.
Between the statues Obelisks were plac'd,
And the learn'd walls with Hieroglyphics grac'd.
Of Gothic structure was the Northern side,
O'erwrought with ornaments of barb'rous pride.
There huge Colosses rose, with trophies crown'd,
And Runic characters were grav'd around.
There sate Zamolxis with erected eyes,
And Odin here in mimic trances dies.
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There on rude iron columns, smear'd with blood,
The horrid forms of Scythian heroes stood,
Druids and Bards (their once loud harps unstrung)
And youths that died to be by Poets sung.
These and a thousand more of doubtful fame,
To whom old fables gave a lasting name,
In ranks adorn'd the Temple's outward face;
The wall in lustre and effect like Glass,
Which o'er each object casting various dyes,
Enlarges some, and others multiplies:
Nor void of emblem was the mystic wall,
For thus romantic Fame increases all.
The Temple shakes, the sounding gates unfold,
Wide vaults appear, and roofs of fretted gold:
Rais'd on a thousand pillars, wreath'd around
With laurel-foliage, and with eagles crown'd:
Of bright, transparent beryl were the walls,
The friezes gold, an gold the capitals:
As heav'n with stars, the roof with jewels glows,
And ever-living lamps depend in rows.
Full in the passage of each spacious gate,
The sage Historians in white garments wait;
Grav'd o'er their seats the form of Time was found,
His scythe revers'd, and both his pinions bound.
Within stood Heroes, who thro' loud alarms
In bloody fields pursu'd renown in arms.
High on a throne with trophies charg'd, I view'd
The Youth that all things but himself subdu'd;
His feet on sceptres and tiara's trod,
And his horn'd head bely'd the Libyan God.
There Caesar, grac'd with both Minerva's, shone;
Unmov'd, superior still in ev'ry state,
And scarce detested in his Country's fate.
But chief were those, who not for empire fought,
But with their toils their people's safety bought:
High o'er the rest Epaminondas stood;
Timoleon, glorious in his brother's blood;
Bold Scipio, saviour of the Roman state;
Great in his triumphs, in retirement great;
And wise Aurelius, in whose well-taught mind
With boundless pow'r unbounded virtue join'd,
His own strict judge, and patron of mankind.
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Much-suff'ring heroes next their honours claim,
Those of less noisy, and less guilty fame,
Fair Virtue's silent train: supreme of these
Here ever shines the godlike Socrates:
He whom ungrateful Athens could expell,
At all times just, but when he sign'd the Shell:
Here his abode the martyr'd Phocion claims,
With Agis, not the last of Spartan names:
Unconquered Cato shews the wound he tore,
And Brutus his ill Genius meets no more.
But in the centre of the hallow'd choir,
Six pompous columns o'er the rest aspire;
Around the shrine itself of Fame they stand,
Hold the chief honours, and the fane command.
High on the first, the mighty Homer shone;
Eternal Adamant compos'd his throne;
Father of verse! in holy fillets drest,
His silver beard wav'd gently o'er his breast;
Tho' blind, a boldness in his looks appears;
In years he seem'd, but not impair'd by years.
The wars of Troy were round the Pillar seen:
Here fierce Tydides wounds the Cyprian Queen;
Here Hector glorious from Patroclus' fall,
Here dragg'd in triumph round the Trojan wall,
Motion and life did ev'ry part inspire,
Bold was the work, and prov'd the master's fire;
A strong expression most he seem'd t' affect,
And here and there disclos'd a brave neglect.
A golden column next in rank appear'd,
On which a shrine of purest gold was rear'd;
Finish'd the whole, and labour'd ev'ry part,
With patient touches of unweary'd art:
The Mantuan there in sober triumph sate,
Compos'd his posture, and his look sedate;
On Homer still he fix'd a rev'rend eye,
Great without pride, in modest majesty.
In living sculpture on the sides were spread
The Latian Wars, and haughty Turnus dead;
Eliza stretch'd upon the fun'ral pyre,
AEneas ending with his aged sire:
Troy flam'd in burning gold, and o'er the throne
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Arms of the Man in golden cyphers shone.
Four swans sustain a car of silver bright,
With heads advanc'd, and pinions stretch'd for flight:
Here, like some furious prophet, Pindar rode,
And seem'd to labour with th' inspiring God.
Across the harp a careless hand he flings,
And boldly sinks into the sounding strings.
The figur'd games of Greece the column grace,
Neptune and Jove survey the rapid race.
The youths hand o'er their chariots as they run;
The fiery steeds seem starting from the stone;
The champions in distorted postures threat;
And all appear'd irregularly great.
Here happy Horace tun'd th' Ausonian lyre
To sweeter sounds, and temper'd Pindar's fire:
Pleas'd with Alcaeus' manly rage t' infuse
The softer spirit of the Sapphic Muse.
The polish'd pillar diff'rent sculptures grace;
A work outlasting monumental brass.
Here smiling Loves and Bacchanals appear,
The Julian star, and great Augustus here,
The Doves that round the infant poet spread
Myrtles and bays, hung hov'ring o'er his head.
Here in a shrine that cast a dazzling light,
Sate fix'd in thought the mighty Stagirite;
His sacred head a radiant Zodiac crown'd,
And various Animals his sides surround;
His piercing eyes, erect, appear to view
Superior worlds, and look all Nature through.
With equal rays immortal Tully shone,
The Roman Rostra deck'd the Consul's throne:
Gath'ring his flowing robe, he seem'd to stand
In act to speak, and graceful stretch'd his hand.
Behind, Rome's Genius waits with Civic crowns,
And the great Father of his country owns.
These massy columns in a circle rise,
O'er which a pompous dome invades the skies:
Scarce to the top I stretch'd my aching sight,
So large it spread, and swell'd to such a height.
Full in the midst proud Fame's imperial seat,
With jewels blaz'd, magnificently great;
The vivid em'ralds there revive the eye,
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The flaming rubies shew their sanguine dye,
Bright azure rays from lively sapphrys stream,
And lucid amber casts a golden gleam.
With various-colour'd light the pavement shone,
And all on fire appear'd the glowing throne;
The dome's high arch reflects the mingled blaze,
And forms a rainbow of alternate rays.
When on the Goddess first I cast my sight,
Scarce seem'd her stature of a cubit's height;
But swell'd to larger size, the more I gaz'd,
Till to the roof her tow'ring front she rais'd.
With her, the Temple ev'ry moment grew,
And ampler Vista's open'd to my view:
Upward the columns shoot, the roofs ascend,
And arches widen, and long aisles extend.
Such was her form as ancient bards have told,
Wings raise her arms, and wings her feet infold;
A thousand busy tongues the Goddess bears,
And thousand open eyes, and thousand list'ning ears.
Beneath, in order rang'd, the tuneful Nine
(Her virgin handmaids) still attend the shrine:
With eyes on Fame for ever fix'd, they sing;
For Fame they raise the voice, and tune the string;
With time's first birth began the heav'nly lays,
And last, eternal, thro' the length of days.
Around these wonders as I cast a look,
The trumpet sounded, and the temple shoo,
And all the nations, summon'd at the call,
From diff'rent quarters fill the crowded hall:
Of various tongues the mingled sounds were heard;
In various garbs promiscuous throngs appear'd;
Thick as the bees, that with the spring renew
Their flow'ry toils, and sip the fragrant dew,
When the wing'd colonies first tempt the sky,
O'er dusky fields and shaded waters fly,
Or settling, seize the sweets the blossoms yield,
And a low murmur runs along the field.
Millions of suppliant crowds the shrine attend,
And all degrees before the Goddess bend;
The poor, the rich, the valiant and the sage,
And boasting youth, and narrative old-age.
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Their pleas were diff'rent, their request the same:
For good and bad alike are fond of Fame.
Some she disgrac'd, and some with honours crown'd;
Unlike successes equal merits found.
Thus her blind sister, fickle Fortune, reigns,
And, undiscerning, scatters crowns and chains.
First at the shrine the Learned world appear,
And to the Goddess thus prefer their play'r.
'Long have we sought t' instruct and please mankind,
With studies pale, with midnight vigils blind;
But thank'd by few, rewarded yet by none,
We here appeal to thy superior throne:
On wit and learning the just prize bestow,
For fame is all we must expect below.'
The Goddess heard, and bade the Muses raise
The golden Trumpet of eternal Praise:
From pole to pole the winds diffuse the sound,
That fills the circuit of the world around;
Not all at once, as thunder breaks the cloud;
The notes at first were rather sweet than loud:
By just degrees they ev'ry moment rise,
Fill the wide earth, and gain upon the skies.
At ev'ry breath were balmy odours shed,
Which still grew sweeter as they wider spread;
Less fragrant scents th' unfolding rose exhales,
Or spices breathing in Arabian gales.
Next these the good and just, an awful train,
Thus on their knees address the sacred fane.
'Since living virtue is with envy curs'd,
And the best men are treated like the worst,
Do thou, just Goddess, call our merits forth,
And give each deed th' exact intrinsic worth.'
'Not with bare justice shall your act be crown'd'
(Said Fame) 'but high above desert renown'd:
Let fuller notes th' applauding world amaze,
And the full loud clarion labour in your praise.'
This band dismiss'd, behold another croud
The constant tenour of whose well-spent days
No less deserv'd a just return of praise.
But strait the direful Trump of Slander sounds;
Thro' the big dome the doubling thunder bounds;
Loud as the burst of cannon rends the skies,
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The dire report thro' ev'ry region flies,
In ev'ry ear incessant rumours rung,
And gath'ring scandals grew on ev'ry tongue.
From the black trumpet's rusty concave broke
Sulphureous flames, and clouds of rolling smoke:
The pois'nous vapour blots the purple skies,
And withers all before it as it flies.
A troop came next, who crowns and armour wore,
And proud defiance in their looks they bore:
'For thee' (they cry'd) 'amidst alarms and strife,
We sail'd in tempests down the stream of life;
For thee whole nations fill'd with flames and blood,
And swam to empire thro' the purple flood.
Those ills we dar'd, thy inspiration own,
What virtue seem'd, was done for thee alone.'
'Ambitious fools!' (the Queen reply'd, and frown'd)
'Be all your acts in dark oblivion drown'd;
There sleep forgot, with mighty tyrants gone,
Your statues moulder'd, and your names unknown!'
A sudden cloud straight snatch'd them from my sight,
And each majestic phantom sunk in night.
Then came the smallest tribe I yet had seen;
Plain was their dress, and modest was their mien.
'Great idol of mankind! we neither claim
The praise of merit, nor aspire to fame!
But safe in deserts from th' applause of men,
Would die unheard of, as we liv'd unseen,
'Tis all we beg thee, to conceal from sight
Those acts of goodness, which themselves requite.
To follow virtue ev'n for virtue's sake.'
'And live there men, who slight immortal fame?
Who then with incense shall adore our name?
But mortals! know, 'tis still our greatest pride
To blaze those virtues, which the good would hide.
Rise! Muses, rise; add all your tuneful breath,
These must not sleep in darkness and in death.'
She said: in air the trembling music floats,
And on the winds triumphant swell the notes;
So soft, tho' high, so loud, and yet so clear,
Ev'n list'ning Angels lean'd from heav'n to hear:
To farthest shores th' Ambrosial spirit flies,
Sweet to the world, and grateful to the skies.
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Next these a youthful train their vows express'd,
With feathers crown'd, with gay embroid'ry dress'd:
'Hither,' they cry'd, 'direct your eyes, and see
The men of pleasure, dress, and gallantry;
Ours is the place at banquets, balls, and plays,
Sprightly our nights, polite are all our days;
Courts we frequent, where 'tis our pleasing care
To pay due visits, and address the fair:
In fact, 'tis true, no nymph we could persuade,
But still in fancy vanquish'd ev'ry maid;
Of unknown Duchesses lewd tales we tell,
Yet, would the world believe us, all were well.
The joy let others have, and we the name,
And what we want in pleasure, grant in fame.'
The Queen assents, the trumpet rends the skies,
And at each blast a Lady's honour dies.
Pleas'd with the strange success, vast numbers prest
Around the shrine, and made the same request:
'What? you,' (she cry'd) 'unlearn'd in arts to please,
Slaves to yourselves, and ev'n fatigu'd with ease,
Who lose a length of undeserving days,
Would you usurp the lover's dear-bought praise?
To just contempt, ye vain pretenders, fall,
The people's fable, and the scorn of all.'
Straight the black clarion sends a horrid sound,
Loud laughs burst out, and bitter scoffs fly round,
Whispers are heard, with taunts reviling loud,
And scornful hisses run thro' the crowd.
Last, those who boast of mighty mischiefs done,
Enslave their country, or usurp a throne;
Or who their glory's dire foundation lay'd
On Sov'reigns ruin'd, or on friends betray'd;
Calm, thinking villains, whom no faith could fix,
Of crooked counsels and dark politics;
Of these a gloomy tribe surround the throne,
And beg to make th' immortal treasons known.
The trumpet roars, long flaky flames expire,
With sparks, that seem'd to set the world on fire.
At the dread sound, pale mortals stood aghast,
And startled nature trembled with the blast.
This having heard and seen, and snatch'd me from the throne.
Before my view appear'd a structure fair,
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Its site uncertain, if in earth or air;
With rapid motion turn'd the mansion round;
With ceaseless noise the ringing walls resound;
Not less in number were the spacious doors,
Than leaves on trees, or sand upon the shores;
Which still unfolded stand, by night, by day,
Pervious to winds, and open ev'ry way.
As flames by nature to the skies ascend,
As weighty bodies to the centre tend,
As to the sea returning rivers toll,
And the touch'd needle trembles to the pole;
Hither, as to their proper place, arise
All various sounds from earth, and seas, and skies,
Or spoke aloud, or whisper'd in the ear;
Nor ever silence, rest, or peace is here.
As on the smooth expanse of crystal lakes
The sinking stone at first a circle makes;
The trembling surface by the motion stir'd,
Spreads in a second circle, then a third;
Wide, and more wide, the floating rings advance,
Fill all the wat'ry plain, and to the margin dance:
Thus ev'ry voice and sound, when first they break,
On neighb'ring air a soft impression make;
Another ambient circle then they move;
That, in its turn, impels the next above;
Thro' undulating air the sounds are sent,
And spread o'er all the fluid element.
There various news I heard of love and strife,
Of peace and war, health, sickness, death, and life,
Of loss and gain, of famine and of store,
Of storms at sea, and travels on the shore,
Of prodigies, and portents seen in air,
Of fires and plagues, and stars with blazing hair,
Of turns of fortune, changes in the state,
The falls of fav'rites, projects of the great,
Of old mismanagements, taxations new:
All neither wholly false, nor wholly true.
Above, below, without, within, around.
Confus'd, unnumber'd multitudes are found,
Who pass, repass, advance, and glide away;
Hosts rais'd by fear, and phantoms of a day:
Astrologers, that future fates foreshew,
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Projectors, quacks, and lawyers not a few;
And priests, and party-zealots, num'rous bands
With home-born lies, or tales from foreign lands;
Each talk'd aloud, or in some secret place,
And wild impatience star'd in ev'ry face.
The flying rumours gather'd as they roll'd,
Scarce any tale was sooner heard than told;
And all who told it added something new,
And all who heard it, made enlargements too,
In ev'ry ear it spread, on ev'ry tongue it grew.
Thus flying east and west, and north and south,
News travel'd with increase from mouth to mouth.
So from a spark, that kindled first by chance,
With gath'ring force the quick'ning flames advance;
Till to the clouds their curling heads aspire,
And tow'rs and temples sink in floods of fire.
When thus ripe lies are to perfection sprung,
Full grown, and fit to grace a mortal tongue,
Thro' thousand vents, impatient, forth they flow,
And rush in millions on the world below.
Fame sits aloft, and points them out their course,
Their date determines, and prescribes their force:
Some to remain, and some to perish soon;
Or wane and wax alternate like the moon.
Around, a thousand winged wonders fly,
Borne by the trumpet's blast, and scatter'd thro' the sky.
There, at one passage, oft you might survey
A lie and truth contending for the way;
And long 'twas doubtful, both so closely pent,
Which first should issue thro' the narrow vent:
At last agreed, together out they fly,
Inseparable now, the truth and lie;
The strict companions are for ever join'd,
And this or that unmix'd, no mortal e'er shall find.
While thus I stood, intent to see and hear,
One came, methought, and whisper'd in my ear:
What could thus high thy rash ambition raise?
Art thou, fond youth, a candidate for praise?
'Tis true, said I, not void of hopes I came,
For who so fond as youthful bards of Fame?
But few, alas! the casual blessing boast,
So hard to gain, so easy to be lost.
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How vain that second life in others breath,
Th' estate which wits inherit after death!
Ease, health, and life, for this they must resign,
(Unsure the tenure, but how vast the fine!)
The great man's curse, without the gains endure,
Be envy'd, wretched, and be flatter'd, poor;
All luckless wits their enemies profest,
And all successful, jealous friends at best.
Nor Fame I slight, nor for her favours call;
She comes unlook'd for, if she comes at all.
But if the purchase costs so dear a price,
As soothing Folly, or exalting Vice:
Oh! if the Muse must flatter lawless sway,
And follow still where fortune leads the way;
Or if no basis bear my rising name,
But the fall'n ruin of another's fame;
Then teach me, heav'n! to scorn the guilty bays,
Drive from my breast that wretched lust of praise,
Unblemish'd let me live, or die unknown;
Oh grant an honest fame, or grant me none!
~ Alexander Pope,
1180:Of The Four Humours In Mans Constitution.
The former four now ending their discourse,
Ceasing to vaunt their good, or threat their force.
Lo other four step up, crave leave to show
The native qualityes that from them flow:
But first they wisely shew'd their high descent,
Each eldest daughter to each Element.
Choler was own'd by fire, and Blood by air,
Earth knew her black swarth child, water her fair:
All having made obeysance to each Mother,
Had leave to speak, succeeding one the other:
But 'mongst themselves they were at variance,
Which of the four should have predominance.
Choler first hotly claim'd right by her mother,
Who had precedency of all the other:
But Sanguine did disdain what she requir'd,
Pleading her self was most of all desir'd.
Proud Melancholy more envious then the rest,
The second, third or last could not digest.
She was the silentest of all the four,
Her wisdom spake not much, but thought the more
Mild Flegme did not contest for chiefest place,
Only she crav'd to have a vacant space.
Well, thus they parle and chide; but to be brief,
Or will they, nill they, Choler will be chief.
They seing her impetuosity
At present yielded to necessity.
Choler.
To shew my high descent and pedegree,
Your selves would judge but vain prolixity;
It is acknowledged from whence I came,
It shall suffice to shew you what I am,
My self and mother one, as you shall see,
But shee in greater, I in less degree.
We both once Masculines, the world doth know,
Now Feminines awhile, for love we owe
Unto your Sisterhood, which makes us render
Our noble selves in a less noble gender.
Though under Fire we comprehend all heat,
Yet man for Choler is the proper seat:
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I in his heart erect my regal throne,
Where Monarch like I play and sway alone.
Yet many times unto my great disgrace
One of your selves are my Compeers in place,
Where if your rule prove once predominant,
The man proves boyish, sottish, ignorant:
But if you yield subservience unto me,
I make a man, a man in th'high'st degree:
Be he a souldier, I more fence his heart
Then iron Corslet 'gainst a sword or dart.
What makes him face his foe without appal,
To storm a breach, or scale a city wall,
In dangers to account himself more sure
Then timerous Hares whom Castles do immure?
Have you not heard of worthyes, Demi-Gods?
Twixt them and others what is't makes the odds
But valour? whence comes that? from none of you,
Nay milksops at such brunts you look but blew.
Here's sister ruddy, worth the other two,
Who much will talk, but little dares she do,
Unless to Court and claw, to dice and drink,
And there she will out-bid us all, I think,
She loves a fiddle better then a drum,
A Chamber well, in field she dares not come,
She'l ride a horse as bravely as the best,
And break a staff, provided 'be in jest;
But shuns to look on wounds, & blood that's spilt,
She loves her sword only because its gilt.
Then here's our sad black Sister, worse then you.
She'l neither say she will, nor will she doe;
But peevish Malecontent, musing sits,
And by misprissions like to loose her witts:
If great perswasions cause her meet her foe,
In her dull resolution she's so slow,
To march her pace to some is greater pain
Then by a quick encounter to be slain.
But be she beaten, she'l not run away,
She'l first advise if't be not best to stay.
Now let's give cold white sister flegme her right,
So loving unto all she scorns to fight:
If any threaten her, she'l in a trice
Convert from water to congealed ice:
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Her teeth will chatter, dead and wan's her face,
And 'fore she be assaulted, quits the place.
She dares not challeng, if I speak amiss,
Nor hath she wit or heat to blush at this.
Here's three of you all see now what you are,
Then yield to me preheminence in war.
Again who fits for learning, science, arts?
Who rarifies the intellectual parts:
From whence fine spirits flow and witty notions:
But tis not from our dull, slow sisters motions:
Nor sister sanguine, from thy moderate heat,
Poor spirits the Liver breeds, which is thy seat.
What comes from thence, my heat refines the same
And through the arteries sends it o're the frame:
The vital spirits they're call'd, and well they may
For when they fail, man turns unto his clay.
The animal I claim as well as these,
The nerves, should I not warm, soon would they freeze
But flegme her self is now provok'd at this
She thinks I never shot so far amiss.
The brain she challengeth, the head's her seat;
But know'ts a foolish brain that wanteth heat.
My absence proves it plain, her wit then flyes
Out at her nose, or melteth at her eyes.
Oh who would miss this influence of thine
To be distill'd, a drop on every Line?
Alas, thou hast no Spirits; thy Company
Will feed a dropsy, or a Tympany,
The Palsy, Gout, or Cramp, or some such dolour:
Thou wast not made, for Souldier or for Scholar;
Of greazy paunch, and bloated cheeks go vaunt,
But a good head from these are dissonant.
But Melancholy, wouldst have this glory thine,
Thou sayst thy wits are staid, subtil and fine;
'Tis true, when I am Midwife to thy birth
Thy self's as dull, as is thy mother Earth:
Thou canst not claim the liver, head nor heart
Yet hast the Seat assign'd, a goodly part
The sinke of all us three, the hateful Spleen
Of that black Region, nature made thee Queen;
Where pain and sore obstruction thou dost work,
Where envy, malice, thy Companions lurk.
69
If once thou'rt great, what follows thereupon
But bodies wasting, and destruction?
So base thou art, that baser cannot be,
Th'excrement adustion of me.
But I am weary to dilate your shame,
Nor is't my pleasure thus to blur your name,
Only to raise my honour to the Skies,
As objects best appear by contraries.
But Arms, and Arts I claim, and higher things,
The princely qualities befitting Kings,
Whose profound heads I line with policies,
They'r held for Oracles, they are so wise,
Their wrathful looks are death their words are laws
Their Courage it foe, friend, and Subject awes;
But one of you, would make a worthy King
Like our sixth Henry (that same virtuous thing)
That when a Varlet struck him o're the side,
Forsooth you are to blame, he grave reply'd.
Take Choler from a Prince, what is he more
Then a dead Lion, by Beasts triumph'd o're.
Again you know, how I act every part
By th'influence, I still send from the heart:
It's nor your Muscles, nerves, nor this nor that
Do's ought without my lively heat, that's flat:
Nay th'stomack magazine to all the rest
Without my boyling heat cannot digest:
And yet to make my greatness, still more great
What differences, the Sex? but only heat.
And one thing more, to close up my narration
Of all that lives, I cause the propagation.
I have been sparings what I might have said
I love no boasting, that's but Childrens trade.
To what you now shall say I will attend,
And to your weakness gently condescend.
Blood.
Good Sisters, give me leave, as is my place
To vent my grief, and wipe off my disgrace:
Your selves may plead your wrongs are no whit less
Your patience more then mine, I must confess
Did ever sober tongue such language speak,
Or honesty such tyes unfriendly break?
Dost know thy self so well us so amiss?
70
Is't arrogance or folly causeth this?
Ile only shew the wrong thou'st done to me,
Then let my sisters right their injury.
To pay with railings is not mine intent,
But to evince the truth by Argument:
I will analyse this thy proud relation
So full of boasting and prevarication,
Thy foolish incongruityes Ile show,
So walk thee till thou'rt cold, then let thee go.
There is no Souldier but thy self (thou sayest,)
No valour upon Earth, but what thou hast
Thy silly provocations I despise,
And leave't to all to judge, where valour lies
No pattern, nor no pattron will I bring
But David, Judah's most heroick King,
Whose glorious deeds in Arms the world can tell,
A rosie cheek Musitian thou know'st well;
He knew well how to handle Sword and Harp,
And how to strike full sweet, as well as sharp,
Thou laugh'st at me for loving merriment,
And scorn'st all Knightly sports at Turnament.
Thou sayst I love my Sword, because it's gilt,
But know, I love the Blade, more then the Hill,
Yet do abhor such temerarious deeds,
As thy unbridled, barbarous Choler breeds:
Thy rudeness counts good manners vanity,
And real Complements base flattery.
For drink, which of us twain like it the best,
Ile go no further then thy nose for test:
Thy other scoffs, not worthy of reply
Shall vanish as of no validity:
Of thy black Calumnies this is but part,
But now Ile shew what souldier thou art.
And though thou'st us'd me with opprobrious spight
My ingenuity must give thee right.
Thy choler is but rage when tis most pure,
But usefull when a mixture can endure;
As with thy mother fire, so tis with thee,
The best of all the four when they agree:
But let her leave the rest, then I presume
Both them and all things else she would consume.
VVhilst us for thine associates thou tak'st,
71
A Souldier most compleat in all points mak'st:
But when thou scorn'st to take the help we lend,
Thou art a Fury or infernal Fiend.
Witness the execrable deeds thou'st done,
Nor sparing Sex nor Age, nor Sire nor Son;
To satisfie thy pride and cruelty,
Thou oft hast broke bounds of Humanity,
Nay should I tell, thou would'st count me no blab,
How often for the lye, thou'st given the stab.
To take the wall's a sin of so high rate,
That nought but death the same may expiate,
To cross thy will, a challenge doth deserve
So shed'st that blood, thou'rt bounden to preserve
Wilt thou this valour, Courage, Manhood call:
No, know 'tis pride most diabolibal.
If murthers be thy glory, tis no less,
Ile not envy thy feats, nor happiness:
But if in fitting time and place 'gainst foes
For countreys good thy life thou dar'st expose,
Be dangers n'er so high, and courage great,
Ile praise that prowess, fury, Choler, heat:
But such thou never art when all alone,
Yet such when we all four are joyn'd in one.
And when such thou art, even such are we,
The friendly Coadjutors still of thee.
Nextly the Spirits thou dost wholly claim,
Which nat'ral, vital, animal we name:
To play Philosopher I have no list,
Nor yet Physitian, nor Anatomist,
For acting these, l have no will nor Art,
Yet shall with Equity, give thee thy part
For natural, thou dost not much contest;
For there is none (thou sayst) if some not best;
That there are some, and best, I dare averre
Of greatest use, if reason do not erre:
What is there living, which do'nt first derive
His Life now Animal, from vegetive:
If thou giv'st life, I give the nourishment,
Thine without mine, is not, 'tis evident:
But I without thy help, can give a growth
As plants trees, and small Embryon know'th
And if vital Spirits, do flow from thee
72
I am as sure, the natural, from me:
Be thine the nobler, which I grant, yet mine
Shall justly claim priority of thine.
I am the fountain which thy Cistern fills
Through warm blew Conduits of my venial rills:
What hath the heart, but what's sent from the liver
If thou'rt the taker, I must be the giver.
Then never boast of what thou dost receive:
For of such glory I shall thee bereave.
But why the heart should be usurp'd by thee,
I must confess seems something strange to me:
The spirits through thy heat made perfect are,
But the Materials none of thine, that's clear:
Their wondrous mixture is of blood and air,
The first my self, second my mother fair.
But Ile not force retorts, nor do thee wrong,
Thy fi'ry yellow froth is mixt among,
Challeng not all, 'cause part we do allow;
Thou know'st I've there to do as well as thou:
But thou wilt say I deal unequally,
Their lives the irascible faculty,
Which without all dispute, is Cholers own;
Besides the vehement heat, only there known
Can be imputed, unto none but Fire
Which is thy self, thy Mother and thy Sire
That this is true, I easily can assent
If still you take along my Aliment;
And let me be your partner which is due,
So shall I give the dignity to you:
Again, Stomacks Concoction thou dost claim,
But by what right, nor do'st, nor canst thou name
Unless as heat, it be thy faculty,
And so thou challengest her property.
The help she needs, the loving liver lends,
Who th'benefit o'th' whole ever intends
To meddle further I shall be but shent,
Th'rest to our Sisters is more pertinent;
Your slanders thus refuted takes no place,
Nor what you've said, doth argue my disgrace,
Now through your leaves, some little time I'l spend
My worth in humble manner to commend
This, hot, moist nutritive humour of mine
73
When 'tis untaint, pure, and most genuine
Shall chiefly take the place, as is my due
Without the least indignity to you.
Of all your qualities I do partake,
And what you single are, the whole I make
Your hot, moist, cold, dry natures are but four,
I moderately am all, what need I more;
As thus, if hot then dry, if moist, then cold,
If this you cann't disprove, then all I hold
My virtues hid, I've let you dimly see
My sweet Complection proves the verity.
This Scarlet die's a badge of what's within
One touch thereof, so beautifies the skin:
Nay, could I be, from all your tangs but pure
Mans life to boundless Time might still endure.
But here one thrusts her heat, wher'ts not requir'd
So suddenly, the body all is fired,
And of the calme sweet temper quite bereft,
Which makes the Mansion, by the Soul soon left.
So Melancholy seizes on a man,
With her unchearful visage, swarth and wan,
The body dryes, the mind sublime doth smother,
And turns him to the womb of's earthy mother:
And flegm likewise can shew her cruel art,
With cold distempers to pain every part:
The lungs she rots, the body wears away,
As if she'd leave no flesh to turn to clay,
Her languishing diseases, though not quick
At length demolishes the Faberick,
All to prevent, this curious care I take,
In th'last concoction segregation make
Of all the perverse humours from mine own,
The bitter choler most malignant known
I turn into his Cell close by my side
The Melancholy to the Spleen t'abide:
Likewise the whey, some use I in the veins,
The overplus I send unto the reins:
But yet for all my toil, my care and skill,
Its doom'd by an irrevocable will
That my intents should meet with interruption,
That mortal man might turn to his corruption.
I might here shew the nobleness of mind
74
Of such as to the sanguine are inclin'd,
They're liberal, pleasant, kind and courteous,
And like the Liver all benignious.
For arts and sciences they are the fittest;
And maugre Choler still they are the wittiest:
With an ingenious working Phantasie,
A most voluminous large Memory,
And nothing wanting but Solidity.
But why alas, thus tedious should I be,
Thousand examples you may daily see.
If time I have transgrest, and been too long,
Yet could not be more brief without much wrong;
I've scarce wip'd off the spots proud choler cast,
Such venome lies in words, though but a blast:
No braggs i've us'd, to you I dare appeal,
If modesty my worth do not conceal.
I've us'd no bittererss nor taxt your name,
As I to you, to me do ye the same.
Melancholy.
He that with two Assailants hath to do,
Had need be armed well and active too.
Especially when friendship is pretended,
That blow's most deadly where it is intended.
Though choler rage and rail, I'le not do so,
The tongue's no weapon to assault a foe:
But sith we fight with words, we might be kind
To spare our selves and beat the whistling wind,
Fair rosie sister, so might'st thou scape free;
I'le flatter for a time as thou didst me:
But when the first offender I have laid,
Thy soothing girds shall fully be repaid.
But Choler be thou cool'd or chaf'd, I'le venter,
And in contentions lists now justly enter.
What mov'd thee thus to vilifie my name,
Not past all reason, but in truth all shame:
Thy fiery spirit shall bear away this prize,
To play such furious pranks I am too wise:
If in a Souldier rashness be so precious,
Know in a General tis most pernicious.
Nature doth teach to shield the head from harm,
The blow that's aim'd thereat is latcht by th'arm.
When in Batalia my foes I face
75
I then command proud Choler stand thy place,
To use thy sword, thy courage and thy art
There to defend my self, thy better part.
This wariness count not for cowardize,
He is not truly valiant that's not wise.
It's no less glory to defend a town,
Then by assault to gain one not our own;
And if Marcellus bold be call'd Romes sword,
Wise Fabius is her buckler all accord:
And if thy hast my slowness should not temper,
'Twere but a mad irregular distemper;
Enough of that by our sisters heretofore,
Ile come to that which wounds me somewhat more
Of learning, policy thou wouldst bereave me,
But's not thine ignorance shall thus deceive me:
What greater Clark or Politician lives,
Then he whose brain a touch my humour gives?
What is too hot my coldness doth abate,
What's diffluent I do consolidate.
If I be partial judg'd or thought to erre,
The melancholy snake shall it aver,
Whose cold dry head more subtilty doth yield,
Then all the huge beasts of the fertile field.
Again thou dost confine me to the spleen,
As of that only part I were the Queen,
Let me as well make thy precincts the Gall,
So prison thee within that bladder small:
Reduce the man to's principles, then see
If I have not more part then all you three:
What is within, without, of theirs or thine,
Yet time and age shall soon declare it mine.
When death doth seize the man your stock is lost,
When you poor bankrupts prove then have I most.
You'l say here none shall e're disturb my right,
You high born from that lump then take your flight.
Then who's mans friend, when life & all forsakes?
His Mother mine, him to her womb retakes:
Thus he is ours, his portion is the grave,
But while he lives, I'le shew what part I have:
And first the firm dry bones I justly claim,
The strong foundation of the stately frame:
Likewise the usefull Slpeen, though not the best,
76
Yet is a bowel call'd well as the rest:
The Liver, Stomack, owe their thanks of right,
The first it drains, of th'last quicks appetite.
Laughter (thô thou say malice) flows from hence,
These two in one cannot have residence.
But thou most grosly dost mistake to think
The Spleen for all you three was made a sink,
Of all the rest thou'st nothing there to do,
But if thou hast, that malice is from you.
Again you often touch my swarthy hue,
That black is black, and I am black tis true;
But yet more comely far I dare avow,
Then is thy torrid nose or brazen brow.
But that which shews how high your spight is bent
Is charging me to be thy excrement:
Thy loathsome imputation I defie,
So plain a slander needeth no reply.
When by thy heat thou'st bak'd thy self to crust,
And so art call'd black Choler or adust,
Thou witless think'st that I am thy excretion,
So mean thou art in Art as in discretion:
But by your leave I'le let your greatness see
What Officer thou art to us all three,
The Kitchin Drudge, the cleanser of the sinks
That casts out all that man e're eats or drinks:
If any doubt the truth whence this should come,
Shew them thy passage to th'Duodenum;
Thy biting quality still irritates,
Till filth and thee nature exonerates:
If there thou'rt stopt, to th'Liver thou turn'st in,
And thence with jaundies saffrons all the skin.
No further time Ile spend in confutation,
I trust I've clear'd your slanderous imputation.
I now speak unto all, no more to one,
Pray hear, admire and learn instruction.
My virtues yours surpass without compare,
The first my constancy that jewel rare:
Choler's too rash this golden gift to hold,
And Sanguine is more fickle manifold,
Here, there her restless thoughts do ever fly,
Constant in nothing but unconstancy.
And what Flegme is, we know, like to her mother,
77
Unstable is the one, and so the other;
With me is noble patience also found,
Impatient Choler loveth not the sound,
What sanguine is, she doth not heed nor care,
Now up, now down, transported like the Air:
Flegme's patient because her nature's tame;
But I, by virtue do acquire the same.
My Temperance, Chastity is eminent,
But these with you, are seldome resident;
Now could I stain my ruddy Sisters face
With deeper red, to shew you her dsgrace,
But rather I with silence vaile her shame
Then cause her blush, while I relate the same.
Nor are ye free from this inormity,
Although she bear the greatest obloquie,
My prudence, judgement, I might now reveal
But wisdom 'tis my wisdome to conceal.
Unto diseases not inclin'd as you,
Nor cold, nor hot, Ague nor Plurisie,
Nor Cough, nor Quinsey, nor the burning Feaver,
I rarely feel to act his fierce endeavour;
My sickness in conceit chiefly doth lye,
What I imagine that's my malady.
Chymeraes strange are in my phantasy,
And things that never were, nor shall I see
I love not talk, Reason lies not in length,
Nor multitude of words argues our strength;
I've done pray sister Flegme proceed in Course,
We shall expect much sound, but little force.
Flegme.
Patient I am, patient i'd need to be,
To bear with the injurious taunts of three,
Though wit I want, and anger I have less,
Enough of both, my wrongs now to express
I've not forgot, how bitter Choler spake
Nor how her gaul on me she causeless brake;
Nor wonder 'twas for hatred there's not small,
Where opposition is Diametrical.
To what is Truth I freely will assent,
Although my Name do suffer detriment,
What's slanderous repell, doubtful dispute,
And when I've nothing left to say be mute.
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Valour I want, no Souldier am 'tis true,
I'le leave that manly Property to you;
I love no thundring guns, nor bloody wars,
My polish'd Skin was not ordain'd for Skarrs:
But though the pitched field I've ever fled,
At home the Conquerours have conquered.
Nay, I could tell you what's more true then meet,
That Kings have laid their Scepters at my feet;
When Sister sanguine paints my Ivory face:
The Monarchs bend and sue, but for my grace
My lilly white when joyned with her red,
Princes hath slav'd, and Captains captived,
Country with Country, Greece with Asia fights
Sixty nine Princes, all stout Hero Knights.
Under Troys walls ten years will wear away,
Rather then loose one beauteous Helena.
But 'twere as vain, to prove this truth of mine
As at noon day, to tell the Sun doth shine.
Next difference that 'twixt us twain doth lye
Who doth possess the brain, or thou or I?
Shame forc'd the say, the matter that was mine,
But the Spirits by which it acts are thine:
Thou speakest Truth, and I can say no less,
Thy heat doth much, I candidly confess;
Yet without ostentation I may say,
I do as much for thee another way:
And though I grant, thou art my helper here,
No debtor I because it's paid else where.
With all your flourishes, now Sisters three
Who is't that dare, or can, compare with me,
My excellencies are so great, so many,
I am confounded; fore I speak of any:
The brain's the noblest member all allow,
Its form and Scituation will avow,
Its Ventricles, Membranes and wondrous net,
Galen, Hippocrates drive to a set;
That Divine Ofspring the immortal Soul
Though it in all, and every part be whole,
Within this stately place of eminence,
Doth doubtless keep its mighty residence.
And surely, the Soul sensitive here lives,
Which life and motion to each creature gives,
79
The Conjugation of the parts, to th'braine
Doth shew, hence flow the pow'rs which they retain
Within this high Built Cittadel, doth lye
The Reason, fancy, and the memory;
The faculty of speech doth here abide,
The Spirits animal, from hence do slide:
The five most noble Senses here do dwell;
Of three it's hard to say, which doth excell.
This point now to discuss, 'longs not to me,
I'le touch the sight, great'st wonder of the three;
The optick Nerve, Coats, humours all are mine,
The watry, glassie, and the Chrystaline;
O mixture strange! O colour colourless,
Thy perfect temperament who can express:
He was no fool who thought the soul lay there,
Whence her affections passions speak so clear.
O good, O bad, O true, O traiterous eyes
What wonderments within your Balls there lyes,
Of all the Senses sight shall be the Queen;
Yet some may wish, O had mine eyes ne're seen.
Mine, likewise is the marrow, of the back,
Which runs through all the Spondles of the rack,
It is the substitute o'th royal brain,
All Nerves, except seven pair, to it retain.
And the strong Ligaments from hence arise,
Which joynt to joynt, the intire body tyes.
Some other parts there issue from the Brain,
Whose worth and use to tell, I must refrain:
Some curious learned Crooke, may these reveal
But modesty, hath charg'd me to conceal
Here's my Epitome of excellence:
For what's the Brains is mine by Consequence.
A foolish brain (quoth Choler) wanting heat
But a mad one say I, where 'tis too great,
Phrensie's worse then folly, one would more glad
With a tame fool converse then with a mad;
For learning then my brain is not the fittest,
Nor will I yield that Choler is the wittiest.
Thy judgement is unsafe, thy fancy little,
For memory the sand is not more brittle;
Again, none's fit for Kingly state but thou,
If Tyrants be the best, I le it allow:
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But if love be as requisite as fear,
Then thou and I must make a mixture here.
Well to be brief, I hope now Cholers laid,
And I'le pass by what Sister sanguine said.
To Melancholy I le make no reply,
The worst she said was instability,
And too much talk, both which I here confess
A warning good, hereafter I'le say less.
Let's now be friends; its time our spight were spent,
Lest we too late this rashness do repent,
Such premises will force a sad conclusion,
Unless we agree, all falls into confusion.
Let Sangine with her hot hand Choler hold,
To take her moist my moisture will be bold:
My cold, cold melancholy hand shall clasp;
Her dry, dry Cholers other hand shall grasp.
Two hot, two moist, two cold, two dry here be,
A golden Ring, the Posey VNITY.
Nor jarrs nor scoffs, let none hereafter see,
But all admire our perfect Amity
Nor be discern'd, here's water, earth, air, fire,
But here a compact body, whole intire.
This loving counsel pleas'd them all so well
That flegm was judg'd for kindness to excell.
~ Anne Bradstreet,
1181:VERSES ADDRESSED TO THE NOBLE AND UNFORTUNATE LADY, EMILIA V---,
NOW IMPRISONED IN THE CONVENT OF ---

L'anima amante si slancia fuori del creato, e si crea nell' infinito un Mondo tutto per essa, diverso assai da questo oscuro e pauroso baratro. ~Her own words.
My Song, I fear that thou wilt find but few
Who fitly shall conceive thy reasoning,
Of such hard matter dost thou entertain;
Whence, if by misadventure, chance should bring
Thee to base company (as chance may do),
Quite unaware of what thou dost contain,
I prithee, comfort thy sweet self again,
My last delight! tell them that they are dull,
And bid them own that thou art beautiful.

EPIPSYCHIDION.

Sweet Spirit! Sister of that orphan one,
Whose empire is the name thou weepest on,
In my heart's temple I suspend to thee
These votive wreaths of withered memory.

Poor captive bird! who, from thy narrow cage,
Pourest such music, that it might assuage
The ruggd hearts of those who prisoned thee,
Were they not deaf to all sweet melody;
This song shall be thy rose: its petals pale
Are dead, indeed, my adored Nightingale!
But soft and fragrant is the faded blossom,
And it has no thorn left to wound thy bosom.

High, spirit-wingd Heart! who dost for ever
Beat thine unfeeling bars with vain endeavour,
Till those bright plumes of thought, in which arrayed
It over-soared this low and worldly shade,
Lie shattered; and thy panting, wounded breast
Stains with dear blood its unmaternal nest!
I weep vain tears: blood would less bitter be,
Yet poured forth gladlier, could it profit thee.

Seraph of Heaven! too gentle to be human,
Veiling beneath that radiant form of Woman
All that is insupportable in thee
Of light, and love, and immortality!
Sweet Benediction in the eternal Curse!
Veiled Glory of this lampless Universe!
Thou Moon beyond the clouds! Thou living Form
Among the Dead! Thou Star above the Storm!
Thou Wonder, and thou Beauty, and thou Terror!
Thou Harmony of Nature's art! Thou Mirror
In whom, as in the splendour of the Sun,
All shapes look glorious which thou gazest on!
Ay, even the dim words which obscure thee now
Flash, lightning-like, with unaccustomed glow;
I pray thee that thou blot from this sad song
All of its much mortality and wrong,
With those clear drops, which start like sacred dew
From the twin lights thy sweet soul darkens through,
Weeping, till sorrow becomes ecstasy:
Then smile on it, so that it may not die.

I never thought before my death to see
Youth's vision thus made perfect. Emily,
I love thee; though the world by no thin name
Will hide that love from its unvalued shame.
Would we two had been twins of the same mother!
Or, that the name my heart lent to another
Could be a sister's bond for her and thee,
Blending two beams of one eternity!
Yet were one lawful and the other true,
These names, though dear, could paint not, as is due,
How beyond refuge I am thine. Ah me!
I am not thine: I am a part of thee.

Sweet Lamp! my moth-like Muse has burned its wings
Or, like a dying swan who soars and sings,
Young Love should teach Time, in his own gray style,
All that thou art. Art thou not void of guile,
A lovely soul formed to be blessed and bless?
A well of sealed and secret happiness,
Whose waters like blithe light and music are,
Vanquishing dissonance and gloom? A Star
Which moves not in the moving heavens, alone?
A Smile amid dark frowns? a gentle tone
Amid rude voices? a belovd light?
A Solitude, a Refuge, a Delight?
A Lute, which those whom Love has taught to play
Make music on, to soothe the roughest day
And lull fond Grief asleep? a buried treasure?
A cradle of young thoughts of wingless pleasure?
A violet-shrouded grave of Woe?I measure
The world of fancies, seeking one like thee,
And findalas! mine own infirmity.

She met me, Stranger, upon life's rough way,
And lured me towards sweet Death; as Night by Day,
Winter by Spring, or Sorrow by swift Hope,
Led into light, life, peace. An antelope,
In the suspended impulse of its lightness,
Were less aethereally light: the brightness
Of her divinest presence trembles through
Her limbs, as underneath a cloud of dew
Embodied in the windless heaven of June
Amid the splendour-wingd stars, the Moon
Burns, inextinguishably beautiful:
And from her lips, as from a hyacinth full
Of honey-dew, a liquid murmur drops,
Killing the sense with passion; sweet as stops
Of planetary music heard in trance.
In her mild lights the starry spirits dance,
The sunbeams of those wells which ever leap
Under the lightnings of the soultoo deep
For the brief fathom-line of thought or sense.
The glory of her being, issuing thence,
Stains the dead, blank, cold air with a warm shade
Of unentangled intermixture, made
By Love, of light and motion: one intense
Diffusion, one serene Omnipresence,
Whose flowing outlines mingle in their flowing,
Around her cheeks and utmost fingers glowing
With the unintermitted blood, which there
Quivers, (as in a fleece of snow-like air
The crimson pulse of living morning quiver,)
Continuously prolonged, and ending never,
Till they are lost, and in that Beauty furled
Which penetrates and clasps and fills the world;
Scarce visible from extreme loveliness.
Warm fragrance seems to fall from her light dress
And her loose hair; and where some heavy tress
The air of her own speed has disentwined,
The sweetness seems to satiate the faint wind;
And in the soul a wild odour is felt,
Beyond the sense, like fiery dews that melt
Into the bosom of a frozen bud.
See where she stands! a mortal shape indued
With love and life and light and deity,
And motion which may change but cannot die;
An image of some bright Eternity;
A shadow of some golden dream; a Splendour
Leaving the third sphere pilotless; a tender
Reflection of the eternal Moon of Love
Under whose motions life's dull billows move;
A Metaphor of Spring and Youth and Morning;
A Vision like incarnate April, warning,
With smiles and tears, Frost the Anatomy
Into his summer grave.

            Ah, woe is me!
What have I dared? where am I lifted? how
Shall I descend, and perish not? I know
That Love makes all things equal: I have heard
By mine own heart this joyous truth averred:
The spirit of the worm beneath the sod
In love and worship, blends itself with God.

Spouse! Sister! Angel! Pilot of the Fate
Whose course has been so starless! O too late
Belovd! O too soon adored, by me!
For in the fields of Immortality
My spirit should at first have worshipped thine,
A divine presence in a place divine;
Or should have moved beside it on this earth,
A shadow of that substance, from its birth;
But not as now:I love thee; yes, I feel
That on the fountain of my heart a seal
Is set, to keep its waters pure and bright
For thee, since in those tears thou hast delight.
Weare we not formed, as notes of music are,
For one another, though dissimilar;
Such difference without discord, as can make
Those sweetest sounds, in which all spirits shake
As trembling leaves in a continuous air?

Thy wisdom speaks in me, and bids me dare
Beacon the rocks on which high hearts are wrecked.
I never was attached to that great sect,
Whose doctrine is, that each one should select
Out of the crowd a mistress or a friend,
And all the rest, though fair and wise, commend
To cold oblivion, though it is in the code
Of modern morals, and the beaten road
Which those poor slaves with weary footsteps tread,
Who travel to their home among the dead
By the broad highway of the world, and so
With one chained friend, perhaps a jealous foe,
The dreariest and the longest journey go.

True Love in this differs from gold and clay,
That to divide is not to take away.
Love is like understanding, that grows bright,
Gazing on many truths; 'tis like thy light,
Imagination! which from earth and sky,
And from the depths of human fantasy,
As from a thousand prisms and mirrors, fills
The Universe with glorious beams, and kills
Error, the worm, with many a sun-like arrow
Of its reverberated lightning. Narrow
The heart that loves, the brain that contemplates,
The life that wears, the spirit that creates
One object, and one form, and builds thereby
A sepulchre for its eternity.

Mind from its object differs most in this:
Evil from good; misery from happiness;
The baser from the nobler; the impure
And frail, from what is clear and must endure.
If you divide suffering and dross, you may
Diminish till it is consumed away;
If you divide pleasure and love and thought,
Each part exceeds the whole; and we know not
How much, while any yet remains unshared,
Of pleasure may be gained, of sorrow spared:
This truth is that deep well, whence sages draw
The unenvied light of hope; the eternal law
By which those live, to whom this world of life
Is as a garden ravaged, and whose strife
Tills for the promise of a later birth
The wilderness of this Elysian earth.

There was a Being whom my spirit oft
Met on its visioned wanderings, far aloft,
In the clear golden prime of my youth's dawn,
Upon the fairy isles of sunny lawn,
Amid the enchanted mountains, and the caves
Of divine sleep, and on the air-like waves
Of wonder-level dream, whose tremulous floor
Paved her light steps;on an imagined shore,
Under the gray beak of some promontory
She met me, robed in such exceeding glory,
That I beheld her not. In solitudes
Her voice came to me through the whispering woods,
And from the fountains, and the odours deep
Of flowers, which, like lips murmuring in their sleep
Of the sweet kisses which had lulled them there,
Breathed but of her to the enamoured air;
And from the breezes whether low or loud,
And from the rain of every passing cloud,
And from the singing of the summer-birds,
And from all sounds, all silence. In the words
Of antique verse and high romance, -- in form,
Sound, colour -- in whatever checks that Storm
Which with the shattered present chokes the past;
And in that best philosophy, whose taste
Makes this cold common hell, our life, a doom
As glorious as a fiery martyrdom;
Her Spirit was the harmony of truth.--

Then, from the caverns of my dreamy youth
I sprang, as one sandalled with plumes of fire,
And towards the lodestar of my one desire,
I flitted, like a dizzy moth, whose flight
Is as a dead leaf's in the owlet light,
When it would seek in Hesper's setting sphere
A radiant death, a fiery sepulchre,
As if it were a lamp of earthly flame.
But She, whom prayers or tears then could not tame,
Passed, like a God throned on a wingd planet,
Whose burning plumes to tenfold swiftness fan it,
Into the dreary cone of our life's shade;
And as a man with mighty loss dismayed,
I would have followed, though the grave between
Yawned like a gulf whose spectres are unseen:
When a voice said:--'O thou of hearts the weakest,
The phantom is beside thee whom thou seekest.'
Then I'Where?'--the world's echo answered 'where?'
And in that silence, and in my despair,
I questioned every tongueless wind that flew
Over my tower of mourning, if it knew
Whither 'twas fled, this soul out of my soul;
And murmured names and spells which have control
Over the sightless tyrants of our fate;
But neither prayer nor verse could dissipate
The night which closed on her; nor uncreate
That world within this Chaos, mine and me,
Of which she was the veiled Divinity,
The world I say of thoughts that worshipped her:
And therefore I went forth, with hope and fear
And every gentle passion sick to death,
Feeding my course with expectation's breath,
Into the wintry forest of our life;
And struggling through its error with vain strife,
And stumbling in my weakness and my haste,
And half bewildered by new forms, I passed,
Seeking among those untaught foresters
If I could find one form resembling hers,
In which she might have masked herself from me.
There,One, whose voice was venomed melody
Sate by a well, under blue nightshade bowers;
The breath of her false mouth was like faint flowers,
Her touch was as electric poison,flame
Out of her looks into my vitals came,
And from her living cheeks and bosom flew
A killing air, which pierced like honey-dew
Into the core of my green heart, and lay
Upon its leaves; until, as hair grown gray
O'er a young brow, they hid its unblown prime
With ruins of unseasonable time.

In many mortal forms I rashly sought
The shadow of that idol of my thought.
And some were fairbut beauty dies away:
Others were wisebut honeyed words betray:
And One was trueoh! why not true to me?
Then, as a hunted deer that could not flee,
I turned upon my thoughts, and stood at bay,
Wounded and weak and panting; the cold day
Trembled, for pity of my strife and pain.
When, like a noonday dawn, there shone again
Deliverance. One stood on my path who seemed
As like the glorious shape which I had dreamed
As is the Moon, whose changes ever run
Into themselves, to the eternal Sun;
The cold chaste Moon, the Queen of Heaven's bright isles,
Who makes all beautiful on which she smiles,
That wandering shrine of soft yet icy flame
Which ever is transformed, yet still the same,
And warms not but illumines. Young and fair
As the descended Spirit of that sphere,
She hid me, as the Moon may hide the night
From its own darkness, until all was bright
Between the Heaven and Earth of my calm mind,
And, as a cloud charioted by the wind,
She led me to a cave in that wild place,
And sate beside me, with her downward face
Illumining my slumbers, like the Moon
Waxing and waning o'er Endymion.
And I was laid asleep, spirit and limb,
And all my being became bright or dim
As the Moon's image in a summer sea,
According as she smiled or frowned on me;
And there I lay, within a chaste cold bed:
Alas, I then was nor alive nor dead:
For at her silver voice came Death and Life,
Unmindful each of their accustomed strife,
Masked like twin babes, a sister and a brother,
The wandering hopes of one abandoned mother,
And through the cavern without wings they flew,
And cried 'Away, he is not of our crew.'
I wept, and though it be a dream, I weep.

What storms then shook the ocean of my sleep,
Blotting that Moon, whose pale and waning lips
Then shrank as in the sickness of eclipse;
And how my soul was as a lampless sea,
And who was then its Tempest; and when She,
The Planet of that hour, was quenched, what frost
Crept o'er those waters, till from coast to coast
The moving billows of my being fell
Into a death of ice, immovable;
And thenwhat earthquakes made it gape and split,
The white Moon smiling all the while on it,
These words conceal:If not, each word would be
The key of staunchless tears. Weep not for me!

At length, into the obscure Forest came
The Vision I had sought through grief and shame.
Athwart that wintry wilderness of thorns
Flashed from her motion splendour like the Morn's,
And from her presence life was radiated
Through the gray earth and branches bare and dead;
So that her way was paved, and roofed above
With flowers as soft as thoughts of budding love;
And music from her respiration spread
Like light,all other sounds were penetrated
By the small, still, sweet spirit of that sound,
So that the savage winds hung mute around;
And odours warm and fresh fell from her hair
Dissolving the dull cold in the frore air:
Soft as an Incarnation of the Sun,
When light is changed to love, this glorious One
Floated into the cavern where I lay,
And called my Spirit, and the dreaming clay
Was lifted by the thing that dreamed below
As smoke by fire, and in her beauty's glow
I stood, and felt the dawn of my long night
Was penetrating me with living light:
I knew it was the Vision veiled from me
So many years -- that it was Emily.

Twin Spheres of light who rule this passive Earth,
This world of love, this me; and into birth
Awaken all its fruits and flowers, and dart
Magnetic might into its central heart;
And lift its billows and its mists, and guide
By everlasting laws, each wind and tide
To its fit cloud, and its appointed cave;
And lull its storms, each in the craggy grave
Which was its cradle, luring to faint bowers
The armies of the rainbow-wingd showers;
And, as those married lights, which from the towers
Of Heaven look forth and fold the wandering globe
In liquid sleep and splendour, as a robe;
And all their many-mingled influence blend,
If equal, yet unlike, to one sweet end;
So ye, bright regents, with alternate sway
Govern my sphere of being, night and day!
Thou, not disdaining even a borrowed might;
Thou, not eclipsing a remoter light;
And, through the shadow of the seasons three,
From Spring to Autumn's sere maturity,
Light it into the Winter of the tomb,
Where it may ripen to a brighter bloom.
Thou too, O Comet beautiful and fierce,
Who drew the heart of this frail Universe
Towards thine own; till, wrecked in that convulsion,
Alternating attraction and repulsion,
Thine went astray and that was rent in twain;
Oh, float into our azure heaven again!
Be there Love's folding-star at thy return;
The living Sun will feed thee from its urn
Of golden fire; the Moon will veil her horn
In thy last smiles; adoring Even and Morn
Will worship thee with incense of calm breath
And lights and shadows; as the star of Death
And Birth is worshipped by those sisters wild
Called Hope and Fearupon the heart are piled
Their offerings,of this sacrifice divine
A World shall be the altar.

               Lady mine,
Scorn not these flowers of thought, the fading birth
Which from its heart of hearts that plant puts forth
Whose fruit, made perfect by thy sunny eyes,
Will be as of the trees of Paradise.

The day is come, and thou wilt fly with me.
To whatsoe'er of dull mortality
Is mine, remain a vestal sister still;
To the intense, the deep, the imperishable,
Not mine but me, henceforth be thou united
Even as a bride, delighting and delighted.
The hour is come:the destined Star has risen
Which shall descend upon a vacant prison.
The walls are high, the gates are strong, thick set
The sentinelsbut true Love never yet
Was thus constrained: it overleaps all fence:
Like lightning, with invisible violence
Piercing its continents; like Heaven's free breath,
Which he who grasps can hold not; liker Death,
Who rides upon a thought, and makes his way
Through temple, tower, and palace, and the array
Of arms: more strength has Love than he or they;
For it can burst his charnel, and make free
The limbs in chains, the heart in agony,
The soul in dust and chaos.

               Emily,
A ship is floating in the harbour now,
A wind is hovering o'er the mountain's brow;
There is a path on the sea's azure floor,
No keel has ever ploughed that path before;
The halcyons brood around the foamless isles;
The treacherous Ocean has forsworn its wiles;
The merry mariners are bold and free:
Say, my heart's sister, wilt thou sail with me?
Our bark is as an albatross, whose nest
Is a far Eden of the purple East;
And we between her wings will sit, while Night,
And Day, and Storm, and Calm, pursue their flight,
Our ministers, along the boundless Sea,
Treading each other's heels, unheededly.
It is an isle under Ionian skies,
Beautiful as a wreck of Paradise,
And, for the harbours are not safe and good,
This land would have remained a solitude
But for some pastoral people native there,
Who from the Elysian, clear, and golden air
Draw the last spirit of the age of gold,
Simple and spirited; innocent and bold.
The blue Aegean girds this chosen home,
With ever-changing sound and light and foam,
Kissing the sifted sands, and caverns hoar;
And all the winds wandering along the shore
Undulate with the undulating tide:
There are thick woods where sylvan forms abide;
And many a fountain, rivulet, and pond,
As clear as elemental diamond,
Or serene morning air; and far beyond,
The mossy tracks made by the goats and deer
(Which the rough shepherd treads but once a year)
Pierce into glades, caverns, and bowers, and halls
Built round with ivy, which the waterfalls
Illumining, with sound that never fails
Accompany the noonday nightingales;
And all the place is peopled with sweet airs;
The light clear element which the isle wears
Is heavy with the scent of lemon-flowers,
Which floats like mist laden with unseen showers,
And falls upon the eyelids like faint sleep;
And from the moss violets and jonquils peep,
And dart their arrowy odour through the brain
Till you might faint with that delicious pain.
And every motion, odour, beam, and tone,
With that deep music is in unison:
Which is a soul within the soulthey seem
Like echoes of an antenatal dream.
It is an isle 'twixt Heaven, Air, Earth, and Sea,
Cradled, and hung in clear tranquillity;
Bright as that wandering Eden Lucifer,
Washed by the soft blue Oceans of young air.
It is a favoured place. Famine or Blight,
Pestilence, War and Earthquake, never light
Upon its mountain-peaks; blind vultures, they
Sail onward far upon their fatal way:
The wingd storms, chanting their thunder-psalm
To other lands, leave azure chasms of calm
Over this isle, or weep themselves in dew,
From which its fields and woods ever renew
Their green and golden immortality.
And from the sea there rise, and from the sky
There fall, clear exhalations, soft and bright,
Veil after veil, each hiding some delight,
Which Sun or Moon or zephyr draw aside,
Till the isle's beauty, like a naked bride
Glowing at once with love and loveliness,
Blushes and trembles at its own excess:
Yet, like a buried lamp, a Soul no less
Burns in the heart of this delicious isle,
An atom of th'Eternal, whose own smile
Unfolds itself, and may be felt, not seen
O'er the gray rocks, blue waves, and forests green,
Filling their bare and void interstices.
But the chief marvel of the wilderness
Is a lone dwelling, built by whom or how
None of the rustic island-people know:
'Tis not a tower of strength, though with its height
It overtops the woods; but, for delight,
Some wise and tender Ocean-King, ere crime
Had been invented, in the world's young prime,
Reared it, a wonder of that simple time,
An envy of the isles, a pleasure-house
Made sacred to his sister and his spouse.
It scarce seems now a wreck of human art,
But, as it were Titanic; in the heart
Of Earth having assumed its form, then grown
Out of the mountains, from the living stone,
Lifting itself in caverns light and high:
For all the antique and learnd imagery
Has been erased, and in the place of it
The ivy and the wild-vine interknit
The volumes of their many-twining stems;
Parasite flowers illume with dewy gems
The lampless halls, and when they fade, the sky
Peeps through their winter-woof of tracery
With moonlight patches, or star atoms keen,
Or fragments of the day's intense serene;
Working mosaic on their Parian floors.
And, day and night, aloof, from the high towers
And terraces, the Earth and Ocean seem
To sleep in one another's arms, and dream
Of waves, flowers, clouds, woods, rocks, and all that we
Read in their smiles, and call reality.

This isle and house are mine, and I have vowed
Thee to be lady of the solitude.
And I have fitted up some chambers there
Looking towards the golden Eastern air,
And level with the living winds, which flow
Like waves above the living waves below.
I have sent books and music there, and all
Those instruments with which high Spirits call
The future from its cradle, and the past
Out of its grave, and make the present last
In thoughts and joys which sleep, but cannot die,
Folded within their own eternity.
Our simple life wants little, and true taste
Hires not the pale drudge Luxury, to waste
The scene it would adorn, and therefore still,
Nature with all her children haunts the hill.
The ring-dove, in the embowering ivy, yet
Keeps up her love-lament, and the owls flit
Round the evening tower, and the young stars glance
Between the quick bats in their twilight dance;
The spotted deer bask in the fresh moonlight
Before our gate, and the slow, silent night
Is measured by the pants of their calm sleep.
Be this our home in life, and when years heap
Their withered hours, like leaves, on our decay,
Let us become the overhanging day,
The living soul of this Elysian isle,
Conscious, inseparable, one. Meanwhile
We two will rise, and sit, and walk together,
Under the roof of blue Ionian weather,
And wander in the meadows, or ascend
The mossy mountains, where the blue heavens bend
With lightest winds, to touch their paramour;
Or linger, where the pebble-paven shore,
Under the quick, faint kisses of the sea
Trembles and sparkles as with ecstasy,
Possessing and possessed by all that is
Within that calm circumference of bliss,
And by each other, till to love and live
Be one:or, at the noontide hour, arrive
Where some old cavern hoar seems yet to keep
The moonlight of the expired night asleep,
Through which the awakened day can never peep;
A veil for our seclusion, close as night's,
Where secure sleep may kill thine innocent lights;
Sleep, the fresh dew of languid love, the rain
Whose drops quench kisses till they burn again.
And we will talk, until thought's melody
Become too sweet for utterance, and it die
In words, to live again in looks, which dart
With thrilling tone into the voiceless heart,
Harmonizing silence without a sound.
Our breath shall intermix, our bosoms bound,
And our veins beat together; and our lips
With other eloquence than words, eclipse
The soul that burns between them, and the wells
Which boil under our being's inmost cells,
The fountains of our deepest life, shall be
Confused in Passion's golden purity,
As mountain-springs under the morning sun.
We shall become the same, we shall be one
Spirit within two frames, oh! wherefore two?
One passion in twin-hearts, which grows and grew,
Till like two meteors of expanding flame,
Those spheres instinct with it become the same,
Touch, mingle, are transfigured; ever still
Burning, yet ever inconsumable:
In one another's substance finding food,
Like flames too pure and light and unimbued
To nourish their bright lives with baser prey,
Which point to Heaven and cannot pass away:
One hope within two wills, one will beneath
Two overshadowing minds, one life, one death,
One Heaven, one Hell, one immortality,
And one annihilation. Woe is me!
The wingd words on which my soul would pierce
Into the height of Love's rare Universe,
Are chains of lead around its flight of fire
I pant, I sink, I tremble, I expire!

Weak Verses, go, kneel at your Sovereign's feet,
And say:'We are the masters of thy slave;
What wouldest thou with us and ours and thine?"
Then call your sisters from Oblivion's cave,
All singing loud: 'Love's very pain is sweet,
But its reward is in the world divine
Which, if not here, it builds beyond the grave.'
So shall ye live when I am there. Then haste
Over the hearts of men, until ye meet
Marina, Vanna, Primus, and the rest,
And bid them love each other and be blessed:
And leave the troop which errs, and which reproves,
And come and be my guest,for I am Love's.
Epipsychidion was composed at Pisa, Jan., Feb., 1821, and published without the author's name, in the following summer, by C. & J. Ollier, London. The poem was included by Mrs. Shelley in the Poetical Works, 1839, both edd.
~ Percy Bysshe Shelley, Epipsychidion
,
1182:The Botanic Garden( Part Iii)
The Economy Of Vegetation
Canto III
AGAIN the GODDESS speaks!-glad Echo swells
The tuneful tones along her shadowy dells,
Her wrinkling founts with soft vibration shakes,
Curls her deep wells, and rimples all her lakes,
Thrills each wide stream, Britannia's isle that laves,
Her headlong cataracts, and circumfluent waves.
-Thick as the dews, which deck the morning flowers,
Or rain-drops twinkling in the sun-bright showers,
Fair Nymphs, emerging in pellucid bands,
Rise, as she turns, and whiten all the lands.
I. 'YOUR buoyant troops on dimpling ocean tread,
Wafting the moist air from his oozy bed,
AQUATIC NYMPHS!-YOU lead with viewless march
The winged vapours up the aerial arch,
On each broad cloud a thousand sails expand,
And steer the shadowy treasure o'er the land,
Through vernal skies the gathering drops diffuse,
Plunge in soft rains, or sink in silver dews.YOUR lucid bands condense with fingers chill
The blue mist hovering round the gelid hill;
In clay-form'd beds the trickling streams collect,
Strain through white sands, through pebbly veins direct;
Or point in rifted rocks their dubious way,
And in each bubbling fountain rise to day.
'NYMPHS! YOU then guide, attendant from their source,
The associate rills along their sinuous course;
Float in bright squadrons by the willowy brink,
Or circling slow in limpid eddies sink;
Call from her crystal cave the Naiad-Nymph,
Who hides her fine form in the passing lymph,
And, as below she braids her hyaline hair,
111
Eyes her soft smiles reflected in the air;
Or sport in groups with River-Boys, that lave
Their silken limbs amid the dashing wave;
Pluck the pale primrose bending from its edge,
Or tittering dance amid the whispering sedge.'Onward YOU pass, the pine-capt hills divide,
Or feed the golden harvests on their side;
The wide-ribb'd arch with hurrying torrents fill,
Shove the slow barge, or whirl the foaming mill.
OR lead with beckoning hand the sparkling train
Of refluent water to its parent main,
And pleased revisit in their sea-moss vales
Blue Nereid-forms array'd in shining scales,
Shapes, whose broad oar the torpid wave impels,
And Tritons bellowing through their twisted shells.
'So from the heart the sanguine stream distils,
O'er Beauty's radiant shrine in vermil rills,
Feeds each fine nerve, each slender hair pervades,
The skins bright snow with living purple shades,
Each dimpling cheek with warmer blushes dyes,
Laughs on the lips, and lightens in the eyes.
-Erewhile absorb'd, the vagrant globules swim
From each fair feature, and proportion'd limb,
Join'd in one trunk with deeper tint return
To the warm concave of the vital urn.
II. 1.'AQUATIC MAIDS! YOU sway the mighty realms
Of scale and shell, which Ocean overwhelms;
As Night's pale Queen her rising orb reveals,
And climbs the zenith with refulgent wheels,
Car'd on the foam your glimmering legion rides,
Your little tridents heave the dashing tides,
Urge on the sounding shores their crystal course,
Restrain their fury, or direct their force.
2.'NYMPHS! YOU adorn, in glossy volumes roll'd,
The gaudy conch with azure, green, and gold.
You round Echinus ray his arrowy mail,
Give the keel'd Nautilus his oar and sail;
112
Firm to his rock with silver cords suspend
The anchor'd Pinna, and his Cancer-friend;
With worm-like beard his toothless lips array,
And teach the unwieldy Sturgeon to betray.Ambush'd in weeds, or sepulcher'd in sands,
In dread repose He waits the scaly bands,
Waves in red spires the living lures, and draws
The unwary plunderers to his circling jaws,
Eyes with grim joy the twinkling shoals beset,
And clasps the quick inextricable net.
You chase the warrior Shark, and cumberous Whale,
And guard the Mermaid in her briny vale;
Feed the live petals of her insect-flowers,
Her shell-wrack gardens, and her sea-fan bowers;
With ores and gems adorn her coral cell,
And drop a pearl in every gaping shell.
3. 'YOUR myriad trains o'er stagnant ocean's tow,
Harness'd with gossamer, the loitering prow;
Or with fine films, suspended o'er the deep,
Of oil effusive lull the waves to sleep.
You stay the flying bark, conceal'd beneath,
Where living rocks of worm-built coral breathe;
Meet fell TEREDO, as he mines the keel
With beaked head, and break his lips of steel;
Turn the broad helm, the fluttering canvas urge
From MAELSTROME'S fierce innavigable surge.
-'Mid the lorn isles of Norway's stormy main,
As sweeps o'er many a league his eddying train,
Vast watery walls in rapid circles spin,
And deep-ingulph'd the Demon dwells within;
Springs o'er the fear-froze crew with Harpy-claws,
Down his deep den the whirling vessel draws;
Churns with his bloody mouth the dread repast,
The booming waters murmuring o'er the mast.
III. 'Where with chill frown enormous ALPS alarms
A thousand realms, horizon'd in his arms;
While cloudless suns meridian glories shed
From skies of silver round his hoary head,
Tall rocks of ice refract the coloured rays,
113
And Frost sits throned amid the lambent blaze;
NYMPHS! YOUR thin forms pervade his glittering piles,
His roofs of chrystal, and his glasy ailes;
Where in cold caves imprisoned Naiads sleep,
Or chain'd on mossy couches wake and weep;
Where round dark crags indignant waters bend
Through rifted ice, in ivory veins descend,
Seek through unfathom'd snows their devious track,
Heave the vast spars, the ribbed granites crack,
Rush into day, in foamy torrents shine,
And swell the imperial Danube or the Rhine.Or feed the murmuring TIBER, as he laves
His realms inglorious with diminish'd waves,
Hears his lorn Forum sound with Eunuch-strains,
Sees dancing slaves insult his martial plains;
Parts with chill stream the dim religious bower,
Time-mouldered bastion, and dismantled tower;
By alter'd fanes and nameless villas glides,
And classic domes, that tremble on his sides;
Sighs o'er each broken urn, and yawning tomb,
And mourns the fall of LIBERTY and ROME.
IV. 'Sailing in air, when dark MONSOON inshrouds
His tropic mountains in a night of clouds;
Or drawn by whirlwinds from the Line returns,
And showers o'er Afric all his thousand urns;
High o'er his head the beams of SIRIUS glow,
And, Dog of Nile, ANUBIS barks below.
NYMPHS! YOU from cliff to cliff attendant guide
In headlong cataracts the impetuous tide;
Or lead o'er wastes of Abyssinian sands
The bright expanse to EGYPT'S shower-less lands.
-Her long canals the sacred waters fill,
And edge with silver every peopled hill;
Gigantic SPHINX in circling waves admire;
And MEMNON bending o'er his broken lyre;
O'er furrow'd glebes and green savannas sweep,
And towns and temples laugh amid the deep.
V. 1. 'High in the frozen North where HECCLA glows,
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And melts in torrents his coeval snows;
O'er isles and oceans sheds a sanguine light,
Or shoots red stars amid the ebon night;
When, at his base intomb'd, with bellowing sound
Fell GIESAR roar'd, and struggling shook the ground;
Pour'd from red nostrils, with her scalding breath,
A boiling deluge o'er the blasted heath;
And, wide in air, in misty volumes hurl'd
Contagious atoms o'er the alarmed world;
NYMPHS! YOUR bold myriads broke the infernal spell,
And crush'd the Sorceress in her flinty cell.
2. 'Where with soft fires in unextinguish'd urns,
Cauldron'd in rock, innocuous Lava burns;
On the bright lake YOUR gelid hands distil
In pearly mowers the parsimonious rill;
And, as aloft the curling vapours rise
Through the cleft roof, ambitious for the skies,
In vaulted hills condense the tepid steams,
And pour to HEALTH the medicated streams.
-So in green vales amid her mountains bleak
BUXTONIA smiles, the Goddess-Nymyh of Peak;
Deep in warm waves, and pebbly baths she dwells,
And calls HYGEIA to her sainted wells.
'Hither in sportive bands bright DEVON leads
Graces and Loves from Chatsworth's flowery meads.Charm'd round the NYMPH, they climb the rifted rocks;
And steep in mountain-mist their golden locks;
On venturous step her sparry caves explore,
And light with radiant eyes her realms of ore;
-Oft by her bubbling founts, and shadowy domes,
In gay undress the fairy legion roams,
Their dripping palms in playful malice fill,
Or taste with ruby lip the sparkling rill;
Croud round her baths, and, bending o'er the side,
Unclasp'd their sandals, and their zones untied,
Dip with gay fear the shuddering foot undress'd,
And quick retract it to the fringed vest;
Or cleave with brandish'd arms the lucid stream,
And sob, their blue eyes twinkling in the steam.
-High o'er the chequer'd vault with transient glow
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Bright lustres dart, as dash the waves below;
And Echo's sweet responsive voice prolongs
The dulcet tumult of their silver tongues.O'er their flush'd cheeks uncurling tresses flow,
And dew-drops glitter on their necks of snow;
Round each fair Nymph her dropping mantle clings,
And Loves emerging shake their showery wings.
'Here oft her LORD surveys the rude domain,
Fair arts of Greece triumphant in his train;
LO! as he steps, the column'd pile ascends,
The blue roof closes, or the crescent bends;
New woods aspiring clothe their hills with green,
Smooth slope the lawns, the grey rock peeps between;
Relenting Nature gives her hand to Taste,
And Health and Beauty crown the laughing waste.
VI. 'NYMPHS! YOUR bright squadrons watch with chemic eyes
The cold-elastic vapours, as they rise;
With playful force arrest them as they pass,
And to
pure
AIR betroth the
flaming
GAS.
Round their translucent forms at once they fling
Their rapturous arms, with silver bosoms cling;
In fleecy clouds their fluttering wings extend,
Or from the skies in lucid showers descend;
Whence rills and rivers owe their secret birth,
And Ocean's hundred arms infold the earth.
'So, robed by Beauty's Queen, with softer charms
SATURNIA woo'd the Thunderer to her arms;
O'er her fair limbs a veil of light she spread,
And bound a starry diadem on her head;
Long braids of pearl her golden tresses grac'd,
And the charm'd CESTUS sparkled round her waist.
-Raised o'er the woof, by Beauty's hand inwrought,
Breathes the soft Sigh, and glows the enamour'd Thought;
Vows on light wings succeed, and quiver'd Wiles,
Assuasive Accents, and seductive Smiles.
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-Slow rolls the Cyprian car in purple pride,
And, steer'd by LOVE, ascends admiring Ide;
Climbs the green slopes, the nodding woods pervades,
Burns round the rocks, or gleams amid the shades.
-Glad ZEPHYR leads the train, and waves above
The barbed darts, and blazing torch of Love;
Reverts his smiling face, and pausing flings
Soft showers of roses from aurelian wings.
Delighted Fawns, in wreathes of flowers array'd,
With tiptoe Wood-Boys beat the chequer'd glade;
Alarmed Naiads, rising into air,
Lift o'er their silver urns their leafy hair;
Each to her oak the bashful Dryads shrink,
And azure eyes are seen through every chink.
-LOVE culls a flaming shaft of broadest wing,
And rests the fork upon the quivering string;
Points his arch eye aloft, with fingers strong
Draws to his curled ear the silken thong;
Loud twangs the steel, the golden arrow flies,
Trails a long line of lustre through the skies;
''Tis done!' he shouts, 'the mighty Monarch feels!'
And with loud laughter shakes the silver wheels;
Bends o'er the car, and whirling, as it moves,
His loosen'd bowstring, drives the rising doves.
-Pierced on his throne the slarting Thunderer turns,
Melts with soft sighs, with kindling rapture burns;
Clasps her fair hand, and eyes in fond amaze
The bright Intruder with enamour'd gaze.
'And leaves my Goddess, like a blooming bride,
'The fanes of Argos for the rocks of Ide?
'Her gorgeous palaces, and amaranth bowers,
'For cliff-top'd mountains, and aerial towers?'
He said; and, leading from her ivory seat
The blushing Beauty to his lone retreat,
Curtain'd with night the couch imperial shrouds,
And rests the crimson cushions upon clouds.Earth feels the grateful influence from above,
Sighs the soft Air, and Ocean murmurs love;
Etherial Warmth expands his brooding wing,
And in still showers descends the genial Spring.
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VII. 'NYMPHS OF AQUATIC TASTE! whose placid smile
Breathes sweet enchantment o'er BRITANNIA'S isle;
Whose sportive touch in showers resplendent flings
Her lucid cataracts, and her bubbling springs;
Through peopled vales the liquid silver guides,
And swells in bright expanse her freighted tides.
YOU with nice ear, in tiptoe trains, pervade
Dim walks of morn or evening's silent shade;
Join the lone Nightingale, her woods among,
And roll your rills symphonious to her song;
Through fount-full dells, and wave-worn valleys move,
And tune their echoing waterfalls to love;
Or catch, attentive to the distant roar,
The pausing murmurs of the dashing shore;
Or, as aloud she pours her liquid strain,
Pursue the NEREID on the twilight main.
-Her playful Sea-horse woos her soft commands,
Turns his quick ears, his webbed claws expands,
His watery way with waving volutes wins,
Or listening librates on unmoving fins.
The Nymph emerging mounts her scaly seat,
Hangs o'er his glossy sides her silver feet,
With snow-white hands her arching veil detains,
Gives to his slimy lips the slacken'd reins,
Lifts to the star of Eve her eye serene,
And chaunts the birth of Beauty's radiant Queen.O'er her fair brow her pearly comb unfurls
Her beryl locks, and parts the waving curls,
Each tangled braid with glistening teeth unbinds
And with the floating treasure musks the winds.Thrill'd by the dulcet accents, as she sings,
The rippling wave in widening circles rings;
Night's shadowy forms along the margin gleam
With pointed ears, or dance upon the stream;
The Moon transported stays her bright career,
And maddening Stars shoot headlong from the sphere.
VIII. 'NYMPHS! whose fair eyes with vivid lustres glow
For human weal, and melt at human woe;
Late as YOU floated on your silver shells,
Sorrowing and slow by DERWENT'S willowy dells;
Where by tall groves his foamy flood he steers
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Through ponderous arches o'er impetuous wears,
By DERBY'S shadowy towers reflective sweeps,
And gothic grandeur chills his dusky deeps;
You pearl'd with Pity's drops his velvet sides,
Sigh'd in his gales, and murmur'd in his tides,
Waved o'er his fringed brink a deeper gloom,
And bow'd his alders o'er MILCENA'S tomb.
'Oft with sweet voice She led her infant-train,
Printing with graceful step his spangled plain,
Explored his twinkling swarms, that swim or fly,
And mark'd his florets with botanic eye.'Sweet bud of Spring! how frail thy transient bloom,
'Fine film,' she cried, 'of Nature's fairest loom!
'Soon Beauty fades upon its damask throne!'-Unconscious of the worm, that mined her own!-Pale are those lips, where soft caresses hung,
Wan the warm cheek, and mute the tender tongue,
Cold rests that feeling heart on Derwent's shore,
And those love-lighted eye-balls roll no more!
-HERE her sad Consort, stealing through the gloom
Of
Hangs in mute anguish o'er the scutcheon'd hearse,
Or graves with trembling style the votive verse.
'Sexton! oh, lay beneath this sacred shrine,
When Time's cold hand shall close my aching eyes,
Oh, gently lay this wearied earth of mine,
Where wrap'd in night my loved MILCENA lies.
'So shall with purer joy my spirit move,
When the last trumpet thrills the caves of Death,
Catch the first whispers of my waking love,
And drink with holy kiss her kindling breath.
'The spotless Fair, with blush ethereal warm,
Shall hail with sweeter smile returning day,
Rise from her marble bed a brighter form,
And win on buoyant step her airy way.
'Shall bend approved, where beckoning hosts invite,
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On clouds of silver her adoring knee,
Approach with Seraphim the throne of light,
-And BEAUTY plead with angel-tongue for Me!'
IX. 'YOUR virgin trains on BRINDLEY'S cradle smiled,
And nursed with fairy-love the unletter'd child,
Spread round his pillow all your secret spells,
Pierced all your springs, and open'd all your wells.As now on grass, with glossy folds reveal'd,
Glides the bright serpent, now in flowers conceal'd;
Far shine the scales, that gild his sinuous back,
And lucid undulations mark his track;
So with strong arm immortal BRINDLEY leads
His long canals, and parts the velvet meads;
Winding in lucid lines, the watery mass
Mines the firm rock, or loads the deep morass,
With rising locks a thousand hills alarms,
Flings o'er a thousand streams its silver arms,
Feeds the long vale, the nodding woodland laves,
And Plenty, Arts, and Commerce freight the waves.
-NYMPHS! who erewhile round BRINDLEY'S early bier
On show-white bosoms shower'd the incessant tear,
Adorn his tomb!-oh, raise the marble bust,
Proclaim his honours, and protect his dust!
With urns inverted, round the sacred shrine
Their ozier wreaths let weeping Naiads twine;
While on the top MECHANIC GENIUS stands,
Counts the fleet waves, and balances the lands.
X. 'NYMPHS! YOU first taught to pierce the secret caves
Of humid earth, and lift her ponderous waves;
Bade with quick stroke the sliding piston bear
The viewless columns of incumbent air;Press'd by the incumbent air the floods below,
Through opening valves in foaming torrents flow,
Foot after foot with lessen'd impulse move,
And rising seek the vacancy above.So when the Mother, bending o'er his charms,
Clasps her fair nurseling in delighted arms;
Throws the thin kerchief from her neck of snow,
And half unveils the pearly orbs below;
With sparkling eye the blameless Plunderer owns
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Her soft embraces, and endearing tones,
Seeks the salubrious fount with opening lips,
Spreads his inquiring hands, and smiles, and sips.
'CONNUBIAL FAIR! whom no fond transport warms
To lull your infant in maternal arms;
Who, bless'd in vain with tumid bosoms, hear
His tender wailings with unfeeling ear;
The soothing kiss and milky rill deny
To the sweet pouting lip, and glistening eye!Ah! what avails the cradle's damask roof,
The eider bolster, and embroider'd woof!Oft hears the gilded couch unpity'd plains,
And many a tear the tassel'd cushion stains!
No voice so sweet attunes his cares to rest,
So soft no pillow, as his Mother's breast!-Thus charm'd to sweet repose, when twilight hours
Shed their soft influence on celestial bowers,
The Cherub, Innocence, with smile divine
Shuts his white wings, and sleeps on Beauty's shrine.
XI. 'From dome to dome when flames infuriate climb,
Sweep the long street, invest the tower sublime;
Gild the tall vanes amid the astonish'd night,
And reddening heaven returns the sanguine light;
While with vast strides and bristling hair aloof
Pale Danger glides along the falling roof;
And Giant Terror howling in amaze
Moves his dark limbs across the lurid blaze.
NYMPHS! you first taught the gelid wave to rise
Hurl'd in resplendent arches to the skies;
In iron cells condensed the airy spring,
And imp'd the torrent with unfailing wing;
-On the fierce flames the shower impetuous falls,
And sudden darkness shrouds the shatter'd walls;
Steam, smoak, and dust in blended volumes roll,
And Night and Silence repossess the Pole.'Where were ye, NYMPHS! in those disasterous hours,
Which wrap'd in flames AUGUSTA'S sinking towers?
Why did ye linger in your wells and groves,
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When sad WOODMASON mourn'd her infant loves?
When thy fair Daughters with unheeded screams,
Ill-fated MOLESWORTH! call'd the loitering streams?The trembling Nymph on bloodless fingers hung
Eyes from the tottering wall the distant throng,
With ceaseless shrieks her sleeping friends alarms,
Drops with singed hair into her lover's arms.The illumin'd Mother seeks with footsteps fleet,
Where hangs the safe balcony o'er the street,
Wrap'd in her sheet her youngest hope suspends,
And panting lowers it to her tiptoe friends;
Again she hurries on affection's wings,
And now a third, and now a fourth, she brings;
Safe all her babes, she smooths her horrent brow,
And bursts through bickering flames, unscorch'd, below.
So, by her Son arraign'd, with feet unshod
O'er burning bars indignant Emma trod.
'E'en on the day when Youth with Beauty wed,
The flames surprized them in their nuptial bed;Seen at the opening sash with bosom bare,
With wringing hands, and dark dishevel'd hair,
The blushing Beauty with disorder'd charms
Round her fond lover winds her ivory arms;
Beat, as they clasp, their throbbing hearts with fear,
And many a kiss is mix'd with many a tear;Ah me! in vain the labouring engines pour
Round their pale limbs the ineffectual shower!-Then crash'd the floor, while shrinking crouds retire,
And Love and Virtue sunk amid the fire!With piercing screams afflicted strangers mourn,
And their white ashes mingle in their urn.
XII. 'PELLUCID FORMS! whose crystal bosoms show
The shine of welfare, or the shade of woe;
Who with soft lips salute returning Spring,
And hail the Zephyr quivering on his wing;
Or watch, untired, the wintery clouds, and share
With streaming eyes my vegetable care;
Go, shove the dim mist from the mountain's brow,
Chase the white fog, which floods the vale below;
Melt the thick snows, that linger on the lands,
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And catch the hailstones in your little hands;
Guard the coy blossom from the pelting shower,
And dash the rimy spangles from the bower;
From each chill leaf the silvery drops repel,
And close the timorous floret's golden bell.
'So should young SYMPATHY, in female form,
Climb the tall rock, spectatress of the storm;
Life's sinking wrecks with secret sighs deplore,
And bleed for others' woes, Herself on shore;
To friendless Virtue, gasping on the strand,
Bare her warm heart, her virgin arms expand,
Charm with kind looks, with tender accents cheer,
And pour the sweet consolatory tear;
Grief's cureless wounds with lenient balms asswage,
Or prop with firmer staff the steps of Age;
The lifted arm of mute Despair arrest,
And snatch the dagger pointed to his breast;
Or lull to slumber Envy's haggard mien,
And rob her quiver'd shafts with hand unseen.
-Sound, NYMPHS OF HELICON! the trump of Fame,
And teach Hibernian echoes JONES'S name;
Bind round her polish'd brow the civic bay,
And drag the fair Philanthropist to day.So from secluded springs, and secret caves,
Her Liffy pours his bright meandering waves,
Cools the parch'd vale, the sultry mead divides,
And towns and temples star his shadowy sides.
XIII. 'CALL YOUR light legions, tread the swampy heath,
Pierce with sharp spades the tremulous peat beneath;
With colters bright the rushy sward bisect,
And in new veins the gushing rills direct;So flowers shall rise in purple light array'd,
And blossom'd orchards stretch their silver shade;
Admiring glebes their amber ears unfold,
And Labour sleep amid the waving gold.
'Thus when young HERCULES with firm disdain
Braved the soft smiles of Pleasure's harlot train;
To valiant toils his forceful limbs assign'd,
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And gave to Virtue all his mighty mind,
Fierce ACHELOUS rush'd from mountain-caves,
O'er sad Etolia pour'd his wasteful waves,
O'er lowing vales and bleating pastures roll'd,
Swept her red vineyards, and her glebes of gold,
Mined all her towns, uptore her rooted woods,
And Famine danced upon the shining floods.
The youthful Hero seized his curled crest,
And dash'd with lifted club the watery Pest;
With waving arm the billowy tumult quell'd,
And to his course the bellowing Fiend repell'd.
'Then to a Snake the finny Demon turn'd
His lengthen'd form, with scales of silver burn'd;
Lash'd with restless sweep his dragon-train,
And shot meandering o'er the affrighted plain.
The Hero-God, with giant fingers clasp'd
Firm round his neck, the hissing monster grasp'd;
With starting eyes, wide throat, and gaping teeth,
Curl his redundant folds, and writhe in death.
'And now a Bull, amid the flying throng
The grisly Demon foam'd, and roar'd along;
With silver hoofs the flowery meadows spurn'd,
Roll'd his red eye, his threatening antlers turn'd.
Dragg'd down to earth, the Warrior's victor-hands
Press'd his deep dewlap on the imprinted sands;
Then with quick bound his bended knee he fix'd
High on his neck, the branching horns betwixt,
Strain'd his strong arms, his sinewy shoulders bent,
And from his curled brow the twisted terror rent.
-Pleased Fawns and Nymphs with dancing step applaud,
And hang their chaplets round the resting God;
Link their soft hands, and rear with pausing toil
The golden trophy on the furrow'd soil;
Fill with ripe fruits, with wreathed flowers adorn,
And give to PLENTY her prolific horn.
XIV. 'On Spring's fair lap, CERULEAN SISTERS! pour
From airy urns the sun-illumined shower,
Feed with the dulcet drops my tender broods,
Mellifluous flowers, and aromatic buds;
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Hang from each bending grass and horrent thorn
The tremulous pearl, that glitters to the morn;
Or where cold dews their secret channels lave,
And Earth's dark chambers hide the stagnant wave,
O, pierce, YE NYMPHS! her marble veins, and lead
Her gushing fountains to the thirsty mead;
Wide o'er the shining vales, and trickling hills
Spread the bright treasure in a thousand rills.
So shall my peopled realms of Leaf and Flower
Exult, inebriate with the genial shower;
Dip their long tresses from the mossy brink,
With tufted roots the glassy currents drink;
Shade your cool mansions from meridian beams,
And view their waving honours in your streams.
'Thus where the veins their confluent branches bend,
And milky eddies with the purple blend;
The Chyle's white trunk, diverging from its source,
Seeks through the vital mass its shining course;
O'er each red cell, and tissued membrane spreads
In living net-work all its branching threads;
Maze within maze its tortuous path pursues,
Winds into glands, inextricable clues;
Steals through the stomach's velvet sides, and sips
The silver surges with a thousand lips;
Fills each fine pore, pervades each slender hair,
And drinks salubrious dew-drops from the air.
'Thus when to kneel in Mecca's awful gloom,
Or press with pious kiss Medina's tomb,
League after league, through many a lingering day,
Steer the swart Caravans their sultry way;
O'er sandy wastes on gasping camels toil,
Or print with pilgrim-steps the burning soil;
If from lone rocks a sparkling rill descend,
O'er the green brink the kneeling nations bend,
Bathe the parch'd lip, and cool the feverish tongue,
And the clear lake reflects the mingled throng.'
The Goddess paused,-the listening bands awhile
Still seem to hear, and dwell upon her smile;
Then with soft murmur sweep in lucid trains
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Down the green slopes, and o'er the pebbly plains,
To each bright stream on silver sandals glide,
Reflective fountain, and tumultuous tide.
So shoot the Spider-broods at breezy dawn
Their glittering net-work o'er the autumnal lawn;
From blade to blade connect with cordage fine
The unbending grass, and live along the line;
Or bathe unwet their oily forms, and dwell
With feet repulsive on the dimpling well.
So when the North congeals his watery mass,
Piles high his snows, and floors his seas with glass;
While many a Month, unknown to warmer rays,
Marks its slow chronicle by lunar days;
Stout youths and ruddy damsels, sportive train,
Leave the white soil, and rush upon the main;
From isle to isle the moon-bright squadrons stray,
And win in easy curves their graceful way;
On step alternate borne, with balance nice
Hang o'er the gliding steel, and hiss along the ice.
~ Erasmus Darwin,
1183:The Botanic Garden( Part I)
The Economy Of Vegetation
Canto I
STAY YOUR RUDE STEPS! whose throbbing breasts infold
The legion-fiends of Glory, or of Gold!
Stay! whose false lips seductive simpers part,
While Cunning nestles in the harlot-heart!For you no Dryads dress the roseate bower,
For you no Nymphs their sparkling vases pour;
Unmark'd by you, light Graces swim the green,
And hovering Cupids aim their shafts, unseen.
'But THOU! whose mind the well-attemper'd ray
Of Taste and Virtue lights with purer day;
Whose finer sense each soft vibration owns
With sweet responsive sympathy of tones;
So the fair flower expands it's lucid form
To meet the sun, and shuts it to the storm;For thee my borders nurse the fragrant wreath,
My fountains murmur, and my zephyrs breathe;
Slow slides the painted snail, the gilded fly
Smooths his fine down, to charm thy curious eye;
On twinkling fins my pearly nations play,
Or win with sinuous train their trackless way;
My plumy pairs in gay embroidery dress'd
Form with ingenious bill the pensile nest,
To Love's sweet notes attune the listening dell,
And Echo sounds her soft symphonious shell.
'And, if with Thee some hapless Maid should stray,
Disasterous Love companion of her way,
Oh, lead her timid steps to yonder glade,
Whose arching cliffs depending alders shade;
There, as meek Evening wakes her temperate breeze,
And moon-beams glimmer through the trembling trees,
The rills, that gurgle round, shall soothe her ear,
The weeping rocks shall number tear for tear;
There as sad Philomel, alike forlorn,
Sings to the Night from her accustomed thorn;
While at sweet intervals each falling note
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Sighs in the gale, and whispers round the grot;
The sister-woe shall calm her aching breast,
And softer slumbers steal her cares to rest.'Winds of the North! restrain your icy gales,
Nor chill the bosom of these happy vales!
Hence in dark heaps, ye gathering Clouds, revolve!
Disperse, ye Lightnings! and, ye Mists, dissolve!
-Hither, emerging from yon orient skies,
BOTANIC GODDESS! bend thy radiant eyes;
O'er these soft scenes assume thy gentle reign,
Pomona, Ceres, Flora in thy train;
O'er the still dawn thy placid smile effuse,
And with thy silver sandals print the dews;
In noon's bright blaze thy vermil vest unfold,
And wave thy emerald banner star'd with gold.'
Thus spoke the GENIUS, as He stept along,
And bade these lawns to Peace and Truth belong;
Down the steep slopes He led with modest skill
The willing pathway, and the truant rill,
Stretch'd o'er the marshy vale yon willowy mound,
Where shines the lake amid the tufted ground,
Raised the young woodland, smooth'd the wavy green,
And gave to Beauty all the quiet scene.She comes!-the GODDESS!-through the whispering air,
Bright as the morn, descends her blushing car;
Each circling wheel a wreath of flowers intwines,
And gem'd with flowers the silken harness shines;
The golden bits with flowery studs are deck'd,
And knots of flowers the crimson reins connect.And now on earth the silver axle rings,
And the shell sinks upon its slender springs;
Light from her airy seat the Goddess bounds,
And steps celestial press the pansied grounds.
Fair Spring advancing calls her feather'd quire,
And tunes to softer notes her laughing lyre;
Bids her gay hours on purple pinions move,
And arms her Zephyrs with the shafts of Love,
Pleased GNOMES, ascending from their earthy beds,
Play round her graceful footsteps, as she treads;
Gay SYLPHS attendant beat the fragrant air
On winnowing wings, and waft her golden hair;
Blue NYMPHS emerging leave their sparkling streams,
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And FIERY FORMS alight from orient beams;
Musk'd in the rose's lap fresh dews they shed,
Or breathe celestial lustres round her head.
First the fine Forms her dulcet voice requires,
Which bathe or bask in elemental fires;
From each bright gem of Day's refulgent car,
From the pale sphere of every twinkling star,
From each nice pore of ocean, earth, and air,
With eye of flame the sparkling hosts repair,
Mix their gay hues, in changeful circles play,
Like motes, that tenant the meridian ray.So the clear Lens collects with magic power
The countless glories of the midnight hour;
Stars after stars with quivering lustre fall,
And twinkling glide along the whiten'd wall.Pleased, as they pass, she counts the glittering bands,
And stills their murmur with her waving hands;
Each listening tribe with fond expectance burns,
And now to these, and now to those, she turns.
I. 'NYMPHS OF PRIMEVAL FIRE! YOUR vestal train
Hung with gold-tresses o'er the vast inane,
Pierced with your silver shafts the throne of Night,
And charm'd young Nature's opening eyes with light;
When LOVE DIVINE, with brooding wings unfurl'd,
Call'd from the rude abyss the living world.
'-LET THERE BE LIGHT!' proclaim'd the ALMIGHTY LORD,
Astonish'd Chaos heard the potent word;Through all his realms the kindling Ether runs,
And the mass starts into a million suns;
Earths round each sun with quick explosions burst,
And second planets issue from the first;
Bend, as they journey with projectile force,
In bright ellipses their reluctant course;
Orbs wheel in orbs, round centres centres roll,
And form, self-balanced, one revolving Whole.
-Onward they move amid their bright abode,
Space without bound, THE BOSOM OF THEIR GOD!
II. 'ETHEREAL POWERS! YOU chase the shooting stars,
Or yoke the vollied lightenings to your cars,
Cling round the aërial bow with prisms bright,
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And pleased untwist the sevenfold threads of light;
Eve's silken couch with gorgeous tints adorn,
And fire the arrowy throne of rising Morn.
-OR, plum'd with flame, in gay battalion's spring
To brighter regions borne on broader wing;
Where lighter gases, circumfused on high,
Form the vast concave of exterior sky;
With airy lens the scatter'd rays assault,
And bend the twilight round the dusky vault;
Ride, with broad eye and scintillating hair,
The rapid Fire-ball through the midnight air;
Dart from the North on pale electric streams,
Fringing Night's sable robe with transient beams.
-OR rein the Planets in their swift careers,
Gilding with borrow'd light their twinkling spheres;
Alarm with comet-blaze the sapphire plain,
The wan stars glimmering through its silver train;
Gem the bright Zodiac, stud the glowing pole,
Or give the Sun's phlogistic orb to roll.
III. NYMPHS! YOUR fine forms with steps impassive mock
Earth's vaulted roofs of adamantine rock;
Round her still centre tread the burning soil,
And watch the billowy Lavas, as they boil;
Where, in basaltic caves imprison'd deep,
Reluctant fires in dread suspension sleep;
Or sphere on sphere in widening waves expand,
And glad with genial warmth the incumbent land.
So when the Mother-bird selects their food
With curious bill, and feeds her callow brood;
Warmth from her tender heart eternal springs,
And pleased she clasps them with extended wings.
'YOU from deep cauldrons and unmeasured caves
Blow flaming airs, or pour vitrescent waves;
O'er shining oceans ray volcanic light,
Or hurl innocuous embers to the night.While with loud shouts to Etna Heccla calls,
And Andes answers from his beacon'd walls;
Sea-wilder'd crews the mountain-stars admire,
And Beauty beams amid tremendous fire.
'Thus when of old, as mystic bards presume,
Huge CYCLOPS dwelt in Etna's rocky womb,
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On thundering anvils rung their loud alarms,
And leagued with VULCAN forged immortal arms;
Descending VENUS sought the dark abode,
And sooth'd the labours of the grisly God.While frowning Loves the threatening falchion wield,
And tittering Graces peep behind the shield,
With jointed mail their fairy limbs o'erwhelm,
Or nod with pausing step the plumed helm;
With radiant eye She view'd the boiling ore,
Heard undismay'd the breathing bellows roar,
Admired their sinewy arms, and shoulders bare,
And ponderous hammers lifted high in air,
With smiles celestial bless'd their dazzled sight,
And Beauty blazed amid infernal night.
IV. 'EFFULGENT MAIDS! YOU round deciduous day,
Tressed with soft beams, your glittering bands array;
On Earth's cold bosom, as the Sun retires,
Confine with folds of air the lingering fires;
O'er Eve's pale forms diffuse phosphoric light,
And deck with lambent flames the shrine of Night.
So, warm'd and kindled by meridian skies,
And view'd in darkness with dilated eyes,
BOLOGNA'S chalks with faint ignition blaze,
BECCARI'S shells emit prismatic rays.
So to the sacred Sun in MEMNON's fane,
Spontaneous concords quired the matin strain;
-Touch'd by his orient beam, responsive rings
The living lyre, and vibrates all it's strings;
Accordant ailes the tender tones prolong,
And holy echoes swell the adoring song.
'YOU with light Gas the lamps nocturnal feed,
Which dance and glimmer o'er the marshy mead;
Shine round Calendula at twilight hours,
And tip with silver all her saffron flowers;
Warm on her mossy couch the radiant Worm,
Guard from cold dews her love-illumin'd form,
From leaf to leaf conduct the virgin light,
Star of the earth, and diamond of the night.
You bid in air the tropic Beetle burn,
And fill with golden flame his winged urn;
Or gild the surge with insect-sparks, that swarm
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Round the bright oar, the kindling prow alarm;
Or arm in waves, electric in his ire,
The dread Gymnotus with ethereal fire.Onward his course with waving tail he helms,
And mimic lightenings scare the watery realms,
So, when with bristling plumes the Bird of JOVE
Vindictive leaves the argent fields above,
Borne on broad wings the guilty world he awes,
And grasps the lightening in his shining claws.
V. 1. 'NYMPHS! Your soft smiles uncultur'd man subdued,
And charm'd the Savage from his native wood;
You, while amazed his hurrying Hords retire
From the fell havoc of devouring FIRE,
Taught, the first Art! with piny rods to raise
By quick attrition the domestic blaze,
Fan with soft breath, with kindling leaves provide,
And lift the dread Destroyer on his side.
So, with bright wreath of serpent-tresses crown'd,
Severe in beauty, young MEDUSA frown'd;
Erewhile subdued, round WISDOM'S Aegis roll'd
Hiss'd the dread snakes, and flam'd in burnish'd gold;
Flash'd on her brandish'd arm the immortal shield,
And Terror lighten'd o'er the dazzled field.
2. NYMPHS! YOU disjoin, unite, condense, expand,
And give new wonders to the Chemist's hand;
On tepid clouds of rising steam aspire,
Or fix in sulphur all it's solid fire;
With boundless spring elastic airs unfold,
Or fill the fine vacuities of gold;
With sudden flash vitrescent sparks reveal,
By fierce collision from the flint and steel;
Or mark with shining letter KUNKEL's name
In the pale Phosphor's self-consuming flame.
So the chaste heart of some enchanted Maid
Shines with insidious light, by Love betray'd;
Round her pale bosom plays the young Desire,
And slow she wastes by self-consuming fire.
3. 'YOU taught mysterious BACON to explore
Metallic veins, and part the dross from ore;
With sylvan coal in whirling mills combine
The crystal'd nitre, and the sulphurous mine;
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Through wiry nets the black diffusion strain,
And close an airy ocean in a grain.Pent in dark chambers of cylindric brass
Slumbers in grim repose the sooty mass;
Lit by the brilliant spark, from grain to grain
Runs the quick fire along the kindling train;
On the pain'd ear-drum bursts the sudden crash,
Starts the red flame, and Death pursues the flash.Fear's feeble hand directs the fiery darts,
And Strength and Courage yield to chemic arts;
Guilt with pale brow the mimic thunder owns,
And Tyrants tremble on their blood-stain'd thrones.
VI. NYMPHS! You erewhile on simmering cauldrons play'd,
And call'd delighted SAVERY to your aid;
Bade round the youth explosive STEAM aspire
In gathering clouds, and wing'd the wave with fire;
Bade with cold streams the quick expansion stop,
And sunk the immense of vapour to a drop.Press'd by the ponderous air the Piston falls
Resistless, sliding through it's iron walls;
Quick moves the balanced beam, of giant-birth,
Wields his large limbs, and nodding shakes the earth.
'The Giant-Power from earth's remotest caves
Lifts with strong arm her dark reluctant waves;
Each cavern'd rock, and hidden den explores,
Drags her dark coals, and digs her shining ores.Next, in close cells of ribbed oak confined,
Gale after gale, He crowds the struggling wind;
The imprison'd storms through brazen nostrils roar,
Fan the white flame, and fuse the sparkling ore.
Here high in air the rising stream He pours
To clay-built cisterns, or to lead-lined towers;
Fresh through a thousand pipes the wave distils,
And thirsty cities drink the exuberant rills.There the vast mill-stone with inebriate whirl
On trembling floors his forceful fingers twirl.
Whose flinty teeth the golden harvests grind,
Feast without blood! and nourish human-kind.
'Now his hard hands on Mona's rifted crest,
Bosom'd in rock, her azure ores arrest;
With iron lips his rapid rollers seize
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The lengthening bars, in thin expansion squeeze;
Descending screws with ponderous fly-wheels wound
The tawny plates, the new medallions round;
Hard dyes of steel the cupreous circles cramp,
And with quick fall his massy hammers stamp.
The Harp, the Lily and the Lion join,
And GEORGE and BRITAIN guard the sterling coin.
'Soon shall thy arm, UNCONQUER'D STEAM! afar
Drag the slow barge, or drive the rapid car;
Or on wide-waving wings expanded bear
The flying-chariot through the fields of air.
-Fair crews triumphant, leaning from above,
Shall wave their fluttering kerchiefs as they move;
Or warrior-bands alarm the gaping crowd,
And armies shrink beneath the shadowy cloud.
'So mighty HERCULES o'er many a clime
Waved his vast mace in Virtue's cause sublime,
Unmeasured strength with early art combined,
Awed, served, protected, and amazed mankind.First two dread Snakes at JUNO'S vengeful nod
Climb'd round the cradle of the sleeping God;
Waked by the shrilling hiss, and rustling sound,
And shrieks of fair attendants trembling round,
Their gasping throats with clenching hands he holds;
And Death untwists their convoluted folds.
Next in red torrents from her sevenfold heads
Fell HYDRA'S blood on Lerna's lake he sheds;
Grasps ACHELOUS with resistless force,
And drags the roaring River to his course;
Binds with loud bellowing and with hideous yell
The monster Bull, and threefold Dog of Hell.
'Then, where Nemea's howling forests wave,
He drives the Lion to his dusky cave;
Seized by the throat the growling fiend disarms,
And tears his gaping jaws with sinewy arms;
Lifts proud ANTEUS from his mother-plains,
And with strong grasp the struggling Giant strains;
Back falls his fainting head, and clammy hair,
Writhe his weak limbs, and flits his life in air;By steps reverted o'er the blood-dropp'd fen
He tracks huge CACUS to his murderous den;
Where breathing flames through brazen lips he fled,
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And shakes the rock-roof'd cavern o'er his head.
'Last with wide arms the solid earth He tears,
Piles rock on rock, on mountain mountain rears;
Heaves up huge ABYLA on Afric's sand,
Crowns with high CALPÈ Europe's saliant strand,
Crests with opposing towers the splendid scene,
And pours from urns immense the sea between.-Loud o'er her whirling flood Charybdis roars,
Affrighted Scylla bellows round his shores,
Vesuvio groans through all his echoing caves,
And Etna thunders o'er the insurgent waves.
VII. 1. NYMPHS! YOUR fine hands ethereal floods amass
From the warm cushion, and the whirling glass;
Beard the bright cylinder with golden wire,
And circumfuse the gravitating fire.
Cold from each point cerulean lustres gleam,
Or shoot in air the scintillating stream.
So, borne on brazen talons, watch'd of old
The sleepless dragon o'er his fruits of gold;
Bright beam'd his scales, his eye-balls blazed with ire,
And his wide nostrils breath'd inchanted fire.
'YOU bid gold-leaves, in crystal lantherns held,
Approach attracted, and recede repel'd;
While paper-nymphs instinct with motion rife,
And dancing fauns the admiring Sage surprize.
OR, if on wax some fearless Beauty stand,
And touch the sparkling rod with graceful hand;
Through her fine limbs the mimic lightnings dart,
And flames innocuous eddy round her heart;
O'er her fair brow the kindling lustres glare,
Blue rays diverging from her bristling hair;
While some fond Youth the kiss ethereal sips.
And soft fires issue from their meeting lips.
So round the virgin Saint in silver streams
The holy Halo shoots it's arrowy beams.
'YOU crowd in coated jars the denser fire,
Pierce the thin glass, and fuse the blazing wire;
Or dart the red flash through the circling band
Of youths and timorous damsels, hand in hand.
-Starts the quick Ether through the fibre-trains
Of dancing arteries, and of tingling veins,
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Goads each fine nerve, with new sensation thrill'd,
Bends the reluctant limbs with power unwill'd;
Palsy's cold hands the fierce concussion own,
And Life clings trembling on her tottering throne.So from dark clouds the playful lightning springs,
Rives the firm oak, or prints the Fairy-rings.
2. NYMPHS! on that day YE shed from lucid eyes.
Celestial tears, and breathed ethereal sighs!
When RICHMAN rear'd, by fearless haste betrayed,
The wiry rod in Nieva's fatal shade;Clouds o'er the Sage, with fringed skirts succeed,
Flash follows flash, the warning corks recede;
Near and more near He ey'd with fond amaze
The silver streams, and watch'd the saphire blaze;
Then burst the steel, the dart electric sped,
And the bold Sage lay number'd with the dead!NYMPHS! on that day YE shed from lucid eyes
Celestial tears, and breathed ethereal sighs!
3. 'YOU led your FRANKLIN to your glazed retreats,
Your air-built castles, and your silken seats;
Bade his bold arm invade the lowering sky,
And seize the tiptoe lightnings, ere they fly;
O'er the young Sage your mystic mantle spread,
And wreath'd the crown electric round his head.Thus when on wanton wing intrepid LOVE
Snatch'd the raised lightning from the arm of JOVE;
Quick o'er his knee the triple bolt He bent,
The cluster'd darts and forky arrows rent,
Snapp'd with illumin'd hands each flaming shaft,
His tingling fingers shook, and stamp'd, and laugh'd;
Bright o'er the floor the scatter'd fragments blaz'd,
And Gods retreating trembled as they gaz'd;
The immortal Sire, indulgent to his child,
Bow'd his ambrosial locks, and Heaven relenting smiled.
VIII. 'When Air's pure essence joins the vital flood,
And with phosphoric Acid dyes the blood,
YOUR VIRGIN TRAINS the transient HEAT dispart,
And lead the soft combustion round the heart;
Life's holy lamp with fires successive feed,
From the crown'd forehead to the prostrate weed,
From Earth's proud realms to all that swim or sweep
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The yielding ether or tumultuous deep.
You swell the bulb beneath the heaving lawn,
Brood the live seed, unfold the bursting spawn;
Nurse with soft lap, and warm with fragrant breath
The embryon panting in the arms of Death;
Youth's vivid eye with living light adorn,
And fire the rising blush of Beauty's golden morn.
'Thus when the Egg of Night, on Chaos hurl'd,
Burst, and disclosed the cradle of the world;
First from the gaping shell refulgent sprung
IMMORTAL LOVE, his bow celestial strung;O'er the wide waste his gaudy wings unfold,
Beam his soft smiles, and wave his curls of gold;With silver darts He pierced the kindling frame,
And lit with torch divine the ever-living flame.'
IX. The GODDESS paused, admired with conscious pride
The effulgent legions marshal'd by her side,
Forms sphered in fire with trembling light array'd,
Ens without weight, and substance without shade;
And, while tumultuous joy her bosom warms,
Waves her white hand, and calls her hosts to arms,
'Unite, ILLUSTRIOUS NYMPHS! your radiant powers,
Call from their long repose the VERNAL HOURS.
Wake with soft touch, with rosy hands unbind
The struggling pinions of the WESTERN WIND;
Chafe his wan cheeks, his ruffled plumes repair,
And wring the rain-drops from his tangled hair.
Blaze round each frosted rill, or stagnant wave,
And charm the NAIAD from her silent cave;
Where, shrined in ice, like NIOBE she mourns,
And clasps with hoary arms her empty urns.
Call your bright myriads, trooping from afar,
With beamy helms, and glittering shafts of war;
In phalanx firm the FIEND OF FROST assail,
Break his white towers, and pierce his crystal mail;
To Zembla's moon-bright coasts the Tyrant bear,
And chain him howling to the Northern Bear.
'So when enormous GRAMPUS, issuing forth
From the pale regions of the icy North;
Waves his broad tail, and opes his ribbed mouth,
And seeks on winnowing fin the breezy South;
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From towns deserted rush the breathless hosts,
Swarm round the hills, and darken all the coasts;
Boats follow boats along the shouting tides,
And spears and javelins pierce his blubbery sides;
Now the bold Sailor, raised on pointed toe,
Whirls the wing'd harpoon on the slimy foe;
Quick sinks the monster in his oozy bed,
The blood-stain'd surges circling o'er his head,
Steers to the frozen pole his wonted track,
And bears the iron tempest on his back.
X. 'On wings of flame, ETHEREAL VIRGINS! sweep
O'er Earth's fair bosom, and complacent deep;
Where dwell my vegetative realms benumb'd,
In buds imprison'd, or in bulbs intomb'd,
Pervade, PELLUCID FORMS! their cold retreat,
Ray from bright urns your viewless floods of
heat
From earth's deep wastes
electric
torrents pour,
Or shed from heaven the scintillating shower;
Pierce the dull root, relax its fibre-trains,
Thaw the thick blood, which lingers in its veins;
Melt with warm breath the fragrant gums, that bind
The expanding foliage in its scaly rind;
And as in air the laughing leaflets play,
And turn their shining bosoms to the ray,
NYMPHS! with sweet smile each opening glower invite,
And on its damask eyelids pour the
light
'So shall my pines, Canadian wilds that shade,
Where no bold step has pierc'd the tangled glade,
High-towering palms, that part the Southern flood
With shadowy isles and continents of wood,
Oaks, whose broad antlers crest Britannia's plain,
Or bear her thunders o'er the conquer'd main,
Shout, as you pass, inhale the genial skies,
And bask and brighten in your beamy eyes;
Bow their white heads, admire the changing clime,
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Shake from their candied trunks the tinkling rime;
With bursting buds their wrinkled barks adorn,
And wed the timorous floret to her thorn;
Deep strike their roots, their lengthening tops revive,
And all my world of foliage wave, alive.
'Thus with Hermetic art the ADEPT combines
The royal acid with cobaltic mines;
Marks with quick pen, in lines unseen portrayed,
The blushing mead, green dell, and dusky glade;
Shades with pellucid clouds the tintless field,
And all the future Group exists conceal'd;
Till waked by fire the dawning tablet glows,
Green springs the herb, the purple floret blows,
Hills vales and woods in bright succession rise,
And all the living landscape charms his eyes.
XI. 'With crest of gold should sultry SIRIUS glare,
And with his kindling tresses scorch the air;
With points of flame the shafts of Summer arm,
And burn the beauties he designs to warm;-So erst when JOVE his oath extorted mourn'd,
And clad in glory to the Fair return'd;
While Loves at forky bolts their torches light,
And resting lightnings gild the car of Night;
His blazing form the dazzled Maid admir'd,
Met with fond lips, and in his arms expir'd;NYMPHS! on light pinion lead your banner'd hosts
High o'er the cliffs of ORKNEY'S gulphy coasts;
Leave on your left the red volcanic light,
Which HECCLA lifts amid the dusky night;
Mark on the right the DOFRINE'S snow-capt brow,
Where whirling MAELSTROME roars and foams below;
Watch with unmoving eye, where CEPHEUS bends
His triple crown, his scepter'd hand extends;
Where studs CASSIOPE with stars unknown
Her golden chair, and gems her sapphire zone;
Where with vast convolution DRACO holds
The ecliptic axis in his scaly folds,
O'er half the skies his neck enormous rears,
And with immense meanders parts the BEARS;
Onward, the kindred BEARS with footstep rude
Dance round the Pole, pursuing and pursued.
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'There in her azure coif and starry stole,
Grey TWILIGHT sits, and rules the slumbering Pole;
Bends the pale moon-beams round the sparkling coast,
And strews with livid hands eternal frost.
There, NYMPHS! alight, array your dazzling powers,
With sudden march alarm the torpid Hours;
On ice-built isles expand a thousand sails,
Hinge the strong helms, and catch the frozen gales;
The winged rocks to feverish climates guide,
Where fainting Zephyrs pant upon the tide;
Pass, where to CEUTA CALPE'S thunder roars,
And answering echoes shake the kindred shores;
Pass, where with palmy plumes CANARY smiles,
And in her silver girdle binds her isles;
Onward, where NIGER'S dusky Naiad laves
A thousand kingdoms with prolific waves,
Or leads o'er golden sands her threefold train
In steamy channels to the fervid main,
While swarthy nations croud the sultry coast,
Drink the fresh breeze, and hail the floating Frost,
NYMPHS! veil'd in mist, the melting treasures steer,
And cool with arctic snows the tropic year.
So from the burning Line by Monsoons driven
Clouds sail in squadrons o'er the darken'd heaven;
Wide wastes of sand the gelid gales pervade,
And ocean cools beneath the moving shade.
XII. Should SOLSTICE, stalking through the sickening bowers,
Suck the warm dew-drops, lap the falling showers;
Kneel with parch'd lip, and bending from it's brink
From dripping palm the scanty river drink;
NYMPHS! o'er the soil ten thousand points erect,
And high in air the electric flame collect.
Soon shall dark mists with self-attraction shroud
The blazing day, and sail in wilds of cloud;
Each silvery Flower the streams aerial quaff,
Bow her sweet head, and infant Harvest laugh.
'Thus when ELIJA mark'd from Carmel's brow
In bright expanse the briny flood below;
Roll'd his red eyes amid the scorching air,
Smote his firm breast, and breathed his ardent prayer;
High in the midst a massy altar stood,
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And slaughter'd offerings press'd the piles of wood;
While ISRAEL'S chiefs the sacred hill surround,
And famish'd armies crowd the dusty ground;
While proud Idolatry was leagued with dearth,
And wither'd famine swept the desert earth.'OH, MIGHTY LORD! thy woe-worn servant hear,
'Who calls thy name in agony of prayer;
'Thy fanes dishonour'd, and thy prophets slain,
'Lo! I alone survive of all thy train!'Oh send from heaven thy sacred fire,-and pour
'O'er the parch'd land the salutary shower,'So shall thy Priest thy erring flock recal,'And speak in thunder, 'THOU ART LORD OF ALL.'He cried, and kneeling on the mountain-sands,
Stretch'd high in air his supplicating hands.
-Descending flames the dusky shrine illume;
Fire the wet wood, the sacred bull consume;
Wing'd from the sea the gathering mists arise,
And floating waters darken all the skies;
The King with shifted reins his chariot bends,
And wide o'er earth the airy flood descends;
With mingling cries dispersing hosts applaud,
And shouting nations own THE LIVING GOD.'
The GODDESS ceased,-the exulting tribes obey,
Start from the soil, and win their airy way;
The vaulted skies with streams of transient rays
Shine, as they pass, and earth and ocean blaze.
So from fierce wars when lawless Monarch's cease,
Or Liberty returns with laurel'd Peace;
Bright fly the sparks, the colour'd lustres burn,
Flash follows f
Blue serpents sweep along the dusky air,
Imp'd by long trains of scintillating hair;
Red rockets rise, loud cracks are heard on high,
And showers of stars rush headlong from the sky,
Burst, as in silver lines they hiss along,
And the quick flash unfolds the gazing throng.
~ Erasmus Darwin,
1184:Upon Appleton House, To My Lord Fairfax
Within this sober Frame expect
Work of no Forrain Architect;
That unto Caves the Quarries drew,
And Forrests did to Pastures hew;
Who of his great Design in pain
Did for a Model vault his Brain,
Whose Columnes should so high be rais'd
To arch the Brows that on them gaz'd.
Why should of all things Man unrul'd
Such unproportion'd dwellings build?
The Beasts are by their Denns exprest:
And Birds contrive an equal Nest;
The low roof'd Tortoises do dwell
In cases fit of Tortoise-shell:
No Creature loves an empty space;
Their Bodies measure out their Place.
But He, superfluously spread,
Demands more room alive then dead.
And in his hollow Palace goes
Where Winds as he themselves may lose.
What need of all this Marble Crust
T'impark the wanton Mose of Dust,
That thinks by Breadth the World t'unite
Though the first Builders fail'd in Height?
But all things are composed here
Like Nature, orderly and near:
In which we the Dimensions find
Of that more sober Age and Mind,
When larger sized Men did stoop
To enter at a narrow loop;
As practising, in doors so strait,
To strain themselves through Heavens Gate.
And surely when the after Age
Shall hither come in Pilgrimage,
These sacred Places to adore,
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By Vere and Fairfax trod before,
Men will dispute how their Extent
Within such dwarfish Confines went:
And some will smile at this, as well
As Romulus his Bee-like Cell.
Humility alone designs
Those short but admirable Lines,
By which, ungirt and unconstrain'd,
Things greater are in less contain'd.
Let others vainly strive t'immure
The Circle in the Quadrature!
These holy Mathematics can
In ev'ry Figure equal Man.
Yet thus the laden House does sweat,
And scarce indures the Master great:
But where he comes the swelling Hall
Stirs, and the Square grows Spherical;
More by his Magnitude distrest,
Then he is by its straitness prest:
And too officiously it slights
That in it self which him delights.
So Honour better Lowness bears,
Then That unwonted Greatness wears
Height with a certain Grace does bend,
But low Things clownishly ascend.
And yet what needs there here Excuse,
Where ev'ry Thing does answer Use?
Where neatness nothing can condemn,
Nor Pride invent what to contemn?
A Stately Frontispice Of Poor
Adorns without the open Door:
Nor less the Rooms within commends
Daily new Furniture Of Friends.
The House was built upon the Place
Only as for a Mark Of Grace;
And for an Inn to entertain
Its Lord a while, but not remain.
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Him Bishops-Hill, or Denton may,
Or Bilbrough, better hold then they:
But Nature here hath been so free
As if she said leave this to me.
Art would more neatly have defac'd
What she had laid so sweetly wast;
In fragrant Gardens, shaddy Woods,
Deep Meadows, and transparent Floods.
While with slow Eyes we these survey,
And on each pleasant footstep stay,
We opportunly may relate
The progress of this Houses Fate.
A Nunnery first gave it birth.
For Virgin Buildings oft brought forth.
And all that Neighbour-Ruine shows
The Quarries whence this dwelling rose.
Near to this gloomy Cloysters Gates
There dwelt the blooming Virgin Thwates,
Fair beyond Measure, and an Heir
Which might Deformity make fair.
And oft She spent the Summer Suns
Discoursing with the Suttle Nuns.
Whence in these Words one to her weav'd,
(As 'twere by Chance) Thoughts long conceiv'd.
"Within this holy leisure we
"Live innocently as you see.
"these Walls restrain the World without,
"But hedge our Liberty about.
"These Bars inclose the wider Den
"Of those wild Creatures, called Men.
"The Cloyster outward shuts its Gates,
"And, from us, locks on them the Grates.
"Here we, in shining Armour white,
"Like Virgin Amazons do fight.
"And our chast Lamps we hourly trim,
"Lest the great Bridegroom find them dim.
"Our Orient Breaths perfumed are
"With insense of incessant Pray'r.
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"And Holy-water of our Tears
"Most strangly our complexion clears.
"Not Tears of Grief; but such as those
"With which calm Pleasure overflows;
"Or Pity, when we look on you
"That live without this happy Vow.
"How should we grieve that must be seen
"Each one a Spouse, and each a Queen;
"And can in Heaven hence behold
"Our brighter Robes and Crowns of Gold?
"When we have prayed all our Beads,
"Some One the holy Legend reads;
"While all the rest with Needles paint
"The Face and Graces of the Saint.
"But what the Linnen can't receive
"They in their Lives do interweave
"This work the Saints best represents;
"That serves for Altar's Ornaments.
"But much it to our work would add
"If here your hand, your Face we had:
"By it we would our Lady touch;
"Yet thus She you resembles much.
"Some of your Features, as we sow'd,
"Through ev'ry Shrine should be bestow'd.
"And in one Beauty we would take
"Enough a thousand Saints to make.
"And (for I dare not quench the Fire
"That me does for your good inspire)
"'Twere Sacriledge a Mant t'admit
"To holy things, for Heaven fit.
"I see the Angels in a Crown
"On you the Lillies show'ring down:
"And round about you Glory breaks,
"That something more then humane speaks.
"All Beauty, when at such a height,
"Is so already consecrate.
"Fairfax I know; and long ere this
191
"Have mark'd the Youth, and what he is.
"But can he such a Rival seem
"For whom you Heav'n should disesteem?
"Ah, no! and 'twould more Honour prove
"He your Devoto were, then Love.
Here live beloved, and obey'd:
Each one your Sister, each your Maid.
"And, if our Rule seem strictly pend,
"The Rule it self to you shall bend.
"Our Abbess too, now far in Age,
"Doth your succession near presage.
"How soft the yoke on us would lye,
"Might such fair Hands as yours it tye!
"Your voice, the sweetest of the Quire,
"Shall draw Heav'n nearer, raise us higher.
"And your Example, if our Head,
"Will soon us to perfection lead.
"Those Virtues to us all so dear,
"Will straight grow Sanctity when here:
"And that, once sprung, increase so fast
"Till Miracles it work at last.
"Nor is our Order yet so nice,
"Delight to banish as a Vice.
"Here Pleasure Piety doth meet;
"One perfecting the other Sweet.
"So through the mortal fruit we boyl
"The Sugars uncorrupting Oyl:
"And that which perisht while we pull,
"Is thus preserved clear and full.
"For such indeed are all our Arts;
"Still handling Natures finest Parts.
"Flow'rs dress the Altars; for the Clothes,
"The Sea-born Amber we compose;
"Balms for the griv'd we draw; and pasts
"We mold, as Baits for curious tasts.
"What need is here of Man? unless
"These as sweet Sins we should confess.
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"Each Night among us to your side
"Appoint a fresh and Virgin Bride;
"Whom if Our Lord at midnight find,
"Yet Neither should be left behind.
"Where you may lye as chast in Bed,
"As Pearls together billeted.
"All Night embracing Arm in Arm,
"Like Chrystal pure with Cotton warm.
"But what is this to all the store
"Of Joys you see, and may make more!
"Try but a while, if you be wise:
"The Tryal neither Costs, nor Tyes.
Now Fairfax seek her promis'd faith:
Religion that dispensed hath;
Which She hence forward does begin;
The Nuns smooth Tongue has suckt her in.
Oft, though he knew it was in vain,
Yet would he valiantly complain.
"Is this that Sanctity so great,
"An Art by which you finly'r cheat
"Hypocrite Witches, hence Avant,
"Who though in prison yet inchant!
"Death only can such Theeves make fast,
"As rob though in the Dungeon cast.
"Were there but, when this House was made,
"One Stone that a just Hand had laid,
"It must have fall'n upon her Head
"Who first Thee from thy Faith misled.
"And yet, how well soever ment,
"With them 'twould soon grow fraudulent
"For like themselves they alter all,
"And vice infects the very Wall.
"But sure those Buildings last not long,
"Founded by Folly, kept by Wrong.
"I know what Fruit their Gardens yield,
"When they it think by Night conceal'd.
"Fly from their Vices. 'Tis thy state,
"Not Thee, that they would consecrate.
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"Fly from their Ruine. How I fear
"Though guiltless lest thou perish there.
What should he do? He would respect
Religion, but not Right neglect:
For first Religion taught him Right,
And dazled not but clear'd his sight.
Sometimes resolv'd his Sword he draws,
But reverenceth then the Laws:
"For Justice still that Courage led;
First from a Judge, then Souldier bred.
Small Honour would be in the Storm.
The Court him grants the lawful Form;
Which licens'd either Peace or Force,
To hinder the unjust Divorce.
Yet still the Nuns his Right debar'd,
Standing upon their holy Guard.
Ill-counsell'd Women, do you know
Whom you resist, or what you do?
Is not this he whose Offspring fierce
Shall fight through all the Universe;
And with successive Valour try
France, Poland, either Germany;
Till one, as long since prophecy'd,
His Horse through conquer'd Britain ride?
Yet, against Fate, his Spouse they kept;
And the great Race would intercept.
Some to the Breach against their Foes
Their Wooden Saints in vain oppose
Another bolder stands at push
With their old Holy-Water Brush.
While the disjointed Abbess threads
The gingling Chain-shot of her Beads.
But their lowd'st Cannon were their Lungs;
And sharpest Weapons were their Tongues.
But, waving these aside like Flyes,
Young Fairfax through the Wall does rise.
Then th' unfrequented Vault appear'd,
194
And superstitions vainly fear'd.
The Relicks False were set to view;
Only the Jewels there were true.
But truly bright and holy Thwaites
That weeping at the Altar waites.
But the glad Youth away her bears,
And to the Nuns bequeaths her Tears:
Who guiltily their Prize bemoan,
Like Gipsies that a Child hath stoln.
Thenceforth (as when th' Inchantment ends
The Castle vanishes or rends)
The wasting Cloister with the rest
Was in one instant dispossest.
At the demolishing, this Seat
To Fairfax fell as by Escheat.
And what both Nuns and Founders will'd
'Tis likely better thus fulfill'd,
For if the Virgin prov'd not theirs,
The Cloyster yet remained hers.
Though many a Nun there made her vow,
'Twas no Religious-House till now.
From that blest Bed the Heroe came,
Whom France and Poland yet does fame:
Who, when retired here to Peace,
His warlike Studies could not cease;
But laid these Gardens out in sport
In the just Figure of a Fort;
And with five Bastions it did fence,
As aiming one for ev'ry Sense.
When in the East the Morning Ray
Hangs out the Colours of the Day,
The Bee through these known Allies hums,
Beating the Dian with its Drumms.
Then Flow'rs their drowsie Eylids raise,
Their Silken Ensigns each displayes,
And dries its Pan yet dank with Dew,
And fills its Flask with Odours new.
195
These, as their Governour goes by,
In fragrant Vollyes they let fly;
And to salute their Governess
Again as great a charge they press:
None for the Virgin Nymph; for She
Seems with the Flow'rs a Flow'r to be.
And think so still! though not compare
With Breath so sweet, or Cheek so faire.
Well shot ye Fireman! Oh how sweet,
And round your equal Fires do meet;
Whose shrill report no Ear can tell,
But Ecchoes to the Eye and smell.
See how the Flow'rs, as at Parade,
Under their Colours stand displaid:
Each Regiment in order grows,
That of the Tulip Pinke and Rose.
But when the vigilant Patroul
Of Stars walks round about the Pole,
Their Leaves, that to the stalks are curl'd,
Seem to their Staves the Ensigns furl'd.
Then in some Flow'rs beloved Hut
Each Bee as Sentinel is shut;
And sleeps so too: but, if once stir'd,
She runs you through, or askes The Word.
Oh Thou, that dear and happy Isle
The Garden of the World ere while,
Thou Paradise of four Seas,
Which Heaven planted us to please,
But, to exclude the World, did guard
With watry if not flaming Sword;
What luckless Apple did we tast,
To make us Mortal, and The Wast.
Unhappy! shall we never more
That sweet Milltia restore,
When Gardens only had their Towrs,
And all the Garrisons were Flow'rs,
When Roses only Arms might bear,
And Men did rosie Garlands wear?
196
Tulips, in several Colours barr'd,
Were then the Switzers of our Guard.
The Gardiner had the Souldiers place,
And his more gentle Forts did trace.
The Nursery of all things green
Was then the only Magazeen.
The Winter Quarters were the Stoves,
Where he the tender Plants removes.
But War all this doth overgrow:
We Ord'nance Plant and Powder sow.
And yet their walks one on the Sod
Who, had it pleased him and God,
Might once have made our Gardens spring
Fresh as his own and flourishing.
But he preferr'd to the Cinque Ports
These five imaginary Forts:
And, in those half-dry Trenches, spann'd
Pow'r which the Ocean might command.
For he did, with his utmost Skill,
Ambition weed, but Conscience till.
Conscience, that Heaven-nursed Plant,
Which most our Earthly Gardens want.
A prickling leaf it bears, and such
As that which shrinks at ev'ry touch;
But Flow'rs eternal, and divine,
That in the Crowns of Saints do shine.
The sight does from these Bastions ply,
Th' invisible Artilery;
And at proud Cawood Castle seems
To point the Battery of its Beams.
As if it quarrell'd in the Seat
Th' Ambition of its Prelate great.
But ore the Meads below it plays,
Or innocently seems to gaze.
And now to the Abbyss I pass
Of that unfathomable Grass,
Where Men like Grashoppers appear,
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But Grashoppers are Gyants there:
They, in there squeking Laugh, contemn
Us as we walk more low then them:
And, from the Precipices tall
Of the green spir's, to us do call.
To see Men through this Meadow Dive,
We wonder how they rise alive.
As, under Water, none does know
Whether he fall through it or go.
But, as the Marriners that sound,
And show upon their Lead the Ground,
They bring up Flow'rs so to be seen,
And prove they've at the Bottom been.
No Scene that turns with Engines strange
Does oftner then these Meadows change,
For when the Sun the Grass hath vext,
The tawny Mowers enter next;
Who seem like Israaliies to be,
Walking on foot through a green Sea.
To them the Grassy Deeps divide,
And crowd a Lane to either Side.
With whistling Sithe, and Elbow strong,
These Massacre the Grass along:
While one, unknowing, carves the Rail,
Whose yet unfeather'd Quils her fail.
The Edge all bloody from its Breast
He draws, and does his stroke detest;
Fearing the Flesh untimely mow'd
To him a Fate as black forebode.
But bloody Thestylis, that waites
To bring the mowing Camp their Cates,
Greedy as Kites has trust it up,
And forthwith means on it to sup:
When on another quick She lights,
And cryes, he call'd us Israelites;
But now, to make his saying true,
Rails rain for Quails, for Manna Dew.
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Unhappy Birds! what does it boot
To build below the Grasses Root;
When Lowness is unsafe as Hight,
And Chance o'retakes what scapeth spight?
And now your Orphan Parents Call
Sounds your untimely Funeral.
Death-Trumpets creak in such a Note,
And 'tis the Sourdine in their Throat.
Or sooner hatch or higher build:
The Mower now commands the Field;
In whose new Traverse seemeth wrought
A Camp of Battail newly fought:
Where, as the Meads with Hay, the Plain
Lyes quilted ore with Bodies slain:
The Women that with forks it filing,
Do represent the Pillaging.
And now the careless Victors play,
Dancing the Triumphs of the Hay;
Where every Mowers wholesome Heat
Smells like an Alexanders Sweat.
Their Females fragrant as the Mead
Which they in Fairy Circles tread:
When at their Dances End they kiss,
Their new-made Hay not sweeter is.
When after this 'tis pil'd in Cocks,
Like a calm Sea it shews the Rocks:
We wondring in the River near
How Boats among them safely steer.
Or, like the Desert Memphis Sand,
Short Pyramids of Hay do stand.
And such the Roman Camps do rise
In Hills for Soldiers Obsequies.
This Scene again withdrawing brings
A new and empty Face of things;
A levell'd space, as smooth and plain,
As Clothes for Lilly strecht to stain.
The World when first created sure
Was such a Table rase and pure.
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Or rather such is the Toril
Ere the Bulls enter at Madril.
For to this naked equal Flat,
Which Levellers take Pattern at,
The Villagers in common chase
Their Cattle, which it closer rase;
And what below the Sith increast
Is pincht yet nearer by the Breast.
Such, in the painted World, appear'd
Davenant with th'Universal Heard.
They seem within the polisht Grass
A landskip drawen in Looking-Glass.
And shrunk in the huge Pasture show
As spots, so shap'd, on Faces do.
Such Fleas, ere they approach the Eye,
In Multiplyiug Glasses lye.
They feed so wide, so slowly move,
As Constellatious do above.
Then, to conclude these pleasant Acts,
Denton sets ope its Cataracts;
And makes the Meadow truly be
(What it but seem'd before) a Sea.
For, jealous of its Lords long stay,
It try's t'invite him thus away.
The River in it self is drown'd,
And Isl's th' astonish Cattle round.
Let others tell the Paradox,
How Eels now bellow in the Ox;
How Horses at their Tails do kick,
Turn'd as they hang to Leeches quick;
How Boats can over Bridges sail;
And Fishes do the Stables scale.
How Salmons trespassing are found;
And Pikes are taken in the Pound.
But I, retiring from the Flood,
Take Sanctuary in the Wood;
And, while it lasts, my self imbark
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In this yet green, yet growing Ark;
Where the first Carpenter might best
Fit Timber for his Keel have Prest.
And where all Creatures might have shares,
Although in Armies, not in Paires.
The double Wood of ancient Stocks
Link'd in so thick, an Union locks,
It like two Pedigrees appears,
On one hand Fairfax, th' other Veres:
Of whom though many fell in War,
Yet more to Heaven shooting are:
And, as they Natures Cradle deckt,
Will in green Age her Hearse expect.
When first the Eye this Forrest sees
It seems indeed as Wood not Trees:
As if their Neighbourhood so old
To one great Trunk them all did mold.
There the huge Bulk takes place, as ment
To thrust up a Fifth Element;
And stretches still so closely wedg'd
As if the Night within were hedg'd.
Dark all without it knits; within
It opens passable and thin;
And in as loose an order grows,
As the Corinthean Porticoes.
The Arching Boughs unite between
The Columnes of the Temple green;
And underneath the winged Quires
Echo about their tuned Fires.
The Nightingale does here make choice
To sing the Tryals of her Voice.
Low Shrubs she sits in, and adorns
With Musick high the squatted Thorns.
But highest Oakes stoop down to hear,
And listning Elders prick the Ear.
The Thorn, lest it should hurt her, draws
Within the Skin its shrunken claws.
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But I have for my Musick found
A Sadder, yet more pleasing Sound:
The Stock-doves whose fair necks are grac'd
With Nuptial Rings their Ensigns chast;
Yet always, for some Cause unknown,
Sad pair unto the Elms they moan.
O why should such a Couple mourn,
That in so equal Flames do burn!
Then as I carless on the Bed
Of gelid Straw-berryes do tread,
And through the Hazles thick espy
The hatching Thrastles shining Eye,
The Heron from the Ashes top,
The eldest of its young lets drop,
As if it Stork-like did pretend
That Tribute to its Lord to send.
But most the Hewel's wonders are,
Who here has the Holt-felsters care.
He walks still upright from the Root,
Meas'ring the Timber with his Foot;
And all the way, to keep it clean,
Doth from the Bark the Wood-moths glean.
He, with his Beak, examines well
Which fit to stand and which to fell.
The good he numbers up, and hacks;
As if he mark'd them with the Ax.
But where he, tinkling with his Beak,
Does find the hollow Oak to speak,
That for his building he designs,
And through the tainted Side he mines.
Who could have thought the tallest Oak
Should fall by such a feeble Strok'!
Nor would it, had the Tree not fed
A Traitor-worm, within it bred.
(As first our Flesh corrupt within
Tempts impotent and bashful Sin.
And yet that Worm triumphs not long,
But serves to feed the Hewels young.
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While the Oake seems to fall content,
Viewing the Treason's Punishment.
Thus I, easie Philosopher,
Among the Birds and Trees confer:
And little now to make me, wants
Or of the Fowles, or of the Plants.
Give me but Wings as they, and I
Streight floting on the Air shall fly:
Or turn me but, and you shall see
I was but an inverted Tree.
Already I begin to call
In their most-learned Original:
And where I Language want,my Signs
The Bird upon the Bough divines;
And more attentive there doth sit
Then if She were with Lime-twigs knit.
No Leaf does tremble in the Wind
Which I returning cannot find.
Out of these scatter'd Sibyls Leaves
Strange Prophecies my Phancy weaves:
And in one History consumes,
Like Mexique Paintings, all the Plumes.
What Rome, Greece, Palestine, ere said
I in this light Mosaick read.
Thrice happy he who, not mistook,
Hath read in Natures mystick Book.
And see how Chance's better Wit
Could with a Mask my studies hit!
The Oak-Leaves me embroyder all,
Between which Caterpillars crawl:
And Ivy, with familiar trails,
Me licks, and clasps, and curles, and hales.
Under this antick Cope I move
Like some great Prelate of the Grove,
Then, languishing with ease, I toss
On Pallets swoln of Velvet Moss;
While the Wind, cooling through the Boughs,
203
Flatters with Air my panting Brows.
Thanks for my Rest ye Mossy Banks,
And unto you cool Zephyr's Thanks,
Who, as my Hair, my Thoughts too shed,
And winnow from the Chaff my Head.
How safe, methinks, and strong, behind
These Trees have I incamp'd my Mind;
Where Beauty, aiming at the Heart,
Bends in some Tree its useless Dart;
And where the World no certain Shot
Can make, or me it toucheth not.
But I on it securely play,
And gaul its Horsemen all the Day.
Bind me ye Woodbines in your 'twines,
Curle me about ye gadding Vines,
And Oh so close your Circles lace,
That I may never leave this Place:
But, lest your Fetters prove too weak,
Ere I your Silken Bondage break,
Do you, O Brambles, chain me too,
And courteous Briars nail me though.
Here in the Morning tye my Chain,
Where the two Woods have made a Lane;
While, like a Guard on either side,
The Trees before their Lord divide;
This, like a long and equal Thread,
Betwixt two Labyrinths does lead.
But, where the Floods did lately drown,
There at the Ev'ning stake me down.
For now the Waves are fal'n and dry'd,
And now the Meadows fresher dy'd;
Whose Grass, with moister colour dasht,
Seems as green Silks but newly washt.
No Serpent new nor Crocodile
Remains behind our little Nile;
Unless it self you will mistake,
Among these Meads the only Snake.
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See in what wanton harmless folds
It ev'ry where the Meadow holds;
And its yet muddy back doth lick,
Till as a Chrystal Mirrour slick;
Where all things gaze themselves, and doubt
If they be in it or without.
And for his shade which therein shines,
Narcissus like, the Sun too pines.
Oh what a Pleasure 'tis to hedge
My Temples here with heavy sedge;
Abandoning my lazy Side,
Stretcht as a Bank unto the Tide;
Or to suspend my sliding Foot
On the Osiers undermined Root,
And in its Branches tough to hang,
While at my Lines the Fishes twang!
But now away my Hooks, my Quills,
And Angles, idle Utensils.
The Young Maria walks to night:
Hide trifling Youth thy Pleasures slight.
'Twere shame that such judicious Eyes
Should with such Toyes a Man surprize;
She that already is the Law
Of all her Sex, her Ages Aw.
See how loose Nature, in respect
To her, it self doth recollect;
And every thing so whisht and fine,
Starts forth with to its Bonne Mine.
The Sun himself, of Her aware,
Seems to descend with greater Care,
And lest She see him go to Bed,
In blushing Clouds conceales his Head.
So when the Shadows laid asleep
From underneath these Banks do creep,
And on the River as it flows
With Eben Shuts begin to close;
The modest Halcyon comes in sight,
Flying betwixt the Day and Night;
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And such an horror calm and dumb,
Admiring Nature does benum.
The viscous Air, wheres'ere She fly,
Follows and sucks her Azure dy;
The gellying Stream compacts below,
If it might fix her shadow so;
The Stupid Fishes hang, as plain
As Flies in Chrystal overt'ane,
And Men the silent Scene assist,
Charm'd with the saphir-winged Mist.
Maria such, and so doth hush
The World, and through the Ev'ning rush.
No new-born Comet such a Train
Draws through the Skie, nor Star new-slain.
For streight those giddy Rockets fail,
Which from the putrid Earth exhale,
But by her Flames, in Heaven try'd,
Nature is wholly Vitrifi'd.
'Tis She that to these Gardens gave
That wondrous Beauty which they have;
She streightness on the Woods bestows;
To Her the Meadow sweetness owes;
Nothing could make the River be
So Chrystal-pure but only She;
She yet more Pure, Sweet, Streight, and Fair,
Then Gardens, Woods, Meads, Rivers are.
Therefore what first She on them spent,
They gratefully again present.
The Meadow Carpets where to tread;
The Garden Flow'rs to Crown Her Head;
And for a Glass the limpid Brook,
Where She may all her Beautyes look;
But, since She would not have them seen,
The Wood about her draws a Skreen.
For She, to higher Beauties rais'd,
Disdains to be for lesser prais'd.
She counts her Beauty to converse
206
In all the Languages as hers;
Not yet in those her self imployes
But for the Wisdome, not the Noyse;
Nor yet that Wisdome would affect,
But as 'tis Heavens Dialect.
Blest Nymph! that couldst so soon prevent
Those Trains by Youth against thee meant;
Tears (watry Shot that pierce the Mind;)
And Sighs (Loves Cannon charg'd with Wind;)
True Praise (That breaks through all defence;)
And feign'd complying Innocence;
But knowing where this Ambush lay,
She scap'd the safe, but roughest Way.
This 'tis to have been from the first
In a Domestick Heaven nurst,
Under the Discipline severe
Of Fairfax, and the starry Vere;
Where not one object can come nigh
But pure, and spotless as the Eye;
And Goodness doth it self intail
On Females, if there want a Male.
Go now fond Sex that on your Face
Do all your useless Study place,
Nor once at Vice your Brows dare knit
Lest the smooth Forehead wrinkled sit
Yet your own Face shall at you grin,
Thorough the Black-bag of your Skin;
When knowledge only could have fill'd
And Virtue all those Furows till'd.
Hence She with Graces more divine
Supplies beyond her Sex the Line;
And, like a sprig of Misleto,
On the Fairfacian Oak does grow;
Whence, for some universal good,
The Priest shall cut the sacred Bud;
While her glad Parents most rejoice,
And make their Destiny their Choice.
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Mean time ye Fields, Springs, Bushes, Flow'rs,
Where yet She leads her studious Hours,
(Till Fate her worthily translates,
And find a Fairfax for our Thwaites)
Employ the means you have by Her,
And in your kind your selves preferr;
That, as all Virgins She preceds,
So you all Woods, Streams, Gardens, Meads.
For you Thessalian Tempe's Seat
Shall now be scorn'd as obsolete;
Aranjeuz, as less, disdain'd;
The Bel-Retiro as constrain'd;
But name not the Idalian Grove,
For 'twas the Seat of wanton Love;
Much less the Dead's Elysian Fields,
Yet nor to them your Beauty yields.
'Tis not, what once it was, the World;
But a rude heap together hurl'd;
All negligently overthrown,
Gulfes, Deserts, Precipices, Stone.
Your lesser World contains the same.
But in more decent Order tame;
You Heaven's Center, Nature's Lap.
And Paradice's only Map.
But now the Salmon-Fishers moist
Their Leathern Boats begin to hoist;
And, like Antipodes in Shoes,
Have shod their Heads in their Canoos.
How Tortoise like, but not so slow,
These rational Amphibii go?
Let's in: for the dark Hemisphere
Does now like one of them appear.
~ Andrew Marvell,
1185:Scene. Constantinople; the house of a Greek Conjurer. 1521.
Paracelsus.
Paracelsus.
Over the waters in the vaporous West
The sun goes down as in a sphere of gold
Behind the arm of the city, which between,
With all that length of domes and minarets,
Athwart the splendour, black and crooked runs
Like a Turk verse along a scimitar.
There lie, sullen memorial, and no more
Possess my aching sight! 'T is done at last.
Strangeand the juggles of a sallow cheat
Have won me to this act! 'T is as yon cloud
Should voyage unwrecked o'er many a mountain-top
And break upon a molehill. I have dared
Come to a pause with knowledge; scan for once
The heights already reached, without regard
To the extent above; fairly compute
All I have clearly gained; for once excluding
A brilliant future to supply and perfect
All half-gains and conjectures and crude hopes:
And all because a fortune-teller wills
His credulous seekers should inscribe thus much
Their previous life's attainment, in his roll,
Before his promised secret, as he vaunts,
Make up the sum: and here amid the scrawled
Uncouth recordings of the dupes of this
Old arch-genethliac, lie my life's results!
A few blurred characters suffice to note
A stranger wandered long through many lands
And reaped the fruit he coveted in a few
Discoveries, as appended here and there,
The fragmentary produce of much toil,
In a dim heap, fact and surmise together
Confusedly massed as when acquired; he was
Intent on gain to come too much to stay
And scrutinize the little gained: the whole
Slipt in the blank space 'twixt an idiot's gibber
And a mad lover's dittythere it lies.
And yet those blottings chronicle a life
A whole life, and my life! Nothing to do,
No problem for the fancy, but a life
Spent and decided, wasted past retrieve
Or worthy beyond peer. Stay, what does this
Remembrancer set down concerning "life"?
"'Time fleets, youth fades, life is an empty dream,'
"It is the echo of time; and he whose heart
"Beat first beneath a human heart, whose speech
"Was copied from a human tongue, can never
"Recall when he was living yet knew not this.
"Nevertheless long seasons pass o'er him
"Till some one hour's experience shows what nothing,
"It seemed, could clearer show; and ever after,
"An altered brow and eye and gait and speech
"Attest that now he knows the adage true
"'Time fleets, youth fades, life is an empty dream.'"
Ay, my brave chronicler, and this same hour
As well as any: now, let my time be!
Now! I can go no farther; well or ill,
'T is done. I must desist and take my chance.
I cannot keep on the stretch: 't is no back-shrinking
For let but some assurance beam, some close
To my toil grow visible, and I proceed
At any price, though closing it, I die.
Else, here I pause. The old Greek's prophecy
Is like to turn out true: "I shall not quit
"His chamber till I know what I desire!"
Was it the light wind sang it o'er the sea?
An end, a rest! strange how the notion, once
Encountered, gathers strength by moments! Rest!
Where has it kept so long? this throbbing brow
To cease, this beating heart to cease, all cruel
And gnawing thoughts to cease! To dare let down
My strung, so high-strung brain, to dare unnerve
My harassed o'ertasked frame, to know my place,
My portion, my reward, even my failure,
Assigned, made sure for ever! To lose myself
Among the common creatures of the world,
To draw some gain from having been a man,
Neither to hope nor fear, to live at length!
Even in failure, rest! But rest in truth
And power and recompense . . . I hoped that once!
What, sunk insensibly so deep? Has all
Been undergone for this? This the request
My labour qualified me to present
With no fear of refusal? Had I gone
Slightingly through my task, and so judged fit
To moderate my hopes; nay, were it now
My sole concern to exculpate myself,
End things or mend them,why, I could not choose
A humbler mood to wait for the event!
No, no, there needs not this; no, after all,
At worst I have performed my share of the task
The rest is God's concern; mine, merely this,
To know that I have obstinately held
By my own work. The mortal whose brave foot
Has trod, unscathed, the temple-court so far
That he descries at length the shrine of shrines,
Must let no sneering of the demons' eyes,
Whom he could pass unquailing, fasten now
Upon him, fairly past their power; no, no
He must not stagger, faint, fall down at last,
Having a charm to baffle them; behold,
He bares his front: a mortal ventures thus
Serene amid the echoes, beams and glooms!
If he be priest henceforth, if he wake up
The god of the place to ban and blast him there,
Both well! What's failure or success to me?
I have subdued my life to the one purpose
Whereto I ordained it; there alone I spy,
No doubt, that way I may be satisfied.
Yes, well have I subdued my life! beyond
The obligation of my strictest vow,
The contemplation of my wildest bond,
Which gave my nature freely up, in truth,
But in its actual state, consenting fully
All passionate impulses its soil was formed
To rear, should wither; but foreseeing not
The tract, doomed to perpetual barrenness,
Would seem one day, remembered as it was,
Beside the parched sand-waste which now it is,
Already strewn with faint blooms, viewless then.
I ne'er engaged to root up loves so frail
I felt them not; yet now, 't is very plain
Some soft spots had their birth in me at first,
If not love, say, like love: there was a time
When yet this wolfish hunger after knowledge
Set not remorselessly love's claims aside.
This heart was human once, or why recall
Einsiedeln, now, and Wrzburg which the Mayne
Forsakes her course to fold as with an arm?
And Festusmy poor Festus, with his praise
And counsel and grave fearswhere is he now
With the sweet maiden, long ago his bride?
I surely loved themthat last night, at least,
When we . . . gone! gone! the better. I am saved
The sad review of an ambitious youth
Choked by vile lusts, unnoticed in their birth,
But let grow up and wind around a will
Till action was destroyed. No, I have gone
Purging my path successively of aught
Wearing the distant likeness of such lusts.
I have made life consist of one idea:
Ere that was master, up till that was born,
I bear a memory of a pleasant life
Whose small events I treasure; till one morn
I ran o'er the seven little grassy fields,
Startling the flocks of nameless birds, to tell
Poor Festus, leaping all the while for joy,
To leave all trouble for my future plans,
Since I had just determined to become
The greatest and most glorious man on earth.
And since that morn all life has been forgotten;
All is one day, one only step between
The outset and the end: one tyrant all-
Absorbing aim fills up the interspace,
One vast unbroken chain of thought, kept up
Through a career apparently adverse
To its existence: life, death, light and shadow,
The shows of the world, were bare receptacles
Or indices of truth to be wrung thence,
Not ministers of sorrow or delight:
A wondrous natural robe in which she went.
For some one truth would dimly beacon me
From mountains rough with pines, and flit and wink
O'er dazzling wastes of frozen snow, and tremble
Into assured light in some branching mine
Where ripens, swathed in fire, the liquid gold
And all the beauty, all the wonder fell
On either side the truth, as its mere robe;
I see the robe nowthen I saw the form.
So far, then, I have voyaged with success,
So much is good, then, in this working sea
Which parts me from that happy strip of land:
But o'er that happy strip a sun shone, too!
And fainter gleams it as the waves grow rough,
And still more faint as the sea widens; last
I sicken on a dead gulf streaked with light
From its own putrefying depths alone.
Then, God was pledged to take me by the hand;
Now, any miserable juggle can bid
My pride depart. All is alike at length:
God may take pleasure in confounding pride
By hiding secrets with the scorned and base
I am here, in short: so little have I paused
Throughout! I never glanced behind to know
If I had kept my primal light from wane,
And thus insensibly amwhat I am!
Oh, bitter; very bitter!
             And more bitter,
To fear a deeper curse, an inner ruin,
Plague beneath plague, the last turning the first
To light beside its darkness. Let me weep
My youth and its brave hopes, all dead and gone,
In tears which burn! Would I were sure to win
Some startling secret in their stead, a tincture
Of force to flush old age with youth, or breed
Gold, or imprison moonbeams till they change
To opal shafts!only that, hurling it
Indignant back, I might convince myself
My aims remained supreme and pure as ever!
Even now, why not desire, for mankind's sake,
That if I fail, some fault may be the cause,
That, though I sink, another may succeed?
O God, the despicable heart of us!
Shut out this hideous mockery from my heart!
'T was politic in you, Aureole, to reject
Single rewards, and ask them in the lump;
At all events, once launched, to hold straight on:
For now' t is all or nothing. Mighty profit
Your gains will bring if they stop short of such
Full consummation! As a man, you had
A certain share of strength; and that is gone
Already in the getting these you boast.
Do not they seem to laugh, as who should say
"Great master, we are here indeed, dragged forth
"To light; this hast thou done: be glad! Now, seek
"The strength to use which thou hast spent in getting!"
And yet't is much, surely't is very much,
Thus to have emptied youth of all its gifts,
To feed a fire meant to hold out till morn
Arrived with inexhaustible light; and lo,
I have heaped up my last, and day dawns not!
And I am left with grey hair, faded hands,
And furrowed brow. Ha, have I, after all,
Mistaken the wild nursling of my breast?
Knowledge it seemed, and power, and recompense!
Was she who glided through my room of nights,
Who laid my head on her soft knees and smoothed
The damp locks,whose sly soothings just began
When my sick spirit craved repose awhile
God! was I fighting sleep off for death's sake?
God! Thou art mind! Unto the master-mind
Mind should be precious. Spare my mind alone!
All else I will endure; if, as I stand
Here, with my gains, thy thunder smite me down,
I bow me; 't is thy will, thy righteous will;
I o'erpass life's restrictions, and I die;
And if no trace of my career remain
Save a thin corpse at pleasure of the wind
In these bright chambers level with the air,
See thou to it! But if my spirit fail,
My once proud spirit forsake me at the last,
Hast thou done well by me? So do not thou!
Crush not my mind, dear God, though I be crushed!
Hold me before the frequence of thy seraphs
And say"I crushed him, lest he should disturb
"My law. Men must not know their strength: behold
"Weak and alone, how he had raised himself!"
But if delusions trouble me, and thou,
Not seldom felt with rapture in thy help
Throughout my toils and wanderings, dost intend
To work man's welfare through my weak endeavour,
To crown my mortal forehead with a beam
From thine own blinding crown, to smile, and guide
This puny hand and let the work so wrought
Be styled my work,hear me! I covet not
An influx of new power, an angel's soul:
It were no marvel thenbut I have reached
Thus far, a man; let me conclude, a man!
Give but one hour of my first energy,
Of that invincible faith, but only one!
That I may cover with an eagle-glance
The truths I have, and spy some certain way
To mould them, and completing them, possess!
Yet God is good: I started sure of that,
And why dispute it now? I'll not believe
But some undoubted warning long ere this
Had reached me: a fire-labarum was not deemed
Too much for the old founder of these walls.
Then, if my life has not been natural,
It has been monstrous: yet, till late, my course
So ardently engrossed me, that delight,
A pausing and reflecting joy,'t is plain,
Could find no place in it. True, I am worn;
But who clothes summer, who is life itself?
God, that created all things, can renew!
And then, though after-life to please me now
Must have no likeness to the past, what hinders
Reward from springing out of toil, as changed
As bursts the flower from earth and root and stalk?
What use were punishment, unless some sin
Be first detected? let me know that first!
No man could ever offend as I have done . . .
[A voice from within.]
I hear a voice, perchance I heard
Long ago, but all too low,
So that scarce a care it stirred
If the voice were real or no:
I heard it in my youth when first
The waters of my life outburst:
But, now their stream ebbs faint, I hear
That voice, still low, but fatal-clear
As if all poets, God ever meant
Should save the world, and therefore lent
Great gifts to, but who, proud, refused
To do his work, or lightly used
Those gifts, or failed through weak endeavour,
So, mourn cast off by him for ever,
As if these leaned in airy ring
To take me; this the song they sing.
"Lost, lost! yet come,
With our wan troop make thy home.
Come, come! for we
Will not breathe, so much as breathe
Reproach to thee,
Knowing what thou sink'st beneath.
So sank we in those old years,
We who bid thee, come! thou last
Who, living yet, hast life o'erpast.
And altogether we, thy peers,
Will pardon crave for thee, the last
Whose trial is done, whose lot is cast
With those who watch but work no more,
Who gaze on life but live no more.
Yet we trusted thou shouldst speak
The message which our lips, too weak,
Refused to utter,shouldst redeem
Our fault: such trust, and all a dream!
Yet we chose thee a birthplace
Where the richness ran to flowers:
Couldst not sing one song for grace?
Not make one blossom man's and ours?
Must one more recreant to his race
Die with unexerted powers,
And join us, leaving as he found
The world, he was to loosen, bound?
Anguish! ever and for ever;
Still beginning, ending never.
Yet, lost and last one, come!
How couldst understand, alas,
What our pale ghosts strove to say,
As their shades did glance and pass
Before thee night and day?
Thou wast blind as we were dumb:
Once more, therefore, come, O come!
How should we clothe, how arm the spirit
Shall next thy post of life inherit
How guard him from thy speedy ruin?
Tell us of thy sad undoing
Here, where we sit, ever pursuing
Our weary task, ever renewing
Sharp sorrow, far from God who gave
Our powers, and man they could not save!"
Aprile enters.
Aprile.
Ha, ha! our king that wouldst be, here at last?
Art thou the poet who shall save the world?
Thy hand to mine! Stay, fix thine eyes on mine!
Thou wouldst be king? Still fix thine eyes on mine!
Paracelsus.
Ha, ha! why crouchest not? Am I not king?
So torture is not wholly unavailing!
Have my fierce spasms compelled thee from thy lair?
Art thou the sage I only seemed to be,
Myself of after-time, my very self
With sight a little clearer, strength more firm,
Who robes him in my robe and grasps my crown
For just a fault, a weakness, a neglect?
I scarcely trusted God with the surmise
That such might come, and thou didst hear the while!
Aprile.
Thine eyes are lustreless to mine; my hair
Is soft, nay silken soft: to talk with thee
Flushes my cheek, and thou art ashy-pale.
Truly, thou hast laboured, hast withstood her lips,
The siren's! Yes, 't is like thou hast attained!
Tell me, dear master, wherefore now thou comest?
I thought thy solemn songs would have their meed
In after-time; that I should hear the earth
Exult in thee and echo with thy praise,
While I was laid forgotten in my grave.
Paracelsus.
Ah fiend, I know thee, I am not thy dupe!
Thou art ordained to follow in my track,
Reaping my sowing, as I scorned to reap
The harvest sown by sages passed away.
Thou art the sober searcher, cautious striver,
As if, except through me, thou hast searched or striven!
Ay, tell the world! Degrade me after all,
To an aspirant after fame, not truth
To all but envy of thy fate, be sure!
Aprile.
Nay, sing them to me; I shall envy not:
Thou shalt be king! Sing thou, and I will sit
Beside, and call deep silence for thy songs,
And worship thee, as I had ne'er been meant
To fill thy throne: but none shall ever know!
Sing to me; for already thy wild eyes
Unlock my heart-strings, as some crystal-shaft
Reveals by some chance blaze its parent fount
After long time: so thou reveal'st my soul.
All will flash forth at last, with thee to hear!
Paracelsus.
(His secret! I shall get his secretfool!)
I am he that aspired to know: and thou?
Aprile.
I would love infinitely, and be loved!
Paracelsus.
Poor slave! I am thy king indeed.
Aprile.
                 Thou deem'st
Thatborn a spirit, dowered even as thou,
Born for thy fatebecause I could not curb
My yearnings to possess at once the full
Enjoyment, but neglected all the means
Of realizing even the frailest joy,
Gathering no fragments to appease my want,
Yet nursing up that want till thus I die
Thou deem'st I cannot trace thy safe sure march
O'er perils that o'erwhelm me, triumphing,
Neglecting nought below for aught above,
Despising nothing and ensuring all
Nor that I could (my time to come again)
Lead thus my spirit securely as thine own.
Listen, and thou shalt see I know thee well.
I would love infinitely . . . Ah, lost! lost!
Oh ye who armed me at such cost,
How shall I look on all of ye
With your gifts even yet on me?
Paracelsus.
(Ah, 't is some moonstruck creature after all!
Such fond fools as are like to haunt this den:
They spread contagion, doubtless: yet he seemed
To echo one foreboding of my heart
So truly, that . . . no matter! How he stands
With eve's last sunbeam staying on his hair
Which turns to it as if they were akin:
And those clear smiling eyes of saddest blue
Nearly set free, so far they rise above
The painful fruitless striving of the brow
And enforced knowledge of the lips, firm-set
In slow despondency's eternal sigh!
Has he, too, missed life's end, and learned the cause?)
I charge thee, by thy fealty, be calm!
Tell me what thou wouldst be, and what I am.
Aprile.
I would love infinitely, and be loved.
First: I would carve in stone, or cast in brass,
The forms of earth. No ancient hunter lifted
Up to the gods by his renown, no nymph
Supposed the sweet soul of a woodland tree
Or sapphirine spirit of a twilight star,
Should be too hard for me; no shepherd-king
Regal for his white locks; no youth who stands
Silent and very calm amid the throng,
His right hand ever hid beneath his robe
Until the tyrant pass; no lawgiver,
No swan-soft woman rubbed with lucid oils
Given by a god for love of hertoo hard!
Every passion sprung from man, conceived by man,
Would I express and clothe it in its right form,
Or blend with others struggling in one form,
Or show repressed by an ungainly form.
Oh, if you marvelled at some mighty spirit
With a fit frame to execute its will
Even unconsciously to work its will
You should be moved no less beside some strong
Rare spirit, fettered to a stubborn body,
Endeavouring to subdue it and inform it
With its own splendour! All this I would do:
And I would say, this done, "His sprites created,
"God grants to each a sphere to be its world,
"Appointed with the various objects needed
"To satisfy its own peculiar want;
"So, I create a world for these my shapes
"Fit to sustain their beauty and their strength!"
And, at the word, I would contrive and paint
Woods, valleys, rocks and plains, dells, sands and wastes,
Lakes which, when morn breaks on their quivering bed,
Blaze like a wyvern flying round the sun,
And ocean isles so small, the dog-fish tracking
A dead whale, who should find them, would swim thrice
Around them, and fare onwardall to hold
The offspring of my brain. Nor these alone:
Bronze labyrinth, palace, pyramid and crypt,
Baths, galleries, courts, temples and terraces,
Marts, theatres and wharfsall filled with men,
Men everywhere! And this performed in turn,
When those who looked on, pined to hear the hopes
And fears and hates and loves which moved the crowd,
I would throw down the pencil as the chisel,
And I would speak; no thought which ever stirred
A human breast should be untold; all passions,
All soft emotions, from the turbulent stir
Within a heart fed with desires like mine,
To the last comfort shutting the tired lids
Of him who sleeps the sultry noon away
Beneath the tent-tree by the wayside well:
And this in language as the need should be,
Now poured at once forth in a burning flow,
Now piled up in a grand array of words.
This done, to perfect and consummate all,
Even as a luminous haze links star to star,
I would supply all chasms with music, breathing
Mysterious motions of the soul, no way
To be defined save in strange melodies.
Last, having thus revealed all I could love,
Having received all love bestowed on it,
I would die: preserving so throughout my course
God full on me, as I was full on men:
He would approve my prayer, "I have gone through
"The loveliness of life; create for me
"If not for men, or take me to thyself,
"Eternal, infinite love!"
             If thou hast ne'er
Conceived this mighty aim, this full desire,
Thou hast not passed my trial, and thou art
No king of mine.
Paracelsus.
         Ah me!
         Aprile.
           But thou art here!
Thou didst not gaze like me upon that end
Till thine own powers for compassing the bliss
Were blind with glory; nor grow mad to grasp
At once the prize long patient toil should claim,
Nor spurn all granted short of that. And I
Would do as thou, a second time: nay, listen!
Knowing ourselves, our world, our task so great,
Our time so brief, 't is clear if we refuse
The means so limited, the tools so rude
To execute our purpose, life will fleet,
And we shall fade, and leave our task undone.
We will be wise in time: what though our work
Be fashioned in despite of their ill-service,
Be crippled every way? 'T were little praise
Did full resources wait on our goodwill
At every turn. Let all be as it is.
Some say the earth is even so contrived
That tree and flower, a vesture gay, conceal
A bare and skeleton framework. Had we means
Answering to our mind! But now I seem
Wrecked on a savage isle: how rear thereon
My palace? Branching palms the props shall be,
Fruit glossy mingling; gems are for the East;
Who heeds them? I can pass them. Serpents' scales,
And painted birds' down, furs and fishes' skins
Must help me; and a little here and there
Is all I can aspire to: still my art
Shall show its birth was in a gentler clime.
"Had I green jars of malachite, this way
"I'd range them: where those sea-shells glisten above,
"Cressets should hang, by right: this way we set
"The purple carpets, as these mats are laid,
"Woven of fern and rush and blossoming flag."
Or if, by fortune, some completer grace
Be spared to me, some fragment, some slight sample
Of the prouder workmanship my own home boasts,
Some trifle little heeded there, but here
The place's one perfectionwith what joy
Would I enshrine the relic, cheerfully
Foregoing all the marvels out of reach!
Could I retain one strain of all the psalm
Of the angels, one word of the fiat of God,
To let my followers know what such things are!
I would adventure nobly for their sakes:
When nights were still, and still the moaning sea
And far away I could descry the land
Whence I departed, whither I return,
I would dispart the waves, and stand once more
At home, and load my bark, and hasten back,
And fling my gains to them, worthless or true.
"Friends," I would say, "I went far, far for them,
"Past the high rocks the haunt of doves, the mounds
"Of red earth from whose sides strange trees grow out,
"Past tracts of milk-white minute blinding sand,
"Till, by a mighty moon, I tremblingly
"Gathered these magic herbs, berry and bud,
"In haste, not pausing to reject the weeds,
"But happy plucking them at any price.
"To me, who have seen them bloom in their own soil,
"They are scarce lovely: plait and wear them, you!
"And guess, from what they are, the springs that fed them,
"The stars that sparkled o'er them, night by night,
"The snakes that travelled far to sip their dew!"
Thus for my higher loves; and thus even weakness
Would win me honour. But not these alone
Should claim my care; for common life, its wants
And ways, would I set forth in beauteous hues:
The lowest hind should not possess a hope,
A fear, but I'd be by him, saying better
Than he his own heart's language. I would live
For ever in the thoughts I thus explored,
As a discoverer's memory is attached
To all he finds; they should be mine henceforth,
Imbued with me, though free to all before:
For clay, once cast into my soul's rich mine,
Should come up crusted o'er with gems. Nor this
Would need a meaner spirit, than the first;
Nay, 't would be but the selfsame spirit, clothed
In humbler guise, but still the selfsame spirit:
As one spring wind unbinds the mountain snow
And comforts violets in their hermitage.
But, master, poet, who hast done all this,
How didst thou'scape the ruin whelming me?
Didst thou, when nerving thee to this attempt,
Ne'er range thy mind's extent, as some wide hall,
Dazzled by shapes that filled its length with light,
Shapes clustered there to rule thee, not obey,
That will not wait thy summons, will not rise
Singly, nor when thy practised eye and hand
Can well transfer their loveliness, but crowd
By thee for ever, bright to thy despair?
Didst thou ne'er gaze on each by turns, and ne'er
Resolve to single out one, though the rest
Should vanish, and to give that one, entire
In beauty, to the world; forgetting, so,
Its peers, whose number baffles mortal power?
And, this determined, wast thou ne'er seduced
By memories and regrets and passionate love,
To glance once more farewell? and did their eyes
Fasten thee, brighter and more bright, until
Thou couldst but stagger back unto their feet,
And laugh that man's applause or welfare ever
Could tempt thee to forsake them? Or when years
Had passed and still their love possessed thee wholly,
When from without some murmur startled thee
Of darkling mortals famished for one ray
Of thy so-hoarded luxury of light,
Didst thou ne'er strive even yet to break those spells
And prove thou couldst recover and fulfil
Thy early mission, long ago renounced,
And to that end, select some shape once more?
And did not mist-like influences, thick films,
Faint memories of the rest that charmed so long
Thine eyes, float fast, confuse thee, bear thee off,
As whirling snow-drifts blind a man who treads
A mountain ridge, with guiding spear, through storm?
Say, though I fell, I had excuse to fall;
Say, I was tempted sorely: say but this,
Dear lord, Aprile's lord!
Paracelsus.
             Clasp me not thus,
Aprile! That the truth should reach me thus!
We are weak dust. Nay, clasp not or I faint!
Aprile.
My king! and envious thoughts could outrage thee?
Lo, I forget my ruin, and rejoice
In thy success, as thou! Let our God's praise
Go bravely through the world at last! What care
Through me or thee? I feel thy breath. Why, tears?
Tears in the darkness, and from thee to me?
Paracelsus.
Love me henceforth, Aprile, while I learn
To love; and, merciful God, forgive us both!
We wake at length from weary dreams; but both
Have slept in fairy-land: though dark and drear
Appears the world before us, we no less
Wake with our wrists and ankles jewelled still.
I too have sought to know as thou to love
Excluding love as thou refusedst knowledge.
Still thou hast beauty and I, power. We wake:
What penance canst devise for both of us?
Aprile.
I hear thee faintly. The thick darkness! Even
Thine eyes are hid. 'T is as I knew: I speak,
And now I die. But I have seen thy face!
O poet, think of me, and sing of me!
But to have seen thee and to die so soon!
Paracelsus.
Die not, Aprile! We must never part.
Are we not halves of one dissevered world,
Whom this strange chance unites once more? Part? never!
Till thou the lover, know; and I, the knower,
Loveuntil both are saved. Aprile, hear!
We will accept our gains, and use themnow!
God, he will die upon my breast! Aprile!
Aprile.
To speak but once, and die! yet by his side.
Hush! hush!
     Ha! go you ever girt about
With phantoms, powers? I have created such,
But these seem real as I.
Paracelsus.
             Whom can you see
Through the accursed darkness?
Aprile.
                Stay; I know,
I know them: who should know them well as I?
White brows, lit up with glory; poets all!
Paracelsus.
Let him but live, and I have my reward!
Aprile.
Yes; I see now. God is the perfect poet,
Who in his person acts his own creations.
Had you but told me this at first! Hush! hush!
Paracelsus.
Live! for my sake, because of my great sin,
To help my brain, oppressed by these wild words
And their deep import. Live! 't is not too late.
I have a quiet home for us, and friends.
Michal shall smile on you. Hear you? Lean thus,
And breathe my breath. I shall not lose one word
Of all your speech, one little word, Aprile!
Aprile.
No, no. Crown me? I am not one of you!
'T is he, the king, you seek. I am not one.
Paracelsus.
Thy spirit, at least, Aprile! Let me love!
I have attained, and now I may depart.


~ Robert Browning, Paracelsus - Part II - Paracelsus Attains
,
1186:The Dunciad: Book Iv
Yet, yet a moment, one dim ray of light
Indulge, dread Chaos, and eternal Night!
Of darkness visible so much be lent,
As half to show, half veil, the deep intent.
Ye pow'rs! whose mysteries restor'd I sing,
To whom time bears me on his rapid wing,
Suspend a while your force inertly strong,
Then take at once the poet and the song.
Now flam'd the Dog Star's unpropitious ray,
Smote ev'ry brain, and wither'd every bay;
Sick was the sun, the owl forsook his bow'r.
The moon-struck prophet felt the madding hour:
Then rose the seed of Chaos, and of Night,
To blot out order, and extinguish light,
Of dull and venal a new world to mould,
And bring Saturnian days of lead and gold.
She mounts the throne: her head a cloud conceal'd,
In broad effulgence all below reveal'd;
('Tis thus aspiring Dulness ever shines)
Soft on her lap her laureate son reclines.
Beneath her footstool, Science groans in chains,
And Wit dreads exile, penalties, and pains.
There foam'd rebellious Logic , gagg'd and bound,
There, stripp'd, fair Rhet'ric languish'd on the ground;
His blunted arms by Sophistry are borne,
And shameless Billingsgate her robes adorn.
Morality , by her false guardians drawn,
Chicane in furs, and Casuistry in lawn,
Gasps, as they straighten at each end the cord,
And dies, when Dulness gives her page the word.
Mad Mathesis alone was unconfin'd,
Too mad for mere material chains to bind,
Now to pure space lifts her ecstatic stare,
Now running round the circle finds it square.
But held in tenfold bonds the Muses lie,
Watch'd both by Envy's and by Flatt'ry's eye:
191
There to her heart sad Tragedy addres'd
The dagger wont to pierce the tyrant's breast;
But sober History restrain'd her rage,
And promised vengeance on a barb'rous age.
There sunk Thalia, nerveless, cold, and dead,
Had not her sister Satire held her head:
Nor couldst thou, Chesterfield! a tear refuse,
Thou weptst, and with thee wept each gentle Muse.
When lo! a harlot form soft sliding by,
With mincing step, small voice, and languid eye;
Foreign her air, her robe's discordant pride
In patchwork flutt'ring, and her head aside:
By singing peers upheld on either hand,
She tripp'd and laugh'd, too pretty much to stand;
Cast on the prostrate Nine a scornful look,
Then thus in quaint recitativo spoke.
'O
Cara! Cara!
silence all that train:
Joy to great Chaos! let Division reign:
Chromatic tortures soon shall drive them hence,
Break all their nerves, and fritter all their sense:
One trill shall harmonize joy, grief, and rage,
Wake the dull Church, and lull the ranting Stage;
To the same notes thy sons shall hum, or snore,
And all thy yawning daughters cry,
encore
Another Phoebus, thy own Phoebus, reigns,
Joys in my jigs, and dances in my chains.
But soon, ah soon, Rebellion will commence,
If Music meanly borrows aid from Sense.
Strong in new arms, lo! Giant Handel stands,
Like bold Briarerus, with a hundred hands;
To stir, to rouse, to shake the soul he comes,
And Jove's own thunders follow Mars's drums.
Arrest him, Empress, or you sleep no more-'
She heard, and drove him to th' Hibernian shore.
And now had Fame's posterior trumpet blown,
192
And all the nations summoned to the throne.
The young, the old, who feel her inward sway,
One instinct seizes, and transports away.
None need a guide, by sure attraction led,
And strong impulsive gravity of head:
None want a place, for all their centre found
Hung to the Goddess, and coher'd around.
Not closer, orb in orb, conglob'd are seen
The buzzing bees about their dusky Queen.
The gath'ring number, as it moves along,
Involves a vast involuntary throng,
Who gently drawn, and struggling less and less,
Roll in her Vortex, and her pow'r confess.
Not those alone who passive own her laws,
But who, weak rebels, more advance her cause.
Whate'er of dunce in college or in town
Sneers at another, in toupee or gown;
Whate'er of mongrel no one class admits,
A wit with dunces, and a dunce with wits.
Nor absent they, no members of her state,
Who pay her homage in her sons, the Great;
Who false to Phoebus bow the knee to Baal;
Or, impious, preach his Word without a call.
Patrons, who sneak from living worth to dead,
Withhold the pension, and set up the head;
Or vest dull Flattery in the sacred gown;
Or give from fool to fool the laurel crown.
And (last and worst) with all the cant of wit,
Without the soul, the Muse's hypocrite.
There march'd the bard and blockhead, side by side,
Who rhym'd for hire, and patroniz'd for pride.
Narcissus, prais'd with all a Parson's pow'r,
Look'd a white lily sunk beneath a show'r.
There mov'd Montalto with superior air;
His stretch'd-out arm display'd a volume fair;
Courtiers and Patriots in two ranks divide,
Through both he pass'd, and bow'd from side to side:
But as in graceful act, with awful eye
Compos'd he stood, bold Benson thrust him by:
193
On two unequal crutches propp'd he came,
Milton's on this, on that one Johnston's name.
The decent knight retir'd with sober rage,
Withdrew his hand, and closed the pompous page.
But (happy for him as the times went then)
Appear'd Apollo's mayor and aldermen,
On whom three hundred gold-capp'd youths await,
To lug the pond'rous volume off in state.
When Dulness, smiling-'Thus revive the Wits!
But murder first, and mince them all to bits;
As erst Medea (cruel, so to save!)
A new edition of old Aeson gave;
Let standard authors, thus, like trophies born,
Appear more glorious as more hack'd and torn,
And you, my Critics! in the chequer'd shade,
Admire new light through holes yourselves have made.
Leave not a foot of verse, a foot of stone,
A page, a grave, that they can call their own;
But spread, my sons, your glory thin or thick,
On passive paper, or on solid brick.
So by each bard an Alderman shall sit,
A heavy lord shall hang at ev'ry wit,
And while on Fame's triumphal Car they ride,
Some Slave of mine be pinion'd to their side.'
Now crowds on crowds around the Goddess press,
Each eager to present their first address.
Dunce scorning dunce beholds the next advance,
But fop shows fop superior complaisance,
When lo! a spector rose, whose index hand
Held forth the virtue of the dreadful wand;
His beaver'd brow a birchen garland wears,
Dropping with infant's blood, and mother's tears.
O'er every vein a shud'ring horror runs;
Eton and Winton shake through all their sons.
All flesh is humbl'd, Westminster's bold race
Shrink, and confess the Genius of the place:
The pale boy senator yet tingling stands,
And holds his breeches close with both his hands.
194
Then thus. 'Since man from beast by words is known,
Words are man's province, words we teach alone.
When reason doubtful, like the Samian letter,
Points him two ways, the narrower is the better.
Plac'd at the door of learning, youth to guide,
We never suffer it to stand too wide.
To ask, to guess, to know, as they commence,
As fancy opens the quick springs of sense,
We ply the memory, we load the brain,
Bind rebel Wit, and double chain on chain,
Confine the thought, to exercise the breath;
And keep them in the pale of words till death.
Whate'er the talents, or howe'er design'd,
We hang one jingling padlock on the mind:
A Poet the first day, he dips his quill;
And what the last? A very Poet still.
Pity! the charm works only in our wall,
Lost, lost too soon in yonder house or hall.
There truant Wyndham every Muse gave o'er,
There Talbot sunk, and was a wit no more!
How sweet an Ovid, Murray was our boast!
How many Martials were in Pult'ney lost!
Else sure some bard, to our eternal praise,
In twice ten thousand rhyming nights and days,
Had reach'd the work, and All that mortal can;
And South beheld that Masterpiece of Man.'
'Oh' (cried the Goddess) 'for some pedant Reign!
Some gentle James, to bless the land again;
To stick the Doctor's chair into the throne,
Give law to words, or war with words alone,
Senates and courts with Greek and Latin rule,
And turn the council to a grammar school!
For sure, if Dulness sees a grateful day,
'Tis in the shade of arbitrary sway.
O! if my sons may learn one earthly thing,
Teach but that one, sufficient for a king;
That which my priests, and mine alone, maintain,
Which as it dies, or lives, we fall, or reign:
May you, may Cam and Isis, preach it long!
'The Right Divine of Kings to govern wrong'.'
195
Prompt at the call, around the Goddess roll
Broad hats, and hoods, and caps, a sable shoal:
Thick and more thick the black blockade extends,
A hundred head of Aristotle's friends.
Nor wert thou, Isis! wanting to the day,
Though Christ Church long kept prudishly away.
Each staunch polemic, stubborn as a rock,
Each fierce logician, still expelling Locke,
Came whip and spur, and dash'd through thin and thick
On German Crousaz, and Dutch Burgersdyck.
As many quit the streams that murm'ring fall
To lull the sons of Marg'ret and Clare Hall,
Where Bentley late tempestuous wont to sport
In troubled waters, but now sleeps in Port.
Before them march'd that awful Aristarch;
Plow'd was his front with many a deep remark:
His hat, which never vail'd to human pride,
Walker with rev'rence took, and laid aside.
Low bowed the rest: He, kingly, did but nod;
So upright Quakers please both man and God.
'Mistress! dismiss that rabble from your throne:
Avaunt-is Aristarchus yet unknown?
Thy mighty scholiast, whose unwearied pains
Made Horace dull, and humbl'd Milton's strains.
Turn what they will to verse, their toil is vain,
Critics like me shall make it prose again.
Roman and Greek grammarians! know your better:
Author of something yet more great than letter;
While tow'ring o'er your alphabet, like Saul,
Stands our Digamma, and o'ertops them all.
'Tis true, on words is still our whole debate,
Disputes of
Me
or
Te
, of
aut
or
at
To sound or sink in
196
cano
, O or A,
Or give up Cicero to C or K.
Let Freind affect to speak as Terence spoke,
And Alsop never but like Horace joke:
For me, what Virgil, Pliny may deny,
Manilius or Solinus shall supply:
For Attic Phrase in Plato let them seek,
I poach in Suidas for unlicens'd Greek.
In ancient sense if any needs will deal,
Be sure I give them fragments, not a meal;
What Gellius or Stobaeus hash'd before,
Or chew'd by blind old Scholiasts o'er and o'er.
The critic eye, that microscope of wit,
Sees hairs and pores, examines bit by bit:
How parts relate to parts, or they to whole,
The body's harmony, the beaming soul,
Are things which Kuster, Burman, Wasse shall see,
When man's whole frame is obvious to a
Flea
'Ah, think not, Mistress! more true dulness lies
In Folly's cap, than Wisdom's grave disguise.
Like buoys, that never sink into the flood,
On learning's surface we but lie and nod.
Thine is the genuine head of many a house,
And much Divinity without a Nous.
Nor could a Barrow work on every block,
Nor has one Atterbury spoil'd the flock.
See! still thy own, the heavy canon roll,
And metaphysic smokes involve the pole.
For thee we dim the eyes, and stuff the head
With all such reading as was never read:
For thee explain a thing till all men doubt it,
And write about it, Goddess, and about it:
So spins the silkworm small its slender store,
And labours till it clouds itself all o'er.
'What tho' we let some better sort of fool
Thrid ev'ry science, run through ev'ry school?
Never by tumbler through the hoops was shown
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Such skill in passing all, and touching none.
He may indeed (if sober all this time)
Plague with dispute, or persecute with rhyme.
We only furnish what he cannot use,
Or wed to what he must divorce, a Muse:
Full in the midst of Euclid dip at once,
And petrify a Genius to a Dunce:
Or set on metaphysic ground to prance,
Show all his paces, not a step advance.
With the same cement ever sure to bind,
We bring to one dead level ev'ry mind.
Then take him to develop, if you can,
And hew the block off, and get out the man.
But wherefore waste I words? I see advance
Whore, pupil, and lac'd governor from France.
Walker! our hat' -nor more he deign'd to say,
But, stern as Ajax' spectre, strode away.
In flow'd at once a gay embroider'd race,
And titt'ring push'd the Pedants off the place;
Some would have spoken, but the voice was drown'd
By the French horn, or by the op'ning hound.
The first came forwards, with as easy mien,
As if he saw St. James's and the Queen.
When thus th' attendant Orator begun,
Receive, great Empress! thy accomplish'd Son:
Thine from the birth, and sacred from the rod,
A dauntless infant! never scar'd with God.
The Sire saw, one by one, his Virtues wake:
The Mother begg'd the blessing of a Rake.
Thou gav'st that Ripeness, which so soon began,
And ceas'd so soon, he ne'er was Boy, nor Man,
Thro' School and College, thy kind cloud o'ercast,
Safe and unseen the young AEneas past:
Thence bursting glorious, all at once let down,
Stunn'd with his giddy Larum half the town.
Intrepid then, o'er seas and lands he flew:
Europe he saw, and Europe saw him too.
There all thy gifts and graces we display,
Thou, only thou, directing all our way!
To where the Seine, obsequious as she runs,
Pours at great Bourbon's feet her silken sons;
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Or Tyber, now no longer Roman, rolls,
Vain of Italian Arts, Italian Souls:
To happy Convents, bosom'd deep in vines,
Where slumber Abbots, purple as their wines:
To Isles of fragrance, lilly-silver'd vales,
Diffusing languor in the panting gales:
To lands of singing, or of dancing slaves,
Love-whisp'ring woods, and lute-resounding waves.
But chief her shrine where naked Venus keeps,
And Cupids ride the Lyon of the Deeps;
Where, eas'd of Fleets, the Adriatic main
Wafts the smooth Eunuch and enamour'd swain.
Led by my hand, he saunter'd Europe round,
And gather'd ev'ry Vice on Christian ground;
Saw ev'ry Court, hear'd ev'ry King declare
His royal Sense, of Op'ra's or the Fair;
The Stews and Palace equally explor'd,
Intrigu'd with glory, and with spirit whor'd;
Try'd all hors-d' uvres, all Liqueurs defin'd,
Judicious drank, and greatly-daring din'd;
Dropt the dull lumber of the Latin store,
Spoil'd his own Language, and acquir'd no more;
All Classic learning lost on Classic ground;
And last turn'd Air, the Eccho of a Sound!
See now, half-cur'd, and perfectly well-bred,
With nothing but a Solo in his head;
As much Estate, and Principle, and Wit,
As Jansen, Fleetwood, Cibber shall think fit;
Stol'n from a Duel, follow'd by a Nun,
And, if a Borough chuse him, not undone;
See, to my country happy I restore
This glorious Youth, and add one Venus more.
Her too receive (for her my soul adores)
So may the sons of sons of sons of whores,
Prop thine, O Empress! like each neighbour Throne,
And make a long Posterity thy own.
Pleas'd, she accepts the Hero, and the Dame,
Wraps in her Veil, and frees from sense of Shame.
Then look'd, and saw a lazy, lolling sort,
Unseen at Church, at Senate, or at Court,
Of ever-listless Loit'rers, that attend
No Cause, no Trust, no Duty, and no Friend.
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Thee too, my Paridel! she mark'd thee there,
Stretch'd on the rack of a too easy chair,
And heard thy everlasting yawn confess
The Pains and Penalties of Idleness.
She pity'd! but her Pity only shed
Benigner influence on thy nodding head.
But Annius, crafty Seer, with ebon wand,
And well-dissembl'd Em'rald on his hand,
False as his Gems and canker'd as his Coins,
Came, cramm'd with Capon, from where Pollio dines.
Soft, as the wily Fox is seen to creep,
Where bask on sunny banks the simple sheep,
Walk round and round, now prying here, now there;
So he; but pious, whisper'd first his pray'r.
Grant, gracious Goddess! grant me still to cheat,
O may thy cloud still cover the deceit!
Thy choicer mists on this assembly shed,
But pour them thickest on the noble head.
So shall each youth, assisted by our eyes,
See other C‘sars, other Homers rise;
Thro' twilight ages hunt th'Athenian fowl,
Which Chalcis Gods, and mortals call an Owl,
Now see an Attys, now a Cecrops clear,
Nay, Mahomet! the Pigeon at thine ear;
Be rich in ancient brass, tho' not in gold,
And keep his Lares, tho' his house be sold;
To headless Ph be his fair bride postpone,
Honour a Syrian Prince above his own;
Lord of an Otho, if I vouch it true;
Blest in one Niger, till he knows of two.
Mummius o'erheard him; Mummius, Fool-renown'd,
Who like his Cheops stinks above the ground,
Fierce as a startled Adder, swell'd, and said,
Rattling an ancient Sistrum at his head.
Speak'st thou of Syrian Princes? Traitor base!
Mine, Goddess! mine is all the horned race.
True, he had wit, to make their value rise;
From foolish Greeks to steal them, was as wise;
More glorious yet, from barb'rous hands to keep,
When Sallee Rovers chac'd him on the deep.
Then taught by Hermes, and divinely bold,
Down his own throat he risqu'd the Grecian gold;
200
Receiv'd each Demi-God, with pious care,
Deep in his Entrails — I rever'd them there,
I bought them, shrouded in that living shrine,
And, at their second birth, they issue mine.
Witness great Ammon! by whose horns I swore,
(Reply'd soft Annius) this our paunch before
Still bears them, faithful; and that thus I eat,
Is to refund the Medals with the meat.
To prove me, Goddess! clear of all design,
Bid me with Pollio sup, as well as dine:
There all the Learn'd shall at the labour stand,
And Douglas lend his soft, obstetric hand.
The Goddess smiling seem'd to give consent;
So back to Pollio, hand in hand, they went.
Then thick as Locusts black'ning all the ground,
A tribe, with weeds and shells fantastic crown'd,
Each with some wond'rous gift approach'd the Pow'r,
A Nest, a Toad, a Fungus, or a Flow'r.
But far the foremost, two, with earnest zeal,
And aspect ardent to the Throne appeal.
The first thus open'd: Hear thy suppliant's call,
Great Queen, and common Mother of us all!
Fair from its humble bed I rear'd this Flow'r,
Suckled, and chear'd, with air, and sun, and show'r,
Soft on the paper ruff its leaves I spread,
Bright with the gilded button tipt its head,
Then thron'd in glass, and nam'd it Caroline:
Each Maid cry'd, charming! and each Youth, divine!
Did Nature's pencil ever blend such rays,
Such vary'd light in one promiscuous blaze?
Now prostrate! dead! behold that Caroline:
No Maid cries, charming! and no Youth, divine!
And lo the wretch! whose vile, whose insect lust
Lay'd this gay daughter of the Spring in dust.
Oh punish him, or to th' Elysian shades
Dismiss my soul, where no Carnation fades.
He ceas'd, and wept. With innocence of mien,
Th'Accus'd stood forth, and thus address'd the Queen.
Of all th'enamel'd race, whose silv'ry wing
Waves to the tepid Zephyrs of the spring,
Or swims along the fluid atmosphere,
Once brightest shin'd this child of Heat and Air.
201
I saw, and started from its vernal bow'r
The rising game, and chac'd from flow'r to flow'r.
It fled, I follow'd; now in hope, now pain;
It stopt, I stopt; it mov'd, I mov'd again.
At last it fix'd, 'twas on what plant it pleas'd,
And where it fix'd, the beauteous bird I seiz'd:
Rose or Carnation was below my care;
I meddle, Goddess! only in my sphere.
I tell the naked fact without disguise,
And, to excuse it, need but shew the prize;
Whose spoils this paper offers to your eye,
Fair ev'n in death! this peerless Butterfly.
My sons! (she answer'd) both have done your parts:
Live happy both, and long promote our arts.
But hear a Mother, when she recommends
To your fraternal care, our sleeping friends.
The common Soul, of Heav'n's more frugal make,
Serves but to keep fools pert, and knaves awake:
A drowzy Watchman, that just gives a knock,
And breaks our rest, to tell us what's a clock.
Yet by some object ev'ry brain is stirr'd;
The dull may waken to a Humming-bird;
The most recluse, discreetly open'd, find
Congenial matter in the Cockle-kind;
The mind, in Metaphysics at a loss,
May wander in a wilderness of Moss;
The head that turns at super-lunar things,
Poiz'd with a tail, may steer on Wilkins' wings.
'O! would the sons of men once think their eyes
And reason given them but to study flies !
See Nature in some partial narrow shape,
And let the Author of the Whole escape:
Learn but to trifle; or, who most observe,
To wonder at their Maker, not to serve.'
'Be that my task' (replies a gloomy clerk,
Sworn foe to Myst'ry, yet divinely dark;
Whose pious hope aspires to see the day
When Moral Evidence shall quite decay,
And damns implicit faith, and holy lies,
Prompt to impose, and fond to dogmatize):
'Let others creep by timid steps, and slow,
On plain experience lay foundations low,
202
By common sense to common knowledge bred,
And last, to Nature's Cause through Nature led.
All-seeing in thy mists, we want no guide,
Mother of Arrogance, and Source of Pride!
We nobly take the high Priori Road,
And reason downward, till we doubt of God:
Make Nature still encroach upon his plan;
And shove him off as far as e'er we can:
Thrust some Mechanic Cause into his place;
Or bind in matter, or diffuse in space.
Or, at one bound o'erleaping all his laws,
Make God man's image, man the final Cause,
Find virtue local, all relation scorn
See all in self , and but for self be born:
Of naught so certain as our reason still,
Of naught so doubtful as of soul and will .
Oh hide the God still more! and make us see
Such as Lucretius drew, a god like thee:
Wrapp'd up in self, a god without a thought,
Regardless of our merit or default.
Or that bright image to our fancy draw,
Which Theocles in raptur'd vision saw,
While through poetic scenes the Genius roves,
Or wanders wild in academic groves;
That Nature our society adores,
Where Tindal dictates, and Silenus snores.'
Rous'd at his name up rose the bousy Sire,
And shook from out his pipe the seeds of fire;
Then snapp'd his box, and strok'd his belly down:
Rosy and rev'rend, though without a gown.
Bland and familiar to the throne he came,
Led up the youth, and call'd the Goddess Dame .
Then thus, 'From priestcraft happily set free,
Lo! ev'ry finished Son returns to thee:
First slave to words, then vassal to a name,
Then dupe to party; child and man the same;
Bounded by Nature, narrow'd still by art,
A trifling head, and a contracted heart.
Thus bred, thus taught, how many have I seen,
Smiling on all, and smil'd on by a queen.
Marked out for honours, honour'd for their birth,
203
To thee the most rebellious things on earth:
Now to thy gentle shadow all are shrunk,
All melted down, in pension, or in punk!
So K-- so B-- sneak'd into the grave,
A monarch's half, and half a harlot's slave.
Poor W-- nipp'd in Folly's broadest bloom,
Who praises now? his chaplain on his tomb.
Then take them all, oh take them to thy breast!
Thy Magus , Goddess! shall perform the rest.'
With that, a Wizard old his Cup extends;
Which whoso tastes, forgets his former friends,
Sire, ancestors, himself. One casts his eyes
Up to a Star , and like Endymion dies:
A Feather , shooting from another's head,
Extracts his brain, and principle is fled,
Lost is his God, his country, ev'rything;
And nothing left but homage to a king!
The vulgar herd turn off to roll with hogs,
To run with horses, or to hunt with dogs;
But, sad example! never to escape
Their infamy, still keep the human shape.
But she, good Goddess, sent to ev'ry child
Firm impudence, or stupefaction mild;
And straight succeeded, leaving shame no room,
Cibberian forehead, or Cimmerian gloom.
Kind self-conceit to somewhere glass applies,
Which no one looks in with another's eyes:
But as the flatt'rer or dependant paint,
Beholds himself a patriot, chief, or saint.
On others Int'rest her gay liv'ry flings,
Int'rest that waves on party-colour'd wings:
Turn'd to the sun, she casts a thousand dyes,
And, as she turns, the colours fall or rise.
Others the siren sisters warble round,
And empty heads console with empty sound.
No more, Alas! the voice of Fame they hear,
The balm of Dulness trickling in their ear.
Great C--, H--, P--, R--, K--,
Why all your toils? your Sons have learn'd to sing.
How quick ambition hastes to ridicule!
The sire is made a peer, the son a fool.
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On some, a Priest succinct in amice white
Attends; all flesh is nothing in his sight!
Beeves, at his touch, at once to jelly turn,
And the huge boar is shrunk into an urn:
The board with specious miracles he loads,
Turns hares to larks, and pigeons into toads.
Another (for in all what one can shine?)
Explains the
Seve
and
Verdeur
of the vine.
What cannot copious sacrifice atone?
Thy truffles, Perigord! thy hams, Bayonne!
With French libation, and Italian strain,
Wash Bladen white, and expiate Hays's stain.
Knight lifts the head, for what are crowds undone.
To three essential partridges in one?
Gone ev'ry blush, and silent all reproach,
Contending princes mount them in their coach.
Next, bidding all draw near on bended knees,
The Queen confers her Titles and Degrees .
Her children first of more distinguish'd sort,
Who study Shakespeare at the Inns of Court,
Impale a glowworm, or vertú profess,
Shine in the dignity of F.R.S.
Some, deep Freemasons, join the silent race
Worthy to fill Pythagoras's place:
Some botanists, or florists at the least,
Or issue members of an annual feast.
Nor pass'd the meanest unregarded, one
Rose a Gregorian, one a Gormogon.
The last, not least in honour or applause,
Isis and Cam made Doctors of her Laws.
Then, blessing all, 'Go, Children of my care!
To practice now from theory repair.
All my commands are easy, short, and full:
My sons! be proud, be selfish, and be dull.
Guard my prerogative, assert my throne:
This nod confirms each privilege your own.
The cap and switch be sacred to his Grace;
205
With staff and pumps the Marquis lead the race;
From stage to stage the licens'd Earl may run,
Pair'd with his fellow charioteer the sun;
The learned Baron butterflies design,
Or draw to silk Arachne's subtle line;
The Judge to dance his brother Sergeant call;
The Senator at cricket urge the ball;
The Bishop stow (pontific luxury!)
An hundred souls of turkeys in a pie;
The sturdy Squire to Gallic masters stoop,
And drown his lands and manors in a soupe .
Others import yet nobler arts from France,
Teach kings to fiddle, and make senates dance.
Perhaps more high some daring son may soar,
Proud to my list to add one monarch more;
And nobly conscious, princes are but things
Born for first ministers, as slaves for kings,
Tyrant supreme! shall three Estates command,
And make one mighty Dunciad of the Land!
More she had spoke, but yawn'd-All Nature nods:
What mortal can resist the yawn of gods?
Churches and Chapels instantly it reach'd;
(St. James's first, for leaden Gilbert preach'd)
Then catch'd the schools; the Hall scarce kept awake;
The Convocation gap'd, but could not speak:
Lost was the nation's sense, nor could be found,
While the long solemn unison went round:
Wide, and more wide, it spread o'er all the realm;
Even Palinurus nodded at the helm:
The vapour mild o'er each committee crept;
Unfinish'd treaties in each office slept;
And chiefless armies doz'd out the campaign;
And navies yawn'd for orders on the main.
O Muse! relate (for you can tell alone,
Wits have short memories, and Dunces none),
Relate, who first, who last resign'd to rest;
Whose heads she partly, whose completely blest;
What charms could faction, what ambition lull,
The venal quiet, and entrance the dull;
Till drown'd was sense, and shame, and right, and wrongO sing, and hush the nations with thy song!
206
In vain, in vain-the all-composing hour
Resistless falls: The Muse obeys the Pow'r.
She comes! she comes! the sable throne behold
Of Night primeval, and of Chaos old!
Before her, Fancy's gilded clouds decay,
And all its varying rainbows die away.
Wit shoots in vain its momentary fires,
The meteor drops, and in a flash expires.
As one by one, at dread Medea's strain,
The sick'ning stars fade off th' ethereal plain;
As Argus' eyes by Hermes' wand oppress'd,
Clos'd one by one to everlasting rest;
Thus at her felt approach, and secret might,
Art after Art goes out, and all is Night.
See skulking Truth to her old cavern fled,
Mountains of Casuistry heap'd o'er her head!
Philosophy, that lean'd on Heav'n before,
Shrinks to her second cause, and is no more.
Physic of Metaphysic begs defence,
And Metaphysic calls for aid on Sense !
See Mystery to Mathematics fly!
In vain! they gaze, turn giddy, rave, and die.
Religion blushing veils her sacred fires,
And unawares Morality expires.
Nor public Flame, nor private , dares to shine;
Nor human Spark is left, nor Glimpse divine !
Lo! thy dread Empire, Chaos! is restor'd;
Light dies before thy uncreating word:
Thy hand, great Anarch! lets the curtain fall;
And universal Darkness buries All.
~ Alexander Pope,
1187:Pickthorn Manor
How fresh the Dartle's little waves that day!
A steely silver, underlined with blue,
And flashing where the round clouds, blown away,
Let drop the yellow sunshine to gleam through
And tip the edges of the waves with shifts
And spots of whitest fire, hard like gems
Cut from the midnight moon they were, and sharp
As wind through leafless stems.
The Lady Eunice walked between the drifts
Of blooming cherry-trees, and watched the rifts
Of clouds drawn through the river's azure warp.
II
Her little feet tapped softly down the path.
Her soul was listless; even the morning breeze
Fluttering the trees and strewing a light swath
Of fallen petals on the grass, could please
Her not at all. She brushed a hair aside
With a swift move, and a half-angry frown.
She stopped to pull a daffodil or two,
And held them to her gown
To test the colours; put them at her side,
Then at her breast, then loosened them and tried
Some new arrangement, but it would not do.
III
A lady in a Manor-house, alone,
Whose husband is in Flanders with the Duke
Of Marlborough and Prince Eugene, she's grown
Too apathetic even to rebuke
Her idleness. What is she on this Earth?
No woman surely, since she neither can
Be wed nor single, must not let her mind
Build thoughts upon a man
Except for hers. Indeed that were no dearth
174
Were her Lord here, for well she knew his worth,
And when she thought of him her eyes were kind.
IV
Too lately wed to have forgot the wooing.
Too unaccustomed as a bride to feel
Other than strange delight at her wife's doing.
Even at the thought a gentle blush would steal
Over her face, and then her lips would frame
Some little word of loving, and her eyes
Would brim and spill their tears, when all they saw
Was the bright sun, slantwise
Through burgeoning trees, and all the morning's flame
Burning and quivering round her. With quick shame
She shut her heart and bent before the law.
He was a soldier, she was proud of that.
This was his house and she would keep it well.
His honour was in fighting, hers in what
He'd left her here in charge of. Then a spell
Of conscience sent her through the orchard spying
Upon the gardeners. Were their tools about?
Were any branches broken? Had the weeds
Been duly taken out
Under the 'spaliered pears, and were these lying
Nailed snug against the sunny bricks and drying
Their leaves and satisfying all their needs?
VI
She picked a stone up with a little pout,
Stones looked so ill in well-kept flower-borders.
Where should she put it? All the paths about
Were strewn with fair, red gravel by her orders.
No stone could mar their sifted smoothness. So
She hurried to the river. At the edge
She stood a moment charmed by the swift blue
Beyond the river sedge.
She watched it curdling, crinkling, and the snow
175
Purfled upon its wave-tops. Then, 'Hullo,
My Beauty, gently, or you'll wriggle through.'
VII
The Lady Eunice caught a willow spray
To save herself from tumbling in the shallows
Which rippled to her feet. Then straight away
She peered down stream among the budding sallows.
A youth in leather breeches and a shirt
Of finest broidered lawn lay out upon
An overhanging bole and deftly swayed
A well-hooked fish which shone
In the pale lemon sunshine like a spurt
Of silver, bowed and damascened, and girt
With crimson spots and moons which waned and played.
VIII
The fish hung circled for a moment, ringed
And bright; then flung itself out, a thin blade
Of spotted lightning, and its tail was winged
With chipped and sparkled sunshine. And the shade
Broke up and splintered into shafts of light
Wheeling about the fish, who churned the air
And made the fish-line hum, and bent the rod
Almost to snapping. Care
The young man took against the twigs, with slight,
Deft movements he kept fish and line in tight
Obedience to his will with every prod.
IX
He lay there, and the fish hung just beyond.
He seemed uncertain what more he should do.
He drew back, pulled the rod to correspond,
Tossed it and caught it; every time he threw,
He caught it nearer to the point. At last
The fish was near enough to touch. He paused.
Eunice knew well the craft - 'What's got the thing!'
She cried. 'What can have caused Where is his net? The moment will be past.
176
The fish will wriggle free.' She stopped aghast.
He turned and bowed. One arm was in a sling.
The broad, black ribbon she had thought his basket
Must hang from, held instead a useless arm.
'I do not wonder, Madam, that you ask it.'
He smiled, for she had spoke aloud. 'The charm
Of trout fishing is in my eyes enhanced
When you must play your fish on land as well.'
'How will you take him?' Eunice asked. 'In truth
I really cannot tell.
'Twas stupid of me, but it simply chanced
I never thought of that until he glanced
Into the branches. 'Tis a bit uncouth.'
XI
He watched the fish against the blowing sky,
Writhing and glittering, pulling at the line.
'The hook is fast, I might just let him die,'
He mused. 'But that would jar against your fine
Sense of true sportsmanship, I know it would,'
Cried Eunice. 'Let me do it.' Swift and light
She ran towards him. 'It is so long now
Since I have felt a bite,
I lost all heart for everything.' She stood,
Supple and strong, beside him, and her blood
Tingled her lissom body to a glow.
XII
She quickly seized the fish and with a stone
Ended its flurry, then removed the hook,
Untied the fly with well-poised fingers. Done,
She asked him where he kept his fishing-book.
He pointed to a coat flung on the ground.
She searched the pockets, found a shagreen case,
Replaced the fly, noticed a golden stamp
Filling the middle space.
Two letters half rubbed out were there, and round
177
About them gay rococo flowers wound
And tossed a spray of roses to the clamp.
XIII
The Lady Eunice puzzled over these.
'G. D.' the young man gravely said. 'My name
Is Gervase Deane. Your servant, if you please.'
'Oh, Sir, indeed I know you, for your fame
For exploits in the field has reached my ears.
I did not know you wounded and returned.'
'But just come back, Madam. A silly prick
To gain me such unearned
Holiday making. And you, it appears,
Must be Sir Everard's lady. And my fears
At being caught a-trespassing were quick.'
XIV
He looked so rueful that she laughed out loud.
'You are forgiven, Mr. Deane. Even more,
I offer you the fishing, and am proud
That you should find it pleasant from this shore.
Nobody fishes now, my husband used
To angle daily, and I too with him.
He loved the spotted trout, and pike, and dace.
He even had a whim
That flies my fingers tied swiftly confused
The greater fish. And he must be excused,
Love weaves odd fancies in a lonely place.'
XV
She sighed because it seemed so long ago,
Those days with Everard; unthinking took
The path back to the orchard. Strolling so
She walked, and he beside her. In a nook
Where a stone seat withdrew beneath low boughs,
Full-blossomed, hummed with bees, they sat them down.
She questioned him about the war, the share
Her husband had, and grown
Eager by his clear answers, straight allows
178
Her hidden hopes and fears to speak, and rouse
Her numbed love, which had slumbered unaware.
XVI
Under the orchard trees daffodils danced
And jostled, turning sideways to the wind.
A dropping cherry petal softly glanced
Over her hair, and slid away behind.
At the far end through twisted cherry-trees
The old house glowed, geranium-hued, with bricks
Bloomed in the sun like roses, low and long,
Gabled, and with quaint tricks
Of chimneys carved and fretted. Out of these
Grey smoke was shaken, which the faint Spring breeze
Tossed into nothing. Then a thrush's song
XVII
Needled its way through sound of bees and river.
The notes fell, round and starred, between young leaves,
Trilled to a spiral lilt, stopped on a quiver.
The Lady Eunice listens and believes.
Gervase has many tales of her dear Lord,
His bravery, his knowledge, his charmed life.
She quite forgets who's speaking in the gladness
Of being this man's wife.
Gervase is wounded, grave indeed, the word
Is kindly said, but to a softer chord
She strings her voice to ask with wistful sadness,
XVIII
'And is Sir Everard still unscathed? I fain
Would know the truth.' 'Quite well, dear Lady, quite.'
She smiled in her content. 'So many slain,
You must forgive me for a little fright.'
And he forgave her, not alone for that,
But because she was fingering his heart,
Pressing and squeezing it, and thinking so
Only to ease her smart
Of painful, apprehensive longing. At
179
Their feet the river swirled and chucked. They sat
An hour there. The thrush flew to and fro.
XIX
The Lady Eunice supped alone that day,
As always since Sir Everard had gone,
In the oak-panelled parlour, whose array
Of faded portraits in carved mouldings shone.
Warriors and ladies, armoured, ruffed, peruked.
Van Dykes with long, slim fingers; Holbeins, stout
And heavy-featured; and one Rubens dame,
A peony just burst out,
With flaunting, crimson flesh. Eunice rebuked
Her thoughts of gentler blood, when these had duked
It with the best, and scorned to change their name.
XX
A sturdy family, and old besides,
Much older than her own, the Earls of Crowe.
Since Saxon days, these men had sought their brides
Among the highest born, but always so,
Taking them to themselves, their wealth, their lands,
But never their titles. Stern perhaps, but strong,
The Framptons fed their blood from richest streams,
Scorning the common throng.
Gazing upon these men, she understands
The toughness of the web wrought from such strands
And pride of Everard colours all her dreams.
XXI
Eunice forgets to eat, watching their faces
Flickering in the wind-blown candle's shine.
Blue-coated lackeys tiptoe to their places,
And set out plates of fruit and jugs of wine.
The table glitters black like Winter ice.
The Dartle's rushing, and the gentle clash
Of blossomed branches, drifts into her ears.
And through the casement sash
She sees each cherry stem a pointed slice
180
Of splintered moonlight, topped with all the spice
And shimmer of the blossoms it uprears.
XXII
'In such a night -' she laid the book aside,
She could outnight the poet by thinking back.
In such a night she came here as a bride.
The date was graven in the almanack
Of her clasped memory. In this very room
Had Everard uncloaked her. On this seat
Had drawn her to him, bade her note the trees,
How white they were and sweet
And later, coming to her, her dear groom,
Her Lord, had lain beside her in the gloom
Of moon and shade, and whispered her to ease.
XXIII
Her little taper made the room seem vast,
Caverned and empty. And her beating heart
Rapped through the silence all about her cast
Like some loud, dreadful death-watch taking part
In this sad vigil. Slowly she undrest,
Put out the light and crept into her bed.
The linen sheets were fragrant, but so cold.
And brimming tears she shed,
Sobbing and quivering in her barren nest,
Her weeping lips into the pillow prest,
Her eyes sealed fast within its smothering fold.
XXIV
The morning brought her a more stoic mind,
And sunshine struck across the polished floor.
She wondered whether this day she should find
Gervase a-fishing, and so listen more,
Much more again, to all he had to tell.
And he was there, but waiting to begin
Until she came. They fished awhile, then went
To the old seat within
The cherry's shade. He pleased her very well
181
By his discourse. But ever he must dwell
Upon Sir Everard. Each incident
XXV
Must be related and each term explained.
How troops were set in battle, how a siege
Was ordered and conducted. She complained
Because he bungled at the fall of Liege.
The curious names of parts of forts she knew,
And aired with conscious pride her ravelins,
And counterscarps, and lunes. The day drew on,
And his dead fish's fins
In the hot sunshine turned a mauve-green hue.
At last Gervase, guessing the hour, withdrew.
But she sat long in still oblivion.
XXVI
Then he would bring her books, and read to her
The poems of Dr. Donne, and the blue river
Would murmur through the reading, and a stir
Of birds and bees make the white petals shiver,
And one or two would flutter prone and lie
Spotting the smooth-clipped grass. The days went by
Threaded with talk and verses. Green leaves pushed
Through blossoms stubbornly.
Gervase, unconscious of dishonesty,
Fell into strong and watchful loving, free
He thought, since always would his lips be hushed.
XXVII
But lips do not stay silent at command,
And Gervase strove in vain to order his.
Luckily Eunice did not understand
That he but read himself aloud, for this
Their friendship would have snapped. She treated him
And spoilt him like a brother. It was now
'Gervase' and 'Eunice' with them, and he dined
Whenever she'd allow,
In the oak parlour, underneath the dim
182
Old pictured Framptons, opposite her slim
Figure, so bright against the chair behind.
XXVIII
Eunice was happier than she had been
For many days, and yet the hours were long.
All Gervase told to her but made her lean
More heavily upon the past. Among
Her hopes she lived, even when she was giving
Her morning orders, even when she twined
Nosegays to deck her parlours. With the thought
Of Everard, her mind
Solaced its solitude, and in her striving
To do as he would wish was all her living.
She welcomed Gervase for the news he brought.
XXIX
Black-hearts and white-hearts, bubbled with the sun,
Hid in their leaves and knocked against each other.
Eunice was standing, panting with her run
Up to the tool-house just to get another
Basket. All those which she had brought were filled,
And still Gervase pelted her from above.
The buckles of his shoes flashed higher and higher
Until his shoulders strove
Quite through the top. 'Eunice, your spirit's filled
This tree. White-hearts!' He shook, and cherries spilled
And spat out from the leaves like falling fire.
XXX
The wide, sun-winged June morning spread itself
Over the quiet garden. And they packed
Full twenty baskets with the fruit. 'My shelf
Of cordials will be stored with what it lacked.
In future, none of us will drink strong ale,
But cherry-brandy.' 'Vastly good, I vow,'
And Gervase gave the tree another shake.
The cherries seemed to flow
Out of the sky in cloudfuls, like blown hail.
183
Swift Lady Eunice ran, her farthingale,
Unnoticed, tangling in a fallen rake.
XXXI
She gave a little cry and fell quite prone
In the long grass, and lay there very still.
Gervase leapt from the tree at her soft moan,
And kneeling over her, with clumsy skill
Unloosed her bodice, fanned her with his hat,
And his unguarded lips pronounced his heart.
'Eunice, my Dearest Girl, where are you hurt?'
His trembling fingers dart
Over her limbs seeking some wound. She strove
To answer, opened wide her eyes, above
Her knelt Sir Everard, with face alert.
XXXII
Her eyelids fell again at that sweet sight,
'My Love!' she murmured, 'Dearest! Oh, my Dear!'
He took her in his arms and bore her right
And tenderly to the old seat, and 'Here
I have you mine at last,' she said, and swooned
Under his kisses. When she came once more
To sight of him, she smiled in comfort knowing
Herself laid as before
Close covered on his breast. And all her glowing
Youth answered him, and ever nearer growing
She twined him in her arms and soft festooned
XXXIII
Herself about him like a flowering vine,
Drawing his lips to cling upon her own.
A ray of sunlight pierced the leaves to shine
Where her half-opened bodice let be shown
Her white throat fluttering to his soft caress,
Half-gasping with her gladness. And her pledge
She whispers, melting with delight. A twig
Snaps in the hornbeam hedge.
A cackling laugh tears through the quietness.
184
Eunice starts up in terrible distress.
'My God! What's that?' Her staring eyes are big.
XXXIV
Revulsed emotion set her body shaking
As though she had an ague. Gervase swore,
Jumped to his feet in such a dreadful taking
His face was ghastly with the look it wore.
Crouching and slipping through the trees, a man
In worn, blue livery, a humpbacked thing,
Made off. But turned every few steps to gaze
At Eunice, and to fling
Vile looks and gestures back. 'The ruffian!
By Christ's Death! I will split him to a span
Of hog's thongs.' She grasped at his sleeve, 'Gervase!
XXXV
What are you doing here? Put down that sword,
That's only poor old Tony, crazed and lame.
We never notice him. With my dear Lord
I ought not to have minded that he came.
But, Gervase, it surprises me that you
Should so lack grace to stay here.' With one hand
She held her gaping bodice to conceal
Her breast. 'I must demand
Your instant absence. Everard, but new
Returned, will hardly care for guests. Adieu.'
'Eunice, you're mad.' His brain began to reel.
XXXVI
He tried again to take her, tried to twist
Her arms about him. Truly, she had said
Nothing should ever part them. In a mist
She pushed him from her, clasped her aching head
In both her hands, and rocked and sobbed aloud.
'Oh! Where is Everard? What does this mean?
So lately come to leave me thus alone!'
185
But Gervase had not seen
Sir Everard. Then, gently, to her bowed
And sickening spirit, he told of her proud
Surrender to him. He could hear her moan.
XXXVII
Then shame swept over her and held her numb,
Hiding her anguished face against the seat.
At last she rose, a woman stricken - dumb And trailed away with slowly-dragging feet.
Gervase looked after her, but feared to pass
The barrier set between them. All his rare
Joy broke to fragments - worse than that, unreal.
And standing lonely there,
His swollen heart burst out, and on the grass
He flung himself and wept. He knew, alas!
The loss so great his life could never heal.
XXXVIII
For days thereafter Eunice lived retired,
Waited upon by one old serving-maid.
She would not leave her chamber, and desired
Only to hide herself. She was afraid
Of what her eyes might trick her into seeing,
Of what her longing urge her then to do.
What was this dreadful illness solitude
Had tortured her into?
Her hours went by in a long constant fleeing
The thought of that one morning. And her being
Bruised itself on a happening so rude.
XXXIX
It grew ripe Summer, when one morning came
Her tirewoman with a letter, printed
Upon the seal were the Deane crest and name.
With utmost gentleness, the letter hinted
His understanding and his deep regret.
But would she not permit him once again
To pay her his profound respects? No word
186
Of what had passed should pain
Her resolution. Only let them get
Back the old comradeship. Her eyes were wet
With starting tears, now truly she deplored
XL
His misery. Yes, she was wrong to keep
Away from him. He hardly was to blame.
'Twas she - she shuddered and began to weep.
'Twas her fault! Hers! Her everlasting shame
Was that she suffered him, whom not at all
She loved. Poor Boy! Yes, they must still be friends.
She owed him that to keep the balance straight.
It was such poor amends
Which she could make for rousing hopes to gall
Him with their unfulfilment. Tragical
It was, and she must leave him desolate.
XLI
Hard silence he had forced upon his lips
For long and long, and would have done so still
Had not she - here she pressed her finger tips
Against her heavy eyes. Then with forced will
She wrote that he might come, sealed with the arms
Of Crowe and Frampton twined. Her heart felt lighter
When this was done. It seemed her constant care
Might some day cease to fright her.
Illness could be no crime, and dreadful harms
Did come from too much sunshine. Her alarms
Would lessen when she saw him standing there,
XLII
Simple and kind, a brother just returned
From journeying, and he would treat her so.
She knew his honest heart, and if there burned
A spark in it he would not let it show.
But when he really came, and stood beside
Her underneath the fruitless cherry boughs,
He seemed a tired man, gaunt, leaden-eyed.
187
He made her no more vows,
Nor did he mention one thing he had tried
To put into his letter. War supplied
Him topics. And his mind seemed occupied.
XLIII
Daily they met. And gravely walked and talked.
He read her no more verses, and he stayed
Only until their conversation, balked
Of every natural channel, fled dismayed.
Again the next day she would meet him, trying
To give her tone some healthy sprightliness,
But his uneager dignity soon chilled
Her well-prepared address.
Thus Summer waned, and in the mornings, crying
Of wild geese startled Eunice, and their flying
Whirred overhead for days and never stilled.
XLIV
One afternoon of grey clouds and white wind,
Eunice awaited Gervase by the river.
The Dartle splashed among the reeds and whined
Over the willow-roots, and a long sliver
Of caked and slobbered foam crept up the bank.
All through the garden, drifts of skirling leaves
Blew up, and settled down, and blew again.
The cherry-trees were weaves
Of empty, knotted branches, and a dank
Mist hid the house, mouldy it smelt and rank
With sodden wood, and still unfalling rain.
XLV
Eunice paced up and down. No joy she took
At meeting Gervase, but the custom grown
Still held her. He was late. She sudden shook,
And caught at her stopped heart. Her eyes had shown
Sir Everard emerging from the mist.
His uniform was travel-stained and torn,
His jackboots muddy, and his eager stride
188
Jangled his spurs. A thorn
Entangled, trailed behind him. To the tryst
He hastened. Eunice shuddered, ran - a twist
Round a sharp turning and she fled to hide.
XLVI
But he had seen her as she swiftly ran,
A flash of white against the river's grey.
'Eunice,' he called. 'My Darling. Eunice. Can
You hear me? It is Everard. All day
I have been riding like the very devil
To reach you sooner. Are you startled, Dear?'
He broke into a run and followed her,
And caught her, faint with fear,
Cowering and trembling as though she some evil
Spirit were seeing. 'What means this uncivil
Greeting, Dear Heart?' He saw her senses blur.
XLVII
Swaying and catching at the seat, she tried
To speak, but only gurgled in her throat.
At last, straining to hold herself, she cried
To him for pity, and her strange words smote
A coldness through him, for she begged Gervase
To leave her, 'twas too much a second time.
Gervase must go, always Gervase, her mind
Repeated like a rhyme
This name he did not know. In sad amaze
He watched her, and that hunted, fearful gaze,
So unremembering and so unkind.
XLVIII
Softly he spoke to her, patiently dealt
With what he feared her madness. By and by
He pierced her understanding. Then he knelt
Upon the seat, and took her hands: 'Now try
To think a minute I am come, my Dear,
Unharmed and back on furlough. Are you glad
To have your lover home again? To me,
189
Pickthorn has never had
A greater pleasantness. Could you not bear
To come and sit awhile beside me here?
A stone between us surely should not be.'
XLIX
She smiled a little wan and ravelled smile,
Then came to him and on his shoulder laid
Her head, and they two rested there awhile,
Each taking comfort. Not a word was said.
But when he put his hand upon her breast
And felt her beating heart, and with his lips
Sought solace for her and himself. She started
As one sharp lashed with whips,
And pushed him from her, moaning, his dumb quest
Denied and shuddered from. And he, distrest,
Loosened his wife, and long they sat there, parted.
Eunice was very quiet all that day,
A little dazed, and yet she seemed content.
At candle-time, he asked if she would play
Upon her harpsichord, at once she went
And tinkled airs from Lully's `Carnival'
And `Bacchus', newly brought away from France.
Then jaunted through a lively rigadoon
To please him with a dance
By Purcell, for he said that surely all
Good Englishmen had pride in national
Accomplishment. But tiring of it soon
LI
He whispered her that if she had forgiven
His startling her that afternoon, the clock
Marked early bed-time. Surely it was Heaven
He entered when she opened to his knock.
The hours rustled in the trailing wind
Over the chimney. Close they lay and knew
Only that they were wedded. At his touch
190
Anxiety she threw
Away like a shed garment, and inclined
Herself to cherish him, her happy mind
Quivering, unthinking, loving overmuch.
LII
Eunice lay long awake in the cool night
After her husband slept. She gazed with joy
Into the shadows, painting them with bright
Pictures of all her future life's employ.
Twin gems they were, set to a single jewel,
Each shining with the other. Soft she turned
And felt his breath upon her hair, and prayed
Her happiness was earned.
Past Earls of Crowe should give their blood for fuel
To light this Frampton's hearth-fire. By no cruel
Affrightings would she ever be dismayed.
LIII
When Everard, next day, asked her in joke
What name it was that she had called him by,
She told him of Gervase, and as she spoke
She hardly realized it was a lie.
Her vision she related, but she hid
The fondness into which she had been led.
Sir Everard just laughed and pinched her ear,
And quite out of her head
The matter drifted. Then Sir Everard chid
Himself for laziness, and off he rid
To see his men and count his farming-gear.
LIV
At supper he seemed overspread with gloom,
But gave no reason why, he only asked
More questions of Gervase, and round the room
He walked with restless strides. At last he tasked
Her with a greater feeling for this man
Than she had given. Eunice quick denied
The slightest interest other than a friend
191
Might claim. But he replied
He thought she underrated. Then a ban
He put on talk and music. He'd a plan
To work at, draining swamps at Pickthorn End.
LV
Next morning Eunice found her Lord still changed,
Hard and unkind, with bursts of anger. Pride
Kept him from speaking out. His probings ranged
All round his torment. Lady Eunice tried
To sooth him. So a week went by, and then
His anguish flooded over; with clenched hands
Striving to stem his words, he told her plain
Tony had seen them, 'brands
Burning in Hell,' the man had said. Again
Eunice described her vision, and how when
Awoke at last she had known dreadful pain.
LVI
He could not credit it, and misery fed
Upon his spirit, day by day it grew.
To Gervase he forbade the house, and led
The Lady Eunice such a life she flew
At his approaching footsteps. Winter came
Snowing and blustering through the Manor trees.
All the roof-edges spiked with icicles
In fluted companies.
The Lady Eunice with her tambour-frame
Kept herself sighing company. The flame
Of the birch fire glittered on the walls.
LVII
A letter was brought to her as she sat,
Unsealed, unsigned. It told her that his wound,
The writer's, had so well recovered that
To join his regiment he felt him bound.
But would she not wish him one short 'Godspeed',
He asked no more. Her greeting would suffice.
He had resolved he never should return.
192
Would she this sacrifice
Make for a dying man? How could she read
The rest! But forcing her eyes to the deed,
She read. Then dropped it in the fire to burn.
LVIII
Gervase had set the river for their meeting
As farthest from the farms where Everard
Spent all his days. How should he know such cheating
Was quite expected, at least no dullard
Was Everard Frampton. Hours by hours he hid
Among the willows watching. Dusk had come,
And from the Manor he had long been gone.
Eunice her burdensome
Task set about. Hooded and cloaked, she slid
Over the slippery paths, and soon amid
The sallows saw a boat tied to a stone.
LIX
Gervase arose, and kissed her hand, then pointed
Into the boat. She shook her head, but he
Begged her to realize why, and with disjointed
Words told her of what peril there might be
From listeners along the river bank.
A push would take them out of earshot. Ten
Minutes was all he asked, then she should land,
He go away again,
Forever this time. Yet how could he thank
Her for so much compassion. Here she sank
Upon a thwart, and bid him quick unstrand
LX
His boat. He cast the rope, and shoved the keel
Free of the gravel; jumped, and dropped beside
Her; took the oars, and they began to steal
Under the overhanging trees. A wide
Gash of red lantern-light cleft like a blade
Into the gloom, and struck on Eunice sitting
Rigid and stark upon the after thwart.
193
It blazed upon their flitting
In merciless light. A moment so it stayed,
Then was extinguished, and Sir Everard made
One leap, and landed just a fraction short.
LXI
His weight upon the gunwale tipped the boat
To straining balance. Everard lurched and seized
His wife and held her smothered to his coat.
'Everard, loose me, we shall drown -' and squeezed
Against him, she beat with her hands. He gasped
'Never, by God!' The slidden boat gave way
And the black foamy water split - and met.
Bubbled up through the spray
A wailing rose and in the branches rasped,
And creaked, and stilled. Over the treetops, clasped
In the blue evening, a clear moon was set.
LXII
They lie entangled in the twisting roots,
Embraced forever. Their cold marriage bed
Close-canopied and curtained by the shoots
Of willows and pale birches. At the head,
White lilies, like still swans, placidly float
And sway above the pebbles. Here are waves
Sun-smitten for a threaded counterpane
Gold-woven on their graves.
In perfect quietness they sleep, remote
In the green, rippled twilight. Death has smote
Them to perpetual oneness who were twain.
~ Amy Lowell,
1188:Beachy Head
ON thy stupendous summit, rock sublime !
That o'er the channel rear'd, half way at sea
The mariner at early morning hails,
I would recline; while Fancy should go forth,
And represent the strange and awful hour
Of vast concussion; when the Omnipotent
Stretch'd forth his arm, and rent the solid hills,
Bidding the impetuous main flood rush between
The rifted shores, and from the continent
Eternally divided this green isle.
Imperial lord of the high southern coast !
From thy projecting head-land I would mark
Far in the east the shades of night disperse,
Melting and thinned, as from the dark blue wave
Emerging, brilliant rays of arrowy light
Dart from the horizon; when the glorious sun
Just lifts above it his resplendent orb.
Advances now, with feathery silver touched,
The rippling tide of flood; glisten the sands,
While, inmates of the chalky clefts that scar
Thy sides precipitous, with shrill harsh cry,
Their white wings glancing in the level beam,
The terns, and gulls, and tarrocks, seek their food,
And thy rough hollows echo to the voice
Of the gray choughs, and ever restless daws,
With clamour, not unlike the chiding hounds,
While the lone shepherd, and his baying dog,
Drive to thy turfy crest his bleating flock.
The high meridian of the day is past,
And Ocean now, reflecting the calm Heaven,
Is of cerulean hue; and murmurs low
The tide of ebb, upon the level sands.
The sloop, her angular canvas shifting still,
Catches the light and variable airs
That but a little crisp the summer sea.
Dimpling its tranquil surface.
Afar off,
17
And just emerging from the arch immense
Where seem to part the elements, a fleet
Of fishing vessels stretch their lesser sails;
While more remote, and like a dubious spot
Just hanging in the horizon, laden deep,
The ship of commerce richly freighted, makes
Her slower progress, on her distant voyage,
Bound to the orient climates, where the sun
Matures the spice within its odorous shell,
And, rivalling the gray worm's filmy toil,
Bursts from its pod the vegetable down;
Which in long turban'd wreaths, from torrid heat
Defends the brows of Asia's countless casts.
There the Earth hides within her glowing breast
The beamy adamant, and the round pearl
Enchased in rugged covering; which the slave,
With perilous and breathless toil, tears off
From the rough sea-rock, deep beneath the waves.
These are the toys of Nature; and her sport
Of little estimate in Reason's eye:
And they who reason, with abhorrence see
Man, for such gaudes and baubles, violate
The sacred freedom of his fellow man­
Erroneous estimate ! As Heaven's pure air,
Fresh as it blows on this aërial height,
Or sound of seas upon the stony strand,
Or inland, the gay harmony of birds,
And winds that wander in the leafy woods;
Are to the unadulterate taste more worth
Than the elaborate harmony, brought out
From fretted stop, or modulated airs
Of vocal science.­So the brightest gems,
Glancing resplendent on the regal crown,
Or trembling in the high born beauty's ear,
Are poor and paltry, to the lovely light
Of the fair star, that as the day declines,
Attendant on her queen, the crescent moon,
Bathes her bright tresses in the eastern wave.
For now the sun is verging to the sea,
18
And as he westward sinks, the floating clouds
Suspended, move upon the evening gale,
And gathering round his orb, as if to shade
The insufferable brightness, they resign
Their gauzy whiteness; and more warm'd, assume
All hues of purple. There, transparent gold
Mingles with ruby tints, and sapphire gleams,
And colours, such as Nature through her works
Shews only in the ethereal canopy.
Thither aspiring Fancy fondly soars,
Wandering sublime thro' visionary vales,
Where bright pavilions rise, and trophies, fann'd
By airs celestial; and adorn'd with wreaths
Of flowers that bloom amid elysian bowers.
Now bright, and brighter still the colours glow,
Till half the lustrous orb within the flood
Seems to retire: the flood reflecting still
Its splendor, and in mimic glory drest;
Till the last ray shot upward, fires the clouds
With blazing crimson; then in paler light,
Long lines of tenderer radiance, lingering yield
To partial darkness; and on the opposing side
The early moon distinctly rising, throws
Her pearly brilliance on the trembling tide.
The fishermen, who at set seasons pass
Many a league off at sea their toiling night,
Now hail their comrades, from their daily task
Returning; and make ready for their own,
With the night tide commencing:­The night tide
Bears a dark vessel on, whose hull and sails
Mark her a coaster from the north. Her keel
Now ploughs the sand; and sidelong now she leans,
While with loud clamours her athletic crew
Unload her; and resounds the busy hum
Along the wave-worn rocks. Yet more remote,
Where the rough cliff hangs beetling o'er its base,
All breathes repose; the water's rippling sound
Scarce heard; but now and then the sea-snipe's cry
Just tells that something living is abroad;
And sometimes crossing on the moonbright line,
19
Glimmers the skiff, faintly discern'd awhile,
Then lost in shadow.
Contemplation here,
High on her throne of rock, aloof may sit,
And bid recording Memory unfold
Her scroll voluminous­bid her retrace
The period, when from Neustria's hostile shore
The Norman launch'd his galleys, and the bay
O'er which that mass of ruin frowns even now
In vain and sullen menace, then received
The new invaders; a proud martial race,
Of Scandinavia the undaunted sons,
Whom Dogon, Fier-a-bras, and Humfroi led
To conquest: while Trinacria to their power
Yielded her wheaten garland; and when thou,
Parthenope ! within thy fertile bay
Receiv'd the victors­
In the mailed ranks
Of Normans landing on the British coast
Rode Taillefer; and with astounding voice
Thunder'd the war song daring Roland sang
First in the fierce contention: vainly brave,
One not inglorious struggle England made­
But failing, saw the Saxon heptarchy
Finish for ever.­Then the holy pile,
Yet seen upon the field of conquest, rose,
Where to appease heaven's wrath for so much blood,
The conqueror bade unceasing prayers ascend,
And requiems for the slayers and the slain.
But let not modern Gallia form from hence
Presumptuous hopes, that ever thou again,
Queen of the isles ! shalt crouch to foreign arms.
The enervate sons of Italy may yield;
And the Iberian, all his trophies torn
And wrapp'd in Superstition's monkish weed,
May shelter his abasement, and put on
Degrading fetters. Never, never thou !
Imperial mistress of the obedient sea;
But thou, in thy integrity secure,
20
Shalt now undaunted meet a world in arms.
England ! 'twas where this promontory rears
Its rugged brow above the channel wave,
Parting the hostile nations, that thy fame,
Thy naval fame was tarnish'd, at what time
Thou, leagued with the Batavian, gavest to France
One day of triumph­triumph the more loud,
Because even then so rare. Oh ! well redeem'd,
Since, by a series of illustrious men,
Such as no other country ever rear'd,
To vindicate her cause. It is a list
Which, as Fame echoes it, blanches the cheek
Of bold Ambition; while the despot feels
The extorted sceptre tremble in his grasp.
From even the proudest roll by glory fill'd,
How gladly the reflecting mind returns
To simple scenes of peace and industry,
Where, bosom'd in some valley of the hills
Stands the lone farm; its gate with tawny ricks
Surrounded, and with granaries and sheds,
Roof'd with green mosses, and by elms and ash
Partially shaded; and not far remov'd
The hut of sea-flints built; the humble home
Of one, who sometimes watches on the heights,
When hid in the cold mist of passing clouds,
The flock, with dripping fleeces, are dispers'd
O'er the wide down; then from some ridged point
That overlooks the sea, his eager eye
Watches the bark that for his signal waits
To land its merchandize:­Quitting for this
Clandestine traffic his more honest toil,
The crook abandoning, he braves himself
The heaviest snow-storm of December's night,
When with conflicting winds the ocean raves,
And on the tossing boat, unfearing mounts
To meet the partners of the perilous trade,
And share their hazard. Well it were for him,
If no such commerce of destruction known,
He were content with what the earth affords
21
To human labour; even where she seems
Reluctant most. More happy is the hind,
Who, with his own hands rears on some black moor,
Or turbary, his independent hut
Cover'd with heather, whence the slow white smoke
Of smouldering peat arises­­A few sheep,
His best possession, with his children share
The rugged shed when wintry tempests blow;
But, when with Spring's return the green blades rise
Amid the russet heath, the household live
Joint tenants of the waste throughout the day,
And often, from her nest, among the swamps,
Where the gemm'd sun-dew grows, or fring'd buck-bean,
They scare the plover, that with plaintive cries
Flutters, as sorely wounded, down the wind.
Rude, and but just remov'd from savage life
Is the rough dweller among scenes like these,
(Scenes all unlike the poet's fabling dreams
Describing Arcady)­But he is free;
The dread that follows on illegal acts
He never feels; and his industrious mate
Shares in his labour. Where the brook is traced
By crouding osiers, and the black coot hides
Among the plashy reeds, her diving brood,
The matron wades; gathering the long green rush
That well prepar'd hereafter lends its light
To her poor cottage, dark and cheerless else
Thro' the drear hours of Winter. Otherwhile
She leads her infant group where charlock grows
'Unprofitably gay,' or to the fields,
Where congregate the linnet and the finch,
That on the thistles, so profusely spread,
Feast in the desert; the poor family
Early resort, extirpating with care
These, and the gaudier mischief of the ground;
Then flames the high rais'd heap; seen afar off
Like hostile war-fires flashing to the sky.
Another task is theirs: On fields that shew
As angry Heaven had rain'd sterility,
Stony and cold, and hostile to the plough,
22
Where clamouring loud, the evening curlew runs
And drops her spotted eggs among the flints;
The mother and the children pile the stones
In rugged pyramids;­and all this toil
They patiently encounter; well content
On their flock bed to slumber undisturb'd
Beneath the smoky roof they call their own.
Oh ! little knows the sturdy hind, who stands
Gazing, with looks where envy and contempt
Are often strangely mingled, on the car
Where prosperous Fortune sits; what secret care
Or sick satiety is often hid,
Beneath the splendid outside: He knows not
How frequently the child of Luxury
Enjoying nothing, flies from place to place
In chase of pleasure that eludes his grasp;
And that content is e'en less found by him,
Than by the labourer, whose pick-axe smooths
The road before his chariot; and who doffs
What was an hat; and as the train pass on,
Thinks how one day's expenditure, like this,
Would cheer him for long months, when to his toil
The frozen earth closes her marble breast.
Ah ! who is happy ? Happiness ! a word
That like false fire, from marsh effluvia born,
Misleads the wanderer, destin'd to contend
In the world's wilderness, with want or woe­
Yet they are happy, who have never ask'd
What good or evil means. The boy
That on the river's margin gaily plays,
Has heard that Death is there­He knows not Death,
And therefore fears it not; and venturing in
He gains a bullrush, or a minnow­then,
At certain peril, for a worthless prize,
A crow's, or raven's nest, he climbs the boll,
Of some tall pine; and of his prowess proud,
Is for a moment happy. Are your cares,
Ye who despise him, never worse applied ?
The village girl is happy, who sets forth
23
To distant fair, gay in her Sunday suit,
With cherry colour'd knots, and flourish'd shawl,
And bonnet newly purchas'd. So is he
Her little brother, who his mimic drum
Beats, till he drowns her rural lovers' oaths
Of constant faith, and still increasing love;
Ah ! yet a while, and half those oaths believ'd,
Her happiness is vanish'd; and the boy
While yet a stripling, finds the sound he lov'd
Has led him on, till he has given up
His freedom, and his happiness together.
I once was happy, when while yet a child,
I learn'd to love these upland solitudes,
And, when elastic as the mountain air,
To my light spirit, care was yet unknown
And evil unforeseen:­Early it came,
And childhood scarcely passed, I was condemned,
A guiltless exile, silently to sigh,
While Memory, with faithful pencil, drew
The contrast; and regretting, I compar'd
With the polluted smoky atmosphere
And dark and stifling streets, the southern hills
That to the setting Sun, their graceful heads
Rearing, o'erlook the frith, where Vecta breaks
With her white rocks, the strong impetuous tide,
When western winds the vast Atlantic urge
To thunder on the coast­Haunts of my youth !
Scenes of fond day dreams, I behold ye yet !
Where 'twas so pleasant by thy northern slopes
To climb the winding sheep-path, aided oft
By scatter'd thorns: whose spiny branches bore
Small woolly tufts, spoils of the vagrant lamb
There seeking shelter from the noon-day sun;
And pleasant, seated on the short soft turf,
To look beneath upon the hollow way
While heavily upward mov'd the labouring wain,
And stalking slowly by, the sturdy hind
To ease his panting team, stopp'd with a stone
The grating wheel.
Advancing higher still
24
The prospect widens, and the village church
But little, o'er the lowly roofs around
Rears its gray belfry, and its simple vane;
Those lowly roofs of thatch are half conceal'd
By the rude arms of trees, lovely in spring,
When on each bough, the rosy-tinctur'd bloom
Sits thick, and promises autumnal plenty.
For even those orchards round the Norman farms,
Which, as their owners mark the promis'd fruit,
Console them for the vineyards of the south,
Surpass not these.
Where woods of ash, and beech,
And partial copses, fringe the green hill foot,
The upland shepherd rears his modest home,
There wanders by, a little nameless stream
That from the hill wells forth, bright now and clear,
Or after rain with chalky mixture gray,
But still refreshing in its shallow course,
The cottage garden; most for use design'd,
Yet not of beauty destitute. The vine
Mantles the little casement; yet the briar
Drops fragrant dew among the July flowers;
And pansies rayed, and freak'd and mottled pinks
Grow among balm, and rosemary and rue:
There honeysuckles flaunt, and roses blow
Almost uncultured: Some with dark green leaves
Contrast their flowers of pure unsullied white;
Others, like velvet robes of regal state
Of richest crimson, while in thorny moss
Enshrined and cradled, the most lovely, wear
The hues of youthful beauty's glowing cheek.­
With fond regret I recollect e'en now
In Spring and Summer, what delight I felt
Among these cottage gardens, and how much
Such artless nosegays, knotted with a rush
By village housewife or her ruddy maid,
Were welcome to me; soon and simply pleas'd.
An early worshipper at Nature's shrine;
I loved her rudest scenes­warrens, and heaths,
25
And yellow commons, and birch-shaded hollows,
And hedge rows, bordering unfrequented lanes
Bowered with wild roses, and the clasping woodbine
Where purple tassels of the tangling vetch
With bittersweet, and bryony inweave,
And the dew fills the silver bindweed's cups­
I loved to trace the brooks whose humid banks
Nourish the harebell, and the freckled pagil;
And stroll among o'ershadowing woods of beech,
Lending in Summer, from the heats of noon
A whispering shade; while haply there reclines
Some pensive lover of uncultur'd flowers,
Who, from the tumps with bright green mosses clad,
Plucks the wood sorrel, with its light thin leaves,
Heart-shaped, and triply folded; and its root
Creeping like beaded coral; or who there
Gathers, the copse's pride, anémones,
With rays like golden studs on ivory laid
Most delicate: but touch'd with purple clouds,
Fit crown for April's fair but changeful brow.
Ah ! hills so early loved ! in fancy still
I breathe your pure keen air; and still behold
Those widely spreading views, mocking alike
The Poet and the Painter's utmost art.
And still, observing objects more minute,
Wondering remark the strange and foreign forms
Of sea-shells; with the pale calcareous soil
Mingled, and seeming of resembling substance.
Tho' surely the blue Ocean (from the heights
Where the downs westward trend, but dimly seen)
Here never roll'd its surge. Does Nature then
Mimic, in wanton mood, fantastic shapes
Of bivalves, and inwreathed volutes, that cling
To the dark sea-rock of the wat'ry world ?
Or did this range of chalky mountains, once
Form a vast bason, where the Ocean waves
Swell'd fathomless ? What time these fossil shells,
Buoy'd on their native element, were thrown
Among the imbedding calx: when the huge hill
Its giant bulk heaved, and in strange ferment
26
Grew up a guardian barrier, 'twixt the sea
And the green level of the sylvan weald.
Ah ! very vain is Science' proudest boast,
And but a little light its flame yet lends
To its most ardent votaries; since from whence
These fossil forms are seen, is but conjecture,
Food for vague theories, or vain dispute,
While to his daily task the peasant goes,
Unheeding such inquiry; with no care
But that the kindly change of sun and shower,
Fit for his toil the earth he cultivates.
As little recks the herdsman of the hill,
Who on some turfy knoll, idly reclined,
Watches his wether flock; that deep beneath
Rest the remains of men, of whom is left
No traces in the records of mankind,
Save what these half obliterated mounds
And half fill'd trenches doubtfully impart
To some lone antiquary; who on times remote,
Since which two thousand years have roll'd away,
Loves to contemplate. He perhaps may trace,
Or fancy he can trace, the oblong square
Where the mail'd legions, under Claudius, rear'd,
The rampire, or excavated fossé delved;
What time the huge unwieldy Elephant
Auxiliary reluctant, hither led,
From Afric's forest glooms and tawny sands,
First felt the Northern blast, and his vast frame
Sunk useless; whence in after ages found,
The wondering hinds, on those enormous bones
Gaz'd; and in giants dwelling on the hills
Believed and marvell'd­
Hither, Ambition, come !
Come and behold the nothingness of all
For which you carry thro' the oppressed Earth,
War, and its train of horrors­see where tread
The innumerous hoofs of flocks above the works
By which the warrior sought to register
His glory, and immortalize his name­
27
The pirate Dane, who from his circular camp
Bore in destructive robbery, fire and sword
Down thro' the vale, sleeps unremember'd here;
And here, beneath the green sward, rests alike
The savage native, who his acorn meal
Shar'd with the herds, that ranged the pathless woods;
And the centurion, who on these wide hills
Encamping, planted the Imperial Eagle.
All, with the lapse of Time, have passed away,
Even as the clouds, with dark and dragon shapes,
Or like vast promontories crown'd with towers,
Cast their broad shadows on the downs: then sail
Far to the northward, and their transient gloom
Is soon forgotten.
But from thoughts like these,
By human crimes suggested, let us turn
To where a more attractive study courts
The wanderer of the hills; while shepherd girls
Will from among the fescue bring him flowers,
Of wonderous mockery; some resembling bees
In velvet vest, intent on their sweet toil,
While others mimic flies, that lightly sport
In the green shade, or float along the pool,
But here seem perch'd upon the slender stalk,
And gathering honey dew. While in the breeze
That wafts the thistle's plumed seed along,
Blue bells wave tremulous. The mountain thyme
Purples the hassock of the heaving mole,
And the short turf is gay with tormentil,
And bird's foot trefoil, and the lesser tribes
Of hawkweed; spangling it with fringed stars.­
Near where a richer tract of cultur'd land
Slopes to the south; and burnished by the sun,
Bend in the gale of August, floods of corn;
The guardian of the flock, with watchful care,
Repels by voice and dog the encroaching sheep­
While his boy visits every wired trap
That scars the turf; and from the pit-falls takes
The timid migrants, who from distant wilds,
Warrens, and stone quarries, are destined thus
28
To lose their short existence. But unsought
By Luxury yet, the Shepherd still protects
The social bird, who from his native haunts
Of willowy current, or the rushy pool,
Follows the fleecy croud, and flirts and skims,
In fellowship among them.
Where the knoll
More elevated takes the changeful winds,
The windmill rears its vanes; and thitherward
With his white load, the master travelling,
Scares the rooks rising slow on whispering wings,
While o'er his head, before the summer sun
Lights up the blue expanse, heard more than seen,
The lark sings matins; and above the clouds
Floating, embathes his spotted breast in dew.
Beneath the shadow of a gnarled thorn,
Bent by the sea blast, from a seat of turf
With fairy nosegays strewn, how wide the view !
Till in the distant north it melts away,
And mingles indiscriminate with clouds:
But if the eye could reach so far, the mart
Of England's capital, its domes and spires
Might be perceived­Yet hence the distant range
Of Kentish hills, appear in purple haze;
And nearer, undulate the wooded heights,
And airy summits, that above the mole
Rise in green beauty; and the beacon'd ridge
Of Black-down shagg'd with heath, and swelling rude
Like a dark island from the vale; its brow
Catching the last rays of the evening sun
That gleam between the nearer park's old oaks,
Then lighten up the river, and make prominent
The portal, and the ruin'd battlements
Of that dismantled fortress; rais'd what time
The Conqueror's successors fiercely fought,
Tearing with civil feuds the desolate land.
But now a tiller of the soil dwells there,
And of the turret's loop'd and rafter'd halls
Has made an humbler homestead­Where he sees,
29
Instead of armed foemen, herds that graze
Along his yellow meadows; or his flocks
At evening from the upland driv'n to fold­
In such a castellated mansion once
A stranger chose his home; and where hard by
In rude disorder fallen, and hid with brushwood
Lay fragments gray of towers and buttresses,
Among the ruins, often he would muse­
His rustic meal soon ended, he was wont
To wander forth, listening the evening sounds
Of rushing milldam, or the distant team,
Or night-jar, chasing fern-flies: the tir'd hind
Pass'd him at nightfall, wondering he should sit
On the hill top so late: they from the coast
Who sought bye paths with their clandestine load,
Saw with suspicious doubt, the lonely man
Cross on their way: but village maidens thought
His senses injur'd; and with pity say
That he, poor youth ! must have been cross'd in love­
For often, stretch'd upon the mountain turf
With folded arms, and eyes intently fix'd
Where ancient elms and firs obscured a grange,
Some little space within the vale below,
They heard him, as complaining of his fate,
And to the murmuring wind, of cold neglect
And baffled hope he told.­The peasant girls
These plaintive sounds remember, and even now
Among them may be heard the stranger's songs.
Were I a Shepherd on the hill
And ever as the mists withdrew
Could see the willows of the rill
Shading the footway to the mill
Where once I walk'd with you­
And as away Night's shadows sail,
And sounds of birds and brooks arise,
Believe, that from the woody vale
I hear your voice upon the gale
In soothing melodies;
And viewing from the Alpine height,
30
The prospect dress'd in hues of air,
Could say, while transient colours bright
Touch'd the fair scene with dewy light,
'Tis, that her eyes are there !
I think, I could endure my lot
And linger on a few short years,
And then, by all but you forgot,
Sleep, where the turf that clothes the spot
May claim some pitying tears.
For 'tis not easy to forget
One, who thro' life has lov'd you still,
And you, however late, might yet
With sighs to Memory giv'n, regret
The Shepherd of the Hill.
Yet otherwhile it seem'd as if young Hope
Her flattering pencil gave to Fancy's hand,
And in his wanderings, rear'd to sooth his soul
Ideal bowers of pleasure­Then, of Solitude
And of his hermit life, still more enamour'd,
His home was in the forest; and wild fruits
And bread sustain'd him. There in early spring
The Barkmen found him, e'er the sun arose;
There at their daily toil, the Wedgecutters
Beheld him thro' the distant thicket move.
The shaggy dog following the truffle hunter,
Bark'd at the loiterer; and perchance at night
Belated villagers from fair or wake,
While the fresh night-wind let the moonbeams in
Between the swaying boughs, just saw him pass,
And then in silence, gliding like a ghost
He vanish'd ! Lost among the deepening gloom.­
But near one ancient tree, whose wreathed roots
Form'd a rude couch, love-songs and scatter'd rhymes,
Unfinish'd sentences, or half erased,
And rhapsodies like this, were sometimes found­
­­­­­­
Let us to woodland wilds repair
While yet the glittering night-dews seem
To wait the freshly-breathing air,
31
Precursive of the morning beam,
That rising with advancing day,
Scatters the silver drops away.
An elm, uprooted by the storm,
The trunk with mosses gray and green,
Shall make for us a rustic form,
Where lighter grows the forest scene;
And far among the bowery shades,
Are ferny lawns and grassy glades.
Retiring May to lovely June
Her latest garland now resigns;
The banks with cuckoo-flowers are strewn,
The woodwalks blue with columbines,
And with its reeds, the wandering stream
Reflects the flag-flower's golden gleam.
There, feathering down the turf to meet,
Their shadowy arms the beeches spread,
While high above our sylvan seat,
Lifts the light ash its airy head;
And later leaved, the oaks between
Extend their bows of vernal green.
The slender birch its paper rind
Seems offering to divided love,
And shuddering even without a wind
Aspins, their paler foliage move,
As if some spirit of the air
Breath'd a low sigh in passing there.
The Squirrel in his frolic mood,
Will fearless bound among the boughs;
Yaffils laugh loudly thro' the wood,
And murmuring ring-doves tell their vows;
While we, as sweetest woodscents rise,
Listen to woodland melodies.
And I'll contrive a sylvan room
Against the time of summer heat,
Where leaves, inwoven in Nature's loom,
Shall canopy our green retreat;
And gales that 'close the eye of day'
Shall linger, e'er they die away.
32
And when a sear and sallow hue
From early frost the bower receives,
I'll dress the sand rock cave for you,
And strew the floor with heath and leaves,
That you, against the autumnal air
May find securer shelter there.
The Nightingale will then have ceas'd
To sing her moonlight serenade;
But the gay bird with blushing breast,
And Woodlarks still will haunt the shade,
And by the borders of the spring
Reed-wrens will yet be carolling.
The forest hermit's lonely cave
None but such soothing sounds shall reach,
Or hardly heard, the distant wave
Slow breaking on the stony beach;
Or winds, that now sigh soft and low,
Now make wild music as they blow.
And then, before the chilling North
The tawny foliage falling light,
Seems, as it flits along the earth,
The footfall of the busy Sprite,
Who wrapt in pale autumnal gloom,
Calls up the mist-born Mushroom.
Oh ! could I hear your soft voice there,
And see you in the forest green
All beauteous as you are, more fair
You'ld look, amid the sylvan scene,
And in a wood-girl's simple guise,
Be still more lovely in mine eyes.
Ye phantoms of unreal delight,
Visions of fond delirium born !
Rise not on my deluded sight,
Then leave me drooping and forlorn
To know, such bliss can never be,
Unless loved like me.
The visionary, nursing dreams like these,
Is not indeed unhappy. Summer woods
Wave over him, and whisper as they wave,
33
Some future blessings he may yet enjoy.
And as above him sail the silver clouds,
He follows them in thought to distant climes,
Where, far from the cold policy of this,
Dividing him from her he fondly loves,
He, in some island of the southern sea,
May haply build his cane-constructed bower
Beneath the bread-fruit, or aspiring palm,
With long green foliage rippling in the gale.
Oh ! let him cherish his ideal bliss­
For what is life, when Hope has ceas'd to strew
Her fragile flowers along its thorny way ?
And sad and gloomy are his days, who lives
Of Hope abandon'd !
Just beneath the rock
Where Beachy overpeers the channel wave,
Within a cavern mined by wintry tides
Dwelt one, who long disgusted with the world
And all its ways, appear'd to suffer life
Rather than live; the soul-reviving gale,
Fanning the bean-field, or the thymy heath,
Had not for many summers breathed on him;
And nothing mark'd to him the season's change,
Save that more gently rose the placid sea,
And that the birds which winter on the coast
Gave place to other migrants; save that the fog,
Hovering no more above the beetling cliffs
Betray'd not then the little careless sheep
On the brink grazing, while their headlong fall
Near the lone Hermit's flint-surrounded home,
Claim'd unavailing pity; for his heart
Was feelingly alive to all that breath'd;
And outraged as he was, in sanguine youth,
By human crimes, he still acutely felt
For human misery.
Wandering on the beach,
He learn'd to augur from the clouds of heaven,
And from the changing colours of the sea,
And sullen murmurs of the hollow cliffs,
34
Or the dark porpoises, that near the shore
Gambol'd and sported on the level brine
When tempests were approaching: then at night
He listen'd to the wind; and as it drove
The billows with o'erwhelming vehemence
He, starting from his rugged couch, went forth
And hazarding a life, too valueless,
He waded thro' the waves, with plank or pole
Towards where the mariner in conflict dread
Was buffeting for life the roaring surge;
And now just seen, now lost in foaming gulphs,
The dismal gleaming of the clouded moon
Shew'd the dire peril. Often he had snatch'd
From the wild billows, some unhappy man
Who liv'd to bless the hermit of the rocks.
But if his generous cares were all in vain,
And with slow swell the tide of morning bore
Some blue swol'n cor'se to land; the pale recluse
Dug in the chalk a sepulchre­above
Where the dank sea-wrack mark'd the utmost tide,
And with his prayers perform'd the obsequies
For the poor helpless stranger.
One dark night
The equinoctial wind blew south by west,
Fierce on the shore; ­the bellowing cliffs were shook
Even to their stony base, and fragments fell
Flashing and thundering on the angry flood.
At day-break, anxious for the lonely man,
His cave the mountain shepherds visited,
Tho' sand and banks of weeds had choak'd their way­
He was not in it; but his drowned cor'se
By the waves wafted, near his former home
Receiv'd the rites of burial. Those who read
Chisel'd within the rock, these mournful lines,
Memorials of his sufferings, did not grieve,
That dying in the cause of charity
His spirit, from its earthly bondage freed,
Had to some better region fled for ever.
35
~ Charlotte Smith,
1189:TO MARY
(ON HER OBJECTING TO THE FOLLOWING POEM, UPON THE SCORE OF ITS CONTAINING NO HUMAN INTEREST)

I.
How, my dear Mary, -- are you critic-bitten
(For vipers kill, though dead) by some review,
That you condemn these verses I have written,
Because they tell no story, false or true?
What, though no mice are caught by a young kitten,
May it not leap and play as grown cats do,
Till its claws come? Prithee, for this one time,
Content thee with a visionary rhyme.

II.
What hand would crush the silken-wingd fly,
The youngest of inconstant April's minions,
Because it cannot climb the purest sky,
Where the swan sings, amid the sun's dominions?
Not thine. Thou knowest 'tis its doom to die,
When Day shall hide within her twilight pinions
The lucent eyes, and the eternal smile,
Serene as thine, which lent it life awhile.

III.
To thy fair feet a wingd Vision came,
Whose date should have been longer than a day,
And o'er thy head did beat its wings for fame,
And in thy sight its fading plumes display;
The watery bow burned in the evening flame,
But the shower fell, the swift Sun went his way
And that is dead.O, let me not believe
That anything of mine is fit to live!

IV.
Wordsworth informs us he was nineteen years
Considering and retouching Peter Bell;
Watering his laurels with the killing tears
Of slow, dull care, so that their roots to Hell
Might pierce, and their wide branches blot the spheres
Of Heaven, with dewy leaves and flowers; this well
May be, for Heaven and Earth conspire to foil
The over-busy gardener's blundering toil.

V.
My Witch indeed is not so sweet a creature
As Ruth or Lucy, whom his graceful praise
Clothes for our grandsonsbut she matches Peter,
Though he took nineteen years, and she three days
In dressing. Light the vest of flowing metre
She wears; he, proud as dandy with his stays,
Has hung upon his wiry limbs a dress
Like King Lear's 'looped and windowed raggedness.'

VI.
If you strip Peter, you will see a fellow
Scorched by Hell's hyperequatorial climate
Into a kind of a sulphureous yellow:
A lean mark, hardly fit to fling a rhyme at;
In shape a Scaramouch, in hue Othello.
If you unveil my Witch, no priest nor primate
Can shrive you of that sin, -- if sin there be
In love, when it becomes idolatry.
THE WITCH OF ATLAS.

I.
Before those cruel Twins, whom at one birth
Incestuous Change bore to her father Time,
Error and Truth, had hunted from the Earth
All those bright natures which adorned its prime,
And left us nothing to believe in, worth
The pains of putting into learnd rhyme,
A lady-witch there lived on Atlas' mountain
Within a cavern, by a secret fountain.

II.
Her mother was one of the Atlantides:
The all-beholding Sun had ne'er beholden
In his wide voyage o'er continents and seas
So fair a creature, as she lay enfolden
In the warm shadow of her loveliness;--
He kissed her with his beams, and made all golden
The chamber of gray rock in which she lay--
She, in that dream of joy, dissolved away.

III.
'Tis said, she first was changed into a vapour,
And then into a cloud, such clouds as flit,
Like splendour-wingd moths about a taper,
Round the red west when the sun dies in it:
And then into a meteor, such as caper
On hill-tops when the moon is in a fit:
Then, into one of those mysterious stars
Which hide themselves between the Earth and Mars.

IV.
Ten times the Mother of the Months had bent
Her bow beside the folding-star, and bidden
With that bright sign the billows to indent
The sea-deserted sand -- like children chidden,
At her command they ever came and went--
Since in that cave a dewy splendour hidden
Took shape and motion: with the living form
Of this embodied Power, the cave grew warm.

V.
A lovely lady garmented in light
From her own beauty -- deep her eyes, as are
Two openings of unfathomable night
Seen through a Temple's cloven roof -- her hair
Darkthe dim brain whirls dizzy with delight,
Picturing her form; her soft smiles shone afar,
And her low voice was heard like love, and drew
All living things towards this wonder new.

VI.
And first the spotted cameleopard came,
And then the wise and fearless elephant;
Then the sly serpent, in the golden flame
Of his own volumes intervolved -- all gaunt
And sanguine beasts her gentle looks made tame.
They drank before her at her sacred fount;
And every beast of beating heart grew bold,
Such gentleness and power even to behold.

VII.
The brinded lioness led forth her young,
That she might teach them how they should forego
Their inborn thirst of death; the pard unstrung
His sinews at her feet, and sought to know
With looks whose motions spoke without a tongue
How he might be as gentle as the doe.
The magic circle of her voice and eyes
All savage natures did imparadise.

VIII.
And old Silenus, shaking a green stick
Of lilies, and the wood-gods in a crew
Came, blithe, as in the olive copses thick
Cicadae are, drunk with the noonday dew:
And Dryope and Faunus followed quick,
Teasing the God to sing them something new;
Till in this cave they found the lady lone,
Sitting upon a seat of emerald stone.

IX.
And universal Pan, 'tis said, was there,
And though none saw him,through the adamant
Of the deep mountains, through the trackless air,
And through those living spirits, like a want,
He passed out of his everlasting lair
Where the quick heart of the great world doth pant,
And felt that wondrous lady all alone,
And she felt him, upon her emerald throne.

X.
And every nymph of stream and spreading tree,
And every shepherdess of Ocean's flocks,
Who drives her white waves over the green sea,
And Ocean with the brine on his gray locks,
And quaint Priapus with his company,
All came, much wondering how the enwombd rocks
Could have brought forth so beautiful a birth;
Her love subdued their wonder and their mirth.

XI.
The herdsmen and the mountain maidens came,
And the rude kings of pastoral Garamant
Their spirits shook within them, as a flame
Stirred by the air under a cavern gaunt:
Pigmies, and Polyphemes, by many a name,
Centaurs, and Satyrs, and such shapes as haunt
Wet clefts,and lumps neither alive nor dead,
Dog-headed, bosom-eyed, and bird-footed.

XII.
For she was beautifulher beauty made
The bright world dim, and everything beside
Seemed like the fleeting image of a shade:
No thought of living spirit could abide,
Which to her looks had ever been betrayed,
On any object in the world so wide,
On any hope within the circling skies,
But on her form, and in her inmost eyes.

XIII.
Which when the lady knew, she took her spindle
And twined three threads of fleecy mist, and three
Long lines of light, such as the dawn may kindle
The clouds and waves and mountains with; and she
As many star-beams, ere their lamps could dwindle
In the belated moon, wound skilfully;
And with these threads a subtle veil she wove
A shadow for the splendour of her love.

XIV.
The deep recesses of her odorous dwelling
Were stored with magic treasuressounds of air,
Which had the power all spirits of compelling,
Folded in cells of crystal silence there;
Such as we hear in youth, and think the feeling
Will never dieyet ere we are aware,
The feeling and the sound are fled and gone,
And the regret they leave remains alone.

XV.
And there lay Visions swift, and sweet, and quaint,
Each in its thin sheath, like a chrysalis,
Some eager to burst forth, some weak and faint
With the soft burthen of intensest bliss
It was its work to bear to many a saint
Whose heart adores the shrine which holiest is,
Even Love's -- and others white, green, gray, and black,
And of all shapesand each was at her beck.

XVI.
And odours in a kind of aviary
Of ever-blooming Eden-trees she kept,
Clipped in a floating net, a love-sick Fairy
Had woven from dew-beams while the moon yet slept;
As bats at the wired window of a dairy.
They beat their vans; and each was an adept,
When loosed and missioned, making wings of winds,
To stir sweet thoughts or sad, in destined minds.

XVII.
And liquors clear and sweet, whose healthful might
Could medicine the sick soul to happy sleep,
And change eternal death into a night
Of glorious dreamsor if eyes needs must weep,
Could make their tears all wonder and delight,
She in her crystal vials did closely keep:
If men could drink of those clear vials, 'tis said
The living were not envied of the dead.

XVIII.
Her cave was stored with scrolls of strange device,
The works of some Saturnian Archimage,
Which taught the expiations at whose price
Men from the Gods might win that happy age
Too lightly lost, redeeming native vice;
And which might quench the Earth-consuming rage
Of gold and bloodtill men should live and move
Harmonious as the sacred stars above;

XIX.
And how all things that seem untameable,
Not to be checked and not to be confined,
Obey the spells of Wisdom's wizard skill;
Time, earth, and firethe ocean and the wind,
And all their shapes -- and man's imperial will;
And other scrolls whose writings did unbind
The inmost lore of Lovelet the profane
Tremble to ask what secrets they contain.

XX.
And wondrous works of substances unknown,
To which the enchantment of her father's power
Had changed those ragged blocks of savage stone,
Were heaped in the recesses of her bower;
Carved lamps and chalices, and vials which shone
In their own golden beams -- each like a flower,
Out of whose depth a fire-fly shakes his light
Under a cypress in a starless night.

XXI.
At first she lived alone in this wild home,
And her own thoughts were each a minister,
Clothing themselves, or with the ocean foam,
Or with the wind, or with the speed of fire,
To work whatever purposes might come
Into her mind; such power her mighty Sire
Had girt them with, whether to fly or run,
Through all the regions which he shines upon.

XXII.
The Ocean-nymphs and Hamadryades,
Oreads and Naiads, with long weedy locks,
Offered to do her bidding through the seas,
Under the earth, and in the hollow rocks,
And far beneath the matted roots of trees,
And in the gnarld heart of stubborn oaks,
So they might live for ever in the light
Of her sweet presence -- each a satellite.

XXIII.
'This may not be,' the wizard maid replied;
'The fountains where the Naiades bedew
Their shining hair, at length are drained and dried;
The solid oaks forget their strength, and strew
Their latest leaf upon the mountains wide;
The boundless ocean like a drop of dew
Will be consumedthe stubborn centre must
Be scattered, like a cloud of summer dust.

XXIV.
'And ye with them will perish, one by one;
If I must sigh to think that this shall be,
If I must weep when the surviving Sun
Shall smile on your decay -- oh, ask not me
To love you till your little race is run;
I cannot die as ye must -- over me
Your leaves shall glance -- the streams in which ye dwell
Shall be my paths henceforth, and so -- farewell!'--

XXV.
She spoke and wept:the dark and azure well
Sparkled beneath the shower of her bright tears,
And every little circlet where they fell
Flung to the cavern-roof inconstant spheres
And intertangled lines of light:a knell
Of sobbing voices came upon her ears
From those departing Forms, o'er the serene
Of the white streams and of the forest green.

XXVI.
All day the wizard lady sate aloof,
Spelling out scrolls of dread antiquity,
Under the cavern's fountain-lighted roof;
Or broidering the pictured poesy
Of some high tale upon her growing woof,
Which the sweet splendour of her smiles could dye
In hues outshining heavenand ever she
Added some grace to the wrought poesy.

XXVII.
While on her hearth lay blazing many a piece
Of sandal wood, rare gums, and cinnamon;
Men scarcely know how beautiful fire is
Each flame of it is as a precious stone
Dissolved in ever-moving light, and this
Belongs to each and all who gaze upon.
The Witch beheld it not, for in her hand
She held a woof that dimmed the burning brand.

XXVIII.
This lady never slept, but lay in trance
All night within the fountain -- as in sleep.
Its emerald crags glowed in her beauty's glance;
Through the green splendour of the water deep
She saw the constellations reel and dance
Like fire-flies -- and withal did ever keep
The tenour of her contemplations calm,
With open eyes, closed feet, and folded palm.

XXIX.
And when the whirlwinds and the clouds descended
From the white pinnacles of that cold hill,
She passed at dewfall to a space extended,
Where in a lawn of flowering asphodel
Amid a wood of pines and cedars blended,
There yawned an inextinguishable well
Of crimson firefull even to the brim,
And overflowing all the margin trim.

XXX.
Within the which she lay when the fierce war
Of wintry winds shook that innocuous liquor
In many a mimic moon and bearded star
O'er woods and lawns -- the serpent heard it flicker
In sleep, and dreaming still, he crept afar--
And when the windless snow descended thicker
Than autumn leaves, she watched it as it came
Melt on the surface of the level flame.

XXXI.
She had a boat, which some say Vulcan wrought
For Venus, as the chariot of her star;
But it was found too feeble to be fraught
With all the ardours in that sphere which are,
And so she sold it, and Apollo bought
And gave it to this daughter: from a car
Changed to the fairest and the lightest boat
Which ever upon mortal stream did float.

XXXII.
And others say, that, when but three hours old,
The first-born Love out of his cradle lept,
And clove dun Chaos with his wings of gold,
And like an horticultural adept,
Stole a strange seed, and wrapped it up in mould,
And sowed it in his mother's star, and kept
Watering it all the summer with sweet dew,
And with his wings fanning it as it grew.

XXXIII.
The plant grew strong and green, the snowy flower
Fell, and the long and gourd-like fruit began
To turn the light and dew by inward power
To its own substance; woven tracery ran
Of light firm texture, ribbed and branching, o'er
The solid rind, like a leaf's veind fan--
Of which Love scooped this boat -- and with soft motion
Piloted it round the circumfluous ocean.

XXXIV.
This boat she moored upon her fount, and lit
A living spirit within all its frame,
Breathing the soul of swiftness into it.
Couched on the fountain like a panther tame,
One of the twain at Evan's feet that sit--
Or as on Vesta's sceptre a swift flame--
Or on blind Homer's heart a wingd thought,--
In joyous expectation lay the boat.

XXXV.
Then by strange art she kneaded fire and snow
Together, tempering the repugnant mass
With liquid love -- all things together grow
Through which the harmony of love can pass;
And a fair Shape out of her hands did flow--
A living Image, which did far surpass
In beauty that bright shape of vital stone
Which drew the heart out of Pygmalion.

XXXVI.
A sexless thing it was, and in its growth
It seemed to have developed no defect
Of either sex, yet all the grace of both,--
In gentleness and strength its limbs were decked;
The bosom swelled lightly with its full youth,
The countenance was such as might select
Some artist that his skill should never die,
Imaging forth such perfect purity.

XXXVII.
From its smooth shoulders hung two rapid wings,
Fit to have borne it to the seventh sphere,
Tipped with the speed of liquid lightenings,
Dyed in the ardours of the atmosphere:
She led her creature to the boiling springs
Where the light boat was moored, and said: 'Sit here!'
And pointed to the prow, and took her seat
Beside the rudder, with opposing feet.

XXXVIII.
And down the streams which clove those mountains vast,
Around their inland islets, and amid
The panther-peopled forests, whose shade cast
Darkness and odours, and a pleasure hid
In melancholy gloom, the pinnace passed;
By many a star-surrounded pyramid
Of icy crag cleaving the purple sky,
And caverns yawning round unfathomably.

XXXIX.
The silver noon into that winding dell,
With slanted gleam athwart the forest tops,
Tempered like golden evening, feebly fell;
A green and glowing light, like that which drops
From folded lilies in which glow-worms dwell,
When Earth over her face Night's mantle wraps;
Between the severed mountains lay on high,
Over the stream, a narrow rift of sky.

XL.
And ever as she went, the Image lay
With folded wings and unawakened eyes;
And o'er its gentle countenance did play
The busy dreams, as thick as summer flies,
Chasing the rapid smiles that would not stay,
And drinking the warm tears, and the sweet sighs
Inhaling, which, with busy murmur vain,
They had aroused from that full heart and brain.

XLI.
And ever down the prone vale, like a cloud
Upon a stream of wind, the pinnace went:
Now lingering on the pools, in which abode
The calm and darkness of the deep content
In which they paused; now o'er the shallow road
Of white and dancing waters, all besprent
With sand and polished pebbles:mortal boat
In such a shallow rapid could not float.

XLII.
And down the earthquaking cataracts which shiver
Their snow-like waters into golden air,
Or under chasms unfathomable ever
Sepulchre them, till in their rage they tear
A subterranean portal for the river,
It fledthe circling sunbows did upbear
Its fall down the hoar precipice of spray,
Lighting it far upon its lampless way.

XLIII.
And when the wizard lady would ascend
The labyrinths of some many-winding vale,
Which to the inmost mountain upward tend
She called 'Hermaphroditus!'and the pale
And heavy hue which slumber could extend
Over its lips and eyes, as on the gale
A rapid shadow from a slope of grass,
Into the darkness of the stream did pass.

XLIV.
And it unfurled its heaven-coloured pinions,
With stars of fire spotting the stream below;
And from above into the Sun's dominions
Flinging a glory, like the golden glow
In which Spring clothes her emerald-wingd minions,
All interwoven with fine feathery snow
And moonlight splendour of intensest rime,
With which frost paints the pines in winter time.

XLV.
And then it winnowed the Elysian air
Which ever hung about that lady bright,
With its aethereal vansand speeding there,
Like a star up the torrent of the night,
Or a swift eagle in the morning glare
Breasting the whirlwind with impetuous flight,
The pinnace, oared by those enchanted wings,
Clove the fierce streams towards their upper springs.

XLVI.
The water flashed, like sunlight by the prow
Of a noon-wandering meteor flung to Heaven;
The still air seemed as if its waves did flow
In tempest down the mountains; loosely driven
The lady's radiant hair streamed to and fro:
Beneath, the billows having vainly striven
Indignant and impetuous, roared to feel
The swift and steady motion of the keel.

XLVII.
Or, when the weary moon was in the wane,
Or in the noon of interlunar night,
The lady-witch in visions could not chain
Her spirit; but sailed forth under the light
Of shooting stars, and bade extend amain
Its storm-outspeeding wings, the Hermaphrodite;
She to the Austral waters took her way,
Beyond the fabulous Thamondocana,

XLVIII.
Where, like a meadow which no scythe has shaven,
Which rain could never bend, or whirl-blast shake,
With the Antarctic constellations paven,
Canopus and his crew, lay the Austral lake
There she would build herself a windless haven
Out of the clouds whose moving turrets make
The bastions of the storm, when through the sky
The spirits of the tempest thundered by:

XLIX.
A haven beneath whose translucent floor
The tremulous stars sparkled unfathomably,
And around which the solid vapours hoar,
Based on the level waters, to the sky
Lifted their dreadful crags, and like a shore
Of wintry mountains, inaccessibly
Hemmed in with rifts and precipices gray,
And hanging crags, many a cove and bay.

L.
And whilst the outer lake beneath the lash
Of the wind's scourge, foamed like a wounded thing,
And the incessant hail with stony clash
Ploughed up the waters, and the flagging wing
Of the roused cormorant in the lightning flash
Looked like the wreck of some wind-wandering
Fragment of inky thunder-smoke -- this haven
Was as a gem to copy Heaven engraven,--

LI.
On which that lady played her many pranks,
Circling the image of a shooting star,
Even as a tiger on Hydaspes' banks
Outspeeds the antelopes which speediest are,
In her light boat; and many quips and cranks
She played upon the water, till the car
Of the late moon, like a sick matron wan,
To journey from the misty east began.

LII.
And then she called out of the hollow turrets
Of those high clouds, white, golden and vermilion,
The armies of her ministering spirits
In mighty legions, million after million,
They came, each troop emblazoning its merits
On meteor flags; and many a proud pavilion
Of the intertexture of the atmosphere
They pitched upon the plain of the calm mere.

LIII.
They framed the imperial tent of their great Queen
Of woven exhalations, underlaid
With lambent lightning-fire, as may be seen
A dome of thin and open ivory inlaid
With crimson silk -- cressets from the serene
Hung there, and on the water for her tread
A tapestry of fleece-like mist was strewn,
Dyed in the beams of the ascending moon.

LIV.
And on a throne o'erlaid with starlight, caught
Upon those wandering isles of ary dew,
Which highest shoals of mountain shipwreck not,
She sate, and heard all that had happened new
Between the earth and moon, since they had brought
The last intelligence -- and now she grew
Pale as that moon, lost in the watery night--
And now she wept, and now she laughed outright.

LV.
These were tame pleasures; she would often climb
The steepest ladder of the crudded rack
Up to some beakd cape of cloud sublime,
And like Arion on the dolphin's back
Ride singing through the shoreless air; -- oft-time
Following the serpent lightning's winding track,
She ran upon the platforms of the wind,
And laughed to hear the fire-balls roar behind.

LVI.
And sometimes to those streams of upper air
Which whirl the earth in its diurnal round,
She would ascend, and win the spirits there
To let her join their chorus. Mortals found
That on those days the sky was calm and fair,
And mystic snatches of harmonious sound
Wandered upon the earth where'er she passed,
And happy thoughts of hope, too sweet to last.

LVII.
But her choice sport was, in the hours of sleep,
To glide adown old Nilus, where he threads
Egypt and Aethiopia, from the steep
Of utmost Axum, until he spreads,
Like a calm flock of silver-fleecd sheep,
His waters on the plain: and crested heads
Of cities and proud temples gleam amid,
And many a vapour-belted pyramid.

LVIII.
By Moeris and the Mareotid lakes,
Strewn with faint blooms like bridal chamber floors,
Where naked boys bridling tame water-snakes,
Or charioteering ghastly alligators,
Had left on the sweet waters mighty wakes
Of those huge forms -- within the brazen doors
Of the great Labyrinth slept both boy and beast,
Tired with the pomp of their Osirian feast.

LIX.
And where within the surface of the river
The shadows of the massy temples lie,
And never are erased -- but tremble ever
Like things which every cloud can doom to die,
Through lotus-paven canals, and wheresoever
The works of man pierced that serenest sky
With tombs, and towers, and fanes, 'twas her delight
To wander in the shadow of the night.

LX.
With motion like the spirit of that wind
Whose soft step deepens slumber, her light feet
Passed through the peopled haunts of humankind,
Scattering sweet visions from her presence sweet,
Through fane, and palace-court, and labyrinth mined
With many a dark and subterranean street
Under the Nile, through chambers high and deep
She passed, observing mortals in their sleep.

LXI.
A pleasure sweet doubtless it was to see
Mortals subdued in all the shapes of sleep.
Here lay two sister twins in infancy;
There, a lone youth who in his dreams did weep;
Within, two lovers linkd innocently
In their loose locks which over both did creep
Like ivy from one stem;and there lay calm
Old age with snow-bright hair and folded palm.

LXII.
But other troubled forms of sleep she saw,
Not to be mirrored in a holy song--
Distortions foul of supernatural awe,
And pale imaginings of visioned wrong;
And all the code of Custom's lawless law
Written upon the brows of old and young:
'This,' said the wizard maiden, 'is the strife
Which stirs the liquid surface of man's life.'

LXIII.
And little did the sight disturb her soul.--
We, the weak mariners of that wide lake
Where'er its shores extend or billows roll,
Our course unpiloted and starless make
O'er its wild surface to an unknown goal:--
But she in the calm depths her way could take,
Where in bright bowers immortal forms abide
Beneath the weltering of the restless tide.

LXIV.
And she saw princes couched under the glow
Of sunlike gems; and round each temple-court
In dormitories ranged, row after row,
She saw the priests asleepall of one sort--
For all were educated to be so.
The peasants in their huts, and in the port
The sailors she saw cradled on the waves,
And the dead lulled within their dreamless graves.

LXV.
And all the forms in which those spirits lay
Were to her sight like the diaphanous
Veils, in which those sweet ladies oft array
Their delicate limbs, who would conceal from us
Only their scorn of all concealment: they
Move in the light of their own beauty thus.
But these and all now lay with sleep upon them,
And little thought a Witch was looking on them.

LXVI.
She, all those human figures breathing there,
Beheld as living spirits -- to her eyes
The naked beauty of the soul lay bare,
And often through a rude and worn disguise
She saw the inner form most bright and fair--
And then she had a charm of strange device,
Which, murmured on mute lips with tender tone,
Could make that spirit mingle with her own.

LXVII.
Alas! Aurora, what wouldst thou have given
For such a charm when Tithon became gray?
Or how much, Venus, of thy silver heaven
Wouldst thou have yielded, ere Proserpina
Had half (oh! why not all?) the debt forgiven
Which dear Adonis had been doomed to pay,
To any witch who would have taught you it?
The Heliad doth not know its value yet.

LXVIII.
'Tis said in after times her spirit free
Knew what love was, and felt itself alone--
But holy Dian could not chaster be
Before she stooped to kiss Endymion,
Than now this lady -- like a sexless bee
Tasting all blossoms, and confined to none,
Among those mortal forms, the wizard-maiden
Passed with an eye serene and heart unladen.

LXIX.
To those she saw most beautiful, she gave
Strange panacea in a crystal bowl:--
They drank in their deep sleep of that sweet wave,
And lived thenceforward as if some control,
Mightier than life, were in them; and the grave
Of such, when death oppressed the weary soul,
Was as a green and overarching bower
Lit by the gems of many a starry flower.

LXX.
For on the night when they were buried, she
Restored the embalmers' ruining, and shook
The light out of the funeral lamps, to be
A mimic day within that deathy nook;
And she unwound the woven imagery
Of second childhood's swaddling bands, and took
The coffin, its last cradle, from its niche,
And threw it with contempt into a ditch.

LXXI.
And there the body lay, age after age,
Mute, breathing, beating, warm, and undecaying,
Like one asleep in a green hermitage,
With gentle smiles about its eyelids playing,
And living in its dreams beyond the rage
Of death or life; while they were still arraying
In liveries ever new, the rapid, blind
And fleeting generations of mankind.

LXXII.
And she would write strange dreams upon the brain
Of those who were less beautiful, and make
All harsh and crooked purposes more vain
Than in the desert is the serpent's wake
Which the sand coversall his evil gain
The miser in such dreams would rise and shake
Into a beggar's lap;the lying scribe
Would his own lies betray without a bribe.

LXXIII.
The priests would write an explanation full,
Translating hieroglyphics into Greek,
How the God Apis really was a bull,
And nothing more; and bid the herald stick
The same against the temple doors, and pull
The old cant down; they licensed all to speak
What'er they thought of hawks, and cats, and geese,
By pastoral letters to each diocese.

LXXIV.
The king would dress an ape up in his crown
And robes, and seat him on his glorious seat,
And on the right hand of the sunlike throne
Would place a gaudy mock-bird to repeat
The chatterings of the monkey.Every one
Of the prone courtiers crawled to kiss the feet
Of their great Emperor, when the morning came,
And kissed -- alas, how many kiss the same!

LXXV.
The soldiers dreamed that they were blacksmiths, and
Walked out of quarters in somnambulism;
Round the red anvils you might see them stand
Like Cyclopses in Vulcan's sooty abysm,
Beating their swords to ploughshares; -- in a band
The gaolers sent those of the liberal schism
Free through the streets of Memphis, much, I wis,
To the annoyance of king Amasis.

LXXVI.
And timid lovers who had been so coy,
They hardly knew whether they loved or not,
Would rise out of their rest, and take sweet joy,
To the fulfilment of their inmost thought;
And when next day the maiden and the boy
Met one another, both, like sinners caught,
Blushed at the thing which each believed was done
Only in fancy -- till the tenth moon shone;

LXXVII.
And then the Witch would let them take no ill:
Of many thousand schemes which lovers find,
The Witch found one,and so they took their fill
Of happiness in marriage warm and kind.
Friends who, by practice of some envious skill,
Were torn apart -- a wide wound, mind from mind!--
She did unite again with visions clear
Of deep affection and of truth sincere.

LXXVIII.
These were the pranks she played among the cities
Of mortal men, and what she did to Sprites
And Gods, entangling them in her sweet ditties
To do her will, and show their subtle sleights,
I will declare another time; for it is
A tale more fit for the weird winter nights
Than for these garish summer days, when we
Scarcely believe much more than we can see.
Composed at the Baths of San Giuliano, near Pisa, August 14-16, 1820; published in Posthumous Poems, ed. Mrs. Shelley, 1824. The dedication To Mary first appeared in the Poetical Works, 1839, 1st ed.

Note by Mrs. Shelley: 'We spent the summer of 1820 at the Baths of San Giuliano, four miles from Pisa. These baths were of great use to Shelley in soothing his nervous irritability. We made several excursions in the neighbourhood. The country around is fertile, and diversified and rendered picturesque by ranges of near hills and more distant mountains. The peasantry are a handsome intelligent race; and there was a gladsome sunny heaven spread over us, that rendered home and every scene we visited cheerful and bright. During some of the hottest days of August, Shelley made a solitary journey on foot to the summit of Monte San Pellegrino -- a mountain of some height, on the top of which there is a chapel, the object, during certain days of the year, of many pilgrimages. The excursion delighted him while it lasted; though he exerted himself too much, and the effect was considerable lsasitude and weakness on his return. During the expedition he conceived the idea, and wrote, in the three days immediately succeeding to his return, the Witch of Atlas.
This poem is peculiarly characteristic of his tastes -- wildly fanciful, full of brilliant imagery, and discarding human interest and passion, to revel in the fantastic ideas that his imagination suggested.'
~ Percy Bysshe Shelley, The Witch Of Atlas
,
1190:A SATYRIC DRAMA TRANSLATED FROM THE GREEK OF EURIPIDES.

SILENUS.
ULYSSES.
CHORUS OF SATYRS.
THE CYCLOPS.

SILENUS:
O Bacchus, what a world of toil, both now
And ere these limbs were overworn with age,
Have I endured for thee! First, when thou fledst
The mountain-nymphs who nursed thee, driven afar
By the strange madness Juno sent upon thee;
Then in the battle of the Sons of Earth,
When I stood foot by foot close to thy side,
No unpropitious fellow-combatant,
And, driving through his shield my winged spear,
Slew vast Enceladus. Consider now,
Is it a dream of which I speak to thee?
By Jove it is not, for you have the trophies!
And now I suffer more than all before.
For when I heard that Juno had devised
A tedious voyage for you, I put to sea
With all my children quaint in search of you,
And I myself stood on the beaked prow
And fixed the naked mast; and all my boys
Leaning upon their oars, with splash and strain
Made white with foam the green and purple sea,--
And so we sought you, king. We were sailing
Near Malea, when an eastern wind arose,
And drove us to this waste Aetnean rock;
The one-eyed children of the Ocean God,
The man-destroying Cyclopses, inhabit,
On this wild shore, their solitary caves,
And one of these, named Polypheme. has caught us
To be his slaves; and so, for all delight
Of Bacchic sports, sweet dance and melody,
We keep this lawless giants wandering flocks.
My sons indeed on far declivities,
Young things themselves, tend on the youngling sheep,
But I remain to fill the water-casks,
Or sweeping the hard floor, or ministering
Some impious and abominable meal
To the fell Cyclops. I am wearied of it!
And now I must scrape up the littered floor
With this great iron rake, so to receive
My absent master and his evening sheep
In a cave neat and clean. Even now I see
My children tending the flocks hitherward.
Ha! what is this? are your Sicinnian measures
Even now the same, as when with dance and song
You brought young Bacchus to Althaeas halls?

CHORUS OF SATYRS:

STROPHE:
Where has he of race divine
Wandered in the winding rocks?
Here the air is calm and fine
For the father of the flocks;--
Here the grass is soft and sweet,
And the river-eddies meet
In the trough beside the cave,
Bright as in their fountain wave.--
Neither here, nor on the dew
Of the lawny uplands feeding?
Oh, you come!a stone at you
Will I throw to mend your breeding;--
Get along, you horned thing,
Wild, seditious, rambling!

EPODE:
An Iacchic melody
To the golden Aphrodite
Will I lift, as erst did I
Seeking her and her delight
With the Maenads, whose white feet
To the music glance and fleet.
Bacchus, O beloved, where,
Shaking wide thy yellow hair,
Wanderest thou alone, afar?
To the one-eyed Cyclops, we,
Who by right thy servants are,
Minister in misery,
In these wretched goat-skins clad,
Far from thy delights and thee.

SILENUS:
Be silent, sons; command the slaves to drive
The gathered flocks into the rock-roofed cave.

CHORUS:
Go! But what needs this serious haste, O father?

SILENUS:
I see a Grecian vessel on the coast,
And thence the rowers with some general
Approaching to this cave.About their necks
Hang empty vessels, as they wanted food,
And water-flasks.Oh, miserable strangers!
Whence come they, that they know not what and who
My master is, approaching in ill hour
The inhospitable roof of Polypheme,
And the Cyclopian jaw-bone, man-destroying?
Be silent, Satyrs, while I ask and hear 85
Whence coming, they arrive the Aetnean hill.

ULYSSES:
Friends, can you show me some clear water-spring,
The remedy of our thirst? Will any one
Furnish with food seamen in want of it?
Ha! what is this? We seem to be arrived
At the blithe court of Bacchus. I observe
This sportive band of Satyrs near the caves.
First let me greet the elder.--Hail!

SILENUS:
Hail thou,
O Stranger! tell thy country and thy race.

ULYSSES:
The Ithacan Ulysses and the king
Of Cephalonia.

SILENUS:
Oh! I know the man,
Wordy and shrewd, the son of Sisyphus.

ULYSSES:
I am the same, but do not rail upon me.--

SILENUS:
Whence sailing do you come to Sicily?

ULYSSES:
From Ilion, and from the Trojan toils.

SILENUS:
How, touched you not at your paternal shore?

ULYSSES:
The strength of tempests bore me here by force.

SILENUS:
The self-same accident occurred to me.

ULYSSES:
Were you then driven here by stress of weather?

SILENUS:
Following the Pirates who had kidnapped Bacchus.

ULYSSES:
What land is this, and who inhabit it?--

SILENUS:
Aetna, the loftiest peak in Sicily.

ULYSSES:
And are there walls, and tower-surrounded towns?

SILENUS:
There are not.--These lone rocks are bare of men.

ULYSSES:
And who possess the land? the race of beasts?

SILENUS:
Cyclops, who live in caverns, not in houses.

ULYSSES:
Obeying whom? Or is the state popular?

SILENUS:
Shepherds: no one obeys any in aught.

ULYSSES:
How live they? do they sow the corn of Ceres?

SILENUS:
On milk and cheese, and on the flesh of sheep.

ULYSSES:
Have they the Bromian drink from the vines stream?

SILENUS:
Ah! no; they live in an ungracious land.

ULYSSES:
And are they just to strangers?hospitable?

SILENUS:
They think the sweetest thing a stranger brings
Is his own flesh.

ULYSSES:
What! do they eat mans flesh?

SILENUS:
No one comes here who is not eaten up.

ULYSSES:
The Cyclops now--where is he? Not at home?

SILENUS:
Absent on Aetna, hunting with his dogs.

ULYSSES:
Knowst thou what thou must do to aid us hence?

SILENUS:
I know not: we will help you all we can.

ULYSSES:
Provide us food, of which we are in want.

SILENUS:
Here is not anything, as I said, but meat.

ULYSSES:
But meat is a sweet remedy for hunger.

SILENUS:
Cows milk there is, and store of curdled cheese.

ULYSSES:
Bring out:--I would see all before I bargain.

SILENUS:
But how much gold will you engage to give?

ULYSSES:
I bring no gold, but Bacchic juice.

SILENUS:
Oh, joy!
Tis long since these dry lips were wet with wine.

ULYSSES:
Maron, the son of the God, gave it me.

SILENUS:
Whom I have nursed a baby in my arms.

ULYSSES:
The son of Bacchus, for your clearer knowledge.

SILENUS:
Have you it now?or is it in the ship?

ULYSSES:
Old man, this skin contains it, which you see.

SILENUS:
Why, this would hardly be a mouthful for me.

ULYSSES:
Nay, twice as much as you can draw from thence.

SILENUS:
You speak of a fair fountain, sweet to me.

ULYSSES:
Would you first taste of the unmingled wine?

SILENUS:
Tis justtasting invites the purchaser.

ULYSSES:
Here is the cup, together with the skin.

SILENUS:
Pour: that the draught may fillip my remembrance.

ULYSSES:
See!

SILENUS:
Papaiapax! what a sweet smell it has!

ULYSSES:
You see it then?--

SILENUS:
By Jove, no! but I smell it.

ULYSSES:
Taste, that you may not praise it in words only.

SILENUS:
Babai! Great Bacchus calls me forth to dance!
Joy! joy!

ULYSSES:
Did it flow sweetly down your throat?

SILENUS:
So that it tingled to my very nails.

ULYSSES:
And in addition I will give you gold.

SILENUS:
Let gold alone! only unlock the cask.

ULYSSES:
Bring out some cheeses now, or a young goat.

SILENUS:
That will I do, despising any master.
Yes, let me drink one cup, and I will give
All that the Cyclops feed upon their mountains.
...

CHORUS:
Ye have taken Troy and laid your hands on Helen?

ULYSSES:
And utterly destroyed the race of Priam.
...

SILENUS:
The wanton wretch! she was bewitched to see
The many-coloured anklets and the chain
Of woven gold which girt the neck of Paris,
And so she left that good man Menelaus.
There should be no more women in the world
But such as are reserved for me alone.--
See, here are sheep, and here are goats, Ulysses,
Here are unsparing cheeses of pressed milk;
Take them; depart with what good speed ye may;
First leaving my reward, the Bacchic dew
Of joy-inspiring grapes.

ULYSSES:
Ah me! Alas!
What shall we do? the Cyclops is at hand!
Old man, we perish! whither can we fly?

SILENUS:
Hide yourselves quick within that hollow rock.

ULYSSES:
Twere perilous to fly into the net.

SILENUS:
The cavern has recesses numberless;
Hide yourselves quick.

ULYSSES:
That will I never do!
The mighty Troy would be indeed disgraced
If I should fly one man. How many times
Have I withstood, with shield immovable.
Ten thousand Phrygians!if I needs must die,
Yet will I die with glory;--if I live,
The praise which I have gained will yet remain.

SILENUS:
What, ho! assistance, comrades, haste, assistance!

[THE CYCLOPS, SILENUS, ULYSSES; CHORUS.]

CYCLOPS:
What is this tumult? Bacchus is not here,
Nor tympanies nor brazen castanets.
How are my young lambs in the cavern? Milking
Their dams or playing by their sides? And is
The new cheese pressed into the bulrush baskets?
Speak! Ill beat some of you till you rain tears--
Look up, not downwards when I speak to you.

SILENUS:
See! I now gape at Jupiter himself;
I stare upon Orion and the stars.

CYCLOPS:
Well, is the dinner fitly cooked and laid?

SILENUS:
All ready, if your throat is ready too.

CYCLOPS:
Are the bowls full of milk besides?

SILENUS:
Oer-brimming;
So you may drink a tunful if you will.

CYCLOPS:
Is it ewes milk or cows milk, or both mixed?--

SILENUS:
Both, either; only pray dont swallow me.

CYCLOPS:
By no means.--
...
What is this crowd I see beside the stalls?
Outlaws or thieves? for near my cavern-home
I see my young lambs coupled two by two
With willow bands; mixed with my cheeses lie
Their implements; and this old fellow here
Has his bald head broken with stripes.

SILENUS:
Ah me!
I have been beaten till I burn with fever.

CYCLOPS:
By whom? Who laid his fist upon your head?

SILENUS:
Those men, because I would not suffer them
To steal your goods.

CYCLOPS:
Did not the rascals know
I am a God, sprung from the race of Heaven?

SILENUS:
I told them so, but they bore off your things,
And ate the cheese in spite of all I said,
And carried out the lambsand said, moreover,
Theyd pin you down with a three-cubit collar,
And pull your vitals out through your one eye,
Furrow your back with stripes, then, binding you,
Throw you as ballast into the ships hold,
And then deliver you, a slave, to move
Enormous rocks, or found a vestibule.

CYCLOPS:
In truth? Nay, haste, and place in order quickly
The cooking-knives, and heap upon the hearth,
And kindle it, a great **** of wood.--
As soon as they are slaughtered, they shall fill
My belly, broiling warm from the live coals,
Or boiled and seethed within the bubbling caldron.
I am quite sick of the wild mountain game;
Of stags and lions I have gorged enough,
And I grow hungry for the flesh of men.

SILENUS:
Nay, master, something new is very pleasant
After one thing forever, and of late
Very few strangers have approached our cave.

ULYSSES:
Hear, Cyclops, a plain tale on the other side.
We, wanting to buy food, came from our ship
Into the neighbourhood of your cave, and here
This old Silenus gave us in exchange
These lambs for wine, the which he took and drank,
And all by mutual compact, without force.
There is no word of truth in what he says,
For slyly he was selling all your store.

SILENUS:
I? May you perish, wretch--

ULYSSES:
If I speak false!

SILENUS:
Cyclops, I swear by Neptune who begot thee,
By mighty Triton and by Nereus old,
Calypso and the glaucous Ocean Nymphs,
The sacred waves and all the race of fishes--
Be these the witnesses, my dear sweet master,
My darling little Cyclops, that I never
Gave any of your stores to these false strangers;--
If I speak false may those whom most I love,
My children, perish wretchedly!

CHORUS:
There stop!
I saw him giving these things to the strangers.
If I speak false, then may my father perish,
But do not thou wrong hospitality.

CYCLOPS:
You lie! I swear that he is juster far
Than Rhadamanthus--I trust more in him.
But let me ask, whence have ye sailed, O strangers?
Who are you? And what city nourished ye?

ULYSSES:
Our race is Ithacan--having destroyed
The town of Troy, the tempests of the sea
Have driven us on thy land, O Polypheme.

CYCLOPS:
What, have ye shared in the unenvied spoil
Of the false Helen, near Scamanders stream?

ULYSSES:
The same, having endured a woful toil.

CYCLOPS:
Oh, basest expedition! sailed ye not
From Greece to Phrygia for one womans sake?

ULYSSES:
Twas the Gods workno mortal was in fault.
But, O great Offspring of the Ocean-King,
We pray thee and admonish thee with freedom,
That thou dost spare thy friends who visit thee,
And place no impious food within thy jaws.
For in the depths of Greece we have upreared
Temples to thy great Father, which are all
His homes. The sacred bay of Taenarus
Remains inviolate, and each dim recess
Scooped high on the Malean promontory,
And aery Suniums silver-veined crag,
Which divine Pallas keeps unprofaned ever,
The Gerastian asylums, and whateer
Within wide Greece our enterprise has kept
From Phrygian contumely; and in which
You have a common care, for you inhabit
The skirts of Grecian land, under the roots
Of Aetna and its crags, spotted with fire.
Turn then to converse under human laws,
Receive us shipwrecked suppliants, and provide
Food, clothes, and fire, and hospitable gifts;
Nor fixing upon oxen-piercing spits
Our limbs, so fill your belly and your jaws.
Priams wide land has widowed Greece enough;
And weapon-winged murder leaped together
Enough of dead, and wives are husbandless,
And ancient women and gray fathers wail
Their childless age;if you should roast the rest--
And tis a bitter feast that you prepare--
Where then would any turn? Yet be persuaded;
Forgo the lust of your jaw-bone; prefer
Pious humanity to wicked will:
Many have bought too dear their evil joys.

SILENUS:
Let me advise you, do not spare a morsel
Of all his flesh. If you should eat his tongue
You would become most eloquent, O Cyclops.

CYCLOPS:
Wealth, my good fellow, is the wise mans God,
All other things are a pretence and boast.
What are my fathers ocean promontories,
The sacred rocks whereon he dwells, to me?
Stranger, I laugh to scorn Joves thunderbolt,
I know not that his strength is more than mine.
As to the rest I care not.When he pours
Rain from above, I have a close pavilion
Under this rock, in which I lie supine,
Feasting on a roast calf or some wild beast,
And drinking pans of milk, and gloriously
Emulating the thunder of high Heaven.
And when the Thracian wind pours down the snow,
I wrap my body in the skins of beasts,
Kindle a fire, and bid the snow whirl on.
The earth, by force, whether it will or no,
Bringing forth grass, fattens my flocks and herds,
Which, to what other God but to myself
And this great belly, first of deities,
Should I be bound to sacrifice? I well know
The wise mans only Jupiter is this,
To eat and drink during his little day,
And give himself no care. And as for those
Who complicate with laws the life of man,
I freely give them tears for their reward.
I will not cheat my soul of its delight,
Or hesitate in dining upon you:--
And that I may be quit of all demands,
These are my hospitable gifts;fierce fire
And yon ancestral caldron, which oer-bubbling
Shall finely cook your miserable flesh.
Creep in!--
...

ULYSSES:
Ai! ai! I have escaped the Trojan toils,
I have escaped the sea, and now I fall
Under the cruel grasp of one impious man.
O Pallas, Mistress, Goddess, sprung from Jove,
Now, now, assist me! Mightier toils than Troy
Are these;I totter on the chasms of peril;--
And thou who inhabitest the thrones
Of the bright stars, look, hospitable Jove,
Upon this outrage of thy deity,
Otherwise be considered as no God!

CHORUS (ALONE):
For your gaping gulf and your gullet wide,
The ravin is ready on every side,
The limbs of the strangers are cooked and done;
There is boiled meat, and roast meat, and meat from the coal,
You may chop it, and tear it, and gnash it for fun,
An hairy goats-skin contains the whole.
Let me but escape, and ferry me oer
The stream of your wrath to a safer shore.
The Cyclops Aetnean is cruel and bold,
He murders the strangers
That sit on his hearth,
And dreads no avengers
To rise from the earth.
He roasts the men before they are cold,
He snatches them broiling from the coal,
And from the caldron pulls them whole,
And minces their flesh and gnaws their bone
With his cursed teeth, till all be gone.
Farewell, foul pavilion:
Farewell, rites of dread!
The Cyclops vermilion,
With slaughter uncloying,
Now feasts on the dead,
In the flesh of strangers joying!

ULYSSES:
O Jupiter! I saw within the cave
Horrible things; deeds to be feigned in words,
But not to be believed as being done.

CHORUS:
What! sawest thou the impious Polypheme
Feasting upon your loved companions now?

ULYSSES:
Selecting two, the plumpest of the crowd,
He grasped them in his hands.--

CHORUS:
Unhappy man!
...

ULYSSES:
Soon as we came into this craggy place,
Kindling a fire, he cast on the broad hearth
The knotty limbs of an enormous oak,
Three waggon-loads at least, and then he strewed
Upon the ground, beside the red firelight,
His couch of pine-leaves; and he milked the cows,
And pouring forth the white milk, filled a bowl
Three cubits wide and four in depth, as much
As would contain ten amphorae, and bound it
With ivy wreaths; then placed upon the fire
A brazen pot to boil, and made red hot
The points of spits, not sharpened with the sickle
But with a fruit tree bough, and with the jaws
Of axes for Aetnean slaughterings.
And when this God-abandoned Cook of Hell
Had made all ready, he seized two of us
And killed them in a kind of measured manner;
For he flung one against the brazen rivets
Of the huge caldron, and seized the other
By the foots tendon, and knocked out his brains
Upon the sharp edge of the craggy stone:
Then peeled his flesh with a great cooking-knife
And put him down to roast. The others limbs
He chopped into the caldron to be boiled.
And I, with the tears raining from my eyes,
Stood near the Cyclops, ministering to him;
The rest, in the recesses of the cave,
Clung to the rock like bats, bloodless with fear.
When he was filled with my companions flesh,
He threw himself upon the ground and sent
A loathsome exhalation from his maw.
Then a divine thought came to me. I filled
The cup of Maron, and I offered him
To taste, and said:Child of the Ocean God,
Behold what drink the vines of Greece produce,
The exultation and the joy of Bacchus.
He, satiated with his unnatural food,
Received it, and at one draught drank it off,
And taking my hand, praised me:Thou hast given
A sweet draught after a sweet meal, dear guest.
And I, perceiving that it pleased him, filled
Another cup, well knowing that the wine
Would wound him soon and take a sure revenge.
And the charm fascinated him, and I
Plied him cup after cup, until the drink
Had warmed his entrails, and he sang aloud
In concert with my wailing fellow-seamen
A hideous discordand the cavern rung.
I have stolen out, so that if you will
You may achieve my safety and your own.
But say, do you desire, or not, to fly
This uncompanionable man, and dwell
As was your wont among the Grecian Nymphs
Within the fanes of your beloved God?
Your father there within agrees to it,
But he is weak and overcome with wine,
And caught as if with bird-lime by the cup,
He claps his wings and crows in doting joy.
You who are young escape with me, and find
Bacchus your ancient friend; unsuited he
To this rude Cyclops.

CHORUS:
Oh my dearest friend,
That I could see that day, and leave for ever
The impious Cyclops.
...

ULYSSES:
Listen then what a punishment I have
For this fell monster, how secure a flight
From your hard servitude.

CHORUS:
O sweeter far
Than is the music of an Asian lyre
Would be the news of Polypheme destroyed.

ULYSSES:
Delighted with the Bacchic drink he goes
To call his brother Cyclops--who inhabit
A village upon Aetna not far off.

CHORUS:
I understand, catching him when alone
You think by some measure to dispatch him,
Or thrust him from the precipice.

ULYSSES:
Oh no;
Nothing of that kind; my device is subtle.

CHORUS:
How then? I heard of old that thou wert wise.

ULYSSES:
I will dissuade him from this plan, by saying
It were unwise to give the Cyclopses
This precious drink, which if enjoyed alone
Would make life sweeter for a longer time.
When, vanquished by the Bacchic power, he sleeps,
There is a trunk of olive wood within,
Whose point having made sharp with this good sword
I will conceal in fire, and when I see
It is alight, will fix it, burning yet,
Within the socket of the Cyclops eye
And melt it out with fireas when a man
Turns by its handle a great auger round,
Fitting the framework of a ship with beams,
So will I, in the Cyclops fiery eye
Turn round the brand and dry the pupil up.

CHORUS:
Joy! I am mad with joy at your device.

ULYSSES:
And then with you, my friends, and the old man,
Well load the hollow depth of our black ship,
And row with double strokes from this dread shore.

CHORUS:
May I, as in libations to a God,
Share in the blinding him with the red brand?
I would have some communion in his death.

ULYSSES:
Doubtless: the brand is a great brand to hold.

CHORUS:
Oh! I would lift an hundred waggon-loads,
If like a wasps nest I could scoop the eye out
Of the detested Cyclops.

ULYSSES:
Silence now!
Ye know the close deviceand when I call,
Look ye obey the masters of the craft.
I will not save myself and leave behind
My comrades in the cave: I might escape,
Having got clear from that obscure recess,
But twere unjust to leave in jeopardy
The dear companions who sailed here with me.

CHORUS:
Come! who is first, that with his hand
Will urge down the burning brand
Through the lids, and quench and pierce
The Cyclops eye so fiery fierce?

SEMICHORUS 1 [SONG WITHIN]:
Listen! listen! he is coming,
A most hideous discord humming.
Drunken, museless, awkward, yelling,
Far along his rocky dwelling;
Let us with some comic spell
Teach the yet unteachable.
By all means he must be blinded,
If my counsel be but minded.

SEMICHORUS 2:
Happy thou made odorous
With the dew which sweet grapes weep,
To the village hastening thus,
Seek the vines that soothe to sleep;
Having first embraced thy friend,
Thou in luxury without end,
With the strings of yellow hair,
Of thy voluptuous leman fair,
Shalt sit playing on a bed!--
Speak! what door is opened?
CYCLOPS:
Ha! ha! ha! Im full of wine,
Heavy with the joy divine,
With the young feast oversated;
Like a merchants vessel freighted
To the waters edge, my crop
Is laden to the gullets top.
The fresh meadow grass of spring
Tempts me forth thus wandering
To my brothers on the mountains,
Who shall share the wines sweet fountains.
Bring the cask, O stranger, bring!

CHORUS:
One with eyes the fairest
Cometh from his dwelling;
Some one loves thee, rarest
Bright beyond my telling.
In thy grace thou shinest
Like some nymph divinest
In her caverns dewy:--
All delights pursue thee,
Soon pied flowers, sweet-breathing,
Shall thy head be wreathing.

ULYSSES:
Listen, O Cyclops, for I am well skilled
In Bacchus, whom I gave thee of to drink.

CYCLOPS:
What sort of God is Bacchus then accounted?

ULYSSES:
The greatest among men for joy of life.

CYCLOPS:
I gulped him down with very great delight.

ULYSSES:
This is a God who never injures men.

CYCLOPS:
How does the God like living in a skin?

ULYSSES:
He is content wherever he is put.

CYCLOPS:
Gods should not have their body in a skin.

ULYSSES:
If he gives joy, what is his skin to you?

CYCLOPS:
I hate the skin, but love the wine within.

ULYSSES:
Stay here now: drink, and make your spirit glad.
CYCLOPS:
Should I not share this liquor with my brothers?

ULYSSES:
Keep it yourself, and be more honoured so.

CYCLOPS:
I were more useful, giving to my friends.

ULYSSES:
But village mirth breeds contests, broils, and blows.

CYCLOPS:
When I am drunk none shall lay hands on me.--

ULYSSES:
A drunken man is better within doors.

CYCLOPS:
He is a fool, who drinking, loves not mirth.

ULYSSES:
But he is wise, who drunk, remains at home.

CYCLOPS:
What shall I do, Silenus? Shall I stay?

SILENUS:
Stayfor what need have you of pot companions?

CYCLOPS:
Indeed this place is closely carpeted
With flowers and grass.

SILENUS:
And in the sun-warm noon
Tis sweet to drink. Lie down beside me now,
Placing your mighty sides upon the ground.

CYCLOPS:
What do you put the cup behind me for?

SILENUS:
That no one here may touch it.

CYCLOPS:
Thievish One!
You want to drink;--here place it in the midst.
And thou, O stranger, tell how art thou called?

ULYSSES:
My name is Nobody. What favour now
Shall I receive to praise you at your hands?

CYCLOPS:
Ill feast on you the last of your companions.

ULYSSES:
You grant your guest a fair reward, O Cyclops.

CYCLOPS:
Ha! what is this? Stealing the wine, you rogue!

SILENUS:
It was this stranger kissing me because
I looked so beautiful.

CYCLOPS:
You shall repent
For kissing the coy wine that loves you not.

SILENUS:
By Jupiter! you said that I am fair.

CYCLOPS:
Pour out, and only give me the cup full.

SILENUS:
How is it mixed? let me observe.

CYCLOPS:
Curse you!
Give it me so.

SILENUS:
Not till I see you wear
That coronal, and taste the cup to you.

CYCLOPS:
Thou wily traitor!

SILENUS:
But the wine is sweet.
Ay, you will roar if you are caught in drinking.

CYCLOPS:

See now, my lip is clean and all my beard.

SILENUS:

Now put your elbow right and drink again.
As you see me drink--...

CYCLOPS:
How now?

SILENUS:
Ye Gods, what a delicious gulp!

CYCLOPS:
Guest, take it;--you pour out the wine for me.

ULYSSES:
The wine is well accustomed to my hand.

CYCLOPS:
Pour out the wine!

ULYSSES:
I pour; only be silent.

CYCLOPS:
Silence is a hard task to him who drinks.

ULYSSES:
Take it and drink it off; leave not a dreg.
Oh that the drinker died with his own draught!

CYCLOPS:
Papai! the vine must be a sapient plant.

ULYSSES:
If you drink much after a mighty feast,
Moistening your thirsty maw, you will sleep well;
If you leave aught, Bacchus will dry you up.

CYCLOPS:
Ho! ho! I can scarce rise. What pure delight!
The heavens and earth appear to whirl about
Confusedly. I see the throne of Jove
And the clear congregation of the Gods.
Now if the Graces tempted me to kiss
I would notfor the loveliest of them all
I would not leave this Ganymede.

SILENUS:
Polypheme,
I am the Ganymede of Jupiter.

CYCLOPS:
By Jove, you are; I bore you off from Dardanus.
...

[ULYSSES AND THE CHORUS.]

ULYSSES:
Come, boys of Bacchus, children of high race,
This man within is folded up in sleep,
And soon will vomit flesh from his fell maw;
The brand under the shed thrusts out its smoke,
No preparation needs, but to burn out
The monsters eye;but bear yourselves like men.

CHORUS:
We will have courage like the adamant rock,
All things are ready for you here; go in,
Before our father shall perceive the noise.

ULYSSES:
Vulcan, Aetnean king! burn out with fire
The shining eye of this thy neighbouring monster!
And thou, O Sleep, nursling of gloomy Night,
Descend unmixed on this God-hated beast,
And suffer not Ulysses and his comrades,
Returning from their famous Trojan toils,
To perish by this man, who cares not either
For God or mortal; or I needs must think
That Chance is a supreme divinity,
And things divine are subject to her power.
CHORUS:
Soon a crab the throat will seize
Of him who feeds upon his guest,
Fire will burn his lamp-like eyes
In revenge of such a feast!
A great oak stump now is lying
In the ashes yet undying.
Come, Maron, come!
Raging let him fix the doom,
Let him tear the eyelid up
Of the Cyclopsthat his cup
May be evil!
Oh! I long to dance and revel
With sweet Bromian, long desired,
In loved ivy wreaths attired;
Leaving this abandoned home--
Will the moment ever come?

ULYSSES:
Be silent, ye wild things! Nay, hold your peace,
And keep your lips quite close; dare not to breathe,
Or spit, or een wink, lest ye wake the monster,
Until his eye be tortured out with fire.

CHORUS:
Nay, we are silent, and we chaw the air.

ULYSSES:
Come now, and lend a hand to the great stake
Withinit is delightfully red hot.

CHORUS:
You then command who first should seize the stake
To burn the Cyclops eye, that all may share
In the great enterprise.

SEMICHORUS 1:
We are too far;
We cannot at this distance from the door
Thrust fire into his eye.

SEMICHORUS 2:
And we just now
Have become lame! cannot move hand or foot.

CHORUS:
The same thing has occurred to us,--our ankles
Are sprained with standing here, I know not how.

ULYSSES:
What, sprained with standing still?

CHORUS:
And there is dust
Or ashes in our eyes, I know not whence.

ULYSSES:
Cowardly dogs! ye will not aid me then?

CHORUS:
With pitying my own back and my back-bone,
And with not wishing all my teeth knocked out,
This cowardice comes of itselfbut stay,
I know a famous Orphic incantation
To make the brand stick of its own accord
Into the skull of this one-eyed son of Earth.

ULYSSES:
Of old I knew ye thus by nature; now
I know ye better.I will use the aid
Of my own comrades. Yet though weak of hand
Speak cheerfully, that so ye may awaken
The courage of my friends with your blithe words.

CHORUS:
This I will do with peril of my life,
And blind you with my exhortations, Cyclops.
Hasten and thrust,
And parch up to dust,
The eye of the beast
Who feeds on his guest.
Burn and blind
The Aetnean hind!
Scoop and draw,
But beware lest he claw
Your limbs near his maw.

CYCLOPS:
Ah me! my eyesight is parched up to cinders.

CHORUS:
What a sweet paean! sing me that again!

CYCLOPS:
Ah me! indeed, what woe has fallen upon me!
But, wretched nothings, think ye not to flee
Out of this rock; I, standing at the outlet,
Will bar the way and catch you as you pass.

CHORUS:
What are you roaring out, Cyclops?

CYCLOPS:
I perish!

CHORUS:
For you are wicked.

CYCLOPS:
And besides miserable.

CHORUS:
What, did you fall into the fire when drunk?

CYCLOPS:
Twas Nobody destroyed me.

CHORUS:
Why then no one
Can be to blame.

CYCLOPS:
I say twas Nobody
Who blinded me.

CHORUS:
Why then you are not blind.

CYCLOPS:
I wish you were as blind as I am.

CHORUS:
Nay,
It cannot be that no one made you blind.

CYCLOPS:
You jeer me; where, I ask, is Nobody?

CHORUS:
Nowhere, O Cyclops.

CYCLOPS:
It was that stranger ruined me:--the wretch
First gave me wine and then burned out my eye,
For wine is strong and hard to struggle with.
Have they escaped, or are they yet within?

CHORUS:
They stand under the darkness of the rock
And cling to it.

CYCLOPS:
At my right hand or left?

CHORUS:
Close on your right.

CYCLOPS:
Where?

CHORUS:
Near the rock itself.
You have them.

CYCLOPS:
Oh, misfortune on misfortune!
Ive cracked my skull.

CHORUS:
Now they escape you--there.

CYCLOPS:
Not there, although you say so.

CHORUS:
Not on that side.

CYCLOPS:
Where then?

CHORUS:
They creep about you on your left.

CYCLOPS:
Ah! I am mocked! They jeer me in my ills.

CHORUS:
Not there! he is a little there beyond you.

CYCLOPS:
Detested wretch! where are you?

ULYSSES:
Far from you
I keep with care this body of Ulysses.

CYCLOPS:
What do you say? You proffer a new name.

ULYSSES:
My father named me so; and I have taken
A full revenge for your unnatural feast;
I should have done ill to have burned down Troy
And not revenged the murder of my comrades.

CYCLOPS:
Ai! ai! the ancient oracle is accomplished;
It said that I should have my eyesight blinded
By your coming from Troy, yet it foretold
That you should pay the penalty for this
By wandering long over the homeless sea.

ULYSSES:
I bid thee weepconsider what I say;
I go towards the shore to drive my ship
To mine own land, oer the Sicilian wave.

CYCLOPS:
Not so, if, whelming you with this huge stone,
I can crush you and all your men together;
I will descend upon the shore, though blind,
Groping my way adown the steep ravine.

CHORUS:
And we, the shipmates of Ulysses now,
Will serve our Bacchus all our happy lives.
Published by Mrs. Shelley, Posthumous Poems, 1824; dated 1819. Amongst the Shelley manuscripts at the Bodleian there is a copy, 'practically complete,' which has been collated by Mr. C.D. Locock. See Examination, etc., 1903, pages 64-70. 'Though legible throughout, and comparatively free from corrections, it has the appearance of being a first draft' (Locock).
~ Percy Bysshe Shelley, The Cyclops
,
1191:Earth, Ocean, Air, belovd brotherhood!
If our great Mother has imbued my soul
With aught of natural piety to feel
Your love, and recompense the boon with mine;
If dewy morn, and odorous noon, and even,
With sunset and its gorgeous ministers,
And solemn midnight's tingling silentness;
If Autumn's hollow sighs in the sere wood,
And Winter robing with pure snow and crowns
Of starry ice the gray grass and bare boughs;
If Spring's voluptuous pantings when she breathes
Her first sweet kisses,have been dear to me;
If no bright bird, insect, or gentle beast
I consciously have injured, but still loved
And cherished these my kindred; then forgive
This boast, belovd brethren, and withdraw
No portion of your wonted favor now!

Mother of this unfathomable world!
Favor my solemn song, for I have loved
Thee ever, and thee only; I have watched
Thy shadow, and the darkness of thy steps,
And my heart ever gazes on the depth
Of thy deep mysteries. I have made my bed
In charnels and on coffins, where black death
Keeps record of the trophies won from thee,
Hoping to still these obstinate questionings
Of thee and thine, by forcing some lone ghost,
Thy messenger, to render up the tale
Of what we are. In lone and silent hours,
When night makes a weird sound of its own stillness,
Like an inspired and desperate alchemist
Staking his very life on some dark hope,
Have I mixed awful talk and asking looks
With my most innocent love, until strange tears,
Uniting with those breathless kisses, made
Such magic as compels the charmd night
To render up thy charge; and, though ne'er yet
Thou hast unveiled thy inmost sanctuary,
Enough from incommunicable dream,
And twilight phantasms, and deep noonday thought,
Has shone within me, that serenely now
And moveless, as a long-forgotten lyre
Suspended in the solitary dome
Of some mysterious and deserted fane,
I wait thy breath, Great Parent, that my strain
May modulate with murmurs of the air,
And motions of the forests and the sea,
And voice of living beings, and woven hymns
Of night and day, and the deep heart of man.

There was a Poet whose untimely tomb
No human hands with pious reverence reared,
But the charmed eddies of autumnal winds
Built o'er his mouldering bones a pyramid
Of mouldering leaves in the waste wilderness:
A lovely youth,no mourning maiden decked
With weeping flowers, or votive cypress wreath,
The lone couch of his everlasting sleep:
Gentle, and brave, and generous,no lorn bard
Breathed o'er his dark fate one melodious sigh:
He lived, he died, he sung in solitude.  
Strangers have wept to hear his passionate notes,
And virgins, as unknown he passed, have pined
And wasted for fond love of his wild eyes.
The fire of those soft orbs has ceased to burn,
And Silence, too enamoured of that voice,
Locks its mute music in her rugged cell.

By solemn vision and bright silver dream
His infancy was nurtured. Every sight
And sound from the vast earth and ambient air
Sent to his heart its choicest impulses.
The fountains of divine philosophy
Fled not his thirsting lips, and all of great,
Or good, or lovely, which the sacred past
In truth or fable consecrates, he felt
And knew. When early youth had passed, he left
His cold fireside and alienated home
To seek strange truths in undiscovered lands.
Many a wide waste and tangled wilderness
Has lured his fearless steps; and he has bought
With his sweet voice and eyes, from savage men,
His rest and food. Nature's most secret steps
He like her shadow has pursued, where'er
The red volcano overcanopies
Its fields of snow and pinnacles of ice
With burning smoke, or where bitumen lakes
On black bare pointed islets ever beat
With sluggish surge, or where the secret caves,
Rugged and dark, winding among the springs
Of fire and poison, inaccessible
To avarice or pride, their starry domes
Of diamond and of gold expand above
Numberless and immeasurable halls,
Frequent with crystal column, and clear shrines
Of pearl, and thrones radiant with chrysolite.
Nor had that scene of ampler majesty
Than gems or gold, the varying roof of heaven
And the green earth, lost in his heart its claims
To love and wonder; he would linger long
In lonesome vales, making the wild his home,
Until the doves and squirrels would partake
From his innocuous band his bloodless food,
Lured by the gentle meaning of his looks,
And the wild antelope, that starts whene'er
The dry leaf rustles in the brake, suspend
Her timid steps, to gaze upon a form
More graceful than her own.

His wandering step,
Obedient to high thoughts, has visited
The awful ruins of the days of old:
Athens, and Tyre, and Balbec, and the waste
Where stood Jerusalem, the fallen towers
Of Babylon, the eternal pyramids,
Memphis and Thebes, and whatsoe'er of strange,
Sculptured on alabaster obelisk
Or jasper tomb or mutilated sphinx,
Dark thiopia in her desert hills
Conceals. Among the ruined temples there,
Stupendous columns, and wild images
Of more than man, where marble daemons watch
The Zodiac's brazen mystery, and dead men
Hang their mute thoughts on the mute walls around,
He lingered, poring on memorials
Of the world's youth: through the long burning day
Gazed on those speechless shapes; nor, when the moon
Filled the mysterious halls with floating shades
Suspended he that task, but ever gazed
And gazed, till meaning on his vacant mind
Flashed like strong inspiration, and he saw
The thrilling secrets of the birth of time.

Meanwhile an Arab maiden brought his food,
Her daily portion, from her father's tent,
And spread her matting for his couch, and stole
From duties and repose to tend his steps,
Enamoured, yet not daring for deep awe
To speak her love, and watched his nightly sleep,
Sleepless herself, to gaze upon his lips
Parted in slumber, whence the regular breath
Of innocent dreams arose; then, when red morn
Made paler the pale moon, to her cold home
Wildered, and wan, and panting, she returned.

The Poet, wandering on, through Arabie,
And Persia, and the wild Carmanian waste,
And o'er the arial mountains which pour down
Indus and Oxus from their icy caves,
In joy and exultation held his way;
Till in the vale of Cashmire, far within
Its loneliest dell, where odorous plants entwine
Beneath the hollow rocks a natural bower,
Beside a sparkling rivulet he stretched
His languid limbs. A vision on his sleep
There came, a dream of hopes that never yet
Had flushed his cheek. He dreamed a veild maid
Sate near him, talking in low solemn tones.
Her voice was like the voice of his own soul
Heard in the calm of thought; its music long,
Like woven sounds of streams and breezes, held
His inmost sense suspended in its web
Of many-colored woof and shifting hues.
Knowledge and truth and virtue were her theme,
And lofty hopes of divine liberty,
Thoughts the most dear to him, and poesy,
Herself a poet. Soon the solemn mood
Of her pure mind kindled through all her frame
A permeating fire; wild numbers then
She raised, with voice stifled in tremulous sobs
Subdued by its own pathos; her fair hands
Were bare alone, sweeping from some strange harp
Strange symphony, and in their branching veins
The eloquent blood told an ineffable tale.
The beating of her heart was heard to fill
The pauses of her music, and her breath
Tumultuously accorded with those fits
Of intermitted song. Sudden she rose,
As if her heart impatiently endured
Its bursting burden; at the sound he turned,
And saw by the warm light of their own life
Her glowing limbs beneath the sinuous veil
Of woven wind, her outspread arms now bare,
Her dark locks floating in the breath of night,
Her beamy bending eyes, her parted lips
Outstretched, and pale, and quivering eagerly.
His strong heart sunk and sickened with excess
Of love. He reared his shuddering limbs, and quelled
His gasping breath, and spread his arms to meet
Her panting bosom:she drew back awhile,
Then, yielding to the irresistible joy,
With frantic gesture and short breathless cry
Folded his frame in her dissolving arms.
Now blackness veiled his dizzy eyes, and night
Involved and swallowed up the vision; sleep,
Like a dark flood suspended in its course,
Rolled back its impulse on his vacant brain.

Roused by the shock, he started from his trance
The cold white light of morning, the blue moon
Low in the west, the clear and garish hills,
The distinct valley and the vacant woods,
Spread round him where he stood. Whither have fled
The hues of heaven that canopied his bower
Of yesternight? The sounds that soothed his sleep,
The mystery and the majesty of Earth,
The joy, the exultation? His wan eyes
Gaze on the empty scene as vacantly
As ocean's moon looks on the moon in heaven.
The spirit of sweet human love has sent
A vision to the sleep of him who spurned
Her choicest gifts. He eagerly pursues
Beyond the realms of dream that fleeting shade;
He overleaps the bounds. Alas! alas!
Were limbs and breath and being intertwined
Thus treacherously? Lost, lost, forever lost
In the wide pathless desert of dim sleep,
That beautiful shape! Does the dark gate of death
Conduct to thy mysterious paradise,
O Sleep? Does the bright arch of rainbow clouds
And pendent mountains seen in the calm lake
Lead only to a black and watery depth,
While death's blue vault with loathliest vapors hung,
Where every shade which the foul grave exhales
Hides its dead eye from the detested day,
Conducts, O Sleep, to thy delightful realms?
This doubt with sudden tide flowed on his heart;
The insatiate hope which it awakened stung
His brain even like despair.

While daylight held
The sky, the Poet kept mute conference
With his still soul. At night the passion came,
Like the fierce fiend of a distempered dream,
And shook him from his rest, and led him forth
Into the darkness. As an eagle, grasped
In folds of the green serpent, feels her breast
Burn with the poison, and precipitates
Through night and day, tempest, and calm, and cloud,
Frantic with dizzying anguish, her blind flight
O'er the wide ary wilderness: thus driven
By the bright shadow of that lovely dream,
Beneath the cold glare of the desolate night,
Through tangled swamps and deep precipitous dells,
Startling with careless step the moon-light snake,
He fled. Red morning dawned upon his flight,
Shedding the mockery of its vital hues
Upon his cheek of death. He wandered on
Till vast Aornos seen from Petra's steep
Hung o'er the low horizon like a cloud;
Through Balk, and where the desolated tombs
Of Parthian kings scatter to every wind
Their wasting dust, wildly he wandered on,
Day after day, a weary waste of hours,
Bearing within his life the brooding care
That ever fed on its decaying flame.
And now his limbs were lean; his scattered hair,
Sered by the autumn of strange suffering,
Sung dirges in the wind; his listless hand
Hung like dead bone within its withered skin;
Life, and the lustre that consumed it, shone,
As in a furnace burning secretly,
From his dark eyes alone. The cottagers,
Who ministered with human charity
His human wants, beheld with wondering awe
Their fleeting visitant. The mountaineer,
Encountering on some dizzy precipice
That spectral form, deemed that the Spirit of Wind,
With lightning eyes, and eager breath, and feet
Disturbing not the drifted snow, had paused
In its career; the infant would conceal
His troubled visage in his mother's robe
In terror at the glare of those wild eyes,
To remember their strange light in many a dream
Of after times; but youthful maidens, taught
By nature, would interpret half the woe
That wasted him, would call him with false names
Brother and friend, would press his pallid hand
At parting, and watch, dim through tears, the path
Of his departure from their father's door.

At length upon the lone Chorasmian shore
He paused, a wide and melancholy waste
Of putrid marshes. A strong impulse urged
His steps to the sea-shore. A swan was there,
Beside a sluggish stream among the reeds.
It rose as he approached, and, with strong wings
Scaling the upward sky, bent its bright course
High over the immeasurable main.
His eyes pursued its flight:'Thou hast a home,
Beautiful bird! thou voyagest to thine home,
Where thy sweet mate will twine her downy neck
With thine, and welcome thy return with eyes
Bright in the lustre of their own fond joy.
And what am I that I should linger here,
With voice far sweeter than thy dying notes,
Spirit more vast than thine, frame more attuned
To beauty, wasting these surpassing powers
In the deaf air, to the blind earth, and heaven
That echoes not my thoughts?' A gloomy smile
Of desperate hope wrinkled his quivering lips.
For sleep, he knew, kept most relentlessly
Its precious charge, and silent death exposed,
Faithless perhaps as sleep, a shadowy lure,
With doubtful smile mocking its own strange charms.

Startled by his own thoughts, he looked around.
There was no fair fiend near him, not a sight
Or sound of awe but in his own deep mind.
A little shallop floating near the shore
Caught the impatient wandering of his gaze.
It had been long abandoned, for its sides
Gaped wide with many a rift, and its frail joints
Swayed with the undulations of the tide.
A restless impulse urged him to embark
And meet lone Death on the drear ocean's waste;
For well he knew that mighty Shadow loves
The slimy caverns of the populous deep.

The day was fair and sunny; sea and sky
Drank its inspiring radiance, and the wind
Swept strongly from the shore, blackening the waves.
Following his eager soul, the wanderer
Leaped in the boat; he spread his cloak aloft
On the bare mast, and took his lonely seat,
And felt the boat speed o'er the tranquil sea
Like a torn cloud before the hurricane.

As one that in a silver vision floats
Obedient to the sweep of odorous winds
Upon resplendent clouds, so rapidly
Along the dark and ruffled waters fled
The straining boat. A whirlwind swept it on,
With fierce gusts and precipitating force,
Through the white ridges of the chafd sea.
The waves arose. Higher and higher still
Their fierce necks writhed beneath the tempest's scourge
Like serpents struggling in a vulture's grasp.
Calm and rejoicing in the fearful war
Of wave ruining on wave, and blast on blast
Descending, and black flood on whirlpool driven
With dark obliterating course, he sate:
As if their genii were the ministers
Appointed to conduct him to the light
Of those belovd eyes, the Poet sate,
Holding the steady helm. Evening came on;
The beams of sunset hung their rainbow hues
High 'mid the shifting domes of sheeted spray
That canopied his path o'er the waste deep;
Twilight, ascending slowly from the east,
Entwined in duskier wreaths her braided locks
O'er the fair front and radiant eyes of Day;
Night followed, clad with stars. On every side
More horribly the multitudinous streams
Of ocean's mountainous waste to mutual war
Rushed in dark tumult thundering, as to mock
The calm and spangled sky. The little boat
Still fled before the storm; still fled, like foam
Down the steep cataract of a wintry river;
Now pausing on the edge of the riven wave;
Now leaving far behind the bursting mass
That fell, convulsing ocean; safely fled
As if that frail and wasted human form
Had been an elemental god.

At midnight
The moon arose; and lo! the ethereal cliffs
Of Caucasus, whose icy summits shone
Among the stars like sunlight, and around
Whose caverned base the whirlpools and the waves
Bursting and eddying irresistibly
Rage and resound forever.Who shall save?
The boat fled on,the boiling torrent drove,
The crags closed round with black and jagged arms,
The shattered mountain overhung the sea,
And faster still, beyond all human speed,
Suspended on the sweep of the smooth wave,
The little boat was driven. A cavern there
Yawned, and amid its slant and winding depths
Ingulfed the rushing sea. The boat fled on
With unrelaxing speed.'Vision and Love!'
The Poet cried aloud, 'I have beheld
The path of thy departure. Sleep and death
Shall not divide us long.'

The boat pursued
The windings of the cavern. Daylight shone
At length upon that gloomy river's flow;
Now, where the fiercest war among the waves
Is calm, on the unfathomable stream
The boat moved slowly. Where the mountain, riven,
Exposed those black depths to the azure sky,
Ere yet the flood's enormous volume fell
Even to the base of Caucasus, with sound
That shook the everlasting rocks, the mass
Filled with one whirlpool all that ample chasm;
Stair above stair the eddying waters rose,
Circling immeasurably fast, and laved
With alternating dash the gnarld roots
Of mighty trees, that stretched their giant arms
In darkness over it. I' the midst was left,
Reflecting yet distorting every cloud,
A pool of treacherous and tremendous calm.
Seized by the sway of the ascending stream,
With dizzy swiftness, round and round and round,
Ridge after ridge the straining boat arose,
Till on the verge of the extremest curve,
Where through an opening of the rocky bank
The waters overflow, and a smooth spot
Of glassy quiet 'mid those battling tides
Is left, the boat paused shuddering.Shall it sink
Down the abyss? Shall the reverting stress
Of that resistless gulf embosom it?
Now shall it fall?A wandering stream of wind
Breathed from the west, has caught the expanded sail,
And, lo! with gentle motion between banks
Of mossy slope, and on a placid stream,
Beneath a woven grove, it sails, and, hark!
The ghastly torrent mingles its far roar
With the breeze murmuring in the musical woods.
Where the embowering trees recede, and leave
A little space of green expanse, the cove
Is closed by meeting banks, whose yellow flowers
Forever gaze on their own drooping eyes,
Reflected in the crystal calm. The wave
Of the boat's motion marred their pensive task,
Which naught but vagrant bird, or wanton wind,
Or falling spear-grass, or their own decay
Had e'er disturbed before. The Poet longed
To deck with their bright hues his withered hair,
But on his heart its solitude returned,
And he forbore. Not the strong impulse hid
In those flushed cheeks, bent eyes, and shadowy frame,
Had yet performed its ministry; it hung
Upon his life, as lightning in a cloud
Gleams, hovering ere it vanish, ere the floods
Of night close over it.

The noonday sun  
Now shone upon the forest, one vast mass
Of mingling shade, whose brown magnificence
A narrow vale embosoms. There, huge caves,
Scooped in the dark base of their ary rocks,
Mocking its moans, respond and roar forever.
The meeting boughs and implicated leaves
Wove twilight o'er the Poet's path, as, led
By love, or dream, or god, or mightier Death,
He sought in Nature's dearest haunt some bank,
Her cradle and his sepulchre. More dark
And dark the shades accumulate. The oak,
Expanding its immense and knotty arms,
Embraces the light beech. The pyramids
Of the tall cedar overarching frame
Most solemn domes within, and far below,
Like clouds suspended in an emerald sky,
The ash and the acacia floating hang
Tremulous and pale. Like restless serpents, clothed
In rainbow and in fire, the parasites,
Starred with ten thousand blossoms, flow around
The gray trunks, and, as gamesome infants' eyes,
With gentle meanings, and most innocent wiles,
Fold their beams round the hearts of those that love,
These twine their tendrils with the wedded boughs,
Uniting their close union; the woven leaves
Make network of the dark blue light of day
And the night's noontide clearness, mutable
As shapes in the weird clouds. Soft mossy lawns
Beneath these canopies extend their swells,
Fragrant with perfumed herbs, and eyed with blooms
Minute yet beautiful. One darkest glen
Sends from its woods of musk-rose twined with jasmine
A soul-dissolving odor to invite
To some more lovely mystery. Through the dell
Silence and Twilight here, twin-sisters, keep
Their noonday watch, and sail among the shades,
Like vaporous shapes half-seen; beyond, a well,
Dark, gleaming, and of most translucent wave,
Images all the woven boughs above,
And each depending leaf, and every speck
Of azure sky darting between their chasms;
Nor aught else in the liquid mirror laves
Its portraiture, but some inconstant star,
Between one foliaged lattice twinkling fair,
Or painted bird, sleeping beneath the moon,
Or gorgeous insect floating motionless,
Unconscious of the day, ere yet his wings
Have spread their glories to the gaze of noon.

Hither the Poet came. His eyes beheld
Their own wan light through the reflected lines
Of his thin hair, distinct in the dark depth
Of that still fountain; as the human heart,
Gazing in dreams over the gloomy grave,
Sees its own treacherous likeness there. He heard
The motion of the leavesthe grass that sprung
Startled and glanced and trembled even to feel
An unaccustomed presenceand the sound
Of the sweet brook that from the secret springs
Of that dark fountain rose. A Spirit seemed
To stand beside himclothed in no bright robes
Of shadowy silver or enshrining light,
Borrowed from aught the visible world affords
Of grace, or majesty, or mystery;
But undulating woods, and silent well,
And leaping rivulet, and evening gloom
Now deepening the dark shades, for speech assuming,
Held commune with him, as if he and it
Were all that was; onlywhen his regard
Was raised by intense pensivenesstwo eyes,
Two starry eyes, hung in the gloom of thought,
And seemed with their serene and azure smiles
To beckon him.

Obedient to the light
That shone within his soul, he went, pursuing
The windings of the dell. The rivulet,
Wanton and wild, through many a green ravine
Beneath the forest flowed. Sometimes it fell
Among the moss with hollow harmony
Dark and profound. Now on the polished stones
It danced, like childhood laughing as it went;
Then, through the plain in tranquil wanderings crept,
Reflecting every herb and drooping bud
That overhung its quietness.'O stream!
Whose source is inaccessibly profound,
Whither do thy mysterious waters tend?
Thou imagest my life. Thy darksome stillness,
Thy dazzling waves, thy loud and hollow gulfs,
Thy searchless fountain and invisible course,
Have each their type in me; and the wide sky
And measureless ocean may declare as soon
What oozy cavern or what wandering cloud
Contains thy waters, as the universe
Tell where these living thoughts reside, when stretched
Upon thy flowers my bloodless limbs shall waste
I' the passing wind!'

Beside the grassy shore
Of the small stream he went; he did impress
On the green moss his tremulous step, that caught
Strong shuddering from his burning limbs. As one
Roused by some joyous madness from the couch
Of fever, he did move; yet not like him
Forgetful of the grave, where, when the flame
Of his frail exultation shall be spent,
He must descend. With rapid steps he went
Beneath the shade of trees, beside the flow
Of the wild babbling rivulet; and now
The forest's solemn canopies were changed
For the uniform and lightsome evening sky.
Gray rocks did peep from the spare moss, and stemmed
The struggling brook; tall spires of windlestrae
Threw their thin shadows down the rugged slope,
And nought but gnarld roots of ancient pines
Branchless and blasted, clenched with grasping roots
The unwilling soil. A gradual change was here
Yet ghastly. For, as fast years flow away,
The smooth brow gathers, and the hair grows thin
And white, and where irradiate dewy eyes
Had shone, gleam stony orbs:so from his steps
Bright flowers departed, and the beautiful shade
Of the green groves, with all their odorous winds
And musical motions. Calm he still pursued
The stream, that with a larger volume now
Rolled through the labyrinthine dell; and there
Fretted a path through its descending curves
With its wintry speed. On every side now rose
Rocks, which, in unimaginable forms,
Lifted their black and barren pinnacles
In the light of evening, and its precipice
Obscuring the ravine, disclosed above,
'Mid toppling stones, black gulfs and yawning caves,
Whose windings gave ten thousand various tongues
To the loud stream. Lo! where the pass expands
Its stony jaws, the abrupt mountain breaks,
And seems with its accumulated crags
To overhang the world; for wide expand
Beneath the wan stars and descending moon
Islanded seas, blue mountains, mighty streams,
Dim tracts and vast, robed in the lustrous gloom
Of leaden-colored even, and fiery hills
Mingling their flames with twilight, on the verge
Of the remote horizon. The near scene,
In naked and severe simplicity,  
Made contrast with the universe. A pine,
Rock-rooted, stretched athwart the vacancy
Its swinging boughs, to each inconstant blast
Yielding one only response at each pause
In most familiar cadence, with the howl,
The thunder and the hiss of homeless streams
Mingling its solemn song, whilst the broad river
Foaming and hurrying o'er its rugged path,
Fell into that immeasurable void,
Scattering its waters to the passing winds.

Yet the gray precipice and solemn pine
And torrent were not all;one silent nook
Was there. Even on the edge of that vast mountain,
Upheld by knotty roots and fallen rocks,
It overlooked in its serenity
The dark earth and the bending vault of stars.
It was a tranquil spot that seemed to smile
Even in the lap of horror. Ivy clasped
The fissured stones with its entwining arms,
And did embower with leaves forever green  
And berries dark the smooth and even space
Of its inviolated floor; and here
The children of the autumnal whirlwind bore
In wanton sport those bright leaves whose decay,
Red, yellow, or ethereally pale,
Rivals the pride of summer. 'T is the haunt
Of every gentle wind whose breath can teach
The wilds to love tranquillity. One step,
One human step alone, has ever broken
The stillness of its solitude; one voice  
Alone inspired its echoes;even that voice
Which hither came, floating among the winds,
And led the loveliest among human forms
To make their wild haunts the depository
Of all the grace and beauty that endued
Its motions, render up its majesty,
Scatter its music on the unfeeling storm,
And to the damp leaves and blue cavern mould,
Nurses of rainbow flowers and branching moss,
Commit the colors of that varying cheek,
That snowy breast, those dark and drooping eyes.

The dim and hornd moon hung low, and poured
A sea of lustre on the horizon's verge
That overflowed its mountains. Yellow mist
Filled the unbounded atmosphere, and drank
Wan moonlight even to fulness; not a star
Shone, not a sound was heard; the very winds,
Danger's grim playmates, on that precipice
Slept, clasped in his embrace.O storm of death,
Whose sightless speed divides this sullen night!  
And thou, colossal Skeleton, that, still
Guiding its irresistible career
In thy devastating omnipotence,
Art king of this frail world! from the red field
Of slaughter, from the reeking hospital,
The patriot's sacred couch, the snowy bed
Of innocence, the scaffold and the throne,
A mighty voice invokes thee! Ruin calls
His brother Death! A rare and regal prey
He hath prepared, prowling around the world;  
Glutted with which thou mayst repose, and men
Go to their graves like flowers or creeping worms,
Nor ever more offer at thy dark shrine
The unheeded tribute of a broken heart.

When on the threshold of the green recess
The wanderer's footsteps fell, he knew that death
Was on him. Yet a little, ere it fled,
Did he resign his high and holy soul
To images of the majestic past,
That paused within his passive being now,        
Like winds that bear sweet music, when they breathe
Through some dim latticed chamber. He did place
His pale lean hand upon the rugged trunk
Of the old pine; upon an ivied stone
Reclined his languid head; his limbs did rest,
Diffused and motionless, on the smooth brink
Of that obscurest chasm;and thus he lay,
Surrendering to their final impulses
The hovering powers of life. Hope and Despair,
The torturers, slept; no mortal pain or fear    
Marred his repose; the influxes of sense
And his own being, unalloyed by pain,
Yet feebler and more feeble, calmly fed
The stream of thought, till he lay breathing there
At peace, and faintly smiling. His last sight
Was the great moon, which o'er the western line
Of the wide world her mighty horn suspended,
With whose dun beams inwoven darkness seemed
To mingle. Now upon the jagged hills
It rests; and still as the divided frame    
Of the vast meteor sunk, the Poet's blood,
That ever beat in mystic sympathy
With Nature's ebb and flow, grew feebler still;
And when two lessening points of light alone
Gleamed through the darkness, the alternate gasp
Of his faint respiration scarce did stir
The stagnate night:till the minutest ray
Was quenched, the pulse yet lingered in his heart.
It pausedit fluttered. But when heaven remained
Utterly black, the murky shades involved  
An image silent, cold, and motionless,
As their own voiceless earth and vacant air.
Even as a vapor fed with golden beams
That ministered on sunlight, ere the west
Eclipses it, was now that wondrous frame
No sense, no motion, no divinity
A fragile lute, on whose harmonious strings
The breath of heaven did wandera bright stream
Once fed with many-voicd wavesa dream
Of youth, which night and time have quenched forever  
Still, dark, and dry, and unremembered now.

Oh, for Medea's wondrous alchemy,
Which wheresoe'er it fell made the earth gleam
With bright flowers, and the wintry boughs exhale
From vernal blooms fresh fragrance! Oh, that God,
Profuse of poisons, would concede the chalice
Which but one living man has drained, who now,
Vessel of deathless wrath, a slave that feels
No proud exemption in the blighting curse
He bears, over the world wanders forever,  
Lone as incarnate death! Oh, that the dream
Of dark magician in his visioned cave,
Raking the cinders of a crucible
For life and power, even when his feeble hand
Shakes in its last decay, were the true law
Of this so lovely world! But thou art fled,
Like some frail exhalation, which the dawn
Robes in its golden beams,ah! thou hast fled!
The brave, the gentle and the beautiful,
The child of grace and genius. Heartless things    
Are done and said i' the world, and many worms
And beasts and men live on, and mighty Earth
From sea and mountain, city and wilderness,
In vesper low or joyous orison,
Lifts still its solemn voice:but thou art fled
Thou canst no longer know or love the shapes
Of this phantasmal scene, who have to thee
Been purest ministers, who are, alas!
Now thou art not! Upon those pallid lips
So sweet even in their silence, on those eyes
That image sleep in death, upon that form
Yet safe from the worm's outrage, let no tear
Be shednot even in thought. Nor, when those hues
Are gone, and those divinest lineaments,
Worn by the senseless wind, shall live alone
In the frail pauses of this simple strain,
Let not high verse, mourning the memory
Of that which is no more, or painting's woe
Or sculpture, speak in feeble imagery
Their own cold powers. Art and eloquence,
And all the shows o' the world, are frail and vain
To weep a loss that turns their lights to shade.
It is a woe "too deep for tears," when all
Is reft at once, when some surpassing Spirit,
Whose light adorned the world around it, leaves
Those who remain behind, not sobs or groans,
The passionate tumult of a clinging hope;
But pale despair and cold tranquillity,
Nature's vast frame, the web of human things,
Birth and the grave, that are not as they were.
Composed at Bishopsgate Heath, near Windsor Park, 1815 (autumn).
Note by Mrs. Shelley: 'Alastor is written in a very different tone from Queen Mab. In the latter, Shelley poured out all the cherished speculations of his youth -- all the irrepressible emotions of sympathy, censure, and hope, to which the present suffering, and what he considers the proper destiny, of his fellow-creatures, gave birth. Alastor, on the contrary, contains an individual interest only. A very few years, with their attendant events, had checked the ardour of Shelley's hopes, though he still thought them well grounded, and that to advance their fulfilment was the noblest task man could achieve.
This is neither the time nor the place to speak of the misfortunes that chequered his life. It will be sufficient to say that, in all he did, he at the time of doing it believed himself justified to his own conscience; while the various ills of poverty and loss of friends brought home to him the sad realities of life. Physical suffering had also considerable influence in causing him to turn his eyes inward; inclining him rather to brood over the thoughts and emotions of his own soul than to glance abroad, and to make, as in Queen Mab, the whole universe the object and subject of his song. In the Spring of 1815 an eminent physician pronounced that he was dying rapidly of a consumption; abscesses were formed on his lungs, and he suffered acute spasms. suddenly a complete change took place; and, though through life he was a martyr to pain and debility, every symptom of pulmonary disease vanished. His nerves, which nature had formed sensitive to an unexampled degree, were rendered still more susceptible by the state of his health.
As soon as the peace of 1814 had opened the Continent, he went abroad. He visited some of the more magnificent scenes of Switzerland, and returned to England from Lucerne, by the Reuss and the Rhine. The river-navigation enchanted him. In his favourite poem of Thalaba, his imagination had been excited by a description of such a voyage. In the summer of 1815, after a tour along the southern coast of Devonshire and a visit to Clifton, he rented a house on Bishopgate Heath, on the borders of Windsor Forest, where he enjoyed several months of comparative health and tranquil happiness. The later summer months were warm and dry. Accompanied by a few friends, he visited the source of the Thames, making a voyage in a wherry from Winsdor to Crickdale. His beautiful stanzas in the churchyard of Lechlade were written on that occasion. Alastor was composed on his return. He spent his days under the oak-shades of Windsor Great Park; and the magnificent woodland was a fitting study to inspire the various descriptions of forest-scenery we find in the poem.
None of Shelley's poems is more characteristic than this. The solemn spirit that reigns throughout, the worship of the majesty of nature, the broodings of a poet's heart in solitude -- the mingling of the exulting joy which the various aspects of the visible universe inspires with the sad and struggling pangs which human passion imparts -- give a touching interest to the whole. The death which he had often contemplated during the last months as certain and near he here represented in such colours as had, in his lonely musings, soothed his soul to peace. The versification sustains the solemn spirit which breathes throughout: it is peculiarly melodious. The poem ought rather to be considered didactic than narrative: it was the outpouring of his own emotions, embodied in the purest form he could conceive, painted in the ideal hues which his brilliant imagination inspired, and softened by the recent anticipation of death.'

~ Percy Bysshe Shelley, Alastor - or, the Spirit of Solitude
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1192:class:Classics

BOOK THE THIRD

The Story of of Cadmus

When now Agenor had his daughter lost,
He sent his son to search on ev'ry coast;
And sternly bid him to his arms restore
The darling maid, or see his face no more,
But live an exile in a foreign clime;
Thus was the father pious to a crime.
The restless youth search'd all the world around;
But how can Jove in his amours be found?
When, tir'd at length with unsuccessful toil,
To shun his angry sire and native soil,
He goes a suppliant to the Delphick dome;
There asks the God what new appointed home
Should end his wand'rings, and his toils relieve.
The Delphick oracles this answer give.

"Behold among the fields a lonely cow,
Unworn with yokes, unbroken to the plow;
Mark well the place where first she lays her down,
There measure out thy walls, and build thy town,
And from thy guide Boeotia call the land,
In which the destin'd walls and town shall stand."

No sooner had he left the dark abode,
Big with the promise of the Delphick God,
When in the fields the fatal cow he view'd,
Nor gall'd with yokes, nor worn with servitude:
Her gently at a distance he pursu'd;
And as he walk'd aloof, in silence pray'd
To the great Pow'r whose counsels he obey'd.
Her way thro' flow'ry Panope she took,
And now, Cephisus, cross'd thy silver brook;
When to the Heav'ns her spacious front she rais'd,
And bellow'd thrice, then backward turning gaz'd
On those behind, 'till on the destin'd place
She stoop'd, and couch'd amid the rising grass.

Cadmus salutes the soil, and gladly hails
The new-found mountains, and the nameless vales,
And thanks the Gods, and turns about his eye
To see his new dominions round him lye;
Then sends his servants to a neighb'ring grove
For living streams, a sacrifice to Jove.
O'er the wide plain there rose a shady wood
Of aged trees; in its dark bosom stood
A bushy thicket, pathless and unworn,
O'er-run with brambles, and perplex'd with thorn:
Amidst the brake a hollow den was found,
With rocks and shelving arches vaulted round.

Deep in the dreary den, conceal'd from day,
Sacred to Mars, a mighty dragon lay,
Bloated with poison to a monstrous size;
Fire broke in flashes when he glanc'd his eyes:
His tow'ring crest was glorious to behold,
His shoulders and his sides were scal'd with gold;
Three tongues he brandish'd when he charg'd his foes;
His teeth stood jaggy in three dreadful rowes.
The Tyrians in the den for water sought,
And with their urns explor'd the hollow vault:
From side to side their empty urns rebound,
And rowse the sleeping serpent with the sound.
Strait he bestirs him, and is seen to rise;
And now with dreadful hissings fills the skies,
And darts his forky tongues, and rowles his glaring eyes.

The Tyrians drop their vessels in the fright,
All pale and trembling at the hideous sight.
Spire above spire uprear'd in air he stood,
And gazing round him over-look'd the wood:
Then floating on the ground in circles rowl'd;
Then leap'd upon them in a mighty fold.
Of such a bulk, and such a monstrous size
The serpent in the polar circle lyes,
That stretches over half the northern skies.
In vain the Tyrians on their arms rely,
In vain attempt to fight, in vain to fly:
All their endeavours and their hopes are vain;
Some die entangled in the winding train;
Some are devour'd, or feel a loathsom death,
Swoln up with blasts of pestilential breath.

And now the scorching sun was mounted high,
In all its lustre, to the noon-day sky;
When, anxious for his friends, and fill'd with cares,
To search the woods th' impatient chief prepares.
A lion's hide around his loins he wore,
The well poiz'd javelin to the field he bore,
Inur'd to blood; the far-destroying dart;
And, the best weapon, an undaunted heart.

Soon as the youth approach'd the fatal place,
He saw his servants breathless on the grass;
The scaly foe amid their corps he view'd,
Basking at ease, and feasting in their blood.
"Such friends," he cries, "deserv'd a longer date;
But Cadmus will revenge or share their fate."
Then heav'd a stone, and rising to the throw,
He sent it in a whirlwind at the foe:
A tow'r, assaulted by so rude a stroke,
With all its lofty battlements had shook;
But nothing here th' unwieldy rock avails,
Rebounding harmless from the plaited scales,
That, firmly join'd, preserv'd him from a wound,
With native armour crusted all around.
With more success, the dart unerring flew,
Which at his back the raging warriour threw;
Amid the plaited scales it took its course,
And in the spinal marrow spent its force.
The monster hiss'd aloud, and rag'd in vain,
And writh'd his body to and fro with pain;
He bit the dart, and wrench'd the wood away;
The point still buried in the marrow lay.
And now his rage, increasing with his pain,
Reddens his eyes, and beats in ev'ry vein;
Churn'd in his teeth the foamy venom rose,
Whilst from his mouth a blast of vapours flows,
Such as th' infernal Stygian waters cast.
The plants around him wither in the blast.
Now in a maze of rings he lies enrowl'd,
Now all unravel'd, and without a fold;
Now, like a torrent, with a mighty force
Bears down the forest in his boist'rous course.
Cadmus gave back, and on the lion's spoil
Sustain'd the shock, then forc'd him to recoil;
The pointed jav'lin warded off his rage:
Mad with his pains, and furious to engage,
The serpent champs the steel, and bites the spear,
'Till blood and venom all the point besmear.
But still the hurt he yet receiv'd was slight;
For, whilst the champion with redoubled might
Strikes home the jav'lin, his retiring foe
Shrinks from the wound, and disappoints the blow.

The dauntless heroe still pursues his stroke,
And presses forward, 'till a knotty oak
Retards his foe, and stops him in the rear;
Full in his throat he plung'd the fatal spear,
That in th' extended neck a passage found,
And pierc'd the solid timber through the wound.
Fix'd to the reeling trunk, with many a stroke
Of his huge tail he lash'd the sturdy oak;
'Till spent with toil, and lab'ring hard for breath,
He now lay twisting in the pangs of death.

Cadmus beheld him wallow in a flood
Of swimming poison, intermix'd with blood;
When suddenly a speech was heard from high
(The speech was heard, nor was the speaker nigh),
"Why dost thou thus with secret pleasure see,
Insulting man! what thou thy self shalt be?"
Astonish'd at the voice, he stood amaz'd,
And all around with inward horror gaz'd:
When Pallas swift descending from the skies,
Pallas, the guardian of the bold and wise,
Bids him plow up the field, and scatter round
The dragon's teeth o'er all the furrow'd ground;
Then tells the youth how to his wond'ring eyes
Embattled armies from the field should rise.

He sows the teeth at Pallas's command,
And flings the future people from his hand.
The clods grow warm, and crumble where he sows;
And now the pointed spears advance in rows;
Now nodding plumes appear, and shining crests,
Now the broad shoulders and the rising breasts;
O'er all the field the breathing harvest swarms,
A growing host, a crop of men and arms.

So through the parting stage a figure rears
Its body up, and limb by limb appears
By just degrees; 'till all the man arise,
And in his full proportion strikes the eyes.

Cadmus surpriz'd, and startled at the sight
Of his new foes, prepar'd himself for fight:
When one cry'd out, "Forbear, fond man, forbear
To mingle in a blind promiscuous war."
This said, he struck his brother to the ground,
Himself expiring by another's wound;
Nor did the third his conquest long survive,
Dying ere scarce he had begun to live.

The dire example ran through all the field,
'Till heaps of brothers were by brothers kill'd;
The furrows swam in blood: and only five
Of all the vast increase were left alive.
Echion one, at Pallas's command,
Let fall the guiltless weapon from his hand,
And with the rest a peaceful treaty makes,
Whom Cadmus as his friends and partners takes;
So founds a city on the promis'd earth,
And gives his new Boeotian empire birth.

Here Cadmus reign'd; and now one would have guess'd
The royal founder in his exile blest:
Long did he live within his new abodes,
Ally'd by marriage to the deathless Gods;
And, in a fruitful wife's embraces old,
A long increase of children's children told:
But no frail man, however great or high,
Can be concluded blest before he die.

Actaeon was the first of all his race,
Who griev'd his grandsire in his borrow'd face;
Condemn'd by stern Diana to bemoan
The branching horns, and visage not his own;
To shun his once lov'd dogs, to bound away,
And from their huntsman to become their prey,
And yet consider why the change was wrought,
You'll find it his misfortune, not his fault;
Or, if a fault, it was the fault of chance:
For how can guilt proceed from ignorance?

The Transformation of Actaeon into a Stag

In a fair chace a shady mountain stood,
Well stor'd with game, and mark'd with trails of blood;
Here did the huntsmen, 'till the heat of day,
Pursue the stag, and load themselves with rey:
When thus Actaeon calling to the rest:
"My friends," said he, "our sport is at the best,
The sun is high advanc'd, and downward sheds
His burning beams directly on our heads;
Then by consent abstain from further spoils,
Call off the dogs, and gather up the toils,
And ere to-morrow's sun begins his race,
Take the cool morning to renew the chace."
They all consent, and in a chearful train
The jolly huntsmen, loaden with the slain,
Return in triumph from the sultry plain.

Down in a vale with pine and cypress clad,
Refresh'd with gentle winds, and brown with shade,
The chaste Diana's private haunt, there stood
Full in the centre of the darksome wood
A spacious grotto, all around o'er-grown
With hoary moss, and arch'd with pumice-stone.
From out its rocky clefts the waters flow,
And trickling swell into a lake below.
Nature had ev'ry where so plaid her part,
That ev'ry where she seem'd to vie with art.
Here the bright Goddess, toil'd and chaf'd with heat,
Was wont to ba the her in the cool retreat.

Here did she now with all her train resort,
Panting with heat, and breathless from the sport;
Her armour-bearer laid her bow aside,
Some loos'd her sandals, some her veil unty'd;
Each busy nymph her proper part undrest;
While Crocale, more handy than the rest,
Gather'd her flowing hair, and in a noose
Bound it together, whilst her own hung loose.
Five of the more ignoble sort by turns
Fetch up the water, and unlade the urns.

Now all undrest the shining Goddess stood,
When young Actaeon, wilder'd in the wood,
To the cool grott by his hard fate betray'd,
The fountains fill'd with naked nymphs survey'd.
The frighted virgins shriek'd at the surprize
(The forest echo'd with their piercing cries).
Then in a huddle round their Goddess prest:
She, proudly eminent above the rest,
With blushes glow'd; such blushes as adorn
The ruddy welkin, or the purple morn;
And tho' the crowding nymphs her body hide,
Half backward shrunk, and view'd him from a side.
Surpriz'd, at first she would have snatch'd her bow,
But sees the circling waters round her flow;
These in the hollow of her hand she took,
And dash'd 'em in his face, while thus she spoke:
"Tell, if thou can'st, the wond'rous sight disclos'd,
A Goddess naked to thy view expos'd."

This said, the man begun to disappear
By slow degrees, and ended in a deer.
A rising horn on either brow he wears,
And stretches out his neck, and pricks his ears;
Rough is his skin, with sudden hairs o'er-grown,
His bosom pants with fears before unknown:
Transform'd at length, he flies away in haste,
And wonders why he flies away so fast.
But as by chance, within a neighb'ring brook,
He saw his branching horns and alter'd look.
Wretched Actaeon! in a doleful tone
He try'd to speak, but only gave a groan;
And as he wept, within the watry glass
He saw the big round drops, with silent pace,
Run trickling down a savage hairy face.
What should he do? Or seek his old abodes,
Or herd among the deer, and sculk in woods!
Here shame dissuades him, there his fear prevails,
And each by turns his aking heart assails.

As he thus ponders, he behind him spies
His op'ning hounds, and now he hears their cries:
A gen'rous pack, or to maintain the chace,
Or snuff the vapour from the scented grass.

He bounded off with fear, and swiftly ran
O'er craggy mountains, and the flow'ry plain;
Through brakes and thickets forc'd his way, and flew
Through many a ring, where once he did pursue.
In vain he oft endeavour'd to proclaim
His new misfortune, and to tell his name;
Nor voice nor words the brutal tongue supplies;
From shouting men, and horns, and dogs he flies,
Deafen'd and stunn'd with their promiscuous cries.
When now the fleetest of the pack, that prest
Close at his heels, and sprung before the rest,
Had fasten'd on him, straight another pair,
Hung on his wounded haunch, and held him there,
'Till all the pack came up, and ev'ry hound
Tore the sad huntsman grov'ling on the ground,
Who now appear'd but one continu'd wound.
With dropping tears his bitter fate he moans,
And fills the mountain with his dying groans.
His servants with a piteous look he spies,
And turns about his supplicating eyes.
His servants, ignorant of what had chanc'd,
With eager haste and joyful shouts advanc'd,
And call'd their lord Actaeon to the game.
He shook his head in answer to the name;
He heard, but wish'd he had indeed been gone,
Or only to have stood a looker-on.
But to his grief he finds himself too near,
And feels his rav'nous dogs with fury tear
Their wretched master panting in a deer.

The Birth of Bacchus

Actaeon's suff'rings, and Diana's rage,
Did all the thoughts of men and Gods engage;
Some call'd the evils which Diana wrought,
Too great, and disproportion'd to the fault:
Others again, esteem'd Actaeon's woes
Fit for a virgin Goddess to impose.
The hearers into diff'rent parts divide,
And reasons are produc'd on either side.

Juno alone, of all that heard the news,
Nor would condemn the Goddess, nor excuse:
She heeded not the justice of the deed,
But joy'd to see the race of Cadmus bleed;
For still she kept Europa in her mind,
And, for her sake, detested all her kind.
Besides, to aggravate her hate, she heard
How Semele, to Jove's embrace preferr'd,
Was now grown big with an immortal load,
And carry'd in her womb a future God.
Thus terribly incens'd, the Goddess broke
To sudden fury, and abruptly spoke.

"Are my reproaches of so small a force?
'Tis time I then pursue another course:
It is decreed the guilty wretch shall die,
If I'm indeed the mistress of the sky,
If rightly styl'd among the Pow'rs above
The wife and sister of the thund'ring Jove
(And none can sure a sister's right deny);
It is decreed the guilty wretch shall die.
She boasts an honour I can hardly claim,
Pregnant she rises to a mother's name;
While proud and vain she triumphs in her Jove,
And shows the glorious tokens of his love:
But if I'm still the mistress of the skies,
By her own lover the fond beauty dies."
This said, descending in a yellow cloud,
Before the gates of Semele she stood.

Old Beroe's decrepit shape she wears,
Her wrinkled visage, and her hoary hairs;
Whilst in her trembling gait she totters on,
And learns to tattle in the nurse's tone.
The Goddess, thus disguis'd in age, beguil'd
With pleasing stories her false foster-child.
Much did she talk of love, and when she came
To mention to the nymph her lover's name,
Fetching a sigh, and holding down her head,
"'Tis well," says she, "if all be true that's said.
But trust me, child, I'm much inclin'd to fear
Some counterfeit in this your Jupiter:
Many an honest well-designing maid
Has been by these pretended Gods betray'd,
But if he be indeed the thund'ring Jove,
Bid him, when next he courts the rites of love,
Descend triumphant from th' etherial sky,
In all the pomp of his divinity,
Encompass'd round by those celestial charms,
With which he fills th' immortal Juno's arms."

Th' unwary nymph, ensnar'd with what she said,
Desir'd of Jove, when next he sought her bed,
To grant a certain gift which she would chuse;
"Fear not," reply'd the God, "that I'll refuse
Whate'er you ask: may Styx confirm my voice,
Chuse what you will, and you shall have your choice."
"Then," says the nymph, "when next you seek my arms,
May you descend in those celestial charms,
With which your Juno's bosom you enflame,
And fill with transport Heav'n's immortal dame."
The God surpriz'd would fain have stopp'd her voice,
But he had sworn, and she had made her choice.

To keep his promise he ascends, and shrowds
His awful brow in whirl-winds and in clouds;
Whilst all around, in terrible array,
His thunders rattle, and his light'nings play.
And yet, the dazling lustre to abate,
He set not out in all his pomp and state,
Clad in the mildest light'ning of the skies,
And arm'd with thunder of the smallest size:
Not those huge bolts, by which the giants slain
Lay overthrown on the Phlegrean plain.
'Twas of a lesser mould, and lighter weight;
They call it thunder of a second-rate,
For the rough Cyclops, who by Jove's comm and
Temper'd the bolt, and turn'd it to his hand,
Work'd up less flame and fury in its make,
And quench'd it sooner in the standing lake.
Thus dreadfully adorn'd, with horror bright,
Th' illustrious God, descending from his height,
Came rushing on her in a storm of light.

The mortal dame, too feeble to engage
The lightning's flashes, and the thunder's rage,
Consum'd amidst the glories she desir'd,
And in the terrible embrace expir'd.

But, to preserve his offspring from the tomb,
Jove took him smoaking from the blasted womb:
And, if on ancient tales we may rely,
Inclos'd th' abortive infant in his thigh.
Here when the babe had all his time fulfill'd,
Ino first took him for her foster-child;
Then the Niseans, in their dark abode,
Nurs'd secretly with milk the thriving God.

The Transformation of Tiresias

'Twas now, while these transactions past on Earth,
And Bacchus thus procur'd a second birth,
When Jove, dispos'd to lay aside the weight
Of publick empire and the cares of state,
As to his queen in nectar bowls he quaff'd,
"In troth," says he, and as he spoke he laugh'd,
"The sense of pleasure in the male is far
More dull and dead, than what you females share."
Juno the truth of what was said deny'd;
Tiresias therefore must the cause decide,
For he the pleasure of each sex had try'd.

It happen'd once, within a shady wood,
Two twisted snakes he in conjunction view'd,
When with his staff their slimy folds he broke,
And lost his manhood at the fatal stroke.
But, after seven revolving years, he view'd
The self-same serpents in the self-same wood:
"And if," says he, "such virtue in you lye,
That he who dares your slimy folds untie
Must change his kind, a second stroke I'll try."
Again he struck the snakes, and stood again
New-sex'd, and strait recover'd into man.
Him therefore both the deities create
The sov'raign umpire, in their grand debate;
And he declar'd for Jove: when Juno fir'd,
More than so trivial an affair requir'd,
Depriv'd him, in her fury, of his sight,
And left him groping round in sudden night.
But Jove (for so it is in Heav'n decreed,
That no one God repeal another's deed)
Irradiates all his soul with inward light,
And with the prophet's art relieves the want of sight.

The Transformation of Echo

Fam'd far and near for knowing things to come,
From him th' enquiring nations sought their doom;
The fair Liriope his answers try'd,
And first th' unerring prophet justify'd.
This nymph the God Cephisus had abus'd,
With all his winding waters circumfus'd,
And on the Nereid got a lovely boy,
Whom the soft maids ev'n then beheld with joy.

The tender dame, sollicitous to know
Whether her child should reach old age or no,
Consults the sage Tiresias, who replies,
"If e'er he knows himself he surely dies."
Long liv'd the dubious mother in suspence,
'Till time unriddled all the prophet's sense.

Narcissus now his sixteenth year began,
Just turn'd of boy, and on the verge of man;
Many a friend the blooming youth caress'd,
Many a love-sick maid her flame confess'd:
Such was his pride, in vain the friend caress'd,
The love-sick maid in vain her flame confess'd.

Once, in the woods, as he pursu'd the chace,
The babbling Echo had descry'd his face;
She, who in others' words her silence breaks,
Nor speaks her self but when another speaks.
Echo was then a maid, of speech bereft,
Of wonted speech; for tho' her voice was left,
Juno a curse did on her tongue impose,
To sport with ev'ry sentence in the close.
Full often when the Goddess might have caught
Jove and her rivals in the very fault,
This nymph with subtle stories would delay
Her coming, 'till the lovers slip'd away.
The Goddess found out the deceit in time,
And then she cry'd, "That tongue, for this thy crime,
Which could so many subtle tales produce,
Shall be hereafter but of little use."
Hence 'tis she prattles in a fainter tone,
With mimick sounds, and accents not her own.

This love-sick virgin, over-joy'd to find
The boy alone, still follow'd him behind:
When glowing warmly at her near approach,
As sulphur blazes at the taper's touch,
She long'd her hidden passion to reveal,
And tell her pains, but had not words to tell:
She can't begin, but waits for the rebound,
To catch his voice, and to return the sound.

The nymph, when nothing could Narcissus move,
Still dash'd with blushes for her slighted love,
Liv'd in the shady covert of the woods,
In solitary caves and dark abodes;
Where pining wander'd the rejected fair,
'Till harrass'd out, and worn away with care,
The sounding skeleton, of blood bereft,
Besides her bones and voice had nothing left.
Her bones are petrify'd, her voice is found
In vaults, where still it doubles ev'ry sound.

The Story of Narcissus

Thus did the nymphs in vain caress the boy,
He still was lovely, but he still was coy;
When one fair virgin of the slighted train
Thus pray'd the Gods, provok'd by his disdain,
"Oh may he love like me, and love like me in vain!"
Rhamnusia pity'd the neglected fair,
And with just vengeance answer'd to her pray'r.

There stands a fountain in a darksom wood,
Nor stain'd with falling leaves nor rising mud;
Untroubled by the breath of winds it rests,
Unsully'd by the touch of men or beasts;
High bow'rs of shady trees above it grow,
And rising grass and chearful greens below.
Pleas'd with the form and coolness of the place,
And over-heated by the morning chace,
Narcissus on the grassie verdure lyes:
But whilst within the chrystal fount he tries
To quench his heat, he feels new heats arise.
For as his own bright image he survey'd,
He fell in love with the fantastick shade;
And o'er the fair resemblance hung unmov'd,
Nor knew, fond youth! it was himself he lov'd.
The well-turn'd neck and shoulders he descries,
The spacious forehead, and the sparkling eyes;
The hands that Bacchus might not scorn to show,
And hair that round Apollo's head might flow;
With all the purple youthfulness of face,
That gently blushes in the wat'ry glass.
By his own flames consum'd the lover lyes,
And gives himself the wound by which he dies.
To the cold water oft he joins his lips,
Oft catching at the beauteous shade he dips
His arms, as often from himself he slips.
Nor knows he who it is his arms pursue
With eager clasps, but loves he knows not who.

What could, fond youth, this helpless passion move?
What kindled in thee this unpity'd love?
Thy own warm blush within the water glows,
With thee the colour'd shadow comes and goes,
Its empty being on thy self relies;
Step thou aside, and the frail charmer dies.

Still o'er the fountain's wat'ry gleam he stood,
Mindless of sleep, and negligent of food;
Still view'd his face, and languish'd as he view'd.
At length he rais'd his head, and thus began
To vent his griefs, and tell the woods his pain.
"You trees," says he, "and thou surrounding grove,
Who oft have been the kindly scenes of love,
Tell me, if e'er within your shades did lye
A youth so tortur'd, so perplex'd as I?
I, who before me see the charming fair,
Whilst there he stands, and yet he stands not there:
In such a maze of love my thoughts are lost:
And yet no bulwark'd town, nor distant coast,
Preserves the beauteous youth from being seen,
No mountains rise, nor oceans flow between.
A shallow water hinders my embrace;
And yet the lovely mimick wears a face
That kindly smiles, and when I bend to join
My lips to his, he fondly bends to mine.
Hear, gentle youth, and pity my complaint,
Come from thy well, thou fair inhabitant.
My charms an easy conquest have obtain'd
O'er other hearts, by thee alone disdain'd.
But why should I despair? I'm sure he burns
With equal flames, and languishes by turns.
When-e'er I stoop, he offers at a kiss,
And when my arms I stretch, he stretches his.
His eye with pleasure on my face he keeps,
He smiles my smiles, and when I weep he weeps.
When e'er I speak, his moving lips appear
To utter something, which I cannot hear.

"Ah wretched me! I now begin too late
To find out all the long-perplex'd deceit;
It is my self I love, my self I see;
The gay delusion is a part of me.
I kindle up the fires by which I burn,
And my own beauties from the well return.
Whom should I court? how utter my complaint?
Enjoyment but produces my restraint,
And too much plenty makes me die for want.
How gladly would I from my self remove!
And at a distance set the thing I love.
My breast is warm'd with such unusual fire,
I wish him absent whom I most desire.
And now I faint with grief; my fate draws nigh;
In all the pride of blooming youth I die.
Death will the sorrows of my heart relieve.
Oh might the visionary youth survive,
I should with joy my latest breath resign!
But oh! I see his fate involv'd in mine."

This said, the weeping youth again return'd
To the clear fountain, where again he burn'd;
His tears defac'd the surface of the well,
With circle after circle, as they fell:
And now the lovely face but half appears,
O'er-run with wrinkles, and deform'd with tears.
"Ah whither," cries Narcissus, "dost thou fly?
Let me still feed the flame by which I die;
Let me still see, tho' I'm no further blest."
Then rends his garment off, and beats his breast:
His naked bosom redden'd with the blow,
In such a blush as purple clusters show,
Ere yet the sun's autumnal heats refine
Their sprightly juice, and mellow it to wine.
The glowing beauties of his breast he spies,
And with a new redoubled passion dies.
As wax dissolves, as ice begins to run,
And trickle into drops before the sun;
So melts the youth, and languishes away,
His beauty withers, and his limbs decay;
And none of those attractive charms remain,
To which the slighted Echo su'd in vain.

She saw him in his present misery,
Whom, spight of all her wrongs, she griev'd to see.
She answer'd sadly to the lover's moan,
Sigh'd back his sighs, and groan'd to ev'ry groan:
"Ah youth! belov'd in vain," Narcissus cries;
"Ah youth! belov'd in vain," the nymph replies.
"Farewel," says he; the parting sound scarce fell
From his faint lips, but she reply'd, "farewel."
Then on th' wholsome earth he gasping lyes,
'Till death shuts up those self-admiring eyes.
To the cold shades his flitting ghost retires,
And in the Stygian waves it self admires.

For him the Naiads and the Dryads mourn,
Whom the sad Echo answers in her turn;
And now the sister-nymphs prepare his urn:
When, looking for his corps, they only found
A rising stalk, with yellow blossoms crown'd.

The Story of Pentheus

This sad event gave blind Tiresias fame,
Through Greece establish'd in a prophet's name.

Th' unhallow'd Pentheus only durst deride
The cheated people, and their eyeless guide.
To whom the prophet in his fury said,
Shaking the hoary honours of his head:
"'Twere well, presumptuous man, 'twere well for thee
If thou wert eyeless too, and blind, like me:
For the time comes, nay, 'tis already here,
When the young God's solemnities appear:
Which, if thou dost not with just rites adorn,
Thy impious carcass, into pieces torn,
Shall strew the woods, and hang on ev'ry thorn.
Then, then, remember what I now foretel,
And own the blind Tiresias saw too well."

Still Pentheus scorns him, and derides his skill;
But time did all the prophet's threats fulfil.
For now through prostrate Greece young Bacchus rode,
Whilst howling matrons celebrate the God:
All ranks and sexes to his Orgies ran,
To mingle in the pomps, and fill the train.
When Pentheus thus his wicked rage express'd:
"What madness, Thebans, has your souls possess'd?
Can hollow timbrels, can a drunken shout,
And the lewd clamours of a beastly rout,
Thus quell your courage; can the weak alarm
Of women's yells those stubborn souls disarm,
Whom nor the sword nor trumpet e'er could fright,
Nor the loud din and horror of a fight?
And you, our sires, who left your old abodes,
And fix'd in foreign earth your country Gods;
Will you without a stroak your city yield,
And poorly quit an undisputed field?
But you, whose youth and vigour should inspire
Heroick warmth, and kindle martial fire,
Whom burnish'd arms and crested helmets grace,
Not flow'ry garlands and a painted face;
Remember him to whom you stand ally'd:
The serpent for his well of waters dy'd.
He fought the strong; do you his courage show,
And gain a conquest o'er a feeble foe.
If Thebes must fall, oh might the fates afford
A nobler doom from famine, fire, or sword.
Then might the Thebans perish with renown:
But now a beardless victor sacks the town;
Whom nor the prancing steed, nor pond'rous shield,
Nor the hack'd helmet, nor the dusty field,
But the soft joys of luxury and ease,
The purple vests, and flow'ry garlands please.
Stand then aside, I'll make the counterfeit
Renounce his god-head, and confess the cheat.
Acrisius from the Grecian walls repell'd
This boasted pow'r; why then should Pentheus yield?
Go quickly drag th' impostor boy to me;
I'll try the force of his divinity."
Thus did th' audacious wretch those rites profane;
His friends dissuade th' audacious wretch in vain:
In vain his grandsire urg'd him to give o'er
His impious threats; the wretch but raves the more.

So have I seen a river gently glide,
In a smooth course, and inoffensive tide;
But if with dams its current we restrain,
It bears down all, and foams along the plain.

But now his servants came besmear'd with blood,
Sent by their haughty prince to seize the God;
The God they found not in the frantick throng,
But dragg'd a zealous votary along.

The Mariners transform'd to Dolphins

Him Pentheus view'd with fury in his look,
And scarce with-held his hands, whilst thus he spoke:
"Vile slave! whom speedy vengeance shall pursue,
And terrify thy base seditious crew:
Thy country and thy parentage reveal,
And, why thou joinest in these mad Orgies, tell."

The captive views him with undaunted eyes,
And, arm'd with inward innocence, replies,

"From high Meonia's rocky shores I came,
Of poor descent, Acoetes is my name:
My sire was meanly born; no oxen plow'd
His fruitful fields, nor in his pastures low'd.
His whole estate within the waters lay;
With lines and hooks he caught the finny prey,
His art was all his livelyhood; which he
Thus with his dying lips bequeath'd to me:
In streams, my boy, and rivers take thy chance;
There swims, said he, thy whole inheritance.
Long did I live on this poor legacy;
'Till tir'd with rocks, and my old native sky,
To arts of navigation I inclin'd;
Observ'd the turns and changes of the wind,
Learn'd the fit havens, and began to note
The stormy Hyades, the rainy Goat,
The bright Taygete, and the shining Bears,
With all the sailor's catalogue of stars.

"Once, as by chance for Delos I design'd,
My vessel, driv'n by a strong gust of wind,
Moor'd in a Chian Creek; a-shore I went,
And all the following night in Chios spent.
When morning rose, I sent my mates to bring
Supplies of water from a neighb'ring spring,
Whilst I the motion of the winds explor'd;
Then summon'd in my crew, and went aboard.
Opheltes heard my summons, and with joy
Brought to the shore a soft and lovely boy,
With more than female sweetness in his look,
Whom straggling in the neighb'ring fields he took.
With fumes of wine the little captive glows,
And nods with sleep, and staggers as he goes.

"I view'd him nicely, and began to trace
Each heav'nly feature, each immortal grace,
And saw divinity in all his face,
I know not who, said I, this God should be;
But that he is a God I plainly see:
And thou, who-e'er thou art, excuse the force
These men have us'd; and oh befriend our course!
Pray not for us, the nimble Dictys cry'd,
Dictys, that could the main-top mast bestride,
And down the ropes with active vigour slide.
To the same purpose old Epopeus spoke,
Who over-look'd the oars, and tim'd the stroke;
The same the pilot, and the same the rest;
Such impious avarice their souls possest.
Nay, Heav'n forbid that I should bear away
Within my vessel so divine a prey,
Said I; and stood to hinder their intent:
When Lycabas, a wretch for murder sent
From Tuscany, to suffer banishment,
With his clench'd fist had struck me over-board,
Had not my hands in falling grasp'd a cord.

"His base confederates the fact approve;
When Bacchus (for 'twas he) begun to move,
Wak'd by the noise and clamours which they rais'd;
And shook his drowsie limbs, and round him gaz'd:
What means this noise? he cries; am I betray'd?
Ah, whither, whither must I be convey'd?
Fear not, said Proreus, child, but tell us where
You wish to land, and trust our friendly care.
To Naxos then direct your course, said he;
Naxos a hospitable port shall be
To each of you, a joyful home to me.
By ev'ry God, that rules the sea or sky,
The perjur'd villains promise to comply,
And bid me hasten to unmoor the ship.
With eager joy I launch into the deep;
And, heedless of the fraud, for Naxos stand.
They whisper oft, and beckon with the hand,
And give me signs, all anxious for their prey,
To tack about, and steer another way.
Then let some other to my post succeed,
Said I, I'm guiltless of so foul a deed.
What, says Ethalion, must the ship's whole crew
Follow your humour, and depend on you?
And strait himself he seated at the prore,
And tack'd about, and sought another shore.

"The beauteous youth now found himself betray'd,
And from the deck the rising waves survey'd,
And seem'd to weep, and as he wept he said:
And do you thus my easy faith beguile?
Thus do you bear me to my native isle?
Will such a multitude of men employ
Their strength against a weak defenceless boy?

"In vain did I the God-like youth deplore,
The more I begg'd, they thwarted me the more.
And now by all the Gods in Heav'n that hear
This solemn oath, by Bacchus' self, I swear,
The mighty miracle that did ensue,
Although it seems beyond belief, is true.
The vessel, fix'd and rooted in the flood,
Unmov'd by all the beating billows stood.
In vain the mariners would plow the main
With sails unfurl'd, and strike their oars in vain;
Around their oars a twining ivy cleaves,
And climbs the mast, and hides the cords in leaves:
The sails are cover'd with a chearful green,
And berries in the fruitful canvass seen.
Amidst the waves a sudden forest rears
Its verdant head, and a new Spring appears.

"The God we now behold with open'd eyes;
A herd of spotted panthers round him lyes
In glaring forms; the grapy clusters spread
On his fair brows, and dangle on his head.
And whilst he frowns, and brandishes his spear,
My mates surpriz'd with madness or with fear,
Leap'd over board; first perjur'd Madon found
Rough scales and fins his stiff'ning sides surround;
Ah what, cries one, has thus transform'd thy look?
Strait his own mouth grew wider as he spoke;
And now himself he views with like surprize.
Still at his oar th' industrious Libys plies;
But, as he plies, each busy arm shrinks in,
And by degrees is fashion'd to a fin.
Another, as he catches at a cord,
Misses his arms, and, tumbling over-board,
With his broad fins and forky tail he laves
The rising surge, and flounces in the waves.
Thus all my crew transform'd around the ship,
Or dive below, or on the surface leap,
And spout the waves, and wanton in the deep.
Full nineteen sailors did the ship convey,
A shole of nineteen dolphins round her play.
I only in my proper shape appear,
Speechless with wonder, and half dead with fear,
'Till Bacchus kindly bid me fear no more.
With him I landed on the Chian shore,
And him shall ever gratefully adore."

"This forging slave," says Pentheus, "would prevail
O'er our just fury by a far-fetch'd tale:
Go, let him feel the whips, the swords, the fire,
And in the tortures of the rack expire."
Th' officious servants hurry him away,
And the poor captive in a dungeon lay.
But, whilst the whips and tortures are prepar'd,
The gates fly open, of themselves unbarr'd;
At liberty th' unfetter'd captive stands,
And flings the loosen'd shackles from his hands.

The Death of Pentheus

But Pentheus, grown more furious than before,
Resolv'd to send his messengers no more,
But went himself to the distracted throng,
Where high Cithaeron echo'd with their song.
And as the fiery war-horse paws the ground,
And snorts and trembles at the trumpet's sound;
Transported thus he heard the frantick rout,
And rav'd and madden'd at the distant shout.

A spacious circuit on the hill there stood.
Level and wide, and skirted round with wood;
Here the rash Pentheus, with unhallow'd eyes,
The howling dames and mystick Orgies spies.
His mother sternly view'd him where he stood,
And kindled into madness as she view'd:
Her leafy jav'lin at her son she cast,
And cries, "The boar that lays our country waste!
The boar, my sisters! Aim the fatal dart,
And strike the brindled monster to the heart."

Pentheus astonish'd heard the dismal sound,
And sees the yelling matrons gath'ring round;
He sees, and weeps at his approaching fate,
And begs for mercy, and repents too late.
"Help, help! my aunt Autonoe," he cry'd;
"Remember, how your own Actaeon dy'd."
Deaf to his cries, the frantick matron crops
One stretch'd-out arm, the other Ino lops.
In vain does Pentheus to his mother sue,
And the raw bleeding stumps presents to view:
His mother howl'd; and, heedless of his pray'r,
Her trembling hand she twisted in his hair,
"And this," she cry'd, "shall be Agave's share,"
When from the neck his struggling head she tore,
And in her hands the ghastly visage bore.
With pleasure all the hideous trunk survey;
Then pull'd and tore the mangled limbs away,
As starting in the pangs of death it lay,
Soon as the wood its leafy honours casts,
Blown off and scatter'd by autumnal blasts,
With such a sudden death lay Pentheus slain,
And in a thousand pieces strow'd the plain.

By so distinguishing a judgment aw'd,
The Thebans tremble, and confess the God.

----------------------------------------------------------------------
~ Ovid, BOOK THE THIRD

,
1193:

Book III: The Book of the Assembly



But as the nation beset betwixt doom and a shameful surrender
Waited mute for a voice that could lead and a heart to encourage,
Up in the silence deep Laocoon rose up, far-heard,
Heard by the gods in their calm and heard by men in their passion
Cloud-haired, clad in mystic red, flamboyant, sombre,
Priams son Laocoon, fate-darkened seer of Apollo.
As when the soul of the Ocean arises rapt in the dawning
And mid the rocks and the foam uplifting the voice of its musings
Opens the chant of its turbulent harmonies, so rose the far-borne
Voice of Laocoon soaring mid columns of Ilions glories,
Claiming the earth and the heavens for the field of its confident rumour.
Trojans, deny your hearts to the easeful flutings of Hades!
Live, O nation! he thundered forth and Troys streets and her pillars
Sent back their fierce response. Restored to her leonine spirits
Ilion rose in her agora filling the heavens with shoutings,
Bearing a name to the throne of Zeus in her mortal defiance.
As when a sullen calm of the heavens discourages living,
Nature and man feel the pain of the lightnings repressed in their bosoms,
Dangerous and dull is the air, then suddenly strong from the anguish
Zeus of the thunders starts into glories releasing his storm-voice,
Earth exults in the kiss of the rain and the life-giving laughters,
So from the silence broke forth the thunder of Troya arising;
Fiercely she turned from prudence and wisdom and turned back to greatness
Casting her voice to the heavens from the depths of her fathomless spirit.
Raised by those clamours, triumphant once more on this scene of his greatness,
Tool of the gods, but he deemed of his strength as a leader in Nature,
Took for his own a voice that was given and dreamed that he fashioned
Fate that fashions us all, Laocoon stood mid the shouting
Leaned on the calm of an ancient pillar. In eyes self-consuming
Kindled the flame of the prophet that blinds at once and illumines;
Quivering thought-besieged lips and shaken locks of the lion,
Lifted his gaze the storm-led enthusiast. Then as the shouting
Tired of itself at last disappeared in the bosom of silence,

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Once more he started erect and his voice oer the hearts of his hearers
Swept like Oceans impatient cry when it calls from its surges,
Ocean loud with a thought sublime in its measureless marching,
Each man felt his heart like foam in the rushing of waters.
Ilion is vanquished then! she abases her grandiose spirit
Mortal found in the end to the gods and the Greeks and Antenor,
And when a barbarous chieftains menace and insolent mercy
Bring here their pride to insult the columned spirit of Ilus,
Trojans have sat and feared! For a man has arisen and spoken,
One whom the gods in their anger have hired. Since the Argive prevailed not,
Armed with his strength and his numbers, in Troya they sought for her slayer,
Gathered their wiles in a voice and they chose a man famous and honoured,
Summoned Ate to aid and corrupted the heart of Antenor.
Flute of the breath of the Hell-witch, always he scatters among you
Doubt, affliction and weakness chilling the hearts of the fighters,
Always his voice with its cadenced and subtle possession for evil
Breaks the constant will and maims the impulse heroic.
Therefore while yet her heroes fight and her arms are unconquered,
Troy in your hearts is defeated! The souls of your Fathers have heard you
Dallying, shamefast, with vileness, lured by the call of dishonour.
Such is the power Zeus gave to the wingd words of a mortal!
Foiled in his will, disowned by the years that stride on for ever,
Yet in the frenzy cold of his greed and his fallen ambition
Doom from heaven he calls down on his countrymen, Trojan abuses
Troy, his country, extolling her enemies, blessing her slayers.
Such are the gods Antenor has made in his hearts own image
That if one evil man have not way for his greed and his longing
Cities are doomed and kings must be slain and a nation must perish!
But from the mind of the free and the brave I will answer thy bodings,
Gold-hungry raven of Troy who croakst from thy nest at her princes.
Only one doom irreparable treads down the soul of a nation,
Only one downfall endures; tis the ruin of greatness and virtue,
Mourning when Freedom departs from the life and the heart of a people,
Into her room comes creeping the mind of the slave and it poisons
Manhood and joy and the voice to lying is trained and subjection
Easy feels to the neck of man who is next to the godheads.
Not of the fire am I terrified, not of the sword and its slaying;
Vileness of men appals me, baseness I fear and its voices.
What can man suffer direr or worse than enslaved from a victor
Boons to accept, to take safety and ease from the foe and the stranger,
Fallen from the virtue stern that heaven permits to a mortal?
Death is not keener than this nor the slaughter of friends and our dear ones.
Out and alas! earths greatest are earth and they fail in the testing,
Conquered by sorrow and doubt, fates hammerers, fires of her furnace.
God in their souls they renounce and submit to their clay and its promptings.
Else could the heart of Troy have recoiled from the loom of the shadow
Cast by Achilles spear or shrunk at the sound of his car-wheels?
Now he has graven an oath austere in his spirit unpliant
Victor at last to constrain in his stride the walls of Apollo
Burning Troy ere he sleeps. Tis the vow of a high-crested nature;
Shall it break ramparted Troy? Yea, the soul of a man too is mighty
More than the stone and the mortar! Troy had a soul once, O Trojans,
Firm as her god-built ramparts. When by the spears overtaken,
Strong Sarpedon fell and Zeus averted his visage,
Xanthus red to the sea ran sobbing with bodies of Trojans,
When in the day of the silence of heaven the far-glancing helmet
Ceased from the ways of the fight, and panic slew with Achilles
Hosts who were left unshepherded pale at the fall of their greatest,
Godlike Troy lived on. Do we speak mid a citys ruins?
Lo! she confronts her heavens as when Tros and Laomedon ruled her.
All now is changed, these mutter and sigh to you, all now is ended;
Strength has renounced you, Fate has finished the thread of her spinning.
Hector is dead, he walks in the shadows; Troilus fights not;
Resting his curls on the asphodel he has forgotten his country:
Strong Sarpedon lies in Bellerophons city sleeping:
Memnon is slain and the blood of Rhesus has dried on the Troad:
All of the giant Asius sums in a handful of ashes.
Grievous are these things; our hearts still keep all the pain of them treasured,
Hard though they grow by use and iron caskets of sorrow.
Hear me yet, O fainters in wisdom snared by your pathos,
Know this iron world we live in where Hell casts its shadow.
Blood and grief are the ransom of men for the joys of their transience,
For we are mortals bound in our strength and beset in our labour.
This is our human destiny; every moment of living
Toil and loss have gained in the constant siege of our bodies.
Men must sow earth with their hearts and their tears that their country may prosper;
Earth who bore and devours us that life may be born from our remnants.
Then shall the Sacrifice gather its fruits when the war-shout is silent,
Nor shall the blood be in vain that our mother has felt on her bosom
Nor shall the seed of the mighty fail where Death is the sower.
Still from the loins of the mother eternal are heroes engendered,
Still Deiphobus shouts in the war-front trampling the Argives,
Strong Aeneas far-borne voice is heard from our ramparts,
Paris hands are swift and his feet in the chases of Ares.
Lo, when deserted we fight by Asias soon-wearied peoples,
Men ingrate who enjoyed the protection and loathed the protector,
Heaven has sent us replacing a continent Penthesilea!
Low has the heart of Achaia sunk since it shook at her war-cry.
Ajax has bit at the dust; it is all he shall have of the Troad;
Tall Meriones lies and measures his portion of booty.
Who is the fighter in Ilion thrills not rejoicing to hearken
Even her name on unwarlike lips, much more in the mellay
Shout of the daughter of battles, armipotent Penthesilea?
If there were none but these only, if hosts came not surging behind them,
Young men burning-eyed to outdare all the deeds of their elders,
Each in his beauty a Troilus, each in his valour a Hector,
Yet were the measures poised in the equal balance of Ares.
Who then compels you, O people unconquered, to sink down abjuring
All that was Troy? For O, if she yield, let her use not ever
One of her titles! shame not the shades of Teucer and Ilus,
Soil not Tros! Are you awed by the strength of the swift-foot Achilles?
Is it a sweeter lure in the cadenced voice of Antenor?
Or are you weary of Time and the endless roar of the battle?
Wearier still are the Greeks! their eyes look out oer the waters
Nor with the flight of their spears is the wing of their hopes towards Troya.
Dull are their hearts; they sink from the war-cry and turn from the spear-stroke
Sullenly dragging backwards, desiring the paths of the Ocean,
Dreaming of hearths that are far and the children growing to manhood
Who are small infant faces still in the thoughts of their fathers.
Therefore these call you to yield lest they wake and behold in the dawn-light
All Poseidon whitening lean to the west in his waters
Thick with the sails of the Greeks departing beaten to Hellas.
Who is it calls? Antenor the statesman, Antenor the patriot,
Thus who loves his country and worships the soil of his fathers!
Which of you loves like him Troya? which of the children of heroes
Yearns for the touch of a yoke on his neck and desires the aggressor?
If there be any so made by the gods in the nation of Ilus,
Leaving this city which freemen have founded, freemen have dwelt in,
Far on the beach let him make his couch in the tents of Achilles,
Not in this mighty Ilion, not with this lioness fighting,
Guarding the lair of her young and roaring back at her hunters.
We who are souls descended from Ilus and seeds of his making,
Other-hearted shall march from our gates to answer Achilles.
What! shall this ancient Ilion welcome the day of the conquered?
She who was head of the world, shall she live in the guard of the Hellene
Cherished as slavegirls are, who are taken in war, by their captors?
Europe shall walk in our streets with the pride and the gait of the victor?
Greeks shall enter our homes and prey on our mothers and daughters?
This Antenor desires and this Ucalegon favours.
Traitors! whether tis cowardice drives or the sceptic of virtue,
Cold-blooded age, or gold insatiably tempts from its coffers
Pleading for safety from foreign hands and the sack and the plunder.
Leave them, my brothers! spare the baffled hypocrites! Failure
Sharpest shall torture their hearts when they know that still you are Trojans.
Silence, O reason of man! for a voice from the gods has been uttered!
Dardanans, hearken the sound divine that comes to you mounting
Out of the solemn ravines from the mystic seat on the tripod!
Phoebus, the master of Truth, has promised the earth to our peoples.
Children of Zeus, rejoice! for the Olympian brows have nodded
Regal over the world. In earths rhythm of shadow and sunlight
Storm is the dance of the locks of the God assenting to greatness,
Zeus who with secret compulsion orders the ways of our nature;
Veiled in events he lives and working disguised in the mortal
Builds our strength by pain, and an empire is born out of ruins.
Then if the tempest be loud and the thunderbolt leaping incessant
Shatters the roof, if the lintels flame at last and each cornice
Shrieks with the pain of the blast, if the very pillars totter,
Keep yet your faith in Zeus, hold fast to the word of Apollo.
Not by a little pain and not by a temperate labour
Trained is the nation chosen by Zeus for a dateless dominion.
Long must it labour rolled in the foam of the fathomless surges,
Often neighbour with death and ere Ares grow firm to its banners
Feel on the pride of its Capitol tread of the triumphing victor,
Hear the barbarian knock at its gates or the neighbouring foeman
Glad of the transient smile of his fortune suffer insulting;
They, the nation eternal, brook their taunts who must perish!
Heaviest toils they must bear; they must wrestle with Fate and her Titans,
And when some leader returns from the battle sole of his thousands
Crushed by the hammers of God, yet never despair of their country.
Dread not the ruin, fear not the storm-blast, yield not, O Trojans.
Zeus shall rebuild. Death ends not our days, the fire shall not triumph.
Death? I have faced it. Fire? I have watched it climb in my vision
Over the timeless domes and over the rooftops of Priam;
But I have looked beyond and have seen the smile of Apollo.
After her glorious centuries, after her world-wide triumphs,
If near her ramparts outnumbered she fights, by the nations forsaken,
Lonely again on her hill, by her streams, and her meadows and beaches,
Once where she revelled, shake to the tramp of her countless invaders,
Testings are these from the god. For Fate severe like a mother
Teaches our wills by disaster and strikes down the props that would weaken,
Fate and the Thought on high that is wiser than yearnings of mortals.
Troy has arisen before, but from ashes, not shame, not surrender!
Souls that are true to themselves are immortal; the soulless for ever
Lingers helpless in Hades a shade among shades disappointed.
Now is the god in my bosom mighty compelling me, Trojans,
Now I release what my spirit has kept and it saw in its vision;
Nor will be silent for gibe of the cynic or sneer of the traitor.
Troy shall triumph! Hear, O ye peoples, the word of Apollo.
Hear it and tremble, O Greece, in thy youth and the dawn of thy future;
Rather forget while thou canst, but the gods in their hour shall remind thee.
Tremble, O nations of Asia, false to the greatness within you.
Troy shall surge back on your realms with the sword and the yoke of the victor.
Troy shall triumph! Though nations conspire and gods lead her foemen,
Fate that is born of the spirit is greater than they and will shield her.
Foemen shall help her with war; her defeats shall be victorys moulders.
Walls that restrain shall be rent; she shall rise out of sessions unsettled.
Oceans shall be her walls at the end and the desert her limit;
Indus shall send to her envoys; her eyes shall look northward from Thule.
She shall enring all the coasts with her strength like the kingly Poseidon,
She shall oervault all the lands with her rule like the limitless azure.
Ceasing from speech Laocoon, girt with the shouts of a nation,
Lapsed on his seat like one seized and abandoned and weakened; nor ended
Only in iron applause, but throughout with a stormy approval
Ares broke from the hearts of his people in ominous thunder.
Savage and dire was the sound like a wild beasts tracked out and hunted,
Wounded, yet trusting to tear out the entrails live of its hunters,
Savage and cruel and threatening doom to the foe and opponent.
Yet when the shouting sank at last, Ucalegon rose up
Trembling with age and with wrath and in accents hurried and piping
Faltered a senile fierceness forth on the maddened assembly.
Ah, it is even so far that you dare, O you children of Priam,
Favourites vile of a people sent mad by the gods, and thou risest,
Dark Laocoon, prating of heroes and spurning as cowards,
Smiting for traitors the aged and wise who were grey when they spawned thee!
Imp of destruction, mane of mischief! Ah, spur us with courage,
Thou who hast never prevailed against even the feeblest Achaian.
Rather twice hast thou raced in the rout to the ramparts for shelter,
Leading the panic, and shrieked as thou ranst to the foemen for mercy
Who were a mile behind thee, O matchless and wonderful racer.
Safely counsel to others the pride and the firmness of heroes.
Thou wilt not die in the battle! For even swiftest Achilles
Could not oertake thee, I ween, nor wind-footed Penthesilea.
Mask of a prophet, heart of a coward, tongue of a trickster,
Timeless Ilion thou alone ruinest, helped by the Furies.
I, Ucalegon, first will rend off the mask from thee, traitor.
For I believe thee suborned by the cynic wiles of Odysseus
And thou conspirest to sack this Troy with the greed of the Cretan.
Hasting unstayed he pursued like a brook that scolds amid pebbles,
Voicing angers shrill; for the people astonished were silent.
Long he pursued not; a shouting broke from that stupor of fury,
Men sprang pale to their feet and hurled out menaces lethal;
All that assembly swayed like a forest swept by the stormwind.
Obstinate, straining his age-dimmed eyes Ucalegon, trembling
Worse yet with anger, clamoured feebly back at the people,
Whelmed in their roar. Unheard was his voice like a swimmer in surges
Lost, yet he spoke. But the anger grew in the throats of the people
Lion-voiced, hurting the heart with sound and daunting the nature,
Till from some stalwart hand a javelin whistling and vibrant
Missing the silvered head of the senator rang disappointed
Out on the distant wall of a house by the side of the market.
Not even then would the old man hush or yield to the tempest.
Wagging his hoary beard and shifting his aged eyeballs,
Tossing his hands he stood; but Antenor seized him and Aetor,
Dragged him down on his seat though he strove, and chid him and silenced,
Cease, O friend, for the gods have won. It were easier piping
High with thy aged treble to alter the rage of the Ocean
Than to oerbear this people stirred by Laocoon. Leave now
Effort unhelpful, wrap thy days in a mantle of silence;
Give to the gods their will and dry-eyed wait for the ending.
So now the old men ceased from their strife with the gods and with Troya;
Cowed by the storm of the peoples wrath they desisted from hoping.
But though the roar long swelled, like the sea when the winds have subsided,
One man yet rose up unafraid and beckoned for silence,
Not of the aged, but ripe in his look and ruddy of visage,
Stalwart and bluff and short-limbed, Halamus son of Antenor.
Forward he stood from the press and the people fell silent and listened,
For he was ever first in the mellay and loved by the fighters.
He with a smile began: Come, friends, debate is soon ended
If there is right but of lungs and you argue with javelins. Wisdom
Rather pray for her aid in this dangerous hour of your fortunes.
Not to exalt Laocoon, too much praising his swiftness,
Trojans, I rise; for some are born brave with the spear in the war-car,
Others bold with the tongue, nor equal gifts unto all men
Zeus has decreed who guides his world in a round that is devious
Carried this way and that like a ship that is tossed on the waters.
Why should we rail then at one who is lame by the force of Cronion?
Not by his will is he lame; he would race, if he could, with the swiftest.
Yet is the halt man no runner, nor, friends, must you rise up and slay me,
If I should say of this priest, he is neither Sarpedon nor Hector.
Then, if my father whom once you honoured, ancient Antenor,
Hugs to him Argive gold which I see not, his son in his mansion,
Me too accusest thou, prophet Laocoon? Friends, you have watched me
Sometimes fight. Did you see with my houses allies how I gambolled,
Changed, when with sportive spear I was tickling the ribs of my Argives,
Nudges of friendly counsel inviting to entry in Troya?
Men, these are visions of lackbrains; men, these are myths of the market.
Let us have done with them, brothers and friends; hate only the Hellene.
Prophet, I bow to the oracles. Wise are the gods in their silence,
Wise when they speak; but their speech is other than ours and their wisdom
Hard for a mortal mind to hold and not madden or wander;
But for myself I see only the truth as a soldier who battles
Judging the strength of his foes and the chances of iron encounter.
Few are our armies, many the Greeks, and we waste in the combat
Bound to our numbers, they by the ocean hemmed from their kinsmen,
We by our fortunes, waves of the gods that are harder to master,
They like a rock that is chipped, but we like a mist that disperses.
Then if Achilles, bound by an oath, bring peace to us, healing,
Bring to us respite, help, though bought at a price, yet full-measured,
Strengths of the North at our side and safety assured from the Achaian,
For he is true though a Greek, will you shun this mighty advantage?
Peace at least we shall have, though gold we lose and much glory;
Peace we will use for our strength to brea the in, our wounds to recover,
Teaching Time to prepare for happier wars in the future.
Pause ere you fling from you life; you are mortals, not gods in your glory.
Not for submission to new ally or to ancient foeman
Peace these desire; for who would exchange wide death for subjection?
Who would submit to a yoke? Or who shall rule Trojans in Troya?
Swords are there still at our sides, there are warriors hearts in our bosoms.
Peace your senators welcome, not servitude, breathing they ask for.
But if for war you pronounce, if a noble death you have chosen,
That I approve. What fitter end for this warlike nation,
Knowing that empires at last must sink and perish all cities,
Than to preserve to the end posteritys praise and its greatness
Ceasing in clangour of arms and a citys flames for our death-pyre?
Choose then with open eyes what the dread gods offer to Troya.
Hope not now Hector is dead and Sarpedon, Asia inconstant,
We but a handful, Troy can prevail over Greece and Achilles.
Play not with dreams in this hour, but sternly, like men and not children,
Choose with a noble and serious greatness fates fit for Troya.
Stark we will fight till buried we fall under Ilions ruins,
Or, unappeased, we will curb our strength for the hope of the future.
Not without praise of his friends and assent of the thoughtfuller Trojans,
Halamus spoke and ceased. But now in the Ilian forum
Bright, of the sungod a ray, and even before he had spoken
Sending the joy of his brilliance into the hearts of his hearers,
Paris arose. Not applauded his rising, but each man towards him
Eagerly turned as if feeling that all before which was spoken
Were but a prelude and this was the note he has waited for always.
Sweet was his voice like a harps, when it chants of war, and its cadence
Softened with touches of music thoughts that were hard to be suffered,
Sweet like a string that is lightly struck, but it penetrates wholly.
Calm with the greatness you hold from your sires by the right of your nature
I too would have you decide before Heaven in the strength of your spirits,
Not to the past and its memories moored like the thoughts of Antenor
Hating the vivid march of the present, nor towards the future
Panting through dreams like my brother Laocoon vexed by Apollo.
Dead is the past; the void has possessed it; its drama is ended,
Finished its music. The future is dim and remote from our knowledge;
Silent it lies on the knees of the gods in their luminous stillness.
But to our gaze Gods light is a darkness, His plan is a chaos.
Who shall foretell the event of a battle, the fall of a footstep?
Oracles, visions and prophecies voice but the dreams of the mortal,
And tis our spirit within is the Pythoness tortured in Delphi.
Heavenly voices to us are a silence, those colours a whiteness.
Neither the thought of the statesman prevails nor the dream of the prophet,
Whether one cry, Thus devise and thy heart shall be given its wanting,
Vainly the other, The heavens have spoken; hear then their message.
Who can point out the way of the gods and the path of their travel,
Who shall impose on them bounds and an orbit? The winds have their treading,
They can be followed and seized, not the gods when they move towards their purpose.
They are not bound by our deeds and our thinkings. Sin exalted
Seizes secure on the thrones of the world for her glorious portion,
Down to the bottomless pit the good man is thrust in his virtue.
Leave to the gods their godhead and, mortal, turn to thy labour;
Take what thou canst from the hour that is thine and be fearless in spirit;
This is the greatness of man and the joy of his stay in the sunlight.
Now whether over the waste of Poseidon the ships of the Argives
Empty and sad shall return or sacred Ilion perish,
Priam be slain and for ever cease this imperial nation,
These things the gods are strong to conceal from the hopings of mortals.
Neither Antenor knows nor Laocoon. Only of one thing
Man can be sure, the will in his heart and his strength in his purpose:
This too is Fate and this too the gods, nor the meanest in Heaven.
Paris keeps what he seized from Time and from Fate while unconquered
Life speeds warm through his veins and his heart is assured of the sunlight.
After tis cold, none heeds, none hinders. Not for the dead man
Earth and her wars and her cares, her joys and her gracious concessions,
Whether for ever he sleeps in the chambers of Nature unmindful
Or into wideness wakes like a dreamer called from his visions.
Ilion in flames I choose, not fallen from the heights of her spirit.
Great and free has she lived since they raised her twixt billow and mountain,
Great let her end; let her offer her freedom to fire, not the Hellene.
She was not founded by mortals; gods erected her ramparts,
Lifted her piles to the sky, a seat not for slaves but the mighty.
All men marvelled at Troy; by her deeds and her spirit they knew her
Even from afar, as the lion is known by his roar and his preying.
Sole she lived royal and fell, erect in her leonine nature.
So, O her children, still let her live unquelled in her purpose
Either to stand with your feet on the world oppressing the nations
Or in your ashes to lie and your name be forgotten for ever.
Justly your voices approve me, armipotent children of Ilus;
Straight from Zeus is our race and the Thunderer lives in our nature.
Long I have suffered this taunt that Paris was Ilions ruin
Born on a night of the gods and of Ate, clothed in a body.
Scornful I strode on my path secure of the light in my bosom,
Turned from the muttering voices of envy, their hates who are fallen,
Voices of hate that cling round the wheels of the triumphing victor;
Now if I speak, tis the strength in me answers, not to belittle,
That excusing which most I rejoice in and glory for ever,
Tyndaris rape whom I seized by the will of divine Aphrodite.
Mortal this error that Greece would have slumbered apart in her mountains,
Sunk, by the trumpets of Fate unaroused and the morning within her,
Only were Paris unborn and the world had not gazed upon Helen.
Fools, who say that a spark was the cause of this giant destruction!
War would have stridden on Troy though Helen were still in her Sparta
Tending an Argive loom, not the glorious prize of the Trojans,
Greece would have banded her nations though Paris had drunk not Eurotas.
Coast against coast I set not, nor Ilion opposite Argos.
Phryx accuse who upreared Troys domes by the azure Aegean,
Curse Poseidon who fringed with Greece the blue of his waters:
Then was this war first decreed and then Agamemnon was fashioned;
Armed he strode forth in the secret Thought that is womb of the future.
Fate and Necessity guided those vessels, captained their armies.
When they stood mailed at her gates, when they cried in the might of their union,
Troy, renounce thy alliances, draw back humbly from Hellas,
Should she have hearkened persuading her strength to a shameful compliance,
Ilion queen of the world whose voice was the breath of the storm-gods?
Should she have drawn back her foot as it strode towards the hills of the Latins?
Thrace left bare to her foes, recoiled from Illyrian conquests?
If all this without battle were possible, people of Priam,
Blame then Paris, say then that Helen was cause of the struggle.
But I have sullied the hearth, I have trampled the gift and the guest-rite,
Heaven I have armed with my sin and unsealed the gaze of the Furies,
So was Troy doomed who righteous had triumphed, locked with the Argive.
Fools or hypocrites! Meanest falsehood is this among mortals,
Veils of purity weaving, names misplacing ideal
When our desires we disguise and paint the lusts of our nature.
Men, ye are men in your pride and your strength, be not sophists and tonguesters.
Lie not! prate not that nations live by righteousness, justice
Shields them, gods out of heaven look down wroth on the crimes of the mighty!
Known have men what thing has screened itself mouthing these semblances. Crouching
Dire like a beast in the green of the thickets, selfishness silent
Crunches the bones of its prey while the priest and the statesman are glozing.
So are the nations soothed and deceived by the clerics of virtue,
Taught to reconcile fear of the gods with their lusts and their passions;
So with a lie on their lips they march to the rapine and slaughter.
Truly the vanquished were guilty! Else would their cities have perished,
Shrieked their ravished virgins, their peasants been hewn in the vineyards?
Truly the victors were tools of the gods and their glorious servants!
Else would the war-cars have ground triumphant their bones whom they hated?
Servants of God are they verily, even as the ape and the tiger.
Does not the wild-beast too triumph enjoying the flesh of his captives?
Tell us then what was the sin of the antelope, wherefore they doomed her,
Wroth at her many crimes? Come, justify God to his creatures!
Not to her sins was she offered, not to the Furies or Justice,
But to the strength of the lion the high gods offered a victim,
Force that is God in the lions breast with the forest for altar.
What, in the cities stormed and sacked by Achilles in Troas
Was there no just man slain? Was Brises then a transgressor?
Hearts that were pierced in his walls, were they sinners tracked by the Furies?
No, they were pious and just and their altars burned for Apollo,
Reverent flamed up to Pallas who slew them aiding the Argives.
Or if the crime of Paris they shared and his doom has embraced them,
Whom had the island cities offended, stormed by the Locrian,
Wave-kissed homes of peace but given to the sack and the spoiler?
Was then King Atreus just and the house accursd of Pelops,
Tantalus race, whose deeds men shuddering hear and are silent?
Look! they endure, their pillars are firm, they are regnant and triumph.
Or are Thyestean banquets sweet to the gods in their savour?
Only a womans heart is pursued in their wrath by the Furies!
No, when the wrestlers meet and embrace in the mighty arena,
Not at their sins and their virtues the high gods look in that trial;
Which is the strongest, which is the subtlest, this they consider.
Nay, there is none in the world to befriend save ourselves and our courage;
Prowess alone in the battle is virtue, skill in the fighting
Only helps, the gods aid only the strong and the valiant.
Put forth your lives in the blow, you shall beat back the banded aggressors.
Neither believe that for justice denied your subjects have left you
Nor that for justice trampled Pallas and Hera abandon.
Two are the angels of God whom men worship, strength and enjoyment.
Into this life which the sunlight bounds and the greenness has cradled,
Armed with strength we have come; as our strength is, so is our joyance.
What but for joyance is birth and what but for joyance is living?
But on this earth that is narrow, this stage that is crowded, increasing
One on another we press. There is hunger for lands and for oxen,
Horses and armour and gold desired; possession allures us
Adding always as field to field some fortunate farmer.
Hearts too and minds are our prey; we seize on mens souls and their bodies,
Slaves to our works and desires that our hearts may bask golden in leisure.
One on another we prey and one by another are mighty.
This is the world and we have not made it; if it is evil,
Blame first the gods; but for us, we must live by its laws or we perish.
Power is divine; divinest of all is power over mortals.
Power then the conqueror seeks and power the imperial nation,
Even as luminous, passionless, wonderful, high over all things
Sit in their calmness the gods and oppressing our grief-tortured nations
Stamp their wills on the world. Nor less in our death-besieged natures
Gods are and altitudes. Earth resists, but my soul in me widens
Helped by the toil behind and the agelong effort of Nature.
Even in the worm is a god and it writhes for a form and an outlet.
Workings immortal obscurely struggling, hints of a godhead
Labour to form in this clay a divinity. Hera widens,
Pallas aspires in me, Phoebus in flames goes battling and singing,
Ares and Artemis chase through the fields of my soul in their hunting.
Last in some hour of the Fates a Birth stands released and triumphant;
Poured by its deeds over earth it rejoices fulfilled in its splendour.
Conscious dimly of births unfinished hid in our being
Rest we cannot; a world cries in us for space and for fullness.
Fighting we strive by the spur of the gods who are in us and oer us,
Stamping our image on men and events to be Zeus or be Ares.
Love and the need of mastery, joy and the longing for greatness
Rage like a fire unquenchable burning the world and creating,
Nor till humanity dies will they sink in the ashes of Nature.
All is injustice of love or all is injustice of battle.
Man over woman, woman oer man, over lover and foeman
Wrestling we strive to expand in our souls, to be wide, to be happy.
If thou wouldst only be just, then wherefore at all shouldst thou conquer?
Not to be just, but to rule, though with kindness and high-seated mercy,
Taking the world for our own and our will from our slaves and our subjects,
Smiting the proud and sparing the suppliant, Trojans, is conquest.
Justice was base of thy government? Vainly, O statesman, thou liest.
If thou wert just, thou wouldst free thy slaves and be equal with all men.
Such were a dream of some sage at night when he muses in fancy,
Imaging freely a flawless world where none were afflicted,
No man inferior, all could sublimely equal and brothers
Live in a peace divine like the gods in their luminous regions.
This, O Antenor, were justice known but in words to us mortals.
But for the justice thou vauntest enslaving men to thy purpose,
Setting an iron yoke, nor regarding their need and their nature,
Then to say I am just; I slay not, save by procedure,
Rob not save by law, is an outrage to Zeus and his creatures.
Terms are these feigned by the intellect making a pact with our yearnings,
Lures of the sophist within us draping our passions with virtue.
When thou art weak, thou art just, when thy subjects are strong and remember.
Therefore, O Trojans, be firm in your will and, though all men abandon,
Bow not your heads to reproach nor your hearts to the sin of repentance;
For you have done what the gods desired in your breasts and are blameless.
Proudly enjoy the earth that they gave you, enthroning their natures,
Fight with the Greeks and the world and trample down the rebellious,
What you have lost, recover, nor yield to the hurricane passing.
You cannot utterly die while the Power lives untired in your bosoms;
When tis withdrawn, not a moment of life can be added by virtue.
Faint not for helpers fled! Though your yoke had been mild as a fathers
They would have gone as swiftly. Strength men desire in their masters;
All men worship success and in failure and weakness abandon.
Not for his justice they clung to Teucer, but for their safety,
Seeing in Troy a head and by barbarous foemen afflicted.
Faint not, O Trojans, cease not from battle, persist in your labour!
Conquer the Greeks, your allies shall be yours and fresh nations your subjects.
One care only lodge in your hearts, how to fight, how to conquer.
Peace has smiled out of Phthia; a hand comes outstretched from the Hellene.
Who would not join with the godlike? who would not grasp at Achilles?
There is a price for his gifts; it is such as Achilles should ask for,
Never this nation concede. O Antenors golden phrases
Glorifying rest to the tired and confuting patience and courage,
Garbed with a subtlety lax and the hopes that palliate surrender!
Charmed men applaud the skilful purpose, the dexterous speaker;
This they forget that a Force decides, not the wiles of the statesman.
Now let us yield, do you say, we will rise when our masters are weakened?
Nay, then, our masters master shall find us an easy possession!
Easily nations bow to a yoke when their virtue relaxes;
Hard is the breaking fetters once worn, for the virtue has perished.
Hope you when custom has shaped men into the mould of a vileness,
Hugging their chains when the weak feel easier trampled than rising
Or though they groan, yet have heart nor strength for the anguish of effort,
Then to cast down whom, armed and strong, you were mastered opposing?
Easy is lapse into uttermost hell, not easy salvation.
Or have you dreamed that Achilles, this son of the gods and the ocean,
Aught else can be with the strong and the bold save pursuer or master?
Know you so little the mood of the mighty? Think you the lion
Only will lick his prey, that his jaws will refrain from the banquet?
Rest from thy bodings, Antenor! Not all the valour of Troya
Perished with Hector, nor with Polydamas vision has left her;
Troy is not eager to slay her soul on a pyre of dishonour.
Still she has children left who remember the mood of their mother.
Helen none shall take from me living, gold not a drachma
Travels from coffers of Priam to Greece. Let another and older
Pay down his wealth if he will and his daughters serve Menelaus.
Rather from Ilion I will go forth with my brothers and kinsmen;
Troy I will leave and her shame and live with my heart and my honour
Refuged with lions on Ida or build in the highlands a city
Or in an isle of the seas or by dark-driven Pontic waters.
Dear are the halls of our childhood, dear are the fields of our fathers,
Yet to the soul that is free no spot on the earth is an exile.
Rather wherever sunlight is bright, flowers bloom and the rivers
Flow in their lucid streams to the Ocean, there is our country.
So will I live in my souls wide freedom, never in Troya
Shorn of my will and disgraced in my strength and the mock of my rivals.
First had you yielded, shame at least had not stained your surrender.
Strength indulges the weak! But what Hector has fallen refusing,
Men! what through ten loud years we denied with the spear for our answer,
That what Trojan will ever renounce, though his city should perish?
Once having fought we will fight to the end nor that end shall be evil.
Clamour the Argive spears on our walls? Are the ladders erected?
Far on the plain is their flight, on the farther side of the Xanthus.
Where are the deities hostile? Vainly the eyes of the tremblers
See them stalking vast in the ranks of the Greeks and the shoutings
Dire of Poseidon they hear and are blind with the aegis of Pallas.
Who then sustained so long this Troy, if the gods are against her?
Even the hills could not stand save upheld by their concert immortal.
Now not with Tydeus son, not now with Odysseus and Ajax
Trample the gods in the sound of their chariot-wheels, victory leading:
Argos falls red in her heaps to their scythes; they shelter the Trojans;
Victory unleashed follows and fawns upon Penthesilea.
Ponder no more, O Ilion, city of ancient Priam!
Rise, O beloved of the gods, and go forth in thy strength to the battle.
Not by the dreams of Laocoon strung to the faith that is febrile,
Nor with the tremblings vain and the haunted thoughts of Antenor,
But with a noble and serious strength and an obstinate valour
Suffer the shock of your foes, O nation chosen by Heaven;
Proudly determine on victory, live by disaster unshaken.
Either Fate receive like men, nay, like gods, nay, like Trojans.
So like an army that streams and that marches, speeding and pausing,
Drawing in horn and wing or widened for scouting and forage,
Bridging the floods, avoiding the mountains, threading the valleys,
Fast with their flashing panoply clad in gold and in iron
Moved the array of his thoughts; and throughout delight and approval
Followed their march, in triumph led but like prisoners willing,
Glad and unbound to a land they desire. Triumphant he ended,
Lord of opinion, though by the aged frowned on and censured,
But to this voice of their thoughts the young men vibrated wholly.
Loud like a storm on the ocean mounted the roar of the people.
Cease from debate, men cried, arise, O thou warlike Aeneas!
Speak for this nation, launch like a spear at the tents of the Hellene
Ilions voice of war! Then up mid a limitless shouting
Stern and armed from his seat like a war-god helmd Aeneas
Rose by King Priam approved in this last of Ilions sessions,
Holding the staff of the senates authority. Silence, O commons,
Hear and assent or refuse as your right is, masters of Troya,
Ancient and sovereign people, act that your kings have determined
Sitting in council high, their reply to the strength of Achilles.
Son of the Aeacids, vain is thy offer; the pride of thy challenge
Rather we choose; it is nearer to Dardanus, King of the Hellenes.
Neither shall Helen be led back, the Tyndarid, weeping to Argos,
Nor down the paths of peace revisit her fathers Eurotas.
Death and the fire may prevail oer us, never our wills shall surrender
Lowering Priams heights and darkening Ilions splendours.
Not of such sires were we born, but of kings and of gods, O Larissan.
Not with her gold Troy traffics for safety, but with her spear-points.
Stand with thy oath in the war-front, Achilles; call on thy helpers
Armed to descend from the calm of Olympian heights to thy succour
Hedging thy fame from defeat; for we all desire thee in battle,
Mighty to end thee or tame at last by the floods of the Xanthus.
So Aeneas resonant spoke, stern, fronted like Ares,
And with a voice that conquered the earth and invaded the heavens
Loud they approved their doom and fulfilled their impulse immortal.
Last Deiphobus rose in their meeting, head of their mellay:
Proudly and well have you answered, O nation beloved of Apollo;
Fearless of death they must walk who would live and be mighty for ever.
Now, for the sun is hastening up the empyrean azure,
Hasten we also. Tasting of food round the call of your captains
Meet in your armd companies, chariots and hoplites and archers.
Strong be your hearts, let your courage be stern like the sun when it blazes;
Fierce will the shock be today ere he sink blood-red in the waters.
They with a voice as of Oceans meeting rose from their session,
Filling the streets with her tread Troy strode from her Ilian forum.
***

~ Sri Aurobindo, 3 - The Book of the Assembly
,
1194:TO J. MILSAND, OF DIJON.

1840.

BOOK THE FIRST.
Who will, may hear Sordello's story told:
His story? Who believes me shall behold
The man, pursue his fortunes to the end,
Like me: for as the friendless-people's friend
Spied from his hill-top once, despite the din
And dust of multitudes, Pentapolin
Named o' the Naked Arm, I single out
Sordello, compassed murkily about
With ravage of six long sad hundred years.
Only believe me. Ye believe?
               Appears
Verona . . . Never,I should warn you first,
Of my own choice had this, if not the worst
Yet not the best expedient, served to tell
A story I could body forth so well
By making speak, myself kept out of view,
The very man as he was wont to do,
And leaving you to say the rest for him.
Since, though I might be proud to see the dim
Abysmal past divide its hateful surge,
Letting of all men this one man emerge
Because it pleased me, yet, that moment past,
I should delight in watching first to last
His progress as you watch it, not a whit
More in the secret than yourselves who sit
Fresh-chapleted to listen. But it seems
Your setters-forth of unexampled themes,
Makers of quite new men, producing them,
Would best chalk broadly on each vesture's hem
The wearer's quality; or take their stand,
Motley on back and pointing-pole in hand,
Beside him. So, for once I face ye, friends,
Summoned together from the world's four ends,
Dropped down from heaven or cast up from hell,
To hear the story I propose to tell.
Confess now, poets know the dragnet's trick,
Catching the dead, if fate denies the quick,
And shaming her; 't is not for fate to choose
Silence or song because she can refuse
Real eyes to glisten more, real hearts to ache
Less oft, real brows turn smoother for our sake:
I have experienced something of her spite;
But there 's a realm wherein she has no right
And I have many lovers. Say; but few
Friends fate accords me? Here they are: now view
The host I muster! Many a lighted face
Foul with no vestige of the grave's disgrace;
What else should tempt them back to taste our air
Except to see how their successors fare?
My audience! and they sit, each ghostly man
Striving to look as living as he can,
Brother by breathing brother; thou art set,
Clear-witted critic, by . . . but I 'll not fret
A wondrous soul of them, nor move death's spleen
Who loves not to unlock them. Friends! I mean
The living in good earnestye elect
Chiefly for lovesuppose not I reject
Judicious praise, who contrary shall peep,
Some fit occasion, forth, for fear ye sleep,
To glean your bland approvals. Then, appear,
Verona! staythou, spirit, come not near
Nownot this time desert thy cloudy place
To scare me, thus employed, with that pure face!
I need not fear this audience, I make free
With them, but then this is no place for thee!
The thunder-phrase of the Athenian, grown
Up out of memories of Marathon,
Would echo like his own sword's griding screech
Braying a Persian shield,the silver speech
Of Sidney's self, the starry paladin,
Turn intense as a trumpet sounding in
The knights to tilt,wert thou to hear! What heart
Have I to play my puppets, bear my part
Before these worthies?
           Lo, the past is hurled
In twain: up-thrust, out-staggering on the world,
Subsiding into shape, a darkness rears
Its outline, kindles at the core, appears
Verona. 'T is six hundred years and more
Since an event. The Second Friedrich wore
The purple, and the Third Honorius filled
The holy chair. That autumn eve was stilled:
A last remains of sunset dimly burned
O'er the far forests, like a torch-flame turned
By the wind back upon its bearer's hand
In one long flare of crimson; as a brand,
The woods beneath lay black. A single eye
From all Verona cared for the soft sky.
But, gathering in its ancient market-place,
Talked group with restless group; and not a face
But wrath made livid, for among them were
Death's staunch purveyors, such as have in care
To feast him. Fear had long since taken root
In every breast, and now these crushed its fruit,
The ripe hate, like a wine: to note the way
It worked while each grew drunk! Men grave and grey
Stood, with shut eyelids, rocking to and fro,
Letting the silent luxury trickle slow
About the hollows where a heart should be;
But the young gulped with a delirious glee
Some foretaste of their first debauch in blood
At the fierce news: for, be it understood,
Envoys apprised Verona that her prince
Count Richard of Saint Boniface, joined since
A year with Azzo, Este's Lord, to thrust
Taurello Salinguerra, prime in trust
With Ecelin Romano, from his seat
Ferrara,over zealous in the feat
And stumbling on a peril unaware,
Was captive, trammelled in his proper snare,
They phrase it, taken by his own intrigue.
Immediate succour from the Lombard League
Of fifteen cities that affect the Pope,
For Azzo, therefore, and his fellow-hope
Of the Guelf cause, a glory overcast!
Men's faces, late agape, are now aghast.
"Prone is the purple pavis; Este makes
"Mirth for the devil when he undertakes
"To play the Ecelin; as if it cost
"Merely your pushing-by to gain a post
"Like his! The patron tells ye, once for all,
"There be sound reasons that preferment fall
"On our beloved" . . .
           "Duke o' the Rood, why not?"
Shouted an Estian, "grudge ye such a lot?
"The hill-cat boasts some cunning of her own,
"Some stealthy trick to better beasts unknown,
"That quick with prey enough her hunger blunts,
"And feeds her fat while gaunt the lion hunts."
"Taurello," quoth an envoy, "as in wane
"Dwelt at Ferrara. Like an osprey fain
"To fly but forced the earth his couch to make
"Far inland, till his friend the tempest wake,
"Waits he the Kaiser's coming; and as yet
"That fast friend sleeps, and he too sleeps: but let
"Only the billow freshen, and he snuffs
"The aroused hurricane ere it enroughs
"The sea it means to cross because of him.
"Sinketh the breeze? His hope-sick eye grows dim;
"Creep closer on the creature! Every day
"Strengthens the Pontiff; Ecelin, they say,
"Dozes now at Oliero, with dry lips
"Telling upon his perished finger-tips
"How many ancestors are to depose
"Ere he be Satan's Viceroy when the doze
"Deposits him in hell. So, Guelfs rebuilt
"Their houses; not a drop of blood was spilt
"When Cino Bocchimpane chanced to meet
"Buccio VirtGod's wafer, and the street
"Is narrow! Tutti Santi, think, a-swarm
"With Ghibellins, and yet he took no harm!
"This could not last. Off Salinguerra went
"To Padua, Podest, 'with pure intent,'
"Said he, 'my presence, judged the single bar
"'To permanent tranquillity, may jar
"'No longer'so! his back is fairly turned?
"The pair of goodly palaces are burned,
"The gardens ravaged, and our Guelfs laugh, drunk
"A week with joy. The next, their laughter sunk
"In sobs of blood, for they found, some strange way,
"Old Salinguerra back againI say,
"Old Salinguerra in the town once more
"Uprooting, overturning, flame before,
"Blood fetlock-high beneath him. Azzo fled;
"Who 'scaped the carnage followed; then the dead
"Were pushed aside from Salinguerra's throne,
"He ruled once more Ferrara, all alone,
"Till Azzo, stunned awhile, revived, would pounce
"Coupled with Boniface, like lynx and ounce,
"On the gorged bird. The burghers ground their teeth
"To see troop after troop encamp beneath
"I' the standing corn thick o'er the scanty patch
"It took so many patient months to snatch
"Out of the marsh; while just within their walls
"Men fed on men. At length Taurello calls
"A parley: 'let the Count wind up the war!'
"Richard, light-hearted as a plunging star,
"Agrees to enter for the kindest ends
"Ferrara, flanked with fifty chosen friends,
"No horse-boy more, for fear your timid sort
"Should fly Ferrara at the bare report.
"Quietly through the town they rode, jog-jog;
"'Ten, twenty, thirty,curse the catalogue
"'Of burnt Guelf houses! Strange, Taurello shows
"'Not the least sign of life'whereat arose
"A general growl: 'How? With his victors by?
"'I and my Veronese? My troops and I?
"'Receive us, was your word?' So jogged they on,
"Nor laughed their host too openly: once gone
"Into the trap!"
         Six hundred years ago!
Such the time's aspect and peculiar woe
(Yourselves may spell it yet in chronicles,
Albeit the worm, our busy brother, drills
His sprawling path through letters anciently
Made fine and large to suit some abbot's eye)
When the new Hohenstauffen dropped the mask,
Flung John of Brienne's favour from his casque,
Forswore crusading, had no mind to leave
Saint Peter's proxy leisure to retrieve
Losses to Otho and to Barbaross,
Or make the Alps less easy to recross;
And, thus confirming Pope Honorius' fear,
Was excommunicate that very year.
"The triple-bearded Teuton come to life!"
Groaned the Great League; and, arming for the strife,
Wide Lombardy, on tiptoe to begin,
Took up, as it was Guelf or Ghibellin,
Its cry: what cry?
         "The Emperor to come!"
His crowd of feudatories, all and some,
That leapt down with a crash of swords, spears, shields,
One fighter on his fellow, to our fields,
Scattered anon, took station here and there,
And carried it, till now, with little care
Cannot but cry for him; how else rebut
Us longer?cliffs, an earthquake suffered jut
In the mid-sea, each domineering crest
Which nought save such another throe can wrest
From out (conceive) a certain chokeweed grown
Since o'er the waters, twine and tangle thrown
Too thick, too fast accumulating round,
Too sure to over-riot and confound
Ere long each brilliant islet with itself,
Unless a second shock save shoal and shelf,
Whirling the sea-drift wide: alas, the bruised
And sullen wreck! Sunlight to be diffused
For that!sunlight, 'neath which, a scum at first,
The million fibres of our chokeweed nurst
Dispread themselves, mantling the troubled main,
And, shattered by those rocks, took hold again,
So kindly blazed itthat same blaze to brood
O'er every cluster of the multitude
Still hazarding new clasps, ties, filaments,
An emulous exchange of pulses, vents
Of nature into nature; till some growth
Unfancied yet, exuberantly clothe
A surface solid now, continuous, one:
"The Pope, for us the People, who begun
"The People, carries on the People thus,
"To keep that Kaiser off and dwell with us!"
See you?
    Or say, Two Principles that live
Each fitly by its Representative.
"Hill-cat"who called him so?the gracefullest
Adventurer, the ambiguous stranger-guest
Of Lombardy (sleek but that ruffling fur,
Those talons to their sheath!) whose velvet purr
Soothes jealous neighbours when a Saxon scout
Arpo or Yoland, is it?one without
A country or a name, presumes to couch
Beside their noblest; until men avouch
That, of all Houses in the Trevisan,
Conrad descries no fitter, rear or van,
Than Ecelo! They laughed as they enrolled
That name at Milan on the page of gold,
Godego's lord,Ramon, Marostica,
Cartiglion, Bassano, Loria,
And every sheep cote on the Suabian's fief!
No laughter when his son, "the Lombard Chief"
Forsooth, as Barbarossa's path was bent
To Italy along the Vale of Trent,
Welcomed him at Roncaglia! Sadness now
The hamlets nested on the Tyrol's brow,
The Asolan and Euganean hills,
The Rhetian and the Julian, sadness fills
Them all, for Ecelin vouchsafes to stay
Among and care about them; day by day
Choosing this pinnacle, the other spot,
A castle building to defend a cot,
A cot built for a castle to defend,
Nothing but castles, castles, nor an end
To boasts how mountain ridge may join with ridge
By sunken gallery and soaring bridge.
He takes, in brief, a figure that beseems
The griesliest nightmare of the Church's dreams,
A Signory firm-rooted, unestranged
From its old interests, and nowise changed
By its new neighbourhood: perchance the vaunt
Of Otho, "my own Este shall supplant
"Your Este," come to pass. The sire led in
A son as cruel; and this Ecelin
Had sons, in turn, and daughters sly and tall
And curling and compliant; but for all
Romano (so they styled him) throve, that neck
Of his so pinched and white, that hungry cheek
Proved 't was some fiend, not him, the man's-flesh went
To feed: whereas Romano's instrument,
Famous Taurello Salinguerra, sole
I' the world, a tree whose boughs were slipt the bole
Successively, why should not he shed blood
To further a design? Men understood
Living was pleasant to him as he wore
His careless surcoat, glanced some missive o'er,
Propped on his truncheon in the public way,
While his lord lifted writhen hands to pray,
Lost at Oliero's convent.
             Hill-cats, face
Our Azzo, our Guelf Lion! Why disgrace
A worthiness conspicuous near and far
(Atii at Rome while free and consular,
Este at Padua who repulsed the Hun)
By trumpeting the Church's princely son?
Styled Patron of Rovigo's Polesine,
Ancona's march, Ferrara's . . . ask, in fine,
Our chronicles, commenced when some old monk
Found it intolerable to be sunk
(Vexed to the quick by his revolting cell)
Quite out of summer while alive and well:
Ended when by his mat the Prior stood,
'Mid busy promptings of the brotherhood,
Striving to coax from his decrepit brains
The reason Father Porphyry took pains
To blot those ten lines out which used to stand
First on their charter drawn by Hildebrand.
The same night wears. Verona's rule of yore
Was vested in a certain Twenty-four;
And while within his palace these debate
Concerning Richard and Ferrara's fate,
Glide we by clapping doors, with sudden glare
Of cressets vented on the dark, nor care
For aught that 's seen or heard until we shut
The smother in, the lights, all noises but
The carroch's booming: safe at last! Why strange
Such a recess should lurk behind a range
Of banquet-rooms? Your fingerthusyou push
A spring, and the wall opens, would you rush
Upon the banqueters, select your prey,
Waiting (the slaughter-weapons in the way
Strewing this very bench) with sharpened ear
A preconcerted signal to appear;
Or if you simply crouch with beating heart,
Bearing in some voluptuous pageant part
To startle them. Nor mutes nor masquers now;
Nor any . . . does that one man sleep whose brow
The dying lamp-flame sinks and rises o'er?
What woman stood beside him? not the more
Is he unfastened from the earnest eyes
Because that arras fell between! Her wise
And lulling words are yet about the room,
Her presence wholly poured upon the gloom
Down even to her vesture's creeping stir.
And so reclines he, saturate with her,
Until an outcry from the square beneath
Pierces the charm: he springs up, glad to breathe,
Above the cunning element, and shakes
The stupor off as (look you) morning breaks
On the gay dress, and, near concealed by it,
The lean frame like a half-burnt taper, lit
Erst at some marriage-feast, then laid away
Till the Armenian bridegroom's dying day,
In his wool wedding-robe.
             For hefor he,
Gate-vein of this hearts' blood of Lombardy,
(If I should falter now)for he is thine!
Sordello, thy forerunner, Florentine!
A herald-star I know thou didst absorb
Relentless into the consummate orb
That scared it from its right to roll along
A sempiternal path with dance and song
Fulfilling its allotted period,
Serenest of the progeny of God
Who yet resigns it not! His darling stoops
With no quenched lights, desponds with no blank troops
Of disenfranchised brilliances, for, blent
Utterly with thee, its shy element
Like thine upburneth prosperous and clear.
Still, what if I approach the august sphere
Named now with only one name, disentwine
That under-current soft and argentine
From its fierce mate in the majestic mass
Leavened as the sea whose fire was mixt with glass
In John's transcendent vision,launch once more
That lustre? Dante, pacer of the shore
Where glutted hell disgorgeth filthiest gloom,
Unbitten by its whirring sulphur-spume
Or whence the grieved and obscure waters slope
Into a darkness quieted by hope;
Plucker of amaranths grown beneath God's eye
In gracious twilights where his chosen lie,
I would do this! If I should falter now!
In Mantua territory half is slough,
Half pine-tree forest; maples, scarlet oaks
Breed o'er the river-beds; even Mincio chokes
With sand the summer through: but 't is morass
In winter up to Mantua walls. There was,
Some thirty years before this evening's coil,
One spot reclaimed from the surrounding spoil,
Goito; just a castle built amid
A few low mountains; firs and larches hid
Their main defiles, and rings of vineyard bound
The rest. Some captured creature in a pound,
Whose artless wonder quite precludes distress,
Secure beside in its own loveliness,
So peered with airy head, below, above,
The castle at its toils, the lapwings love
To glean among at grape-time. Pass within.
A maze of corridors contrived for sin,
Dusk winding-stairs, dim galleries got past,
You gain the inmost chambers, gain at last
A maple-panelled room: that haze which seems
Floating about the panel, if there gleams
A sunbeam over it, will turn to gold
And in light-graven characters unfold
The Arab's wisdom everywhere; what shade
Marred them a moment, those slim pillars made,
Cut like a company of palms to prop
The roof, each kissing top entwined with top,
Leaning together; in the carver's mind
Some knot of bacchanals, flushed cheek combined
With straining forehead, shoulders purpled, hair
Diffused between, who in a goat-skin bear
A vintage; graceful sister-palms! But quick
To the main wonder, now. A vault, see; thick
Black shade about the ceiling, though fine slits
Across the buttress suffer light by fits
Upon a marvel in the midst. Nay, stoop
A dullish grey-streaked cumbrous font, a group
Round it,each side of it, where'er one sees,
Upholds it; shrinking Caryatides
Of just-tinged marble like Eve's lilied flesh
Beneath her maker's finger when the fresh
First pulse of life shot brightening the snow.
The font's edge burthens every shoulder, so
They muse upon the ground, eyelids half closed;
Some, with meek arms behind their backs disposed,
Some, crossed above their bosoms, some, to veil
Their eyes, some, propping chin and cheek so pale,
Some, hanging slack an utter helpless length
Dead as a buried vestal whose whole strength
Goes when the grate above shuts heavily.
So dwell these noiseless girls, patient to see,
Like priestesses because of sin impure
Penanced for ever, who resigned endure,
Having that once drunk sweetness to the dregs.
And every eve, Sordello's visit begs
Pardon for them: constant as eve he came
To sit beside each in her turn, the same
As one of them, a certain space: and awe
Made a great indistinctness till he saw
Sunset slant cheerful through the buttress-chinks,
Gold seven times globed; surely our maiden shrinks
And a smile stirs her as if one faint grain
Her load were lightened, one shade less the stain
Obscured her forehead, yet one more bead slipt
From off the rosary whereby the crypt
Keeps count of the contritions of its charge?
Then with a step more light, a heart more large,
He may depart, leave her and every one
To linger out the penance in mute stone.
Ah, but Sordello? 'T is the tale I mean
To tell you.
      In this castle may be seen,
On the hill tops, or underneath the vines,
Or eastward by the mound of firs and pines
That shuts out Mantua, still in loneliness,
A slender boy in a loose page's dress,
Sordello: do but look on him awhile
Watching ('t is autumn) with an earnest smile
The noisy flock of thievish birds at work
Among the yellowing vineyards; see him lurk
('T is winter with its sullenest of storms)
Beside that arras-length of broidered forms,
On tiptoe, lifting in both hands a light
Which makes yon warrior's visage flutter bright
Ecelo, dismal father of the brood,
And Ecelin, close to the girl he wooed,
Auria, and their Child, with all his wives
From Agnes to the Tuscan that survives,
Lady of the castle, Adelaide. His face
Look, now he turns away! Yourselves shall trace
(The delicate nostril swerving wide and fine,
A sharp and restless lip, so well combine
With that calm brow) a soul fit to receive
Delight at every sense; you can believe
Sordello foremost in the regal class
Nature has broadly severed from her mass
Of men, and framed for pleasure, as she frames
Some happy lands, that have luxurious names,
For loose fertility; a footfall there
Suffices to upturn to the warm air
Half-germinating spices; mere decay
Produces richer life; and day by day
New pollen on the lily-petal grows,
And still more labyrinthine buds the rose.
You recognise at once the finer dress
Of flesh that amply lets in loveliness
At eye and ear, while round the rest is furled
(As though she would not trust them with her world)
A veil that shows a sky not near so blue,
And lets but half the sun look fervid through.
How can such love?like souls on each full-fraught
Discovery brooding, blind at first to aught
Beyond its beauty, till exceeding love
Becomes an aching weight; and, to remove
A curse that haunts such naturesto preclude
Their finding out themselves can work no good
To what they love nor make it very blest
By their endeavour,they are fain invest
The lifeless thing with life from their own soul,
Availing it to purpose, to control,
To dwell distinct and have peculiar joy
And separate interests that may employ
That beauty fitly, for its proper sake.
Nor rest they here; fresh births of beauty wake
Fresh homage, every grade of love is past,
With every mode of loveliness: then cast
Inferior idols off their borrowed crown
Before a coming glory. Up and down
Runs arrowy fire, while earthly forms combine
To throb the secret forth; a touch divine
And the scaled eyeball owns the mystic rod;
Visibly through his garden walketh God.
So fare they. Now revert. One character
Denotes them through the progress and the stir,
A need to blend with each external charm,
Bury themselves, the whole heart wide and warm,
In something not themselves; they would belong
To what they worshipstronger and more strong
Thus prodigally fedwhich gathers shape
And feature, soon imprisons past escape
The votary framed to love and to submit
Nor ask, as passionate he kneels to it,
Whence grew the idol's empery. So runs
A legend; light had birth ere moons and suns,
Flowing through space a river and alone,
Till chaos burst and blank the spheres were strown
Hither and thither, foundering and blind:
When into each of them rushed lightto find
Itself no place, foiled of its radiant chance.
Let such forego their just inheritance!
For there 's a class that eagerly looks, too,
On beauty, but, unlike the gentler crew,
Proclaims each new revealment born a twin
With a distinctest consciousness within,
Referring still the quality, now first
Revealed, to their own soulits instinct nursed
In silence, now remembered better, shown
More thoroughly, but not the less their own;
A dream come true; the special exercise
Of any special function that implies
The being fair, or good, or wise, or strong,
Dormant within their nature all along
Whose fault? So, homage, other souls direct
Without, turns inward. "How should this deject
"Thee, soul?" they murmur; "wherefore strength be quelled
"Because, its trivial accidents withheld,
"Organs are missed that clog the world, inert,
"Wanting a will, to quicken and exert,
"Like thineexistence cannot satiate,
"Cannot surprise? Laugh thou at envious fate,
"Who, from earth's simplest combination stampt
"With individualityuncrampt
"By living its faint elemental life,
"Dost soar to heaven's complexest essence, rife
"With grandeurs, unaffronted to the last,
"Equal to being all!"
           In truth? Thou hast
Life, thenwilt challenge life for us: our race
Is vindicated so, obtains its place
In thy ascent, the first of us; whom we
May follow, to the meanest, finally,
With our more bounded wills?
               Ah, but to find
A certain mood enervate such a mind,
Counsel it slumber in the solitude
Thus reached nor, stooping, task for mankind's good
Its nature just as life and time accord
"Too narrow an arena to reward
"Emprizethe world's occasion worthless since
"Not absolutely fitted to evince
"Its mastery!" Or if yet worse befall,
And a desire possess it to put all
That nature forth, forcing our straitened sphere
Contain it,to display completely here
The mastery another life should learn,
Thrusting in time eternity's concern,
So that Sordello. . . .
            Fool, who spied the mark
Of leprosy upon him, violet-dark
Already as he loiters? Born just now,
With the new century, beside the glow
And efflorescence out of barbarism;
Witness a Greek or two from the abysm
That stray through Florence-town with studious air,
Calming the chisel of that Pisan pair:
If Nicolo should carve a Christus yet!
While at Siena is Guidone set,
Forehead on hand; a painful birth must be
Matured ere Saint Eufemia's sacristy
Or transept gather fruits of one great gaze
At the moon: look you! The same orange haze,
The same blue stripe round thatand, in the midst,
Thy spectral whiteness, Mother-maid, who didst
Pursue the dizzy painter!
             Woe, then, worth
Any officious babble letting forth
The leprosy confirmed and ruinous
To spirit lodged in a contracted house!
Go back to the beginning, rather; blend
It gently with Sordello's life; the end
Is piteous, you may see, but much between
Pleasant enough. Meantime, some pyx to screen
The full-grown pest, some lid to shut upon
The goblin! So they found at Babylon,
(Colleagues, mad Lucius and sage Antonine)
Sacking the city, by Apollo's shrine,
In rummaging among the rarities,
A certain coffer; he who made the prize
Opened it greedily; and out there curled
Just such another plague, for half the world
Was stung. Crawl in then, hag, and couch asquat,
Keeping that blotchy bosom thick in spot
Until your time is ripe! The coffer-lid
Is fastened, and the coffer safely hid
Under the Loxian's choicest gifts of gold.
Who will may hear Sordello's story told,
And how he never could remember when
He dwelt not at Goito. Calmly, then,
About this secret lodge of Adelaide's
Glided his youth away; beyond the glades
On the fir-forest border, and the rim
Of the low range of mountain, was for him
No other world: but this appeared his own
To wander through at pleasure and alone.
The castle too seemed empty; far and wide
Might he disport; only the northern side
Lay under a mysterious interdict
Slight, just enough remembered to restrict
His roaming to the corridors, the vault
Where those font-bearers expiate their fault,
The maple-chamber, and the little nooks
And nests, and breezy parapet that looks
Over the woods to Mantua: there he strolled.
Some foreign women-servants, very old,
Tended and crept about himall his clue
To the world's business and embroiled ado
Distant a dozen hill-tops at the most.
And first a simple sense of life engrossed
Sordello in his drowsy Paradise;
The day's adventures for the day suffice
Its constant tribute of perceptions strange,
With sleep and stir in healthy interchange,
Suffice, and leave him for the next at ease
Like the great palmer-worm that strips the trees,
Eats the life out of every luscious plant,
And, when September finds them sere or scant,
Puts forth two wondrous winglets, alters quite,
And hies him after unforeseen delight.
So fed Sordello, not a shard dissheathed;
As ever, round each new discovery, wreathed
Luxuriantly the fancies infantine
His admiration, bent on making fine
Its novel friend at any risk, would fling
In gay profusion forth: a ficklest king,
Confessed those minions!eager to dispense
So much from his own stock of thought and sense
As might enable each to stand alone
And serve him for a fellow; with his own,
Joining the qualities that just before
Had graced some older favourite. Thus they wore
A fluctuating halo, yesterday
Set flicker and to-morrow filched away,
Those upland objects each of separate name,
Each with an aspect never twice the same,
Waxing and waning as the new-born host
Of fancies, like a single night's hoar-frost,
Gave to familiar things a face grotesque;
Only, preserving through the mad burlesque
A grave regard. Conceive! the orpine patch
Blossoming earliest on the log-house thatch
The day those archers wound along the vines
Related to the Chief that left their lines
To climb with clinking step the northern stair
Up to the solitary chambers where
Sordello never came. Thus thrall reached thrall;
He o'er-festooning every interval,
As the adventurous spider, making light
Of distance, shoots her threads from depth to height,
From barbican to battlement: so flung
Fantasies forth and in their centre swung
Our architect,the breezy morning fresh
Above, and merry,all his waving mesh
Laughing with lucid dew-drops rainbow-edged.
This world of ours by tacit pact is pledged
To laying such a spangled fabric low
Whether by gradual brush or gallant blow.
But its abundant will was baulked here: doubt
Rose tardily in one so fenced about
From most that nurtures judgment,care and pain:
Judgment, that dull expedient we are fain,
Less favoured, to adopt betimes and force
Stead us, diverted from our natural course
Of joyscontrive some yet amid the dearth,
Vary and render them, it may be, worth
Most we forego. Suppose Sordello hence
Selfish enough, without a moral sense
However feeble; what informed the boy
Others desired a portion in his joy?
Or say a ruthful chance broke woof and warp
A heron's nest beat down by March winds sharp,
A fawn breathless beneath the precipice,
A bird with unsoiled breast and unfilmed eyes
Warm in the brakecould these undo the trance
Lapping Sordello? Not a circumstance
That makes for you, friend Naddo! Eat fern-seed
And peer beside us and report indeed
If (your word) "genius" dawned with throes and stings
And the whole fiery catalogue, while springs,
Summers, and winters quietly came and went.
Time put at length that period to content,
By right the world should have imposed: bereft
Of its good offices, Sordello, left
To study his companions, managed rip
Their fringe off, learn the true relationship,
Core with its crust, their nature with his own:
Amid his wild-wood sights he lived alone.
As if the poppy felt with him! Though he
Partook the poppy's red effrontery
Till Autumn spoiled their fleering quite with rain,
And, turbanless, a coarse brown rattling crane
Lay bare. That 's gone: yet why renounce, for that,
His disenchanted tributariesflat
Perhaps, but scarce so utterly forlorn,
Their simple presence might not well be borne
Whose parley was a transport once: recall
The poppy's gifts, it flaunts you, after all,
A poppy:why distrust the evidence
Of each soon satisfied and healthy sense?
The new-born judgment answered, "little boots
"Beholding other creatures' attributes
"And having none!" or, say that it sufficed,
"Yet, could one but possess, oneself," (enticed
Judgment) "some special office!" Nought beside
Serves you? "Well then, be somehow justified
"For this ignoble wish to circumscribe
"And concentrate, rather than swell, the tribe
"Of actual pleasures: what, now, from without
"Effects it?proves, despite a lurking doubt,
"Mere sympathy sufficient, trouble spared?
"That, tasting joys by proxy thus, you fared
"The better for them?" Thus much craved his soul,
Alas, from the beginning love is whole
And true; if sure of nought beside, most sure
Of its own truth at least; nor may endure
A crowd to see its face, that cannot know
How hot the pulses throb its heart below.
While its own helplessness and utter want
Of means to worthily be ministrant
To what it worships, do but fan the more
Its flame, exalt the idol far before
Itself as it would have it ever be.
Souls like Sordello, on the contrary,
Coerced and put to shame, retaining will,
Care little, take mysterious comfort still,
But look forth tremblingly to ascertain
If others judge their claims not urged in vain,
And say for them their stifled thoughts aloud.
So, they must ever live before a crowd:
"Vanity," Naddo tells you.
               Whence contrive
A crowd, now? From these women just alive,
That archer-troop? Forth glidednot alone
Each painted warrior, every girl of stone,
Nor Adelaide (bent double o'er a scroll,
One maiden at her knees, that eve, his soul
Shook as he stumbled through the arras'd glooms
On them, for, 'mid quaint robes and weird perfumes,
Started the meagre Tuscan up,her eyes,
The maiden's, also, bluer with surprise)
But the entire out-world: whatever, scraps
And snatches, song and story, dreams perhaps,
Conceited the world's offices, and he
Had hitherto transferred to flower or tree,
Not counted a befitting heritage
Each, of its own right, singly to engage
Some man, no other,such now dared to stand
Alone. Strength, wisdom, grace on every hand
Soon disengaged themselves, and he discerned
A sort of human life: at least, was turned
A stream of lifelike figures through his brain.
Lord, liegeman, valvassor and suzerain,
Ere he could choose, surrounded him; a stuff
To work his pleasure on; there, sure enough:
But as for gazing, what shall fix that gaze?
Are they to simply testify the ways
He who convoked them sends his soul along
With the cloud's thunder or a dove's brood-song?
While they live each his life, boast each his own
Peculiar dower of bliss, stand each alone
In some one point where something dearest loved
Is easiest gainedfar worthier to be proved
Than aught he envies in the forest-wights!
No simple and self-evident delights,
But mixed desires of unimagined range,
Contrasts or combinations, new and strange,
Irksome perhaps, yet plainly recognized
By this, the sudden companyloves prized
By those who are to prize his own amount
Of loves. Once care because such make account,
Allow that foreign recognitions stamp
The current value, and his crowd shall vamp
Him counterfeits enough; and so their print
Be on the piece, 't is gold, attests the mint,
And "good," pronounce they whom his new appeal
Is made to: if their casual print conceal
This arbitrary good of theirs o'ergloss
What he has lived without, nor felt the loss
Qualities strange, ungainly, wearisome,
What matter? So must speech expand the dumb
Part-sigh, part-smile with which Sordello, late
Whom no poor woodland-sights could satiate,
Betakes himself to study hungrily
Just what the puppets his crude phantasy
Supposes notablest,popes, kings, priests, knights,
May please to promulgate for appetites;
Accepting all their artificial joys
Not as he views them, but as he employs
Each shape to estimate the other's stock
Of attributes, whereona marshalled flock
Of authorized enjoymentshe may spend
Himself, be men, now, as he used to blend
With tree and flowernay more entirely, else
'T were mockery: for instance, "How excels
"My life that chieftain's?" (who apprised the youth
Ecelin, here, becomes this month, in truth,
Imperial Vicar?) "Turns he in his tent
"Remissly? Be it somy head is bent
"Deliciously amid my girls to sleep.
"What if he stalks the Trentine-pass? Yon steep
"I climbed an hour ago with little toil:
"We are alike there. But can I, too, foil
"The Guelf's paid stabber, carelessly afford
"Saint Mark's a spectacle, the sleight o' the sword
"Baffling the treason in a moment?" Here
No rescue! Poppy he is none, but peer
To Ecelin, assuredly: his hand,
Fashioned no otherwise, should wield a brand
With Ecelin's successtry, now! He soon
Was satisfied, returned as to the moon
From earth; left each abortive boy's-attempt
For feats, from failure happily exempt,
In fancy at his beck. "One day I will
"Accomplish it! Are they not older still
"Not grown-up men and women? 'T is beside
"Only a dream; and though I must abide
"With dreams now, I may find a thorough vent
"For all myself, acquire an instrument
"For acting what these people act; my soul
"Hunting a body out may gain its whole
"Desire some day!" How else express chagrin
And resignation, show the hope steal in
With which he let sink from an aching wrist
The rough-hewn ash-bow? Straight, a gold shaft hissed
Into the Syrian air, struck Malek down
Superbly! "Crosses to the breach! God's Town
"Is gained him back!" Why bend rough ash-bows more?
Thus lives he: if not careless as before,
Comforted: for one may anticipate,
Rehearse the future, be prepared when fate
Shall have prepared in turn real men whose names
Startle, real places of enormous fames,
Este abroad and Ecelin at home
To worship him,Mantua, Verona, Rome
To witness it. Who grudges time so spent?
Rather test qualities to heart's content
Summon them, thrice selected, near and far
Compress the starriest into one star,
And grasp the whole at once!
               The pageant thinned
Accordingly; from rank to rank, like wind
His spirit passed to winnow and divide;
Back fell the simpler phantasms; every side
The strong clave to the wise; with either classed
The beauteous; so, till two or three amassed
Mankind's beseemingnesses, and reduced
Themselves eventually,graces loosed,
Strengths lavished,all to heighten up One Shape
Whose potency no creature should escape.
Can it be Friedrich of the bowmen's talk?
Surely that grape-juice, bubbling at the stalk,
Is some grey scorching Saracenic wine
The Kaiser quaffs with the Miramoline
Those swarthy hazel-clusters, seamed and chapped,
Or filberts russet-sheathed and velvet-capped,
Are dates plucked from the bough John Brienne sent
To keep in mind his sluggish armament
Of Canaan:Friedrich's, all the pomp and fierce
Demeanour! But harsh sounds and sights transpierce
So rarely the serene cloud where he dwells
Whose looks enjoin, whose lightest words are spells
On the obdurate! That right arm indeed
Has thunder for its slave; but where 's the need
Of thunder if the stricken multitude
Hearkens, arrested in its angriest mood,
While songs go up exulting, then dispread,
Dispart, disperse, lingering overhead
Like an escape of angels? 'T is the tune,
Nor much unlike the words his women croon
Smilingly, colourless and faint-designed
Each, as a worn-out queen's face some remind
Of her extreme youth's love-tales. "Eglamor
"Made that!" Half minstrel and half emperor,
What but ill objects vexed him? Such he slew.
The kinder sort were easy to subdue
By those ambrosial glances, dulcet tones;
And these a gracious hand advanced to thrones
Beneath him. Wherefore twist and torture this,
Striving to name afresh the antique bliss,
Instead of saying, neither less nor more,
He had discovered, as our world before,
Apollo? That shall be the name; nor bid
Me rag by rag expose how patchwork hid
The youthwhat thefts of every clime and day
Contributed to purfle the array
He climbed with (June at deep) some close ravine
Mid clatter of its million pebbles sheen,
Over which, singing soft, the runnel slipped
Elate with rains: into whose streamlet dipped
He foot, yet trod, you thought, with unwet sock
Though really on the stubs of living rock
Ages ago it crenelled; vines for roof,
Lindens for wall; before him, aye aloof,
Flittered in the cool some azure damsel-fly,
Born of the simmering quiet, there to die.
Emerging whence, Apollo still, he spied
Mighty descents of forest; multiplied
Tuft on tuft, here, the frolic myrtle-trees,
There gendered the grave maple stocks at ease.
And, proud of its observer, straight the wood
Tried old surprises on him; black it stood
A sudden barrier ('twas a cloud passed o'er)
So dead and dense, the tiniest brute no more
Must pass; yet presently (the cloud dispatched)
Each clump, behold, was glistering detached
A shrub, oak-boles shrunk into ilex-stems!
Yet could not he denounce the stratagems
He saw thro', till, hours thence, aloft would hang
White summer-lightnings; as it sank and sprang
To measure, that whole palpitating breast
Of heaven, 't was Apollo, nature prest
At eve to worship.
         Time stole: by degrees
The Pythons perish off; his votaries
Sink to respectful distance; songs redeem
Their pains, but briefer; their dismissals seem
Emphatic; only girls are very slow
To disappearhis Delians! Some that glow
O' the instant, more with earlier loves to wrench
Away, reserves to quell, disdains to quench;
Alike in one material circumstance
All soon or late adore Apollo! Glance
The bevy through, divine Apollo's choice,
His Daphne! "We secure Count Richard's voice
"In Este's counsels, good for Este's ends
"As our Taurello," say his faded friends,
"By granting him our Palma!"the sole child,
They mean, of Agnes Este who beguiled
Ecelin, years before this Adelaide
Wedded and turned him wicked: "but the maid
"Rejects his suit," those sleepy women boast.
She, scorning all beside, deserves the most
Sordello: so, conspicuous in his world
Of dreams sat Palma. How the tresses curled
Into a sumptuous swell of gold and wound
About her like a glory! even the ground
Was bright as with spilt sunbeams; breathe not, breathe
Not!poised, see, one leg doubled underneath,
Its small foot buried in the dimpling snow,
Rests, but the other, listlessly below,
O'er the couch-side swings feeling for cool air,
The vein-streaks swollen a richer violet where
The languid blood lies heavily; yet calm
On her slight prop, each flat and outspread palm,
As but suspended in the act to rise
By consciousness of beauty, whence her eyes
Turn with so frank a triumph, for she meets
Apollo's gaze in the pine glooms.
                 Time fleets:
That 's worst! Because the pre-appointed age
Approaches. Fate is tardy with the stage
And crowd she promised. Lean he grows and pale,
Though restlessly at rest. Hardly avail
Fancies to soothe him. Time steals, yet alone
He tarries here! The earnest smile is gone.
How long this might continue matters not;
For ever, possibly; since to the spot
None come: our lingering Taurello quits
Mantua at last, and light our lady flits
Back to her place disburthened of a care.
Strangeto be constant here if he is there!
Is it distrust? Oh, never! for they both
Goad Ecelin alike, Romano's growth
Is daily manifest, with Azzo dumb
And Richard wavering: let but Friedrich come,
Find matter for the minstrelsy's report
Lured from the Isle and its young Kaiser's court
To sing us a Messina morning up,
And, double rillet of a drinking cup,
Sparkle along to ease the land of drouth,
Northward to Provence that, and thus far south
The other! What a method to apprise
Neighbours of births, espousals, obsequies,
Which in their very tongue the Troubadour
Records! and his performance makes a tour,
For Trouveres bear the miracle about,
Explain its cunning to the vulgar rout,
Until the Formidable House is famed
Over the countryas Taurello aimed,
Who introduced, although the rest adopt,
The novelty. Such games, her absence stopped,
Begin afresh now Adelaide, recluse
No longer, in the light of day pursues
Her plans at Mantua: whence an accident
Which, breaking on Sordello's mixed content
Opened, like any flash that cures the blind,
The veritable business of mankind.


~ Robert Browning, Sordello - Book the First
,
1195:Last Instructions To A Painter
After two sittings, now our Lady State
To end her picture does the third time wait.
But ere thou fall'st to work, first, Painter, see
If't ben't too slight grown or too hard for thee.
Canst thou paint without colors? Then 'tis right:
For so we too without a fleet can fight.
Or canst thou daub a signpost, and that ill?
'Twill suit our great debauch and little skill.
Or hast thou marked how antic masters limn
The aly-roof with snuff of candle dim,
Sketching in shady smoke prodigious tools?
'Twill serve this race of drunkards, pimps and fools.
But if to match our crimes thy skill presumes,
As th' Indians, draw our luxury in plumes.
Or if to score out our compendious fame,
With Hooke, then, through the microscope take aim,
Where, like the new Comptroller, all men laugh
To see a tall louse brandish the white staff.
Else shalt thou oft thy guiltless pencil curse,
Stamp on thy palette, not perhaps the worse.
The painter so, long having vexed his cloth-Of his hound's mouth to feign the raging froth-His desperate pencil at the work did dart:
His anger reached that rage which passed his art;
Chance finished that which art could but begin,
And he sat smiling how his dog did grin.
So mayst thou pérfect by a lucky blow
What all thy softest touches cannot do.
Paint then St Albans full of soup and gold,
The new court's pattern, stallion of the old.
Him neither wit nor courage did exalt,
But Fortune chose him for her pleasure salt.
Paint him with drayman's shoulders, butcher's mien,
Membered like mules, with elephantine chine.
Well he the title of St Albans bore,
For Bacon never studied nature more.
But age, allayed now that youthful heat,
Fits him in France to play at cards and treat.
80
Draw no commission lest the court should lie,
That, disavowing treaty, asks supply.
He needs no seal but to St James's lease,
Whose breeches wear the instrument of peace;
Who, if the French dispute his power, from thence
Can straight produce them a plenipotence..
Nor fears he the Most Christian should trepan
Two saints at once, St Germain, St Alban,
But thought the Golden Age was now restored,
When men and women took each other's word.
Paint then again Her Highness to the life,
Philosopher beyond Newcastle's wife.
She, nak'd, can Archimedes self put down,
For an experiment upon the crown,
She pérfected that engine, oft assayed,
How after childbirth to renew a maid,
And found how royal heirs might be matured
In fewer months than mothers once endured.
Hence Crowther made the rare inventress free
Of's Higness's Royal Society-Happiest of women, if she were but able
To make her glassen Dukes once malleáble!
Paint her with oyster lip and breath of fame,
Wide mouth that 'sparagus may well proclaim;
With Chancellor's belly and so large a rump,
There--not behind the coach--her pages jump.
Express her study now if China clay
Can, without breaking, venomed juice convey,
Or how a mortal poison she may draw
Out of the cordial meal of the cacao.
Witness, ye stars of night, and thou the pale
Moon, that o'ercame with the sick steam didst fail;
Ye neighboring elms, that your green leaves did shed,
And fawns that from the womb abortive fled;
Not unprovoked, she tries forbidden arts,
But in her soft breast love's hid cancer smarts,
While she resoloves, at once, Sidney's disgrace
And her self scorned for emulous Denham's face,
And nightly hears the hated guards, away
Galloping with the Duke to other prey.
81
Paint Castlemaine in colours that will hold
(Her, not her picture, for she now grows old):
She through her lackey's drawers, as he ran,
Discerned love's cause and a new flame began.
Her wonted joys thenceforth and court she shuns,
And still within her mind the footman runs:
His brazen calves, his brawny thighs--the face
She slights--his feet shaped for a smoother race.
Poring within her glass she readjusts
Her looks, and oft-tried beauty now distrusts,
Fears lest he scorn a woman once assayed,
And now first wished she e'er had been a maid.
Great Love, how dost thou triumph and how reign,
That to a groom couldst humble her disdain!
Stripped to her skin, see how she stooping stands,
Nor scorns to rub him down with those fair hands,
And washing (lest the scent her crime disclose)
His sweaty hooves, tickles him 'twixt the toes.
But envious Fame, too soon, began to note
More gold in's Fob, more lace upon his coat;
And he, unwary, and of tongue too fleet,
No longer could conceal his fortune sweet.
Justly the rogue was shipped in porter's den,
And Jermyn straight has leave to come again.
Ah, Painter, now could Alexander live,
And this Campaspe thee, Apelles, give!
Draw next a pair of tables opening, then
The House of Commons clattering like the men.
Describe the Court and Country, both set right
On opp'site points, the black against the white.
Those having lost the nation at tric-trac,
These now adventuring how to win it back.
The dice betwixt them must the fate divide
(As chance doth still in multitudes decide).
But here the Court does its advantage know,
For the cheat Turner for them both must throw.
As some from boxes, he so from the chair
Can strike the die and still with them goes share.
Here, Painter, rest a little, and survey
With what small arts the public game they play.
82
For so too Rubens, with affairs of state,
His labouring pencil oft would recreate.
The close Cabal marked how the Navy eats,
And thought all lost that goes not to the cheats,
So therefore secretly for peace decrees,
Yet as for war the Parliament should squeeze,
And fix to the revénue such a sum
Should Goodrick silence and strike Paston dumb,
Should pay land armies, should dissolve the vain
Commons, and ever such a court maintain;
Hyde's avarice, Bennet's luxury should suffice,
And what can these defray but the Excise?
Excise a monster worse than e'er before
Frighted the midwife and the mother tore.
A thousand hands she has and thousand eyes,
Breaks into shops and into cellars pries,
And on all trade like cassowar she feeds:
Chops off the piece wheres'e'er she close the jaw,
Else swallows all down her indented maw.
She stalks all day in streets concealed from sight
And flies, like bats with leathern wings, by night;
She wastes the country and on cities preys.
Her, of a female harpy, in dog days,
Black Birch, of all the earth-born race most hot
And most rapacious, like himself, begot,
And, of his brat enamoured, as't increased,
Buggered in incest with the mongrel beast.
Say, Muse, for nothing can escape thy sight
(And, Painter, wanting other, draw this fight),
Who, in an English senate, fierce debate
Could raise so long for this new whore of state.
Of early wittols first the troop marched in-For diligence renowned and discipline-In loyal haste they left young wives in bed,
And Denham these by one consent did head.
Of the old courtiers, next a squadron came,
That sold their master, led by Ashburnham.
To them succeeds a desipicable rout,
But know the word and well could face about;
83
Expectants pale, with hopes of spoil allured,
Though yet but pioneers, and led by Stew'rd.
Then damning cowards ranged the vocal plain,
Wood these command, the Knight of the Horn and Cane.
Still his hook-shoulder seems the blow to dread,
And under's armpit he defends his head.
The posture strange men laughed at of his poll,
Hid with his elbow like the spice he stole.
Headless St Denys so his head does bear,
And both of them alike French martyrs were.
Court officers, as used, the next place took,
And followed, Fox, but with disdainful look.
His birth, his youth, his brokage all dispraise
In vain, for always he commands that pays.
Then the procurers under Progers filed-Gentlest of men-- and his lieutenant mild,
Brounker--Love's squire--through all the field arrayed,
No troop was better clad, nor so well paid.
Then marched the troop of Clarendon, all full
Haters of fowl, to teal preferring bull:
Gross bodies, grosser minds, and grossest cheats,
And bloated Wren conducts them to their seats.
Charlton advances next, whose coif does awe
The Mitre troop, and with his looks gives law.
He marched with beaver cocked of bishop's brim,
And hid much fraud under an aspect grim.
Next the lawyers' merecenary band appear:
Finch in the front, and Thurland in the rear.
The troop of privilege, a rabble bare
Of debtors deep, fell to Trelawney's care.
Their fortune's error they supplied in rage,
Nor any further would than these engage.
Then marched the troop, whose valiant acts before
(Their public acts) obliged them still to more.
For chimney's sake they all Sir Pool obeyed,
Or in his absence him that first it laid.
Then comes the thrifty troop of privateers,
Whose horses each with other interfered.
Before them Higgons rides with brow compact,
Mourning his Countess, anxious for his Act.
Sir Frederick and Sir Solomon draw lots
For the command of politics or sots,
84
Thence fell to words, but quarrel to adjourn;
Their friends agreed they should command by turn.
Carteret the rich did the accountants guide
And in ill English all the world defied.
The Papists--but of these the House had none
Else Talbot offered to have led them on.
Bold Duncombe next, of the projectors chief,
And old Fitz-harding of the Eaters Beef.
Late and disordered out the drinkers drew,
Scarce them their leaders, they their leaders knew.
Before them entered, equal in command,
Apsley and Brod'rick, marching hand in hand.
Last then but one, Powell that could not ride,
Led the French standard, weltering in his stride.
He, to excuse his slowness, truth confessed
That 'twas so long before he could be dressed.
The Lord's sons, last, all these did reinforce:
Cornb'ry before them managed hobby-horse.
Never before nor since, an host so steeled
Trooped on to muster in the Tothill Field:
Not the first cock-horse that with cork were shod
To rescue Albemarle from the sea-cod,
Nor the late feather-men, whom Tomkins fierce
Shall with one breath, like thistledown disperse.
All the two Coventrys their generals chose
For one had much, the other nought to lose;
Nor better choice all accidents could hit,
While Hector Harry steers by Will the Wit.
They both accept the charge with merry glee,
To fight a battle, from all gunshot free.
Pleased with their numbers, yet in valour wise,
They feign a parley, better to surprise;
They that ere long shall the rude Dutch upbraid,
Who in the time of treaty durst invade.
Thick was the morning, and the House was thin,
The Speaker early, when they all fell in.
Propitious heavens, had not you them crossed,
Excise had got the day, and all been lost.
For the other side all in loose quarters lay,
Without intelligence, command, or pay:
85
A scattered body, which the foe ne'er tried,
But oftener did among themselves divide.
And some ran o'er each night, while others sleep,
And undescried returned ere morning peep.
But Strangeways, that all night still walked the round
(For vigilance and courage both renowned)
First spied he enemy and gave the 'larm,
Fighting it single till the rest might arm.
Such Romand Cocles strid before the foe,
The falling bridge behind, the stream below.
Each ran, as chance him guides to several post,
And all to pattern his example boast.
Their former trophies they recall to mind
And to new edge their angry courage grind.
First entered forward Temple, conqueror
Of Irish cattle and Solicitor;
Then daring Seymour, that with spear and shield
Had stretched the Monster Patent on the field;
Keen Whorwood next, in aid of damsel frail,
That pierced the giant Mordaunt through his mail;
And surly Williams, the accountants' bane;
And Lovelace young, of chimney-men the cane.
Old Waller, trumpet-general, swore he'd write
This combat truer than the naval fight.
How'rd on's birth, wit, strength, courage much presumes
And in his breast wears many Montezumes.
These and some more with single valour stay
The adverse troops, and hold them all at bay.
Each thinks his person represents the whole,
And with that thought does multiply his soul,
Believes himself an army, theirs, one man
As easily conquered, and believing can,
With heart of bees so full, and head of mites,
That each, though duelling, a battle fights.
Such once Orlando, famous in romance,
Broached whole brigades like larks upon his lance.
But strength at last still under number bows,
And the faint sweat trickled down Temple's brows.
E'en iron Strangeways, chafing, yet gave back,
Spent with fatigue, to breathe a while toback.
86
When marching in, a seasonable recruit
Of citizens and merchants held dispute;
And, charging all their pikes, a sullen band
Of Presyterian Switzers made a stand.
Nor could all these the field have long maintained
But for th' unknown reserve that still remained:
A gross of English gentry, nobly born,
Of clear estates, and to no faction sworn,
Dear lovers of their king, and death to meet
For country's cause, that glorious think and sweet;
To speak not forward, but in action brave,
In giving generous, but in counsel grave;
Candidly credulous for once, nay twice,
But sure the Devil cannot cheat them thrice.
The van and battle, though retiring, falls
Without dosorder in their intervals.
Then, closing all in equal front, fall on,
Led by great Garway and great Littleton.
Lee, ready to obey or to command,
Adjutant-general, was still at hand.
The martial standard, Sandys displaying, shows
St Dunstan in it, tweaking Satan's nose.
See sudden chance of war! To paint or write
Is longer work and harder than to fight.
At the first charge the enemy give out,
And the Excise receives a total rout.
Broken in courage, yet the men the same
Resolve henceforth upon their other game:
Where force had failed, with stratagem to play,
And what haste lost, recover by delay.
St Albans straight is sent to, to forbear,
Lest the sure peace, forsooth, too soon appear.
The seamen's clamour to three ends they use:
To cheat their pay, feign want, the House accuse.
Each day they bring the tale, and that too true,
How strong the Dutch their equipage renew.
Meantime through all the yards their orders run
To lay the ships up, cease the keels begun.
The timber rots, and useless axe doth rust,
Th' unpracticed saw lies buried in its dust,
87
The busy hammer sleeps, the ropes untwine,
The stores and wages all are mine and thine.
Along the coast and harbours they make care
That money lack, nor forts be in repair.
Long thus they could against the House conspire,
Load them with envy, and with sitting tire.
And the loved King, and never yet denied,
Is brought to beg in public and to chide;
But when this failed, and months enow were spent,
They with the first day's proffer seem content,
And to Land-Tax from the Excise turn round,
Bought off with eighteen-hundred-thousand pound.
Thus like fair theives, the Commons' purse they share,
But all the members' lives, consulting, spare.
Blither than hare that hath escaped the hounds,
The House prorogued, the Chancellor rebounds.
Not so decrepit Aeson, hashed and stewed,
With bitter herbs, rose from the pot renewed,
And with fresh age felt his glad limbs unite;
His gout (yet still he cursed) had left him quite.
What frosts to fruit, what arsenic to the rat,
What to fair Denham, mortal chocolate,
What an account to Carteret, that, and more,
A Parliament is to the Chancellor.
So the Sad-tree shrinks from the morning's eye,
But blooms all night and shoots its branches high.
So, at the sun's recess, again returns
The comet dread, and earth and heaven burns.
Now Mordaunt may, within his castle tower,
Imprison parents, and the child deflower.
The Irish herd is now let loose and comes
By millions over, not by hecatombs;
And now, now the Canary Patent may
Be broached again for the great holiday.
See how he reigns in his new palace culminant,
And sits in state divine like Jove the fulminant!
First Buckingham, that durst to him rebel,
Blasted with lightning, struck wtih thunder, fell.
Next the twelve Commons are condemned to groan
88
And roll in vain at Sisyphus's stone.
But still he cared, while in revenge he braved
That peace secured and money might be saved:
Gain and revenge, revenge and gain are sweet
United most, else when by turns they meet.
France had St Albans promised (so they sing),
St Albans promised him, and he the King:
The Count forthwith is ordered all to close,
To play for Flanders and the stake to lose,
While, chained together, two ambassadors
Like slaves shall beg for peace at Holland's doors.
This done, among his Cyclops he retires
To forge new thunder and inspect their fires.
The court as once of war, now fond of peace,
All to new sports their wanton fears release.
From Greenwich (where intelligence they hold)
Comes news of pastime martial and old,
A punishment invented first to awe
Masculine wives transgressing Nature's law,
Where, when the brawny female disobeys,
And beats the husband till for peace he prays,
No concerned jury for him damage finds,
Nor partial justice her behavior binds,
But the just street does the next house invade,
Mounting the neighbour couple on lean jade,
The distaff knocks, the grains from kettle fly,
And boys and girls in troops run hooting by:
Prudent antiquity, that knew by shame,
Better than law, domestic crimes to tame,
And taught youth by spectácle innocent!
So thou and I, dear Painter, represent
In quick effigy, others' faults, and feign
By making them ridiculous, to restrain.
With homely sight they chose thus to relax
The joys of state, for the new Peace and Tax.
So Holland with us had the mastery tried,
And our next neighbours, France and Flanders, ride.
But a fresh news the great designment nips,
Of, at the Isle of Candy, Dutch and ships!
Bab May and Arlington did wisely scoff
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And thought all safe, if they were so far off.
Modern geographers, 'twas there, they thought,
Where Venice twenty years the Turk had fought,
While the first year our navy is but shown,
The next divided, and the third we've none.
They, by the name, mistook it for that isle
Where Pilgrim Palmer travelled in exile
With the bull's horn to measure his own head
And on Pasiphaë's tomb to drop a bead.
But Morice learn'd demónstrates, by the post,
This Isle of Candy was on Essex' coast.
Fresh messengers still the sad news assure;
More timorous now we are than first secure.
False terrors our believing fears devise,
And the French army one from Calais spies.
Bennet and May and those of shorter reach
Change all for guineas, and a crown for each,
But wiser men and well foreseen in chance
In Holland theirs had lodged before, and France.
Whitehall's unsafe; the court all meditates
To fly to Windsor and mure up the gates.
Each does the other blame, and all distrust;
(That Mordaunt, new obliged, would sure be just.)
Not such a fatal stupefaction reigned
At London's flame, nor so the court complained.
The Bloodworth_Chancellor gives, then does recall
Orders; amazed, at last gives none at all.
St Alban's writ to, that he may bewail
To Master Louis, and tell coward tale
How yet the Hollanders do make a noise,
Threaten to beat us, and are naughty boys.
Now Dolman's dosobedient, and they still
Uncivil; his unkindness would us kill.
Tell him our ships unrigged, our forts unmanned,
Our money spent; else 'twere at his command.
Summon him therefore of his word and prove
To move him out of pity, if not love;
Pray him to make De Witt and Ruyter cease,
And whip the Dutch unless they'll hold their peace.
But Louis was of memory but dull
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And to St Albans too undutiful,
Nor word nor near relation did revere,
But asked him bluntly for his character.
The gravelled Count did with the answer faint-His character was that which thou didst paint-Trusses his baggage and the camp does fly.
Yet Louis writes and, lest our heart should break,
Consoles us morally out of Seneque.
Two letters next unto Breda are sent:
In cipher one to Harry Excellent;
The first instructs our (verse the name abhors)
Plenipotentiary ambassadors
To prove by Scripture treaty does imply
Cessation, as the look adultery,
And that, by law of arms, in martial strife,
Who yields his sword has title to his life.
Presbyter Holles the first point should clear,
The second Coventry the Cavalier;
But, whould they not be argued back from sea,
Then to return home straight, infecta re.
But Harry's ordered, if they won't recall
Their fleet, to threaten--we will grant them all.
The Dutch are then in proclamation shent
For sin against th' eleventh commandment.
Hyde's flippant style there pleasantly curvets,
Still his sharp wit on states and princes whets
(So Spain could not escape his laughter's spleen:
None but himsef must choose the King a Queen),
But when he came the odious clause to pen
That summons up the Parliament again,
His writing master many a time he banned
And wished himself the gout to seize his hand.
Never old lecher more repugnance felt,
Consenting, for his rupture, to be gelt;
But still then hope him solaced, ere they come,
To work the peace and so to send them home,
Or in their hasty call to find a flaw,
Their acts to vitiate, and them overawe;
But most relied upon this Dutch pretence
To raise a two-endged army for's defence.
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First then he marched our whole militia's force
(As if indeed we ships or Dutch had horse);
Then from the usual commonplace, he blames
These, and in standing army's praise declaims;
And the wise court that always loved it dear,
Now thinks all but too little for their fear.
Hyde stamps, and straight upon the ground the swarms
Of current Myrmidons appear in arms,
And for their pay he writes, as from the King-With that cursed quill plucked from a vulture's wing-Of the whole nation now to ask a loan
(The eighteen-hundred-thousand pound was gone).
This done, he pens a proclamation stout,
In rescue of the banquiers banquerout,
His minion imps that, in his secret part,
Lie nuzzling at the sacremental wart,
Horse-leeches circling at the hem'rrhoid vein:
He sucks the King, they him, he them again.
The kingdom's farm he lets to them bid least
(Greater the bribe, and that's at interest).
Here men, induced by safety, gain, and ease,
Their money lodge; confiscate when he please.
These can at need, at instant, with a scrip
(This liked him best) his cash beyond sea whip.
When Dutch invade, when Parliament prepare,
How can he engines so convenient spare?
Let no man touch them or demand his own,
Pain of displeasure of great Clarendon.
The state affairs thus marshalled, for the rest
Monck in his shirt against the Dutch is pressed.
Often, dear Painter, have I sat and mused
Why he should still be 'n all adventures used,
If they for nothing ill, like ashen wood,
Or think him, like Herb John for nothing good;
Whether his valour they so much admire,
Or that for cowardice they all retire,
As heaven in storms, they call in gusts of state
On Monck and Parliament, yet both do hate.
All causes sure concur, but most they think
Under Hercúlean labours he may sink.
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Soon then the independent troops would close,
And Hyde's last project would his place dispose.
Ruyter the while, that had our ocean curbed,
Sailed now among our rivers undistrubed,
Surveyed their crystal streams and banks so green
And beauties ere this never naked seen.
Through the vain sedge, the bashful nymphs he eyed:
Bosoms, and all which from themselves they hide.
The sun much brighter, and the skies more clear,
He finds the air and all things sweeter here.
The sudden change, and such a tempting sight
Swells his old veins with fresh blood, fresh delight.
Like am'rous victors he begins to shave,
And his new face looks in the English wave.
His sporting navy all about him swim
And witness their complacence in their trim.
Their streaming silks play through the weather fair
And with inveigling colours court the air,
While the red flags breathe on their topmasts high
Terror and war, but want an enemy.
Among the shrouds the seamen sit and sing,
And wanton boys on every rope do cling.
Old Neptune springs the tides and water lent
(The gods themselves do help the provident),
And where the deep keel on the shallow cleaves,
With trident's lever, and great shoulder heaves.
&Aelig;olus their sails inspires with eastern wind,
Puffs them along, and breathes upon them kind.
With pearly shell the Tritons all the while
Sound the sea-march and guide to Sheppey Isle.
So I have seen in April's bud arise
A fleet of clouds, sailing along the skies;
The liquid region with their squadrons filled,
Their airy sterns the sun behind does gild;
And gentle gales them steer, and heaven drives,
When, all on sudden, their calm bosom rives
With thunder and lightning from each armèd cloud;
Shepherds themselves in vain in bushes shroud.
Such up the stream the Belgic navy glides
And at Sheerness unloads its stormy sides.
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Spragge there, though practised in the sea command,
With panting heart lay like a fish on land
And quickly judged the fort was not tenáble-Which, if a house, yet were not tenantáble-No man can sit there safe: the cannon pours
Thorough the walls untight and bullet showers,
The neighbourhood ill, and an unwholesome seat,
So at the first salute resolves retreat,
And swore that he would never more dwell there
Until the city put it in repair.
So he in front, his garrison in rear,
March straight to Chatham to increase the fear.
There our sick ships unrigged in summer lay
Like moulting fowl, a weak and easy prey,
For whose strong bulk earth scarce could timber find,
The ocean water, or the heavens wind-Those oaken giants of the ancient race,
That ruled all seas and did our Channel grace.
The conscious stag so, once the forest's dread,
Flies to the wood and hides his armless head.
Ruyter forthwith a squadron does untack;
They sail securely through the river's track.
An English pilot too (O shame, O sin!)
Cheated of pay, was he that showed them in.
Our wretched ships within their fate attend,
And all our hopes now on frail chain depend:
(Engine so slight to guard us from the sea,
It fitter seemed to captivate a flea).
A skipper rude shocks it without respect,
Filling his sails more force to re-collect.
Th' English from shore the iron deaf invoke
For its last aid: `Hold chain, or we are broke.'
But with her sailing weight, the Holland keel,
Snapping the brittle links, does thorough reel,
And to the rest the opened passage show;
Monck from the bank the dismal sight does view.
Our feathered gallants, which came down that day
To be spectators safe of the new play,
Leave him alone when first they hear the gun
(Cornb'ry the fleetest) and to London run.
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Our seamen, whom no danger's shape could fright,
Unpaid, refuse to mount our ships for spite,
Or to their fellows swim on board the Dutch,
Which show the tempting metal in their clutch.
Oft had he sent of Duncombe and of Legge
Cannon and powder, but in vain, to beg;
And Upnor Castle's ill-deserted wall,
Now needful, does for ammunition call.
He finds, wheres'e'er he succor might expect,
Confusion, folly, treach'ry, fear, neglect.
But when the Royal Charles (what rage, what grief)
He saw seized, and could give her no relief!
That sacred keel which had, as he, restored
His exiled sovereign on its happy board,
And thence the British Admiral became,
Crowned, for that merit, with their master's name;
That pleasure-boat of war, in whose dear side
Secure so oft he had this foe defied,
Now a cheap spoil, and the mean victor's slave,
Taught the Dutch colours from its top to wave;
Of former glories the reproachful thought
With present shame compared, his mind destraught.
Such from Euphrates' bank, a tigress fell
After the robber for her whelps doth yell;
But sees enraged the river flow between,
Frustrate revenge and love, by loss more keen,
At her own breast her useless claws does arm:
She tears herself, since him she cannot harm.
The guards, placed for the chain's and fleet's defence,
Long since were fled on many a feigned pretence.
Daniel had there adventured, man of might,
Sweet Painter, draw his picture while I write.
Paint him of person tall, and big of bone,
Large limbs like ox, not to be killed but shown.
Scarce can burnt ivory feign an hair so black,
Or face so red, thine ocher and thy lac.
Mix a vain terror in his martial look,
And all those lines by which men are mistook;
But when, by shame constrained to go on board,
He heard how the wild cannon nearer roared,
And saw himself confined like sheep in pen,
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Daniel then thought he was in lion's den.
And when the frightful fireships he saw,
Pregnant with sulphur, to him nearer draw,
Captain, lieutenant, ensign, all make haste
Ere in the fiery furnace they be cast-Three children tall, unsinged, away they row,
Like Shadrack, Meschack, and Abednego.
Not so brave Douglas, on whose lovely chin
The early down but newly did begin,
And modest beauty yet his sex did veil,
While envious virgins hope he is a male.
His yellow locks curl back themselves to seek,
Nor other courtship knew but to his cheek.
Oft, as he in chill Esk or Seine by night
Hardened and cooled his limbs, so soft, so white,
Among the reeds, to be espied by him,
The nymphs would rustle; he would forward swim.
They sighed and said, `Fond boy, why so untame
That fliest love's fires, reserved for other flame?'
Fixed on his ship, he faced that horrid day
And wondered much at those that ran away.
Nor other fear himself could comprehend
Then, lest heaven fall ere thither he ascend,
But entertains the while his time too short
With birding at the Dutch, as if in sport,
Or waves his sword, and could he them conjúre
Within its circle, knows himself secure.
The fatal bark him boards with grappling fire,
And safely through its port the Dutch retire.
That precious life he yet disdains to save
Or with known art to try the gentle wave.
Much him the honours of his ancient race
Inspire, nor would he his own deeds deface,
And secret joy in his calm soul does rise
That Monck looks on to see how Douglas dies.
Like a glad lover, the fierce flames he meets,
And tries his first embraces in their sheets.
His shape exact, which the bright flames enfold,
Like the sun's statue stands of burnished gold.
Round the transparent fire about him flows,
As the clear amber on the bee does close,
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And, as on angels' heads their glories shine,
His burning locks adorn his face divine.
But when in this immortal mind he felt
His altering form and soldered limbs to melt,
Down on the deck he laid himself and died,
With his dear sword reposing by his side,
And on the flaming plank, so rests his head
As one that's warmed himself and gone to bed.
His ship burns down, and with his relics sinks,
And the sad stream beneath his ashes drinks.
Fortunate boy, if either pencil's fame,
Or if my verse can propagate thy name,
When Oeta and Alcides are forgot,
Our English youth shall sing the valiant Scot.
Each doleful day still with fresh loss returns:
The Loyal London now the third time burns,
And the true Royal Oak and Royal James,
Allied in fate, increase, with theirs, her flames.
Of all our navy none should now survive,
But that the ships themselves were taught to dive,
And the kind river in its creek them hides,
Fraughting their piercèd keels with oozy tides.
Up to the bridge contagious terror struck:
The Tower itself with the near danger shook,
And were not Ruyter's maw with ravage cloyed,
E'en London's ashes had been then destroyed.
Officious fear, however, to prevent
Our loss does so much more our loss augment:
The Dutch had robbed those jewels of the crown;
Our merchantmen, lest they be burned, we drown.
So when the fire did not enough devour,
The houses were demolished near the Tower.
Those ships that yearly from their teeming hole
Unloaded here the birth of either Pole-Furs from the north and silver from the west,
Wines from the south, and spices from the east;
From Gambo gold, and from the Ganges gems-Take a short voyage underneath the Thames,
Once a deep river, now with timber floored,
And shrunk, least navigable, to a ford.
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Now (nothing more at Chatham left to burn),
The Holland squadron leisurely return,
And spite of Ruperts and of Albemarles,
To Ruyter's triumph lead the captive Charles.
The pleasing sight he often does prolong:
Her masts erect, tough cordage, timbers strong,
Her moving shapes, all these he does survey,
And all admires, but most his easy prey.
The seamen search her all within, without:
Viewing her strength, they yet their conquest doubt;
Then with rude shouts, secure, the air they vex,
With gamesome joy insulting on her decks.
Such the feared Hebrew, captive, blinded, shorn,
Was led about in sport, the public scorn.
Black day accursed! On thee let no man hale
Out of the port, or dare to hoist a sail,
Nor row a boat in thy unlucky hour.
Thee, the year's monster, let thy dam devour,
And constant time, to keep his course yet right,
Fill up thy space with a redoubled night.
When agèd Thames was bound with fetters base,
And Medway chaste ravished before his face,
And their dear offspring murdered in their sight,
Thou and thy fellows held'st the odious light.
Sad change since first that happy pair was wed,
When all the rivers graced their nuptial bed,
And Father Neptune promised to resign
His empire old to their immortal line!
Now with vain grief their vainer hopes they rue,
Themselves dishonoured, and the gods untrue,
And to each other, helpless couple, moan,
As the sad tortoise for the sea does groan.
But most they for their darling Charles complain,
And were it burnt, yet less would be their pain.
To see that fatal pledge of sea command
Now in the ravisher De Ruyter's hand,
The Thames roared, swooning Medway turned her tide,
And were they mortal, both for grief had died.
The court in farthing yet itself does please,
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(And female Stuart there rules the four seas),
But fate does still accumulate our woes,
And Richmond her commands, as Ruyter those.
After this loss, to relish discontent,
Someone must be accused by punishment.
All our miscarriages on Pett must fall:
His name alone seems fit to answer all.
Whose counsel first did this mad war beget?
Who all commands sold through the navy? Pett.
Who would not follow when the Dutch were beat?
Who treated out the time at Bergen? Pett.
Who the Dutch fleet with storms disabled met,
And rifling prizes, them neglected? Pett.
Who with false news prevented the Gazette,
The fleet divided, writ for Rupert? Pett.
Who all our seamen cheated of their debt,
And all our prizes who did swallow? Pett.
Who did advise no navy out to set,
And who the forts left unrepairèd? Pett.
Who to supply with powder did forget
Languard, Sheerness, Gravesend and Upnor? Pett.
Who should it be but the Fanatic Pett?
Pett, the sea-architect, in making ships
Was the first cause of all these naval slips:
Had he not built, none of these faults had been;
If no creation, there had been no sin.
But his great crime, one boat away he sent,
That lost our fleet and did our flight prevent.
Then (that reward might in its turn take place,
And march with punishment in equal pace),
Southhampton dead, much of the Treasure's care
And place in council fell to Dunscombe's share.
All men admired he to that pitch could fly:
Powder ne'er blew man up so soon so high,
But sure his late good husbandry in petre
Showed him to manage the Exchequer meeter;
And who the forts would not vouchsafe a corn,
To lavish the King's money more would scorn.
Who hath no chimneys, to give all is best,
And ablest Speaker, who of law has least;
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Who less estate, for Treasurer most fit,
And for a couns'llor, he that has least wit.
But the true cause was that, in's brother May,
The Exchequer might the Privy Purse obey.
But now draws near the Parliament's return;
Hyde and the court again begin to mourn:
Frequent in council, earnest in debate,
All arts they try how to prolong its date.
Grave Primate Sheldon (much in preaching there)
Blames the last session and this more does fear:
With Boynton or with Middleton 'twere sweet,
But with a Parliament abohors to meet,
And thinks 'twill ne'er be well within this nation,
Till it be governed by Convocation.
But in the Thames' mouth still De Ruyter laid;
The peace not sure, new army must be paid.
Hyde saith he hourly waits for a dispatch;
Harry came post just as he showed his watch,
All to agree the articles were clear-The Holland fleet and Parliament so near-Yet Harry must job back, and all mature,
Binding, ere the Houses meet, the treaty sure,
And 'twixt necessity and spite, till then,
Let them come up so to go down again.
Up ambles country justice on his pad,
And vest bespeaks to be more seemly clad.
Plain gentlemen in stagecoach are o'erthrown
And deputy-lieutenants in their own.
The portly burgess through the weather hot
Does for his corporation sweat and trot;
And all with sun and choler come adust
And threaten Hyde to raise a greater dust.
But fresh as from the Mint, the courtiers fine
Salute them, smiling at their vain design,
And Turner gay up to his perch does march
With face new bleached, smoothened and stiff with starch;
Tells them he at Whitehall had took a turn
And for three days thence moves them to adjourn.
`Not so!' quoth Tomkins, and straight drew his tongue,
Trusty as steel that always ready hung,
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And so, proceeding in his motion warm,
The army soon raised, he doth as soon disarm.
True Trojan! While this town can girls afford,
And long as cider lasts in Herford,
The girls shall always kiss thee, though grown old,
And in eternal healths thy name be trolled.
Meanwhile the certain news of peace arrives
At court, and so reprieves their guilty lives.
Hyde orders Turner that he should come late,
Lest some new Tomkins spring a fresh debate.
The King that day raised early from his rest,
Expects (as at a play) till Turner's dressed.
At last together Ayton come and he:
No dial more could with the sun agree.
The Speaker, summoned, to the Lords repairs,
Nor gave the Commons leave to say their prayers,
But like his prisoners to the bar them led,
Where mute they stand to hear their sentence read.
Trembling with joy and fear, Hyde them prorogues,
And had almost mistook and called them rogues.
Dear Painter, draw this Speaker to the foot;
Where pencil cannot, there my pen shall do't:
That may his body, this his mind explain.
Paint him in golden gown, with mace's brain,
Bright hair, fair face, obscure and dull of head,
Like knife with ivory haft and edge of lead.
At prayers his eyes turn up the pious white,
But all the while his private bill's in sight.
In chair, he smoking sits like master cook,
And a poll bill does like his apron look.
Well was he skilled to season any question
And made a sauce, fit for Whitehall's digestion,
Whence every day, the palate more to tickle,
Court-mushrumps ready are, sent in in pickle.
When grievance urged, he swells like squatted toad,
Frisks like a frog, to croak a tax's load;
His patient piss he could hold longer than
An urinal, and sit like any hen;
At table jolly as a country host
And soaks his sack with Norfolk, like a toast;
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At night, than Chanticleer more brisk and hot,
And Sergeant's wife serves him for Pertelotte.
Paint last the King, and a dead shade of night
Only dispersed by a weak taper's light,
And those bright gleams that dart along and glare
From his clear eyes, yet these too dark with care.
There, as in the calm horror all alone
He wakes, and muses of th' uneasy throne;
Raise up a sudden shape with virgin's face,
(Though ill agree her posture, hour, or place),
Naked as born, and her round arms behind
With her own tresses, interwove and twined;
Her mouth locked up, a blind before her eyes,
Yet from beneath the veil her blushes rise,
And silent tears her secret anguish speak
Her heart throbs and with very shame would break.
The object strange in him no terror moved:
He wondered first, then pitied, then he loved,
And with kind hand does the coy vision press
(Whose beauty greater seemed by her distress),
But soon shrunk back, chilled with her touch so cold,
And th' airy picture vanished from his hold.
In his deep thoughts the wonder did increase,
And he divined 'twas England or the Peace.
Express him startling next with listening ear,
As one that some unusual noise does hear.
With cannon, trumpets, drums, his door surround-But let some other painter draw the sound.
Thrice did he rise, thrice the vain tumult fled,
But again thunders, when he lies in bed.
His mind secure does the known stroke repeat
And finds the drums Louis's march did beat.
Shake then the room, and all his curtains tear
And with blue streaks infect the taper clear,
While the pale ghosts his eye does fixed admire
Of grandsire Harry and of Charles his sire.
Harry sits down, and in his open side
The grisly wound reveals of which he died,
And ghastly Charles, turning his collar low,
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The purple thread about his neck does show,
Then whispering to his son in words unheard,
Through the locked door both of them disappeared.
The wondrous night the pensive King revolves,
And rising straight on Hyde's disgrace resolves.
At his first step, he Castlemaine does find,
Bennet, and Coventry, as 't were designed;
And they, not knowing, the same thing propose
Which his hid mind did in its depths enclose.
Through their feigned speech their secret hearts he knew:
To her own husband, Castlemaine untrue;
False to his master Bristol, Arlington;
And Coventry, falser than anyone,
Who to the brother, brother would betray,
Nor therefore trusts himself to such as they.
His Father's ghost, too, whispered him one note,
That who does cut his purse will cut his throat,
But in wise anger he their crimes forbears,
As thieves reprived for executioners;
While Hyde provoked, his foaming tusk does whet,
To prove them traitors and himself the Pett.
Painter, adieu! How well our arts agree,
Poetic picture, painted poetry;
But this great work is for our Monarch fit,
And henceforth Charles only to Charles shall sit.
His master-hand the ancients shall outdo,
Himself the painter and the poet too.
To the King
So his bold tube, man to the sun applied
And spots unknown to the bright star descried,
Showed they obscure him, while too near they please
And seem his courtiers, are but his disease.
Through optic trunk the planet seemed to hear,
And hurls them off e'er since in his career.
And you, Great Sir, that with him empire share,
Sun of our world, as he the Charles is there,
Blame not the Muse that brought those spots to sight,
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Which in you splendour hid, corrode your light:
(Kings in the country oft have gone astray
Nor of a peasant scorned to learn the way.)
Would she the unattended throne reduce,
Banishing love, trust, ornament, and use,
Better it were to live in cloister's lock,
Or in fair fields to rule the easy flock.
She blames them only who the court restrain
And where all England serves, themselves would reign.
Bold and accursed are they that all this while
Have strove to isle our Monarch from his isle,
And to improve themselves, on false pretence,
About the Common-Prince have raised a fence;
The kingdom from the crown distinct would see
And peel the bark to burn at last the tree.
(But Ceres corn, and Flora is the spring,
Bacchus is wine, the country is the King.)
Not so does rust insinuating wear,
Nor powder so the vaulted bastion tear,
Nor earthquake so an hollow isle o'er whelm
As scratching courtiers undermine a realm,
And through the palace's foundations bore,
Burrowing themselves to hoard their guilty store.
The smallest vermin make the greatest waste,
And a poor warren once a city rased.
But they, whom born to virtue and to wealth,
Nor guilt to flattery binds, nor want to wealth,
Whose generous conscience and whose courage high
Does with clear counsels their large souls supply;
That serve the King with their estates and care,
And, as in love, on Parliaments can stare,
(Where few the number, choice is there less hard):
Give us this court, and rule without a guard.
~ Andrew Marvell,
1196:class:Classics

BOOK THE NINTH

The Story of Achelous and Hercules

Theseus requests the God to tell his woes,
Whence his maim'd brow, and whence his groans arose
Whence thus the Calydonian stream reply'd,
With twining reeds his careless tresses ty'd:
Ungrateful is the tale; for who can bear,
When conquer'd, to rehearse the shameful war?
Yet I'll the melancholy story trace;
So great a conqu'ror softens the disgrace:
Nor was it still so mean the prize to yield,
As great, and glorious to dispute the field.
Perhaps you've heard of Deianira's name,
For all the country spoke her beauty's fame.
Long was the nymph by num'rous suitors woo'd,
Each with address his envy'd hopes pursu'd:
I joyn'd the loving band; to gain the fair,
Reveal'd my passion to her father's ear.
Their vain pretensions all the rest resign,
Alcides only strove to equal mine;
He boasts his birth from Jove, recounts his spoils,
His step-dame's hate subdu'd, and finish'd toils.

Can mortals then (said I), with Gods compare?
Behold a God; mine is the watry care:
Through your wide realms I take my mazy way,
Branch into streams, and o'er the region stray:
No foreign guest your daughter's charms adores,
But one who rises in your native shores.
Let not his punishment your pity move;
Is Juno's hate an argument for love?
Though you your life from fair Alcmena drew,
Jove's a feign'd father, or by fraud a true.
Chuse then; confess thy mother's honour lost,
Or thy descent from Jove no longer boast.

While thus I spoke, he look'd with stern disdain,
Nor could the sallies of his wrath restrain,
Which thus break forth. This arm decides our right;
Vanquish in words, be mine the prize in fight.

Bold he rush'd on. My honour to maintain,
I fling my verdant garments on the plain,
My arms stretch forth, my pliant limbs prepare,
And with bent hands expect the furious war.
O'er my sleek skin now gather'd dust he throws,
And yellow sand his mighty muscles strows.
Oft he my neck, and nimble legs assails,
He seems to grasp me, but as often fails.
Each part he now invades with eager hand;
Safe in my bulk, immoveable I stand.
So when loud storms break high, and foam and roar
Against some mole that stretches from the shore;
The firm foundation lasting tempests braves,
Defies the warring winds, and driving waves.

A-while we breathe, then forward rush amain,
Renew the combat, and our ground maintain;
Foot strove with foot, I prone extend my breast,
Hands war with hands, and forehead forehead prest.
Thus have I seen two furious bulls engage,
Inflam'd with equal love, and equal rage;
Each claims the fairest heifer of the grove,
And conquest only can decide their love:
The trembling herds survey the fight from far,
'Till victory decides th' important war.
Three times in vain he strove my joints to wrest,
To force my hold, and throw me from his breast;
The fourth he broke my gripe, that clasp'd him round,
Then with new force he stretch'd me on the ground;
Close to my back the mighty bur then clung,
As if a mountain o'er my limbs were flung.
Believe my tale; nor do I, boastful, aim
By feign'd narration to extol my fame.
No sooner from his grasp I freedom get,
Unlock my arms, that flow'd with trickling sweat,
But quick he seized me, and renew'd the strife,
As my exhausted bosom pants for life:
My neck he gripes, my knee to earth he strains;
I fall, and bite the sand with shame, and pains.

O'er-match'd in strength, to wiles, and arts I take,
And slip his hold, in form of speckled snake;
Who, when I wreath'd in spires my body round,
Or show'd my forky tongue with hissing sound,
Smiles at my threats: Such foes my cradle knew,
He cries, dire snakes my infant hand o'erthrew;
A dragon's form might other conquests gain,
To war with me you take that shape in vain.
Art thou proportion'd to the Hydra's length,
Who by his wounds receiv'd augmented strength?
He rais'd a hundred hissing heads in air;
When one I lopt, up-sprung a dreadful pair.
By his wounds fertile, and with slaughter strong,
Singly I quell'd him, and stretch'd dead along.
What canst thou do, a form precarious, prone,
To rouse my rage with terrors not thy own?
He said; and round my neck his hands he cast,
And with his straining fingers wrung me fast;
My throat he tortur'd, close as pincers clasp,
In vain I strove to loose the forceful grasp.

Thus vanquish'd too, a third form still remains,
Chang'd to a bull, my lowing fills the plains.
Strait on the left his nervous arms were thrown
Upon my brindled neck, and tugg'd it down;
Then deep he struck my horn into the sand,
And fell'd my bulk among the dusty land.
Nor yet his fury cool'd; 'twixt rage and scorn,
From my maim'd front he tore the stubborn horn:
This, heap'd with flow'rs, and fruits, the Naiads bear,
Sacred to plenty, and the bounteous year.

He spoke; when lo, a beauteous nymph appears,
Girt like Diana's train, with flowing hairs;
The horn she brings in which all Autumn's stor'd,
And ruddy apples for the second board.

Now morn begins to dawn, the sun's bright fire
Gilds the high mountains, and the youths retire;
Nor stay'd they, 'till the troubled stream subsides,
And in its bounds with peaceful current glides.
But Achelous in his oozy bed
Deep hides his brow deform'd, and rustick head:
No real wound the victor's triumph show'd,
But his lost honours griev'd the watry God;
Yet ev'n that loss the willow's leaves o'erspread,
And verdant reeds, in garlands, bind his head.

The Death of Nessus the Centaur

This virgin too, thy love, O Nessus, found,
To her alone you owe the fatal wound.
As the strong son of Jove his bride conveys,
Where his paternal lands their bulwarks raise;
Where from her slopy urn, Evenus pours
Her rapid current, swell'd by wintry show'rs,
He came. The frequent eddies whirl'd the tide,
And the deep rolling waves all pass deny'd.
As for himself, he stood unmov'd by fears,
For now his bridal charge employ'd his cares,
The strong-limb'd Nessus thus officious cry'd
(For he the shallows of the stream had try'd),
Swim thou, Alcides, all thy strength prepare,
On yonder bank I'll lodge thy nuptial care.

Th' Aonian chief to Nessus trusts his wife,
All pale, and trembling for her heroe's life:
Cloath'd as he stood in the fierce lion's hide,
The laden quiver o'er his shoulder ty'd
(For cross the stream his bow and club were cast),
Swift he plung'd in: These billows shall be past,
He said, nor sought where smoother waters glide,
But stem'd the rapid dangers of the tide.
The bank he reach'd; again the bow he bears;
When, hark! his bride's known voice alarms his ears.
Nessus, to thee I call (aloud he cries)
Vain is thy trust in flight, be timely wise:
Thou monster double-shap'd, my right set free;
If thou no rev'rence owe my fame and me,
Yet kindred should thy lawless lust deny;
Think not, perfidious wretch, from me to fly,
Tho' wing'd with horse's speed; wounds shall pursue;
Swift as his words the fatal arrow flew:
The centaur's back admits the feather'd wood,
And thro' his breast the barbed weapon stood;
Which when, in anguish, thro' the flesh he tore,
From both the wounds gush'd forth the spumy gore
Mix'd with Lernaean venom; this he took,
Nor dire revenge his dying breast forsook.
His garment, in the reeking purple dy'd,
To rouse love's passion, he presents the bride.

The Death of Hercules

Now a long interval of time succeeds,
When the great son of Jove's immortal deeds,
And step-dame's hate, had fill'd Earth's utmost round;
He from Oechalia, with new lawrels crown'd,
In triumph was return'd. He rites prepares,
And to the King of Gods directs his pray'rs;
When Fame (who falshood cloaths in truth's disguise,
And swells her little bulk with growing lies)
Thy tender ear, o Deianira, mov'd,
That Hercules the fair Iole lov'd.
Her love believes the tale; the truth she fears
Of his new passion, and gives way to tears.
The flowing tears diffus'd her wretched grief,
Why seek I thus, from streaming eyes, relief?
She cries; indulge not thus these fruitless cares,
The harlot will but triumph in thy tears:
Let something be resolv'd, while yet there's time;
My bed not conscious of a rival's crime.
In silence shall I mourn, or loud complain?
Shall I seek Calydon, or here remain?
What tho', ally'd to Meleager's fame,
I boast the honours of a sister's name?
My wrongs, perhaps, now urge me to pursue
Some desp'rate deed, by which the world shall view
How far revenge, and woman's rage can rise,
When weltring in her blood the harlot dies.

Thus various passions rul'd by turns her breast,
She now resolves to send the fatal vest,
Dy'd with Lernaean gore, whose pow'r might move
His soul anew, and rouse declining love.
Nor knew she what her sudden rage bestows,
When she to Lychas trusts her future woes;
With soft endearments she the boy commands,
To bear the garment to her husband's hands.

Th' unwitting hero takes the gift in haste,
And o'er his shoulders Lerna's poison cast,
As first the fire with frankincense he strows,
And utters to the Gods his holy vows;
And on the marble altar's polish'd frame
Pours forth the grapy stream; the rising flame
Sudden dissolves the subtle pois'nous juice,
Which taints his blood, and all his nerves bedews.
With wonted fortitude he bore the smart,
And not a groan confess'd his burning heart.
At length his patience was subdu'd by pain,
He rends the sacred altar from the plain;
Oete's wide forests echo with his cries:
Now to rip off the deathful robe he tries.
Where-e'er he plucks the vest, the skin he tears,
The mangled muscles, and huge bones he bares
(A ghastful sight!), or raging with his pain,
To rend the sticking plague he tugs in vain.

As the red iron hisses in the flood,
So boils the venom in his curdling blood.
Now with the greedy flame his entrails glow,
And livid sweats down all his body flow;
The cracking nerves burnt up are burst in twain,
The lurking venom melts his swimming brain.

Then, lifting both his hands aloft, he cries,
Glut thy revenge, dread Empress of the skies;
Sate with my death the rancour of thy heart,
Look down with pleasure, and enjoy my smart.
Or, if e'er pity mov'd a hostile breast
(For here I stand thy enemy profest),
Take hence this hateful life, with tortures torn,
Inur'd to trouble, and to labours born.
Death is the gift most welcome to my woe,
And such a gift a stepdame may bestow.
Was it for this Busiris was subdu'd,
Whose barb'rous temples reek'd with strangers' blood?
Press'd in these arms his fate Antaeus found,
Nor gain'd recruited vigour from the ground.
Did I not triple-form'd Geryon fell?
Or did I fear the triple dog of Hell?
Did not these hands the bull's arm'd forehead hold?
Are not our mighty toils in Elis told?
Do not Stymphalian lakes proclaim thy fame?
And fair Par thenian woods resound thy name?
Who seiz'd the golden belt of Thermodon?
And who the dragon-guarded apples won?
Could the fierce centaur's strength my force withstand,
Or the fell boar that spoil'd th' Arcadian land?
Did not these arms the Hydra's rage subdue,
Who from his wounds to double fury grew?
What if the Thracian horses, fat with gore,
Who human bodies in their mangers tore,
I saw, and with their barb'rous lord o'erthrew?
What if these hands Nemaea's lion slew?
Did not this neck the heav'nly globe sustain?
The female partner of the Thunderer's reign
Fatigu'd, at length suspends her harsh commands,
Yet no fatigue hath slack'd these valiant hands.
But now new plagues pursue me, neither force,
Nor arms, nor darts can stop their raging course.
Devouring flame thro' my rack'd entrails strays,
And on my lungs and shrivel'd muscles preys.
Yet still Eurystheus breathes the vital air.
What mortal now shall seek the Gods with pray'r?

The Transformation of Lychas into a Rock

The hero said; and with the torture stung,
Furious o'er Oete's lofty hills he sprung.
Stuck with the shaft, thus scours the tyger round,
And seeks the flying author of his wound.
Now might you see him trembling, now he vents
His anguish'd soul in groans, and loud laments;
He strives to tear the clinging vest in vain,
And with up-rooted forests strows the plain;
Now kindling into rage, his hands he rears,
And to his kindred Gods directs his pray'rs.
When Lychas, lo, he spies; who trembling flew,
And in a hollow rock conceal'd from view,
Had shun'd his wrath. Now grief renew'd his pain,
His madness chaf'd, and thus he raves again.

Lychas, to thee alone my fate I owe,
Who bore the gift, the cause of all my woe.
The youth all pale, with shiv'ring fear was stung,
And vain excuses falter'd on his tongue.
Alcides snatch'd him, as with suppliant face
He strove to clasp his knees, and beg for grace:
He toss'd him o'er his head with airy course,
And hurl'd with more than with an engine's force;
Far o'er th' Eubaean main aloof he flies,
And hardens by degrees amid the skies.
So showry drops, when chilly tempests blow,
Thicken at first, then whiten into snow,
In balls congeal'd the rolling fleeces bound,
In solid hail result upon the ground.
Thus, whirl'd with nervous force thro' distant air,
The purple tide forsook his veins, with fear;
All moisture left his limbs. Transform'd to stone,
In ancient days the craggy flint was known;
Still in the Eubaean waves his front he rears,
Still the small rock in human form appears,
And still the name of hapless Lychas bears.

The Apotheosis of Hercules

But now the hero of immortal birth
Fells Oete's forests on the groaning Earth;
A pile he builds; to Philoctetes' care
He leaves his deathful instruments of war;
To him commits those arrows, which again
Shall see the bulwarks of the Trojan reign.
The son of Paean lights the lofty pyre,
High round the structure climbs the greedy fire;
Plac'd on the top, thy nervous shoulders spread
With the Nemaean spoils, thy careless head
Rais'd on a knotty club, with look divine,
Here thou, dread hero, of celestial line,
Wert stretch'd at ease; as when a chearful guest,
Wine crown'd thy bowls, and flow'rs thy temples drest.

Now on all sides the potent flames aspire,
And crackle round those limbs that mock the fire
A sudden terror seiz'd th' immortal host,
Who thought the world's profess'd defender lost.
This when the Thund'rer saw, with smiles he cries,
'Tis from your fears, ye Gods, my pleasures rise;
Joy swells my breast, that my all-ruling hand
O'er such a grateful people boasts command,
That you my suff'ring progeny would aid;
Tho' to his deeds this just respect be paid,
Me you've oblig'd. Be all your fears forborn,
Th' Oetean fires do thou, great hero, scorn.
Who vanquish'd all things, shall subdue the flame.
That part alone of gross maternal frame
Fire shall devour; while what from me he drew
Shall live immortal, and its force subdue;
That, when he's dead, I'll raise to realms above;
May all the Pow'rs the righteous act approve.
If any God dissent, and judge too great
The sacred honours of the heav'nly seat,
Ev'n he shall own his deeds deserve the sky,
Ev'n he reluctant, shall at length comply.
Th' assembled Pow'rs assent. No frown 'till now
Had mark'd with passion vengeful Juno's brow,
Mean-while whate'er was in the pow'r of flame
Was all consum'd; his body's nervous frame
No more was known, of human form bereft,
Th' eternal part of Jove alone was left.
As an old serpent casts his scaly vest,
Wreathes in the sun, in youthful glory drest;
So when Alcides mortal mold resign'd,
His better part enlarg'd, and grew refin'd;
August his visage shone; almighty Jove
In his swift carr his honour'd offspring drove;
High o'er the hollow clouds the coursers fly,
And lodge the hero in the starry sky.

The Transformation of Galanthis

Atlas perceiv'd the load of Heav'n's new guest.
Revenge still rancour'd in Eurystheus' breast
Against Alcides' race. Alcmena goes
To Iole, to vent maternal woes;
Here she pours forth her grief, recounts the spoils
Her son had bravely reap'd in glorious toils.
This Iole, by Hercules' commands,
Hyllus had lov'd, and joyn'd in nuptial bands.
Her swelling womb the teeming birth confess'd,
To whom Alcmena thus her speech address'd.

O, may the Gods protect thee, in that hour,
When, 'midst thy throws, thou call'st th' Ilithyan Pow'r!

May no delays prolong thy racking pain,
As when I su'd for Juno's aid in vain.

When now Alcides' mighty birth drew nigh,
And the tenth sign roll'd forward on the sky,
My womb extends with such a mighty load,
As Jove the parent of the bur then show'd.
I could no more th' encreasing smart sustain,
My horror kindles to recount the pain;
Cold chills my limbs while I the tale pursue,
And now methinks I feel my pangs anew.
Seven days and nights amidst incessant throws,
Fatigu'd with ills I lay, nor knew repose;
When lifting high my hands, in shrieks I pray'd,
Implor'd the Gods, and call'd Lucina's aid.
She came, but prejudic'd, to give my Fate
A sacrifice to vengeful Juno's hate.
She hears the groaning anguish of my fits,
And on the altar at my door she sits.
O'er her left knee her crossing leg she cast,
Then knits her fingers close, and wrings them fast:
This stay'd the birth; in mutt'ring verse she pray'd,
The mutt'ring verse th' unfinish'd birth delay'd.
Now with fierce struggles, raging with my pain,
At Jove's ingratitude I rave in vain.
How did I wish for death! such groans I sent,
As might have made the flinty heart relent.

Now the Cadmeian matrons round me press,
Offer their vows, and seek to bring redress;
Among the Theban dames Galanthis stands,
Strong limb'd, red hair'd, and just to my commands:
She first perceiv'd that all these racking woes
From the persisting hate of Juno rose.
As here and there she pass'd, by chance she sees
The seated Goddess; on her close-press'd knees
Her fast-knit hands she leans; with chearful voice
Galanthis cries, Whoe'er thou art, rejoyce,
Congratulate the dame, she lies at rest,
At length the Gods Alcmena's womb have blest.
Swift from her seat the startled Goddess springs,
No more conceal'd, her hands abroad she flings;
The charm unloos'd, the birth my pangs reliev'd;
Galanthis' laughter vex'd the Pow'r deceiv'd.
Fame says, the Goddess dragg'd the laughing maid
Fast by the hair; in vain her force essay'd
Her grov'ling body from the ground to rear;
Chang'd to fore-feet her shrinking arms appear:
Her hairy back her former hue retains,
The form alone is lost; her strength remains;
Who, since the lye did from her mouth proceed,
Shall from her pregnant mouth bring forth her breed;
Nor shall she quit her long-frequented home,
But haunt those houses where she lov'd to roam.

The Fable of Dryope

She said, and for her lost Galanthis sighs;
When the fair consort of her son replies;
Since you a servant's ravish'd form bemoan,
And kindly sigh for sorrows not your own,
Let me (if tears and grief permit) relate
A nearer woe, a sister's stranger fate.

No nymph of all Oechaloa could compare
For beauteous form with Dryope the fair;
Her tender mother's only hope and pride
(My self the offspring of a second bride),
This nymph, compress'd by him who rules the day,
Whom Delphi, and the Delian isle obey,
Andraemon lov'd; and blest in all those charms
That pleas'd a God, succeeded to her arms.

A lake there was, with shelving banks around,
Whose verdant summit fragrant myrtles crown'd.
Those shades, unknowing of the fates, she sought;
And to the Naiads flow'ry garlands brought;
Her smiling babe (a pleasing charge) she prest
Between her arms, and nourish'd at her breast.
Not distant far a watry lotos grows;
The Spring was new, and all the verdant boughs,
Acorn'd with blossoms, promis'd fruits that vye
In glowing colours with the Tyrian dye.
Of these she cropt, to please her infant son,
And I my self the same rash act had done,
But, lo! I saw (as near her side I stood)
The violated blossoms drop with blood;
Upon the tree I cast a frightful look,
The trembling tree with sudden horror shook.
Lotis the nymph (if rural tales be true)
As from Priapus' lawless lust she flew,
Forsook her form; and fixing here became
A flow'ry plant, which still preserves her name.

This change unknown, astonish'd at the sight,
My trembling sister strove to urge her flight;
Yet first the pardon of the Nymphs implor'd,
And those offended Sylvan pow'rs ador'd:
But when she backward would have fled, she found
Her stiff'ning feet were rooted to the ground:
In vain to free her fasten'd feet she strove,
And as she struggles only moves above;
She feels th' incroaching bark around her grow,
By slow degrees, and cover all below:
Surpriz'd at this, her trembling hand she heaves
To rend her hair; her hand is fill'd with leaves;
Where late was hair, the shooting leaves are seen
To rise, and shade her with a sudden green.
The Child Amphisus, to her bosom prest,
Perceiv'd a colder and a harder breast,
And found the springs, that n'er 'till then deny'd
Their milky moisture, on a sudden dry'd.
I saw, unhappy, what I now relate,
And stood the helpless witness of thy fate;
Embrac'd thy boughs, the rising bark delay'd,
There wish'd to grow, and mingle shade with shade.

Behold Andraemon, and th' unhappy sire
Appear, and for their Dryope enquire;
A springing tree for Dryope they find,
And print warm kisses on the panting rind;
Prostrate, with tears their kindred plant bedew,
And close embrac'd, as to the roots they grew;
The face was all that now remain'd of thee;
No more a woman, nor yet quite a tree:
Thy branches hung with humid pearls appear,
From ev'ry leaf distills a trickling tear;
And strait a voice, while yet a voice remains,
Thus thro' the trembling boughs in sighs complains.

If to the wretched any faith be giv'n,
I swear by all th' unpitying Pow'rs of Heav'n,
No wilful crime this heavy vengeance bred,
In mutual innocence our lives we led.
If this be false, let these new greens decay,
Let sounding axes lop my limbs away,
And crackling flames on all my honours prey.
Now from my branching arms this infant bear,
Let some kind nurse supply a mother's care;
Yet to his mother let him oft be led,
Sport in her shades, and in her shades be fed;
Teach him, when first his infant voice shall frame
Imperfect words, and lisp his mother's name,
To hail this tree, and say with weeping eyes,
Within this plant my hapless parent lies;
And when in youth he seeks the shady woods,
Oh, let him fly the chrystal lakes and floods,
Nor touch the fatal flow'rs; but warn'd by me,
Believe a Goddess shrin'd in ev'ry tree.
My sire, my sister, and my spouse farewel!
If in your breasts or love, or pity, dwell,
Protect your plant, nor let my branches feel
The browzing cattle, or the piercing steel.
Farewel! and since I cannot bend to join
My lips to yours, advance at least to mine.
My son, thy mother's parting kiss receive,
While yet thy mother has a kiss to give.
I can no more; the creeping rind invades
My closing lips, and hides my head in shades:
Remove your hands; the bark shall soon suffice,
Without their aid, to seal these dying eyes.
She ceas'd at once to speak, and ceas'd to be;
And all the nymph was lost within the tree:
Yet latent life thro' her new branches reign'd,
And long the plant a human heat retain'd.

Iolaus restor'd to Youth

While Iole the fatal change declares,
Alcmena's pitying hand oft wip'd her tears.
Grief too stream'd down her cheeks; soon sorrow flies,
And rising joy the trickling moisture dries,
Lo Iolaus stands before their eyes.
A youth he stood; and the soft down began
O'er his smooth chin to spread, and promise man.
Hebe submitted to her husband's pray'rs,
Instill'd new vigour, and restor'd his years.

The Prophecy of Themis

Now from her lips a solemn oath had past,
That Iolaus this gift alone shou'd taste,
Had not just Themis thus maturely said
(Which check'd her vow, and aw'd the blooming maid).

Thebes is embroil'd in war. Capaneus stands
Invincible, but by the Thund'rer's hands.
Ambition shall the guilty brothers fire,
Both rush to mutual wounds, and both expire.
The reeling Earth shall ope her gloomy womb,
Where the yet breathing bard shall find his tomb.
The son shall bath his hands in parents' blood,
And in one act be both unjust, and good.
Of home, and sense depriv'd, where-e'er he flies,
The Furies, and his mother's ghost he spies.
His wife the fatal bracelet shall implore,
And Phegeus stain his sword in kindred gore.
Callirhoe shall then with suppliant pray'r
Prevail on Jupiter's relenting ear.
Jove shall with youth her infant sons inspire,
And bid their bosoms glow with manly fire.

The Debate of the Gods

When Themis thus with prescient voice had spoke,
Among the Gods a various murmur broke;
Dissention rose in each immortal breast,
That one should grant, what was deny'd the rest.
Aurora for her aged spouse complains,
And Ceres grieves for Jason's freezing veins;
Vulcan would Erichthonius' years renew,
Her future race the care of Venus drew,
She would Anchises' blooming age restore;
A diff'rent care employ'd each heav'nly Pow'r:
Thus various int'rests did their jars encrease,
'Till Jove arose; he spoke, their tumults cease.

Is any rev'rence to our presence giv'n,
Then why this discord 'mong the Pow'rs of Heav'n?
Who can the settled will of Fate subdue?
'Twas by the Fates that Iolaus knew
A second youth. The Fates' determin'd doom
Shall give Callirhoe's race a youthful bloom.
Arms, nor ambition can this pow'r obtain;
Quell your desires; ev'n me the Fates restrain.
Could I their will controul, no rolling years
Had Aeacus bent down with silver hairs;
Then Rhadamanthus still had youth possess'd,
And Minos with eternal bloom been bless'd.
Jove's words the synod mov'd; the Pow'rs give o'er,
And urge in vain unjust complaint no more.
Since Rhadamanthus' veins now slowly flow'd,
And Aeacus, and Minos bore the load;
Minos, who in the flow'r of youth, and fame,
Made mighty nations tremble at his name,
Infirm with age, the proud Miletus fears,
Vain of his birth, and in the strength of years,
And now regarding all his realms as lost,
He durst not force him from his native coast.
But you by choice, Miletus, fled his reign,
And thy swift vessel plow'd th' Aegean main;
On Asiatick shores a town you frame,
Which still is honour'd with the founder's name.
Here you Cyanee knew, the beauteous maid,
As on her father's winding banks she stray'd:
Caunus and Byblis hence their lineage trace,
The double offspring of your warm embrace.

The Passion of of Byblis

Let the sad fate of wretched Byblis prove
A dismal warning to unlawful love;
One birth gave being to the hapless pair,
But more was Caunus than a sister's care;
Unknown she lov'd, for yet the gentle fire
Rose not in flames, nor kindled to desire,
'Twas thought no sin to wonder at his charms,
Hang on his neck, and languish in his arms;
Thus wing'd with joy, fled the soft hours away,
And all the fatal guilt on harmless Nature lay.

But love (too soon from piety declin'd)
Insensibly deprav'd her yielding mind.
Dress'd she appears, with nicest art adorn'd,
And ev'ry youth, but her lov'd brother, scorn'd;
For him alone she labour'd to be fair,
And curst all charms that might with hers compare.
'Twas she, and only she, must Caunus please,
Sick at her heart, yet knew not her disease:
She call'd him lord, for brother was a name
Too cold, and dull for her aspiring flame;
And when he spoke, if sister he reply'd,
For Byblis change that frozen word, she cry'd.
Yet waking still she watch'd her strugling breast,
And love's approaches were in vain address'd,
'Till gentle sleep an easy conquest made,
And in her soft embrace the conqueror was laid.
But oh too soon the pleasing vision fled,
And left her blushing on the conscious bed:
Ah me! (she cry'd) how monstrous do I seem?
Why these wild thoughts? and this incestuous dream?
Envy herself ('tis true) must own his charms,
But what is beauty in a sister's arms?
Oh were I not that despicable she,
How bless'd, how pleas'd, how happy shou'd I be!
But unregarded now must bear my pain,
And but in dreams, my wishes can obtain.

O sea-born Goddess! with thy wanton boy!
Was ever such a charming scene of joy?
Such perfect bliss! such ravishing delight!
Ne'er hid before in the kind shades of night.
How pleas'd my heart! in what sweet raptures tost!
Ev'n life it self in the soft combat lost,
While breathless he on my heav'd bosom lay,
And snatch'd the treasures of my soul away.

If the bare fancy so affects my mind,
How shou'd I rave if to the substance join'd?
Oh, gentle Caunus! quit thy hated line,
Or let thy parents be no longer mine!
Oh that in common all things were enjoy'd,
But those alone who have our hopes destroy'd.
Were I a princess, thou an humble swain,
The proudest kings shou'd rival thee in vain.
It cannot be, alas! the dreadful ill
Is fix'd by Fate, and he's my brother still.
Hear me, ye Gods! I must have friends in Heav'n,
For Jove himself was to a sister giv'n:
But what are their prerogatives above,
To the short liberties of human love?
Fantastick thoughts! down, down, forbidden fires,
Or instant death extinguish my desires.
Strict virtue, then, with thy malicious leave,
Without a crime I may a kiss receive:
But say shou'd I in spight of laws comply,
Yet cruel Caunus might himself deny,
No pity take of an afflicted maid
(For love's sweet game must be by couples play'd).
Yet why shou'd youth, and charms like mine, despair?
Such fears ne'er startled the Aeolian pair;
No ties of blood could their full hopes destroy,
They broke thro' all, for the prevailing joy;
And who can tell but Caunus too may be
Rack'd and tormented in his breast for me?
Like me, to the extreamest anguish drove,
Like me, just waking from a dream of love?
But stay! Oh whither wou'd my fury run!
What arguments I urge to be undone!
Away fond Byblis, quench these guilty flames;
Caunus thy love but as brother claims;
Yet had he first been touch'd with love of me,
The charming youth cou'd I despairing see?
Oppress'd with grief, and dying by disdain?
Ah no! too sure I shou'd have eas'd his pain!
Since then, if Caunus ask'd me, it were done;
Asking my self, what dangers can I run?
But canst thou ask? and see that right betray'd,
From Pyrrha down to thy whole sex convey'd?
That self-denying gift we all enjoy,
Of wishing to be won, yet seeming to be coy.
Well then, for once, let a fond mistress woo;
The force of love no custom can subdue;
This frantick passion he by words shall know,
Soft as the melting heart from whence they flow.
The pencil then in her fair hand she held,
By fear discourag'd, but by love compell'd
She writes, then blots, writes on, and blots again,
Likes it as fit, then razes it as vain:
Shame, and assurance in her face appear,
And a faint hope just yielding to despair;
Sister was wrote, and blotted as a word
Which she, and Caunus too (she hop'd) abhorr'd;
But now resolv'd to be no more controul'd
By scrup'lous virtue, thus her grief she told.

Thy lover (gentle Caunus) wishes thee
That health, which thou alone canst give to me.
O charming youth! the gift I ask bestow,
Ere thou the name of the fond writer know;
To thee without a name I would be known,
Since knowing that, my frailty I must own.
Yet why shou'd I my wretched name conceal?
When thousand instances my flames reveal:
Wan looks, and weeping eyes have spoke my pain,
And sighs discharg'd from my heav'd heart in vain;
Had I not wish'd my passion might be seen,
What cou'd such fondness and embraces mean?
Such kisses too! (Oh heedless lovely boy)
Without a crime no sister cou'd enjoy:
Yet (tho' extreamest rage has rack'd my soul,
And raging fires in my parch'd bosom roul)
Be witness, Gods! how piously I strove,
To rid my thoughts of this enchanting love.
But who cou'd scape so fierce, and sure a dart,
Aim'd at a tender, and defenceless heart?
Alas! what maid cou'd suffer, I have born,
Ere the dire secret from my breast was torn;
To thee a helpless vanquish'd wretch I come,
'Tis you alone can save, or give my doom;
My life, or death this moment you may chuse.
Yet think, oh think, no hated stranger sues,
No foe; but one, alas! too near ally'd,
And wishing still much nearer to be ty'd.
The forms of decency let age debate,
And virtue's rules by their cold morals state;
Their ebbing joys give leisure to enquire,
And blame those noble flights our youth inspire:
Where Nature kindly summons let us go,
Our sprightly years no bounds in love shou'd know,
Shou'd feel no check of guilt, and fear no ill;
Lovers, and Gods act all things at their will:
We gain one blessing from our hated kin,
Since our paternal freedom hides the sin;
Uncensur'd in each other's arms we lye,
Think then how easie to compleat our joy.
Oh, pardon and oblige a blushing maid,
Whose rage the pride of her vain sex betray'd;
Nor let my tomb thus mournfully complain,
Here Byblis lies, by her lov'd Caunus slain.

Forc'd here to end, she with a falling tear
Temper'd the pliant wax, which did the signet bear:
The curious cypher was impress'd by art,
But love had stamp'd one deeper in her heart;
Her page, a youth of confidence, and skill,
(Secret as night) stood waiting on her will;
Sighing (she cry'd): Bear this, thou faithful boy,
To my sweet partner in eternal joy:
Here a long pause her secret guilt confess'd,
And when at length she would have spoke the rest,
Half the dear name lay bury'd in her breast.

Thus as he listned to her vain command,
Down fell the letter from her trembling hand.
The omen shock'd her soul. Yet go, she cry'd;
Can a request from Byblis be deny'd?

To the Maeandrian youth this message's born,
The half-read lines by his fierce rage were torn;
Hence, hence, he cry'd, thou pandar to her lust,
Bear hence the triumph of thy impious trust:
Thy instant death will but divulge her shame,
Or thy life's blood shou'd quench the guilty flame.
Frighted, from threatning Caunus he withdrew,
And with the dreadful news to his lost mistress flew.
The sad repulse so struck the wounded fair,
Her sense was bury'd in her wild despair;
Pale was her visage, as the ghastly dead;
And her scar'd soul from the sweet mansion fled;
Yet with her life renew'd, her love returns,
And faintly thus her cruel fate she mourns:
'Tis just, ye Gods! was my false reason blind?
To write a secret of this tender kind?
With female craft I shou'd at first have strove,
By dubious hints to sound his distant love;
And try'd those useful, tho' dissembled, arts,
Which women practise on disdainful hearts:
I shou'd have watch'd whence the black storm might rise;

Ere I had trusted the unfaithful skies.
Now on the rouling billows I am tost,
And with extended sails, on the blind shelves am lost.
Did not indulgent Heav'n my doom foretell,
When from my hand the fatal letter fell?
What madness seiz'd my soul? and urg'd me on
To take the only course to be undone?
I cou'd my self have told the moving tale
With such alluring grace as must prevail;
Then had his eyes beheld my blushing fears,
My rising sighs, and my descending tears;
Round his dear neck these arms I then had spread,
And, if rejected, at his feet been dead:
If singly these had not his thoughts inclin'd,
Yet all united would have shock'd his mind.
Perhaps, my careless page might be in fault,
And in a luckless hour the fatal message brought;
Business, and worldly thoughts might fill his breast,
Sometimes ev'n love itself may be an irksome guest:
He cou'd not else have treated me with scorn,
For Caunus was not of a tygress born;
Nor steel, nor adamant has fenc'd his heart;
Like mine, 'tis naked to the burning dart.

Away false fears! he must, he shall be mine;
In death alone I will my claim resign;
'Tis vain to wish my written crime unknown,
And for my guilt much vainer to atone.
Repuls'd and baffled, fiercer still she burns,
And Caunus with disdain her impious love returns.
He saw no end of her injurious flame,
And fled his country to avoid the shame.
Forsaken Byblis, who had hopes no more;
Burst out in rage, and her loose robes she tore;
With her fair hands she smote her tender breast,
And to the wond'ring world her love confess'd;
O'er hills and dales, o'er rocks and streams she flew,
But still in vain did her wild lust pursue:
Wearied at length, on the cold earth she fell,
And now in tears alone could her sad story tell.
Relenting Gods in pity fix'd her there,
And to a fountain turn'd the weeping fair.

The Fable of Iphis and Ian the

The fame of this, perhaps, thro' Crete had flown:
But Crete had newer wonders of her own,
In Iphis chang'd; for, near the Gnossian bounds
(As loud report the miracle resounds),
At Phaestus dwelt a man of honest blood,
But meanly born, and not so rich as good;
Esteem'd, and lov'd by all the neighbourhood;
Who to his wife, before the time assign'd
For child-birth came, thus bluntly spoke his mind.
If Heav'n, said Lygdus, will vouchsafe to hear,
I have but two petitions to prefer;
Short pains for thee, for me a son and heir.
Girls cost as many throes in bringing forth;
Beside, when born, the titts are little worth;
Weak puling things, unable to sustain
Their share of labour, and their bread to gain.
If, therefore, thou a creature shalt produce,
Of so great charges, and so little use
(Bear witness, Heav'n, with what reluctancy),
Her hapless innocence I doom to die.
He said, and common tears the common grief display,
Of him who bad, and her who must obey.

Yet Telethusa still persists, to find
Fit arguments to move a father's mind;
T' extend his wishes to a larger scope,
And in one vessel not confine his hope.
Lygdus continues hard: her time drew near,
And she her heavy load could scarcely bear;
When slumbring, in the latter shades of night,
Before th' approaches of returning light,
She saw, or thought she saw, before her bed,
A glorious train, and Isis at their head:
Her moony horns were on her forehead plac'd,
And yellow shelves her shining temples grac'd:
A mitre, for a crown, she wore on high;
The dog, and dappl'd bull were waiting by;
Osyris, sought along the banks of Nile;
The silent God: the sacred crocodile;
And, last, a long procession moving on,
With timbrels, that assist the lab'ring moon.
Her slumbers seem'd dispell'd, and, broad awake,
She heard a voice, that thus distinctly spake.
My votary, thy babe from death defend,
Nor fear to save whate'er the Gods will send.
Delude with art thy husband's dire decree:
When danger calls, repose thy trust on me:
And know thou hast not serv'd a thankless deity.
This promise made, with night the Goddess fled;
With joy the woman wakes, and leaves her bed;
Devoutly lifts her spotless hands on high,
And prays the Pow'rs their gift to ratifie.

Now grinding pains proceed to bearing throes,
'Till its own weight the burden did disclose.
'Twas of the beauteous kind, and brought to light
With secrecy, to shun the father's sight.
Th' indulgent mother did her care employ,
And past it on her husb and for a boy.
The nurse was conscious of the fact alone;
The father paid his vows as for a son;
And call'd him Iphis, by a common name,
Which either sex with equal right may claim.
Iphis his grandsire was; the wife was pleas'd,
Of half the fraud by Fortune's favour eas'd:
The doubtful name was us'd without deceit,
And truth was cover'd with a pious cheat.
The habit show'd a boy, the beauteous face
With manly fierceness mingled female grace.

Now thirteen years of age were swiftly run,
When the fond father thought the time drew on
Of settling in the world his only son.
Ian the was his choice; so wondrous fair,
Her form alone with Iphis cou'd compare;
A neighbour's daughter of his own degree,
And not more bless'd with Fortune's goods than he.

They soon espous'd; for they with ease were join'd,
Who were before contracted in the mind.
Their age the same, their inclinations too;
And bred together, in one school they grew.
Thus, fatally dispos'd to mutual fires,
They felt, before they knew, the same desires.
Equal their flame, unequal was their care;
One lov'd with hope, one languish'd in despair.
The maid accus'd the lingring day alone:
For whom she thought a man, she thought her own.
But Iphis bends beneath a greater grief;
As fiercely burns, but hopes for no relief.
Ev'n her despair adds fuel to her fire;
A maid with madness does a maid desire.
And, scarce refraining tears, Alas, said she,
What issue of my love remains for me!
How wild a passion works within my breast,
With what prodigious flames am I possest!
Could I the care of Providence deserve,
Heav'n must destroy me, if it would preserve.
And that's my fate, or sure it would have sent
Some usual evil for my punishment:
Not this unkindly curse; to rage, and burn,
Where Nature shews no prospect of return.
Nor cows for cows consume with fruitless fire;
Nor mares, when hot, their fellow-mares desire:
The father of the fold supplies his ewes;
The stag through secret woods his hind pursues;
And birds for mates the males of their own species chuse.

Her females Nature guards from female flame,
And joins two sexes to preserve the game:
Wou'd I were nothing, or not what I am!
Crete, fam'd for monsters, wanted of her store,
'Till my new love produc'd one monster more.
The daughter of the sun a bull desir'd,
And yet ev'n then a male a female fir'd:
Her passion was extravagantly new,
But mine is much the madder of the two.
To things impossible she was not bent,
But found the means to compass her intent.
To cheat his eyes she took a different shape;
Yet still she gain'd a lover, and a leap.
Shou'd all the wit of all the world conspire,
Shou'd Daedalus assist my wild desire,
What art can make me able to enjoy,
Or what can change Ian the to a boy?
Extinguish then thy passion, hopeless maid,
And recollect thy reason for thy aid.
Know what thou art, and love as maidens ought,
And drive these golden wishes from thy thought.
Thou canst not hope thy fond desires to gain;
Where hope is wanting, wishes are in vain.

And yet no guards against our joys conspire;
No jealous husb and hinders our desire;
My parents are propitious to my wish,
And she herself consenting to the bliss.
All things concur to prosper our design;
All things to prosper any love but mine.
And yet I never can enjoy the fair;
'Tis past the pow'r of Heav'n to grant my pray'r.
Heav'n has been kind, as far as Heav'n can be;
Our parents with our own desires agree;
But Nature, stronger than the Gods above,
Refuses her assistance to my love;
She sets the bar that causes all my pain;
One gift refus'd, makes all their bounty vain.
And now the happy day is just at hand,
To bind our hearts in Hymen's holy band:
Our hearts, but not our bodies: thus accurs'd,
In midst of water I complain of thirst.
Why com'st thou, Juno, to these barren rites,
To bless a bed defrauded of delights?
But why shou'd Hymen lift his torch on high,
To see two brides in cold embraces lye?

Thus love-sick Iphis her vain passion mourns;
With equal ardour fair Ian the burns,
Invoking Hymen's name, and Juno's pow'r,
To speed the work, and haste the happy hour.

She hopes, while Telethusa fears the day,
And strives to interpose some new delay:
Now feigns a sickness, now is in a fright
For this bad omen, or that boding sight.
But having done whate'er she could devise,
And empty'd all her magazine of lies,
The time approach'd; the next ensuing day
The fatal secret must to light betray.
Then Telethusa had recourse to pray'r,
She, and her daughter with dishevel'd hair;
Trembling with fear, great Isis they ador'd,
Embrac'd her altar, and her aid implor'd.

Fair queen, who dost on fruitful Egypt smile,
Who sway'st the sceptre of the Pharian isle,
And sev'n-fold falls of disemboguing Nile,
Relieve, in this our last distress, she said,
A suppliant mother, and a mournful maid.
Thou, Goddess, thou wert present to my sight;
Reveal'd I saw thee by thy own fair light:
I saw thee in my dream, as now I see,
With all thy marks of awful majesty:
The glorious train that compass'd thee around;
And heard the hollow timbrels holy sound.
Thy words I noted, which I still retain;
Let not thy sacred oracles be vain.
That Iphis lives, that I myself am free
From shame, and punishment, I owe to thee.
On thy protection all our hopes depend.
Thy counsel sav'd us, let thy pow'r defend.

Her tears pursu'd her words; and while she spoke,
The Goddess nodded, and her altar shook:
The temple doors, as with a blast of wind,
Were heard to clap; the lunar horns that bind
The brows of Isis cast a blaze around;
The trembling timbrel made a murm'ring sound.

Some hopes these happy omens did impart;
Forth went the mother with a beating heart:
Not much in fear, nor fully satisfy'd;
But Iphis follow'd with a larger stride:
The whiteness of her skin forsook her face;
Her looks embolden'd with an awful grace;
Her features, and her strength together grew,
And her long hair to curling locks withdrew.
Her sparkling eyes with manly vigour shone,
Big was her voice, audacious was her tone.
The latent parts, at length reveal'd, began
To shoot, and spread, and burnish into man.
The maid becomes a youth; no more delay
Your vows, but look, and confidently pay.
Their gifts the parents to the temple bear:
The votive tables this inscription wear;
Iphis the man, has to the Goddess paid
The vows, that Iphis offer'd when a maid.

Now when the star of day had shewn his face,
Venus and Juno with their presence grace
The nuptial rites, and Hymen from above
Descending to compleat their happy love;
The Gods of marriage lend their mutual aid;
And the warm youth enjoys the lovely maid.

----------------------------------------------------------------------
~ Ovid, BOOK THE NINTH

,
1197:Pauline, A Fragment of a Question
Plus ne suis ce que j'ai t,
Et ne le saurois jamais tre.
Marot.

Non dubito, quin titulus libri nostri raritate sua quamplurimos alliciat ad legendum: inter quos nonnulli obliqu opinionis, mente languidi, multi etiam maligni, et in ingenium nostrum ingrati accedent, qui temeraria sua ignorantia, vix conspecto titulo clamabunt Nos vetita docere, hresium semina jacere: piis auribus offendiculo, prclaris ingeniis scandalo esse: . . . . adeo conscienti su consulentes, ut nec Apollo, nec Mus omnes, neque Angelus de coelo me ab illorum execratione vindicare queant: quibus et ego nunc consulo, ne scripta nostra legant, nec intelligant, nec meminerint: nam noxia sunt, venenosa sunt: Acherontis ostium est in hoc libro, lapides loquitur, caveant, ne cerebrum illis excutiat. Vos autem, qui qua mente ad legendum venitis, si tantam prudenti discretionem adhibueritis, quantam in melle legendo apes, jam securi legite. Puto namque vos et utilitatis haud parum et voluptatis plurimum accepturos. Quod si qua repereritis, qu vobis non placeant, mittite illa, nec utimini. Nam et ego vobis illa non Probo, sed Narro. Ctera tamen propterea non respuite . . . . . Ideo, si quid liberius dictum sit, ignoscite adolescenti nostr, qui minor quam adolescens hoc opus composui.

Hen. Corn. Agrippa, De Occult. Philosoph. in Prfat.
London: January 1833.V. A. XX .

1833.

Pauline, mine own, bend o'er methy soft breast
Shall pant to minebend o'er methy sweet eyes,
And loosened hair and breathing lips, and arms
Drawing me to theethese build up a screen
To shut me in with thee, and from all fear;
So that I might unlock the sleepless brood
Of fancies from my soul, their lurking-place,
Nor doubt that each would pass, ne'er to return
To one so watched, so loved and so secured.
But what can guard thee but thy naked love?
Ah dearest, whoso sucks a poisoned wound
Envenoms his own veins! Thou art so good,
So calmif thou shouldst wear a brow less light
For some wild thought which, but for me, were kept
From out thy soul as from a sacred star!
Yet till I have unlocked them it were vain
To hope to sing; some woe would light on me;
Nature would point at one whose quivering lip
Was bathed in her enchantments, whose brow burned
Beneath the crown to which her secrets knelt,
Who learned the spell which can call up the dead,
And then departed smiling like a fiend
Who has deceived God,if such one should seek
Again her altars and stand robed and crowned
Amid the faithful! Sad confession first,
Remorse and pardon and old claims renewed,
Ere I can beas I shall be no more.
I had been spared this shame if I had sat
By thee for ever from the first, in place
Of my wild dreams of beauty and of good,
Or with them, as an earnest of their truth:
No thought nor hope having been shut from thee,
No vague wish unexplained, no wandering aim
Sent back to bind on fancy's wings and seek
Some strange fair world where it might be a law;
But, doubting nothing, had been led by thee,
Thro' youth, and saved, as one at length awaked
Who has slept through a peril. Ah vain, vain!
Thou lovest me; the past is in its grave
Tho' its ghost haunts us; still this much is ours,
To cast away restraint, lest a worse thing
Wait for us in the dark. Thou lovest me;
And thou art to receive not love but faith,
For which thou wilt be mine, and smile and take
All shapes and shames, and veil without a fear
That form which music follows like a slave:
And I look to thee and I trust in thee,
As in a Northern night one looks alway
Unto the East for morn and spring and joy.
Thou seest then my aimless, hopeless state,
And, resting on some few old feelings won
Back by thy beauty, wouldst that I essay
The task which was to me what now thou art:
And why should I conceal one weakness more?
Thou wilt remember one warm morn when winter
Crept aged from the earth, and spring's first breath
Blew soft from the moist hills; the black-thorn boughs,
So dark in the bare wood, when glistening
In the sunshine were white with coming buds,
Like the bright side of a sorrow, and the banks
Had violets opening from sleep like eyes.
I walked with thee who knew'st not a deep shame
Lurked beneath smiles and careless words which sought
To hide it till they wandered and were mute,
As we stood listening on a sunny mound
To the wind murmuring in the damp copse,
Like heavy breathings of some hidden thing
Betrayed by sleep; until the feeling rushed
That I was low indeed, yet not so low
As to endure the calmness of thine eyes.
And so I told thee all, while the cool breast
I leaned on altered not its quiet beating:
And long ere words like a hurt bird's complaint
Bade me look up and be what I had been,
I felt despair could never live by thee:
Thou wilt remember. Thou art not more dear
Than song was once to me; and I ne'er sung
But as one entering bright halls where all
Will rise and shout for him: sure I must own
That I am fallen, having chosen gifts
Distinct from theirsthat I am sad and fain
Would give up all to be but where I was,
Not high as I had been if faithful found,
But low and weak yet full of hope, and sure
Of goodness as of lifethat I would lose
All this gay mastery of mind, to sit
Once more with them, trusting in truth and love
And with an aimnot being what I am.
Oh Pauline, I am ruined who believed
That though my soul had floated from its sphere
Of wild dominion into the dim orb
Of selfthat it was strong and free as ever!
It has conformed itself to that dim orb,
Reflecting all its shades and shapes, and now
Must stay where it alone can be adored.
I have felt this in dreamsin dreams in which
I seemed the fate from which I fled; I felt
A strange delight in causing my decay.
I was a fiend in darkness chained for ever
Within some ocean-cave; and ages rolled,
Till through the cleft rock, like a moonbeam, came
A white swan to remain with me; and ages
Rolled, yet I tired not of my first free joy
In gazing on the peace of its pure wings:
And then I said "It is most fair to me,
"Yet its soft wings must sure have suffered change
"From the thick darkness, sure its eyes are dim,
"Its silver pinions must be cramped and numbed
"With sleeping ages here; it cannot leave me,
"For it would seem, in light beside its kind,
"Withered, tho' here to me most beautiful."
And then I was a young witch whose blue eyes,
As she stood naked by the river springs,
Drew down a god: I watched his radiant form
Growing less radiant, and it gladdened me;
Till one morn, as he sat in the sunshine
Upon my knees, singing to me of heaven,
He turned to look at me, ere I could lose
The grin with which I viewed his perishing:
And he shrieked and departed and sat long
By his deserted throne, but sunk at last
Murmuring, as I kissed his lips and curled
Around him, "I am still a godto thee."
Still I can lay my soul bare in its fall,
Since all the wandering and all the weakness
Will be a saddest comment on the song:
And if, that done, I can be young again,
I will give up all gained, as willingly
As one gives up a charm which shuts him out
From hope or part or care in human kind.
As life wanes, all its care and strife and toil
Seem strangely valueless, while the old trees
Which grew by our youth's home, the waving mass
Of climbing plants heavy with bloom and dew,
The morning swallows with their songs like words,
All these seem clear and only worth our thoughts:
So, aught connected with my early life,
My rude songs or my wild imaginings,
How I look on themmost distinct amid
The fever and the stir of after years!
I ne'er had ventured e'en to hope for this,
Had not the glow I felt at His award,
Assured me all was not extinct within:
His whom all honour, whose renown springs up
Like sunlight which will visit all the world,
So that e'en they who sneered at him at first,
Come out to it, as some dark spider crawls
From his foul nets which some lit torch invades,
Yet spinning still new films for his retreat.
Thou didst smile, poet, but can we forgive?
Sun-treader, life and light be thine for ever!
Thou art gone from us; years go by and spring
Gladdens and the young earth is beautiful,
Yet thy songs come not, other bards arise,
But none like thee: they stand, thy majesties,
Like mighty works which tell some spirit there
Hath sat regardless of neglect and scorn,
Till, its long task completed, it hath risen
And left us, never to return, and all
Rush in to peer and praise when all in vain.
The air seems bright with thy past presence yet,
But thou art still for me as thou hast been
When I have stood with thee as on a throne
With all thy dim creations gathered round
Like mountains, and I felt of mould like them,
And with them creatures of my own were mixed,
Like things half-lived, catching and giving life.
But thou art still for me who have adored
Tho' single, panting but to hear thy name
Which I believed a spell to me alone,
Scarce deeming thou wast as a star to men!
As one should worship long a sacred spring
Scarce worth a moth's flitting, which long grasses cross,
And one small tree embowers droopingly
Joying to see some wandering insect won
To live in its few rushes, or some locust
To pasture on its boughs, or some wild bird
Stoop for its freshness from the trackless air:
And then should find it but the fountain-head,
Long lost, of some great river washing towns
And towers, and seeing old woods which will live
But by its banks untrod of human foot,
Which, when the great sun sinks, lie quivering
In light as some thing lieth half of life
Before God's foot, waiting a wondrous change;
Then girt with rocks which seek to turn or stay
Its course in vain, for it does ever spread
Like a sea's arm as it goes rolling on,
Being the pulse of some great countryso
Wast thou to me, and art thou to the world!
And I, perchance, half feel a strange regret
That I am not what I have been to thee:
Like a girl one has silently loved long
In her first loneliness in some retreat,
When, late emerged, all gaze and glow to view
Her fresh eyes and soft hair and lips which bloom
Like a mountain berry: doubtless it is sweet
To see her thus adored, but there have been
Moments when all the world was in our praise,
Sweeter than any pride of after hours.
Yet, sun-treader, all hail! From my heart's heart
I bid thee hail! E'en in my wildest dreams,
I proudly feel I would have thrown to dust
The wreaths of fame which seemed o'erhanging me,
To see thee for a moment as thou art.
And if thou livest, if thou lovest, spirit!
Remember me who set this final seal
To wandering thoughtthat one so pure as thou
Could never die. Remember me who flung
All honour from my soul, yet paused and said
"There is one spark of love remaining yet,
"For I have nought in common with him, shapes
"Which followed him avoid me, and foul forms
"Seek me, which ne'er could fasten on his mind;
"And though I feel how low I am to him,
"Yet I aim not even to catch a tone
"Of harmonies he called profusely up;
"So, one gleam still remains, although the last."
Remember me who praise thee e'en with tears,
For never more shall I walk calm with thee;
Thy sweet imaginings are as an air,
A melody some wondrous singer sings,
Which, though it haunt men oft in the still eve,
They dream not to essay; yet it no less
But more is honoured. I was thine in shame,
And now when all thy proud renown is out,
I am a watcher whose eyes have grown dim
With looking for some star which breaks on him
Altered and worn and weak and full of tears.
Autumn has come like spring returned to us,
Won from her girlishness; like one returned
A friend that was a lover, nor forgets
The first warm love, but full of sober thoughts
Of fading years; whose soft mouth quivers yet
With the old smile, but yet so changed and still!
And here am I the scoffer, who have probed
Life's vanity, won by a word again
Into my own lifeby one little word
Of this sweet friend who lives in loving me,
Lives strangely on my thoughts and looks and words,
As fathoms down some nameless ocean thing
Its silent course of quietness and joy.
O dearest, if indeed I tell the past,
May'st thou forget it as a sad sick dream!
Or if it lingermy lost soul too soon
Sinks to itself and whispers we shall be
But closer linked, two creatures whom the earth
Bears singly, with strange feelings unrevealed
Save to each other; or two lonely things
Created by some power whose reign is done,
Having no part in God or his bright world.
I am to sing whilst ebbing day dies soft,
As a lean scholar dies worn o'er his book,
And in the heaven stars steal out one by one
As hunted men steal to their mountain watch.
I must not think, lest this new impulse die
In which I trust; I have no confidence:
So, I will sing on fast as fancies come;
Rudely, the verse being as the mood it paints
I strip my mind bare, whose first elements
I shall unveilnot as they struggled forth
In infancy, nor as they now exist,
When I am grown above them and can rule
But in that middle stage when they were full
Yet ere I had disposed them to my will;
And then I shall show how these elements
Produced my present state, and what it is.
I am made up of an intensest life,
Of a most clear idea of consciousness
Of self, distinct from all its qualities,
From all affections, passions, feelings, powers;
And thus far it exists, if tracked, in all:
But linked, in me, to self-supremacy,
Existing as a centre to all things,
Most potent to create and rule and call
Upon all things to minister to it;
And to a principle of restlessness
Which would be all, have, see, know, taste, feel, all
This is myself; and I should thus have been
Though gifted lower than the meanest soul.
And of my powers, one springs up to save
From utter death a soul with such desire
Confined to clayof powers the only one
Which marks mean imagination which
Has been a very angel, coming not
In fitful visions but beside me ever
And never failing me; so, though my mind
Forgets not, not a shred of life forgets,
Yet I can take a secret pride in calling
The dark past up to quell it regally.
A mind like this must dissipate itself,
But I have always had one lode-star; now,
As I look back, I see that I have halted
Or hastened as I looked towards that star
A need, a trust, a yearning after God:
A feeling I have analysed but late,
But it existed, and was reconciled
With a neglect of all I deemed his laws,
Which yet, when seen in others, I abhorred.
I felt as one beloved, and so shut in
From fear: and thence I date my trust in signs
And omens, for I saw God everywhere;
And I can only lay it to the fruit
Of a sad after-time that I could doubt
Even his beinge'en the while I felt
His presence, never acted from myself,
Still trusted in a hand to lead me through
All danger; and this feeling ever fought
Against my weakest reason and resolve.
And I can love nothingand this dull truth
Has come the last: but sense supplies a love
Encircling me and mingling with my life.
These make myself: I have long sought in vain
To trace how they were formed by circumstance,
Yet ever found them mould my wildest youth
Where they alone displayed themselves, converted
All objects to their use: now see their course!
They came to me in my first dawn of life
Which passed alone with wisest ancient books
All halo-girt with fancies of my own;
And I myself went with the talea god
Wandering after beauty, or a giant
Standing vast in the sunsetan old hunter
Talking with gods, or a high-crested chief
Sailing with troops of friends to Tenedos.
I tell you, nought has ever been so clear
As the place, the time, the fashion of those lives:
I had not seen a work of lofty art,
Nor woman's beauty nor sweet nature's face,
Yet, I say, never morn broke clear as those
On the dim clustered isles in the blue sea,
The deep groves and white temples and wet caves
And nothing ever will surprise me now
Who stood beside the naked Swift-footed,
Who bound my forehead with Proserpine's hair.
And strange it is that I who could so dream
Should e'er have stooped to aim at aught beneath
Aught low or painful; but I never doubted:
So, as I grew. I rudely shaped my life
To my immediate wants; yet strong beneath
Was a vague sense of power though folded up
A sense that, though those shades and times were past,
Their spirit dwelt in me, with them should rule.
Then came a pause, and long restraint chained down
My soul till it was changed. I lost myself,
And were it not that I so loathe that loss,
I could recall how first I learned to turn
My mind against itself; and the effects
In deeds for which remorse were vain as for
The wanderings of delirious dream; yet thence
Came cunning, envy, falsehood, all world's wrong
That spotted me: at length I cleansed my soul.
Yet long world's influence remained; and nought
But the still life I led, apart once more,
Which left me free to seek soul's old delights,
Could e'er have brought me thus far back to peace.
As peace returned, I sought out some pursuit;
And song rose, no new impulse but the one
With which all others best could be combined.
My life has not been that of those whose heaven
Was lampless save where poesy shone out;
But as a clime where glittering mountain-tops
And glancing sea and forests steeped in light
Give back reflected the far-flashing sun;
For music (which is earnest of a heaven,
Seeing we know emotions strange by it,
Not else to be revealed,) is like a voice,
A low voice calling fancy, as a friend,
To the green woods in the gay summer time:
And she fills all the way with dancing shapes
Which have made painters pale, and they go on
Till stars look at them and winds call to them
As they leave life's path for the twilight world
Where the dead gather. This was not at first,
For I scarce knew what I would do. I had
An impulse but no yearningonly sang.
And first I sang as I in dream have seen
Music wait on a lyrist for some thought,
Yet singing to herself until it came.
I turned to those old times and scenes where all
That's beautiful had birth for me, and made
Rude verses on them all; and then I paused
I had done nothing, so I sought to know
What other minds achieved. No fear outbroke
As on the works of mighty bards I gazed,
In the first joy at finding my own thoughts
Recorded, my own fancies justified,
And their aspirings but my very own.
With them I first explored passion and mind,
All to begin afresh! I rather sought
To rival what I wondered at than form
Creations of my own; if much was light
Lent by the others, much was yet my own.
I paused again: a change was comingcame:
I was no more a boy, the past was breaking
Before the future and like fever worked.
I thought on my new self, and all my powers
Burst out. I dreamed not of restraint, but gazed
On all things: schemes and systems went and came,
And I was proud (being vainest of the weak)
In wandering o'er thought's world to seek some one
To be my prize, as if you wandered o'er
The White Way for a star.
             And my choice fell
Not so much on a system as a man
On one, whom praise of mine shall not offend,
Who was as calm as beauty, being such
Unto mankind as thou to me, Pauline,
Believing in them and devoting all
His soul's strength to their winning back to peace;
Who sent forth hopes and longings for their sake,
Clothed in all passion's melodies: such first
Caught me and set me, slave of a sweet task,
To disentangle, gather sense from song:
Since, song-inwoven, lurked there words which seemed
A key to a new world, the muttering
Of angels, something yet unguessed by man.
How my heart leapt as still I sought and found
Much there, I felt my own soul had conceived,
But there living and burning! Soon the orb
Of his conceptions dawned on me; its praise
Lives in the tongues of men, men's brows are high
When his name means a triumph and a pride,
So, my weak voice may well forbear to shame
What seemed decreed my fate: I threw myself
To meet it, I was vowed to liberty,
Men were to be as gods and earth as heaven,
And Iah, what a life was mine to prove!
My whole soul rose to meet it. Now, Pauline,
I shall go mad, if I recall that time!
Oh let me look back ere I leave for ever
The time which was an hour one fondly waits
For a fair girl that comes a withered hag!
And I was lonely, far from woods and fields,
And amid dullest sights, who should be loose
As a stag; yet I was full of bliss, who lived
With Plato and who had the key to life;
And I had dimly shaped my first attempt,
And many a thought did I build up on thought,
As the wild bee hangs cell to cell; in vain,
For I must still advance, no rest for mind.
'Twas in my plan to look on real life,
The life all new to me; my theories
Were firm, so them I left, to look and learn
Mankind, its cares, hopes, fears, its woes and joys;
And, as I pondered on their ways, I sought
How best life's end might be attainedan end
Comprising every joy. I deeply mused.
And suddenly without heart-wreck I awoke
As from a dream: I said "'Twas beautiful,
"Yet but a dream, and so adieu to it!"
As some world-wanderer sees in a far meadow
Strange towers and high-walled gardens thick with trees,
Where song takes shelter and delicious mirth
From laughing fairy creatures peeping over,
And on the morrow when he comes to lie
For ever 'neath those garden-trees fruit-flushed
Sung round by fairies, all his search is vain.
First went my hopes of perfecting mankind,
Nextfaith in them, and then in freedom's self
And virtue's self, then my own motives, ends
And aims and loves, and human love went last.
I felt this no decay, because new powers
Rose as old feelings leftwit, mockery,
Light-heartedness; for I had oft been sad,
Mistrusting my resolves, but now I cast
Hope joyously away: I laughed and said
"No more of this!" I must not think: at length
I looked again to see if all went well.
My powers were greater: as some temple seemed
My soul, where nought is changed and incense rolls
Around the altar, only God is gone
And some dark spirit sitteth in his seat.
So, I passed through the temple and to me
Knelt troops of shadows, and they cried "Hail, king!
"We serve thee now and thou shalt serve no more!
"Call on us, prove us, let us worship thee!"
And I said "Are ye strong? Let fancy bear me
"Far from the past!" And I was borne away,
As Arab birds float sleeping in the wind,
O'er deserts, towers and forests, I being calm.
And I said "I have nursed up energies,
"They will prey on me." And a band knelt low
And cried "Lord, we are here and we will make
"Safe way for thee in thine appointed life!
"But look on us!" And I said "Ye will worship
"Me; should my heart not worship too?" They shouted
"Thyself, thou art our king!" So, I stood there
Smilingoh, vanity of vanities!
For buoyant and rejoicing was the spirit
With which I looked out how to end my course;
I felt once more myself, my powersall mine;
I knew while youth and health so lifted me
That, spite of all life's nothingness, no grief
Came nigh me, I must ever be light-hearted;
And that this knowledge was the only veil
Betwixt joy and despair: so, if age came,
I should be lefta wreck linked to a soul
Yet fluttering, or mind-broken and aware
Of my decay. So a long summer morn
Found me; and ere noon came, I had resolved
No age should come on me ere youth was spent,
For I would wear myself out, like that morn
Which wasted not a sunbeam; every hour
I would make mine, and die.
               And thus I sought
To chain my spirit down which erst I freed
For flights to fame: I said "The troubled life
"Of genius, seen so gay when working forth
"Some trusted end, grows sad when all proves vain
"How sad when men have parted with truth's peace
"For falsest fancy's sake, which waited first
"As an obedient spirit when delight
"Came without fancy's call: but alters soon,
"Comes darkened, seldom, hastens to depart,
"Leaving a heavy darkness and warm tears.
"But I shall never lose her; she will live
"Dearer for such seclusion. I but catch
"A hue, a glance of what I sing: so, pain
"Is linked with pleasure, for I ne'er may tell
"Half the bright sights which dazzle me; but now
"Mine shall be all the radiance: let them fade
"Untoldothers shall rise as fair, as fast!
"And when all's done, the few dim gleams transferred,"
(For a new thought sprang up how well it were,
Discarding shadowy hope, to weave such lays
As straight encircle men with praise and love,
So, I should not die utterly,should bring
One branch from the gold forest, like the knight
Of old tales, witnessing I had been there)
"And when all's done, how vain seems e'en success
"The vaunted influence poets have o'er men!
"'T is a fine thing that one weak as myself
"Should sit in his lone room, knowing the words
"He utters in his solitude shall move
"Men like a swift windthat tho' dead and gone,
"New eyes shall glisten when his beauteous dreams
"Of love come true in happier frames than his.
"Ay, the still night brings thoughts like these, but morn
"Comes and the mockery again laughs out
"At hollow praises, smiles allied to sneers;
"And my soul's idol ever whispers me
"To dwell with him and his unhonoured song:
"And I foreknow my spirit, that would press
"First in the struggle, fail again to make
"All bow enslaved, and I again should sink.
"And then know that this curse will come on us,
"To see our idols perish; we may wither,
"No marvel, we are clay, but our low fate
"Should not extend to those whom trustingly
"We sent before into time's yawning gulf
"To face what dread may lurk in darkness there.
"To find the painter's glory pass, and feel
"Music can move us not as once, or, worst,
"To weep decaying wits ere the frail body
"Decays! Nought makes me trust some love is true,
"But the delight of the contented lowness
"With which I gaze on him I keep for ever
"Above me; I to rise and rival him?
"Feed his fame rather from my heart's best blood,
"Wither unseen that he may flourish still."
Pauline, my soul's friend, thou dost pity yet
How this mood swayed me when that soul found thine,
When I had set myself to live this life,
Defying all past glory. Ere thou camest
I seemed defiant, sweet, for old delights
Had flocked like birds again; music, my life,
Nourished me more than ever; then the lore
Loved for itself and all it showsthat king
Treading the purple calmly to his death,
While round him, like the clouds of eve, all dusk,
The giant shades of fate, silently flitting,
Pile the dim outline of the coming doom;
And him sitting alone in blood while friends
Are hunting far in the sunshine; and the boy
With his white breast and brow and clustering curls
Streaked with his mother's blood, but striving hard
To tell his story ere his reason goes.
And when I loved thee as love seemed so oft,
Thou lovedst me indeed: I wondering searched
My heart to find some feeling like such love,
Believing I was still much I had been.
Too soon I found all faith had gone from me,
And the late glow of life, like change on clouds,
Proved not the morn-blush widening into day,
But eve faint-coloured by the dying sun
While darkness hastens quickly. I will tell
My state as though 'twere none of minedespair
Cannot come near usthis it is, my state.
Souls alter not, and mine must still advance;
Strange that I knew not, when I flung away
My youth's chief aims, their loss might lead to loss
Of what few I retained, and no resource
Be left me: for behold how changed is all!
I cannot chain my soul: it will not rest
In its clay prison, this most narrow sphere:
It has strange impulse, tendency, desire,
Which nowise I account for nor explain,
But cannot stifle, being bound to trust
All feelings equally, to hear all sides:
How can my life indulge them? yet they live,
Referring to some state of life unknown.
My selfishness is satiated not,
It wears me like a flame; my hunger for
All pleasure, howsoe'er minute, grows pain;
I envyhow I envy him whose soul
Turns its whole energies to some one end,
To elevate an aim, pursue success
However mean! So, my still baffled hope
Seeks out abstractions; I would have one joy,
But one in life, so it were wholly mine,
One rapture all my soul could fill: and this
Wild feeling places me in dream afar
In some vast country where the eye can see
No end to the far hills and dales bestrewn
With shining towers and towns, till I grow mad
Well-nigh, to know not one abode but holds
Some pleasure, while my soul could grasp the world,
But must remain this vile form's slave. I look
With hope to age at last, which quenching much,
May let me concentrate what sparks it spares.
This restlessness of passion meets in me
A craving after knowledge: the sole proof
Of yet commanding will is in that power
Repressed; for I beheld it in its dawn,
The sleepless harpy with just-budding wings,
And I considered whether to forego
All happy ignorant hopes and fears, to live,
Finding a recompense in its wild eyes.
And when I found that I should perish so,
I bade its wild eyes close from me for ever,
And I am left alone with old delights;
See! it lies in me a chained thing, still prompt
To serve me if I loose its slightest bond:
I cannot but be proud of my bright slave.
How should this earth's life prove my only sphere?
Can I so narrow sense but that in life
Soul still exceeds it? In their elements
My love outsoars my reason; but since love
Perforce receives its object from this earth
While reason wanders chainless, the few truths.
Caught from its wanderings have sufficed to quell
Love chained below; then what were love, set free,
Which, with the object it demands, would pass
Reason companioning the seraphim?
No, what I feel may pass all human love
Yet fall far short of what my love should be.
And yet I seem more warped in this than aught,
Myself stands out more hideously: of old
I could forget myself in friendship, fame,
Liberty, nay, in love of mightier souls;
But I begin to know what thing hate is
To sicken and to quiver and grow white
And I myself have furnished its first prey.
Hate of the weak and ever-wavering will,
The selfishness, the still-decaying frame . . .
But I must never grieve whom wing can waft
Far from such thoughtsas now. Andromeda!
And she is with me: years roll, I shall change,
But change can touch her notso beautiful
With her fixed eyes, earnest and still, and hair
Lifted and spread by the salt-sweeping breeze,
And one red beam, all the storm leaves in heaven,
Resting upon her eyes and hair, such hair,
As she awaits the snake on the wet beach
By the dark rock and the white wave just breaking
At her feet; quite naked and alone; a thing
I doubt not, nor fear for, secure some god
To save will come in thunder from the stars.
Let it pass! Soul requires another change.
I will be gifted with a wondrous mind,
Yet sunk by error to men's sympathy,
And in the wane of life, yet only so
As to call up their fears; and there shall come
A time requiring youth's best energies;
And lo, I fling age, sorrow, sickness off,
And rise triumphant, triumph through decay.
And thus it is that I supply the chasm
'Twixt what I am and all I fain would be:
But then to know nothing, to hope for nothing,
To seize on life's dull joys from a strange fear
Lest, losing them, all 's lost and nought remains!
There 's some vile juggle with my reason here;
I feel I but explain to my own loss
These impulses: they live no less the same.
Liberty! what though I despair? my blood
Rose never at a slave's name proud as now.
Oh sympathies, obscured by sophistries!
Why else have I sought refuge in myself,
But from the woes I saw and could not stay?
Love! is not this to love thee, my Pauline?
I cherish prejudice, lest I be left
Utterly loveless? witness my belief
In poets, though sad change has come there too;
No more I leave myself to follow them
Unconsciously I measure me by them
Let me forget it: and I cherish most
My love of Englandhow her name, a word
Of hers in a strange tongue makes my heart beat!
Pauline, could I but break the spell! Not now
All's feverbut when calm shall come again,
I am prepared: I have made life my own.
I would not be content with all the change
One frame should feel, but I have gone in thought
Thro' all conjuncture, I have lived all life
When it is most alive, where strangest fate
New-shapes it past surmisethe throes of men
Bit by some curse or in the grasps of doom
Half-visible and still-increasing round,
Or crowning their wide being's general aim.
These are wild fancies, but I feel, sweet friend,
As one breathing his weakness to the ear
Of pitying angeldear as a winter flower,
A slight flower growing alone, and offering
Its frail cup of three leaves to the cold sun,
Yet joyous and confiding like the triumph
Of a child: and why am I not worthy thee?
I can live all the life of plants, and gaze
Drowsily on the bees that flit and play,
Or bare my breast for sunbeams which will kill,
Or open in the night of sounds, to look
For the dim stars; I can mount with the bird
Leaping airily his pyramid of leaves
And twisted boughs of some tall mountain tree,
Or rise cheerfully springing to the heavens;
Or like a fish breathe deep the morning air
In the misty sun-warm water; or with flower
And tree can smile in light at the sinking sun
Just as the storm comes, as a girl would look
On a departing lovermost serene.
Pauline, come with me, see how I could build
A home for us, out of the world, in thought!
I am uplifted: fly with me, Pauline!
Night, and one single ridge of narrow path
Between the sullen river and the woods
Waving and muttering, for the moonless night
Has shaped them into images of life,
Like the uprising of the giant-ghosts,
Looking on earth to know how their sons fare:
Thou art so close by me, the roughest swell
Of wind in the tree-tops hides not the panting
Of thy soft breasts. No, we will pass to morning
Morning, the rocks and valleys and old woods.
How the sun brightens in the mist, and here,
Half in the air, like creatures of the place,
Trusting the element, living on high boughs
That swing in the windlook at the silver spray
Flung from the foam-sheet of the cataract
Amid the broken rocks! Shall we stay here
With the wild hawks? No, ere the hot noon come,
Dive we downsafe! See this our new retreat
Walled in with a sloped mound of matted shrubs,
Dark, tangled, old and green, still sloping down
To a small pool whose waters lie asleep
Amid the trailing boughs turned water-plants:
And tall trees overarch to keep us in,
Breaking the sunbeams into emerald shafts,
And in the dreamy water one small group
Of two or three strange trees are got together
Wondering at all around, as strange beasts herd
Together far from their own land: all wildness,
No turf nor moss, for boughs and plants pave all,
And tongues of bank go shelving in the lymph,
Where the pale-throated snake reclines his head,
And old grey stones lie making eddies there,
The wild-mice cross them dry-shod. Deeper in!
Shut thy soft eyesnow lookstill deeper in!
This is the very heart of the woods all round
Mountain-like heaped above us; yet even here
One pond of water gleams; far off the river
Sweeps like a sea, barred out from land; but one
One thin clear sheet has overleaped and wound
Into this silent depth, which gained, it lies
Still, as but let by sufferance; the trees bend
O'er it as wild men watch a sleeping girl,
And through their roots long creeping plants out-stretch
Their twined hair, steeped and sparkling; farther on,
Tall rushes and thick flag-knots have combined
To narrow it; so, at length, a silver thread,
It winds, all noiselessly through the deep wood
Till thro' a cleft-way, thro' the moss and stone,
It joins its parent-river with a shout.
Up for the glowing day, leave the old woods!
See, they part, like a ruined arch: the sky!
Nothing but sky appears, so close the roots
And grass of the hill-top level with the air
Blue sunny air, where a great cloud floats laden
With light, like a dead whale that white birds pick,
Floating away in the sun in some north sea.
Air, air, fresh life-blood, thin and searching air,
The clear, dear breath of God that loveth us,
Where small birds reel and winds take their delight!
Water is beautiful, but not like air:
See, where the solid azure waters lie
Made as of thickened air, and down below,
The fern-ranks like a forest spread themselves
As though each pore could feel the element;
Where the quick glancing serpent winds his way,
Float with me there, Pauline!but not like air.
Down the hill! Stopa clump of trees, see, set
On a heap of rock, which look o'er the far plain:
So, envious climbing shrubs would mount to rest
And peer from their spread boughs; wide they wave, looking
At the muleteers who whistle on their way,
To the merry chime of morning bells, past all
The little smoking cots, mid fields and banks
And copses bright in the sun. My spirit wanders:
Hedgerows for methose living hedgerows where
The bushes close and clasp above and keep
Thought inI am concentratedI feel;
But my soul saddens when it looks beyond:
I cannot be immortal, taste all joy.
O God, where do they tendthese struggling aims?
What would I have? What is this "sleep" which seems
To bound all? can there be a "waking" point
Of crowning life? The soul would never rule;
It would be first in all things, it would have
Its utmost pleasure filled, but, that complete,
Commanding, for commanding, sickens it.
The last point I can trace isrest beneath
Some better essence than itself, in weakness;
This is "myself," not what I think should be:
And what is that I hunger for but God?
My God, my God, let me for once look on thee
As though nought else existed, we alone!
And as creation crumbles, my soul's spark
Expands till I can say,Even from myself
I need thee and I feel thee and I love thee.
I do not plead my rapture in thy works
For love of thee, nor that I feel as one
Who cannot die: but there is that in me
Which turns to thee, which loves or which should love.
Why have I girt myself with this hell-dress?
Why have I laboured to put out my life?
Is it not in my nature to adore,
And e'en for all my reason do I not
Feel him, and thank him, and pray to himnow?
Can I forego the trust that he loves me?
Do I not feel a love which only one . . .
O thou pale form, so dimly seen, deep-eyed!
I have denied thee calmlydo I not
Pant when I read of thy consummate power,
And burn to see thy calm pure truths out-flash
The brightest gleams of earth's philosophy?
Do I not shake to hear aught question thee?
If I am erring save me, madden me,
Take from me powers and pleasures, let me die
Ages, so I see thee! I am knit round
As with a charm by sin and lust and pride,
Yet though my wandering dreams have seen all shapes
Of strange delight, oft have I stood by thee
Have I been keeping lonely watch with thee
In the damp night by weeping Olivet,
Or leaning on thy bosom, proudly less,
Or dying with thee on the lonely cross,
Or witnessing thine outburst from the tomb.
A mortal, sin's familiar friend, doth here
Avow that he will give all earth's reward,
But to believe and humbly teach the faith,
In suffering and poverty and shame,
Only believing he is not unloved.
And now, my Pauline, I am thine for ever!
I feel the spirit which has buoyed me up
Desert me, and old shades are gathering fast;
Yet while the last light waits, I would say much,
This chiefly, it is gain that I have said
Somewhat of love I ever felt for thee
But seldom told; our hearts so beat together
That speech seemed mockery; but when dark hours come,
And joy departs, and thou, sweet, deem'st it strange
A sorrow moves me, thou canst not remove,
Look on this lay I dedicate to thee,
Which through thee I began, which thus I end,
Collecting the last gleams to strive to tell
How I am thine, and more than ever now
That I sink fast: yet though I deeplier sink,
No less song proves one word has brought me bliss,
Another still may win bliss surely back.
Thou knowest, dear, I could not think all calm,
For fancies followed thought and bore me off,
And left all indistinct; ere one was caught
Another glanced; so, dazzled by my wealth,
I knew not which to leave nor which to choose,
For all so floated, nought was fixed and firm.
And then thou said'st a perfect bard was one
Who chronicled the stages of all life,
And so thou bad'st me shadow this first stage.
'T is done, and even now I recognize
The shift, the change from last to pastdiscern
Faintly how life is truth and truth is good.
And why thou must be mine is, that e'en now
In the dim hush of night, that I have done,
Despite the sad forebodings, love looks through
Whispers,E'en at the last I have her still,
With her delicious eyes as clear as heaven
When rain in a quick shower has beat down mist,
And clouds float white above like broods of swans.
How the blood lies upon her cheek, outspread
As thinned by kisses! only in her lips
It wells and pulses like a living thing,
And her neck looks like marble misted o'er
With love-breath,a Pauline from heights above,
Stooping beneath me, looking upone look
As I might kill her and be loved the more.
So, love meme, Pauline, and nought but me,
Never leave loving! Words are wild and weak,
Believe them not, Pauline! I stained myself
But to behold thee purer by my side,
To show thou art my breath, my life, a last
Resource, an extreme want: never believe
Aught better could so look on thee; nor seek
Again the world of good thoughts left for mine!
There were bright troops of undiscovered suns,
Each equal in their radiant course; there were
Clusters of far fair isles which ocean kept
For his own joy, and his waves broke on them
Without a choice; and there was a dim crowd
Of visions, each a part of some grand whole:
And one star left his peers and came with peace
Upon a storm, and all eyes pined for him;
And one isle harboured a sea-beaten ship,
And the crew wandered in its bowers and plucked
Its fruits and gave up all their hopes of home;
And one dream came to a pale poet's sleep,
And he said, "I am singled out by God,
"No sin must touch me." Words are wild and weak,
But what they would express is,Leave me not,
Still sit by me with beating breast and hair
Loosened, be watching earnest by my side,
Turning my books or kissing me when I
Look uplike summer wind! Be still to me
A help to music's mystery which mind fails
To fathom, its solution, no mere clue!
O reason's pedantry, life's rule prescribed!
I hopeless, I the loveless, hope and love.
Wiser and better, know me now, not when
You loved me as I was. Smile not! I have
Much yet to dawn on you, to gladden you.
No more of the past! I'll look within no more.
I have too trusted my own lawless wants,
Too trusted my vain self, vague intuition
Draining soul's wine alone in the still night,
And seeing how, as gathering films arose,
As by an inspiration life seemed bare
And grinning in its vanity, while ends
Foul to be dreamed of, smiled at me as fixed
And fair, while others changed from fair to foul
As a young witch turns an old hag at night.
No more of this! We will go hand in hand,
I with thee, even as a childlove's slave,
Looking no farther than his liege commands.
And thou hast chosen where this life shall be:
The land which gave me thee shall be our home,
Where nature lies all wild amid her lakes
And snow-swathed mountains and vast pines begirt
With ropes of snowwhere nature lies all bare,
Suffering none to view her but a race
Or stinted or deformed, like the mute dwarfs
Which wait upon a naked Indian queen.
And there (the time being when the heavens are thick
With storm) I'll sit with thee while thou dost sing
Thy native songs, gay as a desert bird
Which crieth as it flies for perfect joy,
Or telling me old stories of dead knights;
Or I will read great lays to theehow she,
The fair pale sister, went to her chill grave
With power to love and to be loved and live:
Or we will go together, like twin gods
Of the infernal world, with scented lamp
Over the dead, to call and to awake,
Over the unshaped images which lie
Within my mind's cave: only leaving all,
That tells of the past doubt. So, when spring comes
With sunshine back again like an old smile,
And the fresh waters and awakened birds
And budding woods await us, I shall be
Prepared, and we will question life once more,
Till its old sense shall come renewed by change,
Like some clear thought which harsh words veiled before;
Feeling God loves us, and that all which errs
Is but a dream which death will dissipate.
And then what need of longer exile? Seek
My England, and, again there, calm approach
All I once fled from, calmly look on those
The works of my past weakness, as one views
Some scene where danger met him long before.
Ah that such pleasant life should be but dreamed!
But whate'er come of it, and though it fade,
And though ere the cold morning all be gone,
As it may be;tho' music wait to wile,
And strange eyes and bright wine lure, laugh like sin
Which steals back softly on a soul half saved,
And I the first deny, decry, despise,
With this avowal, these intents so fair,
Still be it all my own, this moment's pride!
No less I make an end in perfect joy.
E'en in my brightest time, a lurking fear
Possessed me: I well knew my weak resolves,
I felt the witchery that makes mind sleep
Over its treasure, as one half afraid
To make his riches definite: but now
These feelings shall not utterly be lost,
I shall not know again that nameless care
Lest, leaving all undone in youth, some new
And undreamed end reveal itself too late:
For this song shall remain to tell for ever
That when I lost all hope of such a change,
Suddenly beauty rose on me again.
No less I make an end in perfect joy,
For I, who thus again was visited,
Shall doubt not many another bliss awaits,
And, though this weak soul sink and darkness whelm,
Some little word shall light it, raise aloft,
To where I clearlier see and better love,
As I again go o'er the tracts of thought
Like one who has a right, and I shall live
With poets, calmer, purer still each time,
And beauteous shapes will come for me to seize,
And unknown secrets will be trusted me
Which were denied the waverer once; but now
I shall be priest and prophet as of old.
Sun-treader, I believe in God and truth
And love; and as one just escaped from death
Would bind himself in bands of friends to feel
He lives indeed, so, I would lean on thee!
Thou must be ever with me, most in gloom
If such must come, but chiefly when I die,
For I seem, dying, as one going in the dark
To fight a giant: but live thou for ever,
And be to all what thou hast been to me!
All in whom this wakes pleasant thoughts of me
Know my last state is happy, free from doubt
Or touch of fear. Love me and wish me well.
Richmond: October 22, 1832.


~ Robert Browning, Pauline, A Fragment of a Question
,
1198:BOOK THE SECOND

The Story of Phaeton

The Sun's bright palace, on high columns rais'd,
With burnish'd gold and flaming jewels blaz'd;
The folding gates diffus'd a silver light,
And with a milder gleam refresh'd the sight;
Of polish'd iv'ry was the cov'ring wrought:
The matter vied not with the sculptor's thought,
For in the portal was display'd on high
(The work of Vulcan) a fictitious sky;
A waving sea th' inferiour Earth embrac'd,
And Gods and Goddesses the waters grac'd.
Aegeon here a mighty whale bestrode;
Triton, and Proteus (the deceiving God)
With Doris here were carv'd, and all her train,
Some loosely swimming in the figur'd main,
While some on rocks their dropping hair divide,
And some on fishes through the waters glide:
Tho' various features did the sisters grace,
A sister's likeness was in ev'ry face.
On Earth a diff'rent landskip courts the eyes,
Men, towns, and beasts in distant prospects rise,
And nymphs, and streams, and woods, and rural deities.
O'er all, the Heav'n's refulgent image shines;
On either gate were six engraven signs.

Here Phaeton still gaining on th' ascent,
To his suspected father's palace went,
'Till pressing forward through the bright abode,
He saw at distance the illustrious God:
He saw at distance, or the dazling light
Had flash'd too strongly on his aking sight.

The God sits high, exalted on a throne
Of blazing gems, with purple garments on;
The Hours, in order rang'd on either hand,
And Days, and Months, and Years, and Ages stand.
Here Spring appears with flow'ry chaplets bound;
Here Summer in her wheaten garl and crown'd;
Here Autumn the rich trodden grapes besmear;
And hoary Winter shivers in the reer.

Phoebus beheld the youth from off his throne;
That eye, which looks on all, was fix'd in one.
He saw the boy's confusion in his face,
Surpriz'd at all the wonders of the place;
And cries aloud, "What wants my son? for know
My son thou art, and I must call thee so."
"Light of the world," the trembling youth replies,
"Illustrious parent! since you don't despise
The parent's name, some certain token give,
That I may Clymene's proud boast believe,
Nor longer under false reproaches grieve."

The tender sire was touch'd with what he said,
And flung the blaze of glories from his head,
And bid the youth advance: "My son," said he,
"Come to thy father's arms! for Clymene
Has told thee true; a parent's name I own,
And deem thee worthy to be called my son.
As a sure proof, make some request, and I,
Whate'er it be, with that request comply;
By Styx I swear, whose waves are hid in night,
And roul impervious to my piercing sight."
The youth transported, asks, without delay,
To guide the sun's bright chariot for a day.

The God repented of the oath he took,
For anguish thrice his radiant head he shook;
"My son," says he, "some other proof require,
Rash was my promise, rash is thy desire.
I'd fain deny this wish, which thou hast made,
Or, what I can't deny, wou'd fain disswade.
Too vast and hazardous the task appears,
Nor suited to thy strength, nor to thy years.
Thy lot is mortal, but thy wishes fly
Beyond the province of mortality:
There is not one of all the Gods that dares
(However skill'd in other great affairs)
To mount the burning axle-tree, but I;
Not Jove himself, the ruler of the sky,
That hurles the three-fork'd thunder from above,
Dares try his strength: yet who so strong as Jove?
The steeds climb up the first ascent with pain,
And when the middle firmament they gain,
If downward from the Heav'ns my head I bow,
And see the Earth and Ocean hang below,
Ev'n I am seiz'd with horror and affright,
And my own heart misgives me at the sight.
A mighty downfal steeps the ev'ning stage,
And steddy reins must curb the horses' rage.
Tethys herself has fear'd to see me driv'n
Down headlong from the precipice of Heav'n.
Besides, consider what impetuous force
Turns stars and planets in a diff'rent course.
I steer against their motions; nor am I
Born back by all the current of the sky.
But how cou'd you resist the orbs that roul
In adverse whirls, and stem the rapid pole?
But you perhaps may hope for pleasing woods,
And stately dooms, and cities fill'd with Gods;
While through a thousand snares your progress lies,
Where forms of starry monsters stock the skies:
For, shou'd you hit the doubtful way aright,
The bull with stooping horns stands opposite;
Next him the bright Haemonian bow is strung,
And next, the lion's grinning visage hung:
The scorpion's claws, here clasp a wide extent;
And here the crab's in lesser clasps are bent.
Nor wou'd you find it easie to compose
The mettled steeds, when from their nostrils flows
The scorching fire, that in their entrails glows.
Ev'n I their head-strong fury scarce restrain,
When they grow warm and restif to the rein.
Let not my son a fatal gift require,
But, O! in time, recall your rash desire;
You ask a gift that may your parent tell,
Let these my fears your parentage reveal;
And learn a father from a father's care:
Look on my face; or if my heart lay bare,
Cou'd you but look, you'd read the father there.
Chuse out a gift from seas, or Earth, or skies,
For open to your wish all Nature lies,
Only decline this one unequal task,
For 'tis a mischief, not a gift, you ask.
You ask a real mischief, Phaeton:
Nay hang not thus about my neck, my son:
I grant your wish, and Styx has heard my voice,
Chuse what you will, but make a wiser choice."

Thus did the God th' unwary youth advise;
But he still longs to travel through the skies.
When the fond father (for in vain he pleads)
At length to the Vulcanian Chariot leads.
A golden axle did the work uphold,
Gold was the beam, the wheels were orb'd with gold.
The spokes in rows of silver pleas'd the sight,
The seat with party-colour'd gems was bright;
Apollo shin'd amid the glare of light.
The youth with secret joy the work surveys,
When now the moon disclos'd her purple rays;
The stars were fled, for Lucifer had chased
The stars away, and fled himself at last.
Soon as the father saw the rosy morn,
And the moon shining with a blunter horn,
He bid the nimble Hours, without delay,
Bring forth the steeds; the nimble Hours obey:
From their full racks the gen'rous steeds retire,
Dropping ambrosial foams, and snorting fire.
Still anxious for his son, the God of day,
To make him proof against the burning ray,
His temples with celestial ointment wet,
Of sov'reign virtue to repel the heat;
Then fix'd the beamy circle on his head,
And fetch'd a deep foreboding sigh, and said,
"Take this at least, this last advice, my son,
Keep a stiff rein, and move but gently on:
The coursers of themselves will run too fast,
Your art must be to moderate their haste.
Drive 'em not on directly through the skies,
But where the Zodiac's winding circle lies,
Along the midmost Zone; but sally forth
Nor to the distant south, nor stormy north.
The horses' hoofs a beaten track will show,
But neither mount too high, nor sink too low.
That no new fires, or Heav'n or Earth infest;
Keep the mid way, the middle way is best.
Nor, where in radiant folds the serpent twines,
Direct your course, nor where the altar shines.
Shun both extreams; the rest let Fortune guide,
And better for thee than thy self provide!
See, while I speak, the shades disperse away,
Aurora gives the promise of a day;
I'm call'd, nor can I make a longer stay.
Snatch up the reins; or still th' attempt forsake,
And not my chariot, but my counsel, take,
While yet securely on the Earth you stand;
Nor touch the horses with too rash a hand.
Let me alone to light the world, while you
Enjoy those beams which you may safely view."
He spoke in vain; the youth with active heat
And sprightly vigour vaults into the seat;
And joys to hold the reins, and fondly gives
Those thanks his father with remorse receives.

Mean-while the restless horses neigh'd aloud,
Breathing out fire, and pawing where they stood.
Tethys, not knowing what had past, gave way,
And all the waste of Heav'n before 'em lay.
They spring together out, and swiftly bear
The flying youth thro' clouds and yielding air;
With wingy speed outstrip the eastern wind,
And leave the breezes of the morn behind.
The youth was light, nor cou'd he fill the seat,
Or poise the chariot with its wonted weight:
But as at sea th' unballass'd vessel rides,
Cast to and fro, the sport of winds and tides;
So in the bounding chariot toss'd on high,
The youth is hurry'd headlong through the sky.
Soon as the steeds perceive it, they forsake
Their stated course, and leave the beaten track.
The youth was in a maze, nor did he know
Which way to turn the reins, or where to go;
Nor wou'd the horses, had he known, obey.
Then the sev'n stars first felt Apollo's ray,
And wish'd to dip in the forbidden sea.
The folded serpent next the frozen pole,
Stiff and benum'd before, began to rowle,
And raged with inward heat, and threaten'd war,
And shot a redder light from ev'ry star;
Nay, and 'tis said Bootes too, that fain
Thou woud'st have fled, tho' cumber'd with thy wane.

Th' unhappy youth then, bending down his head,
Saw Earth and Ocean far beneath him spread.
His colour chang'd, he startled at the sight,
And his eyes darken'd by too great a light.
Now cou'd he wish the fiery steeds untry'd,
His birth obscure, and his request deny'd:
Now wou'd he Merops for his father own,
And quit his boasted kindred to the sun.

So fares the pilot, when his ship is tost
In troubled seas, and all its steerage lost,
He gives her to the winds, and in despair
Seeks his last refuge in the Gods and pray'r.

What cou'd he do? his eyes, if backward cast,
Find a long path he had already past;
If forward, still a longer path they find:
Both he compares, and measures in his mind;
And sometimes casts an eye upon the east,
And sometimes looks on the forbidden west,
The horses' names he knew not in the fright,
Nor wou'd he loose the reins, nor cou'd he hold 'em right.

Now all the horrors of the Heav'ns he spies,
And monstrous shadows of prodigious size,
That, deck'd with stars, lye scatter'd o'er the skies.
There is a place above, where Scorpio bent
In tail and arms surrounds a vast extent;
In a wide circuit of the Heav'ns he shines,
And fills the space of two coelestial signs.
Soon as the youth beheld him vex'd with heat
Brandish his sting, and in his poison sweat,
Half dead with sudden fear he dropt the reins;
The horses felt 'em loose upon their mains,
And, flying out through all the plains above,
Ran uncontroul'd where-e're their fury drove;
Rush'd on the stars, and through a pathless way
Of unknown regions hurry'd on the day.
And now above, and now below they flew,
And near the Earth the burning chariot drew.

The clouds disperse in fumes, the wond'ring Moon
Beholds her brother's steeds beneath her own;
The highlands smoak, cleft by the piercing rays,
Or, clad with woods, in their own fewel blaze.
Next o'er the plains, where ripen'd harvests grow,
The running conflagration spreads below.
But these are trivial ills: whole cities burn,
And peopled kingdoms into ashes turn.

The mountains kindle as the car draws near,
Athos and Tmolus red with fires appear;
Oeagrian Haemus (then a single name)
And virgin Helicon increase the flame;
Taurus and Oete glare amid the sky,
And Ida, spight of all her fountains, dry.
Eryx and Othrys, and Cithaeron, glow,
And Rhodope, no longer cloath'd in snow;
High Pindus, Mimas, and Parnassus, sweat,
And Aetna rages with redoubled heat.
Ev'n Scythia, through her hoary regions warm'd,
In vain with all her native frost was arm'd.
Cover'd with flames the tow'ring Appennine,
And Caucasus, and proud Olympus, shine;
And, where the long-extended Alpes aspire,
Now stands a huge continu'd range of fire.

Th' astonisht youth, where-e'er his eyes cou'd turn,
Beheld the universe around him burn:
The world was in a blaze; nor cou'd he bear
The sultry vapours and the scorching air,
Which from below, as from a furnace, flow'd;
And now the axle-tree beneath him glow'd:
Lost in the whirling clouds that round him broke,
And white with ashes, hov'ring in the smoke.
He flew where-e'er the horses drove, nor knew
Whither the horses drove, or where he flew.

'Twas then, they say, the swarthy Moor begun
To change his hue, and blacken in the sun.
Then Libya first, of all her moisture drain'd,
Became a barren waste, a wild of sand.
The water-nymphs lament their empty urns,
Boeotia, robb's of silve Dirce, mourns,
Corinth Pyrene's wasted spring bewails,
And Argos grieves whilst Amymone fails.

The floods are drain'd from ev'ry distant coast,
Ev'n Tanais, tho' fix'd in ice, was lost.
Enrag'd Caicus and Lycormas roar,
And Xanthus, fated to be burnt once more.
The fam'd Maeander, that unweary'd strays
Through mazy windings, smoaks in ev'ry maze.
From his lov'd Babylon Euphrates flies;
The big-swoln Ganges and the Danube rise
In thick'ning fumes, and darken half the skies.
In flames Ismenos and the Phasis roul'd,
And Tagus floating in his melted gold.
The swans, that on Cayster often try'd
Their tuneful songs, now sung their last and dy'd.
The frighted Nile ran off, and under ground
Conceal'd his head, nor can it yet be found:
His sev'n divided currents all are dry,
And where they row'ld, sev'n gaping trenches lye:
No more the Rhine or Rhone their course maintain,
Nor Tiber, of his promis'd empire vain.

The ground, deep-cleft, admits the dazling ray,
And startles Pluto with the flash of day.
The seas shrink in, and to the sight disclose
Wide naked plains, where once their billows rose;
Their rocks are all discover'd, and increase
The number of the scatter'd Cyclades.
The fish in sholes about the bottom creep,
Nor longer dares the crooked dolphin leap
Gasping for breath, th' unshapen Phocae die,
And on the boiling wave extended lye.
Nereus, and Doris with her virgin train,
Seek out the last recesses of the main;
Beneath unfathomable depths they faint,
And secret in their gloomy caverns pant.
Stern Neptune thrice above the waves upheld
His face, and thrice was by the flames repell'd.

The Earth at length, on ev'ry side embrac'd
With scalding seas that floated round her waste,
When now she felt the springs and rivers come,
And crowd within the hollow of her womb,
Up-lifted to the Heav'ns her blasted head,
And clapt her hand upon her brows, and said
(But first, impatient of the sultry heat,
Sunk deeper down, and sought a cooler seat):
"If you, great king of Gods, my death approve,
And I deserve it, let me die by Jove;
If I must perish by the force of fire,
Let me transfix'd with thunder-bolts expire.
See, whilst I speak, my breath the vapours choak
(For now her face lay wrapt in clouds of smoak),
See my singe'd hair, behold my faded eye,
And wither'd face, where heaps of cinders lye!
And does the plow for this my body tear?
This the reward for all the fruits I bear,
Tortur'd with rakes, and harrass'd all the year?
That herbs for cattle daily I renew,
And food for Man, and frankincense for you?
But grant me guilty; what has Neptune done?
Why are his waters boiling in the sun?
The wavy empire, which by lot was giv'n,
Why does it waste, and further shrink from Heav'n?
If I nor he your pity can provoke,
See your own Heav'ns, the Heav'ns begin to smoke!
Shou'd once the sparkles catch those bright abodes,
Destruction seizes on the Heav'ns and Gods;
Atlas becomes unequal to his freight,
And almost faints beneath the glowing weight.
If Heav'n, and Earth, and sea, together burn,
All must again into their chaos turn.
Apply some speedy cure, prevent our fate,
And succour Nature, ere it be too late."
She cea'sd, for choak'd with vapours round her spread,
Down to the deepest shades she sunk her head.

Jove call'd to witness ev'ry Pow'r above,
And ev'n the God, whose son the chariot drove,
That what he acts he is compell'd to do,
Or universal ruin must ensue.
Strait he ascends the high aetherial throne,
From whence he us'd to dart his thunder down,
From whence his show'rs and storms he us'd to pour,
But now cou'd meet with neither storm nor show'r.
Then, aiming at the youth, with lifted hand,
Full at his head he hurl'd the forky brand,
In dreadful thund'rings. Thus th' almighty sire
Suppress'd the raging of the fires with fire.

At once from life and from the chariot driv'n,
Th' ambitious boy fell thunder-struck from Heav'n.
The horses started with a sudden bound,
And flung the reins and chariot to the ground:
The studded harness from their necks they broke,
Here fell a wheel, and here a silver spoke,
Here were the beam and axle torn away;
And, scatter'd o'er the Earth, the shining fragments lay.

The breathless Phaeton, with flaming hair,
Shot from the chariot, like a falling star,
That in a summer's ev'ning from the top
Of Heav'n drops down, or seems at least to drop;
'Till on the Po his blasted corps was hurl'd,
Far from his country, in the western world.

Phaeton's Sisters transform'd into Trees

The Latian nymphs came round him, and, amaz'd,
On the dead youth, transfix'd with thunder, gaz'd;
And, whilst yet smoaking from the bolt he lay,
His shatter'd body to a tomb convey,
And o'er the tomb an epitaph devise:
"Here he, who drove the sun's bright chariot, lies;
His father's fiery steeds he cou'd not guide,
But in the glorious enterprize he dy'd."

Apollo hid his face, and pin'd for grief,
And, if the story may deserve belief,
The space of one whole day is said to run,
From morn to wonted ev'n, without a sun:
The burning ruins, with a fainter ray,
Supply the sun, and counterfeit a day,
A day, that still did Nature's face disclose:
This comfort from the mighty mischief rose.

But Clymene, enrag'd with grief, laments,
And as her grief inspires, her passion vents:
Wild for her son, and frantick in her woes,
With hair dishevel'd round the world she goes,
To seek where-e'er his body might be cast;
'Till, on the borders of the Po, at last
The name inscrib'd on the new tomb appears.
The dear dear name she bathes in flowing tears,
Hangs o'er the tomb, unable to depart,
And hugs the marble to her throbbing heart.

Her daughters too lament, and sigh, and mourn
(A fruitless tri bute to their brother's urn),
And beat their naked bosoms, and complain,
And call aloud for Phaeton in vain:
All the long night their mournful watch they keep,
And all the day stand round the tomb, and weep.

Four times, revolving, the full moon return'd;
So long the mother and the daughters mourn'd:
When now the eldest, Phaethusa, strove
To rest her weary limbs, but could not move;
Lampetia wou'd have help'd her, but she found
Her self with-held, and rooted to the ground:
A third in wild affliction, as she grieves,
Wou'd rend her hair, but fills her hands with leaves;
One sees her thighs transform'd, another views
Her arms shot out, and branching into boughs.
And now their legs, and breasts, and bodies stood
Crusted with bark, and hard'ning into wood;
But still above were female heads display'd,
And mouths, that call'd the mother to their aid.
What cou'd, alas! the weeping mother do?
From this to that with eager haste she flew,
And kiss'd her sprouting daughters as they grew.
She tears the bark that to each body cleaves,
And from their verdant fingers strips the leaves:
The blood came trickling, where she tore away
The leaves and bark: the maids were heard to say,
"Forbear, mistaken parent, oh! forbear;
A wounded daughter in each tree you tear;
Farewell for ever." Here the bark encreas'd,
Clos'd on their faces, and their words suppress'd.

The new-made trees in tears of amber run,
Which, harden'd into value by the sun,
Distill for ever on the streams below:
The limpid streams their radiant treasure show,
Mixt in the sand; whence the rich drops convey'd
Shine in the dress of the bright Latian maid.

The Transformation of Cycnus into a Swan

Cycnus beheld the nymphs transform'd, ally'd
To their dead brother on the mortal side,
In friendship and affection nearer bound;
He left the cities and the realms he own'd,
Thro' pathless fields and lonely shores to range,
And woods made thicker by the sisters' change.
Whilst here, within the dismal gloom, alone,
The melancholy monarch made his moan,
His voice was lessen'd, as he try'd to speak,
And issu'd through a long-extended neck;
His hair transforms to down, his fingers meet
In skinny films, and shape his oary feet;
From both his sides the wings and feathers break;
And from his mouth proceeds a blunted beak:
All Cycnus now into a Swan was turn'd,
Who, still remembring how his kinsman burn'd,
To solitary pools and lakes retires,
And loves the waters as oppos'd to fires.

Mean-while Apollo in a gloomy shade
(The native lustre of his brows decay'd)
Indulging sorrow, sickens at the sight
Of his own sun-shine, and abhors the light;
The hidden griefs, that in his bosom rise,
Sadden his looks and over-cast his eyes,
As when some dusky orb obstructs his ray,
And sullies in a dim eclipse the day.

Now secretly with inward griefs he pin'd,
Now warm resentments to his griefs he joyn'd,
And now renounc'd his office to mankind.
"Ere since the birth of time," said he, "I've born
A long ungrateful toil, without return;
Let now some other manage, if he dare,
The fiery steeds, and mount the burning carr;
Or, if none else, let Jove his fortune try,
And learn to lay his murd'ring thunder by;
Then will he own, perhaps, but own too late,
My son deserv'd not so severe a fate."

The Gods stand round him, as he mourns, and pray
He would resume the conduct of the day,
Nor let the world be lost in endless night:
Jove too himself descending from his height,
Excuses what had happen'd, and intreats,
Majestically mixing pray'rs and threats.
Prevail'd upon at length, again he took
The harness'd steeds, that still with horror shook,
And plies 'em with the lash, and whips 'em on,
And, as he whips, upbraids 'em with his son.

The Story of Calisto

The day was settled in its course; and Jove
Walk'd the wide circuit of the Heavens above,
To search if any cracks or flaws were made;
But all was safe: the Earth he then survey'd,
And cast an eye on ev'ry diff'rent coast,
And ev'ry land; but on Arcadia most.
Her fields he cloath'd, and chear'd her blasted face
With running fountains, and with springing grass.
No tracks of Heav'n's destructive fire remain,
The fields and woods revive, and Nature smiles again.

But as the God walk'd to and fro the Earth,
And rais'd the plants, and gave the spring its birth,
By chance a fair Arcadian nymph he view'd,
And felt the lovely charmer in his blood.
The nymph nor spun, nor dress'd with artful pride,
Her vest was gather'd up, her hair was ty'd;
Now in her hand a slender spear she bore,
Now a light quiver on her shoulders wore;
To chaste Diana from her youth inclin'd,
The sprightly warriors of the wood she joyn'd.
Diana too the gentle huntress lov'd,
Nor was there one of all the nymphs that rov'd
O'er Maenalus, amid the maiden throng,
More favour'd once; but favour lasts not long.

The sun now shone in all its strength, and drove
The heated virgin panting to a grove;
The grove around a grateful shadow cast:
She dropt her arrows, and her bow unbrac'd;
She flung her self on the cool grassy bed;
And on the painted quiver rais'd her head,
Jove saw the charming huntress unprepar'd,
Stretch'd on the verdant turf, without a guard.
"Here I am safe," he cries, "from Juno's eye;
Or shou'd my jealous queen the theft descry,
Yet wou'd I venture on a theft like this,
And stand her rage for such, for such a bliss!"
Diana's shape and habit strait he took,
Soften'd his brows, and smooth'd his awful look,
And mildly in a female accent spoke.
"How fares my girl? How went the morning chase?"
To whom the virgin, starting from the grass,
"All hail, bright deity, whom I prefer
To Jove himself, tho' Jove himself were here."
The God was nearer than she thought, and heard
Well-pleas'd himself before himself preferr'd.

He then salutes her with a warm embrace;
And, e're she half had told the morning chase,
With love enflam'd, and eager on his bliss,
Smother'd her words, and stop'd her with a kiss;
His kisses with unwonted ardour glow'd,
Nor cou'd Diana's shape conceal the God.
The virgin did whate'er a virgin cou'd
(Sure Juno must have pardon'd, had she view'd);
With all her might against his force she strove;
But how can mortal maids contend with Jove?

Possest at length of what his heart desir'd,
Back to his Heav'ns, th' exulting God retir'd.
The lovely huntress, rising from the grass,
With down-cast eyes, and with a blushing face,
By shame confounded, and by fear dismay'd,
Flew from the covert of the guilty shade,
And almost, in the tumult of her mind,
Left her forgotten bow and shafts behind.

But now Diana, with a sprightly train
Of quiver'd virgins, bounding o'er the plain,
Call'd to the nymph; the nymph began to fear
A second fraud, a Jove disguis'd in her;
But, when she saw the sister nymphs, suppress'd
Her rising fears, and mingled with the rest.

How in the look does conscious guilt appear!
Slowly she mov'd, and loiter'd in the rear;
Nor lightly tripp'd, nor by the Goddess ran,
As once she us'd, the foremost of the train.
Her looks were flush'd, and sullen was her mien,
That sure the virgin Goddess (had she been
Aught but a virgin) must the guilt have seen.
'Tis said the nymphs saw all, and guess'd aright:
And now the moon had nine times lost her light,
When Dian, fainting in the mid-day beams,
Found a cool covert, and refreshing streams
That in soft murmurs through the forest flow'd,
And a smooth bed of shining gravel show'd.

A covert so obscure, and streams so clear,
The Goddess prais'd: "And now no spies are near
Let's strip, my gentle maids, and wash," she cries.
Pleas'd with the motion, every maid complies;
Only the blushing huntress stood confus'd,
And form'd delays, and her delays excus'd;
In vain excus'd: her fellows round her press'd,
And the reluctant nymph by force undress'd,
The naked huntress all her shame reveal'd,
In vain her hands the pregnant womb conceal'd;
"Begone!" the Goddess cries with stern disdain,
"Begone! nor dare the hallow'd stream to stain":
She fled, for ever banish'd from the train.

This Juno heard, who long had watch'd her time
To punish the detested rival's crime;
The time was come; for, to enrage her more,
A lovely boy the teeming rival bore.

The Goddess cast a furious look, and cry'd,
"It is enough! I'm fully satisfy'd!
This boy shall stand a living mark, to prove
My husband's baseness and the strumpet's love:
But vengeance shall awake: those guilty charms
That drew the Thunderer from Juno's arms,
No longer shall their wonted force retain,
Nor please the God, nor make the mortal vain."

This said, her hand within her hair she wound,
Swung her to Earth, and drag'd her on the ground:
The prostrate wretch lifts up her arms in pray'r;
Her arms grow shaggy, and deform'd with hair,
Her nails are sharpen'd into pointed claws,
Her hands bear half her weight, and turn to paws;
Her lips, that once cou'd tempt a God, begin
To grow distorted in an ugly grin.
And, lest the supplicating brute might reach
The ears of Jove, she was depriv'd of speech:
Her surly voice thro' a hoarse passage came
In savage sounds: her mind was still the same,
The furry monster fix'd her eyes above,
And heav'd her new unwieldy paws to Jove,
And beg'd his aid with inward groans; and tho'
She could not call him false, she thought him so.

How did she fear to lodge in woods alone,
And haunt the fields and meadows, once her own!
How often wou'd the deep-mouth'd dogs pursue,
Whilst from her hounds the frighted huntress flew!
How did she fear her fellow-brutes, and shun
The shaggy bear, tho' now her self was one!
How from the sight of rugged wolves retire,
Although the grim Lycaon was her sire!

But now her son had fifteen summers told,
Fierce at the chase, and in the forest bold;
When, as he beat the woods in quest of prey,
He chanc'd to rouze his mother where she lay.
She knew her son, and kept him in her sight,
And fondly gaz'd: the boy was in a fright,
And aim'd a pointed arrow at her breast,
And would have slain his mother in the beast;
But Jove forbad, and snatch'd 'em through the air
In whirlwinds up to Heav'n, and fix'd 'em there!
Where the new constellations nightly rise,
And add a lustre to the northern skies.

When Juno saw the rival in her height,
Spangled with stars, and circled round with light,
She sought old Ocean in his deep abodes,
And Tethys, both rever'd among the Gods.
They ask what brings her there: "Ne'er ask," says she,
"What brings me here, Heav'n is no place for me.
You'll see, when night has cover'd all things o'er,
Jove's starry bastard and triumphant whore
Usurp the Heav'ns; you'll see 'em proudly rowle
And who shall now on Juno's altars wait,
When those she hates grow greater by her hate?
I on the nymph a brutal form impress'd,
Jove to a goddess has transform'd the beast;
This, this was all my weak revenge could do:
But let the God his chaste amours pursue,
And, as he acted after Io's rape,
Restore th' adultress to her former shape;
Then may he cast his Juno off, and lead
The great Lycaon's offspring to his bed.
But you, ye venerable Pow'rs, be kind,
And, if my wrongs a due resentment find,
Receive not in your waves their setting beams,
Nor let the glaring strumpet taint your streams."

The Goddess ended, and her wish was giv'n.
Back she return'd in triumph up to Heav'n;
Her gawdy peacocks drew her through the skies.
Their tails were spotted with a thousand eyes;
The eyes of Argus on their tails were rang'd,
At the same time the raven's colour chang'd.

The Story of Coronis, and Birth of Aesculapius

The raven once in snowy plumes was drest,
White as the whitest dove's unsully'd breast,
Fair as the guardian of the Capitol,
Soft as the swan; a large and lovely fowl;
His tongue, his prating tongue had chang'd him quite
To sooty blackness, from the purest white.

The story of his change shall here be told;
In Thessaly there liv'd a nymph of old,
Coronis nam'd; a peerless maid she shin'd,
Confest the fairest of the fairer kind.
Apollo lov'd her, 'till her guilt he knew,
While true she was, or whilst he thought her true.
But his own bird the raven chanc'd to find
The false one with a secret rival joyn'd.
Coronis begg'd him to suppress the tale,
But could not with repeated pray'rs prevail.
His milk-white pinions to the God he ply'd;
The busy daw flew with him, side by side,
And by a thousand teizing questions drew
Th' important secret from him as they flew.
The daw gave honest counsel, tho' despis'd,
And, tedious in her tattle, thus advis'd:
"Stay, silly bird, th' ill-natur'd task refuse,
Nor be the bearer of unwelcome news.
Be warn'd by my example: you discern
What now I am, and what I was shall learn.
My foolish honesty was all my crime;
Then hear my story. Once upon a time,
The two-shap'd Ericthonius had his birth
(Without a mother) from the teeming Earth;
Minerva nurs'd him, and the infant laid
Within a chest, of twining osiers made.
The daughters of king Cecrops undertook
To guard the chest, commanded not to look
On what was hid within. I stood to see
The charge obey'd, perch'd on a neighb'ring tree.
The sisters Pandrosos and Herse keep
The strict command; Aglauros needs would peep,
And saw the monstrous infant, in a fright,
And call'd her sisters to the hideous sight:
A boy's soft shape did to the waste prevail,
But the boy ended in a dragon's tail.
I told the stern Minerva all that pass'd;
But for my pains, discarded and disgrac'd,
The frowning Goddess drove me from her sight,
And for her fav'rite chose the bird of night.
Be then no tell-tale; for I think my wrong
Enough to teach a bird to hold her tongue.

But you, perhaps, may think I was remov'd,
As never by the heav'nly maid belov'd:
But I was lov'd; ask Pallas if I lye;
Tho' Pallas hate me now, she won't deny:
For I, whom in a feather'd shape you view,
Was once a maid (by Heav'n the story's true)
A blooming maid, and a king's daughter too.
A crowd of lovers own'd my beauty's charms;
My beauty was the cause of all my harms;
Neptune, as on his shores I wont to rove,
Observ'd me in my walks, and fell in love.
He made his courtship, he confess'd his pain,
And offer'd force, when all his arts were vain;
Swift he pursu'd: I ran along the strand,
'Till, spent and weary'd on the sinking sand,
I shriek'd aloud, with cries I fill'd the air
To Gods and men; nor God nor man was there:
A virgin Goddess heard a virgin's pray'r.
For, as my arms I lifted to the skies,
I saw black feathers from my fingers rise;
I strove to fling my garment on the ground;
My garment turn'd to plumes, and girt me round:
My hands to beat my naked bosom try;
Nor naked bosom now nor hands had I:
Lightly I tript, nor weary as before
Sunk in the sand, but skim'd along the shore;
'Till, rising on my wings, I was preferr'd
To be the chaste Minerva's virgin bird:
Preferr'd in vain! I am now in disgrace:
Nyctimene the owl enjoys my place.

On her incestuous life I need not dwell
(In Lesbos still the horrid tale they tell),
And of her dire amours you must have heard,
For which she now does penance in a bird,
That conscious of her shame, avoids the light,
And loves the gloomy cov'ring of the night;
The birds, where-e'er she flutters, scare away
The hooting wretch, and drive her from the day."

The raven, urg'd by such impertinence,
Grew passionate, it seems, and took offence,
And curst the harmless daw; the daw withdrew:
The raven to her injur'd patron flew,
And found him out, and told the fatal truth
Of false Coronis and the favour'd youth.

The God was wroth, the colour left his look,
The wreath his head, the harp his hand forsook:
His silver bow and feather'd shafts he took,
And lodg'd an arrow in the tender breast,
That had so often to his own been prest.
Down fell the wounded nymph, and sadly groan'd,
And pull'd his arrow reeking from the wound;
And weltring in her blood, thus faintly cry'd,
"Ah cruel God! tho' I have justly dy'd,
What has, alas! my unborn infant done,
That he should fall, and two expire in one?"
This said, in agonies she fetch'd her breath.

The God dissolves in pity at her death;
He hates the bird that made her falshood known,
And hates himself for what himself had done;
The feather'd shaft, that sent her to the Fates,
And his own hand, that sent the shaft, he hates.
Fain would he heal the wound, and ease her pain,
And tries the compass of his art in vain.
Soon as he saw the lovely nymph expire,
The pile made ready, and the kindling fire.
With sighs and groans her obsequies he kept,
And, if a God could weep, the God had wept.
Her corps he kiss'd, and heav'nly incense brought,
And solemniz'd the death himself had wrought.

But lest his offspring should her fate partake,
Spight of th' immortal mixture in his make,
He ript her womb, and set the child at large,
And gave him to the centaur Chiron's charge:
Then in his fury black'd the raven o'er,
And bid him prate in his white plumes no more.

Ocyrrhoe transform'd into a Mare

Old Chiron took the babe with secret joy,
Proud of the charge of the celestial boy.
His daughter too, whom on the sandy shore
The nymph Charicle to the centaur bore,
With hair dishevel'd on her shoulders, came
To see the child, Ocyrrhoe was her name;
She knew her father's arts, and could rehearse
The depths of prophecy in sounding verse.
Once, as the sacred infant she survey'd,
The God was kindled in the raving maid,
And thus she utter'd her prophetick tale:
"Hail, great physician of the world, all-hail;
Hail, mighty infant, who in years to come
Shalt heal the nations, and defraud the tomb;
Swift be thy growth! thy triumphs unconfin'd!
Make kingdoms thicker, and increase mankind.
Thy daring art shall animate the dead,
And draw the thunder on thy guilty head:
Then shalt thou dye, but from the dark abode
Rise up victorious, and be twice a God.
And thou, my sire, not destin'd by thy birth
To turn to dust, and mix with common earth,
How wilt thou toss, and rave, and long to dye,
And quit thy claim to immortality;
When thou shalt feel, enrag'd with inward pains,
The Hydra's venom rankling in thy veins?
The Gods, in pity, shall contract thy date,
And give thee over to the pow'r of Fate."

Thus entring into destiny, the maid
The secrets of offended Jove betray'd:
More had she still to say; but now appears
Oppress'd with sobs and sighs, and drown'd in tears.
"My voice," says she, "is gone, my language fails;
Through ev'ry limb my kindred shape prevails:
Why did the God this fatal gift impart,
And with prophetick raptures swell my heart!
What new desires are these? I long to pace
O'er flow'ry meadows, and to feed on grass;
I hasten to a brute, a maid no more;
But why, alas! am I transform'd all o'er?
My sire does half a human shape retain,
And in his upper parts preserve the man."

Her tongue no more distinct complaints affords,
But in shrill accents and mis-shapen words
Pours forth such hideous wailings, as declare
The human form confounded in the mare:
'Till by degrees accomplish'd in the beast,
She neigh'd outright, and all the steed exprest.
Her stooping body on her hands is born,
Her hands are turn'd to hoofs, and shod in horn,
Her yellow tresses ruffle in a mane,
And in a flowing tail she frisks her train,
The mare was finish'd in her voice and look,
And a new name from the new figure took.

The Transformation of Battus to a Touch stone

Sore wept the centuar, and to Phoebus pray'd;
But how could Phoebus give the centaur aid?
Degraded of his pow'r by angry Jove,
In Elis then a herd of beeves he drove;
And wielded in his hand a staff of oak,
And o'er his shoulders threw the shepherd's cloak;
On sev'n compacted reeds he us'd to play,
And on his rural pipe to waste the day.

As once attentive to his pipe he play'd,
The crafty Hermes from the God convey'd
A drove, that sep'rate from their fellows stray'd.
The theft an old insidious peasant view'd
(They call'd him Battus in the neighbourhood),
Hir'd by a vealthy Pylian prince to feed
His fav'rite mares, and watch the gen'rous breed.
The thievish God suspected him, and took
The hind aside, and thus in whispers spoke:
"Discover not the theft, whoe'er thou be,
And take that milk-white heifer for thy fee."
"Go, stranger," cries the clown, "securely on,
That stone shall sooner tell," and show'd a stone.

The God withdrew, but strait return'd again,
In speech and habit like a country swain;
And cries out, "Neighbour, hast thou seen a stray
Of bullocks and of heifers pass this way?
In the recov'ry of my cattle join,
A bullock and a heifer shall be thine."
The peasant quick replies, "You'll find 'em there
In yon dark vale"; and in the vale they were.
The double bribe had his false heart beguil'd:
The God, successful in the tryal, smil'd;
"And dost thou thus betray my self to me?
Me to my self dost thou betray?" says he:
Then to a Touch stone turns the faithless spy;
And in his name records his infamy.

The Story of Aglauros, transform'd into a Statue

This done, the God flew up on high, and pass'd
O'er lofty Athens, by Minerva grac'd,
And wide Munichia, whilst his eyes survey
All the vast region that beneath him lay.

'Twas now the feast, when each Athenian maid
Her yearly homage to Minerva paid;
In canisters, with garlands cover'd o'er,
High on their heads, their mystick gifts they bore:
And now, returning in a solemn train,
The troop of shining virgins fill'd the plain.

The God well pleas'd beheld the pompous show,
And saw the bright procession pass below;
Then veer'd about, and took a wheeling flight,
And hover'd o'er them: as the spreading kite,
That smells the slaughter'd victim from on high,
Flies at a distance, if the priests are nigh,
And sails around, and keeps it in her eye:
So kept the God the virgin quire in view,
And in slow winding circles round them flew.

As Lucifer excells the meanest star,
Or, as the full-orb'd Phoebe, Lucifer;
So much did Herse all the rest outvy,
And gave a grace to the solemnity.
Hermes was fir'd, as in the clouds he hung:
So the cold bullet, that with fury slung
From Balearick engines mounts on high,
Glows in the whirl, and burns along the sky.
At length he pitch'd upon the ground, and show'd
The form divine, the features of a God.
He knew their vertue o'er a female heart,
And yet he strives to better them by art.
He hangs his mantle loose, and sets to show
The golden edging on the seam below;
Adjusts his flowing curls, and in his hand
Waves, with an air, the sleep-procuring wand;
The glitt'ring sandals to his feet applies,
And to each heel the well-trim'd pinion ties.

His ornaments with nicest art display'd,
He seeks th' apartment of the royal maid.
The roof was all with polish'd iv'ry lin'd,
That richly mix'd, in clouds of tortoise shin'd.
Three rooms, contiguous, in a range were plac'd,
The midmost by the beauteous Herse grac'd;
Her virgin sisters lodg'd on either side.
Aglauros first th' approaching God descry'd,
And, as he cross'd her chamber, ask'd his name,
And what his business was, and whence he came.
"I come," reply'd the God, "from Heav'n, to woo
Your sister, and to make an aunt of you;
I am the son and messenger of Jove;
My name is Mercury, my bus'ness love;
Do you, kind damsel, take a lover's part,
And gain admittance to your sister's heart."

She star'd him in the face with looks amaz'd,
As when she on Minerva's secret gaz'd,
And asks a mighty treasure for her hire;
And, 'till he brings it, makes the God retire.
Minerva griev'd to see the nymph succeed;
And now remembring the late impious deed,
When, disobedient to her strict command,
She touch'd the chest with an unhallow'd hand;
In big-swoln sighs her inward rage express'd,
That heav'd the rising Aegis on her breast;
Then sought out Envy in her dark abode,
Defil'd with ropy gore and clots of blood:
Shut from the winds, and from the wholesome skies,
In a deep vale the gloomy dungeon lies,
Dismal and cold, where not a beam of light
Invades the winter, or disturbs the night.

Directly to the cave her course she steer'd;
Against the gates her martial lance she rear'd;
The gates flew open, and the fiend appear'd.
A pois'nous morsel in her teeth she chew'd,
And gorg'd the flesh of vipers for her food.
Minerva loathing turn'd away her eye;
The hideous monster, rising heavily,
Came stalking forward with a sullen pace,
And left her mangled offals on the place.
Soon as she saw the goddess gay and bright,
She fetch'd a groan at such a chearful sight.
Livid and meagre were her looks, her eye
In foul distorted glances turn'd awry;
A hoard of gall her inward parts possess'd,
And spread a greenness o'er her canker'd breast;
Her teeth were brown with rust, and from her tongue,
In dangling drops, the stringy poison hung.
She never smiles but when the wretched weep,
Nor lulls her malice with a moment's sleep,
Restless in spite: while watchful to destroy,
She pines and sickens at another's joy;
Foe to her self, distressing and distrest,
She bears her own tormentor in her breast.
The Goddess gave (for she abhorr'd her sight)
A short command: "To Athens speed thy flight;
On curst Aglauros try thy utmost art,
And fix thy rankest venoms in her heart."
This said, her spear she push'd against the ground,
And mounting from it with an active bound,
Flew off to Heav'n: the hag with eyes askew
Look'd up, and mutter'd curses as she flew;
For sore she fretted, and began to grieve
At the success which she her self must give.
Then takes her staff, hung round with wreaths of thorn,
And sails along, in a black whirlwind born,
O'er fields and flow'ry meadows: where she steers
Her baneful course, a mighty blast appears,
Mildews and blights; the meadows are defac'd,
The fields, the flow'rs, and the whole years laid waste:

On mortals next, and peopled towns she falls,
And breathes a burning plague among their walls.

When Athens she beheld, for arts renown'd,
With peace made happy, and with plenty crown'd,
Scarce could the hideous fiend from tears forbear,
To find out nothing that deserv'd a tear.
Th' apartment now she enter'd, where at rest
Aglauros lay, with gentle sleep opprest.
To execute Minerva's dire command,
She stroak'd the virgin with her canker'd hand,
Then prickly thorns into her breast convey'd,
That stung to madness the devoted maid:
Her subtle venom still improves the smart,
Frets in the blood, and festers in the heart.

To make the work more sure, a scene she drew,
And plac'd before the dreaming virgin's view
Her sister's marriage, and her glorious fate:
Th' imaginary bride appears in state;
The bride-groom with unwonted beauty glows:
For envy magnifies what-e'er she shows.

Full of the dream, Aglauros pin'd away
In tears all night, in darkness all the day;
Consum'd like ice, that just begins to run,
When feebly smitten by the distant sun;
Or like unwholsome weeds, that set on fire
Are slowly wasted, and in smoke expire.
Giv'n up to envy (for in ev'ry thought
The thorns, the venom, and the vision wrought)
Oft did she call on death, as oft decreed,
Rather than see her sister's wish succeed,
To tell her awfull father what had past:
At length before the door her self she cast;
And, sitting on the ground with sullen pride,
A passage to the love-sick God deny'd.
The God caress'd, and for admission pray'd,
And sooth'd in softest words th' envenom'd maid.
In vain he sooth'd: "Begone!" the maid replies,
"Or here I keep my seat, and never rise."
"Then keep thy seat for ever," cries the God,
And touch'd the door, wide op'ning to his rod.
Fain would she rise, and stop him, but she found
Her trunk too heavy to forsake the ground;
Her joynts are all benum'd, her hands are pale,
And marble now appears in ev'ry nail.
As when a cancer in the body feeds,
And gradual death from limb to limb proceeds;
So does the chilness to each vital parte
Spread by degrees, and creeps into her heart;
'Till hard'ning ev'ry where, and speechless grown,
She sits unmov'd, and freezes to a stone.
But still her envious hue and sullen mien
Are in the sedentary figure seen.

Europa's Rape

When now the God his fury had allay'd,
And taken vengeance of the stubborn maid,
From where the bright Athenian turrets rise
He mounts aloft, and re-ascends the skies.
Jove saw him enter the sublime abodes,
And, as he mix'd among the crowd of Gods,
Beckon'd him out, and drew him from the rest,
And in soft whispers thus his will exprest.

"My trusty Hermes, by whose ready aid
Thy sire's commands are through the world convey'd.
Resume thy wings, exert their utmost force,
And to the walls of Sidon speed thy course;
There find a herd of heifers wand'ring o'er
The neighb'ring hill, and drive 'em to the shore."

Thus spoke the God, concealing his intent.
The trusty Hermes, on his message went,
And found the herd of heifers wand'ring o'er
A neighb'ring hill, and drove 'em to the shore;
Where the king's daughter, with a lovely train
Of fellow-nymphs, was sporting on the plain.

The dignity of empire laid aside,
(For love but ill agrees with kingly pride)
The ruler of the skies, the thund'ring God,
Who shakes the world's foundations with a nod,
Among a herd of lowing heifers ran,
Frisk'd in a bull, and bellow'd o'er the plain.
Large rowles of fat about his shoulders clung,
And from his neck the double dewlap hung.
His skin was whiter than the snow that lies
Unsully'd by the breath of southern skies;
Small shining horns on his curl'd forehead stand,
As turn'd and polish'd by the work-man's hand;
His eye-balls rowl'd, not formidably bright,
But gaz'd and languish'd with a gentle light.
His ev'ry look was peaceful, and exprest
The softness of the lover in the beast.

Agenor's royal daughter, as she plaid
Among the fields, the milk-white bull survey'd,
And view'd his spotless body with delight,
And at a distance kept him in her sight.
At length she pluck'd the rising flow'rs, and fed
The gentle beast, and fondly stroak'd his head.
He stood well-pleas'd to touch the charming fair,
But hardly could confine his pleasure there.
And now he wantons o'er the neighb'ring strand,
Now rowls his body on the yellow sand;
And, now perceiving all her fears decay'd,
Comes tossing forward to the royal maid;
Gives her his breast to stroke, and downward turns
His grizly brow, and gently stoops his horns.
In flow'ry wreaths the royal virgin drest
His bending horns, and kindly clapt his breast.
'Till now grown wanton and devoid of fear,
Not knowing that she prest the Thunderer,
She plac'd her self upon his back, and rode
O'er fields and meadows, seated on the God.

He gently march'd along, and by degrees
Left the dry meadow, and approach'd the seas;
Where now he dips his hoofs and wets his thighs,
Now plunges in, and carries off the prize.
The frighted nymph looks backward on the shoar,
And hears the tumbling billows round her roar;
But still she holds him fast: one hand is born
Upon his back; the other grasps a horn:
Her train of ruffling garments flies behind,
Swells in the air, and hovers in the wind.

Through storms and tempests he the virgin bore,
And lands her safe on the Dictean shore;
Where now, in his divinest form array'd,
In his true shape he captivates the maid;
Who gazes on him, and with wond'ring eyes
Beholds the new majestick figure rise,
His glowing features, and celestial light,
And all the God discover'd to her sight.

----------------------------------------------------------------------
~ Ovid, BOOK THE SECOND

,
1199:BOOK THE ELEVENTH

The Death of Orpheus

Here, while the Thracian bard's enchanting strain
Sooths beasts, and woods, and all the listn'ing plain,
The female Bacchanals, devoutly mad,
In shaggy skins, like savage creatures, clad,
Warbling in air perceiv'd his lovely lay,
And from a rising ground beheld him play.
When one, the wildest, with dishevel'd hair,
That loosely stream'd, and ruffled in the air;
Soon as her frantick eye the lyrist spy'd,
See, see! the hater of our sex, she cry'd.
Then at his face her missive javelin sent,
Which whiz'd along, and brusht him as it went;
But the soft wreathes of ivy twisted round,
Prevent a deep impression of the wound.
Another, for a weapon, hurls a stone,
Which, by the sound subdu'd as soon as thrown,
Falls at his feet, and with a seeming sense
Implores his pardon for its late offence.
But now their frantick rage unbounded grows,
Turns all to madness, and no measure knows:
Yet this the charms of musick might subdue,
But that, with all its charms, is conquer'd too;
In louder strains their hideous yellings rise,
And squeaking horn-pipes eccho thro' the skies,
Which, in hoarse consort with the drum, confound
The moving lyre, and ev'ry gentle sound:
Then 'twas the deafen'd stones flew on with speed,
And saw, unsooth'd, their tuneful poet bleed.
The birds, the beasts, and all the savage crew
Which the sweet lyrist to attention drew,
Now, by the female mob's more furious rage,
Are driv'n, and forc'd to quit the shady stage.
Next their fierce hands the bard himself assail,
Nor can his song against their wrath prevail:
They flock, like birds, when in a clustring flight,
By day they chase the boding fowl of night.
So crowded amphitheatres survey
The stag, to greedy dogs a future prey.
Their steely javelins, which soft curls entwine
Of budding tendrils from the leafy vine,
For sacred rites of mild religion made,
Are flung promiscuous at the poet's head.
Those clods of earth or flints discharge, and these
Hurl prickly branches sliver'd from the trees.
And, lest their passion shou'd be unsupply'd,
The rabble crew, by chance, at distance spy'd
Where oxen, straining at the heavy yoke,
The fallow'd field with slow advances broke;
Nigh which the brawny peasants dug the soil,
Procuring food with long laborious toil.
These, when they saw the ranting throng draw near,
Quitted their tools, and fled, possest with fear.
Long spades, and rakes of mighty size were found,
Carelesly left upon the broken ground.
With these the furious lunaticks engage,
And first the lab'ring oxen feel their rage;
Then to the poet they return with speed,
Whose fate was, past prevention, now decreed:
In vain he lifts his suppliant hands, in vain
He tries, before, his never-failing strain.
And, from those sacred lips, whose thrilling sound
Fierce tygers, and insensate rocks cou'd wound,
Ah Gods! how moving was the mournful sight!
To see the fleeting soul now take its flight.
Thee the soft warblers of the feather'd kind
Bewail'd; for thee thy savage audience pin'd;
Those rocks and woods that oft thy strain had led,
Mourn for their charmer, and lament him dead;
And drooping trees their leafy glories shed.
Naids and Dryads with dishevel'd hair
Promiscuous weep, and scarfs of sable wear;
Nor cou'd the river-Gods conceal their moan,
But with new floods of tears augment their own.
His mangled limbs lay scatter'd all around,
His head, and harp a better fortune found;
In Hebrus' streams they gently roul'd along,
And sooth'd the waters with a mournful song.
Soft deadly notes the lifeless tongue inspire,
A doleful tune sounds from the floating lyre;
The hollows banks in solemn consort mourn,
And the sad strain in ecchoing groans return.
Now with the current to the sea they glide,
Born by the billows of the briny tide;
And driv'n where waves round rocky Lesbos roar,
They strand, and lodge upon Methymna's shore.

But here, when landed on the foreign soil,
A venom'd snake, the product of the isle
Attempts the head, and sacred locks embru'd
With clotted gore, and still fresh-dropping blood.
Phoebus, at last, his kind protection gives,
And from the fact the greedy monster drives:
Whose marbled jaws his impious crime atone,
Still grinning ghastly, tho' transform'd to stone.

His ghost flies downward to the Stygian shore,
And knows the places it had seen before:
Among the shadows of the pious train
He finds Eurydice, and loves again;
With pleasure views the beauteous phantom's charms,
And clasps her in his unsubstantial arms.
There side by side they unmolested walk,
Or pass their blissful hours in pleasing talk;
Aft or before the bard securely goes,
And, without danger, can review his spouse.

The Thracian Women transform'd to Trees

Bacchus, resolving to revenge the wrong,
Of Orpheus murder'd, on the madding throng,
Decreed that each accomplice dame should stand
Fix'd by the roots along the conscious land.
Their wicked feet, that late so nimbly ran
To wreak their malice on the guiltless man,
Sudden with twisted ligatures were bound,
Like trees, deep planted in the turfy ground.
And, as the fowler with his subtle gins,
His feather'd captives by the feet entwines,
That flutt'ring pant, and struggle to get loose,
Yet only closer draw the fatal noose;
So these were caught; and, as they strove in vain
To quit the place, they but encreas'd their pain.
They flounce and toil, yet find themselves controul'd;
The root, tho' pliant, toughly keeps its hold.
In vain their toes and feet they look to find,
For ev'n their shapely legs are cloath'd with rind.
One smites her thighs with a lamenting stroke,
And finds the flesh transform'd to solid oak;
Another, with surprize, and grief distrest,
Lays on above, but beats a wooden breast.
A rugged bark their softer neck invades,
Their branching arms shoot up delightful shades;
At once they seem, and are, a real grove,
With mossy trunks below, and verdant leaves above.

The Fable of Midas

Nor this suffic'd; the God's disgust remains,
And he resolves to quit their hated plains;
The vineyards of Tymole ingross his care,
And, with a better choir, he fixes there;
Where the smooth streams of clear Pactolus roll'd,
Then undistinguish'd for its sands of gold.
The satyrs with the nymphs, his usual throng,
Come to salute their God, and jovial danc'd along.
Silenus only miss'd; for while he reel'd,
Feeble with age, and wine, about the field,
The hoary drunkard had forgot his way,
And to the Phrygian clowns became a prey;
Who to king Midas drag the captive God,
While on his totty pate the wreaths of ivy nod.

Midas from Orpheus had been taught his lore,
And knew the rites of Bacchus long before.
He, when he saw his venerable guest,
In honour of the God ordain'd a feast.
Ten days in course, with each continu'd night,
Were spent in genial mirth, and brisk delight:
Then on th' eleventh, when with brighter ray
Phosphor had chac'd the fading stars away,
The king thro' Lydia's fields young Bacchus sought,
And to the God his foster-father brought.
Pleas'd with the welcome sight, he bids him soon
But name his wish, and swears to grant the boon.
A glorious offer! yet but ill bestow'd
On him whose choice so little judgment show'd.
Give me, says he (nor thought he ask'd too much),
That with my body whatsoe'er I touch,
Chang'd from the nature which it held of old,
May be converted into yellow gold.
He had his wish; but yet the God repin'd,
To think the fool no better wish could find.

But the brave king departed from the place,
With smiles of gladness sparkling in his face:
Nor could contain, but, as he took his way,
Impatient longs to make the first essay.
Down from a lowly branch a twig he drew,
The twig strait glitter'd with a golden hue:
He takes a stone, the stone was turn'd to gold;
A clod he touches, and the crumbling mold
Acknowledg'd soon the great transforming pow'r,
In weight and substance like a mass of ore.
He pluck'd the corn, and strait his grasp appears
Fill'd with a bending tuft of golden ears.
An apple next he takes, and seems to hold
The bright Hesperian vegetable gold.
His hand he careless on a pillar lays.
With shining gold the fluted pillars blaze:
And while he washes, as the servants pour,
His touch converts the stream to Danae's show'r.

To see these miracles so finely wrought,
Fires with transporting joy his giddy thought.
The ready slaves prepare a sumptuous board,
Spread with rich dainties for their happy lord;
Whose pow'rful hands the bread no sooner hold,
But its whole substance is transform'd to gold:
Up to his mouth he lifts the sav'ry meat,
Which turns to gold as he attempts to eat:
His patron's noble juice of purple hue,
Touch'd by his lips, a gilded cordial grew;
Unfit for drink, and wondrous to behold,
It trickles from his jaws a fluid gold.

The rich poor fool, confounded with surprize,
Starving in all his various plenty lies:
Sick of his wish, he now detests the pow'r,
For which he ask'd so earnestly before;
Amidst his gold with pinching famine curst;
And justly tortur'd with an equal thirst.
At last his shining arms to Heav'n he rears,
And in distress, for refuge, flies to pray'rs.
O father Bacchus, I have sinn'd, he cry'd,
And foolishly thy gracious gift apply'd;
Thy pity now, repenting, I implore;
Oh! may I feel the golden plague no more.

The hungry wretch, his folly thus confest,
Touch'd the kind deity's good-natur'd breast;
The gentle God annull'd his first decree,
And from the cruel compact set him free.
But then, to cleanse him quite from further harm,
And to dilute the relicks of the charm,
He bids him seek the stream that cuts the land
Nigh where the tow'rs of Lydian Sardis stand;
Then trace the river to the fountain head,
And meet it rising from its rocky bed;
There, as the bubling tide pours forth amain,
To plunge his body in, and wash away the stain.
The king instructed to the fount retires,
But with the golden charm the stream inspires:
For while this quality the man forsakes,
An equal pow'r the limpid water takes;
Informs with veins of gold the neighb'ring land,
And glides along a bed of golden sand.

Now loathing wealth, th' occasion of his woes,
Far in the woods he sought a calm repose;
In caves and grottos, where the nymphs resort,
And keep with mountain Pan their sylvan court.
Ah! had he left his stupid soul behind!
But his condition alter'd not his mind.

For where high Tmolus rears his shady brow,
And from his cliffs surveys the seas below,
In his descent, by Sardis bounded here,
By the small confines of Hypaepa there,
Pan to the nymphs his frolick ditties play'd,
Tuning his reeds beneath the chequer'd shade.
The nymphs are pleas'd, the boasting sylvan plays,
And speaks with slight of great Apollo's lays.
Tmolus was arbiter; the boaster still
Accepts the tryal with unequal skill.
The venerable judge was seated high
On his own hill, that seem'd to touch the sky.
Above the whisp'ring trees his head he rears,
From their encumbring boughs to free his ears;
A wreath of oak alone his temples bound,
The pendant acorns loosely dangled round.
In me your judge, says he, there's no delay:
Then bids the goatherd God begin, and play.
Pan tun'd the pipe, and with his rural song
Pleas'd the low taste of all the vulgar throng;
Such songs a vulgar judgment mostly please,
Midas was there, and Midas judg'd with these.

The mountain sire with grave deportment now
To Phoebus turns his venerable brow:
And, as he turns, with him the listning wood
In the same posture of attention stood.
The God his own Parnassian laurel crown'd,
And in a wreath his golden tresses bound,
Graceful his purple mantle swept the ground.
High on the left his iv'ry lute he rais'd,
The lute, emboss'd with glitt'ring jewels, blaz'd
In his right hand he nicely held the quill,
His easy posture spoke a master's skill.
The strings he touch'd with more than human art,
Which pleas'd the judge's ear, and sooth'd his heart;
Who soon judiciously the palm decreed,
And to the lute postpon'd the squeaking reed.

All, with applause, the rightful sentence heard,
Midas alone dissatisfy'd appear'd;
To him unjustly giv'n the judgment seems,
For Pan's barbarick notes he most esteems.
The lyrick God, who thought his untun'd ear
Deserv'd but ill a human form to wear,
Of that deprives him, and supplies the place
With some more fit, and of an ampler space:
Fix'd on his noddle an unseemly pair,
Flagging, and large, and full of whitish hair;
Without a total change from what he was,
Still in the man preserves the simple ass.

He, to conceal the scandal of the deed,
A purple turbant folds about his head;
Veils the reproach from publick view, and fears
The laughing world would spy his monstrous ears.
One trusty barber-slave, that us'd to dress
His master's hair, when leng then'd to excess,
The mighty secret knew, but knew alone,
And, tho' impatient, durst not make it known.
Restless, at last, a private place he found,
Then dug a hole, and told it to the ground;
In a low whisper he reveal'd the case,
And cover'd in the earth, and silent left the place.

In time, of trembling reeds a plenteous crop
From the confided furrow sprouted up;
Which, high advancing with the ripening year,
Made known the tiller, and his fruitless care:
For then the rustling blades, and whisp'ring wind,
To tell th' important secret, both combin'd.

The Building of Troy

Phoebus, with full revenge, from Tmolus flies,
Darts thro' the air, and cleaves the liquid skies;
Near Hellespont he lights, and treads the plains
Where great Laomedon sole monarch reigns;
Where, built between the two projecting strands,
To Panomphaean Jove an altar stands.
Here first aspiring thoughts the king employ,
To found the lofty tow'rs of future Troy.
The work, from schemes magnificent begun,
At vast expence was slowly carry'd on:
Which Phoebus seeing, with the trident God
Who rules the swelling surges with his nod,
Assuming each a mortal shape, combine
At a set price to finish his design.
The work was built; the king their price denies,
And his injustice backs with perjuries.
This Neptune cou'd not brook, but drove the main,
A mighty deluge, o'er the Phrygian plain:
'Twas all a sea; the waters of the deep
From ev'ry vale the copious harvest sweep;
The briny billows overflow the soil,
Ravage the fields, and mock the plowman's toil.

Nor this appeas'd the God's revengeful mind,
For still a greater plague remains behind;
A huge sea-monster lodges on the sands,
And the king's daughter for his prey demands.
To him that sav'd the damsel, was decreed
A set of horses of the Sun's fine breed:
But when Alcides from the rock unty'd
The trembling fair, the ransom was deny'd.
He, in revenge, the new-built walls attack'd,
And the twice-perjur'd city bravely sack'd.
Telamon aided, and in justice shar'd
Part of the plunder as his due reward:
The princess, rescu'd late, with all her charms,
Hesione, was yielded to his arms;
For Peleus, with a Goddess-bride, was more
Proud of his spouse, than of his birth before:
Grandsons to Jove there might be more than one,
But he the Goddess had enjoy'd alone.

The Story of Thetis and Peleus

For Proteus thus to virgin Thetis said,
Fair Goddess of the waves, consent to wed,
And take some spritely lover to your bed.
A son you'll have, the terror of the field,
To whom in fame, and pow'r his sire shall yield.

Jove, who ador'd the nymph with boundless love,
Did from his breast the dangerous flame remove.
He knew the Fates, nor car'd to raise up one,
Whose fame and greatness should eclipse his own,
On happy Peleus he bestow'd her charms,
And bless'd his grandson in the Goddess' arms:

A silent creek Thessalia's coast can show;
Two arms project, and shape it like a bow;
'Twould make a bay, but the transparent tide
Does scarce the yellow-gravell'd bottom hide;
For the quick eye may thro' the liquid wave
A firm unweedy level beach perceive.
A grove of fragrant myrtle near it grows,
Whose boughs, tho' thick, a beauteous grot disclose;
The well-wrought fabrick, to discerning eyes,
Rather by art than Nature seems to rise.
A bridled dolphin oft fair Thetis bore
To this her lov'd retreat, her fav'rite shore.
Here Peleus seiz'd her, slumbring while she lay,
And urg'd his suit with all that love could say:
But when he found her obstinately coy,
Resolv'd to force her, and comm and the joy;
The nymph, o'erpowr'd, to art for succour flies
And various shapes the eager youth surprize:
A bird she seems, but plies her wings in vain,
His hands the fleeting substance still detain:
A branchy tree high in the air she grew;
About its bark his nimble arms he threw:
A tyger next she glares with flaming eyes;
The frighten'd lover quits his hold, and flies:
The sea-Gods he with sacred rites adores,
Then a libation on the ocean pours;
While the fat entrails crackle in the fire,
And sheets of smoak in sweet perfume aspire;
'Till Proteus rising from his oozy bed,
Thus to the poor desponding lover said:
No more in anxious thoughts your mind employ,
For yet you shall possess the dear expected joy.
You must once more th' unwary nymph surprize,
As in her cooly grot she slumbring lies;
Then bind her fast with unrelenting hands,
And strain her tender limbs with knotted bands.
Still hold her under ev'ry different shape,
'Till tir'd she tries no longer to escape.
Thus he: then sunk beneath the glassy flood,
And broken accents flutter'd, where he stood.

Bright Sol had almost now his journey done,
And down the steepy western convex run;
When the fair Nereid left the briny wave,
And, as she us'd, retreated to her cave.
He scarce had bound her fast, when she arose,
And into various shapes her body throws:
She went to move her arms, and found 'em ty'd;
Then with a sigh, Some God assists ye, cry'd,
And in her proper shape stood blushing by his side.
About her waiste his longing arms he flung,
From which embrace the great Achilles sprung.

The Transformation of Daedalion

Peleus unmix'd felicity enjoy'd
(Blest in a valiant son, and virtuous bride),
'Till Fortune did in blood his hands imbrue,
And his own brother by curst chance he slew:
Then driv'n from Thessaly, his native clime,
Trachinia first gave shelter to his crime;
Where peaceful Ceyx mildly fill'd the throne,
And like his sire, the morning planet, shone;
But now, unlike himself, bedew'd with tears,
Mourning a brother lost, his brow appears.
First to the town with travel spent, and care,
Peleus, and his small company repair:
His herds, and flocks the while at leisure feed,
On the rich pasture of a neighb'ring mead.
The prince before the royal presence brought,
Shew'd by the suppliant olive what he sought;
Then tells his name, and race, and country right,
But hides th' unhappy reason of his flight.
He begs the king some little town to give,
Where they may safe his faithful vassals live.
Ceyx reply'd: To all my bounty flows,
A hospitable realm your suit has chose.
Your glorious race, and far-resounding fame,
And grandsire Jove, peculiar favours claim.
All you can wish, I grant; entreaties spare;
My kingdom (would 'twere worth the sharing) share.

Tears stop'd his speech: astonish'd Peleus pleads
To know the cause from whence his grief proceeds.
The prince reply'd: There's none of ye but deems
This hawk was ever such as now it seems;
Know 'twas a heroe once, Daedalion nam'd,
For warlike deeds, and haughty valour fam'd;
Like me to that bright luminary born,
Who wakes Aurora, and brings on the morn.
His fierceness still remains, and love of blood,
Now dread of birds, and tyrant of the wood.
My make was softer, peace my greatest care;
But this my brother wholly bent on war;
Late nations fear'd, and routed armies fled
That force, which now the tim'rous pigeons dread.
A daughter he possess'd, divinely fair,
And scarcely yet had seen her fifteenth year;
Young Chione: a thousand rivals strove
To win the maid, and teach her how to love.
Phoebus, and Mercury by chance one day
From Delphi, and Cyllene past this way;
Together they the virgin saw: desire
At once warm'd both their breasts with am'rous fire.
Phoebus resolv'd to wait 'till close of day;
But Mercury's hot love brook'd no delay;
With his entrancing rod the maid he charms,
And unresisted revels in her arms.
'Twas night, and Phoebus in a beldam's dress,
To the late rifled beauty got access.
Her time compleat nine circling moons had run;
To either God she bore a lovely son:
To Mercury Autolycus she brought,
Who turn'd to thefts and tricks his subtle thought;
Possess'd he was of all his father's slight,
At will made white look black, and black look white.
Philammon born to Phoebus, like his sire,
The Muses lov'd, and finely struck the lyre,
And made his voice, and touch in harmony conspire.
In vain, fond maid, you boast this double birth,
The love of Gods, and royal father's worth,
And Jove among your ancestors rehearse!
Could blessings such as these e'er prove a curse?
To her they did, who with audacious pride,
Vain of her own, Diana's charms decry'd.
Her taunts the Goddess with resentment fill;
My face you like not, you shall try my skill.
She said; and strait her vengeful bow she strung,
And sent a shaft that pierc'd her guilty tongue:
The bleeding tongue in vain its accents tries;
In the red stream her soul reluctant flies.
With sorrow wild I ran to her relief,
And try'd to moderate my brother's grief.
He, deaf as rocks by stormy surges beat,
Loudly laments, and hears me not intreat.
When on the fun'ral pile he saw her laid,
Thrice he to rush into the flames assay'd,
Thrice with officious care by us was stay'd.
Now, mad with grief, away he fled amain,
Like a stung heifer that resents the pain,
And bellowing wildly bounds along the plain.
O'er the most rugged ways so fast he ran,
He seem'd a bird already, not a man:
He left us breathless all behind; and now
In quest of death had gain'd Parnassus' brow:
But when from thence headlong himself he threw,
He fell not, but with airy pinions flew.
Phoebus in pity chang'd him to a fowl,
Whose crooked beak and claws the birds controul,
Little of bulk, but of a warlike soul.
A hawk become, the feather'd race's foe,
He tries to case his own by other's woe.

A Wolf turn'd into Marble

While they astonish'd heard the king relate
These wonders of his hapless brother's fate;
The prince's herdsman at the court arrives,
And fresh surprize to all the audience gives.
O Peleus, Peleus! dreadful news I bear,
He said; and trembled as he spoke for fear.
The worst, affrighted Peleus bid him tell,
Whilst Ceyx too grew pale with friendly zeal.
Thus he began: When Sol mid-heav'n had gain'd,
And half his way was past, and half remain'd,
I to the level shore my cattle drove,
And let them freely in the meadows rove.
Some stretch'd at length admire the watry plain,
Some crop'd the herb, some wanton swam the main.
A temple stands of antique make hard by,
Where no gilt domes, nor marble lure the eye;
Unpolish'd rafters bear its lowly height,
Hid by a grove, as ancient, from the sight.
Here Nereus, and the Nereids they adore;
I learnt it from the man who thither bore
His net, to dry it on the sunny shore.
Adjoyns a lake, inclos'd with willows round,
Where swelling waves have overflow'd the mound,
And, muddy, stagnate on the lower ground.
From thence a russling noise increasing flies,
Strikes the still shore; and frights us with surprize,
Strait a huge wolf rush'd from the marshy wood,
His jaws besmear'd with mingled foam, and blood,
Tho' equally by hunger urg'd, and rage,
His appetite he minds not to asswage;
Nought that he meets, his rabid fury spares,
But the whole herd with mad disorder tears.
Some of our men who strove to drive him thence,
Torn by his teeth, have dy'd in their defence.
The echoing lakes, the sea, and fields, and shore,
Impurpled blush with streams of reeking gore.
Delay is loss, nor have we time for thought;
While yet some few remain alive, we ought
To seize our arms, and with confederate force
Try if we so can stop his bloody course.
But Peleus car'd not for his ruin'd herd;
His crime he call'd to mind, and thence inferr'd,
That Psamathe's revenge this havock made,
In sacrifice to murder'd Phocus' shade.
The king commands his servants to their arms;
Resolv'd to go; but the loud noise alarms
His lovely queen, who from her chamber flew,
And her half-plaited hair behind her threw:
About his neck she hung with loving fears,
And now with words, and now with pleading tears,
Intreated that he'd send his men alone,
And stay himself, to save two lives in one.
Then Peleus: Your just fears, o queen, forget;
Too much the offer leaves me in your debt.
No arms against the monster I shall bear,
But the sea nymphs appease with humble pray'r.

The citadel's high turrets pierce the sky,
Which home-bound vessels, glad, from far descry;
This they ascend, and thence with sorrow ken
The mangled heifers lye, and bleeding men;
Th' inexorable ravager they view,
With blood discolour'd, still the rest pursue:
There Peleus pray'd submissive tow'rds the sea,
And deprecates the ire of injur'd Psamathe.
But deaf to all his pray'rs the nymph remain'd,
'Till Thetis for her spouse the boon obtain'd.
Pleas'd with the luxury, the furious beast,
Unstop'd, continues still his bloody feast:
While yet upon a sturdy bull he flew,
Chang'd by the nymph, a marble block he grew.
No longer dreadful now the wolf appears,
Bury'd in stone, and vanish'd like their fears.
Yet still the Fates unhappy Peleus vex'd;
To the Magnesian shore he wanders next.
Acastus there, who rul'd the peaceful clime,
Grants his request, and expiates his crime.

The Story of Ceyx and Alcyone

These prodigies affect the pious prince,
But more perplex'd with those that happen'd since,
He purposes to seek the Clarian God,
Avoiding Delphi, his more fam'd abode,
Since Phlegyan robbers made unsafe the road.
Yet could he not from her he lov'd so well,
The fatal voyage, he resolv'd, conceal;
But when she saw her lord prepar'd to part,
A deadly cold ran shiv'ring to her heart;
Her faded cheeks are chang'd to boxen hue,
And in her eyes the tears are ever new.
She thrice essay'd to speak; her accents hung,
And falt'ring dy'd unfinish'd on her tongue,
And vanish'd into sighs: with long delay
Her voice return'd, and found the wonted way.

Tell me, my lord, she said, what fault unknown
Thy once belov'd Alcyone has done?
Whither, ah, whither, is thy kindness gone!
Can Ceyx then sustain to leave his wife,
And unconcern'd forsake the sweets of life?
What can thy mind to this long journey move?
Or need'st thou absence to renew thy love?
Yet, if thou go'st by land, tho' grief possess
My soul ev'n then, my fears will be the less.
But ah! be warn'd to shun the watry way,
The face is frightful of the stormy sea:
For late I saw a-drift disjointed planks,
And empty tombs erected on the banks.
Nor let false hopes to trust betray thy mind,
Because my sire in caves constrains the wind,
Can with a breath their clam'rous rage appease,
They fear his whistle, and forsake the seas:
Not so; for once indulg'd, they sweep the main;
Deaf to the call, or hearing, hear in vain;
But bent on mischief bear the waves before,
And not content with seas, insult the shore,
When ocean, air, and Earth, at once ingage,
And rooted forests fly before their rage:
At once the clashing clouds to battel move,
And lightnings run across the fields above:
I know them well, and mark'd their rude comport,
While yet a child within my father's court:
In times of tempest they comm and alone,
And he but sits precarious on the throne:
The more I know, the more my fears augment;
And fears are oft prophetick of th' event.
But if not fears, or reasons will prevail,
If Fate has fix'd thee obstinate to sail,
Go not without thy wife, but let me bear
My part of danger with an equal share,
And present, what I suffer only fear:
Then o'er the bounding billows shall we fly,
Secure to live together, or to die.

These reasons mov'd her warlike husband's heart,
But still he held his purpose to depart:
For as he lov'd her equal to his life,
He would not to the seas expose his wife;
Nor could be wrought his voyage to refrain,
But sought by arguments to sooth her pain:
Nor these avail'd; at length he lights on one,
With which so difficult a cause he won:
My love, so short an absence cease to fear,
For by my father's holy flame I swear,
Before two moons their orb with light adorn,
If Heav'n allow me life, I will return.

This promise of so short a stay prevails;
He soon equips the ship, supplies the sails,
And gives the word to launch; she trembling views
This pomp of death, and parting tears renews:
Last with a kiss, she took a long farewel,
Sigh'd with a sad presage, and swooning fell:
While Ceyx seeks delays, the lusty crew,
Rais'd on their banks, their oars in order drew
To their broad breasts, the ship with fury flew.

The queen recover'd, rears her humid eyes,
And first her husb and on the poop espies,
Shaking his hand at distance on the main;
She took the sign, and shook her hand again.
Still as the ground recedes, contracts her view
With sharpen'd sight, 'till she no longer knew
The much-lov'd face; that comfort lost supplies
With less, and with the galley feeds her eyes;
The galley born from view by rising gales,
She follow'd with her sight the flying sails:
When ev'n the flying sails were seen no more,
Forsaken of all sight she left the shore.

Then on her bridal bed her body throws,
And sought in sleep her wearied eyes to close:
Her husband's pillow, and the widow'd part
Which once he press'd, renew'd the former smart.

And now a breeze from shoar began to blow,
The sailors ship their oars, and cease to row;
Then hoist their yards a-trip, and all their sails
Let fall, to court the wind, and catch the gales:
By this the vessel half her course had run,
Both shoars were lost to sight, when at the close
Of day a stiffer gale at east arose:
The sea grew white, the rouling waves from far,
Like heralds, first denounce the watry war.

This seen, the master soon began to cry,
Strike, strike the top-sail; let the main-sheet fly,
And furl your sails: the winds repel the sound,
And in the speaker's mouth the speech is drown'd.
Yet of their own accord, as danger taught
Each in his way, officiously they wrought;
Some stow their oars, or stop the leaky sides,
Another bolder, yet the yard bestrides,
And folds the sails; a fourth with labour laves
Th' intruding seas, and waves ejects on waves.

In this confusion while their work they ply,
The winds augment the winter of the sky,
And wage intestine wars; the suff'ring seas
Are toss'd, and mingled, as their tyrants please.
The master would command, but in despair
Of safety, stands amaz'd with stupid care,
Nor what to bid, or what forbid he knows,
Th' ungovern'd tempest to such fury grows:
Vain is his force, and vainer is his skill;
With such a concourse comes the flood of ill;
The cries of men are mix'd with rattling shrowds;
Seas dash on seas, and clouds encounter clouds:
At once from east to west, from pole to pole,
The forky lightnings flash, the roaring thunders roul.

Now waves on waves ascending scale the skies,
And in the fires above the water fries:
When yellow sands are sifted from below,
The glittering billows give a golden show:
And when the fouler bottom spews the black
The Stygian dye the tainted waters take:
Then frothy white appear the flatted seas,
And change their colour, changing their disease,
Like various fits the Trachin vessel finds,
And now sublime, she rides upon the winds;
As from a lofty summit looks from high,
And from the clouds beholds the nether sky;
Now from the depth of Hell they lift their sight,
And at a distance see superior light;
The lashing billows make a loud report,
And beat her sides, as batt'ring rams a fort:
Or as a lion bounding in his way,
With force augmented, bears against his prey,
Sidelong to seize; or unapal'd with fear,
Springs on the toils, and rushes on the spear:
So seas impell'd by winds, with added pow'r
Assault the sides, and o'er the hatches tow'r.

The planks (their pitchy cov'ring wash'd away)
Now yield; and now a yawning breach display:
The roaring waters with a hostile tide
Rush through the ruins of her gaping side.
Mean-time in sheets of rain the sky descends,
And ocean swell'd with waters upwards tends;
One rising, falling one, the Heav'ns and sea
Meet at their confines, in the middle way:
The sails are drunk with show'rs, and drop with rain,
Sweet waters mingle with the briny main.
No star appears to lend his friendly light;
Darkness, and tempest make a double night;
But flashing fires disclose the deep by turns,
And while the lightnings blaze, the water burns.

Now all the waves their scatter'd force unite,
And as a soldier foremost in the fight,
Makes way for others, and an host alone
Still presses on, and urging gains the town;
So while th' invading billows come a-breast,
The hero tenth advanc'd before the rest,
Sweeps all before him with impetuous sway,
And from the walls descends upon the prey;
Part following enter, part remain without,
With envy hear their fellows' conqu'ring shout,
And mount on others' backs, in hopes to share
The city, thus become the seat of war.

An universal cry resounds aloud,
The sailors run in heaps, a helpless crowd;
Art fails, and courage falls, no succour near;
As many waves, as many deaths appear.
One weeps, and yet despairs of late relief;
One cannot weep, his fears congeal his grief,
But stupid, with dry eyes expects his fate:
One with loud shrieks laments his lost estate,
And calls those happy whom their fun'rals wait.
This wretch with pray'rs and vows the Gods implores,
And ev'n the skies he cannot see, adores.
That other on his friends his thoughts bestows,
His careful father, and his faithful spouse.
The covetous worldling in his anxious mind,
Thinks only on the wealth he left behind.

All Ceyx his Alcyone employs,
For her he grieves, yet in her absence joys:
His wife he wishes, and would still be near,
Not her with him, but wishes him with her:
Now with last looks he seeks his native shoar,
Which Fate has destin'd him to see no more;
He sought, but in the dark tempestuous night
He knew not whither to direct his sight.
So whirl the seas, such darkness blinds the sky,
That the black night receives a deeper dye.

The giddy ship ran round; the tempest tore
Her mast, and over-board the rudder bore.
One billow mounts, and with a scornful brow,
Proud of her conquest gain'd, insults the waves below;
Nor lighter falls, than if some giant tore
Pindus and Athos with the freight they bore,
And toss'd on seas; press'd with the pond'rous blow,
Down sinks the ship within th' abyss below:
Down with the vessel sink into the main
The many, never more to rise again.
Some few on scatter'd planks, with fruitless care,
Lay hold, and swim; but while they swim, despair.

Ev'n he who late a scepter did command,
Now grasps a floating fragment in his hand;
And while he struggles on the stormy main,
Invokes his father, and his wife's, in vain.
But yet his consort is his greatest care,
Alcyone he names amidst his pray'r;
Names as a charm against the waves and wind;
Most in his mouth, and ever in his mind.
Tir'd with his toil, all hopes of safety past,
From pray'rs to wishes he descends at last;
That his dead body, wafted to the sands,
Might have its burial from her friendly hands,
As oft as he can catch a gulp of air,
And peep above the seas, he names the fair;
And ev'n when plung'd beneath, on her he raves,
Murm'ring Alcyone below the waves:
At last a falling billow stops his breath,
Breaks o'er his head, and whelms him underneath.
That night, his heav'nly form obscur'd with tears,
And since he was forbid to leave the skies,
He muffled with a cloud his mournful eyes.

Mean-time Alcyone (his fate unknown)
Computes how many nights he had been gone.
Observes the waining moon with hourly view,
Numbers her age, and wishes for a new;
Against the promis'd time provides with care,
And hastens in the woof the robes he was to wear:
And for her self employs another loom,
New-dress'd to meet her lord returning home,
Flatt'ring her heart with joys, that never were to come:

She fum'd the temples with an od'rous flame,
And oft before the sacred altars came,
To pray for him, who was an empty name.
All Pow'rs implor'd, but far above the rest
To Juno she her pious vows address'd,
Her much-lov'd lord from perils to protect,
And safe o'er seas his voyage to direct:
Then pray'd, that she might still possess his heart,
And no pretending rival share a part;
This last petition heard of all her pray'r,
The rest, dispers'd by winds, were lost in air.

But she, the Goddess of the nuptial bed,
Tir'd with her vain devotions for the dead,
Resolv'd the tainted hand should be repell'd,
Which incense offer'd, and her altar held:
Then Iris thus bespoke: Thou faithful maid,
By whom thy queen's commands are well convey'd,
Haste to the house of sleep, and bid the God
Who rules the night by visions with a nod,
Prepare a dream, in figure, and in form
Resembling him, who perish'd in the storm;
This form before Alcyone present,
To make her certain of the sad event.

Indu'd with robes of various hue she flies,
And flying draws an arch (a segment of the skies):
Then leaves her bending bow, and from the steep
Descends, to search the silent house of sleep.

The House of Sleep

Near the Cymmerians, in his dark abode,
Deep in a cavern, dwells the drowzy God;
Whose gloomy mansion nor the rising sun,
Nor setting, visits, nor the lightsome noon;
But lazy vapours round the region fly,
Perpetual twilight, and a doubtful sky:
No crowing cock does there his wings display,
Nor with his horny bill provoke the day;
Nor watchful dogs, nor the more wakeful geese,
Disturb with nightly noise the sacred peace;
Nor beast of Nature, nor the tame are nigh,
Nor trees with tempests rock'd, nor human cry;
But safe repose without an air of breath
Dwells here, and a dumb quiet next to death.

An arm of Lethe, with a gentle flow
Arising upwards from the rock below,
The palace moats, and o'er the pebbles creeps,
And with soft murmurs calls the coming sleeps.
Around its entry nodding poppies grow,
And all cool simples that sweet rest bestow;
Night from the plants their sleepy virtue drains,
And passing, sheds it on the silent plains:
No door there was th' unguarded house to keep,
On creaking hinges turn'd, to break his sleep.

But in the gloomy court was rais'd a bed,
Stuff'd with black plumes, and on an ebon-sted:
Black was the cov'ring too, where lay the God,
And slept supine, his limbs display'd abroad:
About his head fantastick visions fly,
Which various images of things supply,
And mock their forms; the leaves on trees not more,
Nor bearded ears in fields, nor sands upon the shore.

The virgin ent'ring bright, indulg'd the day
To the brown cave, and brush'd the dreams away:
The God disturb'd with this new glare of light,
Cast sudden on his face, unseal'd his sight,
And rais'd his tardy head, which sunk again,
And sinking, on his bosom knock'd his chin;
At length shook off himself, and ask'd the dame,
(And asking yawn'd) for what intent she came.

To whom the Goddess thus: O sacred rest,
Sweet pleasing sleep, of all the Pow'rs the best!
O peace of mind, repairer of decay,
Whose balms renew the limbs to labours of the day,
Care shuns thy soft approach, and sullen flies away!
Adorn a dream, expressing human form,
The shape of him who suffer'd in the storm,
And send it flitting to the Trachin court,
The wreck of wretched Ceyx to report:
Before his queen bid the pale spectre stand,
Who begs a vain relief at Juno's hand.
She said, and scarce awake her eyes could keep,
Unable to support the fumes of sleep;
But fled, returning by the way she went,
And swerv'd along her bow with swift ascent.

The God, uneasy 'till he slept again,
Resolv'd at once to rid himself of pain;
And, tho' against his custom, call'd aloud,
Exciting Morpheus from the sleepy crowd:
Morpheus, of all his numerous train, express'd
The shape of man, and imitated best;
The walk, the words, the gesture could supply,
The habit mimick, and the mein bely;
Plays well, but all his action is confin'd,
Extending not beyond our human kind.
Another, birds, and beasts, and dragons apes,
And dreadful images, and monster shapes:
This demon, Icelos, in Heav'n's high hall
The Gods have nam'd; but men Phobetor call.
A third is Phantasus, whose actions roul
On meaner thoughts, and things devoid of soul;
Earth, fruits, and flow'rs he represents in dreams,
And solid rocks unmov'd, and running streams.
These three to kings, and chiefs their scenes display,
The rest before th' ignoble commons play.
Of these the chosen Morpheus is dispatch'd;
Which done, the lazy monarch, over-watch'd,
Down from his propping elbow drops his head,
Dissolv'd in sleep, and shrinks within his bed.

Darkling the demon glides, for flight prepar'd,
So soft, that scarce his fanning wings are heard.
To Trachin, swift as thought, the flitting shade,
Thro' air his momentary journey made:
Then lays aside the steerage of his wings,
Forsakes his proper form, assumes the king's;
And pale, as death, despoil'd of his array,
Into the queen's apartment takes his way,
And stands before the bed at dawn of day:
Unmov'd his eyes, and wet his beard appears;
And shedding vain, but seeming real tears;
The briny waters dropping from his hairs.
Then staring on her with a ghastly look,
And hollow voice, he thus the queen bespoke.

Know'st thou not me? Not yet, unhappy wife?
Or are my features perish'd with my life?
Look once again, and for thy husb and lost,
Lo all that's left of him, thy husband's ghost!
Thy vows for my return were all in vain,
The stormy south o'ertook us in the main,
And never shalt thou see thy living lord again.
Bear witness, Heav'n, I call'd on thee in death,
And while I call'd, a billow stop'd my breath.
Think not, that flying fame reports my fate;
I present, I appear, and my own wreck relate.
Rise, wretched widow, rise; nor undeplor'd
Permit my soul to pass the Stygian ford;
But rise, prepar'd in black, to mourn thy perish'd lord.

Thus said the player-God; and adding art
Of voice and gesture, so perform'd his part,
She thought (so like her love the shade appears)
That Ceyx spake the words, and Ceyx shed the tears;
She groan'd, her inward soul with grief opprest,
She sigh'd, she wept, and sleeping beat her breast;
Then stretch'd her arms t' embrace his body bare;
Her clasping arms inclose but empty air:
At this, not yet awake, she cry'd, O stay;
One is our fate, and common is our way!

So dreadful was the dream, so loud she spoke,
That starting sudden up, the slumber broke:
Then cast her eyes around, in hope to view
Her vanish'd lord, and find the vision true:
For now the maids, who waited her commands,
Ran in with lighted tapers in their hands.
Tir'd with the search, not finding what she seeks,
With cruel blows she pounds her blubber'd cheeks;
Then from her beaten breast the linnen tare,
And cut the golden caul that bound her hair.
Her nurse demands the cause; with louder cries
She prosecutes her griefs, and thus replies.

No more Alcyone; she suffer'd death
With her lov'd lord, when Ceyx lost his breath:
No flatt'ry, no false comfort, give me none,
My shipwreck'd Ceyx is for ever gone:
I saw, I saw him manifest in view,
His voice, his figure, and his gestures knew:
His lustre lost, and ev'ry living grace,
Yet I retain'd the features of his face;
Tho' with pale cheeks, wet beard, and dropping hair,
None but my Ceyx could appear so fair:
I would have strain'd him with a strict embrace,
But thro' my arms he slipt, and vanish'd from the place:

There, ev'n just there he stood; and as she spoke,
Where last the spectre was she cast her look:
Fain would she hope, and gaz'd upon the ground,
If any printed footsteps might be found.

Then sigh'd, and said: This I too well foreknew,
And my prophetick fears presag'd too true:
'Twas what I begg'd, when with a bleeding heart
I took my leave, and suffer'd thee to part;
Or I to go along, or thou to stay,
Never, ah never to divide our way!
Happier for me, that all our hours assign'd
Together we had liv'd; ev'n not in death disjoin'd!
So had my Ceyx still been living here,
Or with my Ceyx I had perish'd there:
Now I die absent, in the vast profound;
And me, without my self, the seas have drown'd.
The storms were not so cruel: should I strive
To leng then life, and such a grief survive;
But neither will I strive, nor wretched thee
In death forsake, but keep thee company.
If not one common sepulchre contains
Our bodies, or one urn our last remains,
Yet Ceyx and Alcyone shall join,
Their names remember'd in one common line.

No farther voice her mighty grief affords,
For sighs come rushing in betwixt her words,
And stop'd her tongue; but what her tongue deny'd,
Soft tears, and groans, and dumb complaints supply'd.

'Twas morning; to the port she takes her way,
And stands upon the margin of the sea:
That place, that very spot of ground she sought,
Or thither by her destiny was brought,
Where last he stood: and while she sadly said,
'Twas here he left me, lingring here delay'd
His parting kiss, and there his anchors weigh'd.

Thus speaking, while her thoughts past actions trace,
And call to mind, admonish'd by the place,
Sharp at her utmost ken she cast her eyes,
And somewhat floating from afar descries:
It seems a corps a-drift to distant sight,
But at a distance who could judge aright?
It wafted nearer yet, and then she knew,
That what before she but surmis'd, was true:
A corps it was, but whose it was, unknown,
Yet mov'd, howe'er, she made the cause her own.
Took the bad omen of a shipwreck'd man,
As for a stranger wept, and thus began.

Poor wretch, on stormy seas to lose thy life,
Unhappy thou, but more thy widow'd wife;
At this she paus'd: for now the flowing tide
Had brought the body nearer to the side:
The more she looks, the more her fears increase,
At nearer sight; and she's her self the less:
Now driv'n ashore, and at her feet it lies,
She knows too much in knowing whom she sees:
Her husband's corps; at this she loudly shrieks,
'Tis he, 'tis he, she cries, and tears her cheeks,
Her hair, and vest; and stooping to the sands,
About his neck she cast her trembling hands.

And is it thus, o dearer than my life,
Thus, thus return'st thou to thy longing wife!
She said, and to the neighbouring mole she strode,
(Rais'd there to break th' incursions of the flood).

Headlong from hence to plunge her self she springs,
But shoots along, supported on her wings;
A bird new-made, about the banks she plies,
Not far from shore, and short excursions tries;
Nor seeks in air her humble flight to raise,
Content to skim the surface of the seas:
Her bill tho' slender, sends a creaking noise,
And imitates a lamentable voice.
Now lighting where the bloodless body lies,
She with a fun'ral note renews her cries:
At all her stretch, her little wings she spread,
And with her feather'd arms embrac'd the dead:
Then flick'ring to his palid lips, she strove
To print a kiss, the last essay of love.
Whether the vital touch reviv'd the dead,
Or that the moving waters rais'd his head
To meet the kiss, the vulgar doubt alone;
For sure a present miracle was shown.
The Gods their shapes to winter-birds translate,
But both obnoxious to their former fate.
Their conjugal affection still is ty'd,
And still the mournful race is multiply'd:
They bill, they tread; Alcyone compress'd,
Sev'n days sits brooding on her floating nest:
A wintry queen: her sire at length is kind,
Calms ev'ry storm, and hushes ev'ry wind;
Prepares his empire for his daughter's ease,
And for his hatching nephews smooths the seas.

Aesacus transform'd into a Cormorant

These some old man sees wanton in the air,
And praises the unhappy constant pair.
Then to his friend the long-neck'd corm'rant shows,
The former tale reviving others' woes:
That sable bird, he cries, which cuts the flood
With slender legs, was once of royal blood;
His ancestors from mighty Tros proceed,
The brave Laomedon, and Ganymede
(Whose beauty tempted Jove to steal the boy),
And Priam, hapless prince! who fell with Troy:
Himself was Hector's brother, and (had Fate
But giv'n this hopeful youth a longer date)
Perhaps had rival'd warlike Hector's worth,
Tho' on the mother's side of meaner birth;
Fair Alyxothoe, a country maid,
Bare Aesacus by stealth in Ida's shade.
He fled the noisy town, and pompous court,
Lov'd the lone hills, and simple rural sport.
And seldom to the city would resort.
Yet he no rustick clownishness profest,
Nor was soft love a stranger to his breast:
The youth had long the nymph Hesperie woo'd,
Oft thro' the thicket, or the mead pursu'd:
Her haply on her father's bank he spy'd,
While fearless she her silver tresses dry'd;
Away she fled: not stags with half such speed,
Before the prowling wolf, scud o'er the mead;
Not ducks, when they the safer flood forsake,
Pursu'd by hawks, so swift regain the lake.
As fast he follow'd in the hot career;
Desire the lover wing'd, the virgin fear.
A snake unseen now pierc'd her heedless foot;
Quick thro' the veins the venom'd juices shoot:
She fell, and 'scap'd by death his fierce pursuit;
Her lifeless body, frighted, he embrac'd,
And cry'd, Not this I dreaded, but thy haste:
O had my love been less, or less thy fear!
The victory, thus bought, is far too dear.
Accursed snake! yet I more curs'd than he!
He gave the wound; the cause was given by me.
Yet none shall say, that unreveng'd you dy'd.
He spoke; then climb'd a cliff's o'er-hanging side,
And, resolute, leap'd on the foaming tide.
Tethys receiv'd him gently on the wave;
The death he sought deny'd, and feathers gave.
Debarr'd the surest remedy of grief,
And forc'd to live, he curst th' unask'd relief.
Then on his airy pinions upward flies,
And at a second fall successless tries;
The downy plume a quick descent denies.
Enrag'd, he often dives beneath the wave,
And there in vain expects to find a grave.
His ceaseless sorrow for th' unhappy maid,
Meager'd his look, and on his spirits prey'd.
Still near the sounding deep he lives; his name
From frequent diving and emerging came.

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~ Ovid, BOOK THE ELEVENTH

,
1200:BOOK THE SIXTH

The Transformation of Arachne into a Spider

Pallas, attending to the Muse's song,
Approv'd the just resentment of their wrong;
And thus reflects: While tamely I commend
Those who their injur'd deities defend,
My own divinity affronted stands,
And calls aloud for justice at my hands;
Then takes the hint, asham'd to lag behind,
And on Arachne' bends her vengeful mind;
One at the loom so excellently skill'd,
That to the Goddess she refus'd to yield.
Low was her birth, and small her native town,
She from her art alone obtain'd renown.
Idmon, her father, made it his employ,
To give the spungy fleece a purple dye:
Of vulgar strain her mother, lately dead,
With her own rank had been content to wed;
Yet she their daughter, tho' her time was spent
In a small hamlet, and of mean descent,
Thro' the great towns of Lydia gain'd a name,
And fill'd the neighb'ring countries with her fame.

Oft, to admire the niceness of her skill,
The Nymphs would quit their fountain, shade, or hill:
Thither, from green Tymolus, they repair,
And leave the vineyards, their peculiar care;
Thither, from fam'd Pactolus' golden stream,
Drawn by her art, the curious Naiads came.
Nor would the work, when finish'd, please so much,
As, while she wrought, to view each graceful touch;
Whether the shapeless wool in balls she wound,
Or with quick motion turn'd the spindle round,
Or with her pencil drew the neat design,
Pallas her mistress shone in every line.
This the proud maid with scornful air denies,
And ev'n the Goddess at her work defies;
Disowns her heav'nly mistress ev'ry hour,
Nor asks her aid, nor deprecates her pow'r.
Let us, she cries, but to a tryal come,
And, if she conquers, let her fix my doom.

The Goddess then a beldame's form put on,
With silver hairs her hoary temples shone;
Prop'd by a staff, she hobbles in her walk,
And tott'ring thus begins her old wives' talk.

Young maid attend, nor stubbornly despise
The admonitions of the old, and wise;
For age, tho' scorn'd, a ripe experience bears,
That golden fruit, unknown to blooming years:
Still may remotest fame your labours crown,
And mortals your superior genius own;
But to the Goddess yield, and humbly meek
A pardon for your bold presumption seek;
The Goddess will forgive. At this the maid,
With passion fir'd, her gliding shuttle stay'd;
And, darting vengeance with an angry look,
To Pallas in disguise thus fiercely spoke.

Thou doating thing, whose idle babling tongue
But too well shews the plague of living long;
Hence, and reprove, with this your sage advice,
Your giddy daughter, or your aukward neice;
Know, I despise your counsel, and am still
A woman, ever wedded to my will;
And, if your skilful Goddess better knows,
Let her accept the tryal I propose.

She does, impatient Pallas strait replies,
And, cloath'd with heavenly light, sprung from her odd disguise.

The Nymphs, and virgins of the plain adore
The awful Goddess, and confess her pow'r;
The maid alone stood unappall'd; yet show'd
A transient blush, that for a moment glow'd,
Then disappear'd; as purple streaks adorn
The opening beauties of the rosy morn;
Till Phoebus rising prevalently bright,
Allays the tincture with his silver light.
Yet she persists, and obstinately great,
In hopes of conquest hurries on her fate.
The Goddess now the challenge waves no more,
Nor, kindly good, advises as before.
Strait to their posts appointed both repair,
And fix their threaded looms with equal care:
Around the solid beam the web is ty'd,
While hollow canes the parting warp divide;
Thro' which with nimble flight the shuttles play,
And for the woof prepare a ready way;
The woof and warp unite, press'd by the toothy slay.

Thus both, their mantles button'd to their breast,
Their skilful fingers ply with willing haste,
And work with pleasure; while they chear the eye
With glowing purple of the Tyrian dye:
Or, justly intermixing shades with light,
Their colourings insensibly unite.
As when a show'r transpierc'd with sunny rays,
Its mighty arch along the heav'n displays;
From whence a thousand diff'rent colours rise,
Whose fine transition cheats the clearest eyes;
So like the intermingled shading seems,
And only differs in the last extreams.
Then threads of gold both artfully dispose,
And, as each part in just proportion rose,
Some antique fable in their work disclose.

Pallas in figures wrought the heav'nly Pow'rs,
And Mars's hill among th' Athenian tow'rs.
On lofty thrones twice six celestials sate,
Jove in the midst, and held their warm debate;
The subject weighty, and well-known to fame,
From whom the city shou'd receive its name.
Each God by proper features was exprest,
Jove with majestick mein excell'd the rest.
His three-fork'd mace the dewy sea-God shook,
And, looking sternly, smote the ragged rock;
When from the stone leapt forth a spritely steed,
And Neptune claims the city for the deed.

Herself she blazons, with a glitt'ring spear,
And crested helm that veil'd her braided hair,
With shield, and scaly breast-plate, implements of war.
Struck with her pointed launce, the teeming Earth
Seem'd to produce a new surprizing birth;
When, from the glebe, the pledge of conquest sprung,
A tree pale-green with fairest olives hung.

And then, to let her giddy rival learn
What just rewards such boldness was to earn,
Four tryals at each corner had their part,
Design'd in miniature, and touch'd with art.
Haemus in one, and Rodope of Thrace
Transform'd to mountains, fill'd the foremost place;
Who claim'd the titles of the Gods above,
And vainly us'd the epithets of Jove.
Another shew'd, where the Pigmaean dame,
Profaning Juno's venerable name,
Turn'd to an airy crane, descends from far,
And with her Pigmy subjects wages war.
In a third part, the rage of Heav'n's great queen,
Display'd on proud Antigone, was seen:
Who with presumptuous boldness dar'd to vye,
For beauty with the empress of the sky.
Ah! what avails her ancient princely race,
Her sire a king, and Troy her native place:
Now, to a noisy stork transform'd, she flies,
And with her whiten'd pinions cleaves the skies.
And in the last remaining part was drawn
Poor Cinyras that seem'd to weep in stone;
Clasping the temple steps, he sadly mourn'd
His lovely daughters, now to marble turn'd.
With her own tree the finish'd piece is crown'd,
And wreaths of peaceful olive all the work surround.

Arachne drew the fam'd intrigues of Jove,
Chang'd to a bull to gratify his love;
How thro' the briny tide all foaming hoar,
Lovely Europa on his back he bore.
The sea seem'd waving, and the trembling maid
Shrunk up her tender feet, as if afraid;
And, looking back on the forsaken strand,
To her companions wafts her distant hand.
Next she design'd Asteria's fabled rape,
When Jove assum'd a soaring eagle's shape:
And shew'd how Leda lay supinely press'd,
Whilst the soft snowy swan sate hov'ring o'er her breast,

How in a satyr's form the God beguil'd,
When fair Antiope with twins he fill'd.
Then, like Amphytrion, but a real Jove,
In fair Alcmena's arms he cool'd his love.
In fluid gold to Danae's heart he came,
Aegina felt him in a lambent flame.
He took Mnemosyne in shepherd's make,
And for Deois was a speckled snake.

She made thee, Neptune, like a wanton steer,
Pacing the meads for love of Arne dear;
Next like a stream, thy burning flame to slake,
And like a ram, for fair Bisaltis' sake.
Then Ceres in a steed your vigour try'd,
Nor cou'd the mare the yellow Goddess hide.
Next, to a fowl transform'd, you won by force
The snake-hair'd mother of the winged horse;
And, in a dolphin's fishy form, subdu'd
Melantho sweet beneath the oozy flood.

All these the maid with lively features drew,
And open'd proper landskips to the view.
There Phoebus, roving like a country swain,
Attunes his jolly pipe along the plain;
For lovely Isse's sake in shepherd's weeds,
O'er pastures green his bleating flock he feeds,
There Bacchus, imag'd like the clust'ring grape,
Melting bedrops Erigone's fair lap;
And there old Saturn, stung with youthful heat,
Form'd like a stallion, rushes to the feat.
Fresh flow'rs, which twists of ivy intertwine,
Mingling a running foliage, close the neat design.

This the bright Goddess passionately mov'd,
With envy saw, yet inwardly approv'd.
The scene of heav'nly guilt with haste she tore,
Nor longer the affront with patience bore;
A boxen shuttle in her hand she took,
And more than once Arachne's forehead struck.
Th' unhappy maid, impatient of the wrong,
Down from a beam her injur'd person hung;
When Pallas, pitying her wretched state,
At once prevented, and pronounc'd her fate:
Live; but depend, vile wretch, the Goddess cry'd,
Doom'd in suspence for ever to be ty'd;
That all your race, to utmost date of time,
May feel the vengeance, and detest the crime.

Then, going off, she sprinkled her with juice,
Which leaves of baneful aconite produce.
Touch'd with the pois'nous drug, her flowing hair
Fell to the ground, and left her temples bare;
Her usual features vanish'd from their place,
Her body lessen'd all, but most her face.
Her slender fingers, hanging on each side
With many joynts, the use of legs supply'd:
A spider's bag the rest, from which she gives
A thread, and still by constant weaving lives.

The Story of Niobe

Swift thro' the Phrygian towns the rumour flies,
And the strange news each female tongue employs:
Niobe, who before she married knew
The famous nymph, now found the story true;
Yet, unreclaim'd by poor Arachne's fate,
Vainly above the Gods assum'd a state.
Her husband's fame, their family's descent,
Their pow'r, and rich dominion's wide extent,
Might well have justify'd a decent pride;
But not on these alone the dame rely'd.
Her lovely progeny, that far excell'd,
The mother's heart with vain ambition swell'd:
The happiest mother not unjustly styl'd,
Had no conceited thoughts her tow'ring fancy fill'd.

For once a prophetess with zeal inspir'd,
Their slow neglect to warm devotion fir'd;
Thro' ev'ry street of Thebes who ran possess'd,
And thus in accents wild her charge express'd:
Haste, haste, ye Theban matrons, and adore,
With hallow'd rites, Latona's mighty pow'r;
And, to the heav'nly twins that from her spring,
With laurel crown'd, your smoaking incense bring.
Strait the great summons ev'ry dame obey'd,
And due submission to the Goddess paid:
Graceful, with laurel chaplets dress'd, they came,
And offer'd incense in the sacred flame.

Mean-while, surrounded with a courtly guard,
The royal Niobe in state appear'd;
Attir'd in robes embroider'd o'er with gold,
And mad with rage, yet lovely to behold:
Her comely tresses, trembling as she stood,
Down her fine neck with easy motion flow'd;
Then, darting round a proud disdainful look,
In haughty tone her hasty passion broke,
And thus began: What madness this, to court
A Goddess, founded meerly on report?
Dare ye a poor pretended Pow'r invoke,
While yet no altars to my godhead smoke?
Mine, whose immediate lineage stands confess'd
From Tantalus, the only mortal guest
That e'er the Gods admitted to their feast.
A sister of the Pleiads gave me birth;
And Atlas, mightiest mountain upon Earth,
Who bears the globe of all the stars above,
My grandsire was, and Atlas sprung from Jove.
The Theban towns my majesty adore,
And neighb'ring Phrygia trembles at my pow'r:
Rais'd by my husband's lute, with turrets crown'd,
Our lofty city stands secur'd around.
Within my court, where-e'er I turn my eyes,
Unbounded treasures to my prospect rise:
With these my face I modestly may name,
As not unworthy of so high a claim;
Seven are my daughters, of a form divine,
With seven fair sons, an indefective line.
Go, fools! consider this; and ask the cause
From which my pride its strong presumption draws;
Consider this; and then prefer to me
Caeus the Titan's vagrant progeny;
To whom, in travel, the whole spacious Earth
No room afforded for her spurious birth.
Not the least part in Earth, in Heav'n, or seas,
Would grant your out-law'd Goddess any ease:
'Till pitying hers, from his own wand'ring case,
Delos, the floating island, gave a place.
There she a mother was, of two at most;
Only the seventh part of what I boast.
My joys all are beyond suspicion fix'd;
With no pollutions of misfortune mix'd;
Safe on the Basis of my pow'r I stand,
Above the reach of Fortune's fickle hand.
Lessen she may my inexhausted store,
And much destroy, yet still must leave me more.
Suppose it possible that some may dye
Of this my num'rous lovely progeny;
Still with Latona I might safely vye.
Who, by her scanty breed, scarce fit to name,
But just escapes the childless woman's shame.
Go then, with speed your laurel'd heads uncrown,
And leave the silly farce you have begun.

The tim'rous throng their sacred rites forbore,
And from their heads the verdant laurel tore;
Their haughty queen they with regret obey'd,
And still in gentle murmurs softly pray'd.

High, on the top of Cynthus' shady mount,
With grief the Goddess saw the base affront;
And, the abuse revolving in her breast,
The mother her twin-offspring thus addrest.

Lo I, my children, who with comfort knew
Your God-like birth, and thence my glory drew;
And thence have claim'd precedency of place
From all but Juno of the heav'nly race,
Must now despair, and languish in disgrace.
My godhead question'd, and all rites divine,
Unless you succour, banish'd from my shrine.
Nay more, the imp of Tantalus has flung
Reflections with her vile paternal tongue;
Has dar'd prefer her mortal breed to mine,
And call'd me childless; which, just fate, may she repine!

When to urge more the Goddess was prepar'd,
Phoebus in haste replies, Too much we've heard,
And ev'ry moment's lost, while vengeance is defer'd.
Diana spoke the same. Then both enshroud
Their heav'nly bodies in a sable cloud;
And to the Theban tow'rs descending light,
Thro' the soft yielding air direct their flight.

Without the wall there lies a champian ground
With even surface, far extending round,
Beaten and level'd, while it daily feels
The trampling horse, and chariot's grinding wheels.
Part of proud Niobe's young rival breed,
Practising there to ride the manag'd steed,
Their bridles boss'd with gold, were mounted high
On stately furniture of Tyrian dye.
Of these, Ismenos, who by birth had been
The first fair issue of the fruitful queen,
Just as he drew the rein to guide his horse,
Around the compass of the circling course,
Sigh'd deeply, and the pangs of smart express'd,
While the shaft stuck, engor'd within his breast:
And, the reins dropping from his dying hand,
He sunk quite down, and tumbled on the sand.
Sipylus next the rattling quiver heard,
And with full speed for his escape prepar'd;
As when the pilot from the black'ning skies
A gath'ring storm of wintry rain descries,
His sails unfurl'd, and crowded all with wind,
He strives to leave the threat'ning cloud behind:
So fled the youth; but an unerring dart
O'ertook him, quick discharg'd, and sped with art;
Fix'd in his neck behind, it trembling stood,
And at his throat display'd the point besmear'd with blood

Prone, as his posture was, he tumbled o'er,
And bath'd his courser's mane with steaming gore.
Next at young Phaedimus they took their aim,
And Tantalus who bore his grandsire's name:
These, when their other exercise was done,
To try the wrestler's oily sport begun;
And, straining ev'ry nerve, their skill express'd
In closest grapple, joining breast to breast:
When from the bending bow an arrow sent,
Joyn'd as they were, thro' both their bodies went:
Both groan'd, and writhing both their limbs with pain,
They fell together bleeding on the plain;
Then both their languid eye-balls faintly roul,
And thus together brea the away their soul.
With grief Alphenor saw their doleful plight,
And smote his breast, and sicken'd at the sight;
Then to their succour ran with eager haste,
And, fondly griev'd, their stiff'ning limbs embrac'd;
But in the action falls: a thrilling dart,
By Phoebus guided, pierc'd him to the heart.
This, as they drew it forth, his midriff tore,
Its barbed point the fleshy fragments bore,
And let the soul gush out in streams of purple gore.
But Damasichthon, by a double wound,
Beardless, and young, lay gasping on the ground.
Fix'd in his sinewy ham, the steely point
Stuck thro' his knee, and pierc'd the nervous joint:
And, as he stoop'd to tug the painful dart,
Another struck him in a vital part;
Shot thro' his wezon, by the wing it hung.
The life-blood forc'd it out, and darting upward sprung,

Ilioneus, the last, with terror stands,
Lifting in pray'r his unavailing hands;
And, ignorant from whom his griefs arise,
Spare me, o all ye heav'nly Pow'rs, he cries:
Phoebus was touch'd too late, the sounding bow
Had sent the shaft, and struck the fatal blow;
Which yet but gently gor'd his tender side,
So by a slight and easy wound he dy'd.

Swift to the mother's ears the rumour came,
And doleful sighs the heavy news proclaim;
With anger and surprize inflam'd by turns,
In furious rage her haughty stomach burns:
First she disputes th' effects of heav'nly pow'r,
Then at their daring boldness wonders more;
For poor Amphion with sore grief distrest,
Hoping to sooth his cares by endless rest,
Had sheath'd a dagger in his wretched breast.
And she, who toss'd her high disdainful head,
When thro' the streets in solemn pomp she led
The throng that from Latona's altar fled,
Assuming state beyond the proudest queen;
Was now the miserablest object seen.
Prostrate among the clay-cold dead she fell,
And kiss'd an undistinguish'd last farewel.
Then her pale arms advancing to the skies,
Cruel Latona! triumph now, she cries.
My grieving soul in bitter anguish drench,
And with my woes your thirsty passion quench;
Feast your black malice at a price thus dear,
While the sore pangs of sev'n such deaths I bear.
Triumph, too cruel rival, and display
Your conqu'ring standard; for you've won the day.
Yet I'll excel; for yet, tho' sev'n are slain,
Superior still in number I remain.
Scarce had she spoke; the bow-string's twanging sound
Was heard, and dealt fresh terrors all around;
Which all, but Niobe alone, confound.
Stunn'd, and obdurate by her load of grief,
Insensible she sits, nor hopes relief.

Before the fun'ral biers, all weeping sad,
Her daughters stood, in vests of sable clad,
When one, surpriz'd, and stung with sudden smart,
In vain attempts to draw the sticking dart:
But to grim death her blooming youth resigns,
And o'er her brother's corpse her dying head reclines.
This, to asswage her mother's anguish tries,
And, silenc'd in the pious action, dies;
Shot by a secret arrow, wing'd with death,
Her fault'ring lips but only gasp'd for breath.
One, on her dying sister, breathes her last;
Vainly in flight another's hopes are plac'd:
This hiding, from her fate a shelter seeks;
That trembling stands, and fills the air with shrieks.
And all in vain; for now all six had found
Their way to death, each by a diff'rent wound.
The last, with eager care the mother veil'd,
Behind her spreading mantle close conceal'd,
And with her body guarded, as a shield.
Only for this, this youngest, I implore,
Grant me this one request, I ask no more;
O grant me this! she passionately cries:
But while she speaks, the destin'd virgin dies.

The Transformation of Niobe

Widow'd, and childless, lamentable state!
A doleful sight, among the dead she sate;
Harden'd with woes, a statue of despair,
To ev'ry breath of wind unmov'd her hair;
Her cheek still red'ning, but its colour dead,
Faded her eyes, and set within her head.
No more her pliant tongue its motion keeps,
But stands congeal'd within her frozen lips.
Stagnate, and dull, within her purple veins,
Its current stop'd, the lifeless blood remains.
Her feet their usual offices refuse,
Her arms, and neck their graceful gestures lose:
Action, and life from ev'ry part are gone,
And ev'n her entrails turn to solid stone;
Yet still she weeps, and whirl'd by stormy winds,
Born thro' the air, her native country finds;
There fix'd, she stands upon a bleaky hill,
There yet her marble cheeks eternal tears distil.

The Peasants of Lycia transform'd to Frogs

Then all, reclaim'd by this example, show'd
A due regard for each peculiar God:
Both men, and women their devoirs express'd,
And great Latona's awful pow'r confess'd.
Then, tracing instances of older time,
To suit the nature of the present crime,
Thus one begins his tale.- Where Lycia yields
A golden harvest from its fertile fields,
Some churlish peasants, in the days of yore,
Provok'd the Goddess to exert her pow'r.
The thing indeed the meanness of the place
Has made obscure, surprizing as it was;
But I my self once happen'd to behold
This famous lake of which the story's told.
My father then, worn out by length of days,
Nor able to sustain the tedious ways,
Me with a guide had sent the plains to roam,
And drive his well-fed stragling heifers home.
Here, as we saunter'd thro' the verdant meads,
We spy'd a lake o'er-grown with trembling reeds,
Whose wavy tops an op'ning scene disclose,
From which an antique smoaky altar rose.
I, as my susperstitious guide had done,
Stop'd short, and bless'd my self, and then went on;
Yet I enquir'd to whom the altar stood,
Faunus, the Naids, or some native God?
No silvan deity, my friend replies,
Enshrin'd within this hallow'd altar lies.
For this, o youth, to that fam'd Goddess stands,
Whom, at th' imperial Juno's rough commands,
Of ev'ry quarter of the Earth bereav'd,
Delos, the floating isle, at length receiv'd.
Who there, in spite of enemies, brought forth,
Beneath an olive's shade, her great twin-birth.

Hence too she fled the furious stepdame's pow'r,
And in her arms a double godhead bore;
And now the borders of fair Lycia gain'd,
Just when the summer solstice parch'd the land.
With thirst the Goddess languishing, no more
Her empty'd breast would yield its milky store;
When, from below, the smiling valley show'd
A silver lake that in its bottom flow'd:
A sort of clowns were reaping, near the bank,
The bending osier, and the bullrush dank;
The cresse, and water-lilly, fragrant weed,
Whose juicy stalk the liquid fountains feed.
The Goddess came, and kneeling on the brink,
Stoop'd at the fresh repast, prepar'd to drink.
Then thus, being hinder'd by the rabble race,
In accents mild expostulates the case.
Water I only ask, and sure 'tis hard
From Nature's common rights to be debar'd:
This, as the genial sun, and vital air,
Should flow alike to ev'ry creature's share.
Yet still I ask, and as a favour crave,
That which, a publick bounty, Nature gave.
Nor do I seek my weary limbs to drench;
Only, with one cool draught, my thirst I'd quench.
Now from my throat the usual moisture dries,
And ev'n my voice in broken accents dies:
One draught as dear as life I should esteem,
And water, now I thirst, would nectar seem.
Oh! let my little babes your pity move,
And melt your hearts to charitable love;
They (as by chance they did) extend to you
Their little hands, and my request pursue.

Whom would these soft perswasions not subdue,
Tho' the most rustick, and unmanner'd crew?
Yet they the Goddess's request refuse,
And with rude words reproachfully abuse:
Nay more, with spiteful feet the villains trod
O'er the soft bottom of the marshy flood,
And blacken'd all the lake with clouds of rising mud.

Her thirst by indignation was suppress'd;
Bent on revenge, the Goddess stood confess'd.
Her suppliant hands uplifting to the skies,
For a redress, to Heav'n she now applies.
And, May you live, she passionately cry'd,
Doom'd in that pool for ever to abide.

The Goddess has her wish; for now they chuse
To plunge, and dive among the watry ooze;
Sometimes they shew their head above the brim,
And on the glassy surface spread to swim;
Often upon the bank their station take,
Then spring, and leap into the cooly lake.
Still, void of shame, they lead a clam'rous life,
And, croaking, still scold on in endless strife;
Compell'd to live beneath the liquid stream,
Where still they quarrel, and attempt to skream.
Now, from their bloated throat, their voice puts on
Imperfect murmurs in a hoarser tone;
Their noisy jaws, with bawling now grown wide,
An ugly sight! extend on either side:
Their motly back, streak'd with a list of green,
Joyn'd to their head, without a neck is seen;
And, with a belly broad and white, they look
Meer frogs, and still frequent the muddy brook.

The Fate of Marsyas

Scarce had the man this famous story told,
Of vengeance on the Lycians shown of old,
When strait another pictures to their view
The Satyr's fate, whom angry Phoebus slew;
Who, rais'd with high conceit, and puff'd with pride,
At his own pipe the skilful God defy'd.
Why do you tear me from my self, he cries?
Ah cruel! must my skin be made the prize?
This for a silly pipe? he roaring said,
Mean-while the skin from off his limbs was flay'd.
All bare, and raw, one large continu'd wound,
With streams of blood his body bath'd the ground.
The blueish veins their trembling pulse disclos'd,
The stringy nerves lay naked, and expos'd;
His guts appear'd, distinctly each express'd,
With ev'ry shining fibre of his breast.

The Fauns, and Silvans, with the Nymphs that rove
Among the Satyrs in the shady grove;
Olympus, known of old, and ev'ry swain
That fed, or flock, or herd upon the plain,
Bewail'd the loss; and with their tears that flow'd,
A kindly moisture on the earth bestow'd;
That soon, conjoyn'd, and in a body rang'd,
Sprung from the ground, to limpid water chang'd;
Which, down thro' Phrygia's rocks, a mighty stream,
Comes tumbling to the sea, and Marsya is its name.

The Story of Pelops

From these relations strait the people turn
To present truths, and lost Amphion mourn:
The mother most was blam'd, yet some relate
That Pelops pity'd, and bewail'd her fate,
And stript his cloaths, and laid his shoulder bare,
And made the iv'ry miracle appear.
This shoulder, from the first, was form'd of flesh,
As lively as the other, and as fresh;
But, when the youth was by his father slain,
The Gods restor'd his mangled limbs again;
Only that place which joins the neck and arm,
The rest untouch'd, was found to suffer harm:
The loss of which an iv'ry piece sustain'd;
And thus the youth his limbs, and life regain'd.

The Story of Tereus, Procne, and Philomela

To Thebes the neighb'ring princes all repair,
And with condolance the misfortune share.
Each bord'ring state in solemn form address'd,
And each betimes a friendly grief express'd.
Argos, with Sparta's, and Mycenae's towns,
And Calydon, yet free from fierce Diana's frowns.
Corinth for finest brass well fam'd of old,
Orthomenos for men of courage bold:
Cleonae lying in the lowly dale,
And rich Messene with its fertile vale:
Pylos, for Nestor's City after fam'd,
And Troezen, not as yet from Pittheus nam'd.
And those fair cities, which are hem'd around
By double seas within the Isthmian ground;
And those, which farther from the sea-coast stand,
Lodg'd in the bosom of the spacious land.

Who can believe it? Athens was the last:
Tho' for politeness fam'd for ages past.
For a strait siege, which then their walls enclos'd,
Such acts of kind humanity oppos'd:
And thick with ships, from foreign nations bound,
Sea-ward their city lay invested round.

These, with auxiliar forces led from far,
Tereus of Thrace, brave, and inur'd to war,
Had quite defeated, and obtain'd a name,
The warrior's due, among the sons of Fame.
This, with his wealth, and pow'r, and ancient line,
From Mars deriv'd, Pandions's thoughts incline
His daughter Procne with the prince to joyn.

Nor Hymen, nor the Graces here preside,
Nor Juno to befriend the blooming bride;
But Fiends with fun'ral brands the process led,
And Furies waited at the Genial bed:
And all night long the scrieching owl aloof,
With baleful notes, sate brooding o'er the roof.
With such ill Omens was the match begun,
That made them parents of a hopeful son.
Now Thrace congratulates their seeming joy,
And they, in thankful rites, their minds employ.
If the fair queen's espousals pleas'd before,
Itys, the new-born prince, now pleases more;
And each bright day, the birth, and bridal feast,
Were kept with hallow'd pomp above the rest.
So far true happiness may lye conceal'd,
When, by false lights, we fancy 'tis reveal'd!

Now, since their nuptials, had the golden sun
Five courses round his ample zodiac run;
When gentle Procne thus her lord address'd,
And spoke the secret wishes of her breast:
If I, she said, have ever favour found,
Let my petition with success be crown'd:
Let me at Athens my dear sister see,
Or let her come to Thrace, and visit me.
And, lest my father should her absence mourn,
Promise that she shall make a quick return.
With thanks I'd own the obligation due
Only, o Tereus, to the Gods, and you.

Now, ply'd with oar, and sail at his command,
The nimble gallies reach'd th' Athenian land,
And anchor'd in the fam'd Piraean bay,
While Tereus to the palace takes his way;
The king salutes, and ceremonies past,
Begins the fatal embassy at last;
The occasion of his voyage he declares,
And, with his own, his wife's request prefers:
Asks leave that, only for a little space,
Their lovely sister might embark for Thrace.

Thus while he spoke, appear'd the royal maid,
Bright Philomela, splendidly array'd;
But most attractive in her charming face,
And comely person, turn'd with ev'ry grace:
Like those fair Nymphs, that are describ'd to rove
Across the glades, and op'nings of the grove;
Only that these are dress'd for silvan sports,
And less become the finery of courts.

Tereus beheld the virgin, and admir'd,
And with the coals of burning lust was fir'd:
Like crackling stubble, or the summer hay,
When forked lightnings o'er the meadows play.
Such charms in any breast might kindle love,
But him the heats of inbred lewdness move;
To which, tho' Thrace is naturally prone,
Yet his is still superior, and his own.
Strait her attendants he designs to buy,
And with large bribes her governess would try:
Herself with ample gifts resolves to bend,
And his whole kingdom in th' attempt expend:
Or, snatch'd away by force of arms, to bear,
And justify the rape with open war.
The boundless passion boils within his breast,
And his projecting soul admits no rest.

And now, impatient of the least delay,
By pleading Procne's cause, he speeds his way:
The eloquence of love his tongue inspires,
And, in his wife's, he speaks his own desires;
Hence all his importunities arise,
And tears unmanly trickle from his eyes.

Ye Gods! what thick involving darkness blinds
The stupid faculties of mortal minds!
Tereus the credit of good-nature gains
From these his crimes; so well the villain feigns.
And, unsuspecting of his base designs,
In the request fair Philomela joyns;
Her snowy arms her aged sire embrace,
And clasp his neck with an endearing grace:
Only to see her sister she entreats,
A seeming blessing, which a curse compleats.
Tereus surveys her with a luscious eye,
And in his mind forestalls the blissful joy:
Her circling arms a scene of lust inspire,
And ev'ry kiss foments the raging fire.
Fondly he wishes for the father's place,
To feel, and to return the warm embrace;
Since not the nearest ties of filial blood
Would damp his flame, and force him to be good.

At length, for both their sakes, the king agrees;
And Philomela, on her bended knees,
Thanks him for what her fancy calls success,
When cruel fate intends her nothing less.

Now Phoebus, hastning to ambrosial rest,
His fiery steeds drove sloping down the west:
The sculptur'd gold with sparkling wines was fill'd,
And, with rich meats, each chearful table smil'd.
Plenty, and mirth the royal banquet close,
Then all retire to sleep, and sweet repose.
But the lewd monarch, tho' withdrawn apart,
Still feels love's poison rankling in his heart:
Her face divine is stamp'd within his breast,
Fancy imagines, and improves the rest:
And thus, kept waking by intense desire,
He nourishes his own prevailing fire.

Next day the good old king for Tereus sends,
And to his charge the virgin recommends;
His hand with tears th' indulgent father press'd,
Then spoke, and thus with tenderness address'd.

Since the kind instances of pious love,
Do all pretence of obstacle remove;
Since Procne's, and her own, with your request,
O'er-rule the fears of a paternal breast;
With you, dear son, my daughter I entrust,
And by the Gods adjure you to be just;
By truth, and ev'ry consanguineal tye,
To watch, and guard her with a father's eye.
And, since the least delay will tedious prove,
In keeping from my sight the child I love,
With speed return her, kindly to asswage
The tedious troubles of my lingring age.
And you, my Philomel, let it suffice,
To know your sister's banish'd from my eyes;
If any sense of duty sways your mind,
Let me from you the shortest absence find.
He wept; then kiss'd his child; and while he speaks,
The tears fall gently down his aged cheeks.
Next, as a pledge of fealty, he demands,
And, with a solemn charge, conjoyns their hands;
Then to his daughter, and his grandson sends,
And by their mouth a blessing recommends;
While, in a voice with dire forebodings broke,
Sobbing, and faint, the last farewel was spoke.

Now Philomela, scarce receiv'd on board,
And in the royal gilded bark secur'd,
Beheld the dashes of the bending oar,
The ruffled sea, and the receding shore;
When strait (his joy impatient of disguise)
We've gain'd our point, the rough Barbarian cries;
Now I possess the dear, the blissful hour,
And ev'ry wish subjected to my pow'r.
Transports of lust his vicious thoughts employ,
And he forbears, with pain, th' expected joy.
His gloting eyes incessantly survey'd
The virgin beauties of the lovely maid:
As when the bold rapacious bird of Jove,
With crooked talons stooping from above,
Has snatcht, and carry'd to his lofty nest
A captive hare, with cruel gripes opprest;
Secure, with fix'd, and unrelenting eyes,
He sits, and views the helpless, trembling prize.

Their vessels now had made th' intended land,
And all with joy descend upon the strand;
When the false tyrant seiz'd the princely maid,
And to a lodge in distant woods convey'd;
Pale, sinking, and distress'd with jealous fears,
And asking for her sister all in tears.
The letcher, for enjoyment fully bent,
No longer now conceal'd his base intent;
But with rude haste the bloomy girl deflow'r'd,
Tender, defenceless, and with ease o'erpower'd.
Her piercing accents to her sire complain,
And to her absent sister, but in vain:
In vain she importunes, with doleful cries,
Each unattentive godhead of the skies.
She pants and trembles, like the bleating prey,
From some close-hunted wolf just snatch'd away;
That still, with fearful horror, looks around,
And on its flank regards the bleeding wound.
Or, as the tim'rous dove, the danger o'er,
Beholds her shining plumes besmear'd with gore,
And, tho' deliver'd from the faulcon's claw,
Yet shivers, and retains a secret awe.

But when her mind a calm reflection shar'd,
And all her scatter'd spirits were repair'd:
Torn, and disorder'd while her tresses hung,
Her livid hands, like one that mourn'd, she wrung;
Then thus, with grief o'erwhelm'd her languid eyes,
Savage, inhumane, cruel wretch! she cries;
Whom not a parent's strict commands could move,
Tho' charg'd, and utter'd with the tears of love;
Nor virgin innocence, nor all that's due
To the strong contract of the nuptial vow:
Virtue, by this, in wild confusion's laid,
And I compell'd to wrong my sister's bed;
Whilst you, regardless of your marriage oath,
With stains of incest have defil'd us both.
Tho' I deserv'd some punishment to find,
This was, ye Gods! too cruel, and unkind.
Yet, villain, to compleat your horrid guilt,
Stab here, and let my tainted blood be spilt.
Oh happy! had it come, before I knew
The curs'd embrace of vile perfidious you;
Then my pale ghost, pure from incestuous love,
Had wander'd spotless thro' th' Elysian grove.
But, if the Gods above have pow'r to know,
And judge those actions that are done below;
Unless the dreaded thunders of the sky,
Like me, subdu'd, and violated lye;
Still my revenge shall take its proper time,
And suit the baseness of your hellish crime.
My self, abandon'd, and devoid of shame,
Thro' the wide world your actions will proclaim;
Or tho' I'm prison'd in this lonely den,
Obscur'd, and bury'd from the sight of men,
My mournful voice the pitying rocks shall move,
And my complainings eccho thro' the grove.
Hear me, o Heav'n! and, if a God be there,
Let him regard me, and accept my pray'r.

Struck with these words, the tyrant's guilty breast
With fear, and anger, was, by turns, possest;
Now, with remorse his conscience deeply stung,
He drew the faulchion that beside her hung,
And first her tender arms behind her bound,
Then drag'd her by the hair along the ground.
The princess willingly her throat reclin'd,
And view'd the steel with a contented mind;
But soon her tongue the girding pinchers strain,
With anguish, soon she feels the piercing pain:
Oh father! father! would fain have spoke,
But the sharp torture her intention broke;
In vain she tries, for now the blade has cut
Her tongue sheer off, close to the trembling root.
The mangled part still quiver'd on the ground,
Murmuring with a faint imperfect sound:
And, as a serpent writhes his wounded train,
Uneasy, panting, and possess'd with pain;
The piece, while life remain'd, still trembled fast,
And to its mistress pointed to the last.

Yet, after this so damn'd, and black a deed,
Fame (which I scarce can credit) has agreed,
That on her rifled charms, still void of shame,
He frequently indulg'd his lustful flame,
At last he ventures to his Procne's sight,
Loaded with guilt, and cloy'd with long delight;
There, with feign'd grief, and false, dissembled sighs,
Begins a formal narrative of lies;
Her sister's death he artfully declares,
Then weeps, and raises credit from his tears.
Her vest, with flow'rs of gold embroider'd o'er,
With grief distress'd, the mournful matron tore,
And a beseeming suit of gloomy sable wore.
With cost, an honorary tomb she rais'd,
And thus th' imaginary ghost appeas'd.
Deluded queen! the fate of her you love,
Nor grief, nor pity, but revenge should move.

Thro' the twelve signs had pass'd the circling sun,
And round the compass of the Zodiac run;
What must unhappy Philomela do,
For ever subject to her keeper's view?
Huge walls of massy stone the lodge surround,
From her own mouth no way of speaking's found.
But all our wants by wit may be supply'd,
And art makes up, what fortune has deny'd:
With skill exact a Phrygian web she strung,
Fix'd to a loom that in her chamber hung,
Where in-wrought letters, upon white display'd,
In purple notes, her wretched case betray'd:
The piece, when finish'd, secretly she gave
Into the charge of one poor menial slave;
And then, with gestures, made him understand,
It must be safe convey'd to Procne's hand.
The slave, with speed, the queen's apartment sought,
And render'd up his charge, unknowing what he brought.
But when the cyphers, figur'd in each fold,
Her sister's melancholy story told
(Strange that she could!) with silence, she survey'd
The tragick piece, and without weeping read:
In such tumultuous haste her passions sprung,
They choak'd her voice, and quite disarm'd her tongue.
No room for female tears; the Furies rise,
Darting vindictive glances from her eyes;
And, stung with rage, she bounds from place to place,
While stern revenge sits low'ring in her face.

Now the triennial celebration came,
Observ'd to Bacchus by each Thracian dame;
When, in the privacies of night retir'd,
They act his rites, with sacred rapture fir'd:
By night, the tinkling cymbals ring around,
While the shrill notes from Rhodope resound;
By night, the queen, disguis'd, forsakes the court,
To mingle in the festival resort.
Leaves of the curling vine her temples shade,
And, with a circling wreath, adorn her head:
Adown her back the stag's rough spoils appear,
Light on her shoulder leans a cornel spear.

Thus, in the fury of the God conceal'd,
Procne her own mad headstrong passion veil'd;
Now, with her gang, to the thick wood she flies,
And with religious yellings fills the skies;
The fatal lodge, as 'twere by chance, she seeks,
And, thro' the bolted doors, an entrance breaks;
From thence, her sister snatching by the hand,
Mask'd like the ranting Bacchanalian band,
Within the limits of the court she drew,
Shading, with ivy green, her outward hue.
But Philomela, conscious of the place,
Felt new reviving pangs of her disgrace;
A shiv'ring cold prevail'd in ev'ry part,
And the chill'd blood ran trembling to her heart.

Soon as the queen a fit retirement found,
Stript of the garlands that her temples crown'd,
She strait unveil'd her blushing sister's face,
And fondly clasp'd her with a close embrace:
But, in confusion lost, th' unhappy maid,
With shame dejected, hung her drooping head,
As guilty of a crime that stain'd her sister's bed.
That speech, that should her injur'd virtue clear,
And make her spotless innocence appear,
Is now no more; only her hands, and eyes
Appeal, in signals, to the conscious skies.
In Procne's breast the rising passions boil,
And burst in anger with a mad recoil;
Her sister's ill-tim'd grief, with scorn, she blames,
Then, in these furious words her rage proclaims.

Tears, unavailing, but defer our time,
The stabbing sword must expiate the crime;
Or worse, if wit, on bloody vengeance bent,
A weapon more tormenting can invent.
O sister! I've prepar'd my stubborn heart,
To act some hellish, and unheard-of part;
Either the palace to surround with fire,
And see the villain in the flames expire;
Or, with a knife, dig out his cursed eyes,
Or, his false tongue with racking engines seize;
Or, cut away the part that injur'd you,
And, thro' a thousand wounds, his guilty soul pursue.
Tortures enough my passion has design'd,
But the variety distracts my mind.

A-while, thus wav'ring, stood the furious dame,
When Itys fondling to his mother came;
From him the cruel fatal hint she took,
She view'd him with a stern remorseless look:
Ah! but too like thy wicked sire, she said,
Forming the direful purpose in her head.
At this a sullen grief her voice supprest,
While silent passions struggle in her breast.

Now, at her lap arriv'd, the flatt'ring boy
Salutes his parent with a smiling joy:
About her neck his little arms are thrown,
And he accosts her in a pratling tone.
Then her tempestuous anger was allay'd,
And in its full career her vengeance stay'd;
While tender thoughts, in spite of passion, rise,
And melting tears disarm her threat'ning eyes.
But when she found the mother's easy heart,
Too fondly swerving from th' intended part;
Her injur'd sister's face again she view'd:
And, as by turns surveying both she stood,
While this fond boy (she said) can thus express
The moving accents of his fond address;
Why stands my sister of her tongue bereft,
Forlorn, and sad, in speechless silence left?
O Procne, see the fortune of your house!
Such is your fate, when match'd to such a spouse!
Conjugal duty, if observ'd to him,
Would change from virtue, and become a crime;
For all respect to Tereus must debase
The noble blood of great Pandion's race.

Strait at these words, with big resentment fill'd,
Furious her look, she flew, and seiz'd her child;
Like a fell tigress of the savage kind,
That drags the tender suckling of the hind
Thro' India's gloomy groves, where Ganges laves
The shady scene, and rouls his streamy waves.

Now to a close apartment they were come,
Far off retir'd within the spacious dome;
When Procne, on revengeful mischief bent,
Home to his heart a piercing ponyard sent.
Itys, with rueful cries, but all too late,
Holds out his hands, and deprecates his fate;
Still at his mother's neck he fondly aims,
And strives to melt her with endearing names;
Yet still the cruel mother perseveres,
Nor with concern his bitter anguish hears.
This might suffice; but Philomela too
Across his throat a shining curtlass drew.
Then both, with knives, dissect each quiv'ring part,
And carve the butcher'd limbs with cruel art;
Which, whelm'd in boiling cauldrons o'er the fire,
Or turn'd on spits, in steamy smoak aspire:
While the long entries, with their slipp'ry floor,
Run down in purple streams of clotted gore.

Ask'd by his wife to this inhuman feast,
Tereus unknowingly is made a guest:
Whilst she her plot the better to disguise,
Styles it some unknown mystick sacrifice;
And such the nature of the hallow'd rite,
The wife her husb and only could invite,
The slaves must all withdraw, and be debarr'd the sight.

Tereus, upon a throne of antique state,
Loftily rais'd, before the banquet sate;
And glutton like, luxuriously pleas'd,
With his own flesh his hungry maw appeas'd.
Nay, such a blindness o'er his senses falls,
That he for Itys to the table calls.
When Procne, now impatient to disclose
The joy that from her full revenge arose,
Cries out, in transports of a cruel mind,
Within your self your Itys you may find.
Still, at this puzzling answer, with surprise,
Around the room he sends his curious eyes;
And, as he still inquir'd, and call'd aloud,
Fierce Philomela, all besmear'd with blood,
Her hands with murder stain'd, her spreading hair
Hanging dishevel'd with a ghastly air,
Stept forth, and flung full in the tyrant's face
The head of Itys, goary as it was:
Nor ever so much to use her tongue,
And with a just reproach to vindicate her wrong.

The Thracian monarch from the table flings,
While with his cries the vaulted parlour rings;
His imprecations eccho down to Hell,
And rouze the snaky Furies from their Stygian cell.
One while he labours to disgorge his breast,
And free his stomach from the cursed feast;
Then, weeping o'er his lamentable doom,
He styles himself his son's sepulchral tomb.
Now, with drawn sabre, and impetuous speed,
In close pursuit he drives Pandion's breed;
Whose nimble feet spring with so swift a force
Across the fields, they seem to wing their course.
And now, on real wings themselves they raise,
And steer their airy flight by diff'rent ways;
One to the woodland's shady covert hies,
Around the smoaky roof the other flies;
Whose feathers yet the marks of murder stain,
Where stampt upon her breast, the crimson spots remain.
Tereus, through grief, and haste to be reveng'd,
Shares the like fate, and to a bird is chang'd:
Fix'd on his head, the crested plumes appear,
Long is his beak, and sharpen'd like a spear;
Thus arm'd, his looks his inward mind display,
And, to a lapwing turn'd, he fans his way.
Exceeding trouble, for his children's fate,
Shorten'd Pandion's days, and chang'd his date;
Down to the shades below, with sorrow spent,
An earlier, unexpected ghost he went.

Boreas in Love

Erechtheus next th' Athenian sceptre sway'd,
Whose rule the state with joynt consent obey'd;
So mix'd his justice with his valour flow'd,
His reign one scene of princely goodness shew'd.
Four hopeful youths, as many females bright,
Sprung from his loyns, and sooth'd him with delight.

Two of these sisters, of a lovelier air,
Excell'd the rest, tho' all the rest were fair.
Procris, to Cephalus in wedlock ty'd,
Bless'd the young silvan with a blooming bride:
For Orithyia Boreas suffer'd pain,
For the coy maid sued long, but sued in vain;
Tereus his neighbour, and his Thracian blood,
Against the match a main objection stood;
Which made his vows, and all his suppliant love,
Empty as air and ineffectual prove.

But when he found his soothing flatt'ries fail,
Nor saw his soft addresses cou'd avail;
Blust'ring with ire, he quickly has recourse
To rougher arts, and his own native force.
'Tis well, he said; such usage is my due,
When thus disguis'd by foreign ways I sue;
When my stern airs, and fierceness I disclaim,
And sigh for love, ridiculously tame;
When soft addresses foolishly I try,
Nor my own stronger remedies apply.
By force and violence I chiefly live,
By them the lowring stormy tempests drive;
In foaming billows raise the hoary deep,
Wri the knotted oaks, and sandy desarts sweep;
Congeal the falling flakes of fleecy snow,
And bruise, with ratling hall, the plains below.
I, and my brother-winds, when joyn'd above,
Thro' the waste champian of the skies we rove,
With such a boist'rous full career engage,
That Heav'n's whole concave thunders at our rage.
While, struck from nitrous clouds, fierce lightnings play,

Dart thro' the storm, and gild the gloomy day.
Or when, in subterraneous caverns pent,
My breath, against the hollow Earth, is bent,
The quaking world above, and ghosts below,
My mighty pow'r, by dear experience, know,
Tremble with fear, and dread the fatal blow.
This is the only cure to be apply'd,
Thus to Erechtheus I should be ally'd;
And thus the scornful virgin should be woo'd,
Not by intreaty, but by force subdu'd.

Boreas, in passion, spoke these huffing things,
And, as he spoke, he shook his dreadful wings;
At which, afar the shiv'ring sea was fan'd,
And the wide surface of the distant land:
His dusty mantle o'er the hills he drew,
And swept the lowly vallies, as he flew;
Then, with his yellow wings, embrac'd the maid,
And, wrapt in dusky clouds, far off convey'd.
The sparkling blaze of Love's prevailing fire
Shone brighter as he flew, and flam'd the higher.
And now the God, possess'd of his delight,
To northern Thrace pursu'd his airy flight,
Where the young ravish'd nymph became his bride,
And soon the luscious sweets of wedlock try'd.

Two lovely twins, th' effect of this embrace,
Crown their soft labours, and their nuptials grace;
Who, like their mother, beautiful, and fair,
Their father's strength, and feather'd pinions share:
Yet these, at first, were wanting, as 'tis said,
And after, as they grew, their shoulders spread.
Zethes and Calais, the pretty twins,
Remain'd unfledg'd, while smooth their beardless chins;
But when, in time, the budding silver down
Shaded their face, and on their cheeks was grown,
Two sprouting wings upon their shoulders sprung,
Like those in birds, that veil the callow young.
Then as their age advanc'd, and they began
From greener youth to ripen into man,
With Jason's Argonauts they cross'd the seas,
Embark'd in quest of the fam'd golden fleece;
There, with the rest, the first frail vessel try'd,
And boldly ventur'd on the swelling tide.

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~ Ovid, BOOK THE SIXTH

,
1201:BOOK THE FOURTH

The Story of Alcithoe and her Sisters

Yet still Alcithoe perverse remains,
And Bacchus still, and all his rites, disdains.
Too rash, and madly bold, she bids him prove
Himself a God, nor owns the son of Jove.
Her sisters too unanimous agree,
Faithful associates in impiety.
Be this a solemn feast, the priest had said;
Be, with each mistress, unemploy'd each maid.
With skins of beasts your tender limbs enclose,
And with an ivy-crown adorn your brows,
The leafy Thyrsus high in triumph bear,
And give your locks to wanton in the air.

These rites profan'd, the holy seer foreshow'd
A mourning people, and a vengeful God.

Matrons and pious wives obedience show,
Distaffs, and wooll, half spun, away they throw:
Then incense burn, and, Bacchus, thee adore,
Or lov'st thou Nyseus, or Lyaeus more?
O! doubly got, O! doubly born, they sung,
Thou mighty Bromius, hail, from light'ning sprung!
Hail, Thyon, Eleleus! each name is thine:
Or, listen parent of the genial vine!
Iachus! Evan! loudly they repeat,
And not one Grecian attri bute forget,
Which to thy praise, great Deity, belong,
Stil'd justly Liber in the Roman song.
Eternity of youth is thine! enjoy
Years roul'd on years, yet still a blooming boy.
In Heav'n thou shin'st with a superior grace;
Conceal thy horns, and 'tis a virgin's face.
Thou taught'st the tawny Indian to obey,
And Ganges, smoothly flowing, own'd thy sway.
Lycurgus, Pentheus, equally profane,
By thy just vengeance equally were slain.
By thee the Tuscans, who conspir'd to keep
Thee captive, plung'd, and cut with finns the deep.
With painted reins, all-glitt'ring from afar,
The spotted lynxes proudly draw thy car.
Around, the Bacchae, and the satyrs throng;
Behind, Silenus, drunk, lags slow along:
On his dull ass he nods from side to side,
Forbears to fall, yet half forgets to ride.
Still at thy near approach, applauses loud
Are heard, with yellings of the female crowd.
Timbrels, and boxen pipes, with mingled cries,
Swell up in sounds confus'd, and rend the skies.
Come, Bacchus, come propitious, all implore,
And act thy sacred orgies o'er and o'er.

But Mineus' daughters, while these rites were pay'd,
At home, impertinently busie, stay'd.
Their wicked tasks they ply with various art,
And thro' the loom the sliding shuttle dart;
Or at the fire to comb the wooll they stand,
Or twirl the spindle with a dext'rous hand.
Guilty themselves, they force the guiltless in;
Their maids, who share the labour, share the sin.
At last one sister cries, who nimbly knew
To draw nice threads, and winde the finest clue,
While others idly rove, and Gods revere,
Their fancy'd Gods! they know not who, or where;
Let us, whom Pallas taught her better arts,
Still working, cheer with mirthful chat our hearts,
And to deceive the time, let me prevail
With each by turns to tell some antique tale.
She said: her sisters lik'd the humour well,
And smiling, bad her the first story tell.
But she a-while profoundly seem'd to muse,
Perplex'd amid variety to chuse:
And knew not, whether she should first relate
The poor Dircetis, and her wond'rous fate.
The Palestines believe it to a man,
And show the lake, in which her scales began.
Or if she rather should the daughter sing,
Who in the hoary verge of life took wing;
Who soar'd from Earth, and dwelt in tow'rs on high,
And now a dove she flits along the sky.
Or how lewd Nais, when her lust was cloy'd,
To fishes turn'd the youths, she had enjoy'd,
By pow'rful verse, and herbs; effect most strange!
At last the changer shar'd herself the change.
Or how the tree, which once white berries bore,
Still crimson bears, since stain'd with crimson gore.
The tree was new; she likes it, and begins
To tell the tale, and as she tells, she spins.

The Story of Pyramus and Thisbe

In Babylon, where first her queen, for state
Rais'd walls of brick magnificently great,
Liv'd Pyramus, and Thisbe, lovely pair!
He found no eastern youth his equal there,
And she beyond the fairest nymph was fair.
A closer neighbourhood was never known,
Tho' two the houses, yet the roof was one.
Acquaintance grew, th' acquaintance they improve
To friendship, friendship ripen'd into love:
Love had been crown'd, but impotently mad,
What parents could not hinder, they forbad.
For with fierce flames young Pyramus still burn'd,
And grateful Thisbe flames as fierce return'd.
Aloud in words their thoughts they dare not break,
But silent stand; and silent looks can speak.
The fire of love the more it is supprest,
The more it glows, and rages in the breast.

When the division-wall was built, a chink
Was left, the cement unobserv'd to shrink.
So slight the cranny, that it still had been
For centuries unclos'd, because unseen.
But oh! what thing so small, so secret lies,
Which scapes, if form'd for love, a lover's eyes?
Ev'n in this narrow chink they quickly found
A friendly passage for a trackless sound.
Safely they told their sorrows, and their joys,
In whisper'd murmurs, and a dying noise,
By turns to catch each other's breath they strove,
And suck'd in all the balmy breeze of love.
Oft as on diff'rent sides they stood, they cry'd,
Malicious wall, thus lovers to divide!
Suppose, thou should'st a-while to us give place
To lock, and fasten in a close embrace:
But if too much to grant so sweet a bliss,
Indulge at least the pleasure of a kiss.
We scorn ingratitude: to thee, we know,
This safe conveyance of our minds we owe.

Thus they their vain petition did renew
'Till night, and then they softly sigh'd adieu.
But first they strove to kiss, and that was all;
Their kisses dy'd untasted on the wall.
Soon as the morn had o'er the stars prevail'd,
And warm'd by Phoebus, flow'rs their dews exhal'd,
The lovers to their well-known place return,
Alike they suffer, and alike they mourn.
At last their parents they resolve to cheat
(If to deceive in love be call'd deceit),
To steal by night from home, and thence unknown
To seek the fields, and quit th' unfaithful town.
But, to prevent their wand'ring in the dark,
They both agree to fix upon a mark;
A mark, that could not their designs expose:
The tomb of Ninus was the mark they chose.
There they might rest secure beneath the shade,
Which boughs, with snowy fruit encumber'd, made:
A wide-spread mulberry its rise had took
Just on the margin of a gurgling brook.
Impatient for the friendly dusk they stay;
And chide the slowness of departing day;
In western seas down sunk at last the light,
From western seas up-rose the shades of night.
The loving Thisbe ev'n prevents the hour,
With cautious silence she unlocks the door,
And veils her face, and marching thro' the gloom
Swiftly arrives at th' assignation-tomb.
For still the fearful sex can fearless prove;
Boldly they act, if spirited by love.
When lo! a lioness rush'd o'er the plain,
Grimly besmear'd with blood of oxen slain:
And what to the dire sight new horrors brought,
To slake her thirst the neighb'ring spring she sought.
Which, by the moon, when trembling Thisbe spies,
Wing'd with her fear, swift, as the wind, she flies;
And in a cave recovers from her fright,
But drop'd her veil, confounded in her flight.
When sated with repeated draughts, again
The queen of beasts scour'd back along the plain,
She found the veil, and mouthing it all o'er,
With bloody jaws the lifeless prey she tore.

The youth, who could not cheat his guards so soon,
Late came, and noted by the glimm'ring moon
Some savage feet, new printed on the ground,
His cheeks turn'd pale, his limbs no vigour found;
But when, advancing on, the veil he spied
Distain'd with blood, and ghastly torn, he cried,
One night shall death to two young lovers give,
But she deserv'd unnumber'd years to live!
'Tis I am guilty, I have thee betray'd,
Who came not early, as my charming maid.
Whatever slew thee, I the cause remain,
I nam'd, and fix'd the place where thou wast slain.
Ye lions from your neighb'ring dens repair,
Pity the wretch, this impious body tear!
But cowards thus for death can idly cry;
The brave still have it in their pow'r to die.
Then to th' appointed tree he hastes away,
The veil first gather'd, tho' all rent it lay:
The veil all rent yet still it self endears,
He kist, and kissing, wash'd it with his tears.
Tho' rich (he cry'd) with many a precious stain,
Still from my blood a deeper tincture gain.
Then in his breast his shining sword he drown'd,
And fell supine, extended on the ground.
As out again the blade lie dying drew,
Out spun the blood, and streaming upwards flew.
So if a conduit-pipe e'er burst you saw,
Swift spring the gushing waters thro' the flaw:
Then spouting in a bow, they rise on high,
And a new fountain plays amid the sky.
The berries, stain'd with blood, began to show
A dark complexion, and forgot their snow;
While fatten'd with the flowing gore, the root
Was doom'd for ever to a purple fruit.

Mean-time poor Thisbe fear'd, so long she stay'd,
Her lover might suspect a perjur'd maid.
Her fright scarce o'er, she strove the youth to find
With ardent eyes, which spoke an ardent mind.
Already in his arms, she hears him sigh
At her destruction, which was once so nigh.
The tomb, the tree, but not the fruit she knew,
The fruit she doubted for its alter'd hue.
Still as she doubts, her eyes a body found
Quiv'ring in death, and gasping on the ground.
She started back, the red her cheeks forsook,
And ev'ry nerve with thrilling horrors shook.
So trembles the smooth surface of the seas,
If brush'd o'er gently with a rising breeze.
But when her view her bleeding love confest,
She shriek'd, she tore her hair, she beat her breast.
She rais'd the body, and embrac'd it round,
And bath'd with tears unfeign'd the gaping wound.
Then her warm lips to the cold face apply'd,
And is it thus, ah! thus we meet, she cry'd!
My Pyramus! whence sprung thy cruel fate?
My Pyramus!- ah! speak, ere 'tis too late.
I, thy own Thisbe, but one word implore,
One word thy Thisbe never ask'd before.
At Thisbe's name, awak'd, he open'd wide
His dying eyes; with dying eyes he try'd
On her to dwell, but clos'd them slow, and dy'd.

The fatal cause was now at last explor'd,
Her veil she knew, and saw his sheathless sword:
From thy own hand thy ruin thou hast found,
She said, but love first taught that hand to wound,
Ev'n I for thee as bold a hand can show,
And love, which shall as true direct the blow.
I will against the woman's weakness strive,
And never thee, lamented youth, survive.
The world may say, I caus'd, alas! thy death,
But saw thee breathless, and resign'd my breath.
Fate, tho' it conquers, shall no triumph gain,
Fate, that divides us, still divides in vain.

Now, both our cruel parents, hear my pray'r;
My pray'r to offer for us both I dare;
Oh! see our ashes in one urn confin'd,
Whom love at first, and fate at last has join'd.
The bliss, you envy'd, is not our request;
Lovers, when dead, may sure together rest.
Thou, tree, where now one lifeless lump is laid,
Ere-long o'er two shalt cast a friendly shade.
Still let our loves from thee be understood,
Still witness in thy purple fruit our blood.
She spoke, and in her bosom plung'd the sword,
All warm and reeking from its slaughter'd lord.
The pray'r, which dying Thisbe had preferr'd,
Both Gods, and parents, with compassion heard.
The whiteness of the mulberry soon fled,
And rip'ning, sadden'd in a dusky red:
While both their parents their lost children mourn,
And mix their ashes in one golden urn.

Thus did the melancholy tale conclude,
And a short, silent interval ensu'd.
The next in birth unloos'd her artful tongue,
And drew attentive all the sister-throng.

The Story of Leucothoe and the Sun

The Sun, the source of light, by beauty's pow'r
Once am'rous grew; then hear the Sun's amour.
Venus, and Mars, with his far-piercing eyes
This God first spy'd; this God first all things spies.
Stung at the sight, and swift on mischief bent,
To haughty Juno's shapeless son he went:
The Goddess, and her God gallant betray'd,
And told the cuckold, where their pranks were play'd.
Poor Vulcan soon desir'd to hear no more,
He drop'd his hammer, and he shook all o'er:
Then courage takes, and full of vengeful ire
He heaves the bellows, and blows fierce the fire:
From liquid brass, tho' sure, yet subtile snares
He forms, and next a wond'rous net prepares,
Drawn with such curious art, so nicely sly,
Unseen the mashes cheat the searching eye.
Not half so thin their webs the spiders weave,
Which the most wary, buzzing prey deceive.
These chains, obedient to the touch, he spread
In secret foldings o'er the conscious bed:
The conscious bed again was quickly prest
By the fond pair, in lawless raptures blest.
Mars wonder'd at his Cytherea's charms,
More fast than ever lock'd within her arms.
While Vulcan th' iv'ry doors unbarr'd with care,
Then call'd the Gods to view the sportive pair:
The Gods throng'd in, and saw in open day,
Where Mars, and beauty's queen, all naked, lay.
O! shameful sight, if shameful that we name,
Which Gods with envy view'd, and could not blame;
But, for the pleasure, wish'd to bear the shame.
Each Deity, with laughter tir'd, departs,
Yet all still laugh'd at Vulcan in their hearts.

Thro' Heav'n the news of this surprizal run,
But Venus did not thus forget the Sun.
He, who stol'n transports idly had betray'd,
By a betrayer was in kind repay'd.
What now avails, great God, thy piercing blaze,
That youth, and beauty, and those golden rays?
Thou, who can'st warm this universe alone,
Feel'st now a warmth more pow'rful than thy own:
And those bright eyes, which all things should survey,
Know not from fair Leucothoe to stray.
The lamp of light, for human good design'd,
Is to one virgin niggardly confin'd.
Sometimes too early rise thy eastern beams,
Sometimes too late they set in western streams:
'Tis then her beauty thy swift course delays,
And gives to winter skies long summer days.
Now in thy face thy love-sick mind appears,
And spreads thro' impious nations empty fears:
For when thy beamless head is wrapt in night,
Poor mortals tremble in despair of light.
'Tis not the moon, that o'er thee casts a veil
'Tis love alone, which makes thy looks so pale.
Leucothoe is grown thy only care,
Not Phaeton's fair mother now is fair.
The youthful Rhodos moves no tender thought,
And beauteous Porsa is at last forgot.
Fond Clytie, scorn'd, yet lov'd, and sought thy bed,
Ev'n then thy heart for other virgins bled.
Leucothoe has all thy soul possest,
And chas'd each rival passion from thy breast.
To this bright nymph Eurynome gave birth
In the blest confines of the spicy Earth.
Excelling others, she herself beheld
By her own blooming daughter far excell'd.
The sire was Orchamus, whose vast command,
The sev'nth from Belus, rul'd the Persian Land.

Deep in cool vales, beneath th' Hesperian sky,
For the Sun's fiery steeds the pastures lye.
Ambrosia there they eat, and thence they gain
New vigour, and their daily toils sustain.
While thus on heav'nly food the coursers fed,
And night, around, her gloomy empire spread,
The God assum'd the mother's shape and air,
And pass'd, unheeded, to his darling fair.
Close by a lamp, with maids encompass'd round,
The royal spinster, full employ'd, he found:
Then cry'd, A-while from work, my daughter, rest;
And, like a mother, scarce her lips he prest.
Servants retire!- nor secrets dare to hear,
Intrusted only to a daughter's ear.
They swift obey'd: not one, suspicious, thought
The secret, which their mistress would be taught.
Then he: since now no witnesses are near,
Behold! the God, who guides the various year!
The world's vast eye, of light the source serene,
Who all things sees, by whom are all things seen.
Believe me, nymph! (for I the truth have show'd)
Thy charms have pow'r to charm so great a God.
Confus'd, she heard him his soft passion tell,
And on the floor, untwirl'd, the spindle fell:
Still from the sweet confusion some new grace
Blush'd out by stealth, and languish'd in her face.
The lover, now inflam'd, himself put on,
And out at once the God, all-radiant, shone.
The virgin startled at his alter'd form,
Too weak to bear a God's impetuous storm:
No more against the dazling youth she strove,
But silent yielded, and indulg'd his love.

This Clytie knew, and knew she was undone,
Whose soul was fix'd, and doated on the Sun.
She rag'd to think on her neglected charms,
And Phoebus, panting in another's arms.
With envious madness fir'd, she flies in haste,
And tells the king, his daughter was unchaste.
The king, incens'd to hear his honour stain'd,
No more the father nor the man retain'd.
In vain she stretch'd her arms, and turn'd her eyes
To her lov'd God, th' enlightner of the skies.
In vain she own'd it was a crime, yet still
It was a crime not acted by her will.
The brutal sire stood deaf to ev'ry pray'r,
And deep in Earth entomb'd alive the fair.
What Phoebus could do, was by Phoebus done:
Full on her grave with pointed beams he shone:
To pointed beams the gaping Earth gave way;
Had the nymph eyes, her eyes had seen the day,
But lifeless now, yet lovely still, she lay.
Not more the God wept, when the world was fir'd,
And in the wreck his blooming boy expir'd.
The vital flame he strives to light again,
And warm the frozen blood in ev'ry vein:
But since resistless Fates deny'd that pow'r,
On the cold nymph he rain'd a nectar show'r.
Ah! undeserving thus (he said) to die,
Yet still in odours thou shalt reach the sky.
The body soon dissolv'd, and all around
Perfum'd with heav'nly fragrancies the ground,
A sacrifice for Gods up-rose from thence,
A sweet, delightful tree of frankincense.

The Transformation of Clytie

Tho' guilty Clytie thus the sun betray'd,
By too much passion she was guilty made.
Excess of love begot excess of grief,
Grief fondly bad her hence to hope relief.
But angry Phoebus hears, unmov'd, her sighs,
And scornful from her loath'd embraces flies.
All day, all night, in trackless wilds, alone
She pin'd, and taught the list'ning rocks her moan.
On the bare earth she lies, her bosom bare,
Loose her attire, dishevel'd is her hair.
Nine times the morn unbarr'd the gates of light,
As oft were spread th' alternate shades of night,
So long no sustenance the mourner knew,
Unless she drunk her tears, or suck'd the dew.
She turn'd about, but rose not from the ground,
Turn'd to the Sun, still as he roul'd his round:
On his bright face hung her desiring eyes,
'Till fix'd to Earth, she strove in vain to rise.
Her looks their paleness in a flow'r retain'd,
But here, and there, some purple streaks they gain'd.
Still the lov'd object the fond leafs pursue,
Still move their root, the moving Sun to view,
And in the Heliotrope the nymph is true.

The sisters heard these wonders with surprise,
But part receiv'd them as romantick lies;
And pertly rally'd, that they could not see
In Pow'rs divine so vast an energy.
Part own'd, true Gods such miracles might do,
But own'd not Bacchus, one among the true.
At last a common, just request they make,
And beg Alcithoe her turn to take.
I will (she said) and please you, if I can.
Then shot her shuttle swift, and thus began.

The fate of Daphnis is a fate too known,
Whom an enamour'd nymph transform'd to stone,
Because she fear'd another nymph might see
The lovely youth, and love as much as she:
So strange the madness is of jealousie!
Nor shall I tell, what changes Scython made,
And how he walk'd a man, or tripp'd a maid.
You too would peevish frown, and patience want
To hear, how Celmis grew an adamant.
He once was dear to Jove, and saw of old
Jove, when a child; but what he saw, he told.
Crocus, and Smilax may be turn'd to flow'rs,
And the Curetes spring from bounteous show'rs;
I pass a hundred legends stale, as these,
And with sweet novelty your taste will please.

The Story of Salmacis and Hermaphroditus

How Salmacis, with weak enfeebling streams
Softens the body, and unnerves the limbs,
And what the secret cause, shall here be shown;
The cause is secret, but th' effect is known.

The Naids nurst an infant heretofore,
That Cytherea once to Hermes bore:
From both th' illustrious authors of his race
The child was nam'd, nor was it hard to trace
Both the bright parents thro' the infant's face.
When fifteen years in Ida's cool retreat
The boy had told, he left his native seat,
And sought fresh fountains in a foreign soil:
The pleasure lessen'd the attending toil,
With eager steps the Lycian fields he crost,
A river here he view'd so lovely bright,
It shew'd the bottom in a fairer light,
Nor kept a sand conceal'd from human sight.
The stream produc'd nor slimy ooze, nor weeds,
Nor miry rushes, nor the spiky reeds;
But dealt enriching moisture all around,
The fruitful banks with chearful verdure crown'd,
And kept the spring eternal on the ground.
A nymph presides, not practis'd in the chace,
Nor skilful at the bow, nor at the race;
Of all the blue-ey'd daughters of the main,
The only stranger to Diana's train:
Her sisters often, as 'tis said, wou'd cry,
"Fie Salmacis: what, always idle! fie.
Or take thy quiver, or thy arrows seize,
And mix the toils of hunting with thy ease."
Nor quiver she nor arrows e'er wou'd seize,
Nor mix the toils of hunting with her ease.
But oft would ba the her in the chrystal tide,
Oft with a comb her dewy locks divide;
Now in the limpid streams she views her face,
And drest her image in the floating glass:
On beds of leaves she now repos'd her limbs,
Now gather'd flow'rs that grew about her streams,
And then by chance was gathering, as he stood
To view the boy, and long'd for what she view'd.

Fain wou'd she meet the youth with hasty feet,
She fain wou'd meet him, but refus'd to meet
Before her looks were set with nicest care,
And well deserv'd to be reputed fair.
"Bright youth," she cries, "whom all thy features prove
A God, and, if a God, the God of love;
But if a mortal, blest thy nurse's breast,
Blest are thy parents, and thy sisters blest:
But oh how blest! how more than blest thy bride,
Ally'd in bliss, if any yet ally'd.
If so, let mine the stoln enjoyments be;
If not, behold a willing bride in me."

The boy knew nought of love, and toucht with shame,
He strove, and blusht, but still the blush became:
In rising blushes still fresh beauties rose;
The sunny side of fruit such blushes shows,
And such the moon, when all her silver white
Turns in eclipses to a ruddy light.
The nymph still begs, if not a nobler bliss,
A cold salute at least, a sister's kiss:
And now prepares to take the lovely boy
Between her arms. He, innocently coy,
Replies, "Or leave me to my self alone,
You rude uncivil nymph, or I'll be gone."
"Fair stranger then," says she, "it shall be so";
And, for she fear'd his threats, she feign'd to go:
But hid within a covert's neighbouring green,
She kept him still in sight, herself unseen.
The boy now fancies all the danger o'er,
And innocently sports about the shore,
Playful and wanton to the stream he trips,
And dips his foot, and shivers as he dips.
The coolness pleas'd him, and with eager haste
His airy garments on the banks he cast;
His godlike features, and his heav'nly hue,
And all his beauties were expos'd to view.
His naked limbs the nymph with rapture spies,
While hotter passions in her bosom rise,
Flush in her cheeks, and sparkle in her eyes.
She longs, she burns to clasp him in her arms,
And looks, and sighs, and kindles at his charms.

Now all undrest upon the banks he stood,
And clapt his sides, and leapt into the flood:
His lovely limbs the silver waves divide,
His limbs appear more lovely through the tide;
As lillies shut within a chrystal case,
Receive a glossy lustre from the glass.
He's mine, he's all my own, the Naid cries,
And flings off all, and after him she flies.
And now she fastens on him as he swims,
And holds him close, and wraps about his limbs.
The more the boy resisted, and was coy,
The more she clipt, and kist the strugling boy.
So when the wrigling snake is snatcht on high
In Eagle's claws, and hisses in the sky,
Around the foe his twirling tail he flings,
And twists her legs, and wriths about her wings.

The restless boy still obstinately strove
To free himself, and still refus'd her love.
Amidst his limbs she kept her limbs intwin'd,
"And why, coy youth," she cries, "why thus unkind!
Oh may the Gods thus keep us ever join'd!
Oh may we never, never part again!"

So pray'd the nymph, nor did she pray in vain:
For now she finds him, as his limbs she prest,
Grow nearer still, and nearer to her breast;
'Till, piercing each the other's flesh, they run
Together, and incorporate in one:
Last in one face are both their faces join'd,
As when the stock and grafted twig combin'd
Shoot up the same, and wear a common rind:
Both bodies in a single body mix,
A single body with a double sex.

The boy, thus lost in woman, now survey'd
The river's guilty stream, and thus he pray'd.
(He pray'd, but wonder'd at his softer tone,
Surpriz'd to hear a voice but half his own.)
You parent-Gods, whose heav'nly names I bear,
Hear your Hermaphrodite, and grant my pray'r;
Oh grant, that whomsoe'er these streams contain,
If man he enter'd, he may rise again
Supple, unsinew'd, and but half a man!

The heav'nly parents answer'd from on high,
Their two-shap'd son, the double votary
Then gave a secret virtue to the flood,
And ting'd its source to make his wishes good.

Alcithoe and her Sisters transform'd to Bats

But Mineus' daughters still their tasks pursue,
To wickedness most obstinately true:
At Bacchus still they laugh, when all around,
Unseen, the timbrels hoarse were heard to sound.
Saffron and myrrh their fragrant odours shed,
And now the present deity they dread.
Strange to relate! Here ivy first was seen,
Along the distaff crept the wond'rous green.
Then sudden-springing vines began to bloom,
And the soft tendrils curl'd around the loom:
While purple clusters, dangling from on high,
Ting'd the wrought purple with a second die.

Now from the skies was shot a doubtful light,
The day declining to the bounds of night.
The fabrick's firm foundations shake all o'er,
False tigers rage, and figur'd lions roar.
Torches, aloft, seem blazing in the air,
And angry flashes of red light'nings glare.
To dark recesses, the dire sight to shun,
Swift the pale sisters in confusion run.
Their arms were lost in pinions, as they fled,
And subtle films each slender limb o'er-spread.
Their alter'd forms their senses soon reveal'd;
Their forms, how alter'd, darkness still conceal'd.
Close to the roof each, wond'ring, upwards springs,
Born on unknown, transparent, plumeless wings.
They strove for words; their little bodies found
No words, but murmur'd in a fainting sound.
In towns, not woods, the sooty bats delight,
And, never, 'till the dusk, begin their flight;
'Till Vesper rises with his ev'ning flame;
From whom the Romans have deriv'd their name.

The Transformation of Ino and Melicerta to Sea-Gods

The pow'r of Bacchus now o'er Thebes had flown:
With awful rev'rence soon the God they own.
Proud Ino, all around the wonder tells,
And on her nephew deity still dwells.
Of num'rous sisters, she alone yet knew
No grief, but grief, which she from sisters drew.

Imperial Juno saw her with disdain,
Vain in her offspring, in her consort vain,
Who rul'd the trembling Thebans with a nod,
But saw her vainest in her foster-God.
Could then (she cry'd) a bastard-boy have pow'r
To make a mother her own son devour?
Could he the Tuscan crew to fishes change,
And now three sisters damn to forms so strange?
Yet shall the wife of Jove find no relief?
Shall she, still unreveng'd, disclose her grief?
Have I the mighty freedom to complain?
Is that my pow'r? is that to ease my pain?
A foe has taught me vengeance; and who ought
To scorn that vengeance, which a foe has taught?
What sure destruction frantick rage can throw,
The gaping wounds of slaughter'd Pentheus show.
Why should not Ino, fir'd with madness, stray,
Like her mad sisters her own kindred slay?
Why, she not follow, where they lead the way?

Down a steep, yawning cave, where yews display'd
In arches meet, and lend a baleful shade,
Thro' silent labyrinths a passage lies
To mournful regions, and infernal skies.
Here Styx exhales its noisome clouds, and here,
The fun'ral rites once paid, all souls appear.
Stiff cold, and horror with a ghastly face
And staring eyes, infest the dreary place.
Ghosts, new-arriv'd, and strangers to these plains,
Know not the palace, where grim Pluto reigns.
They journey doubtful, nor the road can tell,
Which leads to the metropolis of Hell.
A thousand avenues those tow'rs command,
A thousand gates for ever open stand.
As all the rivers, disembogu'd, find room
For all their waters in old Ocean's womb:
So this vast city worlds of shades receives,
And space for millions still of worlds she leaves.
Th' unbody'd spectres freely rove, and show
Whate'er they lov'd on Earth, they love below.
The lawyers still, or right, or wrong, support,
The courtiers smoothly glide to Pluto's court.
Still airy heroes thoughts of glory fire,
Still the dead poet strings his deathless lyre,
And lovers still with fancy'd darts expire.

The Queen of Heaven, to gratify her hate,
And sooth immortal wrath, forgets her state.
Down from the realms of day, to realms of night,
The Goddess swift precipitates her flight.
At Hell arriv'd, the noise Hell's porter heard,
Th' enormous dog his triple head up-rear'd:
Thrice from three grizly throats he howl'd profound,
Then suppliant couch'd, and stretch'd along the ground.
The trembling threshold, which Saturnia prest,
The weight of such divinity confest.

Before a lofty, adamantine gate,
Which clos'd a tow'r of brass, the Furies sate:
Mis-shapen forms, tremendous to the sight,
Th' implacable foul daughters of the night.
A sounding whip each bloody sister shakes,
Or from her tresses combs the curling snakes.
But now great Juno's majesty was known;
Thro' the thick gloom, all heav'nly bright, she shone:
The hideous monsters their obedience show'd,
And rising from their seats, submissive bow'd.

This is the place of woe, here groan the dead;
Huge Tityus o'er nine acres here is spread.
Fruitful for pain th' immortal liver breeds,
Still grows, and still th' insatiate vulture feeds.
Poor Tantalus to taste the water tries,
But from his lips the faithless water flies:
Then thinks the bending tree he can command,
The tree starts backwards, and eludes his hand.
The labour too of Sisyphus is vain,
Up the steep mount he heaves the stone with pain,
Down from the summet rouls the stone again.
The Belides their leaky vessels still
Are ever filling, and yet never fill:
Doom'd to this punishment for blood they shed,
For bridegrooms slaughter'd in the bridal bed.
Stretch'd on the rolling wheel Ixion lies;
Himself he follows, and himself he flies.
Ixion, tortur'd, Juno sternly ey'd,
Then turn'd, and toiling Sisyphus espy'd:
And why (she said) so wretched is the fate
Of him, whose brother proudly reigns in state?
Yet still my altars unador'd have been
By Athamas, and his presumptuous queen.

What caus'd her hate, the Goddess thus confest,
What caus'd her journey now was more than guest.
That hate, relentless, its revenge did want,
And that revenge the Furies soon could grant:
They could the glory of proud Thebes efface,
And hide in ruin the Cadmean race.
For this she largely promises, entreats,
And to intreaties adds imperial threats.

Then fell Tisiphone with rage was stung,
And from her mouth th' untwisted serpents flung.
To gain this trifling boon, there is no need
(She cry'd) in formal speeches to proceed.
Whatever thou command'st to do, is done;
Believe it finish'd, tho' not yet begun.
But from these melancholly seats repair
To happier mansions, and to purer air.
She spoke: the Goddess, darting upwards, flies,
And joyous re-ascends her native skies:
Nor enter'd there, till 'round her Iris threw
Ambrosial sweets, and pour'd celestial dew.

The faithful Fury, guiltless of delays,
With cruel haste the dire comm and obeys.
Girt in a bloody gown, a torch she shakes,
And round her neck twines speckled wreaths of snakes.
Fear, and dismay, and agonizing pain,
With frantick rage, compleat her loveless train.
To Thebes her flight she sped, and Hell forsook;
At her approach the Theban turrets shook:
The sun shrunk back, thick clouds the day o'er-cast,
And springing greens were wither'd as she past.

Now, dismal yellings heard, strange spectres seen,
Confound as much the monarch as the queen.
In vain to quit the palace they prepar'd,
Tisiphone was there, and kept the ward.
She wide extended her unfriendly arms,
And all the Fury lavish'd all her harms.
Part of her tresses loudly hiss, and part
Spread poyson, as their forky tongues they dart.
Then from her middle locks two snakes she drew,
Whose merit from superior mischief grew:
Th' envenom'd ruin, thrown with spiteful care,
Clung to the bosoms of the hapless pair.
The hapless pair soon with wild thoughts were fir'd,
And madness, by a thousand ways inspir'd.
'Tis true, th' unwounded body still was sound,
But 'twas the soul which felt the deadly wound.
Nor did th' unsated monster here give o'er,
But dealt of plagues a fresh, unnumber'd store.
Each baneful juice too well she understood,
Foam, churn'd by Cerberus, and Hydra's blood.
Hot hemlock, and cold aconite she chose,
Delighted in variety of woes.
Whatever can untune th' harmonious soul,
And its mild, reas'ning faculties controul,
Give false ideas, raise desires profane,
And whirl in eddies the tumultuous brain,
Mix'd with curs'd art, she direfully around
Thro' all their nerves diffus'd the sad compound.
Then toss'd her torch in circles still the same,
Improv'd their rage, and added flame to flame.
The grinning Fury her own conquest spy'd,
And to her rueful shades return'd with pride,
And threw th' exhausted, useless snakes aside.

Now Athamas cries out, his reason fled,
Here, fellow-hunters, let the toils be spread.
I saw a lioness, in quest of food,
With her two young, run roaring in this wood.
Again the fancy'd savages were seen,
As thro' his palace still he chac'd his queen;
Then tore Learchus from her breast: the child
Stretch'd little arms, and on its father smil'd:
A father now no more, who now begun
Around his head to whirl his giddy son,
And, quite insensible to Nature's call,
The helpless infant flung against the wall.
The same mad poyson in the mother wrought,
Young Melicerta in her arms she caught,
And with disorder'd tresses, howling, flies,
O! Bacchus, Evoe, Bacchus! loud she cries.
The name of Bacchus Juno laugh'd to hear,
And said, Thy foster-God has cost thee dear.

A rock there stood, whose side the beating waves
Had long consum'd, and hollow'd into caves.
The head shot forwards in a bending steep,
And cast a dreadful covert o'er the deep.
The wretched Ino, on destruction bent,
Climb'd up the cliff; such strength her fury lent:
Thence with her guiltless boy, who wept in vain,
At one bold spring she plung'd into the main.

Her neice's fate touch'd Cytherea's breast,
And in soft sounds she Neptune thus addrest:
Great God of waters, whose extended sway
Is next to his, whom Heav'n and Earth obey:
Let not the suit of Venus thee displease,
Pity the floaters on th' Ionian seas.
Encrease thy Subject-Gods, nor yet disdain
To add my kindred to that glorious train.
If from the sea I may such honours claim,
If 'tis desert, that from the sea I came,
As Grecian poets artfully have sung,
And in the name confest, from whence I sprung.

Pleas'd Neptune nodded his assent, and free
Both soon became from frail mortality.
He gave them form, and majesty divine,
And bad them glide along the foamy brine.
For Melicerta is Palaemon known,
And Ino once, Leucothoe is grown.

The Transformation of the Theban Matrons

The Theban matrons their lov'd queen pursu'd,
And tracing to the rock, her footsteps view'd.
Too certain of her fate, they rend the skies
With piteous shrieks, and lamentable cries.
All beat their breasts, and Juno all upbraid,
Who still remember'd a deluded maid:
Who, still revengeful for one stol'n embrace,
Thus wreak'd her hate on the Cadmean race.
This Juno heard: And shall such elfs, she cry'd,
Dispute my justice, or my pow'r deride?
You too shall feel my wrath not idly spent;
A Goddess never for insults was meant.

She, who lov'd most, and who most lov'd had been,
Said, Not the waves shall part me from my queen.
She strove to plunge into the roaring flood;
Fix'd to the stone, a stone her self she stood.
This, on her breast would fain her blows repeat,
Her stiffen'd hands refus'd her breast to beat.
That, stretch'd her arms unto the seas; in vain
Her arms she labour'd to unstretch again.
To tear her comely locks another try'd,
Both comely locks, and fingers petryfi'd.
Part thus; but Juno with a softer mind
Part doom'd to mix among the feather'd kind.
Transform'd, the name of Theban birds they keep,
And skim the surface of that fatal deep.

Cadmus and his Queen transform'd to Serpents

Mean-time, the wretched Cadmus mourns, nor knows,
That they who mortal fell, immortal rose.
With a long series of new ills opprest,
He droops, and all the man forsakes his breast.
Strange prodigies confound his frighted eyes;
From the fair city, which he rais'd, he flies:
As if misfortune not pursu'd his race,
But only hung o'er that devoted place.
Resolv'd by sea to seek some distant land,
At last he safely gain'd th' Illyrian strand.
Chearless himself, his consort still he chears,
Hoary, and loaden'd both with woes and years.
Then to recount past sorrows they begin,
And trace them to the gloomy origin.
That serpent sure was hallow'd, Cadmus cry'd,
Which once my spear transfix'd with foolish pride;
When the big teeth, a seed before unknown,
By me along the wond'ring glebe were sown,
And sprouting armies by themselves o'erthrown.
If thence the wrath of Heav'n on me is bent,
May Heav'n conclude it with one sad event;
To an extended serpent change the man:
And while he spoke, the wish'd-for change began.
His skin with sea-green spots was vary'd 'round,
And on his belly prone he prest the ground.
He glitter'd soon with many a golden scale,
And his shrunk legs clos'd in a spiry tail.
Arms yet remain'd, remaining arms he spread
To his lov'd wife, and human tears yet shed.
Come, my Harmonia, come, thy face recline
Down to my face; still touch, what still is mine.
O! let these hands, while hands, be gently prest,
While yet the serpent has not all possest.
More he had spoke, but strove to speak in vain,
The forky tongue refus'd to tell his pain,
And learn'd in hissings only to complain.

Then shriek'd Harmonia, Stay, my Cadmus, stay,
Glide not in such a monstrous shape away!
Destruction, like impetuous waves, rouls on.
Where are thy feet, thy legs, thy shoulders gone?
Chang'd is thy visage, chang'd is all thy frame;
Cadmus is only Cadmus now in name.
Ye Gods, my Cadmus to himself restore,
Or me like him transform; I ask no more.

The husband-serpent show'd he still had thought,
With wonted fondness an embrace he sought;
Play'd 'round her neck in many a harmless twist,
And lick'd that bosom, which, a man, he kist.
The lookers-on (for lookers-on there were)
Shock'd at the sight, half-dy'd away with fear.
The transformation was again renew'd,
And, like the husband, chang'd the wife they view'd.
Both, serpents now, with fold involv'd in fold,
To the next covert amicably roul'd.
There curl'd they lie, or wave along the green,
Fearless see men, by men are fearless seen,
Still mild, and conscious what they once have been.

The Story of Perseus

Yet tho' this harsh, inglorious fate they found,
Each in the deathless grandson liv'd renown'd.
Thro' conquer'd India Bacchus nobly rode,
And Greece with temples hail'd the conqu'ring God.
In Argos only proud Acrisius reign'd,
Who all the consecrated rites profan'd.
Audacious wretch! thus Bacchus to deny,
And the great Thunderer's great son defie!
Nor him alone: thy daughter vainly strove,
Brave Perseus of celestial stem to prove,
And her self pregnant by a golden Jove.
Yet this was true, and truth in time prevails;
Acrisius now his unbelief bewails.
His former thought, an impious thought he found,
And both the heroe, and the God were own'd.
He saw, already one in Heav'n was plac'd,
And one with more than mortal triumphs grac'd,
The victor Perseus with the Gorgon-head,
O'er Libyan sands his airy journey sped.
The gory drops distill'd, as swift he flew,
And from each drop envenom'd serpents grew,
The mischiefs brooded on the barren plains,
And still th' unhappy fruitfulness remains.

Atlas transform'd to a Mountain

Thence Perseus, like a cloud, by storms was driv'n,
Thro' all th' expanse beneath the cope of Heaven.
The jarring winds unable to controul,
He saw the southern, and the northern pole:
And eastward thrice, and westward thrice was whirl'd,
And from the skies survey'd the nether world.
But when grey ev'ning show'd the verge of night,
He fear'd in darkness to pursue his flight.
He pois'd his pinions, and forgot to soar,
And sinking, clos'd them on th' Hesperian shore:
Then beg'd to rest, 'till Lucifer begun
To wake the morn, the morn to wake the sun.

Here Atlas reign'd, of more than human size,
And in his kingdom the world's limit lies.
Here Titan bids his weary'd coursers sleep,
And cools the burning axle in the deep.
The mighty monarch, uncontrol'd, alone,
His sceptre sways: no neighb'ring states are known.
A thousand flocks on shady mountains fed,
A thousand herds o'er grassy plains were spread.
Here wond'rous trees their shining stores unfold,
Their shining stores too wond'rous to be told,
Their leafs, their branches, and their apples, gold.
Then Perseus the gigantick prince addrest,
Humbly implor'd a hospitable rest.
If bold exploits thy admiration fire,
He said, I fancy, mine thou wilt admire.
Or if the glory of a race can move,
Not mean my glory, for I spring from Jove.
At this confession Atlas ghastly star'd,
Mindful of what an oracle declar'd,
That the dark womb of Time conceal'd a day,
Which should, disclos'd, the bloomy gold betray:
All should at once be ravish'd from his eyes,
And Jove's own progeny enjoy the prize.
For this, the fruit he loftily immur'd,
And a fierce dragon the strait pass secur'd.
For this, all strangers he forbad to land,
And drove them from th' inhospitable strand.
To Perseus then: Fly quickly, fly this coast,
Nor falsly dare thy acts and race to boast.
In vain the heroe for one night entreats,
Threat'ning he storms, and next adds force to threats.
By strength not Perseus could himself defend,
For who in strength with Atlas could contend?
But since short rest to me thou wilt not give,
A gift of endless rest from me receive,
He said, and backward turn'd, no more conceal'd
The present, and Medusa's head reveal'd.
Soon the high Atlas a high mountain stood,
His locks, and beard became a leafy wood.
His hands, and shoulders, into ridges went,
The summit-head still crown'd the steep ascent.
His bones a solid, rocky hardness gain'd:
He, thus immensely grown (as fate ordain'd),
The stars, the Heav'ns, and all the Gods sustain'd.

Andromeda rescu'd from the Sea Monster

Now Aeolus had with strong chains confin'd,
And deep imprison'd e'vry blust'ring wind,
The rising Phospher with a purple light
Did sluggish mortals to new toils invite.
His feet again the valiant Perseus plumes,
And his keen sabre in his hand resumes:
Then nobly spurns the ground, and upwards springs,
And cuts the liquid air with sounding wings.
O'er various seas, and various lands he past,
'Till Aethiopia's shore appear'd at last.
Andromeda was there, doom'd to attone
By her own ruin follies not her own:
And if injustice in a God can be,
Such was the Libyan God's unjust decree.
Chain'd to a rock she stood; young Perseus stay'd
His rapid flight, to view the beauteous maid.
So sweet her frame, so exquisitely fine,
She seem'd a statue by a hand divine,
Had not the wind her waving tresses show'd,
And down her cheeks the melting sorrows flow'd.
Her faultless form the heroe's bosom fires;
The more he looks, the more he still admires.
Th' admirer almost had forgot to fly,
And swift descended, flutt'ring from on high.
O! Virgin, worthy no such chains to prove,
But pleasing chains in the soft folds of love;
Thy country, and thy name (he said) disclose,
And give a true rehearsal of thy woes.

A quick reply her bashfulness refus'd,
To the free converse of a man unus'd.
Her rising blushes had concealment found
From her spread hands, but that her hands were bound.
She acted to her full extent of pow'r,
And bath'd her face with a fresh, silent show'r.
But by degrees in innocence grown bold,
Her name, her country, and her birth she told:
And how she suffer'd for her mother's pride,
Who with the Nereids once in beauty vy'd.
Part yet untold, the seas began to roar,
And mounting billows tumbled to the shore.
Above the waves a monster rais'd his head,
His body o'er the deep was widely spread:
Onward he flounc'd; aloud the virgin cries;
Each parent to her shrieks in shrieks replies:
But she had deepest cause to rend the skies.
Weeping, to her they cling; no sign appears
Of help, they only lend their helpless tears.
Too long you vent your sorrows, Perseus said,
Short is the hour, and swift the time of aid,
In me the son of thund'ring Jove behold,
Got in a kindly show'r of fruitful gold.
Medusa's snaky head is now my prey,
And thro' the clouds I boldly wing my way.
If such desert be worthy of esteem,
And, if your daughter I from death redeem,
Shall she be mine? Shall it not then be thought,
A bride, so lovely, was too cheaply bought?
For her my arms I willingly employ,
If I may beauties, which I save, enjoy.
The parents eagerly the terms embrace:
For who would slight such terms in such a case?
Nor her alone they promise, but beside,
The dowry of a kingdom with the bride.

As well-rigg'd gallies, which slaves, sweating, row,
With their sharp beaks the whiten'd ocean plough;
So when the monster mov'd, still at his back
The furrow'd waters left a foamy track.
Now to the rock he was advanc'd so nigh,
Whirl'd from a sling a stone the space would fly.
Then bounding, upwards the brave Perseus sprung,
And in mid air on hov'ring pinions hung.
His shadow quickly floated on the main;
The monster could not his wild rage restrain,
But at the floating shadow leap'd in vain.
As when Jove's bird, a speckl'd serpent spies,
Which in the shine of Phoebus basking lies,
Unseen, he souses down, and bears away,
Truss'd from behind, the vainly-hissing prey.
To writh his neck the labour nought avails,
Too deep th' imperial talons pierce his scales.
Thus the wing'd heroe now descends, now soars,
And at his pleasure the vast monster gores.
Full in his back, swift stooping from above,
The crooked sabre to its hilt he drove.
The monster rag'd, impatient of the pain,
First bounded high, and then sunk low again.
Now, like a savage boar, when chaf'd with wounds,
And bay'd with opening mouths of hungry hounds,
He on the foe turns with collected might,
Who still eludes him with an airy flight;
And wheeling round, the scaly armour tries
Of his thick sides; his thinner tall now plies:
'Till from repeated strokes out gush'd a flood,
And the waves redden'd with the streaming blood.
At last the dropping wings, befoam'd all o'er,
With flaggy heaviness their master bore:
A rock he spy'd, whose humble head was low,
Bare at an ebb, but cover'd at a flow.
A ridgy hold, he, thither flying, gain'd,
And with one hand his bending weight sustain'd;
With th' other, vig'rous blows he dealt around,
And the home-thrusts the expiring monster own'd.
In deaf'ning shouts the glad applauses rise,
And peal on peal runs ratling thro' the skies.
The saviour-youth the royal pair confess,
And with heav'd hands their daughter's bridegroom bless.

The beauteous bride moves on, now loos'd from chains,
The cause, and sweet reward of all the heroe's pains,

Mean-time, on shore triumphant Perseus stood,
And purg'd his hands, smear'd with the monster's blood:
Then in the windings of a sandy bed
Compos'd Medusa's execrable head.
But to prevent the roughness, leafs he threw,
And young, green twigs, which soft in waters grew,
There soft, and full of sap; but here, when lay'd,
Touch'd by the head, that softness soon decay'd.
The wonted flexibility quite gone,
The tender scyons harden'd into stone.
Fresh, juicy twigs, surpriz'd, the Nereids brought,
Fresh, juicy twigs the same contagion caught.
The nymphs the petrifying seeds still keep,
And propagate the wonder thro' the deep.
The pliant sprays of coral yet declare
Their stiff'ning Nature, when expos'd to air.
Those sprays, which did, like bending osiers, move,
Snatch'd from their element, obdurate prove,
And shrubs beneath the waves, grow stones above.

The great immortals grateful Perseus prais'd,
And to three Pow'rs three turfy altars rais'd.
To Hermes this; and that he did assign
To Pallas: the mid honours, Jove, were thine,
He hastes for Pallas a white cow to cull,
A calf for Hermes, but for Jove a bull.
Then seiz'd the prize of his victorious fight,
Andromeda, and claim'd the nuptial rite.
Andromeda alone he greatly sought,
The dowry kingdom was not worth his thought.

Pleas'd Hymen now his golden torch displays;
With rich oblations fragrant altars blaze,
Sweet wreaths of choicest flow'rs are hung on high,
And cloudless pleasure smiles in ev'ry eye.
The melting musick melting thoughts inspires,
And warbling songsters aid the warbling lyres.
The palace opens wide in pompous state,
And by his peers surrounded, Cepheus sate.
A feast was serv'd, fit for a king to give,
And fit for God-like heroes to receive.
The banquet ended, the gay, chearful bowl
Mov'd round, and brighten'd, and enlarg'd each soul.
Then Perseus ask'd, what customs there obtain'd,
And by what laws the people were restrain'd.
Which told; the teller a like freedom takes,
And to the warrior his petition makes,
To know, what arts had won Medusa's snakes.

The Story of Medusa's Head

The heroe with his just request complies,
Shows, how a vale beneath cold Atlas lies,
Where, with aspiring mountains fenc'd around,
He the two daughters of old Phorcus found.
Fate had one common eye to both assign'd,
Each saw by turns, and each by turns was blind.
But while one strove to lend her sister sight,
He stretch'd his hand, and stole their mutual light,
And left both eyeless, both involv'd in night.
Thro' devious wilds, and trackless woods he past,
And at the Gorgon-seats arriv'd at last:
But as he journey'd, pensive he survey'd,
What wasteful havock dire Medusa made.
Here, stood still breathing statues, men before;
There, rampant lions seem'd in stone to roar.
Nor did he, yet affrighted, quit the field,
But in the mirror of his polish'd shield
Reflected saw Medusa slumbers take,
And not one serpent by good chance awake.
Then backward an unerring blow he sped,
And from her body lop'd at once her head.
The gore prolifick prov'd; with sudden force
Sprung Pegasus, and wing'd his airy course.

The Heav'n-born warrior faithfully went on,
And told the num'rous dangers which he run.
What subject seas, what lands he had in view,
And nigh what stars th' advent'rous heroe flew.
At last he silent sate; the list'ning throng
Sigh'd at the pause of his delightful tongue.
Some beg'd to know, why this alone should wear,
Of all the sisters, such destructive hair.

Great Perseus then: With me you shall prevail,
Worth the relation, to relate a tale.
Medusa once had charms; to gain her love
A rival crowd of envious lovers strove.
They, who have seen her, own, they ne'er did trace
More moving features in a sweeter face.
Yet above all, her length of hair, they own,
In golden ringlets wav'd, and graceful shone.
Her Neptune saw, and with such beauties fir'd,
Resolv'd to compass, what his soul desir'd.
In chaste Minerva's fane, he, lustful, stay'd,
And seiz'd, and rifled the young, blushing maid.
The bashful Goddess turn'd her eyes away,
Nor durst such bold impurity survey;
But on the ravish'd virgin vengeance takes,
Her shining hair is chang'd to hissing snakes.
These in her Aegis Pallas joys to bear,
The hissing snakes her foes more sure ensnare,
Than they did lovers once, when shining hair.

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~ Ovid, BOOK THE FOURTH

,
1202:BOOK THE SEVENTH

The Story of Medea and Jason

The Argonauts now stemm'd the foaming tide,
And to Arcadia's shore their course apply'd;
Where sightless Phineus spent his age in grief,
But Boreas' sons engage in his relief;
And those unwelcome guests, the odious race
Of Harpyes, from the monarch's table chase.
With Jason then they greater toils sustain,
And Phasis' slimy banks at last they gain,
Here boldly they demand the golden prize
Of Scythia's king, who sternly thus replies:
That mighty labours they must first o'ercome,
Or sail their Argo thence unfreighted home.
Meanwhile Medea, seiz'd with fierce desire,
By reason strives to quench the raging fire;
But strives in vain!- Some God (she said) withstands,
And reason's baffl'd council countermands.
What unseen Pow'r does this disorder move?
'Tis love,- at least 'tis like, what men call love.
Else wherefore shou'd the king's commands appear
To me too hard?- But so indeed they are.
Why shou'd I for a stranger fear, lest he
Shou'd perish, whom I did but lately see?
His death, or safety, what are they to me?
Wretch, from thy virgin-breast this flame expel,
And soon- Oh cou'd I, all wou'd then be well!
But love, resistless love, my soul invades;
Discretion this, affection that perswades.
I see the right, and I approve it too,
Condemn the wrong- and yet the wrong pursue.
Why, royal maid, shou'dst thou desire to wed
A wanderer, and court a foreign bed?
Thy native land, tho' barb'rous, can present
A bridegroom worth a royal bride's content:
And whether this advent'rer lives, or dies,
In Fate, and Fortune's fickle pleasure lies.
Yet may be live! for to the Pow'rs above,
A virgin, led by no impulse of love,
So just a suit may, for the guiltless, move.
Whom wou'd not Jason's valour, youth and blood
Invite? or cou'd these merits be withstood,
At least his charming person must encline
The hardest heart- I'm sure 'tis so with mine!
Yet, if I help him not, the flaming breath
Of bulls, and earth-born foes, must be his death.
Or, should he through these dangers force his way,
At last he must be made the dragon's prey.
If no remorse for such distress I feel,
I am a tigress, and my breast is steel.
Why do I scruple then to see him slain,
And with the tragick scene my eyes prophane?
My magick's art employ, not to asswage
The Salvages, but to enflame their rage?
His earth-born foes to fiercer fury move,
And accessary to his murder prove?
The Gods forbid- But pray'rs are idle breath,
When action only can prevent his death.
Shall I betray my father, and the state,
To intercept a rambling hero's fate;
Who may sail off next hour, and sav'd from harms
By my assistance, bless another's arms?
Whilst I, not only of my hopes bereft,
But to unpity'd punishment am left.
If he is false, let the ingrateful bleed!
But no such symptom in his looks I read.
Nature wou'd ne'er have lavish'd so much grace
Upon his person, if his soul were base.
Besides, he first shall plight his faith, and swear
By all the Gods; what therefore can'st thou fear?
Medea haste, from danger set him free,
Jason shall thy eternal debtor be.
And thou, his queen, with sov'raign state enstall'd,
By Graecian dames the Kind Preserver call'd.
Hence idle dreams, by love-sick fancy bred!
Wilt thou, Medea, by vain wishes led,
To sister, brother, father bid adieu?
Forsake thy country's Gods, and country too?
My father's harsh, my brother but a child,
My sister rivals me, my country's wild;
And for its Gods, the greatest of 'em all
Inspires my breast, and I obey his call.
That great endearments I forsake, is true,
But greater far the hopes that I pursue:
The pride of having sav'd the youths of Greece
(Each life more precious than our golden fleece);
A nobler soil by me shall be possest,
I shall see towns with arts and manners blest;
And, what I prize above the world beside,
Enjoy my Jason- and when once his bride,
Be more than mortal, and to Gods ally'd.
They talk of hazards I must first sustain,
Of floating islands justling in the main;
Our tender barque expos'd to dreadful shocks
Of fierce Charybdis' gulf, and Scylla's rocks,
Where breaking waves in whirling eddies rowl,
And rav'nous dogs that in deep caverns howl:
Amidst these terrors, while I lye possest
Of him I love, and lean on Jason's breast,
In tempests unconcern'd I will appear,
Or, only for my husband's safety fear.
Didst thou say husband?- canst thou so deceive
Thy self, fond maid, and thy own cheat believe?
In vain thou striv'st to varnish o'er thy shame,
And grace thy guilt with wedlock's sacred name.
Pull off the coz'ning masque, and oh! in time
Discover and avoid the fatal crime.
She ceas'd- the Graces now, with kind surprize,
And virtue's lovely train, before her eyes
Present themselves, and vanquish'd Cupid flies.

She then retires to Hecate's shrine, that stood
Far in the covert of a shady wood:
She finds the fury of her flames asswag'd,
But, seeing Jason there, again they rag'd.
Blushes, and paleness did by turns invade
Her tender cheeks, and secret grief betray'd.
As fire, that sleeping under ashes lyes,
Fresh-blown, and rous'd, does up in blazes rise,
So flam'd the virgin's breast-
New kindled by her lover's sparkling eyes.
For chance, that day, had with uncommon grace
Adorn'd the lovely youth, and through his face
Display'd an air so pleasing as might charm
A Goddess, and a Vestal's bosom warm.
Her ravish'd eyes survey him o'er and o'er,
As some gay wonder never seen before;
Transported to the skies she seems to be,
And thinks she gazes on a deity.
But when he spoke, and prest her trembling hand,
And did with tender words her aid demand,
With vows, and oaths to make her soon his bride,
She wept a flood of tears, and thus reply'd:
I see my error, yet to ruin move,
Nor owe my fate to ignorance, but love:
Your life I'll guard, and only crave of you
To swear once more- and to your oath be true.
He swears by Hecate he would all fulfil,
And by her grandfa ther's prophetick skill,
By ev'ry thing that doubting love cou'd press,
His present danger, and desir'd success.
She credits him, and kindly does produce
Enchanted herbs, and teaches him their use:
Their mystick names, and virtues he admires,
And with his booty joyfully retires.

The Dragon's Teeth transform'd to Men

Impatient for the wonders of the day,
Aurora drives the loyt'ring stars away.
Now Mars's mount the pressing people fill,
The crowd below, the nobles crown the hill;
The king himself high-thron'd above the rest,
With iv'ry scepter, and in purple drest.

Forthwith the brass-hoof'd bulls are set at large,
Whose furious nostrils sulph'rous flame discharge:
The blasted herbage by their breath expires;
As forges rumble with excessive fires,
And furnaces with fiercer fury glow,
When water on the panting mass ye throw;
With such a noise, from their convulsive breast,
Thro' bellowing throats, the struggling vapour prest.

Yet Jason marches up without concern,
While on th' advent'rous youth the monsters turn
Their glaring eyes, and, eager to engage,
Brandish their steel-tipt horns in threatning rage:
With brazen hoofs they beat the ground, and choak
The ambient air with clouds of dust and smoak:
Each gazing Graecian for his champion shakes,
While bold advances he securely makes
Thro' sindging blasts; such wonders magick art
Can work, when love conspires, and plays his part.
The passive savages like statues stand,
While he their dew-laps stroaks with soothing hand;
To unknown yokes their brawny necks they yield,
And, like tame oxen, plow the wond'ring field.
The Colchians stare; the Graecians shout, and raise
Their champion's courage with inspiring praise.

Embolden'd now, on fresh attempts he goes,
With serpent's teeth the fertile furrows sows;
The glebe, fermenting with inchanted juice,
Makes the snake's teeth a human crop produce.
For as an infant, pris'ner to the womb,
Contented sleeps, 'till to perfection come,
Then does the cell's obscure confinement scorn,
He tosses, throbs, and presses to be born;
So from the lab'ring Earth no single birth,
But a whole troop of lusty youths rush forth;
And, what's more strange, with martial fury warm'd,
And for encounter all compleatly arm'd;
In rank and file, as they were sow'd, they stand,
Impatient for the signal of command.
No foe but the Aemonian youth appears;
At him they level their steel-pointed spears;
His frighted friends, who triumph'd, just before,
With peals of sighs his desp'rate case deplore:
And where such hardy warriors are afraid,
What must the tender, and enamour'd maid?
Her spirits sink, the blood her cheek forsook;
She fears, who for his safety undertook:
She knew the vertue of the spells she gave,
She knew the force, and knew her lover brave;
But what's a single champion to an host?
Yet scorning thus to see him tamely lost,
Her strong reserve of secret arts she brings,
And last, her never-failing song she sings.
Wonders ensue; among his gazing foes
The massy fragment of a rock he throws;
This charm in civil war engag'd 'em all;
By mutual wounds those Earth-born brothers fall.

The Greeks, transported with the strange success,
Leap from their seats the conqu'ror to caress;
Commend, and kiss, and clasp him in their arms:
So would the kind contriver of the charms;
But her, who felt the tenderest concern,
Honour condemns in secret flames to burn;
Committed to a double guard of fame,
Aw'd by a virgin's, and a princess' name.
But thoughts are free, and fancy unconfin'd,
She kisses, courts, and hugs him in her mind;
To fav'ring Pow'rs her silent thanks she gives,
By whose indulgence her lov'd hero lives.

One labour more remains, and, tho' the last,
In danger far surmounting all the past;
That enterprize by Fates in store was kept,
To make the dragon sleep that never slept,
Whose crest shoots dreadful lustre; from his jaws
A tripple tire of forked stings he draws,
With fangs, and wings of a prodigious size:
Such was the guardian of the golden prize.
Yet him, besprinkled with Lethaean dew,
The fair inchantress into slumber threw;
And then, to fix him, thrice she did repeat
The rhyme, that makes the raging winds retreat,
In stormy seas can halcyon seasons make,
Turn rapid streams into a standing lake;
While the soft guest his drowzy eye-lids seals,
Th' ungarded golden fleece the stranger steals;
Proud to possess the purchase of his toil,
Proud of his royal bride, the richer spoil;
To sea both prize, and patroness he bore,
And lands triumphant on his native shore.

Old Aeson restor'd to Youth

Aemonian matrons, who their absence mourn'd,
Rejoyce to see their prosp'rous sons return'd:
Rich curling fumes of incense feast the skies,
An hecatomb of voted victims dies,
With gilded horns, and garlands on their head,
And all the pomp of death, to th' altar led.
Congratulating bowls go briskly round,
Triumphant shouts in louder musick drown'd.
Amidst these revels, why that cloud of care
On Jason's brow? (to whom the largest share
Of mirth was due)- His father was not there.
Aeson was absent, once the young, and brave,
Now crush'd with years, and bending to the grave.
At last withdrawn, and by the crowd unseen,
Pressing her hand (with starting sighs between),
He supplicates his kind, and skilful queen.

O patroness! preserver of my life!
(Dear when my mistress, and much dearer wife)
Your favours to so vast a sum amount,
'Tis past the pow'r of numbers to recount;
Or cou'd they be to computation brought,
The history would a romance be thought:
And yet, unless you add one favour more,
Greater than all that you conferr'd before,
But not too hard for love and magick skill,
Your past are thrown away, and Jason's wretched still.
The morning of my life is just begun,
But my declining father's race is run;
From my large stock retrench the long arrears,
And add 'em to expiring Aeson's years.

Thus spake the gen'rous youth, and wept the rest.
Mov'd with the piety of his request,
To his ag'd sire such filial duty shown,
So diff'rent from her treatment of her own,
But still endeav'ring her remorse to hide,
She check'd her rising sighs, and thus reply'd.

How cou'd the thought of such inhuman wrong
Escape (said she) from pious Jason's tongue?
Does the whole world another Jason bear,
Whose life Medea can to yours prefer?
Or cou'd I with so dire a change dispence,
Hecate will never join in that offence:
Unjust is the request you make, and I
In kindness your petition shall deny;
Yet she that grants not what you do implore,
Shall yet essay to give her Jason more;
Find means t' encrease the stock of Aeson's years,
Without retrenchment of your life's arrears;
Provided that the triple Goddess join
A strong confed'rate in my bold design.

Thus was her enterprize resolv'd; but still
Three tedious nights are wanting to fulfil
The circling crescents of th' encreasing moon;
Then, in the height of her nocturnal noon,
Medea steals from court; her ankles bare,
Her garments closely girt, but loose her hair;
Thus sally'd, like a solitary sprite,
She traverses the terrors of the night.

Men, beasts, and birds in soft repose lay charm'd,
No boistrous wind the mountain-woods alarm'd;
Nor did those walks of love, the myrtle-trees,
Of am'rous Zephir hear the whisp'ring breeze;
All elements chain'd in unactive rest,
No sense but what the twinkling stars exprest;
To them (that only wak'd) she rears her arm,
And thus commences her mysterious charms.

She turn'd her thrice about, as oft she threw
On her pale tresses the nocturnal dew;
Then yelling thrice a most enormous sound,
Her bare knee bended on the flinty ground.
O night (said she) thou confident and guide
Of secrets, such as darkness ought to hide;
Ye stars and moon, that, when the sun retires,
Support his empire with succeeding fires;
And thou, great Hecate, friend to my design;
Songs, mutt'ring spells, your magick forces join;
And thou, O Earth, the magazine that yields
The midnight sorcerer drugs; skies, mountains, fields;
Ye wat'ry Pow'rs of fountain, stream, and lake;
Ye sylvan Gods, and Gods of night, awake,
And gen'rously your parts in my adventure take.

Oft by your aid swift currents I have led
Thro' wand'ring banks, back to their fountain head;
Transformed the prospect of the briny deep,
Made sleeping billows rave, and raving billows sleep;
Made clouds, or sunshine; tempests rise, or fall;
And stubborn lawless winds obey my call:
With mutter'd words disarm'd the viper's jaw;
Up by the roots vast oaks, and rocks cou'd draw,
Make forests dance, and trembling mountains come,
Like malefactors, to receive their doom;
Earth groan, and frighted ghosts forsake their tomb.
Thee, Cynthia, my resistless rhymes drew down,
When tinkling cymbals strove my voice to drown;
Nor stronger Titan could their force sustain,
In full career compell'd to stop his wain:
Nor could Aurora's virgin blush avail,
With pois'nous herbs I turn'd her roses pale;
The fury of the fiery bulls I broke,
Their stubborn necks submitting to my yoke;
And when the sons of Earth with fury burn'd,
Their hostile rage upon themselves I turn'd;
The brothers made with mutual wounds to bleed,
And by their fatal strife my lover freed;
And, while the dragon slept, to distant Greece,
Thro' cheated guards, convey'd the golden fleece.
But now to bolder action I proceed,
Of such prevailing juices now have need,
That wither'd years back to their bloom can bring,
And in dead winter raise a second spring.
And you'll perform't-
You will; for lo! the stars, with sparkling fires,
Presage as bright success to my desires:
And now another happy omen see!
A chariot drawn by dragons waits for me.

With these last words he leaps into the wain,
Stroaks the snakes' necks, and shakes the golden rein;
That signal giv'n, they mount her to the skies,
And now beneath her fruitful Tempe lies,
Whose stories she ransacks, then to Crete she flies;
There Ossa, Pelion, Othrys, Pindus, all
To the fair ravisher, a booty fall;
The tri bute of their verdure she collects,
Nor proud Olympus' height his plants protects.
Some by the roots she plucks; the tender tops
Of others with her culling sickle crops.
Nor could the plunder of the hills suffice,
Down to the humble vales, and meads she flies;
Apidanus, Amphrysus, the next rape
Sustain, nor could Enipeus' bank escape;
Thro' Beebe's marsh, and thro' the border rang'd
Whose pasture Glaucus to a Triton chang'd.

Now the ninth day, and ninth successive night,
Had wonder'd at the restless rover's flight;
Mean-while her dragons, fed with no repast,
But her exhaling simples od'rous blast,
Their tarnish'd scales, and wrinkled skins had cast.
At last return'd before her palace gate,
Quitting her chariot, on the ground she sate;
The sky her only canopy of state.
All conversation with her sex she fled,
Shun'd the caresses of the nuptial bed:
Two altars next of grassy turf she rears,
This Hecate's name, that Youth's inscription bears;
With forest-boughs, and vervain these she crown'd;
Then delves a double trench in lower ground,
And sticks a black-fleec'd ram, that ready stood,
And drench'd the ditches with devoted blood:
New wine she pours, and milk from th' udder warm,
With mystick murmurs to compleat the charm,
And subterranean deities alarm.
To the stern king of ghosts she next apply'd,
And gentle Proserpine, his ravish'd bride,
That for old Aeson with the laws of Fate
They would dispense, and leng then his short date;
Thus with repeated pray'rs she long assails
Th' infernal tyrant and at last prevails;
Then calls to have decrepit Aeson brought,
And stupifies him with a sleeping draught;
On Earth his body, like a corpse, extends,
Then charges Jason and his waiting friends
To quit the place, that no unhallow'd eye
Into her art's forbidden secrets pry.
This done, th' inchantress, with her locks unbound,
About her altars trips a frantick round;
Piece-meal the consecrated wood she splits,
And dips the splinters in the bloody pits,
Then hurles 'em on the piles; the sleeping sire
She lustrates thrice, with sulphur, water, fire.

In a large cauldron now the med'cine boils,
Compounded of her late-collected spoils,
Blending into the mesh the various pow'rs
Of wonder-working juices, roots, and flow'rs;
With gems i' th' eastern ocean's cell refin'd,
And such as ebbing tides had left behind;
To them the midnight's pearly dew she flings,
A scretch-owl's carcase, and ill boding wings;
Nor could the wizard wolf's warm entrails scape
(That wolf who counterfeits a human shape).
Then, from the bottom of her conj'ring bag,
Snakes' skins, and liver of a long-liv'd stag;
Last a crow's head to such an age arriv'd,
That he had now nine centuries surviv'd;
These, and with these a thousand more that grew
In sundry soils, into her pot she threw;
Then with a wither'd olive-bough she rakes
The bubling broth; the bough fresh verdure takes;
Green leaves at first the perish'd plant surround,
Which the next minute with ripe fruit were crown'd.
The foaming juices now the brink o'er-swell;
The barren heath, where-e'er the liquor fell,
Sprang out with vernal grass, and all the pride
Of blooming May- When this Medea spy'd,
She cuts her patient's throat; th' exhausted blood
Recruiting with her new enchanted flood;
While at his mouth, and thro' his op'ning wound,
A double inlet her infusion found;
His feeble frame resumes a youthful air,
A glossy brown his hoary beard and hair.
The meager paleness from his aspect fled,
And in its room sprang up a florid red;
Thro' all his limbs a youthful vigour flies,
His empty'd art'ries swell with fresh supplies:
Gazing spectators scarce believe their eyes.
But Aeson is the most surpriz'd to find
A happy change in body and in mind;
In sense and constitution the same man,
As when his fortieth active year began.

Bacchus, who from the clouds this wonder view'd,
Medea's method instantly pursu'd,
And his indulgent nurse's youth renew'd.

The Death of Pelias

Thus far obliging love employ'd her art,
But now revenge must act a tragick part;

Medea feigns a mortal quarrel bred
Betwixt her, and the partner of her bed;
On this pretence to Pelias' court she flies,
Who languishing with age and sickness lies:
His guiltless daughters, with inveigling wiles,
And well dissembled friendship, she beguiles:
The strange achievements of her art she tells,
With Aeson's cure, and long on that she dwells,
'Till them to firm perswasion she has won,
The same for their old father may be done:
For him they court her to employ her skill,
And put upon the cure what price she will.
At first she's mute, and with a grave pretence
Of difficulty, holds 'em in suspense;
Then promises, and bids 'em, from the fold
Chuse out a ram, the most infirm and old;
That so by fact their doubts may be remov'd,
And first on him the operation prov'd.

A wreath-horn'd ram is brought, so far o'er-grown
With years, his age was to that age unknown
Of sense too dull the piercing point to feel,
And scarce sufficient blood to stain the steel.
His carcass she into a cauldron threw,
With drugs whose vital qualities she knew;
His limbs grow less, he casts his horns, and years,
And tender bleatings strike their wond'ring ears.
Then instantly leaps forth a frisking lamb,
That seeks (too young to graze) a suckling dam.
The sisters, thus confirm'd with the success,
Her promise with renew'd entreaty press;
To countenance the cheat, three nights and days
Before experiment th' inchantress stays;
Then into limpid water, from the springs,
Weeds, and ingredients of no force she flings;
With antique ceremonies for pretence
And rambling rhymes without a word of sense.

Mean-while the king with all his guards lay bound
In magick sleep, scarce that of death so sound;
The daughters now are by the sorc'ress led
Into his chamber, and surround his bed.
Your father's health's concern'd, and can ye stay?
Unnat'ral nymphs, why this unkind delay?
Unsheath your swords, dismiss his lifeless blood,
And I'll recruit it with a vital flood:
Your father's life and health is in your hand,
And can ye thus like idle gazers stand?
Unless you are of common sense bereft,
If yet one spark of piety is left,
Dispatch a father's cure, and disengage
The monarch from his toilsome load of age:
Come- drench your weapons in his putrid gore;
'Tis charity to wound, when wounding will restore.

Thus urg'd, the poor deluded maids proceed,
Betray'd by zeal, to an inhumane deed,
And, in compassion, make a father bleed.
Yes, she who had the kindest, tend'rest heart,
Is foremost to perform the bloody part.

Yet, tho' to act the butchery betray'd,
They could not bear to see the wounds they made;
With looks averted, backward they advance,
Then strike, and stab, and leave the blows to chance.

Waking in consternation, he essays
(Weltring in blood) his feeble arms to raise:
Environ'd with so many swords- From whence
This barb'rous usage? what is my offence?
What fatal fury, what infernal charm,
'Gainst a kind father does his daughters arm?

Hearing his voice, as thunder-struck they stopt,
Their resolution, and their weapons dropt:
Medea then the mortal blow bestows,
And that perform'd, the tragick scene to close,
His corpse into the boiling cauldron throws.

Then, dreading the revenge that must ensue,
High mounted on her dragon-coach she flew;
And in her stately progress thro' the skies,
Beneath her shady Pelion first she spies,
With Othrys, that above the clouds did rise;
With skilful Chiron's cave, and neighb'ring ground,
For old Cerambus' strange escape renown'd,
By nymphs deliver'd, when the world was drown'd;
Who him with unexpected wings supply'd,
When delug'd hills a safe retreat deny'd.
Aeolian Pitane on her left hand
She saw, and there the statu'd dragon stand;
With Ida's grove, where Bacchus, to disguise
His son's bold theft, and to secure the prize,
Made the stoln steer a stag to represent;
Cocytus' father's sandy monument;
And fields that held the murder'd sire's remains,
Where howling Moera frights the startled plains.
Euryphilus' high town, with tow'rs defac'd
By Hercules, and matrons more disgrac'd
With sprouting horns, in signal punishment,
From Juno, or resenting Venus sent.
Then Rhodes, which Phoebus did so dearly prize,
And Jove no less severely did chastize;
For he the wizard native's pois'ning sight,
That us'd the farmer's hopeful crops to blight,
In rage o'erwhelm'd with everlasting night.
Cartheia's ancient walls come next in view,
Where once the sire almost a statue grew
With wonder, which a strange event did move,
His daughter turn'd into a turtle-dove.
Then Hyrie's lake, and Tempe's field o'er-ran,
Fam'd for the boy who there became a swan;
For there enamour'd Phyllius, like a slave,
Perform'd what tasks his paramour would crave.
For presents he had mountain-vultures caught,
And from the desart a tame lion brought;
Then a wild bull commanded to subdue,
The conquer'd savage by the horns he drew;
But, mock'd so oft, the treatment he disdains,
And from the craving boy this prize detains.
Then thus in choler the resenting lad:
Won't you deliver him?- You'll wish you had:
Nor sooner said, but, in a peevish mood,
Leapt from the precipice on which he stood:
The standers-by were struck with fresh surprize,
Instead of falling, to behold him rise
A snowy swan, and soaring to the skies.

But dearly the rash prank his mother cost,
Who ignorantly gave her son for lost;
For his misfortune wept, 'till she became
A lake, and still renown'd with Hyrie's name.

Thence to Latona's isle, where once were seen,
Transform'd to birds, a monarch, and his queen.
Far off she saw how old Cephisus mourn'd
His son, into a seele by Phoebus turn'd;
And where, astonish'd at a stranger sight,
Eumelus gaz'd on his wing'd daughter's flight.

Aetolian Pleuron she did next survey,
Where sons a mother's murder did essay,
But sudden plumes the matron bore away.
On her right hand, Cyllene, a fair soil,
Fair, 'till Menephron there the beauteous hill
Attempted with foul incest to defile.

Her harness'd dragons now direct she drives
For Corinth, and at Corinth she arrives;
Where, if what old tradition tells, be true,
In former ages men from mushrooms grew.

But here Medea finds her bed supply'd,
During her absence, by another bride;
And hopeless to recover her lost game,
She sets both bride and palace in a flame.
Nor could a rival's death her wrath asswage,
Nor stopt at Creon's family her rage,
She murders her own infants, in despight
To faithless Jason, and in Jason's sight;
Yet e'er his sword could reach her, up she springs,
Securely mounted on her dragon's wings.

The Story of Aegeus

From hence to Athens she directs her flight,
Where Phineus, so renown'd for doing right;
Where Periphas, and Polyphemon's neece,
Soaring with sudden plumes amaz'd the towns of Greece.

Here Aegeus so engaging she addrest,
That first he treats her like a royal guest;
Then takes the sorc'ress for his wedded wife;
The only blemish of his prudent life.

Mean-while his son, from actions of renown,
Arrives at court, but to his sire unknown.
Medea, to dispatch a dang'rous heir
(She knew him), did a pois'nous draught prepare;
Drawn from a drug, was long reserv'd in store
For desp'rate uses, from the Scythian shore;
That from the Echydnaean monster's jaws
Deriv'd its origin, and this the cause.

Thro' a dark cave a craggy passage lies,
To ours, ascending from the nether skies;
Thro' which, by strength of hand, Alcides drew
Chain'd Cerberus, who lagg'd, and restive grew,
With his blear'd eyes our brighter day to view.
Thrice he repeated his enormous yell,
With which he scares the ghosts, and startles Hell;
At last outragious (tho' compell'd to yield)
He sheds his foam in fury on the field,-
Which, with its own, and rankness of the ground,
Produc'd a weed, by sorcerers renown'd,
The strongest constitution to confound;
Call'd Aconite, because it can unlock
All bars, and force its passage thro' a rock.

The pious father, by her wheedles won,
Presents this deadly potion to his son;
Who, with the same assurance takes the cup,
And to the monarch's health had drank it up,
But in the very instant he apply'd
The goblet to his lips, old Aegeus spy'd
The iv'ry hilted sword that grac'd his side.
That certain signal of his son he knew,
And snatcht the bowl away; the sword he drew,
Resolv'd, for such a son's endanger'd life,
To sacrifice the most perfidious wife.
Revenge is swift, but her more active charms
A whirlwind rais'd, that snatch'd her from his arms.
While conjur'd clouds their baffled sense surprize,
She vanishes from their deluded eyes,
And thro' the hurricane triumphant flies.

The gen'rous king, altho' o'er-joy'd to find
His son was safe, yet bearing still in mind
The mischief by his treach'rous queen design'd;
The horrour of the deed, and then how near
The danger drew, he stands congeal'd with fear.
But soon that fear into devotion turns,
With grateful incense ev'ry altar burns;
Proud victims, and unconscious of their fate,
Stalk to the temple, there to die in state.
In Athens never had a day been found
For mirth, like that grand festival, renown'd.
Promiscuously the peers, and people dine,
Promiscuously their thankful voices join,
In songs of wit, sublim'd by spritely wine.
To list'ning spheres their joint applause they raise,
And thus resound their matchless Theseus' praise.

Great Theseus! Thee the Marathonian plain
Admires, and wears with pride the noble stain
Of the dire monster's blood, by valiant Theseus slain.
That now Cromyon's swains in safety sow,
And reap their fertile field, to thee they owe.
By thee th' infested Epidaurian coast
Was clear'd, and now can a free commerce boast.
The traveller his journey can pursue,
With pleasure the late dreadful valley view,
And cry, Here Theseus the grand robber slew.
Cephysus' cries to his rescu'd shore,
The merciless Procrustes is no more.
In peace, Eleusis, Ceres' rites renew,
Since Theseus' sword the fierce Cercyon slew.
By him the tort'rer Sinis was destroy'd,
Of strength (but strength to barb'rous use employ'd)
That tops of tallest pines to Earth could bend,
And thus in pieces wretched captives rend.
Inhuman Scyron now has breath'd his last,
And now Alcatho's roads securely past;
By Theseus slain, and thrown into the deep:
But Earth nor Sea his scatter'd bones wou'd keep,
Which, after floating long, a rock became,
Still infamous with Scyron's hated name.
When Fame to count thy acts and years proceeds,
Thy years appear but cyphers to thy deeds.
For thee, brave youth, as for our common-wealth,
We pray; and drink, in yours, the publick health.
Your praise the senate, and plebeians sing,
With your lov'd name the court, and cottage ring.
You make our shepherds and our sailors glad,
And not a house in this vast city's sad.

But mortal bliss will never come sincere,
Pleasure may lead, but grief brings up the rear;
While for his sons' arrival, rev'ling joy
Aegeus, and all his subjects does employ;
While they for only costly feasts prepare,
His neighb'ring monarch, Minos, threatens war:
Weak in land-forces, nor by sea more strong,
But pow'rful in a deep resented wrong
For a son's murder, arm'd with pious rage;
Yet prudently before he would engage,
To raise auxiliaries resolv'd to sail,
And with the pow'rful princes to prevail.

First Anaphe, then proud Astypalaea gains,
By presents that, and this by threats obtains:
Low Mycone, Cymolus, chalky soil,
Tall Cythnos, Scyros, flat Seriphos' isle;
Paros, with marble cliffs afar display'd;
Impregnable Sithonia; yet betray'd
To a weak foe by a gold-admiring maid,
Who, chang'd into a daw of sable hue,
Still hoards up gold, and hides it from the view.

But as these islands chearfully combine,
Others refuse t' embark in his design.
Now leftward with an easy sail he bore,
And prosp'rous passage to Oenopia's shore;
Oenopia once, but now Aegina call'd,
And with his royal mother's name install'd
By Aeacus, under whose reign did spring
The Myrmidons, and now their reigning king.

Down to the port, amidst the rabble, run
The princes of the blood; with Telamon,
Peleus the next, and Phocus the third son:
Then Aeacus, altho' opprest with years,
To ask the cause of their approach appears.

That question does the Gnossian's grief renew,
And sighs from his afflicted bosom drew;
Yet after a short solemn respite made,
The ruler of the hundred cities said:

Assist our arms, rais'd for a murder'd son,
In this religious war no risque you'll run:
Revenge the dead- for who refuse to give
Rest to their urns, unworthy are to live.

What you request, thus Aeacus replies,
Not I, but truth and common faith denies;
Athens and we have long been sworn allies:
Our leagues are fix'd, confed'rate are our pow'rs,
And who declare themselves their foes, are ours.

Minos rejoins, Your league shall dearly cost
(Yet, mindful how much safer 'twas to boast,
Than there to waste his forces, and his fame,
Before in field with his grand foe he came),
Parts without blows- nor long had left the shore,
E're into port another navy bore,
With Cephalus, and all his jolly crew;
Th' Aeacides their old acquaintance knew:
The princes bid him welcome, and in state
Conduct the heroe to their palace gate;
Who entr'ring, seem'd the charming mein to wear,
As when in youth he paid his visit there.
In his right hand an olive-branch he holds,
And, salutation past, the chief unfolds
His embassy from the Athenian state,
Their mutual friendship, leagues of ancient date;
Their common danger, ev'ry thing cou'd wake
Concern, and his address successful make:
Strength'ning his plea with all the charms of sense,
And those, with all the charms of eloquence.

Then thus the king: Like suitors do you stand
For that assistance which you may command?
Athenians, all our listed forces use
(They're such as no bold service will refuse);
And when y' ave drawn them off, the Gods be prais'd,
Fresh legions can within our isle be rais'd:
So stock'd with people, that we can prepare
Both for domestick, and for distant war,
Ours, or our friends' insulters to chastize.

Long may ye flourish thus, the prince replies.
Strange transport seiz'd me as I pass'd along,
To meet so many troops, and all so young,
As if your army did of twins consist;
Yet amongst them my late acquaintance miss'd:
Ev'n all that to your palace did resort,
When first you entertain'd me at your court;
And cannot guess the cause from whence cou'd spring
So vast a change- Then thus the sighing king:

Illustrious guest, to my strange tale attend,
Of sad beginning, but a joyful end:
The whole to a vast history wou'd swell,
I shall but half, and that confus'dly, tell.
That race whom so deserv'dly you admir'd,
Are all into their silent tombs retir'd:
They fell; and falling, how they shook my state,
Thought may conceive, but words can ne'er relate.

The Story of Ants chang'd to Men

A dreadful plague from angry Juno came,
To scourge the land, that bore her rival's name;
Before her fatal anger was reveal'd,
And teeming malice lay as yet conceal'd,
All remedies we try, all med'cines use,
Which Nature cou'd supply, or art produce;
Th' unconquer'd foe derides the vain design,
And art, and Nature foil'd, declare the cause divine.

At first we only felt th' oppressive weight
Of gloomy clouds, then teeming with our fate,
And lab'ring to discarge unactive heat:
But ere four moons alternate changes knew,
With deadly blasts the fatal South-wind blew,
Infected all the air, and poison'd as it flew.
Our fountains too a dire infection yield,
For crowds of vipers creep along the field,
And with polluted gore, and baneful steams,
Taint all the lakes, and venom all the streams.

The young disease with milder force began,
And rag'd on birds, and beasts, excusing Man.
The lab'ring oxen fall before the plow,
Th' unhappy plow-men stare, and wonder how:
The tabid sheep, with sickly bleatings, pines;
Its wool decreasing, as its strength declines:
The warlike steed, by inward foes compell'd,
Neglects his honours, and deserts the field;
Unnerv'd, and languid, seeks a base retreat,
And at the manger groans, but wish'd a nobler fate:
The stags forget their speed, the boars their rage,
Nor can the bears the stronger herds engage:
A gen'ral faintness does invade 'em all,
And in the woods, and fields, promiscuously they fall.
The air receives the stench, and (strange to say)
The rav'nous birds and beasts avoid the prey:
Th' offensive bodies rot upon the ground,
And spread the dire contagion all around.

But now the plague, grown to a larger size,
Riots on Man, and scorns a meaner prize.
Intestine heats begin the civil war,
And flushings first the latent flame declare,
And breath inspir'd, which seem'd like fiery air.
Their black dry tongues are swell'd, and scarce can move,

And short thick sighs from panting lung are drove.
They gape for air, with flatt'ring hopes t' abate
Their raging flames, but that augments their heat.
No bed, no cov'ring can the wretches bear,
But on the ground, expos'd to open air,
They lye, and hope to find a pleasing coolness there.
The suff'ring Earth with that oppression curst,
Returns the heat which they imparted first.

In vain physicians would bestow their aid,
Vain all their art, and useless all their trade;
And they, ev'n they, who fleeting life recall,
Feel the same Pow'rs, and undistinguish'd fall.
If any proves so daring to attend
His sick companion, or his darling friend,
Th' officious wretch sucks in contagious breath,
And with his friend does sympathize in death.

And now the care and hopes of life are past,
They please their fancies, and indulge their taste;
At brooks and streams, regardless of their shame,
Each sex, promiscuous, strives to quench their flame;
Nor do they strive in vain to quench it there,
For thirst, and life at once extinguish'd are.
Thus in the brooks the dying bodies sink,
But heedless still the rash survivors drink.

So much uneasy down the wretches hate,
They fly their beds, to struggle with their fate;
But if decaying strength forbids to rise,
The victim crawls and rouls, 'till on the ground he lies.

Each shuns his bed, as each wou'd shun his tomb,
And thinks th' infection only lodg'd at home.

Here one, with fainting steps, does slowly creep
O'er heaps of dead, and strait augments the heap;
Another, while his strength and tongue prevail'd,
Bewails his friend, and falls himself bewail'd:
This with imploring looks surveys the skies,
The last dear office of his closing eyes,
But finds the Heav'ns implacable, and dies.

What now, ah! what employ'd my troubled mind?
But only hopes my subjects' fate to find.
What place soe'er my weeping eyes survey,
There in lamented heaps the vulgar lay;
As acorns scatter when the winds prevail,
Or mellow fruit from shaken branches fall.

You see that dome which rears its front so high:
'Tis sacred to the monarch of the sky:
How many there, with unregarded tears,
And fruitless vows, sent up successless pray'rs?
There fathers for expiring sons implor'd,
And there the wife bewail'd her gasping lord;
With pious off'rings they'd appease the skies,
But they, ere yet th' attoning vapours rise,
Before the altars fall, themselves a sacrifice:
They fall, while yet their hands the gums contain,
The gums surviving, but their off'rers slain.

The destin'd ox, with holy garlands crown'd,
Prevents the blow, and feels th' expected wound:
When I my self invok'd the Pow'rs divine,
To drive the fatal pest from me and mine;
When now the priest with hands uplifted stood,
Prepar'd to strike, and shed the sacred blood,
The Gods themselves the mortal stroke bestow,
The victim falls, but they impart the blow:
Scarce was the knife with the pale purple stain'd,
And no presages cou'd be then obtain'd,
From putrid entrails, where th' infection reign'd.

Death stalk'd around with such resistless sway,
The temples of the Gods his force obey,
And suppliants feel his stroke, while yet they pray.
Go now, said he, your deities implore
For fruitless aid, for I defie their pow'r.
Then with a curst malicious joy survey'd
The very altars, stain'd with trophies of the dead.

The rest grown mad, and frantick with despair,
Urge their own fate, and so prevent the fear.
Strange madness that, when Death pursu'd so fast,
T' anticipate the blow with impious haste.

No decent honours to their urns are paid,
Nor cou'd the graves receive the num'rous dead;
For, or they lay unbury'd on the ground,
Or unadorn'd a needy fun'ral found:
All rev'rence past, the fainting wretches fight
For fun'ral piles which were another's right.

Unmourn'd they fall: for, who surviv'd to mourn?
And sires, and mothers unlamented burn:
Parents, and sons sustain an equal fate,
And wand'ring ghosts their kindred shadows meet.
The dead a larger space of ground require,
Nor are the trees sufficient for the fire.

Despairing under grief's oppressive weight,
And sunk by these tempestuous blasts of Fate,
O Jove, said I, if common fame says true,
If e'er Aegina gave those joys to you,
If e'er you lay enclos'd in her embrace,
Fond of her charms, and eager to possess;
O father, if you do not yet disclaim
Paternal care, nor yet disown the name;
Grant my petitions, and with speed restore
My subjects num'rous as they were before,
Or make me partner of the fate they bore.
I spoke, and glorious lightning shone around,
And ratling thunder gave a prosp'rous sound;
So let it be, and may these omens prove
A pledge, said I, of your returning love.

By chance a rev'rend oak was near the place,
Sacred to Jove, and of Dodona's race,
Where frugal ants laid up their winter meat,
Whose little bodies bear a mighty weight:
We saw them march along, and hide their store,
And much admir'd their number, and their pow'r;
Admir'd at first, but after envy'd more.
Full of amazement, thus to Jove I pray'd,
O grant, since thus my subjects are decay'd,
As many subjects to supply the dead.
I pray'd, and strange convulsions mov'd the oak,
Which murmur'd, tho' by ambient winds unshook:
My trembling hands, and stiff-erected hair,
Exprest all tokens of uncommon fear;
Yet both the earth and sacred oak I kist,
And scarce cou'd hope, yet still I hop'd the best;
For wretches, whatsoe'er the Fates divine,
Expound all omens to their own design.

But now 'twas night, when ev'n distraction wears
A pleasing look, and dreams beguile our cares,
Lo! the same oak appears before my eyes,
Nor alter'd in his shape, nor former size;
As many ants the num'rous branches bear,
The same their labour, and their frugal care;
The branches too a like commotion sound,
And shook th' industrious creatures on the ground,
Who, by degrees (what's scarce to be believ'd)
A nobler form, and larger bulk receiv'd,
And on the earth walk'd an unusual pace,
With manly strides, and an erected face-
Their num'rous legs, and former colour lost,
The insects cou'd a human figure boast.

I wake, and waking find my cares again,
And to the unperforming Gods complain,
And call their promise, and pretences, vain.
Yet in my court I heard the murm'ring voice
Of strangers, and a mixt uncommon noise:
But I suspected all was still a dream,
'Till Telamon to my apartment came,
Op'ning the door with an impetuous haste,
O come, said he, and see your faith and hopes surpast:
I follow, and, confus'd with wonder, view
Those shapes which my presaging slumbers drew:
I saw, and own'd, and call'd them subjects; they
Confest my pow'r, submissive to my sway.
To Jove, restorer of my race decay'd,
My vows were first with due oblations paid,
I then divide with an impartial hand
My empty city, and my ruin'd land,
To give the new-born youth an equal share,
And call them Myrmidons, from what they were.
You saw their persons, and they still retain
The thrift of ants, tho' now transform'd to men.
A frugal people, and inur'd to sweat,
Lab'ring to gain, and keeping what they get.
These, equal both in strength and years, shall join
Their willing aid, and follow your design,
With the first southern gale that shall present
To fill your sails, and favour your intent.

With such discourse they entertain the day;
The ev'ning past in banquets, sport, and play:
Then, having crown'd the night with sweet repose,
Aurora (with the wind at east) arose.
Now Pallas' sons to Cephalus resort,
And Cephalus with Pallas' sons to court,
To the king's levee; him sleep's silken chain,
And pleasing dreams, beyond his hour detain;
But then the princes of the blood, in state,
Expect, and meet 'em at the palace gate.

The Story of Cephalus and Procris

To th' inmost courts the Grecian youths were led,
And plac'd by Phocus on a Tyrian bed;
Who, soon observing Cephalus to hold
A dart of unknown wood, but arm'd with gold:
None better loves (said he) the huntsman's sport,
Or does more often to the woods resort;
Yet I that jav'lin's stem with wonder view,
Too brown for box, too smooth a grain for yew.
I cannot guess the tree; but never art
Did form, or eyes behold so fair a dart!
The guest then interrupts him- 'Twou'd produce
Still greater wonder, if you knew its use.
It never fails to strike the game, and then
Comes bloody back into your hand again.
Then Phocus each particular desires,
And th' author of the wond'rous gift enquires.
To which the owner thus, with weeping eyes,
And sorrow for his wife's sad fate, replies,
This weapon here (o prince!) can you believe
This dart the cause for which so much I grieve;
And shall continue to grieve on, 'till Fate
Afford such wretched life no longer date.
Would I this fatal gift had ne'er enjoy'd,
This fatal gift my tender wife destroy'd:
Procris her name, ally'd in charms and blood
To fair Orythia courted by a God.
Her father seal'd my hopes with rites divine,
But firmer love before had made her mine.
Men call'd me blest, and blest I was indeed.
The second month our nuptials did succeed;
When (as upon Hymettus' dewy head,
For mountain stags my net betimes I spread)
Aurora spy'd, and ravish'd me away,
With rev'rence to the Goddess, I must say,
Against my will, for Procris had my heart,
Nor wou'd her image from my thoughts depart.
At last, in rage she cry'd, Ingrateful boy
Go to your Procris, take your fatal joy;
And so dismiss'd me: musing, as I went,
What those expressions of the Goddess meant,
A thousand jealous fears possess me now,
Lest Procris had prophan'd her nuptial vow:
Her youth and charms did to my fancy paint
A lewd adultress, but her life a saint.
Yet I was absent long, the Goddess too
Taught me how far a woman cou'd be true.
Aurora's treatment much suspicion bred;
Besides, who truly love, ev'n shadows dread.
I strait impatient for the tryal grew,
What courtship back'd with richest gifts cou'd do.
Aurora's envy aided my design,
And lent me features far unlike to mine.
In this disguise to my own house I came,
But all was chaste, no conscious sign of blame:
With thousand arts I scarce admittance found,
And then beheld her weeping on the ground
For her lost husband; hardly I retain'd
My purpose, scarce the wish'd embrace refrain'd.
How charming was her grief! Then, Phocus, guess
What killing beauties waited on her dress.
Her constant answer, when my suit I prest,
Forbear, my lord's dear image guards this breast;
Where-e'er he is, whatever cause detains,
Who-e'er has his, my heart unmov'd remains.
What greater proofs of truth than these cou'd be?
Yet I persist, and urge my destiny.
At length, she found, when my own form return'd,
Her jealous lover there, whose loss she mourn'd.
Enrag'd with my suspicion, swift as wind,
She fled at once from me and all mankind;
And so became, her purpose to retain,
A nymph, and huntress in Diana's train:
Forsaken thus, I found my flames encrease,
I own'd my folly, and I su'd for peace.
It was a fault, but not of guilt, to move
Such punishment, a fault of too much love.
Thus I retriev'd her to my longing arms,
And many happy days possess'd her charms.
But with herself she kindly did confer,
What gifts the Goddess had bestow'd on her;
The fleetest grey-hound, with this lovely dart,
And I of both have wonders to impart.
Near Thebes a savage beast, of race unknown,
Laid waste the field, and bore the vineyards down;
The swains fled from him, and with one consent
Our Grecian youth to chase the monster went;
More swift than light'ning he the toils surpast,
And in his course spears, men, and trees o'er-cast.
We slipt our dogs, and last my Lelaps too,
When none of all the mortal race wou'd do:
He long before was struggling from my hands,
And, e're we cou'd unloose him, broke his bands.
That minute where he was, we cou'd not find,
And only saw the dust he left behind.
I climb'd a neighb'ring hill to view the chase,
While in the plain they held an equal race;
The savage now seems caught, and now by force
To quit himself, nor holds the same strait course;
But running counter, from the foe withdraws,
And with short turning cheats his gaping jaws:
Which he retrieves, and still so closely prest,
You'd fear at ev'ry stretch he were possess'd;
Yet for the gripe his fangs in vain prepare;
The game shoots from him, and he chops the air.
To cast my jav'lin then I took my stand;
But as the thongs were fitting to my hand,
While to the valley I o'er-look'd the wood,
Before my eyes two marble statues stood;
That, as pursu'd appearing at full stretch,
This barking after, and at point to catch:
Some God their course did with this wonder grace,
That neither might be conquer'd in the chase.
A sudden silence here his tongue supprest,
He here stops short, and fain wou'd wave the rest.

The eager prince then urg'd him to impart,
The Fortune that attended on the dart.
First then (said he) past joys let me relate,
For bliss was the foundation of my fate.
No language can those happy hours express,
Did from our nuptials me, and Procris bless:
The kindest pair! What more cou'd Heav'n confer?
For she was all to me, and I to her.
Had Jove made love, great Jove had been despis'd;
And I my Procris more than Venus priz'd:
Thus while no other joy we did aspire,
We grew at last one soul, and one desire.
Forth to the woods I went at break of day
(The constant practice of my youth) for prey:
Nor yet for servant, horse, or dog did call,
I found this single dart to serve for all.
With slaughter tir'd, I sought the cooler shade,
And winds that from the mountains pierc'd the glade:
Come, gentle air (so was I wont to say)
Come, gentle air, sweet Aura come away.
This always was the burden of my song,
Come 'swage my flames, sweet Aura come along.
Thou always art most welcome to my breast;
I faint; approach, thou dearest, kindest guest!
These blandishments, and more than these, I said
(By Fate to unsuspected ruin led),
Thou art my joy, for thy dear sake I love
Each desart hill, and solitary grove;
When (faint with labour) I refreshment need,
For cordials on thy fragrant breath I feed.
At last a wand'ring swain in hearing came,
And cheated with the sound of Aura's name,
He thought I some assignation made;
And to my Procris' ear the news convey'd.
Great love is soonest with suspicion fir'd:
She swoon'd, and with the tale almost expir'd.
Ah! wretched heart! (she cry'd) ah! faithless man.
And then to curse th' imagin'd nymph began:
Yet oft she doubts, oft hopes she is deceiv'd,
And chides herself, that ever she believ'd
Her lord to such injustice cou'd proceed,
'Till she her self were witness of the deed.
Next morn I to the woods again repair,
And, weary with the chase, invoke the air:
Approach, dear Aura, and my bosom chear:
At which a mournful sound did strike my ear;
Yet I proceeded, 'till the thicket by,
With rustling noise and motion, drew my eye:
I thought some beast of prey was shelter'd there,
And to the covert threw my certain spear;
From whence a tender sigh my soul did wound,
Ah me! it cry'd, and did like Procris sound.
Procris was there, too well the voice I knew,
And to the place with headlong horror flew;
Where I beheld her gasping on the ground,
In vain attempting from the deadly wound
To draw the dart, her love's dear fatal gift!
My guilty arms had scarce the strength to lift
The beauteous load; my silks, and hair I tore
(If possible) to stanch the pressing gore;
For pity beg'd her keep her flitting breath,
And not to leave me guilty of her death.
While I intreat she fainted fast away,
And these few words had only strength to say:
By all the sacred bonds of plighted love,
By all your rev'rence to the Pow'rs above,
By all the truth for which you held me dear,
And last by love, the cause through which I bleed,
Let Aura never to my bed succeed.
I then perceiv'd the error of our fate,
And told it her, but found and told too late!
I felt her lower to my bosom fall,
And while her eyes had any sight at all,
On mine she fix'd them; in her pangs still prest
My hand, and sigh'd her soul into my breast;
Yet, being undeceiv'd, resign'd her breath
Methought more chearfully, and smil'd in death.

With such concern the weeping heroe told
This tale, that none who heard him cou'd with-hold
From melting into sympathizing tears,
'Till Aeacus with his two sons appears;
Whom he commits, with their new-levy'd bands,
To Fortune's, and so brave a gen'ral's hands.

----------------------------------------------------------------------
~ Ovid, BOOK THE SEVENTH

,
1203:BOOK THE TENTH

The Story of Orpheus and Eurydice

Thence, in his saffron robe, for distant Thrace,
Hymen departs, thro' air's unmeasur'd space;
By Orpheus call'd, the nuptial Pow'r attends,
But with ill-omen'd augury descends;
Nor chearful look'd the God, nor prosp'rous spoke,
Nor blaz'd his torch, but wept in hissing smoke.
In vain they whirl it round, in vain they shake,
No rapid motion can its flames awake.
With dread these inauspicious signs were view'd,
And soon a more disastrous end ensu'd;
For as the bride, amid the Naiad train,
Ran joyful, sporting o'er the flow'ry plain,
A venom'd viper bit her as she pass'd;
Instant she fell, and sudden breath'd her last.

When long his loss the Thracian had deplor'd,
Not by superior Pow'rs to be restor'd;
Inflam'd by love, and urg'd by deep despair,
He leaves the realms of light, and upper air;
Daring to tread the dark Tenarian road,
And tempt the shades in their obscure abode;
Thro' gliding spectres of th' interr'd to go,
And phantom people of the world below:
Persephone he seeks, and him who reigns
O'er ghosts, and Hell's uncomfortable plains.
Arriv'd, he, tuning to his voice his strings,
Thus to the king and queen of shadows sings.

Ye Pow'rs, who under Earth your realms extend,
To whom all mortals must one day descend;
If here 'tis granted sacred truth to tell:
I come not curious to explore your Hell;
Nor come to boast (by vain ambition fir'd)
How Cerberus at my approach retir'd.
My wife alone I seek; for her lov'd sake
These terrors I support, this journey take.
She, luckless wandring, or by fate mis-led,
Chanc'd on a lurking viper's crest to tread;
The vengeful beast, enflam'd with fury, starts,
And thro' her heel his deathful venom darts.
Thus was she snatch'd untimely to her tomb;
Her growing years cut short, and springing bloom.
Long I my loss endeavour'd to sustain,
And strongly strove, but strove, alas, in vain:
At length I yielded, won by mighty love;
Well known is that omnipotence above!
But here, I doubt, his unfelt influence fails;
And yet a hope within my heart prevails.
That here, ev'n here, he has been known of old;
At least if truth be by tradition told;
If fame of former rapes belief may find,
You both by love, and love alone, were join'd.
Now, by the horrors which these realms surround;
By the vast chaos of these depths profound;
By the sad silence which eternal reigns
O'er all the waste of these wide-stretching plains;
Let me again Eurydice receive,
Let Fate her quick-spun thread of life re-weave.
All our possessions are but loans from you,
And soon, or late, you must be paid your due;
Hither we haste to human-kind's last seat,
Your endless empire, and our sure retreat.
She too, when ripen'd years she shall attain,
Must, of avoidless right, be yours again:
I but the transient use of that require,
Which soon, too soon, I must resign entire.
But if the destinies refuse my vow,
And no remission of her doom allow;
Know, I'm determin'd to return no more;
So both retain, or both to life restore.

Thus, while the bard melodiously complains,
And to his lyre accords his vocal strains,
The very bloodless shades attention keep,
And silent, seem compassionate to weep;
Ev'n Tantalus his flood unthirsty views,
Nor flies the stream, nor he the stream pursues;
Ixion's wond'ring wheel its whirl suspends,
And the voracious vulture, charm'd, attends;
No more the Belides their toil bemoan,
And Sisiphus reclin'd, sits list'ning on his stone.

Then first ('tis said) by sacred verse subdu'd,
The Furies felt their cheeks with tears bedew'd:
Nor could the rigid king, or queen of Hell,
Th' impulse of pity in their hearts repell.

Now, from a troop of shades that last arriv'd,
Eurydice was call'd, and stood reviv'd:
Slow she advanc'd, and halting seem to feel
The fatal wound, yet painful in her heel.
Thus he obtains the suit so much desir'd,
On strict observance of the terms requir'd:
For if, before he reach the realms of air,
He backward cast his eyes to view the fair,
The forfeit grant, that instant, void is made,
And she for ever left a lifeless shade.

Now thro' the noiseless throng their way they bend,
And both with pain the rugged road ascend;
Dark was the path, and difficult, and steep,
And thick with vapours from the smoaky deep.
They well-nigh now had pass'd the bounds of night,
And just approach'd the margin of the light,
When he, mistrusting lest her steps might stray,
And gladsome of the glympse of dawning day,
His longing eyes, impatient, backward cast
To catch a lover's look, but look'd his last;
For, instant dying, she again descends,
While he to empty air his arms extends.
Again she dy'd, nor yet her lord reprov'd;
What could she say, but that too well he lov'd?
One last farewell she spoke, which scarce he heard;
So soon she drop'd, so sudden disappear'd.

All stunn'd he stood, when thus his wife he view'd
By second Fate, and double death subdu'd:
Not more amazement by that wretch was shown,
Whom Cerberus beholding, turn'd to stone;
Nor Olenus cou'd more astonish'd look,
When on himself Lethaea's fault he took,
His beauteous wife, who too secure had dar'd
Her face to vye with Goddesses compar'd:
Once join'd by love, they stand united still,
Turn'd to contiguous rocks on Ida's hill.

Now to repass the Styx in vain he tries,
Charon averse, his pressing suit denies.
Sev'n days entire, along th' infernal shores,
Disconsolate, the bard Eurydice deplores;
Defil'd with filth his robe, with tears his cheeks,
No sustenance but grief, and cares, he seeks:
Of rigid Fate incessant he complains,
And Hell's inexorable Gods arraigns.
This ended, to high Rhodope he hastes,
And Haemus' mountain, bleak with northern blasts.

And now his yearly race the circling sun
Had thrice compleat thro' wat'ry Pisces run,
Since Orpheus fled the face of womankind,
And all soft union with the sex declin'd.
Whether his ill success this change had bred,
Or binding vows made to his former bed;
Whate'er the cause, in vain the nymphs contest,
With rival eyes to warm his frozen breast:
For ev'ry nymph with love his lays inspir'd,
But ev'ry nymph repuls'd, with grief retir'd.

A hill there was, and on that hill a mead,
With verdure thick, but destitute of shade.
Where, now, the Muse's son no sooner sings,
No sooner strikes his sweet resounding strings.
But distant groves the flying sounds receive,
And list'ning trees their rooted stations leave;
Themselves transplanting, all around they grow,
And various shades their various kinds bestow.
Here, tall Chaonian oaks their branches spread,
While weeping poplars there erect their head.
The foodful Esculus here shoots his leaves,
That turf soft lime-tree, this, fat beach receives;
Here, brittle hazels, lawrels here advance,
And there tough ash to form the heroe's lance;
Here silver firs with knotless trunks ascend,
There, scarlet oaks beneath their acorns bend.
That spot admits the hospitable plane,
On this, the maple grows with clouded grain;
Here, watry willows are with Lotus seen;
There, tamarisk, and box for ever green.
With double hue here mirtles grace the ground,
And laurestines, with purple berries crown'd.
With pliant feet, now, ivies this way wind,
Vines yonder rise, and elms with vines entwin'd.
Wild Ornus now, the pitch-tree next takes root,
And Ar butus adorn'd with blushing fruit.
Then easy-bending palms, the victor's prize,
And pines erect with bristly tops arise.
For Rhea grateful still the pine remains,
For Atys still some favour she retains;
He once in human shape her breast had warm'd,
And now is cherish'd, to a tree transform'd.

The Fable of Cyparissus

Amid the throng of this promiscuous wood,
With pointed top, the taper cypress stood;
A tree, which once a youth, and heav'nly fair,
Was of that deity the darling care,
Whose hand adapts, with equal skill, the strings
To bows with which he kills, and harps to which he sings.

For heretofore, a mighty stag was bred,
Which on the fertile fields of Caea fed;
In shape and size he all his kind excell'd,
And to Carthaean nymphs was sacred held.
His beamy head, with branches high display'd,
Afforded to itself an ample shade;
His horns were gilt, and his smooth neck was grac'd
With silver collars thick with gems enchas'd:
A silver boss upon his forehead hung,
And brazen pendants in his ear-rings rung.
Frequenting houses, he familiar grew,
And learnt by custom, Nature to subdue;
'Till by degrees, of fear, and wildness, broke,
Ev'n stranger hands his proffer'd neck might stroak.

Much was the beast by Caea's youth caress'd,
But thou, sweet Cyparissus, lov'dst him best:
By thee, to pastures fresh, he oft was led,
By thee oft water'd at the fountain's head:
His horns with garlands, now, by thee were ty'd,
And, now, thou on his back wou'dst wanton ride;
Now here, now there wou'dst bound along the plains,
Ruling his tender mouth with purple reins.

'Twas when the summer sun, at noon of day,
Thro' glowing Cancer shot his burning ray,
'Twas then, the fav'rite stag, in cool retreat,
Had sought a shelter from the scorching heat;
Along the grass his weary limbs he laid,
Inhaling freshness from the breezy shade:
When Cyparissus with his pointed dart,
Unknowing, pierc'd him to the panting heart.
But when the youth, surpriz'd, his error found,
And saw him dying of the cruel wound,
Himself he would have slain thro' desp'rate grief:
What said not Phoebus, that might yield relief!
To cease his mourning, he the boy desir'd,
Or mourn no more than such a loss requir'd.
But he, incessant griev'd: at length address'd
To the superior Pow'rs a last request;
Praying, in expiation of his crime,
Thenceforth to mourn to all succeeding time.

And now, of blood exhausted he appears,
Drain'd by a torrent of continual tears;
The fleshy colour in his body fades,
And a green tincture all his limbs invades;
From his fair head, where curling locks late hung,
A horrid bush with bristled branches sprung,
Which stiffning by degrees, its stem extends,
'Till to the starry skies the spire ascends.

Apollo sad look'd on, and sighing, cry'd,
Then, be for ever, what thy pray'r imply'd:
Bemoan'd by me, in others grief excite;
And still preside at ev'ry fun'ral rite.

Thus the sweet artist in a wondrous shade
Of verdant trees, which harmony had made,
Encircled sate, with his own triumphs crown'd,
Of listning birds, and savages around.
Again the trembling strings he dext'rous tries,
Again from discord makes soft musick rise.
Then tunes his voice: O Muse, from whom I sprung,
Jove be my theme, and thou inspire my song.
To Jove my grateful voice I oft have rais'd,
Oft his almighty pow'r with pleasure prais'd.
I sung the giants in a solemn strain,
Blasted, and thunder-struck on Phlegra's plain.
Now be my lyre in softer accents mov'd,
To sing of blooming boys by Gods belov'd;
And to relate what virgins, void of shame,
Have suffer'd vengeance for a lawless flame.

The King of Gods once felt the burning joy,
And sigh'd for lovely Ganimede of Troy:
Long was he puzzled to assume a shape
Most fit, and expeditious for the rape;
A bird's was proper, yet he scorns to wear
Any but that which might his thunder bear.
Down with his masquerading wings he flies,
And bears the little Trojan to the skies;
Where now, in robes of heav'nly purple drest,
He serves the nectar at th' Almighty's feast,
To slighted Juno an unwelcome guest.

Hyacinthus transform'd into a Flower

Phoebus for thee too, Hyacinth, design'd
A place among the Gods, had Fate been kind:
Yet this he gave; as oft as wintry rains
Are past, and vernal breezes sooth the plains,
From the green turf a purple flow'r you rise,
And with your fragrant breath perfume the skies.

You when alive were Phoebus' darling boy;
In you he plac'd his Heav'n, and fix'd his joy:
Their God the Delphic priests consult in vain;
Eurotas now he loves, and Sparta's plain:
His hands the use of bow and harp forget,
And hold the dogs, or bear the corded net;
O'er hanging cliffs swift he pursues the game;
Each hour his pleasure, each augments his flame.

The mid-day sun now shone with equal light
Between the past, and the succeeding night;
They strip, then, smooth'd with suppling oyl, essay
To pitch the rounded quoit, their wonted play:
A well-pois'd disk first hasty Phoebus threw,
It cleft the air, and whistled as it flew;
It reach'd the mark, a most surprizing length;
Which spoke an equal share of art, and strength.
Scarce was it fall'n, when with too eager hand
Young Hyacinth ran to snatch it from the sand;
But the curst orb, which met a stony soil,
Flew in his face with violent recoil.
Both faint, both pale, and breathless now appear,
The boy with pain, the am'rous God with fear.
He ran, and rais'd him bleeding from the ground,
Chafes his cold limbs, and wipes the fatal wound:
Then herbs of noblest juice in vain applies;
The wound is mortal, and his skill defies.

As in a water'd garden's blooming walk,
When some rude hand has bruis'd its tender stalk,
A fading lilly droops its languid head,
And bends to earth, its life, and beauty fled:
So Hyacinth, with head reclin'd, decays,
And, sickning, now no more his charms displays.

O thou art gone, my boy, Apollo cry'd,
Defrauded of thy youth in all its pride!
Thou, once my joy, art all my sorrow now;
And to my guilty hand my grief I owe.
Yet from my self I might the fault remove,
Unless to sport, and play, a fault should prove,
Unless it too were call'd a fault to love.
Oh cou'd I for thee, or but with thee, dye!
But cruel Fates to me that pow'r deny.
Yet on my tongue thou shalt for ever dwell;
Thy name my lyre shall sound, my verse shall tell;
And to a flow'r transform'd, unheard-of yet,
Stamp'd on thy leaves my cries thou shalt repeat.
The time shall come, prophetick I foreknow,
When, joyn'd to thee, a mighty chief shall grow,
And with my plaints his name thy leaf shall show.

While Phoebus thus the laws of Fate reveal'd,
Behold, the blood which stain'd the verdant field,
Is blood no longer; but a flow'r full blown,
Far brighter than the Tyrian scarlet shone.
A lilly's form it took; its purple hue
Was all that made a diff'rence to the view,
Nor stop'd he here; the God upon its leaves
The sad expression of his sorrow weaves;
And to this hour the mournful purple wears
Ai, Ai, inscrib'd in funeral characters.
Nor are the Spartans, who so much are fam'd
For virtue, of their Hyacinth asham'd;
But still with pompous woe, and solemn state,
The Hyacinthian feasts they yearly celebrate

The Transformations of the Cerastae and Propoetides

Enquire of Amathus, whose wealthy ground
With veins of every metal does abound,
If she to her Propoetides wou'd show,
The honour Sparta does to him allow?
Nor more, she'd say, such wretches wou'd we grace,
Than those whose crooked horns deform'd their face,
From thence Cerastae call'd, an impious race:
Before whose gates a rev'rend altar stood,
To Jove inscrib'd, the hospitable God:
This had some stranger seen with gore besmear'd,
The blood of lambs, and bulls it had appear'd:
Their slaughter'd guests it was; nor flock nor herd.

Venus these barb'rous sacrifices view'd
With just abhorrence, and with wrath pursu'd:
At first, to punish such nefarious crimes,
Their towns she meant to leave, her once-lov'd climes:
But why, said she, for their offence shou'd I
My dear delightful plains, and cities fly?
No, let the impious people, who have sinn'd,
A punishment in death, or exile, find:
If death, or exile too severe be thought,
Let them in some vile shape bemoan their fault.
While next her mind a proper form employs,
Admonish'd by their horns, she fix'd her choice.
Their former crest remains upon their heads,
And their strong limbs an ox's shape invades.

The blasphemous Propoetides deny'd
Worship of Venus, and her pow'r defy'd:
But soon that pow'r they felt, the first that sold
Their lewd embraces to the world for gold.
Unknowing how to blush, and shameless grown,
A small transition changes them to stone.

The Story of Pygmalion and the Statue

Pygmalion loathing their lascivious life,
Abhorr'd all womankind, but most a wife:
So single chose to live, and shunn'd to wed,
Well pleas'd to want a consort of his bed.
Yet fearing idleness, the nurse of ill,
In sculpture exercis'd his happy skill;
And carv'd in iv'ry such a maid, so fair,
As Nature could not with his art compare,
Were she to work; but in her own defence
Must take her pattern here, and copy hence.
Pleas'd with his idol, he commends, admires,
Adores; and last, the thing ador'd, desires.
A very virgin in her face was seen,
And had she mov'd, a living maid had been:
One wou'd have thought she cou'd have stirr'd, but strove

With modesty, and was asham'd to move.
Art hid with art, so well perform'd the cheat,
It caught the carver with his own deceit:
He knows 'tis madness, yet he must adore,
And still the more he knows it, loves the more:
The flesh, or what so seems, he touches oft,
Which feels so smooth, that he believes it soft.
Fir'd with this thought, at once he strain'd the breast,

And on the lips a burning kiss impress'd.
'Tis true, the harden'd breast resists the gripe,
And the cold lips return a kiss unripe:
But when, retiring back, he look'd again,
To think it iv'ry, was a thought too mean:
So wou'd believe she kiss'd, and courting more,
Again embrac'd her naked body o'er;
And straining hard the statue, was afraid
His hands had made a dint, and hurt his maid:
Explor'd her limb by limb, and fear'd to find
So rude a gripe had left a livid mark behind:
With flatt'ry now he seeks her mind to move,
And now with gifts (the pow'rful bribes of love),
He furnishes her closet first; and fills
The crowded shelves with rarities of shells;
Adds orient pearls, which from the conchs he drew,
And all the sparkling stones of various hue:
And parrots, imitating human tongue,
And singing-birds in silver cages hung:
And ev'ry fragrant flow'r, and od'rous green,
Were sorted well, with lumps of amber laid between:
Rich fashionable robes her person deck,
Pendants her ears, and pearls adorn her neck:
Her taper'd fingers too with rings are grac'd,
And an embroider'd zone surrounds her slender waste.
Thus like a queen array'd, so richly dress'd,
Beauteous she shew'd, but naked shew'd the best.
Then, from the floor, he rais'd a royal bed,
With cov'rings of Sydonian purple spread:
The solemn rites perform'd, he calls her bride,
With blandishments invites her to his side;
And as she were with vital sense possess'd,
Her head did on a plumy pillow rest.

The feast of Venus came, a solemn day,
To which the Cypriots due devotion pay;
With gilded horns the milk-white heifers led,
Slaughter'd before the sacred altars, bled.

Pygmalion off'ring, first approach'd the shrine,
And then with pray'rs implor'd the Pow'rs divine:
Almighty Gods, if all we mortals want,
If all we can require, be yours to grant;
Make this fair statue mine, he wou'd have said,
But chang'd his words for shame; and only pray'd,
Give me the likeness of my iv'ry maid.

The golden Goddess, present at the pray'r,
Well knew he meant th' inanimated fair,
And gave the sign of granting his desire;
For thrice in chearful flames ascends the fire.
The youth, returning to his mistress, hies,
And impudent in hope, with ardent eyes,
And beating breast, by the dear statue lies.
He kisses her white lips, renews the bliss,
And looks, and thinks they redden at the kiss;
He thought them warm before: nor longer stays,
But next his hand on her hard bosom lays:
Hard as it was, beginning to relent,
It seem'd, the breast beneath his fingers bent;
He felt again, his fingers made a print;
'Twas flesh, but flesh so firm, it rose against the dint:

The pleasing task he fails not to renew;
Soft, and more soft at ev'ry touch it grew;
Like pliant wax, when chasing hands reduce
The former mass to form, and frame for use.
He would believe, but yet is still in pain,
And tries his argument of sense again,
Presses the pulse, and feels the leaping vein.
Convinc'd, o'erjoy'd, his studied thanks, and praise,
To her, who made the miracle, he pays:
Then lips to lips he join'd; now freed from fear,
He found the savour of the kiss sincere:
At this the waken'd image op'd her eyes,
And view'd at once the light, and lover with surprize.
The Goddess, present at the match she made,
So bless'd the bed, such fruitfulness convey'd,
That ere ten months had sharpen'd either horn,
To crown their bliss, a lovely boy was born;
Paphos his name, who grown to manhood, wall'd
The city Paphos, from the founder call'd.

The Story of of Cinyras and Myrrha

Nor him alone produc'd the fruitful queen;
But Cinyras, who like his sire had been
A happy prince, had he not been a sire.
Daughters, and fathers, from my song retire;
I sing of horror; and could I prevail,
You shou'd not hear, or not believe my tale.
Yet if the pleasure of my song be such,
That you will hear, and credit me too much,
Attentive listen to the last event,
And, with the sin, believe the punishment:
Since Nature cou'd behold so dire a crime,
I gratulate at least my native clime,
That such a land, which such a monster bore,
So far is distant from our Thracian shore.
Let Araby extol her happy coast,
Her cinamon, and sweet Amomum boast,
Her fragrant flow'rs, her trees with precious tears,
Her second harvests, and her double years;
How can the land be call'd so bless'd, that Myrrha bears?

Nor all her od'rous tears can cleanse her crime;
Her Plant alone deforms the happy clime:
Cupid denies to have inflam'd thy heart,
Disowns thy love, and vindicates his dart:
Some Fury gave thee those infernal pains,
And shot her venom'd vipers in thy veins.
To hate thy sire, had merited a curse;
But such an impious love deserv'd a worse.
The neighb'ring monarchs, by thy beauty led,
Contend in crowds, ambitious of thy bed:
The world is at thy choice; except but one,
Except but him, thou canst not chuse, alone.
She knew it too, the miserable maid,
Ere impious love her better thoughts betray'd,
And thus within her secret soul she said:
Ah Myrrha! whither wou'd thy wishes tend?
Ye Gods, ye sacred laws, my soul defend
From such a crime as all mankind detest,
And never lodg'd before in human breast!
But is it sin? Or makes my mind alone
Th' imagin'd sin? For Nature makes it none.
What tyrant then these envious laws began,
Made not for any other beast, but Man!
The father-bull his daughter may bestride,
The horse may make his mother-mare a bride;
What piety forbids the lusty ram,
Or more salacious goat, to rut their dam?
The hen is free to wed the chick she bore,
And make a husband, whom she hatch'd before.
All creatures else are of a happier kind,
Whom nor ill-natur'd laws from pleasure bind,
Nor thoughts of sin disturb their peace of mind.
But Man a slave of his own making lives;
The fool denies himself what Nature gives:
Too-busie senates, with an over-care,
To make us better than our kind can bear,
Have dash'd a spice of envy in the laws,
And straining up too high, have spoil'd the cause.
Yet some wise nations break their cruel chains,
And own no laws, but those which love ordains;
Where happy daughters with their sires are join'd,
And piety is doubly paid in kind.
O that I had been born in such a clime,
Not here, where 'tis the country makes the crime!
But whither wou'd my impious fancy stray?
Hence hopes, and ye forbidden thoughts away!
His worth deserves to kindle my desires,
But with the love, that daughters bear to sires.
Then had not Cinyras my father been,
What hinder'd Myrrha's hopes to be his queen?
But the perverseness of my fate is such,
That he's not mine, because he's mine too much:
Our kindred-blood debars a better tie;
He might be nearer, were he not so nigh.
Eyes, and their objects, never must unite;
Some distance is requir'd to help the sight:
Fain wou'd I travel to some foreign shore,
Never to see my native country more,
So might I to my self my self restore;
So might my mind these impious thoughts remove,
And ceasing to behold, might cease to love.
But stay I must, to feed my famish'd sight,
To talk, to kiss, and more, if more I might:
More, impious maid! What more canst thou design?
To make a monstrous mixture in thy line,
And break all statutes human and divine!
Can'st thou be call'd (to save thy wretched life)
Thy mother's rival, and thy father's wife?
Confound so many sacred names in one,
Thy brother's mother! Sister to thy son!
And fear'st thou not to see th' infernal bands,
Their heads with snakes; with torches arm'd their hands
Full at thy face th' avenging brands to bear,
And shake the serpents from their hissing hair;
But thou in time th' increasing ill controul,
Nor first debauch the body by the soul;
Secure the sacred quiet of thy mind,
And keep the sanctions Nature has design'd.
Suppose I shou'd attempt, th' attempt were vain,
No thoughts like mine, his sinless soul profane;
Observant of the right: and o that he
Cou'd cure my madness, or be mad like me!
Thus she: but Cinyras, who daily sees
A crowd of noble suitors at his knees,
Among so many, knew not whom to chuse,
Irresolute to grant, or to refuse.
But having told their names, enquir'd of her
Who pleas'd her best, and whom she would prefer.
The blushing maid stood silent with surprize,
And on her father fix'd her ardent eyes,
And looking sigh'd, and as she sigh'd, began
Round tears to shed, that scalded as they ran.
The tender sire, who saw her blush, and cry,
Ascrib'd it all to maiden modesty,
And dry'd the falling drops, and yet more kind,
He stroak'd her cheeks, and holy kisses join'd.
She felt a secret venom fire her blood,
And found more pleasure, than a daughter shou'd;
And, ask'd again what lover of the crew
She lik'd the best, she answer'd, One like you.
Mistaking what she meant, her pious will
He prais'd, and bid her so continue still:
The word of pious heard, she blush'd with shame
Of secret guilt, and cou'd not bear the name.

'Twas now the mid of night, when slumbers close
Our eyes, and sooth our cares with soft repose;
But no repose cou'd wretched Myrrha find,
Her body rouling, as she roul'd her mind:
Mad with desire, she ruminates her sin,
And wishes all her wishes o'er again:
Now she despairs, and now resolves to try;
Wou'd not, and wou'd again, she knows not why;
Stops, and returns; makes, and retracts the vow;
Fain wou'd begin, but understands not how.
As when a pine is hew'd upon the plains,
And the last mortal stroke alone remains,
Lab'ring in pangs of death, and threatning all,
This way, and that she nods, consid'ring where to fall:
So Myrrha's mind, impell'd on either side,
Takes ev'ry bent, but cannot long abide;
Irresolute on which she shou'd relie,
At last, unfix'd in all, is only fix'd to die.
On that sad thought she rests, resolv'd on death,
She rises, and prepares to choak her breath:
Then while about the beam her zone she ties,
Dear Cinyras farewell, she softly cries;
For thee I die, and only wish to be
Not hated, when thou know'st die I for thee:
Pardon the crime, in pity to the cause:
This said, about her neck the noose she draws.
The nurse, who lay without, her faithful guard,
Though not the words, the murmurs over-heard;
And sighs, and hollow sounds: surpriz'd with fright,
She starts, and leaves her bed, and springs a light;
Unlocks the door, and entring out of breath,
The dying saw, and instruments of death;
She shrieks, she cuts the zone with trembling haste,
And in her arms her fainting charge embrac'd:
Next (for she now had leisure for her tears),
She weeping ask'd, in these her blooming years,
What unforeseen misfortune caus'd her care,
To loath her life, and languish in despair!
The maid, with down-cast eyes, and mute with grief
For death unfinish'd, and ill-tim'd relief,
Stood sullen to her suit: the beldame press'd
The more to know, and bar'd her wither'd breast,
Adjur'd her by the kindly food she drew
From those dry founts, her secret ill to shew.
Sad Myrrha sigh'd, and turn'd her eyes aside:
The nurse still urg'd, and wou'd not be deny'd:
Nor only promis'd secresie, but pray'd
She might have leave to give her offer'd aid.
Good-will, she said, my want of strength supplies,
And diligence shall give what age denies:
If strong desires thy mind to fury move,
With charms and med'cines I can cure thy love:
If envious eyes their hurtuful rays have cast,
More pow'rful verse shall free thee from the blast:
If Heav'n offended sends thee this disease,
Offended Heav'n with pray'rs we can appease.
What then remains, that can these cares procure?
Thy house is flourishing, thy fortune sure:
Thy careful mother yet in health survives,
And, to thy comfort, thy kind father lives.
The virgin started at her father's name,
And sigh'd profoundly, conscious of the shame
Nor yet the nurse her impious love divin'd,
But yet surmis'd that love disturb'd her mind:
Thus thinking, she pursu'd her point, and laid,
And lull'd within her lap the mourning maid;
Then softly sooth'd her thus; I guess your grief:
You love, my child; your love shall find relief.
My long-experienc'd age shall be your guide;
Rely on that, and lay distrust aside.
No breath of air shall on the secret blow,
Nor shall (what most you fear) your father know.
Struck once again, as with a thunder-clap,
The guilty virgin bounded from her lap,
And threw her body prostrate on the bed.
And, to conceal her blushes, hid her head;
There silent lay, and warn'd her with her hand
To go: but she receiv'd not the command;
Remaining still importunate to know:
Then Myrrha thus: Or ask no more, or go;
I pr'ythee go, or staying spare my shame;
What thou would'st hear, is impious ev'n to name.
At this, on high the beldame holds her hands,
And trembling both with age, and terror stands;
Adjures, and falling at her feet intreats,
Sooths her with blandishments, and frights with threats,

To tell the crime intended, or disclose
What part of it she knew, if she no farther knows.
And last, if conscious to her counsel made,
Confirms anew the promise of her aid.
Now Myrrha rais'd her head; but soon oppress'd
With shame, reclin'd it on her nurse's breast;
Bath'd it with tears, and strove to have confess'd:
Twice she began, and stopp'd; again she try'd;
The falt'ring tongue its office still deny'd.
At last her veil before her face she spread,
And drew a long preluding sigh, and said,
O happy mother, in thy marriage-bed!
Then groan'd, and ceas'd. The good old woman shook,
Stiff were her eyes, and ghastly was her look:
Her hoary hair upright with horror stood,
Made (to her grief) more knowing than she wou'd.
Much she reproach'd, and many things she said,
To cure the madness of th' unhappy maid,
In vain: for Myrrha stood convict of ill;
Her reason vanquish'd, but unchang'd her will:
Perverse of mind, unable to reply;
She stood resolv'd, or to possess, or die.
At length the fondness of a nurse prevail'd
Against her better sense, and virtue fail'd:
Enjoy, my child, since such is thy desire,
Thy love, she said; she durst not say, thy sire:
Live, though unhappy, live on any terms;
Then with a second oath her faith confirms.

The solemn feast of Ceres now was near,
When long white linnen stoles the matrons wear;
Rank'd in procession walk the pious train,
Off'ring first-fruits, and spikes of yellow grain:
For nine long nights the nuptial-bed they shun,
And sanctifying harvest, lie alone.

Mix'd with the crowd, the queen forsook her lord,
And Ceres' pow'r with secret rites ador'd:
The royal couch, now vacant for a time,
The crafty crone, officious in her crime,
The first occasion took: the king she found
Easie with wine, and deep in pleasures drown'd,
Prepar'd for love: the beldame blew the flame,
Confess'd the passion, but conceal'd the name.
Her form she prais'd; the monarch ask'd her years;
And she reply'd, The same thy Myrrha bears.
Wine, and commended beauty fir'd his thought;
Impatient, he commands her to be brought.
Pleas'd with her charge perform'd, she hies her home,
And gratulates the nymph, the task was overcome.
Myrrha was joy'd the welcome news to hear;
But clog'd with guilt, the joy was unsincere:
So various, so discordant is the mind,
That in our will a diff'rent will we find.
Ill she presag'd, and yet pursu'd her lust;
For guilty pleasures give a double gust.

'Twas depth of night: Arctophylax had driv'n
His lazy wain half round the northern Heav'n,
When Myrrha hasten'd to the crime desir'd:
The moon beheld her first, and first retir'd:
The stars amaz'd, ran backward from the sight,
And (shrunk within their sockets) lost their light.
Icarius first withdraws his holy flame:
The virgin sign, in Heav'n the second name,
Slides down the belt, and from her station flies,
And night with sable clouds involves the skies.
Bold Myrrha still pursues her black intent;
She stumbled thrice (an omen of th' event);
Thrice shriek'd the fun'ral owl, yet on she went,
Secure of shame, because secure of sight;
Ev'n bashful sins are impudent by night.
Link'd hand in hand, th' accomplice, and the dame,
Their way exploring, to the chamber came:
The door was ope; they blindly grope their way,
Where dark in bed th' expecting monarch lay.
Thus far her courage held, but here forsakes;
Her faint knees knock at ev'ry step she makes.
The nearer to her crime, the more within
She feels remorse, and horror of her sin;
Repents too late her criminal desire,
And wishes, that unknown she could retire.
Her lingring thus, the nurse (who fear'd delay
The fatal secret might at length betray)
Pull'd forward, to compleat the work begun,
And said to Cinyras, Receive thy own.
Thus saying, she deliver'd kind to kind,
Accurs'd, and their devoted bodies join'd.
The sire, unknowing of the crime, admits
His bowels, and prophanes the hallow'd sheets;
He found she trembled, but believ'd she strove
With maiden modesty against her love,
And sought with flatt'ring words vain fancies to remove.

Perhaps he said, My daughter, cease thy fears
(Because the title suited with her years);
And, Father, she might whisper him again,
That names might not be wanting to the sin.

Full of her sire, she left th' incestuous bed,
And carry'd in her womb the crime she bred.
Another, and another night she came;
For frequent sin had left no sense of shame:
'Till Cinyras desir'd to see her face,
Whose body he had held in close embrace,
And brought a taper; the revealer, light,
Expos'd both crime, and criminal to sight.
Grief, rage, amazement, could no speech afford,
But from the sheath he drew th' avenging sword:
The guilty fled: the benefit of night,
That favour'd first the sin, secur'd the flight.
Long wand'ring thro' the spacious fields, she bent
Her voyage to th' Arabian continent;
Then pass'd the region which Panchaea join'd,
And flying, left the palmy plains behind.
Nine times the moon had mew'd her horns; at length
With travel weary, unsupply'd with strength,
And with the burden of her womb oppress'd,
Sabaean fields afford her needful rest:
There, loathing life, and yet of death afraid,
In anguish of her spirit, thus she pray'd:
Ye Pow'rs, if any so propitious are
T' accept my penitence, and hear my pray'r;
Your judgments, I confess, are justly sent;
Great sins deserve as great a punishment:
Yet since my life the living will profane,
And since my death the happy dead will stain,
A middle state your mercy may bestow,
Betwixt the realms above, and those below:
Some other form to wretched Myrrha give,
Nor let her wholly die, nor wholly live.

The pray'rs of penitents are never vain;
At least she did her last request obtain:
For while she spoke, the ground began to rise,
And gather'd round her feet, her legs, and thighs;
Her toes in roots descend, and spreading wide,
A firm foundation for the trunk provide:
Her solid bones convert to solid wood,
To pith her marrow, and to sap her blood:
Her arms are boughs, her fingers change their kind,
Her tender skin is harden'd into rind.
And now the rising tree her womb invests,
Now shooting upwards still, invades her breasts,
And shades the neck; when weary with delay,
She sunk her head within, and met it half the way.
And tho' with outward shape she lost her sense,
With bitter tears she wept her last offence;
And still she weeps, nor sheds her tears in vain;
For still the precious drops her name retain.
Mean-time the mis-begotten infant grows,
And ripe for birth, distends with deadly throes
The swelling rind, with unavailing strife,
To leave the wooden womb, and pushes into life.
The mother-tree, as if oppress'd with pain,
Writhes here, and there, to break the bark, in vain;
And, like a lab'ring woman, wou'd have pray'd,
But wants a voice to call Lucina's aid:
The bending bole sends out a hollow sound,
And trickling tears fall thicker on the ground.
The mild Lucina came uncall'd, and stood
Beside the struggling boughs, and heard the groaning wood;

Then reach'd her midwife-hand to speed the throes,
And spoke the pow'rful spells, that babes to birth disclose.

The bark divides, the living load to free,
And safe delivers the convulsive tree.
The ready nymphs receive the crying child,
And wash him in the tears the parent plant distill'd.
They swath'd him with their scarfs; beneath him spread
The ground with herbs; with roses rais'd his head.
The lovely babe was born with ev'ry grace,
Ev'n envy must have prais'd so fair a face:
Such was his form, as painters when they show
Their utmost art, on naked loves bestow:
And that their arms no diff'rence might betray,
Give him a bow, or his from Cupid take away.
Time glides along with undiscover'd haste,
The future but a length behind the past;
So swift are years. The babe, whom just before
His grandsire got, and whom his sister bore;
The drop, the thing, which late the tree inclos'd,
And late the yawning bark to life expos'd;
A babe, a boy, a beauteous youth appears,
And lovelier than himself at riper years.
Now to the queen of love he gave desires,
And, with her pains, reveng'd his mother's fires.

The Story of Venus and Adonis

For Cytherea's lips while Cupid prest,
He with a heedless arrow raz'd her breast,
The Goddess felt it, and with fury stung,
The wanton mischief from her bosom flung:
Yet thought at first the danger slight, but found
The dart too faithful, and too deep the wound.
Fir'd with a mortal beauty, she disdains
To haunt th' Idalian mount, or Phrygian plains.
She seeks not Cnidos, nor her Paphian shrines,
Nor Amathus, that teems with brazen mines:
Ev'n Heav'n itself with all its sweets unsought,
Adonis far a sweeter Heav'n is thought.
On him she hangs, and fonds with ev'ry art,
And never, never knows from him to part.
She, whose soft limbs had only been display'd
On rosie beds beneath the myrtle shade,
Whose pleasing care was to improve each grace,
And add more charms to an unrival'd face,
Now buskin'd, like the virgin huntress, goes
Thro' woods, and pathless wilds, and mountain-snows
With her own tuneful voice she joys to cheer
The panting hounds, that chace the flying deer.
She runs the labyrinth of fearful hares,
But fearless beasts, and dang'rous prey forbears,
Hunts not the grinning wolf, or foamy boar,
And trembles at the lion's hungry roar.
Thee too, Adonis, with a lover's care
She warns, if warn'd thou wou'dst avoid the snare,
To furious animals advance not nigh,
Fly those that follow, follow those that fly;
'Tis chance alone must the survivors save,
Whene'er brave spirits will attempt the brave.
O! lovely youth! in harmless sports delight;
Provoke not beasts, which, arm'd by Nature, fight.
For me, if not thy self, vouchsafe to fear;
Let not thy thirst of glory cost me dear.
Boars know not bow to spare a blooming age;
No sparkling eyes can sooth the lion's rage.
Not all thy charms a savage breast can move,
Which have so deeply touch'd the queen of love.
When bristled boars from beaten thickets spring,
In grinded tusks a thunderbolt they bring.
The daring hunters lions rouz'd devour,
Vast is their fury, and as vast their pow'r:
Curst be their tawny race! If thou would'st hear
What kindled thus my hate, then lend an ear:
The wond'rous tale I will to thee unfold,
How the fell monsters rose from crimes of old.
But by long toils I faint: see! wide-display'd,
A grateful poplar courts us with a shade.
The grassy turf, beneath, so verdant shows,
We may secure delightfully repose.
With her Adonis here be Venus blest;
And swift at once the grass and him she prest.
Then sweetly smiling, with a raptur'd mind,
On his lov'd bosom she her head reclin'd,
And thus began; but mindful still of bliss,
Seal'd the soft accents with a softer kiss.

Perhaps thou may'st have heard a virgin's name,
Who still in swiftness swiftest youths o'ercame.
Wondrous! that female weakness should outdo
A manly strength; the wonder yet is true.
'Twas doubtful, if her triumphs in the field
Did to her form's triumphant glories yield;
Whether her face could with more ease decoy
A crowd of lovers, or her feet destroy.
For once Apollo she implor'd to show
If courteous Fates a consort would allow:
A consort brings thy ruin, he reply'd;
O! learn to want the pleasures of a bride!
Nor shalt thou want them to thy wretched cost,
And Atalanta living shall be lost.
With such a rueful Fate th' affrighted maid
Sought green recesses in the wood-land glade.
Nor sighing suiters her resolves could move,
She bad them show their speed, to show their love.
He only, who could conquer in the race,
Might hope the conquer'd virgin to embrace;
While he, whose tardy feet had lagg'd behind,
Was doom'd the sad reward of death to find.
Tho' great the prize, yet rigid the decree,
But blind with beauty, who can rigour see?
Ev'n on these laws the fair they rashly sought,
And danger in excess of love forgot.

There sat Hippomenes, prepar'd to blame
In lovers such extravagance of flame.
And must, he said, the blessing of a wife
Be dearly purchas'd by a risk of life?
But when he saw the wonders of her face,
And her limbs naked, springing to the race,
Her limbs, as exquisitely turn'd, as mine,
Or if a woman thou, might vie with thine,
With lifted hands, he cry'd, forgive the tongue
Which durst, ye youths, your well-tim'd courage wrong.
I knew not that the nymph, for whom you strove,
Deserv'd th' unbounded transports of your love.
He saw, admir'd, and thus her spotless frame
He prais'd, and praising, kindled his own flame.
A rival now to all the youths who run,
Envious, he fears they should not be undone.
But why (reflects he) idly thus is shown
The fate of others, yet untry'd my own?
The coward must not on love's aid depend;
The God was ever to the bold a friend.
Mean-time the virgin flies, or seems to fly,
Swift as a Scythian arrow cleaves the sky:
Still more and more the youth her charms admires.
The race itself t' exalt her charms conspires.
The golden pinions, which her feet adorn,
In wanton flutt'rings by the winds are born.
Down from her head, the long, fair tresses flow,
And sport with lovely negligence below.
The waving ribbands, which her buskins tie,
Her snowy skin with waving purple die;
As crimson veils in palaces display'd,
To the white marble lend a blushing shade.
Nor long he gaz'd, yet while he gaz'd, she gain'd
The goal, and the victorious wreath obtain'd.
The vanquish'd sigh, and, as the law decreed,
Pay the dire forfeit, and prepare to bleed.

Then rose Hippomenes, not yet afraid,
And fix'd his eyes full on the beauteous maid.
Where is (he cry'd) the mighty conquest won,
To distance those, who want the nerves to run?
Here prove superior strength, nor shall it be
Thy loss of glory, if excell'd by me.
High my descent, near Neptune I aspire,
For Neptune was grand-parent to my sire.
From that great God the fourth my self I trace,
Nor sink my virtues yet beneath my race.
Thou from Hippomenes, o'ercome, may'st claim
An envy'd triumph, and a deathless fame.

While thus the youth the virgin pow'r defies,
Silent she views him still with softer eyes.
Thoughts in her breast a doubtful strife begin,
If 'tis not happier now to lose, than win.
What God, a foe to beauty, would destroy
The promis'd ripeness of this blooming boy?
With his life's danger does he seek my bed?
Scarce am I half so greatly worth, she said.
Nor has his beauty mov'd my breast to love,
And yet, I own, such beauty well might move:
'Tis not his charms, 'tis pity would engage
My soul to spare the greenness of his age.
What, that heroick conrage fires his breast,
And shines thro' brave disdain of Fate confest?
What, that his patronage by close degrees
Springs from th' imperial ruler of the seas?
Then add the love, which bids him undertake
The race, and dare to perish for my sake.
Of bloody nuptials, heedless youth, beware!
Fly, timely fly from a too barb'rous fair.
At pleasure chuse; thy love will be repaid
By a less foolish, and more beauteous maid.
But why this tenderness, before unknown?
Why beats, and pants my breast for him alone?
His eyes have seen his num'rous rivals yield;
Let him too share the rigour of the field,
Since, by their fates untaught, his own he courts,
And thus with ruin insolently sports.
Yet for what crime shall he his death receive?
Is it a crime with me to wish to live?
Shall his kind passion his destruction prove?
Is this the fatal recompence of love?
So fair a youth, destroy'd, would conquest shame,
Aud nymphs eternally detest my fame.
Still why should nymphs my guiltless fame upbraid?
Did I the fond adventurer persuade?
Alas! I wish thou would'st the course decline,
Or that my swiftness was excell'd by thine.
See! what a virgin's bloom adorns the boy!
Why wilt thou run, and why thy self destroy?
Hippomenes! O that I ne'er had been
By those bright eyes unfortunately seen!
Ah! tempt not thus a swift, untimely Fate;
Thy life is worthy of the longest date.
Were I less wretched, did the galling chain
Of rigid Gods not my free choice restrain,
By thee alone I could with joy be led
To taste the raptures of a nuptial bed.

Thus she disclos'd the woman's secret heart,
Young, innocent, and new to Cupid's dart.
Her thoughts, her words, her actions wildly rove,
With love she burns, yet knows not that 'tis love.

Her royal sire now with the murm'ring crowd
Demands the race impatiently aloud.
Hippomenes then with true fervour pray'd,
My bold attempt let Venus kindly aid.
By her sweet pow'r I felt this am'rous fire,
Still may she succour, whom she did inspire.
A soft, unenvious wind, with speedy care,
Wafted to Heav'n the lover's tender pray'r.
Pity, I own, soon gain'd the wish'd consent,
And all th' assistance he implor'd I lent.
The Cyprian lands, tho' rich, in richness yield
To that, surnam'd the Tamasenian field.
That field of old was added to my shrine,
And its choice products consecrated mine.
A tree there stands, full glorious to behold,
Gold are the leafs, the crackling branches gold.
It chanc'd, three apples in my hand I bore,
Which newly from the tree I sportive tore;
Seen by the youth alone, to him I brought
The fruit, and when, and how to use it, taught.
The signal sounding by the king's command,
Both start at once, and sweep th' imprinted sand.
So swiftly mov'd their feet, they might with ease,
Scarce moisten'd, skim along the glassy seas;
Or with a wondrous levity be born
O'er yellow harvests of unbending corn.
Now fav'ring peals resound from ev'ry part,
Spirit the youth, and fire his fainting heart.
Hippomenes! (they cry'd) thy life preserve,
Intensely labour, and stretch ev'ry nerve.
Base fear alone can baffle thy design,
Shoot boldly onward, and the goal is thine.
'Tis doubtful whether shouts, like these, convey'd
More pleasures to the youth, or to the maid.
When a long distance oft she could have gain'd,
She check'd her swiftness, and her feet restrain'd:
She sigh'd, and dwelt, and languish'd on his face,
Then with unwilling speed pursu'd the race.
O'er-spent with heat, his breath he faintly drew,
Parch'd was his mouth, nor yet the goal in view,
And the first apple on the plain he threw.
The nymph stop'd sudden at th' unusual sight,
Struck with the fruit so beautifully bright.
Aside she starts, the wonder to behold,
And eager stoops to catch the rouling gold.
Th' observant youth past by, and scour'd along,
While peals of joy rung from th' applauding throng.
Unkindly she corrects the short delay,
And to redeem the time fleets swift away,
Swift, as the lightning, or the northern wind,
And far she leaves the panting youth behind.
Again he strives the flying nymph to hold
With the temptation of the second gold:
The bright temptation fruitlessly was tost,
So soon, alas! she won the distance lost.
Now but a little interval of space
Remain'd for the decision of the race.
Fair author of the precious gift, he said,
Be thou, O Goddess, author of my aid!
Then of the shining fruit the last he drew,
And with his full-collected vigour threw:
The virgin still the longer to detain,
Threw not directly, but a-cross the plain.
She seem'd a-while perplex'd in dubious thought,
If the far-distant apple should be sought:
I lur'd her backward mind to seize the bait,
And to the massie gold gave double weight.
My favour to my votary was show'd,
Her speed I lessen'd, and encreas'd her load.
But lest, tho' long, the rapid race be run,
Before my longer, tedious tale is done,
The youth the goal, and so the virgin won.

Might I, Adonis, now not hope to see
His grateful thanks pour'd out for victory?
His pious incense on my altars laid?
But he nor grateful thanks, nor incense paid.
Enrag'd I vow'd, that with the youth the fair,
For his contempt, should my keen vengeance share;
That future lovers might my pow'r revere,
And, from their sad examples, learn to fear.
The silent fanes, the sanctify'd abodes,
Of Cybele, great mother of the Gods,
Rais'd by Echion in a lonely wood,
And full of brown, religious horror stood.
By a long painful journey faint, they chose!
Their weary limbs here secret to repose.
But soon my pow'r inflam'd the lustful boy,
Careless of rest he sought untimely joy.
A hallow'd gloomy cave, with moss o'er-grown,
The temple join'd, of native pumice-stone,
Where antique images by priests were kept.
And wooden deities securely slept.
Thither the rash Hippomenes retires,
And gives a loose to all his wild desires,
And the chaste cell pollutes with wanton fires.
The sacred statues trembled with surprize,
The tow'ry Goddess, blushing, veil'd her eyes;
And the lewd pair to Stygian sounds had sent,
But unrevengeful seem'd that punishment,
A heavier doom such black prophaneness draws,
Their taper figures turn to crooked paws.
No more their necks the smoothness can retain,
Now cover'd sudden with a yellow mane.
Arms change to legs: each finds the hard'ning breast
Of rage unknown, and wond'rous strength possest.
Their alter'd looks with fury grim appear,
And on the ground their brushing tails they hear.
They haunt the woods: their voices, which before
Were musically sweet, now hoarsly roar.
Hence lions, dreadful to the lab'ring swains,
Are tam'd by Cybele, and curb'd with reins,
And humbly draw her car along the plains.
But thou, Adonis, my delightful care,
Of these, and beasts, as fierce as these, beware!
The savage, which not shuns thee, timely shun,
For by rash prowess should'st thou be undone,
A double ruin is contain'd in one.
Thus cautious Venus school'd her fav'rite boy;
But youthful heat all cautions will destroy.
His sprightly soul beyond grave counsels flies,
While with yok'd swans the Goddess cuts the skies.
His faithful hounds, led by the tainted wind,
Lodg'd in thick coverts chanc'd a boar to find.
The callow hero show'd a manly heart,
And pierc'd the savage with a side-long dart.
The flying savage, wounded, turn'd again,
Wrench'd out the gory dart, and foam'd with pain.
The trembling boy by flight his safety sought,
And now recall'd the lore, which Venus taught;
But now too late to fly the boar he strove,
Who in the groin his tusks impetuous drove,
On the discolour'd grass Adonis lay,
The monster trampling o'er his beauteous prey.

Fair Cytherea, Cyprus scarce in view,
Heard from afar his groans, and own'd them true,
And turn'd her snowy swans, and backward flew.
But as she saw him gasp his latest breath,
And quiv'ring agonize in pangs of death,
Down with swift flight she plung'd, nor rage forbore,
At once her garments, and her hair she tore.
With cruel blows she beat her guiltless breast,
The Fates upbraided, and her love confest.
Nor shall they yet (she cry'd) the whole devour
With uncontroul'd, inexorable pow'r:
For thee, lost youth, my tears, and restless pain
Shall in immortal monuments remain,
With solemn pomp in annual rites return'd,
Be thou for ever, my Adonis, mourn'd,
Could Pluto's queen with jealous fury storm,
And Men the to a fragrant herb transform?
Yet dares not Venus with a change surprise,
And in a flow'r bid her fall'n heroe rise?
Then on the blood sweet nectar she bestows,
The scented blood in little bubbles rose:
Little as rainy drops, which flutt'ring fly,
Born by the winds, along a low'ring sky.
Short time ensu'd, 'till where the blood was shed,
A flow'r began to rear its purple head:
Such, as on Punick apples is reveal'd,
Or in the filmy rind but half conceal'd.
Still here the Fate of lovely forms we see,
So sudden fades the sweet Anemonie.
The feeble stems, to stormy blasts a prey,
Their sickly beauties droop, and pine away.
The winds forbid the flow'rs to flourish long,
Which owe to winds their names in Grecian song.

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~ Ovid, BOOK THE TENTH

,
1204:The Golden Age
Long ere the Muse the strenuous chords had swept,
And the first lay as yet in silence slept,
A Time there was which since has stirred the lyre
To notes of wail and accents warm with fire;
Moved the soft Mantuan to his silvery strain,
And him who sobbed in pentametric pain;
To which the World, waxed desolate and old,
Fondly reverts, and calls the Age of Gold.
Then, without toil, by vale and mountain side,
Men found their few and simple wants supplied;
Plenty, like dew, dropped subtle from the air,
And Earth's fair gifts rose prodigal as prayer.
Love, with no charms except its own to lure,
Was swiftly answered by a love as pure.
No need for wealth; each glittering fruit and flower,
Each star, each streamlet, made the maiden's dower.
Far in the future lurked maternal throes,
And children blossomed painless as the rose.
No harrowing question `why,' no torturing `how,'
Bent the lithe frame or knit the youthful brow.
The growing mind had naught to seek or shun;
Like the plump fig it ripened in the sun.
From dawn to dark Man's life was steeped in joy,
And the gray sire was happy as the boy.
Nature with Man yet waged no troublous strife,
And Death was almost easier than Life.
Safe on its native mountains throve the oak,
Nor ever groaned 'neath greed's relentless stroke.
No fear of loss, no restlessness for more,
Drove the poor mariner from shore to shore.
No distant mines, by penury divined,
Made him the sport of fickle wave or wind.
Rich for secure, he checked each wish to roam,
And hugged the safe felicity of home.
Those days are long gone by; but who shall say
Why, like a dream, passed Saturn's Reign away?
Over its rise, its ruin, hangs a veil,
486
And naught remains except a Golden Tale.
Whether 'twas sin or hazard that dissolved
That happy scheme by kindly Gods evolved;
Whether Man fell by lucklessness or pride,Let jarring sects, and not the Muse, decide.
But when that cruel Fiat smote the earth,
Primeval Joy was poisoned at its birth.
In sorrow stole the infant from the womb,
The agëd crept in sorrow to the tomb.
The ground, so bounteous once, refused to bear
More than was wrung by sower, seed, and share.
Ofttimes would ruthless winds or torrents raze
The ripening fruit of toilsome nights and days.
Each one in turn grew jealous of his own,
And fenced his patch with ditch and churlish stone.
As greed uprose, and greed engendered strife,
Contention raged coincident with life.
Man against man, maid against maiden turned,
And the soft breast with envious passions burned.
The loss of one was hailed as others' gain,
And pleasure took unnatural birth from pain.
Goaded by woe, and through tradition's lore
Mindful of all the blissfulness of yore,
The Human Race, its sorrows to assuage,
Dreamed afar off a second Golden Age;
Not in the dim irrevocable Past,
But in a Future just as vague and vast.
The prophet's lips, the poet's flattering pen,
Revelled in forecasts of that golden Then.
The days should come when grief would be no more,
And Peace and Plenty rule from shore to shore;
All men alike enjoy what none did earn,
And even more than Saturn's Reign return.
As years rolled on, as centuries went by,
And still that Promised Time seemed no more nigh,
Mankind at length, outwearied with delays,
Gave up all hope of those seductive days.
Then other prophets, other scribes arose,
A nearer, surer Eden to disclose.
`O, long-befooled!' they said, `awake, and deem
The Past a tale, the Future but a dream.
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Here, in the living Present, act your part,
Straining its vulgar blessings to your heart.
Let hand with hand and brain with brain contend,
And each one labour to some selfish end.
In wealth and riot, luxury and power,
Baffle the mockery of the transient hour.
If thousands fall, if tens of thousands bleed,
Will not a hundred, or a score, succeed?
Let those who cannot yield to those who canFate has its piles of victims; why not Man?
Better a furious fight where some one wins,
Than sluggish life which ends as it begins.
Vain was the bard who, whilst the World was new,
'Twixt men and beasts the fond distinction drew,
That these confine their downward gaze to earth,
Whilst man looks up, enamoured of his birth.
Not in the skies, but deep beneath the soil,
There will you find your happiness and spoil.
Enough for brutes its simple face to know,
But godlike man must pierce and delve below.
Deep in its bowels seek the shining ore,
And at its touch shall Saturn reign once more.
For him whose thews are sound, whose vision clear,
Whose purpose firm, the Golden Age is here.'
Never from cave or tripod, mount or glade,
Issued a voice so welcomed, so obeyed.
From zone to zone the Golden Gospel flew,
And in its train mankind obedient drew.
See from their seats the ancient Gods dethroned,
Altars upset, and oracles disown'd.
The Muses, scared, conceal the smothered lyre;
No longer prized, the Graces swift retire;
Virtue, a butt for ribalds, seeks her shroud,
And even Venus veils herself in cloud.
Religion, Ethics, all men erst adored,
Hymned on the harp, or fought for with the sword,
All lofty scopes, all ends esteemed of old,
Dissolve like mist before the rage for gold.
The priest for gold makes traffic of his robe;
For gold the soldier desolates the globe;
The poet shapes for gold his venal lays;
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Through gold Vice stalks caparisoned with praise.
Tempted by gold, the virgin sells her charms,
Though no Immortal slips into her arms.
Saddled with gold, the adventurer can buy
Titles, precedence, place, and dignity.
High, middle, low, the young, the ripe, the old,
Man, woman, child, live, die, are damned for Gold.
Soon as the youthful mind begins to ope,
It searches Life's significance and scope;
And, fed by generous impulse year by year,
Dreams for itself some glorious career.
Its shall it be, instructed by the Muse,
Truth to abet, and beauty to diffuse;
With full-blown sail, and genius at the helm,
To steer men's thoughts to a serener realm.
Perhaps the ingenuous boy would fain recall
Tintoret's canvas, Memmi's fresco'd wall;
With godlike pencil purify the mart,
And life ennoble with the breath of Art.
Maybe he burns, by Plato's failure fired,
To scale the heights which every wing have tired,
Seize first each part, then comprehend the whole,
And solve the eternal problem of the Soul.
Be these his aims, or, nobler still, to train
His kind to mutiny till Virtue reign,
Soon doth he learn to count his lovely schemes
A host of bubbles in a world of dreams.
Experience whispers early, Have a care!
Who with the Muse would live must live on air.
The tempting maid is but a poet's lie,
`Who gave to song what gold could never buy.'
Confront the world, take counsel with the throng;
Their verdict what? `The thing's not worth a song.'
Are you content you now have learnt your price?
Come, sink the Muse, and don't be quite so nice.
Start a new Company, and float the shares,
Then lunch with Ministers and dine with Mayors.
Pimp for a Party, praise a Premier's heart,
Head a subscription, and then shine-a Bart.
Return your income fifty thousand clearThe devil's in it, or you'll die a peer.
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Success so great is never done by halves'Tis only virtue, when 'tis greatest, starves.
Perhaps his breast, untutored yet to serve,
Spurns the base counsel with a proud reserve;
For Youth is stubborn, and when Nature draws,
In vain a parent's warning, wisdom's saws.
Let cravens straight their impotence confess,
And sell their birthright for a filthy mess;
In flowers see, bee-like, nought but stuff for hives,
And for foul lucre prostitute their lives;
They have not failed who never once have tried,
Or, if they failed, they failed for want of pride.
He, he at least his soul will ne'er demean,
But 'mong the foul will keep his honour clean.
O touching sight, to witness day by day
His splendid generous day-dreams fade away!
His sire reproaches, and his brothers scoff,
His mother doubts, his sisters e'en fall off.
The neighbours pity, strangers deem him mad;
Girls, smiling, whisper, What a foolish lad!
Meanwhile his compeers, started in the race,
Are swiftly marching on to power and place.
One makes a coup, and weds a wife of rank;
Another's junior partner in a bank.
A third in sugar with unscriptural hand,
Traffics, and builds a lasting house on sand.
A fourth, for beer and piety renowned,
Owns all the publics in the country round;
Its drink adulterates with face demure,
But burns with zeal to keep opinion pure;
Cares not one jot for bodies drunk or sick,
But scans your soul like a new Dominick.
The fifth, the patron of a new balloon,
Projects a Company to reach the moon;
Baits his prospectus with a batch of peers,
And vows nought pays like money in the Spheres.
Shares in the moon advanced-advancing still.
Then comes a crash-stock guaranteed at nil.
But sure, the man is ruined? Not at all;
He scarce can tumble who has sense to crawl.
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Your modern Icarus is much too wise
On his own pinions to attempt the skiesOn others' soaring follies doth he rise.
Long ere the bubble burst his shares were sold;
Just at that moment he had need of gold.
Singed wings, you know, are but for simple folk;
He, with his peers, 'scapes safe from flame and smoke,
And buys a borough with the happy stroke.
Few are the souls who die for Cato's creed:
To fail seems base, when all around succeed.
Foiled in his purpose, both by foe and friend,
Through noble means to reach a noble end,
The baffled boy forswears his cherished dream,
And learns to swim, like others, with the stream.
Keen to recover precious moments lost,
And taught by bitter tasks what Virtue cost,
He midst the rush, whilst others rise and fall,
Swims on, the most unscrupulous of all.
Let others chouse with care, he cheats with pluck,
And millions stake their all upon his luck.
His daring overawes the small, the great,
And whilst he plunders they but peculate.
He lures the easy, makes the fat his spoil,
Pares the lean wage of proletarian toil;
Swindles the widow of her hoarded mite,
Drags the poor pensioner once more to fight;
Robs age of rest, and youth of prospects fair,
Plunges the sanguine bridegroom in despair;
Severs the ties made sacred long by home,
And sends the son from sire across the foam;
Dashes the faith of plighted swain and maid,
And helps alone the cynic sexton's spade:
Does all that well beseems a Fallen StarIt needs a Lucifer to fall so far!
Sometimes will Fortune on the traitor scowl,
And e'en with gold not pay a deed so foul.
He who was born a glittering child of light,
Trenchant as Raphael, as Ithuriel bright,
Yet sells his soul a vulgar prize to reap,
And for brute guerdons holds his honour cheap,
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Too often finds that he who, grovelling, flies
From unrewarded reverie in the skies,
And seeks in venal efforts to employ
The gifts God formed for beauty and for joy,
Makes but a barren barter of his birth,
And Heaven foregoes, without securing earth.
See how he sinks! The more he strains to clutch
Terrestrial spoil, unworthy of his touch,
It seems, for him, to take elusive shapes,
And like a shadow from his grasp escapes.
As baser wax his aims, more mean his scope,
More and still more he sprawls-the sport of Hope.
Still as he tries to suffocate his soul,
Farther beyond him seems the carnal goal.
In vain he turns to catch the favouring gale;
Becalmed he lies-he labours but to fail.
Poor and despised, he now would fain retrace
His erring steps to his first dwelling-place,
But finds, alas! baseness hath borne its fruit;
Wings long unused have withered at the root.
He who in vain has crawled in vain would fly,
And rots abandoned both by earth and sky.
Meaner his end than that poor tradesman's doom,
Who, asked what words of honour on his tomb
His friends should place, with cynic touch replied,
`Here lies who, born a man, a grocer died!'
Whom doth this foe of human virtue spare?
Look round! More sweet its victims, the more fair.
Its natural slaves, who, spawned from wealth, are born
To Traffic's tricks they lack the soul to scorn,
Whose lust for lucre is their proper lot,
It just as oft impoverishes as not.
'Tis those in whom the Unseen God inspires
The restless leaven of divine desires;
Who, from the moment that they lisp, betray
An alien spirit housed within their clay;
Whose fretful youth life's narrow limits chafe,
And yearns for worlds more spacious, if less safe;
Striving to reach, despite its fleshly thrall,
That larger Something which surrounds us all;These, these the souls-and not that baser band-
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To whom Gold loves to stretch a helping hand;
With early smiles their generous aims to bless,
And lead them, blind, to ruinous success.
When Lelius chanted first his fragrant lays,
Men praised, and he was amply paid with praise.
Not salons' sycophant, nor Fashion's bard,
No glittering heaps did his sweet notes reward.
He was content with audience fit, though few,
When to his side the cunning demon drew.
`Your pen's worth gold; you need but blunt its point;
Come, cut the Muse; the times are out of joint.
Fame's well enough, but comfort has its laws;
You'll make a damned poor supper off applause.
Sing, be select, and starve. Prose is the thingThe thing that pays. The Million now is King.
Write gossip, scandal, slander-what you will;
A well-filled purse awaits a ready quill.'
The curst insidious demon has his way,
And Grub-street swallows Lelius for aye.
Turn from the pen, and for a while survey
The wide domains which brush and canvas sway.
Enter those realms, and what do we behold?
Art, heavenly Art, the slave and pimp of gold!
Time was when its poor votaries were too proud
To sate the itch of a vain-glorious crowd,
Serve the mean aims of narrow personal pelf,
And swell the ignoble retinue of Self.
Only the State, which merges private ends,
Or sacred Church, which lifts them and extends,
Might then presume the artist's craft to claim,
And paid him, happy, with immortal Fame.
Here, Friendship's guest, where fairest Florence lies,
A dream in stone, stretched out before mine eyes,
I think of all the treasures there enshrined,
And what small dole nurtured each master mind;
Or led by memory o'er the classic chain
Which Umbrian slope divides from Tuscan plain,
I all the priceless unbought gems recall
That link with heaven Assisi's frescoed wall;
Then, borne on wings of weakness, I repair
To mine own land, and groan to think that there,
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Debased by Fashion to a venal trade,
Art counts its triumphs by its fortunes made;
Spurned by the State, and by the Church unsought,
Works but for wealth, and by the base is bought;
Stranger to altars, palaces, or domes,
Pampers the pomp of ostentatious homes.
How changed the days since Duccio's hand of old
On Saints and Virgins lavished costly gold;
But for himself asked but a few poor crowns,
Less than we give to harlequins and clowns.
Now do our mercenary tricksters grudge
Almost the very canvas that they smudge;
Yet scan with greedy eyes the glittering heap
That opulent folly holds, for once, so cheap.
See, too, how Genius, when its touch was true,
On humble walls its lasting fancies drew;
Whose modern apes, ridiculously bold,
Hang their ephemeral daubs in frames of gold.
In vain doth Heaven, while Gold thus rules the earth,
With generous instincts sow the soul at birth.
Swift in the genial soil the seed takes root,
Then seeks the sun with many a venturous shoot.
But, ah, how soon the cruel outer air
Checks the brave growth and nips its promise fair!
Warmed by the glow of Tasso's splendid lay,
Or borne by Dante to the gates of Day;
Softly seduced by Scott's romantic strain
To deem all ends, excepting honour, vain;
Or nobly trained by Shelley's burning song
To cherish an eternal feud with wrong,The simple girl constructs a future fair,
Rears a whole world of castles in the air,
And nowhere warned, or deaf to warning, deems
That life will clothe and justify her dreams.
As year by year the maiden grows apace,
And half the woman mantles in her face,
With sickening sense, sad eye, and sinking heart,
She sees her forecasts one by one depart.
Slowly, but, ah, too surely doth she find
That poets' tales no longer rule mankind;
That Peace is homeless as the hunted hare,
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And Love far less a shelter than a snare;
That godlike Valour meets a demon's doom,
Whilst Prudence prospers even from the tomb;
That Youth, save schooled in Mammon's miry ways,
Groans o'er the lapse of unrequited days;
That Beauty, Genius, all are vain and cold,
Till foully touched and fertilised by Gold.
Soon as the time so dear to mother's vows
Draws nigh, to find the maid some fitting spouse,
Then most of all she learns what leading part
Is played by Gold in dramas of the heart.
Chance to young Hylas, beautiful as Dawn,
And sweet as fair, she feels her fancy drawn.
Are you a nymph? one whispers. Let him pass.
He doth but gather daisies in the grass.
Where your cool wave, hidden from human eyes,
In which to lure and love him till he dies?
Bid him rejoin his Hercules, and seize
The golden apples of the Hesperides;
And then perchance, should none more rich than he
Engage your love, you may his Hera be.
Alas, poor Hylas! worse than Mysian fate
Doth his meandering flowery feet await.
If that a Solon, versed in every art
Of song and science, touch the maiden's heart,
The neighbours softly whisper, Have a care;
Can Erudition keep a chaise and pair?
Pundits, alas, like fools, must pay their bills,
And Knowledge figures sorrily in wills.
For single life learning is well enough,
But marriage should be made of sterner stuff.
Should Cato's fame her pious soul attract,
The whole world cries, The woman must be cracked.
What! wed with Virtue! Is the girl awake?
Sure, she confounds the altar with the stake.
Send for the doctor. Try a change of air.
Swear Cato drinks. In war and love all's fair.
Bring Croesus to the front. At four he's freeThere's no one left to swindle after three.
In one brief hour behold him curled and drest,
And borne on wings of fashion to the West!
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What though to regions fondly deemed refined,
He brings his City manners, City mind,
And cynics titter?-he laughs best who wins,A Greenwhich dinner covers many sins.
What! dine with Croesus? Surely. Is a feast
One jot the worse because the host's a beast?
He's worse than that-a snob-a cad. Agreed;
But then his goblets smack of Ganymede?
Do some strange freaks his conversation mar?
He stops your censure with a prime cigar.
A Norway stream, a shooting-lodge in Perth,
In practice look uncommonly like worth.
The Town to hear some new soprano flocks.
You long to go? Well, Croesus has a box.
How at this hour are tickets to be got
For the Regatta? Croesus has a yacht.
Goodwood is here. Your hopes begin to flag.
One chance awaits you: Croesus has a drag.
You doat on Flower-shows: Croesus has a bone.
Be friends with Croesus, and the World's your own.
Who could resist seductions such as these?
Or what could charm, if Croesus failed to please?
Blinded and bribed, the critical are cured,
And loud extol whom late they scarce endured.
Caressed and courted, Croesus grows the rage,
The type and glory of our Golden Age;
And Cato, Hylas, Solon, shoved aside,
Our heavenly maid is hailed as Croesus' bride.
Shade of Lucretius! if thy lyre waxed wild
With sacred rage for Clytemnestra's child,
And nought could hold thee as thy soul surveyed
The cursëd ills Religion can persuade,
How would thy verse impetuously shower
Sonorous scorn on Gold's atrocious power;
Embalm its victims with a touch divine,
And damn the monster in one sounding line!
Can honeyed forms or stereotyped applause
Alter the scope of Heaven's eternal laws?
What though with gifts should massive sideboards groan,
And every heart be glad except her own,
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And troops of blooming girls behold with pride,
Perchance with envy, this resplendent bride;
Though vieing voices hail her Fashion's queen,
And even a Bishop's blessing crown the scene,
No rites, no rings, no altars, can avail
To make a sacred contract of a sale,
Stir the far depths of the reluctant mind,
Or join the hearts which love hath failed to bind.
If soul stands passive whilst the flesh is sold,
Is there no foul aroma in the gold?
Is the base barter covered by the price,
And do huge figures make the nasty nice?
The nameless outcast, prowling for her prey,
Renews her filthy bargain day by day;
Let Croesus give her what he gave his wife,
She's virtuous too-at least, she's his for life.
Croesus-but hold! Let Charity presume
That Croesus' wife but dimly knew her doom.
The luckless maid, since knowledge comes too late,
In splendour seeks oblivion of her fate;
Of every tender pious aim bereft,
Hugs in despair the only idol left;
In alien worship seeks to be consoled,
And builds her hopes of happiness on Gold.
Gold rules her steps, determines her desiresMere puppet she, whilst Mammon jerks the wires.
Futile to ask if London suits her healthWould you consult her doctor, not her wealth?
You soon are answered: Whether ill or well,
A house in Town is indispensable.
Where shall it be? On gravel or on clay?
Wherever tenants have the most to pay.
Price is the thing, not soil. If Fashion's camp
Be pitched just here, what matter dry or damp?
But, health apart, 'tis known that Croesus' wife,
If left to choose, prefers a country life.
Well, she shall have it when the Parks are brown,
And Fashion, wearied, hath dispersed the Town.
But whilst the woods are leafy, and the lanes
With lush wild-flowers rob life of half its pains;
While sweetest scents and softest sounds combine
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To make existence, did they last, divine;
Not for the world must Croesus' wife be missed
From fetid streets, foul rooms, and Fashion's list;
And only thence to rural refuge flies
As, self-exhausted, pleasant Summer dies.
Say, shall we marvel, amid scenes like these,
With all to dazzle, but with nought to please,
If links of simple gold should fail to cleave,
And tempters prompt their webs not vainly weave?
See, Plutus, first in each ignoble strife,
Battered and bored, bethinks him of a wife.
The happy tidings, spreading through the West,
Fires each maternal mercenary breast.
The soaring dames parade their daughters' charms,
To lure the hug of Plutus' palsied arms;
And as brave Eld for one fair woman fought,
For one foul man our world to rage is wrought.
At last, opining he might chance do worse,
Plutus to proud Olympia flings his purse.
Olympia lifts it with triumphant smile,
Whilst round her crowds congratulating guile,
Escorts her to the altar, decks her brows
With orange-buds, then leaves her with her spouse,
Who, though his suit by golden showers throve,
Can grasp his Danaë with no thews of Jove.
O, who shall tell Olympia's tale aright,
Each splendid day, each miserable night;
Her thirst divine by human draughts but slaked,
Her smiling face whilst the heart sorely ached,
Or note the edge whence one we loved so well
To sweet, seductive, base perdition fell?
I cast no stone, but half by rage consoled,
I snatch the lyre and curse this fiendish Gold.
Though Beauty's fame oft spreads through all the land,
Splendour is far more curiously scanned;
And they who once upon Olympia threw
A passing glance, since she was fair to view,
Now gilded pomp and Ostentation's choir
Attend her path, of gazing never tire;
Suck up her speech, translate her silent eyes,
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Each movement, look, and posture scrutinise,
Stalk all her steps, as matron, friend, and wife,
And feed in greedy gossip on her life.
Not mine to follow to the noisome den
Where woman's frailty stands the gaze of men,
And well-coached menials, limed with gold, detail
The piteous scenes that pass behind the veil.
Enough to know that, thanks to wealth, once more
Plutus can woo, e'en richer than before.
The tottering cuckold leaves the court consoled;
Considerate juries tip his horns with Gold!
Sure some malicious demon in the brain
It needs must be, drives men reputed sane
To spurn the joys adjacent to their feet,
In the fond chase of this receding cheat?
Say, when the Stoic on his tranquil height,
And swinish crowd, sweating in miry fight,
In every age a like conclusion reach,
And sage and simple one same sermon preachThat whether Heaven hath made one serf or king,
Reason alone true happiness can bringCan we but stand astounded as we scan
This race untaught, unteachable, called Man?
Would you be truly rich, how small the heap
Your aims require, the price how passing cheap!
A modest house, from urban jars removed,
By thrist selected, yet by taste approved;
Whose walls are gay with every sweet that blows,
Whose windows scented by the blushing rose;
Whose chambers few to no fine airs pretend,
Yet never are too full to greet a friend;
A garden plot, whither unbidden come
Bird's idle pipe and bee's laborious hum;
Smooth-shaven lawn, whereon in pastime's hours
The mallet rings within a belt of flowers;
A leafy nook where to enjoy at will
Gibbon's rich prose or Shakespeare's wizard quill;
A neighbouring copse wherein the stock-doves coo,
And a wild stream unchecked sings all day through;
Two clean bright stalls, where midday, night, and morn,
Two good stout roadsters champ their well-earned corn;
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A few learned shelves from modern rubbish free,
Yet always, Mill, with just a place for Thee;
Head ne'er at dawn by clownish bouts obscured,
And limbs by temperate exercise inured;
A few firm friendships made in early life,
Yet doubly fastened by a pleasant wife;
A wholesome board, a draught of honest wine;This is true wealth; and this, thank Heaven, is mine!
And though you ransacked worlds from shore to shore,
From sea to sky, you could not give me more.
And if, all these beyond, I still should crave
Something impossible this side the grave,
Let humbler souls my soaring hopes forgiveAfter my life still in my verse to live.
Well would it be if Mammon's feverish rage
Did but the vulgar and the base engage;
If those alone whose undistinguished name,
Haply if fouled, would shed no slur on Fame,
Sought in this sordid, despicable strife,
To find the good and snatch the crown of life.
But in the mire of venal fight embroiled,
Have we not seen the noblest scutcheons soiled?
Not the proud thought that many a splendid fray,
When crowns obeyed the fortunes of the day,
To stalwart arms its pregnant issue owed,
Whose glorious blood in their own body flowed;
Not the remembrance that their sires did share
The toils that made this England great and fair;
Not their resplendent pedigree, nor all
The line of haught fierce faces on the wall,
That tells the tale of their ancestral hall,
Have yet availed, in days like these, to hold
Men, thus seduced, from the coarse race for Gold.
Have we not seen the generous beast, whose sires
Once bore their fathers into battle's fires,
By titled gamblers' mercenary taste
His once stout loins to nimble flanks debased,
Made for curst gold to sweat through all his pores,
The panting pet of blacklegs, lords, and whores?
On such a course what dismal woes await,
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Let the world learn by young Lucullus' fate.
Whilst yet the bloom of boyhood matched his cheek,
And all his duty was to master Greek.
Make a long score, bound o'er the running brook,
Cleave the clear wave, Lucullus had a book.
No glorious volume was't, whose subtle page
The wisdom breathed of many a studious age.
No wealth of wit, no Learning's garnered sheaves
Lay, like a treasure, lurking in its leaves.
But, in their place, crabbed Calculation scrawled
Symbols which shocked and figures that appalled.
Not for sweet Fancy, nor the simple stake
Of generous sports, did he his tasks forsake.
Ere sentiment could move, or sense control,
Adventurous Greed had swallowed up his soul.
If Gold Acrisius' Tower of Brass could flout,
How will the playground shut the monster out?
Thus by his own base instincts first betrayed,
The race of harpies lend their shameful aid,
With evil eye his smiling lands behold,
And smooth his path to infamy with gold.
At length behold him grown to man's estate,
Rich, noble, noted, lord of his own fate.
Here Duty beckons, Honour there incites,
And Love entices to its saving rites.
He heeds them not; he joins the madding crowd,
King of the base, the vulgar, and the loud;
Builds his most precious friendships on a bet,
And through the gutter trails his coronet.
Vain fool! inflamed by flattery and conceit,
He marks no pitfalls yawning at his feet;
But, winning, deems the cunning snare his luck,
And losing, pays, to plume him on his pluck;
Accepts each challenge, doubles every stake,
While tipsy plaudits follow in his wake.
But what avails, if Fortune quits his side?
Curse on the jade, he cries, she always lied!
Well, now's an end! . . . A comrade plucks his gown:
An end as yet, man! cut the timber down.
The luck will turn; you lost for want of skill;
Come, play again-you'll win. . . . By G-, I will!
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Done soon as said. The swift sure axe resounds
Through the green stretch of his ancestral grounds.
The soaring elm, whose topmost boughs defied
The scaling valour of his boyish pride;
The umbrageous beech, beneath whose courtly shade
The loves that issued in his life were made;
The lordly oak, young when his line was young,
To which with pride inherited had clung
His sires and they from whom his sires were sprung;
Behold them now, around the naked hall,
One after one in fell succession fall.
Lo, the wide woods which centuries had seen
By frosts unmoved, mid thunder-fugues serene,
By thousand suns, by tens of thousand showers,
Fostered and fed, one greedy day devours.
And all in vain! Lured by the severed spoil,
The foul fierce harpies fasten on the soil.
`My lands on luck.' We take you. Clear the course;
Twenty to one upon Lucullus' horse!
One minute more, and poor Lucullus flies,
The beggared heir of all the centuries.
Then scoffed, and scourged, and stripped of all his wealth,
His last friends leave him-energy and health.
Anxiety and fierce Excitement's flame
Have scorched his blood and shrivelled up his frame.
`Plum to a pony!' hear the cripple call;
`Ere six months pass, the grave will end it all.'
Lucky at last, he wins his bootless bet,
And dies of drink, debauchery, and debt.
Gone are the times indeed when savage Might
Usurped the throne and claimed the wage of Right.
No longer now the tiller of the soil
Sees his fair fields the lusty robber's spoil;
No timid burgher now grows rich by stealth,
Lest some rude noble swoop upon his wealth;
The quiet citizen no longer fears
A raid upon his money or his ears,
That local turmoil or imperial strife
Will wreck his home or leave him bare for life.
But say, is Force the only fearful foe,
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Or the keen Sword worst source of human woe?
Wielding base weapons Violence disdained,
Cunning prevails where once Compulsion reigned.
The tyrant's lance, Oppression's piercing shaft,
Torment no more, but abdicate to Craft.
Could feudal despot swooping on his prey,
Could bandit burning for the unequal fray,
Could fire, sword, famine, spread more wreck abroad,
Than marks the path of Greed allied with Fraud;
Or waits on life, where no rude signs portend
When the dread bolt of Ruin will descend?
See the poor father, who for years has toiled,
At one fell stroke of all his store despoiled.
His was the pious wish, by daily care
And safe degrees to make his hearth more fair;
His the ambition-far too meek to roamTo swell the simple luxuries of home;
By loving thrift to deck his comely spouse
With some poor gem, the summit of her vows;
To instruct his boys in every generous art
Which trains the man to act a shining part;
By culture's aid to see his daughters armed
With each fair grace that in their mother charmed;
Year after year, as strength and vigour waned,
To find his fondest forecasts all attained;
And then, since faithful to the final stage,
Doff the hard harness from the back of age.
But watchful Greed with jealous eye beheld
Day after day his little earnings swelled;
Studied the tender workings of his mind,
Marked the fond aims to which his heart inclined;
With specious lips his trusting senses stole,
And with false visions fired his prudent soul.
Poor wretch! but yesterday in modest state
He lived, secure from every bolt of Fate.
To-day, he wanders feverish and depressed,
As though whole Andes weighed upon his breast.
To-morrow, back unto his home he crawls,
A beggared man, and at the threshold falls.
Now will no more his trustful wife behold
The gladsome face returning as of old,
503
And read in sparkling eye and smiling cheek
The day's good tidings e'en before he speak;
Never again in hastening footsteps guess
Some pretty love-gift, token of success.
Their blooming boys, for whom parental hope
So oft had cast the fairest horoscope,
And seen with fond anticipating eyes
Each proud successive civic honour rise,
Torn from their noble studies, have to crave
From base pursuits the pittance of a slave,
Pour the soul's wine into the body's sieve,
And grand life lose in mean attempts to live.
Perchance, at home their humble wants denied,
Gaunt Hunger drives them from their mother's side;
Leaves her to weep alone o'er what hath been,
And places ocean, pitiless, between.
The tender girls, their father's pride and joy,
Whose dreams a fiend had scrupled to destroy;
From childhood's earliest days whose only care
Was to be gracious, virtuous, and fair,
And who from Heaven could nothing else implore
Save to be all their mother was before;
Who pictured as their perfect scheme of life
A clinging daughter and a helpful wife,At one rude flash behold the world enlarge,
And stand, pale victims, trembling on the marge.
Little, alas, now boots it where they roam,
Since they must leave the tranquil shores of home.
Whether, poor slaves, they crawl with aching feet
Hour after hour from dreary street to street,
Or, as in mockery of home, alas!
Beneath the stranger's icy portal pass,
And thankless task and miserable wage
Their exiled cheerless energies engage,
Their youth, their life, is blasted at the core,
And Hope's sweet sap will mount their veins no more.
Should every door their humble prayers repel,
Scorning to buy what Hunger kneels to sell,
And they, half thankful that the strangers spurn,
To their own roof be driven to return,
How strange the scene that meets their wearied gaze!
How changed the hearth, the home, of other days!
504
Contracting Care usurps the mother's face,
Whose smiles of old spread sunshine through the place.
Alone she weeps; but should she chance to hear
Her husband's steps, she hides the furtive tear;
Follows his movements with an anxious dread,
Studies his brow, and scans his restless tread;
Assails his woe with every female wile,
Prattles of hope, and simulates a smile.
He, broken man, wrapt in perpetual gloom,
Wanders anon from vacant room to room;
Then, creeping back, the image of despair,
With a deep sigh he sinks into his chair.
He seldom speaks; and when his voice is heard,
Peevish its tone, and querulous his word;
And vain laments and childish tears attest
The lamp of life is dying in his breast.
Perhaps his death some timely pittance frees,
Secured by prudence in their days of ease;
And, O the pity! posthumous relief
Stanches love's wounds, and blunts the edge of grief.
Unless, indeed-for this too hath been knownAll-grasping Greed hath made that mite its own,
Filched from the widow her last hopes of bread,
And whom it ruined living, plunders dead!
These are thy triumphs, Gold! thy trophies these,
To nurture fraud, and rob the world of ease,
Faith to befool, young genius to seduce,
And blight at once its beauty and its use.
Thine is the bait, as loveless hearths avouch,
Which drags fresh victims to the venal couch;
Thine the foul traps wherewith our ways are rife,
That lure them first, then close upon their life;
Thine, thine the springes, set in regions fair,
Whose unseen nooses strangle whom they snare;
The cynic glory thine to lie in wait
To make men little who had else been great,
Frustrate our plenty, aggravate our dearth,
And keep eternal feud 'twixt Heaven and Earth!
Lo, where huge London, huger day by day,
505
O'er six fair counties spreads its hideous sway,
A tract there lies by Fortune's favours blest,
And at Fame's font yclept the happy West.
There, as by wizard touch, for miles on miles,
Rise squares, streets, crescents of palatial piles.
In the brave days when England's trusty voice
Made grappling rivals tremble or rejoice;
When, foremost shield of Weakness or of Right,
She scorned to warn unless resolved to smite;
When, few but firm, her stalwart children bore
The terror of her Flag from shore to shore,
Purged Christ's dear tomb from sacrilege and shame,
And made the Moslem quake at Richard's name;
Taught the vain Gaul, though gallant, still to kneel,
And Spain's proud sons the weight of northern steel;Then were her best in no such splendour nursed
As now awaits her basest and her worst.
No kingly Harry glittering with renown,
No Edward radiant in a peaceful crown,
Was housed as now, at turn of Fortune's wrist,
Some lucky navvy turned capitalist,
Some convict's bastard who a-sudden shines
In the bright splendour of Australian mines,
Or subtle Greek, who, skilled in Eastern ways,
Exposes all Golconda to our gaze.
These, as to Pomp's pretentious peaks they rush,
Heed not the crowds their sordid conquests crush:
Secure in glaring opulence, they scan
With placid eyes the miseries of man;
Fat units, watch the leanness of the whole,
And gag remonstrance with a paltry dole:
Mid harrowing want, with conscience unafraid,
Die on the golden dirt-heaps they have made.
Here Plenty gorges gifts from every zone,
There thankful Hunger gnaws its meagre bone;
Profusion here melts more than pearls in wine,
There craves gaunt Penury some shucks from swine;
And whilst rich rogues quaff deep round roaring fires,
At Dives' portal Lazarus expires!
Betwixt these fierce extremes of wealth and woe,
A crowd of strugglers hustles to and fro,
506
Whose one sole aim and only hope in life
Are just to wrench subsistence from the strife.
To what base shifts these hideous straits compel
The straining wretches, let our records tell.
Victims of greedy Competition's craft,
We drain cheap poison in each sparkling draught,
Purchase a lie in every vaunted ware,
And swallow filth in the most frugal fare.
Building a refuge for our age, we find
The crumbling mortar lets in wet and wind;
Face the rude waves, by science freed from awe,
To sink, poor dupes, on life-belts made of straw!
Nor this the worst! When ripened Shame would hide
Fruits of that hour when Passion conquered Pride,
There are not wanting in this Christian land
The breast remorseless and the Thuggish hand,
To advertise the dens where Death is sold,
And quench the breath of baby-life for gold!
Nor man alone, case-hardened man, surveys
These shocking contrasts with a careless gaze.
Fair melting woman of the tender breast
Here finds no room for pity as her guest.
Unsexed, she strains to Ostentation's goal,
While Splendour's dreams demoralise her soul;
Drains, like a goddess, hecatombs of lives,
Nor heeds who lags, provided she arrives.
See Claribel, by every gift designed
Mid anguish keen to be an angel kind,
Once plunged in rival factions' golden fight,
Turned to a demon in her own despite.
Behold, to-morrow in the Royal smile
Will bask the birth and wealth of all the Isle.
She, long abroad, received the summons late.
What's to be done? Nor time nor tide will wait.
She turns her wardrobe over, racks her brain;
Nothing will do. She wants a dress and train.
Drive to the modiste's. Not a finger free.
There's only Clara. Clara let it be.
But Clara's sick and sorry. Give her gold;
Her aches will cease, her sorrows be consoled.
507
It must be done. Sure Lilian there will glow
In gorgeous newness decked from top to toe;
Shall it be said that Claribel did less?
To-morrow, then, in time the train and dress.
So Clara drags her weary limbs from bed,
O'er the brave finery hangs her throbbing head;
Still as her senses swim sews on and on,
Till day dies out and twilight pale is gone.
Then, by the taper's soft and silent light,
Like a pale flower that opens most by night,
Her pace she quickens, and the needle moves
Subtler and swifter through the gauzy grooves;
But as the dawn on guttering sockets gains,
Her tired lids drop, and sleep arrests her pains.
But sleep how short! She feels her shoulder clutched:
`Clara, awake! the train's not even touched!
Day strides apace. See, there's the morning sun,
And ere again he sinks, 't must all be done.'
Again, again, the shooting thread she plies,
In silent agony of smothered sighs.
She seems to breathe her breath into the gown,
To give it life the while she lays hers down.
Fast as the task advances set by pride,
So fast within her ebbs the vital tide.
The daylight goes, and softly comes the moon's,
And then poor Clara over the last stitch swoons.
Meanwhile, the panting Claribel awaits
The precious gown within her golden gates.
It comes-it comes. Now who shall shine her down?
Not Lilian, surely? No, not the entire Town.
She not for worlds had lost this courtly chance;
And Clara dies that Claribel may dance!
If private worth, thus languishing, expires,
Will public Virtue keep alive her fires?
The slaves of wealth, in Britain as in Rome,
Bring to the Forum vices formed at home.
First the community, and then the State,
Falls to their fangs, which naught can satiate.
Not born nor bred to rule, of culture void,
508
And by no wave of young ambition buoyed,
Anxious on heights conspicuous to flaunt
Nought but the tawdry trophies they can vaunt,
They woo the grasping crowd with golden guile,
And spread Corruption's canker through the Isle.
You want a seat? Then boldly sate your itch.
Be very radical, and very rich.
Sell your opinions first to please the pure,
Then buy the sordid, and your triumph's sure.
Do all, in brief, that honest men abhor,
And England hails another Senator.
See the vain Tribune who, in lust of power,
Bows to the base exactions of the hour,
And, fooled by sycophants, stands forth at last
A devotee turned sworn iconoclast!
Behind him sit dense rows of golden mutes,
Deaf to whate'er demonstrates or refutes,
Ready to vote, rescind, obey in all
The whip demands, as hounds the huntsman's call.
They neither know nor reck what helpful deeds
In this grave hour their perilled Country needs.
They want to see their daughters nobly wed,
Their wives at Court, their own names trumpeted,
Their private Bills advanced another stage,
Their schemes of plunder foisted on the age.
Leave them but these, the gamblers come to call,
Nor heed an Empire nodding to its fall!
When Power is built on props like these, how vain
The hope that Law the giddy will restrain!
Spoilt by twin sops, servility and gold,
The headstrong crowd is then but ill controlled.
In vain they now would sway who lately served,
And Riot cows Authority unnerved.
Better that such base compromise should end,
And the dread bolt of Anarchy descend!
Goths of the gutter, Vandals of the slum,
Thieves and Reformers, come! Barbarians, come!
Before your might let rails and rules be hurled,
And sweep Civilisation from the world!
509
Nor now, alas, do Commoners alone
To private ends the public weal postpone.
Those too, whom worth ancestral plants on seats
High above where all vulgar Clamour beats,
With paltry fear to their clipped ermine cling,
And shrink from right, lest right should ruin bring.
The Peers stand firm; the Commons disagree.
The Peers be-well, it now is close on three.
By five, a world of reasons will be found.
Throw Jonas over, or the ship's aground.
You know the fury of the hand that steers;
And what were Britain with no House of Peers?
Would Primogeniture its fall survive,
Or even Property be kept alive?
Let Herbert fume, or frantic Cecil chafe,
Better a deal to choose the side that's safe;
Bow to the will of Finlen and his hordes,
And still thank Heavën for a House of Lords!
Thus may the British breast exult to think.
That noble names can sell ignoble ink;
That ill-got gains, if deftly spent, unlock
Birth's choicest circles to the ambitious smock;
That Dives foul mounts fine Aristo's stairs,
If but Aristo Dives' plunder shares;
And half Debrett urbanely flocks to White's,
To back the boor who saves them from the kites.
His son succeeds him. `Make the son a Peer.
Why not? His income's eighty thousand clear.
New blood is wanted. Here's the very stuff.
Besides, he wields the county vote.' Enough.
But hold! there's Cato. `Cato! are you sane?
Why, Cato's means but one small hearth sustain.
Ennoble Cato, you'll have Peers for life,
Or else forbid the man to take a wife.
He can't maintain the necessary state,
And would you have a poor name legislate?
No, Dives' son's the very man we need.
What says the Crown?' The Crown! Of course, Agreed.
And the young fool, enriched by parent knaves,
From Ruin's jaws our Constitution saves!
Is there no path of honour for the great,
510
No sound and clean salvation for the State?
Must we for ever fly to shifts like this,
And trust to Gold to save us from the abyss?
Must honours old by new-got wealth be vamped,
And Valour's stock by plutocrats be swamped?
Back to your lands, base sons of splendid sires!
From spendthrift squares back to your native shires!
Back, back from Baden, and leave Homburg's shades
To dazzling Jews and mercenary jades.
Leave London's round of vulgar joys to those
Who seek in such from base pursuits repose.
Cease to contend with upstart Wealth's parade,
To wring your lands to vie with tricks of trade;
And, proudly spurning Glitter's transient lies,
At least be honest, if you can't be wise!
Worship your household gods, and spend at home
The solid earnings of the generous loam.
Delve, fence, and drain; the dripping waste reclaim;
With spreading woodlands multiply your fame.
Yours let it be to screen the reverent hind,
Who loves your presence, 'gainst the frost and wind;
Scorning to count the profit, raise his lot;
Lure the shy Graces to his lowly cot;
Be, one and all, acknowledged, far and wide,
Patriarchs and patterns of the country side.
And whether demagogues shall rise or fall,
A Cleon mount, or Boänerges bawl,
True to yourselves and native duty, thus
Save this poor England by being virtuous!
And you, Sir, hope of this once famous isle,
Round whom its halo plays, its favours smile,
Hark to the Muse, which, poised on Candour's wings,
Flouts the base crowd, but scorns to flatter kings.
Hark, while she tells you, nor her counsel spurn,
From giddy Pleasure's gilded toys to turn;
That not from minions opulent or coarse
Do Princes gain their lustre and their force;
That Reverence anchors not in deep carouse,
And that a Crown fits only kingly brows!
Fired by each bright example, shun the shade,
Where Scandal best can ply her noxious trade.
511
Learn from your pious Father how to share
With hands, too lonely now, a Kingdom's care.
Be by your fair loved Consort's pattern moved,
And like your virtuous Mother, stand approved;
Do for this England all the Sceptre can,
And be at least a stainless gentleman.
Be this too much, you well may live to find
That firmest Thrones can fail the weak and blind,
And, though no Samson, sharing half his fate,
Pull down the pillars of a mighty State!
Whilst our domestic fortunes thus obey
All-searching Gold's demoralising sway,
We hug the limits of our puny shore,
And Glory knows our once great name no more.
First are we still in every bloodless fray,
Where piles of gold adventurous prows repay;
But when flushed Honour sets the world on fire,
We furl our sails and to our coasts retire;
And, basely calm whilst outraged nations bleed,
Invent new doctrines to excuse our greed.
When gallant Denmark, now the spoiler's prey,
Flashed her bright blade, and faced the unequal fray,
And, all abandoned both by men and gods,
Fell, faint with wounds, before accursèd odds,Where, where was England's vindicating sword,
Her promised arm, to stay the invading horde;
Bid the rude German drop his half-clutched spoil,
And scare the robber from ancestral soil?
The fair young Dane, beloved by every Grace,
And all the Virtues shining in her face,
Who, more an angel than a princess deemed,
Withal was even sweeter than she seemed,
With noisy throats we summoned o'er the foam,
And with cheap cheers escorted to her home.
But when with streaming eye and throbbing breast
She, pious child, her loving fears confessed,
And, leagued with Honour's voice and Valour's ire,
Prayed us to save her country and her sire,
We turned away, and opulently cold,
Put back our swords of steel in sheaths of gold!
512
And yet what sandy base doth Gold afford,
Though crowned by Law, and fenced round by the Sword,
Learn from that Empire which, a scorn for aye,
Grew in a night and perished in a day!
Helped by a magic name and doubtful hour,
See the Adventurer scale the steeps of Power.
Upon him groups of desperate gamesters wait,
To snatch their profit from a sinking State.
Folly, and Fate which Folly still attends,
Conspire to shape and expedite their ends.
The Hour, the Man are here! No pulse? No breath?
Wake, Freedom, wake! In vain! She sleeps like Death.
The impious hands, emboldened by her swoon,
Choke in the night, and slay her in the noon!
Then, when vain crowds with dilatory glaive
Rush to avenge the life they would not save,
The prompt conspirators with lavish hand
Fling their last pieces to a pampered band,
Bribe cut-throat blades Vengeance' choked ways to hold,
And bar the avenues of rage with gold!
Then mark how soon, amid triumphant hymns,
The Imperial purple girds the blood-stained limbs.
The perjured hands a golden sceptre gain,
A crown of gold screens the seared brow of Cain,
And golden eagles, erst of simpler ore,
Assert the Caesar, and his rod restore.
See round his throne Pomp's servile tributes swell,
Not Nero knew, e'er Rome to ruin fell,
Far from his feet the lust of glitter spread,
And the vain herd on Splendour's follies fed!
Nor they alone, the shallow, base, and gay,
Bend to this Idol with the feet of clay:
Statesmen and soldiers kneel with flattering suit,
Kings are his guests, e'en queens his cheeks salute;
Senates extol him, supple priests caress,
And even thou, O Pius, stoop'st to bless!
And the World's verdict, ever blind as base,
Welcomes the `Second Saviour' of the race!
And yet how weak this Empire girt with gold
Did prove to save when Battle's torrents rolled,
513
Have we not seen in ruin, rout, and shame,
Burnt deep in Gaul's for ever broken fame?
What then availed her courts of pomp and pride,
What her bright camps with glittering shows allied?
What, in that hour, the luxury which passed
To soldiers' lips the sybarite repast?
Did all her gold suffice, when steel withstood
Her stride, to make her rash, vain challenge good?
Behold her Chief, in comfort longwhile slung,
By War's rough couch and random fare unstrung
His vaunted Leaders, who to Power had mown
Their path with swords that propped a venal Throne,
Brandishing rival blades, his brain confound,
While still, but sure, the solid foe press round.
See her soft sons, whom arms enervate lead,
Spurn the long marches which to victory speed,
And, fondly deeming Science served by Wealth
Will snatch the fight at distance and by stealth,
Smitten with fear at Valour's downright face,
And taught swift limbs in Flight's ignoble chase!
See one, see all, before the Victor fleet,
Then lay their swords, submissive, at his feet!
O hapless France! e'en then insurgent ire
Had your soiled scutcheon lifted from the mire,
Placed the bright helm on Honour's front once more,
And laurels reaped more lasting than of yore,
Had not rich ease your manhood's marrow stole,
And gold emollient softened all your soul.
O, what a sight-a sight these eyes beheldHer fair green woods by the invader felled;
Her fields and vineyards by the Teuton trod,
Those she once smote encamped upon her sod;
Her homes, in dread, abandoned to the foe,
Or saved from rapine by obsequience low;
Her cities ransomed, provinces o'erawed,
Her iron strongholds wrenched by force or fraud;
Her once proud Paris grovelling in the dust,
And-crowning irony, if lesson justThe grasping victor, loth to quit his hold,
Coaxed slowly homewards o'er a bridge of gold!
514
Is there no warning, England, here, for thee?
Or are Heaven's laws balked by a strip of sea?
Are thy foundations, Albion, so approved,
Thou canst behold such downfall all unmoved?
Have we not marked how this Briarean Gold
Doth all our life and energies enfold?
And as our practice, so our doctrines tooWe shape new ethics for our vices new;
Our sires forswear, our splendid Past defame,
And in high places glory in our shame!
Hear our loud-tinkling Tribunes all declare
Once lavish England hath no blood to spare,
No gold to spend; within her watery wall
She needs to roll and wallow in it all.
Doth towering Might some poor faint Cause oppress,
They bid her turn, impartial, from distress;
Indulge her tears, but hide her ire from sight,
Lest a like doom her angry front invite.
And when this craven caution fails to save
Her peaceful fortunes from the braggart glaive,
They bid her still be moral and be meek,
Hug tight her gold, and turn the other cheek.
Her very sons, sprung from her mighty loins,
We aliens make, to save some paltry coins;
With our own hands destroy our Empire old,
And stutter, `All is lost, except our gold!'
With languid limbs, by comfortable fire,
We see our glories, one by one, expire;
A Nelson's flag, a Churchill's flashing blade,
Debased to menials of rapacious Trade;
Lost by a Cardwell what a Wellesley won,
And by a Gladstone Chatham's world undone!
Pale, gibbering spectres fumbling at the helm,
Whilst dark winds howl, and billowy seas o'erwhelm.
Yet deem you, England, that you thus will save,
Even your wealth from rapine or the grave?
Will your one chain of safety always hold,
Or `silver streak' for ever guard your gold?
If through long slumbrous years the ignoble rust
Of selfish ease your erst bright steel encrust,
When Storm impends, you vainly will implore
The Gods of Ocean to protect your shore.
515
Bribed by the foe, behold Britannia stand
At Freedom's portals with a traitress hand,
Help the Barbarian to its sacred hold,
Then, like Tarpeia, sink oppressed with Gold!
Perish the thought! O, rather let me see
Conspiring myriads bristling on the sea,
Our tranquil coasts bewildered by alarms,
And Britain, singly, face a World in arms!
What if a treacherous Heaven befriend our foes?
Let us go down in glory, as we rose!
And if that doom-the best that could betideBe to our Fame by envious Fate denied,
Then come, primeval clouds and seasons frore,
And wrap in gloom our luckless land once more!
Come, every wind of Heaven that rudely blows,
Plunge back our Isle in never-ending snows!
Rage, Eurus, rage! fierce Boreas, descend!
With glacial mists lost Albion befriend!
E'en of its name be every trace destroyed,
And Dark sit brooding o'er the formless Void!
~ Alfred Austin,
1205:BOOK THE EIGHTH

The Story of Nisus and Scylla

Now shone the morning star in bright array,
To vanquish night, and usher in the day:
The wind veers southward, and moist clouds arise,
That blot with shades the blue meridian skies.
Cephalus feels with joy the kindly gales,
His new allies unfurl the swelling sails;
Steady their course, they cleave the yielding main,
And, with a wish, th' intended harbour gain.
Mean-while King Minos, on the Attick strand,
Displays his martial skill, and wastes the land.
His army lies encampt upon the plains,
Before Alcathoe's walls, where Nisus reigns;
On whose grey head a lock of purple hue,
The strength, and fortune of his kingdom, grew.

Six moons were gone, and past, when still from far
Victoria hover'd o'er the doubtful war.
So long, to both inclin'd, th' impartial maid
Between 'em both her equal wings display'd.
High on the walls, by Phoebus vocal made,
A turret of the palace rais'd its head;
And where the God his tuneful harp resign'd.
The sound within the stones still lay enshrin'd:
Hither the daughter of the purple king
Ascended oft, to hear its musick ring;
And, striking with a pebble, wou'd release
Th' enchanted notes, in times of happy peace.
But now, from thence, the curious maid beheld
Rough feats of arms, and combats of the field:
And, since the siege was long, had learnt the name
Of ev'ry chief, his character, and fame;
Their arms, their horse, and quiver she descry'd,
Nor cou'd the dress of war the warriour hide.

Europa's son she knew above the rest,
And more, than well became a virgin breast:
In vain the crested morion veils his face,
She thinks it adds a more peculiar grace:
His ample shield, embost with burnish'd gold,
Still makes the bearer lovelier to behold:
When the tough jav'lin, with a whirl, he sends,
His strength and skill the sighing maid commends;
Or, when he strains to draw the circling bow,
And his fine limbs a manly posture show,
Compar'd with Phoebus, he performs so well,
Let her be judge, and Minos shall excell.

But when the helm put off, display'd to sight,
And set his features in an open light;
When, vaulting to his seat, his steed he prest,
Caparison'd in gold, and richly drest;
Himself in scarlet sumptuously array'd,
New passions rise, and fire the frantick maid.
O happy spear! she cries, that feels his touch;
Nay, ev'n the reins he holds are blest too much.
Oh! were it lawful, she cou'd wing her way
Thro' the stern hostile troops without dismay;
Or throw her body to the distant ground,
And in the Cretans happy camp be found.
Wou'd Minos but desire it! she'd expose
Her native country to her country's foes;
Unbar the gates, the town with flames infest,
Or any thing that Minos shou'd request.

And as she sate, and pleas'd her longing sight,
Viewing the king's pavilion veil'd with white,
Shou'd joy, or grief, she said, possess my breast,
To see my country by a war opprest?
I'm in suspense! For, tho' 'tis grief to know
I love a man that is declar'd my foe;
Yet, in my own despite, I must approve
That lucky war, which brought the man I love.
Yet, were I tender'd as a pledge of peace,
The cruelties of war might quickly cease.
Oh! with what joy I'd wear the chains he gave!
A patient hostage, and a willing slave.
Thou lovely object! if the nymph that bare
Thy charming person, were but half so fair;
Well might a God her virgin bloom desire,
And with a rape indulge his amorous fire.
Oh! had I wings to glide along the air,
To his dear tent I'd fly, and settle there:
There tell my quality, confess my flame,
And grant him any dowry that he'd name.
All, all I'd give; only my native land,
My dearest country, shou'd excepted stand,
For, perish love, and all expected joys,
E're, with so base a thought, my soul complies.
Yet, oft the vanquish'd some advantage find,
When conquer'd by a noble, gen'rous mind.
Brave Minos justly has the war begun,
Fir'd with resentment for his murder'd son:
The righteous Gods a righteous cause regard,
And will, with victory, his arms reward:
We must be conquer'd; and the captive's fate
Will surely seize us, tho' it seize us late.
Why then shou'd love be idle, and neglect
What Mars, by arms and perils, will effect?
Oh! Prince, I dye, with anxious fear opprest,
Lest some rash hand shou'd wound my charmer's breast:
For, if they saw, no barb'rous mind cou'd dare
Against that lovely form to raise a spear.

But I'm resolv'd, and fix'd in this decree,
My father's country shall my dowry be.
Thus I prevent the loss of life and blood,
And, in effect, the action must be good.
Vain resolution! for, at ev'ry gate
The trusty centinels, successive, wait:
The keys my father keeps; ah! there's my grief;
'Tis he obstructs all hopes of my relief.
Gods! that this hated light I'd never seen!
Or, all my life, without a father been!
But Gods we all may be; for those that dare,
Are Gods, and Fortune's chiefest favours share.
The ruling Pow'rs a lazy pray'r detest,
The bold adventurer succeeds the best.
What other maid, inspir'd with such a flame,
But wou'd take courage, and abandon shame?
But wou'd, tho' ruin shou'd ensue, remove
Whate'er oppos'd, and clear the way to love?
This, shall another's feeble passion dare?
While I sit tame, and languish in despair:
No; for tho' fire and sword before me lay,
Impatient love thro' both shou'd force its way.
Yet I have no such enemies to fear,
My sole obstruction is my father's hair;
His purple lock my sanguine hope destroys,
And clouds the prospect of my rising joys.

Whilst thus she spoke, amid the thick'ning air
Night supervenes, the greatest nurse of care:
And, as the Goddess spreads her sable wings,
The virgin's fears decay, and courage springs.
The hour was come, when Man's o'er-labour'd breast
Surceas'd its care, by downy sleep possest:
All things now hush'd, Scylla with silent tread
Urg'd her approach to Nisus' royal bed:
There, of the fatal lock (accursed theft!)
She her unwitting father's head bereft.
In safe possession of her impious prey,
Out at a postern gate she takes her way.
Embolden'd, by the merit of the deed
She traverses the adverse camp with speed,
'Till Minos' tent she reach'd: the righteous king
She thus bespoke, who shiver'd at the thing.

Behold th' effect of love's resistless sway!
I, Nisus' royal seed, to thee betray
My country, and my Gods. For this strange task,
Minos, no other boon but thee I ask.
This purple lock, a pledge of love, receive;
No worthless present, since in it I give
My father's head.- Mov'd at a crime so new,
And with abhorrence fill'd, back Minos drew,
Nor touch'd th' unhallow'd gift; but thus exclaim'd
(With mein indignant, and with eyes inflam'd),
Perdition seize thee, thou, thy kind's disgrace!
May thy devoted carcass find no place
In earth, or air, or sea, by all out-cast!
Shall Minos, with so foul a monster, blast
His Cretan world, where cradled Jove was nurst?
Forbid it Heav'n!- away, thou most accurst!

And now Alcathoe, its lord exchang'd,
Was under Minos' domination rang'd.
While the most equal king his care applies
To curb the conquer'd, and new laws devise,
The fleet, by his command, with hoisted sails,
And ready oars, invites the murm'ring gales.
At length the Cretan hero anchor weigh'd,
Repaying, with neglect, th' abandon'd maid.
Deaf to her cries, he furrows up the main:
In vain she prays, sollicits him in vain.

And now she furious grows in wild despair,
She wrings her hands, and throws aloft her hair.
Where run'st thou? (thus she vents her deep distress)
Why shun'st thou her that crown'd thee with success?
Her, whose fond love to thee cou'd sacrifice
Her country, and her parent, sacred ties!
Can nor my love, nor proffer'd presents find
A passage to thy heart, and make thee kind?
Can nothing move thy pity? O ingrate,
Can'st thou behold my lost, forlorn estate,
And not be soften'd? Can'st thou throw off one
Who has no refuge left but thee alone?
Where shall I seek for comfort? whither fly?
My native country does in ashes lye:
Or were't not so, my treason bars me there,
And bids me wander. Shall I next repair
To a wrong'd father, by my guilt undone?-
Me all Mankind deservedly will shun.
I, out of all the world, my self have thrown,
To purchase an access to Crete alone;
Which, since refus'd, ungen'rous man, give o'er
To boast thy race; Europa never bore
A thing so savage. Thee some tygress bred,
On the bleak Syrt's inhospitable bed;
Or where Charybdis pours its rapid tide
Tempestuous. Thou art not to Jove ally'd;
Nor did the king of Gods thy mother meet
Beneath a bull's forg'd shape, and bear to Crete.
That fable of thy glorious birth is feign'd;
Some wild outrageous bull thy dam sustain'd.
O father Nisus, now my death behold;
Exult, o city, by my baseness sold:
Minos, obdurate, has aveng'd ye all;
But 'twere more just by those I wrong'd to fall:
For why shou'dst thou, who only didst subdue
By my offending, my offence pursue?
Well art thou matcht to one whose am'rous flame
Too fiercely rag'd, for human-kind to tame;
One who, within a wooden heifer thrust,
Courted a low'ring bull's mistaken lust;
And, from whose monster-teeming womb, the Earth
Receiv'd, what much it mourn'd, a bi-form birth.
But what avails my plaints? the whistling wind,
Which bears him far away, leaves them behind.
Well weigh'd Pasiphae, when she prefer'd
A bull to thee, more brutish than the herd.
But ah! Time presses, and the labour'd oars
To distance drive the fleet, and lose the less'ning shores.

Think not, ungrateful man, the liquid way
And threat'ning billows shall inforce my stay.
I'll follow thee in spite: My arms I'll throw
Around thy oars, or grasp thy crooked prow,
And drag thro' drenching seas. Her eager tongue
Had hardly clos'd the speech, when forth she sprung
And prov'd the deep. Cupid with added force
Recruits each nerve, and aids her wat'ry course.
Soon she the ship attains, unwelcome guest;
And, as with close embrace its sides she prest,
A hawk from upper air came pouring down
('Twas Nisus cleft the sky with wings new grown).
At Scylla's head his horny bill he aims;
She, fearful of the blow, the ship disclaims,
Quitting her hold: and yet she fell not far,
But wond'ring, finds her self sustain'd in air.
Chang'd to a lark, she mottled pinions shook,
And, from the ravish'd lock, the name of Ciris took.

The Labyrinth

Now Minos, landed on the Cretan shore,
Performs his vows to Jove's protecting pow'r;
A hundred bullocks of the largest breed,
With flowrets crown'd, before his altar bleed:
While trophies of the vanquish'd, brought from far
Adorn the palace with the spoils of war.

Mean-while the monster of a human-beast,
His family's reproach, and stain, increas'd.
His double kind the rumour swiftly spread,
And evidenc'd the mother's beastly deed.
When Minos, willing to conceal the shame
That sprung from the reports of tatling Fame,
Resolves a dark inclosure to provide,
And, far from sight, the two-form'd creature hide.

Great Daedalus of Athens was the man
That made the draught, and form'd the wondrous plan;
Where rooms within themselves encircled lye,
With various windings, to deceive the eye.
As soft Maeander's wanton current plays,
When thro' the Phrygian fields it loosely strays;
Backward and forward rouls the dimpl'd tide,
Seeming, at once, two different ways to glide:
While circling streams their former banks survey,
And waters past succeeding waters see:
Now floating to the sea with downward course,
Now pointing upward to its ancient source,
Such was the work, so intricate the place,
That scarce the workman all its turns cou'd trace;
And Daedalus was puzzled how to find
The secret ways of what himself design'd.

These private walls the Minotaur include,
Who twice was glutted with Athenian blood:
But the third tri bute more successful prov'd,
Slew the foul monster, and the plague remov'd.
When Theseus, aided by the virgin's art,
Had trac'd the guiding thread thro' ev'ry part,
He took the gentle maid, that set him free,
And, bound for Dias, cut the briny sea.
There, quickly cloy'd, ungrateful, and unkind,
Left his fair consort in the isle behind,
Whom Bacchus saw, and straining in his arms
Her rifled bloom, and violated charms,
Resolves, for this, the dear engaging dame
Shou'd shine for ever in the rolls of Fame;
And bids her crown among the stars be plac'd,
With an eternal constellation grac'd.
The golden circlet mounts; and, as it flies,
Its diamonds twinkle in the distant skies;
There, in their pristin form, the gemmy rays
Between Alcides, and the dragon blaze.

The Story of Daedalus and Icarus

In tedious exile now too long detain'd,
Daedalus languish'd for his native land:
The sea foreclos'd his flight; yet thus he said:
Tho' Earth and water in subjection laid,
O cruel Minos, thy dominion be,
We'll go thro' air; for sure the air is free.
Then to new arts his cunning thought applies,
And to improve the work of Nature tries.
A row of quils in gradual order plac'd,
Rise by degrees in length from first to last;
As on a cliff th' ascending thicket grows,
Or, different reeds the rural pipe compose.
Along the middle runs a twine of flax,
The bottom stems are joyn'd by pliant wax.
Thus, well compact, a hollow bending brings
The fine composure into real wings.

His boy, young Icarus, that near him stood,
Unthinking of his fate, with smiles pursu'd
The floating feathers, which the moving air
Bore loosely from the ground, and wasted here and there.

Or with the wax impertinently play'd,
And with his childish tricks the great design delay'd.

The final master-stroke at last impos'd,
And now, the neat machine compleatly clos'd;
Fitting his pinions on, a flight he tries,
And hung self-ballanc'd in the beaten skies.
Then thus instructs his child: My boy, take care
To wing your course along the middle air;
If low, the surges wet your flagging plumes;
If high, the sun the melting wax consumes:
Steer between both: nor to the northern skies,
Nor south Orion turn your giddy eyes;
But follow me: let me before you lay
Rules for the flight, and mark the pathless way.
Then teaching, with a fond concern, his son,
He took the untry'd wings, and fix'd 'em on;
But fix'd with trembling hands; and as he speaks,
The tears roul gently down his aged cheeks.
Then kiss'd, and in his arms embrac'd him fast,
But knew not this embrace must be the last.
And mounting upward, as he wings his flight,
Back on his charge he turns his aking sight;
As parent birds, when first their callow care
Leave the high nest to tempt the liquid air.
Then chears him on, and oft, with fatal art,
Reminds the stripling to perform his part.

These, as the angler at the silent brook,
Or mountain-shepherd leaning on his crook,
Or gaping plowman, from the vale descries,
They stare, and view 'em with religious eyes,
And strait conclude 'em Gods; since none, but they,
Thro' their own azure skies cou'd find a way.

Now Delos, Paros on the left are seen,
And Samos, favour'd by Jove's haughty queen;
Upon the right, the isle Lebynthos nam'd,
And fair Calymne for its honey fam'd.
When now the boy, whose childish thoughts aspire
To loftier aims, and make him ramble high'r,
Grown wild, and wanton, more embolden'd flies
Far from his guide, and soars among the skies.
The soft'ning wax, that felt a nearer sun,
Dissolv'd apace, and soon began to run.
The youth in vain his melting pinions shakes,
His feathers gone, no longer air he takes:
Oh! Father, father, as he strove to cry,
Down to the sea he tumbled from on high,
And found his Fate; yet still subsists by fame,
Among those waters that retain his name.

The father, now no more a father, cries,
Ho Icarus! where are you? as he flies;
Where shall I seek my boy? he cries again,
And saw his feathers scatter'd on the main.
Then curs'd his art; and fun'ral rites confer'd,
Naming the country from the youth interr'd.

A partridge, from a neighb'ring stump, beheld
The sire his monumental marble build;
Who, with peculiar call, and flutt'ring wing,
Chirpt joyful, and malicious seem'd to sing:
The only bird of all its kind, and late
Transform'd in pity to a feather'd state:
From whence, O Daedalus, thy guilt we date.

His sister's son, when now twelve years were past,
Was, with his uncle, as a scholar plac'd;
The unsuspecting mother saw his parts,
And genius fitted for the finest arts.
This soon appear'd; for when the spiny bone
In fishes' backs was by the stripling known,
A rare invention thence he learnt to draw,
Fil'd teeth in ir'n, and made the grating saw.
He was the first, that from a knob of brass
Made two strait arms with widening stretch to pass;
That, while one stood upon the center's place,
The other round it drew a circling space.
Daedalus envy'd this, and from the top
Of fair Minerva's temple let him drop;
Feigning, that, as he lean'd upon the tow'r,
Careless he stoop'd too much, and tumbled o'er.

The Goddess, who th' ingenious still befriends,
On this occasion her asssistance lends;
His arms with feathers, as he fell, she veils,
And in the air a new made bird he sails.
The quickness of his genius, once so fleet,
Still in his wings remains, and in his feet:
Still, tho' transform'd, his ancient name he keeps,
And with low flight the new-shorn stubble sweeps,
Declines the lofty trees, and thinks it best
To brood in hedge-rows o'er its humble nest;
And, in remembrance of the former ill,
Avoids the heights, and precipices still.

At length, fatigu'd with long laborious flights,
On fair Sicilia's plains the artist lights;
Where Cocalus the king, that gave him aid,
Was, for his kindness, with esteem repaid.
Athens no more her doleful tri bute sent,
That hardship gallant Theseus did prevent;
Their temples hung with garlands, they adore
Each friendly God, but most Minerva's pow'r:
To her, to Jove, to all, their altars smoak,
They each with victims, and perfumes invoke.

Now talking Fame, thro' every Grecian town,
Had spread, immortal Theseus, thy renown.
From him the neighb'ring nations in distress,
In suppliant terms implore a kind redress.

The Story of Meleager and Atalanta

From him the Caledonians sought relief;
Though valiant Meleagros was their chief.
The cause, a boar, who ravag'd far and near:
Of Cynthia's wrath, th' avenging minister.
For Oeneus with autumnal plenty bless'd,
By gifts to Heav'n his gratitude express'd:
Cull'd sheafs, to Ceres; to Lyaeus, wine;
To Pan, and Pales, offer'd sheep and kine;
And fat of olives, to Minerva's shrine.
Beginning from the rural Gods, his hand
Was lib'ral to the Pow'rs of high command:
Each deity in ev'ry kind was bless'd,
'Till at Diana's fane th' invidious honour ceas'd.

Wrath touches ev'n the Gods; the Queen of Night,
Fir'd with disdain, and jealous of her right,
Unhonour'd though I am, at least, said she,
Not unreveng'd that impious act shall be.
Swift as the word, she sped the boar away,
With charge on those devoted fields to prey.
No larger bulls th' Aegyptian pastures feed,
And none so large Sicilian meadows breed:
His eye-balls glare with fire suffus'd with blood;
His neck shoots up a thick-set thorny wood;
His bristled back a trench impal'd appears,
And stands erected, like a field of spears;
Froth fills his chaps, he sends a grunting sound,
And part he churns, and part befoams the ground,
For tusks with Indian elephants he strove,
And Jove's own thunder from his mouth he drove.
He burns the leaves; the scorching blast invades
The tender corn, and shrivels up the blades:
Or suff'ring not their yellow beards to rear,
He tramples down the spikes, and intercepts the year:
In vain the barns expect their promis'd load,
Nor barns at home, nor recks are heap'd abroad:
In vain the hinds the threshing-floor prepare,
And exercise their flail in empty air.
With olives ever-green the ground is strow'd,
And grapes ungather'd shed their gen'rous blood.
Amid the fold he rages, nor the sheep
Their shepherds, nor the grooms their bulls can keep.

From fields to walls the frighted rabble run,
Nor think themselves secure within the town:
'Till Meleagros, and his chosen crew,
Contemn the danger, and the praise pursue.
Fair Leda's twins (in time to stars decreed)
One fought on foot, one curb'd the fiery steed;
Then issu'd forth fam'd Jason after these,
Who mann'd the foremost ship that sail'd the seas;
Then Theseus join'd with bold Perithous came;
A single concord in a double name:
The Thestian sons, Idas who swiftly ran,
And Ceneus, once a woman, now a man.
Lynceus, with eagle's eyes, and lion's heart;
Leucippus, with his never-erring dart;
Acastus, Phileus, Phoenix, Telamon,
Echion, Lelix, and Eurytion,
Achilles' father, and great Phocus' son;
Dryas the fierce, and Hippasus the strong;
With twice old Iolas, and Nestor then but young.
Laertes active, and Ancaeus bold;
Mopsus the sage, who future things foretold;
And t' other seer, yet by his wife unsold.
A thousand others of immortal fame;
Among the rest, fair Atalanta came,
Grace of the woods: a diamond buckle bound
Her vest behind, that else had flow'd upon the ground,
And shew'd her buskin'd legs; her head was bare,
But for her native ornament of hair;
Which in a simple knot was ty'd above,
Sweet negligence! unheeded bait of love!
Her sounding quiver, on her shoulder ty'd,
One hand a dart, and one a bow supply'd.
Such was her face, as in a nymph display'd
A fair fierce boy, or in a boy betray'd
The blushing beauties of a modest maid.
The Caledonian chief at once the dame
Beheld, at once his heart receiv'd the flame,
With Heav'ns averse. O happy youth, he cry'd;
For whom thy fates reserve so fair a bride!
He sigh'd, and had no leisure more to say;
His honour call'd his eyes another way,
And forc'd him to pursue the now-neglected prey.

There stood a forest on a mountain's brow,
Which over-look'd the shaded plains below.
No sounding ax presum'd those trees to bite;
Coeval with the world, a venerable sight.
The heroes there arriv'd, some spread around
The toils; some search the footsteps on the ground:
Some from the chains the faithful dogs unbound.
Of action eager, and intent in thought,
The chiefs their honourable danger sought:
A valley stood below; the common drain
Of waters from above, and falling rain:
The bottom was a moist, and marshy ground,
Whose edges were with bending oziers crown'd:
The knotty bulrush next in order stood,
And all within of reeds a trembling wood.

From hence the boar was rous'd, and sprung amain,
Like lightning sudden, on the warrior train;
Beats down the trees before him, shakes the ground.
The forest echoes to the crackling sound;
Shout the fierce youth, and clamours ring around.
All stood with their protended spears prepar'd,
With broad steel heads the brandish'd weapons glar'd.
The beast impetuous with his tusks aside
Deals glancing wounds; the fearful dogs divide:
All spend their mouths aloof, but none abide.
Echion threw the first, but miss'd his mark,
And stuck his boar-spear on a maple's bark.
Then Jason; and his javelin seem'd to take,
But fail'd with over-force, and whiz'd above his back.
Mopsus was next; but e'er he threw, address'd
To Phoebus, thus: O patron, help thy priest:
If I adore, and ever have ador'd
Thy pow'r divine, thy present aid afford;
That I may reach the beast. The God allow'd
His pray'r, and smiling, gave him what he cou'd:
He reach'd the savage, but no blood he drew:
Dian unarm'd the javelin, as it flew.

This chaf'd the boar, his nostrils flames expire,
And his red eye-balls roul with living fire.
Whirl'd from a sling, or from an engine thrown,
Amid the foes, so flies a mighty stone,
As flew the beast: the left wing put to flight,
The chiefs o'er-born, he rushes on the right.
Eupalamos and Pelagon he laid
In dust, and next to death, but for their fellows' aid.
Onesimus far'd worse, prepar'd to fly,
The fatal fang drove deep within his thigh,
And cut the nerves: the nerves no more sustain
The bulk; the bulk unprop'd, falls headlong on the plain.

Nestor had fail'd the fall of Troy to see,
But leaning on his lance, he vaulted on a tree;
Then gath'ring up his feet, look'd down with fear,
And thought his monstrous foe was still too near.
Against a stump his tusk the monster grinds,
And in the sharpen'd edge new vigour finds;
Then, trusting to his arms, young Othrys found,
And ranch'd his hips with one continu'd wound.

Now Leda's twins, the future stars, appear;
White were their habits, white their horses were:
Conspicuous both, and both in act to throw,
Their trembling lances brandish'd at the foe:
Nor had they miss'd; but he to thickets fled,
Conceal'd from aiming spears, not pervious to the steed.

But Telamon rush'd in, and happ'd to meet
A rising root, that held his fastned feet;
So down he fell, whom, sprawling on the ground,
His brother from the wooden gyves unbound.

Mean-time the virgin-huntress was not slow
T' expel the shaft from her contracted bow:
Beneath his ear the fastned arrow stood,
And from the wound appear'd the trickling blood.
She blush'd for joy: but Meleagros rais'd
His voice with loud applause, and the fair archer prais'd.

He was the first to see, and first to show
His friends the marks of the successful blow.
Nor shall thy valour want the praises due,
He said; a virtuous envy seiz'd the crew.
They shout; the shouting animates their hearts,
And all at once employ their thronging darts:
But out of order thrown, in air they joyn,
And multitude makes frustrate the design.
With both his hands the proud Ancaeus takes,
And flourishes his double-biting ax:
Then, forward to his fate, he took a stride
Before the rest, and to his fellows cry'd,
Give place, and mark the diff'rence, if you can,
Between a woman warrior, and a man,
The boar is doom'd; nor though Diana lend
Her aid, Diana can her beast defend.
Thus boasted he; then stretch'd, on tiptoe stood,
Secure to make his empty promise good.
But the more wary beast prevents the blow,
And upward rips the groin of his audacious foe.
Ancaeus falls; his bowels from the wound
Rush out, and clotted blood distains the ground.

Perithous, no small portion of the war,
Press'd on, and shook his lance: to whom from far
Thus Theseus cry'd; O stay, my better part,
My more than mistress; of my heart, the heart.
The strong may fight aloof; Ancaeus try'd
His force too near, and by presuming dy'd:
He said, and while he spake his javelin threw,
Hissing in air th' unerring weapon flew;
But on an arm of oak, that stood betwixt
The marks-man and the mark, his lance he fixt.

Once more bold Jason threw, but fail'd to wound
The boar, and slew an undeserving hound,
And thro' the dog the dart was nail'd to ground.

Two spears from Meleager's hand were sent,
With equal force, but various in th' event:
The first was fix'd in earth, the second stood
On the boar's bristled back, and deeply drank his blood.

Now while the tortur'd savage turns around,
And flings about his foam, impatient of the wound,
The wound's great author close at hand provokes
His rage, and plies him with redoubled strokes;
Wheels, as he wheels; and with his pointed dart
Explores the nearest passage to his heart.
Quick, and more quick he spins in giddy gires,
Then falls, and in much foam his soul expires.
This act with shouts heav'n-high the friendly band
Applaud, and strain in theirs the victor's hand.
Then all approach the slain with vast surprize,
Admire on what a breadth of earth he lies,
And scarce secure, reach out their spears afar,
And blood their points, to prove their partnership of war.

But he, the conqu'ring chief, his foot impress'd
On the strong neck of that destructive beast;
And gazing on the nymph with ardent eyes,
Accept, said he, fair Nonacrine, my prize,
And, though inferior, suffer me to join
My labours, and my part of praise, with thine:
At this presents her with the tusky head
And chine, with rising bristles roughly spread.
Glad she receiv'd the gift; and seem'd to take
With double pleasure, for the giver's sake.
The rest were seiz'd with sullen discontent,
And a deaf murmur through the squadron went:
All envy'd; but the Thestyan brethren show'd
The least respect, and thus they vent their spleen aloud:

Lay down those honour'd spoils, nor think to share,
Weak woman as thou art, the prize of war:
Ours is the title, thine a foreign claim,
Since Meleagrus from our lineage came.
Trust not thy beauty; but restore the prize,
Which he, besotted on that face, and eyes,
Would rend from us: at this, enflam'd with spite,
From her they snatch the gift, from him the giver's right.

But soon th' impatient prince his fauchion drew,
And cry'd, Ye robbers of another's due,
Now learn the diff'rence, at your proper cost,
Betwixt true valour, and an empty boast.
At this advanc'd, and sudden as the word,
In proud Plexippus' bosom plung'd the sword:
Toxeus amaz'd, and with amazement slow,
Or to revenge, or ward the coming blow,
Stood doubting; and while doubting thus he stood,
Receiv'd the steel bath'd in his brother's blood.

Pleas'd with the first, unknown the second news;
Althaea to the temples pays their dues
For her son's conquest; when at length appear
Her grisly brethren stretch'd upon the bier:
Pale at the sudden sight, she chang'd her cheer,
And with her cheer her robes; but hearing tell
The cause, the manner, and by whom they fell,
'Twas grief no more, or grief and rage were one
Within her soul; at last 'twas rage alone;
Which burning upwards in succession, dries
The tears, that stood consid'ring in her eyes.

There lay a log unlighted on the hearth,
When she was lab'ring in the throws of birth
For th' unborn chief; the fatal sisters came,
And rais'd it up, and toss'd it on the flame:
Then on the rock a scanty measure place
Of vital flax, and turn'd the wheel apace;
And turning sung, To this red brand and thee,
O new born babe, we give an equal destiny;
So vanish'd out of view. The frighted dame
Sprung hasty from her bed, and quench'd the flame:
The log, in secret lock'd, she kept with care,
And that, while thus preserv'd, preserv'd her heir.
This brand she now produc'd; and first she strows
The hearth with heaps of chips, and after blows;
Thrice heav'd her hand, and heav'd, she thrice repress'd:

The sister and the mother long contest,
Two doubtful titles, in one tender breast:
And now her eyes, and cheeks with fury glow,
Now pale her cheeks, her eyes with pity flow:
Now low'ring looks presage approaching storms,
And now prevailing love her face reforms:
Resolv'd, she doubts again; the tears she dry'd
With burning rage, are by new tears supply'd;
And as a ship, which winds and waves assail
Now with the current drives, now with the gale,
Both opposite, and neither long prevail:
She feels a double force, by turns obeys
Th' imperious tempest, and th' impetuous seas:
So fares Althaea's mind, she first relents
With pity, of that pity then repents:
Sister, and mother long the scales divide,
But the beam nodded on the sister's side.
Sometimes she softly sigh'd, then roar'd aloud;
But sighs were stifled in the cries of blood.

The pious, impious wretch at length decreed,
To please her brothers' ghost, her son should bleed:
And when the fun'ral flames began to rise,
Receive, she said, a sister's sacrifice;
A mother's bowels burn: high in her hand,
Thus while she spoke, she held the fatal brand;
Then thrice before the kindled pile she bow'd,
And the three Furies thrice invok'd aloud:
Come, come, revenging sisters, come, and view
A sister paying her dead brothers due:
A crime I punish, and a crime commit;
But blood for blood, and death for death is fit:
Great crimes must be with greater crimes repaid,
And second fun'rals on the former laid.
Let the whole houshold in one ruin fall,
And may Diana's curse o'ertake us all.
Shall Fate to happy Oenus still allow
One son, while Thestius stands depriv'd of two?
Better three lost, than one unpunish'd go.
Take then, dear ghosts (while yet admitted new
In Hell you wait my duty), take your due:
A costly off'ring on your tomb is laid,
When with my blood the price of yours is paid.

Ah! whither am I hurry'd? Ah! forgive,
Ye shades, and let your sister's issue live;
A mother cannot give him death; tho' he
Deserves it, he deserves it not from me.

Then shall th' unpunish'd wretch insult the slain,
Triumphant live, nor only live, but reign?
While you, thin shades, the sport of winds, are tost
O'er dreary plains, or tread the burning coast.
I cannot, cannot bear; 'tis past, 'tis done;
Perish this impious, this detested son:
Perish his sire, and perish I withal;
And let the house's heir, and the hop'd kingdom fall.

Where is the mother fled, her pious love,
And where the pains with which ten months I strove!
Ah! had'st thou dy'd, my son, in infant years,
Thy little herse had been bedew'd with tears.

Thou liv'st by me; to me thy breath resign;
Mine is the merit, the demerit thine.
Thy life by double title I require;
Once giv'n at birth, and once preserv'd from fire:
One murder pay, or add one murder more,
And me to them who fell by thee restore.

I would, but cannot: my son's image stands
Before my sight; and now their angry hands
My brothers hold, and vengeance these exact;
This pleads compassion, and repents the fact.

He pleads in vain, and I pronounce his doom:
My brothers, though unjustly, shall o'ercome.
But having paid their injur'd ghosts their due,
My son requires my death, and mine shall his pursue.

At this, for the last time, she lifts her hand,
Averts her eyes, and, half unwilling, drops the brand.
The brand, amid the flaming fewel thrown,
Or drew, or seem'd to draw, a dying groan;
The fires themselves but faintly lick'd their prey,
Then loath'd their impious food, and would have shrunk away.

Just then the heroe cast a doleful cry,
And in those absent flames began to fry:
The blind contagion rag'd within his veins;
But he with manly patience bore his pains:
He fear'd not Fate, but only griev'd to die
Without an honest wound, and by a death so dry.
Happy Ancaeus, thrice aloud he cry'd,
With what becoming fate in arms he dy'd!
Then call'd his brothers, sisters, sire around,
And, her to whom his nuptial vows were bound,
Perhaps his mother; a long sigh she drew,
And his voice failing, took his last adieu.
For as the flames augment, and as they stay
At their full height, then languish to decay,
They rise and sink by fits; at last they soar
In one bright blaze, and then descend no more:
Just so his inward heats, at height, impair,
'Till the last burning breath shoots out the soul in air.

Now lofty Calidon in ruins lies;
All ages, all degrees unsluice their eyes,
And Heav'n, and Earth resound with murmurs, groans, and cries.

Matrons and maidens beat their breasts, and tear
Their habits, and root up their scatter'd hair:
The wretched father, father now no more,
With sorrow sunk, lies prostrate on the floor,
Deforms his hoary locks with dust obscene,
And curses age, and loaths a life prolong'd with pain.
By steel her stubborn soul his mother freed,
And punish'd on her self her impious deed.

Had I a hundred tongues, a wit so large
As could their hundred offices discharge;
Had Phoebus all his Helicon bestow'd
In all the streams, inspiring all the God;
Those tongues, that wit, those streams, that God in vain

Would offer to describe his sisters' pain:
They beat their breasts with many a bruizing blow,
'Till they turn livid, and corrupt the snow.
The corps they cherish, while the corps remains,
And exercise, and rub with fruitless pains;
And when to fun'ral flames 'tis born away,
They kiss the bed on which the body lay:
And when those fun'ral flames no longer burn
(The dust compos'd within a pious urn),
Ev'n in that urn their brother they confess,
And hug it in their arms, and to their bosoms press.

His tomb is rais'd; then, stretch'd along the ground,
Those living monuments his tomb surround:
Ev'n to his name, inscrib'd, their tears they pay,
'Till tears, and kisses wear his name away.

But Cynthia now had all her fury spent,
Not with less ruin than a race content:
Excepting Gorge, perish'd all the seed,
And her whom Heav'n for Hercules decreed.
Satiate at last, no longer she pursu'd
The weeping sisters; but With Wings endu'd,
And horny beaks, and sent to flit in air;
Who yearly round the tomb in feather'd flocks repair.

The Transformation of the Naiads

Theseus mean-while acquitting well his share
In the bold chace confed'rate like a war,
To Athens' lofty tow'rs his march ordain'd,
By Pallas lov'd, and where Erectheus reign'd.
But Achelous stop'd him on the way,
By rains a deluge, and constrain'd his stay.

O fam'd for glorious deeds, and great by blood,
Rest here, says he, nor trust the rapid flood;
It solid oaks has from its margin tore,
And rocky fragments down its current bore,
The murmur hoarse, and terrible the roar.
Oft have I seen herds with their shelt'ring fold
Forc'd from the banks, and in the torrent roul'd;
Nor strength the bulky steer from ruin freed,
Nor matchless swiftness sav'd the racing steed.
In cataracts when the dissolving snow
Falls from the hills, and floods the plains below;
Toss'd by the eddies with a giddy round,
Strong youths are in the sucking whirlpools drown'd.
'Tis best with me in safety to abide,
'Till usual bounds restrain the ebbing tide,
And the low waters in their channel glide.

Theseus perswaded, in compliance bow'd:
So kind an offer, and advice so good,
O Achelous, cannot be refus'd;
I'll use them both, said he; and both he us'd.

The grot he enter'd, pumice built the hall,
And tophi made the rustick of the wall;
The floor, soft moss, an humid carpet spread,
And various shells the chequer'd roof inlaid.
'Twas now the hour when the declining sun
Two thirds had of his daily journey run;
At the spread table Theseus took his place,
Next his companions in the daring chace;
Perithous here, there elder Lelex lay,
His locks betraying age with sprinkled grey.
Acharnia's river-God dispos'd the rest,
Grac'd with the equal honour of the feast,
Elate with joy, and proud of such a guest.
The nymphs were waiters, and with naked feet
In order serv'd the courses of the meat.
The banquet done, delicious wine they brought,
Of one transparent gem the cup was wrought.

Then the great heroe of this gallant train,
Surveying far the prospect of the main:
What is that land, says he, the waves embrace?
(And with his finger pointed at the place);
Is it one parted isle which stands alone?
How nam'd? and yet methinks it seems not one.
To whom the watry God made this reply;
'Tis not one isle, but five; distinct they lye;
'Tis distance which deceives the cheated eye.
But that Diana's act may seem less strange,
These once proud Naiads were, before their change.
'Twas on a day more solemn than the rest,
Ten bullocks slain, a sacrificial feast:
The rural Gods of all the region near
They bid to dance, and taste the hallow'd cheer.
Me they forgot: affronted with the slight,
My rage, and stream swell'd to the greatest height;
And with the torrent of my flooding store,
Large woods from woods, and fields from fields I tore.
The guilty nymphs, oh! then, remembring me,
I, with their country, wash'd into the sea;
And joining waters with the social main,
Rent the gross land, and split the firm champagne.
Since, the Echinades, remote from shore
Are view'd as many isles, as nymphs before.

Perimele turn'd into an Island

But yonder far, lo, yonder does appear
An isle, a part to me for ever dear.
From that (it sailors Perimele name)
I doating, forc'd by rape a virgin's fame.
Hippodamas's passion grew so strong,
Gall'd with th' abuse, and fretted at the wrong,
He cast his pregnant daughter from a rock;
I spread my waves beneath, and broke the shock;
And as her swimming weight my stream convey'd,
I su'd for help divine, and thus I pray'd:
O pow'rful thou, whose trident does comm and
The realm of waters, which surround the land;
We sacred rivers, wheresoe'er begun,
End in thy lot, and to thy empire run.
With favour hear, and help with present aid;
Her whom I bear 'twas guilty I betray'd.
Yet if her father had been just, or mild,
He would have been less impious to his child;
In her, have pity'd force in the abuse;
In me, admitted love for my excuse.
O let relief for her hard case be found,
Her, whom paternal rage expell'd from ground,
Her, whom paternal rage relentless drown'd.
Grant her some place, or change her to a place,
Which I may ever clasp with my embrace.

His nodding head the sea's great ruler bent,
And all his waters shook with his assent.
The nymph still swam, tho' with the fright distrest,
I felt her heart leap trembling in her breast;
But hardning soon, whilst I her pulse explore,
A crusting Earth cas'd her stiff body o'er;
And as accretions of new-cleaving soil
Inlarg'd the mass, the nymph became an isle.

The Story of Baucis and Philemon

Thus Achelous ends: his audience hear
With admiration, and admiring, fear
The Pow'rs of Heav'n; except Ixion's Son,
Who laugh'd at all the Gods, believ'd in none:
He shook his impious head, and thus replies.
These legends are no more than pious lies:
You attri bute too much to heav'nly sway,
To think they give us forms, and take away.

The rest of better minds, their sense declar'd
Against this doctrine, and with horror heard.
Then Lelex rose, an old experienc'd man,
And thus with sober gravity began;
Heav'n's pow'r is infinite: Earth, Air, and Sea,
The manufacture mass, the making Pow'r obey:
By proof to clear your doubt; in Phrygian ground
Two neighb'ring trees, with walls encompass'd round,
Stand on a mod'rate rise, with wonder shown,
One a hard oak, a softer linden one:
I saw the place, and them, by Pittheus sent
To Phrygian realms, my grandsire's government.
Not far from thence is seen a lake, the haunt
Of coots, and of the fishing cormorant:
Here Jove with Hermes came; but in disguise
Of mortal men conceal'd their deities;
One laid aside his thunder, one his rod;
And many toilsome steps together trod:
For harbour at a thousand doors they knock'd,
Not one of all the thousand but was lock'd.
At last an hospitable house they found,
A homely shed; the roof, not far from ground,
Was thatch'd with reeds, and straw, together bound.
There Baucis and Philemon liv'd, and there
Had liv'd long marry'd, and a happy pair:
Now old in love, though little was their store,
Inur'd to want, their poverty they bore,
Nor aim'd at wealth, professing to be poor.
For master, or for servant here to call,
Was all alike, where only two were all.
Command was none, where equal love was paid,
Or rather both commanded, both obey'd.

From lofty roofs the Gods repuls'd before,
Now stooping, enter'd through the little door:
The man (their hearty welcome first express'd)
A common settle drew for either guest,
Inviting each his weary limbs to rest.
But ere they sate, officious Baucis lays
Two cushions stuff'd with straw, the seat to raise;
Coarse, but the best she had; then rakes the load
Of ashes from the hearth, and spreads abroad
The living coals; and, lest they should expire,
With leaves, and bark she feeds her infant fire:
It smoaks; and then with trembling breath she blows,
'Till in a chearful blaze the flames arose.
With brush-wood, and with chips she streng thens these,
And adds at last the boughs of rotten trees.
The fire thus form'd, she sets the kettle on
(Like burnish'd gold the little seether shone),
Next took the coleworts which her husb and got
From his own ground (a small well-water'd spot);
She stripp'd the stalks of all their leaves; the best
She cull'd, and them with handy care she drest.
High o'er the hearth a chine of bacon hung;
Good old Philemon seiz'd it with a prong,
And from the sooty rafter drew it down,
Then cut a slice, but scarce enough for one;
Yet a large portion of a little store,
Which for their sakes alone he wish'd were more.
This in the pot he plung'd without delay,
To tame the flesh, and drain the salt away.
The time beween, before the fire they sat,
And shorten'd the delay by pleasing chat.

A beam there was, on which a beechen pail
Hung by the handle, on a driven nail:
This fill'd with water, gently warm'd, they set
Before their guests; in this they bath'd their feet,
And after with clean towels dry'd their sweat.
This done, the host produc'd the genial bed,
Sallow the feet, the borders, and the sted,
Which with no costly coverlet they spread,
But coarse old garments; yet such robes as these
They laid alone, at feasts, on holidays.
The good old housewife, tucking up her gown,
The table sets; th' invited Gods lie down.
The trivet-table of a foot was lame,
A blot which prudent Baucis overcame,
Who thrusts beneath the limping leg a sherd,
So was the mended board exactly rear'd:
Then rubb'd it o'er with newly gather'd mint,
A wholsom herb, that breath'd a grateful scent.
Pallas began the feast, where first was seen
The party-colour'd olive, black, and green:
Autumnal cornels next in order serv'd,
In lees of wine well pickled, and preserv'd.
A garden-sallad was the third supply,
Of endive, radishes, and succory:
Then curds, and cream, the flow'r of country fare,
And new-laid eggs, which Baucis' busie care
Turn'd by a gentle fire, and roasted rare.
All these in ear then ware were serv'd to board;
And next in place, an ear then pitcher stor'd,
With liquor of the best the cottage could afford.
This was the table's ornament and pride,
With figures wrought: like pages at his side
Stood beechen bowls; and these were shining clean,
Varnish'd with wax without, and lin'd within.
By this the boiling kettle had prepar'd,
And to the table sent the smoaking lard;
On which with eager appetite they dine,
A sav'ry bit, that serv'd to relish wine:
The wine itself was suiting to the rest,
Still working in the must, and lately press'd.
The second course succeeds like that before,
Plums, apples, nuts, and of their wintry store
Dry figs, and grapes, and wrinkled dates were set
In canisters, t' enlarge the little treat:
All these a milk-white honey-comb surround,
Which in the midst the country-banquet crown'd:
But the kind hosts their entertainment grace
With hearty welcome, and an open face:
In all they did, you might discern with ease,
A willing mind, and a desire to please.

Mean-time the beechen bowls went round, and still,
Though often empty'd, were observ'd to fill;
Fill'd without hands, and of their own accord
Ran without feet, and danc'd about the board.
Devotion seiz'd the pair, to see the feast
With wine, and of no common grape, increas'd;
And up they held their hands, and fell to pray'r,
Excusing, as they could, their country fare.

One goose they had ('twas all they could allow),
A wakeful centry, and on duty now,
Whom to the Gods for sacrifice they vow:
Her with malicious zeal the couple view'd;
She ran for life, and limping they pursu'd:
Full well the fowl perceiv'd their bad intent,
And would not make her master's compliment;
But persecuted, to the Pow'rs she flies,
And close between the legs of Jove she lies:
He with a gracious ear the suppliant heard,
And sav'd her life; then what he has declar'd,
And own'd the God. The neighbourhood, said he,
Shall justly perish for impiety:
You stand alone exempted; but obey
With speed, and follow where we lead the way:
Leave these accurs'd; and to the mountain's height
Ascend; nor once look backward in your flight.

They haste, and what their tardy feet deny'd,
The trusty staff (their better leg) supply'd.
An arrow's flight they wanted to the top,
And there secure, but spent with travel, stop;
Then turn their now no more forbidden eyes;
Lost in a lake the floated level lies:
A watry desart covers all the plains,
Their cot alone, as in an isle, remains.
Wondring, with weeping eyes, while they deplore
Their neighbours' fate, and country now no more,
Their little shed, scarce large enough for two,
Seems, from the ground increas'd, in height and bulk to grow.

A stately temple shoots within the skies,
The crotches of their cot in columns rise:
The pavement polish'd marble they behold,
The gates with sculpture grac'd, the spires and tiles of gold.

Then thus the sire of Gods, with looks serene,
Speak thy desire, thou only just of men;
And thou, o woman, only worthy found
To be with such a man in marriage bound.

A-while they whisper; then, to Jove address'd,
Philemon thus prefers their joint request:
We crave to serve before your sacred shrine,
And offer at your altars rites divine:
And since not any action of our life
Has been polluted with domestick strife;
We beg one hour of death, that neither she
With widow's tears may live to bury me,
Nor weeping I, with wither'd arms may bear
My breathless Baucis to the sepulcher.

The Godheads sign their suit. They run their race
In the same tenour all th' appointed space:
Then, when their hour was come, while they relate
These past adventures at the temple gate,
Old Baucis is by old Philemon seen
Sprouting with sudden leaves of spritely green:
Old Baucis look'd where old Philemon stood,
And saw his leng then'd arms a sprouting wood:
New roots their fasten'd feet begin to bind,
Their bodies stiffen in a rising rind:
Then, ere the bark above their shoulders grew,
They give, and take at once their last adieu.
At once, Farewell, o faithful spouse, they said;
At once th' incroaching rinds their closing lips invade.

Ev'n yet, an ancient Tyanaean shows
A spreading oak, that near a linden grows;
The neighbourhood confirm the prodigy,
Grave men, not vain of tongue, or like to lie.
I saw my self the garlands on their boughs,
And tablets hung for gifts of granted vows;
And off'ring fresher up, with pious pray'r,
The good, said I, are God's peculiar care,
And such as honour Heav'n, shall heav'nly honour share.

The Changes of Proteus

He ceas'd in his relation to proceed,
Whilst all admir'd the author, and the deed;
But Theseus most, inquisitive to know
From Gods what wondrous alterations grow.
Whom thus the Calydonian stream address'd,
Rais'd high to speak, the couch his elbow press'd.
Some, when transform'd, fix in the lasting change;
Some with more right, thro' various figures range.
Proteus, thus large thy privilege was found,
Thou inmate of the seas, which Earth surround.
Sometimes a bloming youth you grac'd the shore;
Oft a fierce lion, or a furious boar:
With glist'ning spires now seem'd an hissing snake,
The bold would tremble in his hands to take:
With horns assum'd a bull; sometimes you prov'd
A tree by roots, a stone by weight unmov'd:
Sometimes two wav'ring contraries became,
Flow'd down in water, or aspir'd in flame.

The Story of Erisichthon

In various shapes thus to deceive the eyes,
Without a settled stint of her disguise,
Rash Erisichthon's daughter had the pow'r,
And brought it to Autolicus in dow'r.
Her atheist sire the slighted Gods defy'd,
And ritual honours to their shrines deny'd.
As fame reports, his hand an ax sustain'd,
Which Ceres' consecrated grove prophan'd;
Which durst the venerable gloom invade,
And violate with light the awful shade.
An ancient oak in the dark center stood,
The covert's glory, and itself a wood:
Garlands embrac'd its shaft, and from the boughs
Hung tablets, monuments of prosp'rous vows.
In the cool dusk its unpierc'd verdure spread,
The Dryads oft their hallow'd dances led;
And oft, when round their gaging arms they cast,
Full fifteen ells it measu'rd in the waste:
Its height all under standards did surpass,
As they aspir'd above the humbler grass.

These motives, which would gentler minds restrain,
Could not make Triope's bold son abstain;
He sternly charg'd his slaves with strict decree,
To fell with gashing steel the sacred tree.
But whilst they, lingring, his commands delay'd,
He snatch'd an Ax, and thus blaspheming said:
Was this no oak, nor Ceres' favourite care,
But Ceres' self, this arm, unaw'd, shou'd dare
Its leafy honours in the dust to spread,
And level with the earth its airy head.
He spoke, and as he poiz'd a slanting stroak,
Sighs heav'd, and tremblings shook the frighted oak;
Its leaves look'd sickly, pale its acorns grew,
And its long branches sweat a chilly dew.
But when his impious hand a wound bestow'd,
Blood from the mangled bark in currents flow'd.
When a devoted bull of mighty size,
A sinning nation's grand atonement, dies;
With such a plenty from the spouting veins,
A crimson stream the turfy altars stains.

The wonder all amaz'd; yet one more bold,
The fact dissuading, strove his ax to hold.
But the Thessalian, obstinately bent,
Too proud to change, too harden'd to repent,
On his kind monitor, his eyes, which burn'd
With rage, and with his eyes his weapon turn'd;
Take the reward, says he, of pious dread:
Then with a blow lopp'd off his parted head.
No longer check'd, the wretch his crime pursu'd,
Doubled his strokes, and sacrilege renew'd;
When from the groaning trunk a voice was heard,
A Dryad I, by Ceres' love preferr'd,
Within the circle of this clasping rind
Coeval grew, and now in ruin join'd;
But instant vengeance shall thy sin pursue,
And death is chear'd with this prophetick view.

At last the oak with cords enforc'd to bow,
Strain'd from the top, and sap'd with wounds below,
The humbler wood, partaker of its fate,
Crush'd with its fall, and shiver'd with its weight.

The grove destroy'd, the sister Dryads moan,
Griev'd at its loss, and frighted at their own.
Strait, suppliants for revenge to Ceres go,
In sable weeds, expressive of their woe.

The beauteous Goddess with a graceful air
Bow'd in consent, and nodded to their pray'r.
The awful motion shook the fruitful ground,
And wav'd the fields with golden harvests crown'd.
Soon she contriv'd in her projecting mind
A plague severe, and piteous in its kind
(If plagues for crimes of such presumptuous height
Could pity in the softest breast create).
With pinching want, and hunger's keenest smart,
To tear his vitals, and corrode his heart.
But since her near approach by Fate's deny'd
To famine, and broad climes their pow'rs divide,
A nymph, the mountain's ranger, she address'd,
And thus resolv'd, her high commands express'd.

The Description of Famine

Where frozen Scythia's utmost bound is plac'd,
A desart lies, a melancholy waste:
In yellow crops there Nature never smil'd,
No fruitful tree to shade the barren wild.
There sluggish cold its icy station makes,
There paleness, frights, and aguish trembling shakes,
Of pining famine this the fated seat,
To whom my orders in these words repeat:
Bid her this miscreant with her sharpest pains
Chastise, and sheath herself into his veins;
Be unsubdu'd by plenty's baffled store,
Reject my empire, and defeat my pow'r.
And lest the distance, and the tedious way,
Should with the toil, and long fatigue dismay,
Ascend my chariot, and convey'd on high,
Guide the rein'd dragons thro' the parting sky.

The nymph, accepting of the granted carr,
Sprung to the seat, and posted thro' the air;
Nor stop'd 'till she to a bleak mountain came
Of wondrous height, and Caucasus its name.
There in a stony field the fiend she found,
Herbs gnawing, and roots scratching from the ground.
Her elfelock hair in matted tresses grew,
Sunk were her eyes, and pale her ghastly hue,
Wan were her lips, and foul with clammy glew.
Her throat was furr'd, her guts appear'd within
With snaky crawlings thro' her parchment skin.
Her jutting hips seem'd starting from their place,
And for a belly was a belly's space,
Her dugs hung dangling from her craggy spine,
Loose to her breast, and fasten'd to her chine.
Her joints protuberant by leanness grown,
Consumption sunk the flesh, and rais'd the bone.
Her knees large orbits bunch'd to monstrous size,
And ancles to undue proportion rise.

This plague the nymph, not daring to draw near,
At distance hail'd, and greeted from afar.
And tho' she told her charge without delay,
Tho' her arrival late, and short her stay,
She felt keen famine, or she seem'd to feel,
Invade her blood, and on her vitals steal.
She turn'd, from the infection to remove,
And back to Thessaly the serpents drove.

The fiend obey'd the Goddess' comm and
(Tho' their effects in opposition stand),
She cut her way, supported by the wind,
And reach'd the mansion by the nymph assign'd.

'Twas night, when entring Erisichthon's room,
Dissolv'd in sleep, and thoughtless of his doom,
She clasp'd his limbs, by impious labour tir'd,
With battish wings, but her whole self inspir'd;
Breath'd on his throat and chest a tainting blast,
And in his veins infus'd an endless fast.

The task dispatch'd, away the Fury flies
From plenteous regions, and from rip'ning skies;
To her old barren north she wings her speed,
And cottages distress'd with pinching need.

Still slumbers Erisichthon's senses drown,
And sooth his fancy with their softest down.
He dreams of viands delicate to eat,
And revels on imaginary meat,
Chaws with his working mouth, but chaws in vain,
And tires his grinding teeth with fruitless pain;
Deludes his throat with visionary fare,
Feasts on the wind, and banquets on the air.

The morning came, the night, and slumbers past,
But still the furious pangs of hunger last;
The cank'rous rage still gnaws with griping pains,
Stings in his throat, and in his bowels reigns.

Strait he requires, impatient in demand,
Provisions from the air, the seas, the land.
But tho' the land, air, seas, provisions grant,
Starves at full tables, and complains of want.
What to a people might in dole be paid,
Or victual cities for a long blockade,
Could not one wolfish appetite asswage;
For glutting nourishment increas'd its rage.
As rivers pour'd from ev'ry distant shore,
The sea insatiate drinks, and thirsts for more;
Or as the fire, which all materials burns,
And wasted forests into ashes turns,
Grows more voracious, as the more it preys,
Recruits dilate the flame, and spread the blaze:
So impious Erisichthon's hunger raves,
Receives refreshments, and refreshments craves.
Food raises a desire for food, and meat
Is but a new provocative to eat.
He grows more empty, as the more supply'd,
And endless cramming but extends the void.

The Transformations of Erisichthon's Daughter

Now riches hoarded by paternal care
Were sunk, the glutton swallowing up the heir.
Yet the devouring flame no stores abate,
Nor less his hunger grew with his estate.
One daughter left, as left his keen desire,
A daughter worthy of a better sire:
Her too he sold, spent Nature to sustain;
She scorn'd a lord with generous disdain,
And flying, spread her hand upon the main.
Then pray'd: Grant, thou, I bondage may escape,
And with my liberty reward thy rape;
Repay my virgin treasure with thy aid
('Twas Neptune who deflower'd the beauteous maid).

The God was mov'd, at what the fair had su'd,
When she so lately by her master view'd
In her known figure, on a sudden took
A fisher's habit, and a manly look.
To whom her owner hasted to enquire;
O thou, said he, whose baits hide treach'rous wire;
Whose art can manage, and experienc'd skill
The taper angle, and the bobbing quill,
So may the sea be ruffled with no storm,
But smooth with calms, as you the truth inform;
So your deceit may no shy fishes feel,
'Till struck, and fasten'd on the bearded steel.
Did not you standing view upon the strand,
A wand'ring maid? I'm sure I saw her stand;
Her hair disorder'd, and her homely dress
Betray'd her want, and witness'd her distress.

Me heedless, she reply'd, whoe'er you are,
Excuse, attentive to another care.
I settled on the deep my steady eye;
Fix'd on my float, and bent on my employ.
And that you may not doubt what I impart,
So may the ocean's God assist my art,
If on the beach since I my sport pursu'd,
Or man, or woman but my self I view'd.
Back o'er the sands, deluded, he withdrew,
Whilst she for her old form put off her new.

Her sire her shifting pow'r to change perceiv'd;
And various chapmen by her sale deceiv'd.
A fowl with spangled plumes, a brinded steer,
Sometimes a crested mare, or antler'd deer:
Sold for a price, she parted, to maintain
Her starving parent with dishonest gain.

At last all means, as all provisions, fail'd;
For the disease by remedies prevail'd;
His muscles with a furious bite he tore,
Gorg'd his own tatter'd flesh, and gulph'd his gore.
Wounds were his feast, his life to life a prey,
Supporting Nature by its own decay.

But foreign stories why shou'd I relate?
I too my self can to new forms translate,
Tho' the variety's not unconfin'd,
But fix'd, in number, and restrain'd in kind:
For often I this present shape retain,
Oft curl a snake the volumes of my train.
Sometimes my strength into my horns transfer'd,
A bull I march, the captain of the herd.
But whilst I once those goring weapons wore,
Vast wresting force one from my forehead tore.
Lo, my maim'd brows the injury still own;
He ceas'd; his words concluding with a groan.

----------------------------------------------------------------------
~ Ovid, BOOK THE EIGHTH

,
1206:class:Classics

BOOK THE THIRTEENTH

The Speeches of Ajax and Ulysses

The chiefs were set; the soldiers crown'd the field:
To these the master of the seven-fold shield
Upstarted fierce: and kindled with disdain.
Eager to speak, unable to contain
His boiling rage, he rowl'd his eyes around
The shore, and Graecian gallies hall'd a-ground.
Then stretching out his hands, O Jove, he cry'd,
Must then our cause before the fleet be try'd?
And dares Ulysses for the prize contend,
In sight of what he durst not once defend?
But basely fled that memorable day,
When I from Hector's hands redeem'd the flaming prey.
So much 'tis safer at the noisie bar
With words to flourish, than ingage in war.
By diff'rent methods we maintain our right,
Nor am I made to talk, nor he to fight.
In bloody fields I labour to be great;
His arms are a smooth tongue, and soft deceit:
Nor need I speak my deeds, for those you see,
The sun, and day are witnesses for me.
Let him who fights unseen, relate his own,
And vouch the silent stars, and conscious moon.
Great is the prize demanded, I confess,
But such an abject rival makes it less;
That gift, those honours, he but hop'd to gain,
Can leave no room for Ajax to be vain:
Losing he wins, because his name will be
Ennobled by defeat, who durst contend with me.
Were my known valour question'd, yet my blood
Without that plea wou'd make my title good:
My sire was Telamon, whose arms, employ'd
With Hercules, these Trojan walls destroy'd;
And who before with Jason sent from Greece,
In the first ship brought home the golden fleece.
Great Telamon from Aeacus derives
His birth (th' inquisitor of guilty lives
In shades below; where Sisyphus, whose son
This thief is thought, rouls up the restless heavy stone),

Just Aeacus, the king of Gods above
Begot: thus Ajax is the third from Jove.
Nor shou'd I seek advantage from my line,
Unless (Achilles) it was mix'd with thine:
As next of kin, Achilles' arms I claim;
This fellow wou'd ingraft a foreign name
Upon our stock, and the Sisyphian seed
By fraud, and theft asserts his father's breed:
Then must I lose these arms, because I came
To fight uncall'd, a voluntary name,
Nor shunn'd the cause, but offer'd you my aid?
While he long lurking was to war betray'd:
Forc'd to the field he came, but in the reer;
And feign'd distraction to conceal his fear:
'Till one more cunning caught him in the snare
(Ill for himself); and dragg'd him into war.
Now let a hero's arms a coward vest,
And he who shunn'd all honours, gain the best:
And let me stand excluded from my right,
Robb'd of my kinsman's arms, who first appear'd in fight,

Better for us, at home had he remain'd,
Had it been true the madness which he feign'd,
Or so believ'd; the less had been our shame,
The less his counsell'd crime, which brands the Grecian name;

Nor Philoctetes had been left inclos'd
In a bare isle, to wants and pains expos'd,
Where to the rocks, with solitary groans,
His suff'rings, and our baseness he bemoans:
And wishes (so may Heav'n his wish fulfill)
The due reward to him, who caus'd his ill.
Now he, with us to Troy's destruction sworn,
Our brother of the war, by whom are born
Alcides' arrows, pent in narrow bounds,
With cold and hunger pinch'd, and pain'd with wounds,
To find him food and cloathing, must employ
Against the birds the shafts due to the fate of Troy.
Yet still he lives, and lives from treason free,
Because he left Ulysses' company;
Poor Palamede might wish, so void of aid,
Rather to have been left, than so to death betray'd.
The coward bore the man immortal spight,
Who sham'd him out of madness into fight:
Nor daring otherwise to vent his hate,
Accus'd him first of treason to the state;
And then for proof produc'd the golden store,
Himself had hidden in his tent before:
Thus of two champions he depriv'd our host,
By exile one, and one by treason lost.
Thus fights Ulysses, thus his fame extends,
A formidable man, but to his friends:
Great, for what greatness is in words, and sound,
Ev'n faithful Nestor less in both is found:
But that he might without a rival reign,
He left this faithful Nestor on the plain;
Forsook his friend ev'n at his utmost need,
Who tir'd, and tardy with his wounded steed,
Cry'd out for aid, and call'd him by his name;
But cowardice has neither ears nor shame;
Thus fled the good old man, bereft of aid,
And, for as much as lay in him, betray'd:
That this is not a fable forg'd by me,
Like one of his, an Ulyssean lie,
I vouch ev'n Diomede, who tho' his friend,
Cannot that act excuse, much less defend:
He call'd him back aloud, and tax'd his fear;
And sure enough he heard, but durst not hear.

The Gods with equal eyes on mortal look,
He justly was forsaken, who forsook:
Wanted that succour, he refus'd to lend,
Found ev'ry fellow such another friend:
No wonder, if he roar'd that all might hear;
His elocution was increas'd by fear:
I heard, I ran, I found him out of breath,
Pale, trembling, and half dead with fear of death.
Though he had judg'd himself by his own laws,
And stood condemn'd, I help'd the common cause:
With my broad buckler hid him from the foe
(Ev'n the shield trembled as he lay below);
And from impending Fate the coward freed:
Good Heav'n forgive me for so bad a deed!
If still he will persist, and urge the strife,
First let him give me back his forfeit life:
Let him return to that opprobrious field;
Again creep under my protecting shield:
Let him lie wounded, let the foe be near,
And let his quiv'ring heart confess his fear;
There put him in the very jaws of Fate;
And let him plead his cause in that estate:
And yet when snatch'd from death, when from below
My lifted shield I loos'd, and let him go;
Good Heav'ns, how light he rose, with what a bound
He sprung from earth, forgetful of his wound;
How fresh, how eager then his feet to ply;
Who had not strength to stand, had speed to fly!

Hector came on, and brought the Gods along;
Fear seiz'd alike the feeble, and the strong:
Each Greek was an Ulysses; such a dread
Th' approach, and ev'n the sound of Hector bred:
Him, flesh'd with slaughter, and with conquest crown'd,
I met, and over-turn'd him to the ground;
When after, matchless as he deem'd in might,
He challeng'd all our host to single fight;
All eyes were fix'd on me: the lots were thrown;
But for your champion I was wish'd alone:
Your vows were heard; we fought, and neither yield;
Yet I return'd unvanquish'd from the field.
With Jove to friend, th' insulting Trojan came,
And menac'd us with force, our fleet with flame.
Was it the strength of this tongue-valiant lord,
In that black hour, that sav'd you from the sword?
Or was my breast expos'd alone, to brave
A thousand swords, a thousand ships to save?
The hopes of your return! And can you yield,
For a sav'd fleet, less than a single shield?
Think it no boast, o Grecians, if I deem
These arms want Ajax, more than Ajax them:
Or, I with them an equal honour share;
They honour'd to be worn, and I to wear.
Will he compare my courage with his sleight?
As well he may compare the day with night.
Night is indeed the province of his reign:
Yet all his dark exploits no more contain
Than a spy taken, and a sleeper slain;
A priest made pris'ner, Pallas made a prey:
But none of all these actions done by day:
Nor ought of these was done, and Diomede away.
If on such petty merits you confer
So vast a prize, let each his portion share;
Make a just dividend; and if not all,
The greater part to Diomede will fall.
But why for Ithacus such arms as those,
Who naked, and by night invades his foes?
The glitt'ring helm by moonlight will proclaim
The latent robber, and prevent his game:
Nor cou'd he hold his tott'ring head upright
Beneath that morion, or sustain the weight;
Nor that right arm cou'd toss the beamy lance;
Much less the left that ampler shield advance;
Pond'rous with precious weight, and rough with cost
Of the round world in rising gold emboss'd.
That orb would ill become his hand to wield,
And look as for the gold he stole the shield;
Which, shou'd your error on the wretch bestow,
It would not frighten, but allure the foe:
Why asks he, what avails him not in fight,
And wou'd but cumber, and retard his flight,
In which his only excellence is plac'd?
You give him death, that intercept his haste.
Add, that his own is yet a maiden-shield,
Nor the least dint has suffer'd in the field,
Guiltless of fight: mine batter'd, hew'd, and bor'd,
Worn out of service, must forsake his lord,
What farther need of words our right to scan?
My arguments are deeds, let action speak the man.
Since from a champion's arms the strife arose,
Go cast the glorious prize amid the foes;
Then send us to redeem both arms, and shield,
And let him wear, who wins 'em in the field.

He said: a murmur from a multitude,
Or somewhat like a stifled shout, ensu'd:
'Till from his seat arose Laertes' son,
Look'd down a while, and paus'd, e'er he begun;
Then, to th' expecting audience, rais'd his look,
And not without prepar'd attention spoke:
Soft was his tone, and sober was his face;
Action his words, and words his action grace.

If Heav'n, my lords, had heard our common pray'r,
These arms had caus'd no quarrel for an heir;
Still great Achilles had his own possess'd,
And we with great Achilles had been bless'd;
But since hard Fate, and Heav'n's severe decree,
Have ravish'd him away from you, and me
(At this he sigh'd, and wip'd his eyes, and drew,
Or seem'd to draw, some drops of kindly dew),
Who better can succeed Achilles lost,
Than he, who gave Achilles to your hoast?
This only I request, that neither he
May gain, by being what he seems to be,
A stupid thing; nor I may lose the prize,
By having sense, which Heav'n to him denies:
Since great or small, the talent I enjoy'd
Was ever in the common cause employ'd;
Nor let my wit, and wonted eloquence,
Which often has been us'd in your defense,
And in my own, this only time be brought
To bear against my self, and deem'd a fault.
Make not a crime, where Nature made it none;
For ev'ry man may freely use his own.
The deeds of long-descended ancestors
Are but by grace of imputation ours,
Theirs in effect; but since he draws his line
From Jove, and seems to plead a right divine;
From Jove, like him, I claim my pedigree,
And am descended in the same degree:
My sire Laertes was Arcesius' heir,
Arcesius was the son of Jupiter:
No parricide, no banish'd man, is known
In all my line: let him excuse his own.
Hermes ennobles too my mother's side,
By both my parents to the Gods ally'd.
But not because that on the female part
My blood is better, dare I claim desert,
Or that my sire from parricide is free;
But judge by merit betwixt him, and me:
The prize be to the best; provided yet
That Ajax for a while his kin forget,
And his great sire, and greater uncle's name,
To fortifie by them his feeble claim:
Be kindred and relation laid aside,
And honour's cause by laws of honour try'd:
For if he plead proximity of blood;
That empty title is with ease withstood.
Peleus, the hero's sire, more nigh than he,
And Pyrrhus, his undoubted progeny,
Inherit first these trophies of the field;
To Scyros, or to Pthia, send the shield:
And Teucer has an uncle's right; yet he
Waves his pretensions, nor contends with me.

Then since the cause on pure desert is plac'd,
Whence shall I take my rise, what reckon last?
I not presume on ev'ry act to dwell,
But take these few, in order as they fell.

Thetis, who knew the Fates, apply'd her care
To keep Achilles in disguise from war;
And 'till the threatning influence was past,
A woman's habit on the hero cast:
All eyes were cozen'd by the borrow'd vest,
And Ajax (never wiser than the rest)
Found no Pelides there: at length I came
With proffer'd wares to this pretended dame;
She, not discover'd by her mien, or voice,
Betray'd her manhood by her manly choice;
And while on female toys her fellows look,
Grasp'd in her warlike hand, a javelin shook;
Whom, by this act reveal'd, I thus bespoke:
O Goddess-born! resist not Heav'n's decree,
The fall of Ilium is reserv'd for thee;
Then seiz'd him, and produc'd in open light,
Sent blushing to the field the fatal knight.
Mine then are all his actions of the war;
Great Telephus was conquer'd by my spear,
And after cur'd: to me the Thebans owe,
Lesbos, and Tenedos, their overthrow;
Syros and Cylla: not on all to dwell,
By me Lyrnesus, and strong Chrysa fell:
And since I sent the man who Hector slew,
To me the noble Hector's death is due:
Those arms I put into his living hand,
Those arms, Pelides dead, I now demand.

When Greece was injur'd in the Spartan prince,
And met at Aulis to avenge th' offence,
'Twas a dead calm, or adverse blasts, that reign'd,
And in the port the wind-bound fleet detain'd:
Bad signs were seen, and oracles severe
Were daily thunder'd in our gen'ral's ear;
That by his daughter's blood we must appease
Diana's kindled wrath, and free the seas.
Affection, int'rest, fame, his heart assail'd:
But soon the father o'er the king prevail'd:
Bold, on himself he took the pious crime,
As angry with the Gods, as they with him.
No subject cou'd sustain their sov'reign's look,
'Till this hard enterprize I undertook:
I only durst th' imperial pow'r controul,
And undermin'd the parent in his soul;
Forc'd him t' exert the king for common good,
And pay our ransom with his daughter's blood.
Never was cause more difficult to plead,
Than where the judge against himself decreed:
Yet this I won by dint of argument;
The wrongs his injur'd brother underwent,
And his own office, sham'd him to consent.

'Tis harder yet to move the mother's mind,
And to this heavy task was I design'd:
Reasons against her love I knew were vain;
I circumvented whom I could not gain:
Had Ajax been employ'd, our slacken'd sails
Had still at Aulis waited happy gales.

Arriv'd at Troy, your choice was fix'd on me,
A fearless envoy, fit for a bold embassy:
Secure, I enter'd through the hostile court,
Glitt'ring with steel, and crowded with resort:
There, in the midst of arms, I plead our cause,
Urge the foul rape, and violated laws;
Accuse the foes, as authors of the strife,
Reproach the ravisher, demand the wife.
Priam, Antenor, and the wiser few,
I mov'd; but Paris, and his lawless crew
Scarce held their hands, and lifted swords; but stood
In act to quench their impious thirst of blood:
This Menelaus knows; expos'd to share
With me the rough preludium of the war.

Endless it were to tell, what I have done,
In arms, or council, since the siege begun:
The first encounter's past, the foe repell'd,
They skulk'd within the town, we kept the field.
War seem'd asleep for nine long years; at length
Both sides resolv'd to push, we try'd our strength
Now what did Ajax, while our arms took breath,
Vers'd only in the gross mechanick trade of death?
If you require my deeds, with ambush'd arms
I trapp'd the foe, or tir'd with false alarms;
Secur'd the ships, drew lines along the plain,
The fainting chear'd, chastis'd the rebel-train,
Provided forage, our spent arms renew'd;
Employ'd at home, or sent abroad, the common cause pursu'd.

The king, deluded in a dream by Jove,
Despair'd to take the town, and order'd to remove.
What subject durst arraign the Pow'r supream,
Producing Jove to justifie his dream?
Ajax might wish the soldiers to retain
From shameful flight, but wishes were in vain:
As wanting of effect had been his words,
Such as of course his thundring tongue affords.
But did this boaster threaten, did he pray,
Or by his own example urge their stay?
None, none of these: but ran himself away.
I saw him run, and was asham'd to see;
Who ply'd his feet so fast to get aboard, as he?
Then speeding through the place, I made a stand,
And loudly cry'd, O base degenerate band,
To leave a town already in your hand!
After so long expence of blood, for fame,
To bring home nothing, but perpetual shame!
These words, or what I have forgotten since
(For grief inspir'd me then with eloquence),
Reduc'd their minds; they leave the crowded port,
And to their late forsaken camp resort:
Dismay'd the council met: this man was there,
But mute, and not recover'd of his fear:
Thersites tax'd the king, and loudly rail'd,
But his wide opening mouth with blows I seal'd.
Then, rising, I excite their souls to fame,
And kindle sleeping virtue into flame.
From thence, whatever he perform'd in fight
Is justly mine, who drew him back from flight.

Which of the Grecian chiefs consorts with thee?
But Diomede desires my company,
And still communicates his praise with me.
As guided by a God, secure he goes,
Arm'd with my fellowship, amid the foes:
And sure no little merit I may boast,
Whom such a man selects from such an hoast;
Unforc'd by lots I went without affright,
To dare with him the dangers of the night:
On the same errand sent, we met the spy
Of Hector, double-tongu'd, and us'd to lie;
Him I dispatch'd, but not 'till undermin'd,
I drew him first to tell, what treach'rous Troy design'd:

My task perform'd, with praise I had retir'd,
But not content with this, to greater praise aspir'd:
Invaded Rhesus, and his Thracian crew,
And him, and his, in their own strength I slew;
Return'd a victor, all my vows compleat,
With the king's chariot, in his royal seat:
Refuse me now his arms, whose fiery steeds
Were promis'd to the spy for his nocturnal deeds:
Yet let dull Ajax bear away my right,
When all his days out-balance this one night.

Nor fought I darkling still: the sun beheld
With slaughter'd Lycians when I strew'd the field:
You saw, and counted as I pass'd along,
Alastor, Chromius, Ceranos the strong,
Alcander, Prytanis, and Halius,
Noemon, Charopes, and Ennomus;
Coon, Chersidamas; and five beside,
Men of obscure descent, but courage try'd:
All these this hand laid breathless on the ground;
Nor want I proofs of many a manly wound:
All honest, all before: believe not me;
Words may deceive, but credit what you see.

At this he bar'd his breast, and show'd his scars,
As of a furrow'd field, well plow'd with wars;
Nor is this part unexercis'd, said he;
That gyant-bulk of his from wounds is free:
Safe in his shield he fears no foe to try,
And better manages his blood, than I:
But this avails me not; our boaster strove
Not with our foes alone, but partial Jove,
To save the fleet: this I confess is true
(Nor will I take from any man his due):
But thus assuming all, he robs from you.
Some part of honour to your share will fall,
He did the best indeed, but did not all.
Patroclus in Achilles' arms, and thought
The chief he seem'd, with equal ardour fought;
Preserv'd the fleet, repell'd the raging fire,
And forc'd the fearful Trojans to retire.

But Ajax boasts, that he was only thought
A match for Hector, who the combat sought:
Sure he forgets the king, the chiefs, and me:
All were as eager for the fight, as he:
He but the ninth, and not by publick voice,
Or ours preferr'd, was only Fortune's choice:
They fought; nor can our hero boast th' event,
For Hector from the field unwounded went.

Why am I forc'd to name that fatal day,
That snatch'd the prop and pride of Greece away?
I saw Pelides sink, with pious grief,
And ran in vain, alas! to his relief;
For the brave soul was fled: full of my friend
I rush'd amid the war, his relicks to defend:
Nor ceas'd my toil, 'till I redeem'd the prey,
And, loaded with Achilles, march'd away:
Those arms, which on these shoulders then I bore,
'Tis just you to these shoulders should restore.
You see I want not nerves, who cou'd sustain
The pond'rous ruins of so great a man:
Or if in others equal force you find,
None is endu'd with a more grateful mind.

Did Thetis then, ambitious in her care,
These arms thus labour'd for her son prepare;
That Ajax after him the heav'nly gift shou'd wear!
For that dull soul to stare with stupid eyes,
On the learn'd unintelligible prize!
What are to him the sculptures of the shield,
Heav'n's planets, Earth, and Ocean's watry field?
The Pleiads, Hyads; less, and greater Bear,
Undipp'd in seas; Orion's angry star;
Two diff'ring cities, grav'd on either hand;
Would he wear arms he cannot understand?

Beside, what wise objections he prepares
Against my late accession to the wars?
Does not the fool perceive his argument
Is with more force against Achilles bent?
For if dissembling be so great a crime,
The fault is common, and the same in him:
And if he taxes both of long delay,
My guilt is less, who sooner came away.
His pious mother, anxious for his life,
Detain'd her son; and me, my pious wife.
To them the blossoms of our youth were due,
Our riper manhood we reserv'd for you.
But grant me guilty, 'tis not much my care,
When with so great a man my guilt I share:
My wit to war the matchless hero brought,
But by this fool I never had been caught.

Nor need I wonder, that on me he threw
Such foul aspersions, when he spares not you:
If Palamede unjustly fell by me,
Your honour suffer'd in th' unjust decree:
I but accus'd, you doom'd: and yet he dy'd,
Convinc'd of treason, and was fairly try'd:
You heard not he was false; your eyes beheld
The traytor manifest; the bribe reveal'd.

That Philoctetes is on Lemnos left,
Wounded, forlorn, of human aid bereft,
Is not my crime, or not my crime alone;
Defend your justice, for the fact's your own:
'Tis true, th' advice was mine; that staying there
He might his weary limbs with rest repair,
From a long voyage free, and from a longer war.
He took the counsl, and he lives at least;
Th' event declares I counsell'd for the best:
Though faith is all in ministers of state;
For who can promise to be fortunate?
Now since his arrows are the Fate of Troy,
Do not my wit, or weak address, employ;
Send Ajax there, with his persuasive sense,
To mollifie the man, and draw him thence:
But Xanthus shall run backward; Ida stand
A leafless mountain; and the Grecian band
Shall fight for Troy; if, when my councils fail,
The wit of heavy Ajax can prevail.

Hard Philoctetes, exercise thy spleen
Against thy fellows, and the king of men;
Curse my devoted head, above the rest,
And wish in arms to meet me breast to breast:
Yet I the dang'rous task will undertake,
And either die my self, or bring thee back.

Nor doubt the same success, as when before
The Phrygian prophet to these tents I bore,
Surpriz'd by night, and forc'd him to declare
In what was plac'd the fortune of the war,
Heav'n's dark decrees, and answers to display,
And how to take the town, and where the secret lay:
Yet this I compass'd, and from Troy convey'd
The fatal image of their guardian-maid;
That work was mine; for Pallas, though our friend,
Yet while she was in Troy, did Troy defend.
Now what has Ajax done, or what design'd?
A noisie nothing, and an empty wind.
If he be what he promises in show,
Why was I sent, and why fear'd he to go?
Our boasting champion thought the task not light
To pass the guards, commit himself to night;
Not only through a hostile town to pass,
But scale, with steep ascent, the sacred place;
With wand'ring steps to search the cittadel,
And from the priests their patroness to steal:
Then through surrounding foes to force my way,
And bear in triumph home the heavn'ly prey;
Which had I not, Ajax in vain had held,
Before that monst'rous bulk, his sev'nfold shield.
That night to conquer Troy I might be said,
When Troy was liable to conquest made.

Why point'st thou to my partner of the war?
Tydides had indeed a worthy share
In all my toil, and praise; but when thy might
Our ships protected, did'st thou singly fight?
All join'd, and thou of many wert but one;
I ask'd no friend, nor had, but him alone:
Who, had he not been well assur'd, that art,
And conduct were of war the better part,
And more avail'd than strength, my valiant friend
Had urg'd a better right, than Ajax can pretend:
As good at least Eurypilus may claim,
And the more mod'rate Ajax of the name:
The Cretan king, and his brave charioteer,
And Menelaus bold with sword, and spear:
All these had been my rivals in the shield,
And yet all these to my pretensions yield.
Thy boist'rous hands are then of use, when I
With this directing head those hands apply.
Brawn without brain is thine: my prudent care
Foresees, provides, administers the war:
Thy province is to fight; but when shall be
The time to fight, the king consults with me:
No dram of judgment with thy force is join'd:
Thy body is of profit, and my mind.
By how much more the ship her safety owes
To him who steers, than him that only rows;
By how much more the captain merits praise,
Than he who fights, and fighting but obeys;
By so much greater is my worth than thine,
Who canst but execute, what I design.
What gain'st thou, brutal man, if I confess
Thy strength superior, when thy wit is less?
Mind is the man: I claim my whole desert,
From the mind's vigour, and th' immortal part.

But you, o Grecian chiefs, reward my care,
Be grateful to your watchman of the war:
For all my labours in so long a space,
Sure I may plead a title to your grace:
Enter the town, I then unbarr'd the gates,
When I remov'd their tutelary Fates.
By all our common hopes, if hopes they be
Which I have now reduc'd to certainty;
By falling Troy, by yonder tott'ring tow'rs,
And by their taken Gods, which now are ours;
Or if there yet a farther task remains,
To be perform'd by prudence, or by pains;
If yet some desp'rate action rests behind,
That asks high conduct, and a dauntless mind;
If ought be wanting to the Trojan doom,
Which none but I can manage, and o'ercome,
Award, those arms I ask, by your decree:
Or give to this, what you refuse to me.

He ceas'd: and ceasing with respect he bow'd,
And with his hand at once the fatal statue show'd.
Heav'n, air and ocean rung, with loud applause,
And by the gen'ral vote he gain'd his cause.
Thus conduct won the prize, when courage fail'd,
And eloquence o'er brutal force prevail'd.

The Death of Ajax

He who cou'd often, and alone, withstand
The foe, the fire, and Jove's own partial hand,
Now cannot his unmaster'd grief sustain,
But yields to rage, to madness, and disdain;
Then snatching out his fauchion, Thou, said he,
Art mine; Ulysses lays no claim to thee.
O often try'd, and ever-trusty sword,
Now do thy last kind office to thy lord:
'Tis Ajax who requests thy aid, to show
None but himself, himself cou'd overthrow:
He said, and with so good a will to die,
Did to his breast the fatal point apply,
It found his heart, a way 'till then unknown,
Where never weapon enter'd, but his own.
No hands cou'd force it thence, so fix'd it stood,
'Till out it rush'd, expell'd by streams of spouting blood.

The fruitful blood produc'd a flow'r, which grew
On a green stem; and of a purple hue:
Like his, whom unaware Apollo slew:
Inscrib'd in both, the letters are the same,
But those express the grief, and these the name.

The Story of Polyxena and Hecuba

The victor with full sails for Lemnos stood
(Once stain'd by matrons with their husbands' blood),
Thence great Alcides' fatal shafts to bear,
Assign'd to Philoctetes' secret care.
These with their guardian to the Greeks convey'd,
Their ten years' toil with wish'd success repaid.
With Troy old Priam falls: his queen survives;
'Till all her woes compleat, transform'd she grieves
In borrow'd sounds, nor with an human face,
Barking tremendous o'er the plains of Thrace.
Still Ilium's flames their pointed columns raise,
And the red Hellespont reflects the blaze.
Shed on Jove's altar are the poor remains
Of blood, which trickl'd from old Priam's veins.
Cassandra lifts her hands to Heav'n in vain,
Drag'd by her sacred hair; the trembling train
Of matrons to their burning temples fly:
There to their Gods for kind protection cry;
And to their statues cling 'till forc'd away,
The victor Greeks bear off th' invidious prey.
From those high tow'rs Astyanax is thrown,
Whence he was wont with pleasure to look down.
When oft his mother with a fond delight
Pointed to view his father's rage in fight,
To win renown, and guard his country's right.

The winds now call to sea; brisk northern gales
Sing in the shrowds, and court the spreading sails.
Farewel, dear Troy, the captive matrons cry;
Yes, we must leave our long-lov'd native sky.
Then prostrate on the shore they kiss the sand,
And quit the smoking ruines of the land.
Last Hecuba on board, sad sight! appears;
Found weeping o'er her children's sepulchres:
Drag'd by Ulysses from her slaughter'd sons,
Whilst yet she graspt their tombs, and kist their mouldring bones.

Yet Hector's ashes from his urn she bore,
And in her bosom the sad relique wore:
Then scatter'd on his tomb her hoary hairs,
A poor oblation mingled with her tears.

Oppos'd to Ilium lye the Thracian plains,
Where Polymestor safe in plenty reigns.
King Priam to his care commits his son,
Young Polydore, the chance of war to shun.
A wise precaution! had not gold, consign'd
For the child's use, debauch'd the tyrant's mind.
When sinking Troy to its last period drew,
With impious hands his royal charge he slew;
Then in the sea the lifeless coarse is thrown;
As with the body he the guilt could drown.

The Greeks now riding on the Thracian shore,
'Till kinder gales invite, their vessels moor.
Here the wide-op'ning Earth to sudden view
Disclos'd Achilles, great as when he drew
The vital air, but fierce with proud disdain,
As when he sought Briseis to regain;
When stern debate, and rash injurious strife
Unsheath'd his sword, to reach Atrides' life.
And will ye go? he said. Is then the name
Of the once great Achilles lost to fame?
Yet stay, ungrateful Greeks; nor let me sue
In vain for honours to my Manes due.
For this just end, Polyxena I doom
With victim-rites to grace my slighted tomb.

The phantom spoke; the ready Greeks obey'd,
And to the tomb led the devoted maid
Snatch'd from her mother, who with pious care
Cherish'd this last relief of her despair.
Superior to her sex, the fearless maid,
Approach'd the altar, and around survey'd
The cruel rites, and consecrated knife,
Which Pyrrhus pointed at her guiltless life,
Then as with stern amaze intent he stood,
"Now strike," she said; "now spill my genr'ous blood;
Deep in my breast, or throat, your dagger sheath,
Whilst thus I stand prepar'd to meet my death.
For life on terms of slav'ry I despise:
Yet sure no God approves this sacrifice.
O cou'd I but conceal this dire event
From my sad mother, I should dye content.
Yet should she not with tears my death deplore,
Since her own wretched life demands them more.
But let not the rude touch of man pollute
A virgin-victim; 'tis a modest suit.
It best will please, whoe'er demands my blood,
That I untainted reach the Stygian flood.
Yet let one short, last, dying prayer be heard;
To Priam's daughter pay this last regard;
'Tis Priam's daughter, not a captive, sues;
Do not the rites of sepulture refuse.
To my afflicted mother, I implore,
Free without ransom my dead corpse restore:
Nor barter me for gain, when I am cold;
But be her tears the price, if I am sold:
Time was she could have ransom'd me with gold".

Thus as she pray'd, one common shower of tears
Burst forth, and stream'd from ev'ry eye but hers.
Ev'n the priest wept, and with a rude remorse
Plung'd in her heart the steel's resistless force.
Her slacken'd limbs sunk gently to the ground,
Dauntless her looks, unalter'd by the wound.
And as she fell, she strove with decent pride
To hide, what suits a virgin's care to hide.
The Trojan matrons the pale corpse receive,
And the whole slaughter'd race of Priam grieve,
Sad they recount the long disastrous tale;
Then with fresh tears, thee, royal maid, bewail;
Thy widow'd mother too, who flourish'd late
The royal pride of Asia's happier state:
A captive lot now to Ulysses born;
Whom yet the victor would reject with scorn,
Were she not Hector's mother: Hector's fame
Scarce can a master for his mother claim!
With strict embrace the lifeless coarse she view'd;
And her fresh grief that flood of tears renew'd,
With which she lately mourn'd so many dead;
Tears for her country, sons, and husb and shed.
With the thick gushing stream she bath'd the wound;
Kiss'd her pale lips; then weltring on the ground,
With wonted rage her frantick bosom tore;
Sweeping her hair amidst the clotted gore;
Whilst her sad accents thus her loss deplore.

"Behold a mother's last dear pledge of woe!
Yes, 'tis the last I have to suffer now.
Thou, my Polyxena, my ills must crown:
Already in thy Fate, I feel my own.
'Tis thus, lest haply of my numerous seed
One should unslaughter'd fall, even thou must bleed:
And yet I hop'd thy sex had been thy guard;
But neither has thy tender sex been spar'd.
The same Achilles, by whose deadly hate
Thy brothers fell, urg'd thy untimely fate!
The same Achilles, whose destructive rage
Laid waste my realms, has robb'd my childless age.
When Paris' shafts with Phoebus' certain aid
At length had pierc'd this dreaded chief, I said,
Secure of future ills, he can no more:
But see, he still pursues me as before.
With rage rekindled his dead ashes burn;
And his yet murd'ring ghost my wretched house must mourn.

This tyrant's lust of slaughter I have fed
With large supplies from my too-fruitful bed.
Troy's tow'rs lye waste; and the wide ruin ends
The publick woe; but me fresh woe attends.
Troy still survives to me; to none but me;
And from its ills I never must be free.
I, who so late had power, and wealth, and ease,
Bless'd with my husband, and a large encrease,
Must now in poverty an exile mourn;
Ev'n from the tombs of my dead offspring torn:
Giv'n to Penelope, who proud of spoil,
Allots me to the loom's ungrateful toil;
Points to her dames, and crys with scorning mien:
See Hector's mother, and great Priam's queen!
And thou, my child, sole hope of all that's lost,
Thou now art slain, to sooth this hostile ghost.
Yes, my child falls an offering to my foe!
Then what am I, who still survive this woe?
Say, cruel Gods! for what new scenes of death
Must a poor aged wretch prolong this hated breath?
Troy fal'n, to whom could Priam happy seem?
Yet was he so; and happy must I deem
His death; for O! my child, he saw not thine,
When he his life did with his Troy resign.
Yet sure due obsequies thy tomb might grace;
And thou shalt sleep amidst thy kingly race.
Alas! my child, such fortune does not wait
Our suffering house in this abandon'd state.
A foreign grave, and thy poor mother's tears
Are all the honours that attend thy herse.
All now is lost!- Yet no; one comfort more
Of life remains, my much-lov'd Polydore.
My youngest hope: here on this coast he lives,
Nurs'd by the guardian-king, he still survives.
Then let me hasten to the cleansing flood,
And wash away these stains of guiltless blood."

Streit to the shore her feeble steps repair
With limping pace, and torn dishevell'd hair
Silver'd with age. "Give me an urn," she cry'd,
"To bear back water from this swelling tide":
When on the banks her son in ghastly hue
Transfix'd with Thracian arrows strikes her view.
The matrons shriek'd; her big-swoln grief surpast
The pow'r of utterance; she stood aghast;
She had nor speech, nor tears to give relief;
Excess of woe suppress'd the rising grief.
Lifeless as stone, on Earth she fix'd her eyes;
And then look'd up to Heav'n with wild surprise.
Now she contemplates o'er with sad delight
Her son's pale visage; then her aking sight
Dwells on his wounds: she varys thus by turns,
Wild as the mother-lion, when among
The haunts of prey she seeks her ravish'd young:
Swift flies the ravisher; she marks his trace,
And by the print directs her anxious chase.
So Hecuba with mingled grief, and rage
Pursues the king, regardless of her age.
She greets the murd'rer with dissembled joy
Of secret treasure hoarded for her boy.
The specious tale th' unwary king betray'd.
Fir'd with the hopes of prey: "Give quick," he said
With soft enticing speech, "the promis'd store:
Whate'er you give, you give to Polydore.
Your son, by the immortal Gods I swear,
Shall this with all your former bounty share."
She stands attentive to his soothing lyes,
And darts avenging horrour from her eyes.
Then full resentment fires her boyling blood:
She springs upon him, 'midst the captive crowd
(Her thirst of vengeance want of strength supplies):
Fastens her forky fingers in his eyes:
Tears out the rooted balls; her rage pursues,
And in the hollow orbs her hand imbrews.

The Thracians, fir'd, at this inhuman scene,
With darts, and stones assail the frantick queen.
She snarls, and growls, nor in an human tone;
Then bites impatient at the bounding stone;
Extends her jaws, as she her voice would raise
To keen invectives in her wonted phrase;
But barks, and thence the yelping brute betrays.
Still a sad monument the place remains,
And from this monstrous change its name obtains:
Where she, in long remembrance of her ills,
With plaintive howlings the wide desart fills.

Greeks, Trojans, friends, and foes, and Gods above
Her num'rous wrongs to just compassion move.
Ev'n Juno's self forgets her ancient hate,
And owns, she had deserv'd a milder fate.

The Funeral of Memnon

Yet bright Aurora, partial as she was
To Troy, and those that lov'd the Trojan cause,
Nor Troy, nor Hecuba can now bemoan,
But weeps a sad misfortune, more her own.
Her offspring Memnon, by Achilles slain,
She saw extended on the Phrygian plain:
She saw, and strait the purple beams, that grace
The rosie morning, vanish'd from her face;
A deadly pale her wonted bloom invades,
And veils the lowring skies with mournful shades.
But when his limbs upon the pile were laid,
The last kind duty that by friends is paid,
His mother to the skies directs her flight,
Nor cou'd sustain to view the doleful sight:
But frantick, with her loose neglected hair,
Hastens to Jove, and falls a suppliant there.
O king of Heav'n, o father of the skies,
The weeping Goddess passionately cries,
Tho' I the meanest of immortals am,
And fewest temples celebrate my fame,
Yet still a Goddess, I presume to come
Within the verge of your etherial dome:
Yet still may plead some merit, if my light
With purple dawn controuls the Pow'rs of night;
If from a female hand that virtue springs,
Which to the Gods, and men such pleasure brings.
Yet I nor honours seek, nor rites divine,
Nor for more altars, or more fanes repine;
Oh! that such trifles were the only cause,
From whence Aurora's mind its anguish draws!
For Memnon lost, my dearest only child,
With weightier grief my heavy heart is fill'd;
My warrior son! that liv'd but half his time,
Nipt in the bud, and blasted in his prime;
Who for his uncle early took the field,
And by Achilles' fatal spear was kill'd.
To whom but Jove shou'd I for succour come?
For Jove alone cou'd fix his cruel doom.
O sov'reign of the Gods accept my pray'r,
Grant my request, and sooth a mother's care;
On the deceas'd some solemn boon bestow,
To expiate the loss, and ease my woe.

Jove, with a nod, comply'd with her desire;
Around the body flam'd the fun'ral fire;
The pile decreas'd, that lately seem'd so high,
And sheets of smoak roll'd upward to the sky:
As humid vapours from a marshy bog,
Rise by degrees, condensing into fog,
That intercept the sun's enliv'ning ray,
And with a cloud infect the chearful day.
The sooty ashes wafted by the air,
Whirl round, and thicken in a body there;
Then take a form, which their own heat, and fire
With active life, and energy inspire.
Its lightness makes it seem to fly, and soon
It skims on real wings, that are its own;
A real bird, it beats the breezy wind,
Mix'd with a thousand sisters of the kind,
That, from the same formation newly sprung,
Up-born aloft on plumy pinions hung.
Thrice round the pile advanc'd the circling throng.
Thrice, with their wings, a whizzing consort rung.
In the fourth flight their squadron they divide,
Rank'd in two diff'rent troops, on either side:
Then two, and two, inspir'd with martial rage,
From either troop in equal pairs engage.
Each combatant with beak, and pounces press'd,
In wrathful ire, his adversary's breast;
Each falls a victim, to preserve the fame
Of that great hero, whence their being came.
From him their courage, and their name they take,
And, as they liv'd, they dye for Memnon's sake.
Punctual to time, with each revolving year,
In fresh array the champion birds appear;
Again, prepar'd with vengeful minds, they come
To bleed, in honour of the souldier's tomb.

Therefore in others it appear'd not strange,
To grieve for Hecuba's unhappy change:
But poor Aurora had enough to do
With her own loss, to mind another's woe;
Who still in tears, her tender nature shews,
Besprinkling all the world with pearly dews.

The Voyage of Aeneas

Troy thus destroy'd, 'twas still deny'd by Fate,
The hopes of Troy should perish with the state.
His sire, the son of Cytherea bore,
And household-Gods from burning Ilium's shore,
The pious prince (a double duty paid)
Each sacred bur then thro' the flames convey'd.
With young Ascanius, and this only prize,
Of heaps of wealth, he from Antandros flies;
But struck with horror, left the Thracian shore,
Stain'd with the blood of murder'd Polydore.
The Delian isle receives the banish'd train,
Driv'n by kind gales, and favour'd by the main.

Here pious Anius, priest, and monarch reign'd,
And either charge, with equal care sustain'd,
His subjects rul'd, to Phoebus homage pay'd,
His God obeying, and by those obey'd.

The priest displays his hospitable gate,
And shows the riches of his church, and state
The sacred shrubs, which eas'd Latona's pain,
The palm, and olive, and the votive fane.
Here grateful flames with fuming incense fed,
And mingled wine, ambrosial odours shed;
Of slaughter'd steers the crackling entrails burn'd:
And then the strangers to the court return'd.

On beds of tap'stry plac'd aloft, they dine
With Ceres' gift, and flowing bowls of wine;
When thus Anchises spoke, amidst the feast:
Say, mitred monarch, Phoebus' chosen priest,
Or (e'er from Troy by cruel Fate expell'd)
When first mine eyes these sacred walls beheld,
A son, and twice two daughters crown'd thy bliss?
Or errs my mem'ry, and I judge amiss?

The royal prophet shook his hoary head,
With snowy fillets bound, and sighing, said:
Thy mem'ry errs not, prince; thou saw'st me then,
The happy father of so large a train;
Behold me now (such turns of chance befall
The race of man!), almost bereft of all.
For (ah!) what comfort can my son bestow,
What help afford, to mitigate my woe!
While far from hence, in Andros' isle he reigns,
(From him so nam'd) and there my place sustains.
Him Delius praescience gave; the twice-born God
A boon more wond'rous on the maids bestow'd.
Whate'er they touch'd, he gave them to transmute
(A gift past credit, and above their suit)
To Ceres, Bacchus, and Minerva's fruit.
How great their value, and how rich their use,
Whose only touch such treasures could produce!

The dire destroyer of the Trojan reign,
Fierce Agamemnon, such a prize to gain
(A proof we also were design'd by Fate
To feel the tempest, that o'erturn'd your state),
With force superior, and a ruffian crew,
From these weak arms, the helpless virgins drew:
And sternly bad them use the grant divine,
To keep the fleet in corn, and oil, and wine.
Each, as they could, escap'd: two strove to gain
Euboea's isle, and two their brother's reign.
The soldier follows, and demands the dames;
If held by force, immediate war proclaims.
Fear conquer'd Nature in their brother's mind,
And gave them up to punishment assign'd.
Forgive the deed; nor Hector's arm was there,
Nor thine, Aeneas, to maintain the war;
Whose only force upheld your Ilium's tow'rs,
For ten long years, against the Grecian pow'rs.
Prepar'd to bind their captive arms in bands,
To Heav'n they rear'd their yet unfetter'd hands,
Help, Bacchus, author of the gift, they pray'd;
The gift's great author gave immediate aid;
If such destruction of their human frame
By ways so wond'rous, may deserve the name;
Nor could I hear, nor can I now relate
Exact, the manner of their alter'd state;
But this in gen'ral of my loss I knew,
Transform'd to doves, on milky plumes they flew,
Such as on Ida's mount thy consort's chariot drew.

With such discourse, they entertain'd the feast;
Then rose from table, and withdrew to rest.
The following morn, ere Sol was seen to shine,
Th' inquiring Trojans sought the sacred shrine;
The mystick Pow'r commands them to explore
Their ancient mother, and a kindred shore.
Attending to the sea, the gen'rous prince
Dismiss'd his guests with rich munificence,
In old Anchises' hand a sceptre plac'd,
A vest, and quiver young Ascanius grac'd,
His sire, a cup; which from th' Aonian coast,
Ismenian Therses sent his royal host.
Alcon of Myle made what Therses sent,
And carv'd thereon this ample argument.

A town with sev'n distinguish'd gates was shown,
Which spoke its name, and made the city known;
Before it, piles, and tombs, and rising flames,
The rites of death, and quires of mourning dames,
Who bar'd their breasts, and gave their hair to flow,
The signs of grief, and marks of publick woe.
Their fountains dry'd, the weeping Naiads mourn'd,
The trees stood bare, with searing cankers burn'd,
No herbage cloath'd the ground, a ragged flock
Of goats half-famish'd, lick'd the naked rock,
Of manly courage, and with mind serene,
Orion's daughters in the town were seen;
One heav'd her chest to meet the lifted knife,
One plung'd the poyniard thro' the seat of life,
Their country's victims; mourns the rescu'd state,
The bodies burns, and celebrates their Fate.
To save the failure of th' illustrious line,
From the pale ashes rose, of form divine,
Two gen'rous youths; these, fame Coronae calls,
Who join the pomp, and mourn their mother's falls.

These burnish'd figures form'd of antique mold,
Shone on the brass, with rising sculpture bold;
A wreath of gilt Acanthus round the brim was roll'd.

Nor less expence the Trojan gifts express'd;
A fuming censer for the royal priest,
A chalice, and a crown of princely cost,
With ruddy gold, and sparkling gems emboss'd.

Now hoisting sail, to Crete the Trojans stood,
Themselves remembring sprung from Teucer's blood;
But Heav'n forbids, and pestilential Jove
From noxious skies, the wand'ring navy drove.
Her hundred cities left, from Crete they bore,
And sought the destin'd land, Ausonia's shore;
But toss'd by storms at either Strophas lay,
'Till scar'd by Harpies from the faithless bay.
Then passing onward with a prosp'rous wind,
Left sly Ulysses' spacious realms behind;
Ambracia's state, in former ages known.
The strife of Gods, the judge transform'd to stone
They saw; for Actian Phoebus since renown'd,
Who Caesar's arms with naval conquest crown'd;
Next pass'd Dodona, wont of old to boast
Her vocal forest; and Chaonia's coast,
Where king Molossus' sons on wings aspir'd,
And saw secure the harmless fewel fir'd.

Now to Phaeacia's happy isle they came,
For fertile orchards known to early fame;
Epirus past, they next beheld with joy
A second Ilium, and fictitious Troy;
Here Trojan Helenus the sceptre sway'd,
Who show'd their fate and mystick truths display'd.
By him confirm'd Sicilia's isle they reach'd,
Whose sides to sea three promontories stretch'd,
Pachynos to the stormy south is plac'd,
On Lilybaeum blows the gentle west,
Peloro's cliffs the northern bear survey,
Who rolls above, and dreads to touch the sea.
By this they steer, and favour'd by the tide,
Secure by night in Zancle's harbour ride.

Here cruel Scylla guards the rocky shore,
And there the waves of loud Charybdis roar:
This sucks, and vomits ships, and bodies drown'd;
And rav'nous dogs the womb of that surround,
In face a virgin; and (if ought be true
By bards recorded) once a virgin too.

A train of youths in vain desir'd her bed;
By sea-nymphs lov'd, to nymphs of seas she fled;
The maid to these, with female pride, display'd
Their baffled courtship, and their love betray'd.

When Galatea thus bespoke the fair
(But first she sigh'd), while Scylla comb'd her hair:
You, lovely maid, a gen'rous race pursues,
Whom safe you may (as now you do) refuse;
To me, tho' pow'rful in a num'rous train
Of sisters, sprung from Gods, who rule the main,
My native seas could scarce a refuge prove,
To shun the fury of the Cyclops' love,

Tears choak'd her utt'rance here; the pity'ng maid
With marble fingers wip'd them off, and said:

My dearest Goddess, let thy Scylla know,
(For I am faithful) whence these sorrows flow.

The maid's intreaties o'er the nymph prevail,
Who thus to Scylla tells the mournful tale.

The Story of Acis, Polyphemus and Galatea

Acis, the lovely youth, whose loss I mourn,
From Faunus, and the nymph Symethis born,
Was both his parents' pleasure; but, to me
Was all that love could make a lover be.
The Gods our minds in mutual bands did join:
I was his only joy, and he was mine.
Now sixteen summers the sweet youth had seen;
And doubtful down began to shade his chin:
When Polyphemus first disturb'd our joy;
And lov'd me fiercely, as I lov'd the boy.
Ask not which passion in my soul was high'r,
My last aversion, or my first desire:
Nor this the greater was, nor that the less;
Both were alike, for both were in excess.
Thee, Venus, thee both Heav'n, and Earth obey;
Immense thy pow'r, and boundless is thy sway.
The Cyclops, who defy'd th' aetherial throne,
And thought no thunder louder than his own,
The terror of the woods, and wilder far
Than wolves in plains, or bears in forests are,
Th' inhuman host, who made his bloody feasts
On mangl'd members of his butcher'd guests,
Yet felt the force of love, and fierce desire,
And burnt for me, with unrelenting fire.
Forgot his caverns, and his woolly care,
Assum'd the softness of a lover's air;
And comb'd, with teeth of rakes, his rugged hair.
Now with a crooked scy the his beard he sleeks;
And mows the stubborn stubble of his cheeks:
Now in the crystal stream he looks, to try
His simagres, and rowls his glaring eye.
His cruelty, and thirst of blood are lost;
And ships securely sail along the coast.

The prophet Telemus (arriv'd by chance
Where Aetna's summets to the seas advance,
Who mark'd the tracts of every bird that flew,
And sure presages from their flying drew)
Foretold the Cyclops, that Ulysses' hand
In his broad eye shou'd thrust a flaming brand.
The giant, with a scornful grin, reply'd,
Vain augur, thou hast falsely prophesy'd;
Already love his flaming brand has tost;
Looking on two fair eyes, my sight I lost,
Thus, warn'd in vain, with stalking pace he strode,
And stamp'd the margin of the briny flood
With heavy steps; and weary, sought agen
The cool retirement of his gloomy den.

A promontory, sharp'ning by degrees,
Ends in a wedge, and overlooks the seas:
On either side, below, the water flows;
This airy walk the giant lover chose.
Here on the midst he sate; his flocks, unled,
Their shepherd follow'd, and securely fed.
A pine so burly, and of length so vast,
That sailing ships requir'd it for a mast,
He wielded for a staff, his steps to guide:
But laid it by, his whistle while he try'd.
A hundred reeds of a prodigious growth,
Scarce made a pipe, proportion'd to his mouth:
Which when he gave it wind, the rocks around,
And watry plains, the dreadful hiss resound.
I heard the ruffian-shepherd rudely blow,
Where, in a hollow cave, I sat below;
On Acis' bosom I my head reclin'd:
And still preserve the poem in my mind.

Oh lovely Galatea, whiter far
Than falling snows, and rising lillies are;
More flowry than the meads, as chrystal bright:
Erect as alders, and of equal height:
More wanton than a kid, more sleek thy skin,
Than orient shells, that on the shores are seen,
Than apples fairer, when the boughs they lade;
Pleasing, as winter suns, or summer shade:
More grateful to the sight, than goodly plains;
And softer to the touch, than down of swans;
Or curds new turn'd; and sweeter to the taste
Than swelling grapes, that to the vintage haste:
More clear than ice, or running streams, that stray
Through garden plots, but ah! more swift than they.

Yet, Galatea, harder to be broke
Than bullocks, unreclaim'd, to bear the yoke,
And far more stubborn, than the knotted oak:
Like sliding streams, impossible to hold;
Like them, fallacious, like their fountains, cold.
More warping, than the willow, to decline
My warm embrace, more brittle, than the vine;
Immovable, and fixt in thy disdain:
Tough, as these rocks, and of a harder grain.
More violent, than is the rising flood;
And the prais'd peacock is not half so proud.
Fierce, as the fire, and sharp, as thistles are,
And more outragious, than a mother-bear:
Deaf, as the billows to the vows I make;
And more revengeful, than a trodden snake.
In swiftness fleeter, than the flying hind,
Or driven tempests, or the driving wind.
All other faults, with patience I can bear;
But swiftness is the vice I only fear.

Yet if you knew me well, you wou'd not shun
My love, but to my wish'd embraces run:
Wou'd languish in your turn, and court my stay;
And much repent of your unwise delay.

My palace, in the living rock, is made
By Nature's hand; a spacious pleasing shade:
Which neither heat can pierce, nor cold invade.
My garden fill'd with fruits you may behold,
And grapes in clusters, imitating gold;
Some blushing bunches of a purple hue:
And these, and those, are all reserv'd for you.
Red strawberries, in shades, expecting stand,
Proud to be gather'd by so white a hand.
Autumnal cornels latter fruit provide;
And plumbs, to tempt you, turn their glossy side:
Not those of common kinds; but such alone,
As in Phaeacian orchards might have grown:
Nor chestnuts shall be wanting to your food,
Nor garden-fruits, nor wildings of the wood;
The laden boughs for you alone shall bear;
And yours shall be the product of the year.

The flocks you see, are all my own; beside
The rest that woods, and winding vallies hide;
And those that folded in the caves abide.
Ask not the numbers of my growing store;
Who knows how many, knows he has no more.
Nor will I praise my cattle; trust not me,
But judge your self, and pass your own decree:
Behold their swelling dugs; the sweepy weight
Of ewes, that sink beneath the milky freight;
In the warm folds their tender lambkins lye;
Apart from kids, that call with human cry.
New milk in nut-brown bowls is duely serv'd
For daily drink; the rest for cheese reserv'd.
Nor are these household dainties all my store:
The fields, and forests will afford us more;
The deer, the hare, the goat, the savage boar.
All sorts of ven'son; and of birds the best;
A pair of turtles taken from the nest.
I walk'd the mountains, and two cubs I found
(Whose dam had left 'em on the naked ground),
So like, that no distinction could be seen:
So pretty, they were presents for a queen;
And so they shall; I took them both away;
And keep, to be companions of your play.

Oh raise, fair nymph, your beauteous face above
The waves; nor scorn my presents, and my love.
Come, Galatea, come, and view my face;
I late beheld it, in the watry glass;
And found it lovelier, than I fear'd it was.
Survey my towring stature, and my size:
Not Jove, the Jove you dream, that rules the skies,
Bears such a bulk, or is so largely spread:
My locks (the plenteous harvest of my head)
Hang o'er my manly face; and dangling down,
As with a shady grove, my shoulders crown.
Nor think, because my limbs and body bear
A thick-set underwood of bristling hair,
My shape deform'd; what fouler sight can be,
Than the bald branches of a leafless tree?
Foul is the steed without a flowing mane:
And birds, without their feathers, and their train.
Wool decks the sheep; and Man receives a grace
From bushy limbs, and from a bearded face.
My forehead with a single eye is fill'd,
Round, as a ball, and ample, as a shield.
The glorious lamp of Heav'n, the radiant sun,
Is Nature's eye; and she's content with one.
Add, that my father sways your seas, and I,
Like you, am of the watry family.
I make you his, in making you my own;
You I adore; and kneel to you alone:
Jove, with his fabled thunder, I despise,
And only fear the lightning of your eyes.
Frown not, fair nymph; yet I cou'd bear to be
Disdain'd, if others were disdain'd with me.
But to repulse the Cyclops, and prefer
The love of Acis (Heav'ns!) I cannot bear.
But let the stripling please himself; nay more,
Please you, tho' that's the thing I most abhor;
The boy shall find, if e'er we cope in fight,
These giant limbs, endu'd with giant might.
His living bowels from his belly torn,
And scatter'd limbs shall on the flood be born:
Thy flood, ungrateful nymph; and fate shall find,
That way for thee, and Acis to be join'd.
For oh! I burn with love, and thy disdain
Augments at once my passion, and my pain.
Translated Aetna flames within my heart,
And thou, inhuman, wilt not ease my smart.

Lamenting thus in vain, he rose, and strode
With furious paces to the neighb'ring wood:
Restless his feet, distracted was his walk;
Mad were his motions, and confus'd his talk.
Mad, as the vanquish'd bull, when forc'd to yield
His lovely mistress, and forsake the field.

Thus far unseen I saw: when fatal chance,
His looks directing, with a sudden glance,
Acis and I were to his sight betray'd;
Where, nought suspecting, we securely play'd.
From his wide mouth a bellowing cry he cast,
I see, I see; but this shall be your last:
A roar so loud made Aetna to rebound:
And all the Cyclops labour'd in the sound.
Affrighted with his monstrous voice, I fled,
And in the neighbouring ocean plung'd my head.
Poor Acis turn'd his back, and Help, he cry'd,
Help, Galatea, help, my parent Gods,
And take me dying to your deep abodes.
The Cyclops follow'd; but he sent before
A rib, which from the living rock he tore:
Though but an angle reach'd him of the stone,
The mighty fragment was enough alone,
To crush all Acis; 'twas too late to save,
But what the Fates allow'd to give, I gave:
That Acis to his lineage should return;
And rowl, among the river Gods, his urn.
Straight issu'd from the stone a stream of blood;
Which lost the purple, mingling with the flood,
Then, like a troubled torrent, it appear'd:
The torrent too, in little space, was clear'd.
The stone was cleft, and through the yawning chink
New reeds arose, on the new river's brink.
The rock, from out its hollow womb, disclos'd
A sound like water in its course oppos'd,
When (wond'rous to behold), full in the flood,
Up starts a youth, and navel high he stood.
Horns from his temples rise; and either horn
Thick wreaths of reeds (his native growth) adorn.
Were not his stature taller than before,
His bulk augmented, and his beauty more,
His colour blue; for Acis he might pass:
And Acis chang'd into a stream he was,
But mine no more; he rowls along the plains
With rapid motion, and his name retains.

The Story of Glaucus and Scylla

Here ceas'd the nymph; the fair assembly broke,
The sea-green Nereids to the waves betook:
While Scylla, fearful of the wide-spread main,
Swift to the safer shore returns again.
There o'er the sandy margin, unarray'd,
With printless footsteps flies the bounding maid;
Or in some winding creek's secure retreat
She baths her weary limbs, and shuns the noonday's heat.

Her Glaucus saw, as o'er the deep he rode,
New to the seas, and late receiv'd a God.
He saw, and languish'd for the virgin's love;
With many an artful blandishment he strove
Her flight to hinder, and her fears remove.
The more he sues, the more she wings her flight,
And nimbly gains a neighb'ring mountain's height.
Steep shelving to the margin of the flood,
A neighb'ring mountain bare, and woodless stood;
Here, by the place secur'd, her steps she stay'd,
And, trembling still, her lover's form survey'd.
His shape, his hue, her troubled sense appall,
And dropping locks that o'er his shoulders fall;
She sees his face divine, and manly brow,
End in a fish's wreathy tail below:
She sees, and doubts within her anxious mind,
Whether he comes of God, or monster kind.
This Glaucus soon perceiv'd; and, Oh! forbear
(His hand supporting on a rock lay near),
Forbear, he cry'd, fond maid, this needless fear.
Nor fish am I, nor monster of the main,
But equal with the watry Gods I reign;
Nor Proteus, nor Palaemon me excell,
Nor he whose breath inspires the sounding shell.
My birth, 'tis true, I owe to mortal race,
And I my self but late a mortal was:
Ev'n then in seas, and seas alone, I joy'd;
The seas my hours, and all my cares employ'd,
In meshes now the twinkling prey I drew;
Now skilfully the slender line I threw,
And silent sat the moving float to view.
Not far from shore, there lies a verdant mead,
With herbage half, and half with water spread:
There, nor the horned heifers browsing stray,
Nor shaggy kids, nor wanton lambkins play;
There, nor the sounding bees their nectar cull,
Nor rural swains their genial chaplets pull,
Nor flocks, nor herds, nor mowers haunt the place,
To crop the flow'rs, or cut the bushy grass:
Thither, sure first of living race came I,
And sat by chance, my dropping nets to dry.
My scaly prize, in order all display'd,
By number on the greensward there I lay'd,
My captives, whom or in my nets I took,
Or hung unwary on my wily hook.
Strange to behold! yet what avails a lye?
I saw 'em bite the grass, as I sate by;
Then sudden darting o'er the verdant plain,
They spread their finns, as in their native main:
I paus'd, with wonder struck, while all my prey
Left their new master, and regain'd the sea.
Amaz'd, within my secret self I sought,
What God, what herb the miracle had wrought:
But sure no herbs have pow'r like this, I cry'd;
And strait I pluck'd some neighb'ring herbs, and try'd.
Scarce had I bit, and prov'd the wond'rous taste,
When strong convulsions shook my troubled breast;
I felt my heart grow fond of something strange,
And my whole Nature lab'ring with a change.
Restless I grew, and ev'ry place forsook,
And still upon the seas I bent my look.
Farewel for ever! farewel, land! I said;
And plung'd amidst the waves my sinking head.
The gentle Pow'rs, who that low empire keep,
Receiv'd me as a brother of the deep;
To Tethys, and to Ocean old, they pray
To purge my mortal earthy parts away.
The watry parents to their suit agreed,
And thrice nine times a secret charm they read,
Then with lustrations purify my limbs,
And bid me ba the beneath a hundred streams:
A hundred streams from various fountains run,
And on my head at once come rushing down.
Thus far each passage I remember well,
And faithfully thus far the tale I tell;
But then oblivion dark, on all my senses fell.
Again at length my thought reviving came,
When I no longer found my self the same;
Then first this sea-green beard I felt to grow,
And these large honours on my spreading brow;
My long-descending locks the billows sweep,
And my broad shoulders cleave the yielding deep;
My fishy tail, my arms of azure hue,
And ev'ry part divinely chang'd, I view.
But what avail these useless honours now?
What joys can immortality bestow?
What, tho' our Nereids all my form approve?
What boots it, while fair Scylla scorns my love?

Thus far the God; and more he wou'd have said;
When from his presence flew the ruthless maid.
Stung with repulse, in such disdainful sort,
He seeks Titanian Circe's horrid court.

----------------------------------------------------------------------
~ Ovid, BOOK THE THIRTEENTH

,
1207:The Ghost - Book Iv
Coxcombs, who vainly make pretence
To something of exalted sense
'Bove other men, and, gravely wise,
Affect those pleasures to despise,
Which, merely to the eye confined,
Bring no improvement to the mind,
Rail at all pomp; they would not go
For millions to a puppet-show,
Nor can forgive the mighty crime
Of countenancing pantomime;
No, not at Covent Garden, where,
Without a head for play or player,
Or, could a head be found most fit,
Without one player to second it,
They must, obeying Folly's call,
Thrive by mere show, or not at all
With these grave fops, who, (bless their brains!)
Most cruel to themselves, take pains
For wretchedness, and would be thought
Much wiser than a wise man ought,
For his own happiness, to be;
Who what they hear, and what they see,
And what they smell, and taste, and feel,
Distrust, till Reason sets her seal,
And, by long trains of consequences
Insured, gives sanction to the senses;
Who would not (Heaven forbid it!) waste
One hour in what the world calls Taste,
Nor fondly deign to laugh or cry,
Unless they know some reason why;
With these grave fops, whose system seems
To give up certainty for dreams,
The eye of man is understood
As for no other purpose good
Than as a door, through which, of course,
Their passage crowding, objects force,
A downright usher, to admit
New-comers to the court of Wit:
(Good Gravity! forbear thy spleen;
190
When I say Wit, I Wisdom mean)
Where (such the practice of the court,
Which legal precedents support)
Not one idea is allow'd
To pass unquestion'd in the crowd,
But ere it can obtain the grace
Of holding in the brain a place,
Before the chief in congregation
Must stand a strict examination.
Not such as those, who physic twirl,
Full fraught with death, from every curl;
Who prove, with all becoming state,
Their voice to be the voice of Fate;
Prepared with essence, drop, and pill,
To be another Ward or Hill,
Before they can obtain their ends,
To sign death-warrants for their friends,
And talents vast as theirs employ,
_Secundum artem_ to destroy,
Must pass (or laws their rage restrain)
Before the chiefs of Warwick Lane:
Thrice happy Lane! where, uncontroll'd,
In power and lethargy grown old,
Most fit to take, in this bless'd land,
The reins--which fell from Wyndham's hand,
Her lawful throne great Dulness rears,
Still more herself, as more in years;
Where she, (and who shall dare deny
Her right, when Reeves and Chauncy's by?)
Calling to mind, in ancient time,
One Garth, who err'd in wit and rhyme,
Ordains, from henceforth, to admit
None of the rebel sons of Wit,
And makes it her peculiar care
That Schomberg never shall be there.
Not such as those, whom Polly trains
To letters, though unbless'd with brains,
Who, destitute of power and will
To learn, are kept to learning still;
Whose heads, when other methods fail,
Receive instruction from the tail,
Because their sires,--a common case
191
Which brings the children to disgrace,-Imagine it a certain rule
They never could beget a fool,
Must pass, or must compound for, ere
The chaplain, full of beef and prayer,
Will give his reverend permit,
Announcing them for orders fit;
So that the prelate (what's a name?
All prelates now are much the same)
May, with a conscience safe and quiet,
With holy hands lay on that fiat
Which doth all faculties dispense,
All sanctity, all faith, all sense;
Makes Madan quite a saint appear,
And makes an oracle of Cheere.
Not such as in that solemn seat,
Where the Nine Ladies hold retreat,-The Ladies Nine, who, as we're told,
Scorning those haunts they loved of old,
The banks of Isis now prefer,
Nor will one hour from Oxford stir,-Are held for form, which Balaam's ass
As well as Balaam's self might pass,
And with his master take degrees,
Could he contrive to pay the fees.
Men of sound parts, who, deeply read,
O'erload the storehouse of the head
With furniture they ne'er can use,
Cannot forgive our rambling Muse
This wild excursion; cannot see
Why Physic and Divinity,
To the surprise of all beholders,
Are lugg'd in by the head and shoulders;
Or how, in any point of view,
Oxford hath any thing to do.
But men of nice and subtle learning,
Remarkable for quick discerning,
Through spectacles of critic mould,
Without instruction, will behold
That we a method here have got
To show what is, by what is not;
And that our drift (parenthesis
192
For once apart) is briefly this:
Within the brain's most secret cells
A certain Lord Chief-Justice dwells,
Of sovereign power, whom, one and all,
With common voice, we Reason call;
Though, for the purposes of satire,
A name, in truth, is no great matter;
Jefferies or Mansfield, which you will-It means a Lord Chief-Justice still.
Here, so our great projectors say,
The Senses all must homage pay;
Hither they all must tribute bring,
And prostrate fall before their king;
Whatever unto them is brought,
Is carried on the wings of Thought
Before his throne, where, in full state,
He on their merits holds debate,
Examines, cross-examines, weighs
Their right to censure or to praise:
Nor doth his equal voice depend
On narrow views of foe and friend,
Nor can, or flattery, or force
Divert him from his steady course;
The channel of Inquiry's clear,
No sham examination's here.
He, upright justicer, no doubt,
_Ad libitum_ puts in and out,
Adjusts and settles in a trice
What virtue is, and what is vice;
What is perfection, what defect;
What we must choose, and what reject;
He takes upon him to explain
What pleasure is, and what is pain;
Whilst we, obedient to the whim,
And resting all our faith on him,
True members of the Stoic Weal,
Must learn to think, and cease to feel.
This glorious system, form'd for man
To practise when and how he can,
If the five Senses, in alliance,
To Reason hurl a proud defiance,
And, though oft conquer'd, yet unbroke,
193
Endeavour to throw off that yoke,
Which they a greater slavery hold
Than Jewish bondage was of old;
Or if they, something touch'd with shame,
Allow him to retain the name
Of Royalty, and, as in sport,
To hold a mimic formal court;
Permitted--no uncommon thing-To be a kind of puppet king,
And suffer'd, by the way of toy,
To hold a globe, but not employ;
Our system-mongers, struck with fear,
Prognosticate destruction near;
All things to anarchy must run;
The little world of man's undone.
Nay, should the Eye, that nicest sense,
Neglect to send intelligence
Unto the Brain, distinct and clear,
Of all that passes in her sphere;
Should she, presumptuous, joy receive
Without the Understanding's leave,
They deem it rank and daring treason
Against the monarchy of Reason,
Not thinking, though they're wondrous wise,
That few have reason, most have eyes;
So that the pleasures of the mind
To a small circle are confined,
Whilst those which to the senses fall
Become the property of all.
Besides, (and this is sure a case
Not much at present out of place)
Where Nature reason doth deny,
No art can that defect supply;
But if (for it is our intent
Fairly to state the argument)
A man should want an eye or two,
The remedy is sure, though new:
The cure's at hand--no need of fear-For proof--behold the Chevalier!-As well prepared, beyond all doubt,
To put eyes in, as put them out.
But, argument apart, which tends
194
To embitter foes and separate friends,
(Nor, turn'd apostate from the Nine,
Would I, though bred up a divine,
And foe, of course, to Reason's Weal,
Widen that breach I cannot heal)
By his own sense and feelings taught,
In speech as liberal as in thought,
Let every man enjoy his whim;
What's he to me, or I to him?
Might I, though never robed in ermine,
A matter of this weight determine,
No penalties should settled be
To force men to hypocrisy,
To make them ape an awkward zeal,
And, feeling not, pretend to feel.
I would not have, might sentence rest
Finally fix'd within my breast,
E'en Annet censured and confined,
Because we're of a different mind.
Nature, who, in her act most free,
Herself delights in liberty,
Profuse in love, and without bound,
Pours joy on every creature round;
Whom yet, was every bounty shed
In double portions on our head,
We could not truly bounteous call,
If Freedom did not crown them all.
By Providence forbid to stray,
Brutes never can mistake their way;
Determined still, they plod along
By instinct, neither right nor wrong;
But man, had he the heart to use
His freedom, hath a right to choose;
Whether he acts, or well, or ill,
Depends entirely on his will.
To her last work, her favourite Man,
Is given, on Nature's better plan,
A privilege in power to err.
Nor let this phrase resentment stir
Amongst the grave ones, since indeed
The little merit man can plead
In doing well, dependeth still
195
Upon his power of doing ill.
Opinions should be free as air;
No man, whate'er his rank, whate'er
His qualities, a claim can found
That my opinion must be bound,
And square with his; such slavish chains
From foes the liberal soul disdains;
Nor can, though true to friendship, bend
To wear them even from a friend.
Let those, who rigid judgment own,
Submissive bow at Judgment's throne,
And if they of no value hold
Pleasure, till pleasure is grown cold,
Pall'd and insipid, forced to wait
For Judgment's regular debate
To give it warrant, let them find
Dull subjects suited to their mind.
Theirs be slow wisdom; be my plan,
To live as merry as I can,
Regardless, as the fashions go,
Whether there's reason for't or no:
Be my employment here on earth
To give a liberal scope to mirth,
Life's barren vale with flowers to adorn,
And pluck a rose from every thorn.
But if, by Error led astray,
I chance to wander from my way,
Let no blind guide observe, in spite,
I'm wrong, who cannot set me right.
That doctor could I ne'er endure
Who found disease, and not a cure;
Nor can I hold that man a friend
Whose zeal a helping hand shall lend
To open happy Folly's eyes,
And, making wretched, make me wise:
For next (a truth which can't admit
Reproof from Wisdom or from Wit)
To being happy here below,
Is to believe that we are so.
Some few in knowledge find relief;
I place my comfort in belief.
Some for reality may call;
196
Fancy to me is all in all.
Imagination, through the trick
Of doctors, often makes us sick;
And why, let any sophist tell,
May it not likewise make us well?
This I am sure, whate'er our view,
Whatever shadows we pursue,
For our pursuits, be what they will,
Are little more than shadows still;
Too swift they fly, too swift and strong,
For man to catch or hold them long;
But joys which in the fancy live,
Each moment to each man may give:
True to himself, and true to ease,
He softens Fate's severe decrees,
And (can a mortal wish for more?)
Creates, and makes himself new o'er,
Mocks boasted vain reality,
And is, whate'er he wants to be.
Hail, Fancy!--to thy power I owe
Deliverance from the gripe of Woe;
To thee I owe a mighty debt,
Which Gratitude shall ne'er forget,
Whilst Memory can her force employ,
A large increase of every joy.
When at my doors, too strongly barr'd,
Authority had placed a guard,
A knavish guard, ordain'd by law
To keep poor Honesty in awe;
Authority, severe and stern,
To intercept my wish'd return;
When foes grew proud, and friends grew cool,
And laughter seized each sober fool;
When Candour started in amaze,
And, meaning censure, hinted praise;
When Prudence, lifting up her eyes
And hands, thank'd Heaven that she was wise;
When all around me, with an air
Of hopeless sorrow, look'd despair;
When they, or said, or seem'd to say,
There is but one, one only way
Better, and be advised by us,
197
Not be at all, than to be thus;
When Virtue shunn'd the shock, and Pride,
Disabled, lay by Virtue's side,
Too weak my ruffled soul to cheer,
Which could not hope, yet would not fear;
Health in her motion, the wild grace
Of pleasure speaking in her face,
Dull regularity thrown by,
And comfort beaming from her eye,
Fancy, in richest robes array'd,
Came smiling forth, and brought me aid;
Came smiling o'er that dreadful time,
And, more to bless me, came in rhyme.
Nor is her power to me confined;
It spreads, it comprehends mankind.
When (to the spirit-stirring sound
Of trumpets breathing courage round,
And fifes well-mingled, to restrain
And bring that courage down again;
Or to the melancholy knell
Of the dull, deep, and doleful bell,
Such as of late the good Saint Bride
Muffled, to mortify the pride
Of those who, England quite forgot,
Paid their vile homage to the Scot;
Where Asgill held the foremost place,
Whilst my lord figured at a race)
Processions ('tis not worth debate
Whether they are of stage or state)
Move on, so very, very slow,
Tis doubtful if they move, or no;
When the performers all the while
Mechanically frown or smile,
Or, with a dull and stupid stare,
A vacancy of sense declare,
Or, with down-bending eye, seem wrought
Into a labyrinth of thought,
Where Reason wanders still in doubt,
And, once got in, cannot get out;
What cause sufficient can we find,
To satisfy a thinking mind,
Why, duped by such vain farces, man
198
Descends to act on such a plan?
Why they, who hold themselves divine,
Can in such wretched follies join,
Strutting like peacocks, or like crows,
Themselves and Nature to expose?
What cause, but that (you'll understand
We have our remedy at hand,
That if perchance we start a doubt,
Ere it is fix'd, we wipe it out;
As surgeons, when they lop a limb,
Whether for profit, fame, or whim,
Or mere experiment to try,
Must always have a styptic by)
Fancy steps in, and stamps that real,
Which, _ipso facto_, is ideal.
Can none remember?--yes, I know,
All must remember that rare show
When to the country Sense went down,
And fools came flocking up to town;
When knights (a work which all admit
To be for knighthood much unfit)
Built booths for hire; when parsons play'd,
In robes canonical array'd,
And, fiddling, join'd the Smithfield dance,
The price of tickets to advance:
Or, unto tapsters turn'd, dealt out,
Running from booth to booth about,
To every scoundrel, by retail,
True pennyworths of beef and ale,
Then first prepared, by bringing beer in,
For present grand electioneering;
When heralds, running all about
To bring in Order, turn'd it out;
When, by the prudent Marshal's care,
Lest the rude populace should stare,
And with unhallow'd eyes profane
Gay puppets of Patrician strain,
The whole procession, as in spite,
Unheard, unseen, stole off by night;
When our loved monarch, nothing both,
Solemnly took that sacred oath,
Whence mutual firm agreements spring
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Betwixt the subject and the king,
By which, in usual manner crown'd,
His head, his heart, his hands, he bound,
Against himself, should passion stir
The least propensity to err,
Against all slaves, who might prepare,
Or open force, or hidden snare,
That glorious Charter to maintain,
By which we serve, and he must reign;
Then Fancy, with unbounded sway,
Revell'd sole mistress of the day,
And wrought such wonders, as might make
Egyptian sorcerers forsake
Their baffled mockeries, and own
The palm of magic hers alone.
A knight, (who, in the silken lap
Of lazy Peace, had lived on pap;
Who never yet had dared to roam
'Bove ten or twenty miles from home,
Nor even that, unless a guide
Was placed to amble by his side,
And troops of slaves were spread around
To keep his Honour safe and sound;
Who could not suffer, for his life,
A point to sword, or edge to knife;
And always fainted at the sight
Of blood, though 'twas not shed in fight;
Who disinherited one son
For firing off an alder gun,
And whipt another, six years old,
Because the boy, presumptuous, bold
To madness, likely to become
A very Swiss, had beat a drum,
Though it appear'd an instrument
Most peaceable and innocent,
Having, from first, been in the hands
And service of the City bands)
Graced with those ensigns, which were meant
To further Honour's dread intent,
The minds of warriors to inflame,
And spur them on to deeds of fame;
With little sword, large spurs, high feather,
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Fearless of every thing but weather,
(And all must own, who pay regard
To charity, it had been hard
That in his very first campaign
His honours should be soil'd with rain)
A hero all at once became,
And (seeing others much the same
In point of valour as himself,
Who leave their courage on a shelf
From year to year, till some such rout
In proper season calls it out)
Strutted, look'd big, and swagger'd more
Than ever hero did before;
Look'd up, look'd down, look'd all around,
Like Mavors, grimly smiled and frown'd;
Seem'd Heaven, and Earth, and Hell to call
To fight, that he might rout them all,
And personated Valour's style
So long, spectators to beguile,
That, passing strange, and wondrous true,
Himself at last believed it too;
Nor for a time could he discern,
Till Truth and Darkness took their turn,
So well did Fancy play her part,
That coward still was at the heart.
Whiffle (who knows not Whiffle's name,
By the impartial voice of Fame
Recorded first through all this land
In Vanity's illustrious band?)
Who, by all-bounteous Nature meant
For offices of hardiment,
A modern Hercules at least,
To rid the world of each wild beast,
Of each wild beast which came in view,
Whether on four legs or on two,
Degenerate, delights to prove
His force on the parade of Love,
Disclaims the joys which camps afford,
And for the distaff quits the sword;
Who fond of women would appear
To public eye and public ear,
But, when in private, lets them know
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How little they can trust to show;
Who sports a woman, as of course,
Just as a jockey shows a horse,
And then returns her to the stable,
Or vainly plants her at his table,
Where he would rather Venus find
(So pall'd, and so depraved his mind)
Than, by some great occasion led,
To seize her panting in her bed,
Burning with more than mortal fires,
And melting in her own desires;
Who, ripe in years, is yet a child,
Through fashion, not through feeling, wild;
Whate'er in others, who proceed
As Sense and Nature have decreed,
From real passion flows, in him
Is mere effect of mode and whim;
Who laughs, a very common way,
Because he nothing has to say,
As your choice spirits oaths dispense
To fill up vacancies of sense;
Who, having some small sense, defies it,
Or, using, always misapplies it;
Who now and then brings something forth
Which seems indeed of sterling worth;
Something, by sudden start and fit,
Which at a distance looks like wit,
But, on examination near,
To his confusion will appear,
By Truth's fair glass, to be at best
A threadbare jester's threadbare jest;
Who frisks and dances through the street,
Sings without voice, rides without seat,
Plays o'er his tricks, like Aesop's ass,
A gratis fool to all who pass;
Who riots, though he loves not waste,
Whores without lust, drinks without taste,
Acts without sense, talks without thought,
Does every thing but what he ought;
Who, led by forms, without the power
Of vice, is vicious; who one hour,
Proud without pride, the next will be
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Humble without humility:
Whose vanity we all discern,
The spring on which his actions turn;
Whose aim in erring, is to err,
So that he may be singular,
And all his utmost wishes mean
Is, though he's laugh'd at, to be seen:
Such, (for when Flattery's soothing strain
Had robb'd the Muse of her disdain,
And found a method to persuade
Her art to soften every shade,
Justice, enraged, the pencil snatch'd
From her degenerate hand, and scratch'd
Out every trace; then, quick as thought,
From life this striking likeness caught)
In mind, in manners, and in mien,
Such Whiffle came, and such was seen
In the world's eye; but (strange to tell!)
Misled by Fancy's magic spell,
Deceived, not dreaming of deceit,
Cheated, but happy in the cheat,
Was more than human in his own.
Oh, bow, bow all at Fancy's throne,
Whose power could make so vile an elf
With patience bear that thing, himself.
But, mistress of each art to please,
Creative Fancy, what are these,
These pageants of a trifler's pen,
To what thy power effected then?
Familiar with the human mind,
And swift and subtle as the wind,
Which we all feel, yet no one knows,
Or whence it comes, or where it goes,
Fancy at once in every part
Possess'd the eye, the head, the heart,
And in a thousand forms array'd,
A thousand various gambols play'd.
Here, in a face which well might ask
The privilege to wear a mask
In spite of law, and Justice teach
For public good to excuse the breach,
Within the furrow of a wrinkle
203
'Twixt eyes, which could not shine but twinkle,
Like sentinels i' th' starry way,
Who wait for the return of day,
Almost burnt out, and seem to keep
Their watch, like soldiers, in their sleep;
Or like those lamps, which, by the power
Of law, must burn from hour to hour,
(Else they, without redemption, fall
Under the terrors of that Hall,
Which, once notorious for a hop,
Is now become a justice shop)
Which are so managed, to go out
Just when the time comes round about,
Which yet, through emulation, strive
To keep their dying light alive,
And (not uncommon, as we find,
Amongst the children of mankind)
As they grow weaker, would seem stronger,
And burn a little, little longer:
Fancy, betwixt such eyes enshrined,
No brush to daub, no mill to grind,
Thrice waved her wand around, whose force
Changed in an instant Nature's course,
And, hardly credible in rhyme,
Not only stopp'd, but call'd back Time;
The face of every wrinkle clear'd,
Smooth as the floating stream appear'd,
Down the neck ringlets spread their flame,
The neck admiring whence they came;
On the arch'd brow the Graces play'd;
On the full bosom Cupid laid;
Suns, from their proper orbits sent,
Became for eyes a supplement;
Teeth, white as ever teeth were seen,
Deliver'd from the hand of Green,
Started, in regular array,
Like train-bands on a grand field day,
Into the gums, which would have fled,
But, wondering, turn'd from white to red;
Quite alter'd was the whole machine,
And Lady ---- ---- was fifteen.
Here she made lordly temples rise

204
Before the pious Dashwood's eyes,
Temples which, built aloft in air,
May serve for show, if not for prayer;
In solemn form herself, before,
Array'd like Faith, the Bible bore.
There over Melcombe's feather'd head-Who, quite a man of gingerbread,
Savour'd in talk, in dress, and phiz,
More of another world than this,
To a dwarf Muse a giant page,
The last grave fop of the last age-In a superb and feather'd hearse,
Bescutcheon'd and betagg'd with verse,
Which, to beholders from afar,
Appear'd like a triumphal car,
She rode, in a cast rainbow clad;
There, throwing off the hallow'd plaid,
Naked, as when (in those drear cells
Where, self-bless'd, self-cursed, Madness dwells)
Pleasure, on whom, in Laughter's shape,
Frenzy had perfected a rape,
First brought her forth, before her time,
Wild witness of her shame and crime,
Driving before an idol band
Of drivelling Stuarts, hand in hand;
Some who, to curse mankind, had wore
A crown they ne'er must think of more;
Others, whose baby brows were graced
With paper crowns, and toys of paste,
She jigg'd, and, playing on the flute,
Spread raptures o'er the soul of Bute.
Big with vast hopes, some mighty plan,
Which wrought the busy soul of man
To her full bent; the Civil Law,
Fit code to keep a world in awe,
Bound o'er his brows, fair to behold,
As Jewish frontlets were of old;
The famous Charter of our land
Defaced, and mangled in his hand;
As one whom deepest thoughts employ,
But deepest thoughts of truest joy,
Serious and slow he strode, he stalk'd;
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Before him troops of heroes walk'd,
Whom best he loved, of heroes crown'd,
By Tories guarded all around;
Dull solemn pleasure in his face,
He saw the honours of his race,
He saw their lineal glories rise,
And touch'd, or seem'd to touch, the skies:
Not the most distant mark of fear,
No sign of axe or scaffold near,
Not one cursed thought to cross his will
Of such a place as Tower Hill.
Curse on this Muse, a flippant jade,
A shrew, like every other maid
Who turns the corner of nineteen,
Devour'd with peevishness and spleen;
Her tongue (for as, when bound for life,
The husband suffers for the wife,
So if in any works of rhyme
Perchance there blunders out a crime,
Poor culprit bards must always rue it,
Although 'tis plain the Muses do it)
Sooner or later cannot fail
To send me headlong to a jail.
Whate'er my theme, (our themes we choose,
In modern days, without a Muse;
Just as a father will provide
To join a bridegroom and a bride,
As if, though they must be the players,
The game was wholly his, not theirs)
Whate'er my theme, the Muse, who still
Owns no direction but her will,
Plies off, and ere I could expect,
By ways oblique and indirect,
At once quite over head and ears
In fatal politics appears.
Time was, and, if I aught discern
Of fate, that time shall soon return,
When, decent and demure at least,
As grave and dull as any priest,
I could see Vice in robes array'd,
Could see the game of Folly play'd
Successfully in Fortune's school,
206
Without exclaiming rogue or fool.
Time was, when, nothing both or proud,
I lackey'd with the fawning crowd,
Scoundrels in office, and would bow
To cyphers great in place; but now
Upright I stand, as if wise Fate,
To compliment a shatter'd state,
Had me, like Atlas, hither sent
To shoulder up the firmament,
And if I stoop'd, with general crack,
The heavens would tumble from my back.
Time was, when rank and situation
Secured the great ones of the nation
From all control; satire and law
Kept only little knaves in awe;
But now, Decorum lost, I stand
Bemused, a pencil in my hand,
And, dead to every sense of shame,
Careless of safety and of fame,
The names of scoundrels minute down,
And libel more than half the town.
How can a statesman be secure
In all his villanies, if poor
And dirty authors thus shall dare
To lay his rotten bosom bare?
Muses should pass away their time
In dressing out the poet's rhyme
With bills, and ribands, and array
Each line in harmless taste, though gay;
When the hot burning fit is on,
They should regale their restless son
With something to allay his rage,
Some cool Castalian beverage,
Or some such draught (though they, 'tis plain,
Taking the Muse's name in vain,
Know nothing of their real court,
And only fable from report)
As makes a Whitehead's Ode go down,
Or slakes the Feverette of Brown:
But who would in his senses think,
Of Muses giving gall to drink,
Or that their folly should afford
207
To raving poets gun or sword?
Poets were ne'er designed by Fate
To meddle with affairs of state,
Nor should (if we may speak our thought
Truly as men of honour ought)
Sound policy their rage admit,
To launch the thunderbolts of Wit
About those heads, which, when they're shot,
Can't tell if 'twas by Wit or not.
These things well known, what devil, in spite,
Can have seduced me thus to write
Out of that road, which must have led
To riches, without heart or head,
Into that road, which, had I more
Than ever poet had before
Of wit and virtue, in disgrace
Would keep me still, and out of place;
Which, if some judge (you'll understand
One famous, famous through the land
For making law) should stand my friend,
At last may in a pillory end;
And all this, I myself admit,
Without one cause to lead to it?
For instance, now--this book--the Ghost-Methinks I hear some critic Post
Remark most gravely--'The first word
Which we about the Ghost have heard.'
Peace, my good sir!--not quite so fast-What is the first, may be the last,
Which is a point, all must agree,
Cannot depend on you or me.
Fanny, no ghost of common mould,
Is not by forms to be controll'd;
To keep her state, and show her skill,
She never comes but when she will.
I wrote and wrote, (perhaps you doubt,
And shrewdly, what I wrote about;
Believe me, much to my disgrace,
I, too, am in the self-same case
But still I wrote, till Fanny came
Impatient, nor could any shame
On me with equal justice fall
208
If she had never come at all.
An underling, I could not stir
Without the cue thrown out by her,
Nor from the subject aid receive
Until she came and gave me leave.
So that, (ye sons of Erudition
Mark, this is but a supposition,
Nor would I to so wise a nation
Suggest it as a revelation)
If henceforth, dully turning o'er
Page after page, ye read no more
Of Fanny, who, in sea or air,
May be departed God knows where,
Rail at jilt Fortune; but agree
No censure can be laid on me;
For sure (the cause let Mansfield try)
Fanny is in the fault, not I.
But, to return--and this I hold
A secret worth its weight in gold
To those who write, as I write now,
Not to mind where they go, or how,
Through ditch, through bog, o'er hedge and stile,
Make it but worth the reader's while,
And keep a passage fair and plain
Always to bring him back again.
Through dirt, who scruples to approach,
At Pleasure's call, to take a coach?
But we should think the man a clown,
Who in the dirt should set us down.
But to return--if Wit, who ne'er
The shackles of restraint could bear,
In wayward humour should refuse
Her timely succour to the Muse,
And, to no rules and orders tied,
Roughly deny to be her guide,
She must renounce Decorum's plan,
And get back when, and how she can;
As parsons, who, without pretext,
As soon as mention'd, quit their text,
And, to promote sleep's genial power,
Grope in the dark for half an hour,
Give no more reason (for we know
209
Reason is vulgar, mean, and low)
Why they come back (should it befall
That ever they come back at all)
Into the road, to end their rout,
Than they can give why they went out.
But to return--this book--the Ghost-A mere amusement at the most;
A trifle, fit to wear away
The horrors of a rainy day;
A slight shot-silk, for summer wear,
Just as our modern statesmen are,
If rigid honesty permit
That I for once purloin the wit
Of him, who, were we all to steal,
Is much too rich the theft to feel:
Yet in this book, where Base should join
With Mirth to sugar every line;
Where it should all be mere chit-chat,
Lively, good-humour'd, and all that;
Where honest Satire, in disgrace,
Should not so much as show her face,
The shrew, o'erleaping all due bounds,
Breaks into Laughter's sacred grounds,
And, in contempt, plays o'er her tricks
In science, trade, and politics.
By why should the distemper'd scold
Attempt to blacken men enroll'd
In Power's dread book, whose mighty skill
Can twist an empire to their will;
Whose voice is fate, and on their tongue
Law, liberty, and life are hung;
Whom, on inquiry, Truth shall find
With Stuarts link'd, time out of mind,
Superior to their country's laws,
Defenders of a tyrant's cause;
Men, who the same damn'd maxims hold
Darkly, which they avow'd of old;
Who, though by different means, pursue
The end which they had first in view,
And, force found vain, now play their part
With much less honour, much more art?
Why, at the corners of the streets,
210
To every patriot drudge she meets,
Known or unknown, with furious cry
Should she wild clamours vent? or why,
The minds of groundlings to inflame,
A Dashwood, Bute, and Wyndham name?
Why, having not, to our surprise,
The fear of death before her eyes,
Bearing, and that but now and then,
No other weapon but her pen,
Should she an argument afford
For blood to men who wear a sword?
Men, who can nicely trim and pare
A point of honour to a hair-(Honour!--a word of nice import,
A pretty trinket in a court,
Which my lord, quite in rapture, feels
Dangling and rattling with his seals-Honour!--a word which all the Nine
Would be much puzzled to define-Honour!--a word which torture mocks,
And might confound a thousand Lockes-Which--for I leave to wiser heads,
Who fields of death prefer to beds
Of down, to find out, if they can,
What honour is, on their wild plan-Is not, to take it in their way,
And this we sure may dare to say
Without incurring an offence,
Courage, law, honesty, or sense):
Men, who, all spirit, life, and soul
Neat butchers of a button-hole,
Having more skill, believe it true
That they must have more courage too:
Men who, without a place or name,
Their fortunes speechless as their fame,
Would by the sword new fortunes carve,
And rather die in fight than starve
At coronations, a vast field,
Which food of every kind might yield;
Of good sound food, at once most fit
For purposes of health and wit,
Could not ambitious Satire rest,
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Content with what she might digest?
Could she not feast on things of course,
A champion, or a champion's horse?
A champion's horse--no, better say,
Though better figured on that day,
A horse, which might appear to us,
Who deal in rhyme, a Pegasus;
A rider, who, when once got on,
Might pass for a Bellerophon,
Dropt on a sudden from the skies,
To catch and fix our wondering eyes,
To witch, with wand instead of whip,
The world with noble horsemanship,
To twist and twine, both horse and man,
On such a well-concerted plan,
That, Centaur-like, when all was done,
We scarce could think they were not one?
Could she not to our itching ears
Bring the new names of new-coin'd peers,
Who walk'd, nobility forgot,
With shoulders fitter for a knot
Than robes of honour; for whose sake
Heralds in form were forced to make,
To make, because they could not find,
Great predecessors to their mind?
Could she not (though 'tis doubtful since
Whether he plumber is, or prince)
Tell of a simple knight's advance
To be a doughty peer of France?
Tell how he did a dukedom gain,
And Robinson was Aquitain?
Tell how her city chiefs, disgraced,
Were at an empty table placed,-A gross neglect, which, whilst they live,
They can't forget, and won't forgive;
A gross neglect of all those rights
Which march with city appetites,
Of all those canons, which we find
By Gluttony, time out of mind,
Established, which they ever hold
Dearer than any thing but gold?
Thanks to my stars--I now see shore--
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Of courtiers, and of courts no more-Thus stumbling on my city friends,
Blind Chance my guide, my purpose bends
In line direct, and shall pursue
The point which I had first in view,
Nor more shall with the reader sport
Till I have seen him safe in port.
Hush'd be each fear--no more I bear
Through the wide regions of the air
The reader terrified, no more
Wild ocean's horrid paths explore.
Be the plain track from henceforth mine-Cross roads to Allen I resign;
Allen, the honor of this nation;
Allen, himself a corporation;
Allen, of late notorious grown
For writings, none, or all, his own;
Allen, the first of letter'd men,
Since the good Bishop holds his pen,
And at his elbow takes his stand,
To mend his head, and guide his hand.
But hold--once more, Digression hence-Let us return to Common Sense;
The car of Phoebus I discharge,
My carriage now a Lord Mayor's barge.
Suppose we now--we may suppose
In verse, what would be sin in prose-The sky with darkness overspread,
And every star retired to bed;
The gewgaw robes of Pomp and Pride
In some dark corner thrown aside;
Great lords and ladies giving way
To what they seem to scorn by day,
The real feelings of the heart,
And Nature taking place of Art;
Desire triumphant through the night,
And Beauty panting with delight;
Chastity, woman's fairest crown,
Till the return of morn laid down.
Then to be worn again as bright
As if not sullied in the night;
Dull Ceremony, business o'er,
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Dreaming in form at Cottrell's door;
Precaution trudging all about
To see the candles safely out,
Bearing a mighty master-key,
Habited like Economy,
Stamping each lock with triple seals;
Mean Avarice creeping at her heels.
Suppose we too, like sheep in pen,
The Mayor and Court of Aldermen
Within their barge, which through the deep,
The rowers more than half asleep,
Moved slow, as overcharged with state;
Thames groan'd beneath the mighty weight,
And felt that bauble heavier far
Than a whole fleet of men of war.
Sleep o'er each well-known faithful head
With liberal hand his poppies shed;
Each head, by Dulness render'd fit
Sleep and his empire to admit.
Through the whole passage not a word,
Not one faint, weak half-sound was heard;
Sleep had prevail'd to overwhelm
The steersman nodding o'er the helm;
The rowers, without force or skill,
Left the dull barge to drive at will;
The sluggish oars suspended hung,
And even Beardmore held his tongue.
Commerce, regardful of a freight
On which depended half her state,
Stepp'd to the helm; with ready hand
She safely clear'd that bank of sand,
Where, stranded, our west-country fleet
Delay and danger often meet,
Till Neptune, anxious for the trade,
Comes in full tides, and brings them aid.
Next (for the Muses can survey
Objects by night as well as day;
Nothing prevents their taking aim,
Darkness and light to them the same)
They pass'd that building which of old
Queen-mothers was design'd to hold;
At present a mere lodging-pen,
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A palace turn'd into a den;
To barracks turn'd, and soldiers tread
Where dowagers have laid their head.
Why should we mention Surrey Street,
Where every week grave judges meet
All fitted out with hum and ha,
In proper form to drawl out law,
To see all causes duly tried
'Twixt knaves who drive, and fools who ride?
Why at the Temple should we stay?
What of the Temple dare we say?
A dangerous ground we tread on there,
And words perhaps may actions bear;
Where, as the brethren of the seas
For fares, the lawyers ply for fees.
What of that Bridge, most wisely made
To serve the purposes of trade,
In the great mart of all this nation,
By stopping up the navigation,
And to that sand bank adding weight,
Which is already much too great?
What of that Bridge, which, void of sense
But well supplied with impudence,
Englishmen, knowing not the Guild,
Thought they might have a claim to build,
Till Paterson, as white as milk,
As smooth as oil, as soft as silk,
In solemn manner had decreed
That on the other side the Tweed
Art, born and bred, and fully grown,
Was with one Mylne, a man unknown,
But grace, preferment, and renown
Deserving, just arrived in town:
One Mylne, an artist perfect quite
Both in his own and country's right,
As fit to make a bridge as he,
With glorious Patavinity,
To build inscriptions worthy found
To lie for ever under ground.
Much more worth observation too,
Was this a season to pursue
The theme, our Muse might tell in rhyme:
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The will she hath, but not the time;
For, swift as shaft from Indian bow,
(And when a goddess comes, we know,
Surpassing Nature acts prevail.
And boats want neither oar nor sail)
The vessel pass'd, and reach'd the shore
So quick, that Thought was scarce before.
Suppose we now our City court
Safely delivered at the port.
And, of their state regardless quite,
Landed, like smuggled goods, by night,
The solemn magistrate laid down,
The dignity of robe and gown,
With every other ensign gone,
Suppose the woollen nightcap on;
The flesh-brush used, with decent state,
To make the spirits circulate,
(A form which, to the senses true,
The lickerish chaplain uses too,
Though, something to improve the plan,
He takes the maid instead of man)
Swathed, and with flannel cover'd o'er,
To show the vigour of threescore,
The vigour of threescore and ten,
Above the proof of younger men,
Suppose, the mighty Dulman led
Betwixt two slaves, and put to bed;
Suppose, the moment he lies down,
No miracle in this great town,
The drone as fast asleep as he
Must in the course of nature be,
Who, truth for our foundation take,
When up, is never half awake.
There let him sleep, whilst we survey
The preparations for the day;
That day on which was to be shown
Court pride by City pride outdone.
The jealous mother sends away,
As only fit for childish play,
That daughter who, to gall her pride,
Shoots up too forward by her side.
The wretch, of God and man accursed,
216
Of all Hell's instruments the worst,
Draws forth his pawns, and for the day
Struts in some spendthrift's vain array;
Around his awkward doxy shine
The treasures of Golconda's mine;
Each neighbour, with a jealous glare,
Beholds her folly publish'd there.
Garments well saved, (an anecdote
Which we can prove, or would not quote)
Garments well saved, which first were made
When tailors, to promote their trade,
Against the Picts in arms arose,
And drove them out, or made them clothes;
Garments immortal, without end,
Like names and titles, which descend
Successively from sire to son;
Garments, unless some work is done
Of note, not suffer'd to appear
'Bove once at most in every year,
Were now, in solemn form, laid bare,
To take the benefit of air,
And, ere they came to be employ'd
On this solemnity, to void
That scent which Russia's leather gave,
From vile and impious moth to save.
Each head was busy, and each heart
In preparation bore a part;
Running together all about
The servants put each other out,
Till the grave master had decreed,
The more haste ever the worse speed.
Miss, with her little eyes half-closed,
Over a smuggled toilette dosed;
The waiting-maid, whom story notes
A very Scrub in petticoats,
Hired for one work, but doing all,
In slumbers lean'd against the wall.
Milliners, summon'd from afar,
Arrived in shoals at Temple Bar,
Strictly commanded to import
Cart loads of foppery from Court;
With labour'd visible design,
217
Art strove to be superbly fine;
Nature, more pleasing, though more wild,
Taught otherwise her darling child,
And cried, with spirited disdain,
Be Hunter elegant and plain!
Lo! from the chambers of the East,
A welcome prelude to the feast,
In saffron-colour'd robe array'd,
High in a car, by Vulcan made,
Who work'd for Jove himself, each steed,
High-mettled, of celestial breed,
Pawing and pacing all the way,
Aurora brought the wish'd-for day,
And held her empire, till out-run
By that brave jolly groom, the Sun.
The trumpet--hark! it speaks--it swells
The loud full harmony; it tells
The time at hand when Dulman, led
By Form, his citizens must head,
And march those troops, which at his call
Were now assembled, to Guildhall,
On matters of importance great,
To court and city, church and state.
From end to end the sound makes way,
All hear the signal and obey;
But Dulman, who, his charge forgot,
By Morpheus fetter'd, heard it not;
Nor could, so sound he slept and fast,
Hear any trumpet, but the last.
Crape, ever true and trusty known,
Stole from the maid's bed to his own,
Then in the spirituals of pride,
Planted himself at Dulman's side.
Thrice did the ever-faithful slave,
With voice which might have reach'd the grave,
And broke Death's adamantine chain,
On Dulman call, but call'd in vain.
Thrice with an arm, which might have made
The Theban boxer curse his trade,
The drone he shook, who rear'd the head,
And thrice fell backward on his bed.
What could be done? Where force hath fail'd,
218
Policy often hath prevail'd;
And what--an inference most plain-Had been, Crape thought might be again.
Under his pillow (still in mind
The proverb kept, 'fast bind, fast find')
Each blessed night the keys were laid,
Which Crape to draw away assay'd.
What not the power of voice or arm
Could do, this did, and broke the charm;
Quick started he with stupid stare,
For all his little soul was there.
Behold him, taken up, rubb'd down,
In elbow-chair, and morning-gown;
Behold him, in his latter bloom,
Stripp'd, wash'd, and sprinkled with perfume;
Behold him bending with the weight
Of robes, and trumpery of state;
Behold him (for the maxim's true,
Whate'er we by another do,
We do ourselves; and chaplain paid,
Like slaves in every other trade,
Had mutter'd over God knows what,
Something which he by heart had got)
Having, as usual, said his prayers,
Go titter, totter to the stairs:
Behold him for descent prepare,
With one foot trembling in the air;
He starts, he pauses on the brink,
And, hard to credit, seems to think;
Through his whole train (the chaplain gave
The proper cue to every slave)
At once, as with infection caught,
Each started, paused, and aim'd at thought;
He turns, and they turn; big with care,
He waddles to his elbow-chair,
Squats down, and, silent for a season,
At last with Crape begins to reason:
But first of all he made a sign,
That every soul, but the divine,
Should quit the room; in him, he knows,
He may all confidence repose.
'Crape--though I'm yet not quite awake--
219
Before this awful step I take,
On which my future all depends,
I ought to know my foes and friends.
My foes and friends--observe me still-I mean not those who well or ill
Perhaps may wish me, but those who
Have't in their power to do it too.
Now if, attentive to the state,
In too much hurry to be great,
Or through much zeal,--a motive, Crape,
Deserving praise,--into a scrape
I, like a fool, am got, no doubt
I, like a wise man, should get out:
Note that remark without replies;
I say that to get out is wise,
Or, by the very self-same rule,
That to get in was like a fool.
The marrow of this argument
Must wholly rest on the event,
And therefore, which is really hard,
Against events too I must guard.
Should things continue as they stand,
And Bute prevail through all the land
Without a rival, by his aid
My fortunes in a trice are made;
Nay, honours on my zeal may smile,
And stamp me Earl of some great Isle:
But if, a matter of much doubt,
The present minister goes out,
Fain would I know on what pretext
I can stand fairly with the next?
For as my aim, at every hour,
Is to be well with those in power,
And my material point of view,
Whoever's in, to be in too,
I should not, like a blockhead, choose
To gain these, so as those to lose:
'Tis good in every case, you know,
To have two strings unto our bow.'
As one in wonder lost, Crape view'd
His lord, who thus his speech pursued:
'This, my good Crape, is my grand point;
220
And as the times are out of joint,
The greater caution is required
To bring about the point desired.
What I would wish to bring about
Cannot admit a moment's doubt;
The matter in dispute, you know,
Is what we call the _Quomodo_.
That be thy task.'--The reverend slave,
Becoming in a moment grave,
Fix'd to the ground and rooted stood,
Just like a man cut out out of wood,
Such as we see (without the least
Reflection glancing on the priest)
One or more, planted up and down,
Almost in every church in town;
He stood some minutes, then, like one
Who wish'd the matter might be done,
But could not do it, shook his head,
And thus the man of sorrow said:
'Hard is this task, too hard I swear,
By much too hard for me to bear;
Beyond expression hard my part,
Could mighty Dulman see my heart,
When he, alas! makes known a will
Which Crape's not able to fulfil.
Was ever my obedience barr'd
By any trifling nice regard
To sense and honour? Could I reach
Thy meaning without help of speech,
At the first motion of thy eye
Did not thy faithful creature fly?
Have I not said, not what I ought,
But what my earthly master taught?
Did I e'er weigh, through duty strong,
In thy great biddings, right and wrong?
Did ever Interest, to whom thou
Canst not with more devotion bow,
Warp my sound faith, or will of mine
In contradiction run to thine?
Have I not, at thy table placed,
When business call'd aloud for haste,
Torn myself thence, yet never heard
221
To utter one complaining word,
And had, till thy great work was done,
All appetites, as having none?
Hard is it, this great plan pursued
Of voluntary servitude;
Pursued without or shame, or fear,
Through the great circle of the year,
Now to receive, in this grand hour,
Commands which lie beyond my power,
Commands which baffle all my skill,
And leave me nothing but my will:
Be that accepted; let my lord
Indulgence to his slave afford:
This task, for my poor strength unfit,
Will yield to none but Dulman's wit.'
With such gross incense gratified,
And turning up the lip of pride,
'Poor Crape'--and shook his empty head-'Poor puzzled Crape!' wise Dulman said,
'Of judgment weak, of sense confined,
For things of lower note design'd;
For things within the vulgar reach,
To run of errands, and to preach;
Well hast thou judged, that heads like mine
Cannot want help from heads like thine;
Well hast thou judged thyself unmeet
Of such high argument to treat;
Twas but to try thee that I spoke,
And all I said was but a joke.
Nor think a joke, Crape, a disgrace,
Or to my person, or my place;
The wisest of the sons of men
Have deign'd to use them now and then.
The only caution, do you see,
Demanded by our dignity,
From common use and men exempt,
Is that they may not breed contempt.
Great use they have, when in the hands
Of one like me, who understands,
Who understands the time and place,
The person, manner, and the grace,
Which fools neglect; so that we find,
222
If all the requisites are join'd,
From whence a perfect joke must spring,
A joke's a very serious thing.
But to our business--my design,
Which gave so rough a shock to thine,
To my capacity is made
As ready as a fraud in trade;
Which, like broad-cloth, I can, with ease,
Cut out in any shape I please.
Some, in my circumstance, some few,
Aye, and those men of genius too,
Good men, who, without love or hate,
Whether they early rise or late,
With names uncrack'd, and credit sound,
Rise worth a hundred thousand pound,
By threadbare ways and means would try
To bear their point--so will not I.
New methods shall my wisdom find
To suit these matters to my mind;
So that the infidels at court,
Who make our city wits their sport,
Shall hail the honours of my reign,
And own that Dulman bears a brain.
Some, in my place, to gain their ends,
Would give relations up, and friends;
Would lend a wife, who, they might swear
Safely, was none the worse for wear;
Would see a daughter, yet a maid,
Into a statesman's arms betray'd;
Nay, should the girl prove coy, nor know
What daughters to a father owe,
Sooner than schemes so nobly plann'd
Should fail, themselves would lend a hand;
Would vote on one side, whilst a brother,
Properly taught, would vote on t'other;
Would every petty band forget;
To public eye be with one set,
In private with a second herd,
And be by proxy with a third;
Would, (like a queen, of whom I read,
The other day--her name is fled-In a book,--where, together bound,
223
'Whittington and his Cat' I found-A tale most true, and free from art,
Which all Lord Mayors should have by heart;
A queen oh!--might those days begin
Afresh, when queens would learn to spin-Who wrought, and wrought, but for some plot,
The cause of which I've now forgot,
During the absence of the sun
Undid what she by day had done)
Whilst they a double visage wear,
What's sworn by day, by night unswear.
Such be their arts, and such, perchance,
May happily their ends advance;
Prom a new system mine shall spring,
A _locum tenens_ is the thing.
That's your true plan. To obligate
The present ministers of state,
My shadow shall our court approach,
And bear my power, and have my coach;
My fine state-coach, superb to view,
A fine state-coach, and paid for too.
To curry favour, and the grace
Obtain of those who're out of place;
In the mean time I--that's to say,
I proper, I myself--here stay.
But hold--perhaps unto the nation,
Who hate the Scot's administration,
To lend my coach may seem to be
Declaring for the ministry,
For where the city-coach is, there
Is the true essence of the Mayor:
Therefore (for wise men are intent
Evils at distance to prevent,
Whilst fools the evils first endure,
And then are plagued to seek a cure)
No coach--a horse--and free from fear,
To make our Deputy appear,
Fast on his back shall he be tied,
With two grooms marching by his side;
Then for a horse--through all the land,
To head our solemn city-band,
Can any one so fit be found
224
As he who in Artillery-ground,
Without a rider, (noble sight!)
Led on our bravest troops to fight?
But first, Crape, for my honour's sake-A tender point--inquiry make
About that horse, if the dispute
Is ended, or is still in suit:
For whilst a cause, (observe this plan
Of justice) whether horse or man
The parties be, remains in doubt,
Till 'tis determined out and out,
That power must tyranny appear
Which should, prejudging, interfere,
And weak, faint judges overawe,
To bias the free course of law.
You have my will--now quickly run,
And take care that my will be done.
In public, Crape, you must appear,
Whilst I in privacy sit here;
Here shall great Dulman sit alone,
Making this elbow-chair my throne,
And you, performing what I bid,
Do all, as if I nothing did.'
Crape heard, and speeded on his way;
With him to hear was to obey;
Not without trouble, be assured,
A proper proxy was procured
To serve such infamous intent,
And such a lord to represent;
Nor could one have been found at all
On t'other side of London Wall.
The trumpet sounds--solemn and slow
Behold the grand procession go,
All moving on, cat after kind,
As if for motion ne'er design'd.
Constables, whom the laws admit
To keep the peace by breaking it;
Beadles, who hold the second place
By virtue of a silver mace,
Which every Saturday is drawn,
For use of Sunday, out of pawn;
Treasurers, who with empty key
225
Secure an empty treasury;
Churchwardens, who their course pursue
In the same state, as to their pew
Churchwardens of St Margaret's go,
Since Peirson taught them pride and show,
Who in short transient pomp appear,
Like almanacs changed every year;
Behind whom, with unbroken locks,
Charity carries the poor's box,
Not knowing that with private keys
They ope and shut it when they please:
Overseers, who by frauds ensure
The heavy curses of the poor;
Unclean came flocking, bulls and bears,
Like beasts into the ark, by pairs.
Portentous, flaming in the van,
Stalk'd the professor, Sheridan,
A man of wire, a mere pantine,
A downright animal machine;
He knows alone, in proper mode,
How to take vengeance on an ode,
And how to butcher Ammon's son
And poor Jack Dryden both in one:
On all occasions next the chair
He stands, for service of the Mayor,
And to instruct him how to use
His A's and B's, and P's and Q's:
O'er letters, into tatters worn,
O'er syllables, defaced and torn,
O'er words disjointed, and o'er sense,
Left destitute of all defence,
He strides, and all the way he goes
Wades, deep in blood, o'er Criss-cross-rows:
Before him every consonant
In agonies is seen to pant;
Behind, in forms not to be known,
The ghosts of tortured vowels groan.
Next Hart and Duke, well worthy grace
And city favour, came in place;
No children can their toils engage,
Their toils are turn'd to reverend age;
When a court dame, to grace his brows
226
Resolved, is wed to city-spouse,
Their aid with madam's aid must join,
The awkward dotard to refine,
And teach, whence truest glory flows,
Grave sixty to turn out his toes.
Each bore in hand a kit; and each
To show how fit he was to teach
A cit, an alderman, a mayor,
Led in a string a dancing bear.
Since the revival of Fingal,
Custom, and custom's all in all,
Commands that we should have regard,
On all high seasons, to the bard.
Great acts like these, by vulgar tongue
Profaned, should not be said, but sung.
This place to fill, renown'd in fame,
The high and mighty Lockman came,
And, ne'er forgot in Dulman's reign,
With proper order to maintain
The uniformity of pride,
Brought Brother Whitehead by his side.
On horse, who proudly paw'd the ground,
And cast his fiery eyeballs round,
Snorting, and champing the rude bit,
As if, for warlike purpose fit,
His high and generous blood disdain'd,
To be for sports and pastimes rein'd,
Great Dymock, in his glorious station,
Paraded at the coronation.
Not so our city Dymock came,
Heavy, dispirited, and tame;
No mark of sense, his eyes half-closed,
He on a mighty dray-horse dozed:
Fate never could a horse provide
So fit for such a man to ride,
Nor find a man with strictest care,
So fit for such a horse to bear.
Hung round with instruments of death,
The sight of him would stop the breath
Of braggart Cowardice, and make
The very court Drawcansir quake;
With dirks, which, in the hands of Spite,
227
Do their damn'd business in the night,
From Scotland sent, but here display'd
Only to fill up the parade;
With swords, unflesh'd, of maiden hue,
Which rage or valour never drew;
With blunderbusses, taught to ride
Like pocket-pistols, by his side,
In girdle stuck, he seem'd to be
A little moving armoury.
One thing much wanting to complete
The sight, and make a perfect treat,
Was, that the horse, (a courtesy
In horses found of high degree)
Instead of going forward on,
All the way backward should have gone.
Horses, unless they breeding lack,
Some scruple make to turn their back,
Though riders, which plain truth declares,
No scruple make of turning theirs.
Far, far apart from all the rest,
Fit only for a standing jest,
The independent, (can you get
A better suited epithet?)
The independent Amyand came,
All burning with the sacred flame
Of Liberty, which well he knows
On the great stock of Slavery grows;
Like sparrow, who, deprived of mate,
Snatch'd by the cruel hand of Fate,
From spray to spray no more will hop,
But sits alone on the house-top;
Or like himself, when all alone
At Croydon he was heard to groan,
Lifting both hands in the defence
Of interest, and common sense;
Both hands, for as no other man
Adopted and pursued his plan,
The left hand had been lonesome quite,
If he had not held up the right;
Apart he came, and fix'd his eyes
With rapture on a distant prize,
On which, in letters worthy note,
228
There 'twenty thousand pounds' was wrote.
False trap, for credit sapp'd is found
By getting twenty thousand pound:
Nay, look not thus on me, and stare,
Doubting the certainty--to swear
In such a case I should be loth-But Perry Cust may take his oath.
In plain and decent garb array'd,
With the prim Quaker, Fraud, came Trade;
Connivance, to improve the plan,
Habited like a juryman,
Judging as interest prevails,
Came next, with measures, weights, and scales;
Extortion next, of hellish race
A cub most damn'd, to show his face
Forbid by fear, but not by shame,
Turn'd to a Jew, like Gideon came;
Corruption, Midas-like, behold
Turning whate'er she touch'd to gold;
Impotence, led by Lust, and Pride,
Strutting with Ponton by her side;
Hypocrisy, demure and sad,
In garments of the priesthood clad,
So well disguised, that you might swear,
Deceived, a very priest was there;
Bankruptcy, full of ease and health,
And wallowing in well-saved wealth,
Came sneering through a ruin'd band,
And bringing B---- in her hand;
Victory, hanging down her head,
Was by a Highland stallion led;
Peace, clothed in sables, with a face
Which witness'd sense of huge disgrace,
Which spake a deep and rooted shame
Both of herself and of her name,
Mourning creeps on, and, blushing, feels
War, grim War, treading on her heels;
Pale Credit, shaken by the arts
Of men with bad heads and worse hearts,
Taking no notice of a band
Which near her were ordain'd to stand,
Well-nigh destroyed by sickly fit,
229
Look'd wistful all around for Pitt;
Freedom--at that most hallow'd name
My spirits mount into a flame,
Each pulse beats high, and each nerve strains,
Even to the cracking; through my veins
The tides of life more rapid run,
And tell me I am Freedom's son-Freedom came next, but scarce was seen,
When the sky, which appear'd serene
And gay before, was overcast;
Horror bestrode a foreign blast,
And from the prison of the North,
To Freedom deadly, storms burst forth.
A car like those, in which, we're told,
Our wild forefathers warr'd of old,
Loaded with death, six horses bear
Through the blank region of the air.
Too fierce for time or art to tame,
They pour'd forth mingled smoke and flame
From their wide nostrils; every steed
Was of that ancient savage breed
Which fell Geryon nursed; their food
The flesh of man, their drink his blood.
On the first horses, ill-match'd pair,
This fat and sleek, that lean and bare,
Came ill-match'd riders side by side,
And Poverty was yoked with Pride;
Union most strange it must appear,
Till other unions make it clear.
Next, in the gall of bitterness,
With rage which words can ill express,
With unforgiving rage, which springs
From a false zeal for holy things,
Wearing such robes as prophets wear,
False prophets placed in Peter's chair,
On which, in characters of fire,
Shapes antic, horrible, and dire
Inwoven flamed, where, to the view,
In groups appear'd a rabble crew
Of sainted devils; where, all round,
Vile relics of vile men were found,
Who, worse than devils, from the birth
230
Perform'd the work of hell on earth,
Jugglers, Inquisitors, and Popes,
Pointing at axes, wheels, and ropes,
And engines, framed on horrid plan,
Which none but the destroyer, Man,
Could, to promote his selfish views,
Have head to make or heart to use,
Bearing, to consecrate her tricks,
In her left hand a crucifix,
'Remembrance of our dying Lord,'
And in her right a two-edged sword,
Having her brows, in impious sport,
Adorn'd with words of high import,
'On earth peace, amongst men good will,
Love bearing and forbearing still,'
All wrote in the hearts' blood of those
Who rather death than falsehood chose:
On her breast, (where, in days of yore,
When God loved Jews, the High Priest wore
Those oracles which were decreed
To instruct and guide the chosen seed)
Having with glory clad and strength,
The Virgin pictured at full length,
Whilst at her feet, in small pourtray'd,
As scarce worth notice, Christ was laid,-Came Superstition, fierce and fell,
An imp detested, e'en in hell;
Her eye inflamed, her face all o'er
Foully besmear'd with human gore,
O'er heaps of mangled saints she rode;
Fast at her heels Death proudly strode,
And grimly smiled, well pleased to see
Such havoc of mortality;
Close by her side, on mischief bent,
And urging on each bad intent
To its full bearing, savage, wild,
The mother fit of such a child,
Striving the empire to advance
Of Sin and Death, came Ignorance.
With looks, where dread command was placed,
And sovereign power by pride disgraced,
Where, loudly witnessing a mind
231
Of savage, more than human kind,
Not choosing to be loved, but fear'd,
Mocking at right, Misrule appear'd.
With eyeballs glaring fiery red,
Enough to strike beholders dead,
Gnashing his teeth, and in a flood
Pouring corruption forth and blood
From his chafed jaws; without remorse
Whipping and spurring on his horse,
Whose sides, in their own blood embay'd,
E'en to the bone were open laid,
Came Tyranny, disdaining awe,
And trampling over Sense and Law;
One thing, and only one, he knew,
One object only would pursue;
Though less (so low doth passion bring)
Than man, he would be more than king.
With every argument and art
Which might corrupt the head and heart,
Soothing the frenzy of his mind,
Companion meet, was Flattery join'd;
Winning his carriage, every look
Employed, whilst it conceal'd a hook;
When simple most, most to be fear'd;
Most crafty, when no craft appear'd;
His tales, no man like him could tell;
His words, which melted as they fell,
Might even a hypocrite deceive,
And make an infidel believe,
Wantonly cheating o'er and o'er
Those who had cheated been before:-Such Flattery came, in evil hour,
Poisoning the royal ear of Power,
And, grown by prostitution great,
Would be first minister of state.
Within the chariot, all alone,
High seated on a kind of throne,
With pebbles graced, a figure came,
Whom Justice would, but dare not name.
Hard times when Justice, without fear,
Dare not bring forth to public ear
The names of those who dare offend
232
'Gainst Justice, and pervert her end!
But, if the Muse afford me grace,
Description shall supply the place.
In foreign garments he was clad;
Sage ermine o'er the glossy plaid
Cast reverend honour; on his heart,
Wrought by the curious hand of Art,
In silver wrought, and brighter far
Than heavenly or than earthly star,
Shone a White Rose, the emblem dear
Of him he ever must revere;
Of that dread lord, who, with his host
Of faithful native rebels lost,
Like those black spirits doom'd to hell,
At once from power and virtue fell:
Around his clouded brows was placed
A bonnet, most superbly graced
With mighty thistles, nor forgot
The sacred motto--'Touch me not.'
In the right hand a sword he bore
Harder than adamant, and more
Fatal than winds, which from the mouth
Of the rough North invade the South;
The reeking blade to view presents
The blood of helpless innocents,
And on the hilt, as meek become
As lamb before the shearers dumb,
With downcast eye, and solemn show
Of deep, unutterable woe,
Mourning the time when Freedom reign'd,
Fast to a rock was Justice chain'd.
In his left hand, in wax impress'd,
With bells and gewgaws idly dress'd,
An image, cast in baby mould,
He held, and seem'd o'erjoy'd to hold
On this he fix'd his eyes; to this,
Bowing, he gave the loyal kiss,
And, for rebellion fully ripe,
Seem'd to desire the antitype.
What if to that Pretender's foes
His greatness, nay, his life, he owes;
Shall common obligations bind,
233
And shake his constancy of mind?
Scorning such weak and petty chains,
Faithful to James he still remains,
Though he the friend of George appear:
Dissimulation's virtue here.
Jealous and mean, he with a frown
Would awe, and keep all merit down,
Nor would to Truth and Justice bend,
Unless out-bullied by his friend:
Brave with the coward, with the brave
He is himself a coward slave:
Awed by his fears, he has no heart
To take a great and open part:
Mines in a subtle train he springs,
And, secret, saps the ears of kings;
But not e'en there continues firm
'Gainst the resistance of a worm:
Born in a country, where the will
Of one is law to all, he still
Retain'd the infection, with full aim
To spread it wheresoe'er he came;
Freedom he hated, Law defied,
The prostitute of Power and Pride;
Law he with ease explains away,
And leads bewilder'd Sense astray;
Much to the credit of his brain,
Puzzles the cause he can't maintain;
Proceeds on most familiar grounds,
And where he can't convince, confounds;
Talents of rarest stamp and size,
To Nature false, he misapplies,
And turns to poison what was sent
For purposes of nourishment.
Paleness, not such as on his wings
The messenger of Sickness brings,
But such as takes its coward rise
From conscious baseness, conscious vice,
O'erspread his cheeks; Disdain and Pride,
To upstart fortunes ever tied,
Scowl'd on his brow; within his eye,
Insidious, lurking like a spy,
To Caution principled by Fear,
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Not daring open to appear,
Lodged covert Mischief; Passion hung
On his lip quivering; on his tongue
Fraud dwelt at large; within his breast
All that makes villain found a nest;
All that, on Hell's completest plan,
E'er join'd to damn the heart of man.
Soon as the car reach'd land, he rose,
And, with a look which might have froze
The heart's best blood, which was enough
Had hearts been made of sterner stuff
In cities than elsewhere, to make
The very stoutest quail and quake,
He cast his baleful eyes around:
Fix'd without motion to the ground,
Fear waiting on Surprise, all stood,
And horror chill'd their curdled blood;
No more they thought of pomp, no more
(For they had seen his face before)
Of law they thought; the cause forgot,
Whether it was or ghost, or plot,
Which drew them there: they all stood more
Like statues than they were before.
What could be done? Could Art, could Force.
Or both, direct a proper course
To make this savage monster tame,
Or send him back the way he came?
What neither art, nor force, nor both,
Could do, a Lord of foreign growth,
A Lord to that base wretch allied
In country, not in vice and pride,
Effected; from the self-same land,
(Bad news for our blaspheming band
Of scribblers, but deserving note)
The poison came and antidote.
Abash'd, the monster hung his head,
And like an empty vision fled;
His train, like virgin snows, which run,
Kiss'd by the burning bawdy sun,
To love-sick streams, dissolved in air;
Joy, who from absence seem'd more fair,
Came smiling, freed from slavish Awe;
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Loyalty, Liberty, and Law,
Impatient of the galling chain,
And yoke of Power, resumed their reign;
And, burning with the glorious flame
Of public virtue, Mansfield came.
~ Charles Churchill,
1208:The Victories Of Love. Book Ii
From Jane To Her Mother
Thank Heaven, the burthens on the heart
Are not half known till they depart!
Although I long'd, for many a year,
To love with love that casts out fear,
My Frederick's kindness frighten'd me,
And heaven seem'd less far off than he;
And in my fancy I would trace
A lady with an angel's face,
That made devotion simply debt,
Till sick with envy and regret,
And wicked grief that God should e'er
Make women, and not make them fair.
That he might love me more because
Another in his memory was,
And that my indigence might be
To him what Baby's was to me,
The chief of charms, who could have thought?
But God's wise way is to give nought
Till we with asking it are tired;
And when, indeed, the change desired
Comes, lest we give ourselves the praise,
It comes by Providence, not Grace;
And mostly our thanks for granted pray'rs
Are groans at unexpected cares.
First Baby went to heaven, you know,
And, five weeks after, Grace went, too.
Then he became more talkative,
And, stooping to my heart, would give
Signs of his love, which pleased me more
Than all the proofs he gave before;
And, in that time of our great grief,
We talk'd religion for relief;
For, though we very seldom name
Religion, we now think the same!
Oh, what a bar is thus removed
To loving and to being loved!
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For no agreement really is
In anything when none's in this.
Why, Mother, once, if Frederick press'd
His wife against his hearty breast,
The interior difference seem'd to tear
My own, until I could not bear
The trouble. 'Twas a dreadful strife,
And show'd, indeed, that faith is life.
He never felt this. If he did,
I'm sure it could not have been hid;
For wives, I need not say to you,
Can feel just what their husbands do,
Without a word or look; but then
It is not so, you know, with men.
From that time many a Scripture text
Help'd me, which had, before, perplex'd.
Oh, what a wond'rous word seem'd this:
He is my head, as Christ is his!
None ever could have dared to see
In marriage such a dignity
For man, and for his wife, still less,
Such happy, happy lowliness,
Had God Himself not made it plain!
This revelation lays the rein—
If I may speak so—on the neck
Of a wife's love, takes thence the check
Of conscience, and forbids to doubt
Its measure is to be without
All measure, and a fond excess
Is here her rule of godliness.
I took him not for love but fright;
He did but ask a dreadful right.
In this was love, that he loved me
The first, who was mere poverty.
All that I know of love he taught;
And love is all I know of aught.
My merit is so small by his,
That my demerit is my bliss.
My life is hid with him in Christ,
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Never thencefrom to be enticed;
And in his strength have I such rest
As when the baby on my breast
Finds what it knows not how to seek,
And, very happy, very weak,
Lies, only knowing all is well,
Pillow'd on kindness palpable.
II
From Lady Clitheroe To Mary Churchill
Dear Saint, I'm still at High-Hurst Park.
The house is fill'd with folks of mark.
Honoria suits a good estate
Much better than I hoped. How fate
Loads her with happiness and pride!
And such a loving lord, beside!
But between us, Sweet, everything
Has limits, and to build a wing
To this old house, when Courtholm stands
Empty upon his Berkshire lands,
And all that Honor might be near
Papa, was buying love too dear.
With twenty others, there are two
Guests here, whose names will startle you:
Mr. and Mrs. Frederick Graham!
I thought he stay'd away for shame.
He and his wife were ask'd, you know,
And would not come, four years ago.
You recollect Miss Smythe found out
Who she had been, and all about
Her people at the Powder-mill;
And how the fine Aunt tried to instil
Haut ton, and how, at last poor Jane
Had got so shy and gauche that, when
The Dockyard gentry came to sup,
She always had to be lock'd up;
And some one wrote to us and said
Her mother was a kitchen-maid.
Dear Mary, you'll be charm'd to know
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It must be all a fib. But, oh,
She is the oddest little Pet
On which my eyes were ever set!
She's so outrée and natural
That, when she first arrived, we all
Wonder'd, as when a robin comes
In through the window to eat crumbs
At breakfast with us. She has sense,
Humility, and confidence;
And, save in dressing just a thought
Gayer in colours than she ought,
(To-day she looks a cross between
Gipsy and Fairy, red and green,)
She always happens to do well.
And yet one never quite can tell
What she might do or utter next.
Lord Clitheroe is much perplex'd.
Her husband, every now and then,
Looks nervous; all the other men
Are charm'd. Yet she has neither grace,
Nor one good feature in her face.
Her eyes, indeed, flame in her head,
Like very altar-fires to Fred,
Whose steps she follows everywhere
Like a tame duck, to the despair
Of Colonel Holmes, who does his part
To break her funny little heart.
Honor's enchanted. 'Tis her view
That people, if they're good and true,
And treated well, and let alone,
Will kindly take to what's their own,
And always be original,
Like children. Honor's just like all
The rest of us! But, thinking so,
'Tis well she miss'd Lord Clitheroe,
Who hates originality,
Though he puts up with it in me.
Poor Mrs. Graham has never been
To the Opera! You should have seen
The innocent way she told the Earl
She thought Plays sinful when a girl,
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And now she never had a chance!
Frederick's complacent smile and glance
Towards her, show'd me, past a doubt,
Honoria had been quite cut out.
'Tis very strange; for Mrs. Graham,
Though Frederick's fancy none can blame,
Seems the last woman you'd have thought
Her lover would have ever sought.
She never reads, I find, nor goes
Anywhere; so that I suppose
She got at all she ever knew
By growing up, as kittens do.
Talking of kittens, by-the-bye,
You have more influence than I
With dear Honoria. Get her, Dear,
To be a little more severe
With those sweet Children. They've the run
Of all the place. When school was done,
Maud burst in, while the Earl was there,
With ‘Oh, Mama, do be a bear!’
Do you know, Dear, this odd wife of Fred
Adores his old Love in his stead!
She is so nice, yet, I should say,
Not quite the thing for every day.
Wonders are wearying! Felix goes
Next Sunday with her to the Close,
And you will judge.
Honoria asks
All Wiltshire Belles here; Felix basks
Like Puss in fire-shine, when the room
Is thus aflame with female bloom.
But then she smiles when most would pout;
And so his lawless loves go out
With the last brocade. 'Tis not the same,
I fear, with Mrs. Frederick Graham.
Honoria should not have her here,—
And this you might just hint, my Dear,—
For Felix says he never saw
Such proof of what he holds for law,
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That ‘beauty is love which can be seen.’
Whatever he by this may mean,
Were it not dreadful if he fell
In love with her on principle!
III
From Jane To Mrs. Graham
Mother, I told you how, at first,
I fear'd this visit to the Hurst.
Fred must, I felt, be so distress'd
By aught in me unlike the rest
Who come here. But I find the place
Delightful; there's such ease, and grace,
And kindness, and all seem to be
On such a high equality.
They have not got to think, you know,
How far to make the money go.
But Frederick says it's less the expense
Of money, than of sound good-sense,
Quickness to care what others feel,
And thoughts with nothing to conceal;
Which I'll teach Johnny. Mrs. Vaughan
Was waiting for us on the Lawn,
And kiss'd and call'd me ‘Cousin.’ Fred
Neglected his old friends, she said.
He laugh'd, and colour'd up at this.
She was, you know, a flame of his;
But I'm not jealous! Luncheon done,
I left him, who had just begun
To talk about the Russian War
With an old Lady, Lady Carr,—
A Countess, but I'm more afraid,
A great deal, of the Lady's Maid,—
And went with Mrs. Vaughan to see
The pictures, which appear'd to be
Of sorts of horses, clowns, and cows
Call'd Wouvermans and Cuyps and Dows.
And then she took me up, to show
Her bedroom, where, long years ago,
A Queen slept. 'Tis all tapestries
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Of Cupids, Gods, and Goddesses,
And black, carved oak. A curtain'd door
Leads thence into her soft Boudoir,
Where even her husband may but come
By favour. He, too, has his room,
Kept sacred to his solitude.
Did I not think the plan was good?
She ask'd me; but I said how small
Our house was, and that, after all,
Though Frederick would not say his prayers
At night till I was safe upstairs,
I thought it wrong to be so shy
Of being good when I was by.
‘Oh, you should humour him!’ she said,
With her sweet voice and smile; and led
The way to where the children ate
Their dinner, and Miss Williams sate.
She's only Nursery-Governess,
Yet they consider her no less
Than Lord or Lady Carr, or me.
Just think how happy she must be!
The Ball-Room, with its painted sky
Where heavy angels seem to fly,
Is a dull place; its size and gloom
Make them prefer, for drawing-room,
The Library, all done up new
And comfortable, with a view
Of Salisbury Spire between the boughs.
When she had shown me through the house,
(I wish I could have let her know
That she herself was half the show;
She is so handsome, and so kind!)
She fetch'd the children, who had dined;
And, taking one in either hand,
Show'd me how all the grounds were plann'd.
The lovely garden gently slopes
To where a curious bridge of ropes
Crosses the Avon to the Park.
We rested by the stream, to mark
The brown backs of the hovering trout.
Frank tickled one, and took it out
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From under a stone. We saw his owls,
And awkward Cochin-China fowls,
And shaggy pony in the croft;
And then he dragg'd us to a loft,
Where pigeons, as he push'd the door,
Fann'd clear a breadth of dusty floor,
And set us coughing. I confess
I trembled for my nice silk dress.
I cannot think how Mrs. Vaughan
Ventured with that which she had on,—
A mere white wrapper, with a few
Plain trimmings of a quiet blue,
But, oh, so pretty! Then the bell
For dinner rang. I look'd quite well
(‘Quite charming,’ were the words Fred said,)
With the new gown that I've had made.
I am so proud of Frederick.
He's so high-bred and lordly-like
With Mrs. Vaughan! He's not quite so
At home with me; but that, you know,
I can't expect, or wish. 'Twould hurt,
And seem to mock at my desert.
Not but that I'm a duteous wife
To Fred; but, in another life,
Where all are fair that have been true
I hope I shall be graceful too,
Like Mrs. Vaughan. And, now, good-bye!
That happy thought has made me cry,
And feel half sorry that my cough,
In this fine air, is leaving off.
IV
From Frederick To Mrs. Graham
Honoria, trebly fair and mild
With added loves of lord and child,
Is else unalter'd. Years, which wrong
The rest, touch not her beauty, young
With youth which rather seems her clime,
Than aught that's relative to time.
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How beyond hope was heard the prayer
I offer'd in my love's despair!
Could any, whilst there's any woe,
Be wholly blest, then she were so.
She is, and is aware of it,
Her husband's endless benefit;
But, though their daily ways reveal
The depth of private joy they feel,
'Tis not their bearing each to each
That does abroad their secret preach,
But such a lovely good-intent
To all within their government
And friendship as, 'tis well discern'd,
Each of the other must have learn'd;
For no mere dues of neighbourhood
Ever begot so blest a mood.
And fair, indeed, should be the few
God dowers with nothing else to do,
And liberal of their light, and free
To show themselves, that all may see!
For alms let poor men poorly give
The meat whereby men's bodies live;
But they of wealth are stewards wise
Whose graces are their charities.
The sunny charm about this home
Makes all to shine who thither come.
My own dear Jane has caught its grace,
And, honour'd, honours too the place.
Across the lawn I lately walk'd
Alone, and watch'd where mov'd and talk'd,
Gentle and goddess-like of air,
Honoria and some Stranger fair.
I chose a path unblest by these;
When one of the two Goddesses,
With my Wife's voice, but softer, said,
‘Will you not walk with us, dear Fred?’
She moves, indeed, the modest peer
Of all the proudest ladies here.
Unawed she talks with men who stand
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Among the leaders of the land,
And women beautiful and wise,
With England's greatness in their eyes.
To high, traditional good-sense,
And knowledge ripe without pretence,
And human truth exactly hit
By quiet and conclusive wit,
Listens my little, homely Dove,
Mistakes the points and laughs for love;
And, after, stands and combs her hair,
And calls me much the wittiest there!
With reckless loyalty, dear Wife,
She lays herself about my life!
The joy I might have had of yore
I have not; for 'tis now no more,
With me, the lyric time of youth,
And sweet sensation of the truth.
Yet, past my hope or purpose bless'd,
In my chance choice let be confess'd
The tenderer Providence that rules
The fates of children and of fools!
I kiss'd the kind, warm neck that slept,
And from her side this morning stepp'd,
To bathe my brain from drowsy night
In the sharp air and golden light.
The dew, like frost, was on the pane.
The year begins, though fair, to wane.
There is a fragrance in its breath
Which is not of the flowers, but death;
And green above the ground appear
The lilies of another year.
I wander'd forth, and took my path
Among the bloomless aftermath;
And heard the steadfast robin sing
As if his own warm heart were Spring,
And watch'd him feed where, on the yew,
Hung honey'd drops of crimson dew;
And then return'd, by walls of peach,
And pear-trees bending to my reach,
And rose-beds with the roses gone,
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To bright-laid breakfast. Mrs. Vaughan
Was there, none with her. I confess
I love her than of yore no less!
But she alone was loved of old;
Now love is twain, nay, manifold;
For, somehow, he whose daily life
Adjusts itself to one true wife,
Grows to a nuptial, near degree
With all that's fair and womanly.
Therefore, as more than friends, we met,
Without constraint, without regret;
The wedded yoke that each had donn'd
Seeming a sanction, not a bond.
From Mrs. Graham
Your love lacks joy, your letter says.
Yes; love requires the focal space
Of recollection or of hope,
Ere it can measure its own scope.
Too soon, too soon comes Death to show
We love more deeply than we know!
The rain, that fell upon the height
Too gently to be call'd delight,
Within the dark vale reappears
As a wild cataract of tears;
And love in life should strive to see
Sometimes what love in death would be!
Easier to love, we so should find,
It is than to be just and kind.
She's gone: shut close the coffin-lid:
What distance for another did
That death has done for her! The good,
Once gazed upon with heedless mood,
Now fills with tears the famish'd eye,
And turns all else to vanity.
'Tis sad to see, with death between,
The good we have pass'd and have not seen!
How strange appear the words of all!
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The looks of those that live appal.
They are the ghosts, and check the breath:
There's no reality but death,
And hunger for some signal given
That we shall have our own in heaven.
But this the God of love lets be
A horrible uncertainty.
How great her smallest virtue seems,
How small her greatest fault! Ill dreams
Were those that foil'd with loftier grace
The homely kindness of her face.
'Twas here she sat and work'd, and there
She comb'd and kiss'd the children's hair;
Or, with one baby at her breast,
Another taught, or hush'd to rest.
Praise does the heart no more refuse
To the chief loveliness of use.
Her humblest good is hence most high
In the heavens of fond memory;
And Love says Amen to the word,
A prudent wife is from the Lord.
Her worst gown's kept, ('tis now the best,
As that in which she oftenest dress'd,)
For memory's sake more precious grown
Than she herself was for her own.
Poor child! foolish it seem'd to fly
To sobs instead of dignity,
When she was hurt. Now, more than all,
Heart-rending and angelical
That ignorance of what to do,
Bewilder'd still by wrong from you:
For what man ever yet had grace
Ne'er to abuse his power and place?
No magic of her voice or smile
Suddenly raised a fairy isle,
But fondness for her underwent
An unregarded increment,
Like that which lifts, through centuries,
The coral-reef within the seas,
Till, lo! the land where was the wave,
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Alas! 'tis everywhere her grave.
VI
From Jane To Mrs. Graham
Dear Mother, I can surely tell,
Now, that I never shall get well.
Besides the warning in my mind,
All suddenly are grown so kind.
Fred stopp'd the Doctor, yesterday,
Downstairs, and, when he went away,
Came smiling back, and sat with me,
Pale, and conversing cheerfully
About the Spring, and how my cough,
In finer weather, would leave off.
I saw it all, and told him plain
I felt no hope of Spring again.
Then he, after a word of jest,
Burst into tears upon my breast,
And own'd, when he could speak, he knew
There was a little danger, too.
This made me very weak and ill,
And while, last night, I lay quite still,
And, as he fancied, in the deep,
Exhausted rest of my short sleep,
I heard, or dream'd I heard him pray:
‘Oh, Father, take her not away!
‘Let not life's dear assurance lapse
‘Into death's agonised 'Perhaps,'
‘A hope without Thy promise, where
‘Less than assurance is despair!
‘Give me some sign, if go she must,
‘That death's not worse than dust to dust,
‘Not heaven, on whose oblivious shore
‘Joy I may have, but her no more!
‘The bitterest cross, it seems to me,
‘Of all is infidelity;
‘And so, if I may choose, I'll miss
‘The kind of heaven which comes to this.
‘If doom'd, indeed, this fever ceased,
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‘To die out wholly, like a beast,
‘Forgetting all life's ill success
‘In dark and peaceful nothingness,
‘I could but say, Thy will be done;
‘For, dying thus, I were but one
‘Of seed innumerable which ne'er
‘In all the worlds shall bloom or bear.
‘I've put life past to so poor use
‘Well may'st Thou life to come refuse;
‘And justice, which the spirit contents,
‘Shall still in me all vain laments;
‘Nay, pleased, I will, while yet I live,
‘Think Thou my forfeit joy may'st give
‘To some fresh life, else unelect,
‘And heaven not feel my poor defect!
‘Only let not Thy method be
‘To make that life, and call it me;
‘Still less to sever mine in twain,
‘And tell each half to live again,
‘And count itself the whole! To die,
‘Is it love's disintegrity?
‘Answer me, 'No,' and I, with grace,
‘Will life's brief desolation face,
‘My ways, as native to the clime,
‘Adjusting to the wintry time,
‘Ev'n with a patient cheer thereof—’
He started up, hearing me cough.
Oh, Mother, now my last doubt's gone!
He likes me more than Mrs. Vaughan;
And death, which takes me from his side,
Shows me, in very deed, his bride!
VII
From Jane To Frederick
I leave this, Dear, for you to read,
For strength and hope, when I am dead.
When Grace died, I was so perplex'd,
I could not find one helpful text;
And when, a little while before,
305
I saw her sobbing on the floor,
Because I told her that in heaven
She would be as the angels even,
And would not want her doll, 'tis true
A horrible fear within me grew,
That, since the preciousness of love
Went thus for nothing, mine might prove
To be no more, and heaven's bliss
Some dreadful good which is not this.
But being about to die makes clear
Many dark things. I have no fear,
Now, that my love, my grief, my joy
Is but a passion for a toy.
I cannot speak at all, I find,
The shining something in my mind,
That shows so much that, if I took
My thoughts all down, 'twould make a book.
God's Word, which lately seem'd above
The simpleness of human love,
To my death-sharpen'd hearing tells
Of little or of nothing else;
And many things I hoped were true,
When first they came, like songs, from you,
Now rise with witness past the reach
Of doubt, and I to you can teach,
As if with felt authority
And as things seen, what you taught me.
Yet how? I have no words but those
Which every one already knows:
As, ‘No man hath at any time
‘Seen God, but 'tis the love of Him
‘Made perfect, and He dwells in us,
‘If we each other love.’ Or thus,
‘My goodness misseth in extent
‘Of Thee, Lord! In the excellent
‘I know Thee; and the Saints on Earth
‘Make all my love and holy mirth.’
And further, ‘Inasmuch as ye
‘Did it to one of these, to Me
‘Ye did it, though ye nothing thought
306
‘Nor knew of Me, in that ye wrought.’
What shall I dread? Will God undo
Our bond, which is all others too?
And when I meet you will you say
To my reclaiming looks, ‘Away!
‘A dearer love my bosom warms
‘With higher rights and holier charms.
‘The children, whom thou here may'st see,
‘Neighbours that mingle thee and me,
‘And gaily on impartial lyres
‘Renounce the foolish filial fires
‘They felt, with 'Praise to God on high,
‘'Goodwill to all else equally;'
‘The trials, duties, service, tears;
‘The many fond, confiding years
‘Of nearness sweet with thee apart;
‘The joy of body, mind, and heart;
‘The love that grew a reckless growth,
‘Unmindful that the marriage-oath
‘To love in an eternal style
‘Meant—only for a little while:
‘Sever'd are now those bonds earth-wrought:
‘All love, not new, stands here for nought!’
Why, it seems almost wicked, Dear,
Even to utter such a fear!
Are we not ‘heirs,’ as man and wife,
‘Together of eternal life?’
Was Paradise e'er meant to fade,
To make which marriage first was made?
Neither beneath him nor above
Could man in Eden find his Love;
Yet with him in the garden walk'd
His God, and with Him mildly talk'd!
Shall the humble preference offend
In heaven, which God did there commend?
Are ‘honourable and undefiled’
The names of aught from heaven exiled?
And are we not forbid to grieve
As without hope? Does God deceive,
307
And call that hope which is despair,
Namely, the heaven we should not share?
Image and glory of the man,
As he of God, is woman. Can
This holy, sweet proportion die
Into a dull equality?
Are we not one flesh, yea, so far
More than the babe and mother are,
That sons are bid mothers to leave
And to their wives alone to cleave,
‘For they two are one flesh?’ But 'tis
In the flesh we rise. Our union is,
You know 'tis said, ‘great mystery.’
Great mockery, it appears to me;
Poor image of the spousal bond
Of Christ and Church, if loosed beyond
This life!—'Gainst which, and much more yet,
There's not a single word to set.
The speech to the scoffing Sadducee
Is not in point to you and me;
For how could Christ have taught such clods
That Cæsar's things are also God's?
The sort of Wife the Law could make
Might well be ‘hated’ for Love's sake,
And left, like money, land, or house;
For out of Christ is no true spouse.
I used to think it strange of Him
To make love's after-life so dim,
Or only clear by inference:
But God trusts much to common sense,
And only tells us what, without
His Word, we could not have found out.
On fleshly tables of the heart
He penn'd truth's feeling counterpart
In hopes that come to all: so, Dear,
Trust these, and be of happy cheer,
Nor think that he who has loved well
Is of all men most miserable.
There's much more yet I want to say,
But cannot now. You know my way
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Of feeling strong from Twelve till Two
After my wine. I'll write to you
Daily some words, which you shall have
To break the silence of the grave.
VIII
From Jane To Frederick
You think, perhaps, ‘Ah, could she know
How much I loved her!’ Dear, I do!
And you may say, ‘Of this new awe
‘Of heart which makes her fancies law,
‘These watchful duties of despair,
‘She does not dream, she cannot care!’
Frederick, you see how false that is,
Or how could I have written this?
And, should it ever cross your mind
That, now and then, you were unkind,
You never, never were at all!
Remember that! It's natural
For one like Mr. Vaughan to come,
From a morning's useful pastime, home,
And greet, with such a courteous zest,
His handsome wife, still newly dress'd,
As if the Bird of Paradise
Should daily change her plumage thrice.
He's always well, she's always gay.
Of course! But he who toils all day,
And comes home hungry, tired, or cold,
And feels 'twould do him good to scold
His wife a little, let him trust
Her love, and say the things he must,
Till sooth'd in mind by meat and rest.
If, after that, she's well caress'd,
And told how good she is, to bear
His humour, fortune makes it fair.
Women like men to be like men;
That is, at least, just now and then.
Thus, I have nothing to forgive,
But those first years, (how could I live!)
When, though I really did behave
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So stupidly, you never gave
One unkind word or look at all:
As if I was some animal
You pitied! Now, in later life,
You used me like a proper Wife.
You feel, Dear, in your present mood,
Your Jane, since she was kind and good,
A child of God, a living soul,
Was not so different, on the whole,
From Her who had a little more
Of God's best gifts: but, oh, be sure,
My dear, dear Love, to take no blame
Because you could not feel the same
Towards me, living, as when dead.
A hungry man must needs think bread
So sweet! and, only at their rise
And setting, blessings, to the eyes,
Like the sun's course, grow visible.
If you are sad, remember well,
Against delusions of despair,
That memory sees things as they were,
And not as they were misenjoy'd,
And would be still, if ought destroy'd
The glory of their hopelessness:
So that, in truth, you had me less
In days when necessary zeal
For my perfection made you feel
My faults the most, than now your love
Forgets but where it can approve.
You gain by loss, if that seem'd small
Possess'd, which, being gone, turns all
Surviving good to vanity.
Oh, Fred, this makes it sweet to die!
Say to yourself: ‘'Tis comfort yet
‘I made her that which I regret;
‘And parting might have come to pass
‘In a worse season; as it was,
‘Love an eternal temper took,
‘Dipp'd, glowing, in Death's icy brook!’
Or say, ‘On her poor feeble head
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‘This might have fallen: 'tis mine instead!
‘And so great evil sets me free
‘Henceforward from calamity.
‘And, in her little children, too,
‘How much for her I yet can do!’
And grieve not for these orphans even;
For central to the love of Heaven
Is each child as each star to space.
This truth my dying love has grace
To trust with a so sure content,
I fear I seem indifferent.
You must not think a child's small heart
Cold, because it and grief soon part.
Fanny will keep them all away,
Lest you should hear them laugh and play,
Before the funeral's over. Then
I hope you'll be yourself again,
And glad, with all your soul, to find
How God thus to the sharpest wind
Suits the shorn lambs. Instruct them, Dear,
For my sake, in His love and fear.
And show how, till their journey's done,
Not to be weary they must run.
Strive not to dissipate your grief
By any lightness. True relief
Of sorrow is by sorrow brought.
And yet for sorrow's sake, you ought
To grieve with measure. Do not spend
So good a power to no good end!
Would you, indeed, have memory stay
In the heart, lock up and put away
Relics and likenesses and all
Musings, which waste what they recall.
True comfort, and the only thing
To soothe without diminishing
A prized regret, is to match here,
By a strict life, God's love severe.
Yet, after all, by nature's course,
Feeling must lose its edge and force.
Again you'll reach the desert tracts
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Where only sin or duty acts.
But, if love always lit our path,
Where were the trial of our faith?
Oh, should the mournful honeymoon
Of death be over strangely soon,
And life-long resolutions, made
In grievous haste, as quickly fade,
Seeming the truth of grief to mock,
Think, Dearest, 'tis not by the clock
That sorrow goes! A month of tears
Is more than many, many years
Of common time. Shun, if you can,
However, any passionate plan.
Grieve with the heart; let not the head
Grieve on, when grief of heart is dead;
For all the powers of life defy
A superstitious constancy.
The only bond I hold you to
Is that which nothing can undo.
A man is not a young man twice;
And if, of his young years, he lies
A faithful score in one wife's breast,
She need not mind who has the rest.
In this do what you will, dear Love,
And feel quite sure that I approve.
And, should it chance as it may be,
Give her my wedding-ring from me;
And never dream that you can err
T'wards me by being good to her;
Nor let remorseful thoughts destroy
In you the kindly flowering joy
And pleasure of the natural life.
But don't forget your fond, dead Wife.
And, Frederick, should you ever be
Tempted to think your love of me
All fancy, since it drew its breath
So much more sweetly after death,
Remember that I never did
A single thing you once forbid;
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All poor folk liked me; and, at the end,
Your Cousin call'd me ‘Dearest Friend!’
And, now, 'twill calm your grief to know,—
You, who once loved Honoria so,—
There's kindness, that's look'd kindly on,
Between her Emily and John.
Thus, in your children, you will wed!
And John seems so much comforted,
(Like Isaac when his mother died
And fair Rebekah was his bride),
By his new hope, for losing me!
So all is happiness, you see.
And that reminds me how, last night,
I dreamt of heaven, with great delight.
A strange, kind Lady watch'd my face,
Kiss'd me, and cried, ‘His hope found grace!’
She bade me then, in the crystal floor,
Look at myself, myself no more;
And bright within the mirror shone
Honoria's smile, and yet my own!
‘And, when you talk, I hear,’ she sigh'd,
‘How much he loved her! Many a bride
‘In heaven such countersemblance wears
‘Through what Love deem'd rejected prayers.’
She would have spoken still; but, lo,
One of a glorious troop, aglow
From some great work, towards her came,
And she so laugh'd, 'twas such a flame,
Aaron's twelve jewels seem'd to mix
With the lights of the Seven Candlesticks.
IX
From Lady Clitheroe To Mrs. Graham
My dearest Aunt, the Wedding-day,
But for Jane's loss, and you away,
Was all a Bride from heaven could beg!
Skies bluer than the sparrow's egg,
And clearer than the cuckoo's call;
And such a sun! the flowers all
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With double ardour seem'd to blow!
The very daisies were a show,
Expanded with uncommon pride,
Like little pictures of the Bride.
Your Great-Niece and your Grandson were
Perfection of a pretty pair.
How well Honoria's girls turn out,
Although they never go about!
Dear me, what trouble and expense
It took to teach mine confidence!
Hers greet mankind as I've heard say
That wild things do, where beasts of prey
Were never known, nor any men
Have met their fearless eyes till then.
Their grave, inquiring trust to find
All creatures of their simple kind
Quite disconcerts bold coxcombry,
And makes less perfect candour shy.
Ah, Mrs. Graham! people may scoff,
But how your home-kept girls go off!
How Hymen hastens to unband
The waist that ne'er felt waltzer's hand!
At last I see my Sister's right,
And I've told Maud this very night,
(But, oh, my daughters have such wills!)
To knit, and only dance quadrilles.
You say Fred never writes to you
Frankly, as once he used to do,
About himself; and you complain
He shared with none his grief for Jane.
It all comes of the foolish fright
Men feel at the word, hypocrite.
Although, when first in love, sometimes
They rave in letters, talk, and rhymes,
When once they find, as find they must.
How hard 'tis to be hourly just
To those they love, they are dumb for shame,
Where we, you see, talk on the same.
Honoria, to whose heart alone
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He seems to open all his own,
At times has tears in her kind eyes,
After their private colloquies.
He's her most favour'd guest, and moves
My spleen by his impartial loves.
His pleasure has some inner spring
Depending not on anything.
Petting our Polly, none e'er smiled
More fondly on his favourite child;
Yet, playing with his own, it is
Somehow as if it were not his.
He means to go again to sea,
Now that the wedding's over. He
Will leave to Emily and John
The little ones to practise on;
And Major-domo, Mrs. Rouse,
A deal old soul from Wilton House,
Will scold the housemaids and the cook,
Till Emily has learn'd to look
A little braver than a lamb
Surprised by dogs without its dam!
Do, dear Aunt, use your influence,
And try to teach some plain good sense
To Mary. 'Tis not yet too late
To make her change her chosen state
Of single silliness. In truth,
I fancy that, with fading youth,
Her will now wavers. Yesterday,
Though, till the Bride was gone away,
Joy shone from Mary's loving heart,
I found her afterwards apart,
Hysterically sobbing. I
Knew much too well to ask her why.
This marrying of Nieces daunts
The bravest souls of maiden Aunts.
Though Sisters' children often blend
Sweetly the bonds of child and friend,
They are but reeds to rest upon.
When Emily comes back with John,
Her right to go downstairs before
Aunt Mary will but be the more
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Observed if kindly waived, and how
Shall these be as they were, when now
Niece has her John, and Aunt the sense
Of her superior innocence?
Somehow, all loves, however fond,
Prove lieges of the nuptial bond;
And she who dares at this to scoff,
Finds all the rest in time drop off;
While marriage, like a mushroom-ring,
Spreads its sure circle every Spring.
She twice refused George Vane, you know;
Yet, when he died three years ago
In the Indian war, she put on gray,
And wears no colours to this day.
And she it is who charges me,
Dear Aunt, with ‘inconsistency!’
From Frederick To Honoria
Cousin, my thoughts no longer try
To cast the fashion of the sky.
Imagination can extend
Scarcely in part to comprehend
The sweetness of our common food
Ambrosial, which ingratitude
And impious inadvertence waste,
Studious to eat but not to taste.
And who can tell what's yet in store
There, but that earthly things have more
Of all that makes their inmost bliss,
And life's an image still of this,
But haply such a glorious one
As is the rainbow of the sun?
Sweet are your words, but, after all
Their mere reversal may befall
The partners of His glories who
Daily is crucified anew:
Splendid privations, martyrdoms
To which no weak remission comes,
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Perpetual passion for the good
Of them that feel no gratitude,
Far circlings, as of planets' fires,
Round never-to-be-reach'd desires,
Whatever rapturously sighs
That life is love, love sacrifice.
All I am sure of heaven is this:
Howe'er the mode, I shall not miss
One true delight which I have known.
Not on the changeful earth alone
Shall loyalty remain unmoved
T'wards everything I ever loved.
So Heaven's voice calls, like Rachel's voice
To Jacob in the field, ‘Rejoice!
‘Serve on some seven more sordid years,
‘Too short for weariness or tears;
‘Serve on; then, oh, Beloved, well-tried,
‘Take me for ever as thy Bride!’
XI
From Mary Churchill To The Dean
Charles does me honour, but 'twere vain
To reconsider now again,
And so to doubt the clear-shown truth
I sought for, and received, when youth,
Being fair, and woo'd by one whose love
Was lovely, fail'd my mind to move.
God bids them by their own will go,
Who ask again the things they know!
I grieve for my infirmity,
And ignorance of how to be
Faithful, at once, to the heavenly life,
And the fond duties of a wife.
Narrow am I and want the art
To love two things with all my heart.
Occupied singly in His search,
Who, in the Mysteries of the Church,
Returns, and calls them Clouds of Heaven,
I tread a road, straight, hard, and even;
But fear to wander all confused,
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By two-fold fealty abused.
Either should I the one forget,
Or scantly pay the other's debt.
You bid me, Father, count the cost.
I have; and all that must be lost
I feel as only woman can.
To make the heart's wealth of some man,
And through the untender world to move,
Wrapt safe in his superior love,
How sweet! How sweet the household round
Of duties, and their narrow bound,
So plain, that to transgress were hard,
Yet full of manifest reward!
The charities not marr'd, like mine,
With chance of thwarting laws divine;
The world's regards and just delight
In one that's clearly, kindly right,
How sweet! Dear Father, I endure,
Not without sharp regret, be sure,
To give up such glad certainty,
For what, perhaps, may never be.
For nothing of my state I know,
But that t'ward heaven I seem to go,
As one who fondly landward hies
Along a deck that seaward flies.
With every year, meantime, some grace
Of earthly happiness gives place
To humbling ills, the very charms
Of youth being counted, henceforth, harms:
To blush already seems absurd;
Nor know I whether I should herd
With girls or wives, or sadlier balk
Maids' merriment or matrons' talk.
But strait's the gate of life! O'er late,
Besides, 'twere now to change my fate:
For flowers and fruit of love to form,
It must be Spring as well as warm.
The world's delight my soul dejects,
Revenging all my disrespects
Of old, with incapacity
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To chime with even its harmless glee,
Which sounds, from fields beyond my range,
Like fairies' music, thin and strange.
With something like remorse, I grant
The world has beauty which I want;
And if, instead of judging it,
I at its Council chance to sit,
Or at its gay and order'd Feast,
My place seems lower than the least.
The conscience of the life to be
Smites me with inefficiency,
And makes me all unfit to bless
With comfortable earthliness
The rest-desiring brain of man.
Finally, then, I fix my plan
To dwell with Him that dwells apart
In the highest heaven and lowliest heart;
Nor will I, to my utter loss,
Look to pluck roses from the Cross.
As for the good of human love,
'Twere countercheck almost enough
To think that one must die before
The other; and perhaps 'tis more
In love's last interest to do
Nought the least contrary thereto,
Than to be blest, and be unjust,
Or suffer injustice; as they must,
Without a miracle, whose pact
Compels to mutual life and act,
Whether love shines, or darkness sleeps
Cold on the spirit's changeful deeps.
Enough if, to my earthly share,
Fall gleams that keep me from despair.
Happy the things we here discern;
More happy those for which we yearn;
But measurelessly happy above
All else are those we guess not of!
XII
From Felix To Honoria
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Dearest, my Love and Wife, 'tis long
Ago I closed the unfinish'd song
Which never could be finish'd; nor
Will ever Poet utter more
Of love than I did, watching well
To lure to speech the unspeakable!
‘Why, having won her, do I woo?’
That final strain to the last height flew
Of written joy, which wants the smile
And voice that are, indeed, the while
They last, the very things you speak,
Honoria, who mak'st music weak
With ways that say, ‘Shall I not be
‘As kind to all as Heaven to me?’
And yet, ah, twenty-fold my Bride!
Rising, this twentieth festal-tide,
You still soft sleeping, on this day
Of days, some words I long to say,
Some words superfluously sweet
Of fresh assurance, thus to greet
Your waking eyes, which never grow
Weary of telling what I know
So well, yet only well enough
To wish for further news thereof.
Here, in this early autumn dawn,
By windows opening on the lawn,
Where sunshine seems asleep, though bright,
And shadows yet are sharp with night,
And, further on, the wealthy wheat
Bends in a golden drowse, how sweet
To sit and cast my careless looks
Around my walls of well-read books,
Wherein is all that stands redeem'd
From time's huge wreck, all men have dream'd
Of truth, and all by poets known
Of feeling, and in weak sort shown,
And, turning to my heart again,
To find I have what makes them vain,
The thanksgiving mind, which wisdom sums,
And you, whereby it freshly comes
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As on that morning, (can there be
Twenty-two years 'twixt it and me?)
When, thrill'd with hopeful love I rose
And came in haste to Sarum Close,
Past many a homestead slumbering white
In lonely and pathetic light,
Merely to fancy which drawn blind
Of thirteen had my Love behind,
And in her sacred neighbourhood
To feel that sweet scorn of all good
But her, which let the wise forfend
When wisdom learns to comprehend!
Dearest, as each returning May
I see the season new and gay
With new joy and astonishment,
And Nature's infinite ostent
Of lovely flowers in wood and mead,
That weet not whether any heed,
So see I, daily wondering, you,
And worship with a passion new
The Heaven that visibly allows
Its grace to go about my house,
The partial Heaven, that, though I err
And mortal am, gave all to her
Who gave herself to me. Yet I
Boldly thank Heaven, (and so defy
The beggarly soul'd humbleness
Which fears God's bounty to confess,)
That I was fashion'd with a mind
Seeming for this great gift design'd,
So naturally it moved above
All sordid contraries of love,
Strengthen'd in youth with discipline
Of light, to follow the divine
Vision, (which ever to the dark
Is such a plague as was the ark
In Ashdod, Gath, and Ekron,) still
Discerning with the docile will
Which comes of full persuaded thought,
That intimacy in love is nought
Without pure reverence, whereas this,
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In tearfullest banishment, is bliss.
And so, dearest Honoria, I
Have never learn'd the weary sigh
Of those that to their love-feasts went,
Fed, and forgot the Sacrament;
And not a trifle now occurs
But sweet initiation stirs
Of new-discover'd joy, and lends
To feeling change that never ends;
And duties, which the many irk,
Are made all wages and no work.
How sing of such things save to her,
Love's self, so love's interpreter?
How the supreme rewards confess
Which crown the austere voluptuousness
Of heart, that earns, in midst of wealth,
The appetite of want and health,
Relinquishes the pomp of life
And beauty to the pleasant Wife
At home, and does all joy despise
As out of place but in her eyes?
How praise the years and gravity
That make each favour seem to be
A lovelier weakness for her lord?
And, ah, how find the tender word
To tell aright of love that glows
The fairer for the fading rose?
Of frailty which can weight the arm
To lean with thrice its girlish charm?
Of grace which, like this autumn day,
Is not the sad one of decay,
Yet one whose pale brow pondereth
The far-off majesty of death?
How tell the crowd, whom passion rends,
That love grows mild as it ascends?
That joy's most high and distant mood
Is lost, not found in dancing blood;
Albeit kind acts and smiling eyes,
And all those fond realities
Which are love's words, in us mean more
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Delight than twenty years before?
How, Dearest, finish, without wrong
To the speechless heart, the unfinish'd song,
Its high, eventful passages
Consisting, say, of things like these:—
One morning, contrary to law,
Which, for the most, we held in awe,
Commanding either not to intrude
On the other's place of solitude
Or solitary mind, for fear
Of coming there when God was near,
And finding so what should be known
To Him who is merciful alone,
And views the working ferment base
Of waking flesh and sleeping grace,
Not as we view, our kindness check'd
By likeness of our own defect,
I, venturing to her room, because
(Mark the excuse!) my Birthday 'twas,
Saw, here across a careless chair,
A ball-dress flung, as light as air,
And, here, beside a silken couch,
Pillows which did the pressure vouch
Of pious knees, (sweet piety!
Of goodness made and charity,
If gay looks told the heart's glad sense,
Much rather than of penitence,)
And, on the couch, an open book,
And written list—I did not look,
Yet just in her clear writing caught:—
‘Habitual faults of life and thought
‘Which most I need deliverance from.’
I turn'd aside, and saw her come
Adown the filbert-shaded way,
Beautified with her usual gay
Hypocrisy of perfectness,
Which made her heart, and mine no less,
So happy! And she cried to me,
‘You lose by breaking rules, you see!
‘Your Birthday treat is now half-gone
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‘Of seeing my new ball-dress on.’
And, meeting so my lovely Wife,
A passing pang, to think that life
Was mortal, when I saw her laugh,
Shaped in my mind this epitaph:
‘Faults had she, child of Adam's stem,
‘But only Heaven knew of them.’
Or thus:
For many a dreadful day,
In sea-side lodgings sick she lay,
Noteless of love, nor seem'd to hear
The sea, on one side, thundering near,
Nor, on the other, the loud Ball
Held nightly in the public hall;
Nor vex'd they my short slumbers, though
I woke up if she breathed too low.
Thus, for three months, with terrors rife,
The pending of her precious life
I watch'd o'er; and the danger, at last,
The kind Physician said, was past.
Howbeit, for seven harsh weeks the East
Breathed witheringly, and Spring's growth ceased,
And so she only did not die;
Until the bright and blighting sky
Changed into cloud, and the sick flowers
Remember'd their perfumes, and showers
Of warm, small rain refreshing flew
Before the South, and the Park grew,
In three nights, thick with green. Then she
Revived, no less than flower and tree,
In the mild air, and, the fourth day,
Look'd supernaturally gay
With large, thanksgiving eyes, that shone,
The while I tied her bonnet on,
So that I led her to the glass,
And bade her see how fair she was,
And how love visibly could shine.
Profuse of hers, desiring mine,
And mindful I had loved her most
When beauty seem'd a vanish'd boast,
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She laugh'd. I press'd her then to me,
Nothing but soft humility;
Nor e'er enhanced she with such charms
Her acquiescence in my arms.
And, by her sweet love-weakness made
Courageous, powerful, and glad,
In a clear illustration high
Of heavenly affection, I
Perceived that utter love is all
The same as to be rational,
And that the mind and heart of love,
Which think they cannot do enough,
Are truly the everlasting doors
Wherethrough, all unpetition'd, pours
The eternal pleasance. Wherefore we
Had innermost tranquillity,
And breathed one life with such a sense
Of friendship and of confidence,
That, recollecting the sure word:
‘If two of you are in accord,
‘On earth, as touching any boon
‘Which ye shall ask, it shall be done
‘In heaven,’ we ask'd that heaven's bliss
Might ne'er be any less than this;
And, for that hour, we seem'd to have
The secret of the joy we gave.
How sing of such things, save to her,
Love's self, so love's interpreter?
How read from such a homely page
In the ear of this unhomely age?
'Tis now as when the Prophet cried:
‘The nation hast Thou multiplied,
‘But Thou hast not increased the joy!’
And yet, ere wrath or rot destroy
Of England's state the ruin fair,
Oh, might I so its charm declare,
That, in new Lands, in far-off years,
Delighted he should cry that hears:
‘Great is the Land that somewhat best
‘Works, to the wonder of the rest!
‘We, in our day, have better done
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‘This thing or that than any one;
‘And who but, still admiring, sees
‘How excellent for images
‘Was Greece, for laws how wise was Rome;
‘But read this Poet, and say if home
‘And private love did e'er so smile
‘As in that ancient English isle!’
XIII
From Lady Clitheroe To Emily Graham
My dearest Niece, I'm charm'd to hear
The scenery's fine at Windermere,
And glad a six-weeks' wife defers
In the least to wisdom not yet hers.
But, Child, I've no advice to give!
Rules only make it hard to live.
And where's the good of having been
Well taught from seven to seventeen,
If, married, you may not leave off,
And say, at last, ‘I'm good enough!’
Weeding out folly, still leave some.
It gives both lightness and aplomb.
We know, however wise by rule,
Woman is still by nature fool;
And men have sense to like her all
The more when she is natural.
'Tis true that, if we choose, we can
Mock to a miracle the man;
But iron in the fire red hot,
Though 'tis the heat, the fire 'tis not:
And who, for such a feint, would pledge
The babe's and woman's privilege,
No duties and a thousand rights?
Besides, defect love's flow incites,
As water in a well will run
Only the while 'tis drawn upon.
‘Point de culte sans mystère,’ you say,
‘And what if that should die away?’
Child, never fear that either could
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Pull from Saint Cupid's face the hood.
The follies natural to each
Surpass the other's moral reach.
Just think how men, with sword and gun,
Will really fight, and never run;
And all in sport: they would have died,
For sixpence more, on the other side!
A woman's heart must ever warm
At such odd ways: and so we charm
By strangeness which, the more they mark,
The more men get into the dark.
The marvel, by familiar life,
Grows, and attaches to the wife
By whom it grows. Thus, silly Girl,
To John you'll always be the pearl
In the oyster of the universe;
And, though in time he'll treat you worse,
He'll love you more, you need not doubt,
And never, never find you out!
My Dear, I know that dreadful thought
That you've been kinder than you ought.
It almost makes you hate him! Yet
'Tis wonderful how men forget,
And how a merciful Providence
Deprives our husbands of all sense
Of kindness past, and makes them deem
We always were what now we seem.
For their own good we must, you know,
However plain the way we go,
Still make it strange with stratagem;
And instinct tells us that, to them,
'Tis always right to bate their price.
Yet I must say they're rather nice,
And, oh, so easily taken in
To cheat them almost seems a sin!
And, Dearest, 'twould be most unfair
To John your feelings to compare
With his, or any man's; for she
Who loves at all loves always; he,
Who loves far more, loves yet by fits,
And when the wayward wind remits
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To blow, his feelings faint and drop
Like forge-flames when the bellows stop.
Such things don't trouble you at all
When once you know they're natural.
My love to John; and, pray, my Dear,
Don't let me see you for a year;
Unless, indeed, ere then you've learn'd
That Beauties wed are blossoms turn'd
To unripe codlings, meant to dwell
In modest shadow hidden well,
Till this green stage again permute
To glow of flowers with good of fruit.
I will not have my patience tried
By your absurd new-married pride,
That scorns the world's slow-gather'd sense,
Ties up the hands of Providence,
Rules babes, before there's hope of one,
Better than mothers e'er have done,
And, for your poor particular,
Neglects delights and graces far
Beyond your crude and thin conceit.
Age has romance almost as sweet
And much more generous than this
Of yours and John's. With all the bliss
Of the evenings when you coo'd with him,
And upset home for your sole whim,
You might have envied, were you wise,
The tears within your Mother's eyes,
Which, I dare say, you did not see.
But let that pass! Yours yet will be,
I hope, as happy, kind, and true
As lives which now seem void to you.
Have you not seen shop-painters paste
Their gold in sheets, then rub to waste
Full half, and, lo, you read the name?
Well, Time, my Dear, does much the same
With this unmeaning glare of love.
But, though you yet may much improve,
In marriage, be it still confess'd,
There's little merit at the best.
328
Some half-a-dozen lives, indeed,
Which else would not have had the need,
Get food and nurture, as the price
Of antedated Paradise;
But what's that to the varied want
Succour'd by Mary, your dear Aunt,
Who put the bridal crown thrice by,
For that of which virginity,
So used, has hope? She sends her love,
As usual with a proof thereof—
Papa's discourse, which you, no doubt,
Heard none of, neatly copied out
Whilst we were dancing. All are well,
Adieu, for there's the Luncheon Bell.
The Wedding Sermon
The truths of Love are like the sea
For clearness and for mystery.
Of that sweet love which, startling, wakes
Maiden and Youth, and mostly breaks
The word of promise to the ear,
But keeps it, after many a year,
To the full spirit, how shall I speak?
My memory with age is weak,
And I for hopes do oft suspect
The things I seem to recollect.
Yet who but must remember well
'Twas this made heaven intelligible
As motive, though 'twas small the power
The heart might have, for even an hour,
To hold possession of the height
Of nameless pathos and delight!
II
In Godhead rise, thither flow back
All loves, which, as they keep or lack,
In their return, the course assign'd,
Are virtue or sin. Love's every kind,
329
Lofty or low, of spirit or sense,
Desire is, or benevolence.
He who is fairer, better, higher
Than all His works, claims all desire,
And in His Poor, His Proxies, asks
Our whole benevolence: He tasks,
Howbeit, His People by their powers;
And if, my Children, you, for hours,
Daily, untortur'd in the heart,
Can worship, and time's other part
Give, without rough recoils of sense,
To the claims ingrate of indigence,
Happy are you, and fit to be
Wrought to rare heights of sanctity,
For the humble to grow humbler at.
But if the flying spirit falls flat,
After the modest spell of prayer
That saves the day from sin and care,
And the upward eye a void descries,
And praises are hypocrisies,
And, in the soul, o'erstrain'd for grace,
A godless anguish grows apace;
Or, if impartial charity
Seems, in the act, a sordid lie,
Do not infer you cannot please
God, or that He His promises
Postpones, but be content to love
No more than He accounts enough.
Account them poor enough who want
Any good thing which you can grant;
And fathom well the depths of life
In loves of Husband and of Wife,
Child, Mother, Father; simple keys
To what cold faith calls mysteries.
III
The love of marriage claims, above
All other kinds, the name of love,
As perfectest, though not so high
As love which Heaven with single eye
Considers. Equal and entire,
Therein benevolence, desire,
330
Elsewhere ill-join'd or found apart,
Become the pulses of one heart,
Which now contracts, and now dilates,
And, both to the height exalting, mates
Self-seeking to self-sacrifice.
Nay, in its subtle paradise
(When purest) this one love unites
All modes of these two opposites,
All balanced in accord so rich
Who may determine which is which?
Chiefly God's Love does in it live,
And nowhere else so sensitive;
For each is all that the other's eye,
In the vague vast of Deity,
Can comprehend and so contain
As still to touch and ne'er to strain
The fragile nerves of joy. And then
'Tis such a wise goodwill to men
And politic economy
As in a prosperous State we see,
Where every plot of common land
Is yielded to some private hand
To fence about and cultivate.
Does narrowness its praise abate?
Nay, the infinite of man is found
But in the beating of its bound,
And, if a brook its banks o'erpass,
'Tis not a sea, but a morass.
IV
No giddiest hope, no wildest guess
Of Love's most innocent loftiness
Had dared to dream of its own worth,
Till Heaven's bold sun-gleam lit the earth.
Christ's marriage with the Church is more,
My Children, than a metaphor.
The heaven of heavens is symbol'd where
The torch of Psyche flash'd despair.
But here I speak of heights, and heights
Are hardly scaled. The best delights
Of even this homeliest passion, are
331
In the most perfect souls so rare,
That they who feel them are as men
Sailing the Southern ocean, when,
At midnight, they look up, and eye
The starry Cross, and a strange sky
Of brighter stars; and sad thoughts come
To each how far he is from home.
Love's inmost nuptial sweetness see
In the doctrine of virginity!
Could lovers, at their dear wish, blend,
'Twould kill the bliss which they intend;
For joy is love's obedience
Against the law of natural sense;
And those perpetual yearnings sweet
Of lives which dream that they can meet
Are given that lovers never may
Be without sacrifice to lay
On the high altar of true love,
With tears of vestal joy. To move
Frantic, like comets to our bliss,
Forgetting that we always miss,
And so to seek and fly the sun,
By turns, around which love should run,
Perverts the ineffable delight
Of service guerdon'd with full sight
And pathos of a hopeless want,
To an unreal victory's vaunt,
And plaint of an unreal defeat.
Yet no less dangerous misconceit
May also be of the virgin will,
Whose goal is nuptial blessing still,
And whose true being doth subsist,
There where the outward forms are miss'd,
In those who learn and keep the sense
Divine of ‘due benevolence,’
Seeking for aye, without alloy
Of selfish thought, another's joy,
And finding in degrees unknown
That which in act they shunn'd, their own.
For all delights of earthly love
332
Are shadows of the heavens, and move
As other shadows do; they flee
From him that follows them; and he
Who flies, for ever finds his feet
Embraced by their pursuings sweet.
VI
Then, even in love humane, do I
Not counsel aspirations high,
So much as sweet and regular
Use of the good in which we are.
As when a man along the ways
Walks, and a sudden music plays,
His step unchanged, he steps in time,
So let your Grace with Nature chime.
Her primal forces burst, like straws,
The bonds of uncongenial laws.
Right life is glad as well as just,
And, rooted strong in ‘This I must,’
It bears aloft the blossom gay
And zephyr-toss'd, of ‘This I may;’
Whereby the complex heavens rejoice
In fruits of uncommanded choice.
Be this your rule: seeking delight,
Esteem success the test of right;
For 'gainst God's will much may be done,
But nought enjoy'd, and pleasures none
Exist, but, like to springs of steel,
Active no longer than they feel
The checks that make them serve the soul,
They take their vigour from control.
A man need only keep but well
The Church's indispensable
First precepts, and she then allows,
Nay, more, she bids him, for his spouse,
Leave even his heavenly Father's awe,
At times, and His immaculate law,
Construed in its extremer sense.
Jehovah's mild magnipotence
Smiles to behold His children play
In their own free and childish way,
And can His fullest praise descry
333
In the exuberant liberty
Of those who, having understood
The glory of the Central Good,
And how souls ne'er may match or merge,
But as they thitherward converge,
Take in love's innocent gladness part
With infantine, untroubled heart,
And faith that, straight t'wards heaven's far Spring,
Sleeps, like the swallow, on the wing.
VII
Lovers, once married, deem their bond
Then perfect, scanning nought beyond
For love to do but to sustain
The spousal hour's delighted gain.
But time and a right life alone
Fulfil the promise then foreshown.
The Bridegroom and the Bride withal
Are but unwrought material
Of marriage; nay, so far is love,
Thus crown'd, from being thereto enough,
Without the long, compulsive awe
Of duty, that the bond of law
Does oftener marriage-love evoke,
Than love, which does not wear the yoke
Of legal vows, submits to be
Self-rein'd from ruinous liberty.
Lovely is love; but age well knows
'Twas law which kept the lover's vows
Inviolate through the year or years
Of worship pieced with panic fears,
When she who lay within his breast
Seem'd of all women perhaps the best,
But not the whole, of womankind,
Or love, in his yet wayward mind,
Had ghastly doubts its precious life
Was pledged for aye to the wrong wife.
Could it be else? A youth pursues
A maid, whom chance, not he, did choose,
Till to his strange arms hurries she
In a despair of modesty.
334
Then, simply and without pretence
Of insight or experience,
They plight their vows. The parents say
‘We cannot speak them yea or nay;
‘The thing proceedeth from the Lord!’
And wisdom still approves their word;
For God created so these two
They match as well as others do
That take more pains, and trust Him less
Who never fails, if ask'd, to bless
His children's helpless ignorance
And blind election of life's chance.
Verily, choice not matters much,
If but the woman's truly such,
And the young man has led the life
Without which how shall e'er the wife
Be the one woman in the world?
Love's sensitive tendrils sicken, curl'd
Round folly's former stay; for 'tis
The doom of all unsanction'd bliss
To mock some good that, gain'd, keeps still
The taint of the rejected ill.
VIII
Howbeit, though both were perfect, she
Of whom the maid was prophecy
As yet lives not, and Love rebels
Against the law of any else;
And, as a steed takes blind alarm,
Disowns the rein, and hunts his harm,
So, misdespairing word and act
May now perturb the happiest pact.
The more, indeed, is love, the more
Peril to love is now in store.
Against it nothing can be done
But only this: leave ill alone!
Who tries to mend his wife succeeds
As he who knows not what he needs.
He much affronts a worth as high
As his, and that equality
Of spirits in which abide the grace
335
And joy of her subjected place;
And does the still growth check and blurr
Of contraries, confusing her
Who better knows what he desires
Than he, and to that mark aspires
With perfect zeal, and a deep wit
Which nothing helps but trusting it.
So, loyally o'erlooking all
In which love's promise short may fall
Of full performance, honour that
As won, which aye love worketh at!
It is but as the pedigree
Of perfectness which is to be
That our best good can honour claim;
Yet honour to deny were shame
And robbery; for it is the mould
Wherein to beauty runs the gold
Of good intention, and the prop
That lifts to the sun the earth-drawn crop
Of human sensibilities.
Such honour, with a conduct wise
In common things, as, not to steep
The lofty mind of love in sleep
Of over much familiarness;
Not to degrade its kind caress,
As those do that can feel no more,
So give themselves to pleasures o'er;
Not to let morning-sloth destroy
The evening-flower, domestic joy;
Not by uxoriousness to chill
The warm devotion of her will
Who can but half her love confer
On him that cares for nought but her;—
These, and like obvious prudences
Observed, he's safest that relies,
For the hope she will not always seem,
Caught, but a laurel or a stream,
On time; on her unsearchable
Love-wisdom; on their work done well,
336
Discreet with mutual aid; on might
Of shared affliction and delight;
On pleasures that so childish be
They're 'shamed to let the children see,
By which life keeps the valleys low
Where love does naturally grow;
On much whereof hearts have account,
Though heads forget; on babes, chief fount
Of union, and for which babes are
No less than this for them, nay far
More, for the bond of man and wife
To the very verge of future life
Strengthens, and yearns for brighter day,
While others, with their use, decay;
And, though true marriage purpose keeps
Of offspring, as the centre sleeps
Within the wheel, transmitting thence
Fury to the circumference,
Love's self the noblest offspring is,
And sanction of the nuptial kiss;
Lastly, on either's primal curse,
Which help and sympathy reverse
To blessings.
IX
God, who may be well
Jealous of His chief miracle,
Bids sleep the meddling soul of man,
Through the long process of this plan,
Whereby, from his unweeting side,
The Wife's created, and the Bride,
That chance one of her strange, sweet sex
He to his glad life did annex,
Grows more and more, by day and night,
The one in the whole world opposite
Of him, and in her nature all
So suited and reciprocal
To his especial form of sense,
Affection, and intelligence,
That, whereas love at first had strange
Relapses into lust of change,
It now finds (wondrous this, but true!)
337
The long-accustom'd only new,
And the untried common; and, whereas
An equal seeming danger was
Of likeness lacking joy and force,
Or difference reaching to divorce,
Now can the finish'd lover see
Marvel of me most far from me,
Whom without pride he may admire,
Without Narcissus' doom desire,
Serve without selfishness, and love
‘Even as himself,’ in sense above
Niggard ‘as much,’ yea, as she is
The only part of him that's his.
I do not say love's youth returns;
That joy which so divinely yearns!
But just esteem of present good
Shows all regret such gratitude
As if the sparrow in her nest,
Her woolly young beneath her breast,
Should these despise, and sorrow for
Her five blue eggs that are no more.
Nor say I the fruit has quite the scope
Of the flower's spiritual hope.
Love's best is service, and of this,
Howe'er devout, use dulls the bliss.
Though love is all of earth that's dear,
Its home, my Children, is not here:
The pathos of eternity
Does in its fullest pleasure sigh.
Be grateful and most glad thereof.
Parting, as 'tis, is pain enough.
If love, by joy, has learn'd to give
Praise with the nature sensitive,
At last, to God, we then possess
The end of mortal happiness,
And henceforth very well may wait
The unbarring of the golden gate,
Wherethrough, already, faith can see
That apter to each wish than we
338
Is God, and curious to bless
Better than we devise or guess;
Not without condescending craft
To disappoint with bliss, and waft
Our vessels frail, when worst He mocks
The heart with breakers and with rocks,
To happiest havens. You have heard
Your bond death-sentenced by His Word.
What, if, in heaven, the name be o'er,
Because the thing is so much more?
All are, 'tis writ, as angels there,
Nor male nor female. Each a stair
In the hierarchical ascent
Of active and recipient
Affections, what if all are both
By turn, as they themselves betroth
To adoring what is next above,
Or serving what's below their love?
Of this we are certified, that we
Are shaped here for eternity,
So that a careless word will make
Its dint upon the form we take
For ever. If, then, years have wrought
Two strangers to become, in thought,
Will, and affection, but one man
For likeness, as none others can,
Without like process, shall this tree
The king of all the forest, be,
Alas, the only one of all
That shall not lie where it doth fall?
Shall this unflagging flame, here nurs'd
By everything, yea, when reversed,
Blazing, in fury, brighter, wink,
Flicker, and into darkness shrink,
When all else glows, baleful or brave,
In the keen air beyond the grave?
Beware; for fiends in triumph laugh
O'er him who learns the truth by half!
Beware; for God will not endure
For men to make their hope more pure
339
Than His good promise, or require
Another than the five-string'd lyre
Which He has vow'd again to the hands
Devout of him who understands
To tune it justly here! Beware
The Powers of Darkness and the Air,
Which lure to empty heights man's hope,
Bepraising heaven's ethereal cope,
But covering with their cloudy cant
Its ground of solid adamant,
That strengthens ether for the flight
Of angels, makes and measures height,
And in materiality
Exceeds our Earth's in such degree
As all else Earth exceeds! Do I
Here utter aught too dark or high?
Have you not seen a bird's beak slay
Proud Psyche, on a summer's day?
Down fluttering drop the frail wings four,
Missing the weight which made them soar.
Spirit is heavy nature's wing,
And is not rightly anything
Without its burthen, whereas this,
Wingless, at least a maggot is,
And, wing'd, is honour and delight
Increasing endlessly with height.
XI
If unto any here that chance
Fell not, which makes a month's romance,
Remember, few wed whom they would.
And this, like all God's laws, is good;
For nought's so sad, the whole world o'er,
As much love which has once been more.
Glorious for light is the earliest love;
But worldly things, in the rays thereof,
Extend their shadows, every one
False as the image which the sun
At noon or eve dwarfs or protracts.
A perilous lamp to light men's acts!
By Heaven's kind, impartial plan,
Well-wived is he that's truly man
340
If but the woman's womanly,
As such a man's is sure to be.
Joy of all eyes and pride of life
Perhaps she is not; the likelier wife!
If it be thus; if you have known,
(As who has not?) some heavenly one,
Whom the dull background of despair
Help'd to show forth supremely fair;
If memory, still remorseful, shapes
Young Passion bringing Eshcol grapes
To travellers in the Wilderness,
This truth will make regret the less:
Mighty in love as graces are,
God's ordinance is mightier far;
And he who is but just and kind
And patient, shall for guerdon find,
Before long, that the body's bond
Is all else utterly beyond
In power of love to actualise
The soul's bond which it signifies,
And even to deck a wife with grace
External in the form and face.
A five years' wife, and not yet fair?
Blame let the man, not Nature, bear!
For, as the sun, warming a bank
Where last year's grass droops gray and dank,
Evokes the violet, bids disclose
In yellow crowds the fresh primrose,
And foxglove hang her flushing head,
So vernal love, where all seems dead,
Makes beauty abound.
Then was that nought,
That trance of joy beyond all thought,
The vision, in one, of womanhood?
Nay, for all women holding good,
Should marriage such a prologue want,
'Twere sordid and most ignorant
Profanity; but, having this,
'Tis honour now, and future bliss;
For where is he that, knowing the height
And depth of ascertain'd delight,
341
Inhumanly henceforward lies
Content with mediocrities!
~ Coventry Patmore,
1209:Ashtaroth: A Dramatic Lyric
Dramatis Personae
HUGO, a Norman Baron and a Scholar.
ERIC, a friend of Hugo's.
THURSTON, |
EUSTACE, |
RALPH, | Followers of Hugo.
HENRY, a Page.
LUKE, |
HUBERT, | Monks living in a Norman Chapel.
BASIL, Abbot of a Convent on the Rhine.
CYRIL, a Monk of the same Convent.
OSRIC, a Norwegian Adventurer, and formerly a Corsair.
RUDOLPH, an Outlawed Count, and the Captain of a Band of Robbers.
DAGOBERT, the Captain of some predatory Soldiers called "Free Lances".
HAROLD, a Danish Knight.
ORION.
THORA,
AGATHA,
ELSPETH, a Nurse of Thora's,
URSULA, Abbess of the Convent on the Rhine, |
NUNS, etc.
| Women.
Men-at-arms, Soldiers, and Robbers; Monks, Friars, and Churchmen, Spirits,
etc.
SCENE — A Castle in Normandy.
A Study in a Tower; HUGO seated at a table covered with maps and charts
of the heavens, astronomical instruments, books, manuscripts,
Enter HENRY, a Page.
Hugo:
Well, boy, what is it?
27
Henry: The feast is spread.
Hugo:
Why tarry the guests for me?
Let Eric sit at the table's head;
Alone I desire to be. [Henry goes out.]
What share have I at their festive board?
Their mirth I can only mar;
To me no pleasure their cups afford,
Their songs on my silence jar.
With an aching eye and a throbbing brain,
And yet with a hopeful heart,
I must toil and strain with the planets again
When the rays of the sun depart;
He who must needs with the topers tope,
And the feasters feast in the hall,
How can he hope with a matter to cope
That is immaterial?
Orion:
He who his appetite stints and curbs,
Shut up in the northern wing,
With his rye-bread flavoured with bitter herbs,
And his draught from the tasteless spring,
Good sooth, he is but a sorry clown.
There are some good things upon earth —
Pleasure and power and fair renown,
And wisdom of worldly worth!
There is wisdom in follies that charm the sense,
In follies that light the eyes,
But the folly to wisdom that makes pretence
Is alone by the fool termed wise.
Hugo:
Thy speech, Orion, is somewhat rude;
Perchance, having jeer'd and scoff'd
To thy fill, thou wilt curb thy jeering mood;
I wot thou hast served me oft.
This plan of the skies seems fairly traced;
What errors canst thou detect?
28
Orion:
Nay, the constellations are misplaced,
And the satellites incorrect;
Leave the plan to me; you have time to seek
An hour of needful rest,
The night is young and the planets are weak;
See, the sun still reddens the west.
Hugo:
I fear I shall sleep too long.
Orion: If you do
It matters not much; the sky
Is cloudy, the stars will be faint and few;
Now, list to my lullaby.
[Hugo reclines on a couch.]
(Sings.)
Still the darkling skies are red,
Though the day-god's course is run;
Heavenly night-lamps overhead
Flash and twinkle one by one.
Idle dreamer — earth-born elf!
Vainly grasping heavenly things,
Wherefore weariest thou thyself
With thy vain imaginings?
From the tree of knowledge first,
Since his parents pluck'd the fruit,
Man, with partial knowledge curs'd,
Of the tree still seeks the root;
Musty volumes crowd thy shelf —
Which of these true knowledge brings?
Wherefore weariest thou thyself
With thy vain imaginings?
Will the stars from heaven descend?
Can the earth-worm soar and rise?
Can the mortal comprehend
Heaven's own hallow'd mysteries?
Greed and glory, power and pelf —
These are won by clowns and kings;
Wherefore weariest thou thyself
29
With thy vain imaginings?
Sow and reap, and toil and spin;
Eat and drink, and dream and die;
Man may strive, yet never win,
And I laugh the while and cry —
Idle dreamer, earth-born elf!
Vainly grasping heavenly things,
Wherefore weariest thou thyself
With thy vain imaginings?
He sleeps, and his sleep appears serene,
Whatever dreams it has brought him —
[Looks at the plans.]
If he knows what those hieroglyphics mean,
He's wiser than one who taught him.
Why does he number the Pole-star thus?
Or the Pleiades why combine?
And what is he doing with Sirius,
In the devil's name or in mine?
Man thinks, discarding the beaten track,
That the sins of his youth are slain,
When he seeks fresh sins, but he soon comes back
To his old pet sins again.
SCENE — The Same.
HUGO waking, ORION seated near him. Daybreak.
Hugo:
Oh, weary spirit! oh, cloudy eyes!
Oh, heavy and misty brain!
Yon riddle that lies 'twixt earth and skies,
Ye seek to explore in vain!
See, the east is grey; put those scrolls away,
And hide them far from my sight;
I will toil and study no more by day,
I will watch no longer by night;
I have labour'd and long'd, and now I seem
No nearer the mystic goal;
30
Orion, I fain would devise some scheme
To quiet this restless soul;
To distant climes I would fain depart —
I would travel by sea or land.
Orion:
Nay, I warn'd you of this, "Short life, long art",
The proverb, though stale, will stand;
Full many a sage from youth to age
Has toil'd to obtain what you
Would master at once. In a pilgrimage,
Forsooth, there is nothing new;
Though virtue, I ween, in change of scene,
And vigour in change of air,
Will always be, and has always been,
And travel is a tonic rare.
Still, the restless, discontented mood
For the time alone is eased;
It will soon return with hunger renew'd,
And appetite unappeased.
Nathless I could teach a shorter plan
To win that wisdom you crave,
That lore that is seldom attain'd by man
From the cradle down to the grave.
Hugo:
Such lore I had rather do without,
It hath nothing mystic nor awful
In my eye. Nay, I despise and doubt
The arts that are term'd unlawful;
'Twixt science and magic the line lies plain,
I shall never wittingly pass it;
There is now no compact between us twain.
Orion: But an understanding tacit.
You have prospered much since the day we met;
You were then a landless knight;
You now have honour and wealth, and yet
I never can serve you right.
Hugo:
Enough; we will start this very day,
31
Thurston, Eric, and I,
And the baffled visions will pass away,
And the restless fires will die.
Orion:
Till the fuel expires that feeds those fires
They smoulder and live unspent;
Give a mortal all that his heart desires,
He is less than ever content.
SCENE — A Cliff on the Breton Coast, Overhanging the Sea.
HUGO.
Hugo:
Down drops the red sun; through the gloaming
They burst — raging waves of the sea,
Foaming out their own shame — ever foaming
Their leprosy up with fierce glee;
Flung back from the stone, snowy fountains
Of feathery flakes, scarcely flag
Where, shock after shock, the green mountains
Explode on the iron-grey crag.
The salt spray with ceaseless commotion
Leaps round me. I sit on the verge
Of the cliff — 'twixt the earth and the ocean —
With feet overhanging the surge.
In thy grandeur, oh, sea! we acknowledge,
In thy fairness, oh, earth! we confess,
Hidden truths that are taught in no college,
Hidden songs that no parchments express.
Were they wise in their own generations,
Those sages and sagas of old?
They have pass'd; o'er their names and their nations
Time's billows have silently roll'd;
They have pass'd, leaving little to their children,
Save histories of a truth far from strict;
Or theories more vague and bewildering,
32
Since three out of four contradict.
Lost labour! vain bookworms have sat in
The halls of dull pedants who teach
Strange tongues, the dead lore of the Latin,
The scroll that is god-like and Greek:
Have wasted life's springtide in learning
Things long ago learnt all in vain;
They are slow, very slow, in discerning
That book lore and wisdom are twain.
Pale shades of a creed that was mythic,
By time or by truth overcome,
Your Delphian temples and Pythic
Are ruins deserted and dumb;
Your Muses are hush'd, and your Graces
Are bruised and defaced; and your gods,
Enshrin'd and enthron'd in high places
No longer, are powerless as clods;
By forest and streamlet, where glisten'd
Fair feet of the Naiads that skimm'd
The shallows; where the Oreads listen'd,
Rose-lipp'd, amber-hair'd, marble-limb'd,
No lithe forms disport in the river,
No sweet faces peer through the boughs,
Elms and beeches wave silent for ever,
Ever silent the bright water flows.
(Were they duller or wiser than we are,
Those heathens of old? Who shall say?
Worse or better? Thy wisdom, O "Thea
Glaucopis", was wise in thy day;
And the false gods alluring to evil,
That sway'd reckless votaries then,
Were slain to no purpose; they revel
Re-crowned in the hearts of us men.)
Dead priests of Osiris and Isis,
And Apis! that mystical lore,
Like a nightmare, conceived in a crisis
Of fever, is studied no more;
33
Dead Magian! yon star-troop that spangles
The arch of yon firmament vast
Looks calm, like a host of white angels,
On dry dust of votaries past.
On seas unexplored can the ship shun
Sunk rocks? Can man fathom life's links,
Past or future, unsolved by Egyptian
Or Theban, unspoken by Sphinx?
The riddle remains still unravell'd
By students consuming night oil.
Oh, earth! we have toil'd, we have travail'd,
How long shall we travail and toil?
How long? The short life that fools reckon
So sweet, by how much is it higher
Than brute life? — the false gods still beckon,
And man, through the dust and the mire,
Toils onward, as toils the dull bullock,
Unreasoning, brutish, and blind,
With Ashtaroth, Mammon, and Moloch
In front, and Alecto behind.
The wise one of earth, the Chaldean,
Serves folly in wisdom's disguise;
And the sensual Epicurean,
Though grosser, is hardly less wise;
'Twixt the former, half pedant, half pagan,
And the latter, half sow and half sloth,
We halt, choose Astarte or Dagon,
Or sacrifice freely to both.
With our reason that seeks to disparage,
Brute instinct it fails to subdue;
With our false illegitimate courage,
Our sophistry, vain and untrue;
Our hopes that ascend so and fall so,
Our passions, fierce hates and hot loves,
We are wise (aye, the snake is wise also) —
Wise as serpents, NOT harmless as doves.
Some flashes, like faint sparks from heaven,
34
Come rarely with rushing of wings;
We are conscious at times we have striven,
Though seldom, to grasp better things;
These pass, leaving hearts that have falter'd,
Good angels with faces estranged,
And the skin of the Ethiop unalter'd,
And the spots of the leopard unchanged.
Oh, earth! pleasant earth! have we hanker'd
To gather thy flowers and thy fruits?
The roses are wither'd, and canker'd
The lilies, and barren the roots
Of the fig-tree, the vine, the wild olive,
Sharp thorns and sad thistles that yield
Fierce harvest — so WE live, and SO live
The perishing beasts of the field.
And withal we are conscious of evil
And good — of the spirit and the clod,
Of the power in our hearts of a devil,
Of the power in our souls of a God,
Whose commandments are graven in no cypher,
But clear as His sun — from our youth
One at least we have cherished — "An eye for
An eye, and a tooth for a tooth."
Oh, man! of thy Maker the image;
To passion, to pride, or to wealth,
Sworn bondsman, from dull youth to dim age,
Thy portion the fire or the filth,
Dross seeking, dead pleasure's death rattle
Thy memories' happiest song,
And thy highest hope — scarce a drawn battle
With dark desperation. How long?
Roar louder! leap higher! ye surf-beds,
And sprinkle your foam on the furze;
Bring the dreams that brought sleep to our turf-beds,
To camps of our long ago years,
With the flashing and sparkling of broadswords,
35
With the tossing of banners and spears,
With the trampling of hard hoofs on hard swards,
With the mingling of trumpets and cheers.
The gale has gone down; yet outlasting
The gale, raging waves of the sea,
Casting up their own foam, ever casting
Their leprosy up with wild glee,
Still storm; so in rashness and rudeness
Man storms through the days of his grace;
Yet man cannot fathom God's goodness,
Exceeding God's infinite space.
And coldly and calmly and purely
Grey rock and green hillock lie white
In star-shine dream-laden — so surely
Night cometh — so cometh the night
When we, too, at peace with our neighbour,
May sleep where God's hillocks are piled,
Thanking HIM for a rest from day's labour,
And a sleep like the sleep of a child!
SCENE — The Castle in Normandy.
THORA working at embroidery, ELSPETH spinning.
Thora (sings):
We severed in autumn early,
Ere the earth was torn by the plough;
The wheat and the oats and the barley
Are ripe for the harvest now.
We sunder'd one misty morning,
Ere the hills were dimm'd by the rain,
Through the flowers those hills adorning —
Thou comest not back again.
My heart is heavy and weary
With the weight of a weary soul;
36
The mid-day glare grows dreary,
And dreary the midnight scroll.
The corn-stalks sigh for the sickle,
'Neath the load of the golden grain;
I sigh for a mate more fickle —
Thou comest not back again.
The warm sun riseth and setteth,
The night bringeth moistening dew,
But the soul that longeth forgetteth
The warmth and the moisture too;
In the hot sun rising and setting
There is naught save feverish pain;
There are tears in the night-dews wetting —
Thou comest not back again.
Thy voice in mine ear still mingles
With the voices of whisp'ring trees;
Thy kiss on my cheek still tingles
At each kiss of the summer breeze;
While dreams of the past are thronging
For substance of shades in vain,
I am waiting, watching, and longing —
Thou comest not back again.
Waiting and watching ever,
Longing and lingering yet,
Leaves rustle and corn-stalks quiver,
Winds murmur and waters fret;
No answer they bring, no greeting,
No speech save that sad refrain,
Nor voice, save an echo repeating —
He cometh not back again.
Elspeth:
Thine eldest sister is wedded to Max;
With Biorn, Hilda hath cast her lot.
If the husbands vanish'd, and left no tracks,
Would the wives have cause for sorrow, I wot?
Thora:
How well I remember that dreary ride;
37
How I sigh'd for the lands of ice and snow,
In the trackless wastes of the desert wide,
With the sun o'erhead and the sand below;
'Neath the scanty shades of the feathery palms,
How I sigh'd for the forest of sheltering firs,
Whose shadows environ'd the Danish farms,
Where I sang and sported in childish years.
On the fourteenth day of our pilgrimage
We stayed at the foot of a sandhill high;
Our fever'd thirst we could scarce assuage
At the brackish well that was nearly dry,
And the hot sun rose, and the hot sun set,
And we rode all the day through a desert land,
And we camp'd where the lake and the river met,
On sedge and shingle and shining sand:
Enfolded in Hugo's cloak I slept,
Or watch'd the stars while I lay awake;
And close to our feet the staghound crept,
And the horses were grazing beside the lake;
Now we own castles and serving men,
Lands and revenues. What of that?
Hugo the Norman was kinder then,
And happier was Thora of Armorat.
Elspeth:
Nay, I warn'd thee, with Norman sails unfurl'd
Above our heads, when we wished thee joy,
That men are the same all over the world,
They will worship only the newest toy;
Yet Hugo is kind and constant too,
Though somewhat given to studies of late;
Biorn is sottish, and Max untrue,
And worse than thine is thy sisters' fate.
But a shadow darkens the chamber door.
Enter THURSTON.
Thurston:
'Tis I, Lady Thora; our lord is near.
My horse being fresher, I rode before;
Both he and Eric will soon be here.
38
Thora:
Good Thurston, give me your hand. You are
Most welcome. What has delayed you thus?
Thurston:
Both by sea and land we have travell'd far,
Yet little of note has happened to us —
We were wreck'd on the shores of Brittany,
Near the coast of Morbihan iron-bound;
The rocks were steep and the surf ran high,
Thy kinsman, Eric, was well-nigh drown'd.
By a swarm of knaves we were next beset,
Who took us for corsairs; then released
By a Breton count, whose name I forget.
Now I go, by your leave, to tend my beast.
[He goes out.]
Elspeth:
That man is rude and froward of speech:
My ears are good, though my sight grows dim.
Thora:
Thurston is faithful. Thou canst not teach
Courtly nor servile manners to him.
SCENE — The Castle Hall.
THURSTON, RALPH, EUSTACE, and other followers of HUGO,
seated at a long table. HAROLD seated apart.
Thurston:
Who is that stranger, dark and tall,
On the wooden settle next to the wall —
Mountebank, pilgrim, or wandering bard?
Eustace:
To define his calling is somewhat hard;
Lady Thora has taken him by the hand
Because he has come from the Holy Land.
39
Pilgrims and palmers are all the rage
With her, since she shared in that pilgrimage
With Hugo. The stranger came yesterday,
And would have gone on, but she bade him stay.
Besides, he sings in the Danish tongue
The songs she has heard in her childhood sung.
That's all I know of him, good or bad;
In my own opinion he's somewhat mad.
You must raise your voice if you speak with him,
And he answers as though his senses were dim.
Thurston (to Harold):
Good-morrow, sir stranger.
Harold: Good-morrow, friend.
Thurston:
Where do you come from? and whither wend?
Harold:
I have travelled of late with the setting sun
At my back; and as soon as my task is done
I purpose to turn my face to the north —
Yet we know not what a day may bring forth.
Thurston:
Indeed we don't.
(To Eustace, aside): Nay, I know him now
By that ugly scar that crosses his brow;
And the less we say to him the better.
Your judgment is right to the very letter —
The man is mad.
Eustace: But harmless, I think;
He eats but little, eschews strong drink,
And only speaks when spoken to first.
Thurston:
Harmless or not, he was once the worst
And bitterest foe Lord Hugo had;
And yet his story is somewhat sad.
40
Eustace:
May I hear it?
Thurston: Nay, I never reveal
What concerns me not. Our lord may conceal
Or divulge at pleasure his own affairs, —
Not even his comrade Eric shares
His secrets; though Eric thinks him wise,
Which is more than I do, for I despise
That foolish science he learnt in Rome.
He dreams and mopes when he sits at home,
And now he's not much better abroad;
'Tis hard to follow so tame a lord.
'Twixt us two, he won't be worth a rush
If he will persist in his studies ——
Eustace: Hush!
Ralph has persuaded our guest to sing.
Thurston:
I have known the day when his voice would ring
Till the rafters echoed.
Eustace: 'Tis pleasant still,
Though far too feeble this hall to fill.
Harold (sings):
On the current, where the wide
Windings of the river
Eddy to the North Sea tide,
Shall I in my shallop glide,
As I have done at her side?
Never! never! never!
In the forest, where the firs,
Pines, and larches quiver
To the northern breeze that stirs,
Shall my lips be press'd to hers,
As they were in by-gone years?
Never! never! never!
41
In the battle on the plain,
Where the lance-shafts shiver,
And the sword-strokes fall like rain,
Shall I bear her scarf again
As I have done — not in vain?
Never! never! never!
In a fairer, brighter land,
Where the saints rest ever,
Shall I once more see her stand,
White, amidst a white-robed band,
Harp and palm-branch in her hand?
Never! never! never!
SCENE — The Same.
EUSTACE, THURSTON, and followers of HUGO. HAROLD.
Enter, by the hall door, HUGO, ERIC, and THORA.
Eustace (and others standing up):
Welcome, Lord Hugo!
Hugo: Welcome or not,
Thanks for your greeting all.
Ha, Eustace! what complaints hast thou got?
What grievances to recall?
Eustace:
Count William came with a numerous band,
Ere the snows began to fall,
And slew a buck on your lordship's land,
Within a league of the wall.
Hugo:
Count William has done to us no more
Than we to him. In his vineyard
Last summer, or later, maybe, a boar
Was slaughter'd by Thurston's whinyard.
42
Thurston:
Aye, Hugo! But William kept the buck,
I will wager marks a score,
Though the tale is new to me; and, worse luck,
You made me give back the boar.
Harold (advancing):
Lord Hugo!
Hugo: What! Art thou living yet?
I scarcely knew thee, Sir Dane!
And 'tis not so very long since we met.
Harold:
'Twill be long ere we meet again. (gives a letter)
This letter was traced by one now dead
In the Holy Land; and I
Must wait till his dying request is read,
And in his name ask the reply.
Thora (aside):
Who is that stranger, Hugo?
Hugo: By birth
He is a countryman of thine,
Thora. What writing is this on earth?
I can scarce decipher a line.
Harold:
The pen in the clutch of death works ill.
Hugo:
Nay, I read now; the letters run
More clearly.
Harold: Wilt grant the request?
Hugo: I will.
Harold:
Enough! Then my task is done. (He holds out his hand.)
Hugo, I go to a far-off land,
43
Wilt thou say, "God speed thee!" now?
Hugo:
Sir Harold, I cannot take thy hand,
Because of my ancient vow.
Harold:
Farewell, then.
Thora: Friend, till the morning wait.
On so wild a night as this
Thou shalt not go from my husband's gate;
The path thou wilt surely miss.
Harold:
I go. Kind lady, some future day
Thy care will requited be.
Thora:
Speak, Hugo, speak.
Hugo: He may go or stay,
It matters little to me.
[Harold goes out.]
Thora:
Husband, that man is ill and weak;
On foot he goes and alone
Through a barren moor in a night-storm bleak.
Eric:
Now I wonder where he has gone!
Hugo:
Indeed, I have not the least idea;
The man is certainly mad.
He wedded my sister, Dorothea,
And used her cruelly bad.
He was once my firmest and surest friend,
And once my deadliest foe;
But hate and friendship both find their end —
Now I heed not where he may go.
44
SCENE — A Chamber in the Castle.
HUGO, THORA, and ERIC.
Hugo:
That letter that came from Palestine,
By the hands of yon wandering Dane,
Will cost me a pilgrimage to the Rhine.
Thora:
Wilt thou travel so soon again?
Hugo:
I can scarce refuse the dying request
Of my comrade, Baldwin, now;
His bones are dust. May his soul find rest
He once made a foolish vow,
That at Englemehr, 'neath the watchful care
Of the Abbess, his child should stay,
For a season at least. To escort her there
I must start at the break of day.
Thora:
Is it Agatha that goes, or Clare?
Hugo:
Nay, Clare is dwelling in Spain
With her spouse.
Thora: 'Tis Agatha. She is fair,
I am told; but giddy and vain.
Eric:
Some musty tales on my memory grow
Concerning Count Baldwin's vow;
Thou knew'st his daughter?
Hugo: Aye, years ago.
I should scarcely know her now.
45
It seems, when her father's vow was made,
She was taken sorely ill;
Then he travell'd, and on his return was stay'd;
He could never his oath fulfil.
Eric:
If rightly I've heard, 'twas Agatha
That fled with some Danish knight —
I forget the name.
Hugo: Nay, she fled not far;
She returned again that night.
Thora:
For a nun, I fear, she is too self-willed.
Hugo:
That is no affair of mine.
My task is over, my word fulfilled,
Should I bring her safe to the Rhine.
Come, Thora, sing.
Thora: Nay, I cannot sing,
Nor would I now if I could.
Sing thou.
Hugo: I will, though my voice should bring
No sound save a discord rude.
(Sings.)
Where the storm in its wrath hath lighted,
The pine lies low in the dust;
And the corn is withered and blighted,
Where the fields are red with the rust;
Falls the black frost, nipping and killing,
Where its petals the violet rears,
And the wind, though tempered, is chilling
To the lamb despoiled by the shears.
The strong in their strength are shaken,
The wise in their wisdom fall;
And the bloom of beauty is taken —
Strength, wisdom, beauty, and all,
46
They vanish, their lot fulfilling,
Their doom approaches and nears,
But the wind, though tempered, is chilling
To the lamb despoiled by the shears.
'Tis the will of a Great Creator,
He is wise, His will must be done,
And it cometh sooner or later;
And one shall be taken, and one
Shall be left here, toiling and tilling,
In this vale of sorrows and tears,
Where the wind, though tempered, is chilling
To the lamb despoiled by the shears.
Tell me, mine own one, tell me,
The shadows of life and the fears
Shall neither daunt me nor quell me,
While I can avert thy tears:
Dost thou shrink, as I shrink, unwilling
To realise lonely years?
Since the wind, though tempered, is chilling
To the lamb despoiled by the shears.
Enter HENRY.
Henry:
My lord, Father Luke craves audience straight,
He has come on foot from the chapel;
Some stranger perished beside his gate
When the dawn began to dapple.
SCENE — A Chapel Not Very Far from Hugo's Castle.
HUGO, ERIC, and two Monks (LUKE and HUBERT). The dead body of HAROLD.
Luke:
When the dawn was breaking,
Came a faint sound, waking
Hubert and myself; we hurried to the door,
Found the stranger lying
47
At the threshold, dying.
Somewhere have I seen a face like his before.
Hugo:
Harold he is hight.
Only yester-night
From our gates he wander'd, in the driving hail;
Well his face I know,
Both as friend and foe;
Of my followers only Thurston knows his tale.
Luke:
Few the words he said,
Faint the signs he made,
Twice or thrice he groaned; quoth Hubert, "Thou hast sinn'd.
This is retribution,
Seek for absolution;
Answer me — then cast thy sorrows to the wind.
Do their voices reach thee,
Friends who failed to teach thee,
In thine earlier days, to sunder right from wrong?
Charges 'gainst thee cited,
Cares all unrequited,
Counsels spurned and slighted — do they press and throng?"
But he shook his head.
"'Tis not so," he said;
"They will scarce reproach me who reproached of yore.
If their counsels good,
Rashly I withstood;
Having suffered longer, I have suffered more."
"Do their curses stun thee?
Foes who failed to shun thee,
Stricken by rash vengeance, in some wild career,
As the barbed arrow
Cleaveth bone and marrow,
From those chambers narrow — do they pierce thine ear?"
And he made reply,
Laughing bitterly,
"Did I fear them living — shall I fear them dead?
Blood that I have spilt
Leaveth little guilt;
48
On the hand it resteth, scarcely on the head."
"Is there one whom thou
May'st have wronged ere now,
Since remorse so sorely weigheth down thine heart?
By some saint in heaven,
Sanctified and shriven,
Would'st thou be forgiven ere thy soul depart?"
Not a word he said,
But he bowed his head
Till his temples rested on the chilly sods
And we heard him groan —
"Ah! mine own, mine own!
If I had thy pardon I might ask for God's."
Hubert raised him slowly,
Sunrise, faint and holy,
Lit the dead face, placid as a child's might be.
May the troubled spirit,
Through Christ's saving merit,
Peace and rest inherit. Thus we sent for thee.
Hugo:
God o'erruleth fate.
I had cause for hate;
In this very chapel, years back, proud and strong,
Joined by priestly vows,
He became the spouse
Of my youngest sister, to her bitter wrong.
And he wrought her woe,
Making me his foe;
Not alone unfaithful — brutal, too, was he.
She had scarce been dead
Three months, ere he fled
With Count Baldwin's daughter, then betrothed to me.
Fortune straight forsook him,
Vengeance overtook him;
Heavy crimes will bring down heavy punishment.
All his strength was shatter'd,
Even his wits were scatter'd,
Half-deranged, half-crippled, wandering he went.
We are unforgiving
49
While our foes are living;
Yet his retribution weigh'd so heavily
That I feel remorse,
Gazing on his corpse,
For my rudeness when he left our gates to die.
And his grave shall be
'Neath the chestnut tree,
Where he met my sister many years ago;
Leave that tress of hair
On his bosom there —
Wrap the cerecloth round him! Eric, let us go.
SCENE — A Room in the Castle.
HUGO and ERIC. Early morning.
Hugo:
The morn is fair, the weary miles
Will shorten 'neath the summer's wiles;
Pomona in the orchard smiles,
And in the meadow, Flora!
And I have roused a chosen band
For escort through the troubled land;
And shaken Elspeth by the hand,
And said farewell to Thora.
Comrade and kinsman — for thou art
Comrade and kin to me — we part
Ere nightfall, if at once we start,
We gain the dead Count's castle.
The roads are fair, the days are fine,
Ere long I hope to reach the Rhine.
Forsooth, no friend to me or mine
Is that same Abbot Basil;
I thought he wronged us by his greed.
My father sign'd a foolish deed
For lack of gold in time of need,
And thus our lands went by us;
Yet wrong on our side may have been:
As far as my will goes, I ween,
'Tis past, the grudge that lay between
50
Us twain. Men call him pious —
And I have prosper'd much since then,
And gain'd for one lost acre ten;
And even the ancient house and glen
Rebought with purchase-money.
He, too, is wealthy; he has got
By churchly rights a fertile spot,
A land of corn and wine, I wot,
A land of milk and honey.
Now, Eric, change thy plans and ride
With us; thou hast no ties, no bride.
Eric:
Nay, ties I have, and time and tide,
Thou knowest, wait for no man;
And I go north; God's blessing shuns
The dwellings of forgetful sons,
That proverb he may read who runs,
In Christian lore or Roman.
My good old mother she hath heard,
For twelve long months, from me no word;
At thought of her my heart is stirr'd,
And even mine eyes grow moister.
Greet Ursula from me; her fame
Is known to all. A nobler dame,
Since days of Clovis, ne'er became
The inmate of a cloister.
Our paths diverge, yet we may go
Together for a league or so;
I, too, will join thy band below
When thou thy bugle windest.
[Eric goes out.]
Hugo:
From weaknesses we stand afar,
On us unpleasantly they jar;
And yet the stoutest-hearted are
The gentlest and the kindest.
My mother loved me tenderly;
Alas! her only son was I.
I shudder'd, but my lids were dry,
By death made orphan newly.
51
A braver man than me, I swear,
Who never comprehended fear,
Scarce names his mother, and the tear,
Unbidden, springs unruly.
SCENE — A Road on the Norman Frontiers.
HUGO, AGATHA, ORION, THURSTON, and armed attendants, riding slowly.
Agatha:
Sir Knight, what makes you so grave and glum?
At times I fear you are deaf or dumb,
Or both.
Hugo: And yet, should I speak the truth,
There is little in common 'twixt us, forsooth;
You would think me duller, and still more vain,
If I uttered the thoughts that fill my brain;
Since the matters with which my mind is laden
Would scarcely serve to amuse a maiden.
Agatha:
I am so foolish and you are so wise,
'Tis the meaning your words so ill disguise.
Alas! my prospects are sad enough:
I had rather listen to speeches rough
Than muse and meditate silently
On the coming loss of my liberty.
Sad hope to me can my future bring,
Yet, while I may, I would prattle and sing,
Though it only were to try and assuage
The dreariness of my pilgrimage.
Hugo:
Prattle and sing to your heart's content,
And none will offer impediment.
Agatha (sings):
We were playmates in childhood, my sister and I,
Whose playtime with childhood is done;
52
Through thickets where briar and bramble grew high,
Barefooted I've oft seen her run.
I've known her, when mists on the moorland hung white,
Bareheaded past nightfall remain;
She has followed a landless and penniless knight
Through battles and sieges in Spain.
But I pulled the flower, and shrank from the thorn,
Sought the sunshine, and fled from the mist;
My sister was born to face hardship with scorn —
I was born to be fondled and kiss'd.
Hugo (aside):
She has a sweet voice.
Orion: And a sweet face, too —
Be candid for once, and give her her due.
Agatha:
Your face grows longer, and still more long,
Sir Scholar! how did you like my song?
Hugo:
I thought it rather a silly one.
Agatha:
You are far from a pleasant companion.
SCENE — An Apartment in a Wayside Inn.
HUGO and AGATHA. Evening.
Hugo:
I will leave you now — we have talked enough,
And for one so tenderly reared and nursed
This journey is wearisome, perhaps, and rough.
Agatha: Will you not finish your story first?
53
Hugo:
I repent me that I began it now,
'Tis a dismal tale for a maiden's ears;
Your cheek is pale already, your brow
Is sad, and your eyes are moist with tears.
Agatha:
It may be thus, I am lightly vexed,
But the tears will lightly come and go;
I can cry one moment and laugh the next,
Yet I have seen terrors, as well you know.
I remember that flight through moss and fern,
The moonlit shadows, the hoofs that rolled
In fierce pursuit, and the ending stern,
And the hawk that left his prey on the wold.
Hugo:
I have sorrowed since that I left you there:
Your friends were close behind on the heath,
Though not so close as I thought they were.
(Aside.) Now I will not tell her of Harold's death.
Agatha:
'Tis true, I was justly punished, and men,
As a rule, of pity have little share;
Had I died you had cared but little then.
Hugo: But little then, yet now I should care
More than you think for. Now, good-night.
Tears still? Ere I leave you, child, alone,
Must I dry your cheeks?
Agatha: Nay, I am not quite
Such a child but what I can dry my own.
[Hugo goes out. Agatha retires.]
Orion (singing outside the window of Agatha's chamber):
'Neath the stems with blossoms laden,
'Neath the tendrils curling,
I, thy servant, sing, oh, maiden!
I, thy slave, oh, darling!
54
Lo! the shaft that slew the red deer,
At the elk may fly too.
Spare them not! The dead are dead, dear,
Let the living die too.
Where the wiles of serpent mingle,
And the looks of dove lie,
Where small hands in strong hands tingle,
Loving eyes meet lovely:
Where the harder natures soften,
And the softer harden —
Certes! such things have been often
Since we left Eve's garden.
Sweeter follies herald sadder
Sins — look not too closely;
Tongue of asp and tooth of adder
Under leaf of rose lie.
Warned, advised in vain, abandon
Warning and advice too,
Let the child lay wilful hand on
Den of cockatrice too.
I, thy servant, or thy master,
One or both — no matter;
If the former — firmer, faster,
Surer still the latter —
Lull thee, soothe thee with my singing,
Bid thee sleep, and ponder
On my lullabies still ringing
Through thy dreamland yonder.
SCENE — A Wooded Rising Ground, Near the Rhine.
HUGO and AGATHA resting under the trees. THURSTON, EUSTACE,
and followers a little apart. ORION. (Noonday.)
The Towers of the Convent in the distance.
Agatha:
I sit on the greensward, and hear the bird sing,
55
'Mid the thickets where scarlet and white blossoms cling;
And beyond the sweet uplands all golden with flower,
It looms in the distance, the grey convent tower.
And the emerald earth and the sapphire-hued sky
Keep telling me ever my spring has gone by;
Ah! spring premature, they are tolling thy knell,
In the wind's soft adieu, in the bird's sweet farewell.
Oh! why is the greensward with garlands so gay,
That I quail at the sight of my prison-house grey?
Oh! why is the bird's note so joyous and clear?
The caged bird must pine in a cage doubly drear.
Hugo:
May the lances of Dagobert harry their house,
If they coax or intimidate thee to take vows;
May the freebooters pillage their shrines, should they dare
Touch with their scissors thy glittering hair.
Our short and sweet journey now draws to an end,
And homeward my sorrowful way I must wend;
Oh, fair one! oh, loved one! I would I were free,
To squander my life in the greenwood with thee.
Orion (aside):
Ho! seeker of knowledge, so grave and so wise,
Touch her soft curl again — look again in her eyes;
Forget for the nonce musty parchments, and learn
How the slow pulse may quicken — the cold blood may burn.
Ho! fair, fickle maiden, so blooming and shy!
The old love is dead, let the old promise die!
Thou dost well, thou dost wise, take the word of Orion,
"A living dog always before a dead lion!"
Thurston:
Ye varlets, I would I knew which of ye burst
Our wine-skin — what, ho! must I perish with thirst!
Go, Henry, thou hast a glib tongue, go and ask
Thy lord to send Ralph to yon inn for a flask.
Henry:
Nay, Thurston, not so; I decline to disturb
56
Our lord for the present; go thou, or else curb
Thy thirst, or drink water, as I do.
Thurston: Thou knave
Of a page, dost thou wish me the colic to have?
Orion (aside):
That clown is a thoroughbred Saxon. He thinks
With pleasure on naught save hard blows and strong drinks;
In hell he will scarce go athirst if once given
An inkling of any good liquors in heaven.
Hugo:
Our Pontiff to manhood at Englemehr grew,
The priests there are many, the nuns are but few.
I love not the Abbot — 'tis needless to tell
My reason; but all of the Abbess speak well.
Agatha:
Through vineyards and cornfields beneath us, the Rhine
Spreads and winds, silver-white, in the merry sunshine;
And the air, overcharged with a subtle perfume,
Grows faint from the essence of manifold bloom.
Hugo:
And the tinkling of bells, and the bleating of sheep,
And the chaunt from the fields, where the labourers reap
The earlier harvest, comes faint on the breeze,
That whispers so faintly in hedgerows and trees.
Orion:
And a waggon wends slow to those turrets and spires,
To feed the fat monks and the corpulent friars;
It carries the corn, and the oil, and the wine,
The honey and milk from the shores of the Rhine.
The oxen are weary and spent with their load,
They pause, but the driver doth recklessly goad;
Up yon steep, flinty rise they have staggered and reeled,
Even devils may pity dumb beasts of the field.
57
Agatha (sings):
Oh! days and years departed,
Vain hopes, vain fears that smarted,
I turn to you sad-hearted —
I turn to you in tears!
Your daily sun shone brightly,
Your happy dreams came nightly,
Flowers bloomed and birds sang lightly,
Through all your hopes and fears!
You halted not, nor tarried,
Your hopes have all miscarried,
And even your fears are buried,
Since fear with hope must die.
You halted not, but hasted,
And flew past, childhood wasted,
And girlhood scarcely tasted,
Now womanhood is nigh.
Yet I forgive your wronging,
Dead seasons round me thronging,
With yearning and with longing,
I call your bitters sweet.
Vain longing, and vain yearning,
There now is no returning;
Oh! beating heart and burning,
Forget to burn and beat!
Oh! childish suns and showers,
Oh! girlish thorns and flowers,
Oh! fruitless days and hours,
Oh! groundless hopes and fears:
The birds still chirp and twitter,
And still the sunbeams glitter:
Oh! barren years and bitter,
Oh! bitter, barren years!
SCENE — The Summit of a Burning Mountain.
Night. A terrific storm. ORION (undisguised).
58
Orion (sings):
From fathomless depths of abysses,
Where fires unquenchable burst,
From the blackness of darkness, where hisses
The brood of the serpent accurs'd;
From shrines where the hymns are the weeping
And wailing and gnashing of teeth,
Where the palm is the pang never sleeping,
Where the worm never dying is the wreath;
Where all fruits save wickedness wither,
Whence naught save despair can be gleaned —
Come hither! come hither! come hither!
Fall'n angel, fell sprite, and foul fiend.
Come hither! the bands are all broken,
And loosed in hell's innermost womb,
When the spell unpronounceable spoken
Divides the unspeakable gloom.
Evil Spirits approach. The storm increases.
Evil Spirits (singing):
We hear thee, we seek thee, on pinions
That darken the shades of the shade;
Oh! Prince of the Air, with dominions
Encompass'd, with powers array'd,
With majesty cloth'd as a garment,
Begirt with a shadowy shine,
Whose feet scorch the hill-tops that are meant
As footstools for thee and for thine.
Orion (sings):
How it swells through each pause of the thunder,
And mounts through each lull of the gust,
Through the crashing of crags torn asunder,
And the hurtling of trees in the dust;
With a chorus of loud lamentations,
With its dreary and hopeless refrain!
'Tis the cry of all tongues and all nations,
That suffer and shudder in vain.
59
Evil Spirits (singing):
'Tis the cry of all tongues and all nations;
Our song shall chime in with their strain;
Lost spirits blend their wild exultations
With the sighing of mortals in pain.
Orion (sings):
With just light enough to see sorrows
In this world, and terrors beyond,
'Twixt the day's bitter pangs and the morrow's
Dread doubts, to despair and despond,
Man lingers through toils unavailing
For blessings that baffle his grasp;
To his cradle he comes with a wailing,
He goes to his grave with a gasp.
Evil Spirits (singing):
His birth is a weeping and wailing,
His death is a groan and a gasp;
O'er the seed of the woman prevailing,
Thus triumphs the seed of the asp.
SCENE — Chamber of a Wayside Inn.
HUGO sitting alone. Evening.
Hugo:
And now the parting is over,
The parting should end the pain;
And the restless heart may recover,
And so may the troubled brain.
I am sitting within the chamber
Whose windows look on the porch,
Where the roses cluster and clamber;
We halted here on our march
With her to the convent going,
And now I go back alone:
Ye roses, budding and blowing,
Ye heed not though she is flown.
60
I remember the girlish gesture,
The sportive and childlike grace,
With which she crumpled and pressed your
Rose leaves to her rose-hued face.
Shall I think on her ways hereafter —
On those flashes of mirth and grief,
On that April of tears and laughter,
On our parting, bitterly brief?
I remember the bell at sunrise,
That sounded so solemnly,
Bidding monk, and prelate, and nun rise;
I rose ere the sun was high.
Down the long, dark, dismal passage,
To the door of her resting-place
I went, on a farewell message,
I trod with a stealthy pace.
There was no one there to see us
When she opened her chamber door.
"Miserere, mei Deus",
Rang faint from the convent choir.
I remember the dark and narrow
And scantily-furnished room;
And the gleam, like a golden arrow —
The gleam that lighted the gloom.
One couch, one seat, and one table,
One window, and only one —
It stands in the eastern gable,
It faces the rising sun;
One ray shot through it, and one light
On doorway and threshold played.
She stood within in the sunlight,
I stood without in the shade.
I remember that bright form under
The sheen of that slanting ray.
I spoke — "For life we must sunder,
Let us sunder without delay.
Let us sever without preamble,
As brother and sister part,
For the sake of one pleasant ramble,
61
That will live in at least one heart."
Still the choir in my ears rang faintly,
In the distance dying away,
Sweetly and sadly and saintly,
Through arch and corridor grey!
And thus we parted for ever,
Between the shade and the shine;
Not as brother and sister sever —
I fondled her hands in mine.
Still the choir in my ears rang deaden'd
And dull'd, though audible yet;
And she redden'd, and paled, and redden'd —
Her lashes and lids grew wet.
Not as brother severs from sister,
My lips clung fast to her lips;
She shivered and shrank when I kissed her.
On the sunbeam drooped the eclipse.
I remember little of the parting
With the Abbot, down by the gate,
My men were eager for starting;
I think he pressed me to wait.
From the lands where convent and glebe lie,
From manors, and Church's right,
Where I fought temptation so feebly,
I, too, felt eager for flight.
Alas! the parting is over —
The parting, but not the pain —
Oh! sweet was the purple clover,
And sweet was the yellow grain;
And sweet were the woody hollows
On the summery Rhineward track;
But a winter untimely swallows
All sweets as I travel back.
Yet I feel assured, in some fashion,
Ere the hedges are crisp with rime,
I shall conquer this senseless passion,
'Twill yield to toil and to time.
I will fetter these fancies roaming;
Already the sun has dipped;
62
I will trim the lamps in the gloaming,
I will finish my manuscript.
Through the nightwatch unflagging study
Shall banish regrets perforce;
As soon as the east is ruddy
Our bugle shall sound "To Horse!"
SCENE — Another Wayside House, Near the Norman Frontier.
HUGO and ORION in a chamber. Evening.
Orion:
Your eyes are hollow, your step is slow,
And your cheek is pallid as though from toil,
Watching or fasting, by which I know
That you have been burning the midnight oil.
Hugo:
Aye, three nights running.
Orion: 'Twill never do
To travel all day, and study all night;
Will you join in a gallop through mist and dew,
In a flight that may vie with the eagle's flight?
Hugo:
With all my heart. Shall we saddle "Rollo"?
Orion:
Nay, leave him undisturb'd in his stall;
I have steeds he would hardly care to follow.
Hugo:
Follow, forsooth! he can lead them all.
Orion:
Touching his merits we will not quarrel;
But let me mount you for once; enough
Of work may await your favourite sorrel,
And the paths we must traverse to-night are rough.
63
But first let me mix you a beverage,
To invigorate your enfeebled frame.
[He mixes a draught and hands it to Hugo.]
All human ills this draught can assuage.
Hugo:
It hisses and glows like liquid flame;
Say, what quack nostrum is this thou'st brewed?
Speak out; I am learned in the chemist's lore.
Orion:
There is nothing but what will do you good;
And the drugs are simples; 'tis hellebore,
Nepenthe, upas, and dragon's blood,
Absinthe, and mandrake, and mandragore.
Hugo:
I will drink it, although, by mass and rood,
I am just as wise as I was before.
SCENE — A Rough, Hilly Country.
HUGO and ORION riding at speed on black horses.
Mountains in the distance. Night.
Hugo:
See! the sparks that fly from our hoof-strokes make
A fiery track that gleams in our wake;
Like a dream the dim landscape past us shoots,
Our horses fly.
Orion: They are useful brutes,
Though somewhat skittish; the foam is whit'ning
The crest and rein of my courser "Lightning";
He pulls to-night, being short of work,
And takes his head with a sudden jerk;
Still heel and steady hand on the bit,
For that is "Tempest" on which you sit.
Hugo:
64
'Tis the bravest steed that ever I back'd;
Did'st mark how he crossed yon cataract?
From hoof to hoof I should like to measure
The space he clear'd.
Orion: He can clear at leisure
A greater distance. Observe the chasm
We are nearing. Ha! did you feel a spasm
As we flew over it?
Hugo: Not at all.
Orion:
Nathless 'twas an ugly place for a fall.
Hugo:
Let us try a race to yon mountain high,
That rears its dusky peak 'gainst the sky.
Orion:
I won't disparage your horsemanship,
But your steed will stand neither spur nor whip,
And is hasty and hard to steer at times.
We must travel far ere the midnight chimes;
We must travel back ere the east is grey.
Ho! "Lightning"! "Tempest"! Away! Away!
[They ride on faster.]
SCENE — A Peak in a Mountainous Country Overhanging a Rocky Pass.
HUGO and ORION on black horses. Midnight.
Hugo:
These steeds are sprung from no common race,
Their vigour seems to annihilate space;
What hast thou brought me here to see?
Orion:
No boisterous scene of unhallow'd glee,
No sabbat of witches coarse and rude,
65
But a mystic and musical interlude;
You have long'd to explore the scrolls of Fate,
Dismount, as I do, and listen and wait.
[They dismount.]
Orion (chanting):
Spirits of earth, and air, and sea,
Spirits unclean, and spirits untrue,
By the symbols three that shall nameless be,
One of your masters calls on you.
Spirits (chanting in the distance):
From the bowels of earth, where gleams the gold;
From the air where the powers of darkness hold
Their court; from the white sea-foam,
Whence the white rose-tinted goddess sprung,
Whom poets of every age have sung,
Ever we come! we come!
Hugo:
How close to our ears the thunder peals!
How the earth beneath us shudders and reels!
A Voice (chanting):
Woe to the earth! Where men give death!
And women give birth!
To the sons of Adam, by Cain or Seth!
Plenty and dearth!
To the daughters of Eve, who toil and spin,
Barren of worth!
Let them sigh, and sicken, and suffer sin!
Woe to the earth!
Hugo:
What is yon phantom large and dim
That over the mountain seems to swim?
Orion:
'Tis the scarlet woman of Babylon!
Hugo:
Whence does she come? Where has she gone?
66
And who is she?
Orion: You would know too much;
These are subjects on which I dare not touch;
And if I were to try and enlighten you,
I should probably fail, and possibly frighten you.
You had better ask some learned divine,
Whose opinion is p'rhaps worth as much as mine,
In his own conceit; and who, besides,
Could tell you the brand of the beast she rides.
What can you see in the valley yonder?
Speak out; I can hear you, for all the thunder.
Hugo:
I see four shadowy altars rise,
They seem to swell and dilate in size;
Larger and clearer now they loom,
Now fires are lighting them through the gloom.
A Voice (chanting):
The first a golden-hued fire shows,
A blood-red flame on the second glows,
The blaze on the third is tinged like the rose,
From the fourth a column of black smoke goes.
Orion:
Can you see all this?
Hugo: I see and hear;
The lights and hues are vivid and clear.
Spirits (sing at the first altar):
Hail, Mammon! while man buys and barters,
Thy kingdom in this world is sure;
Thy prophets thou hast and thy martyrs,
Great things in thy name they endure;
Thy fetters of gold crush the miser,
The usurer bends at thy shrine,
And the wealthier nations and the wiser
Bow with us at this altar of thine.
Spirits (sing at the second altar):
67
Hail, Moloch! whose banner floats blood-red,
From pole to equator unfurl'd,
Whose laws redly written have stood red,
And shall stand while standeth this world;
Clad in purple, with thy diadem gory,
Thy sceptre the blood-dripping steel,
Thy subjects with us give thee glory,
With us at thine altar they kneel.
Spirits (sing at the third altar):
Hail, Sovereign! whose fires are kindled
By sparks from the bottomless pit,
Has thy worship diminish'd or dwindled?
Do the yokes of thy slaves lightly sit?
Nay, the men of all climes and all races
Are stirr'd by the flames that now stir us;
Then (as we do) they fall on their faces,
Crying, "Hear us! Oh! Ashtaroth, hear us!"
Spirits (all in chorus):
The vulture her carrion swallows,
Returns to his vomit the dog.
In the slough of uncleanliness wallows
The he-goat, and revels the hog.
Men are wise with their schools and their teachers,
Men are just with their creeds and their priests;
Yet, in spite of their pedants and preachers,
They backslide in footprints of beasts!
Hugo:
From the smoky altar there seems to come
A stifled murmur, a droning hum.
Orion:
With that we have nothing at all to do,
Or, at least, not now, neither I nor you;
Though some day or other, possibly
We may see it closer, both you and I;
Let us visit the nearest altar first,
Whence the yellow fires flicker and burst,
Like the flames from molten ore that spring;
We may stand in the pale of the outer ring,
68
But forbear to trespass within the inner,
Lest the sins of the past should find out the sinner.
[They approach the first altar, and stand within the
outer circle which surrounds it, and near the inner.]
Spirits (sing):
Beneath us it flashes,
The glittering gold,
Though it turneth to ashes
And dross in the hold;
Yet man will endeavour,
By fraud or by strife,
To grasp it and never
To yield it with life.
Orion:
What can you see?
Hugo: Some decrepit shapes,
That are neither dwarfs, nor demons, nor apes;
In the hollow earth they appear to store
And rake together great heaps of ore.
Orion:
These are the gnomes, coarse sprites and rough;
Come on, of these we have seen enough.
[They approach second altar and stand as before.]
Spirits (singing):
Above us it flashes,
The glittering steel,
Though the red blood splashes
Where its victims reel;
Yet man will endeavour
To grapple the hilt,
And to wield the blade ever
Till his life be spilt.
Orion:
What see you now?
Hugo: A rocky glen,
69
A horrid jumble of fighting men,
And a face that somewhere I've seen before.
Orion:
Come on; there is naught worth seeing more,
Except the altar of Ashtaroth.
Hugo:
To visit that altar I am loth.
Orion:
Why so?
Hugo: Nay, I cannot fathom why,
But I feel no curiosity.
Orion:
Come on. Stand close to the inner ring,
And hear how sweetly these spirits sing.
[They approach third altar.]
Spirits (sing):
Around us it flashes,
The cestus of one
Born of white foam, that dashes
Beneath the white sun;
Let the mortal take heart, he
Has nothing to dare;
She is fair, Queen Astarte,
Her subjects are fair!
Orion:
What see you now, friend?
Hugo: Wood and wold,
And forms that look like the nymphs of old.
There is nothing here worth looking at twice.
I have seen enough.
Orion: You are far too nice;
Nevertheless, you must look again.
Those forms will fade.
70
Hugo: They are growing less plain.
They vanish. I see a door that seems
To open; a ray of sunlight gleams
From a window behind; a vision as fair
As the flush of dawn is standing there.
[He gazes earnestly.]
Orion (sings):
Higher and hotter the white flames glow,
And the adamant may be thaw'd like snow,
And the life for a single chance may go,
And the soul for a certainty.
Oh! vain and shallow philosopher,
Dost feel them quicken, dost feel them stir,
The thoughts that have stray'd again to HER
From whom thou hast sought to fly?
Lo! the furnace is heated till sevenfold;
Is thy brain still calm? Is thy blood still cold
To the curls that wander in ripples of gold,
On the shoulders of ivory?
Do the large, dark eyes, and the small, red mouth,
Consume thine heart with a fiery drouth,
Like the fierce sirocco that sweeps from the south,
When the deserts are parch'd and dry?
Aye, start and shiver and catch thy breath,
The sting is certain, the venom is death,
And the scales are flashing the fruit beneath,
And the fang striketh suddenly.
At the core the ashes are bitter and dead,
But the rind is fair and the rind is red,
It has ever been pluck'd since the serpent said,
Thou shalt NOT SURELY die.
[Hugo tries to enter the inner ring;
Orion holds him back; they struggle.]
Hugo:
Unhand me, slave! or quail to the rod!
Agatha! Speak! in the name of God!
71
[The vision disappears; the altars vanish.
Hugo falls insensible.]
SCENE — The Wayside House.
HUGO waking in his chamber. ORION unseen at first. Morning.
Hugo:
Vanish, fair and fatal vision!
Fleeting shade of fever'd sleep,
Chiding one whose indecision
Waking substance failed to keep;
Picture into life half starting,
As in life once seen before,
Parting somewhat sadly, parting
Slowly at the chamber door.
Were my waking senses duller?
Have I seen with mental eye
Light and shade, and warmth and colour,
Plainer than reality?
Sunlight that on tangled tresses
Every ripple gilds and tips;
Balm and bloom, and breath of kisses,
Warm on dewy, scarlet lips.
Dark eyes veiling half their splendour
'Neath their lashes' darker fringe,
Dusky, dreamy, deep and tender,
Passing smile and passing tinge;
Dimpling fast and flushing faster,
Ivory chin and coral cheek,
Pearly strings, by alabaster
Neck and arms made faint and weak;
Drooping, downcast lids enduring
Gaze of man unwillingly;
Sudden, sidelong gleams alluring,
Partly arch and partly shy.
72
Do I bless or curse that beauty?
Am I longing, am I loth?
Is it passion, is it duty
That I strive with, one or both?
Round about one fiery centre
Wayward thoughts like moths revolve.
[He sees Orion.]
Ha! Orion, thou didst enter
Unperceived. I pray thee solve
These two questions: Firstly, tell me,
Must I strive for wrong or right?
Secondly, what things befell me —
Facts, or phantasies — last night?
Orion:
First, your strife is all a sham, you
Know as well as I which wins;
Second, waking sins will damn you,
Never mind your sleeping sins;
Both your questions thus I answer;
Listen, ere you seek or shun:
I at least am no romancer,
What you long for may be won.
Turn again and travel Rhineward,
Tread once more the flowery path.
Hugo:
Aye, the flowery path that, sinward
Pointing, ends in sin and wrath.
Orion:
Songs by love-birds lightly caroll'd,
Even the just man may allure.
Hugo:
To his shame; in this wise Harold
Sinn'd, his punishment was sure.
Orion:
Nay, the Dane was worse than you are,
Base and pitiless to boot;
73
Doubtless all are bad, yet few are
Cruel, false, and dissolute.
Hugo:
Some sins foreign to our nature
Seem; we take no credit when
We escape them.
Orion: Yet the creature,
Sin-created, lives to sin.
Hugo:
Be it so; come good, come evil,
Ride we to the Rhine again!
Orion (aside):
'Gainst the logic of the devil
Human logic strives in vain.
SCENE — A Camp Near the Black Forest.
RUDOLPH, OSRIC, DAGOBERT, and followers. ORION disguised as
one of the Free-lances. Mid-day.
Osric:
Now, by axe of Odin, and hammer of Thor,
And by all the gods of the Viking's war,
I swear we have quitted our homes in vain:
We have nothing to look to, glory nor gain.
Will our galley return to Norway's shore
With heavier gold, or with costlier store?
Will our exploits furnish the scald with a song?
We have travell'd too far, we have tarried too long.
Say, captains all, is there ever a village
For miles around that is worth the pillage?
Will it pay the costs of my men or yours
To harry the homesteads of German boors?
Have we cause for pride in our feats of arms
When we plunder the peasants or sack the farms?
I tell thee, Rudolph of Rothenstein,
74
That were thy soldiers willing as mine,
And I sole leader of this array,
I would give Prince Otto battle this day.
Dost thou call thy followers men of war?
Oh, Dagobert! thou whose ancestor
On the neck of the Caesar's offspring trod,
Who was justly surnamed "The Scourge of God".
Yet in flight lies safety. Skirmish and run
To forest and fastness, Teuton and Hun,
From the banks of the Rhine to the Danube's shore,
And back to the banks of the Rhine once more;
Retreat from the face of an armed foe,
Robbing garden and hen-roost where'er you go.
Let the short alliance betwixt us cease,
I and my Norsemen will go in peace!
I wot it never will suit with us,
Such existence, tame and inglorious;
I could live no worse, living single-handed,
And better with half my men disbanded.
Rudolph:
Jarl Osric, what would'st thou have me do?
'Gainst Otto's army our men count few;
With one chance of victory, fight, say I!
But not when defeat is a certainty.
If Rudiger joins us with his free-lances,
Our chance will be equal to many chances;
For Rudiger is both prompt and wary;
And his men are gallant though mercenary;
But the knave refuses to send a lance
Till half the money is paid in advance.
Dagobert:
May his avarice wither him like a curse!
I guess he has heard of our late reverse;
But, Rudolph, whether he goes or stays,
There is reason in what Jarl Osric says;
Of provisions we need a fresh supply,
And our butts and flasks are shallow or dry;
My men are beginning to grumble sadly,
'Tis no wonder, since they must fare so badly.
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Rudolph:
We have plenty of foragers out, and still
We have plenty of hungry mouths to fill;
And, moreover, by some means, foul or fair,
We must raise money; 'tis little I care,
So long as we raise it, whence it comes.
Osric:
Shall we sit till nightfall biting our thumbs?
The shortest plan is ever the best;
Has anyone here got aught to suggest?
Orion:
The cornfields are golden that skirt the Rhine,
Fat are the oxen, strong is the wine,
In those pleasant pastures, those cellars deep,
That o'erflow with the tears that those vineyards weep;
Is it silver you stand in need of, or gold?
Ingot or coin? There is wealth untold
In the ancient convent of Englemehr;
That is not so very far from here.
The Abbot, esteem'd a holy man,
Will hold what he has and grasp what he can;
The cream of the soil he loves to skim,
Why not levy a contribution on him?
Dagobert:
The stranger speaks well; not far away
That convent lies; and one summer's day
Will suffice for a horseman to reach the gate;
The garrison soon would capitulate,
Since the armed retainers are next to none,
And the walls, I wot, may be quickly won.
Rudolph:
I kept those walls for two months or more,
When they feared the riders of Melchior!
That was little over three years ago.
Their Abbot is thrifty, as well I know;
He haggled sorely about the price
Of our service.
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Dagobert: Rudolph, he paid thee twice.
Rudolph:
Well, what of that? Since then I've tried
To borrow from him; now I know he lied
When he told me he could not spare the sum
I asked. If we to his gates should come,
He could spare it though it were doubled; and still,
This war with the Church I like it ill.
Osric:
The creed of our fathers is well-nigh dead,
And the creed of the Christian reigns in its stead
But the creed of the Christian, too, may die,
For your creeds or your churches what care I!
If there be plunder at Englemehr,
Let us strike our tents and thitherward steer.
SCENE — A Farm-house on the Rhine (About a mile from the Convent).
HUGO in chamber alone. Enter ERIC.
Eric:
What, Hugo, still at the Rhine! I thought
You were home. You have travell'd by stages short.
Hugo (with hesitation):
Our homeward march was labour in vain,
We had to retrace our steps again;
It was here or hereabouts that I lost
Some papers of value; at any cost
I must find them; and which way lies your course?
Eric:
I go to recruit Prince Otto's force.
I cannot study as you do; I
Am wearied with inactivity;
So I carry a blade engrim'd with rust
(That a hand sloth-slacken'd has, I trust,
Not quite forgotten the way to wield),
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To strike once more on the tented field.
Hugo:
Fighting is all a mistake, friend Eric,
And has been so since the age Homeric,
When Greece was shaken and Troy undone,
Ten thousand lives for a worthless one.
Yet I blame you not; you might well do worse;
Better fight and perish than live to curse
The day you were born; and such has been
The lot of many, and shall, I ween,
Be the lot of more. If Thurston chooses
He may go with you. The blockhead abuses
Me and the life I lead.
Enter ORION.
Orion: Great news!
The Englemehr monks will shake in their shoes;
In the soles of their callous feet will shake
The barefooted friars. The nuns will quake.
Hugo: Wherefore?
Orion: The outlaw of Rothenstein
Has come with his soldiers to the Rhine,
Back'd by those hardy adventurers
From the northern forests of pines and firs,
And Dagobert's horse. They march as straight
As the eagle swoops to the convent gate.
Hugo:
We must do something to save the place.
Orion:
They are sure to take it in any case,
Unless the sum that they ask is paid.
Eric:
Some effort on our part must be made.
Hugo:
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'Tis not so much for the monks I care.
Eric:
Nor I; but the Abbess and nuns are there.
Orion:
'Tis not our business; what can we do?
They are too many, and we are too few;
And yet, I suppose, you will save, if you can,
That lady, your ward, or your kinswoman.
Hugo:
She is no kinswoman of mine;
How far is Otto's camp from the Rhine?
Orion:
Too far for help in such time of need
To be brought, though you used your utmost speed.
Eric:
Nay, that I doubt.
Hugo: And how many men
Have they?
Orion: To your one they could muster ten.
Eric:
I know Count Rudolph, and terms may be made
With him, I fancy; for though his trade
Is a rough one now, gainsay it who can,
He was once a knight and a gentleman.
And Dagobert, the chief of the Huns,
Bad as he is, will spare the nuns;
Though neither he nor the Count could check
Those lawless men, should they storm and sack
The convent. Jarl Osric, too, I know;
He is rather a formidable foe,
And will likely enough be troublesome;
But the others, I trust, to terms will come.
Hugo:
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Eric, how many men have you?
I can count a score.
Eric: I have only two.
Hugo:
At every hazard we must try to save
The nuns.
Eric: Count Rudolph shall think we have
A force that almost equals his own,
If I can confer with him alone.
Orion:
He is close at hand; by this time he waits
The Abbot's reply at the convent gates.
Hugo:
We had better send him a herald.
Eric: Nay,
I will go myself. [Eric goes out.]
Hugo: Orion, stay!
So this is the reed on which I've leaned,
These are the hopes thou hast fostered, these
The flames thou hast fanned. Oh, lying fiend!
Is it thus thou dost keep thy promises?
Orion:
Strong language, Hugo, and most unjust;
You will cry out before you are hurt —
You will live to recall your words, I trust.
Fear nothing from Osric or Dagobert,
These are your friends, if you only knew it,
And would take the advice of a friend sincere;
Neglect his counsels and you must rue it,
For I know by a sign the crisis is near.
Accept the terms of these outlaws all,
And be thankful that things have fallen out
Exactly as you would have had them fall —
You may save the one that you care about;
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Otherwise, how did you hope to gain
Access to her — on what pretence?
What were the schemes that worried your brain
To tempt her there or to lure her thence?
You must have bungled, and raised a scandal
About your ears, that might well have shamed
The rudest Hun, the veriest Vandal,
Long or ever the bird was tamed.
Hugo:
The convent is scarce surrounded yet,
We might reach and hold it against their force
Till another sun has risen and set;
And should I despatch my fleetest horse
To Otto ——
Orion: For Abbot, or Monk, or Friar,
Between ourselves, 'tis little you care
If their halls are harried by steel and fire:
Their avarice left your heritage bare.
Forsake them! Mitres, and cowls, and hoods
Will cover vices while earth endures;
Through the green and gold of the summer woods
Ride out with that pretty bird of yours.
If again you fail to improve your chance,
Why, then, my friend, I can only say
You are duller far than the dullest lance
That rides in Dagobert's troop this day.
"Faemina semper", frown not thus,
The girl was always giddy and wild,
Vain, and foolish, and frivolous,
Since she fled from her father's halls, a child.
I sought to initiate you once
In the mystic lore of the old Chaldean;
But I found you far too stubborn a dunce,
And your tastes are coarser and more plebeian.
Yet mark my words, for I read the stars,
And trace the future in yonder sky;
To the right are wars and rumours of wars,
To the left are peace and prosperity.
Fear naught. The world shall never detect
The cloven hoof, so carefully hid
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By the scholar so staid and circumspect,
So wise for once to do as he's bid.
Remember what pangs come year by year
For opportunity that has fled;
And Thora in ignorance.
Hugo: Name not her!
I am sorely tempted to strike thee dead!
Orion:
Nay, I hardly think you will take my life,
The angel Michael was once my foe;
He had a little the best of our strife,
Yet he never could deal so stark a blow.
SCENE — A Chamber in the Nuns' Apartments of the Convent.
AGATHA and URSULA.
Agatha:
My sire in my childhood pledged my hand
To Hugo — I know not why —
They were comrades then, 'neath the Duke's command,
In the wars of Lombardy.
I thought, ere my summers had turned sixteen,
That mine was a grievous case;
Save once, for an hour, I had never seen
My intended bridegroom's face;
And maidens vows of their own will plight.
Unknown to my kinsfolk all
My love was vowed to a Danish knight,
A guest in my father's hall.
His foot fell lightest in merry dance,
His shaft never missed the deer;
He could fly a hawk, he could wield a lance,
Our wildest colt he could steer.
His deep voice ringing through hall or glen
Had never its match in song;
And little was known of his past life then,
Or of Dorothea's wrong.
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I loved him — Lady Abbess, I know
That my love was foolish now;
I was but a child five years ago,
And thoughtless as bird on bough.
One evening Hugo the Norman came,
And, to shorten a weary tale,
I fled that night (let me bear the blame)
With Harold by down and dale.
He had mounted me on a dappled steed,
And another of coal-black hue
He rode himself; and away at speed
We fled through mist and dew.
Of miles we had ridden some half a score,
We had halted beside a spring,
When the breeze to our ears through the still night bore
A distant trample and ring;
We listen'd one breathing space, and caught
The clatter of mounted men,
With vigour renewed by their respite short
Our horses dash'd through the glen.
Another league, and we listen'd in vain;
The breeze to our ears came mute;
But we heard them again on the spacious plain,
Faint tidings of hot pursuit.
In the misty light of a moon half hid
By the dark or fleecy rack,
Our shadows over the moorland slid,
Still listening and looking back.
So we fled (with a cheering word to say
At times as we hurried on),
From sounds that at intervals died away,
And at intervals came anon.
Another league, and my lips grew dumb,
And I felt my spirit quailing,
For closer those sounds began to come,
And the speed of my horse was failing.
"The grey is weary and lame to boot,"
Quoth Harold; "the black is strong,
And their steeds are blown with their fierce pursuit,
What wonder! our start was long.
Now, lady, behind me mount the black,
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The double load he can bear;
We are safe when we reach the forest track,
Fresh horses and friends wait there."
Then I sat behind him and held his waist,
And faster we seemed to go
By moss and moor; but for all our haste
Came the tramp of the nearing foe.
A dyke through the mist before us hover'd,
And, quicken'd by voice and heel,
The black overleap'd it, stagger'd, recover'd;
Still nearer that muffled peal.
And louder on sward the hoof-strokes grew,
And duller, though not less nigh,
On deader sand; and a dark speck drew
On my vision suddenly,
And a single horseman in fleet career,
Like a shadow appear'd to glide
To within six lances' lengths of our rear,
And there for a space to bide.
Quoth Harold, "Speak, has the moon reveal'd
His face?" I replied, "Not so!
Yet 'tis none of my kinsfolk." Then he wheel'd
In the saddle and scanned the foe,
And mutter'd, still gazing in our wake,
"'Tis he; now I will not fight
The brother again, for the sister's sake,
While I can escape by flight."
"Who, Harold?" I asked; but he never spoke.
By the cry of the bittern harsh,
And the bull-frog's dull, discordant croak,
I guess'd that we near'd the marsh;
And the moonbeam flash'd on watery sedge
As it broke from a strip of cloud,
Ragged and jagged about the edge,
And shaped like a dead man's shroud.
And flagg'd and falter'd our gallant steed,
'Neath the weight of his double burden,
As we splash'd through water and crash'd through reed;
Then the soil began to harden,
And again we gain'd, or we seem'd to gain,
With our foe in the deep morass;
But those fleet hoofs thunder'd, and gain'd again,
84
When they trampled the firmer grass,
And I cried, and Harold again look'd back,
And bade me fasten mine eyes on
The forest, that loom'd like a patch of black
Standing out from the faint horizon.
"Courage, sweetheart! we are saved," he said;
"With the moorland our danger ends,
And close to the borders of yonder glade
They tarry, our trusty friends."
Where the mossy uplands rise and dip
On the edge of the leafy dell,
With a lurch, like the lurch of a sinking ship,
The black horse toppled and fell.
Unharm'd we lit on the velvet sward,
And even as I lit I lay,
But Harold uprose, unsheath'd his sword,
And toss'd the scabbard away.
And spake through his teeth, "Good brother-in-law,
Forbearance, at last, is spent;
The strife that thy soul hath lusted for
Thou shalt have to thy soul's content!"
While he spoke, our pursuer past us swept,
Ere he rein'd his war-horse proud,
To his haunches flung, then to the earth he leapt,
And my lover's voice rang loud:
"Thrice welcome! Hugo of Normandy,
Thou hast come at our time of need,
This lady will thank thee, and so will I,
For the loan of thy sorrel steed!"
And never a word Lord Hugo said,
They clos'd 'twixt the wood and the wold,
And the white steel flickered over my head
In the moonlight calm and cold;
'Mid the feathery grasses crouching low,
With face bow'd down to the dust,
I heard the clash of each warded blow,
The click of each parried thrust,
And the shuffling feet that bruis'd the lawn,
As they traversed here and there,
And the breath through the clench'd teeth heavily drawn
When breath there was none to spare;
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Sharp ringing sword play, dull, trampling heel,
Short pause, spent force to regain,
Quick muffled footfall, harsh grating steel,
Sharp ringing rally again;
They seem'd long hours, those moments fleet,
As I counted them one by one,
Till a dead weight toppled across my feet,
And I knew that the strife was done.
When I looked up, after a little space,
As though from a fearful dream,
The moon was flinging on Harold's face
A white and a weird-like gleam;
And I felt mine ankles moist and warm
With the blood that trickled slow
From a spot on the doublet beneath his arm,
From a ghastly gash on his brow;
I heard the tread of the sorrel's hoof
As he bore his lord away;
They passed me slowly, keeping aloof,
Like spectres, misty and grey.
I thought Lord Hugo had left me there
To die, but it was not so;
Yet then for death I had little care,
My soul seem'd numb'd by the blow;
A faintness follow'd, a sickly swoon,
A long and a dreamless sleep,
And I woke to the light of a sultry noon
In my father's castled keep.
And thus, Lady Abbess, it came to pass
That my father vow'd his vow;
Must his daughter espouse the Church? Alas!
Is she better or wiser now?
For some are feeble and others strong,
And feeble am I and frail.
Mother! 'tis not that I love the wrong,
'Tis not that I loathe the veil,
But with heart still ready to go astray,
If assail'd by a fresh temptation,
I could sin again as I sinned that day,
For a girl's infatuation.
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See! Harold, the Dane, thou say'st is dead,
Yet I weep NOT BITTERLY;
As I fled with the Dane, so I might have fled
With Hugo of Normandy.
Ursula:
My child, I advise no hasty vows,
Yet I pray that in life's brief span
Thou may'st learn that our Church is a fairer spouse
Than fickle and erring man;
Though fenced for a time by the Church's pale,
When that time expires thou'rt free;
And we cannot force thee to take the veil,
Nay, we scarce can counsel thee.
Enter the ABBOT hastily.
Basil (the Abbot):
I am sorely stricken with shame and grief,
It has come by the self-same sign,
A summons brief from the outlaw'd chief,
Count Rudolph of Rothenstein.
Lady Abbess, ere worse things come to pass,
I would speak with thee alone;
Alack and alas! for by the rood and mass
I fear we are all undone.
SCENE — A Farm-house Near the Convent.
A Chamber furnished with writing materials. HUGO, ERIC, and THURSTON
on one side; on the other OSRIC, RUDOLPH, and DAGOBERT.
Osric:
We have granted too much, ye ask for more;
I am not skill'd in your clerkly lore,
I scorn your logic; I had rather die
Than live like Hugo of Normandy:
I am a Norseman, frank and plain;
Ye must read the parchment over again.
87
Eric:
Jarl Osric, twice we have read this scroll.
Osric:
Thou hast read a part.
Eric: I have read the whole.
Osric:
Aye, since I attached my signature!
Eric:
Before and since!
Rudolph: Nay, of this be sure,
Thou hast signed; in fairness now let it rest.
Osric:
I had rather have sign'd upon Hugo's crest;
He has argued the question mouth to mouth
With the wordy lore of the subtle south;
Let him or any one of his band
Come and argue the question hand to hand.
With the aid of my battle-axe I will show
That a score of words are not worth one blow.
Thurston:
To the devil with thee and thy battle-axe;
I would send the pair of ye back in your tracks,
With an answer that even to thy boorish brain
Would scarce need repetition again.
Osric:
Thou Saxon slave to a milksop knight,
I will give thy body to raven and kite.
Thurston:
Thou liest; I am a freeborn man,
And thy huge carcase — in cubit and span
Like the giant's of Gath — 'neath Saxon steel,
Shall furnish the kites with a fatter meal.
88
Osric:
Now, by Odin!
Rudolph: Jarl Osric, curb thy wrath;
Our names are sign'd, our words have gone forth.
Hugo:
I blame thee, Thurston.
Thurston: And I, too, blame
Myself, since I follow a knight so tame!
[Thurston goes out.]
Osric:
The Saxon hound, he said I lied!
Rudolph:
I pray thee, good Viking, be pacified.
Osric:
Why do we grant the terms they ask?
To crush them all were an easy task.
Dagobert:
That know'st thou not; if it come to war,
They are stronger, perhaps, than we bargain for.
Eric:
Jarl Osric, thou may'st recall thy words —
Should we meet again.
Osric: Should we meet with swords,
Thou, too, may'st recall them to thy sorrow.
Hugo:
Eric! we dally. Sir Count, good-morrow.
SCENE — The Guest Chamber of the Convent.
HUGO, ERIC, and ORION.
89
Eric:
Hugo, their siege we might have tried;
This place would be easier fortified
Than I thought at first; it is now too late,
They have cut off our access to the gate.
Hugo:
I have weigh'd the chances and counted the cost,
And I know by the stars that all is lost
If we take up this quarrel.
Eric: So let it be!
I yield to one who is wiser than me. (Aside.)
Nevertheless, I have seen the day
When the stars would scarcely have bade us stay.
Enter the ABBOT, CYRIL, and other Monks.
Hugo:
Lord Abbot, we greet thee. Good fathers all,
We bring you greeting.
Orion (aside): And comfort small.
Abbot:
God's benediction on you, my sons.
Hugo:
May He save you, too, from Norsemen and Huns!
Since the gates are beleaguer'd and walls begirt
By the forces of Osric and Dagobert;
'Tis a heavy price that the knaves demand.
Abbot:
Were we to mortgage the Church's land
We never could raise what they would extort.
Orion (aside):
The price is too long and the notice too short.
Eric:
90
And you know the stern alternative.
Abbot:
If we die we die, if we live we live;
God's will be done; and our trust is sure
In Him, though His chast'nings we endure.
Two messengers rode from here last night,
To Otto they carry news of our plight;
On my swiftest horses I saw them go.
Orion (aside):
Then his swiftest horses are wondrous slow.
Eric:
One of these is captive and badly hurt;
By the reckless riders of Dagobert
He was overtaken and well-nigh slain,
Not a league from here on the open plain.
Abbot:
But the other escap'd.
Eric: It may be so;
We had no word of him, but we know
That unless you can keep these walls for a day
At least, the Prince is too far away
To afford relief.
Abbot: Then a hopeless case
Is ours, and with death we are face to face.
Eric:
You have arm'd retainers.
Cyril (a Monk): Aye, some half score;
And some few of the brethren, less or more,
Have in youth the brunt of the battle bided,
Yet our armoury is but ill provided.
Hugo:
We have terms of truce from the robbers in chief,
Though the terms are partial, the truce but brief;
91
To Abbess, to nuns, and novices all,
And to every woman within your wall,
We can offer escort, and they shall ride
From hence in safety whate'er betide.
Abbot:
What escort, Hugo, canst thou afford?
Hugo:
Some score of riders who call me lord
Bide at the farm not a mile from here,
Till we rejoin them they will not stir;
My page and armourer wait below,
And all our movements are watch'd by the foe.
Strict stipulation was made, of course,
That, except ourselves, neither man nor horse
Should enter your gates — they were keen to shun
The chance of increasing your garrison.
Eric:
I hold safe conduct here in my hand,
Signed by the chiefs of that lawless band;
See Rudolph's name, no disgrace to a clerk,
And Dagobert's scrawl, and Osric's mark;
Jarl signed sorely against his will,
With a scratch like the print of a raven's bill;
But the foe have muster'd in sight of the gate.
For another hour they will scarcely wait;
Bid Abbess and dame prepare with haste.
Hugo:
Lord Abbot, I tell thee candidly
There is no great love between thou and I,
As well thou know'st; but, nevertheless,
I would we were more, or thy foes were less.
Abbot:
I will summon the Lady Abbess straight.
[The Abbot and Monks go out.]
Eric:
'Tis hard to leave these men to their fate,
92
Norsemen and Hun will never relent;
Their day of grace upon earth is spent.
[Hugo goes out, followed by Orion.]
SCENE — The Corridor Outside the Guest Chamber.
HUGO pacing up and down. ORION leaning against the wall.
Hugo:
My day of grace with theirs is past.
I might have saved them; 'tis too late —
Too late for both. The die is cast,
And I resign me to my fate.
God's vengeance I await.
Orion:
The boundary 'twixt right and wrong
Is not so easy to discern;
And man is weak, and fate is strong,
And destiny man's hopes will spurn,
Man's schemes will overturn.
Hugo:
Thou liest, thou fiend! Not unawares
The sinner swallows Satan's bait,
Nor pits conceal'd nor hidden snares
Seeks blindly; wherefore dost thou prate
Of destiny and fate?
Orion:
Who first named fate? But never mind,
Let that pass by — to Adam's fall
And Adam's curse look back, and find
Iniquity the lot of all,
And sin original.
Hugo:
But I have sinn'd, repented, sinn'd,
Till seven times that sin may be
By seventy multiplied; the wind
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Is constant when compared with me,
And stable is the sea!
My hopes are sacrificed, for what?
For days of folly, less or more,
For years to see those dead hopes rot,
Like dead weeds scatter'd on the shore,
Beyond the surfs that roar!
Orion:
The wiles of Eve are swift to smite;
Aye, swift to smite and not to spare —
Red lips and round limbs sweet and white,
Dark eyes and sunny, silken hair,
Thy betters may ensnare.
Hugo:
Not so; the strife 'twixt hell and heaven
I felt last night, and well I knew
The crisis; but my aid was given
To hell. Thou'st known the crisis too,
For once thou'st spoken true.
Having foretold it, there remains
For grace no time, for hope no room;
Even now I seem to feel the pains
Of hell, that wait beyond the gloom
Of my dishonour'd tomb.
Thou who hast lived and died to save,
Us sinners, Christ of Galilee!
Thy great love pardon'd and forgave
The dying thief upon the tree,
Thou canst not pardon me!
Dear Lord! hear Thou my latest prayer,
For prayer must die since hope is dead;
Thy Father's vengeance let me bear,
Nor let my guilt be visited
Upon a guiltless head!
Ah! God is just! Full sure I am
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He never did predestinate
Our souls to hell. Ourselves we damn —
[To Orion, with sudden passion]
Serpent! I know thee now, too late;
Curse thee! Work out thy hate!
Orion:
I hate thee not; thy grievous plight
Would move my pity, but I bear
A curse to which thy curse seems light!
Thy wrong is better than my right,
My day is darker than thy night;
Beside the whitest hope I share
How white is thy despair!
SCENE — The Chapel of the Convent.
URSULA, AGATHA, Nuns and Novices.
(Hymn of the Nuns):
Jehovah! we bless Thee,
All works of Thine hand
Extol Thee, confess Thee;
By sea and by land,
By mountain and river,
By forest and glen,
They praise Thee for ever!
And ever! Amen!
The heathen are raging
Against Thee, O Lord!
The ungodly are waging
Rash war against God!
Arise, and deliver
Us, sheep of Thy pen,
Who praise Thee for ever!
And ever! Amen!
Thou Shepherd of Zion!
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Thy firstlings didst tear
From jaws of the lion,
From teeth of the bear;
Thy strength to deliver
Is strong now as then.
We praise Thee for ever!
And ever! Amen!
Thine arm hath delivered
Thy servants of old,
Hath scatter'd and shiver'd
The spears of the bold,
Hath emptied the quiver
Of bloodthirsty men.
We praise Thee for ever!
And ever! Amen!
Nathless shall Thy right hand
Those counsels fulfil
Most wise in Thy sight, and
We bow to Thy will;
Thy children quail never
For dungeon or den,
They praise Thee for ever!
And ever! Amen!
Though fierce tribulation
Endure for a space,
Yet God! our salvation!
We gain by Thy grace,
At end of life's fever,
Bliss passing man's ken;
There to praise Thee for ever!
And ever! Amen!
SCENE — The Guest Room of the Convent.
HUGO, ERIC, and ORION. Enter URSULA, AGATHA, and Nuns.
Ursula:
96
Hugo, we reject thine offers,
Not that we can buy
Safety from the Church's coffers,
Neither can we fly.
Far too great the price they seek is,
Let their lawless throng
Come, we wait their coming; weak is
Man, but God is strong.
Eric:
Think again on our proposals:
It will be too late
When the robbers hold carousals
On this side the gate.
Ursula:
For myself I speak and others
Weak and frail as I;
We will not desert our brothers
In adversity.
Hugo (to the Nuns):
Does the Abbess thus advance her
Will before ye all?
A Nun:
We will stay.
Hugo: Is this thine answer,
Agatha? The wall
Is a poor protection truly,
And the gates are weak,
And the Norsemen most unruly.
Come, then.
A Nun (to Agatha): Sister, speak!
Orion (aside to Hugo):
Press her! She her fears dissembling,
Stands irresolute;
She will yield — her limbs are trembling,
Though her lips are mute.
97
[A trumpet is heard without.]
Eric:
Hark! their savage war-horn blowing
Chafes at our delay.
Hugo:
Agatha, we must be going.
Come, girl!
Agatha (clinging to Ursula): Must I stay?
Ursula:
Nay, my child, thou shalt not make me
Judge; I cannot give
Orders to a novice.
Agatha: Take me,
Hugo! Let me live!
Eric (to Nuns):
Foolish women! will ye tarry,
Spite of all we say?
Hugo:
Must we use our strength and carry
You by force away?
Ursula:
Bad enough thou art, Sir Norman,
Yet thou wilt not do
This thing. Shame! — on men make war, man,
Not on women few.
Eric:
Heed her not — her life she barters,
Of her free accord,
For her faith; and, doubtless, martyrs
Have their own reward.
Ursula:
In the Church's cause thy father
98
Never grudged his blade —
Hugo, did he rue it?
Orion: Rather!
He was poorly paid.
Hugo:
Abbess, this is not my doing;
I have said my say;
How can I avert the ruin,
Even for a day,
Since they count two hundred fairly,
While we count a score;
And thine own retainers barely
Count a dozen more?
Agatha (kneeling to Ursula):
Ah! forgive me, Lady Abbess,
Bless me ere I go;
She who under sod and slab is
Lying, cold and low,
Scarce would turn away in anger
From a child so frail;
Not dear life, but deadly danger,
Makes her daughter quail.
Hugo:
Eric, will those faces tearful
To God's judgment seat
Haunt us?
Eric: Death is not so fearful.
Hugo: No, but life is sweet —
Sweet for once, to me, though sinful.
Orion (to Hugo): Earth is scant of bliss;
Wisest he who takes his skinful
When the chance is his.
(To Ursula):
Lady Abbess! stay and welcome
99
Osric's savage crew;
Yet when pains of death and hell come,
Thou thy choice may'st rue.
Ursula (to Orion):
What dost thou 'neath roof-trees sacred?
Man or fiend, depart!
Orion:
Dame, thy tongue is sharp and acrid,
Yet I bear the smart.
Ursula (advancing and raising up a crucifix):
I conjure thee by this symbol
Leave us!
[Orion goes out hastily.]
Hugo: Ha! the knave,
He has made an exit nimble;
Abbess! thou art brave.
Yet once gone, we're past recalling,
Let no blame be mine.
See, thy sisters' tears are falling
Fast, and so are thine.
Ursula:
Fare you well! The teardrop splashes
Vainly on the ice.
Ye will sorrow o'er our ashes
And your cowardice.
Eric:
Sorry am I, yet my sorrow
Cannot alter fate;
Should Prince Otto come to-morrow,
He will come too late.
Hugo:
Nay, old comrade, she hath spoken
Words we must not hear;
Shall we pause for sign or token —
Taunted twice with fear?
100
Yonder, hilt to hilt adjusted,
Stand the swords in which we trusted
Years ago. Their blades have rusted,
So, perchance, have we.
Ursula! thy words may shame us,
Yet we once were counted famous,
Morituri, salutamus,
Aut victuri, te! [They go out.]
SCENE — The Outskirts of Rudolph's Camp.
RUDOLPH, OSRIC, and DAGOBERT. HUGO.
Rudolph:
Lord Hugo! thy speech is madness;
Thou hast tax'd our patience too far;
We offer'd thee peace — with gladness,
We gladly accept thy war.
Dagobert:
And the clemency we extended
To thee and thine we recall;
And the treaty 'twixt us is ended —
We are ready to storm the wall.
Osric:
Now tear yon parchment to tatters;
Thou shalt make no further use
Of our safeguard; the wind that scatters
The scroll shall scatter the truce.
Hugo:
Jarl Osric, to save the spilling
Of blood, and the waste of life,
I am willing, if thou art willing,
With thee to decide this strife;
Let thy comrades draw their force back;
I defy thee to single fight,
I will meet thee on foot or horseback,
And God shall defend the right.
101
Rudolph:
No single combat shall settle
This strife; thou art overbold —
Thou hast put us all on our mettle,
Now the game in our hands we hold.
Dagobert:
Our lances round thee have hover'd,
Have seen where thy fellows bide;
Thy weakness we have discover'd,
Thy nakedness we have spied.
Osric:
And hearken, knight, to my story —
When sack'd are the convent shrines,
When the convent thresholds are gory,
And quaff'd are the convent wines:
When our beasts with pillage are laden,
And the clouds of our black smoke rise
From yon tower, one fair-haired maiden
Is singled as Osric's prize.
I will fit her with chain and collar
Of red gold, studded with pearls;
With bracelet of gold, Sir Scholar,
The queen of my captive girls.
Hugo (savagely):
May the Most High God of battles
The Lord and Ruler of fights,
Who breaketh the shield that rattles,
Who snappeth the sword that smites,
In whose hands are footmen and horsemen,
At whose breath they conquer or flee,
Never show me His mercy, Norseman!
If I show mercy to thee.
Osric:
What, ho! art thou drunk, Sir Norman?
Has the wine made thy pale cheek red?
Now, I swear by Odin and Thor, man,
Already I count thee dead.
102
Rudolph:
I crave thy pardon for baulking
The flood of thine eloquence,
But thou canst not scare us with talking,
I therefore pray thee go hence.
Osric:
Though I may not take up thy gauntlet,
Should we meet where the steel strikes fire,
'Twixt thy casque and thy charger's frontlet
The choice will perplex thy squire.
Hugo:
When the Norman rowels are goading,
When glitters the Norman glaive,
Thou shalt call upon Thor and Odin:
They shall not hear thee nor save.
"Should we meet!" Aye, the chance may fall so,
In the furious battle drive,
So may God deal with me — more, also!
If we separate, both alive!
SCENE — The Court-yard of the Old Farm.
EUSTACE and other followers of HUGO and ERIC lounging about.
Enter THURSTON hastily, with swords under his arm.
Thurston:
Now saddle your horses and girth them tight,
And see that your weapons are sharp and bright.
Come, lads, get ready as fast as you can.
Eustace:
Why, what's this bustle about, old man?
Thurston:
Well, it seems Lord Hugo has changed his mind,
As the weathercock veers with the shifting wind;
He has gone in person to Osric's camp,
103
To tell him to pack up his tents and tramp!
But I guess he won't.
Eustace: Then I hope he will,
They are plenty to eat us, as well as to kill.
Ralph:
And I hope he won't — I begin to feel
A longing to moisten my thirsty steel.
[They begin to saddle and make preparations
for a skirmish.]
Thurston:
I've a couple of blades to look to here.
In their scabbards I scarcely could make them stir
At first, but I'll sharpen them both ere long.
A Man-at-arms:
Hurrah for a skirmish! Who'll give us a song?
Thurston (sings, cleaning and sharpening):
Hurrah! for the sword! I hold one here,
And I scour at the rust and say,
'Tis the umpire this, and the arbiter,
That settles in the fairest way;
For it stays false tongues and it cools hot blood,
And it lowers the proud one's crest;
And the law of the land is sometimes good,
But the law of the sword is best.
In all disputes 'tis the shortest plan,
The surest and best appeal; —
What else can decide between man and man?
(Chorus of all):
Hurrah! for the bright blue steel!
Thurston (sings):
Hurrah! for the sword of Hugo, our lord!
'Tis a trusty friend and a true;
It has held its own on a grassy sward,
When its blade shone bright and blue,
Though it never has stricken in anger hard,
104
And has scarcely been cleansed from rust,
Since the day when it broke through Harold's guard
With our favourite cut and thrust;
Yet Osric's crown will look somewhat red,
And his brain will be apt to reel,
Should the trenchant blade come down on his head —
(Chorus of all):
Hurrah! for the bright blue steel!
Thurston (sings):
Hurrah! for the sword of our ally bold,
It has done good service to him;
It has held its own on an open wold,
When its edge was in keener trim.
It may baffle the plots of the wisest skull,
It may slacken the strongest limb,
Make the brains full of forethought void and null,
And the eyes full of far-sight dim;
And the hasty hands are content to wait,
And the knees are compelled to kneel,
Where it falls with the weight of a downstroke straight —
(Chorus of all):
Hurrah! for the bright blue steel!
Thurston (sings):
Hurrah! for the sword — I've one of my own;
And I think I may safely say,
Give my enemy his, let us stand alone,
And our quarrel shall end one way;
One way or the other — it matters not much,
So the question be fairly tried.
Oh! peacemaker good, bringing peace with a touch,
Thy clients will be satisfied.
As a judge, thou dost judge — as a witness, attest,
And thou settest thy hand and seal,
And the winner is blest, and the loser at rest —
(Chorus of all):
Hurrah! for the bright blue steel!
[Hugo and Eric enter during the last verse
105
of the song.]
Hugo:
Boot and saddle, old friend,
Their defiance they send;
Time is short — make an end
Of thy song.
Let the sword in this fight
Strike as hard for the right
As it once struck for might
Leagued with wrong.
Ha! Rollo, thou champest
Thy bridle and stampest,
For the rush of the tempest
Dost long?
Ho! the kites will grow fatter
On the corpses we scatter,
In the paths where we shatter
Their throng.
Where Osric, the craven,
Hath reared the black raven
'Gainst monks that are shaven
And cowl'd:
Where the Teuton and Hun sit,
In the track of our onset,
Will the wolves, ere the sunset,
Have howl'd.
Retribution is good,
They have revell'd in blood,
Like the wolves of the wood
They have prowl'd.
Birds of prey they have been,
And of carrion unclean,
And their own nests (I ween)
They have foul'd.
Eric:
Two messengers since
Yestermorn have gone hence,
106
And ere long will the Prince
Bring relief.
Shall we pause? — they are ten
To our one, but their men
Are ill-arm'd, and scarce ken
Their own chief;
And for this we give thanks:
Their disorderly ranks,
If assail'd in the flanks,
Will as lief
Run as fight — loons and lords.
Hugo:
Mount your steeds! draw your swords!
Take your places! My words
Shall be brief:
Ride round by the valley,
Through pass and gorge sally —
The linden trees rally
Beneath.
Then, Eric and Thurston,
Their ranks while we burst on,
Try which will be first on
The heath.
(Aside)
Look again, mother mine,
Through the happy starshine,
For my sins dost thou pine?
With my breath,
See! thy pangs are all done,
For the life of thy son:
Thou shalt never feel one
For his death.
[They all go out but Hugo, who lingers to tighten
his girths. Orion appears suddenly in the gateway.]
Orion:
Stay, friend! I keep guard on
Thy soul's gates; hold hard on
Thy horse. Hope of pardon
107
Hath fled!
Bethink once, I crave thee,
Can recklessness save thee?
Hell sooner will have thee
Instead.
Hugo:
Back! My soul, tempest-toss'd,
Hath her Rubicon cross'd,
She shall fly — saved or lost!
Void of dread!
Sharper pang than the steel,
Thou, oh, serpent! shalt feel,
Should I set the bruised heel
On thy head.
[He rides out.]
SCENE — A Room in the Convent Tower Overlooking the Gate.
URSULA at the window. AGATHA and Nuns crouching or kneeling in a corner.
Ursula:
See, Ellinor! Agatha! Anna!
While yet for the ladders they wait,
Jarl Osric hath rear'd the black banner
Within a few yards of the gate;
It faces our window, the raven,
The badge of the cruel sea-kings,
That has carried to harbour and haven
Destruction and death on its wings.
Beneath us they throng, the fierce Norsemen,
The pikemen of Rudolph behind
Are mustered, and Dagobert's horsemen
With faces to rearward inclined;
Come last, on their coursers broad-chested,
Rough-coated, short-pastern'd and strong,
Their casques with white plumes thickly crested,
Their lances barb-headed and long:
They come through the shades of the linden,
Fleet riders and war-horses hot:
108
The Normans, our friends — we have sinn'd in
Our selfishness, sisters, I wot —
They come to add slaughter to slaughter,
Their handful can ne'er stem the tide
Of our foes, and our fate were but shorter
Without them. How fiercely they ride!
And "Hugo of Normandy!" "Hugo!"
"A rescue! a rescue!" rings loud,
And right on the many the few go!
A sway and a swerve of the crowd!
A springing and sparkling of sword-blades!
A crashing and 'countering of steeds!
And the white feathers fly 'neath their broad blades
Like foam-flakes! the spear-shafts like reeds!
A Nun (to Agatha):
Pray, sister!
Agatha: Alas! I have striven
To pray, but the lips move in vain
When the heart with such terror is riven.
Look again, Lady Abbess! Look again!
Ursula:
As leaves fall by wintry gusts scatter'd,
As fall by the sickle ripe ears,
As the pines by the whirlwind fall shatter'd,
As shatter'd by bolt fall the firs —
To the right hand they fall, to the left hand
They yield! They go down! they give back!
And their ranks are divided and cleft, and
Dispers'd and destroy'd in the track!
Where, stirrup to stirrup, and bridle
To bridle, down-trampling the slain!
Our friends, wielding swords never idle,
Hew bloody and desperate lane
Through pikemen, so crowded together
They scarce for their pikes can find room,
Led by Hugo's gilt crest, the tall feather
Of Thurston, and Eric's black plume!
A Nun (to Agatha):
109
Pray, sister!
Agatha: First pray thou that heaven
Will lift this dull weight from my brain,
That crushes like crime unforgiven.
Look again, Lady Abbess! Look again!
Ursula:
Close under the gates men are fighting
On foot where the raven is rear'd!
'Neath that sword-stroke, through helm and skull smiting,
Jarl Osric falls, cloven to the beard!
And Hugo, the hilt firmly grasping,
His heel on the throat of his foe,
Wrenches back. I can hear the dull rasping,
The steel through the bone grating low!
And the raven rocks! Thurston has landed
Two strokes, well directed and hard,
On the standard pole, wielding, two-handed,
A blade crimson'd up to the guard.
Like the mast cut in two by the lightning,
The black banner topples and falls!
Bewildering! back-scattering! affright'ning!
It clears a wide space next the walls.
A Nun (to Agatha):
Pray, sister!
Agatha: Does the sinner unshriven,
With naught beyond this life to gain,
Pray for mercy on earth or in heaven?
Look again, Lady Abbess! Look again!
Ursula:
The gates are flung open, and straightway,
By Ambrose and Cyril led on,
Our own men rush out through the gateway;
One charge, and the entrance is won!
No! our foes block the gate and endeavour
To force their way in! Oath and yell,
Shout and war-cry wax wilder than ever!
Those children of Odin fight well;
110
And my ears are confused by the crashing,
The jarring, the discord, the din;
And mine eyes are perplex'd by the flashing
Of fierce lights that ceaselessly spin;
So when thunder to thunder is calling,
Quick flash follows flash in the shade,
So leaping and flashing and falling,
Blade flashes and follows on blade!
While the sward, newly plough'd, freshly painted,
Grows purple with blood of the slain,
And slippery! Has Agatha fainted?
Agatha:
Not so, Lady Abbess! Look again!
Ursula:
No more from the window; in the old years
I have look'd upon strife. Now I go
To the court-yard to rally our soldiers
As I may — face to face with the foe.
[She goes out.]
SCENE — A Room in the Convent.
THURSTON seated near a small fire.
Enter EUSTACE.
Eustace:
We have come through this skirmish with hardly a scratch.
Thurston:
And without us, I fancy, they have a full batch
Of sick men to look to. Those robbers accurs'd
Will soon put our soundest on terms with our worst.
Nathless I'd have bartered, with never a frown,
Ten years for those seconds when Osric went down.
Where's Ethelwolf?
Eustace: Dying.
111
Thurston: And Reginald?
Eustace: Dead.
And Ralph is disabled, and Rudolph is sped.
He may last till midnight — not longer. Nor Tyrrel,
Nor Brian will ever see sunrise.
Thurston: That Cyril,
The monk, is a very respectable fighter.
Eustace:
Not bad for a monk. Yet our loss had been lighter
Had he and his fellows thrown open the gate
A little more quickly. And now, spite of fate,
With thirty picked soldiers their siege we might weather,
But the Abbess is worth all the rest put together.
[Enter Ursula.]
Thurston:
Here she comes.
Ursula: Can I speak with your lord?
Eustace: 'Tis too late,
He was dead when we carried him in at the gate.
Thurston:
Nay, he spoke after that, for I heard him myself;
But he won't speak again, he must lie on his shelf.
Ursula:
Alas! is he dead, then?
Thurston: As dead as St. Paul.
And what then? to-morrow we, too, one and all,
Die, to fatten these ravenous carrion birds.
I knelt down by Hugo and heard his last words:
"How heavy the night hangs — how wild the waves dash;
Say a mass for my soul — and give Rollo a mash."
Ursula:
112
Nay, Thurston, thou jestest.
Thurston: Ask Eric. I swear
We listened and caught every syllable clear.
Eustace:
Why, his horse was slain, too.
Thurston: 'Neath the linden trees grey,
Ere the onset, young Henry rode Rollo away;
He will hasten the Prince, and they may reach your gate
To-morrow — though to-morrow for us is too late.
Hugo rode the boy's mare, and she's dead — if you like —
Disembowel'd by the thrust of a freebooter's pike.
Eustace:
Neither Henry nor Rollo we ever shall see.
Ursula:
But we may hold the walls till to-morrow.
Thurston: Not we.
In an hour or less, having rallied their force,
They'll storm your old building — and take it, of course,
Since of us, who alone in war's science are skill'd,
One-third are disabled, and two-thirds are kill'd.
Ursula:
Art thou hurt?
Thurston: At present I feel well enough,
But your water is brackish, unwholesome and rough;
Bring a flask of your wine, dame, for Eustace and I,
Let us gaily give battle and merrily die.
[Enter Eric, with arm in sling.]
Eric:
Thou art safe, Lady Abbess! The convent is safe!
To be robbed of their prey how the ravens will chafe!
The vanguard of Otto is looming in sight!
At the sheen of their spears, see! thy foemen take flight,
Their foremost are scarce half a mile from the wall.
113
Thurston:
Bring the wine, lest those Germans should swallow it all.
SCENE — The Chapel of the Convent.
Dirge of the Monks:
Earth to earth, and dust to dust,
Ashes unto ashes go.
Judge not. He who judgeth just,
Judgeth merciful also.
Earthly penitence hath fled,
Earthly sin hath ceased to be;
Pile the sods on heart and head,
Miserere Domine!
Hominum et angelorum,
Domine! precamur te
Ut immemor sis malorum —
Miserere Domine!
(Miserere!)
Will the fruits of life brought forth,
Pride and greed, and wrath and lust,
Profit in the day of wrath,
When the dust returns to dust?
Evil flower and thorny fruit
Load the wild and worthless tree.
Lo! the axe is at the root,
Miserere Domine!
Spes, fidesque, caritasque,
Frustra fatigant per se,
Frustra virtus, forsque, fasque,
Miserere Domine!
(Miserere!)
Fair without and foul within,
When the honey'd husks are reft
From the bitter sweets of sin,
114
Bitterness alone is left;
Yet the wayward soul hath striven
Mostly hell's ally to be,
In the strife 'twixt hell and heaven,
Miserere Domine!
Heu! heu! herba latet anguis —
Caro herba — carni vae —
Solum purgat, Christi sanguis,
Miserere Domine!
(Miserere!)
Pray that in the doubtful fight
Man may win through sore distress,
By His goodness infinite,
And His mercy fathomless.
Pray for one more of the weary,
Head bow'd down and bended knee,
Swell the requiem, Miserere!
Miserere Domine!
Bonum, malum, qui fecisti
Mali imploramus te,
Salve fratrem, causa Christi,
Miserere Domine!
(Miserere!)
[End of Ashtaroth.]
~ Adam Lindsay Gordon,
1210:Obiit Mdcccxxxiii (Entire)
Strong Son of God, immortal Love,
Whom we, that have not seen thy face,
By faith, and faith alone, embrace,
Believing where we cannot prove;
Thine are these orbs of light and shade;
Thou madest Life in man and brute;
Thou madest Death; and lo, thy foot
Is on the skull which thou hast made.
Thou wilt not leave us in the dust:
Thou madest man, he knows not why,
He thinks he was not made to die;
And thou hast made him: thou art just.
Thou seemest human and divine,
The highest, holiest manhood, thou:
Our wills are ours, we know not how;
Our wills are ours, to make them thine.
Our little systems have their day;
They have their day and cease to be:
They are but broken lights of thee,
And thou, O Lord, art more than they.
We have but faith: we cannot know;
For knowledge is of things we see;
And yet we trust it comes from thee,
A beam in darkness: let it grow.
Let knowledge grow from more to more,
But more of reverence in us dwell;
That mind and soul, according well,
May make one music as before,
But vaster. We are fools and slight;
We mock thee when we do not fear:
But help thy foolish ones to bear;
Help thy vain worlds to bear thy light.
414
Forgive what seem’d my sin in me;
What seem’d my worth since I began;
For merit lives from man to man,
And not from man, O Lord, to thee.
Forgive my grief for one removed,
Thy creature, whom I found so fair.
I trust he lives in thee, and there
I find him worthier to be loved.
Forgive these wild and wandering cries,
Confusions of a wasted youth;
Forgive them where they fail in truth,
And in thy wisdom make me wise.
I.
I held it truth, with him who sings
To one clear harp in divers tones,
That men may rise on stepping-stones
Of their dead selves to higher things.
But who shall so forecast the years
And find in loss a gain to match?
Or reach a hand thro’ time to catch
The far-off interest of tears?
Let Love clasp Grief lest both be drown’d,
Let darkness keep her raven gloss:
Ah, sweeter to be drunk with loss,
To dance with death, to beat the ground,
Than that the victor Hours should scorn
The long result of love, and boast,
‘Behold the man that loved and lost,
But all he was is overworn.’
II.
415
Old Yew, which graspest at the stones
That name the under-lying dead,
Thy fibres net the dreamless head,
Thy roots are wrapt about the bones.
The seasons bring the flower again,
And bring the firstling to the flock;
And in the dusk of thee, the clock
Beats out the little lives of men.
O not for thee the glow, the bloom,
Who changest not in any gale,
Nor branding summer suns avail
To touch thy thousand years of gloom:
And gazing on thee, sullen tree,
Sick for thy stubborn hardihood,
I seem to fail from out my blood
And grow incorporate into thee.
III.
O Sorrow, cruel fellowship,
O Priestess in the vaults of Death,
O sweet and bitter in a breath,
What whispers from thy lying lip?
‘The stars,’ she whispers, ‘blindly run;
A web is wov’n across the sky;
From out waste places comes a cry,
And murmurs from the dying sun:
‘And all the phantom, Nature, stands–
With all the music in her tone,
A hollow echo of my own,–
A hollow form with empty hands.’
And shall I take a thing so blind,
Embrace her as my natural good;
Or crush her, like a vice of blood,
Upon the threshold of the mind?
416
IV.
To Sleep I give my powers away;
My will is bondsman to the dark;
I sit within a helmless bark,
And with my heart I muse and say:
O heart, how fares it with thee now,
That thou should’st fail from thy desire,
Who scarcely darest to inquire,
‘What is it makes me beat so low?’
Something it is which thou hast lost,
Some pleasure from thine early years.
Break, thou deep vase of chilling tears,
That grief hath shaken into frost!
Such clouds of nameless trouble cross
All night below the darken’d eyes;
With morning wakes the will, and cries,
‘Thou shalt not be the fool of loss.’
V.
I sometimes hold it half a sin
To put in words the grief I feel;
For words, like Nature, half reveal
And half conceal the Soul within.
But, for the unquiet heart and brain,
A use in measured language lies;
The sad mechanic exercise,
Like dull narcotics, numbing pain.
In words, like weeds, I’ll wrap me o’er,
Like coarsest clothes against the cold:
But that large grief which these enfold
Is given in outline and no more.
417
VI.
One writes, that ‘Other friends remain,’
That ‘Loss is common to the race’–
And common is the commonplace,
And vacant chaff well meant for grain.
That loss is common would not make
My own less bitter, rather more:
Too common! Never morning wore
To evening, but some heart did break.
O father, wheresoe’er thou be,
Who pledgest now thy gallant son;
A shot, ere half thy draught be done,
Hath still’d the life that beat from thee.
O mother, praying God will save
Thy sailor,–while thy head is bow’d,
His heavy-shotted hammock-shroud
Drops in his vast and wandering grave.
Ye know no more than I who wrought
At that last hour to please him well;
Who mused on all I had to tell,
And something written, something thought;
Expecting still his advent home;
And ever met him on his way
With wishes, thinking, ‘here to-day,’
Or ‘here to-morrow will he come.’
O somewhere, meek, unconscious dove,
That sittest ranging golden hair;
And glad to find thyself so fair,
Poor child, that waitest for thy love!
For now her father’s chimney glows
In expectation of a guest;
And thinking ‘this will please him best,’
She takes a riband or a rose;
418
For he will see them on to-night;
And with the thought her colour burns;
And, having left the glass, she turns
Once more to set a ringlet right;
And, even when she turn’d, the curse
Had fallen, and her future Lord
Was drown’d in passing thro’ the ford,
Or kill’d in falling from his horse.
O what to her shall be the end?
And what to me remains of good?
To her, perpetual maidenhood,
And unto me no second friend.
VII.
Dark house, by which once more I stand
Here in the long unlovely street,
Doors, where my heart was used to beat
So quickly, waiting for a hand,
A hand that can be clasp’d no more–
Behold me, for I cannot sleep,
And like a guilty thing I creep
At earliest morning to the door.
He is not here; but far away
The noise of life begins again,
And ghastly thro’ the drizzling rain
On the bald street breaks the blank day.
VIII.
A happy lover who has come
To look on her that loves him well,
Who ’lights and rings the gateway bell,
And learns her gone and far from home;
419
He saddens, all the magic light
Dies off at once from bower and hall,
And all the place is dark, and all
The chambers emptied of delight:
So find I every pleasant spot
In which we two were wont to meet,
The field, the chamber and the street,
For all is dark where thou art not.
Yet as that other, wandering there
In those deserted walks, may find
A flower beat with rain and wind,
Which once she foster'd up with care;
So seems it in my deep regret,
O my forsaken heart, with thee
And this poor flower of poesy
Which little cared for fades not yet.
But since it pleased a vanish’d eye,
I go to plant it on his tomb,
That if it can it there may bloom,
Or dying, there at least may die.
IX.
Fair ship, that from the Italian shore
Sailest the placid ocean-plains
With my lost Arthur’s loved remains,
Spread thy full wings, and waft him o’er.
So draw him home to those that mourn
In vain; a favourable speed
Ruffle thy mirror’d mast, and lead
Thro’ prosperous floods his holy urn.
All night no ruder air perplex
Thy sliding keel, till Phosphor, bright
As our pure love, thro’ early light
Shall glimmer on the dewy decks.
420
Sphere all your lights around, above;
Sleep, gentle heavens, before the prow;
Sleep, gentle winds, as he sleeps now,
My friend, the brother of my love;
My Arthur, whom I shall not see
Till all my widow’d race be run;
Dear as the mother to the son,
More than my brothers are to me.
X.
I hear the noise about thy keel;
I hear the bell struck in the night:
I see the cabin-window bright;
I see the sailor at the wheel.
Thou bring’st the sailor to his wife,
And travell’d men from foreign lands;
And letters unto trembling hands;
And, thy dark freight, a vanish’d life.
So bring him: we have idle dreams:
This look of quiet flatters thus
Our home-bred fancies: O to us,
The fools of habit, sweeter seems
To rest beneath the clover sod,
That takes the sunshine and the rains,
Or where the kneeling hamlet drains
The chalice of the grapes of God;
Than if with thee the roaring wells
Should gulf him fathom-deep in brine;
And hands so often clasp’d in mine,
Should toss with tangle and with shells.
XI.
421
Calm is the morn without a sound,
Calm as to suit a calmer grief,
And only thro’ the faded leaf
The chestnut pattering to the ground:
Calm and deep peace on this high wold,
And on these dews that drench the furze,
And all the silvery gossamers
That twinkle into green and gold:
Calm and still light on yon great plain
That sweeps with all its autumn bowers,
And crowded farms and lessening towers,
To mingle with the bounding main:
Calm and deep peace in this wide air,
These leaves that redden to the fall;
And in my heart, if calm at all,
If any calm, a calm despair:
Calm on the seas, and silver sleep,
And waves that sway themselves in rest,
And dead calm in that noble breast
Which heaves but with the heaving deep.
XII.
Lo, as a dove when up she springs
To bear thro’ Heaven a tale of woe,
Some dolorous message knit below
The wild pulsation of her wings;
Like her I go; I cannot stay;
I leave this mortal ark behind,
A weight of nerves without a mind,
And leave the cliffs, and haste away
O’er ocean-mirrors rounded large,
And reach the glow of southern skies,
And see the sails at distance rise,
And linger weeping on the marge,
422
And saying; ‘Comes he thus, my friend?
Is this the end of all my care?’
And circle moaning in the air:
‘Is this the end? Is this the end?’
And forward dart again, and play
About the prow, and back return
To where the body sits, and learn
That I have been an hour away.
XIII.
Tears of the widower, when he sees
A late-lost form that sleep reveals,
And moves his doubtful arms, and feels
Her place is empty, fall like these;
Which weep a loss for ever new,
A void where heart on heart reposed;
And, where warm hands have prest and closed,
Silence, till I be silent too.
Which weeps the comrade of my choice,
An awful thought, a life removed,
The human-hearted man I loved,
A Spirit, not a breathing voice.
Come Time, and teach me, many years,
I do not suffer in a dream;
For now so strange do these things seem,
Mine eyes have leisure for their tears;
My fancies time to rise on wing,
And glance about the approaching sails,
As tho’ they brought but merchants’ bales,
And not the burthen that they bring.
XIV.
423
If one should bring me this report,
That thou hadst touch’d the land to-day,
And I went down unto the quay,
And found thee lying in the port;
And standing, muffled round with woe,
Should see thy passengers in rank
Come stepping lightly down the plank,
And beckoning unto those they know;
And if along with these should come
The man I held as half-divine;
Should strike a sudden hand in mine,
And ask a thousand things of home;
And
And
And
And
I should tell him all my pain,
how my life had droop’d of late,
he should sorrow o’er my state
marvel what possess’d my brain;
And I perceived no touch of change,
No hint of death in all his frame,
But found him all in all the same,
I should not feel it to be strange.
XV.
To-night the winds begin to rise
And roar from yonder dropping day:
The last red leaf is whirl’d away,
The rooks are blown about the skies;
The forest crack’d, the waters curl’d,
The cattle huddled on the lea;
And wildly dash’d on tower and tree
The sunbeam strikes along the world:
And but for fancies, which aver
That all thy motions gently pass
Athwart a plane of molten glass,
I scarce could brook the strain and stir
424
That makes the barren branches loud;
And but for fear it is not so,
The wild unrest that lives in woe
Would dote and pore on yonder cloud
That rises upward always higher,
And onward drags a labouring breast,
And topples round the dreary west,
A looming bastion fringed with fire.
XVI.
What words are these have fall’n from me?
Can calm despair and wild unrest
Be tenants of a single breast,
Or sorrow such a changeling be?
Or doth she only seem to take
The touch of change in calm or storm;
But knows no more of transient form
In her deep self, than some dead lake
That holds the shadow of a lark
Hung in the shadow of a heaven?
Or has the shock, so harshly given,
Confused me like the unhappy bark
That strikes by night a craggy shelf,
And staggers blindly ere she sink?
And stunn’d me from my power to think
And all my knowledge of myself;
And made me that delirious man
Whose fancy fuses old and new,
And flashes into false and true,
And mingles all without a plan?
XVII.
425
Thou comest, much wept for: such a breeze
Compell’d thy canvas, and my prayer
Was as the whisper of an air
To breathe thee over lonely seas.
For I in spirit saw thee move
Thro’ circles of the bounding sky,
Week after week: the days go by:
Come quick, thou bringest all I love.
Henceforth, wherever thou may’st roam,
My blessing, like a line of light,
Is on the waters day and night,
And like a beacon guards thee home.
So may whatever tempest mars
Mid-ocean, spare thee, sacred bark;
And balmy drops in summer dark
Slide from the bosom of the stars.
So kind an office hath been done,
Such precious relics brought by thee;
The dust of him I shall not see
Till all my widow’d race be run.
XVIII.
’Tis well; ’tis something; we may stand
Where he in English earth is laid,
And from his ashes may be made
The violet of his native land.
’Tis little; but it looks in truth
As if the quiet bones were blest
Among familiar names to rest
And in the places of his youth.
Come then, pure hands, and bear the head
That sleeps or wears the mask of sleep,
And come, whatever loves to weep,
And hear the ritual of the dead.
426
Ah yet, ev’n yet, if this might be,
I, falling on his faithful heart,
Would breathing thro’ his lips impart
The life that almost dies in me;
That dies not, but endures with pain,
And slowly forms the the firmer mind,
Treasuring the look it cannot find,
The words that are not heard again.
XIX.
The Danube to the Severn gave
The darken’d heart that beat no more;
They laid him by the pleasant shore,
And in the hearing of the wave.
There twice a day the Severn fills;
That salt sea-water passes by,
And hushes half the babbling Wye,
And makes a silence in the hills.
The Wye is hush’d nor moved along,
And hush’d my deepest grief of all,
When fill’d with tears that cannot fall,
I brim with sorrow drowning song.
The tide flows down, the wave again
Is vocal in its wooded walls;
My deeper anguish also falls,
And I can speak a little then.
XX.
The lesser griefs that may be said,
That breathe a thousand tender vows,
Are but as servants in a house
Where lies the master newly dead;
427
Who speak their feeling as it is,
And weep the fulness from the mind:
‘It will be hard,’ they say, ‘to find
Another service such as this.’
My lighter moods are like to these,
That out of words a comfort win;
But there are other griefs within,
And tears that at their fountain freeze;
For by the hearth the children sit
Cold in that atmosphere of Death,
And scarce endure to draw the breath,
Or like to noiseless phantoms flit:
But open converse is there none,
So much the vital spirits sink
To see the vacant chair, and think,
‘How good! how kind! and he is gone.’
XXI.
I sing to him that rests below,
And, since the grasses round me wave,
I take the grasses of the grave,
And make them pipes whereon to blow.
The traveller hears me now and then,
And sometimes harshly will he speak:
‘This fellow would make weakness weak,
And melt the waxen hearts of men.’
Another answers, ‘Let him be,
He loves to make parade of pain,
That with his piping he may gain
The praise that comes to constancy.’
A third is wroth: ‘Is this an hour
For private sorrow’s barren song,
When more and more the people throng
The chairs and thrones of civil power?
428
‘A time to sicken and to swoon,
When Science reaches forth her arms
To feel from world to world, and charms
Her secret from the latest moon?’
Behold, ye speak an idle thing:
Ye never knew the sacred dust:
I do but sing because I must,
And pipe but as the linnets sing:
And one is glad; her note is gay,
For now her little ones have ranged;
And one is sad; her note is changed,
Because her brood is stol’n away.
XXII.
The path by which we twain did go,
Which led by tracts that pleased us well,
Thro’ four sweet years arose and fell,
From flower to flower, from snow to snow:
And we with singing cheer’d the way,
And, crown’d with all the season lent,
From April on to April went,
And glad at heart from May to May:
But where the path we walk’d began
To slant the fifth autumnal slope,
As we descended following Hope,
There sat the Shadow fear’d of man;
Who broke our fair companionship,
And spread his mantle dark and cold,
And wrapt thee formless in the fold,
And dull’d the murmur on thy lip,
And bore thee where I could not see
Nor follow, tho’ I walk in haste,
And think, that somewhere in the waste
429
The Shadow sits and waits for me.
XXIII.
Now, sometimes in my sorrow shut,
Or breaking into song by fits,
Alone, alone, to where he sits,
The Shadow cloak’d from head to foot,
Who keeps the keys of all the creeds,
I wander, often falling lame,
And looking back to whence I came,
Or on to where the pathway leads;
And crying, How changed from where it ran
Thro’ lands where not a leaf was dumb;
But all the lavish hills would hum
The murmur of a happy Pan:
When each by turns was guide to each,
And Fancy light from Fancy caught,
And Thought leapt out to wed with Thought
Ere Thought could wed itself with Speech;
And all we met was fair and good,
And all was good that Time could bring,
And all the secret of the Spring
Moved in the chambers of the blood;
And many an old philosophy
On Argive heights divinely sang,
And round us all the thicket rang
To many a flute of Arcady.
XXIV.
And was the day of my delight
As pure and perfect as I say?
The very source and fount of Day
430
Is dash’d with wandering isles of night.
If all was good and fair we met,
This earth had been the Paradise
It never look’d to human eyes
Since our first Sun arose and set.
And is it that the haze of grief
Makes former gladness loom so great?
The lowness of the present state,
That sets the past in this relief?
Or that the past will always win
A glory from its being far;
And orb into the perfect star
We saw not, when we moved therein?
XXV.
I know that this was Life,–the track
Whereon with equal feet we fared;
And then, as now, the day prepared
The daily burden for the back.
But this it was that made me move
As light as carrier-birds in air;
I loved the weight I had to bear,
Because it needed help of Love:
Nor could I weary, heart or limb,
When mighty Love would cleave in twain
The lading of a single pain,
And part it, giving half to him.
XXVI.
Still onward winds the dreary way;
I with it; for I long to prove
No lapse of moons can canker Love,
Whatever fickle tongues may say.
431
And if that eye which watches guilt
And goodness, and hath power to see
Within the green the moulder’d tree,
And towers fall’n as soon as built–
Oh, if indeed that eye foresee
Or see (in Him is no before)
In more of life true life no more
And Love the indifference to be,
Then might I find, ere yet the morn
Breaks hither over Indian seas,
That Shadow waiting with the keys,
To shroud me from my proper scorn.
XXVII.
I envy not in any moods
The captive void of noble rage,
The linnet born within the cage,
That never knew the summer woods:
I envy not the beast that takes
His license in the field of time,
Unfetter’d by the sense of crime,
To whom a conscience never wakes;
Nor, what may count itself as blest,
The heart that never plighted troth
But stagnates in the weeds of sloth;
Nor any want-begotten rest.
I hold it true, whate’er befall;
I feel it, when I sorrow most;
’Tis better to have loved and lost
Than never to have loved at all.
XXVIII.
432
The time draws near the birth of Christ:
The moon is hid; the night is still;
The Christmas bells from hill to hill
Answer each other in the mist.
Four voices of four hamlets round,
From far and near, on mead and moor,
Swell out and fail, as if a door
Were shut between me and the sound:
Each voice four changes on the wind,
That now dilate, and now decrease,
Peace and goodwill, goodwill and peace,
Peace and goodwill, to all mankind.
This year I slept and woke with pain,
I almost wish’d no more to wake,
And that my hold on life would break
Before I heard those bells again:
But they my troubled spirit rule,
For they controll’d me when a boy;
They bring me sorrow touch’d with joy,
The merry merry bells of Yule.
XXIX.
With such compelling cause to grieve
As daily vexes household peace,
And chains regret to his decease,
How dare we keep our Christmas-eve;
Which brings no more a welcome guest
To enrich the threshold of the night
With shower’d largess of delight
In dance and song and game and jest?
Yet go, and while the holly boughs
Entwine the cold baptismal font,
Make one wreath more for Use and Wont,
That guard the portals of the house;
433
Old sisters of a day gone by,
Gray nurses, loving nothing new;
Why should they miss their yearly due
Before their time? They too will die.
XXX.
With trembling fingers did we weave
The holly round the Christmas hearth;
A rainy cloud possess’d the earth,
And sadly fell our Christmas-eve.
At our old pastimes in the hall
We gambol’d, making vain pretence
Of gladness, with an awful sense
Of one mute Shadow watching all.
We paused: the winds were in the beech:
We heard them sweep the winter land;
And in a circle hand-in-hand
Sat silent, looking each at each.
Then echo-like our voices rang;
We sung, tho’ every eye was dim,
A merry song we sang with him
Last year: impetuously we sang:
We ceased: a gentler feeling crept
Upon us: surely rest is meet:
‘They rest,’ we said, ‘their sleep is sweet,’
And silence follow’d, and we wept.
Our voices took a higher range;
Once more we sang: ‘They do not die
Nor lose their mortal sympathy,
Nor change to us, although they change;
‘Rapt from the fickle and the frail
With gather’d power, yet the same,
Pierces the keen seraphic flame
From orb to orb, from veil to veil.’
434
Rise, happy morn, rise, holy morn,
Draw forth the cheerful day from night:
O Father, touch the east, and light
The light that shone when Hope was born.
XXXI.
When Lazarus left his charnel-cave,
And home to Mary’s house return’d,
Was this demanded–if he yearn’d
To hear her weeping by his grave?
‘Where wert thou, brother, those four days?’
There lives no record of reply,
Which telling what it is to die
Had surely added praise to praise.
From every house the neighbours met,
The streets were fill’d with joyful sound,
A solemn gladness even crown’d
The purple brows of Olivet.
Behold a man raised up by Christ!
The rest remaineth unreveal’d;
He told it not; or something seal’d
The lips of that Evangelist.
XXXII.
Her eyes are homes of silent prayer,
Nor other thought her mind admits
But, he was dead, and there he sits,
And he that brought him back is there.
Then one deep love doth supersede
All other, when her ardent gaze
Roves from the living brother’s face,
And rests upon the Life indeed.
435
All subtle thought, all curious fears,
Borne down by gladness so complete,
She bows, she bathes the Saviour’s feet
With costly spikenard and with tears.
Thrice blest whose lives are faithful prayers,
Whose loves in higher love endure;
What souls possess themselves so pure,
Or is there blessedness like theirs?
XXXIII.
O thou that after toil and storm
Mayst seem to have reach’d a purer air,
Whose faith has centre everywhere,
Nor cares to fix itself to form,
Leave thou thy sister when she prays,
Her early Heaven, her happy views;
Nor thou with shadow’d hint confuse
A life that leads melodious days.
Her faith thro’ form is pure as thine,
Her hands are quicker unto good:
Oh, sacred be the flesh and blood
To which she links a truth divine!
See thou, that countest reason ripe
In holding by the law within,
Thou fail not in a world of sin,
And ev’n for want of such a type.
XXXIV.
My own dim life should teach me this,
That life shall live for evermore,
Else earth is darkness at the core,
And dust and ashes all that is;
This round of green, this orb of flame,
436
Fantastic beauty; such as lurks
In some wild Poet, when he works
Without a conscience or an aim.
What then were God to such as I?
’Twere hardly worth my while to choose
Of things all mortal, or to use
A little patience ere I die;
’Twere best at once to sink to peace,
Like birds the charming serpent draws,
To drop head-foremost in the jaws
Of vacant darkness and to cease.
XXXV.
Yet if some voice that man could trust
Should murmur from the narrow house,
‘The cheeks drop in; the body bows;
Man dies: nor is there hope in dust:’
Might I not say? ‘Yet even here,
But for one hour, O Love, I strive
To keep so sweet a thing alive:’
But I should turn mine ears and hear
The moanings of the homeless sea,
The sound of streams that swift or slow
Draw down Æonian hills, and sow
The dust of continents to be;
And Love would answer with a sigh,
‘The sound of that forgetful shore
Will change my sweetness more and more,
Half-dead to know that I shall die.’
O me, what profits it to put
And idle case? If Death were seen
At first as Death, Love had not been,
Or been in narrowest working shut,
437
Mere fellowship of sluggish moods,
Or in his coarsest Satyr-shape
Had bruised the herb and crush’d the grape,
And bask’d and batten’d in the woods.
XXXVI.
Tho’ truths in manhood darkly join,
Deep-seated in our mystic frame,
We yield all blessing to the name
Of Him that made them current coin;
For Wisdom dealt with mortal powers,
Where truth in closest words shall fail,
When truth embodied in a tale
Shall enter in at lowly doors.
And so the Word had breath, and wrought
With human hands the creed of creeds
In loveliness of perfect deeds,
More strong than all poetic thought;
Which he may read that binds the sheaf,
Or builds the house, or digs the grave,
And those wild eyes that watch the wave
In roarings round the coral reef.
XXXVII.
Urania speaks with darken’d brow:
‘Thou pratest here where thou art least;
This faith has many a purer priest,
And many an abler voice than thou.
‘Go down beside thy native rill,
On thy Parnassus set thy feet,
And hear thy laurel whisper sweet
About the ledges of the hill.’
And my Melpomene replies,
438
A touch of shame upon her cheek:
‘I am not worthy ev’n to speak
Of thy prevailing mysteries;
‘For I am but an earthly Muse,
And owning but a little art
To lull with song an aching heart,
And render human love his dues;
‘But brooding on the dear one dead,
And all he said of things divine,
(And dear to me as sacred wine
To dying lips is all he said),
‘I murmur’d, as I came along,
Of comfort clasp’d in truth reveal’d;
And loiter’d in the master’s field,
And darken’d sanctities with song.’
XXXVIII.
With weary steps I loiter on,
Tho’ always under alter’d skies
The purple from the distance dies,
My prospect and horizon gone.
No joy the blowing season gives,
The herald melodies of spring,
But in the songs I love to sing
A doubtful gleam of solace lives.
If any care for what is here
Survive in spirits render’d free,
Then are these songs I sing of thee
Not all ungrateful to thine ear.
XXXIX.
Old warder of these buried bones,
439
And answering now my random stroke
With fruitful cloud and living smoke,
Dark yew, that graspest at the stones
And dippest toward the dreamless head,
To thee too comes the golden hour
When flower is feeling after flower;
But Sorrow–fixt upon the dead,
And darkening the dark graves of men,–
What whisper’d from her lying lips?
Thy gloom is kindled at the tips,
And passes into gloom again.
XL.
Could we forget the widow’d hour
And look on Spirits breathed away,
As on a maiden in the day
When first she wears her orange-flower!
When crown’d with blessing she doth rise
To take her latest leave of home,
And hopes and light regrets that come
Make April of her tender eyes;
And doubtful joys the father move,
And tears are on the mother’s face,
As parting with a long embrace
She enters other realms of love;
Her office there to rear, to teach,
Becoming as is meet and fit
A link among the days, to knit
The generations each with each;
And, doubtless, unto thee is given
A life that bears immortal fruit
In those great offices that suit
The full-grown energies of heaven.
Ay me, the difference I discern!
440
How often shall her old fireside
Be cheer’d with tidings of the bride,
How often she herself return,
And tell them all they would have told,
And bring her babe, and make her boast,
Till even those that miss’d her most
Shall count new things as dear as old:
But thou and I have shaken hands,
Till growing winters lay me low;
My paths are in the fields I know,
And thine in undiscover’d lands.
XLI.
The spirit ere our fatal loss
Did ever rise from high to higher;
As mounts the heavenward altar-fire,
As flies the lighter thro’ the gross.
But thou art turn’d to something strange,
And I have lost the links that bound
Thy changes; here upon the ground,
No more partaker of thy change.
Deep folly! yet that this could be–
That I could wing my will with might
To leap the grades of life and light,
And flash at once, my friend, to thee.
For tho’ my nature rarely yields
To that vague fear implied in death;
Nor shudders at the gulfs beneath,
The howlings from forgotten fields;
Yet oft when sundown skirts the moor
An inner trouble I behold,
A spectral doubt which makes me cold,
That I shall be thy mate no more,
441
Tho’ following with an upward mind
The wonders that have come to thee,
Thro’ all the secular to-be,
But evermore a life behind.
XLII.
I vex my heart with fancies dim:
He still outstript me in the race;
It was but unity of place
That made me dream I rank’d with him.
And so may Place retain us still,
And he the much-beloved again,
A lord of large experience, train
To riper growth the mind and will:
And what delights can equal those
That stir the spirit’s inner deeps,
When one that loves but knows not, reaps
A truth from one that loves and knows?
XLIII.
If Sleep and Death be truly one,
And every spirit’s folded bloom
Thro’ all its intervital gloom
In some long trance should slumber on;
Unconscious of the sliding hour,
Bare of the body, might it last,
And silent traces of the past
Be all the colour of the flower:
So then were nothing lost to man;
So that still garden of the souls
In many a figured leaf enrolls
The total world since life began;
And love will last as pure and whole
442
As when he loved me here in Time,
And at the spiritual prime
Rewaken with the dawning soul.
XLIV.
How fares it with the happy dead?
For here the man is more and more;
But he forgets the days before
God shut the doorways of his head.
The days have vanish’d, tone and tint,
And yet perhaps the hoarding sense
Gives out at times (he knows not whence)
A little flash, a mystic hint;
And in the long harmonious years
(If Death so taste Lethean springs),
May some dim touch of earthly things
Surprise thee ranging with thy peers.
If such a dreamy touch should fall,
O turn thee round, resolve the doubt;
My guardian angel will speak out
In that high place, and tell thee all.
XLV.
The baby new to earth and sky,
What time his tender palm is prest
Against the circle of the breast,
Has never thought that ‘this is I:’
But as he grows he gathers much,
And learns the use of ‘I,’ and ‘me,’
And finds ‘I am not what I see,
And other than the things I touch.’
So rounds he to a separate mind
From whence clear memory may begin,
443
As thro’ the frame that binds him in
His isolation grows defined.
This use may lie in blood and breath,
Which else were fruitless of their due,
Had man to learn himself anew
Beyond the second birth of Death.
XLVI.
We ranging down this lower track,
The path we came by, thorn and flower,
Is shadow’d by the growing hour,
Lest life should fail in looking back.
So be it: there no shade can last
In that deep dawn behind the tomb,
But clear from marge to marge shall bloom
The eternal landscape of the past;
A lifelong tract of time reveal’d;
The fruitful hours of still increase;
Days order’d in a wealthy peace,
And those five years its richest field.
O Love, thy province were not large,
A bounded field, nor stretching far;
Look also, Love, a brooding star,
A rosy warmth from marge to marge.
XLVII.
That each, who seems a separate whole,
Should move his rounds, and fusing all
The skirts of self again, should fall
Remerging in the general Soul,
Is faith as vague as all unsweet:
Eternal form shall still divide
The eternal soul from all beside;
444
And I shall know him when we meet:
And we shall sit at endless feast,
Enjoying each the other’s good:
What vaster dream can hit the mood
Of Love on earth? He seeks at least
Upon the last and sharpest height,
Before the spirits fade away,
Some landing-place, to clasp and say,
‘Farewell! We lose ourselves in light.’
XLVIII.
If these brief lays, of Sorrow born,
Were taken to be such as closed
Grave doubts and answers here proposed,
Then these were such as men might scorn:
Her care is not to part and prove;
She takes, when harsher moods remit,
What slender shade of doubt may flit,
And makes it vassal unto love:
And hence, indeed, she sports with words,
But better serves a wholesome law,
And holds it sin and shame to draw
The deepest measure from the chords:
Nor dare she trust a larger lay,
But rather loosens from the lip
Short swallow-flights of song, that dip
Their wings in tears, and skim away.
XLIX.
From art, from nature, from the schools,
Let random influences glance,
Like light in many a shiver’d lance
445
That breaks about the dappled pools:
The lightest wave of thought shall lisp,
The fancy’s tenderest eddy wreathe,
The slightest air of song shall breathe
To make the sullen surface crisp.
And look thy look, and go thy way,
But blame not thou the winds that make
The seeming-wanton ripple break,
The tender-pencil’d shadow play.
Beneath all fancied hopes and fears
Ay me, the sorrow deepens down,
Whose muffled motions blindly drown
The bases of my life in tears.
L.
Be near me when my light is low,
When the blood creeps, and the nerves prick
And tingle; and the heart is sick,
And all the wheels of Being slow.
Be near me when the sensuous frame
Is rack’d with pangs that conquer trust;
And Time, a maniac scattering dust,
And Life, a Fury slinging flame.
Be near me when my faith is dry,
And men the flies of latter spring,
That lay their eggs, and sting and sing
And weave their petty cells and die.
Be near me when I fade away,
To point the term of human strife,
And on the low dark verge of life
The twilight of eternal day.
LI.
446
Do we indeed desire the dead
Should still be near us at our side?
Is there no baseness we would hide?
No inner vileness that we dread?
Shall he for whose applause I strove,
I had such reverence for his blame,
See with clear eye some hidden shame
And I be lessen’d in his love?
I wrong the grave with fears untrue:
Shall love be blamed for want of faith?
There must be wisdom with great Death:
The dead shall look me thro’ and thro’.
Be near us when we climb or fall:
Ye watch, like God, the rolling hours
With larger other eyes than ours,
To make allowance for us all.
LII.
I cannot love thee as I ought,
For love reflects the thing beloved;
My words are only words, and moved
Upon the topmost froth of thought.
‘Yet blame not thou thy plaintive song,’
The Spirit of true love replied;
‘Thou canst not move me from thy side,
Nor human frailty do me wrong.
‘What keeps a spirit wholly true
To that ideal which he bears?
What record? not the sinless years
That breathed beneath the Syrian blue:
‘So fret not, like an idle girl,
That life is dash’d with flecks of sin.
Abide: thy wealth is gather’d in,
When Time hath sunder’d shell from pearl.’
447
LIII.
How many a father have I seen,
A sober man, among his boys,
Whose youth was full of foolish noise,
Who wears his manhood hale and green:
And dare we to this fancy give,
That had the wild oat not been sown,
The soil, left barren, scarce had grown
The grain by which a man may live?
Or, if we held the doctrine sound
For life outliving heats of youth,
Yet who would preach it as a truth
To those that eddy round and round?
Hold thou the good: define it well:
For fear divine Philosophy
Should push beyond her mark, and be
Procuress to the Lords of Hell.
LIV.
Oh yet we trust that somehow good
Will be the final goal of ill,
To pangs of nature, sins of will,
Defects of doubt, and taints of blood;
That nothing walks with aimless feet;
That not one life shall be destroy’d,
Or cast as rubbish to the void,
When God hath made the pile complete;
That not a worm is cloven in vain;
That not a moth with vain desire
Is shrivell’d in a fruitless fire,
Or but subserves another’s gain.
448
Behold, we know not anything;
I can but trust that good shall fall
At last–far off–at last, to all,
And every winter change to spring.
So runs my dream: but what am I?
An infant crying in the night:
An infant crying for the light:
And with no language but a cry.
LV.
The wish, that of the living whole
No life may fail beyond the grave,
Derives it not from what we have
The likest God within the soul?
Are God and Nature then at strife,
That Nature lends such evil dreams?
So careful of the type she seems,
So careless of the single life;
That I, considering everywhere
Her secret meaning in her deeds,
And finding that of fifty seeds
She often brings but one to bear,
I falter where I firmly trod,
And falling with my weight of cares
Upon the great world’s altar-stairs
That slope thro’ darkness up to God,
I stretch lame hands of faith, and grope,
And gather dust and chaff, and call
To what I feel is Lord of all,
And faintly trust the larger hope.
LVI.
449
‘So careful of the type?’ but no.
From scarped cliff and quarried stone
She cries, ‘A thousand types are gone:
I care for nothing, all shall go.
‘Thou makest thine appeal to me:
I bring to life, I bring to death:
The spirit does but mean the breath:
I know no more.’ And he, shall he,
Man, her last work, who seem’d so fair,
Such splendid purpose in his eyes,
Who roll’d the psalm to wintry skies,
Who built him fanes of fruitless prayer,
Who trusted God was love indeed
And love Creation’s final law–
Tho’ Nature, red in tooth and claw
With ravine, shriek’d against his creed–
Who loved, who suffer’d countless ills,
Who battled for the True, the Just,
Be blown about the desert dust,
Or seal’d within the iron hills?
No more? A monster then, a dream,
A discord. Dragons of the prime,
That tare each other in their slime,
Were mellow music match’d with him.
O life as futile, then, as frail!
O for thy voice to soothe and bless!
What hope of answer, or redress?
Behind the veil, behind the veil.
LVII.
Peace; come away: the song of woe
Is after all an earthly song:
Peace; come away: we do him wrong
To sing so wildly: let us go.
450
Come; let us go: your cheeks are pale;
But half my life I leave behind:
Methinks my friend is richly shrined;
But I shall pass; my work will fail.
Yet in these ears, till hearing dies,
One set slow bell will seem to toll
The passing of the sweetest soul
That ever look’d with human eyes.
I hear it now, and o’er and o’er,
Eternal greetings to the dead;
And ‘Ave, Ave, Ave,’ said,
‘Adieu, adieu’ for evermore.
LVIII.
In those sad words I took farewell:
Like echoes in sepulchral halls,
As drop by drop the water falls
In vaults and catacombs, they fell;
And, falling, idly broke the peace
Of hearts that beat from day to day,
Half-conscious of their dying clay,
And those cold crypts where they shall cease.
The high Muse answer’d: ‘Wherefore grieve
Thy brethren with a fruitless tear?
Abide a little longer here,
And thou shalt take a nobler leave.’
LIX.
O Sorrow, wilt thou live with me
No casual mistress, but a wife,
My bosom-friend and half of life;
As I confess it needs must be;
O Sorrow, wilt thou rule my blood,
451
Be sometimes lovely like a bride,
And put thy harsher moods aside,
If thou wilt have me wise and good.
My centred passion cannot move,
Nor will it lessen from to-day;
But I’ll have leave at times to play
As with the creature of my love;
And set thee forth, for thou art mine,
With so much hope for years to come,
That, howsoe’er I know thee, some
Could hardly tell what name were thine.
LX.
He past; a soul of nobler tone:
My spirit loved and loves him yet,
Like some poor girl whose heart is set
On one whose rank exceeds her own.
He mixing with his proper sphere,
She finds the baseness of her lot,
Half jealous of she knows not what,
And envying all that meet him there.
The little village looks forlorn;
She sighs amid her narrow days,
Moving about the household ways,
In that dark house where she was born.
The foolish neighbours come and go,
And tease her till the day draws by:
At night she weeps, ‘How vain am I!
How should he love a thing so low?’
LXI.
If, in thy second state sublime,
452
Thy ransom’d reason change replies
With all the circle of the wise,
The perfect flower of human time;
And if thou cast thine eyes below,
How dimly character’d and slight,
How dwarf’d a growth of cold and night,
How blanch'd with darkness must I grow!
Yet turn thee to the doubtful shore,
Where thy first form was made a man:
I loved thee, Spirit, and love, nor can
The soul of Shakespeare love thee more.
LXII.
Tho’ if an eye that’s downward cast
Could make thee somewhat blench or fail,
Then be my love an idle tale,
And fading legend of the past;
And thou, as one that once declined,
When he was little more than boy,
On some unworthy heart with joy,
But lives to wed an equal mind;
And breathes a novel world, the while
His other passion wholly dies,
Or in the light of deeper eyes
Is matter for a flying smile.
LXIII.
Yet pity for a horse o’er-driven,
And love in which my hound has part,
Can hang no weight upon my heart
In its assumptions up to heaven;
And I am so much more than these,
As thou, perchance, art more than I,
And yet I spare them sympathy,
453
And I would set their pains at ease.
So mayst thou watch me where I weep,
As, unto vaster motions bound,
The circuits of thine orbit round
A higher height, a deeper deep.
LXIV.
Dost thou look back on what hath been,
As some divinely gifted man,
Whose life in low estate began
And on a simple village green;
Who breaks his birth’s invidious bar,
And grasps the skirts of happy chance,
And breasts the blows of circumstance,
And grapples with his evil star;
Who makes by force his merit known
And lives to clutch the golden keys,
To mould a mighty state’s decrees,
And shape the whisper of the throne;
And moving up from high to higher,
Becomes on Fortune’s crowning slope
The pillar of a people’s hope,
The centre of a world’s desire;
Yet feels, as in a pensive dream,
When all his active powers are still,
A distant dearness in the hill,
A secret sweetness in the stream,
The limit of his narrower fate,
While yet beside its vocal springs
He play’d at counsellors and kings,
With one that was his earliest mate;
Who ploughs with pain his native lea
And reaps the labour of his hands,
454
Or in the furrow musing stands;
‘Does my old friend remember me?’
LXV.
Sweet soul, do with me as thou wilt;
I lull a fancy trouble-tost
With ‘Love’s too precious to be lost,
A little grain shall not be spilt.’
And in that solace can I sing,
Till out of painful phases wrought
There flutters up a happy thought,
Self-balanced on a lightsome wing:
Since we deserved the name of friends,
And thine effect so lives in me,
A part of mine may live in thee
And move thee on to noble ends.
LXVI.
You thought my heart too far diseased;
You wonder when my fancies play
To find me gay among the gay,
Like one with any trifle pleased.
The shade by which my life was crost,
Which makes a desert in the mind,
Has made me kindly with my kind,
And like to him whose sight is lost;
Whose feet are guided thro’ the land,
Whose jest among his friends is free,
Who takes the children on his knee,
And winds their curls about his hand:
He plays with threads, he beats his chair
For pastime, dreaming of the sky;
His inner day can never die,
455
His night of loss is always there.
LXVII.
When on my bed the moonlight falls,
I know that in thy place of rest
By that broad water of the west,
There comes a glory on the walls:
Thy marble bright in dark appears,
As slowly steals a silver flame
Along the letters of thy name,
And o’er the number of thy years.
The mystic glory swims away;
From off my bed the moonlight dies;
And closing eaves of wearied eyes
I sleep till dusk is dipt in gray:
And then I know the mist is drawn
A lucid veil from coast to coast,
And in the dark church like a ghost
Thy tablet glimmers to the dawn.
LXVIII.
When in the down I sink my head,
Sleep, Death’s twin-brother, times my breath;
Sleep, Death’s twin-brother, knows not Death,
Nor can I dream of thee as dead:
I walk as ere I walk’d forlorn,
When all our path was fresh with dew,
And all the bugle breezes blew
Reveillée to the breaking morn.
But what is this? I turn about,
I find a trouble in thine eye,
Which makes me sad I know not why,
Nor can my dream resolve the doubt:
456
But ere the lark hath left the lea
I wake, and I discern the truth;
It is the trouble of my youth
That foolish sleep transfers to thee.
LXIX.
I dream’d there would be Spring no more,
That Nature’s ancient power was lost:
The streets were black with smoke and frost,
They chatter’d trifles at the door:
I wander’d from the noisy town,
I found a wood with thorny boughs:
I took the thorns to bind my brows,
I wore them like a civic crown:
I met with scoffs, I met with scorns
From youth and babe and hoary hairs:
They call’d me in the public squares
The fool that wears a crown of thorns:
They call’d me fool, they call’d me child:
I found an angel of the night;
The voice was low, the look was bright;
He look’d upon my crown and smiled:
He reach’d the glory of a hand,
That seem’d to touch it into leaf:
The voice was not the voice of grief,
The words were hard to understand.
LXX.
I cannot see the features right,
When on the gloom I strive to paint
The face I know; the hues are faint
And mix with hollow masks of night;
457
Cloud-towers by ghostly masons wrought,
A gulf that ever shuts and gapes,
A hand that points, and palled shapes
In shadowy thoroughfares of thought;
And crowds that stream from yawning doors,
And shoals of pucker’d faces drive;
Dark bulks that tumble half alive,
And lazy lengths on boundless shores;
Till all at once beyond the will
I hear a wizard music roll,
And thro’ a lattice on the soul
Looks thy fair face and makes it still.
LXXI.
Sleep, kinsman thou to death and trance
And madness, thou hast forged at last
A night-long Present of the Past
In which we went thro’ summer France.
Hadst thou such credit with the soul?
Then bring an opiate trebly strong,
Drug down the blindfold sense of wrong
That so my pleasure may be whole;
While now we talk as once we talk’d
Of men and minds, the dust of change,
The days that grow to something strange,
In walking as of old we walk’d
Beside the river’s wooded reach,
The fortress, and the mountain ridge,
The cataract flashing from the bridge,
The breaker breaking on the beach.
LXXII.
458
Risest thou thus, dim dawn, again,
And howlest, issuing out of night,
With blasts that blow the poplar white,
And lash with storm the streaming pane?
Day, when my crown’d estate begun
To pine in that reverse of doom,
Which sicken’d every living bloom,
And blurr’d the splendour of the sun;
Who usherest in the dolorous hour
With thy quick tears that make the rose
Pull sideways, and the daisy close
Her crimson fringes to the shower;
Who might’st have heaved a windless flame
Up the deep East, or, whispering, play’d
A chequer-work of beam and shade
Along the hills, yet look’d the same.
As wan, as chill, as wild as now;
Day, mark’d as with some hideous crime,
When the dark hand struck down thro’ time,
And cancell’d nature’s best: but thou,
Lift as thou may’st thy burthen’d brows
Thro’ clouds that drench the morning star,
And whirl the ungarner’d sheaf afar,
And sow the sky with flying boughs,
And up thy vault with roaring sound
Climb thy thick noon, disastrous day;
Touch thy dull goal of joyless gray,
And hide thy shame beneath the ground.
LXXIII.
So many worlds, so much to do,
So little done, such things to be,
How know I what had need of thee,
For thou wert strong as thou wert true?
459
The fame is quench’d that I foresaw,
The head hath miss’d an earthly wreath:
I curse not nature, no, nor death;
For nothing is that errs from law.
We pass; the path that each man trod
Is dim, or will be dim, with weeds:
What fame is left for human deeds
In endless age? It rests with God.
O hollow wraith of dying fame,
Fade wholly, while the soul exults,
And self-infolds the large results
Of force that would have forged a name.
LXXIV.
As sometimes in a dead man’s face,
To those that watch it more and more,
A likeness, hardly seen before,
Comes out–to some one of his race:
So, dearest, now thy brows are cold,
I see thee what thou art, and know
Thy likeness to the wise below,
Thy kindred with the great of old.
But there is more than I can see,
And what I see I leave unsaid,
Nor speak it, knowing Death has made
His darkness beautiful with thee.
LXXV.
I leave thy praises unexpress’d
In verse that brings myself relief,
And by the measure of my grief
I leave thy greatness to be guess’d;
What practice howsoe’er expert
460
In fitting aptest words to things,
Or voice the richest-toned that sings,
Hath power to give thee as thou wert?
I care not in these fading days
To raise a cry that lasts not long,
And round thee with the breeze of song
To stir a little dust of praise.
Thy leaf has perish’d in the green,
And, while we breathe beneath the sun,
The world which credits what is done
Is cold to all that might have been.
So here shall silence guard thy fame;
But somewhere, out of human view,
Whate’er thy hands are set to do
Is wrought with tumult of acclaim.
LXXVI.
Take wings of fancy, and ascend,
And in a moment set thy face
Where all the starry heavens of space
Are sharpen’d to a needle’s end;
Take wings of foresight; lighten thro’
The secular abyss to come,
And lo, thy deepest lays are dumb
Before the mouldering of a yew;
And if the matin songs, that woke
The darkness of our planet, last,
Thine own shall wither in the vast,
Ere half the lifetime of an oak.
Ere these have clothed their branchy bowers
With fifty Mays, thy songs are vain;
And what are they when these remain
The ruin’d shells of hollow towers?
461
LXXVII.
What hope is here for modern rhyme
To him, who turns a musing eye
On songs, and deeds, and lives, that lie
Foreshorten’d in the tract of time?
These mortal lullabies of pain
May bind a book, may line a box,
May serve to curl a maiden’s locks;
Or when a thousand moons shall wane
A man upon a stall may find,
And, passing, turn the page that tells
A grief, then changed to something else,
Sung by a long-forgotten mind.
But what of that? My darken’d ways
Shall ring with music all the same;
To breathe my loss is more than fame,
To utter love more sweet than praise.
LXXVIII.
Again at Christmas did we weave
The holly round the Christmas hearth;
The silent snow possess’d the earth,
And calmly fell our Christmas-eve:
The yule-clog sparkled keen with frost,
No wing of wind the region swept,
But over all things brooding slept
The quiet sense of something lost.
As in the winters left behind,
Again our ancient games had place,
The mimic picture’s breathing grace,
And dance and song and hoodman-blind.
Who show’d a token of distress?
462
No single tear, no mark of pain:
O sorrow, then can sorrow wane?
O grief, can grief be changed to less?
O last regret, regret can die!
No–mixt with all this mystic frame,
Her deep relations are the same,
But with long use her tears are dry.
LXXIX.
‘More than my brothers are to me,’–
Let this not vex thee, noble heart!
I know thee of what force thou art
To hold the costliest love in fee.
But thou and I are one in kind,
As moulded like in Nature’s mint;
And hill and wood and field did print
The same sweet forms in either mind.
For us the same cold streamlet curl’d
Thro’ all his eddying coves; the same
All winds that roam the twilight came
In whispers of the beauteous world.
At one dear knee we proffer’d vows,
One lesson from one book we learn’d,
Ere childhood’s flaxen ringlet turn’d
To black and brown on kindred brows.
And so my wealth resembles thine,
But he was rich where I was poor,
And he supplied my want the more
As his unlikeness fitted mine.
LXXX.
If any vague desire should rise,
463
That holy Death ere Arthur died
Had moved me kindly from his side,
And dropt the dust on tearless eyes;
Then fancy shapes, as fancy can,
The grief my loss in him had wrought,
A grief as deep as life or thought,
But stay’d in peace with God and man.
I make a picture in the brain;
I hear the sentence that he speaks;
He bears the burthen of the weeks
But turns his burthen into gain.
His credit thus shall set me free;
And, influence-rich to soothe and save,
Unused example from the grave
Reach out dead hands to comfort me.
LXXXI.
Could I have said while he was here,
‘My love shall now no further range;
There cannot come a mellower change,
For now is love mature in ear.’
Love, then, had hope of richer store:
What end is here to my complaint?
This haunting whisper makes me faint,
‘More years had made me love thee more.’
But Death returns an answer sweet:
‘My sudden frost was sudden gain,
And gave all ripeness to the grain,
It might have drawn from after-heat.’
LXXXII.
I wage not any feud with Death
For changes wrought on form and face;
464
No lower life that earth’s embrace
May breed with him, can fright my faith.
Eternal process moving on,
From state to state the spirit walks;
And these are but the shatter’d stalks,
Or ruin’d chrysalis of one.
Nor blame I Death, because he bare
The use of virtue out of earth:
I know transplanted human worth
Will bloom to profit, otherwhere.
For this alone on Death I wreak
The wrath that garners in my heart;
He put our lives so far apart
We cannot hear each other speak.
LXXXIII.
Dip down upon the northern shore,
O sweet new-year delaying long;
Thou doest expectant nature wrong;
Delaying long, delay no more.
What stays thee from the clouded noons,
Thy sweetness from its proper place?
Can trouble live with April days,
Or sadness in the summer moons?
Bring orchis, bring the foxglove spire,
The little speedwell’s darling blue,
Deep tulips dash’d with fiery dew,
Laburnums, dropping-wells of fire.
O thou, new-year, delaying long,
Delayest the sorrow in my blood,
That longs to burst a frozen bud
And flood a fresher throat with song.
465
LXXXIV.
When I contemplate all alone
The life that had been thine below,
And fix my thoughts on all the glow
To which thy crescent would have grown;
I see thee sitting crown’d with good,
A central warmth diffusing bliss
In glance and smile, and clasp and kiss,
On all the branches of thy blood;
Thy blood, my friend, and partly mine;
For now the day was drawing on,
When thou should’st link thy life with one
Of mine own house, and boys of thine
Had babbled ‘Uncle’ on my knee;
But that remorseless iron hour
Made cypress of her orange flower,
Despair of Hope, and earth of thee.
I seem to meet their least desire,
To clap their cheeks, to call them mine.
I see their unborn faces shine
Beside the never-lighted fire.
I see myself an honour’d guest,
Thy partner in the flowery walk
Of letters, genial table-talk,
Or deep dispute, and graceful jest;
While now thy prosperous labour fills
The lips of men with honest praise,
And sun by sun the happy days
Descend below the golden hills
With promise of a morn as fair;
And all the train of bounteous hours
Conduct by paths of growing powers,
To reverence and the silver hair;
Till slowly worn her earthly robe,
466
Her lavish mission richly wrought,
Leaving great legacies of thought,
Thy spirit should fail from off the globe;
What time mine own might also flee,
As link’d with thine in love and fate,
And, hovering o’er the dolorous strait
To the other shore, involved in thee,
Arrive at last the blessed goal,
And He that died in Holy Land
Would reach us out the shining hand,
And take us as a single soul.
What reed was that on which I leant?
Ah, backward fancy, wherefore wake
The old bitterness again, and break
The low beginnings of content.
LXXXV.
This truth came borne with bier and pall,
I felt it, when I sorrow’d most,
’Tis better to have loved and lost,
Than never to have loved at all–
O true in word, and tried in deed,
Demanding, so to bring relief
To this which is our common grief,
What kind of life is that I lead;
And whether trust in things above
Be dimm’d of sorrow, or sustain’d;
And whether love for him have drain’d
My capabilities of love;
Your words have virtue such as draws
A faithful answer from the breast,
Thro’ light reproaches, half exprest,
And loyal unto kindly laws.
467
My blood an even tenor kept,
Till on mine ear this message falls,
That in Vienna’s fatal walls
God’s finger touch’d him, and he slept.
The great Intelligences fair
That range above our mortal state,
In circle round the blessed gate,
Received and gave him welcome there;
And led him thro’ the blissful climes,
And show'd him in the fountain fresh
All knowledge that the sons of flesh
Shall gather in the cycled times.
But I remained, whose hopes were dim,
Whose life, whose thoughts were little worth,
To wander on a darkened earth,
Where all things round me breathed of him.
friendship, equal poised control,
heart, with kindliest motion warm,
sacred essence, other form,
solemn ghost, O crowned soul!
Yet none could better know than I,
How much of act at human hands
The sense of human will demands
By which we dare to live or die.
Whatever way my days decline,
I felt and feel, tho’ left alone,
His being working in mine own,
The footsteps of his life in mine;
A life that all the Muses decked
With gifts of grace, that might express
All comprehensive tenderness,
All-subtilising intellect:
And so my passion hath not swerved
To works of weakness, but I find
468
An image comforting the mind,
And in my grief a strength reserved.
Likewise the imaginative woe,
That loved to handle spiritual strife,
Diffused the shock thro’ all my life,
But in the present broke the blow.
My pulses therefore beat again
For other friends that once I met;
Nor can it suit me to forget
The mighty hopes that make us men.
I woo your love: I count it crime
To mourn for any overmuch;
I, the divided half of such
A friendship as had master’d Time;
Which masters Time indeed, and is
Eternal, separate from fears:
The all-assuming months and years
Can take no part away from this:
But Summer on the steaming floods,
And Spring that swells the narrow brooks,
And Autumn, with a noise of rooks,
That gather in the waning woods,
And every pulse of wind and wave
Recalls, in change of light or gloom,
My old affection of the tomb,
And my prime passion in the grave:
My old affection of the tomb,
A part of stillness, yearns to speak:
‘Arise, and get thee forth and seek
A friendship for the years to come.
‘I watch thee from the quiet shore;
Thy spirit up to mine can reach;
But in dear words of human speech
We two communicate no more.’
469
And I, ‘Can clouds of nature stain
The starry clearness of the free?
How is it? Canst thou feel for me
Some painless sympathy with pain?’
And lightly does the whisper fall;
‘’Tis hard for thee to fathom this;
I triumph in conclusive bliss,
And that serene result of all.’
So hold I commerce with the dead;
Or so methinks the dead would say;
Or so shall grief with symbols play
And pining life be fancy-fed.
Now looking to some settled end,
That these things pass, and I shall prove
A meeting somewhere, love with love,
I crave your pardon, O my friend;
If not so fresh, with love as true,
I, clasping brother-hands aver
I could not, if I would, transfer
The whole I felt for him to you.
For which be they that hold apart
The promise of the golden hours?
First love, first friendship, equal powers,
That marry with the virgin heart.
Still mine, that cannot but deplore,
That beats within a lonely place,
That yet remembers his embrace,
But at his footstep leaps no more,
My heart, tho’ widow’d, may not rest
Quite in the love of what is gone,
But seeks to beat in time with one
That warms another living breast.
Ah, take the imperfect gift I bring,
470
Knowing the primrose yet is dear,
The primrose of the later year,
As not unlike to that of Spring.
LXXXVI.
Sweet after showers, ambrosial air,
That rollest from the gorgeous gloom
Of evening over brake and bloom
And meadow, slowly breathing bare
The round of space, and rapt below
Thro’ all the dewy-tassell’d wood,
And shadowing down the horned flood
In ripples, fan my brows and blow
The fever from my cheek, and sigh
The full new life that feeds thy breath
Throughout my frame, till Doubt and Death,
Ill brethren, let the fancy fly
From belt to belt of crimson seas
On leagues of odour streaming far,
To where in yonder orient star
A hundred spirits whisper ‘Peace.’
LXXXVII.
I past beside the reverend walls
In which of old I wore the gown;
I roved at random thro’ the town,
And saw the tumult of the halls;
And heard one more in college fanes
The storm their high-built organs make,
And thunder-music, rolling, shake
The prophet blazon’d on the panes;
And caught one more the distant shout,
The measured pulse of racing oars
471
Among the willows; paced the shores
And many a bridge, and all about
The same gray flats again, and felt
The same, but not the same; and last
Up that long walk of limes I past
To see the rooms in which he dwelt.
Another name was on the door:
I linger’d; all within was noise
Of songs, and clapping hands, and boys
That crash’d the glass and beat the floor;
Where once we held debate, a band
Of youthful friends, on mind and art,
And labour, and the changing mart,
And all the framework of the land;
When one would aim an arrow fair,
But send it slackly from the string;
And one would pierce an outer ring,
And one an inner, here and there;
And last the master-bowman, he,
Would cleave the mark. A willing ear
We lent him. Who, but hung to hear
The rapt oration flowing free
From point to point, with power and grace
And music in the bounds of law,
To those conclusions when we saw
The God within him light his face,
And seem to lift the form, and glow
In azure orbits heavenly wise;
And over those ethereal eyes
The bar of Michael Angelo.
LXXXVIII.
472
Wild bird, whose warble, liquid sweet,
Rings Eden thro’ the budded quicks,
O tell me where the senses mix,
O tell me where the passions meet,
Whence radiate: fierce extremes employ
Thy spirits in the darkening leaf,
And in the midmost heart of grief
Thy passion clasps a secret joy:
And I–my harp would prelude woe–
I cannot all command the strings;
The glory of the sum of things
Will flash along the chords and go.
LXXXIX.
Witch-elms that counterchange the floor
Of this flat lawn with dusk and bright;
And thou, with all thy breadth and height
Of foliage, towering sycamore;
How often, hither wandering down,
My Arthur found your shadows fair,
And shook to all the liberal air
The dust and din and steam of town:
He brought an eye for all he saw;
He mixt in all our simple sports;
They pleased him, fresh from brawling courts
And dusty purlieus of the law.
O joy to him in this retreat,
Immantled in ambrosial dark,
To drink the cooler air, and mark
The landscape winking thro’ the heat:
O sound to rout the brood of cares,
The sweep of scythe in morning dew,
The gust that round the garden flew,
And tumbled half the mellowing pears!
473
O bliss, when all in circle drawn
About him, heart and ear were fed
To hear him, as he lay and read
The Tuscan poets on the lawn:
Or in the all-golden afternoon
A guest, or happy sister, sung,
Or here she brought the harp and flung
A ballad to the brightening moon:
Nor less it pleased in livelier moods,
Beyond the bounding hill to stray,
And break the livelong summer day
With banquet in the distant woods;
Whereat we glanced from theme to theme,
Discuss’d the books to love or hate,
Or touch’d the changes of the state,
Or threaded some Socratic dream;
But if I praised the busy town,
He loved to rail against it still,
For ‘ground in yonder social mill
We rub each other’s angles down,
‘And merge’ he said ‘in form and gloss
The picturesque of man and man.’
We talk’d: the stream beneath us ran,
The wine-flask lying couch’d in moss,
Or cool’d within the glooming wave;
And last, returning from afar,
Before the crimson-circled star
Had fall’n into her father’s grave,
And brushing ankle-deep in flowers,
We heard behind the woodbine veil
The milk that bubbled in the pail,
And buzzings of the honied hours.
474
XC.
He tasted love with half his mind,
Nor ever drank the inviolate spring
Where nighest heaven, who first could fling
This bitter seed among mankind;
That could the dead, whose dying eyes
Were closed with wail, resume their life,
They would but find in child and wife
An iron welcome when they rise:
’Twas well, indeed, when warm with wine,
To pledge them with a kindly tear,
To talk them o’er, to wish them here,
To count their memories half divine;
But if they came who past away,
Behold their brides in other hands;
The hard heir strides about their lands,
And will not yield them for a day.
Yea, tho’ their sons were none of these,
Not less the yet-loved sire would make
Confusion worse than death, and shake
The pillars of domestic peace.
Ah dear, but come thou back to me:
Whatever change the years have wrought,
I find not yet one lonely thought
That cries against my wish for thee.
XCI.
When rosy plumelets tuft the larch,
And rarely pipes the mounted thrush;
Or underneath the barren bush
Flits by the sea-blue bird of March;
Come, wear the form by which I know
Thy spirit in time among thy peers;
The hope of unaccomplish’d years
475
Be large and lucid round thy brow.
When summer’s hourly-mellowing change
May breathe, with many roses sweet,
Upon the thousand waves of wheat,
That ripple round the lonely grange;
Come: not in watches of the night,
But where the sunbeam broodeth warm,
Come, beauteous in thine after form,
And like a finer light in light.
XCII.
If any vision should reveal
Thy likeness, I might count it vain
As but the canker of the brain;
Yea, tho’ it spake and made appeal
To chances where our lots were cast
Together in the days behind,
I might but say, I hear a wind
Of memory murmuring the past.
Yea, tho’ it spake and bared to view
A fact within the coming year;
And tho’ the months, revolving near,
Should prove the phantom-warning true,
They might not seem thy prophecies,
But spiritual presentiments,
And such refraction of events
As often rises ere they rise.
XCIII.
I shall not see thee. Dare I say
No spirit ever brake the band
That stays him from the native land
476
Where first he walk’d when claspt in clay?
No visual shade of some one lost,
But he, the Spirit himself, may come
Where all the nerve of sense is numb;
Spirit to Spirit, Ghost to Ghost.
O, therefore from thy sightless range
With gods in unconjectured bliss,
O, from the distance of the abyss
Of tenfold-complicated change,
Descend, and touch, and enter; hear
The wish too strong for words to name;
That in this blindness of the frame
My Ghost may feel that thine is near.
XCIV.
How pure at heart and sound in head,
With what divine affections bold
Should be the man whose thought would hold
An hour’s communion with the dead.
In vain shalt thou, or any, call
The spirits from their golden day,
Except, like them, thou too canst say,
My spirit is at peace with all.
They haunt the silence of the breast,
Imaginations calm and fair,
The memory like a cloudless air,
The conscience as a sea at rest:
But when the heart is full of din,
And doubt beside the portal waits,
They can but listen at the gates,
And hear the household jar within.
XCV.
477
By night we linger’d on the lawn,
For underfoot the herb was dry;
And genial warmth; and o’er the sky
The silvery haze of summer drawn;
And calm that let the tapers burn
Unwavering: not a cricket chirr’d:
The brook alone far-off was heard,
And on the board the fluttering urn:
And bats went round in fragrant skies,
And wheel’d or lit the filmy shapes
That haunt the dusk, with ermine capes
And woolly breasts and beaded eyes;
While now we sang old songs that peal’d
From knoll to knoll, where, couch’d at ease,
The white kine glimmer’d, and the trees
Laid their dark arms about the field.
But when those others, one by one,
Withdrew themselves from me and night,
And in the house light after light
Went out, and I was all alone,
A hunger seized my heart; I read
Of that glad year which once had been,
In those fall’n leaves which kept their green,
The noble letters of the dead:
And strangely on the silence broke
The silent-speaking words, and strange
Was love’s dumb cry defying change
To test his worth; and strangely spoke
The faith, the vigour, bold to dwell
On doubts that drive the coward back,
And keen thro’ wordy snares to track
Suggestion to her inmost cell.
So word by word, and line by line,
The dead man touch’d me from the past,
478
And all at once it seem’d at last
The living soul was flash’d on mine,
And mine in this was wound, and whirl’d
About empyreal heights of thought,
And came on that which is, and caught
The deep pulsations of the world,
Æonian music measuring out
The steps of Time–the shocks of Chance–
The blows of Death. At length my trance
Was cancell’d, stricken thro’ with doubt.
Vague words! but ah, how hard to frame
In matter-moulded forms of speech,
Or ev’n for intellect to reach
Thro’ memory that which I became:
Till now the doubtful dusk reveal’d
The knolls once more where, couch’d at ease,
The white kine glimmer’d, and the trees
Laid their dark arms about the field:
And suck’d from out the distant gloom
A breeze began to tremble o’er
The large leaves of the sycamore,
And fluctuate all the still perfume,
And gathering freshlier overhead,
Rock’d the full-foliaged elms, and swung
The heavy-folded rose, and flung
The lilies to and fro, and said
‘The dawn, the dawn,’ and died away;
And East and West, without a breath,
Mixt their dim lights, like life and death,
To broaden into boundless day.
XCVI.
479
You say, but with no touch of scorn,
Sweet-hearted, you, whose light-blue eyes
Are tender over drowning flies,
You tell me, doubt is Devil-born.
I know not: one indeed I knew
In many a subtle question versed,
Who touch’d a jarring lyre at first,
But ever strove to make it true:
Perplext in faith, but pure in deeds,
At last he beat his music out.
There lives more faith in honest doubt,
Believe me, than in half the creeds.
He fought his doubts and gather’d strength,
He would not make his judgment blind,
He faced the spectres of the mind
And laid them: thus he came at length
To find a stronger faith his own;
And Power was with him in the night,
Which makes the darkness and the light,
And dwells not in the light alone,
But in the darkness and the cloud,
As over Sinaï’s peaks of old,
While Israel made their gods of gold,
Altho’ the trumpet blew so loud.
XCVII.
My love has talk’d with rocks and trees;
He finds on misty mountain-ground
His own vast shadow glory-crown’d;
He sees himself in all he sees.
Two partners of a married life–
I look’d on these and thought of thee
In vastness and in mystery,
And of my spirit as of a wife.
480
These two–they dwelt with eye on eye,
Their hearts of old have beat in tune,
Their meetings made December June,
Their every parting was to die.
Their love has never past away;
The days she never can forget
Are earnest that he loves her yet,
Whate’er the faithless people say.
Her life is lone, he sits apart,
He loves her yet, she will not weep,
Tho’ rapt in matters dark and deep
He seems to slight her simple heart.
He
He
He
He
thrids the labyrinth of the mind,
reads the secret of the star,
seems so near and yet so far,
looks so cold: she thinks him kind.
She keeps the gift of years before,
A wither’d violet is her bliss:
She knows not what his greatness is,
For that, for all, she loves him more.
For him she plays, to him she sings
Of early faith and plighted vows;
She knows but matters of the house,
And he, he knows a thousand things.
Her faith is fixt and cannot move,
She darkly feels him great and wise,
She dwells on him with faithful eyes,
‘I cannot understand: I love.’
XCVIII.
You leave us: you will see the Rhine,
And those fair hills I sail’d below,
When I was there with him; and go
481
By summer belts of wheat and vine
To where he breathed his latest breath,
That City. All her splendour seems
No livelier than the wisp that gleams
On Lethe in the eyes of Death.
Let her great Danube rolling fair
Enwind her isles, unmark’d of me:
I have not seen, I will not see
Vienna; rather dream that there,
A treble darkness, Evil haunts
The birth, the bridal; friend from friend
Is oftener parted, fathers bend
Above more graves, a thousand wants
Gnarr at the heels of men, and prey
By each cold hearth, and sadness flings
Her shadow on the blaze of kings:
And yet myself have heard him say,
That not in any mother town
With statelier progress to and fro
The double tides of chariots flow
By park and suburb under brown
Of lustier leaves; nor more content,
He told me, lives in any crowd,
When all is gay with lamps, and loud
With sport and song, in booth and tent,
Imperial halls, or open plain;
And wheels the circled dance, and breaks
The rocket molten into flakes
Of crimson or in emerald rain.
XCIX.
Risest thou thus, dim dawn, again,
So loud with voices of the birds,
482
So thick with lowings of the herds,
Day, when I lost the flower of men;
Who tremblest thro’ thy darkling red
On yon swoll’n brook that bubbles fast
By meadows breathing of the past,
And woodlands holy to the dead;
Who murmurest in the foliaged eaves
A song that slights the coming care,
And Autumn laying here and there
A fiery finger on the leaves;
Who wakenest with thy balmy breath
To myriads on the genial earth,
Memories of bridal, or of birth,
And unto myriads more, of death.
O wheresoever those may be,
Betwixt the slumber of the poles,
To-day they count as kindred souls;
They know me not, but mourn with me.
C.
I climb the hill: from end to end
Of all the landscape underneath,
I find no place that does not breathe
Some gracious memory of my friend;
No gray old grange, or lonely fold,
Or low morass and whispering reed,
Or simple stile from mead to mead,
Or sheepwalk up the windy wold;
Nor hoary knoll of ash and haw
That hears the latest linnet trill,
Nor quarry trench’d along the hill
And haunted by the wrangling daw;
Nor runlet tinkling from the rock;
Nor pastoral rivulet that swerves
483
To left and right thro’ meadowy curves,
That feed the mothers of the flock;
But each has pleased a kindred eye,
And each reflects a kindlier day;
And, leaving these, to pass away,
I think once more he seems to die.
CI.
Unwatch’d, the garden bough shall sway,
The tender blossom flutter down,
Unloved, that beech will gather brown,
This maple burn itself away;
Unloved, the sun-flower, shining fair,
Ray round with flames her disk of seed,
And many a rose-carnation feed
With summer spice the humming air;
Unloved, by many a sandy bar,
The brook shall babble down the plain,
At noon or when the lesser wain
Is twisting round the polar star;
Uncared for, gird the windy grove,
And flood the haunts of hern and crake;
Or into silver arrows break
The sailing moon in creek and cove;
Till from the garden and the wild
A fresh association blow,
And year by year the landscape grow
Familiar to the stranger’s child;
As year by year the labourer tills
His wonted glebe, or lops the glades;
And year by year our memory fades
From all the circle of the hills.
484
CII.
We leave the well-beloved place
Where first we gazed upon the sky;
The roofs, that heard our earliest cry,
Will shelter one of stranger race.
We go, but ere we go from home,
As down the garden-walks I move,
Two spirits of a diverse love
Contend for loving masterdom.
One whispers, ‘Here thy boyhood sung
Long since its matin song, and heard
The low love-language of the bird
In native hazels tassel-hung.’
The other answers, ‘Yea, but here
Thy feet have stray’d in after hours
With thy lost friend among the bowers,
And this hath made them trebly dear.’
These two have striven half the day,
And each prefers his separate claim,
Poor rivals in a losing game,
That will not yield each other way.
I turn to go: my feet are set
To leave the pleasant fields and farms;
They mix in one another’s arms
To one pure image of regret.
CIII.
On that last night before we went
From out the doors where I was bred,
I dream’d a vision of the dead,
Which left my after-morn content.
Methought I dwelt within a hall,
And maidens with me: distant hills
485
From hidden summits fed with rills
A river sliding by the wall.
The hall with harp and carol rang.
They sang of what is wise and good
And graceful. In the centre stood
A statue veil’d, to which they sang;
And which, tho’ veil’d, was known to me,
The shape of him I loved, and love
For ever: then flew in a dove
And brought a summons from the sea:
And when they learnt that I must go
They wept and wail’d, but led the way
To where a little shallop lay
At anchor in the flood below;
And on by many a level mead,
And shadowing bluff that made the banks,
We glided winding under ranks
Of iris, and the golden reed;
And still as vaster grew the shore
And roll’d the floods in grander space,
The maidens gather’d strength and grace
And presence, lordlier than before;
And I myself, who sat apart
And watch’d them, wax’d in every limb;
I felt the thews of Anakim,
The pulses of a Titan’s heart;
As one would sing the death of war,
And one would chant the history
Of that great race, which is to be,
And one the shaping of a star;
Until the forward-creeping tides
Began to foam, and we to draw
From deep to deep, to where we saw
A great ship lift her shining sides.
486
The man we loved was there on deck,
But thrice as large as man he bent
To greet us. Up the side I went,
And fell in silence on his neck:
Whereat those maidens with one mind
Bewail’d their lot; I did them wrong:
‘We served thee here’ they said, ‘so long,
And wilt thou leave us now behind?’
So rapt I was, they could not win
An answer from my lips, but he
Replying, ‘Enter likewise ye
And go with us:’ they enter’d in.
And while the wind began to sweep
A music out of sheet and shroud,
We steer’d her toward a crimson cloud
That landlike slept along the deep.
CIV.
The time draws near the birth of Christ;
The moon is hid, the night is still;
A single church below the hill
Is pealing, folded in the mist.
A single peal of bells below,
That wakens at this hour of rest
A single murmur in the breast,
That these are not the bells I know.
Like strangers’ voices here they sound,
In lands where not a memory strays,
Nor landmark breathes of other days,
But all is new unhallow’d ground.
CV.
487
To-night ungather’d let us leave
This laurel, let this holly stand:
We live within the stranger’s land,
And strangely falls our Christmas-eve.
Our father’s dust is left alone
And silent under other snows:
There in due time the woodbine blows,
The violet comes, but we are gone.
No more shall wayward grief abuse
The genial hour with mask and mime;
For change of place, like growth of time,
Has broke the bond of dying use.
Let cares that petty shadows cast,
By which our lives are chiefly proved,
A little spare the night I loved,
And hold it solemn to the past.
But let no footstep beat the floor,
Nor bowl of wassail mantle warm;
For who would keep an ancient form
Thro’ which the spirit breathes no more?
Be neither song, nor game, nor feast;
Nor harp be touch’d, nor flute be blown;
No dance, no motion, save alone
What lightens in the lucid east
Of rising worlds by yonder wood.
Long sleeps the summer in the seed;
Run out your measured arcs, and lead
The closing cycle rich in good.
CVI.
Ring out, wild bells, to the wild sky,
The flying cloud, the frosty light:
The year is dying in the night;
488
Ring out, wild bells, and let him die.
Ring out the old, ring in the new,
Ring, happy bells, across the snow:
The year is going, let him go;
Ring out the false, ring in the true.
Ring out the grief that saps the mind,
For those that here we see no more;
Ring out the feud of rich and poor,
Ring in redress to all mankind.
Ring out a slowly dying cause,
And ancient forms of party strife;
Ring in the nobler modes of life,
With sweeter manners, purer laws.
Ring out the want, the care, the sin,
The faithless coldness of the times;
Ring out, ring out my mournful rhymes,
But ring the fuller minstrel in.
Ring out false pride in place and blood,
The civic slander and the spite;
Ring in the love of truth and right,
Ring in the common love of good.
Ring
Ring
Ring
Ring
out old shapes of foul disease;
out the narrowing lust of gold;
out the thousand wars of old,
in the thousand years of peace.
Ring in the valiant man and free,
The larger heart, the kindlier hand;
Ring out the darkness of the land,
Ring in the Christ that is to be.
CVII.
It is the day when he was born,
A bitter day that early sank
489
Behind a purple-frosty bank
Of vapour, leaving night forlorn.
The time admits not flowers or leaves
To deck the banquet. Fiercely flies
The blast of North and East, and ice
Makes daggers at the sharpen’d eaves,
And bristles all the brakes and thorns
To yon hard crescent, as she hangs
Above the wood which grides and clangs
Its leafless ribs and iron horns
Together, in the drifts that pass
To darken on the rolling brine
That breaks the coast. But fetch the wine,
Arrange the board and brim the glass;
Bring in great logs and let them lie,
To make a solid core of heat;
Be cheerful-minded, talk and treat
Of all things ev’n as he were by;
We keep the day. With festal cheer,
With books and music, surely we
Will drink to him, whate’er he be,
And sing the songs he loved to hear.
CVIII.
I will not shut me from my kind,
And, lest I stiffen into stone,
I will not eat my heart alone,
Nor feed with sighs a passing wind:
What profit lies in barren faith,
And vacant yearning, tho’ with might
To scale the heaven’s highest height,
Or dive below the wells of Death?
What find I in the highest place,
But mine own phantom chanting hymns?
490
And on the depths of death there swims
The reflex of a human face.
I'll rather take what fruit may be
Of sorrow under human skies:
’Tis held that sorrow makes us wise,
Whatever wisdom sleep with thee.
CIX.
Heart-affluence in discursive talk
From household fountains never dry;
The critic clearness of an eye,
That saw thro’ all the Muses’ walk;
Seraphic intellect and force
To seize and throw the doubts of man;
Impassion’d logic, which outran
The hearer in its fiery course;
High nature amorous of the good,
But touch’d with no ascetic gloom;
And passion pure in snowy bloom
Thro’ all the years of April blood;
A love of freedom rarely felt,
Of freedom in her regal seat
Of England; not the schoolboy heat,
The blind hysterics of the Celt;
And manhood fused with female grace
In such a sort, the child would twine
A trustful hand, unask’d, in thine,
And find his comfort in thy face;
All these have been, and thee mine eyes
Have look’d on: if they look’d in vain,
My shame is greater who remain,
Nor let thy wisdom make me wise.
491
CX.
Thy converse drew us with delight,
The men of rathe and riper years:
The feeble soul, a haunt of fears,
Forgot his weakness in thy sight.
On thee the loyal-hearted hung,
The proud was half disarm’d of pride,
Nor cared the serpent at thy side
To flicker with his double tongue.
The stern were mild when thou wert by,
The flippant put himself to school
And heard thee, and the brazen fool
Was soften’d, and he knew not why;
While I, thy nearest, sat apart,
And felt thy triumph was as mine;
And loved them more, that they were thine,
The graceful tact, the Christian art;
Nor mine the sweetness or the skill,
But mine the love that will not tire,
And, born of love, the vague desire
That spurs an imitative will.
CXI.
The churl in spirit, up or down
Along the scale of ranks, thro’ all,
To him who grasps a golden ball,
By blood a king, at heart a clown;
The churl in spirit, howe’er he veil
His want in forms for fashion’s sake,
Will let his coltish nature break
At seasons thro’ the gilded pale:
For who can always act? but he,
To whom a thousand memories call,
492
Not being less but more than all
The gentleness he seem’d to be,
Best seem’d the thing he was, and join’d
Each office of the social hour
To noble manners, as the flower
And native growth of noble mind;
Nor ever narrowness or spite,
Or villain fancy fleeting by,
Drew in the expression of an eye,
Where God and Nature met in light;
And thus he bore without abuse
The grand old name of gentleman,
Defamed by every charlatan,
And soil’d with all ignoble use.
CXII.
High wisdom holds my wisdom less,
That I, who gaze with temperate eyes
On glorious insufficiencies,
Set light by narrower perfectness.
But thou, that fillest all the room
Of all my love, art reason why
I seem to cast a careless eye
On souls, the lesser lords of doom.
For what wert thou? some novel power
Sprang up for ever at a touch,
And hope could never hope too much,
In watching thee from hour to hour,
Large elements in order brought,
And tracts of calm from tempest made,
And world-wide fluctuation sway’d
In vassal tides that follow’d thought.
493
CXIII.
’Tis held that sorrow makes us wise;
Yet how much wisdom sleeps with thee
Which not alone had guided me,
But served the seasons that may rise;
For can I doubt, who knew thee keen
In intellect, with force and skill
To strive, to fashion, to fulfil–
I doubt not what thou wouldst have been:
life in civic action warm,
soul on highest mission sent,
potent voice of Parliament,
pillar steadfast in the storm,
Should licensed boldness gather force,
Becoming, when the time has birth,
A lever to uplift the earth
And roll it in another course,
With thousand shocks that come and go,
With agonies, with energies,
With overthrowings, and with cries,
And undulations to and fro.
CXIV.
Who loves not Knowledge? Who shall rail
Against her beauty? May she mix
With men and prosper! Who shall fix
Her pillars? Let her work prevail.
But on her forehead sits a fire:
She sets her forward countenance
And leaps into the future chance,
Submitting all things to desire.
Half-grown as yet, a child, and vain–
She cannot fight the fear of death.
494
What is she, cut from love and faith,
But some wild Pallas from the brain
Of Demons? fiery-hot to burst
All barriers in her onward race
For power. Let her know her place;
She is the second, not the first.
A higher hand must make her mild,
If all be not in vain; and guide
Her footsteps, moving side by side
With wisdom, like the younger child:
For she is earthly of the mind,
But Wisdom heavenly of the soul.
O, friend, who camest to thy goal
So early, leaving me behind,
I would the great world grew like thee,
Who grewest not alone in power
And knowledge, but by year and hour
In reverence and in charity.
CXV.
Now fades the last long streak of snow,
Now burgeons every maze of quick
About the flowering squares, and thick
By ashen roots the violets blow.
Now rings the woodland loud and long,
The distance takes a lovelier hue,
And drown’d in yonder living blue
The lark becomes a sightless song.
Now dance the lights on lawn and lea,
The flocks are whiter down the vale,
And milkier every milky sail
On winding stream or distant sea;
Where now the seamew pipes, or dives
495
In yonder greening gleam, and fly
The happy birds, that change their sky
To build and brood; that live their lives
From land to land; and in my breast
Spring wakens too; and my regret
Becomes an April violet,
And buds and blossoms like the rest.
CXVI.
Is it, then, regret for buried time
That keenlier in sweet April wakes,
And meets the year, and gives and takes
The colours of the crescent prime?
Not all: the songs, the stirring air,
The life re-orient out of dust,
Cry thro’ the sense to hearten trust
In that which made the world so fair.
Not all regret: the face will shine
Upon me, while I muse alone;
And that dear voice, I once have known,
Still speak to me of me and mine:
Yet less of sorrow lives in me
For days of happy commune dead;
Less yearning for the friendship fled,
Than some strong bond which is to be.
CXVII.
O days and hours, your work is this
To hold me from my proper place,
A little while from his embrace
For fuller gain of after bliss:
That out of distance might ensue
Desire of nearness doubly sweet;
496
And unto meeting when we meet,
Delight a hundredfold accrue,
For every grain of sand that runs,
And every span of shade that steals,
And every kiss of toothed wheels,
And all the courses of the suns.
CXVIII.
Contemplate all this work of Time,
The giant labouring in his youth;
Nor dream of human love and truth,
As dying Nature’s earth and lime;
But trust that those we call the dead
Are breathers of an ampler day
For ever nobler ends. They say,
The solid earth whereon we tread
In tracts of fluent heat began,
And grew to seeming-random forms,
The seeming prey of cyclic storms,
Till at the last arose the man;
Who throve and branch’d from clime to clime,
The herald of a higher race,
And of himself in higher place,
If so he type this work of time
Within himself, from more to more;
Or, crown’d with attributes of woe
Like glories, move his course, and show
That life is not as idle ore,
But iron dug from central gloom,
And heated hot with burning fears,
And dipt in baths of hissing tears,
And batter’d with the shocks of doom
To shape and use. Arise and fly
497
The reeling Faun, the sensual feast;
Move upward, working out the beast,
And let the ape and tiger die.
CXIX.
Doors, where my heart was used to beat
So quickly, not as one that weeps
I come once more; the city sleeps;
I smell the meadow in the street;
I hear a chirp of birds; I see
Betwixt the black fronts long-withdrawn
A light-blue lane of early dawn,
And think of early days and thee,
And bless thee, for thy lips are bland,
And bright the friendship of thine eye;
And in my thoughts with scarce a sigh
I take the pressure of thine hand.
CXX.
I trust I have not wasted breath:
I think we are not wholly brain,
Magnetic mockeries; not in vain,
Like Paul with beasts, I fought with Death;
Not only cunning casts in clay:
Let Science prove we are, and then
What matters Science unto men,
At least to me? I would not stay.
Let him, the wiser man who springs
Hereafter, up from childhood shape
His action like the greater ape,
But I was born to other things.
498
CXXI.
Sad Hesper o’er the buried sun
And ready, thou, to die with him,
Thou watchest all things ever dim
And dimmer, and a glory done:
The team is loosen’d from the wain,
The boat is drawn upon the shore;
Thou listenest to the closing door,
And life is darken’d in the brain.
Bright Phosphor, fresher for the night,
By thee the world’s great work is heard
Beginning, and the wakeful bird;
Behind thee comes the greater light:
The market boat is on the stream,
And voices hail it from the brink;
Thou hear’st the village hammer clink,
And see’st the moving of the team.
Sweet Hesper-Phosphor, double name
For what is one, the first, the last,
Thou, like my present and my past,
Thy place is changed; thou art the same.
CXXII.
Oh, wast thou with me, dearest, then,
While I rose up against my doom,
And yearn’d to burst the folded gloom,
To bare the eternal Heavens again,
To feel once more, in placid awe,
The strong imagination roll
A sphere of stars about my soul,
In all her motion one with law;
If thou wert with me, and the grave
Divide us not, be with me now,
And enter in at breast and brow,
499
Till all my blood, a fuller wave,
Be quicken’d with a livelier breath,
And like an inconsiderate boy,
As in the former flash of joy,
I slip the thoughts of life and death;
And all the breeze of Fancy blows,
And every dew-drop paints a bow,
The wizard lightnings deeply glow,
And every thought breaks out a rose.
CXXIII.
There rolls the deep where grew the tree.
O earth, what changes hast thou seen!
There where the long street roars, hath been
The stillness of the central sea.
The hills are shadows, and they flow
From form to form, and nothing stands;
They melt like mist, the solid lands,
Like clouds they shape themselves and go.
But in my spirit will I dwell,
And dream my dream, and hold it true;
For tho’ my lips may breathe adieu,
I cannot think the thing farewell.
CXXIV.
That which we dare invoke to bless;
Our dearest faith; our ghastliest doubt;
He, They, One, All; within, without;
The Power in darkness whom we guess;
I found Him not in world or sun,
Or eagle’s wing, or insect’s eye;
Nor thro’ the questions men may try,
The petty cobwebs we have spun:
500
If e’er when faith had fall’n asleep,
I heard a voice ‘believe no more’
And heard an ever-breaking shore
That tumbled in the Godless deep;
A warmth within the breast would melt
The freezing reason’s colder part,
And like a man in wrath the heart
Stood up and answer’d ‘I have felt.’
No, like a child in doubt and fear:
But that blind clamour made me wise;
Then was I as a child that cries,
But, crying, knows his father near;
And what I am beheld again
What is, and no man understands;
And out of darkness came the hands
That reach thro’ nature, moulding men.
CXXV.
Whatever I have said or sung,
Some bitter notes my harp would give,
Yea, tho’ there often seem’d to live
A contradiction on the tongue,
Yet Hope had never lost her youth;
She did but look through dimmer eyes;
Or Love but play’d with gracious lies,
Because he felt so fix’d in truth:
And if the song were full of care,
He breathed the spirit of the song;
And if the words were sweet and strong
He set his royal signet there;
Abiding with me till I sail
To seek thee on the mystic deeps,
And this electric force, that keeps
501
A thousand pulses dancing, fail.
CXXVI.
Love is and was my Lord and King,
And in his presence I attend
To hear the tidings of my friend,
Which every hour his couriers bring.
Love is and was my King and Lord,
And will be, tho’ as yet I keep
Within his court on earth, and sleep
Encompass’d by his faithful guard,
And hear at times a sentinel
Who moves about from place to place,
And whispers to the worlds of space,
In the deep night, that all is well.
CXXVII.
And all is well, tho’ faith and form
Be sunder’d in the night of fear;
Well roars the storm to those that hear
A deeper voice across the storm,
Proclaiming social truth shall spread,
And justice, ev’n tho’ thrice again
The red fool-fury of the Seine
Should pile her barricades with dead.
But ill for him that wears a crown,
And him, the lazar, in his rags:
They tremble, the sustaining crags;
The spires of ice are toppled down,
And molten up, and roar in flood;
The fortress crashes from on high,
The brute earth lightens to the sky,
And the great Æon sinks in blood,
502
And compass’d by the fires of Hell;
While thou, dear spirit, happy star,
O’erlook’st the tumult from afar,
And smilest, knowing all is well.
CXXVIII.
The love that rose on stronger wings,
Unpalsied when he met with Death,
Is comrade of the lesser faith
That sees the course of human things.
No doubt vast eddies in the flood
Of onward time shall yet be made,
And throned races may degrade;
Yet O ye mysteries of good,
Wild Hours that fly with Hope and Fear,
If all your office had to do
With old results that look like new;
If this were all your mission here,
To
To
To
To
draw, to sheathe a useless sword,
fool the crowd with glorious lies,
cleave a creed in sects and cries,
change the bearing of a word,
To shift an arbitrary power,
To cramp the student at his desk,
To make old bareness picturesque
And tuft with grass a feudal tower;
Why then my scorn might well descend
On you and yours. I see in part
That all, as in some piece of art,
Is toil coöperant to an end.
CXXIX.
503
Dear friend, far off, my lost desire,
So far, so near in woe and weal;
O loved the most, when most I feel
There is a lower and a higher;
Known and unknown; human, divine;
Sweet human hand and lips and eye;
Dear heavenly friend that canst not die,
Mine, mine, for ever, ever mine;
Strange friend, past, present, and to be;
Loved deeplier, darklier understood;
Behold, I dream a dream of good,
And mingle all the world with thee.
CXXX.
Thy voice is on the rolling air;
I hear thee where the waters run;
Thou standest in the rising sun,
And in the setting thou art fair.
What art thou then? I cannot guess;
But tho’ I seem in star and flower
To feel thee some diffusive power,
I do not therefore love thee less:
My love involves the love before;
My love is vaster passion now;
Tho’ mix’d with God and Nature thou,
I seem to love thee more and more.
Far off thou art, but ever nigh;
I have thee still, and I rejoice;
I prosper, circled with thy voice;
I shall not lose thee tho’ I die.
CXXXI.
504
O living will that shalt endure
When all that seems shall suffer shock,
Rise in the spiritual rock,
Flow thro’ our deeds and make them pure,
That we may lift from out of dust
A voice as unto him that hears,
A cry above the conquer’d years
To one that with us works, and trust,
With faith that comes of self-control,
The truths that never can be proved
Until we close with all we loved,
And all we flow from, soul in soul.
_________
O true and tried, so well and long,
Demand not thou a marriage lay;
In that it is thy marriage day
Is music more than any song.
Nor have I felt so much of bliss
Since first he told me that he loved
A daughter of our house; nor proved
Since that dark day a day like this;
Tho’ I since then have number’d o’er
Some thrice three years: they went and came,
Remade the blood and changed the frame,
And yet is love not less, but more;
No longer caring to embalm
In dying songs a dead regret,
But like a statue solid-set,
And moulded in colossal calm.
Regret is dead, but love is more
Than in the summers that are flown,
For I myself with these have grown
To something greater than before;
Which makes appear the songs I made
505
As echoes out of weaker times,
As half but idle brawling rhymes,
The sport of random sun and shade.
But where is she, the bridal flower,
That must he made a wife ere noon?
She enters, glowing like the moon
Of Eden on its bridal bower:
On me she bends her blissful eyes
And then on thee; they meet thy look
And brighten like the star that shook
Betwixt the palms of paradise.
O when her life was yet in bud,
He too foretold the perfect rose.
For thee she grew, for thee she grows
For ever, and as fair as good.
And thou art worthy; full of power;
As gentle; liberal-minded, great,
Consistent; wearing all that weight
Of learning lightly like a flower.
But now set out: the noon is near,
And I must give away the bride;
She fears not, or with thee beside
And me behind her, will not fear.
For I that danced her on my knee,
That watch’d her on her nurse’s arm,
That shielded all her life from harm
At last must part with her to thee;
Now waiting to be made a wife,
Her feet, my darling, on the dead;
Their pensive tablets round her head,
And the most living words of life
Breathed in her ear. The ring is on,
The ‘wilt thou’ answer’d, and again
The ‘wilt thou’ ask’d, till out of twain
506
Her sweet ‘I will’ has made you one.
Now sign your names, which shall be read,
Mute symbols of a joyful morn,
By village eyes as yet unborn;
The names are sign’d, and overhead
Begins the clash and clang that tells
The joy to every wandering breeze;
The blind wall rocks, and on the trees
The dead leaf trembles to the bells.
O happy hour, and happier hours
Await them. Many a merry face
Salutes them–maidens of the place,
That pelt us in the porch with flowers.
O happy hour, behold the bride
With him to whom her hand I gave.
They leave the porch, they pass the grave
That has to-day its sunny side.
To-day the grave is bright for me,
For them the light of life increased,
Who stay to share the morning feast,
Who rest to-night beside the sea.
Let all my genial spirits advance
To meet and greet a whiter sun;
My drooping memory will not shun
The foaming grape of eastern France.
It circles round, and fancy plays,
And hearts are warm’d and faces bloom,
As drinking health to bride and groom
We wish them store of happy days.
Nor count me all to blame if I
Conjecture of a stiller guest,
Perchance, perchance, among the rest,
And, tho’ in silence, wishing joy.
507
But they must go, the time draws on,
And those white-favour’d horses wait;
They rise, but linger; it is late;
Farewell, we kiss, and they are gone.
A shade falls on us like the dark
From little cloudlets on the grass,
But sweeps away as out we pass
To range the woods, to roam the park,
Discussing how their courtship grew,
And talk of others that are wed,
And how she look’d, and what he said,
And back we come at fall of dew.
Again the feast, the speech, the glee,
The shade of passing thought, the wealth
Of words and wit, the double health,
The crowning cup, the three-times-three,
And last the dance;–till I retire:
Dumb is that tower which spake so loud,
And high in heaven the streaming cloud,
And on the downs a rising fire:
And rise, O moon, from yonder down,
Till over down and over dale
All night the shining vapour sail
And pass the silent-lighted town,
The white-faced halls, the glancing rills,
And catch at every mountain head,
And o’er the friths that branch and spread
Their sleeping silver thro’ the hills;
And touch with shade the bridal doors,
With tender gloom the roof, the wall;
And breaking let the splendour fall
To spangle all the happy shores
By which they rest, and ocean sounds,
And, star and system rolling past,
508
A soul shall draw from out the vast
And strike his being into bounds,
And, moved thro’ life of lower phase,
Result in man, be born and think,
And act and love, a closer link
Betwixt us and the crowning race
Of those that, eye to eye, shall look
On knowledge; under whose command
Is Earth and Earth’s, and in their hand
Is Nature like an open book;
No longer half-akin to brute,
For all we thought and loved and did,
And hoped, and suffer’d, is but seed
Of what in them is flower and fruit;
Whereof the man, that with me trod
This planet, was a noble type
Appearing ere the times were ripe,
That friend of mine who lives in God,
That God, which ever lives and loves,
One God, one law, one element,
And one far-off divine event,
To which the whole creation moves.
~ Alfred Lord Tennyson,
1211:DRAMATIS PERSON

Count Francesco Cenci.
Giacomo, his Son.
Bernardo, his Son.
Cardinal Camillo.
Orsino, a Prelate.
Savella, the Pope's Legate.
Olimpio, Assassin.
Marzio, Assassin.
Andrea, Servant to Cenci.
Nobles, Judges, Guards, Servants.
Lucretia, Wife of Cenci, and Step-mother of his children.
Beatrice, his Daughter.

The Scene lies principally in Rome, but changes during the Fourth Act to Petrella, a castle among the Apulian Apennines.
Time. During the Pontificate of Clement VIII.
ACT I

Scene I.
An Apartment in the Cenci Palace.
Enter Count Cenci, and Cardinal Camillo.
Camillo.
That matter of the murder is hushed up
If you consent to yield his Holiness
Your fief that lies beyond the Pincian gate.
It needed all my interest in the conclave
To bend him to this point: he said that you
Bought perilous impunity with your gold;
That crimes like yours if once or twice compounded
Enriched the Church, and respited from hell
An erring soul which might repent and live:
But that the glory and the interest
Of the high throne he fills, little consist
With making it a daily mart of guilt
As manifold and hideous as the deeds
Which you scarce hide from men's revolted eyes.
Cenci.
The third of my possessionslet it go!
Ay, I once heard the nephew of the Pope
Had sent his architect to view the ground,
Meaning to build a villa on my vines
The next time I compounded with his uncle:
I little thought he should outwit me so!
Henceforth no witnessnot the lampshall see
That which the vassal threatened to divulge
Whose throat is choked with dust for his reward.
The deed he saw could not have rated higher
Than his most worthless life:it angers me!
Respited me from Hell!So may the Devil
Respite their souls from Heaven. No doubt Pope Clement,
And his most charitable nephews, pray
That the Apostle Peter and the Saints
Will grant for their sake that I long enjoy
Strength, wealth, and pride, and lust, and length of days
Wherein to act the deeds which are the stewards
Of their revenue.But much yet remains
To which they show no title.
Camillo.
               Oh, Count Cenci!
So much that thou mightst honourably live
And reconcile thyself with thine own heart
And with thy God, and with the offended world.
How hideously look deeds of lust and blood
Through those snow white and venerable hairs!
Your children should be sitting round you now,
But that you fear to read upon their looks
The shame and misery you have written there.
Where is your wife? Where is your gentle daughter?
Methinks her sweet looks, which make all things else
Beauteous and glad, might kill the fiend within you.
Why is she barred from all society
But her own strange and uncomplaining wrongs?
Talk with me, Count,you know I mean you well
I stood beside your dark and fiery youth
Watching its bold and bad career, as men
Watch meteors, but it vanished notI marked
Your desperate and remorseless manhood; now
Do I behold you in dishonoured age
Charged with a thousand unrepented crimes.
Yet I have ever hoped you would amend,
And in that hope have saved your life three times.
Cenci.
For which Aldobrandino owes you now
My fief beyond the Pincian.Cardinal,
One thing, I pray you, recollect henceforth,
And so we shall converse with less restraint.
A man you knew spoke of my wife and daughter
He was accustomed to frequent my house;
So the next day his wife and daughter came
And asked if I had seen him; and I smiled:
I think they never saw him any more.
Camillo.
Thou execrable man, beware!
Cenci.
                Of thee?
Nay this is idle:We should know each other.
As to my character for what men call crime
Seeing I please my senses as I list,
And vindicate that right with force or guile,
It is a public matter, and I care not
If I discuss it with you. I may speak
Alike to you and my own conscious heart
For you give out that you have half reformed me,
Therefore strong vanity will keep you silent
If fear should not; both will, I do not doubt.
All men delight in sensual luxury,
All men enjoy revenge; and most exult
Over the tortures they can never feel
Flattering their secret peace with others' pain.
But I delight in nothing else. I love
The sight of agony, and the sense of joy,
When this shall be another's, and that mine.
And I have no remorse and little fear,
Which are, I think, the checks of other men.
This mood has grown upon me, until now
Any design my captious fancy makes
The picture of its wish, and it forms none
But such as men like you would start to know,
Is as my natural food and rest debarred
Until it be accomplished.
Camillo.
              Art thou not
Most miserable?
Cenci.
        Why, miserable?
No.I am what your theologians call
Hardened;which they must be in impudence,
So to revile a man's peculiar taste.
True, I was happier than I am, while yet
Manhood remained to act the thing I thought;
While lust was sweeter than revenge; and now
Invention palls:Ay, we must all grow old
And but that there yet remains a deed to act
Whose horror might make sharp an appetite
Duller than mineI'd doI know not what.
When I was young I thought of nothing else
But pleasure; and I fed on honey sweets:
Men, by St. Thomas! cannot live like bees,
And I grew tired:yet, till I killed a foe,
And heard his groans, and heard his children's groans,
Knew I not what delight was else on earth,
Which now delights me little. I the rather
Look on such pangs as terror ill conceals,
The dry fixed eyeball; the pale quivering lip,
Which tell me that the spirit weeps within
Tears bitterer than the bloody sweat of Christ.
I rarely kill the body, which preserves,
Like a strong prison, the soul within my power,
Wherein I feed it with the breath of fear
For hourly pain.
Camillo.
         Hell's most abandoned fiend
Did never, in the drunkenness of guilt,
Speak to his heart as now you speak to me;
I thank my God that I believe you not.
Enter Andrea.
Andrea.
My Lord, a gentleman from Salamanca
Would speak with you.
Cenci.
           Bid him attend me in
The grand saloon.
[Exit Andrea.
Camillo.
         Farewell; and I will pray
Almighty God that thy false, impious words
Tempt not his spirit to abandon thee.
[Exit Camillo.
Cenci.
The third of my possessions! I must use
Close husbandry, or gold, the old man's sword,
Falls from my withered hand. But yesterday
There came an order from the Pope to make
Fourfold provision for my cursd sons;
Whom I had sent from Rome to Salamanca,
Hoping some accident might cut them off;
And meaning if I could to starve them there.
I pray thee, God, send some quick death upon them!
Bernardo and my wife could not be worse
If dead and damned:then, as to Beatrice [Looking around him suspiciously.

I think they cannot hear me at that door;
What if they should? And yet I need not speak
Though the heart triumphs with itself in words.
O, thou most silent air, that shalt not hear
What now I think! Thou, pavement, which I tread
Towards her chamber,let your echoes talk
Of my imperious step scorning surprise,
But not of my intent!Andrea!
[Enter Andrea.
Andrea.
                My lord?
                Cenci.
Bid Beatrice attend me in her chamber
This evening:no, at midnight and alone.
[Exeunt.
Scene II.
A Garden of the Cenci Palace. EnterBeatrice and Orsino, as in conversation.
Beatrice.
Pervert not truth,
Orsino. You remember where we held
That conversation;nay, we see the spot
Even from this cypress;two long years are past
Since, on an April midnight, underneath
The moonlight ruins of mount Palatine,
I did confess to you my secret mind.
Orsino.
You said you loved me then.
Beatrice.
               You are a Priest,
Speak to me not of love.
Orsino.
             I may obtain
The dispensation of the Pope to marry.
Because I am a Priest do you believe
Your image, as the hunter some struck deer,
Follows me not whether I wake or sleep?
Beatrice.
As I have said, speak to me not of love;
Had you a dispensation I have not;
Nor will I leave this home of misery
Whilst my poor Bernard, and that gentle lady
To whom I owe life, and these virtuous thoughts,
Must suffer what I still have strength to share.
Alas, Orsino! All the love that once
I felt for you, is turned to bitter pain.
Ours was a youthful contract, which you first
Broke, by assuming vows no Pope will loose.
And thus I love you still, but holily,
Even as a sister or a spirit might;
And so I swear a cold fidelity.
And it is well perhaps we shall not marry.
You have a sly, equivocating vein
That suits me not.Ah, wretched that I am!
Where shall I turn? Even now you look on me
As you were not my friend, and as if you
Discovered that I thought so, with false smiles
Making my true suspicion seem your wrong.
Ah, no! forgive me; sorrow makes me seem
Sterner than else my nature might have been;
I have a weight of melancholy thoughts,
And they forbode,but what can they forbode
Worse than I now endure?
Orsino.
             All will be well.
Is the petition yet prepared? You know
My zeal for all you wish, sweet Beatrice;
Doubt not but I will use my utmost skill
So that the Pope attend to your complaint.
Beatrice.
Your zeal for all I wish;Ah me, you are cold!
Your utmost skill . . . speak but one word . . . (aside)
Alas!
Weak and deserted creature that I am,
Here I stand bickering with my only friend! [To Orsino.

This night my father gives a sumptuous feast,
Orsino; he has heard some happy news
From Salamanca, from my brothers there,
And with this outward show of love he mocks
His inward hate. 'Tis bold hypocrisy,
For he would gladlier celebrate their deaths,
Which I have heard him pray for on his knees:
Great God! that such a father should be mine!
But there is mighty preparation made,
And all our kin, the Cenci, will be there,
And all the chief nobility of Rome.
And he has bidden me and my pale Mother
Attire ourselves in festival array.
Poor lady! She expects some happy change
In his dark spirit from this act; I none.
At supper I will give you the petition:
Till whenfarewell.
Orsino.
           Farewell.
(Exit Beatrice.)
                I know the Pope
Will ne'er absolve me from my priestly vow
But by absolving me from the revenue
Of many a wealthy see; and, Beatrice,
I think to win thee at an easier rate.
Nor shall he read her eloquent petition:
He might bestow her on some poor relation
Of his sixth cousin, as he did her sister,
And I should be debarred from all access.
Then as to what she suffers from her father,
In all this there is much exaggeration:
Old men are testy and will have their way;
A man may stab his enemy, or his vassal,
And live a free life as to wine or women,
And with a peevish temper may return
To a dull home, and rate his wife and children;
Daughters and wives call this foul tyranny.
I shall be well content if on my conscience
There rest no heavier sin than what they suffer
From the devices of my lovea net
From which she shall escape not. Yet I fear
Her subtle mind, her awe-inspiring gaze,
Whose beams anatomize me nerve by nerve
And lay me bare, and make me blush to see
My hidden thoughts.Ah, no! A friendless girl
Who clings to me, as to her only hope:
I were a fool, not less than if a panther
Were panic-stricken by the antelope's eye,
If she escape me.
[Exit.
Scene III.
A Magnificent Hall in the Cenci Palace. A Banquet. Enter Cenci, Lucretia, Beatrice, Orsino, Camillo, Nobles.
Cenci.
Welcome, my friends and kinsmen; welcome ye,
Princes and Cardinals, pillars of the church,
Whose presence honours our festivity.
I have too long lived like an anchorite,
And in my absence from your merry meetings
An evil word is gone abroad of me;
But I do hope that you, my noble friends,
When you have shared the entertainment here,
And heard the pious cause for which 'tis given,
And we have pledged a health or two together,
Will think me flesh and blood as well as you;
Sinful indeed, for Adam made all so,
But tender-hearted, meek and pitiful.
First Guest.
In truth, my Lord, you seem too light of heart,
Too sprightly and companionable a man,
To act the deeds that rumour pins on you. (To his Companion.)

I never saw such blithe and open cheer
In any eye!
Second Guest.
      Some most desired event,
In which we all demand a common joy,
Has brought us hither; let us hear it, Count.
Cenci.
It is indeed a most desired event.
If, when a parent from a parent's heart
Lifts from this earth to the great Father of all
A prayer, both when he lays him down to sleep,
And when he rises up from dreaming it;
One supplication, one desire, one hope,
That he would grant a wish for his two sons,
Even all that he demands in their regard
And suddenly beyond his dearest hope
It is accomplished, he should then rejoice,
And call his friends and kinsmen to a feast,
And task their love to grace his merriment,
Then honour me thus farfor I am he.
Beatrice
(to Lucretia).
Great God! How horrible! Some dreadful ill
Must have befallen my brothers.
Lucretia.
                 Fear not, Child,
He speaks too frankly.
Beatrice.
            Ah! My blood runs cold.
I fear that wicked laughter round his eye,
Which wrinkles up the skin even to the hair.
Cenci.
Here are the letters brought from Salamanca;
Beatrice, read them to your mother. God!
I thank thee! In one night didst thou perform,
By ways inscrutable, the thing I sought.
My disobedient and rebellious sons
Are dead!Why, dead!What means this change of cheer?
You hear me not, I tell you they are dead;
And they will need no food or raiment more:
The tapers that did light them the dark way
Are their last cost. The Pope, I think, will not
Expect I should maintain them in their coffins.
Rejoice with memy heart is wondrous glad.
[Lucretia sinks, half fainting; Beatrice supports her.
Beatrice.
It is not true!Dear lady, pray look up.
Had it been true, there is a God in Heaven,
He would not live to boast of such a boon.
Unnatural man, thou knowest that it is false.
Cenci.
Ay, as the word of God; whom here I call
To witness that I speak the sober truth;
And whose most favouring Providence was shown
Even in the manner of their deaths. For Rocco
Was kneeling at the mass, with sixteen others,
When the church fell and crushed him to a mummy,
The rest escaped unhurt. Cristofano
Was stabbed in error by a jealous man,
Whilst she he loved was sleeping with his rival;
All in the self-same hour of the same night;
Which shows that Heaven has special care of me.
I beg those friends who love me, that they mark
The day a feast upon their calendars.
It was the twenty-seventh of December:
Ay, read the letters if you doubt my oath.
[The Assembly appears confused; several of the guests rise.
First Guest.
Oh, horrible! I will depart
Second Guest.
                And I.
                Third Guest.
                    No, stay!
I do believe it is some jest; though faith!
'Tis mocking us somewhat too solemnly.
I think his son has married the Infanta,
Or found a mine of gold in El Dorado;
'Tis but to season some such news; stay, stay!
I see 'tis only raillery by his smile.
Cenci
(filling a bowl of wine, and lifting it up).
Oh, thou bright wine whose purple splendour leaps
And bubbles gaily in this golden bowl
Under the lamplight, as my spirits do,
To hear the death of my accursd sons!
Could I believe thou wert their mingled blood,
Then would I taste thee like a sacrament,
And pledge with thee the mighty Devil in Hell,
Who, if a father's curses, as men say,
Climb with swift wings after their children's souls,
And drag them from the very throne of Heaven,
Now triumphs in my triumph!But thou art
Superfluous; I have drunken deep of joy,
And I will taste no other wine to-night.
Here, Andrea! Bear the bowl around.
A Guest
(rising).
                   Thou wretch!
Will none among this noble company
Check the abandoned villain?
Camillo.
               For God's sake
Let me dismiss the guests! You are insane,
Some ill will come of this.
Second Guest.
               Seize, silence him!
               First Guest.
I will!
Third Guest.
    And I!
    Cenci
(addressing those who rise with a threatening gesture).
       Who moves? Who speaks?
       (turning to the Company)
                   'tis nothing
Enjoy yourselves.Beware! For my revenge
Is as the sealed commission of a king
That kills, and none dare name the murderer.
[The Banquet is broken up; several of the Guests are departing.
Beatrice.
I do entreat you, go not, noble guests;
What, although tyranny and impious hate
Stand sheltered by a father's hoary hair?
What, if 'tis he who clothed us in these limbs
Who tortures them, and triumphs? What, if we,
The desolate and the dead, were his own flesh,
His children and his wife, whom he is bound
To love and shelter? Shall we therefore find
No refuge in this merciless wide world?
O think what deep wrongs must have blotted out
First love, then reverence in a child's prone mind,
Till it thus vanquish shame and fear! O think!
I have borne much, and kissed the sacred hand
Which crushed us to the earth, and thought its stroke
Was perhaps some paternal chastisement!
Have excused much, doubted; and when no doubt
Remained, have sought by patience, love, and tears
To soften him, and when this could not be
I have knelt down through the long sleepless nights
And lifted up to God, the Father of all,
Passionate prayers: and when these were not heard
I have still borne,until I meet you here,
Princes and kinsmen, at this hideous feast
Given at my brothers' deaths. Two yet remain,
His wife remains and I, whom if ye save not,
Ye may soon share such merriment again
As fathers make over their children's graves.
O Prince Colonna, thou art our near kinsman,
Cardinal, thou art the Pope's chamberlain,
Camillo, thou art chief justiciary,
Take us away!
Cenci.
(He has been conversing with Camillo during the first part of Beatrice's speech; he hears the conclusion, and now advances.)
       I hope my good friends here
Will think of their own daughtersor perhaps
Of their own throatsbefore they lend an ear
To this wild girl.
Beatrice
(not noticing the words of Cenci).
          Dare no one look on me?
None answer? Can one tyrant overbear
The sense of many best and wisest men?
Or is it that I sue not in some form
Of scrupulous law, that ye deny my suit?
O God! That I were buried with my brothers!
And that the flowers of this departed spring
Were fading on my grave! And that my father
Were celebrating now one feast for all!
Camillo.
A bitter wish for one so young and gentle;
Can we do nothing?
Colonna.
          Nothing that I see.
Count Cenci were a dangerous enemy:
Yet I would second any one.
A Cardinal.
               And I.
               Cenci.
Retire to your chamber, insolent girl!
Beatrice.
Retire thou, impious man! Ay, hide thyself
Where never eye can look upon thee more!
Wouldst thou have honour and obedience
Who art a torturer? Father, never dream
Though thou mayst overbear this company,
But ill must come of ill.Frown not on me!
Haste, hide thyself, lest with avenging looks
My brothers' ghosts should hunt thee from thy seat!
Cover thy face from every living eye,
And start if thou but hear a human step:
Seek out some dark and silent corner, there,
Bow thy white head before offended God,
And we will kneel around, and fervently
Pray that he pity both ourselves and thee.
Cenci.
My friends, I do lament this insane girl
Has spoilt the mirth of our festivity.
Good night, farewell; I will not make you longer
Spectators of our dull domestic quarrels.
Another time.
[Exeunt all but Cenci and Beatrice.
        My brain is swimming round;
Give me a bowl of wine!
[To Beatrice.
            Thou painted viper!
Beast that thou art! Fair and yet terrible!
I know a charm shall make thee meek and tame,
Now get thee from my sight!
[Exit Beatrice.
               Here, Andrea,
Fill up this goblet with Greek wine. I said
I would not drink this evening; but I must;
For, strange to say, I feel my spirits fail
With thinking what I have decreed to do. [Drinking the wine.

Be thou the resolution of quick youth
Within my veins, and manhood's purpose stern,
And age's firm, cold, subtle villainy;
As if thou wert indeed my children's blood
Which I did thirst to drink! The charm works well;
It must be done; it shall be done, I swear!
[Exit.
END OF THE FIRST ACT.

ACT II
Scene I.
An Apartment in the Cenci Palace. Enter Lucretia and Bernardo.
Lucretia.
Weep not, my gentle boy; he struck but me
Who have borne deeper wrongs. In truth, if he
Had killed me, he had done a kinder deed.
O God, Almighty, do Thou look upon us,
We have no other friend but only Thee!
Yet weep not; though I love you as my own,
I am not your true mother.
Bernardo.
              O more, more,
Than ever mother was to any child,
That have you been to me! Had he not been
My father, do you think that I should weep!
Lucretia.
Alas! Poor boy, what else couldst thou have done?
Enter Beatrice.
Beatrice
(in a hurried voice).
Did he pass this way? Have you seen him, brother?
Ah, no! that is his step upon the stairs;
'Tis nearer now; his hand is on the door;
Mother, if I to thee have ever been
A duteous child, now save me! Thou, great God,
Whose image upon earth a father is,
Dost Thou indeed abandon me? He comes;
The door is opening now; I see his face;
He frowns on others, but he smiles on me,
Even as he did after the feast last night. Enter a Servant.

Almighty God, how merciful Thou art!
'Tis but Orsino's servant.Well, what news?
Servant.
My master bids me say, the Holy Father
Has sent back your petition thus unopened. [Giving a paper.

And he demands at what hour 'twere secure
To visit you again?
Lucretia.
          At the Ave Mary.[Exit Servant.

So, daughter, our last hope has failed; Ah me!
How pale you look; you tremble, and you stand
Wrapped in some fixed and fearful meditation,
As if one thought were over strong for you:
Your eyes have a chill glare; O, dearest child!
Are you gone mad? If not, pray speak to me.
Beatrice.
You see I am not mad: I speak to you.
Lucretia.
You talked of something that your father did
After that dreadful feast? Could it be worse
Than when he smiled, and cried, 'My sons are dead!'
And every one looked in his neighbour's face
To see if others were as white as he?
At the first word he spoke I felt the blood
Rush to my heart, and fell into a trance;
And when it passed I sat all weak and wild;
Whilst you alone stood up, and with strong words
Checked his unnatural pride; and I could see
The devil was rebuked that lives in him.
Until this hour thus have you ever stood
Between us and your father's moody wrath
Like a protecting presence: your firm mind
Has been our only refuge and defence:
What can have thus subdued it? What can now
Have given you that cold melancholy look,
Succeeding to your unaccustomed fear?
Beatrice.
What is it that you say? I was just thinking
'Twere better not to struggle any more.
Men, like my father, have been dark and bloody,
Yet neverOh! Before worse comes of it
'Twere wise to die: it ends in that at last.
Lucretia.
Oh, talk not so, dear child! Tell me at once
What did your father do or say to you?
He stayed not after that accursd feast
One moment in your chamber.Speak to me.
Bernardo.
Oh, sister, sister, prithee, speak to us!
Beatrice
(speaking very slowly with a forced calmness).
It was one word, Mother, one little word;
One look, one smile. (Wildly.)
Oh! He has trampled me
Under his feet, and made the blood stream down
My pallid cheeks. And he has given us all
Ditch-water, and the fever-stricken flesh
Of buffaloes, and bade us eat or starve,
And we have eaten.He has made me look
On my beloved Bernardo, when the rust
Of heavy chains has gangrened his sweet limbs,
And I have never yet despairedbut now!
What could I say?
[Recovering herself.
         Ah, no! 'tis nothing new.
The sufferings we all share have made me wild:
He only struck and cursed me as he passed;
He said, he looked, he did;nothing at all
Beyond his wont, yet it disordered me.
Alas! I am forgetful of my duty,
I should preserve my senses for your sake.
Lucretia.
Nay, Beatrice; have courage, my sweet girl,
If any one despairs it should be I
Who loved him once, and now must live with him
Till God in pity call for him or me.
For you may, like your sister, find some husband,
And smile, years hence, with children round your knees;
Whilst I, then dead, and all this hideous coil
Shall be remembered only as a dream.
Beatrice.
Talk not to me, dear lady, of a husband.
Did you not nurse me when my mother died?
Did you not shield me and that dearest boy?
And had we any other friend but you
In infancy, with gentle words and looks,
To win our father not to murder us?
And shall I now desert you? May the ghost
Of my dead Mother plead against my soul
If I abandon her who filled the place
She left, with more, even, than a mother's love!
Bernardo.
And I am of my sister's mind. Indeed
I would not leave you in this wretchedness,
Even though the Pope should make me free to live
In some blithe place, like others of my age,
With sports, and delicate food, and the fresh air.
Oh, never think that I will leave you, Mother!
Lucretia.
My dear, dear children!
Enter Cenci, suddenly.
Cenci.
            What, Beatrice here!
Come hither!
[She shrinks back, and covers her face.
      Nay, hide not your face, 'tis fair;
Look up! Why, yesternight you dared to look
With disobedient insolence upon me,
Bending a stern and an inquiring brow
On what I meant; whilst I then sought to hide
That which I came to tell youbut in vain.
Beatrice
(wildly, staggering towards the door).
O that the earth would gape! Hide me, O God!
Cenci.
Then it was I whose inarticulate words
Fell from my lips, and who with tottering steps
Fled from your presence, as you now from mine.
Stay, I command youfrom this day and hour
Never again, I think, with fearless eye,
And brow superior, and unaltered cheek,
And that lip made for tenderness or scorn,
Shalt thou strike dumb the meanest of mankind;
Me least of all. Now get thee to thy chamber!
Thou too, loathed image of thy cursd mother, [To Bernardo.

Thy milky, meek face makes me sick with hate! [Exeunt Beatrice and Bernardo.
(Aside.)

So much has passed between us as must make
Me bold, her fearful.'Tis an awful thing
To touch such mischief as I now conceive:
So men sit shivering on the dewy bank,
And try the chill stream with their feet; once in . . .
How the delighted spirit pants for joy!
Lucretia
(advancing timidly towards him).
O husband! Pray forgive poor Beatrice.
She meant not any ill.
Cenci.
            Nor you perhaps?
Nor that young imp, whom you have taught by rote
Parricide with his alphabet? Nor Giacomo?
Nor those two most unnatural sons, who stirred
Enmity up against me with the Pope?
Whom in one night merciful God cut off:
Innocent lambs! They thought not any ill.
You were not here conspiring? You said nothing
Of how I might be dungeoned as a madman;
Or be condemned to death for some offence,
And you would be the witnesses?This failing,
How just it were to hire assassins, or
Put sudden poison in my evening drink?
Or smother me when overcome by wine?
Seeing we had no other judge but God,
And He had sentenced me, and there were none
But you to be the executioners
Of His decree enregistered in Heaven?
Oh, no! You said not this?
Lucretia.
              So help me God,
I never thought the things you charge me with!
Cenci.
If you dare speak that wicked lie again
I'll kill you. What! It was not by your counsel
That Beatrice disturbed the feast last night?
You did not hope to stir some enemies
Against me, and escape, and laugh to scorn
What every nerve of you now trembles at?
You judged that men were bolder than they are;
Few dare to stand between their grave and me.
Lucretia.
Look not so dreadfully! By my salvation
I knew not aught that Beatrice designed;
Nor do I think she designed any thing
Until she heard you talk of her dead brothers.
Cenci.
Blaspheming liar! You are damned for this!
But I will take you where you may persuade
The stones you tread on to deliver you:
For men shall there be none but those who dare
All thingsnot question that which I command.
On Wednesday next I shall set out: you know
That savage rock, the Castle of Petrella:
'Tis safely walled, and moated round about:
Its dungeons underground, and its thick towers
Never told tales; though they have heard and seen
What might make dumb things speak.Why do you linger?
Make speediest preparation for the journey! [Exit Lucretia.

The all-beholding sun yet shines; I hear
A busy stir of men about the streets;
I see the bright sky through the window panes:
It is a garish, broad, and peering day;
Loud, light, suspicious, full of eyes and ears,
And every little corner, nook, and hole
Is penetrated with the insolent light.
Come darkness! Yet, what is the day to me?
And wherefore should I wish for night, who do
A deed which shall confound both night and day?
'Tis she shall grope through a bewildering mist
Of horror: if there be a sun in heaven
She shall not dare to look upon its beams;
Nor feel its warmth. Let her then wish for night;
The act I think shall soon extinguish all
For me: I bear a darker deadlier gloom
Than the earth's shade, or interlunar air,
Or constellations quenched in murkiest cloud,
In which I walk secure and unbeheld
Towards my purpose.Would that it were done!
[Exit.
Scene II.
A Chamber in the Vatican. Enter Camillo and Giacomo, in conversation.
Camillo.
There is an obsolete and doubtful law
By which you might obtain a bare provision
Of food and clothing
Giacomo.
            Nothing more? Alas!
Bare must be the provision which strict law
Awards, and agd, sullen avarice pays.
Why did my father not apprentice me
To some mechanic trade? I should have then
Been trained in no highborn necessities
Which I could meet not by my daily toil.
The eldest son of a rich nobleman
Is heir to all his incapacities;
He has wide wants, and narrow powers. If you,
Cardinal Camillo, were reduced at once
From thrice-driven beds of down, and delicate food,
An hundred servants, and six palaces,
To that which nature doth indeed require?
Camillo.
Nay, there is reason in your plea; 'twere hard.
Giacomo.
'Tis hard for a firm man to bear: but I
Have a dear wife, a lady of high birth,
Whose dowry in ill hour I lent my father
Without a bond or witness to the deed:
And children, who inherit her fine senses,
The fairest creatures in this breathing world;
And she and they reproach me not. Cardinal,
Do you not think the Pope would interpose
And stretch authority beyond the law?
Camillo.
Though your peculiar case is hard, I know
The Pope will not divert the course of law.
After that impious feast the other night
I spoke with him, and urged him then to check
Your father's cruel hand; he frowned and said,
'Children are disobedient, and they sting
Their fathers' hearts to madness and despair,
Requiting years of care with contumely.
I pity the Count Cenci from my heart;
His outraged love perhaps awakened hate,
And thus he is exasperated to ill.
In the great war between the old and young
I, who have white hairs and a tottering body,
Will keep at least blameless neutrality.' Enter Orsino.

You, my good Lord Orsino, heard those words.
Orsino.
What words?
Giacomo.
      Alas, repeat them not again!
There then is no redress for me, at least
None but that which I may achieve myself,
Since I am driven to the brink.But, say,
My innocent sister and my only brother
Are dying underneath my father's eye.
The memorable torturers of this land,
Galeaz Visconti, Borgia, Ezzelin,
Never inflicted on the meanest slave
What these endure; shall they have no protection?
Camillo.
Why, if they would petition to the Pope
I see not how he could refuse ityet
He holds it of most dangerous example
In aught to weaken the paternal power,
Being, as 'twere, the shadow of his own.
I pray you now excuse me. I have business
That will not bear delay.
[Exit Camillo.
Giacomo.
              But you, Orsino,
Have the petition: wherefore not present it?
Orsino.
I have presented it, and backed it with
My earnest prayers, and urgent interest;
It was returned unanswered. I doubt not
But that the strange and execrable deeds
Alleged in itin truth they might well baffle
Any beliefhave turned the Pope's displeasure
Upon the accusers from the criminal:
So I should guess from what Camillo said.
Giacomo.
My friend, that palace-walking devil Gold
Has whispered silence to his Holiness:
And we are left, as scorpions ringed with fire.
What should we do but strike ourselves to death?
For he who is our murderous persecutor
Is shielded by a father's holy name,
Or I would
[Stops abruptly.
Orsino.
      What? Fear not to speak your thought.
Words are but holy as the deeds they cover:
A priest who has forsworn the God he serves;
A judge who makes Truth weep at his decree;
A friend who should weave counsel, as I now,
But as the mantle of some selfish guile;
A father who is all a tyrant seems,
Were the profaner for his sacred name.
Giacomo.
Ask me not what I think; the unwilling brain
Feigns often what it would not; and we trust
Imagination with such phantasies
As the tongue dares not fashion into words,
Which have no words, their horror makes them dim
To the mind's eye.My heart denies itself
To think what you demand.
Orsino.
              But a friend's bosom
Is as the inmost cave of our own mind
Where we sit shut from the wide gaze of day,
And from the all-communicating air.
You look what I suspected
Giacomo.
               Spare me now!
I am as one lost in a midnight wood,
Who dares not ask some harmless passenger
The path across the wilderness, lest he,
As my thoughts are, should bea murderer.
I know you are my friend, and all I dare
Speak to my soul that will I trust with thee.
But now my heart is heavy, and would take
Lone counsel from a night of sleepless care.
Pardon me, that I say farewellfarewell!
I would that to my own suspected self
I could address a word so full of peace.
Orsino.
Farewell!Be your thoughts better or more bold. [Exit Giacomo.

I had disposed the Cardinal Camillo
To feed his hope with cold encouragement:
It fortunately serves my close designs
That 'tis a trick of this same family
To analyse their own and other minds.
Such self-anatomy shall teach the will
Dangerous secrets: for it tempts our powers,
Knowing what must be thought, and may be done,
Into the depth of darkest purposes:
So Cenci fell into the pit; even I,
Since Beatrice unveiled me to myself,
And made me shrink from what I cannot shun,
Show a poor figure to my own esteem,
To which I grow half reconciled. I'll do
As little mischief as I can; that thought
Shall fee the accuser conscience.
(After a pause.)
                  Now what harm
If Cenci should be murdered?Yet, if murdered,
Wherefore by me? And what if I could take
The profit, yet omit the sin and peril
In such an action? Of all earthly things
I fear a man whose blows outspeed his words;
And such is Cenci: and while Cenci lives
His daughter's dowry were a secret grave
If a priest wins her.Oh, fair Beatrice!
Would that I loved thee not, or loving thee
Could but despise danger and gold and all
That frowns between my wish and its effect,
Or smiles beyond it! There is no escape . . .
Her bright form kneels beside me at the altar,
And follows me to the resort of men,
And fills my slumber with tumultuous dreams,
So when I wake my blood seems liquid fire;
And if I strike my damp and dizzy head
My hot palm scorches it: her very name,
But spoken by a stranger, makes my heart
Sicken and pant; and thus unprofitably
I clasp the phantom of unfelt delights
Till weak imagination half possesses
The self-created shadow. Yet much longer
Will I not nurse this life of feverous hours:
From the unravelled hopes of Giacomo
I must work out my own dear purposes.
I see, as from a tower, the end of all:
Her father dead; her brother bound to me
By a dark secret, surer than the grave;
Her mother scared and unexpostulating
From the dread manner of her wish achieved:
And she!Once more take courage, my faint heart;
What dares a friendless maiden matched with thee?
I have such foresight as assures success:
Some unbeheld divinity doth ever,
When dread events are near, stir up men's minds
To black suggestions; and he prospers best,
Not who becomes the instrument of ill,
But who can flatter the dark spirit, that makes
Its empire and its prey of other hearts
Till it become his slave . . . as I will do.
[Exit.
END OF THE SECOND ACT.

ACT III
Scene I.
An Apartment in the Cenci Palace. Lucretia, to her enter Beatrice.
Beatrice.
(She enters staggering, and speaks wildly.)
Reach me that handkerchief!My brain is hurt;
My eyes are full of blood; just wipe them for me . . .
I see but indistinctly . . .
Lucretia.
               My sweet child,
You have no wound; 'tis only a cold dew
That starts from your dear brow . . . Alas! Alas!
What has befallen?
Beatrice.
          How comes this hair undone?
Its wandering strings must be what blind me so,
And yet I tied it fast.O, horrible!
The pavement sinks under my feet! The walls
Spin round! I see a woman weeping there,
And standing calm and motionless, whilst I
Slide giddily as the world reels. . . . My God!
The beautiful blue heaven is flecked with blood!
The sunshine on the floor is black! The air
Is changed to vapours such as the dead breathe
In charnel pits! Pah! I am choked! There creeps
A clinging, black, contaminating mist
About me . . . 'tis substantial, heavy, thick,
I cannot pluck it from me, for it glues
My fingers and my limbs to one another,
And eats into my sinews, and dissolves
My flesh to a pollution, poisoning
The subtle, pure, and inmost spirit of life!
My God! I never knew what the mad felt
Before; for I am mad beyond all doubt!
(More wildly.)
No, I am dead! These putrefying limbs
Shut round and sepulchre the panting soul
Which would burst forth into the wandering air! (A pause.)

What hideous thought was that I had even now?
'Tis gone; and yet its burthen remains here
O'er these dull eyes . . . upon this weary heart!
O, world! O, life! O, day! O, misery!
Lucretia.
What ails thee, my poor child? She answers not:
Her spirit apprehends the sense of pain,
But not its cause; suffering has dried away
The source from which it sprung . . .
Beatrice
(franticly).
                    Like Parricide . . .
Misery has killed its father: yet its father
Never like mine . . . O, God! What thing am I?
Lucretia.
My dearest child, what has your father done?
Beatrice
(doubtfully).
Who art thou, questioner? I have no father.
(Aside.)
She is the madhouse nurse who tends on me,
It is a piteous office.
[To Lucretia, in a slow, subdued voice.
            Do you know
I thought I was that wretched Beatrice
Men speak of, whom her father sometimes hales
From hall to hall by the entangled hair;
At others, pens up naked in damp cells
Where scaly reptiles crawl, and starves her there,
Till she will eat strange flesh. This woful story
So did I overact in my sick dreams,
That I imagined . . . no, it cannot be!
Horrible things have been in this wide world,
Prodigious mixtures, and confusions strange
Of good and ill; and worse have been conceived
Than ever there was found a heart to do.
But never fancy imaged such a deed
As . . .
[Pauses, suddenly recollecting herself.
    Who art thou? Swear to me, ere I die
With fearful expectation, that indeed
Thou art not what thou seemest . . . Mother!
Lucretia.
                        Oh!
My sweet child, know you . . .
Beatrice.
                Yet speak it not:
For then if this be truth, that other too
Must be a truth, a firm enduring truth,
Linked with each lasting circumstance of life,
Never to change, never to pass away.
Why so it is. This is the Cenci Palace;
Thou art Lucretia; I am Beatrice.
I have talked some wild words, but will no more.
Mother, come near me: from this point of time,
I am . . .
[Her voice dies away faintly.
Lucretia.
     Alas! What has befallen thee, child?
What has thy father done?
Beatrice.
              What have I done?
Am I not innocent? Is it my crime
That one with white hair, and imperious brow,
Who tortured me from my forgotten years,
As parents only dare, should call himself
My father, yet should be!Oh, what am I?
What name, what place, what memory shall be mine?
What retrospects, outliving even despair?
Lucretia.
He is a violent tyrant, surely, child:
We know that death alone can make us free;
His death or ours. But what can he have done
Of deadlier outrage or worse injury?
Thou art unlike thyself; thine eyes shoot forth
A wandering and strange spirit. Speak to me,
Unlock those pallid hands whose fingers twine
With one another.
Beatrice.
         'Tis the restless life
Tortured within them. If I try to speak
I shall go mad. Ay, something must be done;
What, yet I know not . . . something which shall make
The thing that I have suffered but a shadow
In the dread lightning which avenges it;
Brief, rapid, irreversible, destroying
The consequence of what it cannot cure.
Some such thing is to be endured or done:
When I know what, I shall be still and calm,
And never anything will move me more.
But now!O blood, which art my father's blood,
Circling through these contaminated veins,
If thou, poured forth on the polluted earth,
Could wash away the crime, and punishment
By which I suffer . . . no, that cannot be!
Many might doubt there were a God above
Who sees and permits evil, and so die:
That faith no agony shall obscure in me.
Lucretia.
It must indeed have been some bitter wrong;
Yet what, I dare not guess. Oh, my lost child,
Hide not in proud impenetrable grief
Thy sufferings from my fear.
Beatrice.
               I hide them not.
What are the words which you would have me speak?
I, who can feign no image in my mind
Of that which has transformed me: I, whose thought
Is like a ghost shrouded and folded up
In its own formless horror: of all words,
That minister to mortal intercourse,
Which wouldst thou hear? For there is none to tell
My misery: if another ever knew
Aught like to it, she died as I will die,
And left it, as I must, without a name.
Death! Death! Our law and our religion call thee
A punishment and a reward . . . Oh, which
Have I deserved?
Lucretia.
         The peace of innocence;
Till in your season you be called to heaven.
Whate'er you may have suffered, you have done
No evil. Death must be the punishment
Of crime, or the reward of trampling down
The thorns which God has strewed upon the path
Which leads to immortality.
Beatrice.
               Ay; death . . .
The punishment of crime. I pray thee, God,
Let me not be bewildered while I judge.
If I must live day after day, and keep
These limbs, the unworthy temple of Thy spirit,
As a foul den from which what Thou abhorrest
May mock Thee, unavenged . . . it shall not be!
Self-murder . . . no, that might be no escape,
For Thy decree yawns like a Hell between
Our will and it:O! In this mortal world
There is no vindication and no law
Which can adjudge and execute the doom
Of that through which I suffer.
Enter Orsino.
(She approaches him solemnly.)
                 Welcome, Friend!
I have to tell you that, since last we met,
I have endured a wrong so great and strange,
That neither life nor death can give me rest.
Ask me not what it is, for there are deeds
Which have no form, sufferings which have no tongue.
Orsino.
And what is he who has thus injured you?
Beatrice.
The man they call my father: a dread name.
Orsino.
It cannot be . . .
Beatrice.
          What it can be, or not,
Forbear to think. It is, and it has been;
Advise me how it shall not be again.
I thought to die; but a religious awe
Restrains me, and the dread lest death itself
Might be no refuge from the consciousness
Of what is yet unexpiated. Oh, speak!
Orsino.
Accuse him of the deed, and let the law
Avenge thee.
Beatrice.
      Oh, ice-hearted counsellor!
If I could find a word that might make known
The crime of my destroyer; and that done,
My tongue should like a knife tear out the secret
Which cankers my heart's core; ay, lay all bare
So that my unpolluted fame should be
With vilest gossips a stale mouthd story;
A mock, a byword, an astonishment:
If this were done, which never shall be done,
Think of the offender's gold, his dreaded hate,
And the strange horror of the accuser's tale,
Baffling belief, and overpowering speech;
Scarce whispered, unimaginable, wrapped
In hideous hints . . . Oh, most assured redress!
Orsino.
You will endure it then?
Beatrice.
             Endure?Orsino,
It seems your counsel is small profit.
[Turns from him, and speaks half to herself.
                     Ay,
All must be suddenly resolved and done.
What is this undistinguishable mist
Of thoughts, which rise, like shadow after shadow,
Darkening each other?
Orsino.
           Should the offender live?
Triumph in his misdeed? and make, by use,
His crime, whate'er it is, dreadful no doubt,
Thine element; until thou mayst become
Utterly lost; subdued even to the hue
Of that which thou permittest?
Beatrice
(to herself).
                Mighty death!
Thou double-visaged shadow? Only judge!
Rightfullest arbiter!
[She retires absorbed in thought.
Lucretia.
           If the lightning
Of God has e'er descended to avenge . . .
Orsino.
Blaspheme not! His high Providence commits
Its glory on this earth, and their own wrongs
Into the hands of men; if they neglect
To punish crime . . .
Lucretia.
           But if one, like this wretch,
Should mock, with gold, opinion, law, and power?
If there be no appeal to that which makes
The guiltiest tremble? If because our wrongs,
For that they are unnatural, strange, and monstrous,
Exceed all measure of belief? O God!
If, for the very reasons which should make
Redress most swift and sure, our injurer triumphs?
And we, the victims, bear worse punishment
Than that appointed for their torturer?
Orsino.
                     Think not
But that there is redress where there is wrong,
So we be bold enough to seize it.
Lucretia.
                  How?
If there were any way to make all sure,
I know not . . . but I think it might be good
To . . .
Orsino.
    Why, his late outrage to Beatrice;
For it is such, as I but faintly guess,
As makes remorse dishonour, and leaves her
Only one duty, how she may avenge:
You, but one refuge from ills ill endured;
Me, but one counsel . . .
Lucretia.
              For we cannot hope
That aid, or retribution, or resource
Will arise thence, where every other one
Might find them with less need.
[Beatrice advances.
Orsino.
                 Then . . .
                 Beatrice.
                      Peace, Orsino!
And, honoured Lady, while I speak, I pray,
That you put off, as garments overworn,
Forbearance and respect, remorse and fear,
And all the fit restraints of daily life,
Which have been borne from childhood, but which now
Would be a mockery to my holier plea.
As I have said, I have endured a wrong,
Which, though it be expressionless, is such
As asks atonement; both for what is past,
And lest I be reserved, day after day,
To load with crimes an overburthened soul,
And be . . . what ye can dream not. I have prayed
To God, and I have talked with my own heart,
And have unravelled my entangled will,
And have at length determined what is right.
Art thou my friend, Orsino? False or true?
Pledge thy salvation ere I speak.
Orsino.
                  I swear
To dedicate my cunning, and my strength,
My silence, and whatever else is mine,
To thy commands.
Lucretia.
         You think we should devise
His death?
Beatrice.
     And execute what is devised,
And suddenly. We must be brief and bold.
Orsino.
And yet most cautious.
Lucretia.
            For the jealous laws
Would punish us with death and infamy
For that which it became themselves to do.
Beatrice.
Be cautious as ye may, but prompt. Orsino,
What are the means?
Orsino.
          I know two dull, fierce outlaws,
Who think man's spirit as a worm's, and they
Would trample out, for any slight caprice,
The meanest or the noblest life. This mood
Is marketable here in Rome. They sell
What we now want.
Lucretia.
         To-morrow before dawn,
Cenci will take us to that lonely rock,
Petrella, in the Apulian Apennines.
If he arrive there . . .
Beatrice.
             He must not arrive.
             Orsino.
Will it be dark before you reach the tower?
Lucretia.
The sun will scarce be set.
Beatrice.
               But I remember
Two miles on this side of the fort, the road
Crosses a deep ravine; 'tis rough and narrow,
And winds with short turns down the precipice;
And in its depth there is a mighty rock,
Which has, from unimaginable years,
Sustained itself with terror and with toil
Over a gulf, and with the agony
With which it clings seems slowly coming down;
Even as a wretched soul hour after hour,
Clings to the mass of life; yet clinging, leans;
And leaning, makes more dark the dread abyss
In which it fears to fall: beneath this crag
Huge as despair, as if in weariness,
The melancholy mountain yawns . . . below,
You hear but see not an impetuous torrent
Raging among the caverns, and a bridge
Crosses the chasm; and high above there grow,
With intersecting trunks, from crag to crag,
Cedars, and yews, and pines; whose tangled hair
Is matted in one solid roof of shade
By the dark ivy's twine. At noonday here
'Tis twilight, and at sunset blackest night.
Orsino.
Before you reach that bridge make some excuse
For spurring on your mules, or loitering
Until . . .
Beatrice.
      What sound is that?
      Lucretia.
Hark! No, it cannot be a servant's step
It must be Cenci, unexpectedly
Returned . . . Make some excuse for being here.
Beatrice.
(To Orsino, as she goes out.)
That step we hear approach must never pass
The bridge of which we spoke.
[Exeunt Lucretia and Beatrice.
Orsino.
                What shall I do?
Cenci must find me here, and I must bear
The imperious inquisition of his looks
As to what brought me hither: let me mask
Mine own in some inane and vacant smile. Enter Giacomo, in a hurried manner.

How! Have you ventured hither? Know you then
That Cenci is from home?
Giacomo.
             I sought him here;
And now must wait till he returns.
Orsino.
                  Great God!
Weigh you the danger of this rashness?
Giacomo.
                     Ay!
Does my destroyer know his danger? We
Are now no more, as once, parent and child,
But man to man; the oppressor to the oppressed;
The slanderer to the slandered; foe to foe:
He has cast Nature off, which was his shield,
And Nature casts him off, who is her shame;
And I spurn both. Is it a father's throat
Which I will shake, and say, I ask not gold;
I ask not happy years; nor memories
Of tranquil childhood; nor home-sheltered love;
Though all these hast thou torn from me, and more;
But only my fair fame; only one hoard
Of peace, which I thought hidden from thy hate,
Under the penury heaped on me by thee,
Or I will . . . God can understand and pardon,
Why should I speak with man?
Orsino.
               Be calm, dear friend.
               Giacomo.
Well, I will calmly tell you what he did.
This old Francesco Cenci, as you know,
Borrowed the dowry of my wife from me,
And then denied the loan; and left me so
In poverty, the which I sought to mend
By holding a poor office in the state.
It had been promised to me, and already
I bought new clothing for my raggd babes,
And my wife smiled; and my heart knew repose.
When Cenci's intercession, as I found,
Conferred this office on a wretch, whom thus
He paid for vilest service. I returned
With this ill news, and we sate sad together
Solacing our despondency with tears
Of such affection and unbroken faith
As temper life's worst bitterness; when he,
As he is wont, came to upbraid and curse,
Mocking our poverty, and telling us
Such was God's scourge for disobedient sons.
And then, that I might strike him dumb with shame,
I spoke of my wife's dowry; but he coined
A brief yet specious tale, how I had wasted
The sum in secret riot; and he saw
My wife was touched, and he went smiling forth.
And when I knew the impression he had made,
And felt my wife insult with silent scorn
My ardent truth, and look averse and cold,
I went forth too: but soon returned again;
Yet not so soon but that my wife had taught
My children her harsh thoughts, and they all cried,
'Give us clothes, father! Give us better food!
What you in one night squander were enough
For months!' I looked, and saw that home was hell.
And to that hell will I return no more
Until mine enemy has rendered up
Atonement, or, as he gave life to me
I will, reversing Nature's law . . .
Orsino.
                    Trust me,
The compensation which thou seekest here
Will be denied.
Giacomo.
        Then . . . Are you not my friend?
Did you not hint at the alternative,
Upon the brink of which you see I stand,
The other day when we conversed together?
My wrongs were then less. That word parricide,
Although I am resolved, haunts me like fear.
Orsino.
It must be fear itself, for the bare word
Is hollow mockery. Mark, how wisest God
Draws to one point the threads of a just doom,
So sanctifying it: what you devise
Is, as it were, accomplished.
Giacomo.
                Is he dead?
                Orsino.
His grave is ready. Know that since we met
Cenci has done an outrage to his daughter.
Giacomo.
What outrage?
Orsino.
       That she speaks not, but you may
Conceive such half conjectures as I do,
From her fixed paleness, and the lofty grief
Of her stern brow bent on the idle air,
And her severe unmodulated voice,
Drowning both tenderness and dread; and last
From this; that whilst her step-mother and I,
Bewildered in our horror, talked together
With obscure hints; both self-misunderstood
And darkly guessing, stumbling, in our talk,
Over the truth, and yet to its revenge,
She interrupted us, and with a look
Which told before she spoke it, he must die: . . .
Giacomo.
It is enough. My doubts are well appeased;
There is a higher reason for the act
Than mine; there is a holier judge than me,
A more unblamed avenger. Beatrice,
Who in the gentleness of thy sweet youth
Hast never trodden on a worm, or bruised
A living flower, but thou hast pitied it
With needless tears! Fair sister, thou in whom
Men wondered how such loveliness and wisdom
Did not destroy each other! Is there made
Ravage of thee? O, heart, I ask no more
Justification! Shall I wait, Orsino,
Till he return, and stab him at the door?
Orsino.
Not so; some accident might interpose
To rescue him from what is now most sure;
And you are unprovided where to fly,
How to excuse or to conceal. Nay, listen:
All is contrived; success is so assured
That . . .
Enter Beatrice.
Beatrice.
     'Tis my brother's voice! You know me not?
     Giacomo.
My sister, my lost sister!
Beatrice.
              Lost indeed!
I see Orsino has talked with you, and
That you conjecture things too horrible
To speak, yet far less than the truth. Now, stay not,
He might return: yet kiss me; I shall know
That then thou hast consented to his death.
Farewell, farewell! Let piety to God,
Brotherly love, justice and clemency,
And all things that make tender hardest hearts
Make thine hard, brother. Answer not . . . farewell.
[Exeunt severally.
Scene II.
A mean Apartment in Giacomo's House. Giacomo alone.
Giacomo.
'Tis midnight, and Orsino comes not yet. [Thunder, and the sound of a storm.

What! can the everlasting elements
Feel with a worm like man? If so, the shaft
Of mercy-wingd lightning would not fall
On stones and trees. My wife and children sleep:
They are now living in unmeaning dreams:
But I must wake, still doubting if that deed
Be just which is most necessary. O,
Thou unreplenished lamp! whose narrow fire
Is shaken by the wind, and on whose edge
Devouring darkness hovers! Thou small flame,
Which, as a dying pulse rises and falls,
Still flickerest up and down, how very soon,
Did I not feed thee, wouldst thou fail and be
As thou hadst never been! So wastes and sinks
Even now, perhaps, the life that kindled mine:
But that no power can fill with vital oil
That broken lamp of flesh. Ha! 'tis the blood
Which fed these veins that ebbs till all is cold:
It is the form that moulded mine that sinks
Into the white and yellow spasms of death:
It is the soul by which mine was arrayed
In God's immortal likeness which now stands
Naked before Heaven's judgement seat!
[A bell strikes.
                    One! Two!
The hours crawl on; and when my hairs are white,
My son will then perhaps be waiting thus,
Tortured between just hate and vain remorse;
Chiding the tardy messenger of news
Like those which I expect. I almost wish
He be not dead, although my wrongs are great;
Yet . . . 'tis Orsino's step . . .
Enter Orsino.
                  Speak!
                  Orsino.
                      I am come
To say he has escaped.
Giacomo.
            Escaped!
            Orsino.
                And safe
Within Petrella. He passed by the spot
Appointed for the deed an hour too soon.
Giacomo.
Are we the fools of such contingencies?
And do we waste in blind misgivings thus
The hours when we should act? Then wind and thunder,
Which seemed to howl his knell, is the loud laughter
With which Heaven mocks our weakness! I henceforth
Will ne'er repent of aught designed or done
But my repentance.
Orsino.
          See, the lamp is out.
          Giacomo.
If no remorse is ours when the dim air
Has drank this innocent flame, why should we quail
When Cenci's life, that light by which ill spirits
See the worst deeds they prompt, shall sink for ever?
No, I am hardened.
Orsino.
          Why, what need of this?
Who feared the pale intrusion of remorse
In a just deed? Although our first plan failed,
Doubt not but he will soon be laid to rest.
But light the lamp; let us not talk i' the dark.
Giacomo
(lighting the lamp).
And yet once quenched I cannot thus relume
My father's life: do you not think his ghost
Might plead that argument with God?
Orsino.
                   Once gone
You cannot now recall your sister's peace;
Your own extinguished years of youth and hope;
Nor your wife's bitter words; nor all the taunts
Which, from the prosperous, weak misfortune takes;
Nor your dead mother; nor . . .
Giacomo.
                 O, speak no more!
I am resolved, although this very hand
Must quench the life that animated it.
Orsino.
There is no need of that. Listen: you know
Olimpio, the castellan of Petrella
In old Colonna's time; him whom your father
Degraded from his post? And Marzio,
That desperate wretch, whom he deprived last year
Of a reward of blood, well earned and due?
Giacomo.
I knew Olimpio; and they say he hated
Old Cenci so, that in his silent rage
His lips grew white only to see him pass.
Of Marzio I know nothing.
Orsino.
              Marzio's hate
Matches Olimpio's. I have sent these men,
But in your name, and as at your request,
To talk with Beatrice and Lucretia.
Giacomo.
Only to talk?
Orsino.
       The moments which even now
Pass onward to to-morrow's midnight hour
May memorize their flight with death: ere then
They must have talked, and may perhaps have done,
And made an end . . .
Giacomo.
           Listen! What sound is that?
           Orsino.
The house-dog moans, and the beams crack: nought else.
Giacomo.
It is my wife complaining in her sleep:
I doubt not she is saying bitter things
Of me; and all my children round her dreaming
That I deny them sustenance.
Orsino.
               Whilst he
Who truly took it from them, and who fills
Their hungry rest with bitterness, now sleeps
Lapped in bad pleasures, and triumphantly
Mocks thee in visions of successful hate
Too like the truth of day.
Giacomo.
              If e'er he wakes
Again, I will not trust to hireling hands . . .
Orsino.
Why, that were well. I must be gone; good-night.
When next we meetmay all be done!
Giacomo.
                   And all
Forgotten: Oh, that I had never been!
[Exeunt.
END OF THE THIRD ACT.

ACT IV
Scene I.
An Apartment in the Castle of Petrella. Enter Cenci.
Cenci.
She comes not; yet I left her even now
Vanquished and faint. She knows the penalty
Of her delay: yet what if threats are vain?
Am I not now within Petrella's moat?
Or fear I still the eyes and ears of Rome?
Might I not drag her by the golden hair?
Stamp on her? Keep her sleepless till her brain
Be overworn? Tame her with chains and famine?
Less would suffice. Yet so to leave undone
What I most seek! No, 'tis her stubborn will
Which by its own consent shall stoop as low
As that which drags it down.
Enter Lucretia.
               Thou loathd wretch!
Hide thee from my abhorrence: fly, begone!
Yet stay! Bid Beatrice come hither.
Lucretia.
                   Oh,
Husband! I pray for thine own wretched sake
Heed what thou dost. A man who walks like thee
Through crimes, and through the danger of his crimes,
Each hour may stumble o'er a sudden grave.
And thou art old; thy hairs are hoary gray;
As thou wouldst save thyself from death and hell,
Pity thy daughter; give her to some friend
In marriage: so that she may tempt thee not
To hatred, or worse thoughts, if worse there be.
Cenci.
What! like her sister who has found a home
To mock my hate from with prosperity?
Strange ruin shall destroy both her and thee
And all that yet remain. My death may be
Rapid, her destiny outspeeds it. Go,
Bid her come hither, and before my mood
Be changed, lest I should drag her by the hair.
Lucretia.
She sent me to thee, husband. At thy presence
She fell, as thou dost know, into a trance;
And in that trance she heard a voice which said,
'Cenci must die! Let him confess himself!
Even now the accusing Angel waits to hear
If God, to punish his enormous crimes,
Harden his dying heart!'
Cenci.
             Whysuch things are . . .
No doubt divine revealings may be made.
'Tis plain I have been favoured from above,
For when I cursed my sons they died.Ay . . . so . . .
As to the right or wrong, that's talk . . . repentance . . .
Repentance is an easy moment's work
And more depends on God than me. Well . . . well . . .
I must give up the greater point, which was
To poison and corrupt her soul.
[A pause; Lucretia approaches anxiously, and then shrinks back as he speaks.
                 One, two;
Ay . . . Rocco and Cristofano my curse
Strangled: and Giacomo, I think, will find
Life a worse Hell than that beyond the grave:
Beatrice shall, if there be skill in hate,
Die in despair, blaspheming: to Bernardo,
He is so innocent, I will bequeath
The memory of these deeds, and make his youth
The sepulchre of hope, where evil thoughts
Shall grow like weeds on a neglected tomb.
When all is done, out in the wide Campagna,
I will pile up my silver and my gold;
My costly robes, paintings and tapestries;
My parchments and all records of my wealth,
And make a bonfire in my joy, and leave
Of my possessions nothing but my name;
Which shall be an inheritance to strip
Its wearer bare as infamy. That done,
My soul, which is a scourge, will I resign
Into the hands of him who wielded it;
Be it for its own punishment or theirs,
He will not ask it of me till the lash
Be broken in its last and deepest wound;
Until its hate be all inflicted. Yet,
Lest death outspeed my purpose, let me make
Short work and sure . . .
[Going.
Lucretia.
(Stops him.)
              Oh, stay! It was a feint:
She had no vision, and she heard no voice.
I said it but to awe thee.
Cenci.
              That is well.
Vile palterer with the sacred truth of God,
Be thy soul choked with that blaspheming lie!
For Beatrice worse terrors are in store
To bend her to my will.
Lucretia.
            Oh! to what will?
What cruel sufferings more than she has known
Canst thou inflict?
Cenci.
          Andrea! Go call my daughter,
And if she comes not tell her that I come.
What sufferings? I will drag her, step by step,
Through infamies unheard of among men:
She shall stand shelterless in the broad noon
Of public scorn, for acts blazoned abroad,
One among which shall be . . . What? Canst thou guess?
She shall become (for what she most abhors
Shall have a fascination to entrap
Her loathing will) to her own conscious self
All she appears to others; and when dead,
As she shall die unshrived and unforgiven,
A rebel to her father and her God,
Her corpse shall be abandoned to the hounds;
Her name shall be the terror of the earth;
Her spirit shall approach the throne of God
Plague-spotted with my curses. I will make
Body and soul a monstrous lump of ruin.
Enter Andrea.
Andrea.
The Lady Beatrice . . .
Cenci.
            Speak, pale slave! What
Said she?
Andrea.
     My Lord, 'twas what she looked; she said:
'Go tell my father that I see the gulf
Of Hell between us two, which he may pass,
I will not.'
[Exit Andrea.
Cenci.
      Go thou quick, Lucretia,
Tell her to come; yet let her understand
Her coming is consent: and say, moreover,
That if she come not I will curse her.
[Exit Lucretia.
                     Ha!
With what but with a father's curse doth God
Panic-strike armd victory, and make pale
Cities in their prosperity? The world's Father
Must grant a parent's prayer against his child,
Be he who asks even what men call me.
Will not the deaths of her rebellious brothers
Awe her before I speak? For I on them
Did imprecate quick ruin, and it came. Enter Lucretia.

Well; what? Speak, wretch!
Lucretia.
              She said, 'I cannot come;
Go tell my father that I see a torrent
Of his own blood raging between us.'
Cenci
(kneeling).
                    God!
Hear me! If this most specious mass of flesh,
Which Thou hast made my daughter; this my blood,
This particle of my divided being;
Or rather, this my bane and my disease,
Whose sight infects and poisons me; this devil
Which sprung from me as from a hell, was meant
To aught good use; if her bright loveliness
Was kindled to illumine this dark world;
If nursed by Thy selectest dew of love
Such virtues blossom in her as should make
The peace of life, I pray Thee for my sake,
As Thou the common God and Father art
Of her, and me, and all; reverse that doom!
Earth, in the name of God, let her food be
Poison, until she be encrusted round
With leprous stains! Heaven, rain upon her head
The blistering drops of the Maremma's dew,
Till she be speckled like a toad; parch up
Those love-enkindled lips, warp those fine limbs
To loathd lameness! All-beholding sun,
Strike in thine envy those life-darting eyes
With thine own blinding beams!
Lucretia.
                Peace! Peace!
For thine own sake unsay those dreadful words.
When high God grants He punishes such prayers.
Cenci
(leaping up, and throwing his right hand towards Heaven).
He does His will, I mine! This in addition,
That if she have a child . . .
Lucretia.
                Horrible thought!
                Cenci.
That if she ever have a child; and thou,
Quick Nature! I adjure thee by thy God,
That thou be fruitful in her, and increase
And multiply, fulfilling his command,
And my deep imprecation! May it be
A hideous likeness of herself, that as
From a distorting mirror, she may see
Her image mixed with what she most abhors,
Smiling upon her from her nursing breast.
And that the child may from its infancy
Grow, day by day, more wicked and deformed,
Turning her mother's love to misery:
And that both she and it may live until
It shall repay her care and pain with hate,
Or what may else be more unnatural.
So he may hunt her through the clamorous scoffs
Of the loud world to a dishonoured grave.
Shall I revoke this curse? Go, bid her come,
Before my words are chronicled in Heaven. [Exit Lucretia.

I do not feel as if I were a man,
But like a fiend appointed to chastise
The offences of some unremembered world.
My blood is running up and down my veins;
A fearful pleasure makes it prick and tingle:
I feel a giddy sickness of strange awe;
My heart is beating with an expectation
Of horrid joy.
Enter Lucretia.
       What? Speak!
       Lucretia.
              She bids thee curse;
And if thy curses, as they cannot do,
Could kill her soul . . .
Cenci.
              She would not come. 'Tis well,
I can do both: first take what I demand,
And then extort concession. To thy chamber!
Fly ere I spurn thee: and beware this night
That thou cross not my footsteps. It were safer
To come between the tiger and his prey.[Exit Lucretia.

It must be late; mine eyes grow weary dim
With unaccustomed heaviness of sleep.
Conscience! Oh, thou most insolent of lies!
They say that sleep, that healing dew of Heaven,
Steeps not in balm the foldings of the brain
Which thinks thee an impostor. I will go
First to belie thee with an hour of rest,
Which will be deep and calm, I feel: and then . . .
O, multitudinous Hell, the fiends will shake.
Thine arches with the laughter of their joy!
There shall be lamentation heard in Heaven
As o'er an angel fallen; and upon Earth
All good shall droop and sicken, and ill things
Shall with a spirit of unnatural life
Stir and be quickened . . . even as I am now.
[Exit.
Scene II.
Before the Castle of Petrella. Enter Beatrice andLucretia above on the Ramparts.
Beatrice.
They come not yet.
Lucretia.
          'Tis scarce midnight.
          Beatrice.
                     How slow
Behind the course of thought, even sick with speed,
Lags leaden-footed time!
Lucretia.
             The minutes pass . . .
If he should wake before the deed is done?
Beatrice.
O, mother! He must never wake again.
What thou hast said persuades me that our act
Will but dislodge a spirit of deep hell
Out of a human form.
Lucretia.
           'Tis true he spoke
Of death and judgement with strange confidence
For one so wicked; as a man believing
In God, yet recking not of good or ill.
And yet to die without confession! . . .
Beatrice.
                      Oh!
Believe that Heaven is merciful and just,
And will not add our dread necessity
To the amount of his offences.
Enter Olimpio and Marzio, below.
Lucretia.
                See,
They come.
Beatrice.
     All mortal things must hasten thus
To their dark end. Let us go down.
[Exeunt Lucretia and Beatrice from above.
Olimpio.
How feel you to this work?
Marzio.
              As one who thinks
A thousand crowns excellent market price
For an old murderer's life. Your cheeks are pale.
Olimpio.
It is the white reflection of your own,
Which you call pale.
Marzio.
           Is that their natural hue?
           Olimpio.
Or 'tis my hate and the deferred desire
To wreak it, which extinguishes their blood.
Marzio.
You are inclined then to this business?
Olimpio.
                     Ay.
If one should bribe me with a thousand crowns
To kill a serpent which had stung my child,
I could not be more willing.
Enter Beatrice and Lucretia, below.
               Noble ladies!
               Beatrice.
Are ye resolved?
Olimpio.
         Is he asleep?
         Marzio.
                Is all
Quiet?
Lucretia.
   I mixed an opiate with his drink:
He sleeps so soundly . . .
Beatrice.
              That his death will be
But as a change of sin-chastising dreams,
A dark continuance of the Hell within him,
Which God extinguish! But ye are resolved?
Ye know it is a high and holy deed?
Olimpio.
We are resolved.
Marzio.
         As to the how this act
Be warranted, it rests with you.
Beatrice.
                 Well, follow!
                 Olimpio.
Hush! Hark! What noise is that?
Marzio.
                 Ha! some one comes!
                 Beatrice.
Ye conscience-stricken cravens, rock to rest
Your baby hearts. It is the iron gate,
Which ye left open, swinging to the wind,
That enters whistling as in scorn. Come, follow!
And be your steps like mine, light, quick and bold.
[Exeunt.
Scene III.
An Apartment in the Castle. Enter Beatrice and Lucretia.
Lucretia.
They are about it now.
Beatrice.
            Nay, it is done.
            Lucretia.
I have not heard him groan.
Beatrice.
               He will not groan.
               Lucretia.
What sound is that?
Beatrice.
          List! 'tis the tread of feet
About his bed.
Lucretia.
       My God!
If he be now a cold stiff corpse . . .
Beatrice.
                     O, fear not
What may be done, but what is left undone:
The act seals all.
Enter Olimpio and Marzio.
          Is it accomplished?
          Marzio.
                    What?
                    Olimpio.
Did you not call?
Beatrice.
         When?
         Olimpio.
            Now.
            Beatrice.
              I ask if all is over?
              Olimpio.
We dare not kill an old and sleeping man;
His thin gray hair, his stern and reverend brow,
His veind hands crossed on his heaving breast,
And the calm innocent sleep in which he lay,
Quelled me. Indeed, indeed, I cannot do it.
Marzio.
But I was bolder; for I chid Olimpio,
And bade him bear his wrongs to his own grave
And leave me the reward. And now my knife
Touched the loose wrinkled throat, when the old man
Stirred in his sleep, and said, 'God! hear, O, hear,
A father's curse! What, art Thou not our Father?'
And then he laughed. I knew it was the ghost
Of my dead father speaking through his lips,
And could not kill him.
Beatrice.
            Miserable slaves!
Where, if ye dare not kill a sleeping man,
Found ye the boldness to return to me
With such a deed undone? Base palterers!
Cowards and traitors! Why, the very conscience
Which ye would sell for gold and for revenge
Is an equivocation: it sleeps over
A thousand daily acts disgracing men;
And when a deed where mercy insults Heaven . . .
Why do I talk?
[Snatching a dagger from one of them and raising it.
       Hadst thou a tongue to say,
'She murdered her own father!'I must do it!
But never dream ye shall outlive him long!
Olimpio.
Stop, for God's sake!
Marzio.
           I will go back and kill him.
           Olimpio.
Give me the weapon. we must do thy will.
Beatrice.
Take it! Depart! Return!
[Exeunt Olimpio and Marzio.
             How pale thou art!
We do but that which 'twere a deadly crime
To leave undone.
Lucretia.
         Would it were done!
         Beatrice.
                   Even whilst
That doubt is passing through your mind, the world
Is conscious of a change. Darkness and Hell
Have swallowed up the vapour they sent forth
To blacken the sweet light of life. My breath
Comes, methinks, lighter, and the jellied blood
Runs freely through my veins. Hark!
Enter Olimpio and Marzio.
                   He is . . .
                   Olimpio.
                         Dead!
                         Marzio.
We strangled him that there might be no blood;
And then we threw his heavy corpse i' the garden
Under the balcony; 'twill seem it fell.
Beatrice
(giving them a bag of coin).
Here, take this gold, and hasten to your homes.
And, Marzio, because thou wast only awed
By that which made me tremble, wear thou this! [Clothes him in a rich mantle.

It was the mantle which my grandfather
Wore in his high prosperity, and men
Envied his state: so may they envy thine.
Thou wert a weapon in the hand of God
To a just use. Live long and thrive! And, mark,
If thou hast crimes, repent: this deed is none.
[A horn is sounded.
Lucretia.
Hark, 'tis the castle horn; my God! it sounds
Like the last trump.
Beatrice
           Some tedious guest is coming.
           Lucretia.
The drawbridge is let down; there is a tramp
Of horses in the court; fly, hide yourselves!
[Exeunt Olimpio and Marzio.
Beatrice.
Let us retire to counterfeit deep rest;
I scarcely need to counterfeit it now:
The spirit which doth reign within these limbs
Seems strangely undisturbed. I could even sleep
Fearless and calm: all ill is surely past.
[Exeunt.
Scene IV.
Another Apartment in the Castle. Enter on one side the Legate Savella, introduced by a Servant, and on the other Lucretia and Bernardo.
Savella.
Lady, my duty to his Holiness
Be my excuse that thus unseasonably
I break upon your rest. I must speak with
Count Cenci; doth he sleep?
Lucretia
(in a hurried and confused manner).
               I think he sleeps;
Yet wake him not, I pray, spare me awhile,
He is a wicked and a wrathful man;
Should he be roused out of his sleep to-night,
Which is, I know, a hell of angry dreams,
It were not well; indeed it were not well.
Wait till day break . . . (aside)
O, I am deadly sick!
Savella.
I grieve thus to distress you, but the Count
Must answer charges of the gravest import,
And suddenly; such my commission is.
Lucretia
(with increased agitation).
I dare not rouse him: I know none who dare . . .
'Twere perilous; . . . you might as safely waken
A serpent; or a corpse in which some fiend
Were laid to sleep.
Savella.
          Lady, my moments here
Are counted. I must rouse him from his sleep,
Since none else dare.
Lucretia
(aside).
           O, terror! O, despair!
(To Bernardo.)
Bernardo, conduct you the Lord Legate to
Your father's chamber.
[Exeunt Savella and Bernardo.
Enter Beatrice.
Beatrice.
            'Tis a messenger
Come to arrest the culprit who now stands
Before the throne of unappealable God.
Both Earth and Heaven, consenting arbiters,
Acquit our deed.
Lucretia.
         Oh, agony of fear!
Would that he yet might live! Even now I heard
The Legate's followers whisper as they passed
They had a warrant for his instant death.
All was prepared by unforbidden means
Which we must pay so dearly, having done.
Even now they search the tower, and find the body;
Now they suspect the truth; now they consult
Before they come to tax us with the fact;
O, horrible, 'tis all discovered!
Beatrice.
                  Mother,
What is done wisely, is done well. Be bold
As thou art just. 'Tis like a truant child
To fear that others know what thou hast done,
Even from thine own strong consciousness, and thus
Write on unsteady eyes and altered cheeks
All thou wouldst hide. Be faithful to thyself,
And fear no other witness but thy fear.
For if, as cannot be, some circumstance
Should rise in accusation, we can blind
Suspicion with such cheap astonishment,
Or overbear it with such guiltless pride,
As murderers cannot feign. The deed is done,
And what may follow now regards not me.
I am as universal as the light;
Free as the earth-surrounding air; as firm
As the world's centre. Consequence, to me,
Is as the wind which strikes the solid rock
But shakes it not.
[A cry within and tumult.
Voices.
          Murder! Murder! Murder!
          Enter Bernardo and Savella.
Savella
(to his followers).
Go search the castle round; sound the alarm;
Look to the gates that none escape!
Beatrice.
                   What now?
                   Bernardo.
I know not what to say . . . my father's dead.
Beatrice.
How; dead! he only sleeps; you mistake, brother.
His sleep is very calm, very like death;
'Tis wonderful how well a tyrant sleeps.
He is not dead?
Bernardo.
        Dead; murdered.
        Lucretia
(with extreme agitation).
                Oh no, no
He is not murdered though he may be dead;
I have alone the keys of those apartments.
Savella.
Ha! Is it so?
Beatrice.
       My Lord, I pray excuse us;
We will retire; my mother is not well:
She seems quite overcome with this strange horror.
[Exeunt Lucretia and Beatrice.
Savella.
Can you suspect who may have murdered him?
Bernardo.
I know not what to think.
Savella.
              Can you name any
Who had an interest in his death?
Bernardo.
                  Alas!
I can name none who had not, and those most
Who most lament that such a deed is done;
My mother, and my sister, and myself.
Savella.
'Tis strange! There were clear marks of violence.
I found the old man's body in the moonlight
Hanging beneath the window of his chamber,
Among the branches of a pine: he could not
Have fallen there, for all his limbs lay heaped
And effortless; 'tis true there was no blood . . .
Favour me, Sir; it much imports your house
That all should be made clear; to tell the ladies
That I request their presence.
[Exit Bernardo.
Enter Guards bringing in Marzio.
Guard.
                We have one.
                Officer.
My Lord, we found this ruffian and another
Lurking among the rocks; there is no doubt
But that they are the murderers of Count Cenci:
Each had a bag of coin; this fellow wore
A gold-inwoven robe, which shining bright
Under the dark rocks to the glimmering moon
Betrayed them to our notice: the other fell
Desperately fighting.
Savella.
           What does he confess?
           Officer.
He keeps firm silence; but these lines found on him
May speak.
Savella.
     Their language is at least sincere.
     [Reads.
'To the Lady Beatrice.

'That the atonement of what my nature sickens to conjecture may soon arrive, I send thee, at thy brother's desire, those who will speak and do more than I dare write. . .

'Thy devoted servant, Orsino.'

Enter Lucretia, Beatrice, and Bernardo.
Knowest thou this writing, Lady?
Beatrice.
                 No.
                 Savella.
                   Nor thou?
                   Lucretia.
(Her conduct throughout the scene is marked by extreme agitation.)
Where was it found? What is it? It should be
Orsino's hand! It speaks of that strange horror
Which never yet found utterance, but which made
Between that hapless child and her dead father
A gulf of obscure hatred.
Savella.
              Is it so?
Is it true, Lady, that thy father did
Such outrages as to awaken in thee
Unfilial hate?
Beatrice.
       Not hate, 'twas more than hate:
This is most true, yet wherefore question me?
Savella.
There is a deed demanding question done;
Thou hast a secret which will answer not.
Beatrice.
What sayest? My Lord, your words are bold and rash.
Savella.
I do arrest all present in the name
Of the Pope's Holiness. You must to Rome.
Lucretia.
O, not to Rome! Indeed we are not guilty.
Beatrice.
Guilty! Who dares talk of guilt? My Lord,
I am more innocent of parricide
Than is a child born fatherless . . . Dear mother,
Your gentleness and patience are no shield
For this keen-judging world, this two-edged lie,
Which seems, but is not. What! will human laws,
Rather will ye who are their ministers,
Bar all access to retribution first,
And then, when Heaven doth interpose to do
What ye neglect, arming familiar things
To the redress of an unwonted crime,
Make ye the victims who demanded it
Culprits? 'Tis ye are culprits! That poor wretch
Who stands so pale, and trembling, and amazed,
If it be true he murdered Cenci, was
A sword in the right hand of justest God.
Wherefore should I have wielded it? Unless
The crimes which mortal tongue dare never name
God therefore scruples to avenge.
Savella.
                  You own
That you desired his death?
Beatrice.
               It would have been
A crime no less than his, if for one moment
That fierce desire had faded in my heart.
'Tis true I did believe, and hope, and pray,
Ay, I even knew . . . for God is wise and just,
That some strange sudden death hung over him.
'Tis true that this did happen, and most true
There was no other rest for me on earth,
No other hope in Heaven . . . now what of this?
Savella.
Strange thoughts beget strange deeds; and here are both:
I judge thee not.
Beatrice.
         And yet, if you arrest me,
You are the judge and executioner
Of that which is the life of life: the breath
Of accusation kills an innocent name,
And leaves for lame acquittal the poor life
Which is a mask without it. 'Tis most false
That I am guilty of foul parricide;
Although I must rejoice, for justest cause,
That other hands have sent my father's soul
To ask the mercy he denied to me.
Now leave us free; stain not a noble house
With vague surmises of rejected crime;
Add to our sufferings and your own neglect
No heavier sum: let them have been enough:
Leave us the wreck we have.
Savella.
               I dare not, Lady.
I pray that you prepare yourselves for Rome:
There the Pope's further pleasure will be known.
Lucretia.
O, not to Rome! O, take us not to Rome!
Beatrice.
Why not to Rome, dear mother? There as here
Our innocence is as an armd heel
To trample accusation. God is there
As here, and with His shadow ever clothes
The innocent, the injured and the weak;
And such are we. Cheer up, dear Lady, lean
On me; collect your wandering thoughts. My Lord,
As soon as you have taken some refreshment,
And had all such examinations made
Upon the spot, as may be necessary
To the full understanding of this matter,
We shall be ready. Mother; will you come?
Lucretia.
Ha! they will bind us to the rack, and wrest
Self-accusation from our agony!
Will Giacomo be there? Orsino? Marzio?
All present; all confronted; all demanding
Each from the other's countenance the thing
Which is in every heart! O, misery!
[She faints, and is borne out.
Savella.
She faints: an ill appearance this.
Beatrice.
                   My Lord,
She knows not yet the uses of the world.
She fears that power is as a beast which grasps
And loosens not: a snake whose look transmutes
All things to guilt which is its nutriment.
She cannot know how well the supine slaves
Of blind authority read the truth of things
When written on a brow of guilelessness:
She sees not yet triumphant Innocence
Stand at the judgement-seat of mortal man,
A judge and an accuser of the wrong
Which drags it there. Prepare yourself, my Lord;
Our suite will join yours in the court below.
[Exeunt.
END OF THE FOURTH ACT.

ACT V
Scene I.
An Apartment in Orsino's Palace. Enter Orsino and Giacomo.
Giacomo.
Do evil deeds thus quickly come to end?
O, that the vain remorse which must chastise
Crimes done, had but as loud a voice to warn
As its keen sting is mortal to avenge!
O, that the hour when present had cast off
The mantle of its mystery, and shown
The ghastly form with which it now returns
When its scared game is roused, cheering the hounds
Of conscience to their prey! Alas! Alas!
It was a wicked thought, a piteous deed,
To kill an old and hoary-headed father.
Orsino.
It has turned out unluckily, in truth.
Giacomo.
To violate the sacred doors of sleep;
To cheat kind Nature of the placid death
Which she prepares for overwearied age;
To drag from Heaven an unrepentant soul
Which might have quenched in reconciling prayers
A life of burning crimes . . .
Orsino.
                You cannot say
I urged you to the deed.
Giacomo.
             O, had I never
Found in thy smooth and ready countenance
The mirror of my darkest thoughts; hadst thou
Never with hints and questions made me look
Upon the monster of my thought, until
It grew familiar to desire . . .
Orsino.
                 'Tis thus
Men cast the blame of their unprosperous acts
Upon the abettors of their own resolve;
Or anything but their weak, guilty selves.
And yet, confess the truth, it is the peril
In which you stand that gives you this pale sickness
Of penitence; confess 'tis fear disguised
From its own shame that takes the mantle now
Of thin remorse. What if we yet were safe?
Giacomo.
How can that be? Already Beatrice,
Lucretia and the murderer are in prison.
I doubt not officers are, whilst we speak,
Sent to arrest us.
Orsino.
          I have all prepared
For instant flight. We can escape even now,
So we take fleet occasion by the hair.
Giacomo.
Rather expire in tortures, as I may.
What! will you cast by self-accusing flight
Assured conviction upon Beatrice?
She, who alone in this unnatural work,
Stands like God's angel ministered upon
By fiends; avenging such a nameless wrong
As turns black parricide to piety;
Whilst we for basest ends . . . I fear, Orsino,
While I consider all your words and looks,
Comparing them with your proposal now,
That you must be a villain. For what end
Could you engage in such a perilous crime,
Training me on with hints, and signs, and smiles,
Even to this gulf? Thou art no liar? No,
Thou art a lie! Traitor and murderer!
Coward and slave! But, no, defend thyself; [Drawing.

Let the sword speak what the indignant tongue
Disdains to brand thee with.
Orsino.
               Put up your weapon.
Is it the desperation of your fear
Makes you thus rash and sudden with a friend,
Now ruined for your sake? If honest anger
Have moved you, know, that what I just proposed
Was but to try you. As for me, I think,
Thankless affection led me to this point,
From which, if my firm temper could repent,
I cannot now recede. Even whilst we speak
The ministers of justice wait below:
They grant me these brief moments. Now if you
Have any word of melancholy comfort
To speak to your pale wife, 'twere best to pass
Out at the postern, and avoid them so.
Giacomo.
O, generous friend! How canst thou pardon me?
Would that my life could purchase thine!
Orsino.
                      That wish
Now comes a day too late. Haste; fare thee well!
Hear'st thou not steps along the corridor? [Exit Giacomo.

I'm sorry for it; but the guards are waiting
At his own gate, and such was my contrivance
That I might rid me both of him and them.
I thought to act a solemn comedy
Upon the painted scene of this new world,
And to attain my own peculiar ends
By some such plot of mingled good and ill
As others weave; but there arose a Power
Which grasped and snapped the threads of my device
And turned it to a net of ruin . . . Ha! [A shout is heard.

Is that my name I hear proclaimed abroad?
But I will pass, wrapped in a vile disguise;
Rags on my back, and a false innocence
Upon my face, through the misdeeming crowd
Which judges by what seems. 'Tis easy then
For a new name and for a country new,
And a new life, fashioned on old desires,
To change the honours of abandoned Rome.
And these must be the masks of that within,
Which must remain unaltered . . . Oh, I fear
That what is past will never let me rest!
Why, when none else is conscious, but myself,
Of my misdeeds, should my own heart's contempt
Trouble me? Have I not the power to fly
My own reproaches? Shall I be the slave
Of . . . what? A word? which those of this false world
Employ against each other, not themselves;
As men wear daggers not for self-offence.
But if I am mistaken, where shall I
Find the disguise to hide me from myself,
As now I skulk from every other eye?
[Exit.
Scene II.
A Hall of Justice. Camillo, Judges, &c., are discovered seated; Marzio is led in.
First Judge.
Accused, do you persist in your denial?
I ask you, are you innocent, or guilty?
I demand who were the participators
In your offence? Speak truth and the whole truth.
Marzio.
My God! I did not kill him; I know nothing;
Olimpio sold the robe to me from which
You would infer my guilt.
Second Judge.
              Away with him!
              First Judge.
Dare you, with lips yet white from the rack's kiss
Speak false? Is it so soft a questioner,
That you would bandy lover's talk with it
Till it wind out your life and soul? Away!
Marzio.
Spare me! O, spare! I will confess.
First Judge.
                   Then speak.
                   Marzio.
I strangled him in his sleep.
First Judge.
                Who urged you to it?
                Marzio.
His own son Giacomo, and the young prelate
Orsino sent me to Petrella; there
The ladies Beatrice and Lucretia
Tempted me with a thousand crowns, and I
And my companion forthwith murdered him.
Now let me die.
First Judge.
        This sounds as bad as truth. Guards, there,
Lead forth the prisoner!
Enter Lucretia, Beatrice, and Giacomo, guarded.
             Look upon this man;
When did you see him last?
Beatrice.
              We never saw him.
              Marzio.
You know me too well, Lady Beatrice.
Beatrice.
I know thee! How? where? when?
Marzio.
                You know 'twas I
Whom you did urge with menaces and bribes
To kill your father. When the thing was done
You clothed me in a robe of woven gold
And bade me thrive: how I have thriven, you see.
You, my Lord Giacomo, Lady Lucretia,
You know that what I speak is true.
[Beatrice advances towards him; he covers his face, and shrinks back.
                   Oh, dart
The terrible resentment of those eyes
On the dead earth! Turn them away from me!
They wound: 'twas torture forced the truth. My Lords,
Having said this let me be led to death.
Beatrice.
Poor wretch, I pity thee: yet stay awhile.
Camillo.
Guards, lead him not away.
Beatrice.
              Cardinal Camillo,
You have a good repute for gentleness
And wisdom: can it be that you sit here
To countenance a wicked farce like this?
When some obscure and trembling slave is dragged
From sufferings which might shake the sternest heart
And bade to answer, not as he believes,
But as those may suspect or do desire
Whose questions thence suggest their own reply:
And that in peril of such hideous torments
As merciful God spares even the damned. Speak now
The thing you surely know, which is that you,
If your fine frame were stretched upon that wheel,
And you were told: 'Confess that you did poison
Your little nephew; that fair blue-eyed child
Who was the lodestar of your life:'and though
All see, since his most swift and piteous death,
That day and night, and heaven and earth, and time,
And all the things hoped for or done therein
Are changed to you, through your exceeding grief,
Yet you would say, 'I confess anything:'
And beg from your tormentors, like that slave,
The refuge of dishonourable death.
I pray thee, Cardinal, that thou assert
My innocence.
Camillo.
(much moved).
       What shall we think, my Lords?
Shame on these tears! I thought the heart was frozen
Which is their fountain. I would pledge my soul
That she is guiltless.
Judge.
            Yet she must be tortured.
            Camillo.
I would as soon have tortured mine own nephew
(If he now lived he would be just her age;
His hair, too, was her colour, and his eyes
Like hers in shape, but blue and not so deep)
As that most perfect image of God's love
That ever came sorrowing upon the earth.
She is as pure as speechless infancy!
Judge.
Well, be her purity on your head, my Lord,
If you forbid the rack. His Holiness
Enjoined us to pursue this monstrous crime
By the severest forms of law; nay even
To stretch a point against the criminals.
The prisoners stand accused of parricide
Upon such evidence as justifies
Torture.
Beatrice.
What evidence? This man's?
Judge.
              Even so.
              Beatrice
(to Marzio).
Come near. And who art thou thus chosen forth
Out of the multitude of living men
To kill the innocent?
Marzio.
           I am Marzio,
Thy father's vassal.
Beatrice.
           Fix thine eyes on mine;
Answer to what I ask.
[Turning to the Judges.
           I prithee mark
His countenance: unlike bold calumny
Which sometimes dares not speak the thing it looks,
He dares not look the thing he speaks, but bends
His gaze on the blind earth.
(To Marzio.)
               What! wilt thou say
That I did murder my own father?
Marzio.
                 Oh!
Spare me! My brain swims round . . . I cannot speak . . .
It was that horrid torture forced the truth.
Take me away! Let her not look on me!
I am a guilty miserable wretch;
I have said all I know; now, let me die!
Beatrice.
My Lords, if by my nature I had been
So stern, as to have planned the crime alleged,
Which your suspicions dictate to this slave,
And the rack makes him utter, do you think
I should have left this two-edged instrument
Of my misdeed; this man, this bloody knife
With my own name engraven on the heft,
Lying unsheathed amid a world of foes,
For my own death? That with such horrible need
For deepest silence, I should have neglected
So trivial a precaution, as the making
His tomb the keeper of a secret written
On a thief's memory? What is his poor life?
What are a thousand lives? A parricide
Had trampled them like dust; and, see, he lives! (Turning to Marzio.)

And thou . . .
Marzio.
       Oh, spare me! Speak to me no more!
That stern yet piteous look, those solemn tones,
Wound worse than torture.
(To the Judges.
              I have told it all;
For pity's sake lead me away to death.
Camillo.
Guards, lead him nearer the Lady Beatrice,
He shrinks from her regard like autumn's leaf
From the keen breath of the serenest north.
Beatrice.
O thou who tremblest on the giddy verge
Of life and death, pause ere thou answerest me;
So mayst thou answer God with less dismay:
What evil have we done thee? I, alas!
Have lived but on this earth a few sad years,
And so my lot was ordered, that a father
First turned the moments of awakening life
To drops, each poisoning youth's sweet hope; and then
Stabbed with one blow my everlasting soul;
And my untainted fame; and even that peace
Which sleeps within the core of the heart's heart;
But the wound was not mortal; so my hate
Became the only worship I could lift
To our great father, who in pity and love,
Armed thee, as thou dost say, to cut him off;
And thus his wrong becomes my accusation;
And art thou the accuser? If thou hopest
Mercy in heaven, show justice upon earth:
Worse than a bloody hand is a hard heart.
If thou hast done murders, made thy life's path
Over the trampled laws of God and man,
Rush not before thy Judge, and say: 'My maker,
I have done this and more; for there was one
Who was most pure and innocent on earth;
And because she endured what never any
Guilty or innocent endured before:
Because her wrongs could not be told, not thought;
Because thy hand at length did rescue her;
I with my words killed her and all her kin.'
Think, I adjure you, what it is to slay
The reverence living in the minds of men
Towards our ancient house, and stainless fame!
Think what it is to strangle infant pity,
Cradled in the belief of guileless looks,
Till it become a crime to suffer. Think
What 'tis to blot with infamy and blood
All that which shows like innocence, and is,
Hear me, great God! I swear, most innocent,
So that the world lose all discrimination
Between the sly, fierce, wild regard of guilt,
And that which now compels thee to reply
To what I ask: Am I, or am I not
A parricide?
Marzio.
      Thou art not!
      Judge.
              What is this?
              Marzio.
I here declare those whom I did accuse
Are innocent. 'Tis I alone am guilty.
Judge.
Drag him away to torments; let them be
Subtle and long drawn out, to tear the folds
Of the heart's inmost cell. Unbind him not
Till he confess.
Marzio.
         Torture me as ye will:
A keener pang has wrung a higher truth
From my last breath. She is most innocent!
Bloodhounds, not men, glut yourselves well with me;
I will not give you that fine piece of nature
To rend and ruin.
[Exit Marzio, guarded.
Camillo.
         What say ye now, my Lords?
         Judge.
Let tortures strain the truth till it be white
As snow thrice sifted by the frozen wind.
Camillo.
Yet stained with blood.
Judge
(to Beatrice).
            Know you this paper, Lady?
            Beatrice.
Entrap me not with questions. Who stands here
As my accuser? Ha! wilt thou be he,
Who art my judge? Accuser, witness, judge,
What, all in one? Here is Orsino's name;
Where is Orsino? Let his eye meet mine.
What means this scrawl? Alas! ye know not what,
And therefore on the chance that it may be
Some evil, will ye kill us?
Enter an Officer.
Officer.
               Marzio's dead.
               Judge.
What did he say?
Officer.
         Nothing. As soon as we
Had bound him on the wheel, he smiled on us,
As one who baffles a deep adversary;
And holding his breath, died.
Judge.
                There remains nothing
But to apply the question to those prisoners,
Who yet remain stubborn.
Camillo.
             I overrule
Further proceedings, and in the behalf
Of these most innocent and noble persons
Will use my interest with the Holy Father.
Judge.
Let the Pope's pleasure then be done. Meanwhile
Conduct these culprits each to separate cells;
And be the engines ready: for this night
If the Pope's resolution be as grave,
Pious, and just as once, I'll wring the truth
Out of those nerves and sinews, groan by groan.
[Exeunt.
Scene III.
The Cell of a Prison. Beatrice is discovered asleep on a couch. Enter Bernardo.
Bernardo.
How gently slumber rests upon her face,
Like the last thoughts of some day sweetly spent
Closing in night and dreams, and so prolonged.
After such torments as she bore last night,
How light and soft her breathing comes. Ay me!
Methinks that I shall never sleep again.
But I must shake the heavenly dew of rest
From this sweet folded flower, thus . . . wake! awake!
What, sister, canst thou sleep?
Beatrice
(awaking).
                 I was just dreaming
That we were all in Paradise. Thou knowest
This cell seems like a kind of Paradise
After our father's presence.
Bernardo.
               Dear, dear sister,
Would that thy dream were not a dream! O God!
How shall I tell?
Beatrice.
         What wouldst thou tell, sweet brother?
         Bernardo.
Look not so calm and happy, or even whilst
I stand considering what I have to say
My heart will break.
Beatrice.
           See now, thou mak'st me weep:
How very friendless thou wouldst be, dear child,
If I were dead. Say what thou hast to say.
Bernardo.
They have confessed; they could endure no more
The tortures . . .
Beatrice.
          Ha! What was there to confess?
They must have told some weak and wicked lie
To flatter their tormentors. Have they said
That they were guilty? O white innocence,
That thou shouldst wear the mask of guilt to hide
Thine awful and serenest countenance
From those who know thee not!
Enter Judge with Lucretia and Giacomo, guarded.
                Ignoble hearts!
For some brief spasms of pain, which are at least
As mortal as the limbs through which they pass,
Are centuries of high splendour laid in dust?
And that eternal honour which should live
Sunlike, above the reek of mortal fame,
Changed to a mockery and a byword? What!
Will you give up these bodies to be dragged
At horses' heels, so that our hair should sweep
The footsteps of the vain and senseless crowd,
Who, that they may make our calamity
Their worship and their spectacle, will leave
The churches and the theatres as void
As their own hearts? Shall the light multitude
Fling, at their choice, curses or faded pity,
Sad funeral flowers to deck a living corpse,
Upon us as we pass to pass away,
And leave . . . what memory of our having been?
Infamy, blood, terror, despair? O thou,
Who wert a mother to the parentless,
Kill not thy child! Let not her wrongs kill thee!
Brother, lie down with me upon the rack,
And let us each be silent as a corpse;
It soon will be as soft as any grave.
'Tis but the falsehood it can wring from fear
Makes the rack cruel.
Giacomo.
           They will tear the truth
Even from thee at last, those cruel pains:
For pity's sake say thou art guilty now.
Lucretia.
Oh, speak the truth! Let us all quickly die;
And after death, God is our judge, not they;
He will have mercy on us.
Bernardo.
              If indeed
It can be true, say so, dear sister mine;
And then the Pope will surely pardon you,
And all be well.
Judge.
         Confess, or I will warp
Your limbs with such keen tortures . . .
Beatrice.
                      Tortures! Turn
The rack henceforth into a spinning-wheel!
Torture your dog, that he may tell when last
He lapped the blood his master shed . . . not me!
My pangs are of the mind, and of the heart,
And of the soul; ay, of the inmost soul,
Which weeps within tears as of burning gall
To see, in this ill world where none are true,
My kindred false to their deserted selves.
And with considering all the wretched life
Which I have lived, and its now wretched end,
And the small justice shown by Heaven and Earth
To me or mine; and what a tyrant thou art,
And what slaves these; and what a world we make,
The oppressor and the oppressed . . . such pangs compel
My answer. What is it thou wouldst with me?
Judge.
Art thou not guilty of thy father's death?
Beatrice.
Or wilt thou rather tax high-judging God
That He permitted such an act as that
Which I have suffered, and which He beheld;
Made it unutterable, and took from it
All refuge, all revenge, all consequence,
But that which thou hast called my father's death?
Which is or is not what men call a crime,
Which either I have done, or have not done;
Say what ye will. I shall deny no more.
If ye desire it thus, thus let it be,
And so an end of all. Now do your will;
No other pains shall force another word.
Judge.
She is convicted, but has not confessed.
Be it enough. Until their final sentence
Let none have converse with them. You, young Lord,
Linger not here!
Beatrice.
         Oh, tear him not away!
         Judge.
Guards, do your duty.
Bernardo
(embracing Beatrice).
           Oh! would ye divide
Body from soul?
Officer.
        That is the headsman's business.
        [Exeunt all but Lucretia, Beatrice, and Giacomo.
Giacomo.
Have I confessed? Is it all over now?
No hope! No refuge! O weak, wicked tongue
Which hast destroyed me, would that thou hadst been
Cut out and thrown to dogs first! To have killed
My father first, and then betrayed my sister;
Ay, thee! the one thing innocent and pure
In this black guilty world, to that which I
So well deserve! My wife! my little ones!
Destitute, helpless, and I . . . Father! God!
Canst Thou forgive even the unforgiving,
When their full hearts break thus, thus! . . .
[Covers his face and weeps.
Lucretia.
                         O my child!
To what a dreadful end are we all come!
Why did I yield? Why did I not sustain
Those torments? Oh, that I were all dissolved
Into these fast and unavailing tears,
Which flow and feel not!
Beatrice.
             What 'twas weak to do,
'Tis weaker to lament, once being done;
Take cheer! The God who knew my wrong, and made
Our speedy act the angel of His wrath,
Seems, and but seems, to have abandoned us.
Let us not think that we shall die for this.
Brother, sit near me; give me your firm hand,
You had a manly heart. Bear up! Bear up!
O dearest Lady, put your gentle head
Upon my lap, and try to sleep awhile:
Your eyes look pale, hollow and overworn,
With heaviness of watching and slow grief.
Come, I will sing you some low, sleepy tune,
Not cheerful, nor yet sad; some dull old thing,
Some outworn and unused monotony,
Such as our country gossips sing and spin,
Till they almost forget they live: lie down!
So, that will do. Have I forgot the words?
Faith! They are sadder than I thought they were.
SONG
False friend, wilt thou smile or weep
When my life is laid asleep?
Little cares for a smile or a tear,
The clay-cold corpse upon the bier!
Farewell! Heigho!
What is this whispers low?
There is a snake in thy smile, my dear;
And bitter poison within thy tear.
Sweet sleep, were death like to thee,
Or if thou couldst mortal be,
I would close these eyes of pain;
When to wake? Never again.
O World! Farewell!
Listen to the passing bell!
It says, thou and I must part,
With a light and a heavy heart.
[The scene closes.
Scene IV.
A Hall of the Prison. Enter Camillo and Bernardo.
Camillo.
The Pope is stern; not to be moved or bent.
He looked as calm and keen as is the engine
Which tortures and which kills, exempt itself
From aught that it inflicts; a marble form,
A rite, a law, a custom: not a man.
He frowned, as if to frown had been the trick
Of his machinery, on the advocates
Presenting the defences, which he tore
And threw behind, muttering with hoarse, harsh voice:
'Which among ye defended their old father
Killed in his sleep?' Then to another: 'Thou
Dost this in virtue of thy place; 'tis well.'
He turned to me then, looking deprecation,
And said these three words, coldly: 'They must die.'
Bernardo.
And yet you left him not?
Camillo.
              I urged him still;
Pleading, as I could guess, the devilish wrong
Which prompted your unnatural parent's death.
And he replied: 'Paolo Santa Croce
Murdered his mother yester evening,
And he is fled. Parricide grows so rife
That soon, for some just cause no doubt, the young
Will strangle us all, dozing in our chairs.
Authority, and power, and hoary hair
Are grown crimes capital. You are my nephew,
You come to ask their pardon; stay a moment;
Here is their sentence; never see me more
Till, to the letter, it be all fulfilled.'
Bernardo.
O God, not so! I did believe indeed
That all you said was but sad preparation
For happy news. Oh, there are words and looks
To bend the sternest purpose! Once I knew them,
Now I forget them at my dearest need.
What think you if I seek him out, and bathe
His feet and robe with hot and bitter tears?
Importune him with prayers, vexing his brain
With my perpetual cries, until in rage
He strike me with his pastoral cross, and trample
Upon my prostrate head, so that my blood
May stain the senseless dust on which he treads,
And remorse waken mercy? I will do it!
Oh, wait till I return!
[Rushes out.
Camillo.
            Alas! poor boy!
A wreck-devoted seaman thus might pray
To the deaf sea.
Enter Lucretia, Beatrice, and Giacomo, guarded.
Beatrice.
         I hardly dare to fear
That thou bring'st other news than a just pardon.
Camillo.
May God in heaven be less inexorable
To the Pope's prayers, than he has been to mine.
Here is the sentence and the warrant.
Beatrice
(wildly).
                    O
My God! Can it be possible I have
To die so suddenly? So young to go
Under the obscure, cold, rotting, wormy ground!
To be nailed down into a narrow place;
To see no more sweet sunshine; hear no more
Blithe voice of living thing; muse not again
Upon familiar thoughts, sad, yet thus lost
How fearful! to be nothing! Or to be . . .
What? Oh, where am I? Let me not go mad!
Sweet Heaven, forgive weak thoughts! If there should be
No God, no Heaven, no Earth in the void world;
The wide, gray, lampless, deep, unpeopled world!
If all things then should be . . . my father's spirit,
His eye, his voice, his touch surrounding me;
The atmosphere and breath of my dead life!
If sometimes, as a shape more like himself,
Even the form which tortured me on earth,
Masked in gray hairs and wrinkles, he should come
And wind me in his hellish arms, and fix
His eyes on mine, and drag me down, down, down!
For was he not alone omnipotent
On Earth, and ever present? Even though dead,
Does not his spirit live in all that breathe,
And work for me and mine still the same ruin,
Scorn, pain, despair? Who ever yet returned
To teach the laws of Death's untrodden realm?
Unjust perhaps as those which drive us now,
Oh, whither, whither?
Lucretia.
           Trust in God's sweet love,
The tender promises of Christ: ere night,
Think, we shall be in Paradise.
Beatrice.
                 'Tis past!
Whatever comes my heart shall sink no more.
And yet, I know not why, your words strike chill:
How tedious, false and cold seem all things. I
Have met with much injustice in this world;
No difference has been made by God or man,
Or any power moulding my wretched lot,
'Twixt good or evil, as regarded me.
I am cut off from the only world I know,
From light, and life, and love, in youth's sweet prime.
You do well telling me to trust in God,
I hope I do trust in Him. In whom else
Can any trust? And yet my heart is cold.
[During the latter speeches Giacomo has retired conversing with Camillo, who now goes out; Giacomo advances.
Giacomo.
Know you not, Mother . . . Sister, know you not?
Bernardo even now is gone to implore
The Pope to grant our pardon.
Lucretia.
                Child, perhaps
It will be granted. We may all then live
To make these woes a tale for distant years:
Oh, what a thought! It gushes to my heart
Like the warm blood.
Beatrice.
           Yet both will soon be cold.
Oh, trample out that thought! Worse than despair,
Worse than the bitterness of death, is hope:
It is the only ill which can find place
Upon the giddy, sharp and narrow hour
Tottering beneath us. Plead with the swift frost
That it should spare the eldest flower of spring:
Plead with awakening earthquake, o'er whose couch
Even now a city stands, strong, fair, and free;
Now stench and blackness yawn, like death. Oh, plead
With famine, or wind-walking Pestilence,
Blind lightning, or the deaf sea, not with man!
Cruel, cold, formal man; righteous in words,
In deeds a Cain. No, Mother, we must die:
Since such is the reward of innocent lives;
Such the alleviation of worst wrongs.
And whilst our murderers live, and hard, cold men,
Smiling and slow, walk through a world of tears
To death as to life's sleep; 'twere just the grave
Were some strange joy for us. Come, obscure Death,
And wind me in thine all-embracing arms!
Like a fond mother hide me in thy bosom,
And rock me to the sleep from which none wake.
Live ye, who live, subject to one another
As we were once, who now . . .
Bernardo rushes in.
Bernardo.
                Oh, horrible!
That tears, that looks, that hope poured forth in prayer,
Even till the heart is vacant and despairs,
Should all be vain! The ministers of death
Are waiting round the doors. I thought I saw
Blood on the face of one . . . What if 'twere fancy?
Soon the heart's blood of all I love on earth
Will sprinkle him, and he will wipe it off
As if 'twere only rain. O life! O world!
Cover me! let me be no more! To see
That perfect mirror of pure innocence
Wherein I gazed, and grew happy and good,
Shivered to dust! To see thee, Beatrice,
Who made all lovely thou didst look upon . . .
Thee, light of life . . . dead, dark! while I say, sister,
To hear I have no sister; and thou, Mother,
Whose love was as a bond to all our loves . . .
Dead! The sweet bond broken!
Enter Camillo and Guards.
               They come! Let me
Kiss those warm lips before their crimson leaves
Are blighted . . . white . . . cold. Say farewell, before
Death chokes that gentle voice! Oh, let me hear
You speak!
Beatrice.
     Farewell, my tender brother. Think
Of our sad fate with gentleness, as now:
And let mild, pitying thoughts lighten for thee
Thy sorrow's load. Err not in harsh despair,
But tears and patience. One thing more, my child:
For thine own sake be constant to the love
Thou bearest us; and to the faith that I,
Though wrapped in a strange cloud of crime and shame,
Lived ever holy and unstained. And though
Ill tongues shall wound me, and our common name
Be as a mark stamped on thine innocent brow
For men to point at as they pass, do thou
Forbear, and never think a thought unkind
Of those, who perhaps love thee in their graves.
So mayest thou die as I do; fear and pain
Being subdued. Farewell! Farewell! Farewell!
Bernardo.
I cannot say, farewell!
Camillo.
            Oh, Lady Beatrice!
            Beatrice.
Give yourself no unnecessary pain,
My dear Lord Cardinal. Here, Mother, tie
My girdle for me, and bind up this hair
In any simple knot; ay, that does well.
And yours I see is coming down. How often
Have we done this for one another; now
We shall not do it any more. My Lord,
We are quite ready. Well, 'tis very well.
THE END
Composed at Rome and near Leghorn (Villa Valsovano), May - August 8, 1819; published 1820 (spring) by C. & J. Ollier, London. This edition of 250 copies was printed in Italy 'because,' writes Shelley to Peacock, Sept. 21, 1819, 'it costs, with all duties and freightage, about half what it would cost in London.'
~ Percy Bysshe Shelley, The Cenci - A Tragedy In Five Acts
,

IN CHAPTERS [150/708]



  157 Integral Yoga
  137 Poetry
   52 Occultism
   49 Fiction
   33 Philosophy
   30 Christianity
   20 Psychology
   11 Mythology
   11 Kabbalah
   10 Yoga
   6 Baha i Faith
   5 Sufism
   5 Science
   4 Philsophy
   3 Integral Theory
   3 Hinduism
   2 Theosophy
   2 Education
   1 Thelema
   1 Mysticism
   1 Alchemy


  275 Sri Aurobindo
   58 The Mother
   38 H P Lovecraft
   29 Satprem
   21 Aleister Crowley
   20 Friedrich Nietzsche
   17 Carl Jung
   16 William Wordsworth
   16 Saint Augustine of Hippo
   15 Nolini Kanta Gupta
   15 Friedrich Schiller
   13 Percy Bysshe Shelley
   13 James George Frazer
   11 Walt Whitman
   11 Rabbi Moses Luzzatto
   10 Ovid
   9 Sri Ramakrishna
   9 Pierre Teilhard de Chardin
   7 Johann Wolfgang von Goethe
   7 Baha u llah
   6 Rudolf Steiner
   6 Robert Browning
   6 Plato
   6 Jorge Luis Borges
   5 Paul Richard
   4 Ralph Waldo Emerson
   4 John Keats
   4 Edgar Allan Poe
   4 Anonymous
   3 Saint Teresa of Avila
   3 Moses de Leon
   3 Jordan Peterson
   3 Jalaluddin Rumi
   3 Henry David Thoreau
   3 Al-Ghazali
   3 Aldous Huxley
   2 Vyasa
   2 Swami Vivekananda
   2 Saint John of Climacus
   2 Rainer Maria Rilke
   2 Nachmanides
   2 Ibn Arabi
   2 George Van Vrekhem
   2 Allama Muhammad Iqbal
   2 Alice Bailey
   2 A B Purani


   55 The Synthesis Of Yoga
   42 The Life Divine
   38 Lovecraft - Poems
   21 Savitri
   19 Essays In Philosophy And Yoga
   16 Wordsworth - Poems
   16 Record of Yoga
   15 Thus Spoke Zarathustra
   15 Schiller - Poems
   14 City of God
   13 The Golden Bough
   13 Shelley - Poems
   13 On Thoughts And Aphorisms
   13 Liber ABA
   13 Letters On Yoga IV
   11 Whitman - Poems
   11 The Secret Of The Veda
   11 Magick Without Tears
   11 Letters On Yoga I
   11 General Principles of Kabbalah
   11 Essays On The Gita
   11 Essays Divine And Human
   10 The Divine Comedy
   10 Questions And Answers 1957-1958
   10 Metamorphoses
   10 Letters On Yoga II
   8 The Human Cycle
   8 Mysterium Coniunctionis
   7 The Practice of Psycho therapy
   7 The Gospel of Sri Ramakrishna
   7 Sri Aurobindo or the Adventure of Consciousness
   7 Collected Works of Nolini Kanta Gupta - Vol 07
   6 Vedic and Philological Studies
   6 The Secret Doctrine
   6 Knowledge of the Higher Worlds
   6 Browning - Poems
   6 Agenda Vol 02
   5 Words Of Long Ago
   5 Twilight of the Idols
   5 On the Way to Supermanhood
   5 Labyrinths
   5 Faust
   5 Collected Poems
   4 The Bible
   4 Some Answers From The Mother
   4 Keats - Poems
   4 Isha Upanishad
   4 Hymns to the Mystic Fire
   4 Emerson - Poems
   3 Walden
   3 The Way of Perfection
   3 The Phenomenon of Man
   3 The Perennial Philosophy
   3 The Future of Man
   3 The Book of Certitude
   3 The Alchemy of Happiness
   3 Questions And Answers 1956
   3 Poe - Poems
   3 On Education
   3 Maps of Meaning
   3 Letters On Yoga III
   3 Kena and Other Upanishads
   3 Dark Night of the Soul
   3 Collected Works of Nolini Kanta Gupta - Vol 01
   2 Vishnu Purana
   2 The Mother With Letters On The Mother
   2 The Ladder of Divine Ascent
   2 The Confessions of Saint Augustine
   2 Talks
   2 Rumi - Poems
   2 Rilke - Poems
   2 Questions And Answers 1955
   2 Questions And Answers 1953
   2 Questions And Answers 1929-1931
   2 Preparing for the Miraculous
   2 Letters On Poetry And Art
   2 Let Me Explain
   2 Goethe - Poems
   2 Evening Talks With Sri Aurobindo
   2 A Treatise on Cosmic Fire
   2 Arabi - Poems
   2 Anonymous - Poems
   2 Agenda Vol 11
   2 Agenda Vol 03
   2 A Garden of Pomegranates - An Outline of the Qabalah
   2 Advanced Dungeons and Dragons 2E


0.00 - INTRODUCTION, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
  About his parents Sri Ramakrishna once said: "My mother was the personification of rectitude and gentleness. She did not know much about the ways of the world; innocent of the art of concealment, she would say what was in her mind. People loved her for her open-heartedness. My father, an orthodox brahmin, never accepted gifts from the sudras. He spent much of his time in worship and meditation, and in repeating God's name and chanting His glories. Whenever in his daily prayers he invoked the Goddess Gayatri, his chest flushed and tears rolled down his cheeks. He spent his leisure hours making garlands for the Family Deity, Raghuvir."
  Khudiram Chattopadhyaya and Chandra Devi, the parents of Sri Ramakrishna, were married in 1799. At that time Khudiram was living in his ancestral village of Dereypore, not far from Kamarpukur. Their first son, Ramkumar, was born in 1805, and their first daughter, Katyayani, in 1810. In 1814 Khudiram was ordered by his landlord to bear false witness in court against a neighbour. When he refused to do so, the landlord brought a false case against him and deprived him of his ancestral property. Thus dispossessed, he arrived, at the invitation of another landlord, in the quiet village of Kamarpukur, where he was given a dwelling and about an acre of fertile land. The crops from this little property were enough to meet his family's simple needs. Here he lived in simplicity, dignity, and contentment.
  --
   In the beginning of September 1885 Sri Ramakrishna was moved to Syampukur. Here Narendra organized the young disciples to attend the Master day and night. At first they concealed the Master's illness from their guardians; but when it became more serious they remained with him almost constantly, sweeping aside the objections of their relatives and devoting themselves whole-heartedly to the nursing of their beloved guru. These young men, under the watchful eyes of the Master and the leadership of Narendra, became the antaranga bhaktas, the devotees of Sri Ramakrishna's inner circle. They were privileged to witness many manifestations of the Master's divine powers. Narendra received instructions regarding the propagation of his message after his death.
   The Holy Mother — so Sarada Devi had come to be affectionately known by Sri Ramakrishna's devotees — was brought from Dakshineswar to look after the general cooking and to prepare the special diet of the patient. The dwelling space being extremely limited, she had to adapt herself to cramped conditions. At three o'clock in the morning she would finish her bath in the Ganges and then enter a small covered place on the roof, where she spent the whole day cooking and praying. After eleven at night, when the visitors went away, she would come down to her small bedroom on the first floor to enjoy a few hours' sleep. Thus she spent three months, working hard, sleeping little, and praying constantly for the Master's recovery.

0.00 - The Book of Lies Text, #The Book of Lies, #Aleister Crowley, #Philosophy
       GOD the Father and Mother is concealed in Genera-
         tion.
       GOD is concealed in the whirling energy of Nature.
       GOD is manifest in gathering: harmony: considera-
  --
    "God the Father and Mother is concealed in genera-
    tion".
  --
     Jod is the concealed Phallus as opposed to Tau, the
    extended Phallus. This chapter should be studied in
  --
     concealed from the leopard do thou feed at thy
     pleasure.
  --
    stealth, a concealment of the real purpose of their lives;
    in this way making the best of both worlds. This counsels

0.01f - FOREWARD, #The Phenomenon of Man, #Pierre Teilhard de Chardin, #Christianity
  pronounced individuality conceals from our eyes the whole to
  which he belongs ; as we look at him our minds incline to break

0.02 - Letters to a Sadhak, #Some Answers From The Mother, #The Mother, #Integral Yoga
  enough to conceal any irregularities. The process was supposed
  to be simple, rapid and fully satisfactory. I put forth all the

0.03 - Letters to My little smile, #Some Answers From The Mother, #The Mother, #Integral Yoga
  yet concealing in itself the stream of life. Because of the resistance
  of matter, this stream of life is freed only with difficulty and can

0.03 - The Threefold Life, #The Synthesis Of Yoga, #Sri Aurobindo, #Integral Yoga
  For man, the head of terrestrial Nature, the sole earthly frame in which her full evolution is possible, is a triple birth. He has been given a living frame in which the body is the vessel and life the dynamic means of a divine manifestation. His activity is centred in a progressive mind which aims at perfecting itself as well as the house in which it dwells and the means of life that it uses, and is capable of awaking by a progressive self-realisation to its own true nature as a form of the Spirit. He culminates in what he always really was, the illumined and beatific spirit which is intended at last to irradiate life and mind with its now concealed splendours.
  Since this is the plan of the divine Energy in humanity, the whole method and aim of our existence must work by the interaction of these three elements in the being. As a result of their separate formulation in Nature, man has open to him a choice between three kinds of life, the ordinary material existence, a life of mental activity and progress and the unchanging spiritual beatitude. But he can, as he progresses, combine these three forms, resolve their discords into a harmonious rhythm and so create in himself the whole godhead, the perfect Man.
  --
  Spirit is the crown of universal existence; Matter is its basis; Mind is the link between the two. Spirit is that which is eternal; Mind and Matter are its workings. Spirit is that which is concealed and has to be revealed; mind and body are the means by which it seeks to reveal itself. Spirit is the image of the Lord of the Yoga; mind and body are the means He has provided for reproducing that image in phenomenal existence. All Nature is an attempt at a progressive revelation of the concealed Truth, a more and more successful reproduction of the divine image.
  But what Nature aims at for the mass in a slow evolution, Yoga effects for the individual by a rapid revolution. It works by a quickening of all her energies, a sublimation of all her faculties. While she develops the spiritual life with difficulty and has constantly to fall back from it for the sake of her lower realisations, the sublimated force, the concentrated method of Yoga can attain directly and carry with it the perfection of the mind and even, if she will, the perfection of the body. Nature seeks the Divine in her own symbols: Yoga goes beyond Nature to the Lord of Nature, beyond universe to the Transcendent and can return with the transcendent light and power, with the fiat of the Omnipotent.
  But their aim is one in the end. The generalisation of Yoga in humanity must be the last victory of Nature over her own delays and concealments. Even as now by the progressive mind in Science she seeks to make all mankind fit for the full development of the mental life, so by Yoga must she inevitably seek to make all mankind fit for the higher evolution, the second birth, the spiritual existence. And as the mental life uses and perfects the material, so will the spiritual use and perfect the material and the mental existence as the instruments of a divine self-expression.
  The ages when that is accomplished, are the legendary Satya or Krita3 Yugas, the ages of the Truth manifested in the symbol, of the great work done when Nature in mankind, illumined, satisfied and blissful, rests in the culmination of her endeavour.

0.05 - The Synthesis of the Systems, #The Synthesis Of Yoga, #Sri Aurobindo, #Integral Yoga
  The widest synthesis of perfection possible to thought is the sole effort entirely worthy of those whose dedicated vision perceives that God dwells concealed in humanity.
  

0.06 - INTRODUCTION, #Dark Night of the Soul, #Saint John of the Cross, #Christianity
  which led it to journey 'in darkness and concealment' from its enemies, both without
  and within.

0.06 - Letters to a Young Sadhak, #Some Answers From The Mother, #The Mother, #Integral Yoga
  manifested world so effectively conceals.
  I don't think this is true; union with the outer nature brings more

0.07 - DARK NIGHT OF THE SOUL, #Dark Night of the Soul, #Saint John of the Cross, #Christianity
  In darkness and in concealment, My house being now at rest.
  3. In the happy night, In secret, when none saw me,

01.02 - Natures Own Yoga, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   This process of a developing consciousness in Nature is precisely what is known as Evolution. It is the bringing out and fixing of a higher and higher principle of consciousness, hitherto involved and concealed behind the veil, in the earth consciousness as a dynamic factor in Nature's manifest working. Thus, the first stage of evolution is the status of inconscient Matter, of the lifeless physical elements; the second stage is that of the semi-conscious life in the plant, the third that of the conscious life in the animal, and finally the fourth stage, where we stand at present, is that of the embodied self-conscious life in man.
   The course of evolution has not come to a stop with man and the next stage, Sri Aurobindo says, which Nature envisages and is labouring to bring out and establish is the life now superconscious to us, embodied in a still higher type of created being, that of the superman or god-man. The principle of consciousness which will determine the nature and build of this new, being is a spiritual principle beyond the mental principle which man now incarnates: it may be called the Supermind or Gnosis.

01.02 - The Issue, #Savitri, #Sri Aurobindo, #Integral Yoga
  Its beginning lost, its motive and plot concealed,
  A once living story has prepared and made

01.03 - Mystic Poetry, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   It is not merely by addressing the beloved as your goddess that you can attain this mysticism; the Elizabethan did that in merry abundance,ad nauseam.A finer temper, a more delicate touch, a more subtle sensitiveness and a kind of artistic wizardry are necessary to tune the body into a rhythm of the spirit. The other line of mysticism is common enough, viz., to express the spirit in terms and rhythms of the flesh. Tagore did that liberally, the Vaishnava poets did nothing but that, the Song of Solomon is an exquisite example of that procedure. There is here, however, a difference in degrees which is an interesting feature worth noting. Thus in Tagore the reference to the spirit is evident, that is the major or central chord; the earthly and the sensuous are meant as the name and form, as the body to render concrete, living and vibrant, near and intimate what otherwise would perhaps be vague and abstract, afar, aloof. But this mundane or human appearance has a value in so far as it is a support, a pointer or symbol of the spiritual import. And the mysticism lies precisely in the play of the two, a hide-and-seek between them. On the other hand, as I said, the greater portion of Vaishnava poetry, like a precious and beautiful casket, no doubt, hides the spiritual import: not the pure significance but the sign and symbol are luxuriously elaborated, they are placed in the foreground in all magnificence: as if it was their very purpose to conceal the real meaning. When the Vaishnava poet says,
   O love, what more shall I, shall Radha speak,

01.04 - The Secret Knowledge, #Savitri, #Sri Aurobindo, #Integral Yoga
  She has concealed her glory and her bliss
  And disguised the Love and Wisdom in her heart;

01.05 - The Yoga of the King - The Yoga of the Spirits Freedom and Greatness, #Savitri, #Sri Aurobindo, #Integral Yoga
  Rending the night that had concealed the Unknown,
  Giving to her her lost forgotten soul.

01.08 - A Theory of Yoga, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   The human mind naturally, without any effort on its part, takes to one or more of these devices to control and conceal the aboriginal impulses. But this spontaneous process can be organised and consciously regulated and made to serve better the purpose and urge of Nature. And this is the beginning of yoga the conscious fulfilment of Nature. The Psycho-analysts have given us the first and elementary stage of this process of yoga. It is, we may say, the fourth line of control. With this man enters a new level of being, develops a new mode of life. It is when the automatism of Nature is replaced by the power of Conscious Control. Man is not here, a blind instrument of forces, his activities (both indulging and controlling) are not guided according to an ignorant submission to the laws of almost subconscious impulsions. Conscious control means that the mind does not fight shy of or seek to elude the aboriginal insistences, but allows them to come up freely, meets them squarely, recognises them and establishes an easy mastery over them.
   The method of unconscious or subconscious nature is fundamentally that of repression. Apart from Defence Reaction which is a thing of pure coercion, even in Substitution and Sublimation there always remains in the background a large amount of repressed complexes in all their primitive strength. The system is never entirely purified but remains secretly pregnant with those urges; a part only is deflected and camouflaged, the surface only assumes a transformed appearance. And there is always the danger of the superstructure coming down helplessly by a sudden upheaval of the nether forces. The whole system feels, although not in a conscious manner, the tension of the repression and suffers from something that is unhealthy and ill-balanced. Dante's spiritualised passion is a supreme instance of control by Sublimation, but the Divina Comedia hardly bears the impress of a serene and tranquil soul, sovereignly above the turmoils of the tragedy of life and absolutely at peace with itself.

0.11 - Letters to a Sadhak, #Some Answers From The Mother, #The Mother, #Integral Yoga
  recognise one's faults in order to correct them, than to conceal
  them in the hope that they will not be noticed.
  --
  and calls for its release from the covering that conceals it in manifested Nature."
  Sri Aurobindo

0 1961-01-17, #Agenda Vol 02, #The Mother, #Integral Yoga
   There is another case where peoplewithout knowing it or because they WANT to ignore italways pursue their personal interests, their preferences, their attachments, their concepts; people who are not entirely consecrated to the Divine and make use of moral and yogic ideas to conceal their personal motives. These people doubly deceive themselves: not only do they deceive themselves through their outer activities, their relations with others, but they also deceive themselves about their personal motives; instead of serving the Divine they are serving their own egoism. And this happens constantly, constantly! One serves his own personality, his egoism, while pretending to serve the Divine. This is no longer even self-deception: its sheer hypocrisy.
   This mental habit of always cloaking everything with a favorable appearance, of giving all movements a favorable explanation, is at times so flagrant that it can fool nobody but oneself (although it may occasionally be subtle enough to create an illusion). It is a sort of habitual self-exoneration, the habit of giving a favorable mental excuse, a favorable mental explanation for all one does, all one says, all one feels. For example, someone with no self-control who strikes another in great indignation and is ready to call it divine wrath! Righteous2 is perfect, because righteous immediately introduces this element of puritanical moralitywonderful!

0 1961-01-22, #Agenda Vol 02, #The Mother, #Integral Yoga
   Then last night I saw the symbol, the image of the thing. But what was it? It was an element in the most material Matter,3 because it was deep down below; yet despite it all, Mother Nature was in charge there: she was familiar with everything, knew everything and it was all at her disposalabsolutely the most material Nature. And she herself had no light, but was very, very she had a concealed power that was completely invisible.
   Each time I set out to leave her domain and ascend above, it triggered a hurricane. I would pass this way and the storm started up, pass that way, unleash a gale. Finally she approached me and said very gently, very sweetly, in a most unassuming way, No, dont go there, dont go! Dont try to return to your home. They have set up a dreadful hurricane! And artificial: there were explosions like bombs everywhere, and even worse, like thunderbolts. One could see the artificial tricks and electrical effects they were using to create their thunder, but it was on a tremendous scale!

0 1961-01-24, #Agenda Vol 02, #The Mother, #Integral Yoga
   This entire experience and Mother's insistence that it all happened 'without moving,' unlike the experience of the ascent of the Kundalini, suggests that it is the supramental consciousness concealed in the depths of the cells, that somehow emerges and traverses all the layers until the junction is made with the most material body-consciousness.
   Later, Mother added: 'The Power that was acting was no longer the power that had been acting previously.'

0 1961-03-21, #Agenda Vol 02, #The Mother, #Integral Yoga
   X told me he has been doing something for me in his puja3since December, it seemsso this morning I thought he should know about the experience and I sent Amrita to tell him. He replied to Amrita that this confirmed his certainty that Z has been making black magic against me since December. He had been told that Z was practicing black magic in Kashmir. Could this be the same person I saw before [during the December 1958 attack]? Since it was someone who concealed his identity, I cant say but this form was robed as a sannyasi. Perhaps its he, I dont know. I reserve my judgment because I dont know personally. But this is what X said, and hes going to redouble his efforts.
   Thats the situation.

0 1961-10-30, #Agenda Vol 02, #The Mother, #Integral Yoga
   The secret lies in matter. Because Agni is imprisoned in matter and we ourselves are imprisoned there. It is said that Agni is without head or feet, that it conceals its two extremities: above, it disappears into the great heaven of the supraconscient (which the Rishis also called the great ocean), and below, it sinks into the formless ocean of the inconscient (which they also called the rock). We are truncated. But the Rishis were men of a solid realism, a true realism resting upon the Spirit; and since the summits of mind opened out upon a lacuna of lightecstatic, to be sure, but with no hold over the worldthey set upon the downward way.6 Thus begins the quest for the lost sun, the long pilgrimage of descent into the inconscient and the merciless fight against the dark forces, the thieves of the sun, the panis and vritras, pythons and giants, hidden in the dark lair with the whole cohort of usurpers: the dualizers, the confiners, the tearers, the COVERERS. But the divine worker, Agni, is helped by the gods, and in his quest he is led by the intuitive ray, Sarama, the heavenly hound with the subtle sense of smell who sets Agni on the track of the stolen herds (strange, shining herds). Now and again there comes the sudden glimmer of a fugitive dawn then all grows dim. One must advance step by step, digging, digging, fighting every inch of the way against the wolves whose savage fury increases the nearer one draws to their denAgni is a warrior. Agni grows through his difficulties, his flame burns more brilliantly with each blow from the Adversary; for, as the Rishis said, Night and Day both suckled the divine Child; they even said that Night and Day are the two sisters, Immortal, with a common lover [the sun] common they, though different their forms (I.113.2,3). These alternations of night and brightness accelerate until Day breaks at last and the herds of Dawn7 surge upward awakening someone who was dead (I.113.8). The infinite rock of the inconscient is shattered, the seeker uncovers the Sun dwelling in the darkness (III.39.5), the divine consciousness in the heart of Matter. In the very depths of Matter, that is to say, in the body, on earth, the Rishis found themselves cast up into Light that same Light which others sought on the heights, without their bodies and without the earth, in ecstasy. And this is what the Rishis would call the Great Passage. Without abandoning the earth they found the vast dwelling place, that dwelling place of the gods, Swar, the original Sun-world that Sri Aurobindo calls the Supramental World: Human beings [the Rishis emphasize that they are indeed men] slaying the Coverer have crossed beyond both earth and heaven [matter and mind] and made the wide world their dwelling place (I.36.8). They have entered the True, the Right, the Vast, Satyam, Ritam, Brihat, the unbroken light, the fearless light, where there is no longer suffering nor falsehood nor death: it is immortality, amritam.
   ***
  --
   The voyage draws to its close. Agni has recovered its solar totality, its two concealed extremities. The inviolable work is fulfilled. For Agni is the place where high meets lowand in truth, there is no longer high nor low, but a single Sun everywhere: O Flame, thou goest to the ocean of Heaven, towards the gods; thou makest to meet together the godheads of the planes, the waters that are in the realm of light above the sun and the waters that abide below (III.22.3). O Fire O universal Godhead, thou art the navel-knot of the earths and their inhabitants; all men born thou controllest and supportest like a pillar (I.59.1). O Flame, thou foundest the mortal in a supreme immortality thou createst divine bliss and human joy (I.31.7). For the worlds heart is Joy, Joy dwells in the depths of all things, the well of honey covered by the rock (II.24.4).
   The day before, Mother had listened to the passage of the manuscript concerning 'The Secret of the Veda.' Several extracts from it are included in the Addendum to this conversation.

0 1961-11-07, #Agenda Vol 02, #The Mother, #Integral Yoga
   Yes, the Rishis give an absolutely living description of what you experience and experience continuallyas soon as you descend into the Subconscient: all these battles with the beings who conceal the Light and so on. I experienced these things continually at Tlemcen and again with Sri Aurobindo when we were doing the Workits raging quite merrily even now!
   As soon as you go down there, thats what happensyou have to fight against all that is unwilling to change, all that dominates the world and does not want to change.

0 1962-01-21, #Agenda Vol 03, #The Mother, #Integral Yoga
   The other motive for anubhava is of a more general applicability; for in order to reject anything from the being one has first to become conscious of it, to have the clear inner experience of its action and to discover its actual place in the workings of the nature. One can then work upon it to eliminate it, if it is an entirely wrong movement, or to transform it if it is only the degradation of a higher and true movement. It is this or something like it that is attempted crudely and improperly with a rudimentary and insufficient knowledge in the system of psycho-analysis. The process of raising up the lower movements into the full light of consciousness in order to know and deal with them is inevitable; for there can be no complete change without it. But it can truly succeed only when a higher light and force are sufficiently at work to overcome, sooner or later, the force of the tendency that is held up for change. Many, under the pretext of anubhava, not only raise up the adverse movement, but support it with their consent instead of rejecting it, find justifications for continuing or repeating it and so go on playing with it, indulging its return, eternising it; afterwards when they want to get rid of it, it has got such a hold that they find themselves helpless in its clutch and only a terrible struggle or an intervention of divine grace can liberate them.Some do this out of a vital twist or perversity, others out of sheer ignorance; but in yoga, as in life, ignorance is not accepted by Nature as a justifying excuse. This danger is there in all improper dealings with the ignorant parts of the nature; but none is more ignorant, more perilous, more unreasoning and obstinate in recurrence than the lower vital subconscious and its movements. To raise it up prematurely or improperly for anubhava is to risk suffusing the conscious parts also with its dark and dirty stuff and thus poisoning the whole vital and even the mental nature. Always therefore one should begin by a positive, not a negative experience, by bringing down something of the divine nature, calm, light, equanimity, purity, divine strength into the parts of the conscious being that have to be changed; only when that has been sufficiently done and there is a firm positive basis, is it safe to raise up the concealed subconscious adverse elements in order to destroy and eliminate them by the strength of the divine calm, light, force and knowledge. Even so, there will be enough of the lower stuff rising up of itself to give you as much of the anubhava as you will need for getting rid of the obstacles; but then they can be dealt with with much less danger and under a higher internal guidance.
   ***

0 1962-06-09, #Agenda Vol 03, #The Mother, #Integral Yoga
   And it may well be that the seed of this "idea" is concealed in Mother's simple but enigmatic words: "Everything has one and the same constituent element; and everything lies IN the interrelations."
   ***

0 1965-09-25, #Agenda Vol 06, #The Mother, #Integral Yoga
   111Knowledge is a child with its achievements; for when it has found out something, it runs about the streets whooping and shouting; Wisdom conceals hers for a long time in a thoughtful and mighty silence.
   This is an experience I had some two years ago. What he says here, I had the living experience of ithalf a day of living experience; at the time I could have told you very interesting things, but now I find it old, old, so old, far behind.

0 1966-04-24, #Agenda Vol 07, #The Mother, #Integral Yoga
   As to whether the Divine seriously means something to happen, I believe it is intended. I know with absolute certitude that the Supramental is a truth and its advent is in the very nature of things inevitable. The question is as to the when and the how. That also is decided and predestined from somewhere above; but it is here being fought out amid a rather grim clash of conflicting forces. For in the terrestrial world the predetermined result is hidden and what we see is a whirl of possibilities and forces attempting to achieve some thing with the destiny of it all concealed from human eyes. This is, however, certain that a number of souls have been sent to see that it shall be now. That is the situation. My faith and will are for the now. I am speaking of course on the level of the human intelligencemystically-rationally, as one might put it. To say more would be going beyond that line. You dont want me to start prophesying, I suppose? As a rationalist, you cant.
   Sri Aurobindo

0 1967-07-22, #Agenda Vol 08, #The Mother, #Integral Yoga
   But in physics you are in the very domain of the mechanical law where process is everything and the driving consciousness has chosen to conceal itself with the greatest thoroughnessso that, scientifically speaking, it does not exist there. One can discover it there by occultism and yoga, but the methods of occult science and of yoga are not measurable or followable by the means of physical scienceso the gulf remains in existence. It may be bridged one day, but the physicist is not likely to be the bridge-builder, so it is no use asking him to try what is beyond his province.
   November 5, 1934

0 1968-04-24, #Agenda Vol 09, #The Mother, #Integral Yoga
   In the spiritual order of things, the higher we project our view and our aspiration, the greater the Truth that seeks to descend upon us, because it is already there within us and calls for its release from the covering that conceals it in manifested Nature.
   Sri Aurobindo

0 1969-07-23, #Agenda Vol 10, #The Mother, #Integral Yoga
   The Asram is not a religious association. Those who are here come from all religions and some are of no religion. There is no creed or set of dogmas, no governing religious body; there are only the teachings of Sri Aurobindo and certain psychological practices of concentration and meditation, etc., for the enlarging of the consciousness, receptivity to the Truth, mastery over the desires, the discovery of the divine self and consciousness concealed within each human being, a higher evolution of the nature.8
   Sri Aurobindo

0 1970-02-07, #Agenda Vol 11, #The Mother, #Integral Yoga
   laws, customs, armies are temporary necessities imposed on us for a few groups of centuries because God has concealed His face from us. When it appears to us again in its truth and beauty, then in that light they will vanish.
   And what did I answer?

0 1970-04-22, #Agenda Vol 11, #The Mother, #Integral Yoga
   483Sin is a trick and a disguise of Krishna to conceal Himself from the gaze of the virtuous. Behold, O Pharisee, God in the sinner, sin in thyself purifying thy heart; clasp thy brother.
   Sin in thy heart, it looks like Isnt it a joke? Is the word sinning or fishing?!1

0 1971-10-27, #Agenda Vol 12, #The Mother, #Integral Yoga
   One must have faith in the Master of our life and works, even if for a long time He conceals Himself, and then in His own right time He will reveal His Presence.
   Thats it! Thats exactly it! Exactly. But the ones from The Life Divine are really interesting:

0 1972-07-22, #Agenda Vol 13, #The Mother, #Integral Yoga
   (Andr:) Yes, theres is the knot, because (how to put this?) thats where they conceal the most.
   Both of you must put this very clearly in writing, and Ill sign it. Ill have to write something myself, so that it doesnt look like a mere signature.

02.01 - The World-Stair, #Savitri, #Sri Aurobindo, #Integral Yoga
    Its lines doubt their concealed significance,
    Its curves join not their high intended close.
  --
     concealed behind our momentary steps,
    Inspires our ascent to viewless heights

02.02 - The Kingdom of Subtle Matter, #Savitri, #Sri Aurobindo, #Integral Yoga
  A vessel of its concealed autocracy,
  It is the subtle ground of Matter's worlds,
  --
  Inhabited by concealed divinity.
  A Being woke and lived in the meaningless void,

02.04 - The Kingdoms of the Little Life, #Savitri, #Sri Aurobindo, #Integral Yoga
  In Nature he saw the mighty Spirit concealed,
  Watched the weak birth of a tremendous Force,
  --
  Moving concealed by Matter and dumb life.
  42.6

02.05 - The Godheads of the Little Life, #Savitri, #Sri Aurobindo, #Integral Yoga
  The Force concealed broke dumbly, slowly out.
  44.19

02.06 - The Kingdoms and Godheads of the Greater Life, #Savitri, #Sri Aurobindo, #Integral Yoga
  A knowledge is with her that conceals its steps
  And seems a mute omnipotent Ignorance.

02.10 - The Kingdoms and Godheads of the Little Mind, #Savitri, #Sri Aurobindo, #Integral Yoga
  She digs into Matter’s hard concealing soil,
  To unearth the processes of all things done.
  --
  For nothing is known while aught remains concealed;
  The Truth is known only when all is seen.

02.11 - The Kingdoms and Godheads of the Greater Mind, #Savitri, #Sri Aurobindo, #Integral Yoga
  They have made their plan of the concealed and known
  A dwelling-house for the invisible king.
  --
  Of a concealed unalterable design,
  Out of the chaos of the Invisible's moods

03.02 - The Adoration of the Divine Mother, #Savitri, #Sri Aurobindo, #Integral Yoga
  Hers is the mystery the Night conceals;
  The spirit's alchemist energy is hers;

03.03 - The Inner Being and the Outer Being, #The Integral Yoga, #Sri Aurobindo, #Integral Yoga
  There are always two different consciousnesses in the human being, one outward in which he ordinarily lives, the other inward and concealed of which he knows nothing. When one does sadhana, the inner consciousness begins to open and one is able to go inside and have all kinds of experiences there. As the sadhana progresses, one begins to live more and more in this inner being and the outer becomes more and more superficial. At first the inner consciousness seems to be the dream and the outer the waking reality. Afterwards the inner consciousness becomes the reality and the outer is felt by many as a dream or delusion, or else as something superficial and external. The inner consciousness begins to be a place of deep peace, light, happiness, love, closeness to the Divine or the presence of the Divine, the
  Mother. One is then aware of two consciousnesses, this inner one and the outer which has to be changed into its counterpart and instrument - that also must become full of peace, light, union with the Divine.

03.04 - The Vision and the Boon, #Savitri, #Sri Aurobindo, #Integral Yoga
  A radiant purpose still conceals its face,
  A mighty blindness stumbles hoping on,

04.03 - The Call to the Quest, #Savitri, #Sri Aurobindo, #Integral Yoga
  The life you lead conceals the light you are.
  

04.03 - The Eternal East and West, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   The Spirit is not the static transcendent absolute entity only. It is dynamic Force, creative conscious Energy. The spiritual is not mere silence and status it is expression and movement also. Any silence and any status are not the silence and the status of the Spirit the silence and status of death, for example; so too any expression and movement are not of the Spirit either but this does not mean that the Spirit cannot have its own expression and movement. God too likewise is not a mere supracosmic beinga somewhat aggrandised human beingtreating and dominating man and the world as something foreign and essentially antagonistic to his nature. God himself has made himself all creatures and all worlds. He is That and He is This fundamentally and integrally. Again, at the other end, Matter is not mere dead mechanical matter. It is vibrant energy, but energy that conceals within it life and consciousness. Besides, the whirl and motion of energies is not all, something inherently static looms large behind: you call it ether, field, space or substratumit is being, one would like to say, infused with a secret consciousness and will.
   We say then, symbolically at least, if not literally, that the West is looking to the East for this revelation towards which it is groping or moving in its own way: the secret spirit-consciousness that is alive in and through the material cosmos, that alone gives its total sense and significance. And the secret spirit must embody itself here below in material life, the status must be made supremely dynamic the transcendent consciousness, even while maintaining its transcendence, has to deploy its immanence in things of the earth and earthly existence. That is what the West brings to the East; that is what the Scientific and materialist look and labour offer to be integrated into the aspiration and realisation of the East.

05.34 - Light, more Light, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   But where is to be found this inner light? How is it to be recognised? 'Does it truly require no introduction like the outer light? What are its characters and attributes, its signs and signals? The light is in one's own consciousness, one has simply to become aware of it. It is mixed p with darkness, imbedded in obscurity, as diamond or gold lies concealed in its ore. But, as I have said, light carries its own au thenticity. One cannot fail to recognise it, provided and that is the sole arid sufficient provisionone is genuinely willing to recognise. A sincere good-will is all that is required in this apparently arduous labour.
   Here is a significant mystery and of capital importance. We refer to an activity of the consciousness which is not completely .hidden or behind the veil: it appears covered, because we do not care to look at it, because it is likely to be of an uncomfortable kind and that because we feel safe and cosy at the lowest level of our consciousness and to mount and rise or to be vigilant and straight means effort and trouble.

06.02 - The Way of Fate and the Problem of Pain, #Savitri, #Sri Aurobindo, #Integral Yoga
  A dark concealed hostility is lodged
  In the human depths, in the hidden heart of Time
  --
  A vast disguise conceals the Eternal's bliss."
  Then Aswapati answered to the seer:

07.02 - The Parable of the Search for the Soul, #Savitri, #Sri Aurobindo, #Integral Yoga
  All this the spirit concealed had done in her:
  A portion of the mighty Mother came

07.03 - The Entry into the Inner Countries, #Savitri, #Sri Aurobindo, #Integral Yoga
  To find the inner self concealed in sense.
  Into a dense of subtle Matter packed,

07.06 - Nirvana and the Discovery of the All-Negating Absolute, #Savitri, #Sri Aurobindo, #Integral Yoga
  And scenes concealed behind our earthly scene;
  She saw the life of remote continents

10.02 - The Gospel of Death and Vanity of the Ideal, #Savitri, #Sri Aurobindo, #Integral Yoga
  His bliss laughs to us or it calls concealed
  Like a far-heard unseen entrancing flute

10.03 - The Debate of Love and Death, #Savitri, #Sri Aurobindo, #Integral Yoga
  In God concealed the world began to be,
  Tardily it travels towards manifest God:

10.04 - The Dream Twilight of the Earthly Real, #Savitri, #Sri Aurobindo, #Integral Yoga
  But the soul grows concealed within its house;
  It gives to the body its strength and magnificence;

1.00a - DIVISION A - THE INTERNAL FIRES OF THE SHEATHS., #A Treatise on Cosmic Fire, #Alice Bailey, #Occultism
  From the very use of the term "sheath" it will be noted that we are considering those fires which manifest through the medium of those externalities, of those veils of substance which hide and conceal the inner Reality. We shall not here take up the subject of the sheaths on the higher planes, but simply deal with the fires that animate the three lower vehicles,the physical body in its two divisions (etheric and dense), the emotional or astral body, and the mental sheath. It is frequently overlooked by the casual student that both the astral and the mental bodies are material, and just as material in their own way, as is the dense physical body, and also that the substance of which they are composed is animated by a triple fire, as is the physical.
  In the physical body we have the fires of the lower nature (the animal plane) centralised at the base of the spine. They are situated at a spot which stands in relation to the physical body as the physical sun to the solar system. This central point of heat radiates in all directions, using the spinal column as its main artery, but working in close connection with certain central ganglia, wherever located, and having a special association with the spleen.

1.00e - DIVISION E - MOTION ON THE PHYSICAL AND ASTRAL PLANES, #A Treatise on Cosmic Fire, #Alice Bailey, #Occultism
  "The secret of the Fire lies hid in the second letter of the Sacred Word. The mystery of life is concealed within the heart. When the lower point vibrates, when the Sacred Triangle glows, when the point, the middle centre, and the apex likewise burn, then the two triangles the greater and the lessermerge with one flame which burneth up the whole."
  "The fire within the lesser fire findeth its progress much impelled when the circle of the moving and the unmoving, of the lesser wheel within the greater wheel that moveth not in Time, findeth a twofold outlet; it then shineth with the glory of the twofold One and of His sixfold brother. Fohat rusheth through space. He searcheth for his complement. [173] The breath of the unmoving one, and the fire of the One Who seeth the whole from the beginning rush to meet each other, and the unmoving becomes the sphere of activity."

1.00 - Main, #The Book of Certitude, #Baha u llah, #Baha i
  Say: God hath made My hidden love the key to the Treasure; would that ye might perceive it! But for the key, the Treasure would to all eternity have remained concealed; would that ye might believe it! Say: This is the Source of Revelation, the Dawning-place of Splendour, Whose brightness hath illumined the horizons of the world. Would that ye might understand!
  This is, verily, that fixed Decree through which every irrevocable decree hath been established.
  --
  Say: This is that hidden knowledge which shall never change, since its beginning is with nine, the symbol that betokeneth the concealed and manifest, the inviolable and unapproachably exalted Name. As for what We have appropriated to the children, this is a bounty conferred on them by God, that they may render thanks unto their Lord, the Compassionate, the Merciful. These, verily, are the Laws of God; transgress them not at the prompting of your base and selfish desires. Observe ye the injunctions laid upon you by Him Who is the Dawning-place of Utterance. The sincere among His servants will regard the precepts set forth by God as the Water of Life to the followers of every faith, and the Lamp of wisdom and loving providence to all the denizens of earth and heaven.
  30
  --
  Amongst the people is he who seateth himself amid the sandals by the door whilst coveting in his heart the seat of honour. Say: What manner of man art thou, O vain and heedless one, who wouldst appear as other than thou art? And among the people is he who layeth claim to inner knowledge, and still deeper knowledge concealed within this knowledge. Say:
  Thou speakest false! By God! What thou dost possess is naught but husks which We have left to thee as bones are left to dogs. By the righteousness of the one true God! Were anyone to wash the feet of all mankind, and were he to worship God in the forests, valleys, and mountains, upon high hills and lofty peaks, to leave no rock or tree, no clod of earth, but was a witness to his worship-yet, should the fragrance of My good pleasure not be inhaled from him, his works would never be acceptable unto God. Thus hath it been decreed by Him Who is the Lord of all. How many a man hath secluded himself in the climes of India, denied himself the things that God hath decreed as lawful, imposed upon himself austerities and mortifications, and hath not been remembered by God, the Revealer of Verses. Make not your deeds as snares wherewith to entrap the object of your aspiration, and deprive not yourselves of this Ultimate Objective for which have ever yearned all such as have drawn nigh unto God. Say: The very life of all deeds is My good pleasure, and all things depend upon Mine acceptance. Read ye the Tablets that ye may know what hath been purposed in the Books of God, the All-Glorious, the Ever-Bounteous. He who attaineth to My love hath title to a throne of gold, to sit thereon in honour over all the world; he who is deprived thereof, though he sit upon the dust, that dust would seek refuge with God, the Lord of all Religions.
  --
  Be not dismayed, O peoples of the world, when the day-star of My beauty is set, and the heaven of My tabernacle is concealed from your eyes. Arise to further My Cause, and to exalt My Word amongst men. We are with you at all times, and shall streng then you through the power of truth. We are truly almighty. Whoso hath recognized Me will arise and serve Me with such determination that the powers of earth and heaven shall be unable to defeat his purpose.
  39
  --
  He Who is the Dawning-place of God's Cause hath no partner in the Most Great Infallibility. He it is Who, in the kingdom of creation, is the Manifestation of "He doeth whatsoever He willeth". God hath reserved this distinction unto His own Self, and ordained for none a share in so sublime and transcendent a station. This is the Decree of God, concealed ere now within the veil of impenetrable mystery. We have disclosed it in this Revelation, and have thereby rent asunder the veils of such as have failed to recognize that which the Book of God set forth and who were numbered with the heedless.
  48
  --
  He, truly, is cognizant of what I say. Let none contend with another, and let no soul slay another; this, verily, is that which was forbidden you in a Book that hath lain concealed within the Tabernacle of glory. What! Would ye kill him whom God hath quickened, whom He hath endowed with spirit through a breath from Him? Grievous then would be your trespass before His throne! Fear God, and lift not the hand of injustice and oppression to destroy what He hath Himself raised up; nay, walk ye in the way of God, the True One. No sooner did the hosts of true knowledge appear, bearing the standards of Divine utterance, than the tribes of the religions were put to flight, save only those who willed to drink from the stream of everlasting life in a Paradise created by the breath of the All-Glorious.
  74
  --
  O Pen of the Most High! Move Thou upon the Tablet at the bidding of Thy Lord, the Creator of the Heavens, and tell of the time when He Who is the Dayspring of Divine Unity purposed to direct His steps towards the School of Transcendent Oneness; haply the pure in heart may gain thereby a glimpse, be it as small as a needle's eye, of the mysteries of Thy Lord, the Almighty, the Omniscient, that lie concealed behind the veils. Say: We, indeed, set foot within the School of inner meaning and explanation when all created things were unaware. We saw the words sent down by Him Who is the All-Merciful, and We accepted the verses of God, the Help in Peril, the Self-Subsisting, which He+F1 presented unto Us, and hearkened unto that which He had solemnly affirmed in the Tablet. This we assuredly did behold. And We assented to His wish through Our behest, for truly We are potent to command.
  176
  --
  Whatsoever ye understand not in the Bayan, ask it of God, your Lord and the Lord of your forefa thers. Should He so desire, He will expound for you that which is revealed therein, and disclose to you the pearls of Divine knowledge and wisdom that lie concealed within the ocean of its words. He, verily, is supreme over all names; no God is there but Him, the Help in Peril, the Self-Subsisting.
  181

1.013 - Defence Mechanisms of the Mind, #The Study and Practice of Yoga, #Swami Krishnananda, #Yoga
  Each one knows one's vulnerable spot. If one can carefully investigate into one's own self in a fairly dispassionate manner, this vulnerable spot can be discovered in oneself. There may be a little liking for something, and that little liking is the weak spot; like a small hole in a pot, or rather a small hole in a ship a little hole is sufficient and through it the whole ocean can enter the ship. Likewise, in the individual we can find a little hole which is always concealed by other external factors. These weaknesses of the mind are its pressing needs, we may say, in another sense a need which it feels irresistibly, and also feels that it is to be fulfilled by hook or by crook, by any method whatsoever. The all-surpassing weakness of the mind is its dependence on things.
  Every person is totally dependent we are not independent, as we imagine ourselves to be. If we were not dependent, we would not be annoyed or upset, nor would we get angry. We would not be disturbed. These almost daily appearances or phenomena in the mind show that we are hanging on to certain other factors for our existence and action; and when those factors do not appear to be conducive to our way of thinking, we get disturbed. There is no independent person in this world. Everyone is dependent, and to imagine that we are independent is foolish, because if we were independent there would be no botheration for us or worry of any kind, at any time. The dependence of the mind on things is, again, of various kinds, and it arises on account of the make-up of the individual personality itself.

10.19 - Short Notes - 2- God Above and God Within, #Collected Works of Nolini Kanta Gupta - Vol 04, #Nolini Kanta Gupta, #Integral Yoga
   God is not only above or beyond the creation. He is also here within the creation. He is not only over our head looking down upon us. He is within our heart inspiring us, enlightening us, loving us. This is the dynamic Divine, the Supreme Consciousness concealed within the apparent inconscience of the material existence. It is that which pushes creation upward in its evolutionary course. It is that which lies behind man's ignorance purifying his obscurity leading him to a more and more luminous revelation.
   In the Vedic image above shines Surya, here below burns Agni. Both are aspects of the same Truth.

1.01 - Adam Kadmon and the Evolution, #Preparing for the Miraculous, #George Van Vrekhem, #Integral Yoga
  critical stage, of a concealed Power from its involution in the
  Inconscience, but also by a descent from above, from its own

1.01 - Economy, #Walden, and On The Duty Of Civil Disobedience, #Henry David Thoreau, #Philosophy
  The mass of men lead lives of quiet desperation. What is called resignation is confirmed desperation. From the desperate city you go into the desperate country, and have to console yourself with the bravery of minks and muskrats. A stereotyped but unconscious despair is concealed even under what are called the games and amusements of mankind. There is no play in them, for this comes after work. But it is a characteristic of wisdom not to do desperate things.
  When we consider what, to use the words of the catechism, is the chief end of man, and what are the true necessaries and means of life, it appears as if men had deliberately chosen the common mode of living because they preferred it to any other. Yet they honestly think there is no choice left. But alert and healthy natures remember that the sun rose clear. It is never too late to give up our prejudices. No way of thinking or doing, however ancient, can be trusted without proof. What everybody echoes or in silence passes by as true to-day may turn out to be falsehood to-morrow, mere smoke of opinion, which some had trusted for a cloud that would sprinkle fertilizing rain on their fields. What old people say you cannot do you try and find that you can. Old deeds for old people, and new deeds for new. Old people did not know enough once, perchance, to fetch fresh fuel to keep the fire a-going; new people put a little dry wood under a pot, and are whirled round the globe with the speed of birds, in a way to kill old people, as the phrase is. Age is no better, hardly so well, qualified for an instructor as youth, for it has not profited so much as it has lost.

1.01 - Foreward, #Hymns to the Mystic Fire, #Sri Aurobindo, #Integral Yoga
  Light and the Truth: it is in the Truth concealed by an inferior
  Truth that are unyoked the horses of the Sun, it is the Sun in its
  --
  of these powers of Darkness who conceal the Light from us or
  rob us of it, who obstruct the flowing of the streams of Truth,

1.01 - Fundamental Considerations, #The Ever-Present Origin, #Jean Gebser, #Integral
  What is of interest to us within the present context is not the historical predicament occasioned by the collision of peoples of differing might, but rather the supersession of the magic group-consciousness and its most potent weapon, spell-casting, by rational, ego-consciousness. Today this rational consciousness, with nuclear fission its strongest weapon, is confronted by a similar catastrophic situation of failure; consequently, it too can be vanquished by a new consciousness structure. We are convinced that there are powers arising from within ourselves that are already at work overcoming the deficiency and dubious nature of our rational ego-consciousness via the new aperspectival awareness whose manifestations are surging forth everywhere. The aperspective consciousness structure is a consciousness of the whole, an integral consciousness encompassing all time and embracing both mans distant past and his approaching future as a living present. The new spiritual attitude can take root only through an insightful process of intensive awareness. This attitude must emerge from its present concealment and latency and become effective, and thereby prepare the transparency of the world and man in which spirituality can manifest itself.
  The first part of the present work, which is devoted to the foundations of the aperspectival world, is intended to furnish convincing evidence for this new spiritual attitude. This evidence rests an two guiding principles whose validity will gradually become clear:
  1) Latency - what is concealed - is the demonstrable presence of the future. It indudes everything that is not yet manifest, as well as everything which has again returned to latency. Since we are dealing here primarily with phenomena of consciousness and integration, we will also have to investigate questions of history, the soul and the psyche, time, space, and the forms of thought.
  Since the second part of this work is devoted to manifestations of the new consciousness, the first part must clarify questions relating to the manifestations of previous and present consciousness structures. We shall attempt to demonstrate the incipient concretion of time and the spiritual dimension which are preconditions of the aperspectival world. We shall also attempt to furnish evidence of the increasing efficacy of that spiritual reality (which is neither a mere psychic state nor an intellectual-rational form of representation). This will bring out the validity of our second guiding principle:
  --
  Our concern is to render transparent everything latent behind and before the world - to render transparent our own origin, our entire human past, as well as the present, which already contains the future. We are shaped and determined not only by today and yesterday, but by tomorrow as well. The author is not interested in outlining discrete segments, steps or levels of man, but in disclosing the transparency of man as a whole and the interplay of the various consciousness structures which constitute him. This transparency or diaphaneity of our existence is particularly evident during transitional periods, and it is from the experiences of man in transition, experiences which man has had with the concealed and latent aspects of his dawning future as he became aware of them, that will clarify our own experiencing of the present.
  It is perhaps unnecessary to reiterate that we cannot employ the methods derived from and dependent an our present consciousness structure to investigate different structures of consciousness, but will have to adapt our method to the specific structure under investigation. Yet if we relinquish a unitary methodology we do not necessarily regress to an unmethodological or irrational attitude, or to a kind of conjuration or mystical contemplation. Contemporary methods employ predominantly dualistic procedures that do not extend beyond simple subject-object relationships; they limit our understanding to what is commensurate with the present Western mentality. Even where the measurements of contemporary methodologies are based primarily an quantitative criteria, they are all vitiated by the problem of the antithesis between measure and mass (as we will discuss later in detail). Our method is not just a measured assessment, but above and beyond this an attempt at diaphany or rendering transparent. With its aid, whatever lies behind (past) and ahead of (future) the currently dominant mentality becomes accessible to the new subject-object relationship. Although this new relationship is no longer dualistic, it does not threaten man with a loss of identity, or with his being equated with an object.

1.01 - Historical Survey, #A Garden of Pomegranates - An Outline of the Qabalah, #Israel Regardie, #Occultism
  Jacob Franck and his community were won over to Chris- tianity by the controversial claim that the Zohar both concealed and revealed the doctrines of the Nazarene.
  Such proofs, naturally, brought only contempt to their authors, and to-day argue badly against both the adducers and the accepters of them.

1.01 - How is Knowledge Of The Higher Worlds Attained?, #Knowledge of the Higher Worlds, #Rudolf Steiner, #Theosophy
   power through which we attract qualities in the beings around us, which would otherwise remain concealed.
  The power obtained through devotion can be rendered still more effective when the life of feeling is enriched by yet another quality. This consists in giving oneself up less and less to impressions of the outer world, and to develop instead a vivid inner life. A person who darts from one impression of the outer world to another, who constantly seeks distraction, cannot find the way to higher knowledge. The student must not blunt himself to the outer world, but while lending himself to its impressions, he should be directed by his rich inner life. When passing through a beautiful mountain district, the traveler with depth of soul and wealth of feeling has different experiences from one who is poor in feeling. Only what we experience within ourselves unlocks for us the beauties of the outer world. One person sails across the ocean, and only a few inward experiences pass through his soul; another will hear the eternal language of the cosmic spirit; for him are unveiled the mysterious riddles of existence. We must learn to remain in
  --
  For every human being bears a higher man within himself besides what we may call the work-a-day man. This higher man remains hidden until he is awakened. And each human being can himself alone awaken this higher being within himself. As long as this higher being is not awakened, the higher faculties slumbering in every human being, and leading to supersensible knowledge, will remain concealed. The student must resolve to persevere in the strict and earnest observation of the rule here given, so long as he does not feel within himself the fruits of this inner tranquility. To all who thus persevere the day will come when spiritual light will envelop them, and a new world will be revealed to an organ of sight of whose presence within them they were never aware.
  And no change need take place in the outward life of the student in consequence of this new rule. He performs his duties and, at first, feels the same joys, sorrows, and experiences as before.

1.01 - Introduction, #unset, #Anonymous, #Various
  The mind that looks deeply into existence, finds there no shadow but that of appearances, and the most obscure and infinitesimal of these can uncover to its search sovereign realities, once it has accustomed its gaze to the light of the mystery which every appearance conceals. Where the indifferent sees only a valueless object or a fortuitous and unimportant detail, the thinker whom no coverings can deceive, is able to detect one of the signs by which eternal laws yield up their secret. A stone that falls, a ripe fruit that opens, become to his vision initiating symbols, keys to a supreme knowledge. By relativities that all disdain, the Absolute delivers up to him the secrets reserved for the sages.
  For him the very darkness becomes light, because all is light. But what light can be sufficient for eyes that keep themselves closed, for the mind which remains sealed?

1.01 - NIGHT, #Faust, #Johann Wolfgang von Goethe, #Poetry
  The moon conceals her light
  The lamp's extinguished!
  --
  Unwisely frank, with hearts that spurned concealing,
  And to the mob laid bare each thought and feeling,

1.01 - On knowledge of the soul, and how knowledge of the soul is the key to the knowledge of God., #The Alchemy of Happiness, #Al-Ghazali, #Sufism
  The heart of man while in the spiritual world knew its maker and creator; it had mingled with angels and knew for what service it was created; and in the assembly where they said, "Yes," it was intoxicated as with wine at the [26] interrogation, "Am I not your Lord?" As at that moment, it was seen with the eye of certainty, no person had any doubt on the subject, as God says in his holy word: "If you ask them, who created the heavens and the earth, they will answer thee, the wise and holy God."1 All the prophets were apparently of the same nature as other men without any difference, as we find in God's holy word: "Say, I am a man like you: it was revealed to me."2 Afterwards the heart descended from the world of divine union to this house of separation, from that assembly of love to this station of sorrow, and from the spiritual to the material, and entering within the curtain of the senses, it became occupied with the care of the body and was overcome by the animal affections and material pleasures. The heart of man, veiled with the garments of heedlessness, forgot the assembly with which it had been familiar, and imagining that this miserable place was to be its mansion of rest, it chose to establish itself here in this world of perdition, as if this was its home. Still the veil of heedlessness disappeared from the eyes of those to whom the grace and guidance of the Eternal and unchangeable gave aid and support, and the discovery of the invisible world was not concealed from the view of some of those who came into this material world, but was anew revealed to them, after a measure of exertion of spiritual ardor.
  To whomsoever this revelation has been vouchsafed, if it directs him to reform the world, to invite the nations to turn to God, and to a peculiar way of life, that person is called a prophet, and his way of life is called a law; and that influence which proceeds from him, which transcends what is ordinary, is called a miracle. If he has not been appointed to invite the nations, but worships in accordance with the law of another, he is called a saint, and that which [27] proceeds from him, which transcends what is ordinary, is called a manifestation of grace. The miracle performed by a saint is accounted a miracle of that prophet whose law he follows. He who has received, by whatever meaus, a revelation of the invisible world, is capable of being ordained to the office of a prophet. And if he is not appointed by God, the reason will be either, that at the time the existing law had been newly revealed, and that there was no occasion for a prophet, or else that there may be a peculiarity in prophets which is not found in the saints. It follows that it is our duty not to deny either the saintship or the miracles of the saints, but to acknowledge them as real.

1.01 - Proem, #Of The Nature Of Things, #Lucretius, #Poetry
  The priests beside him who concealed the knife,
  And all the folk in tears at sight of her.

1.01 - Seeing, #Let Me Explain, #Pierre Teilhard de Chardin, #Christianity
  agitation concealed beneath a veil of immobility - the en-
  tirely new insinuating itself into the heart of the monoton-

1.01 - The Four Aids, #The Synthesis Of Yoga, #Sri Aurobindo, #Integral Yoga
  3:Nothing can be taught to the mind which is not already concealed as potential knowledge in the unfolding soul of the creature. So also all perfection of which the outer man is capable, is only a realising of the eternal perfection of the Spirit within him. We know the Divine and become the Divine, because we are That already in our secret nature. All teaching is a revealing, all becoming is an unfolding. Self-attainment is the secret; self-knowledge and an increasing consciousness are the means and the process.
  4:The usual agency of this revealing is the Word, the thing heard (sruta). The Word may come to us from within; it may come to us from without. But in either case, it is only an agency for setting the hidden knowledge to work. The word within may be the utterance of the inmost soul in us which is always open to the Divine or it may be the word of the secret and universal Teacher who is seated in the hearts of all. There are rare cases in which none other is needed, for all the rest of the Yoga is an unfolding under that constant touch and guidance; the lotus of the knowledge discloses itself from within by the power of irradiating effulgence which proceeds from the Dweller in the lotus of the heart. Great indeed, but few are those to whom self-knowledge from within is thus sufficient and who do not need to pass under the dominant influence of a written book or a living teacher.
  --
  15:Always indeed it is the higher Power that acts. Our sense of personal effort and aspiration comes from the attempt of the egoistic mind to identify itself in a wrong and imperfect way with the workings of the divine Force. It persists in applying to experience on a supernormal plane the ordinary terms of mentality which it applies to its normal experiences in the world. In the world we act with the sense of egoism; we claim the universal forces that work in us as our own; we claim as the effect of our personal will, wisdom, force, virtue the selective, formative, progressive action of the Transcendent in this frame of mind, life and body. Enlightenment brings to us the knowledge that the ego is only an instrument; we begin to perceive and feel that these things are our own in the sense that they belong to our supreme and integral Self, one with the Transcendent, not to the instrumental ego. Our limitations and distortions are our contri bution to the working; the true power in it is the Divine's. When the human ego realises that its will is a tool, its wisdom ignorance and childishness, its power an infant's groping, its virtue a pretentious impurity, and learns to trust itself to that which transcends it, that is its salvation. The apparent freedom and self-assertion of our personal being to which we are so profoundly attached, conceal a most pitiable subjection to a thousand suggestions, impulsions, forces which we have made extraneous to our little person. Our ego, boasting of freedom, is at every moment the slave, toy and puppet of countless beings, powers, forces, influences in universal Nature. The self-abnegation of the ego in the Divine is its self-fulfilment; its surrender to that which transcends it is its liberation from bonds and limits and its perfect freedom.
  16:But still, in the practical development, each of the three stages has its necessity and utility and must be given its time or its place. It will not do, it cannot be safe or effective to begin with the last and highest alone. It would not be the right course, either, to leap prematurely from one to another. For even if from the beginning we recognise in mind and heart the Supreme, there are elements of the nature which long prevent the recognition from becoming realisation. But without realisation our mental belief cannot become a dynamic reality; it is still only a figure of knowledge, not a living truth, an idea, not yet a power. And even if realisation has begun, it may be dangerous to imagine or to assume too soon that we are altogether in the hands of the Supreme or are acting as his instrument. That assumption may introduce a calamitous falsity; it may produce a helpless inertia or, magnifying the movements of the ego with the Divine Name, it may disastrously distort and ruin the whole course of the Yoga. There is a period, more or less prolonged, of internal effort and struggle in which the individual will has to reject the darkness and distortions of the lower nature and to put itself resolutely or vehemently on the side of the divine Light. The mental energies, the heart's emotions, the vital desires, the very physical being have to be compelled into the right attitude or trained to admit and answer to the right influences. It is only then, only when this has been truly done, that the surrender of the lower to the higher can be effected, because the sacrifice has become acceptable.
  --
  25:But while it is difficult for man to believe in something unseen within himself, it is easy for him to believe in something which he can image as extraneous to himself. The spiritual progress of most human beings demands an extraneous support, an object of faith outside us. It needs an external image of God; or it needs a human representative, -- Incarnation, Prophet or Guru; or it demands both and receives them. For according to the need of the human soul the Divine manifests himself as deity, as human divine or in simple humanity, -- using that thick disguise, which so successfully conceals the Godhead, for a means of transmission of his guidance.
  26:The Hindu discipline of spirituality provides for this need of the soul by the conceptions of the Ishta Devata, the Avatar and the Gum. By the Ishta Devata, the chosen deity, is meant, -- not some inferior Power, but a name and form of the transcendent and universal Godhead. Almost all religions either have as their base or make use of some such name and form of the Divine. Its necessity for the human soul is evident. God is the All and more than the All. But that which is more than the All, how shall man conceive? And even the All is at first too hard for him; for he himself in his active consciousness is a limited and selective formation and can open himself only to that which is in harmony with his limited nature. There are things in the All which are too hard for his comprehension or seem too terrible to his sensitive emotions and cowering sensations. Or, simply, he cannot conceive as the Divine, cannot approach or cannot recognise something that is too much out of the circle of his ignorant or partial conceptions. It is necessary for him to conceive God in his own image or at some form that is beyond himself but consonant with his highest tendencies and seizable by his feelings or his intelligence. Otherwise it would be difficult for him to come into contact and communion with the Divine.

1.01 - The Mental Fortress, #On the Way to Supermanhood, #Satprem, #Integral Yoga
  Our difficulties always stem from the belief that we alone remedy them. As long as our intellectual power (or inadequacy) does not play a role and our greater or lesser capacities are not actively involved, we feel that our endeavor is doomed to failure. Such is the deep-seated belief of mental man. We know its results all too well. But even if they were flawless within their own scope, they would still conceal a supreme flaw, which is to bring in only what is contained in our own intelligence or muscles except when life or happenstance frustrates our plans. In other words, our mental existence is a closed system. Nothing gets into it but what we ourselves put in. This is the cornerstone of the Great Fortress. Its second inevitable trait is the mechanical rigor of its process: everything runs in a closed circuit according to the thought, plan, or muscle we set in motion, since nothing can come into the process except what we have concocted. And everything is measurable down to the least dyne, centidyne and millidyne we have expended: we get exactly what we bargained for but that was already anticipated in the intelligence quotient put into play. That is, the system is perfectly and hermetically sealed down to the last cranny. There is not a single crack, except, once again, when life happens to upset more or less opportunely our faultless measures. The third inevitable trait stemming from the other two is its impeccable thoroughness: nothing escapes its attention, and what does will soon be worked out, put into equation and programmed to be fed back into the machine and further inflate the great expanding balloon. Everything is, of course, perfectly objective, since we all wear the same glasses; even our instruments scrupulously behave according to the results we want them to show. In short, the system operates rigorously and flawlessly according to specification. Like the sorcerer of old, we have traced a mental circle on the ground, stepping into it, and here we are.
  But that just may prove to be a stupendous illusion.

1.01 - The Rape of the Lock, #The Rape of the Lock, #unset, #Zen
  Some secret truths from learned pride conceal'd,
  To maids alone and children are reveal'd:

1.01 - To Watanabe Sukefusa, #Beating the Cloth Drum Letters of Zen Master Hakuin, #unset, #Zen
  Stories like these are not uncommon. There is an account, for example, of a man whose hand burned fast to the handle of an ax he raised to strike his father, and who went to his death without ever getting it free. Others tell of a son who raised an ax against his mother but ended up burying it in his own head instead, or a son who tried to feed his mother a soup of worms and was struck by lightning on the spot, his hair going white as a wild boar's, or a wife who suddenly turned into a sow when she offered her blind mother-in-law a rice cake she had smeared with her child's feces. Another woman who promised her mother-in-law some mutton but ate it all herself and gave her a stewed placenta instead, found her head transformed into that of a white mongrel dog. Still others tell of a sword that a man concealed on a mountain road intending to use it on his mother-in-law, which turned into a venomous snake, wrapping itself around his head and crushing his skull, and of a son who piled up large bags of sand planning to crush his parents under them, but ending up flattening himself instead.
  I have taken these stories from various different books.b But there are many more. They are truly endless in number.

1.02.4.1 - The Worlds - Surya, #Isha Upanishad, #unset, #Zen
  of Surya, that is to say, the truths concealed behind our concepts
  and percepts are brought out by separate intuitions of the image

1.02.4.2 - Action and the Divine Will, #Isha Upanishad, #unset, #Zen
  the Truth. concealed and hard to seize in the workings of this
  world because they are all falsified by desire and egoism, he uses

1.02 - BOOK THE SECOND, #Metamorphoses, #Ovid, #Poetry
  Nor cou'd Diana's shape conceal the God.
  The virgin did whate'er a virgin cou'd
  --
  In vain her hands the pregnant womb conceal'd;
  "Begone!" the Goddess cries with stern disdain,
  --
  Thus spoke the God, concealing his intent.
  The trusty Hermes, on his message went,

1.02 - MAPS OF MEANING - THREE LEVELS OF ANALYSIS, #Maps of Meaning, #Jordan Peterson, #Psychology
  I will not conceal his parts, nor his power, nor his comely proportion.
  Who can discover the face of his garment? or who can come to him with his double bridle?
  --
  depths of a mountain, or who conceals a virgin princess in his lair. He is the fire-breathing winged serpent
  of transformation the undescribable union of everything now discriminated, who constantly schemes to

1.02 - The Doctrine of the Mystics, #Hymns to the Mystic Fire, #Sri Aurobindo, #Integral Yoga
  But the Dasyu is the natural enemy. These dividers, plunderers, harmful powers, these Danavas, sons of the Mother of division, are spoken of by the Rishis under many general appellations. There are Rakshasas; there are Eaters and Devourers, Wolves and Tearers; there are hurters and haters; there are dualisers; there are confiners or censurers. But we are given also many specific names. Vritra, the Serpent, is the grand Adversary; for he obstructs with his coils of darkness all possibility of divine existence and divine action. And even when Vritra is slain by the light, fiercer enemies arise out of him. Shushna afflicts us with his impure and ineffective force, Namuchi fights man by his weaknesses, and others too assail, each with his proper evil. Then there are Vala and the Panis, miser traffickers in the sense-life, stealers and concealers of the higher Light and its illuminations which they can only darken and misuse, - an impious host who are jealous of their store and will not offer sacrifice to the Gods. These and other personalities - they are much more than personifications - of our ignorance, evil, weakness and many limitations make constant war upon man; they encircle him from near or they shoot their arrows at him from afar or even dwell in his gated house in the place of the Gods and with their shapeless stammering mouths and their insufficient breath of force mar his self-expression. They must be expelled, overpowered, slain, thrust down into their nether darkness by the aid of the mighty and helpful deities.
    1 This excerpt is reproduced from the 1946 edition of Hymns to the Mystic Fire. The complete essay which appeared in the Arya is published in The Secret of the Veda with Selected Hymns, Part Three. - Ed.
  --
  Of that beatitude Soma is the representative deity. The wine of his ecstasy is concealed in the growths of earth, in the waters of existence; even here in our physical being are his immortalising juices and they have to be pressed out and offered to all the gods; for in that strength these shall increase and conquer.
  Each of these primary deities has others associated with him who fulfil functions that arise from his own. For if the truth of Surya is to be established firmly in our mortal nature, there are previous conditions that are indispensable; a vast purity and clear wideness destructive of all sin and crooked falsehood, - and this is Varuna; a luminous power of love and comprehension leading and forming into harmony all our thoughts, acts and impulses, - this is Mitra; an immortal puissance of clear-discerning aspiration and endeavour, - this is Aryaman; a happy spontaneity of the right enjoyment of all things dispelling the evil dream of sin and error and suffering, - this is Bhaga. These four are powers of the Truth of Surya.
  --
  There are also female energies; for the Deva is both Male and Female and the gods also are either activising souls or passively executive and methodising energies. Aditi, infinite Mother of the Gods, comes first; and there are besides five powers of the Truthconsciousness, - Mahi or Bharati, the vast Word that brings us all things out of the divine source; Ila, the strong primal word of the Truth who gives us its active vision; Saraswati, its streaming current and the word of its inspiration; Sarama, the Intuition, hound of heaven who descends into the cavern of the subconscient and finds there the concealed illuminations; Dakshina, whose function is to discern rightly, dispose the action and the offering and distribute in the sacrifice to each godhead its portion. Each god, too, has his female energy.
  All this action and struggle and ascension is supported by Heaven our Father and Earth our Mother Parents of the Gods, who sustain respectively the purely mental and psychic and the physical consciousness. Their large and free scope is the condition of our achievement. Vayu, master of life, links them together by the mid-air, the region of vital force. And there are other deities, - Parjanya, giver of the rain of heaven; Dadhikravan, the divine war-horse, a power of Agni; the mystic Dragon of the Foundations; Trita Aptya who on the third plane of existence consummates our triple being; and more besides.

1.02 - The Great Process, #On the Way to Supermanhood, #Satprem, #Integral Yoga
  But, in so doing, we are perhaps making as great a mistake as that of the apprentice human in his first lake dwelling who would have claimed that the Goal, the mental heaven he was gropingly discovering, was not in the commonplaceness of daily life, in those tools to carve, those mouths to feed, those entangling nets, those countless snares, but in some ice cave or Australasian desert and who would have discarded his tools. Einstein's equations would never have seen the light of day. By losing his tools, man loses his goal; by discarding all the grossness and evil and darkness and burden of life, we may go dozing off into the blissful (?) reaches of the Spirit, but we are completely outside the Goal, because the Goal might very well be right here, in this grossness and darkness and evil and burden which are gross and dark and burdensome only because we look at them erroneously, as the apprentice human looked erroneously at his tools, unable to see how his tying that stone to that club was already tying the invisible train of our thought to the movement of Jupiter and Venus, and how the mental heaven actually teems everywhere here, in all our gestures and superfluous acts, just as our next heaven teems under our eyes, concealed only by our false spiritual look, imprisoned in the white circle of a so-called Spirit which is but our human approximation for the next stage of evolution. Life... Life alone is the field of our Yoga, exclaimed Sri Aurobindo.4
  Yet the process, the Great Process, is here, just as it began as long ago as the Pleistocene era that idle little second, that introspection of the second kind but the movement revealed to the monkey and the movement revealed to the spiritualist of ages past (and surpassed) are in no way an indication of the next direction it is to take. There is no continuity that is a delusion! There is no refinement of the same movement, no improving upon the ape or man, no perfecting of the stone tool or the mental tool, no climbing higher peaks, no thinking loftier thoughts, no deeper meditations or discoveries that would be a glorification of the existing state, a sublimation of the old flesh, a sublime halo around the old beast there is SOMETHING ELSE, something radically different, a new threshold to cross, as different from ours as the threshold of plant life was from the animal, another discovery of the already-here, which will change our world as drastically as the human look changed the world of the caterpillar yet it is the same world, but seen with two different looks another Spirit, we might say, as different from the religious or intellectual spirit or the great naked Spirit on the heights of the Absolute, as man's thought is different from the first quivering of a wild rose under a ray of sunlight yet it is the same eternal Spirit but in a greater concretization of itself, for, in fact, the Spirit's true direction is not from the bottom up, but from the top down, and it becomes ever more in matter, because it is the world's very Matter, wrested bit by bit from our false caterpillar look and false human look and false spiritual look or, let us say, recognized little by little by our growing true look. This new threshold of vision depends first on a pause in our regular mental and visual routine and that is the Great Process, the movement of introspection of the second kind but the path is entirely new: this is a new life on earth, another discovery to make; and the less weighed down we are by past wisdom, past ascents, past illuminations, all the disciplines and virtues and old gilded frills of the Spirit, the freer we are and more open to the new, the more the path shall spring up under our feet, as if by magic, as if it sprang from that total desecration.

1.02 - THE NATURE OF THE GROUND, #The Perennial Philosophy, #Aldous Huxley, #Philosophy
  The simple, absolute and immutable mysteries of divine Truth are hidden in the super-luminous darkness of that silence which revealeth in secret. For this darkness, though of deepest obscurity, is yet radiantly clear; and, though beyond touch and sight, it more than fills our unseeing minds with splendours of transcendent beauty. We long exceedingly to dwell in this translucent darkness and, through not seeing and not knowing, to see Him who is beyond both vision and knowledgeby the very fact of neither seeing Him nor knowing Him. For this is truly to see and to know and, through the abandonment of all things, to praise Him who is beyond and above all things. For this is not unlike the art of those who carve a life-like image from stone; removing from around it all that impedes clear vision of the latent form, revealing its hidden beauty solely by taking away. For it is, as I believe, more fitting to praise Him by taking away than by ascription; for we ascribe attri butes to Him, when we start from universals and come down through the intermediate to the particulars. But here we take away all things from Him going up from particulars to universals, that we may know openly the unknowable, which is hidden in and under all things that may be known. And we behold that darkness beyond being, concealed under all natural light.
  Dionysius the Areopagite

1.02 - THE PROBLEM OF SOCRATES, #Twilight of the Idols, #Friedrich Nietzsche, #Philosophy
  also full of concealment, of ulterior motives, and of underground
  currents. I try to understand the idiosyncrasy from which the Socratic

1.02 - The Stages of Initiation, #Knowledge of the Higher Worlds, #Rudolf Steiner, #Theosophy
   thought. He must never cease repeating to himself that he may have made quite considerable progress after a certain interval of time, though it may not be apparent to him in the way he perhaps expected; otherwise he can easily lose heart and abandon all attempts after a short time. The powers and faculties to be developed are of a most subtle kind, and differ entirely in their nature from the conceptions previously formed by the student. He had been accustomed to occupy himself exclusively with the physical world; the world of spirit and soul had been concealed from his vision and concepts. It is therefore not surprising if he does not immediately notice the powers of soul and spirit now developing in him. In this respect there is a possibility of discouragement for those setting out on the path to higher knowledge, if they ignore the experience gathered by responsible investigators. The teacher is aware of the progress made by his pupil long before the latter is conscious of it He knows how the delicate spiritual eyes begin to form themselves long before the pupil is aware of this, and a great part of what he has to say is couched in such terms as to prevent the pupil from losing patience
   p. 58
  --
  Anyone having reached this point of spiritual vision is the richer by a great deal, for he can perceive things not only in their present state of being but also in their process of growth and decay. He begins to see in all things the spirit, of which physical eyes can know nothing. And therewith he has taken the first step toward the gradual solution, through personal vision, of the secret of birth and death. For the outer senses a being comes into existence through birth, and passes away through death. This, however, is only because these senses cannot perceive the concealed spirit of the being. For the spirit, birth and death are merely a transformation, just as the unfolding of the flower from the bud is a transformation enacted before our physical eyes. But if we desire to learn this through personal vision we must
   p. 67
  --
   requires in his soul nature the force which is only developed in the courageous and the fearless. For in penetrating to the higher mysteries he will see things which are concealed from ordinary humanity by the illusion of the senses. If the physical senses do not allow us to perceive the higher truth, they are for this very reason our benefactors. Things are thereby hidden from us which, if realized without due preparation, would throw us into unutterable consternation, and the sight of which would be unendurable. The student must be fit to endure this sight. He loses certain supports in the outer world which he owes to the very illusion surrounding him. It is truly and literally as if the attention of someone were called to a danger which had threatened him for a long time, but of which he knew nothing. Hitherto he felt no fear, but now that he knows, he is overcome by fear, though the danger has not been rendered greater by his knowing it.
  The forces at work in the world are both destructive and constructive; the destiny of manifested beings is birth and death. The seer is to behold the working of these forces and the march of destiny. The veil enshrouding the spiritual eyes
  --
  The first trial consists in obtaining a truer vision than the average man has of the corporeal attributes of lifeless things, and later of plants, animals and human beings. This does not mean what at present is called scientific knowledge, for it is a question not of science but of vision. As a rule, the would-be initiate proceeds to learn how the objects of nature and the beings gifted with life manifest themselves to the spiritual ear and the spiritual eye. In a certain way these things then lie stripped-naked-before the beholder. The qualities which can then be seen and heard are hidden from the physical eyes and ears. For physical perception they are concealed as if by a veil, and the falling away of this veil for the would-be initiate consists in a process designated as the process of Purification by Fire. The first trial is therefore known as the Fire-Trial.
  For many people, ordinary life is itself a more or less unconscious process of initiation through the Fire-Trial. Such people have passed through
  --
   by the past. We must be prepared at every moment that every object and every being can bring to us some new revelation. If we judge the new by the standard of the old we are liable to error. The memory of past experiences will be of greatest use for the very reason that it enables us to perceive the new. Had we not gone through a definite experience we should perhaps be blind to the qualities of the object or being that comes before us. Thus experience should serve the purpose of perceiving the new and not of judging it by the standard of the old. In this respect the initiate acquires certain definite qualities, and thereby many things are revealed to him which remain concealed from the uninitiated.
  The second draught presented to the initiate is the draught of remembrance. Through its agency he acquires the faculty of retaining the knowledge of the higher truths ever present in his soul. Ordinary memory would be unequal to this task. We must unite ourselves and become as one with the higher truths. We must not only know them, but be able, quite as a matter of course, to manifest and administer them in living actions, even as we ordinarily eat and drink.

1.02 - The Two Negations 1 - The Materialist Denial, #The Life Divine, #Sri Aurobindo, #Integral Yoga
  14:A certain kind of Agnosticism is the final truth of all knowledge. For when we come to the end of whatever path, the universe appears as only a symbol or an appearance of an unknowable Reality which translates itself here into different systems of values, physical values, vital and sensational values, intellectual, ideal and spiritual values. The more That becomes real to us, the more it is seen to be always beyond defining thought and beyond formulating expression. "Mind attains not there, nor speech."3 And yet as it is possible to exaggerate, with the Illusionists, the unreality of the appearance, so it is possible to exaggerate the unknowableness of the Unknowable. When we speak of It as unknowable, we mean, really, that It escapes the grasp of our thought and speech, instruments which proceed always by the sense of difference and express by the way of definition; but if not knowable by thought, It is attainable by a supreme effort of consciousness. There is even a kind of Knowledge which is one with Identity and by which, in a sense, It can be known. Certainly, that Knowledge cannot be reproduced successfully in the terms of thought and speech, but when we have attained to it, the result is a revaluation of That in the symbols of our cosmic consciousness, not only in one but in all the ranges of symbols, which results in a revolution of our internal being and, through the internal, of our external life. Moreover, there is also a kind of Knowledge through which That does reveal itself by all these names and forms of phenomenal existence which to the ordinary intelligence only conceal It. It is this higher but not highest process of Knowledge to which we can attain by passing the limits of the materialistic formula and scrutinising Life, Mind and Supermind in the phenomena that are characteristic of them and not merely in those subordinate movements by which they link themselves to Matter.
  15:The Unknown is not the Unknowable;4 it need not remain the unknown for us, unless we choose ignorance or persist in our first limitations. For to all things that are not unknowable, all things in the universe, there correspond in that universe faculties which can take cognisance of them, and in man, the microcosm, these faculties are always existent and at a certain stage capable of development. We may choose not to develop them; where they are partially developed, we may discourage and impose on them a kind of atrophy. But, fundamentally, all possible knowledge is knowledge within the power of humanity. And since in man there is the inalienable impulse of Nature towards self-realisation, no struggle of the intellect to limit the action of our capacities within a determined area can for ever prevail. When we have proved Matter and realised its secret capacities, the very knowledge which has found its convenience in that temporary limitation, must cry to us, like the Vedic Restrainers, "Forth now and push forward also in other fields."5

1.02 - Where I Lived, and What I Lived For, #Walden, and On The Duty Of Civil Disobedience, #Henry David Thoreau, #Philosophy
  The real attractions of the Hollowell farm, to me, were; its complete retirement, being, about two miles from the village, half a mile from the nearest neighbor, and separated from the highway by a broad field; its bounding on the river, which the owner said protected it by its fogs from frosts in the spring, though that was nothing to me; the gray color and ruinous state of the house and barn, and the dilapidated fences, which put such an interval between me and the last occupant; the hollow and lichen-covered apple trees, gnawed by rabbits, showing what kind of neighbors I should have; but above all, the recollection I had of it from my earliest voyages up the river, when the house was concealed behind a dense grove of red maples, through which I heard the house-dog bark. I was in haste to buy it, before the proprietor finished getting out some rocks, cutting down the hollow apple trees, and grubbing up some young birches which had sprung up in the pasture, or, in short, had made any more of his improvements. To enjoy these advantages I was ready to carry it on; like Atlas, to take the world on my shoulders,I never heard what compensation he received for that, and do all those things which had no other motive or excuse but that I might pay for it and be unmolested in my possession of it; for I knew all the while that it would yield the most abundant crop of the kind I wanted if I could only afford to let it alone. But it turned out as I have said.
  All that I could say, then, with respect to farming on a large scale,

1.03 - BOOK THE THIRD, #Metamorphoses, #Ovid, #Poetry
  Deep in the dreary den, conceal'd from day,
  Sacred to Mars, a mighty dragon lay,

1.03 - Man - Slave or Free?, #Essays In Philosophy And Yoga, #Sri Aurobindo, #Integral Yoga
  The exclusive pursuit of Yoga by men who seclude themselves either physically or mentally from the contact of the world has led to an erroneous view of this science as something mystic, far-off and unreal. The secrecy which has been observed with regard to Yogic practices,a necessary secrecy in the former stages of human evolution,has stereotyped this error. Practices followed by men who form secret circles and confine the instruction in the mysteries strictly to those who have a certain preparatory fitness, inevitably bear the stamp to the outside world of occultism. In reality there is nothing intrinsically hidden, occult or mystic about Yoga. Yoga is based upon certain laws of human psychology, a certain knowledge about the power of the mind over the body and the inner spirit over the mind which are not generally realised and have hitherto been considered by those in the secret too momentous in their consequences for disclosure until men should be trained to use them aright. Just as a set of men who had discovered and tested the uttermost possibilities of mesmerism and hypnotism might hesitate to divulge them freely to the world lest the hypnotic power should be misused by ignorance or perversity or abused in the interests of selfishness and crime, so the Yogins have usually preserved the knowledge of these much greater forces within us in a secrecy broken only when they were sure of the previous ethical and spiritual training of the neophyte and his physical and moral fitness for the Yogic practices. It became therefore an established rule for the learner to observe strict reserve as to the inner experiences of Yoga and for the developed Yogin as far as possible to conceal himself. This has not prevented treatises and manuals from being published dealing with the physical or with the moral and intellectual sides of Yoga. Nor has it prevented great spirits who have gained their Yoga not by the ordinary careful and scientific methods but by their own strength and the special grace of God, from revealing themselves and their spiritual knowledge to mankind and in their intense love for humanity imparting something of their power to the world. Such were Buddha, Christ, Mahomed, Chaitanya, such have been Ramakrishna and Vivekananda. It is still the orthodox view that the experiences of Yoga must not be revealed to the uninitiated. But a new era dawns upon us in which the old laws must be modified Already the West is beginning to discover the secrets of Yoga. Some of its laws have revealed themselves however dimly and imperfectly to the scientists of Europe while others through Spiritualism, Christian Science, clairvoyance, telepathy and other modern forms of occultism are being almost discovered by accident as if by men groping in the dark and stumbling over truths they cannot understand. The time has almost come when India can no longer keep her light to herself but must pour it out upon the world. Yoga must be revealed to mankind because without it mankind cannot take the next step in the human evolution.
  The psychology of the human race has not yet been discovered by Science. All creation is essentially the same and proceeds by similar though not identical laws. If therefore we see in the outside material world that all phenomena proceed from and can be reduced to a single causal substance from which they were born, in which they move and to which they return, the same truth is likely to hold good in the psychical world. The unity of the material universe has now been acknowledged by the scientific intellect of Europe and the high priests of atheism and materialism in Germany have declared the ekam evdvityam in matter with no uncertain voice. In so doing they have merely reaffirmed the discovery made by Indian masters of the Yogic science thousands of years ago. But the European scientists have not discovered any sure and certain methods, such as they have in dealing with gross matter, for investigating psychical phenomena. They can only observe the most external manifestations of mind in action. But in these manifestations the mind is so much enveloped in the action of the outer objects and seems so dependent on them that it is very difficult for the observer to find out the springs of its action or any regularity in its workings. The European scientists have therefore come to the conclusion that it is the stimulations of outside objects which are the cause of psychical phenomena, and that even when the mind seems to act of itself and on its own material it is only associating, grouping together and manipulating the recorded experiences from outside objects. The very nature of mind is, according to them, a creation of past material experience transmitted by heredity with such persistence that we have grown steadily from the savage with his rudimentary mind to the civilised man of the twentieth century. As a natural result of these materialistic theories, science has found it difficult to discover any true psychical centre for the multifarious phenomena of mind and has therefore fixed upon the brain, the material organ of thought, as the only real centre. From this materialistic philosophy have resulted certain theories very dangerous to the moral future of mankind. First, man is a creation and slave of matter. He can only master matter by obeying it Secondly, the mind itself is a form of gross matter and not independent of and master of the senses. Thirdly, there is no real free will, because all our action is determined by two great forces, heredity and environment. We are the slaves of our nature, and where we seem to be free from its mastery, it is because we are yet worse slaves of our environment, worked on by the forces that surround and manipulate us.

1.03 - On Knowledge of the World., #The Alchemy of Happiness, #Al-Ghazali, #Sufism
  The world resembles those imposters, who decorate themselves externally and conceal the sorrows and curse they bring, while the ignorant, looking only at the outside, are fascinated and deluded. The world resembles the old woman who arrayed herself in silk stuffs and flowered brocades, and with ornaments, and covered her head with a beautiful embroidered veil, so that those who should see her from a distance, and notice only her garments and her form, might be deceived. And whenever she has succeeded in inducing a person to follow after her and to decide upon joining himself to her, she takes off her robes from her back and her veil from her head, and immediately her concealed ugliness is brought to light, and the person who had been seeking her, becomes subject to eternal regret and sorrow. We have received it also by tradition, that the world will be brought to the great assembly at the last day, in the form of a woman with livid eyes, pendent lips, and deformed shape, and all the people will look upon her, (we take refuge in God,) and will exclaim, "what deformed and horrible person is that, whose aspect alone is severe torture to the soul?" And they will be answered. "It was on her account that you were envying and [71] hating one another, and were ready to slay one another. It was on her account that you rebelled against God, and debased yourselves to every sort of corruption." And then God will order her to be driven off to hell with her followers and her lovers....
  Know, that the world consists of a certain number of stages between the world of spirits and the future world. The first stage is the cradle, and the last is the grave, and every period between these is also a stage. Each month represents a league, each hour a mile, and each breath a step. It is always flowing on like running water. Man in his excessive heedlessness thinking himself to be permanently established, engages in building up the world: and though he has no assurance of a half-hour of time, he makes preparations for dwelling here for many years, and never once brings himself to make the necessary preparation for dislodging and moving to another land.

1.03 - ON THE AFTERWORLDLY, #Thus Spoke Zarathustra, #Friedrich Nietzsche, #Philosophy
  "that world" is well concealed from humans-that dehumanized inhuman world which is a heavenly nothing; and the belly of being does not speak to humans
  at all, except as a human.

1.03 - Questions and Answers, #Book of Certitude, #unset, #Zen
  However, to conceal and forgive the matter will, in the sight of God, merit a bounteous reward.
  48. QUESTION: "A feast hath been enjoined upon you..." Is this obligatory or not?

1.03 - Self-Surrender in Works - The Way of The Gita, #The Synthesis Of Yoga, #Sri Aurobindo, #Integral Yoga
  The individual soul or the conscious being in a form may identify itself with this experiencing Purusha or with this active Prakriti. If it identifies itself with Prakriti, it is not master, enjoyer and knower, but reflects the modes and workings of Prakriti. It enters by its identification into that subjection and mechanical working which is characteristic of her. And even, by an entire immersion in Prakriti, this soul becomes inconscient or subconscient, asleep in her forms as in the earth and the metal or almost asleep as in plant life. There, in that inconscience, it is subject to the domination of tamas, the principle, the power, the qualitative mode of obscurity and inertia: sattwa and rajas are there, but they are concealed in the thick coating of tamas.
  Emerging into its own proper nature of consciousness but not yet truly conscious, because there is still too great a domination of tamas in the nature, the embodied being becomes more and more subject to rajas, the principle, the power, the qualitative mode of action and passion impelled by desire and instinct. There is then formed and developed the animal nature, narrow in consciousness, rudimentary in intelligence, rajaso-tamasic in vital habit and impulse. Emerging yet farther from the great Inconscience towards a spiritual status the embodied being liberates sattwa, the mode of light, and acquires a relative freedom and mastery and knowledge and with it a qualified and conditioned sense of inner satisfaction and happiness. Man, the mental being in a physical body, should be but is not, except in a few among this multitude of ensouled bodies, of this nature. Ordinarily he has too much in him of the obscure earth-inertia and a troubled ignorant animal life-force to be a soul of light and bliss or even a mind of harmonious will and knowledge. There is here in man an incomplete and still hampered and baffled ascension towards the true character of the Purusha, free, master, knower and enjoyer.

1.03 - Some Practical Aspects, #Knowledge of the Higher Worlds, #Rudolf Steiner, #Theosophy
  If we become angered, vexed or annoyed, we erect a wall around ourselves in the soul-world, and the forces which are to develop the eyes of the soul cannot approach. For instance, if a person angers me he sends forth a psychic current into the soul-world. I cannot see this current as long as I am myself capable of anger. My own anger conceals it from me. We must not, however, suppose that when we are free from anger we shall immediately have a psychic (astral) vision. For this purpose an organ of vision must have been developed in the soul. The beginnings
   p. 105

1.03 - Sympathetic Magic, #The Golden Bough, #James George Frazer, #Occultism
  this last mode of concealing the ravages of time had to be most
  careful to keep his mouth full of oil all the time he applied the
  --
  the teeth with him carefully wrapt up and concealed.
  The Basutos are careful to conceal their extracted teeth, lest these
  should fall into the hands of certain mythical beings who haunt

1.03 - The Principle of Water, #Initiation Into Hermetics, #Franz Bardon, #Occultism
  In the previous chapter we have studied the origin and the qualities of the positive element of fire. In this chapter I am going to describe the opposite principle, the water. It is also derived from akasa, the etheric principle. But in comparison with fire, it has quite contrasting qualities. These basic qualities are coldness and shrinkage. The point in question are also two poles, the active one being constructive, life-giving, nourishing and protective, whereas the negative pole, similar to the one of fire, is destructive, dissecting, fermenting, and dividing. As this element owns the basic quality of shrinking and contraction, it has produced the magnetic fluid. Fire, as well as water, are operating in all regions. According to the rules of creation, the fiery principle would not be able to exist all by itself if it did not conceal inside as opposite pole the principle of water. These two elements, fire and water, are the basic elements with the help of which all has been created. In consequence of these facts, we have everywhere to reckon on two main elements. Moreover with the electrical and magnetical fluids which represent the contrasting polarities.

1.03 - The Uncreated, #unset, #Anonymous, #Various
  For what is it that is concealed behind these terms, Absolute, Infinite, Eternal, to which our thought has recourse in order to solve the riddle of the beginning of things?
  They are far from being the affirmations for which we take them; they are only negations which mark the most distant limits of our comprehension, the boundaries of our mental horizon. They are the halting-place of our search, not its point of arrival; they are the subterfuge by which we suppress the problem which we have failed to resolve. Far from elucidating the mystery, they render it yet more profound if we try to give to the words we use a positive significance. For if the notion of an Absolute, an Infinite, an Eternal beyond Time were not in itself negative, it would still be a negation when set against the relativities of Time and Space.

1.03 - YIBHOOTI PADA, #Patanjali Yoga Sutras, #Swami Vivekananda, #Hinduism
  By this the disappearance or concealment of words
  which are being spoken is also explained.

1.04 - BOOK THE FOURTH, #Metamorphoses, #Ovid, #Poetry
  Nor kept a sand conceal'd from human sight.
  The stream produc'd nor slimy ooze, nor weeds,
  --
  Their forms, how alter'd, darkness still conceal'd.
  Close to the roof each, wond'ring, upwards springs,
  --
  That the dark womb of Time conceal'd a day,
  Which should, disclos'd, the bloomy gold betray:
  --
  He said, and backward turn'd, no more conceal'd
  The present, and Medusa's head reveal'd.
  --
  Her rising blushes had concealment found
  From her spread hands, but that her hands were bound.

1.04 - On Knowledge of the Future World., #The Alchemy of Happiness, #Al-Ghazali, #Sufism
  If, for example, a person possess a female slave to whom he is exceedingly attached, and on account of his being every day by her side, he is not conscious of his attachment, [84] and then if suddenly he should become offended with her and sell her to another person, and should afterwards become conscious of his concealed love, his heart would hourly assail him and sting him like a serpent. The fire of regret and rage would burn within him, so that he might be not only sick from its effects, but might even die. Now if it is possible that such results should follow from the loss of a female slave, consider what must be the degree of grief and affliction of a man who is suddenly called upon to part with all his beloved objects in a moment. Just as it might happen that the master of the female slave should throw himself into the water to drown himself, or cast himself into the fire to burn himself, all on account of his separation from her, so those spirits of men who are in their graves utter many wishes, exclaiming, "Ah! would that these scorpions and serpents, like those in the material world, would only sting us and destroy us, that at least we might be delivered from this torment."
  Pain in the world is an accident of the body, and passes from the body to the spirit, and thus the spirit participates in the torment. But in the future world, pain has its home in the spirit itself, and hence it is excruciating.
  --
  The second kind of torment in hell, beloved, is the fire of ignominy and shame. In illustration this, suppose that a prince receives in to his friendship a poor'and humble man, treating him with great honor and making'him the favorite among all his confidential servants. He gives into his hands the keys of all his treasuries/commits his honor and wife and family to his care, and in short confides all his affairs into his hands, in full reliance upon him. Then, suppose that the poor man, after being elevated to this high rank, should be puffed up with pride, and should be disposed to betray the honor of the prince,- that he should begin to indulge in unworthy conduct with his wife [90] and servants, and should open his coffers and spend his property for his own pleasures. Suppose farther that he should even be consulting with the prince's enemy who has designs upon the principality, and should enter in to a compact with him. Just at this point the prince from a concealed retreat espies his conduct in his family, and learns how he has wasted his money and his possessions, and in short becomes acquainted with everything he has done. The man also learns that for some time the prince has been aware of his course of conduct, but that the reason of his delaying and postponing punishment was that he might see what other crimes he would commit, that he might punish him accordingly. In these circumstances the reflecting can easily appreciate what would be the confusion and mortification of this individual. He would think it a thousand times better to fall from a precipice and be dashed to pieces, or that the earth should open and he sink into the abyss, than that he should continue to live. So also is it with you. How many actions you perform, of which you say, "it is in private and no one sees it," or of which Satan cloaks over the guilt from your mind, by persuading you that it is all right and fair. But at last, when death comes and makes your sin manifest, then the fire of ignominy and shame makes you captive to fierce torments and long continued misery....
  Suppose you should throw a stone over against a wall, and some one Should come and inform you that the stone had hit your own house; and had put out the eye of your son. When you rush to your house and find that it is even so, can you conceive of the fire of repentance and anguish you will have to meet? ...

1.04 - Sounds, #Walden, and On The Duty Of Civil Disobedience, #Henry David Thoreau, #Philosophy
  I watch the passage of the morning cars with the same feeling that I do the rising of the sun, which is hardly more regular. Their train of clouds stretching far behind and rising higher and higher, going to heaven while the cars are going to Boston, conceals the sun for a minute and casts my distant field into the shade, a celestial train beside which the petty train of cars which hugs the earth is but the barb of the spear. The stabler of the iron horse was up early this winter morning by the light of the stars amid the mountains, to fodder and harness his steed. Fire, too, was awakened thus early to put the vital heat in him and get him off. If the enterprise were as innocent as it is early! If the snow lies deep, they strap on his snow-shoes, and with the giant plow, plow a furrow from the mountains to the seaboard, in which the cars, like a following drill-barrow, sprinkle all the restless men and floating merchandise in the country for seed.
  All day the fire-steed flies over the country, stopping only that his master may rest, and I am awakened by his tramp and defiant snort at midnight, when in some remote glen in the woods he fronts the elements incased in ice and snow; and he will reach his stall only with the morning star, to start once more on his travels without rest or slumber. Or perchance, at evening, I hear him in his stable blowing off the superfluous energy of the day, that he may calm his nerves and cool his liver and brain for a few hours of iron slumber. If the enterprise were as heroic and commanding as it is protracted and unwearied!

1.04 - THE APPEARANCE OF ANOMALY - CHALLENGE TO THE SHARED MAP, #Maps of Meaning, #Jordan Peterson, #Psychology
  of the divine king, one incarnate in the successor, the other concealed in the bellies of his worshippers.
  The latter causes the society to become, through eating and drinking the same person, integrated into a
  --
  every man must hold these things for images, under which the hidden sense lies concealed.432
  The meta-mythology of the Way portrays the manner in which specific ideas about the present, the future,

1.04 - The Crossing of the First Threshold, #The Hero with a Thousand Faces, #Joseph Campbell, #Mythology
  a mill. During the day he remains concealed, like an old trout or
  salmon, but at night he surfaces, splashing and flopping like a
  --
  The "Wall of Paradise," which conceals God from human
  sight, is described by Nicholas of Cusa as constituted of the "co

1.04 - The Divine Mother - This Is She, #Twelve Years With Sri Aurobindo, #Nirodbaran, #Integral Yoga
  Then a year later I believe it was in 1935, he came to me for treatment for the first time. I wrote to Sri Aurobindo in my medical report, "S's story is out. In addition to green mangoes, he had some rasagollas too. This food business is almost a possession with him." Sri Aurobindo wrote back, "So I heard. Why almost?" "We have decided to remove his stove for good. Rather childish, but what else can be done?" I continued, and he replied, "Quite right. The Doctor said that he was surprised by the relapses of S's health until he found that when he was not there, S used to get up and secretly cook food for himself on the stove! Palate satisfaction seems to be more precious to him than his life." After about five months I received a note from Sri Aurobindo, "Is the condition of S dangerous or critical? If it is so or if it becomes so, it will be better to send for a French doctor who will take the responsibility of the case.... The Mother was knocked up in the small hours and informed that S was very bad and hiccoughing. I presume the French Doctor has been sent for by this time. If it is serious, let us have news 2 or 3 times a day." I replied to him, "S's condition is neither dangerous nor critical. It is a case of hyperacidity. He has vomited a lot and has found some relief now. But I hear that he wants to be treated by our renowned homeopath R. I have no objection, subject to your approval." And this is what Sri Aurobindo wrote to me, "I expect you to put your medical feelings under a glass case in a corner for the time and help the... Homeopath so far as nursing and other care for S goes." I handed over the patient to R and did the nursing part as asked by Sri Aurobindo. He also wanted me to send him a regular report of the case. The patient started copious vomiting of blood and passing blood in the stool. When I asked the Guru how far the exact reporting was essential for the action of the Force, he replied, "It is absolutely essential. Wrong information or concealment of important facts may have disastrous consequences." I reported, "His condition will be critical at night. Two things must be done: hiccough has to stop, and he must have sleep. He is extremely weak. Are you sure about him?" His answer came, "No. From the beginning of the case I have not been at all sure of it.... The circumstances have been very contrary and there has not been the usual response to the Force which makes recovery only a matter of time. It seems to me that it is an old illness which has Suddenly taken an acute and perilous form. If tomorrow morning there is no improvement, we can call Philaire5 (I hope it will be in time)."
  The next day, there was a sudden good turn putting the patient beyond the danger zone. Synchronous with the Mother's coming down to give general blessings, he went into a sound sleep with the temporary cessation of the hiccough. It was at this time that I felt that he had crossed the danger line. Sri Aurobindo, confirming my feelings, wrote, "There was something a sense of a danger passed and a Force put out.... There is a change in so far as S's physical has begun to respond while before it was not responsive at all. There is no longer the predominance of the dark forces that there was before. But the response has to increase before one can be absolutely sure of the result. The obstinacy of the hiccough is a dark point that ought to disappear."

1.04 - The Paths, #A Garden of Pomegranates - An Outline of the Qabalah, #Israel Regardie, #Occultism
  All these symbols conceal, or relate to, a species of Magick which is allied to the application of the formula of Tetra- grammaton.
  Jesus of Nazareth is sometimes termed the Piscean, and readers will recall early Christian amulets upon which were inscribed the Greek word " Ichthus," meaning Fish, and having reference to the personality recognized as the Son of

1.04 - The Sacrifice the Triune Path and the Lord of the Sacrifice, #The Synthesis Of Yoga, #Sri Aurobindo, #Integral Yoga
  And the fruit also of the sacrifice of works varies according to the work, according to the intention in the work and according to the spirit that is behind the intention. But all other sacrifices are partial, egoistic, mixed, temporal, incomplete,even those offered to the highest Powers and Principles keep this character: the result too is partial, limited, temporal, mixed in its reactions, effective only for a minor or intermediate purpose. The one entirely acceptable sacrifice is a last and highest and uttermost self-giving,it is that surrender made face to face, with devotion and knowledge, freely and without any reserve to One who is at once our immanent Self, the environing constituent All, the Supreme Reality beyond this or any manifestation and, secretly, all these together, concealed everywhere, the immanent Transcendence. For to the soul that wholly gives itself to him, God also gives himself altogether. Only the one who offers his whole nature, finds the Self. Only the one who can give everything, enjoys the Divine All everywhere. Only a supreme self-abandonment attains to the Supreme. Only the sublimation by sacrifice of all that we are, can enable us to embody the Highest and live here in the immanent consciousness of the transcendent Spirit.
  ***
  --
  This fundamental experience will yet begin differently for different natures and take long to develop all the Truth that it conceals in its thousand aspects. I see perhaps or feel in myself or as myself first the eternal Presence and afterwards only can extend the vision or sense of this greater self of mine to all creatures. I then see the world in me or as one with me. I perceive the universe as a scene in my being, the play of its processes as a movement of forms and souls and forces in my cosmic spirit; I meet myself and none else everywhere. Not, be it well noted, with the error of the Asura, the Titan, who lives in his own inordinately magnified shadow, mistakes ego for the self and spirit and tries to impose his fragmentary personality as the one dominant existence upon all his surroundings. For, having the knowledge, I have already seized this reality that my true self is the non-ego, so always my greater Self is felt by me either as an impersonal vastness or an essential Person containing yet beyond all personalities or as both these together; but in any case, whether Impersonal or illimitable Personal or both together, it is an ego-exceeding Infinite. If I have sought it out and found it first in the form of it I call myself rather than in others, it is only because there it is easiest for me, owing to the subjectivity of my consciousness, to find it, to know it at once and to realise it. But if the narrow instrumental ego does not begin to merge in this Self as soon as it is seen, if the smaller external mind-constructed I refuses to disappear into that greater permanent uncreated spiritual I, then my realisation is either not genuine or radically imperfect. There is somewhere in me an egoistic obstacle; some part of my nature has opposed a self-regarding and self-preserving denial to the all-swallowing truth of the Spirit.
  On the other hand and to some this is an easier way I may see the Divinity first in the world outside me, not in myself but in others. I meet it there from the beginning as an indwelling and all-containing Infinite that is not bound up with all these forms, creatures and forces which it bears on its surface. Or else I see and feel it as a pure solitary Self and Spirit which contains all these powers and existences, and I lose my sense of ego in the silent Omnipresence around me. Afterwards it is this that begins to pervade and possess my instrumental being and out of it seem to proceed all my impulsions to action, all my light of thought and speech, all the formations of my consciousness and all its relations and impacts with other soul-forms of this one worldwide Existence. I am already no longer this little personal self, but That with something of itself put forward which sustains a selected form of its workings in the universe.
  There is another basic realisation, the most extreme of all, that yet comes sometimes as the first decisive opening or an early turn of the Yoga. It is the awakening to an ineffable high transcendent Unknowable above myself and above this world in which I seem to move, a timeless and spaceless condition or entity which is at once, in some way compelling and convincing to an essential consciousness in me, the one thing that is to it overwhelmingly real. This experience is usually accompanied by an equally compelling sense either of the dreamlike or shadowy illusoriness of all things here or else of their temporary, derivative and only half-real character. For a time at least all around me may seem to be a moving of cinematographic shadow forms or surface figures and my own action may appear as a fluid formulation from some Source ungrasped as yet and perhaps unseizable above or outside me. To remain in this consciousness, to carry out this initiation or follow out this first suggestion of the character of things would be to proceed towards the goal of dissolution of self and world in the Unknowable,Moksha, Nirvana. But this is not the only line of issue; it is possible, on the contrary, for me to wait till through the silence of this timeless unfilled liberation I begin to enter into relations with that yet ungrasped Source of myself and my actions; then the void begins to fill, there emerges out of it or there rushes into it all the manifold Truth of the Divine, all the aspects and manifestations and many levels of a dynamic Infinite. At first this experience imposes on the mind and then on all our being an absolute, a fathomless, almost an abysmal peace and silence. Overpowered and subjugated, stilled, liberated from itself, the mind accepts the Silence itself as the Supreme. But afterwards the seeker discovers that all is there for him contained or new-made in that silence or through it descends upon him from a greater concealed transcendent Existence. For this Transcendent, this Absolute is not a mere peace of signless emptiness; it has its own infinite contents and riches of which ours are debased and diminished values. If there were not that Source of all things, there could be no universe; all powers, all works and activities would be an illusion, all creation and manifestation would be impossible.
  These are the three fundamental realisations, so fundamental that to the Yogin of the way of Knowledge they seem ultimate, sufficient in themselves, destined to overtop and replace all others. And yet for the integral seeker, whether accorded to him at an early stage suddenly and easily by a miraculous grace or achieved with difficulty after a long progress and endeavour, they are neither the sole truth nor the full and only clues to the integral truth of the Eternal, but rather the unfilled beginning, the vast foundation of a greater divine Knowledge. Other realisations there are that are imperatively needed and must be explored to the full limit of their possibilities; and if some of them appear to a first sight to cover only Divine Aspects that are instrumental to the activity of existence but not inherent in its essence, yet, when followed to their end through that activity to its everlasting Source, it is found that they lead to a disclosure of the Divine without which our knowledge of the Truth behind things would be left bare and incomplete. These seeming Instrumentals are the key to a secret without which the Fundamentals themselves would not unveil all their mystery. All the revelatory aspects of the Divine must be caught in the wide net of the integral Yoga.

1.04 - Wherefore of World?, #unset, #Anonymous, #Various
  Thus all that is in actuality must first be in potentiality. All that is, virtually was. Nothing can be in effect and result which was not in some way and some form in the origin of things. The phenomenon only manifests what was before concealed.
  By self-manifestation the universe stands revealed to us and the things of Nature discover to our minds the nature of things.

1.05 - Problems of Modern Psycho therapy, #The Practice of Psycho therapy, #Carl Jung, #Psychology
  had recourse to psychic concealment; or, in analytical parlance, repression
  arose. Anything concealed is a secret. The possession of secrets acts like a
  psychic poison that alienates their possessor from the community. In small
  --
  are conscious of what we are concealing, the harm done is decidedly less
  than if we do not know what we are repressingor even that we have
  --
  kept secret; we are concealing it even from ourselves. It then splits off
  from the conscious mind as an independent complex and leads a sort of
  --
  Another form of concealment is the act of holding something back.
  What we usually hold back are emotions or affects. Here too it must be
  --
  we conceal, something we can hide even from ourselvesan art in which
  men particularly excel, while women, with very few exceptions, are bynature averse to doing such injury to their affects. When an affect is

1.05 - The Ascent of the Sacrifice - The Psychic Being, #The Synthesis Of Yoga, #Sri Aurobindo, #Integral Yoga
     In sum, it may be safely affirmed that no solution offered can be anything but provisional until a supramental Truth-Consciousness is reached by which the appearances of things are put in their place and their essence revealed and that in them which derives straight from the spiritual essence. In the meanwhile our only safety is to find a guiding law of spiritual experience -- or else to liberate a light within that can lead us on the way until that greater direct Truth-Consciousness is reached above us or born within us. For all else in us that is only outward, all that is not a spiritual sense or seeing, the constructions, representations or conclusions of the intellect, the suggestions or instigations of the Life-force, the positive necessities of physical things are sometimes half-lights, sometimes false lights that can at best only serve for a while or serve a little and for the rest either detain or confuse us. The guiding law of spiritual experience can only come by an opening of human consciousness to the Divine Consciousness; there must be the power to receive in us the working and comm and and dynamic presence of the Divine shakti and surrender ourselves to her control; it is that surrender and that control which bring the guidance. But the surrender is not sure, there is no absolute certitude of the guidance so long as we are besieged by mind formations and life impulses and instigations of ego which may easily betray us into the hands of a false experience. This danger can only be countered by the opening of a now nine-tenths concealed inmost soul or psychic being that is already there but not commonly active within us. That is the inner light we must liberate; for the light of this inmost soul is our one sure illumination so long as we walk still amidst the siege of the Ignorance and the Truth-Consciousness has not taken up the entire control of our Godward endeavour. The working of the Divine Force in us under the conditions of the transition and the light of the psychic being turning us always towards a conscious and seeing obedience to that higher impulsion and away from the demands and instigations of the Forces of the Ignorance, these between them create an ever progressive inner law of our action which continues till the spiritual and supramental can be established in our nature. In the transition there may well be a period in which we take up all life and action and offer them to the Divine for purification, change and deliverance of the truth within them, another period in which we draw back and build a spiritual wall around us admitting through its gates only such activities as consent to undergo the law of the spiritual transformation, a third in which a free and all-embracing action, but with new forms fit for the utter truth of the Spirit, can again be made possible. These things, however, will be decided by no mental rule but in the light of the soul within us and by the ordaining force and progressive guidance of the Divine Power that secretly or overtly first impels, then begins clearly to control and order and finally takes up the whole burden of the Yoga.
     In accordance with the triple character of the sacrifice we may divide works too into a triple order, the works of Knowledge, the works of Love, the works of the Will-in-Life, and see how this more plastic spiritual rule applies to each province and effects the transition from the lower to the higher nature.

1.05 - THE HOSTILE BROTHERS - ARCHETYPES OF RESPONSE TO THE UNKNOWN, #Maps of Meaning, #Jordan Peterson, #Psychology
  Deep malice to conceal, couched with revenge....513
  allegiance to cruelty and deceit:
  --
  For Paul, Christ was mainly the concealed hero of the Old Testament story and the post-Easter Christ
  of the resurrection. The Gospels present Christ in a form that fits this pre-Gospel conception of him: not
  --
  secrets and concealment; here the web of the most malicious of all conspiracies is being spun constantly
  the conspiracy of the suffering against the well-constituted and victorious, here the aspect of the victorious

1.05 - The Magical Control of the Weather, #The Golden Bough, #James George Frazer, #Occultism
  carefully concealed, being wrapt up in feathers with the fat of the
  wild dog and of the carpet snake. A woman may not see such a parcel
  --
  flat stone, then covers up and conceals it. Among some tribes of
  North-western Australia the rain-maker repairs to a piece of ground

1.05 - The New Consciousness, #On the Way to Supermanhood, #Satprem, #Integral Yoga
  In that tranquil clarity behind, we stumble in fact upon a second level of confusion, a deeper one (this is truly a descending path). As our mental machinery grows quieter, we appreciate the extent to which it covered everything up all existence, the least gesture, the slightest flutter of an eyelash, the tiniest vibration, like a voracious and ever-growing hydra and we see the bizarre fauna it concealed starting to appear in broad daylight. This is no longer an arena but a teeming swamp seething with all sorts of psychological microbes: a throng of minuscule reflexes like the jerks of the pulses, thousands of desires, complete with the larger speckled fish of our instinctive idiosyncrasies, our innate tastes and distastes, our natural affinities and the whole discordant play of our sympathies and antipathies, attractions and repulsions a mechanism that goes back to the Precambrian era, a massive residue of the habit of devouring one another, a huge multifarious vortex in which selective affinities are scarcely more than an extension of gustatory affinities. Thus, there is not only a mental machinery but also a vital one. We desire and we want. Unfortunately, we want all sorts of contradictory things, which mix with our neighbor's contradictory wills, forming a blind mixture; and we do not even know if the triumph of today's little will is not preparing tomorrow's downfall, or whether this satisfied desire, this austere and righteous virtue, that noble taste, that well-intentioned altruism or stern ideal is not working some disaster worse than the evil we were trying to cure. All this vital hodgepodge, adorned with mental labels and justifications, which philosophizes and spouts its wonderful and faultless reasons, now appears in its true colors, we could say, in the quiet little clearing where we have taken our position. And here, too, we gradually apply the same process of demechanization. Instead of rushing headlong into our sensations and emotions, our tastes and distastes, our certainties and uncertainties, like the animal into its claws (but without its deftness), we take a step back, we pause and let the torrent abate, we rein in the reflex, the peremptory judgment, the mixed or less mixed emotion at any rate, it is a mixture for the clear little stream flowing in the background, the undeceivable ray of sunlight: suddenly the rhythm is broken, the water no longer clear, the ray fragmented. These breaks, these interferences, these jarring intrusions become more and more unbearable. It is like a sudden lack of oxygen, a sinking into mud, an intolerable blindness, the shattering of a little song behind, which made life smooth and vast and rhythmical, like a great prairie wafted by a breeze from elsewhere.
  For there is really a rhythm of truth behind, and around and everywhere, a vast and tranquil flowing, a space of weightless time in which the days and hours and years seem to follow the unalterable movement of the stars and moons, rising and falling like a tide from the depths of time, harmonizing with the movement of the whole, and filling this present little fleeting second with an eternity of being.

1.05 - The Universe The 0 = 2 Equation, #Magick Without Tears, #Aleister Crowley, #Philosophy
  G. The orthodox idiot answer, usually wrapped up in obscure terms in the hope of concealing from the enquirer the fact that it is not an answer at all, but an evasion, is: God created it.
  Then, obviously, who created God? Sometimes we have a Demiurge, a creative God behind whom is an eternal formless Greatness anything to confuse the issue!

1.05 - Vishnu as Brahma creates the world, #Vishnu Purana, #Vyasa, #Hinduism
  ga, and Vāyu with more detail. The Bhāgavata, as usual, amplifies still more copiously, and mixes up much absurdity with the account. Thus the person of Sandhyā, 'evening twilight,' is thus described: "She appeared with eyes rolling with passion, whilst her lotus-like feet sounded with tinkling ornaments: a muslin vest depended from her waist, secured by a golden zone: her breasts were protuberant, and close together; her nose was elegant; her tongue beautiful; her face was bright with smiles, and she modestly concealed it with the skirts of her robe; whilst the dark curls clustered round her brow." The Asuras address her, and win her to become their bride. To the four forms of our text, the same work adds, Tandrī, 'sloth;' Jrimbhikā, 'yawning;' Nidrā, 'sleep;' Unmāda, 'insanity;' Antarddhāna, 'disappearance;' Pratibimba, 'reflexion;' which become the property of Pisācas, Kinnaras, Bhūtas, Gandherbas, Vidyādharas, Sādhyas, Pitris, and Menus. The notions of night, day, twilight, and moonlight being derived from Brahmā, seem to have originated with the Vedas. Thus the commentator on the Bhāgavata p. 41 observes, 'That which was his body, and was left, was darkness: this is the Śruti.' All the authorities place night before day, and the Asuras or Titans before the gods, in the order of appearance; as did Hesiod and other ancient theogonists.
  [16]: From Rakṣa, 'to preserve'

1.06 - Being Human and the Copernican Principle, #Preparing for the Miraculous, #George Van Vrekhem, #Integral Yoga
  there is already a concealed consciousness in things with its
  inherent and native powers emerging little by little, wrote
  --
  carry barely concealed overtones of an ideological agenda
  [Scientism]. In this respect they are little different from those

1.06 - BOOK THE SIXTH, #Metamorphoses, #Ovid, #Poetry
  Behind her spreading mantle close conceal'd,
  And with her body guarded, as a shield.
  --
  So far true happiness may lye conceal'd,
  When, by false lights, we fancy 'tis reveal'd!
  --
  No longer now conceal'd his base intent;
  But with rude haste the bloomy girl deflow'r'd,
  --
  Thus, in the fury of the God conceal'd,
  Procne her own mad headstrong passion veil'd;

1.06 - LIFE AND THE PLANETS, #The Future of Man, #Pierre Teilhard de Chardin, #Christianity
  varying ages of the stars, there is concealed a sort of deep identity
  Whether giants, medium-sized or dwarfs, the stars are curiously

1.06 - Man in the Universe, #The Life Divine, #Sri Aurobindo, #Integral Yoga
  5:The universe and the individual are the two essential appearances into which the Unknowable descends and through which it has to be approached; for other intermediate collectivities are born only of their interaction. This descent of the supreme Reality is in its nature a self- concealing; and in the descent there are successive levels, in the concealing successive veils. Necessarily, the revelation takes the form of an ascent; and necessarily also the ascent and the revelation are both progressive. For each successive level in the descent of the Divine is to man a stage in an ascension; each veil that hides the unknown God becomes for the God-lover and God-seeker an instrument of His unveiling. Out of the rhythmic slumber of material Nature unconscious of the Soul and the Idea that maintain the ordered activities of her energy even in her dumb and mighty material trance, the world struggles into the more quick, varied and disordered rhythm of Life labouring on the verges of self-consciousness. Out of Life it struggles upward into Mind in which the unit becomes awake to itself and its world, and in that awakening the universe gains the leverage it required for its supreme work, it gains self-conscious individuality. But Mind takes up the work to continue, not to complete it. It is a labourer of acute but limited intelligence who takes the confused materials offered by Life and, having improved, adapted, varied, classified according to its power, hands them over to the supreme Artist of our divine manhood. That Artist dwells in supermind; for supermind is superman. Therefore our world has yet to climb beyond Mind to a higher principle, a higher status, a higher dynamism in which universe and individual become aware of and possess that which they both are and therefore stand explained to each other, in harmony with each other, unified.
  6:The disorders of life and mind cease by discerning the secret of a more perfect order than the physical. Matter below life and mind contains in itself the balance between a perfect poise of tranquillity and the action of an immeasurable energy, but does not possess that which it contains. Its peace wears the dull mask of an obscure inertia, a sleep of unconsciousness or rather of a drugged and imprisoned consciousness. Driven by a force which is its real self but whose sense it cannot yet seize nor share, it has not the awakened joy of its own harmonious energies.

1.06 - MORTIFICATION, NON-ATTACHMENT, RIGHT LIVELIHOOD, #The Perennial Philosophy, #Aldous Huxley, #Philosophy
  We see, then, that a great man can be goodgood enough even to aspire to unitive knowledge of the divine Groundprovided that, while exercising power, he fulfills two conditions. First, he must deny himself all the personal advantages of power and must practise the patience and recollectedness without which there cannot be love either of man or God. And, second, he must realize that the accident of possessing temporal power does not give him spiritual authority, which belongs only to those seers, living or dead, who have achieved a direct insight into the Nature of Things. A society, in which the boss is mad enough to believe himself a prophet, is a society doomed to destruction. A viable society is one in which those who have qualified themselves to see indicate the goals to be aimed at, while those whose business it is to rule respect the authority and listen to the advice of the seers. In theory, at least, all this was well understood in India and, until the Reformation, in Europe, where no position was so high but that it was subject to a spiritual superior in what concerned the conscience and the soul. Unfortunately the churches tried to make the best of both worldsto combine spiritual authority with temporal power, wielded either directly or at one remove, from behind the throne. But spiritual authority can be exercised only by those who are perfectly disinterested and whose motives are therefore above suspicion. An ecclesiastical organization may call itself the Mystical Body of Christ; but if its prelates are slave-holders and the rulers of states, as they were in the past, or if the corporation is a large-scale capitalist, as is the case today, no titles, however honorific, can conceal the fact that, when it passes judgment, it does so as an interested party with some political or economic axe to grind. True, in matters which do not directly concern the temporal powers of the corporation, individual churchmen can be, and have actually proved themselves, perfectly disinterestedconsequently can possess, and have possessed, genuine spiritual authority. St. Philip Neris is a case in point. Possessing absolutely no temporal power, he yet exercised a prodigious influence over sixteenth-century Europe. But for that influence, it may be doubted whether the efforts of the Council of Trent to reform the Roman church from within would have met with much success.
  In actual practice how many great men have ever fulfilled, or are ever likely to fulfil, the conditions which alone render power innocuous to the ruler as well as to the ruled? Obviously, very few. Except by saints, the problem of power is finally insoluble. But since genuine self-government is possible only in very small groups, societies on a national or super-national scale will always be ruled by oligarchical minorities, whose members come to power because they have a lust for power. This means that the problem of power will always arise and, since it cannot be solved except by people like Franois de Sales, will always make trouble. And this, in its turn, means that we cannot expect the large-scale societies of the future to be much better than were the societies of the past during the brief periods when they were at their best.

1.06 - Of imperfections with respect to spiritual gluttony., #Dark Night of the Soul, #Saint John of the Cross, #Christianity
  4. There are others, again, who, because of this gluttony, know so little of their own unworthiness and misery and have thrust so far from them the loving fear and reverence which they owe to the greatness of God, that they hesitate not to insist continually that their confessors shall allow them to communicate often. And, what is worse, they frequently dare to communicate without the leave and consent44 of the minister and steward of Christ, merely acting on their own opinion, and contriving to conceal the truth from him. And for this reason, because they desire to communicate continually, they make their confessions carelessly,45 being more eager to eat than to eat cleanly and perfectly, although it would be healthier and holier for them had they the contrary inclination and begged their confessors not to comm and them to approach the altar so frequently: between these two extremes, however, the better way is that of humble resignation. But the boldness referred to is46 a thing that does great harm, and men may fear to be punished for such temerity.
  40[Lit., 'spiritual road.']

1.06 - On Thought, #Words Of Long Ago, #The Mother, #Integral Yoga
  From that moment serenitymental peaceis his portion. In all beliefs, in all human knowledge, in all religious teachings, which sometimes appear so contradictory, he perceives the deep truth which nothing can now conceal from his eyes.
  Even errors and ignorance no longer disturb him, for, as an unknown master says:

1.06 - Psychic Education, #On Education, #The Mother, #Integral Yoga
  "The veiled psychic is the flame of the Godhead always alight within us, inextinguishable even by that dense unconsciousness of any spiritual self within which obscures our outward nature... It is the concealed Witness and Control, the hidden Guide, the Daemon of Socrates, the inner light or inner voice of the mystic... It is the individual soul, caitya purusa, supporting mind, life and body, standing behind the mental, the vital, the subtle-physical being in us and watching and profiting by their development and experience... It is this secret psychic entity which is the true original Conscience in us deeper than the constructed and conventional conscience of the moralist, for it is this which points always towards Truth and Right and Beauty, towards Love and Harmony and all that is a divine possibility in us, and persists till these things become the major need of our nature... If the secret psychic person can come forward into the front... the whole nature can be turned towards the real aim of life, the supreme victory, the ascent into spiritual existence."2
  ~ The Mother On Education

1.06 - Psycho therapy and a Philosophy of Life, #The Practice of Psycho therapy, #Carl Jung, #Psychology
  not been fulfilled. Behind a neurosis there is so often concealed all the
  natural and necessary suffering the patient has been unwilling to bear. We

1.06 - Quieting the Vital, #Sri Aurobindo or the Adventure of Consciousness, #Satprem, #Integral Yoga
  These adverse forces have been given all sorts of devilish and "negative" names through the world's spiritual history, as if their sole aim were to damn the seeker and give decent people a hard time. The reality is somewhat different, for where is the devil if not in God? If he is not in God, then there is not much left in God, because this world is evil enough, as are quite a few other worlds, so that not much would remain that is pure, except perhaps for a dimensionless and shadowless mathematical point. In reality, as experience shows, these disturbing forces have their place in the universe; they are disturbing only at the scale of our constricted momentary consciousness, and for a specific purpose. Firstly, they always catch us with our defenses down yet were we firm and one-pointed, they could not shake us for a second. In addition, if we look into ourselves instead of whining and blaming the devil or the world's wickedness, we find that each of these attacks has exposed one of our many virtuous pretenses, or, as Mother says, has pulled off the little coats we put on to avoid seeing. Not only do the little, or big, coats conceal our own weaknesses, they are everywhere in the world, hiding its small deficiencies as well as its enormous conceit; and if the perturbing forces yank the coats a bit violently, it is not at random or with wanton malice, but to open our eyes and compel us to a perfection we might otherwise resist, because as soon as we have grasped hold of a grain of truth or a wisp of ideal,
  we have the unfortunate tendency to lock it up in an hermetic and 66

1.06 - The Ascent of the Sacrifice 2 The Works of Love - The Works of Life, #The Synthesis Of Yoga, #Sri Aurobindo, #Integral Yoga
  An ultimate inexpressible adoration offered by us to the Transcendent, to the Highest,1 to the Ineffable, is yet no complete worship if it is not offered to him wherever he manifests or wherever even he hides his godhead - in man2 and object and every creature. An Ignorance is there no doubt which imprisons the heart, distorts its feelings, obscures the significance of its offering; all partial worship, all religion which erects a mental or a physical idol is tempted to veil and protect the truth in it by a certain cloak of ignorance and easily loses the truth in its image. But the pride of exclusive knowledge is also a limitation and a barrier. For there is, concealed behind individual love, obscured by its ignorant human figure, a mystery which the mind cannot seize, the mystery of the body of the Divine, the secret of a mystic form of the Infinite which we can approach only through the ecstasy of the heart and the passion of the pure and sublimated sense, and its attraction which is the call of the divine Flute-player, the mastering compulsion of the AllBeautiful, can only be seized and seize us through an occult love and yearning which in the end makes one the Form and the Formless, and identifies Spirit and Matter. It is that which the spirit in Love is seeking here in the darkness of the Ignorance and it is that which it finds when individual human love is changed into the love of the Immanent Divine incarnate in the material universe.
  As with individual, so with universal Love; all that widening of the self through sympathy, goodwill, universal benevolence and beneficence, love of mankind, love of creatures, the attraction of all the myriad forms and presences that surround us, by which mentally and emotionally man escapes from the first limits of his ego, has to be taken up into a unifying divine love for the universal Divine. Adoration fulfilled in love, love in Ananda, - the surpassing love, the self-wrapped ecstasy of transcendent delight in the Transcendent which awaits us at the end of the path of Devotion, - has for its wider result a universal love for all beings, the Ananda of all that is; we perceive behind every veil the Divine, spiritually embrace in all forms the All-Beautiful. A universal delight in his endless manifestation flows through us, taking in its surge every form and movement, but not bound or stationary in any and always reaching out to a greater and more perfect expression. This universal love is liberative and dynamic for transformation; for the discord of forms and appearances ceases to affect the heart that has felt the one Truth behind them all and understood their perfect significance. The impartial equality of soul of the selfless worker and knower is transformed by the magic touch of divine Love into an all-embracing ecstasy and million-bodied beatitude. All things become bodies and all movements the playings of the divine Beloved in his infinite house of pleasure. Even pain is changed and in their reaction and even in their essence things painful alter; the forms of pain fall away, there are created in their place the forms of Ananda.
  --
  It covers the entire range of life's more visible activities; under it fall the multiform energies of the Will-to-Life throwing itself outward to make the most of material existence. It is here that an ascetic or other-worldly spirituality feels an insurmountable denial of the Truth which it seeks after and is compelled to turn away from terrestrial existence, rejecting it as for ever the dark playground of an incurable Ignorance. Yet it is precisely these activities that are claimed for a spiritual conquest and divine transformation by the integral Yoga. Abandoned altogether by the more ascetic disciplines, accepted by others only as a field of temporary ordeal or a momentary, superficial and ambiguous play of the concealed spirit, this existence is fully embraced and welcomed by the integral seeker as a field of fulfilment, a field for divine works, a field of the total self-discovery of the concealed and indwelling spirit. A discovery of the Divinity in oneself is his first object, but a total discovery too of the Divinity in the world behind the apparent denial offered by its scheme and figures and, last, a total discovery of the dynamism of some transcendent Eternal; for by its descent this world and self will be empowered to break their disguising envelopes and become divine in revealing form and manifesting process as they now are secretly in their hidden essence.
  This object of the integral Yoga must be accepted wholly by those who follow it, but the acceptance must not be in ignorance of the immense stumbling-blocks that lie in the way of the achievement; on the contrary we must be fully aware of the compelling cause of the refusal of so many other disciplines to regard even its possibility, much less its imperative character, as the true meaning of terrestrial existence. For here in the works of life in the earth-nature is the very heart of the difficulty that has driven Philosophy to its heights of aloofness and turned away even the eager eye of Religion from the malady of birth in a mortal body to a distant Paradise or a silent peace of Nirvana.
  --
   built in us as its centre a desire-soul which refers to itself all the motions of life and puts in them its own troubled hue and pain of an ignorant, half-lit, baffled endeavour: for a divine living, desire must be abolished and replaced by a purer and firmer motivepower, the tormented soul of desire dissolved and in its stead there must emerge the calm, strength, happiness of a true vital being now concealed within us. Next, life as it is is driven or led partly by the impulse of the life-force, partly by a mind which is mostly a servant and abettor of the ignorant life-impulse, but in part also its uneasy and not too luminous or competent guide and mentor; for a divine life the mind and the life-impulse must cease to be anything but instruments and the inmost psychic being must take their place as the leader on the path and the indicator of a divine guidance. Last, life as it is is turned towards the satisfaction of the separative ego; ego must disappear and be replaced by the true spiritual person, the central being, and life itself must be turned towards the fulfilment of the Divine in terrestrial existence; it must feel a Divine Force awaking within it and become an obedient instrumentation of its purpose.
  There is nothing that is not ancient and familiar in the first of these three transforming inner movements; for it has always been one of the principal objects of spiritual discipline. It has been best formulated in the already expressed doctrine of the
  --
  In this process and at an early stage of it it becomes evident that what we know of ourselves, our present conscious existence, is only a representative formation, a superficial activity, a changing external result of a vast mass of concealed existence. Our visible life and the actions of that life are no more than a series of significant expressions, but that which it tries to express is not on the surface; our existence is something much larger than this apparent frontal being which we suppose ourselves to be and which we offer to the world around us. This frontal and external being is a confused amalgam of mind-formations, lifemovements, physical functionings of which even an exhaustive analysis into its component parts and machinery fails to reveal the whole secret. It is only when we go behind, below, above into the hidden stretches of our being that we can know it; the most thorough and acute surface scrutiny and manipulation cannot give us the true understanding or the completely effective control of our life, its purposes, its activities; that inability indeed is the cause of the failure of reason, morality and every other surface action to control and deliver and perfect the life of the human race. For below even our most obscure physical consciousness is a subconscious being in which as in a covering and supporting soil are all manner of hidden seeds that sprout up, unaccountably to us, on our surface and into which we are constantly throwing fresh seeds that prolong our past and will influence our future, - a subconscious being, obscure, small in its motions, capriciously
  182

1.06 - The Desire to be, #unset, #Anonymous, #Various
  If the secret of the being is concealed at once in his absolute conditionment and in his relative affirmation, it is in the latter first that he must seek for it. It is by scrutinising its primary data that we shall succeed, perhaps, in perceiving through and behind them the final reason of his existence, the cause of his cause. It is by reaching down to his roots that we shall discover the profundities of that antecedent, not previous in time but permanent, to which Knowledge gives the name of Unknowable.
  For the secret of the being is within him.
  --
  Love is the soul of the Infinite; the finite can only rise out of it by opposing to it the contrary principle. But this opposition, however absolute it be, has for its point of support the principle of the Absolute itself and only conceals it under the veil of imperfect relativities. And however gross may be the forms of the partial manifestation, they bear in themselves an essential necessity of perfection. If there is no love that does not contain and consume for its fuel some kind of egoism, equally there is no worst egoism which is not a deformation of love to be transfigured by a progressive evolution into love that is perfect.
  The universe is in the Infinite an immense brasier of love imprisoned and burning its way to liberty.

1.06 - THE FOUR GREAT ERRORS, #Twilight of the Idols, #Friedrich Nietzsche, #Philosophy
  much more likely to conceal than to reveal the _antecedentia_ of the
  latter. And as for the ego! It has become legendary, fictional, a

1.06 - The Three Schools of Magick 1, #Magick Without Tears, #Aleister Crowley, #Philosophy
  * [AC14] This doctrine of the Three Schools is of extreme interest. Roughly, it may be said that the White is the Pure Mystic, whose attitude to God is one of reverence. The Yellow School conceals the Mysteries indeed, but examines them as it goes along. The Black School is that of pure Scepticism.[9]
  * [AC15] It is interesting to note that the three greatest influences in the world today are those of Teutonic Hebrews: Marx, Hertz, and Freud.

1.06 - WITCHES KITCHEN, #Faust, #Johann Wolfgang von Goethe, #Poetry
  Have I concealed this countenance?
  Must tell my name, old face of leather?

1.07 - BOOK THE SEVENTH, #Metamorphoses, #Ovid, #Poetry
  And teeming malice lay as yet conceal'd,
  All remedies we try, all med'cines use,

1.07 - Incarnate Human Gods, #The Golden Bough, #James George Frazer, #Occultism
  uttered the responses of the oracle from his concealment in a frame
  of wicker-work. But in the southern islands of the Pacific the god

1.07 - Medicine and Psycho therapy, #The Practice of Psycho therapy, #Carl Jung, #Psychology
  of facts which are far more likely to be concealed than revealed by the
  clinical picture. The real toxin is to be sought in the complex, and this is a

1.07 - Note on the word Go, #Vedic and Philological Studies, #Sri Aurobindo, #Integral Yoga
  There is only one other passage we have now left for examination but it is of considerable importance & interest. It is in the hymn ascribed to the son of Madhuchchhanda, though very probably it isMadhuchchhandas own, the eleventh hymn and the fifth verse. Twam Valasya gomato apavar adrivo bilam, Twam deva abibhyushas tujyamanasa avishuh. Thou, O dweller on the mountain, didst uncover the lair of Vala the luminous, Thee the gods entered unfearing & protected. Indra, the dweller on the mountain of being, he who established in Swarga looks ever upward, has, to assist the strivings of man, uncovered the lair of Vala the luminous. Who is Vala the luminous? Does gomat mean the fellow who has the cows & is Vala a demon of cloud or darkness afflicted with the cow-stealing propensities, the Titanic bovi-kleptomania attributed by tradition to the Panis? He is, I suggest, one of the Titans who deny a higher ascent to man, a Titan who possesses but withholds & hides the luminous realms of ideal truth from man,interposing the hiranmayam patram of the Isha Upanishad, the golden cover or lid, by which the face of truth is concealed, satyasyapihitam mukham. Tat twam Pushan apavrinu, cries the Vedantic sage, using the same word apavri, but he calls to Surya, not to Indra, because he seeks the possession of the Vedanta, the sight of the rupam kalyanatamam which belongs to those who can meet Surya in his own home. The Vedic seer, at an earlier stage of the struggle, is satisfied with the minor conquests of Indra. He does not yet rise to those heights where Indra working in the mind is no longer a supreme helper, but may even be, as the Puranas tell us, an obstacle and an opponentbecause activity of mind even the highest, so long as it is not abandoned and overpassed, interferes with a yet higher attainment. It is only by rejecting Indra that we can dwell with Surya in his luminous halls, Tena tyaktena bhunjithah. Nevertheless the conquest over Bala is for humanity in its present stage a great conquest, and when & because it is accomplished the other gods can enter safely into the mental force & work in it, fearless because protected by Indras victorious might. For he is now Balabhid; he has pierced Bala & is no longer liable to that fear which overtook him when Vritra only had been overthrowna fear due to his perceiving the immensity of the task that still remained & the more formidable enemies beyond. We shall come again to Bala & the Titans & the meaning of these divine battles,viryani yani chakara prathamani vajri.
  All the passages I have quoted proceed from the hymns of Madhuchchhanda son of Viswamitra, the opening eleven hymns of the Rigveda. This seer is one of the deepest & profoundest of the spirits chosen as vessels & channels of the divine knowledge of the Veda, one of those who least loses the thing symbolised in the material symbol, but who tends rather to let the symbol disappear in that which it symbolises. The comparison of the maker of beautiful images to the milch cow & Indra to the milker is an example of his constant tendency the word gavam is avoided with sudugham, so that the idea of milking or pressing forth may be suggested without insisting on the material image of the cow, & in goduhe, the symbol of the cow melts away into the thing symbolised, knowledge, light, illumination. A comparison with Medhatithi son of Kanwa brings out the difference. In Madhuchchhandas hymns the materialist rendering is often inapplicable & even when applicable yields a much poorer sense than the symbolic renderingbecause the seer is little concerned with the symbol except as the recognised means of suggesting things supramaterial. But Medhatithi is much concerned with the symbol & not indifferent to the outer life; in his hymns the materialist rendering gives us a good sense without excluding the symbolic, but often the symbolic has to be sought for & if we did not know the true Vedic tradition from Madhuchchhanda we could not gather it unaided from Medhatithi. The son of Viswamitra is deeply concerned with knowledge & with immortality & rapture as its attendant circumstances & conditions, the son of Kanwa, though not indifferent to knowledge, with the intoxication of the wine of immortality & its outpouring in mortal life & action. To use Vedic symbolism, one is a herder of kine, the other a herder of horses; Madhuchchhandas totem is the meditative cow, Medhatithis the rapid & bounding horse. There is a great calm, depth & nobility in the first eleven hymns, a great verve, joy, energy & vibrant force in the twelve that follow.

1.07 - On Dreams, #Words Of Long Ago, #The Mother, #Integral Yoga
  Almost the same in form to these, but more important in their consequences, are the dreams which I mentioned just now, those which arise from the inner being seeking revenge when it is freed for a moment from the constraint that we impose upon it. These dreams often enable us to perceive tendencies, inclinations, impulses, desires of which we were not conscious so long as our will to realise our ideal kept them concealed in some obscure recess of our being.
  You will easily understand that rather than letting them live on unknown to us, it is better to bring them boldly and courageously to the light, so as to force them to leave us for ever.

1.07 - Standards of Conduct and Spiritual Freedom, #The Synthesis Of Yoga, #Sri Aurobindo, #Integral Yoga
  22:The fact is that when we have reached the cult of absolute ethical qualities and erected the categorical imperative of an ideal law, we have not come to the end of our search or touched the truth that delivers. There is, no doubt, something here that helps us to rise beyond limitation by the physical and vital man in us, an insistence that overpasses the individual and collective needs and desires of a humanity still bound to the living mud of Matter in which it took its roots, an aspiration that helps to develop the mental and moral being in us: this new sublimating element has been therefore an acquisition of great importance; its workings have marked a considerable step forward in the difficult evolution of terrestrial Nature. And behind the inadequacy of these ethical conceptions something too is concealed that does attach to a supreme Truth; there is here the glimmer of a light and power that are part of a yet unreached divine Nature. But the mental idea of these things is not that light and the moral formulation of them is not that power. These are only representative constructions of the mind that cannot embody the divine spirit which they vainly endeavour to imprison in their categorical formulas. Beyond the mental and moral being in us is a greater divine being that is spiritual and supramental; for it is only through a large spiritual plane where the mind's formulas dissolve in a white flame of direct inner experience that we can reach beyond mind and pass from its constructions to the vastness and freedom of the supramental realities. There alone can we touch the harmony of the divine powers that are poorly mispresented to our mind or framed into a false figure by the conflicting or wavering elements of the moral law. There alone the unification of the transformed vital and physical and the illumined mental man becomes possible in that supramental Spirit which is at once the secret source and goal of our mind and life and body. There alone is there any possibility of an absolute justice, love and right - far other than that which we imagine - at one with each other in the light of a supreme divine knowledge. There alone can there be a reconciliation of the conflict between our members.
  23:In other words there is, above society's external law and man's moral law and beyond them, though feebly and ignorantly aimed at by something within them, a larger truth of a vast unbound consciousness, a law divine towards which both these blind and gross formulations are progressive faltering steps that try to escape from the natural law of the animal to a more exalted light or universal rule. That divine standard, since the godhead in us is our spirit moving towards its own concealed perfection, must be a supreme spiritual law and truth of our nature. Again, as we are embodied beings in the world with a common existence and nature and yet individual souls capable of direct touch with the Transcendent, this supreme truth of ourselves must have a double character. It must be a law and truth that discovers the perfect movement, harmony, rhythm of a great spiritualised collective life and determines perfectly our relations with each being and all beings in Nature's varied oneness. It must be at the same time a law and truth that discovers to us at each moment the rhythm and exact steps of the direct expression of the Divine in the soul, mind, life, body of the individual creature.1 And we find in experience that this supreme light and force of action in its highest expression is at once an imperative law and an absolute freedom. It is an imperative law because it governs by immutable Truth our every inner and outer movement. And yet at each moment and in each movement the absolute freedom of the Supreme handles the perfect plasticity of our conscious and liberated nature.
  24:The ethical idealist tries to discover this supreme law in his own moral data, in the inferior powers and factors that belong to the mental and ethical formula. And to sustain and organise them he selects a fundamental principle of conduct essentially unsound and constructed by the intellect - utility, hedonism, reason, intuitive conscience or any other generalised standard. All such efforts are foredoomed to failure. Our inner nature is the progressive expression of the eternal Spirit and too complex a power to be tied down by a single dominant mental or moral principle. Only the supramental consciousness can reveal to its differing and conflicting forces their spiritual truth and harmonise their divergences.

1.07 - The Continuity of Consciousness, #Knowledge of the Higher Worlds, #Rudolf Steiner, #Theosophy
   first, dreams are only regarded as a particular manifestation of sleep-life, and thus only two states are generally spoken of, namely, sleeping and waking. For spiritual science, however, dreams have an independent significance apart from the other two conditions. In the foregoing chapter a description was given of the alteration ensuing in the dream-life of the person undertaking the ascent to higher knowledge. His dreams lose their meaningless, irregular and disconnected character and form themselves more and more into a world of law and order. With continued development, not only does this new world born out of the dream world come to be in no way inferior to outer physical reality as regards its inner truth, but facts reveal themselves in it representing a higher reality in the fullest sense of the word. Secrets and riddles lie concealed everywhere in the physical world. In the latter, the effects are seen of certain higher facts, but no one can penetrate to the causes whose perception is confined merely to his senses. These causes are partly revealed to the student in the condition described above and developed out of dream life, a condition, however, in which he by no means remains
   p. 204
   stationary. True, he must not regard these revelations as actual knowledge so long as the same things do not also reveal themselves during ordinary waking life. But in time he achieves this as well: he develops this faculty of carrying over into waking consciousness the condition he created for himself out of dream life. Thus something new is introduced into the world of his senses that enriches it. Just as a person born blind and successfully operated upon will recognize the surrounding objects as enriched by all that the eye perceives, to, too, will anyone having become clairvoyant in the above manner perceive the whole world surrounding him peopled with new qualities, things, beings, and so forth. He now need no longer wait for his dreams to live in another world, but he can at any suitable moment put himself into the above condition for the purpose of higher perception. This condition then acquires a significance for him similar to the perception, in ordinary life, of things with active senses as opposed to inactive senses. It can truly be said that the student opens the eyes of his soul and beholds things which necessarily remain concealed form the bodily senses.
   p. 205
  --
  [paragraph continues] This spiritual world, hitherto concealed from the student, now resounds for him out of his whole environment.
  It is easy to see that this higher perceptive faculty can prove a blessing only if the opened soul-senses are in perfect order, just as the ordinary senses can only be used for a true observation of the world if their equipment is regular and normal. Now man himself forms these higher senses through the exercises indicated by spiritual science. The latter include concentration, in which the attention is directed to certain definite ideas and concepts connected with the secrets of the universe; and meditation, which is a life in such ideas, a complete submersion in them, in the right way. By concentration and meditation the student works upon his soul and develops within it the soul-organs of perception. While thus applying himself to the task of concentration and meditation his soul grows within his body, just as the embryo child grows in the body of the mother. When the isolated experiences during sleep begin, as described, the moment of birth is approaching for the liberated soul; for she has literally become a new being, developed by the individual within

1.07 - THE .IMPROVERS. OF MANKIND, #Twilight of the Idols, #Friedrich Nietzsche, #Philosophy
  are concealed beneath the same word. Both the taming of the beast
  man, and the rearing of a particular type of man, have been called

1.07 - THE MASTER AND VIJAY GOSWAMI, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
  He covered the contents of the basket with the palm or his hand, as a child does to conceal sweets from another child lest the latter should snatch them. Then he put the basket aside.
  Suddenly the Master went into samdhi and sat thus a long time. His body was transfixed, his eyes wide open and unwinking, his breathing hardly perceptible. After a long time he drew a deep breath, indicating his return to the world of sense.

1.07 - The Psychic Center, #Sri Aurobindo or the Adventure of Consciousness, #Satprem, #Integral Yoga
  To grow we need to forget. If, in our hopelessly childish outer consciousness, we were to remember having once been a virtuous banker, for example, while we now find ourselves in the skin of an adept crook, we would be understandably confused! Perhaps we are still too young to understand that our soul needed to experience the opposite of virtue or, rather, that the abscess our virtue was concealing had to be punctured. Evolution has nothing to do with becoming more saintly or intelligent; it has to do with becoming more conscious. It takes a great many ages for one to be able to fruitfully bear the truth of past lives.
  Everything, then, depends upon the degree of our development and the extent to which our psychic being has participated in our outer life;

1.08 - BOOK THE EIGHTH, #Metamorphoses, #Ovid, #Poetry
  When Minos, willing to conceal the shame
  That sprung from the reports of tatling Fame,
  --
  Of mortal men conceal'd their deities;
  One laid aside his thunder, one his rod;

1.08 - Civilisation and Barbarism, #The Human Cycle, #Sri Aurobindo, #Integral Yoga
  Even in its negative work the materialism of Science had a task to perform which will be useful in the end to the human mind in its exceeding of materialism. But Science in its heyday of triumphant Materialism despised and cast aside Philosophy; its predominance discouraged by its positive and pragmatic turn the spirit of poetry and art and pushed them from their position of leadership in the front of culture; poetry entered into an era of decline and decadence, adopted the form and rhythm of a versified prose and lost its appeal and the support of all but a very limited audience, painting followed the curve of Cubist extravagance and espoused monstrosities of shape and suggestion; the ideal receded and visible matter of fact was enthroned in its place and encouraged an ugly realism and utilitarianism; in its war against religious obscurantism Science almost succeeded in slaying religion and the religious spirit. But philosophy had become too much a thing of abstractions, a seeking for abstract truths in a world of ideas and words rather than what it should be, a discovery of the real reality of things by which human existence can learn its law and aim and the principle of its perfection. Poetry and art had become too much cultured pursuits to be ranked among the elegances and ornaments of life, concerned with beauty of words and forms and imaginations, rather than a concrete seeing and significant presentation of truth and beauty and of the living idea and the secret divinity in things concealed by the sensible appearances of the universe. Religion itself had become fixed in dogmas and ceremonies, sects and churches and had lost for the most part, except for a few individuals, direct contact with the living founts of spirituality. A period of negation was necessary. They had to be driven back and in upon themselves, nearer to their own eternal sources. Now that the stress of negation is past and they are raising their heads, we see them seeking for their own truth, reviving by virtue of a return upon themselves and a new self-discovery. They have learned or are learning from the example of Science that Truth is the secret of life and power and that by finding the truth proper to themselves they must become the ministers of human existence.
  But if Science has thus prepared us for an age of wider and deeper culture and if in spite of and even partly by its materialism it has rendered impossible the return of the true materialism, that of the barbarian mentality, it has encouraged more or less indirectly both by its attitude to life and its discoveries another kind of barbarism,for it can be called by no other name,that of the industrial, the commercial, the economic age which is now progressing to its culmination and its close. This economic barbarism is essentially that of the vital man who mistakes the vital being for the self and accepts its satisfaction as the first aim of life. The characteristic of Life is desire and the instinct of possession. Just as the physical barbarian makes the excellence of the body and the development of physical force, health and prowess his standard and aim, so the vitalistic or economic barbarian makes the satisfaction of wants and desires and the accumulation of possessions his standard and aim. His ideal man is not the cultured or noble or thoughtful or moral or religious, but the successful man. To arrive, to succeed, to produce, to accumulate, to possess is his existence. The accumulation of wealth and more wealth, the adding of possessions to possessions, opulence, show, pleasure, a cumbrous inartistic luxury, a plethora of conveniences, life devoid of beauty and nobility, religion vulgarised or coldly formalised, politics and government turned into a trade and profession, enjoyment itself made a business, this is commercialism. To the natural unredeemed economic man beauty is a thing otiose or a nuisance, art and poetry a frivolity or an ostentation and a means of advertisement. His idea of civilisation is comfort, his idea of morals social respectability, his idea of politics the encouragement of industry, the opening of markets, exploitation and trade following the flag, his idea of religion at best a pietistic formalism or the satisfaction of certain vitalistic emotions. He values education for its utility in fitting a man for success in a competitive or, it may be, a socialised industrial existence, science for the useful inventions and knowledge, the comforts, conveniences, machinery of production with which it arms him, its power for organisation, regulation, stimulus to production. The opulent plutocrat and the successful mammoth capitalist and organiser of industry are the supermen of the commercial age and the true, if often occult rulers of its society.

1.08 - Phlegyas. Philippo Argenti. The Gate of the City of Dis., #The Divine Comedy, #Dante Alighieri, #Christianity
  If reek of the morass conceal it not."
  Cord never shot an arrow from itself

1.08 - Psycho therapy Today, #The Practice of Psycho therapy, #Carl Jung, #Psychology
  rubbish that this draws in its wake. In alchemy there lies concealed a
  Western system of yoga meditation, but it was kept a carefully guarded

1.08 - The Change of Vision, #On the Way to Supermanhood, #Satprem, #Integral Yoga
  But how do those clear little seconds help change the world? Perhaps exactly the way the brief distracted second of the ape distracted from its immediate interests helped give birth to the first thought. For a whole world starts pouring into that transparency, but in imperceptible little breaths, in little drops of nothing to be sure, the uselessness of things is a terrible snare, an ever-present trap, the old mistake that engulfs the world in its dark false vision. At every moment the seeker must struggle against the old way of looking, correct himself, catch himself in the act. The new vision demands a long apprenticeship. One knows neither where it leads nor its use. What was the use of the ape's reflection, except to disturb its immediate acrobatics? And yet, the seeker comes back to it, as if drawn in spite of himself; he receives little signs, demonstrations in the flesh. It is as if somebody or something were there, watching over everything and taking advantage of the least crack in the old machinery to slip in a drop of light a hole is needed, a crack in the shell, a lapse in the old habit of being, for the new world to get in! Little by little the seeker yields. He lets himself go, he turns his look on the thousands of everyday useless things, the meaningless incidents, the senseless encounters, the multitude of microscopic unconnected events. He is in his fire of being and he looks; he looks at each thing as a would-be revelation, a truth concealed; and if nothing is revealed, he still persists, he observes everything, records everything: the futile steps, the useless detours, the closed faces, the accidents without reason. Instead of jumping at the desirable, he watches its movement, how it follows its course and attains its goal; instead of rejecting an unpleasant encounter, he watches it come, welcomes it, lets it give out its little drop of truth, its message beneath the falsehood or confusion; instead of running away from the darkness, evil or negation flung at him, he waits calmly for the darkness to disclose its lesson for him, the evil its drop of good beneath its venom, the negation, its vaster yes awaiting its hour. And finally he discovers a YES everywhere, a good everywhere, a meaning everywhere, and that everything is ascending, moving in the Great Direction, beneath the good and the evil, the black and the white, the useful and the harmful. Gradually, the world teems with a thousand little truths twinkling here and there, filling this vacuum, plugging that useless hole, connecting things to one another, dropping the missing piece of the jigsaw puzzle into place, and everything ties together as one continuous message every moment things whisper in our ear and destiny speaks in a dove feather lifted by the wind.
  But once more we are struck by the same peculiarity. What we discover are not eternal and sublime truths, not triumphs of the geometrical mind that confines the world in an equation, not seeds of dogma or revelations atop the Sinais of the world, but minuscule little truths, vivid and light, smiles of truth along the path and in everyday commonplaceness a minuscule, contagious truth which seems to spread from place to place and light up even the rocks: a truth of the earth, a truth of matter. And when we can trap a single one of these little whimsical smiles, we are richer than if the illuminations of all the sages put together were bestowed on us, because we have touched the truth with our eyes wide open and with our body maybe because the Supreme Truth is also there, in an infinitesimal wisp of straw as much as in the totality of all the ages.

1.08 - The Four Austerities and the Four Liberations, #On Education, #The Mother, #Integral Yoga
  That is why no effort is too arduous, no austerity too rigorous if it can illumine, purify, perfect and transform the physical substance so that it may no longer conceal the Divine when he takes on an outer form in Matter. For then this marvellous tenderness will be able to express itself freely in the world, the divine love which has the power of changing life into a paradise of sweet joy.
  This, you will say, is the culmination, the crown of the effort, the final victory; but what must be done in order to achieve it? What is the path to be followed and what are the first steps on the way?

1.08 - The Gods of the Veda - The Secret of the Veda, #Vedic and Philological Studies, #Sri Aurobindo, #Integral Yoga
  Vjebhir vjinvat and maho arnas are therefore fixed in their significance. The word vashtu in the tenth Rik offers a difficulty. It is equivalent to vahatu, says the Brahmana; to kmayatu, says Sayana; but, deferring to the opinion of the Brahmana, he adds that it means really kmayitw vahatu. Undoubtedly the root va means in classical Sanscrit to desire; but from the evidence of the classical Sanscrit we have it established that in more ancient times its ordinary meaning must have been to subdue or control; for although the verb has lost this sense in the later language, almost all its derivatives bear that meaning & the sense of wish, will or desire only persists in a few of them, va, wish and possibly va, a woman. It is this sense which agrees best with the context of the tenth rik and is concealed in the vahatu of the Brahmanas. There is no other difficulty of interpretation in the passage.
  What then is it that Madhuchchhanda, son of Viswamitra, has to say in this Sukta of the goddess of inspiration, speech and knowledge? He does not directly address her, but he assigns to this deity the general control, support and illumination of the sacrifice he is performing. Let Saraswati he says control our Yajna. The epithets which fill the Rik must express either the permanent & characteristic qualities in her which fit her for this high office of control or the possible & suitable qualities with which he wishes her to be equipped in the performance of that office. First, pvak. She is the great purifier. It is as we shall see not a literary inspiration he invokes, but a divine inspiration, an inspiration of truths and right thoughts and, it may be, right feelings. Saraswati by this inspiration, by this inspired truth & knowledge & right feeling, is asked to purify, first, the mental state of the Yogin; for a mind unpurified cannot hold the light from on high. Knowledge purifies, says the Gita, meaning the higher spiritual knowledge which comes by ruti, divine inspiration; there is nothing in the whole world so pure as knowledge: Saraswati who purifies, Pvak Saraswat. Vjebhir vjin vat. She is full of substantial energy, stored with a great variety in substance of knowledge, chitraravastama, as is said in another hymn of the strong god Agni. The inspiration & resultant knowledge prayed for is not that of any isolated truth or slight awakening, but a great substance of knowledge & a high plenty of inspiration; the mental state has to be filled with this strong & copious substance of Saraswati.Dhiyvasuh. She is rich in understanding. Dh in the Veda is the buddhi, the faculty of reason that understands, discerns & holds knowledge. This inspiration has to be based on a great intellectual capacity which supports & holds the flood of the inspiration. Thus rich, thus strong & plenteous, thus purifying the divine inspiration has to hold & govern the Sacrifice.
  --
  In the last Rik the source of this great illumination is indicated. Spiritual knowledge is not natural to the mind; it is in us a higher faculty concealed & sleeping, not active to our consciousness. It is only when the inspiration of a divine enlightenment,Saraswat ketun, in the concrete Vedic language,seizes on that self-luminous faculty & directs a ray of it into our understanding that we receive the high truths, the great illuminations which raise us above our normal humanity. But it is not an isolated illumination with which this son of Viswamitra intends to be satisfied. The position for him is that the human perception & reason, but asleep, sushupta, achetana, on the level of the pure ideal knowledge. He wishes it to awake to the divine knowledge & his whole mental state to be illumined by it. The divine Inspiration has to awaken to conscious activity this great water now lying still & veiled in our humanity. This great awakening Saraswati now in the action of the Sacrifice effects for MadhuchchhandasMaho arnah prachetayati. The instrument is ketu, enlightening perception. With the knowledge that now streams into the mind from the ocean of divine knowledge all the ideas of the understanding in their various & many-branching activity are possessed and illumined. Dhiyo viv vi rjati. She illumines variously or in various directions, or, less probably, she entirely illumines, all the activities of the understanding. This invasion & illumination of his whole mental state by the state of divine knowledge, with its spontaneous manifestation of high truths, right thoughts, right feelings, the ritam jyotih, is the culmination of this sacrifice of Madhuchchhandas.
  Shall we suppose that a sacrifice with such a governance, such circumstances & such a crowning experience is the material offering of the Soma wine into a material fire on a material altar? Every expression in the text cries out against such an impossibility. This sacrifice must be a mental, moral subjective activity of which the Soma-offering is only a material symbol. We see at once that the Gita was not reading a later gloss into the Vedic idea in its description of the many kinds of Yajna in its [fourth] chapter. The modern Yoga and the ancient Yajna are one idea; there is only this difference that the Vedic Rishis regarded all the material & internal riches that came by Yoga as the gift of the gods to be offered to them again so that they may again increase them & supremely enrich our lives with all the boons that they, our friends, helpers, masters of world-evolution are so eager to shower upon us, the vessels & instruments of that evolution. The whole Vedic theory is succinctly stated in two slokas of the Gita. (III.10, 11)
  --
  If the Vedas have a deep religious and psychological significance such as I have attributed to them, if they are not, as the disciples of the Europeans suppose, an early hymnal of savage ceremonies, there must be in the long procession of the sacred chants, in the fixed formulae and individual variations of these voluminous songs to a small number of strongly characterised deities, some individual riks, some occasional passages, some entire hymns, even, which, in spite of the difficulties of an archaic diction & the concealing veil of a changed vocabulary, still bear the ancient truth on their very surface. The totality of the Rig Veda is so closely knit in its mentality, so constant in its common terms, so fixed & unchanging in its principal ideas that even one such rik, passage or hymn ought to exceed the limits of its single text & shed a wide light over the whole surface of Vedic thought & phraseology. Is there any such passage easily discoverable? There is one, I think, which occurs very early in the collection and by the nature of its presiding deity, its strongly subjective purport & its clear and striking language seems to fulfil our desideratum. It occurs in the third sukta of the first Mandala. Madhuchchhandas, son of the famous Visvamitra, is the seer; Saraswati is the goddess; the last three riks of the hymn constitute the indicative passage.
  In Saraswati we have a deity with subjective functions the first desideratum in our enquiry. Still, there is a doubt, a difficulty. Saraswati of the Epics & Puranas, Saraswati, as she is worshipped today throughout India is, no doubt, a purely subjective goddess and presides only over intellectual and immaterial functions. She is our Lady of Speech, the Muse, the goddess of Poetry, Art and Learning. Saraswati, the flowing, is also the name of more than one river in modern India, but especially of the sacred stream in upper India supposed to join secretly in their confluence the waters of theGanges and Yamuna and form with them the holy Triveni or triple braid of waters in which the ceremonial ablution of the devotee is more potent than at almost any other Indian place of pilgrimage and gives the richest spiritual fruit to the believing pilgrim. But in our modern religious ideas there is no real connexion, except of name, between the goddess and the river. In the Veda also there is a Saraswati who is the goddess of speech; in the Veda also there seems to be an ancient river Saraswati, although this stream is placed by Vedic scholars in the Panjab and not in the vicinity of Prayaga and Ayodhya. Were these two deities,for every river and indeed every natural object was to the Vedic Rishis a divine being,the same goddess Saraswati? Sayana accepts, even in this passage, their identity; she is, he tells us, [].1 If this identity were accepted, we would have to ask ourselves by what process of subjective metamorphosis a material Panjab river came to be the deity of Speech, the female power of Brahma, the Muse and tutelar goddess of scholar and poet. Or was not rather the goddess of speech eponymous of the river and subsequently imaged in it by the Vedic symbolists? But before we descend to these ulterior questions, we must first know for certain whether Sayana is right in his identification of the river and the Muse. First of all, are they the same in this passage? secondly, are they the same in any passage of the Veda? It is to the first question alone that we need address ourselves for the present; for on its solution depends the whole purport, value and helpfulness of these three Riks for the purposes of our enquiry into the sense and secret of the Vedas.

1.08 - The Historical Significance of the Fish, #Aion, #Carl Jung, #Psychology
  the hook of the Godhead was concealed therein, until he had devoured it; and
  thereupon remained fixed thereto."

1.08 - The Methods of Vedantic Knowledge, #The Life Divine, #Sri Aurobindo, #Integral Yoga
  9:But always mental experience and the concepts of the reason have been held by it to be even at their highest a reflection in mental identifications and not the supreme self-existent identity. We have to go beyond the mind and the reason. The reason active in our waking consciousness is only a mediator between the subconscient All that we come from in our evolution upwards and the superconscient All towards which we are impelled by that evolution. The subconscient and the superconscient are two different formulations of the same All. The master-word of the subconscient is Life, the master-word of the superconscient is Light. In the subconscient knowledge or consciousness is involved in action, for action is the essence of Life. In the superconscient action re-enters into Light and no longer contains involved knowledge but is itself contained in a supreme consciousness. Intuitional knowledge is that which is common between them and the foundation of intuitional knowledge is conscious or effective identity between that which knows and that which is known; it is that state of common self-existence in which the knower and the known are one through knowledge. But in the subconscient the intuition manifests itself in the action, in effectivity, and the knowledge or conscious identity is either entirely or more or less concealed in the action. In the superconscient, on the contrary, Light being the law and the principle, the intuition manifests itself in its true nature as knowledge emerging out of conscious identity, and effectivity of action is rather the accompaniment or necessary consequent and no longer masks as the primary fact. Between these two states reason and mind act as intermediaries which enable the being to liberate knowledge out of its imprisonment in the act and prepare it to resume its essential primacy. When the selfawareness in the mind applied both to continent and content, to own-self and other-self, exalts itself into the luminous selfmanifest identity, the reason also converts itself into the form of the self-luminous intuitional3 knowledge. This is the highest possible state of our knowledge when mind fulfils itself in the supramental.
  10:Such is the scheme of the human understanding upon which the conclusions of the most ancient Vedanta were built. To develop the results arrived at on this foundation by the ancient sages is not my object, but it is necessary to pass briefly in review some of their principal conclusions so far as they affect the problem of the divine Life with which alone we are at present concerned. For it is in those ideas that we shall find the best previous foundation of that which we seek now to rebuild and although, as with all knowledge, old expression has to be replaced to a certain extent by new expression suited to a later mentality and old light has to merge itself into new light as dawn succeeds dawn, yet it is with the old treasure as our initial capital or so much of it as we can recover that we shall most advantageously proceed to accumulate the largest gains in our new commerce with the ever-changeless and ever-changing Infinite.

1.08 - The Splitting of the Human Personality during Spiritual Training, #Knowledge of the Higher Worlds, #Rudolf Steiner, #Theosophy
   these especially important experiences, for instance, the meeting with Guardian of the Threshold, will be described in the following chapters. Yet we must realize that the hostile powers are none the less present, even though we know nothing of them. It is true that in this case their relation to man is ordained by higher power, and that this relation alters when the human being consciously enters this world hitherto concealed from him. But at the same time his own existence is enhanced and the circle of his life enriched by a great and new field of experience. A real danger can only arise if the student, through impatience or arrogance, assumes too early a certain independence with regard to the experiences of the higher worlds; if he cannot wait to gain really sufficient insight into the supersensible laws. In these spheres, modesty and humility are far less empty words than in ordinary life. If the student possesses these qualities in the very best sense he may be certain that his ascent into the higher life will be achieved without danger to all that is commonly called health and life. Above all things, no disharmony must ensue between the higher experiences and the events and demands of every-day life. Man's task must be entirely
   p. 220
   sought for on this earth, and anyone desiring to shirk his earthly task and to escape into another world may be certain he will never reach his goal. Yet what the senses perceive is only part of the world, and it is in the spirit world that the beings dwell who express themselves in the facts of the physical world. Man must become a partaker of the spirit in order to carry its revelations into the physical world. He transforms the earth by implanting in it what he has ascertained in the spiritual world. That is his task. It is only because the physical world is dependent upon the spiritual, and because man can work upon earth, in a true sense, only if he is a participator in those worlds in which the creative forces lie concealed-only for these reasons should he have the desire to ascend to the higher worlds. No one approaching esoteric training with these sentiments, and resolved not to deviate for a moment from these prescribed directions, need fear the slightest danger. No one should allow the prospect of these dangers to deter him from esoteric training; it should rather act as a strong challenge to one and all to acquire those faculties which every true esoteric student must possess.
   p. 221

1.08 - The Supreme Discovery, #Words Of Long Ago, #The Mother, #Integral Yoga
  For the inner Godhead never imposes herself, she neither demands nor threatens; she offers and gives herself, conceals and forgets herself in the heart of all beings and things; she never accuses, she neither judges nor curses nor condemns, but works unceasingly to perfect without constraint, to mend without reproach, to encourage without impatience, to enrich each one with all the wealth he can receive; she is the mother whose love bears fruit and nourishes, guards and protects, counsels and consoles; because she understands everything, she can endure everything, excuse and pardon everything, hope and prepare for everything; bearing everything within herself, she owns nothing that does not belong to all, and because she reigns over all, she is the servant of all; that is why all, great and small, who want to be kings with her and gods in her, become, like her, not despots but servitors among their brethren.
  How beautiful is this humble role of servant, the role of all who have been revealers and heralds of the God who is within all, of the Divine Love that animates all things.

1.08 - The Three Schools of Magick 3, #Magick Without Tears, #Aleister Crowley, #Philosophy
  The word arouses all sorts of regrettable correspondences; but the adepts of the Society have never worried themselves in the least about the abuse of their name for the purposes of charlatanism, or about the attacks directed against them by envious critics. Indeed, so wisely have they concealed their activities that some modern scholars of the shallower type have declared that no such movement ever existed, that it was a kind of practical joke played upon the curiosity of the credulous Middle Ages. It is at least certain that, since the original proclamations, no official publications have been put forward. The essential secrets have been maintained inviolate. If, during the last few years, a considerable number of documents have been published by them, though not in their name, it is on account of the impending crisis to civilization, of which mention will later be made.
  There is no good purpose, even were there license, to discuss the nature of the basis of scientific attainment which is the core of the doctrines of the Society. It is only necessary to point out that its correspondence with alchemy is the one genuine fact on the subject which has been allowed to transpire; for the Rosicrucian, as indicated by his central symbol, the barren cross on which he has made a rose to flower, occupies himself primarily with spiritual and physiological alchemy. Taking for "The First Matter of the Work a neutral or inert substance (it is constantly described as the commonest and least valued thing on earth, and may actually connote any substance whatever) he deliberately poisons it, so to speak, bringing it to a stage of transmutation generally called the Black Dragon, and he proceeds to work upon this virulent poison until he obtains the perfection theoretically possible.

1.09 - A System of Vedic Psychology, #Vedic and Philological Studies, #Sri Aurobindo, #Integral Yoga
  Is there or can there be a system of Vedic psychology? To us who are dominated today by the prestige of European thought and scholarship, the Vedas are a document of primitive barbarism, the ancient Vedanta a mass of sublime but indisciplined speculations. We may admit the existence of many deep psychological intuitions in the Upanishads; we do not easily allow to an age which we have been taught to regard as great but primitive and undeveloped the possibility of a profound and reasoned system in a subject in which Europe with all her modern knowledge has been unable to develop a real science. I believe that this current view of our Vedic forefa thers is entirely erroneous and arises from our application to them of a false system of psychological and intellectual values. Europe has formed certain views about the Veda & the Vedanta, and succeeded in imposing them on the Indian intellect. The ease with which this subjugation has been effected, is not surprising; for the mere mass of labour of Vedic scholarship has been imposing, its ingenuity of philological speculation is well calculated to dazzle the uncritical mind and the audacity & self-confidence with which it constructs its theories conceals the conjectural uncertainty of their foundations. When a hundred world famous scholars cry out, This is so, it is hard indeed for the average mind and even minds above the average, but inexpert in these special subjects, not to acquiesce. Nor has there been in India itself any corresponding labour of scholarship, diligence & sound enquiry which could confront the brilliant and hazardous generalisations of modern Sanscrit scholarship with the results of a more perfect system and a more penetrating vision. The only attempt in that direction the attempt of Swami Dayanandahas not been of a kind to generate confidence in the dispassionate judgment of posterity which must be the final arbiter of these disputes; for not only was that great Pundit and vigorous disputant unequipped with the wide linguistic & philological scholarship necessary for his work, but his method was rapid, impatient, polemical, subservient to certain fixed religious ideas rather than executed in the calm, disinterested freedom of the careful and impartial thinker and scholar. Judgment has passed on the Veda & Vedanta by default in favour of the scholastic criticism of Europe which has alone been represented in the court of modern opinion.
  Nevertheless a time must come when the Indian mind will shake off the paralysis that has fallen upon it, cease to think or hold opinions at second & third hand & reassert its right to judge and inquire with a perfect freedom into the meaning of its own Scriptures. When that day comes, we shall, I think, discover that the imposing fabric of Vedic theory is based upon nothing more sound or lasting than a foundation of loosely massed conjectures. We shall question many established philological myths,the legend, for instance, of an Aryan invasion of India from the north, the artificial & unreal distinction of Aryan & Dravidian which an erroneous philology has driven like a wedge into the unity of the homogeneous Indo-Afghan race; the strange dogma of a henotheistic Vedic naturalism; the ingenious & brilliant extravagances of the modern sun & star myth weavers, and many another hasty & attractive generalisation which, after a brief period of unquestioning acceptance by the easily-persuaded intellect of mankind, is bound to depart into the limbo of forgotten theories. We attach an undue importance & value to the ephemeral conclusions of European philology, because it is systematic in its errors and claims to be a science.We forget or do not know that the claims of philology to a scientific value & authority are scouted by European scientists; the very word, Philologe, is a byword of scorn to serious scientific writers in Germany, the temple of philology. One of the greatest of modern philologists & modern thinkers, Ernest Renan, was finally obliged after a lifetime of hope & earnest labour to class the chief preoccupation of his life as one of the petty conjectural sciencesin other words no science at all, but a system of probabilities & guesses. Beyond one or two generalisations of the mutations followed by words in their progress through the various Aryan languages and a certain number of grammatical rectifications & rearrangements, resulting in a less arbitrary view of linguistic relations, modern philology has discovered no really binding law or rule for its own guidance. It has fixed one or two sure signposts; the rest is speculation and conjecture.We are not therefore bound to worship at the shrines of Comparative Science & Comparative Mythology & offer up on these dubious altars the Veda & Vedanta. The question of Vedic truth & the meaning of Veda still lies open. If Sayanas interpretation of Vedic texts is largely conjectural and likely often to be mistaken & unsound, the European interpretation can lay claim to no better certainty. The more lively ingenuity and imposing orderliness of the European method of conjecture may be admitted; but ingenuity & orderliness, though good helps to an enquiry, are in themselves no guarantee of truth and a conjecture does not cease to be a conjecture, because its probability or possibility is laboriously justified or brilliantly supported. It is on the basis of a purely conjectural translation of the Vedas that Europe presents us with these brilliant pictures of Vedic religion, Vedic society, Vedic civilisation which we so eagerly accept and unquestioningly reproduce. For we take them as the form of an unquestionable truth; in reality, they are no more than brilliantly coloured hypotheses,works of imagination, not drawings from the life.

WORDNET



--- Overview of verb conceal

The verb conceal has 2 senses (first 2 from tagged texts)
                    
1. (8) hide, conceal ::: (prevent from being seen or discovered; "Muslim women hide their faces"; "hide the money")
2. (1) conceal, hold back, hold in ::: (hold back; keep from being perceived by others; "She conceals her anger well")










--- Grep of noun conceal
concealing
concealment



IN WEBGEN [10000/123]

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Wikipedia - Self-concealment
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Wikipedia - Swordstick -- Walking stick with a concealed sword
https://www.goodreads.com/book/show/1244447.Revealment_and_Concealment
https://www.goodreads.com/book/show/1273825.Caverns_Cauldrons_and_Concealed_Creatures
https://www.goodreads.com/book/show/13824848-caverns-cauldrons-and-concealed-creatures
https://www.goodreads.com/book/show/16032367-concealed-desire
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https://www.goodreads.com/book/show/257866.Concealment_and_Exposure
https://www.goodreads.com/book/show/27250934-high-caliber-concealer
https://www.goodreads.com/book/show/30375556-concealed-identity
https://www.goodreads.com/book/show/30848036-concealed
https://www.goodreads.com/book/show/32969919-the-unspoken-truth-about-concealed-carry
https://www.goodreads.com/book/show/5321771-the-gun-digest-book-of-concealed-carry
https://www.goodreads.com/book/show/8359374-heidegger-and-unconcealment
selforum - hers is mystery night conceals
Dharmapedia - Negationism_in_India:_Concealing_the_Record_of_Islam
https://tvtropes.org/pmwiki/pmwiki.php/Main/ClothingConcealedInjury
https://tvtropes.org/pmwiki/pmwiki.php/Main/ConcealedCustomization
https://tvtropes.org/pmwiki/pmwiki.php/Main/ConcealingCanvas
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https://tvtropes.org/pmwiki/pmwiki.php/Main/CrimeConcealingHobby
https://tvtropes.org/pmwiki/pmwiki.php/Main/FranticObjectConcealment
https://tvtropes.org/pmwiki/pmwiki.php/Main/IdentityConcealmentDisposal
https://tvtropes.org/pmwiki/pmwiki.php/Main/InhumanEyeConcealers
https://tvtropes.org/pmwiki/pmwiki.php/Main/InstitutionalAllegianceConcealment
https://tvtropes.org/pmwiki/pmwiki.php/Main/TheAllConcealingI
Highlander: the Series (1992 - 1998) - Duncan MacLeod is Immortal, and must live in modern society, concealing his true nature while fighting other Immortals. He is aided by the "watchers"who guide him to fighting evil immortals. Film contain lots of flashbacks to his past.
Total Recall(1990) - Construction worker Douglas Quaid discovers a memory chip in his brain during a virtual-reality trip. He also finds that his past has been invented to conceal a plot of planetary domination. Soon, he's off to Mars to find out who he is and who planted the chip.
The Insider(1999) - The Insider tells the true story of a man who decided to tell the world what the seven major tobacco companies knew (and concealed) about the dangers of their product. Jeffrey Wigand (Russell Crowe) was a scientist employed in research for a tobacco firm, Brown and Williamson. Not long after he was...
Perry Mason: The Case of the Scandalous Scoundrel(1987) - Perry files a suit against a tabloid publishing a fake story about him having an affair with long-time secretary Della Street. The editor also has "dirt" files on an Army General, his banker and other "clients". All of them make little-concealed verbal threats to him at a party but the person that h...
La Cage Aux Folles(1978) - Two gay men living in St. Tropez have their lives turned upside down when the son of one of the men announces he is getting married. They try conceal their lifestyle and their ownership of the drag club downstairs when the fiance and her parents come for dinner.
My Life Without Me(2003) - A young woman conceals the fact of her terminal cancer to live her life with a passion she never had before.
Blow the Man Down (2019) ::: 6.4/10 -- R | 1h 31min | Comedy, Drama, Mystery | 20 March 2020 (USA) -- Mary Beth and Priscilla Connolly attempt to cover up a gruesome run-in with a dangerous man. To conceal their crime, the sisters must go deep into the criminal underbelly of their hometown, uncovering the town's darkest secrets. Directors: Bridget Savage Cole, Danielle Krudy Writers:
Columbo ::: TV-PG | 1h 40min | Crime, Drama, Mystery | TV Series (19712003) -- Los Angeles homicide detective Lieutenant Columbo uses his humble ways and ingenuous demeanor to winkle out even the most well-concealed of crimes. Creators:
Highlander ::: TV-14 | 1h | Action, Adventure, Fantasy | TV Series (19921998) -- Duncan MacLeod is Immortal, and must live in modern society, concealing his true nature while fighting other Immortals. Stars: Adrian Paul, Stan Kirsch, Jim Byrnes
Kal Ho Naa Ho (2003) ::: 7.9/10 -- Not Rated | 3h 6min | Comedy, Drama, Musical | 28 November 2003 (India) -- Naina, an introverted, perpetually depressed girl's life changes when she meets Aman. But Aman has a secret of his own which changes their lives forever. Embroiled in all this is Rohit, Naina's best friend who conceals his love for her. Director: Nikkhil Advani (as Nikhil Advani) Writers:
LSD: Love, Sex Aur Dhokha (2010) ::: 7.1/10 -- Not Rated | 2h 35min | Comedy, Crime, Drama | 19 March 2010 (India) -- A video camcorder, a store security camera, and concealed cameras candidly expose lives in three loosely-linked tales. Director: Dibakar Banerjee Writers: Dibakar Banerjee, Kanu Behl
My Life Without Me (2003) ::: 7.5/10 -- R | 1h 46min | Drama, Romance | 7 March 2003 (Spain) -- A young woman conceals the fact of her terminal cancer to live her life with a passion she never had before. Director: Isabel Coixet Writers: Isabel Coixet, Nanci Kincaid (book)
School Ties (1992) ::: 6.9/10 -- PG-13 | 1h 46min | Drama | 18 September 1992 (USA) -- Set in the 1950s, a star-quarterback is given an opportunity to attend an elite preparatory school but must conceal the fact that he is Jewish. Director: Robert Mandel Writers:
The Red House (1947) ::: 6.8/10 -- Approved | 1h 40min | Drama, Film-Noir, Mystery | 1947 (UK) -- An old man and his sister are concealing a terrible secret from their adopted teen daughter, concerning a hidden abandoned farmhouse, located deep in the woods. Director: Delmer Daves Writers: George Agnew Chamberlain (novel), Delmer Daves (written for the screen by)
Versus (2000) ::: 6.4/10 -- R | 1h 59min | Action, Drama, Fantasy | 20 February 2002 (France) -- There are 666 portals that connect this world to the other side. These are concealed from all human beings. Somewhere in Japan exists the 444th portal.... The forest of resurrection. Director: Ryhei Kitamura Writers: Ryhei Kitamura (screenplay), Yudai Yamaguchi (screenplay) Stars:
https://dnd4.fandom.com/wiki/Concealed_Conspirators
https://dnd4.fandom.com/wiki/Concealed_Shift
https://dnd4.fandom.com/wiki/Concealing_Shades
https://dnd4.fandom.com/wiki/Concealment
https://dnd4.fandom.com/wiki/Emerald_Scale_Concealment
https://dnd4.fandom.com/wiki/Peripheral_concealment
https://elderscrolls.fandom.com/wiki/Concealed_Weapon
https://elderscrolls.fandom.com/wiki/Concealed_Weapons
https://elderscrolls.fandom.com/wiki/The_Concealing_Veil
https://facialcleansingproducts.fandom.com/wiki/Clean_&_Clear_Concealing_Treatment_Stick
https://forgottenrealms.fandom.com/wiki/Armor_of_concealed_wizardry
https://forgottenrealms.fandom.com/wiki/Jellaba_of_concealment
https://memory-alpha.fandom.com/wiki/The_Hazard_of_Concealing
https://nwn.fandom.com/wiki/Concealment
https://tardis.fandom.com/wiki/Concealed_Weapon_(audio_story)
https://wowwiki-archive.fandom.com/wiki/Shroud_of_Concealment
Babylon -- -- Revoroot -- 12 eps -- Novel -- Mystery Psychological Thriller -- Babylon Babylon -- In the newly formed Shiniki district of Tokyo, Zen Seizaki is a diligent public prosecutor at the Tokyo District Public Prosecutors Office. Assigned to a case involving false advertisement, Zen—along with his assistant officer, Atsuhiko Fumio—investigate Japan Supiri, a pharmaceutical company that had provided fabricated clinical research on the company's new drug. While investigating the file of Shin Inaba, an anesthesiologist connected to the crime, the case takes a dark turn when Zen finds a page stained with a mixture of blood, hair and skin, along with the letter "F" scribbled all across the sheet. As he investigates further, the case goes beyond Zen's imagination and becomes vastly complex, challenging his sense of justice and his knowledge of the truth. -- -- Digging deeper into the investigation, Zen begins to uncover a concealed plot behind the ongoing mayoral election and ties to many people of interest involved in the election and those closer than he thinks. The case grows more severe and propels Zen into an unforeseen hurricane of corruption and deceit behind the election, the establishment of the Shiniki district, and the mysterious woman associated with it all. -- -- -- Licensor: -- Sentai Filmworks -- 107,289 6.80
Biohazard: Infinite Darkness -- -- Quebico -- ? eps -- Game -- Action Sci-Fi Horror -- Biohazard: Infinite Darkness Biohazard: Infinite Darkness -- The Netflix series will tell its new story across two timelines. In the first, 14-year-old sisters Jade and Billie Wesker are moved to New Raccoon City. A manufactured, corporate town, forced on them right as adolescence is in full swing. But the more time they spend there, the more they come to realize that the town is more than it seems and their father may be concealing dark secrets. Secrets that could destroy the world. The second, more than a decade into the future sees less than 15 million people left on Earth. And more than 6 billion monsters — people and animals infected with the T-virus. Jade, now 30, struggles to survive in this new world, while the secrets from her past — about her sister, her father and herself — continue to haunt her. -- -- (Source: ANN) -- ONA - ??? ??, 2021 -- 1,612 N/AOretacha Youkai Ningen -- -- DLE -- 25 eps -- Original -- Demons Horror Parody -- Oretacha Youkai Ningen Oretacha Youkai Ningen -- (No synopsis yet.) -- 1,612 N/A -- -- Youshou -- -- - -- 2 eps -- - -- Demons Hentai Horror -- Youshou Youshou -- Justice has never been so naked! -- -- A super-secret cult of lesbians performs erotic experiments on bodies from the local hospital! Their purpose: to revive the spirit of their ancient leader in a virile human form. Now it's up to the Midnight Strike Force, a team of busty justice fighters, to go undercover (and under the covers) to stop the nefarious acolytes before they succeed in their diabolically dirty schemes! -- -- (Source: Critical Mass Video) -- OVA - Feb 11, 2001 -- 1,599 5.21
Detective Conan Movie 03: The Last Wizard of the Century -- -- TMS Entertainment -- 1 ep -- Manga -- Adventure Mystery Comedy Police Shounen -- Detective Conan Movie 03: The Last Wizard of the Century Detective Conan Movie 03: The Last Wizard of the Century -- Kaitou Kid dares to challenge the police once more, setting his sights on the Russian Imperial Easter Egg. With the date, time, and place, the Osaka police force scrambles to stop him. But this time, Kid may have bitten off more than he can chew—Conan Edogawa, Heiji Hattori, and numerous others are also trying to get their hands on the jeweled egg. -- -- As the race for possession of the egg escalates, a string of murders threatens those after it, and at the same time the tragic truth behind the Romanov Dynasty is finally revealed. At the center of these developments, it is up to Conan to solve the gruesome murders and catch Kid, all while protecting those close to him and concealing his identity. -- -- -- Licensor: -- Funimation -- Movie - Apr 17, 1999 -- 52,131 8.04
Detective Conan OVA 04: Conan and Kid and Crystal Mother -- -- TMS Entertainment -- 1 ep -- Manga -- Adventure Mystery Police Shounen -- Detective Conan OVA 04: Conan and Kid and Crystal Mother Detective Conan OVA 04: Conan and Kid and Crystal Mother -- Once again, Kaitou Kid has a target in mind: the Crystal Mother, Europe's largest topaz owned by Queen Selizabeth of the Principality of Ingram. He intends to steal this jewel while the Queen is stuck on a train from Tokyo to Osaka. However, Kid's abilities are put to the test, as the Queen has already concealed the gem somewhere aboard the train. -- -- Conan Edogawa, who is among train's passengers, suspects an attack from the phantom thief and begins investigating on his own, while Inspector Ginzou Nakamori is ready for a new confrontation against the elusive jewelry robber. -- -- OVA - ??? ??, 2004 -- 14,818 7.51
Fudanshi Koukou Seikatsu -- -- EMT Squared -- 12 eps -- 4-koma manga -- Slice of Life Comedy School Shoujo -- Fudanshi Koukou Seikatsu Fudanshi Koukou Seikatsu -- Ryou Sakaguchi is a totally normal high school student, aside from his single unusual hobby. Sakaguchi is a fudanshi—a man who loves reading "boys' love" manga, and fantasizing about the gay potential he sees everywhere. He has only one wish before he dies: to find himself some friends that understand his secret passion. -- -- His wish comes true, as Sakaguchi begins to uncover a host of interested parties. There's Rumi Nishihara, a closeted fujoshi who is more than eager to discuss the joys of boys' love with Sakaguchi; the flamboyantly gay leader of the school's cooking club, Yuujirou Shiratori, who makes no effort whatsoever to conceal his sexuality; Akira Ueda, Shiratori's diligent admirer, who will do anything for the love of his life; and even the mischievous Daigo, a fellow fudanshi and popular author of boys' love doujinshi. Standing by their sides throughout all the otaku chaos is Sakaguchi's best friend, Toshiaki Nakamura, who only wishes his classmates would start acting more like normal people. -- -- 58,239 6.54
Horimiya -- -- CloverWorks -- 13 eps -- Manga -- Slice of Life Comedy Romance School Shounen -- Horimiya Horimiya -- On the surface, the thought of Kyouko Hori and Izumi Miyamura getting along would be the last thing in people's minds. After all, Hori has a perfect combination of beauty and brains, while Miyamura appears meek and distant to his fellow classmates. However, a fateful meeting between the two lays both of their hidden selves bare. Even though she is popular at school, Hori has little time to socialize with her friends due to housework. On the other hand, Miyamura lives under the noses of his peers, his body bearing secret tattoos and piercings that make him look like a gentle delinquent. -- -- Having opposite personalities yet sharing odd similarities, the two quickly become friends and often spend time together in Hori's home. As they both emerge from their shells, they share with each other a side of themselves concealed from the outside world. -- -- -- Licensor: -- Funimation -- 573,127 8.29
Kurozuka -- -- Madhouse -- 12 eps -- Manga -- Action Drama Historical Horror Romance Sci-Fi Vampire -- Kurozuka Kurozuka -- Adaptation of Takashi Noguchi's manga, which itself adapts Baku Yumemakura's supernatural romance novel. -- -- The original novel is about a 12th-century man named Minamoto no Yoshitsune (Kurou). Kurou flees into the mountains after losing to his brother Minamoto no Yoritomo, the first Shogun to rule all of Japan. History records that he committed suicide, but instead, Kurou meets a strange, beautiful woman named Kuromitsu in her mountain hermitage. Eventually, Kurou falls in love with Kuromitsu, but then realizes she conceals a dark secret. He learns that he is unable to die and continues to live for a thousand years as Japan evolves into a future society. -- -- (Source: ANN) -- TV - Oct 7, 2008 -- 83,462 6.92
Ninja Slayer From Animation -- -- Trigger -- 26 eps -- Novel -- Action -- Ninja Slayer From Animation Ninja Slayer From Animation -- Ninja... Ninja were... merciless demi-gods, ruling Japan with their karate in the age of ninja tranquillity. But, "some" committed a forbidden form of hara-kiri storing their souls at Kinkaku Temple for future resurrection. Their lost history was falsified and concealed and the truth about these ninja was long forgotten. -- -- Now, in the future where the universalization of cybernetic technology and electronic networks are God, suddenly, sinister ninja souls, resurrected from thousands of years past are unleashed on the dark shadows of Neo-Saitama. Fujikido Kenji, is a salaryman whose wife and child were killed in a ninja turf war. In a brush with his own death, Fujikido is possessed by an enigmatic ninja soul. Fujikido cheats death and becomes Ninja Slayer. A Grim Reaper destined to kill evil ninja, committed to a personal war of vengeance. -- -- Set in the dystopian underworld of Neo-Saitama, Ninja Slayer takes on Soukai Syndicate ninjas in mortal combat. -- -- (Source: Animanga wikia) -- -- Licensor: -- Funimation -- ONA - Apr 16, 2015 -- 38,282 6.60
Nogizaka Haruka no Himitsu: Purezza -- -- Diomedéa -- 12 eps -- Light novel -- Comedy Ecchi Romance -- Nogizaka Haruka no Himitsu: Purezza Nogizaka Haruka no Himitsu: Purezza -- Haruka's manga and anime hobby is still concealed by her dear friend Yuuto, but Yuuto's other female friend starts to feel affection and attraction towards him, so a feelings war begins among their circle of friends. Meanwhile Yuuto tries to make Haruka happy doing what she likes the most: drawing manga, watching anime, and attending special anime events. -- -- (Source: ANN) -- -- Licensor: -- Discotek Media -- TV - Oct 6, 2009 -- 64,150 7.19
Shiyan Pin Jiating -- -- BigFireBird Animation -- 12 eps -- Web manga -- Sci-Fi Slice of Life -- Shiyan Pin Jiating Shiyan Pin Jiating -- Tanis, a child genius, is the youngest son of two mad scientists. His family has spent their lives withdrawn from normal society living on an isolated island, where the couple conducts experiments on Tanis' siblings that result in them gaining abnormal abilities. However, this activity is put to a stop when they are caught and arrested. -- -- Tanis is brought by government officials to a more populated island, alongside his four siblings: Snow, a dog-human hybrid; Ashise, a plant-human hybrid; Aisley, a spider-human hybrid; and Suishi, a mind-reader. Being the only one who has not been genetically modified, Tanis takes on the responsibility of adapting his siblings to society, all while trying to conceal their' distinctive characteristics. -- -- ONA - Apr 9, 2018 -- 38,656 6.35
Ueno-san wa Bukiyou -- -- Lesprit -- 12 eps -- Manga -- Comedy Romance Seinen -- Ueno-san wa Bukiyou Ueno-san wa Bukiyou -- As the head of her middle school's science club, it's only fitting that Ueno is also a brilliant inventor. With devices that can convert any liquid into drinkable water, deodorize the most foul smells, or even generate dark matter to be used as a means of concealment, it seems like nothing is beyond Ueno's capabilities. However, she doesn't invent these devices for the advancement of mankind. Rather, the one force that motivates her is love, the only phenomenon she can't quite figure out. -- -- Ueno is head over heels for Tanaka, her nonchalant fellow club member. Yet, because she is too nervous to confess her love and he is too oblivious to notice her affection, her love life is completely stagnant. In Ueno's mind, if she could just expose him to perverted situations, then surely he'd get flustered and fall for her, right? Assisted by her stone-faced classmate and dedicated wingwoman Yamashita, Ueno employs her many inventions on Tanaka in a lewd manner in hopes that he may one day understand how she feels. -- -- 87,391 6.62
Vexille: 2077 Nihon Sakoku -- -- Oxybot -- 1 ep -- Original -- Action Military Sci-Fi -- Vexille: 2077 Nihon Sakoku Vexille: 2077 Nihon Sakoku -- In an alternate 21st century, the robotics industry undergoes a period of rapid advancement worldwide. By the year 2050, Japan has firmly established itself as the leader in robotic technology and manufacture with Daiwa Heavy Industries. As the technology evolves to include robotic enhancements to the human body, the blurring of the line between man and machine triggers a sudden shift in world opinion. In response, the U.N. passes a unilateral ban of further research and development on robotics in 2067. Japan fiercely objects to this ban, but is unable to prevent its passage. In protest, Japan withdrew from international politics and chose to pursue a policy of high-tech national isolation. While only trade continues, Japan disappears from the world scene. -- -- Ten years later, a series of bizarre incidents lead the American technology police agency SWORD to believe that Japan has concealed extensive development of banned technologies through the use of the RACE network. SWORD dispatches a unit of special agents to infiltrate Japan and gather intelligence on the country. Vexille, a veteran agent among the group, uncovers the horrifying truth behind the ten years of isolation. -- -- Licensor: -- Funimation -- Movie - Aug 18, 2007 -- 17,675 6.94
Commission on Concealed Mass Graves in Slovenia
Concealed carry
Concealed Carry Reciprocity Act of 2017
Concealed hinge jig
Concealed ovulation
Concealed shoes
Concealer
Concealing-Coloration in the Animal Kingdom
Concealing objects in a book
Concealment device
Concealment of birth
Ideal Conceal
List of games with concealed rules
Packet loss concealment
Preventing Persons from Concealing Their Identity during Riots and Unlawful Assemblies Act
Self-concealment
Students for Concealed Carry
Tactical reconnaissance and counter-concealment-enabled radar



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